#ian happ

[chicagocubsreactions]

Facts.

[an-ivy-covered-summer]

first [W] of the season!

cubs vs rangers // mar 31, 2024

[mlbsmashorpass]

ian happ?

[conniesmlb]

[cleoselene]

i miss baseball

[baseballandplaid]

Ian Happ on Instagram: “‪Great evening bringing @MizzenAndMain to @Nordstrom had fun meeting everyone who came out! ‬”

[sinceileftyoublog]

Pearl Jam Live Show Review: 8/29, Wrigley Field, Chicago

BY JORDAN MAINZER

Even when Pearl Jam have released a new record that happens to be arguably their best of the millennium so far, the band's priority when playing live is putting on a show. And when the venue represents a hometown return for Eddie Vedder, at the hallowed grounds of the Friendly Confines? Forget it. Last Thursday, Pearl Jam performed their first song from April's Dark Matter (Monkeywrench/Republic) 8 (!) tunes into their set. Wanting to ease in the crowd in, and perhaps themselves, the Seattle quintet opened with Ten closer "Release", whose slow-burn-to-shout-along pipeline has long made for a perfect introduction to the band's notoriously anthemic concerts. Ensconced in silhouetted light, they embarked on the tune's swaying melody, and at the point Vedder and the audience simultaneously shouted, "Release me!", a blue light came over Wrigley Field, as if to say that we were, for a moment, all on this Earth together.

Indeed, Pearl Jam has a way of uniting a crowd due to their willingness to play both rarities and favorites, appealing to newbies and die-hards alike. On Thursday, the sneaky "Of The Girl" gave way to campfire slice of life "Elderly Woman Behind the Counter in a Small Town"; acoustic choogle "Off He Goes", a fan request, was followed by cascading Vitalogy favorite "Immortality". The band also provides moments new to even those who know their early 90s albums by heart. "Why Go" forewent its studio version's urgent thwack for a more patient industrial thump, while drummer Matt Cameron sped up "Even Flow", only for Mike McCready to steal the show with a behind-the-head guitar solo.

I also, though, have to give props to Vedder for continuing to never shy away from waxing on what he believes to be moral and just. The day before the show, I was working on my laptop in a restaurant and overheard a father, his daughter in hand, mention to the bartender that he was going to see Pearl Jam but hates when Vedder "talks politics." Okay, I realize Howard Zinn, to whom Vedder dedicated "Down", may not align with the majority of Pearl Jam's fan base, and few folks nonetheless are going to concerts to discuss political theory. But during "Daughter", when he included a tag from Pink Floyd's "Another Brick in the Wall, Pt. 2", he spoke about abortion rights. Singing, "We don't need no thought control" alone is easy--mental gymnasts from across the political spectrum can choose to interpret that line as in alignment with their beliefs--but his amendment of, "Teacher leave our bodies alone," left no mystery as to what Vedder was talking about: the right to choose. I couldn't help but think about whether the dad from the restaurant was momentarily pissed off and how many more like him were in the crowd; it made me appreciate Vedder's outspokenness even more.

As for Dark Matter, it really is an album meant to be heard live. It's the first to feature contributions from touring and session member Josh Klinghoffer, and unlike the band's previous record Gigaton, it was banged out by the band in studio, a much more spontaneous-sounding effort than many of their recent releases. "Scared of Fear", a punk rock barnburner, sports huge guitar solos and virtuosic tempo changes. The chiming guitars and shouted vocals of "Waiting for Stevie", a song the band wrote while waiting for hours upon hours for Stevie Wonder to show up to a recording session, encompassed the upper decks of Wrigley, Vedder's declaration that, "You can be loved by everyone," an affirmation for the ages. "Dark Matter" was Cameron's time to shine, one-upping the studio version's mammoth beats alongside pulsating keyboards and guitars. Vedder invited a crowd member, Abby, to sing with him on "Won't Tell", which may as well have been planned considering it features a chorus practically meant for harmonies or a duet. "Wreckage", the album's best song, was a Petty-esque serving of heartland rock, containing the catchiest pre-chorus melody Pearl Jam has written in some time.

At first, I was a little skeptical of the band's inclusion of Dark Matter closer "Setting Sun" in the encore, a drawn-out song at the end of a particularly sticky night. But its build-up segued perfectly into "Alive", a song I've heard more times than I've told my wife I loved her, no thanks to its inclusion on classic rock radio rotation. At the moment Vedder launched into the final rousing chorus, the lights went on at Wrigley and stayed that way throughout the cliché but undeniable move of inviting the opening band on stage to help cover Neil Young's "Rockin' in the Free World". With Vedder donning a glittery Cubs hat and uniform over his Walter Payton shirt, and multiple Ian Happ jerseys adorning the stage (one said "Happer", so you know Vedder and Happ are buddies), even the most cynical, jaded music lover and baseball fanatic couldn't help but be persuaded into fist-pumping along. It's a testament to Pearl Jam that they can continue to inspire, three and a half decades in.

[gummyartstradingcards]

[nicolamagnas]

Proud of them, my cubbies 🥹

Got the photo from Weibo

[birdsonthebat]

Well Miles I don’t know what you thought was going to happen. Also I really hope Willson is okay. Good to see him hugging Happ as well, at least there’s no animosity between the former teammates.

[chicagocubsreactions]

Ian Happ has won his third consecutive Gold Glove in left field! [x]

[an-ivy-covered-summer]

series dub at [W]rigley field!

giants vs. cubs // jun 19, 2024 (x)

[masoncarr2244]

Ian Happ - Chicago Cubs vs. St. Louis Cardinals 06/24/23/

[conniesmlb]

[cleoselene]

wild to think that a year ago I was certain Ian Happ was going to be traded but not only is he still here and raking, BUT WE ACTUALLY EXTENDED HIM. i didn't know this was allowed omg

i love him your honor

[unhinged-jackles]

I think I’m at the point where I ship Ian and Anthony like the Smosh editors do. Where it’s like, the two of them making out would fix everything so I don’t have to watch them do whatever the fuck it is they’re doing