#identity is honestly such an important theme to them both
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falseficus · 2 years ago
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I read a physical copy of monstrous regiment soon after listening to the audiobook, and I noticed two tiny discrepancies between the two editions that make an absolute world of difference. when I found out that these discrepancies existed (you’ll find reddit posts backing me up about them), I felt cheated that my first experience of the book had portrayed a less cohesive arc than pratchett intended
if you’re looking to buy or read monstrous regiment, I strongly recommend the doubleday 2003 version or the corgi 2004 version, which iirc contain the original text. The harper collins publications and audiobook both contain these changes, which imo are confusing and severely undercut the themes the book is trying to get across. if anyone knows the status of other editions of the book pls feel free to add on
obviously the audiobooks and ebooks are more accessible than physical books to some people, so if you read one of those just know that the original text is different in some key ways. I still recommend you read the book because it’s crazy good :)
the changes I noticed, beneath the cut to avoid some serious spoilers:
firstly, the last line of Jackrum’s last scene. in the Doubleday version, this line reads:
“Jackrum had turned her chair to the fire, and had settled back. Around him, the kitchen worked.”
in the harpercollins version, the line reads:
“Jackrum had turned her chair the the fire, and had settled back. Around her, the kitchen worked.”
this pronoun change is actually has huge implications. in the scene in question, jackrum, a transgender man, reveals that he joined the army in disguise. he is referred to as “she” throughout his background reveal. however, he then considers where his future will take him, and in the final line of the scene his pronoun reverts back to “he.” jackrum’s pronoun goes from he->she->he, encapsulating the gendery arc of the scene. however, in the altered he->she->she version of the scene, half of that circle is erased. the neat tie-up of jackrum’s journey is left confusingly unresolved, and the importance of his gender to the book’s overarching themes goes underemphasized
the second change I noticed is how maladict appears in the book’s ending:
in the Doubleday version, maladict appears “in full uniform.”
in the harpercollins version, maladict appears “in full female uniform.”
maladict is the last soldier to reveal [their] true gender, keeping up a masc/ambiguous presentation far after all the rest of the squad has come forward as women. “in full uniform” maintains this ambiguity, allowing the reader to decide for themself whether maladict comes forward and presents as fully female or continues to dress masculinely despite the fact that circumstances no longer require it (in fact I believe that the latter is more likely, as maladict says “thought I’d try again,” which could mean dressing in male uniform again). “in full female uniform” removes that ambiguity, and brings maladict’s arc to a somewhat unsatisfying conclusion. it eliminates the possibility of maladict as transgender or gender-non-conforming, and I’m left wondering, “if maladict presents as female so readily, why make such a fuss of it before now?”
both changes undermine the book’s message by eliminating its space for non-cisnormative identity… which is kinda crucial to the whole idea. im honestly really disappointed that these changes were made in any version of the book, because whoever made them clearly didn’t get the point
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northopalshore · 10 months ago
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🎐6th House Synastry
: Acts of service
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Opener:
🍃 Someone's stellium in your 6th house & vice versa is honestly one of my favourite things to see in a romantic synastry chart. The amount of times I've seen this just written down as one person being enslaved to the other person is crazy.
🍃Of course it could be the case if other aspects line up or if this is a synastry chart between an employee and their boss but it's not going to be like that for every person reading. Especially not in a romantic/close relationship.
🍃Depending on the rest of your charts of course, this could also mean that both parties will make an excellent team i.e doing housework, handling chores, groceries and children if they have any.
🍃There is a theme of acts of service as a means to show how much they care for each other. At first, the stellium person/planet person will feel a natural pull to help the house person be it with the smallest things in their life. It sort of develops into a habit. As time progresses, this habit will also latch onto the house person as they see it is a natural way to reciprocate the appreciation towards the stellium/planet person.
🍃This is common in synastry charts of people who have been married for a very long amount of time.
🍃This is because the 6th house represents daily life. Having someone's personal planets in your 6th house means that part of their lives ( depending on the planet ) fits naturally into your daily routine. Common in couples who are mature & devoted to each other, not the fling type honestly.
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Planets in the 6th house
🧤 Having their Sun in your 6th house:
means that their identity, their ego, and self expression align with your daily life. They could enjoy being around you every day even when all you're doing together is laying around watching a streaming service. It's important for them to feel needed & appreciated by the 6th house person.
🧤 Their Moon in your 6th house:
You'll love having each other around to cope with the stress of your daily lives. The moon person uses acts of service as a way to show their closeness or appreciation to you. Feeling loved by being cared for.
🧤 Their Saturn in your 6th house:
You'll feel like they bring stability into your life. If you're the type to lose track of your medication, they will be the ones to remind you or even buy you one of those weekly pill capsules. How cute!
🧤 Their Mars in your 6th house:
The mars person will be a motivator & protector to the 6th house person. They may encourage you to be more physically active, taking care of your physical needs. Going on walks together, going to the gym together. They may also be quite possessive of your time i.e prefer not to share one on one time with other people.
🧤 Their Mercury in your 6th house:
They love giving you advice on how to improve your health, work ethics, and routine. They could unconsciously be thinking about your wellbeing when you are apart.
🧤 Their Venus in your 6th house:
They could love to have dates at home, spa nights, their perfect date plan would include a long deep soak in the bath with rose petals & bubbles in the water after a long hard day at work. Both will be on similar wavelength in terms of love languages. Bringing home flowers, building furniture to help you organise your stuff.
🧤 Their Uranus in your 6th house:
They might shake up your routine in a way. (i.e before you met you just stayed home all day and now you're going out with them more often)
🧤 Their Pluto in your 6th house:
They'll change the way you live, or you work. They could either make it easier i.e taking all the responsibility away from you by providing so you don't have to work, or add an extra person to your routine i.e them lol.
🧤 Their Jupiter in your 6th house:
They could bring luck into your work life, & may expand your to-do list i.e adding events into your life. You'll find that they are very supportive of you & may spoil you with material things. They may add emphasis into this aspect of your life i.e overindulgence in healthcare, over exercising depending on other aspects. They will act as a friend & guide to you when it comes to work, chores & health.
🧤 Their Chiron in your 6th house:
Their presence is very healing to the 6th house person. They may teach you whatever has plagued your mind about chores will not harm you anymore i.e growing up in a misogynistic household where you had to do all the chores. They could experience some fatigue in this area however. Perhaps they may be feeling overworked too if there is no reciprocation in terms of helping the other with housework.
🧤 Their Neptune in your 6th house:
Playing music could be a theme when doing housework together or when on dates together. There could be an emphasis on religion or spirituality between the both of you. Their presence may be very healing or vice versa in your routine.
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The difference i.e how this overlay plays out between the couple depends on the sign the 6th house is under.
6th house in the signs
🌬️ Aries:
They might be quite fussy when it comes to chores. Wanting everything to be done quickly & not necessarily tidy. They will be the first to do anything for the 6th house person however, even if they complain about disliking it.
🌬️ Taurus :
Very romantic. The planet person may love cooking for the 6th house person. They may prefer to do chores when they are together instead of doing it alone.
🌬️ Gemini:
The planet person may give a lof of advice to the 6th house person helping them find better ways to do their routine i.e teaching them better folding methods to save their time. They'll add more entertainment & enthusiasm to the 6th house person's routine.
🌬️ Cancer:
Very soft, caring & gentle. Both parties want to provide eachother with as much affection and comfort into their routine/daily life as possible.
🌬️ Leo:
The planet person takes a very romantic & flamboyant approach into caring for the 6th house person. Both parties will enjoy adding fun & romance into their daily routine.
🌬️ Virgo:
Similar to Aries in which they can act tsundere about doing chores, however, there is this natural affinity to wanting to do things for the 6th house person. Making sure everything is done perfectly. They want to be seen as valuable to their partner.
🌬️ Libra:
Similar to Taurus. Both parties make sure that nobody feels underappreciated. Meaning the 6th house person will do just as much as the planet person does for them.
🌬️ Scorpio:
When the planet person starts doing things for you, you better acknowledge that they consider you as someone to love in the long-term. They may prefer to do things that nobody else would do for the 6th house person.
🌬️ Sagittarius:
They may enjoy taking you out on spontaneous dates often. Getting you out of the house or out of a rut. When doing chores, they'll try to make it as entertaining as possible.
🌬️ Capricorn:
Sugar daddy/mommy vibes lol. The planet person will likely enjoy doing most of the traditional responsibilities in a partnership i.e paying for dates, taking care of the house.
🌬️ Aquarius:
Adding spontaneity into the 6th house person's life i.e unplanned dates. Being more rebellious & innovative in terms of work . Preferring to dress up strangely (costumes) at home while doing the dishes lol.
🌬️ Pisces:
They may romanticise their chores, daily life & routine. Adding more spiritual or religious aspects into the house person's life. They may prefer to indulge eachother in holistic healing over modern healthcare.
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*** entertainment purposes only: reader discretion is advised***
Thank you for reading ⁠♡
@northopalshore
@northopalshore synastry astrology 2024 all rights reserved. Disclaimer
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hungermakesmonsters · 6 months ago
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The Red Ribbon
Chapter Two
Plot Summary : By day you’re Billy Russo’s clumsy PA, but by night you’re a host at New York City’s most exclusive gentlemen's club. At The Red Ribbon everyone is anonymous and masks conceal the identities of patrons and hosts alike. But your two lives are about to collide and Billy Russo is about to see a whole new side of you without even realising it..
Pairing : Billy Russo x Reader
Story Rating : R 
Warnings : [This is a fic for 18+ only, minors DNI] Smutty behaviour. All chapters will deal with smutty themes and include mentions/suggestions of sex work/work at a gentlemen's club (don't like, don't read). Please check the warnings on each chapter if you choose to follow this story. 
Word Count : 6.1k
A/N : I was feeling well enough to finally get this chapter finished!
CHAPTER ONE
Master List
Chapter Two
The morning after, it felt like it had all been part of some weird, misremembered dream. The kind of dream that you’d wake from with a sense of longing, wishing that a man like that could be real. But it hadn’t been real. That was the point of The Red Ribbon; nothing that happened there was real.
Still, you found yourself thinking about those dark eyes, about your little game and the things he’d let slip about himself.
Not to mention the way he’d promised to find you again. 
You laid in bed, staring up at the ceiling, thinking about how things might be if your life was just a little bit different, if you’d met him somewhere else.
But that was stupid. If you’d met him outside of The Red Ribbon, it would have been you and not Bunny that he’d met, and you were certain that he wouldn’t like who you were behind the mask.
Reluctantly, you pulled yourself from your warm bed and got ready for your day. As you stepped into the foyer of Anvil, you hoped that Mr Russo wouldn’t be there and that he’d been lying about turning up at 5am. All you wanted was a nice, quiet morning where you could get things done without him making you feel like crap.
But you weren’t that lucky. 
As you reached your desk, you could hear him on the phone - you only caught snatched words, but it sounded like he was trying to describe someone - but you thought nothing of it as you sat down and opened your laptop.
You were gifted ten wonderful minutes before his office door opened.
“I need everything we have on the Harris deal and I want my lunch at one,” he instructed.
“Yes, Mr Russo,” you said automatically, reaching for a pen. “What would you like for lunch?”
“Fettuccine Alfredo,” he said, “But get it from that place on 53rd, not the place on 38th.”
“Okay. And do you want your morning coffee yet?”
“Yes. In fact, get it as soon as you’ve pulled those files for me,” he continued before pausing a beat, “and don’t make a mess of them.”
“Okay.”
Then he was gone, leaving you to diligently set about your tasks for the day. 
Getting his coffee went without a hitch, and so did his lunch order, but the files he requested weren’t so easy. 
You managed to get almost all of them ready for him, but there was one - an important financial document, that was giving you problems.
You stared at the screen, trying every way you knew to open the files, only to be met by the same Corrupted File message. You called down to IT, desperately begging someone to come and have a look.
You’d met Ryan on your first day with Anvil, he’d help set up your laptop and give you access to everything you’d need to do the job and, since then, you’d struck up something of a work-friendship with him. 
He leaned over you, looking at your laptop, clicking the file and going through - whatever tech magic it was that he thought might salvage the file. Eventually, he managed to find the file and you quickly sent it to print.
“There you go, nothing to it,” he said, smiling down at you, still leaning ever-so close to you.
“You’re a lifesaver, Ryan. Honestly, you have no idea how much shit I’d be in if -”
Ryan pulled back at the sound of a door opening and you both turned to find Billy Russo standing there.
“I was about to ask why my lunch was late, but I guess I don’t have to,” he said in that cold tone he seemed to reserve just for you.
Your eyes widened as you looked at the clock - fuck-fuck-fuck, you were supposed to have picked up his lunch twenty minutes ago.
Ryan muttered something of an apology and hastily made his way towards the door, seeing himself out.
Quickly, you got to your feet, knocking your desk and causing your water bottle to topple, soaking the desk as it rolled off and onto the carpet. You cringed, watching as water dripped off the desk and started to create a puddle on the floor.
“Jesus Christ, can’t you do anything without fucking up?” Russo sighed.
“I’m sorry, Mr Russo - there was an issue with one of the files so -”
“So you had to call someone from IT to come and flirt with you?” He said harshly. “Look, I don’t care about excuses, I just want you to do your fucking job, okay? It’s not fucking hard.”
“Yes, Mr Russo.”
“Now, clean up this fucking mess, and go get me my lunch. If you don’t have it on my desk before my meeting at two, don’t bother coming in tomorrow.”
You managed to hold back tears until his office door was shut, but you didn’t have time to wallow and cry, no matter how much you felt like you needed to. You threw yourself onto hands and knees and quickly mopped up the spillage before racing out of the building to hail a taxi.
He barely even bothered to look at you when you returned with his lunch with only fifteen minutes to spare, and you were almost certain that he’d wanted you to fail. He wanted a reason to fire you.
Dread followed you for the rest of the day, filling your chest like a weight that dragged you down the depths of despair. You weren’t sure what you’d do if you lost your job at Anvil, especially since you were certain that Mr Russo wouldn’t exactly offer you a glowing reference.
On your way home, you checked your bank account and realised that, once again, you were reaching the end of your overdraft. If you lost your job you were going to run out of money and then...
You didn’t want to think about then...
The next day followed the same pattern; the barista at Starbucks managed to fuck up Mr Russo’s coffee order, so he took it out on you, sending you back to get him fresh cup, despite the freezing cold rain.
By the time you were at home preparing for your next shift at The Red Ribbon, you knew what you were going to have to do.
You got there early, before the club even opened and, instead of getting changed straight away, you headed to the manager’s office. Fortunately, unlike your boss at Anvil, Val who ran The Red Ribbon was a lot more... approachable.
You went in with a whole speech prepared, about how you wanted to change your limits, but it wasn’t really needed.
Negotiated touching, meaning that physical touch wasn’t entirely off the table but patrons shouldn’t expect it. They would need to ask or, if the situation called for it, you would need to ask. And, still, you got to set your own limits, you got to say no and have Rocky deal with anyone who pushed your boundaries.
“Are you sure?” Val asked, looking for any sign of doubt. You gave a nod, not trusting your voice to not betray you. “And just what brought on this change of heart?”
You couldn’t tell her about Anvil, about the day job you were certain you were going to lose; it was too high profile, too dangerous, she’d see it as a conflict of interest, and the last thing you needed was for her to fire you.
You managed a shrug. “I just figured it was time. My rent is going up next month and I’m sick of scraping to get by.”
By rights you shouldn’t have been scraping by at all, even with just the money that you made from working at The Red Ribbon. Val shot you a questioning look, but she didn’t say anything, didn’t ask how you managed to burn through so much money so quickly. Everyone at The Red Ribbon had their own stories, you supposed, and you were no different and, while Val always did what she could to make sure everyone was safe and content, ultimately, she was there to make money too.
“Okay, as long as you’re sure you’re happy doing this.”
“I am. Really. I’ll be fine.”
And, that was that.
As you stepped out onto the club floor that night, wearing the fox mask, you were greeted by Rocky. It quickly became clear he knew that you’d changed your limits and, as he fitted your security bracelet for the evening, he was very clear about what you should do if you felt uncomfortable even for a second. Then, he followed you to the fox room and told you he’d be right outside all night.
Everything was fine.
It was shocking just how fine everything was. While touching was allowed, all you got was the occasional pat on the shoulder, a gesture that you returned in kind, but even with just that, you saw an increase in your tips by the end of the night.
Over the next few days, you found yourself almost forgetting about Tall, Dark and Handsome, as you lost yourself in trying to keep your head above water at Anvil, and making more money at The Red Ribbon.
It was a week to the day that you stood in front of the board, checking your room assignment for the night when you noticed that you were in the cat room, one of the smaller rooms in The Red Ribbon, usually only used when there were one or two patrons that wanted private service. There was a note beside your name in brackets; by request. 
Some of the hosts had repeat customers, people who were so impressed by their skills that they requested the same host every time, but it was the first time that it had ever happened to you.
It was him.
It had to be him.
Your heart stuttered as you made your way to the cat room, saying a quick hello to Rocky as you got your bracelet fitted. He must have sensed your nervousness because he asked you if you were alright, if you needed him outside the door just in case. You shrugged him off, told him it was fine.
You’d never hosted in the cat room before, so you took a few minutes to familiarise yourself with it and to make sure everything was clean and comfortable.
Then the door opened and your heart threatened to stop completely.
“Bunny.”
His voice sent a shiver down your spine and brought a smile to your lips.
You tapped the cat mask on your face. “Not tonight.”
“You can put on any mask you want but you’ll still be my Bunny,” he said without a second of hesitation.
(His Bunny?)
Your breath caught as he stepped towards you, your head tilting back slightly the closer he got so that you could see his dark eyes.
“I told you I’d find you again,” he said.
“You did,” you said, trying desperately to calm your racing heart. “Though, I’m not sure if it counts as cheating to pay to find me.”
You smirked at him and watched as he considered the comment.
“I play to my strengths,” he said, shrugging.
“Money is a strength?”
“It is if you have it,” he answered.
He took another step, until there was no space left between you.
“Can I -” he started to ask but then seemed uncertain of something, “- am I allowed to touch you?”
His hand flexed as his side, his fingers seemed to itch and strain, wanting nothing more than to reach for you.
“Yes,” you answered softly, breathlessly.
Slowly, cautiously even, he reached for you, placing his hand on your cheek, just below the mask. Your eyes closed and you leaned into the warmth of his hand.
“What changed?” He asked, still sounding uncertain.
It took you a couple of seconds to figure out what he meant; when you’d last seen him a week ago, you’d been strictly hands off but, now, you were letting him touch you. You shrugged and shook your head a little.
“Doesn’t matter.”
Your hand rose to hold his, keeping it pressed against your cheek for a few more seconds before pulling it away and using it to lead him towards the sofa.
With a playful smile, you pushed him down onto the sofa and reached down to frame his face with your hands. As he looked up at you, it struck you just how tired he looked, and it brought about a strange want inside of you; the desire to take care of him.
“Let me get you a drink,” you said softly, lingering for a few more seconds before pulling away from him.
The bar was a lot smaller in this private room than the one you’d met him in, mostly meant for solo patrons and mostly those that wanted to do a lot more than just touch. Still, the bar was well stocked, and it took you no time at all to fill a glass with some ice and pour him a healthy measure of scotch.
When you returned to him, he took the glass from your hand and looked at you with some confusion as you sat beside him, your leg pulled up onto the sofa so you could face him better.
“Seriously, what changed?” He asked again.
“Maybe I was just optimistic that you’d find me again,” you answered with a shrug.
“So you’re... you’re okay?”
Of course, you knew where the thought had to have come from; he couldn’t wrap his head around the fact that you were willing to let masked strangers touch you for money, and that there had to be some terrible reason behind it.
“I’m fine,” you told him, reaching to cup his cheek, “so stop worrying about me and drink your drink.”
As if taking your words as a challenge, he lifted his glass and knocked it back in one go. Then, he seemed to settle a little, sitting back and fixing his dark eyes on you. You relieved him of the empty glass and placed it on the table, quickly returning your full attention to him.
“You look tired,” you said, the hand on his cheek moving, slipping your fingers into his hair.
“It’s been a long week.”
His eyes flickered shut and you heard him let out a soft sigh.
“Want to talk about it?”
His head shook, eyes still closed. “Just work stuff I’d rather not think about.”
“Then what do you want to think about?” You asked playfully, hoping to lighten his mood.
“You.”
“What about me?” You prompted, still running your fingers through his hair.
“You kissed me.”
“I did.”
“Why?”
“Because I wanted to,” you said, letting your fingers still for a moment.
Your breath caught as his eyes opened and he looked at you again. There was something so unreadable in his dark eyes and you couldn’t tell if it was a warning or a promise. He didn’t say anything so you continued.
“And, I think you wanted me to kiss you,” you said before pausing for a beat. “Didn’t you?”
That got a smile from him, that same little smirk that had been stuck in your mind since the last time you’d seen him.
“Wanted to do more than kiss you, Bunny.”
“Yeah, you did,” you said, barely holding back a smirk.
He laughed, daring to reach for you again, his hand on your cheek, his thumb brushing over your lips.
“What is it about you?” He asked softly. “How is it that I feel so at ease when I'm with you?”
Your heart stuttered in your chest and you felt heat creep across your cheeks. It took every ounce of common sense at your disposal to remind yourself that the moment wasn't real and that, if he was face to face with the real you, he probably wouldn't be interested.
“The mask,” you offered, “or the fact that there's no expectations beyond this moment. We can be whoever we want to be right now and no one can say that we can't.”
“And who do you want to be right now, Bunny?”
“I want to be your Bunny.”
He seemed almost taken aback by your answer, shifting in his seat, leaning closer to you.
“You want to be mine?”
“For the night.”
“Just for the night?”
Your expression softened and turned into something a little sadder, knowing that you couldn't indulge him even though some part of you desperately wanted to.
“Let's not ruin it by thinking about later,” you said, forcing a smile to your lips. “Let's just enjoy now. Do you want another drink?”
“No, I want another kiss,” he said with all the confidence of a man who usually got exactly what he wanted.
“Oh, you do, do you?” You asked playfully.
Your fingers stilled and, instead, lightly gripped his hair as you lost yourself in his gaze. You knew that you were playing a dangerous game and, while you might have wanted to tell yourself that it was just the job and that all of this was just because he had paid for your time,  there was more to it than that. It was silly but, some part of you wanted it to be real.
After the week you’d had, you wanted a moment where you didn’t feel useless, a moment where you felt wanted, even if the whole thing was just some ridiculous fantasy.
And, maybe, that was exactly what he wanted too, some escape from reality for an evening.
“I do,” he said, but made no attempt to close the distance between you.
He was giving you the choice. He wasn’t demanding or forcing it just because he was paying for your time.
With a smile on your lips, you leaned towards him and kissed him. It was nothing special, just a light peck on the lips, but it felt like so much more. It felt like a promise, an offer of something wonderful, but only for the next few hours.
His hand slipped to your neck, fingers resting above your racing pulse, and you could tell from the slight narrowing of his eyes he could tell that your heart was beating for him in that moment.
“Thank you,” he said softly.
“Don’t thank me. I wanted to kiss you.”
Reluctantly, you let your fingers slip from his hair and you sat back beside him, creating a little bit of space between you. As much as you wanted to keep kissing him, you didn’t want to rush or put yourself in a situation that you’d regret.
“So, should I ask how much money you had to spend to make this happen?” You asked, smiling playfully.
“Oh, an obscene amount,” he said, grinning straight back at you.
“Obscene?”
“A truly disgusting amount.”
“You rich guys, you think you can throw your money around and get whatever you want, don’t you?” You asked with mock indignation. 
“I told you, Bunny; I always get what I want.”
You burst out laughing, amused by how serious he managed to sound. Though, in all honesty, you were trying not to actually think about how much he must have paid to make this happen. It was both unsettling and exhilarating to think that anyone might want to spend that sort of money just to be around you.
“You might always get what you want, but I’m starting to think you rarely get what you need,” you told him before getting to your feet.
You grabbed his glass from the table and headed back to the bar, this time bringing the scotch bottle back alone with a fresh glass of ice.
“You think this is what I need?” He asked as you refiled the glass and set the bottle down.
“No, I think what you need is a good night’s sleep,” you told him softly, sinking back onto the sofa beside me. “When was the last time you slept more than a couple of hours?” 
A subtle shift in things followed, a clumsy sort of tension, as if you’d shattered the illusion that you’d both been trying to hide in. For a moment he looked at you and you almost braced yourself to be told it was none of your fucking business. After all, who were you to say such things to him?
“It’s been a rough couple of months,” he said, giving an uncomfortable shrug and you noticed an awkward sort of tension in his shoulder.
Without thinking, you reached for him again and began to softly massage where his shoulder and neck met. He let out what could only be described as a relieved sigh and, for a few seconds, he let his eyes close.
“Are you always so tense, or is this just the effect that I have on you?” You teased.
“I’d be lying if I said you didn’t inspire a certain sort of tension... well, it’s more of a stiffness really...”
Your fingers squeezed a little tighter on his shoulder. “Oh, really? Sounds uncomfortable.”
“I’ll survive.”
You managed to hold your composure for all of two seconds before bursting into laughter. He joined you and you couldn’t help but wonder how often he got to laugh like that. Not often, if you had to hazard a guess.
“I guess I should be flattered,” you said once you managed to stop laughing.
“Is that your way of telling me that you haven’t given me a second thought since the other night?” He asked, almost pouting.
You bit your lip, torn between brutal honesty and the safer option.
“I might have briefly considered you, once or twice,” you confessed.
It was a dangerous game, and a silly one considering you knew nothing about him. In fact, the whole thing was a little ridiculous; both of you were acting like your first meeting had been more than a couple of hours of silly comments made across a bar. Both of you were acting like it had meant something.
But it was hard to deny that there had been some spark of connection and, as childish as you felt for indulging it, you wanted more.
You watched as he took another drink and, again, drained his glass.
“Tell me, when you were considering me, were you considering anything in particular?” He asked.
“Hmm,” you hummed, appearing lost in thought for a moment, “I can’t really remember.”
Before he could answer, you leaned forward, reaching for the bottle on the table when, suddenly, you felt his arms around you, pulling you onto his lap. Fingers cold from gripping his glass found your chin and he angled your face towards his so he could kiss you. 
This time it wasn’t just some chaste peck on the lips. His tongue pressed against the seam of your mouth and your lips parted for him, letting him deepen the kiss while your fingers fisted the fabric of his jacket. His lips tasted of scotch and desire, and it was easy to lose yourself in the moment.
When the kiss finally broke, you let out a contented hum, your eyes remaining shut for a few long seconds. 
“That’s what I was considering,” you said, lips pulling into a smirk again.
“Then maybe I should do it again.”
Before you could even think, his lips were on yours again. You fingers ended up back in his hair, gripping the dark strands and pulling him closer, keeping him against your lips as you kissed.
No one had ever kissed you the way he did; hungrily, needily, like he thought he might die if he didn’t have just one more taste of your lips.
And that was how the evening went from there; teasing playful comments interspersed with kisses that seemed to demand more and more.
You felt like your grip on your sanity was slowly loosening and it wouldn’t be long until it was gone entirely. Here was a man you didn’t know, a man whose face you’d never seen, but you were more than willing to spend the whole night on his lap making out with him as if he was your true love.
Every time you caught yourself thinking about it, you tried to rationalise it; he was a customer and this was what he wanted. 
You were both adults who understood the situation.
(Right?)
Eventually you moved from his lap to refill his glass, wanting to at least make a show of being a good host, even though he pouted and complained that you weren’t allowed to drink with him. And, when you moved back towards him, you were quickly pulled back onto his lap, this time straddling him - so he could see you better, he explained with a smirk that tied your insides in knots.
You ran your fingers through his hair again, smiling at him as he sipped his scotch and stared right back.
“Tell me something real, something about you that no one else knows,” he said, still staring into your eyes.
“I like to go to the Rockefeller Center to watch the ice skaters in the winter,” you confessed as if it was some great and terrible thing.
“You just go to watch? You don’t skate?”
You shook your head and bit back a laugh. “No. I’m not... uh, I’m not very good at ice skating. I'm kinda clumsy, I'd spend all my time falling over...”
“I don't believe that, I've seen you balancing trays or drinks and walking around just fine.”
It was strange that you'd never stopped to think about it like that; you couldn't remember ever dropping anything while you were working at The Red Ribbon, while you were hiding behind the mask, but you could barely get through a day at Anvil without tripping over your own feet or making a mess of something. Maybe that was another benefit of spending your nights as someone else.
“Can you ice skate?” You ask, deciding to redirect the conversation.
“A little, but it's been years since I last tried.”
“You should go some time, have some fun,” you suggested. “You look like you need more fun in your life.”
“I've got all the fun I need right here, Bunny,” he answered back without hesitation. 
“I mean real fun, not…”
It struck you that you didn't even have a word for what this was. A fantasy. A pipe dream. A waste of his time - if you wanted to be brutally honest about it.
“Not what?” He asked, picking up on your moment of hesitation.
“I just mean that when you get bored of this - of me - you should do something fun for yourself, something that makes you smile,” you said with a shrug.
His head shook and you could see the confusion on his face despite the mask.
“Who says I'm going to get bored of this?”
“Come on, handsome, we both know how this goes...” you answered as gently as you could. “You can't just spend the rest of your life coming here to see me.”
“Why? Is someone gonna stop me?”
He gave your thigh a gentle squeeze and, realistically, you knew that you should be at least a little bit concerned. He was a customer, this was your job. It wasn’t like you’d just met each other in some bar or coffee shop, and there was really only one sort of person who wanted to come to a place like The Red Ribbon to see the same host every night. But he didn’t seem like that, it didn’t act like some lonely weirdo who thought it was something more than it was.
“You’ll run out of money,” you joked.
“I can always make more.”
“You’re impossible.”
“Impossible to refuse,” he countered.
That had you laughing again, resting your hand above his heart, and shaking your head. You leaned forwards, your masked forehead against his, eyes closing tight.
“Carry on like this and I might actually start believing you,” you said softly.
“You say that like it’s a bad thing,” he answered just as quietly.
Before you could respond, his lips were on yours again and his arm was pulling you closer. The kiss seemed more desperate as he tried to prove what he was telling you was true, and the longer it went on, the more you believed him.
Your chest pressed against his and he groaned into the kiss. A moment later you felt him between your thighs, a hard ridge tenting his pants. His hand moved to your hip, pulling you against him as he pressed upwards, grinding himself against you. You let out a soft moan into the kiss that only got louder as he took your bottom lip between his teeth.
Fuck.
You knew that you should stop but you couldn’t, so you did the next best thing and tried to take control of the situation, making sure he was at your mercy and not the other way around. 
You pulled back a fraction and let your hands glide down the front of his shirt, all the way down to his waistband. Ignoring the trembling in your fingers, you quickly unbuckled his belt and made a strat on the fastenings of his pants. His breath caught as you tugged down the zipper and you hesitated, offering him a brief split-second to tell you to stop. When he didn’t, you slipped your hand into his pants and beneath his boxers to pull out his cock.
Your eyes widened as they travelled down his body to look at him, hard and growing harder still in your grasp. Thick, long and perfect, the tip already glistening with pre-cum. For you. He was hard for you.
“Fuck,” you muttered before you could think to stop yourself.
And he just laughed.
“See something you like, Bunny?”
Instead of answering you bit your lip and started to stroke him, slowly running your hand up and down his shaft. His mouth went slack and his head dropped back, and you paid attention to every little sound and flicker of pleasure on his face, learning exactly how he liked to be touched. Your grip tightened and your hand twisted ever so slightly, and the groan that left him sent a bolt of pleasure straight to your core.
He leaned forward, pressing his lips to your neck, trailing wet kisses along the column of your throat until you almost forgot that you were the one giving him pleasure.
You didn’t snap back to reality until you felt his lips start to suck the skin just above where the red ribbon sat around your neck. Quickly, your free hand gripped his hair and gave a gentle tug.
“You can’t mark me,” you told him quietly but firmly.
The disappointed grunt he gave was almost enough to have you reconsidering, but he was quickly distracted by your hand.
His cock throbbed in your grasp, veins pulsing in time with his racing heart.
“You like that?” You muttered in a soft and sultry tone. “You like me stroking your cock?”
“Yes - fuck, Bunny - yes,” he groaned.
“Are you gonna come for me?” 
There was no telling where your new found confidence had come from, you’d never been the sort to engage in dirty talk before but something about the moment made you feel powerful. That you, of all people, could have some powerful, wealthy man trembling beneath your touch was an intoxicating feeling.
“Come for me, handsome. Show me how much you like me.”
You watched as his jaw set and his teeth gritted, like he was trying to hold back, like he wanted the moment to go on and on. It only made your hand move faster, fingers twisting around his shaft.
When he continued to deny you, your fingers in his hair tightened their hold again, pulling his head up and forcing him to look you in the eye.
And that was all it took.
His cock started to twitch and you felt warm cum running over your hand, but all the while you held his gaze, enjoying the desperate little sounds that were escaping him.
“Fuck, Bunny,” he groaned, breathless and boneless as he sank back against the sofa.
You gave him a triumphant smirk, your hand still gripping his cock as it started to soften. When you finally pulled it away, you lifted it to your mouth and made a show of slowly licking his cum from one of your fingers.
After a moment more, you slowly stood, ignoring your shaking legs as you headed towards the bar to grab a towel to clean up with. You quickly rinsed your hand before returning to him, kneeling between his legs and tenderly wiping him clean.
When you were about to pull away again, you were stopped by his hand on your chin, tilting your head up.
“Tell me it’s not just about the money,” he said.
Your heart almost stopped at the request.
As much as you’d been trying to tell yourself that you were playing the part of Bunny, it wasn’t true. It couldn’t be true, not with him.
“It’s not about the money,” you answered, feeling your cheeks start to heat, “I wouldn’t’ve done that with you for money.”
It felt like the most honest thing you’d said to him so far. If he’d asked, if he’d thrown money at you like so many men had since you started hosting at The Red Ribbon, you would have told him no. 
No, you’d done it because you wanted to because, regardless of how strange and fucked up the circumstances were, you enjoyed his company, even if you were both hiding behind your masks.
But, it seemed that he wasn’t willing to hide behind masks anymore.
You recoiled the second you felt his fingers nudging the cat mask upwards, your fingers tugging it back into place.
“Don’t,” you said, begged. “Don’t ruin this.”
“I - I’m sorry. I just - fuck, Bunny - I just want to see you.”
He sat forward and his hand found your shoulder, offering a gentle and reassuring squeeze that really didn’t help matters.
“We can’t. That’s not how this works,” you told him, trying to keep the regret from spilling into your voice.
He nodded and started to tuck himself back into his pants. You took the opportunity to pull back and get to your feet.
Then he was standing, pulling his jacket back on. He reached for you and pulled your body to his, holding you tight as he pressed a kiss to the top of your head. 
“I told you, Bunny. I always get what I want. And I want you.”
Despite his playful tone, there was a gravity to his words, something that caused your heart to stutter. When you looked up, he caught your lips in another eager kiss, and you let him. You kissed him back, once again losing yourself in the fantasy that this could be something more than what it was, that this could be real.
Then, he was gone, leaving you with the unspoken promise that this thing between you was far from over.
You didn’t sleep that night, laying in bed, tossing and turning, trying to get the thought of him from your mind. The only thing that helped was your vibrator, though once you’d made yourself come, you were right back at square one, trying to figure out what the fuck you were going to do.
Fortunately, when you turned up at Anvil the next morning, you were happy to find an email from Mr Russo telling you that he’d be out of office all day, meaning that you could work in peace.
On your way home, you found yourself heading towards the Rockefeller Center, stopping on the way to grab a coffee. You snuggled into your thick coat, occasionally glancing up at the sky, idly wondering if it was going to snow over Christmas.
When you reached the rink, you slowly made your way through the crowd, enjoying getting lost in the hustle and bustle until you saw a familiar face across the ice.
Billy Russo.
It didn’t click straight away - all you could think about was why would you boss be there - but when he reached up to brush back his hair and covered the top half of his face for a split second, the familiarity hit you like a brick.
It was him.
Mr Tall, Dark and Handsome was Billy Russo.
A/N : I hate being ill so much... 0/10 do not recommend (though it did give me time to finally start playing Black Ops 6 which I do recommend). Anyway hopefully I managed to get most of the dumb typos in this one. I know this story probably seems a bit faster than most of my fics but since this is only going to be three parts (or four if I get carried away) I didn't want to spend a lot of time on slow burn or b-plots. Plus it's a Christmas story and I want to finish it while it's still seasonal . Any way, I hope you're all having fun with this one because I certainly am.
Thanks for reading, hope you all have a great week (enjoy new years and stay safe!!)
Let me know if you want to be tagged!
Tag List : @lincerad @xxxsweetcarolinexxx @fireeyes-on-teller-dixon-grimes @dreadfulxives18 @shwnirwin
@ladyblacky @spitecrow @oliviaewl @snowkestrel @benbarnesprettygurl
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evertomorrowart · 1 year ago
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Best of YouTube 2023
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Yes, I did spend the first week and change of January on this. I wish I could have had it done for New Years, but too many people came out with incredible work in December, so waiting turned out for the best.
What these creators do are a huge influence on my life, I would honestly have difficulty doing what I do without them. That isn't to say that my favorites of the year are *only* on this image--It was almost impossible to narrow down my favorites. Many creators I wanted to include couldn't fit on a single page, and too many of them made more than one video I wished I could draw too!
But, to all of you, thank you for what you do. You're an inspiration.
For those who don't know, further is an explanation.
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At the bottom center is an artistic masterpiece by Defunctland: "Journey to EPCOT Center: A Symphonic History." Over the last several years, Defunctland has risen from delightfully-entertaining commentary on decommissioned theme park attractions to occasionally dropping profound statements on the creation of art itself. "Journey to EPCOT Center: A Symphonic History" is worth treating like the cinematic experience it is: No second screen, you sit your ass down in front of a TV, set down the phone, and then you *watch it.* Any Disney, theme park, or independent film fan needs to pay attention to this one.
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Bottom left is Caelan Conrad with their piece "Drop the T - The Deadly Consequences of Gay Respectability Politics." While I do think they've done more visually or artistically-daring pieces before, "Drop the T" is one of the most important videos released on YouTube in today's current climate of hate. We as queer folk (and our allies) need to understand how integral every identity of the queer experience has been since the start of the Civil Rights movement (and before!). While we are not identical, we *are* inseparable, and we deserve having our real history easily accessible.
TERFs and other conservative mouthpieces need not reply. Your opinions are trash. 😘
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I cannot stop watching and rewatching this video by @patricia-taxxon, "On the Ethics of Boinking Animal People." It's not just a defense of furry fandom and its eccentricities, it's a thoughtful and passionate analysis of what the artform achieves that purely human representation can't. Patricia goes outside of her usual essay format to directly speak to the viewer about the elements that define furry media (the most succinct definition I've ever heard) and just how *human* an act loving animal cartoons really is.
As an artist who can draw furry characters, but never really got into erotic furry art, this video is a treasure. Why did I choose to have her drawn as a Ghibli character, hanging out with one of the tanukis from "Pom Poko?" Guess you'll have to watch, bruh.
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Philosophy Tube continuously puts out videos that I would put on this list--I'm not even sure that "A Man Plagiarised my Work: Women, Money, and the Nation" is the best work she released in 2023. However, this video got many conversations going between myself and my partner, and the twist on the tail end of the video shocked us both to such a degree that I had no choice.
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At the very tail end of the year, Big Joel released "Fear of Death." On his Little Joel channel, he described it as the singularly best video he's ever done, and I'm inclined to agree. However, for this illustration, I ended up repeatedly going back to a mini-series he did earlier in the year: "Three Stories at the End of the World." All three videos are deeply moving and haunting, and I was brought to tears by "We Must Destroy What the Bomb Cannot." While it may be relatively-common knowledge that the original Gojira (Godzilla) film is horror grappling with the devastation America's rush to atomic dominance inflicted on Japan, Big Joel still manages to bring new words to the discussion. Please watch all three of the videos, but if, for some reason, you must have only one, let it be "We Must Destroy What the Bomb Cannot."
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Y'all. Let me confess something. I hate football. I hate watching it, I associate seeing it from the stadiums with some of my worst childhood experiences, I despise collegiate and professional football (as institutions that destroy bodies and offer up children at the feet of its alter as a pillar of American culture)--
I. L o a t h e. Football.
But.
F.D. Signifier could get me to watch an entire hour-plus essay on why I should at least give a passing care. AND HE DID IT. I might think "F*ck the Police," the two-parter on Black conservatism, or his essay on Black men's connection to anime might be "better" videos, but this writer did the impossible and held my limited attention span towards football long enough to make a sincere case for NFL players--and reminds us that millionaires can *in fact* be workers. That alone is testament to his skill.
Sit down and watch "The REAL Reason NFL Running Backs Aren't Getting Paid." Any good anti-capitalist owes it to themselves.
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CJ the X continuously puts out stunning, emotional videos, and can do it with the most seemingly-inconsequential starting points. A 30 second song? An incestuous commercial? Five minutes of Tangled? Sure, why not. Go destroy yourself emotionally by watching them. I'm serious. Do it.
Their video Stranger Things and the Meaning of Life manages to to remind us all why the way we react to media does, in fact, matter. Yes, even nostalgia-driven, mass-media schlock. Yes, how we interact with media matters, what it says about us matters, and we all deserve to seek out the whys.
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Folding Ideas has spent the last few years articulating exactly why so much of our modern world feels broken, and because of that his voice continuously lives rent-free in my brain. While the tricks that scam artists and grifters use to try to swindle us are never new, the advancement of technology changes the aesthetics of their performances. Portions of Folding Ideas' explanations might seem dry when going into detail of how stocks work in This is Financial Advice, but every bit of it is necessary to peel back the layers of techno-babble and jargon and make sense of the results of "Meme Stocks."
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Jessie Gender puts out nothing but bangers, her absolute unit of a video about Star Wars might be my new favorite thing ever, but none of her work hit so profoundly in 2023 than the two-parter "The Myth of 'Male Socialization'" and "The Trauma of Masculinity." There's so much about modern life that isolates and traumatizes us, and so much of it is just shrugged off as "normal." We owe it to ourselves to see the world in more vivid a color palette than we're initially given.
Panels drawn after Kate Beaton and "Ducks: Two Years in the Oil Sands."
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"This is Not a Video Essay" is one of the most intense and beautiful pieces of art I've ever put into my eyeballs. Why do we create? What drives us to connect?
I don't even know what else to say about the Leftist Cooks' work, it repeatedly transcends the medium and platform. Watch every single one of their videos, but especially this one.
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The likelihood you are terminally online and yet haven't heard of Hbomberguy's yearly forrays into destroying the careers of awful people is pretty slim. Just because it has millions of views doesn't mean that Hbomberguy's "Plagiarism and You(Tube)" isn't worth the hype. Too long? Shut up, it has chapters and YouTube holds your place, anyway. You think a deep dive into a handful of creators is only meaningless drama? Well, you're wrong, you wrong-opinion-haver. Plagiarism is an *everyone* problem because of the actual harm it creates--the history it erases, the labor it devalues, the art it marginalizes--which you would know if you watched "Plagiarism and You(Tube)".
Watch. The damn. Video.
In fact, watch all of them!
Thanks for reading this if you did.
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ladyofchroyane · 5 months ago
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omg the ‘is arya pretty or not’ discourse is genuinely insane.
arya is young. she hasn’t even fully matured or grown into her features, and yet she is still called pretty by multiple outsiders.
"I'm sorry, my lady." Arya suddenly felt bad for her, and ashamed. "I'm sorry I tore the acorn dress too. It was pretty." "Yes, child. And so are you. Be brave." (ASOS, Arya IV)
if you trust the opinion of arya’s bullies over lady smallwood’s, that says more about your bias than anything else.
while i understand that people struggle to place unconventional beauty in their worldview, which often leads to the fandom being unkind to characters with the stark look—even if these characters are called ‘pretty’ or ‘beautiful’—but istg this fandom seems to be regressing into even more conservative takes on the topic, so i need to rant about it:
a recurring theme in arya’s story is ‘beauty,’ and it is not wrong to want to engage meaningfully with such an important theme that is part of arya’s wider struggle with identity, gender, and conformity. treating people who care about this topic as ‘odd’ is nonsensical and oftentimes more than a little hypocritical.
westeros has a rigid beauty standard, and young girls—especially noble girls—are expected to conform to it. arya, however, defies this expectation.
the narrative’s engagement with the theme of beauty in arya’s story is not about her actually being ugly and coming to terms with it—it’s about challenging rigid beauty norms and showing that she doesn’t have to fit a narrow standard to be seen as beautiful and worthy by others, because she already is and characters already acknowledge that she is both.
and honestly, this reminds me of the real world beauty discourse. can an unconventional nose be beautiful? what about thin lips? big lips? can people with monolids be considered pretty?
the point is that limiting beauty to specific traits is regressive, and the way people talk about arya shows just how deeply ingrained those biases are. a long face doesn’t make arya ugly, and neither does having darker coloring!
look at lyanna stark—she is called a wild beauty and not just a beauty because her features were clearly unconventional, but she was still seen as beautiful. the same likely applies to arya who is said to look like her. to repeat myself: arya’s features don’t fit the standard, but that doesn’t mean she’s ugly.
we don’t need another female character whose story explores beauty by emphasizing that she isn’t pretty and has features considered universally unattractive. brienne already fills that role. having arya go through the same journey would be redundant and directly contradicts what has already been established in the narrative.
ask yourself what’s more interesting:
• having another character whose features are ‘ugly’ and whose bullies were right?
• or a nuanced take on beauty, where a girl learns to love and accept her unconventional features and finds them beautiful like others already do, which reminds readers that beauty isn’t about conformity?
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bullet-prooflove · 2 months ago
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Okay sorry for the amount I am about to write. I just need to get my words out. Is there anyone else in the er that knows about CiCi’s past? Is there someone who might recognise her from coming into the er years ago with suspicious injuries? Or is there a time when one of her ‘clients’ is in the er when she bringing in another patient and recognises her? Or do Jack and John keep it on lockdown when it comes to that information? I feel like if anyone knew it would be Robby purely because all those years ago Jack suddenly has this kid in his life who he’s basically adopted and is getting on the right track.
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No problem on the amount, you brought up some really fun shit and I’m sorry this is such a long answer.
So Robby 100% does know about her past because like you said Jack suddenly ends up with this kid in his home and he’s gonna talk to his bestie about that. I think even before the incident with Seamus (her dad) at the boxing gym, he was in talks with Maria, Greg (the gym owner) and Robby about the best course of action for Cici as there is a lot of variables when it comes to kids who have suffered abuse and he was trying to work out the best way to offer help without sending her running. (a very common theme in my experience with care kids) Dana was probs in that circle too from the work she was doing with trafficking victims. I believe Jack would have sought her advice.
I honestly don’t think Cici would have attended the ER prior to working there because her family would have known that it would raise a redflags. Any injuries she would have sustained from ‘clients’ they would have taken care of at home and the injuries were never serious enough to warrant a hospital visit. Her family are generational criminals they’ve been taking care of their own shit for years.
A massive important aspect of the care kid experience (again from when I’ve worked with Cici’s age group) is giving them the ability to tell their own story if and when they want to. It impacts their sense of identity and autonomy massively. When you’re in care everyone knows your story from your social worker, to the support worker to the admin staff, it doesn’t give you room to be anyone else outside of that.
Maria would have made it very clear to Robby/Dana/Jack how incredibly important it is that Cici has that space as it would allow her to grow and thrive without feeling judged. It was also Maria that suggested Cici change her last name to help her create her own identity away from everything she had been through and to severe that connection completely to a criminal family esp if she was working alongside first responders such as the police, etc who would have had contact with them.
While Cici knows Robby and Dana are aware of her past they have never mentioned it to her, because its HER story. However they do exhibit protective traits, both checking in if they sense something is off or if an incident occurs on their watch.
After her father’s outburst at the hospital at Jack, one or two people may have put it together but it would never be mentioned to her or Jack. They know Cici, they know Jack and the horrible shit the dad was spouting is not to be repeated. However you know they made his stay very uncomfortable before he was taken to jail for beating the shit out of that kid with a pistol.
John has a complete cone of silence over this whole thing. Whatever Cici says to him is between him and Cici and it doesn’t go beyond him, not even to Jack.
On the ‘client’ thing. I’ve always had this little inkling that John and Cici would end up running into a ‘client’ while out on a date or something like that. The guy would tell John he was her first and John would want to be beat the shit out of him. Cici afterwards would tell John he wasn’t her first, he was one of a long line of ‘firsts’ because her father repeatedly sold her ‘virginity’ to get a better amount of money out of some of the clients who wanted ‘the virgin experience’. Cici is very detached about this period of her life and although embarrassed, brushes it off, while it sticks with John.
John would turn to Jack/Faye in the aftermath of this because it fucks with his head and he isn’t sure how to deal with it on a personal level. Hearing Cici talk about it is one thing but experiencing it is another. Jack ends up discussing the times he’s treated her dad in the past (remember how Jack said ‘you’ll give yourself another heart attack’) since they took Cici and how he’s experienced similar emotions. I could literally see him saying, there was a moment where he thought about not bringing him back after a coke induced heart attack, but he couldn’t be that part of Cici’s story, and John shouldn’t be either. She’s left that behind her, let’s keep it behind her.
Any other questions please don’t hesitate to fire away!
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mktournament · 1 year ago
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FINALS!!! Furina vs Kiana Kaslana
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(Propaganda under the cut)
Furina:
the girl who saved fontaine. condemned herself to a life of silent pain and suffering without any warning or preparation. she could confide in no one, seek out help from no one, all while bearing the weight of her entire nation on her shoulders. not only did her willpower save everyone in fontaine, but after the prophecy was averted, she was finally allowed to live a normal life.
Kiana Kaslana:
TLDR: she's kiana kaslana what do you MEAN!!!! kiana is a beautifully written character who fully encapsulates what hi3 is about and she's so full of love and guilt and (most importantly) hope. she's a clone who struggles with her own identity/inhumanity and traumas extending from when she was a young child and her guilt but is so so resilient and so so so so compassionate which ultimately reinforces her humanity :)
kiana's character IS the honkai impact thesis statement. i don't even mean it as in she's the literal main character and face of honkai i genuinely mean it when i say she just IS honkai impact. she reflects every single theme that they portray [hope over nihilism (chapter 25 || the flame chasers and just. the previous era in general), having agency over your identity and your own story (himeko, her being k423 and being so linked to sirin, everlasting flames || the kaslana household name honestly, bronya, fu hua, mei, sirin), believing in the humanity's inherent worth (chapter 25, arc city || elysia <- important since as a current era herrscher, she is a successor to elysia AND as kiana kaslana, she is a narrative parallel of elysia), having faith in the youth (himeko, kevin || the other flame chasers! notably su), etc.] her character being so reflective is also sooooo OUGH to think about when you view it as a reflection of honkai's 50,000 year samsara because kiana is a representation of these themes coming full circle (especially since many of these stretch back to the previous era and elysia).
SHE FEELS SO MUCH. she's so full of love and guilt. she clearly prioritizes others over herself and part of her arc is her learning to value and love herself as well!!! she would give herself for the world ten times over because she holds so much affection for humanity!! (WHILE FEELING DEHUMANIZED BECAUSE OF HER IDENTITY AS BOTH A HERRSCHER AND K423) and it's actively apart of her character's growth :'')
dear god her growth… okok. so i think first you have to understand that a lot of kiana's growth obviously coincides w general maturity as she grows from a teenager to a young adult. but aside from that i think people often forget that younger kiana is incredibly self sufficient since her father literally left her with little to no explanation when she was like. what 8? the insecurity she feels at that! the anger she has to navigate while also balancing it with her own feelings of missing and loving him. basically: kiana has struggled a lot w instability and is thus kinda good at navigating it. ex: she isnt shaken by nagazora and literally tries again and again and again to save mei and convince mei to let her help. the thing is this fucks w her a bit though because a big thing that she does as a means to cope w instability is avoiding them (not reflective of real life of course, but in the fictional hi3 this is partially represented in kiana's repressed memories about her actual origins as k423). she can not stand the realization that she killed himeko that she's so deep in denial and doesnt truly realize it until more than 10 chapters after himeko dies! she's so horrified with her being a herrscher she actively tries to not use her powers out of fear, even when it puts her in harms way (the chapter XI-EX CG!!!!!! her literally trying to kill herself!!) she literally runs away from her friends and loved ones because she's so scared of hurting them!!!!!!!!!!!!!!!!!!!!!!!!!! which is why her promise to himeko to not run away is so important!! because it addresses one of kiana's biggest flaws!!!!! this is especially important bc her refusal to continue her avoidance feeds into her arc during the herrscher of dominion chapters where she both faces her own guilt/identity and deliberately chooses perseverance and hope over nihilism!! she is hope!!!!!!!!!!!!!!!!!!!!!!!!!!!
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sea-adhesiveness537 · 3 months ago
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CAN YOU TELL ME ALL OF THE JELLYFISH DUO LORE?? cuz i think im beginning to hyperfixate on them
also SUPRISE FANART DOODLE JUMPSCARE!! LISTEN UP LUSAMINE GOT SUM TO SAY‼️ (btw sorry if i got anything wrong or missed any details)
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Oh shit! Screen Universe doodle fan art REAL!! Idk if you're a daydreamer or not, but if not, the fact that I managed to get a not immersive daydreamer hyperfixate and be obsessed with them is very impressive!!
Ok, they have a whole ass lore doc in the works that was essentially pretty close to having its early release version done that I somehow didn't finish because I have other stuff in my plate. They go very far back! Back before Screen Universe was a thing in my head!
But I will give you the basic gist and summary of it because holy fucking shit, I'm honestly, genuinely very flattered that you like them as a pair! Or even notice that I pair them so much.
Ok, so! On the meta timeline, back before Screen Universe was a thing in my head, they were enemies in the previously active daydream world because I genuinely hated Lusamine at first because of what she did in her video game (very bad things, she's a Pokémon villain). Then one day, on 2017, on the night of the second to the last day of examination week on grade 6, I read a meme comic of Lusamine recreating a scene of the SpongeBob episode, Nature Pants, and it went into chaos from there. They've been paired more ever since then. The more SpongeBob memes I found of Lusamine being portrayed as SpongeBob himself on the internet, the closer they got in the daydreams 😭😔. Eventually, the previously active daydream world's main story came to an end and into its extra content stage, and getting stuff that's even unrelated to it. At this point, both of these Jellyfish obsessed fucks took over as the centering piece from there.
Eventually, Screen Universe was made in my head for them to fuck around in. At first, it was a "dlc" or extra content connected to the previous world, but it split itself from said world and became its own thing or identity in 2019. Screen Universe then kept growing, changing, and developing from there.
Now, on to the in-lore or in-story shit of Screen Universe.
Just a head's up, Lusamine in her original canon isn't... A good person. This would be definitely important to the whole Screen Universe lore bit since there is something in her Screen Universe lore that's tied to her canon lore because of how it affected said lore and her life in Screen Universe's story. Long story short: it was BAD. It complicated her life outside of acting out the canon storyline really quick.
At this point, both of them grew out of their characters and diverge too far or pretty far from it mentally or internally speaking. So don't expect both of them to be similar to their canon selves. This bit is especially important to their lores and themes of Screen Universe, so keep this in mind. I mean, there are characters in Screen Universe who are pretty similar to their canon selves, but not all of them. SpongeBob and Lusamine are two of the people who aren't like their canon selves.
For starters, they're this species called Fictionals. They're made for the entertainment of us audiences, specifically to play roles of the characters and act out their stories. They have this true form underneath their skin, and said skin is just a meat suit resembling a character used to portray said character. Yes, they're actors. Fake versions or imitations of the characters if you will. So you might see them or the other characters mention some meta shit their characters would otherwise not know, and some form of audience even they, the actors themselves, aren't certainly sure if they actually exist or not.
In lore or in the story, this all started when SpongeBob visited the Nintendo Empire (yes, there are big pots of lands based on the big video game and animation companies, they're called territories, and yes, video game and animated characters can co-exist together in the hub world called the Fictional Realm where they take a break from acting out their canons and do their own business there) and encountered Lusamine in a dark alleyway. Idk why, but in all versions of Screen Universe, they'd always meet up either within a dark alleyway or at the edge of a dark alleyway by the sidewalk. It's only the context that's been changed or developed over time. In the current context, SpongeBob made an excuse of just strolling around the Nintendo Empire one more time before going back to his homeland, the Nick Nation. But in reality, he's actually looking for Squidward and scanning the Empire for his whereabouts because of what happened to him in the events prior to this plot point. Then he encounters Lusamine at the edge of the dark alleyway, who was a newly made Fictional who fell from the sky (yyeeeeaaaahhh, they have an interesting way of being born, but basically no one has reproductive organs and their creators are the ones doing the work creating them before dropping them into their realm for safe keeping. But the Fictionals can live for a pretty long time as long as there's projects and acting work to do, so it works out).
Oh yeah, at some point during all that, there are other creatures foreign to them that tried to take Lus to their Realm because they... Like her too much. They're called Weblings and they're from another Realm called the Internet Realm. They're the embodiment of people's accounts on the internet, the most common one being the social media kind. SpongeBob saves Lus from being snatched in time and they both try to get away from the Weblings. They both go somewhere to eat, and Sponge tries to drop Lusa off in a place for her to wait for her senior co-stars from her series (in this case, Pokémon) to pick her up. However, she kept following him until it got to the point of stalking him home and hoping on the ride SpongeBob took to get to the Nintendo Empire in the first place. Just so you know, Nintendo Empire is rather far from the Nick Nation, so it'd take a while to make a back and forth trip between places. So when it was found out that his, eeerrrrr, new friend got in the blimp ship, he had no choice but to just go all the way back to the Nick Nation because they didn't expect that to happen or have enough resources to make an extra trip just to return some rookie game Fictional to her supposed homeland. He'd have to think about what to do with her after that.
When they got back to the Nick Nation, Sponge took care of Lus and nurse her back to a proper condition because when she fell from the skies before being found by him, she wasn't doing so hot and was struggling like a stray cat or a street creature back in the dark alleyway.
Then they spent more time together, bonding, Sponge guiding Lus about this new world around her and stuff. At one point, Sponge taught her a bit about morals like what's right and wrong... A bit too early for someone like her. This is especially important to the whole, "Lusamine was so fucked up in the True canon that it fucked up the Screen Universe counterpart's life" thing going on. Basically, that whole morality thing was either fuel or the start of her existential crisis because she later found out she was created specifically to portray a bad person doing bad things.
A month or so passed and the senior co-stars from the Pokémon series called up SpongeBob for them to pick up Lusamine from his place. At this point, they've grown somewhat attached to each other, and Lus didn't want to be separated from Sponge just yet. Luckily, the older human Pokémon actors agreed to let Sponge tag along since he's the closest to Lus and he's the only that helped her grow comfortable and adapt to the environment. They both went back to the Nintendo Empire, and then the first split in the story occurs. They part ways for now and they start doing their own things and go through their own arcs. But they meet up and visit each other every now and then throughout the story. It's mostly Lus doing the visiting since Sponge seems like a pretty busy person to leave his homeland often. He's the literal leader of the place, what more can he do when there's a lot of shit for him to worry about due to the events of the storyline prior to the "introduction to video game people" season/book/part. Then again, he was doing something else aside from that due to something else happening in his side of the story.
Anyways, Lus mostly visits Sponge ever so often during her break times or while she's sneaking off from acting work. She honestly wants to tell him about her new job as an actor and her smaller grievances in said job without spoiling her game's story. She also invited him to check out the live performance of her debut game before knowing her character's true canon nature. She later wants to take that back after knowing what her character is truly like out of fear over Sponge possibly hating her for playing as such a person, but at that point, Sponge already wants to check it out anyway. Dw, he doesn't care or mind about what she plays as as long as the actress herself is not too bad of a person. He's one of few known people who's chill around villain actors, both in the public eye and just in general.
When their respective arcs and sides of the story reach its climax or peak, Lusamine's side of the story interrupted SpongeBob's side because a co-star of hers from a different Pokémon game who plays a pretty similar role as her accused SpongeBob of leaking some major canon story bits from Lusamine's game because during her side of the story and her own arc, her off camera life grew miserable because a lot of people in her homeland mysteriously knew about what her character did in the true canon story and start attacking her over it. SpongeBob told the accuser that Lus didn't tell him ANYTHING about what happened in her canon story, just the behind the scenes stuff and what she and her co-stars are up to adjacent to it or outside of it.
Yes, the (replacement. Very long story) Ghetsis Fictional accused the SpongeBob Fictional of leaking Pokémon Sun and Moon's plot because the Lusamine Fictional got hate crimes for her character's actions way earlier than it should've happened (during production instead of after its release).
SpongeBob let the accuser and two other Pokémon co-stars (Cynthia and Lysandre) stay over a little longer and get to know them a bit better. I mean, he has heard of them and knew them at some point, but they're from mentions, the news, and other sorts of second or third degree information, never directly interacting with them outside of the time when they had to pick Lus up for her actor job at an earlier point of the story
At this point, it's SpongeBob who's now doing the visiting because of the news and the accusation. To the point where he even stays in the Nintendo Empire for a little longer in one of his visits that's closer to the game's release date (some time in September, mid or late October, or early November, I didn't decide when did he do that visit, but it should be one of those).
There's a story point where Lus ripped her skin off out of distress, fear, anxiety, and guilt from playing the character, the grave implications that imprinted on her, and her society conditioning her to feel those things because they hold their highest regard over what character and role someone plays as. And if anyone plays the villain of their canon story, they strip the actor's rights and normalcy, and sometimes even their life if it especially goes REALLY bad. It gets worse for the actor the more psychotic/fucked up the original villain character is.
And that's why and how Actress Lusamine despises her character so much (and to some extent, her creators for making the character that way and forcing her to not only play said character, but bear or keep the character's name and body too). She thinks it's the character's fault that she got into this sort of situation this early into her life. But at the same time, a part of her hated herself and felt guilty for acting out those scenes. As if, in some cruel cosmic sense, it's her fault for having such a role in the first place even though it was out her control.
Luckily and conveniently, SpongeBob was in the Nintendo Empire when Lusamine did the whole Peel Her Skin Off thing and found her in the same area where he first met and saved her. During all this, her other few major co-workers, both from her own Pokémon game and from other Pokémon games, went after her and looked for her together with SpongeBob. SpongeBob then tries to persuade and convince her to go back in the suit or else she might cave in to the intense and horrible pain she put herself into from being outside the character meat suit and die permanently (yeah, there are two kinds of deaths, permanent and temporary death. Temporar is more like fainting after going down to zero hp and being very exhausted. Permanent is a true death where they'll never wake up again). It took awhile, but eventually after reassuring that Sponge wouldn't hate or attack her for whatever might happen in her true canon, and that she can be whoever she wants to be despite being stuck to the body and name of a character, she goes back to the skin suit.
Then release of the game rolls around... And then the main antagonist of the story approaches. It's Mickey... Mickey Mouse. Throughout the video game characters' intro season/book/part/whatever segment of the story, he's shown to be harassing past actors in the flashback sequences and arcs, which includes the older Pokémon actors. That's why Cynthia, a character who's otherwise not a bad guy in canon, gets involved or intertwined with the villain actors' shenanigans and the Ghetsis actor had to be replaced with another Fictional to carry that role. Mickey did something to them that caused them to be in the situations they are now in during the present day. Mickey, along side with his group or organization, is also tied to SpongeBob's side of the plot and the acceleration of SpongeBob's issues and angst.
I feel like there's more to explain about... All of this, but we'll get to that some other time or post since this is supposed to be a Jellyfish Duo centric post.
Before going into the next section, I want to talk about Live Performances and how they work. A Live Performance is basically the actors reenacting the events of their source materials in their little workplace where they usually do recordings of their work. It's like their way of showing other actors what they do and can do, impress other actors, and often times, a tradition or a rite of passage for the newbies to exhibit what they learned and done during their production/development stage of their debut project to the older ones. Their workplace is a pocket dimension studio world thingy that has everything an actor needs for their work.
Anyways, now in the present events, instead of SpongeBob going first to try the Live Performance of Pokémon Sun and Moon the game, it was Mickey because, would you look at that, the game released on the same day as when Mickey as a character was born and debuted as a concept of a cartoon character, November 18. And as expected, the Pokémon LARP session went BAD! Lusamine almost died to the mouse she's trying to entertain multiple times because, "character=bad, therefore character's actor=also bad" bullshit and Mickey would always coincidentally get into a psychosis/delusional episode at the peak of a live game's story, which explains the suffering and bullshit the other actors had to go through to not be murdered by the mouse. Some even suspected that Mickey's bullshitting just to have an excuse to get off to his sick kicks, but they're not so sure about that. People tried to ban him from their own Live Performances in the past, their government was like, "money :)" and, "he besties with emperor Mario, so Mickey good :)" (ok, the latter statement was just an exaggeration, but you get the gist of it). So they just didn't get rid of him.
During most of the murder attempts during the Live Performances, Lusamine hit Mickey, both in normal form and in her big boss form, and just ram all she got into him like his face. Both out of impulse, and because she snapped after being attacked for her character's canon crimes for so long. This WILL be important for later :}.
After the whole Mouse x Pokémon gen 7 rampage went down, it was SpongeBob's turn on the Live Performance or Pokémon LARP sesh. It went smoothly and normal. Just kinda rocky here and there because he'd try to derail the story sometimes either for the fun of it or out of boredom, and the actress who's originally the main character in the canon Pokémon SuMo story was not having any of it and tries to rope things back to how the original plot line should go. There'd be times when SpongeBob and Lusamine would have secret and illegal meta gaming talks over the phone throughout the course of the live game because the latter who was waiting for her cue to show up got bored and wanted to talk to him and give her company. I mean, there are other co-workers around, but they're too busy doing their own thing, keeping the act running, reviewing their script, and all. So they talked whenever Sponge is not preoccupied with a scene. There's this one point where SpongeBob accidentally steps out of the overworld and into this void place full of code. It's like a skeleton of the world if you will. Lusamine had to guide him out of there without being suspicious of an important figure being in danger in her own workplace. Don't worry, he got out.
When the story got closer to Lusa's big reveal of her canon nature, her actress kinda freaked out and gave Sponge a heads up on what it "might" go down. Like, a warning, and the option of turning back, since she's worried that what Sponge reassured her was not fully true or that she's still unsure about SpongeBob's reaction ever since the whole Mouse crime attempt went down. SpongeBob still pushed through and progressed the story, leading him to That Plot Point of the story. They still talk about what was happening during that part of the story meta speaking in a form of morse codes without ruining or interrupting the original scene. While SpongeBob was surprised from the emotional whiplash of what canon Lusamine was like, Actress Lus was relieved that SpongeBob doesn't hate her or look her down as a person for carrying an emotionally heavy role as a reason of existing. He just felt bad for her and wished he didn't denied it out of grief, wished he had done something better than denying (yeeeeaaahh, he seen all the signs that point to Actress Lusamine playing the villain at work, but ignored them because he hated the thought of losing a newly made friend to a part of society and something that's out of his control due to past traumas related to losing friends).
They have more meta calls after that, but it's not as often as before because of how heavy the situation felt even if it's just an act. Then again, there are also other factors behind it, so there's that.
At the climax of the reenactment, they have a play fight that's more friendly than whatever Mickey has going on with the other actors. Anyways, that's how SpongeBob seen Lusamine's boss form. Oh, and there were multiple mistakes during that point of the reenactment because it's triggering Lusa's trauma of Mickey trying to kill her permanently. So they had to do over again and again until they got it right.
After all that, they finally cooled down, and went back to meta talking again. When the post game reenactment stuff came around, SpongeBob poke around and find out about what other stuff the game has in store before wrapping up the LARP sesh.
At one point, there was a post game bit that made him reflect on his actions back in his side of the plot and his character arc because he was becoming an asshole to a pair of characters while the whole disaster/existential angst inducing production of Pokémon SuMo arc thingy went down. He later thanks Lus for the Live Performance, not just for the general entertainment, but also for showing him see what he did wrong. Lus was oblivious to the whole thing and didn't know what he exactly meant, so she assumed that she just gave him some good entertainment with her performance. Recently, I thought of a scenario where Lus wants to have a Pokémon battle with SpongeBob not as her character, but as herself or actor self, so I thought of adding that in for the post game reenactment section.
Once the Pokémon LARP sesh wrapped up and stuff, the actors did their cool down and change out of their acting gear while Sponge does his own thing rating everything like the actors and their characters. The main priority of the rating are the actors, the rest are optional and not important.
Remember the rat? Well, he'll appear now.
So the rat bastard shows the fuck up again, and sues Lusamine because she punched and hit him back in his own Live Performance sesh (even if it's out of self defense). And then the whole trial arc ensued. It ended in disaster and a planned execution because Lus hit Mickey with her boss form, and her villain role puts her in a position that's less ideal than her opponent. So she's very much doomed from the get go.
Luckily, SpongeBob helped Lus escape prison and her perma death sentence along side with her co-workers and some of SpongeBob's co-workers and allies from his homeland. But now SpongeBob has to confront Mario and the legal side of the Nintendo Empire—
(Screen Universe part two is fucking nuts, I tell you 💀. It goes bananas towards the middle and the end. And this is just the Jellyfish Duo sections of the plot!)
(cont.) after taking Lusamine out of prison and not in a bailing way. SpongeBob negotiated with Mario about the terms and conditions of Lusamine's fate to ensure that she can still live without dying to legal consequences. Later, they agreed that she can stay with Sponge and in his Territory as long as she doesn't set foot upon the lands of the Empire's surface unless with the intent of going to actor work or under supervision. Basically, she got banished from the Nintendo Empire after all that happened.
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animeyanderelover · 2 years ago
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It’s been eternities since I’ve written for Death Note. I actually did a request of L and Light falling in love with the same darling but honestly, that’s been so long ago and my skills since then have improved quite a lot so I’ll just do it again.
Tw: Yandere themes, toxic relationship, possessive behavior, obsession, stalking, clinginess, manipulation, delusional mindset, gaslighting, sadism, threats, violence, abduction, isolation
Falling for the same darling
Light Yagami & L Lawliet
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✍️​🍰​You'd have to be someone either involved in the Kira case or someone who is close to Light which would make you automatically a victim to L's observation. After all you could be an accomplice of Kira if you were to be someone who Light trusts a lot. Whatever the case is, you will get dragged into this one way or another with those two fighting over you because they will absolutely not share you. Whilst I would say that L would actually be the one who would fall faster for you, especially if you give him lots of sweets, he is the slower one in realizing his own feelings. So whilst Light takes longer to gain an interest in you if he shouldn't have known you much prior to L's involvement, he would be the one to notice his own feelings as well as L's equally big interest in you. It's obvious that the detective has formed an attachment to you as he constantly clings to your side as soon as he sees you and even insists on sharing his sweets with you, not to mention the slight blush he has on his face when you do something that makes his heart flatter.
✍️​🍰​Before Light can even begin forming a plan though, L realizes his own feelings too. It took him only the tiniest bit longer because he has never been in love with someone before and the constant isolation due to his identity having to remain a secret have caused him to not be very in tune with his own emotions yet funnily enough he has noticed Light's interest in you before he fully noticed his own. Now that both of them are on the same page though and both of them are aware of that. From that day on both of them start another warfare behind your back as neither one of them wants to expose themselves to you and to the other just yet. It's still too early. So a lot of hidden blackmailing and subtle manipulation is involved as both of them play tug of war without trying to alarm you just yet. Light and L are constantly testing the other one out as they both start getting more involved with your life.
✍️​🍰​Light initially might have a bit of an advantage over L who has still to figure out how to handle his romantic and obsessive interest with you. He's charming, handsome, intelligent and knows how to flirt with and court someone. So he uses this experience in an attempt to get closer to you as he is a master of acting and tries to manipulate you subtly into listening to him and acting to his liking. He has more freedom than L most of the time as he has a life outside of working together with the police force and L to expose who Kira really is. L is because of the case sometimes more limited as he doesn't spend as much time outside as Light does and especially if you are also in college like Light is, he is aware that the boy has a lot of time he can spend with you. If that is the case he tries to interfere as much as he can by either keeping Light busy or using another cover to just squeeze himself in between the two of you as much as possible. He's like a really pesky leech that refuses to unlatch from you.
✍️​🍰​Your opinion of Kira is important to both of them as they constantly question you about your opinion about him and your own definition of justice as both of them try to manipulate you to agree with their own thoughts. Light has to be a lot more careful than L though because differently from L who makes his dislike towards Kira obvious, Light would potentially expose himself to the detective if he were to admit that he supports him. L might even go as far as showing you pictures of the victims of Kira to mortify you and Light is on the inside always seething as he instantly scolds the black-haired man for his insensitive behavior towards you. Light uses his chances in exploring L's far more obvious awkwardness around you as it is obvious for him that the detective doesn't really know how to behave around you. That leads L to coming over as weird and creepy at times when his dark eyes feel like daggers about to pierce through you, obsessively watching your every move.
✍️​🍰​Despite Light's advantage when it comes to behaving like a normal person around you, L has far more influence than he has. He can easily get his hands on all sorts of information about you and can stalk you by getting all camera footage or even going as far as installing a tracker on you. L is able to keep an eye on you even if you aren't with him whilst Light has to bicker with Ryuk until the Shinigami eventually agrees to stalk you for a bit for Light's sake and in return the boy buys him his beloved apples. Light is fully aware that L could probably take you away by framing you for something within an hour and the only reason he hasn't done it just yet is because he is determined to catch Light in his lies, partially by even using you a bit. I can't exactly deny that both of them sort of explore you to get under the skin of the other one since you're currently their weak spot. They keep their dislike above each other hidden when you are around but as soon as you turn your back to them, they look at each other in discontent.
✍️​🍰​The involvement of Misa is a double-edged sword for both Light and L due to her own obsession with Light. She gets extremely jealous of you because she wants Light for herself and he had to suppress the urge to slap her or even just outright kill her since she possesses the Shinigami eyes and because Rem has also threatened to kill him if anything should happen to her. He is forced to keep her on a tight leash and tell her that she is his only one even if her touch makes his skin crawl. Whilst L is obviously cautious of her because she might be the second Kira, he also explores Misa for his own advantage as he uses her as some sort of cheating code to keep Light busy and hog your attention and time for himself whilst leaving Light silently losing his mind whilst trying to deal with Misa. Tension grows as time passes on though and things start to escalate as Light as well as L start putting you in dangerous situations only to rush to your rescue as your personal hero to earn your trust and gratitude all whilst being the ones who are responsible for it anyways. It doesn't matter who you choose, in the end the one who wins this war also wins you.
Fyodor Dostoevsky & Nikolai Gogol
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🍎​🕊️​Surprisingly enough a pair that could work somewhat together although don't just get all comfy because of that. Nikolai already has a weird fascination going on with Fyodor whilst Nikolai is possibly the only member in the Decay of Angels and the only person overall that Fyodor sees as more than just a pawn. The one major problem this interest that both of them share for you initially is Nikolai's desire to free himself from his own emotions. He expresses his wish to Fyodor that he wants to kill you too to free himself from the binding chains that tie him to you and that is one of the few times where Fyodor actually threatens the clown to kill him if he should ever try to end your life. Nikolai can't lie tha he enjoys the fact that he can actually get a reaction out of Fyodor, as subtle as it may be and in an almost weirder sense does he think that the friendship between Fyodor and him deepens as he sees both of them as chained to you because of their shared interest in you. What a wonderful experience this is~
🍎​🕊️​Nikolai is the one who will one day just appear in your life and get in contact with you with his eccentric personality whilst Fyodor remains for now in the shadows and watches everything closely. It's likely that he has made a deal with Nikolai to prevent the clown from possibly ending up killing you by telling him that he'd give him a chance to kill him later as soon as both of them have secured their hold on you. From the very first moment with you, Nikolai is very social and open around you in his own weird ways. Despite his somewhat eccentric ways though, he is actually fun to be around and likeable due to his own quirkiness. He can joke with you and make you laugh and shows you some magic tricks too to keep you entertained all whilst gauging you for every facial expression you can give him. He wants to see everything you have to offer from your joy and laughter to your tears and your sorrow as he sometimes doesn't care when something terrible happens to you as his eyes are glued to your face, gleaming with sadistic joy and fascination.
🍎​🕊️​Whilst Nikolai takes for now over the part of spending time with you and getting to know you personally, Fyodor takes over everything from behind the scenes. He gathers the information about everything else in your life from your family to your friends to your job to your entire past. Both of them exchange intel about you every night over a cup of tea. Most of the time it is Nikolai just gushing and rambling about everything he could observe whilst spending time with you as he switches back and forth between having a sickly infatuated smile on his face to a scarily sadistic grin as he wonders how you would react if he were to kill someone you love in front of you or if he would hurt you. Fyodor just listens calmly to him as Nikolai talks and talks and talks about you, recalling everything about in accurate detail before Fyodor eventually has to interfere or else the white-haired man might talk for hours about you. Nikolai just gets so very easily lost in thoughts of you.
🍎​🕊️​Nikolai doesn't think about stopping Fyodor though when he starts slowly crushing everything you have so carefully built and established in your life. In fact he supports his bestie with this deed as he gets to enjoy you slowly unraveling in front of him each and every day as your life slowly falls apart. He has seen you already expressing joy, surprise and confusion but he has never witnessed you giving him a face full of despair so he sucks your every expression and sound up like a dry sponge with an utterly fascinated and happy grin on his face. The fact that you get freaked out when you notice the smile on his face as he leans closer to you, his gleaming eyes scrutinizing your face closely and carefully to engrave this memory in his mind just like he has done with everything else you've done, doesn't really bother him. Instead he starts questioning you how it feels to lose everything as he chooses to give you some of his quizzes, his scary behavior slowly pushing you away from him. By now it is far too late already though.
🍎​🕊️​You are put in a literal cage by Nikolai's desires as he could spend hours staring at you in it, his hands clutching tightly the bars as a frenzied look appears in his eyes as if he is about to pounce on you every moment now. How does it feel to be a bird without freedom now~? Do you feel the same sweet torment as he does? Or are you just in plain misery? Whatever you feel, he's sure it'll be entertaining. As crazy as it sounds, you almost prefer Fyodor for a while as he is much more calmer than Nikolai as he's the one who actually gives you some information instead of his partner who just toys with you and keeps you on edge all of the time. Sometimes he even apologizes for Nikolai's eccentric and overbearing and if he would have any heart left inside of him, he might even sympathize with you because he is all too familiar with Nikolai's antics by now. If you thought that you were suffering before, you're in a world of pain now.
🍎​🕊️​It is Fyodor who has to establish the boundaries though as his friend is far too volatile as he is guided by his emotions more often than Fyodor. Fyodor and Nikolai obviously both share a sadistic streak so there are times where both of them enjoy your torment and pain together with Nikolai being the more vocal one in expressing his joy over seeing your misery whilst Fyodor is just silently drinking in the sight of your pain. Fyodor knows when to stop though as he punishes you for the most part only until he's broken you and freed you from human's sinful nature, even if he might still sometimes be a bit sadistic. He's composed and controlled but Nikolai struggles with holding back at times as he seems to go back and forth between his behavior. Sometimes he acts like the Nikolai you once knew, all funny and joking with you, and other times he has his hands wrapped around your neck, squeezing until you see black spots dancing across your vision. His feelings have reached a weight, a gravity that pulls him down and even he doesn't know anymore at this point how to feel. He wants to kill-No, he doesn't...But he wants to be free...But can he really...?
Jouno Saigiku & Suehiro Tetchou
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♦️​🌸​God, this is going to be so messy because those two just don't get all too well along. They're disagreeing always about something even during their duties and the tension only sharpens as soon as both of them develop an interest for the same person. Saigiku is the first one to notice because of course he can sense Tetchou's quicker heartbeat when around you and all the other sounds from his co-worker's body that go crazy as soon as you are around. In that moment to Jouno feels like this is the worst thing that could have happened to him because from all people it had to be Tetchou. The Hunting Dog doesn't want to share his darling with anyone but especially not with such an hopeless and idiotic optimist such as Tetchou. Now, Tetchou is certainly slower to realize everything that is going on. Chances are that he might be even a bit oblivious to his own feelings at first but seeing how Jouno tries to get involved with you certainly pushes him to notice his own feelings as well as Jouno's mutual obsessive interest in you.
♦️​🌸​He knows what Jouno is like so Tetchou doesn't trust you with his fellow Hunting Dog because he has a strong desire to protect and coddle you as much as he can. Saigiku on the other hand is just a sadistic bastard and he doesn't want you to suffer or to feel any pain because of him. So Tetchou makes it his personal mission to protect you from Saigiku as he tries to glue himself to your side as much as he can. Jouno's involvement is funnily enough the trigger that pushes him to reveal his own unhealthy feelings more to you. He's suddenly overprotective and clingy as he tries to get you to listen to him because he tells himself that he knows what is best for you as you don't know how cruel Jouno can be. Because Tetchou is as often with you as he can, Jouno decides to step temporarily back and just observe from the sidelines with a displeased expression on his face. What should he do about Tetchou's pesky behavior?
♦️​🌸​Both of them are somewhat limited though, much to their dismay. Both of them are part of the Hunting Dogs after all and the growing tension between the both of them is palpable and that becomes quickly obvious for the other Hunting Dogs as well. They glare at each other, Jouno's words are snarky and aggressive as he constantly provokes Tetchou and tries to get under his skin whilst Tetchou constantly warns Jouno to not do anything with you through clenched teeth as his hands form into fists. There were a couple of times where it almost looked like the situation would escalate and both of them would just fight but eventually Fukuchi gets involved and forces both of them to sit down together with him. Let's talk to each other, okay? Despite those friendly words, he as a threatening and displeased aura around him due to their immature behavior and so both of them are forced to admit what their problem is.
♦️​🌸​Fukuchi looks somewhat bamboozled as he realizes that the main problem is that two of his subordinates have just gotten quite attached to the same person whilst Teruko is laughing her ass off in the back and tells both of them that she'd like to meet the person who made both of them act this way. The old man quickly regains his composure though and reminds both of them that they are Hunting Dogs and that they have a duty to fulfill and that does not include constantly brawling and looking like they're about to kill each other. They have too much value as Hunting Dogs for the government so they wouldn't be thrilled either if they were ever to find out that there is such internal conflict between Tetchou and Jouno. Fukuchi decides to give both of them a chance to figure this out themselves though before he or the government get involved because they can not afford to have those two possibly drag down the efficiency of the Hunting Dogs because of their feelings for you. Either they work this out themselves or you have to leave the picture via Fukuchi or the government.
♦️​🌸​It's a threat that both of them know will become reality, they know better than to underestimate Fukuchi just because of his sometimes questionable antics despite his age. So Jouno approaches Tetchou not long after and whilst the dark-haired man doesn't even want to look at Jouno, he listens as Jono forces the idea of a cooperation out of him. He'd rather nail his tongue on the wall than do this but now both of them have been pushed in a corner with no real other way out. It isn't even the government both of them are worried about, it's more the lingering threat of Fukuchi and the likely involvement of Teruko since she is extremely loyal to her captain that manages to keep both of them on some sort of leash. They argue still though as Jouno wants you locked away and isolated and Tetchou disagrees as he still wants you to retain some right for freedom. Both of them ultimately can agree on moving you into an environment that both of them can supervise more closely. If an enemy would find out about your connection to them after all, this all could get very bloody and troublesome.
♦️​🌸​Honestly, if it wouldn't be for Fukuchi who manages to have some amount of control over them, both of them would have gotten into a lot of serious fights by now. They can never agree on anything when it involves you besides brutally murdering everyone who dares to hurt you. Tetchou is too lenient and weak for you in Jouno's mind and Jouno is too uncaring and sadistic in Tetchou's mind. They can literally not stand to be in each other's presence and so both of them have to be left alone with you because it would end in another huge conflict if they would try to share you whilst in the same room. The relationship is restricting and suffocating because both of them bring the worst out in each other as their behavior escalates. Jouno grows even more possessive and controlling over you whilst Tetchou grows all the more overprotective and clingy. You probably still prefer the dark-haired male though because he at least knows how to express his emotions around you whilst Jouno still struggles to be more vulnerable around you and your preference for Tetchou does not help him to be nicer.
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renshengs · 8 months ago
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Hi!! I see you post occasionally about cdramas. I went to China this summer and I learned a little Mandarin (like enough to say, “I don’t speak good Mandarin.”) Would I be able to muddle through cdramas with captions? (Also any suggestions on which ones to watch and where to watch them?). Thanks so much <3
ooh i hope you had lots of fun there! with subtitles i think you could absolutely make it through most cdramas; it depends on how good the subs are, honestly, because alas translating mandarin chinese to english (or any latin-based language, for that matter) is i think one of the most difficult language translations possible because the chinese language is just so rife with chengyu (idioms).
as for recs, i do have a handful i watched recently enough that i feel more confident in trusting my own taste LOL. i almost exclusively watch historical dramas, so these are definitely going to be very skewed to my personal preferences.
also, this will be long because i love my cdramas. bear with me!
word of honor/山河令 (2021)
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episodes: 36
genre: wuxia (chinese martial arts fantasy; think of crouching tiger hidden dragon), dangai (cdrama adapted from a chinese gay romance novel), adventure, political intrigue
arguably the most explicitly gay cdrama that's come out in the last decade despite censorship issues in chinese tv broadcasting
a lonely ex-assassin retires and begins a slow 1-year suicide by poison, but his death plan is interrupted by a flirtatious (& dangerous) man with a mysterious background + a newly orphaned kid he accidentally becomes responsible for. cue politics and drama!
if you don't mind dealing with low-budget CGI—though the show is so immersive it hardly makes a difference—the story features: fascinating & subversive themes about life & morality, a well-written cast of bloodthirsty women, an incredibly charming found family, and an absolutely fantastic, dramatic, devoted slow burn between the two male leads
if you prefer more mature romance—lots of flirting & sexual tension between two highly intelligent & capable men who are 1) attracted to each other from the get-go 2) constantly trying to outmaneuver each other & figure each other out... this is the one!
if it means anything, i am recommending this one first because it's my all-time favorite cdrama! especially if you are queer like me :)
you can watch it subtitled on netflix or fully free & subtitled in HD on the official youku youtube channel
the double/墨雨云间 (2024)
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episodes: 40
genre: historical, romance, political intrigue
if you too are tired of stories about shallow, badly-written girlbosses with no dimension... this is the show for you!
protagonist is a happy woman who gets framed for adultery & buried alive by her husband—she survives and returns to enact revenge upon those who hurt her & her loved ones by assuming the identity of the young woman who died saving her. she makes many enemies and allies along the way + catches the attention of the emperor's notoriously cold & keen-eyed right hand man, duke su, who eventually becomes her very supportive love interest <3
high stakes & a plot that makes you hold your breath, GORGEOUS cinematography
a long list of complex and important female characters, most of them nasty and corrupt, all of them sympathetic and interesting. the show is good at making you assume at first that their characters won't be done justice, but just wait :)
from your resident het romance skeptic: excellent dynamic! protagonist and her duke are both confident, calculating schemers always trying to outsmart each other, but eventually join hands against common enemies. extremely slow burn with lots of tension and a refreshing lack of miscommunication
you can watch with subtitles on netflix, youku, and definitely some p/racy sites for east asian dramas
mysterious lotus casebook/莲花楼 (2023)
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episodes: 40
genre: wuxia, adventure, mystery
a heroic & famous swordsman suffers a defeat at the hands of his nemesis and vanishes and is widely presumed dead. timeskip a decade, he's been living in disguise as a doctor to escape the burden of his identity when the past he's been hiding from starts to catch up to him when he scams a talented & stubborn young swordsman whose past is connected to his
if you like sly 30 yr old protagonists, identity shenanigans, & mystery-solving with gay polycule undertones, this is the one for you!
as for potential shipping: if you like age gap stuff and/or devoted puppyboys and/or "A has idolized B (adult) since they were a child; now A is grown-up and wants to protect B" trope. OR if you like 30 yr old nemeses who act divorced. the 3 main guys all have chemistry; pick and choose your ship at will!
to save text, last year i made a passionate powerpoint post explaining the whole show, spoiler-free, in more detail!
you can watch it with subtitles on iqiyi for free or on aforementioned [redacted] sites
love between fairy and devil/苍兰诀 (2022)
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episodes: 36
genre: romance, xianxia (chinese high fantasy), adventure
high budget CGI? in MY cdrama? it's more likely than you think!
please ignore the horrendous english title. a translation of the original chinese would be "the parting/goodbye of canglan", canglan being the main characters. the story is tragic but ends happily!
on the surface appears like an old-fashioned good girl x bad boy love story, but is far more emotionally interesting & 100% deserving of its sheer popularity
brave & kindhearted low-ranking 1,500 yr old orchid fairy spirit accidentally soulbonds with a 30,000 yr old demon lord war prisoner who just happens to be the nemesis of her realm, except she reaps all the benefits and he just suffers (hilariously)
very star-crossed, VERY funny bodyswapping, & with far more heart and consistency than many people assume. the romance is difficult in ways that make sense! genuinely thought my picky ass would not be charmed by this show and found myself fully crying by episode 8
oh, and gloriously stunning costuming. everyone looks good, all the time, even when they're covered in blood <3
if you're interested, here is the powerpoint post that convinced me!
you can watch with subtitles on netflix, or iqiyi & viki for free!
a journey to love/一念关山 (2023)
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episodes: 40
genre: historical, romance, adventure, political intrigue
also female-centric! an infamous and deeply complex assassin protagonist hellbent on revenge against the people who framed her finds herself making a deal to train a timid princess into becoming a political force of nature, ft. her supportive and equally capable male love interest, his group of incredibly lovable and memorable best bros, a gorgeous cutthroat young marquis with an oedipus complex & a complicated backstory (who absolutely steals the show whenever he shows up), & a headstrong tomboy princess with a sweet and loyal heart
a fast-paced plot that never drags + excellent soundtrack + incredible action scenes + a genuinely convincing crossdressing plot where the female character actually passes as a man
unreasonably funny considering the political drama. i truly cannot understate how Fun this was to watch, especially if you like deadly domineering women who are badly socialized and hilarious, and female characters establishing positive and meaningful bonds with each other.
if you've never watched a cdrama, i will warn that most of them Do Not Pull Their Punches when it comes to making viewers cry. this one has shakespearian tragedy levels of death, including of major characters
you can watch with subtitles on iqiyi, and i'm sure some [redacted] sites also
hoping this list can be of help to you, anon! i cannot state how happy it makes me to see anyone express an interest in watching cdramas. i grew up on them, their long dramatic storylines and star-crossed romances, and they shaped my taste in fiction in more ways than i can say. if at any point you get around to watching any of these, feel free to yell in my inbox about it, and most importantly have fun and enjoy! <3
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gabyiisart · 6 months ago
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Hey there! I wondered if I could ask - what is it about Kralsei that appeals to you so much? For me, it's partially how rich the pairing is in symbolism and meaning, and how much it could potentially represent with regards to Deltarune's themes... and it's partly because I love the boy with every shred of my soul and I want him to be happy :')
Would love to know if you were willing to share!
Oh Hello!! ^u^
I believe our reasons for liking Kralsei are just VERY similar, symbolism, meaning and Ralsei as well!! And that's why I always identified so much with your analysis about them! You basically write everything I would like to say of them in your texts, haha!!
Kralsei, to me, it's about how the narrative is trying to tell implicitly that Kris and Ralsei's relationship will be about a journey of understanding your identity, understanding yourself, belonging...
Kris and Ralsei have very similar problems at the moment: lack of identity. You see that everything Kris and Ralsei do will always be on Asriel's shadow. Everything Kris had before he left was always because of Asriel and how he was a kind of guide for them. Ralsei clearly has references to Asriel, (and Flowey) the kindness, prince thing and etc. But YET, he still doesn't know what it's like to be Ralsei: he doesn't know what it's to be HIM. And honestly, from there you start to think that there is something much deeper to Ralsei than just being an Asriel from a different universe.
This video talked about a little theory: how Ralsei is there to make Kris find their own identity, I highly recommend watching it! And that's where I wanted to start my point about: Ralsei is here to help Kris, to serve his lightner. But on the other hand, Ralsei also needs to be rescued, he also NEEDS his identify, without living in someone else's shadow, if he will help Kris to be themself, will Kris be grateful enough to do the same for the Darkner who helped them?...
I honestly got to think that maybe this is one of the connections of their names? The Undertale Frisk/Kris Ralsei/Asriel connection?? Where Frisk had to save one last person and it was Asriel????/Hj
This idea of Ralsei and Kris being an allusion to "find yourself" or even "self-love"... It's beautiful to me. Not wanting to go into too much detail, but since 2023, I feel like I've been having symptoms similar to identity crises, very focused on who I am, what I should be and how I should act with everything in general, learning that this is an aspect of Ralsei made me find comfort in him, and Kris as well. The supposed meaning of their relationship comforts me and makes me want to see lots of arts, fics, anything good related to them. I hope one day they develop and we have lovely scenes of them doing arts and crafts, hanging out in Hometown and having fun at school!!!!
I can't forget to mention that the thing about light and dark symbolism!! Both need each other.
If we have the few implications of love between the two in the game, I hope Toby will lead this nicely, in a good developed way. In case of becoming an endgame, could be a good one for the end of Deltarune! And then we will have another important canon couple like Undyne and Alphys and the royal guards muahahaha
Shipps where the two individuals help each other, especially in things as profound like in this case: knowing your own identity, just touch me so much! And that's why Kralsei is my favorite ship. Love them forever! <3
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unnamed-atlas · 3 months ago
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Anyways sharing this here for my fellow LaHoF freaks because someone in the comments asked me who would win a fight between Wels and Hels if they were actually on equal footing and that's actually a topic I've thought about extensively in the making of the fic because it's important to the themes and such so:
Quick and simple answer, assuming they were equally matched both physically and mentally/emotionally, this was just a fight for the sake of a fight and didn’t carry any of the other baggage that their conflicts throughout this fic do, Hels is going to win that fight 9 times out of 10.
Okay. now the long and drawn-out thematic explanation for the quick simple answer. 
Wels and Hels are both really good swordsmen, and part of the reason for that is that they both come from similar tournament fighting backgrounds. I think, at a certain point in Wels life, back before he got picked up by the hermits, the two of them could have been on fairly equal footing, Wels could’ve won about half of those fights instead of just one. The problem then is that all of their encounters are within the confines of hermitcraft. I honestly don’t think the place Wels came from, where he did his fighting, was all that much kinder than where Hels did his fighting back home. But even if Wels knighthood didn’t really solidify as a part of his identity outside of character until his time on Hermitcraft, when he had something of his own to protect, the actual skills attributed to that knighthood, that protection, were much less necessary for him on Hermitcraft. He’s still a good fighter, one of the best on Hermitcraft, but there is a harshness, a precision, a desperation that is lost when you are no long defending your life every time you pick up a sword, when it becomes incidental, or a symbol, or a thing you use to spar with your friends rather than cut down your enemies. Wels has had time to soften in his years on Hermitcraft, and Hels has never had that privilege. Hels could’ve killed Wels 1000 times over since his arrival on Hermitcraft, the fact that he doesn’t until this point in the story is important because it’s a choice, not a failing. 
He hasn’t killed Wels because he hasn’t wanted to. He has made threats, and played out fights, and he has let Wels beat him every time because he is trying to play a character, because he thinks that language of storytelling, owing to his performances as a tournament fighter, are a language Wels is in on, a way to get through to him. Wels is not in on it, because he is not immersed in that life  the way that Hels is, and so when Hels plays the villain Wels takes it as fact, and no change Hels makes afterwards changes that idea in his mind. So, when Hels does finally start trying, and it becomes obvious that Wels is outmatched, would be outmatched even if he hadn’t been wearing himself thin for weeks, it’s a shock to Wels even if maybe it shouldn’t be. 
This disparity of skill is actually a big part of Wels struggle throughout the story with guilt, self-worth, his knighthood, and the ability to accept help. Because Wels thinks Hels is horrible, and he also knows that, at least in certain aspects, Hels is better than him; in the discipline of his violence, in his execution of it, in his adherence to his knighthood, solidified by hardship rather than comradery. Wels spends the fic denying himself the ability to reach out to others and accept help because he has convinced himself that if Hels can do all that as a lone actor, he should be able to take him on, defeat that evil, as a lone actor. He sees his softness, his connections as weakness in contrast to Hels’ isolated skill. What he fails to see (until the end of the fic at least) is that those connections are his strength, not his weakness, that Hels’ failing is that all he has is himself, and his desperation, and his anger. He too can only run himself ragged for so long before making a sloppy mistake, and unlike Wels, he has nothing and no one to fall back on.
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mermaidsirennikita · 7 months ago
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https://x.com/yukitsunaurda/status/1859357803392950434?t=15mdHebDx_zZmZRWVSUBnA&s=19
did you see this...
YES.
Emerald is officially one of the hackiest hacks to ever hack in my book. And honestly? I don't know what to call this other than blatant racism.
Edgar Linton is not "the nice guy" (though I do think a lot of modern love triangles unconsciously or consciously take a cue from the Heathcliff/Cathy/Edgar love triangle). He is symbolic of everything Heathcliff is not or perceives himself not to be. He's also aspirational for Cathy, who views him and his family as what she SHOULD aspire to, even though she's denying her true nature.
(Which plays into the Romantic themes of the novel, of course; Cathy is probably denying the natural self and world on a symbolic level. On a more basic level, Cathy basically no set identity, or is perhaps completely muddled because she does have an identity and won't accept it. I always say: Remember that Catherine Earnshaw dies between... what? 20-22? She's not a fully formed person and never gets to be, and this is why casting someone in her thirties as Cathy is absolutely not something that works. I also find that Cathy, while not a good person, gets a bad rap when people equate her behavior with Heathcliff's, because a) Cathy did not abuse/rape anyone (edit: Cathy doesn't rape anyone but she is abusive to Heathcliff at first) b) Heathcliff continues his bullshit for decades, where Cathy dies so young and her behavior really reads as that of a very troubled young woman, BUT THAT'S NOT WHAT THIS IS ABOUT. I JUST HATE THIS WHOLE PROJECT.)
Heathcliff literally refers to Edgar's whiteness when (very, very sadly—like, whatever Heathcliff becomes, it's an extremely sad passage) discussing how Heathcliff can't be what Edgar is simply because he's "low", doesn't look like Linton, doesn't act like Linton (by no fault of his own, as Hindley treated him like an animal and he never had the opportunity to learn Linton's graces).
In another story, Heathcliff is the bootstraps guy who kind of admirably comes back, somehow having made a sizable fortune, where Linton is the product of soft generational wealth. And frankly? Never has Heathcliff's strength of will (whatever that will was used for).
But because Linton is white and upper class and Heathcliff is neither of those things, this is an immeasurable block, a ceiling on Heathcliff's rise. Linton is representative of that ceiling. And he's also representative of the way that society essentially perverts peoples' true natures. Catherine does not think to be anything other than what she is—wild—until she gets stuck with the Lintons for a while and comes to see what she is as WRONG and puts the Lintons on a pedestal. This is why I think it's important to remember that while the Earnshaws have this land and money, they're not *THAT* high. Catherine is marrying up when she marries Edgar. And while she's very much a white woman, she is not a white woman who comes from exactly the same type of class as Linton, because the Earnshaws are, essentially, messes.
(Insert Heathcliff and Cathy are half-siblings theory here,)
And marrying Linton and caving to the pressures of white society basically has her dooming the lot of them. Including Linton and his sister.
Which—by the way. WHO IS PLAYING ISABELLA.
Part of the "Heathcliff is meant to be read as a man of color" argument lies as well in the way in which everyone acts as if Isabella and Heathcliff's marriage is like, this total aberration. And yes, Linton just hates his ass, and yes, Cathy is both jealous and very aware that The Boy Ain't Right and Isabella is signing up for suffering. But there's an underlying tone that says... Perhaps.. There is another reason why Heathcliff and Isabella *cannot* marry (even though they do it anyway). Is it perhaps because Heathcliff... is not white?
I mean, yeah.
So now you'll presumably have Isabella as a woman of color. Which is just as narrative-fucking as Shazad as Linton. When he could've EASILY been Heathcliff.
Worst take on colorblind casting EVER.
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jackattack20writes · 21 days ago
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Firstly super dooper spoiler warning cause this is all spawned from something posted by the social media team and is extra content from next ep and I assume some people don’t wanna see that if they haven’t already.
So like I had said everything I felt I needed to say about but then the Gquuuuuux Twitter account posted this picture and I haven’t been able to stop thinking about it because Char discarding his new identity (that honestly I can’t remember the name of because I keep thinking of him as char) to return to Char for the last two episodes is massive. And I need to rant about it and what it means for our three main characters.
Also if you don’t wanna read my ramble the TLDWR: char dressing up as char means red gundam’s back in action which means Nyaan and Machu’ll have to team up and Char’ll know where Shuji is.
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So Char’s pretty consistently shown to use his fake identities for different reasons and have different motivations attached to them, so which identity he’s using makes it pretty clear what his current motivations are. Eg. Char aznable is revenge, first on the zabi’s in MSG then the earth and Amuro in CCA, Quattro is Char trying to better himself and make a better world for both the spacenoids and earthians, almost the idealist Char so to speak which is why when he’s returning to the path of vengeance he discards Quattro and returns to Char (albeit part of that is the whole using the char identity to muster the remnants of Zeon and neo-Zeon but the point still stands from a writing perspective if not an in-universe one). So the fact that char isn’t continuing to use his new identity and is instead returning to char is important especially because I think it not only gives some idea to where Shuji is but combined with some of the scenes from the preview this week makes certain endings more likely for the NyaChu fight as well as showcase that Char wants some publicity to whatever he’s doing.
So firstly and probably the more head scratcher one is how Char gives an idea of where Shuji is. So considering that Char is embracing Char again it’s also easy to assume that he has the red Gundam. Now this is based off of a few things, A. Char working on the yomagn’tho means he has a level of familiarity with creating technology to instigate Zeknovas at range and considering the size difference between the firing of yomagn’tho, Char’s original zeknova and the red Gundam doing it on side 6 it’s not impossible that rather than enabling zeknovas the alt elmeth and Lalah instead enable the size and destruction seen from yomagn’tho rather than the phenomena itself. So Shuji’s reaction to the red Gundam as it begins its zeknova could be indicative of the fact that Char had caused the zeknova to bring the red Gundam and Shuji to him.
The reason Char would want the red Gundam is twofold, first by appearing as Char with the red Gundam it acts as a proof of identity, as I doubt anyone outside of the people on Sodon, Kycilia and some citizens of side 6 would know that the red Gundam was there, so Char reappearing with it would for most people be the first time since the OYW ended and leave little to no doubt that it is indeed the red comet returned. Secondly I believe that Char being Char he would never trust someone else to fire the yomagn’tho in a way he’d like he would have a backdoor to use it, and based on how the GFred was needed to fire it Char would also need a mobile suit. Now yes theoretically he could just try to steal the GFred but A. It was under Kycilia’s watch and B it doesn’t match the theming of Char which Char appears to be returning to meaning it’s likely char has the rx78 and has modified it to work as a trigger.
And this is also where in part the preview of ep11 comes in as in the preview the only thing Nyaan appears to be using to fight with is the bits from the GFred and based off how the gquuuuuux doesn’t have any that we’ve seen the inclusion of bits in the GFred has to be because of the GFred’s purpose as the trigger for yogman’tho. Which I believe means they’re intended as semi-autonomous defence for the GFred when firing the yogman’tho. So Char would want the red Gundam with all it’s bits that I assume he rebuilt alongside modifying the red Gundam not only to fulfill the wartime image of the red comet but to protect him when firing yogman’tho. And we know that Nyaan in the process of fighting Machu (although I do have to also note here because it doesn’t really fit elsewhere that Nyaan is to an extent struggling against Machu without the gquuuuuux entering its new mode and because from what the show’s shown, by all accounts Nyaan is a better pilot that Machu when she doesn’t have the Kira Kira, so she isn’t trying to kill her in her fight next ep and is instead just trying to keep her from stopping her, further evidence to this is her not immediately melting her with the bits and how much more forgiving they seem to be.) disconnects from yomagn’tho leaving it open for Char to jump in and use it, protecting himself of course with the red gundam’s many bits as he does.
So I believe that at least half of the next two episodes will actually be Nyaan and Machu teaming up to beat char and stop him from using yogman’tho to destroy Kycilia and possibly earth as well. The reason I think it’s a team up that’s coming and not just Machu or Nyaan winning and then fighting char is that in ep 7 it’s directly commented that Challia with the kikeroga is capable of single-handedly operating as a MAV team. And considering Char is Char, it’s likely he too is operating on that level so it would require Nyaan and Machu working together to stop him and the red gundam.
And as to where Shuji comes in either the space ghost we saw a hint of will confirm him as dead, char will confess to killing him or Char will say he did something else to him, not only taking away Nyaan’s reason to fire the yomagn’tho but also give her and Machu a new purpose in trying to find their friend.
Also like on a very basic level not only does Char need a mobile suit for the finale cause he doesn’t have a personal connection with anyone in the climax room to warrant a personal fight but also they wouldn’t just leave the RX-78 in limbo no matter what colour it’s been painted.
TLDR: char dressing up as char means red gundam’s back in action which means Nyaan and Machu’ll have to team up and Char’ll know where Shuji is.
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mktournament · 1 year ago
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Semifinals: Nahida vs Kiana Kaslana
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(Propaganda under the cut)
Kiana:
TLDR: she's kiana kaslana what do you MEAN!!!! kiana is a beautifully written character who fully encapsulates what hi3 is about and she's so full of love and guilt and (most importantly) hope. she's a clone who struggles with her own identity/inhumanity and traumas extending from when she was a young child and her guilt but is so so resilient and so so so so compassionate which ultimately reinforces her humanity :)
kiana's character IS the honkai impact thesis statement. i don't even mean it as in she's the literal main character and face of honkai i genuinely mean it when i say she just IS honkai impact. she reflects every single theme that they portray [hope over nihilism (chapter 25 || the flame chasers and just. the previous era in general), having agency over your identity and your own story (himeko, her being k423 and being so linked to sirin, everlasting flames || the kaslana household name honestly, bronya, fu hua, mei, sirin), believing in the humanity's inherent worth (chapter 25, arc city || elysia <- important since as a current era herrscher, she is a successor to elysia AND as kiana kaslana, she is a narrative parallel of elysia), having faith in the youth (himeko, kevin || the other flame chasers! notably su), etc.] her character being so reflective is also sooooo OUGH to think about when you view it as a reflection of honkai's 50,000 year samsara because kiana is a representation of these themes coming full circle (especially since many of these stretch back to the previous era and elysia).
SHE FEELS SO MUCH. she's so full of love and guilt. she clearly prioritizes others over herself and part of her arc is her learning to value and love herself as well!!! she would give herself for the world ten times over because she holds so much affection for humanity!! (WHILE FEELING DEHUMANIZED BECAUSE OF HER IDENTITY AS BOTH A HERRSCHER AND K423) and it's actively apart of her character's growth :'')
dear god her growth… okok. so i think first you have to understand that a lot of kiana's growth obviously coincides w general maturity as she grows from a teenager to a young adult. but aside from that i think people often forget that younger kiana is incredibly self sufficient since her father literally left her with little to no explanation when she was like. what 8? the insecurity she feels at that! the anger she has to navigate while also balancing it with her own feelings of missing and loving him. basically: kiana has struggled a lot w instability and is thus kinda good at navigating it. ex: she isnt shaken by nagazora and literally tries again and again and again to save mei and convince mei to let her help. the thing is this fucks w her a bit though because a big thing that she does as a means to cope w instability is avoiding them (not reflective of real life of course, but in the fictional hi3 this is partially represented in kiana's repressed memories about her actual origins as k423). she can not stand the realization that she killed himeko that she's so deep in denial and doesnt truly realize it until more than 10 chapters after himeko dies! she's so horrified with her being a herrscher she actively tries to not use her powers out of fear, even when it puts her in harms way (the chapter XI-EX CG!!!!!! her literally trying to kill herself!!) she literally runs away from her friends and loved ones because she's so scared of hurting them!!!!!!!!!!!!!!!!!!!!!!!!!! which is why her promise to himeko to not run away is so important!! because it addresses one of kiana's biggest flaws!!!!! this is especially important bc her refusal to continue her avoidance feeds into her arc during the herrscher of dominion chapters where she both faces her own guilt/identity and deliberately chooses perseverance and hope over nihilism!! she is hope!!!!!!!!!!!!!!!!!!!!!!!!!!!
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sainteclectic · 4 months ago
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HMSW TMA entity alignments please!
okok. rubs my hands together
heart i had to think about for a bit, but i think he's the vast. the vast is all about feeling like you're small and meaningless in the universe. a lot of his songs focus on insignificance. just apathy is the most obvious example, being all about how insignificant everything is and how nothing matters, a common theme of the vast. there's also good day, where heart flips between "it likes to say that it is nothing" and "it insists that it is something," both resigned to his meaningless existence and desperate to prove he has meaning. there's a touch of end in there, with mentions of "everything will turn to dust" and entropy, but the end is a passive fear, and heart certainly isn't passive. in fact, I'd argue his attempts at hurting mind fall under the vast too - he feels insignificant while mind acts so important, so he tries to drag mind down to prove that he's just as helpless. there's also some buried in there, with the entire "being in a hole" thing and feeling suffocated, but this is way too long so I'll leave it there {hah}
mind is the web. there's a touch of the eye, of course, but knowledge isn't what makes him scary - it's his manipulation, his power over others. the recurring ruler of everything motif {within the song itself and him singing it in other places} is somewhat self explanatory. he needs to be in control of everything, to pull the strings and be the... well, ruler of everything. mind is referred to constantly in this way, especially by heart: "see how the mind tricks the soul," "controlled by digits," "take control, let's see how you fare." he's convinced his methods are the best and most effective, and he's willing to exert control over others in order to ensure he gets his way. at the same time, he's trapped in this role himself, feeling the fear as well as projecting it onto the others. he feels powerless, so he takes that power by force, which is consistent with what we see of web avatars - their controlling nature stems from a deep fear of being controlled themselves.
soul is the stranger. soul's entire thing is being the "identity" part of whole, therefore being a not-quite-whole. the identity of whole without an identity of his own, a mimic instead of an individual. and he's treated as essentially a surrogate whole throughout the narrative, furthering the theme of being an impersonator taking the role of whole in his absence. soul becoming or representing whole but not truly being him because it's lacking the full spectrum of humanity. not quite whole, not quite human, not quite anything else. something in the shape of a full person that goes through the motions of being a person but without true humanity. furthermore, soul treats this loop like a neverending performance. he's "paraded," he tells the listener to enjoy the show, and in the bidding he's clearly playing it up for the audience. the stranger has a heavy emphasis on playing a role, which is exactly what soul is doing throughout the entire album.
and whole is the lonely. from what we see of whole's life, particularly in hidden in the sand but also in special and taken for a ride, he's a fundamentally lonely person. he suffers from a deep sense of alienation from others, struggling to connect with others. at the same time, his isolation is also self imposed - he admits that the rejection is "what I was convinced," not an accurate telling of events, as well as saying he remembers "practicing most weekends at the expense of spending joyful time with friends." he shuts himself away from others to avoid the risk of being shut out by them instead. he convinces himself that it's the best option and finds some level of comfort in the isolation. whole as a construct is another story, and honestly with how metaphorical the concept of whole is, you could argue basically anything. so I'm sticking with what we see of whole as a person ^-^
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