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jbuffyangel · 2 years ago

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A Leap of Faith: Arrow 1x14 Review (The Odyssey)

WE HAVE ARRIVED!!!! FELICITY KNOWS!!! HALLELUJAH!

Hello to those who are reading this review right now. I appreciate your dedication and patience as I have FINALLY resumed writing. HUGS!! I hope I remember how to do this. DRUM ROLL PLEASE!!!

Let’s dig in…

Olicity

This is a heavy flashback episode, so much so they had to render Oliver unconscious so Stephen didn’t have to pull double duty in the past and the present. The writers at least came up with a better idea than Joss Whedon did when Sarah Michelle Gellar hosted Saturday Night Live. He turned Buffy into a rat (which now that we know his disgusting and abusive behavior on set towards women this really tracks, but I digress).

Arrow went a simpler route. Moira shoots Oliver.

Can we just talk about Moira shooting Oliver for a sec? Cool? Cool. So, Diggle has bugged Moira because he added 1 + 1 = THE BITCH IS SHADEY and decided to deal with the math, which is something Oliver likes to avoid, but the recording is damning enough to warrant a visit from the Hood. Oliver crashes through the window, takes out some of the office dudes and aims an arrow on his mama.

Moira holds up a picture of Oliver and Thea, begs the Hood not to kill her because she’s a mother and Oliver lessens the tension on the bow. AS IF YOU’RE GOING TO SHOOT HER OLIVER PLEASE. LIKE YOU MOMENTARILY FORGOT THIS WAS YOUR MOTHER AND THE PHOTO REMINDED YOU??!!! Come on dude.

Side note: I’d like to point out that Moira literally uses Oliver and Thea’s photo as a shield against the Hood, which is what she always does. She uses her motherhood and children as shield to justify her bad behavior. Moira is not the only person to give birth on this planet, Oliver. It’s not a free pass to murder people.

Oliver is bleeding out and the person he asks for help is not Diggle (even though he’s a phone call away), L*urel (the writers would prefer not to further integrate her into the plot in a meaningful way) or Tommy (they have to save that golden nugget for another time). No, the person Oliver goes to help is FELICITY MEGHAN SMOAK.

Source: @oliverxfelicity

The scene where Felicity finds out Oliver is the Hood is iconic primarily because she has the best reaction of all the characters in the show. Emily Bett Rickards plays the scene with pitch perfect comedic timing, vindication and genuine compassion. It marks Felicity’s full integration into the show. There is no going back now.

The rewatch is funnier now than it was live because Emily has recounted numerous times that Stephen didn’t fit into the back of Felicity’s Mini Cooper. I have the visual of Stephen’s bottom half hanging out of the side door the scene plays out.

Felicity brings Oliver to the Foundry as instructed and this is no small thing. Oliver has been shot enough times to know he was losing a lot of blood and would be unconscious soon. He doesn’t make any kind of contact with Diggle to let him know what happened. Oliver’s life is truly in Felicity’s hands. She could bring him to the hospital, but they both know that would result in revealing The Hood’s true identity. Oliver has no guarantees Felicity won’t immediately go to the police either, and yet there he is in the back of the Mini Cooper.

Source: @westallenolicitygifs

TRUST is a central theme in Olicity’s relationship. It’s examined from almost every possible angle over the course of 8 seasons, but these early episodes are the building blocks. You don’t get to 1x14 without 1x12. Felicity took the first step. She confronted Oliver about his lies, admits she had no real reason to trust him, and yet there she is in the restaurant handing over Moira’s copy of The List. Felicity takes a leap of faith and so Oliver does the same.

This revelation has been steadily building from the moment Oliver walked into Felicity’s office and presented the bullet ridden computer.

Source: @swifterly

Arrow has many missteps, particularly when they are not invested in a character, but when the writers are invested they can produce really profound character arcs. They slowly and rather painstakingly build Felicity’s character and her relationship with Oliver, step by step, moment by moment. It doesn’t feel rushed when Felicity discovers Oliver’s identity, but it doesn’t feel overdue either.

It’s Felicity herself who asks the most fundamental question in “The Odyssey” and perhaps in the show.

Source: https://gfycat.com/discover/1x14-gifs

I think one of the more remarkable aspects to Arrow is that the writers often anticipate the audience’s questions and literally answer them in the show. More often than not, Felicity is the voice of the audience. It’s difficult to explain how dismissive some viewers were of Felicity now that we know how the story played out, but Olicity shippers really had it rough back in Season 1 and Season 2.

It was LUDICROUS to even consider Felicity as a potential love interest for Oliver - not when you had the queen of comic canon L*urel L*ance right there. This was the Green Arrow’s origin story and there was no other possible ending other than Oliver ending up with the Bl*ck C*anary.

Anyone who dared to question the presumed trajectory of the story was on the receiving end of a lot of ridicule and hate. Olicity shippers were idiotic. We were delusional. Felicity Smoak was comedic relief and the Girl Friday. THAT WAS ALL SHE WAS EVER GOING TO BE.

And yet… we hoped because of scenes like THIS. The writers were challenging their own narrative by asking the very question some of the audience was asking. WHY FELICITY? Why does Felicity find out the truth and not L*urel? Why does Oliver go to HER? If this was really about her ability with computers and becoming his Girl Friday then Diggle would’ve answered that way, but he doesn’t.

John’s answer contains a lot more depth.

“As hard as it is for him to admit, even Oliver needs help sometimes.”

Oliver NEEDS help. He cannot do this alone, even though that was his very intention in the beginning, but as the mission evolved so did Oliver. He went to Diggle first and now Felicity. Yes, they both have skills that are useful to the mission. Diggle is a trained solder. Felicity is a tech genius. (Oliver clearly had some computer skills in the pilot that the writers rapidly backed off of once they discovered the gem that is Emily Bett Rickards.) We can easily right this off as skills are the only qualifications that matter answer.

But Diggle didn’t join Oliver’s mission because he thought Oliver needed back up in the field. John recognized Oliver’s trauma because it was the same as his trauma. Diggle knows the hole Oliver is in because he was in the hole too. Diggle’s mission was always to save Oliver Queen. Whether or not Oliver is capable of acknowledging this is the help he truly needs from John (and he’s sooooooo not capable at this point in the story), it doesn’t change the truth.

The antis aren’t entirely wrong. Felicity Smoak was nothing. She was a throw away comic book name that Marc Guggenheim tossed into a little scene with an unknown guest star to give it some extra pizzazz. But that’s all it was ever supposed to be – one scene. What happened next was completely unexpected for the writers and the actors. Emily’s performance sparked something in Stephen’s and thus lighted the path the writers were struggling to find in Season 1. Felicity wasn’t supposed to matter, but that’s exactly why she does.

Oliver’s story is not about how many comic book characters Arrow can produce. It’s not about reproducing a comic canon story directly from the issue page onto a television screen. It’s not about a predetermined ending. If I’ve said it once, I’ve said it a million times. It’s about a broken man finding his humanity again. Arrow is about saving a man’s soul.

If we are to truly believe Oliver is a changed man then he must see beyond what’s on the surface. He has to see value and worth in all people – particularly those who are perceived to be nothing. This is an origin story. He’s not the Green Arrow yet, but for us to believe in his hero’s journey then Oliver Queen must see people’s humanity. The sum total of his mission is not crossing off a list of names.

Felicity Smoak is the first person who sparks something in Oliver when he returns home. This inconsequential human being, who is a means to an end to catch a bad guy, finds a way past Oliver’s cold and detached demeanor and makes him smile. We see Oliver’s humanity. We glimpse the warm, kind and deeply good person Oliver is. We see his light. Felicity makes Oliver feel something he cannot quite put into words, but he keeps coming back for more.

People are dismissive of Felicity the same way so many of the characters are dismissive of Oliver. One of the main reasons he’s able to keep his identity secret is because so many of his loved ones believe it’s ludicrous to ever think Oliver is a crime fighting vigilante. He’s too selfish and stupid for that. Nobody bothers to look past Oliver’s surface other than Diggle.

I mean… why not L*urel? The woman is a friggin lawyer and she has helped the Hood before. Doesn’t it make more sense at this point to bring her into the team? Shouldn’t Oliver rebuild his relationship with L*urel by allowing her to know the person he truly is? Their relationship fell apart because of lies and betrayal, so wouldn’t the fix be honesty and complete transparency? The answer to those questions are clearly yes, but Oliver has absolutely no intention of ever telling L*urel his true identity, so there’s a solid 75% of his life that she will never know about. What kind of relationship is that?

Oliver has told two virtual strangers his identity while keeping those he loves most in the dark. Why? I don’t think he trusts L*urel. He doesn’t trust she won’t turn him into daddy. His identity is safe if he’s in her good graces, but if L*urel decides she hates Oliver one week then it’s a trip to the slammer for him.

Before anyone jumps on the whole “Oliver is keeping his identity secret to protect L*urel” bandwagon, I’d like to point out that Diggle brings up this very point to Oliver after he is revived.

I really don’t think Oliver is ambivalent about Felicity’s safety, quite the opposite is true. So, if it’s really that simple then why can’t Oliver protect L*urel? He literally chucks his number one reason for a secret identity right out the window.

Oliver doesn’t want to tell L*ruel because there’s too much pain, loss and guilt. There’s too much bad road between them. Oliver doesn’t have anything to atone for with Felicity and Diggle. The fact they didn’t know pre-island Ollie is a real friggin plus at this point. Oliver can just be who he is. It’s a clean slate.

Source: @westallenolicitygifs

LOOK at how ambivalent this man is towards life. He just survived death AGAIN and he can barely summon any appreciation beyond “Cool.” But the very next scene is Oliver shaking Felicity’s hand and welcoming her to the team.

Source: @westallenolicitygifs

Did y’all fangirl over the handshake? These are the seasons where seasons where shoulders are Oliver and Felicity’s erogenous zones, so an actual handshake is practically second base.

Oliver extends the same invitation to Felicity that he offered to Diggle. She’s pretty much a member of Team Arrow at this point anyways. But like Diggle, Felicity has her own reasons for joining up with Oliver. Her goal is to save Walter simply because he was nice to her. Felicity is as loyal as they come.

Source: @andjustforthismoment

We can breathe a sigh of relief. The show is on the upswing because Felicity is finally officially on the team. From the moment she enters the Foundry, it feels like Felicity is coming home. This is where she was always meant to be. Her bright magenta sweater (with matching lipstick naturally) is like a burst of colorful sunshine amongst all the grey, black and green. It’s been thirteen episodes of just Oliver and Diggle yapping while shirtless. Don’t get me wrong, I like the shirtless, but this show is in major need of a feminine injection. I wonder if she’ll decorate a little.

Source: @swifterly

Felicity is the ONLY woman in Oliver’s life who knows who he truly is. This is no small matter. I disagree with Diggle. Oliver did have a choice. There were other people he could have called for help, but he chose Felicity. He doesn’t have to pretend with her anymore and I think that’s in large part why he tells her. Oliver lies so convincingly with everyone in his life, but not Felicity. He is terrible at lying to Felicity because he doesn’t want to lie to her. It’s just that simple. He cannot quantify what he feels at this point, but it is Felicity who reminds Oliver what it means to be human.

And if you’re truly paying attention to the show the writers tell us why Felicity from the very beginning. We weren’t delusional. We were right.

Source: @yet-i-remain-quiet

Felicity and Diggle

Stephen Amell is pulling full time duty in the flashbacks, which allows for a long overdue quality Diggle and Felicity scene. These are always so wonderful and so rare.

Source: intrepidmare

Diggle catches Felicity up on the previous thirteen episodes and confirms everything she already knew. The fact that she’s the only character to figure out who Oliver is BEFORE he reveals his identity speaks volumes about her. Felicity is brilliant of course, but you don’t need to be a genius to piece this puzzle together. I appreciate the writers don’t treat her like an idiot for the sake of keeping an identity secret from someone who clearly should’ve figured it out by now (*cough*Laurel*cough*)

Not that I’m taking anything away from Diggle, but he was a hell of a lot more shocked when Oliver revealed he was the Hood. I think Diggle knew there was a lot more to Oliver Queen than he was letting on and he was up to some shifty behavior, but I don’t think Diggle believed that meant he was murdering criminals with a bow and arrow on a nightly basis.

As they wait for Oliver to recover, Felicity decides to pass the time by asking John how he feels about all the murder. It’s one of the few times we hear about Diggle’s experience in Afghanistan and we get a clearer understanding on where John’s moral compass is pointing lately.

He tells Felicity about the time he killed a young boy in order to protect a warlord in Afghanistan. There’s nothing more righteous than fighting for your country and yet Diggle had to do terrible things. He wanted to be an honorable solider, but came home feeling like he lost his honor. He couldn’t see what good he truly accomplished.

Diggle: I killed this kid to protect this human piece of garbage and I thought am I still good? Am I still a good man? Doing this with Oliver, doing what we do, I feel good again for the first time in a long time.

It is seriously one of David Ramsey’s most underrated performances.

John’s explanation is simple. Yes, Oliver kills but they are bad people. John isn’t thrilled about the murder, but it’s not like he enjoyed killing while in Afghanistan and he knows Oliver doesn’t enjoy it either. Loss of life is the cost of war, and sometimes a necessary evil, but at least in this war John feels like he’s actually accomplishing something. Diggle is finding his honor again. If he has to break the law to win the war then it’s a cost Diggle is willing to pay.

Source: @swifterly

This scene is key to understanding why Felicity joins the team. Yes, she wants to save Walter, but it means a certain level of acceptance with the way Oliver does business. We’re going to flesh out Felicity’s attitude about Oliver’s killing a lot more in the upcoming episodes, but he may need to take some lives of VERY EVIL PEOPLE in order to save Walter’s life. Felicity is not stupid. She knows this.

One of my annoyances in later seasons is whenever Oliver does something bad to Felicity it can be treated like the worst thing he’s ever done. Whereas I remain firmly entrenched in torture and murder being the worst things Oliver has ever done. Homegirl not only joined up with Oliver while he was dropping bodies left and right, she also fell in love with him while he was doing it.

Felicity Smoak is not pure as the driven snow. Her moral compass skews slightly left of dead center, no different than Oliver and Diggle. But we have to ask the same question Diggle asks himself every day – what is good? Oliver operates in a world of grey and watching Felicity navigate it with him is what gives their dynamic the necessary push and pull.

Flashbacks

Shockingly, everything I talked about previously is not the main focus of the episode. The Flashbacks are the main focus, but my investment in them was minimal when I watched Season 1 live and they’ve plummeted further upon my rewatch.

Island Ollie is such a pain in the ass. Honestly, I cannot believe Slade and Yao Fei put up with his ass for so long. Could you blame them if they just bitched slapped the hell out of Oliver and left him for dead? No. They deserve medals. Oliver is so whiney & entitled. How did any woman find this man attractive enough to sleep with him? The hair alone is ...

WOMEN OF STARLING CITY I HAVE QUESTIONS.

Slade and Oliver are going to commandeer a plane and fly off the island. Oliver would also like to save Yao Fei, but Slade is not convinced it is worth the effort. Oliver’s refusal to abandon Yao Fei gives us a glimpse of the hero he will become, so I am willing to give credit where credit is due. But Ollie is right back to his old tricks when he tries to buy off Billy Wintergreen to save his own life.

Dear Ollie,

These people are psychopaths. You are in Purgatory. You are paying for your sins. You will not be able to buy your way out of it.

Love,

Slade’s training is not a total loss. Well, that’s not true. Oliver screws up virtually every job Slade gives him, but he is able to disarm a bad guy so that’s progress at least. Slade kills his ex BFF Billy Wintergreen too so Team Island is also on an upswing.

I wondered how much I was going to have to write about The Odyssey since the name of the episode is “The Odyssey” but leave it to Arrow to be subtle about it. It’s the book Fyers is reading on the island and the only book Oliver read in college, so he knows the secret challenge code when the pilot tries to verify their identity.

For those who never had an English literature class, The Odyssey is a Greek poem written by Homer about Odysseus’ 10 year struggle to return home after the Trojan War. The challenge code Oliver repeats from the poem flat out explains what Arrow is about.

“Of all creatures that breathe and move upon the earth, nothing is bred that is weaker than man.”

Homer is acknowledging that humanity is weak by our very nature, especially when compared to the gods. We are powerless against the pain the gods inflict upon humanity, but more often than not we are the makers our own suffering. Yet, it is this very weakness which makes our victories so sweet. The gods‘ immortality & power ultimately renders their lives meaningless because they have nothing to lose.

Odysseus doesn’t have any magical powers. He survives by his cunning & will, which makes his journey home EARNED. Odysseus appreciates life and those he loves because he suffered. This appreciation for life is something the gods can never have.

“The gods envy us. They envy us because we’re mortal, because any moment may be our last. Everything is more beautiful because we’re doomed. You will never be lovelier than you are now. We will never be here again.” — Homer, The Iliad

Oliver = Odysseus. Here endeth the lesson.

Stray Thoughts

Oliver making Mama Queen off limits is really one of his stupider moves and sets up a lot of the disastrous things coming up.

I’m really trying not to read into Diggle’s “hickey gone wrong” comment in the episode Felicity officially joins the team, but alas I am failing. I will find my Olicity sexual content wherever possible.

Felicity ordered the sample of Oliver’s blood destroyed. Damn she’s good. And we get this adorable gif.

The bathroom is upstairs in the club? That seems inconvenient.

Yao Fei has a daughter. A daughter with the same tattoo Oliver has on his shoulder. The plot thickens.

It’s really amazing Diggle didn’t shoot Felicity by accident.

Me: UGH. They never include L*urel in the flashbacks. Also Me: UGH. L*urel is in the flashbacks. KEEP IT.

“Do you think you can sleep with your girlfriend’s sister and make it right?” Slade wins all the awards this episode honestly. Finally someone said it.

***No more commentary from the child. She is a teenager and is way too busy to watch a show with her old mom. She will always be an Olicity shipper though.