#i've mixed up the timings of so many events because of this

[kirby-the-gorb]

a couple people coincidentally reblogged my rare disease day post from [last year] so. here's how that's been going. (some of this is repeat info if you click the link)

I have mast cell activation syndrome (or MCAS), an immune disorder in which my signaling cells are way too jumpy and can trigger all kinds of symptoms (up to and including anaphylaxis) in response to seemingly harmless stimuli. this is distinct from allergies as whether or not I react to a trigger can change from day to day based on how many other triggers are present, and the chemical mediators released cover a broader spectrum than just the IgE release in a classical allergic reaction. plus oftentimes symptoms are a mix of episodic and chronic, rather than being acute episodes like allergies.

triggers can be commonly understood things like certain food ingredients or scent chemicals, but can also include things like hormone fluctuations, physical or mental exertion, and the sun. I have reacted to ginger, laundry detergent, and a natural gas furnace, for example. I also do a lot worse in summer because it is both sunny and warm, and I always have to be very careful how much energy I use up or I might trigger anaphylaxis.

it's common for people with MCAS to have some level of symptoms all their life, that go unnoticed or dismissed until some precipitating event causes a substantial downturn in their condition. for me it was mono, but other infections (especially covid) and significant stressful events have also been anecdotally reported to precipitate downturns if I recall correctly, or simply being uncontrolled enough for long enough can also snowball.

diagnostic criteria for MCAS were first proposed in 2010, so the true rarity is still very up in the air. (personally I believe a lot of common wastebin diagnoses (ibd, fibro, cfs/me, etc) should be scrutinized very carefully as potential "specialty silos" of MCAS, especially given how often they tend to travel together.)

firstline treatments for MCAS include cheap medications available over the counter like loratadine, aspirin, and famotidine. my condition has become severe enough that I'm currently on third-line treatment (omalizumab injections), which does finally seem to be getting me somewhere. (this is, of course, in addition to still taking all of the first- and second-line treatments. I take 24 units of 13 medications in a given day, it's a lot to keep track of. to the point where I'm not actually sure I've counted it correctly :v then there's my monthly injections and my emergency medications on top of that.)

(those injections btw? can cost thousands of dollars even with insurance. thankfully I'm able to use the company's assistance program, so I don't pay anything out of pocket. for that one.)

being sick is never fun, but if you have a disease perceived as rare it introduces a ton of new complications. (which get even more complicated when the disease is legit super rare!) it took me a long time to figure out what was wrong with me, and I had to do it almost entirely by myself, because doctors simply don't have the knowledge. they're not taught to look for it and there's no simple reliable test. but by yammering about it, it might make someone else's slog a tiny bit shorter <3

[theinsomniacindian]

It's ridiculous how the word for today and tomorrow is the exact same thing in Hindi

I don't get how a language that has more than seventy synonyms for the moon can struggle with making up separate words for 'today' and 'tomorrow'

[mytheoristavenue]

How MHA Guys React to Fangirls

Summary: Dating a pro hero can be a challenge, especially one so handsome, with so many rabid fans.

Warnings: jealousy, fluff, gn!reader, very little angst

Katsuki Bakugo:

Bakugo has never been into having fans as he is just being all together admired. Not one for social interactions, he tends to clam up and become defensive when asked for an autograph, so when he's approached by a fangirl, he wants nothing to do with them. Especially if he's out with you, off duty. If one does happen to approach, and ignoring them doesn't do the trick, he'll make sure he's not their favorite hero anymore by the end of it.

"Do I look like I'm on duty to you? Can't you see I'm out with my partner or are you fucking blind? Piss off, I ain't signin' any damn autographs."

Izuku Midoriya:

Izuku totally understands how it feels to be a hopelessly obsessed fan, so he cuts his fans a lot of slack- sometimes too much. Though he rerfused to admit it at first, he has a lot of fangirls. and he's never the type to hurt someone's feelings on purpose, so he almost always stops for free autographs and photo ops. It can be sometimes frustrating how much of a people pleaser he can be, but rest assured, if he feels like you are getting too uncomfortable, or a fan is becoming too bold, he politely and swiftly ends the interaction.

"Hey, thanks for the support! I'd love to stay and chat, but it's actually my day off, so me and and my partner here are gonna move along. Hope to see you at the next event I attend, though!"

Tenya Iida:

Iida does truly enjoy interactions with his fanbase, but he considers that part of the job, and he's very strick about working off the clock. Because of this, he declines nearly every interaction if he's off duty. He absolutely has no tollerance for being flirted with, either, especially in front of you.

"I appreiciate your enthusiasm, but I and currently off duty and will not be indulging in fan interaction at this time! Please feel free to catch me anytime you see me in uniform! Good day!"

Shoto Todoroki:

Shoto doesn't beleive he has fans, genuinely. He can't quite wrap his head around having a fanbase, or being a fan of a celebrity in the first place, due to how he grew up. It tends to bewilder him when strangers approach him on the street wanting autographs, even more so when they try and put the moves on him. It just goes in one ear and out the other.

"You want an autograph? Why? Well, okay, I guess, but then we should get going. My partner and I are busy."

Eijiro Kirishima:

Kirishima tends to have a very healthy balance of pleasing fans and knowing when to say no. He loves giving out autographs, taking selfies, and giving hugs to all his fans. He especially loves interactions with child fans because it reminds him of how he idolized Crimson Riot, and he hopes to inspire someone like that too. He is, however, very aware when he's being flirted with or sexualized, and has no issue with promptly, albeit politely shutting it down.

"Alright, ladies, I understand someone as manly as me attracts a lot of attention, but my partner here is the only one I've got eyes for, and I ask that you please respect that."

Denki Kaminari:

Unfortunaely for you, Denki loves attention from fans, especially from his fangirls. He never turns down a signing or photo op, posing with girls however they want, even if it means something suggestive. To his credit, he will stop if you ask him to, but you still have to ask.

"Oh, what's that? Okay. Sorry ladies, we gotta run, but catch me at the next meet and greet!"

Hanta Sero:

Like Kirishima, Sero seems to have a pretty healthy mix of reactions. He loves his fans to death and would do most anything for them, especially kids. He lets his fangirls sexualize him to a small extent, knowing they probably don't totally realize he's a real person, but if they come to commenting on his body, or touching more than his shoulder, upper back, or elbows, he puts a stop to it.

"Now, that's enough, ladies. I appreiciate the admiration but even us celebrities have to set boundaries. It was nice meeting you, but it's actually my day off so me and my partner are gonna get, have a nice day!"

Minoru Mineta:

Like Denki, Mineta unfortunately lets his fangirls do whatever they want to him, short of carry him off. He actually does sometimes feel guilty for hurting your felings, however. He just doesn't realize how his flirting can affect you at times. He hopes you know that, even if he does flirt back, it's you who he truly loves!

"Awe, babe, I'm sorry! They don't even matter to me, I swear! It's you that I love, not some silly fangirl!"

Tokoyami Fumikage:

Tokoyami for the life of him does not know how to interact with his fans. He gets overwhelmed by crowds, but can usually handle interactions if they come one or two at a time. He typically caters to most requests, unless they happen to be personal questions, or something embarrassing. He doesn't like the idea of some fans being attracted to him, as he's only attracted to you, and he feels guilty beign someone's unrequited love. Due to this, he doesn't entertain any kind of flirting from any of his fans, no matter what gender.

"Sorry, I'm not comfrotable signing that for you, can you pick something else? My partner here is my only love, so it wouldn't be right of me to sign your photo with anything romantic."

Mezo Shoji:

It took a lot of convincing to get Shoji to understand that he had fans, let alone ones that were attracted to him. he's just not used to people other than you thinking of him that way, with his mutations and all. You actually had to show him all of the fan works of him online to get him to believe you. That being said, Shoji loves his fans, but he tends to get overwhelmed by the sheer number of them, and the fact that the can forget he's a person, not a character. In the past, he's had issues with fangirls stroking his muscles during photo ops, squeezing his pecks, and one even tried to yank his mask down. Luckily since then, he has learned how to manage fan interactions much better.

"Hey, don't do that. I'm a person, just like you, please treat me how you'd want to be treated. And don't disrespect my partner by tyring something inappropriate right in front of them."

Mashiroa Ojiro:

Like Shoji, Ojiro had a hard time accepting he had fans, but took much less convincing on your part. What he really struggled with was coming to terms with some of his fans liking him romantically. He doesn't typically turn away fan interactions, even on his days off, but he does cut them shorter that he would if he were working. If someone tries anything inappropriate, he ends the interaction right there.

"Sorry, I don't appreciate what you just did. Besides, it's my day off and I'd like to spend it with my partner here. I forgive you though, and hope to see you again at a meet and greet in the future!"

Tamaki Amajiki:

Tamaki appreciates the thought of having fans, and when standing intront of a cheering crowd, he can soemtiems handle it, but he really hates fan interactions. He never knows how to handle them, and many end up with him just nervously standing by while a stranger takes pictures with him, many times without his permission. Many times, you have to step up from him and ask the person politely to move along, which he always appreiciates.

"T-Thanks, babe... They were making me really uncomfortable but I didn't wanna hurt their feelings..."

[artemismoorea03]

DP x DC Prompt: The New Teacher

(So, I've seen a lot of prompts that have Danny go to Gotham and be a teacher but I don't remember seeing any with it in this direction, so on the chance that this is an original idea here we go!)

Jason was given a choice, or multiple choices. Babysit the Replacement on a mission that could last a week, go to Bludhaven and have some 'brother bonding time' with Dick who needed backup on a big case, or take a temp solo-gig in a tiny town in the middle of nowhere called Amity Park.

Well, considering he was still a bit hurt about the fact that B replaced him all those years ago and the pit loved to grab hold of that bit of frustrations towards his younger brother, that didn't seem like a smart idea. Dick wasn't an option either because he knew that would lead to 'talking about feelings' and other shit that he didn't want to do.

So he took the solo-gig.

It was supposed to be easy, at least that's what had been implied by the others he'd spoken to about the case. It seemed like most of the Justice League thought this situation was being 'exaggerated' because most of the time when somebody checked out what was going on there was nothing happening. No big take over, or kidnapping, or 'end of the world' situation, but there had been too many calls to put Bruce's mind at ease. The frequent calls mixed with the fact that the Government apparently had the area under a 'black out' made Bruce even more nervous.

Hell, if it hadn't been for the fact that Bruce was famous and that Scarecrow, Penguin and Riddler had all escaped from Arkham he would have been doing the case himself.

Which is how Jason ended up in a restraunt named 'Nasty Burger' looking at the news papers he had managed to get from a stand down the street while taking notes of things he had already seen. It wasn't just that the Government had cut them off, all of the tech in the city was easily 20 years outdated compared to the rest of the world.

Nokia phones, chunky computers, hell he'd even seen a kid with a PDA of all things. Thankfully, it looked like his tech still worked other than running slower than it should have, but thanks to modifications made by Barbara and Tim things were running better than he expected. But, they did struggle to have access to anything, specifically the news.

Hence the paper.

Ghost Boy: Friend or Fiend. A new vote cast by the city has found that the Ghost Boy - Danny Phantom - has had an astounding rise in support after the events over the Christmas Holiday. The new polls suggest that 43% of Citizens support Danny Phantom, with the majority of his support coming from the students at Casper High who insist that Phantom is a hero who has saved them countless times over the past few months. 49% of people still agree, however, that Phantom appears to be at the center of the majority of the attacks with many still claiming that he is the sole cause of the attacks. However, 8% of the population remain undecided, including many teachers, police and hospital staff. Upon seeing the new results of the pole Mayor Montez had this to say; "While I will admit that Phantom appears to favor the younger generation and frequently seems to come to their aid, we cannot forget what it has done in the past. Taken hostages, injured innocents, and caused millions in property damage. Phantom may not be a 'villain' in the typical sense of the word, but we shouldn't blindly trust him just because of a few good deeds."

So there was a... hero? Half hero - potentially villain - in Amity Park? That might have explained some of the calls they'd gotten from Amity park over the past few months. Still, he was concerned by some parts of the report.

Students at a high school were frequently coming under attack? So much that this potential-villain kept saving them? Just what was the cause? What could cause so many issues?

Jason looked up as he saw that same PDA kid talking with a girl with short black hair in a half-ponytail who was wearing a black crop-top. The girl seemed annoyed while the boy seemed worried about something.

"But it's Vlad, Sam... what if he does something?" He heard the boy whisper, "We should go back him up..."

"He doesn't need our help, besides Jazz ran away from home, remember? She got herself into this mess it's her problem to get out of it. Something that Danny should have learned a long time ago."

Jason frowned, pretending not to hear them as he hesitated then got up and walked over to the two younger teens. "Hey, excuse me."

The girl looked annoyed and suspicious while the boy looked confused.

"Uh, yeah?" Tucker asked.

"Hey, sorry to bug you both. But could you guys tell me about this... 'Danny Phantom' person?" He asked, holding the newspaper out.

The girl looked even more suspicious, "And... who are you?"

"And how haven't you heard of Phantom?" Asked the boy.

"I just moved to town." Jason admitted, rubbing the back of his neck. "So, I'm just trying to catch up on all the town drama."

"You moved to Amity Park... willingly? Psh, what do you have, a deathwish?" The girl grumbled.

"Come on, I just moved from Gotham, which is worse?"

The girl blinked as the boy laughed.

"Furries vs Ghosts, who will win~" He said as the girl elbowed him. "Ow! What?!"

"Danny Phantom is a hero." The girl explained, "He showed up in April and has been protecting the town since."

"A hero, huh? Could always use more of those in the world, but the mayor seems to have it out for him."

Tucker sighed, "No kidding, man. Somebody framed Phantom for something really bad and no matter what he does to try to fix it the city just see's that incident as the only thing he's ever done. It was the first big 'public thing' outside of the high school so it was huge but it wasn't his fault."

The girl reached for her phone suddenly, looking at it before she answered. "Hey, Danny. What's up?" She was quiet for a moment, "Yeah, we're at Nasty Burger, wanna join us? Lunch on me?"

A quiet mumble came through the speaker before she smirked.

"I'll order for you then. Double or triple?"

More mumbles.

"Triple it is. See you soon." She said, then hung up. "Come on, Tuck, Danny is on his way for lunch."

"Hell yeah, see you later, dude." The boy said, then jogged off with the girl.

"A teacher? Yeah, it looks like there's some openings but why would you want to have your cover as a teacher?" Oracle asked as Jason sat in his hotel room, looking through the paper again.

"Most of the incidents seem to surround the High School, I want to see what's going on."

Oracle hummed, typing for a moment. "Alright, well as luck will have it, it looks like teachers are sparse at Amity High, at least from what I'm able to get using your connection... which is infuriatingly slow, by the way, are you sure you did it right?"

"I've done it a million times, of course I did it right."

Oracle grumbled, "Stupid Amity black-out. Okay, so you have options. Most of the teachers have fucked off so all of the teachers in Freshmen year switch around to cover lessons or do mixed lessons. For example the English teacher also teaches Math and the normal Math teacher also teaches Science. So it looks like you could have any position you want and the school would just shuffle around the teachers."

"You said English is taken, right?"

"Yep, the teacher is named William Lancer and he- oh... wait, he's on a leave of absence due to injuries he suffered over Christmas Break. Concussion, broken arm, and bruised ribs, he'll be out for a few weeks."

Jason smirked, "Perfect. Sign me up."

". . . Jason, the English and Math teacher... never thought I'd see the day. Alright, I'll type up your application, send it in and casually push it to the front of the line. You'll be official by the time Winter Break ends in a few days. So get studying."

"Sounds like a plan, but I'll be fine, I mean our family is crazy and i deal with criminals on a nightly basis. How hard could this assignment really be?"

He would regret asking that question by the end of his first day as an Amity High School teacher.

[monimccoythings]

Logan as a retired family man

I've always seen logan as a man who would settle in a smalltown looking for some goddamned peace and tranquility, that he never seems to get lol. I was also craving some domestic Logan, a man who gave up fighting and is now more focused on his family but knows that deep down he can't escape who he is and how many enemies he has.

This can be interpreted as either m!reader/f!reader/gn!reader, the newborn is either biological, adopted or another of Logan's clones this time mixed with reader's dna.

tags: domestic logan, f!reader or m! reader or gn!reader, logan being a dad, lumberjack logan.

Retired!Logan who hung his claws and now lives a peaceful life in a cabin in the woods close to a small town with you, Laura and your newborn daugther.

Retired!Logan who gets a job as a lumberjack and insists on maintaining you all and covering the bills, despite you having your own job.

Retired!Logan who grows a beard because he knows you like it and thinks it'll help him go unnoticed by the townsfolk (As if he wasn't a giant burly man with a 24/7 pissed off face).

Retired!Logan who keeps training in the woods because he lives in a perpetual estate of paranoia and fear that someone is out there to get his little family, because he still believes he doesn't deserve to be this happy.

Retired!Logan who is teaching Laura to hunt and fight; and hopefully, one day he'll train the littlest one as well because he's extremely overprotective of you all.

Retired!Logan who sometimes feels the urge to let his primal instincts run wild and hunts some prey with his bare hands and claws; afterwards he will clean, skin and serve his prize at the family barbecue in the backyard.

Retired!Logan who has to be basically dragged to any town events, but goes anyway because he knows you'll be there with him, supporting him through the entirety of the dreaded social event. Hadn't it been for you and the girls, he would have become the local hermit.

Retired!Logan that doesn't love anything more than to return home after a long and tiring day at work and hug his family. He'll help you serve dinner, will play with the girls and will clean up with you afterwards. He has become so domesticated, he's sure he won't get to hear the end of it from his fellow X-Men, but he's too happy to care.

Retired!Logan who every morning drives his little girls to school before work just to make sure they arrive safely and will kiss them goodbye, shooting death glares to anybody that dares to look them wrong.

Retired!Logan who likes to enjoy a beer with you on the porch after putting the girls to bed. He was never one to care much for stargazing, only for orientation, but just watching them with you, with only the sounds of nature surrounding you, made him more appreciative. And, as a bonus, sometimes (always) that stargazing turns into something more... passionate.

Retired!Logan who much to his chagrin has become some sort of local celebrity/urban legend after he defenestrated some punks that had tried to rob the town's diner where you were casually having lunch.

Retired!Logan who wonders how the fuck did he, of all people, get so goddamn lucky. How he gets to have all of this without any consequences.

Retired!Logan who knows without a hint of doubt that shall danger come to tear you three away from him, he will be waiting for it, claws out and ready.

[jaydenism]

been thinking about this bug a lot recently...

i want a big kanade arc pls pls pls 🙏 its her turn to go through the horrors ♡

long kanade ramble ahead!!

i think that savior complex of hers is gonna send her crashing down. hard.

we haven't gotten any huge kanade focus events yet, or anything that really progresses her story or builds her character in a significant way, but im really looking forward to see what they have in store for her character arc. im hoping kana5 will stir the pot a bit and get the plot moving.

i feel like overall shes been really mysterious and strangely without much going on, and at first i thought she was a little boring even... but i think that's by design. she doesn't open up about herself much, and generally appears to be pretty put together, maybe aside from her poor self-care. she doesn't talk about many of her own problems, because she doesn't want to have the others worry for her, when her problems are "insignificant" compared to the others, as she says. i think the lack of progression in her story also fools the audience into believing she has her shit together. ena has had her fair share of struggles. mafuyu had her big arc, but shes also been trying to find herself since the beginning. mizuki just went through hell and finally fell apart after the long-lasting growing tension in her story. but kanade? she's been stagnant. unchanging. it makes it easy for her to be overlooked. but that's exactly what she wants-- to not weigh the others down, and to be their support. but she can't keep that up forever. so yes, i admit i wasn't super interested in her character before, but I've now realized that's because they've hardly even started her story yet. as one of my oomfs said, she was always going to be the last wall to fall.

when reading the story at first, kanade has a lot of warning signs you might glance over. ive only recently started to see them more, like just in passing comments here and there that are REALLY concerning and unhealthy. i mean the most obvious sign is that she barely gives herself time to eat or sleep of course, but the more you pay attention to the subtle things, the more apparent it becomes that she's got some serious shit she needs to unpack, or she may just end up crumpling under the weight of it all. i think her undoing has the potential to be huge. catastrophic even. i really wonder what the writers are planning for her, but all this waiting leads me to believe they could have something big planned. like okay, looking back to the card i drew from, the bloomfes kanade card, shes got some wild shit going on... there is nothing normal about that !!!

i also posted abt this on bluesky, but reiterating it here, i felt like her newest card for her mixed focus event kinda seemed like foreshadowing... specifically because of the niigo colored star charms. mizuki and ena's charms are together, facing each other (yippeeeee), but mafuyu's charm faces kanade's, who's charm is not facing hers. mizuenas charms also seem to glow in the light, while kanamafus dont reflect as much light. could just be coincidence, but i know they love hinting and foreshadowing with card details like this. and overall, kanade's expression is unreadable, like a still, empty doll. the card has a bit of a melancholic feel, to me at least. im not sure how soon the next niigo event will be, but it's gotta be a kanade focus, unless they pull a saki. i dont think its the biggest leap to suggest this could be some foreshadowing for the next event.

but anyway, i think kana5 will start building up the tension at least, maybe entering a kanade arc even. i need to see her snap pls pls pls pls pls

if you read all that,,, wow thanks, u get a star ☆ :)) also lemme know ur thoughts and if im off base about anything

[patricia-taxxon]

cw: venting about some drama that happened on twitter that many of you were likely not present for, and my very personal solipsistic emotional reaction to it that many of you will find annoying.

So every once in a while, people (normies) rediscover this furry musician called Pent Up Pup, who is a fan of me i think, so I need to be nice. To describe them with complete neutrality, they make music that is completely filled with memes and signifiers of furry kink erotica to the point of parody, and they invite a huge amount of derision like you'd expect. This particular drama storm was triggered by their new song, and it aroused a lot of negative emotions in me, which i'll go through from least to most self-centered.

So firstly, through being so audacious, Pent Up Pup has managed to become the default furry musician through which all discourse flows, normies treat them like the final boss. Everyone needed to have a take, but even more people saw this as an opportunity to bring them down in favor of someone else. Some poor furry rapper called $LEAZY EZ got caught in the crossfire, and her snippet that she uploaded got met with "see? finally some GOOD furry music, this is way better than the one other furry musician I know." And like, yea I'd absolutely produce and mix an entire mixtape for her at no charge, but she had a right to be upset that her big viral break was in service of a bunch of leeches one-upping another creator in the space she was trying to integrate with.

But worse, the main response to her snippet was just... "Oh, finally, furry music that isn't white boy EDM." And like, Pent Up Pup isn't white and imo is way more aligned with alt-rock/britpop, they're just imagining a minority that agrees with them. But also, the more self centered part of me just wants to ask "what about me?" Like imo I'm one of the best in the world at the specific thing I do, and it's not white boy EDM.

And furthermore, in response, every furry musician on twitter has been eager to defend their friend and say that trash talking Pup and uplifting someone else doesn't work when everyone in the scene knows each other. "Don't you know? We're a tight knit community!" And to this I feel a combination of petulant annoyance and RSD, because I have been trying to be a part of that scene and failing for a long time now. Like, I tried integrating into the community when I was first gearing my music in that direction & tried sending my music to the failed beta version of Aural Aliance, and Rinny turned down my track (it was the then unreleased beast / creature) because it had autotune in it. They apologized later (thankfully) and offered me a spot, but like, half of their lineup and also the people organizing the events have me blocked over callout stuff, so I just ghosted them. I've mostly been watching this huge unfair drama storm unfold, making me feel talked over, but then I also have to watch this community that ostracized me band together and show their unyielding comradery while everyone just sidesteps past me in the conversation. I warned you that this would be self centered.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[demonicbaby666]

Territorial

One shot | Supergirl Masterlist | Masterlists

Fandom: Supergirl

Pairing: Kara Danvers x fem!Reader

Genre: Smut

Words: 2.9k+

Warnings: 18+, minors DNI, jealousy, fingering, semi-public sex

Summary: Attending an event with Kara seemed a good idea. It had never been an issue in the past, but when she returns from mingling to find you enjoying the company of another guest, things take an interesting turn.

A/n: I want to say that I've thoroughly proofread this, but I cannot because I am lazy and also not motivated enough to do that :)

Kara didn't want to leave you. On the drive over to the reporter's gala, you'd heard her say just that, even if you were the slightest bit distracted by how her muscles bulged under the sleeves of her blazer. 

She knew you were no social butterfly and had sworn to stay by your side when you needed a breather from small talk and scheming questions—a hero even when she shed her cape. You'd tried to reason with her, explain you were not a child, that you'd be fine alone. Alas, it proved useless. She wasn't having it. 

However, that was the drive over when Kara had yet to be faced with renowned reporters, endless opportunities for stories and the chance to fill a whole page, front and back, with media contacts. So, when the time came, you were proud to admit you succeeded in swaying your girlfriend to do all the things you knew she was most looking forward to with a "Please don't let me stop you. I had been wanting to check out the bar anyway." 

You did receive a dejected look from Kara as she was dragged away, one that reminded you of a little lost pup. That wasn't entirely a pleasant sight, but when you arrived at a too-tall bar stool and peeked over your shoulder, you were happy to note Kara was lost in conversation. The twinkle in her eyes she only got when intrigue grew and questions were formed was bright as ever. She was utterly consumed. It was a happy sight. A sight that, mixed with alcohol, made your chest flush a little too hot for liking. 

Time ticked by, and for a while, it was okay. You watched Kara move around, go from person to person, nursing your drink between glances and taking in the room decor. The thought of joining her did cross your mind but was quickly stored away when you realised how hard it would be to reach the blonde across the ocean of bodies. Better to sit tight and save yourself the trouble. 

Then, seemingly out of nowhere, the event hall grew too loud. Not loud from rowdy patrons or blasting music. The accumulation of too many polite voices and clattering sounds combined to form a monotonous hum was what was beginning to drive you crazy. You waited. And you waited. And you waited some more. You waited for as long as you could, feeling more and more how your cheeks began to burn until it got a little too much, and you found your way outside to the stone stairs of the grand entrance, heart beating a little too fast for your liking.

That was where Kara found you. She'd wrapped up her conversations as fast as possible, asking and answering rapid-fire questions, absorbing every bit of knowledge offered while keeping track of the time. It couldn't be helped that now and again, she lost herself in stories that she imagined would one day be hers. She knew you'd understand. But then, too much time had passed, and she knew it as she hurried over to the bar, already panicked about how best to apologise for leaving you alone for so long. 

By the time she did find you, after discovering the bar vacant, her worries were gone, and Kara was joyous to finally be so close to you again that she could smell your perfume. The stories she'd heard were waiting on the tip of her tongue to be regurgitated, along with an apology kiss, which she had decided was the foolproof option on the walk over. However, when she turned a corner and finally saw your unmistakable figure, she did not expect to find you with company. More so, she did not expect a pristine blazer that was not hers to be wrapped around you, keeping you warm from the evening's light breeze. 

Watching from a close distance, Kara could see it. She could hear it pierce her ears—the bitter sound of laughter. You were smiling, listening attentively to what this random woman spewed at you, and it drove Kara crazy, filled her veins with fire, and turned her knuckles white. She hated this part of herself, the wiry-clawed green-eyed monster that came out so often around you. She'd been pushing it down all evening, all week, hell, your whole relationship, whenever she saw someone's eyes linger on your figure too long. But this, whatever was happening between you and this woman, was, for some reason, Kara's last straw. 

"It's freezing." She strode over, steps heavy, tone sharp as she announced her presence.

It was, in fact, not freezing, and you were about to mention that as you turned to greet Kara, but the second you saw her stony expression, you decided otherwise. 

"Kara, it's so nice to finally meet you," the woman beside you said, extending her arm to the blonde with a warm, charismatic smile. "Andrea." 

The reporter outright ignored the greeting, stared at Andrea with flared nostrils and then back to you, her eyes softening only a smidge. You hated to say it, even if it was just to yourself, but something about seeing Kara this way deeply affected you. Of course, you loved sweet Kara, the Kara that would never be able not to help, the Kara that left a trail of sunshine behind her as she walked, the Kara that giggled at double entendres, and that's what she said jokes. But this Kara, fierce, protective and territorial Kara, the Kara that would crack someone's neck if they looked at you the wrong way, throw them over the side of a building if they even thought to touch you, drove you mad with undying lust. 

"Why are you out here?" your girlfriend asked, snapping you out of your daze. Her eyes grew smaller, and her lips thinned as she stared at the blazer still around your shoulders. 

Sensing her hostility and heavy eyes, you got the hint. Well, it was less of a hint than a blaring alarm. Nonetheless, you understood. "I got a bit hot inside, that's all," you calmly answered, beginning to shrug off the satin jacket that seemed to be Kara's new adversary lest she burn a hole right through it. 

"Nice seeing you, Andrea," Kara said dryly, sporting a sarky smile as she took the blazer off your shoulder and handed it back. "I'll be taking my girlfriend inside now."

With an arm hooked around your waist, you were ushered inside, unsure what the hell had just happened until it was too late to turn around and apologise for Kara's out-of-character behaviour. 

"Did you have to be so rude?" you whispered. "She was only being nice." 

Kara was indifferent, her face expressionless. "I thought you didn't want to socialise," she finally said, manoeuvring past groups of chattering clusters. 

"She approached me. It would have been rude to ignore her," you tried to reason.

"The blazer?" Kara countered, nails digging into you so hard you felt them pierce the silk material of your dress, forcing you to choke down a whimper. 

There were so many things you could have said, so many things you should have said. You could have given Kara one of the many valid reasons you had at your disposal. But no, you did nothing of the sort. Seeing Kara this pissed off, even if she was trying to hide the true extent of it, was absolutely divine, and you wanted it to last. 

Leaning over to her ear, keeping up with her quick pace on your tippy toes, you sultrily whispered, "I was chilly, and she offered to keep warm." 

Kara halted, standing stark still in the middle of a desolate hallway. You saw her jaw lock, the way her veins in her neck bulged. Her eyes, shining a scorching shade of blue, looked off into the distance, and that was when Kara truly lost herself to silent rage. 

When her feet started moving again, no words were spoken. She only pushed you down the corridor and then to the left, each step growing more daunting as the woman beside you remained stoic. You started to consider that perhaps you had gone too far. 

"Kara, I-" you tried but were cut off by the force of Kara roughly shoving you inside a side room. With no warning, your body was slammed against the back of the door, forcing it shut with a bang that echoed in your ears, its remnants reduced to a faint buzz. 

Kara had kept her hands on your waist, body a safe distance away as her azure eyes roamed your face in rapid intervals, eventually landing on your lips. 

"Do you need a reminder?" she snapped. 

Fidgeting and momentarily adverse to maintaining eye contact, you looked around at the collection of coats, studying all the colours, all the various items poking out of pockets, and the occasional umbrella brought in by the wary, inherently failing to answer Kara's vague question. 

The quiet grew to be biting; its teeth gnawed away at your confidence until breathing became almost impossible. Thankfully, the room itself was chilled, air circulating well enough to ensure that dust particles and the distinct smell of dampness would not stick to the fabric. Only two windows painted the room, both of which were located to your right, one jammed shut with rust and debris, the other slightly ajar. And as grating seconds passed like hours, and eyes locked onto you, hot breath rained down on you, the timid breeze that began to sweep in through the small crack of that old window became your new best friend. 

You focused on it as you looked to the floor and watched your toes curl. You heard its high-pitched whistles alongside the squeaking leather of your shoes, and you felt its light fingers caress your flushed cheeks just enough to dull your panic to a manageable seven. 

Of course, this did not last long. Your senses eventually found you, and you remembered the lingering question dancing in the air and the unhappy blonde who deserved an apology. But it was too late. For the second time that evening, you concluded that you'd pushed your girlfriend too far. 

Your punishment was a hand coiling around your throat, calloused fingers threatening to mark you with blotchy bruises but not daring to squeeze hard enough to hurt. Beneath the firm grip, you closed your eyes, frustrated with how painstakingly annoying it was to have something so wrong feel so good. So fucking good you were struggling to hold in a moan. 

"Do you need a reminder that you're mine?" Kara calmly asked, fractionally squeezing just that little bit tighter to force out a strained whimper. Her pupils were blown wide, dark whirls of something foreign polluting the bright shine of her irises. 

Distant music seeped in, filling the silence between rapid breaths. Eyes sharpened their focus on one another, studying the new hues of lust, committing the new palettes to memory for lonely nights. Then came the slip—your submission offered with one last shuddering breath and the slow close of your eyelids, and Kara, sharp as a whistle, acted accordingly. Her lips, soft yet bruising, devoured you at a moment's notice, pulling you in with deceiving memories and false promises, only to demolish them with biting nips and trailing scratches. She tasted of pure possession, each slide of her tongue more demanding than the last. 

She wanted control, and you happily gave it over. 

Kara pulled back, beginning to plant kisses from your mouth down to your neck. She drew you into her mouth, sucking hard enough to have surely left a mark, and you'd have cared if it weren't for the svelte fingers shamelessly working under your dress, rising to the juncture between your thighs to tease your clothed cunt with light touches. 

There was no remorse when your shivers were felt, when your pitiful rendition of a beg was heard or when your hips started to grind down in desperation. The reporter was hell-bent on prolonging the torture. 

Hand on the underside of your knee, Kara encouraged you to wrap a leg around her waist. She hauled it up as if it weighed nothing and held it in place, momentarily allowing you to find some needed friction along the column of her toned stomach. It was then you realised why Kara wanted you to have some leverage. Savagely, your underwear was torn, fabric protesting louder than you did in fear you'd anger your tyrant and be deemed unworthy of her illustrious treatment.

"I want them to hear you," Kara drawled, dipping the tip of her finger inside you. "Hear that you belong to me." 

Instructions clear, she thrust three fingers into your welcoming pussy and began fucking into you at an unforgiving pace. There were no words to describe the ecstasy that was being stretched so abruptly it almost hurt, so you settled for a silent cry instead, gripping onto muscled shoulders for leverage. 

It stung when Kara pushed harder and moved faster, but the tendrils of pleasure did not lessen, circulating through your body and bubbling in your stomach, so you endured. 

Your moans were carrying, spilling out of the room to ricochet and bounce around the high-panelled ceiling and walls of the corridor. The occasional gasp that did reach your ears left you desperately wanting to be ashamed, to do the sensible thing and tell Kara to stop. The embarrassment of exiting the cloakroom and coming face-to-face with the many people who knew exactly what had happened was enough for you to listen to your rational mind. But what remained stronger was the need to chase your impending orgasm. 

That's what made forgetting so easy—the vehement need for ownership being met, even if it was being done in such a precarious place. It's probably why you didn't stop the following words from coming out of your mouth.

"Yours." You wanted her to know. Hell, you wanted everyone to know. So you kept saying it, over and over, louder and louder. "Yours yours, yours, only yours." 

All you could do was continue to pull Kara in, clenching around her fingers, and beg her to go impossibly deeper with the firm grip of your leg and crackling cries. Soon enough, there was no need for Kara to hold you close; you were stuck to her like glue, and the blonde chose to take full advantage.

Her hand lay flat on the wall to gain some leverage, her fingers starting to move so fast they felt like they were vibrating. Soft kisses along your throat became harsh, teeth latching onto skin repeatedly, mercy momentarily shown with soothing slides of a slickened tongue. In the back of your mind, you knew what was happening. The reporter was marking you as hers, and when you left that tiny room, there would be no mistaking it. In the upcoming days, she wanted you to see the bruises staring back at you in the mirror, a warning for you never to forget. Hers. 

"Mine," Kara growled, her voice raspy. 

Your chest was rising and falling alarmingly, your breath short, and your lungs exerted. Everything was moving so fast you scarcely noticed Kara place her thumb over your clit till it was too late, and all that was left to do was gasp so heavily your lungs felt like they may burst. 

With the duel stimulation came the lack of awareness, and it seemed, even for Kara, your volume was rising to a level that would amass too much attention. Her lips found yours, and muffling your cries, she drove her tongue into your mouth.

Her thumb continually ran in circles, each drawing you closer. Your stomach was so tense it felt painful. Still, the persistent waves of satisfaction were worth the strain, and unsurprisingly, in little to no time, you felt the inevitable crest of your orgasm, releasing an open-mouthed gasp against velvet lips. 

You came with a silent cry, your head thrown back and slamming against the wall, forcing Kara to separate her lips from yours. She watched you fall apart in awe, milking you for you had till you were shaking so badly you could scarcely hold yourself up. 

"Keep holding onto me," she whispered, and you obeyed, wrapping your hands around her neck, breathing heavily and dropping your head to her shoulder. With a delicate kiss on your temple, Kara slowed her fingers down to languish thrusts and placed her hand over your ass, taking the majority of your weight. "I've got you." 

Assured there was no chance you would collapse, Kara kept going, continually pulling meek whimpers from you with every curl of her fingers. It felt like your orgasm was never-ending, waves of full-bodied pleasure rippling through your system over and over, burrowing into your skin till it felt like you were on fire. Finally, when a grimace replaced the gratified smile you wore and your moans began to sound more wounded, she stilled, slowly withdrawing from you. 

Weakly looking up, you watched Kara bring her fingers into her mouth and sample your unique taste. Her eyes fluttered shut as the familiar tangy nectar coated her tongue, and a satisfied hum vibrated in her throat. 

Head falling forward, knees still shaky, mind certain, you whispered the only thing that seemed to be running through your head, "Yours." 

Lips to your temple, Kara happily muffled her confirmation, "Mine."

Taglist: @iliketozoneout @homo-oddity @noahrex @lovelyy-moonlight @camciel | Click here to be added to my taglist

[romor]

I'm starting to think people don't understand that adaptations have to be different. Did netflix have the same amount of time as Book 1 to work with? Technically yes, but 20 episodes is for sure more than 8 so they didn't.

If you are constantly comparing it to the original and upset about the changes. Then for sure the netflix adaptation is not for you.

I've seen some bad adaptations over the years, for example my favorite book is Inkheart. Even the 2010 Avatar movie is a better adaptation than Inkheart's.

Conclusion it's a pretty good series, if you like the original, if you can watch it without constantly comparing it to the original you will enjoy it more.

Editing to add to this since so many have said something.

Inkheart is not a horrible movie, but it is a bad adaptation. Fantastic cast, with no loyalty to the source material.

There is a difference between adapting a story, and remaking it. This is literally being referred to as the netflix adaptation, so clearly it's not a remake. Because it is an adaptation, changes are expected. It would be stupid to expect a copy and paste story.

The changes make sense, because if you want book 2, and only have 8 episodes to work, you have to make a lot happen. The original show has clear start and end points for the events that occur (aka you know that start of the episode and the end). That's fine, when you have 20 episodes to work with, each 20 minutes. That doesn't work with 8 episodes each 1 hour (or about an hour). It doesn't translate to smooth storytelling. A lot of important things occur in book 1, but let's not forget that book 1 is also more episodic vs the rest of the series. In fact don't we often say "it gets better," about the book 1? What I am saying, a lot has to happen in the first season to set up not just season 2, but season 3. They did really good making sure those events happened.

I don't mind the mixing of plot because they didn't have much of a choice if they wanted a cohesive plot. I would also like to add I'm so glad the removed the northern air temple episode's setting. Never felt right with me.

I'm not saying don't compare them because it's impossible not to. I'm saying that if you are constantly going to be thinking of everything they changed, if you think the original series is so perfect. So unflawed, that how dare they even try. If you are going to be watching it already offended that they decided to even touch it. This adaptation is not for you.

If you were like me and wished that fire did in fact burn everytime it touched someone. If you are like me and thought the original series was too light-hearted for its plot. Then you will enjoy it. It's a fun adaptation, that keeps as loyal to its source material as it can be.

Yes I have my issues with it, but that doesn't mean it wasn't a fun watch.

[flanaganfilm]

howdy!! do you rewatch your own work? if so, how often? im wondering if it has the same "artist just sees faults with what they create" thing, or if youre able to appreciate past projects the way they deserve

I don't, typically... usually, by the time we're finished with post production, I've seen the thing so many times that I'm thrilled to stop watching it. I'm either sick of it, or just feeling like it doesn't belong to me anymore. There are other reasons, too - Hill House was a traumatic production for me, for example, I have a lot of complicated emotions woven into it, so I haven't felt ready to rewatch that one since before it aired. Maybe in a few more years.

Somewhat recently, I've revisited a few of the older movies with my eldest son, who is 13 now. He's basically as old as my career itself. We've watched Oculus, Hush, The Midnight Club (which he LOVED, proving it worked for our target audience) and Ouija: OOE together, and each of those screenings was a really cool experience. His reactions and questions were really fascinating, and I felt like I was able to see those movies anew through his eyes. That's the closest I've come to feeling like I was really seeing them, and that's only because so much time has gone by for those. I watched the Director's Cut of Doctor Sleep a few years back at the Stanley Hotel in Estes Park Colorado. It was part of a live NoSleep Podcast event, and that was the first time I'd seen that movie since it was released. It was also the first and only time I'd ever seen the Director's Cut with an audience. That was a really special screening and it meant a lot to me.

I haven't yet had the guts to revisit any of the TV series other than Midnight Club. As my kids get older, I'm sure I'll watch them all with them. The one I'm most excited to see is Midnight Mass, which remains my favorite of the shows. I haven't seen it since before it came out - I remember the last day of post on that show, watching down each episode with final mix and color. That's a series I wish I could actually watch like a viewer at home, and while I'll never truly be able to do that, I look forward to looking at it with some real distance.

There are a few of the older projects I'd be curious to watch now. I wonder how Absentia holds up - I was such a baby when we made that movie, and it's been so long. I imagine I could watch that today and have a really trippy experience. I also haven't revisited Before I Wake in a very long time, and I always really loved that script. The movie was a rough road, and my feelings were mixed by the time it finally found its finish line (Relativity Media really beat that one up), but that could also be a really interesting viewing experience at this stage of my career.

But generally, each of these movies is a journey, and once the journey is over it's tough to ever really go back. There's little point, and moving forward feels like a matter of survival. The "finished product" is only the tip of a large, deep, labyrinthian iceberg for me. It's impossible to only see what's on the surface, no matter how hard I try.

(Interesting side-note: The only exception I've found to this rule is The Life of Chuck. We just finished post production on the movie, and I've watched it dozens and dozens of times now - but I've never grown tired of it, not even a little bit. That movie is something special, and I am eager to watch it again - and again - and again. I don't know that I'll ever want distance from that one; in fact, watching it brings me a sense of joy, comfort, and safety.)

[grison-in-space]

Hi! I was just wondering if h could talk a bit more about the organizing service? What made you sign up for it/how did you find it?

I have a lot of clutter and I feel like something like that would be helpful lol

yeah! at the moment my brain is goo but I am happy to natter on a bit.

This was the service we used. They are pretty clearly hopping; there's obviously a hell of a market for the service especially among the neurodivergent and especially especially for ADHD folks.

I came into a bit of money this year I've been able to throw at big quality of life sinks, and that... was pretty obviously one of them. Spouse and I have spent the last decade or so ricocheting between stressful life events, many of which have destabilized our home (multiple floods and very hasty interstate moves, for example) and... it shows in the messiness of our home, which gets overwhelmingly cluttered and therefore hard to clean. Especially because we're both dog nerds and have accumulated.... a lot... of dog stuff over the years.

So. Cleaners seemed impossible with stuff everywhere and, also, overwhelming, did I mention that? Some of the stuff was aspirational (could we be the kind of people who eat ice cream out of fancy old timey sundae glasses? Turns out, no). Some of it was hobbies that we don't have anymore. Some of it was just not a good fit for our current storage. Some of it was duplicates from stuff we bought because we couldn't find the original.

What the organizers mostly did with us was go slowly through our shit, help work out what needed to stay and what needed to go, and then work out homes for things to live based on our needs. For example, my bedroom is pretty small and the laundry is in the basement, so we haven't really been great at getting clothes from laundry into dressers ... so we're pitching the dresser entirely and making a system for finding clean clothes quickly from a series of laundry baskets.

We have a shit ton of dog toys, including both stuffies and a lot of food puzzle toys. They helped walk through which toys needed to stay and which could go, and then they helped us create a series of boxes we can pull toys from a couple different types for every month to rotate among the toys they already have, based on the spaces we had available. (I bought one of those moveable sectional sofas where there's storage in every seat. Worth it.)

And it was just nice. The owner of the business noted that she hires based on the ability of the person to be kind at all times to people who are struggling with clutter and stuff, no matter why, and that was definitely bourne out for us. I think our organizers were one senior lady who has been at it a while and two newer folks, a middle aged lady who had retired from nursing and a youngish college kid, and they were a really good mix of thoughtful ideas and inquiries about how we currently use various spaces and what we'd LIKE those spaces to be instead.

It's easier to deal with someone else's mess than your mess, and it was a lot of up front assistance to get the house in a lot better shape than I could have done on my own. We paid about $3000 for 36 organizer-hours split over two days, and it was well well worth it. I think it will be much easier to clean the house and keep it tidy now, and I'm very much looking forward to getting to kick back and enjoy the results.

[catwhoisawizard]

Hello gposers of Tumblr!

I would like to get to know you all better and get more involved in the FFXIV community here on tumblr! My particular blend of brain weirdnesses make it difficult to be consistent about making gposes myself, but I do it when I can. I haven't made any recently because I've been on a bit of a hiatus from the game for personal reasons, but I want to share some of my older shots as a start!

So without further ado, here's a short introduction to my current cast of characters! Please feel free to leave comments or send asks with questions about them!

Name: Zhera Anki

Age: 35 (as of DT)

Gender/Pronouns: Cis female, she/her

Orientation: Polyam Lesbian

Canon combat jobs: SCH/WHM/SMN

Canon non-combat jobs: BTN/CUL/ALC

Homeland: Limsa Lominsa (raised there), Ala Mhigo (born there)

Notes: Mixed race Keeper/Seeker. Her Keeper family is descended from survivors of Amdapor. Her Seeker father was a member of the Fist of Rhalgr. She is autistic and has utilized her hyperfixations and special interests to learn multiple difficult skills quickly. Buff.

Zhera is a former Storm Captain and veteran of the Primal Wars, the Garlean War, and the Final Days crisis. Now retired, she became an Archon (her specialty is aetherology and Allagan Summoning) and now spends her time raising her adopted child Hhemetso and working as a freelance botanist. She is close friends with her worldline's WoL, but played a secondary role in most of the events of the MSQ.

Name: Retha Othan

Age: 84

Gender/Pronouns: Trans female, she/her

Orientation: Polyam Pansexual

Canon combat jobs: RDM/SGE/WAR

Canon non-combat jobs: ALC

Homeland: Tenth Shard

Notes: Was AMAB, but learned alchemy and transitioned by using transformative potions similar to Fantasias that she made herself, and continued to make them to help others transition. Was an Archmage of the Red in her prime, but an injury caused her to lose the ability to use magic, and she didn't get it back until getting her new body in the Source. Was happily married to a man named Tavel and had multiple children and many grandchildren.

Retha is Zhera's reflection from the Tenth Shard. She was her world's primary WoL and saved it several times over, but living a hard life eventually caught up to her in her old age, leaving her frail and unable to help when the Ascians made their final move to Rejoin her Shard. She escaped by volunteering for a desperate last minute plan to use experimental magic to send someone's soul to another Shard in the hopes of bringing back help. The transfer succeeded and she found herself sharing a body with Zhera, her counterpart in the Source, only to learn that she was too late: due to unexpected temporal weirdness in the Rift, she had arrived 1500 years after her Shard was already gone. She has since gained her own body and is now building a new life in her new home.

Name: Kjet Anki

Age: 143

Gender/Pronouns: Non-binary, he/him

Orientation: Asexual

Canon combat jobs: WHM/BLM/MNK

Canon non-combat jobs: BTN

Homeland: Hingashi/Gridania

Notes: He is a Viqo'te, as his other mother was a Viera. He is the reincarnation of Deudalaphon and was forced to take on his predecessor's memories against his will; he developed his time travel spell by adapting techniques used in one of her abandoned experiments. He briefly tried to learn the Dark Knight arts, and his Ascian memories took form and consciousness as his Fray before he accepted them; she is now his headmate, calling herself Hephaestia, the name of the previous Deudalaphon prior to taking the Seat.

Kjet is Zhera's son from a separate timeline than her. In his timeline, Zhera lost the war with her depression when he was about 20 and she gave in to despair. In an act of desperation to fix the world, she summoned a perfected primal using her own soul as it's core. The resultant entity was a fusion of her at her lowest and Ifrit at his strongest, calling itself Zhera Ifrita. Following her mandate to "end war by any means necessary", she started a campaign of political manipulation via tempered thralls and eventually outright conquest to unite the entire world under one state, with herself as something akin to a god-queen preventing war via tempering and draconian social policies. While extremely talented with both White and Black magic, Kjet is ill-suited for violence, and was forced to spend over a century in hiding as he watched the world around him succumb to the monster wearing his mother's identity. Finally, in an act of desperation, he managed to develop a primitive time travel spell and used it to travel back to before Zhera lost her hope, but unintentionally made a split timeline in doing so (the method he used does that to prevent a paradox). He has since started building a new life in this timeline, but the threat from his home timeline is not gone...

[chrisisvbun]

Okay, now I need more Logan and Bunny!Girl 😩

a/n: ur wish is my command.

guilty as sin. logan howlett x bunny!femreader. part OO2.

a/n 2: btw I'm trying this new cute little layouts tell me if you like them:) i've been really inactive bcs of work shit and been really sick too, but im writing i swear

synopsis: After peace came to the mansion after your arrival, you did not have another encounter with Logan, so spending time with Ororo became a regular thing for you, although Logan doesn't seem to like it.

cw: PTSD related to prostitution and sex, depression, harrasment. a bit of ooc logan, mentions of sex.

words: 2.7k

first.

You liked Logan.

Well, ‘like” is a pretty vague word, but that’s the one that fits better. You liked him. He was handsome, he was fun, he was sweet with you and you were comfortable around him. You liked that teasing game that you used to have with him, mostly he was bothering you until you slapped his shoulder while he laughed.

So, why wouldn’t you date him? He was clearly into you too

Oh, such a silly answer. You got shy.

Because of your nature you are almost forced to be shy, but you weren’t that shy, you were pretty extroverted when you had to, you didn’t really mind talking to people, and you were a teacher, so you had to be slightly extrovert to have that job.

But after that night in the kitchen, when Logan’s hands hugged your skin while taking you in the sweetest way, you couldn’t look him in the eye without getting red all over and shaking like a scared bunny before running away. Logan frowned everytime you would run away from him, but that didn’t stop him from looking at you when you gave classes and just roamed around you for the following months.

He was obsessed with you. He could watch you for ages, watch that white, curly, pretty hair of yours, how it fell through your back till your lower back, how your shirt was lifted by your puffy tail and how your ears bounced whenever you got surprised or scared. You were so pretty, so cute, and so perfect to corrupt.

He was a bad man, but for you, he would turn into a gentleman.

But you were avoiding him, but you weren’t alone, of course. You had Ororo, who was slowly turning into your best friend. Really slowly. After being abandoned by the one you thought was your best friend, it was hard to trust again. But Ororo was patient, kind, and really funny, hanging out with her had always left you tearing up and grabbing your belly because you would laugh so hard.

You liked spending time with her, but sometimes the activities she would like doing triggered you in some way.

The therapist said that it was normal that many memories are blocked to protect yourself, but that they could be expressed and manifested in certain ways. It wasn't a lie. The trauma was clearly very heavy, enough for you to forget most of the events. There were days where you didn't want to leave your room, the pain in your chest wouldn't let you move from the bed, and as soon as you tried, you would collapse on the floor next to the bed in desperate tears.

Ororo had insisted on having sleepovers together, but you refused. There was something about it that took you back to a deep, dark place, a room where the only thing you can hear are the echoes of suffering women, yours mixing with those of others. Sometimes, checking to make sure you were okay, Scott and Ororo would look into your room and see you curled up in a ball in the upper corner of the bed, uncomfortable, as if you needed it. A part of you didn't want to get better, it was easier not to know, to live in unconsciousness, but you knew that it was not healthy, that that life was not healthy.

That’s why you started to go clubbing with her, you had already gone two times, this one being the third one. Ororo was sitting next to you, applying a pale pink blush in your pale cheeks before putting some gloss in your lips.

“You are done, girl.” She stood up and passed you your gloss. 

“Thank you, love.” You smiled warmly. You grabbed your bag and began walking downstairs with her. “Ready to go?”

“Yeah, let me call a cab.” Ororo grabbed her while speaking.

A little creek in the kitchen made you raise one of your ears.

“It’s me, bun, don’t worry.”

Fuck.

Out of all the people in the mansion. He had to show.

“Going out?” He crossed his big arms and leaned in the doorframe.

“Yeah! I’m taking her to a club that I know she’ll love.” Ororo smiled.

“ ‘Kay, I’ll drive you.” He said, patting his jeans to find his keys.

“It’s not necess-”

“God! Thank you, cab cost an arm and a leg.” Ororo huffed a laugh as you sighed. 

You were glad that the blush in your cheeks was dissimulated by your makeup.

You were sitting in the passenger seat, pretending to be on your phone as Ororo grabbed a coat she had forgotten upstairs. You wanted to kill her, she left you alone with him, gosh, wasn’t it obvious how nervous did you get around him? Maybe not, and she just enjoyed seeing you like that. Yeah, that was your best friend. And worse, he was smoking. Looking so hot and nonchalant.

Logan coughed a bit before looking at you, up and down, and huffed.

“What?” You dared to say, without looking at him.

He shook his head. “Nothin’, bub.”

“No, go ahead.” You left your mobile aside and crossed your arms.

Logan looked down to your chest covered in your black sleeveless corset and smiled.

“You look gorgeous, bunny.” He said, looking at the window and taking a puff from his cigar.

You closed your eyes shut, almost your whole body getting blushed at the compliment. Not pretty, not cute, not good. Gorgeous. He said that word.

“Thanks.” You mumbled shyly, your breath started to get a little worked up. He noticed, of course, and the sight made him smirk.

“I’m back!” Ororo got back in the backseat, and you exhaled like you had been holding your breath for years.

The ride was quiet to you, your mind was peacefully roaming around the lights on the road, even having Logan next to you. That until his hand went to rest on your bare thigh. God, he had to ruin your peace, of course.

His fingers moved to the inner part of your thigh, his palm resting on the front of it. His fingertips massaged your flesh gently, like he knew what he was doing, like he knew how wet you would get with that.

You finally got to the club, some loud music was muffled by the closed doors. You grabbed your jacket and your purse to get out of that freaking car, you could almost scent your own arousal by that moment.

“Wanna join us, Logan?” Ororo suggested.

Fuck, fuck, fuck.

“Guess someone has to take care of you two.” He sighed and got out of the car.

Ororo slapped your shoulder a bit when Logan was away. “You'll thank me later.” and she left too.

You sighed and began to get out of the car too, starting to regret all of that.

“Gonna stick in the bar, you guys have fun.” He said, quickly getting in to go where he said.

“Well, I guess I won't have to thank you for anything.” You said, almost glad that he had left.

You started to get slightly happier and expectant for that night, you could have fun, you wouldn't get too drunk and maybe, if the music wasn't so good for dancing, you could seat and enjoy it. Yeah, a good night.

(...)

Everything you thought that wouldn't happen, happened. You were some long hours into the party, and music was great, surprisingly great. Not some weird music that teens just used as background sound to get drunk and high. Shakira, Britney Spears, Katy Perry, Madonna and Christina Aguilera were sounding all the time, and you couldn't feel happier. That until “Single Ladies” by Beyoncé started, you almost freaked out, and started screaming the lyrics with Ororo.

It was relevant that you were… drunk. Not in the clouds, just drunk enough to feel funny and energized to dance.

“All the single ladies, now put your hands up.” You sang with Ororo while lifting your hands.

Logan, as a totally mature man, he huffed. Single? Huh, if it were up to him, you'd be tied to the bed right now, and not in those shorts that hugged your butt beautifully and in a thin green tank top with thin sleeves. Between both garments he could see the edge of your baby blue underwear and that beautiful, round, adorable bunny tail.

God, you were beautiful, and he was disgusting, he couldn't take his eyes out of your ass and your tail and how you moved your hips smoothly in circles, almost provoking him. On those ‘whoa-oh-oh’ you would move your hips up to the left, up to the right, making your tail bounce.

Was this the karma of provoking you back in the car? Because it was working perfectly, he was hard as a rock.

‘Cause if you liked it then you shoulda put a ring on it.’

Oh, he was. If he saw one more man looking at you again, he was putting a fucking ring on your finger if that would make you stay at home with him.

In the blink of an eye, a man appeared behind you, you heard quietness when his disgusting fingers grabbed your buttcheek like he had the right too. The muscular memory to pull against it like you were taught to almost won, it didn't because you saw Ororo’s look in her eyes, a look of displeasure and anger.

Your body tensed at the realization of the situation, and that happening in a matter of seconds, your nails went to sink on his shoulder, only Logan's hand stopping you.

“We are going home.” He said, firmly grabbing your wrist.

You were in the passenger seat now. And you didn't really know how you got there, you supposed Logan had to push you there because you couldn't move, the ghost feeling of that stranger touch, that at the same time felt so familiar.

You were quiet, Ororo and Logan too, but their thoughts were louder than yours, you could almost hear what they were thinking.

Once he pulled over at the mansion, you slowly climbed off the car, putting on your jacket as you walked in. Logan frowns, worried, Ororo had just a concerned look on her eyes as they both follow you in.

You felt almost dizzy, desperate to reach your room, to go and shower, clean yourself up from the touch, from the nonconsensual hands that touched you recently and in the past. The feeling of a dirty touch in your clothes made you want to rip them away. You used to do that since your fur was warm enough for you, but now the feeling seems to have pierced your jeans and burned your clothes. 

You couldn’t hear Logan’s voice calling you, you just went upstairs and locked in your bedroom.

Logan sighed and looked down at Ororo when she spoke. “She just needs to rest, to think.” She began. “I’ve never seen you this worried.”

Logan shrugged. “Don’t know what’s she doin’ to me.” He sighed and rubbed the bridge of his nose. “Whatever this shit is that i’m fucking feeling, feels like shit.”

“I know what it is.” She gave him a knowing grin. “And you know it too.”

Logan raised an eyebrow, confused, before opening his eyes widely in surprise. “What? I’m not in love with her, Ororo.”

She just chuckled and began heading to her room. “I’ve never said that.”

Fuck. He was one hundred and eighty years old and he fell for the same old trick. He was turning into a silly teen because of a goddamn bunny. 

But god, he knew you weren’t just that, you were the most gorgeous creature he had ever seen in his life, he was the one that got all drunk with you, all bunny-drunk.

He spent the night thinking about you, how were you, how did you feel, could he help you out on something, did you need anything, did you need him? Maybe he was acting like a teen but he couldn’t help it, he was so worried, his heart beated hard in his chest at the thought of you in the state in which he saw you when you came back. When dawn came, he got up like he had nine hours of sleep, when he had just had three, and walked through the mansion, hoping to take a glance at you, but nothing. You weren’t around, Ororo said that you were probably not even awake yet: you could sleep for half a day when one of your episodes hit.

Suddenly, you appeared. You had your curly white hair pinned up, your bunny ears held there too, your face gray of tiredness, wearing some wide black sweat pants and a black hoodie on top. His face lit up when his eyes met your tired figure, while slowly worrying about your state. He didn’t know what to say to you, he couldn’t do the usual ‘good morning’ because it was nearly lunchtime and it was clearly not a good morning.

“Made coffee for you.” He said as taking a sip of his beer, you looked at him with slight surprise. “It’s right there on the machine.”

You smiled gently but tired. “Thanks.”

You sat in front of him with your coffee, putting your feet in the wood base of the chair while quietly drinking as he read the newspaper. Something about the domesticity of the situation made you feel a lot better, his presence being like a bandage to your suffering. You looked up at him and gently smiled.

“You can go to rest more if you want, I’ll wake you up when lunch is ready.” He said, lifting his eyes from the paper.

“I don’t want to be alone anymore.” You said lower than usual. “Although I’ll love to take a nap on the couch.” You said, standing up and stretching.

Once you were on the couch, comfortably resting your head on the edge of the headboard, it didn't take long for Logan to go and sit besides you. He hovered his hands over your body until you gave him a gentle nod, telling him he could touch you. He moved your body so you were on your side, resting your head in the pillow, and he moved behind you to hug your waist in his hands, pulling you closer until you felt his warmth pressed against your back. He sank his nose in your neck, exhaling in relief when he finally got to have you in his arms, his hands caressed your soft fur up and down to get you relaxed.

"Wanna talk about it a bit?" He asked in such a comfortable, warm voice, you couldn't tell him no.

"I almost leaned in." You said. "It was like muscular memory, i got so... normal about harrassment, so used to it that... I almost leaned in."

Logan heard you, that's what you loved about him. He listened, all the time.

"I feel bad about it." You said, caressing his hands.

"Why is that?" He asked while gently pressing your flesh.

"I like the touch, the contact, the sex, the provocation." You said, your fingers started to play with his. "But not from anyone. If I would had the chance to choose, I would've wanted you to touch me."

Logan smiled in your neck and pressed his lips there, leaving a small trail of kisses. Nothing sexual, just loving kisses.

"I am touching you now." He started talkin in your neck. "You like my touch?"

You nodded. "When it's from you, I like it." He gave you a playful bite in your shoulder which made you giggle.

"Listen, bunny, this world is a shit. You went through hell, and of course that type of touch will make you go through it again. I don't want that pain in you, but I know I can't remove it." He gently flipped you around, accommodating a strand of your white hair out of your face. "I just want to be with you when you need me, to hold you, bun. I know that damn therapist told you that you can have your time alone when you need it, but..." He looked at your ruby eyes, his eyes softened and holding your cheek like you were porcelain. He longed for you, you could see that in his eyes: it wans't something casual to him. "...Whenever you need me, I'll make a fucking whole in the goddamn universe to go find yo-"

"I'm in love with you." You said like it was trapped in your throat. "I'm in love with you, Logan."

[dreamwatch]

Part 1 Part 2 AO3

Written for the @corrodedcoffinfest Black Friday pop-up event.

Prompts: Black, Friday, "I'm not standing in line for that", Leftovers, Trampled, One Day Only, "I am giving thanks."

Yeah... all of them, and you're right, it was a stupid idea.

Word Count: Pt3 - 4954 | Rating: M | CW: Past suicidal ideation (very subtle, blink and you'll miss, I'm just being cautious) | POV: Mixed - Pt1 Eddie, Pt2 Steve, Pt3 Eddie | Pairing: Steve Harrington/Eddie Munson | Tags: Eddie Munson, Steve Harrington, Gareth CC, Jeff CC, Matt CC, Wayne Munson, disabled Eddie Munson, pining, protective Gareth, protective Steve, kissing, guitars, reference to canon typical injuries, references to blood and injury - please let me know if you think I've missed any.

Part 3

For the first time in years they get lucky; Wayne gets Christmas off. He says it’s because he worked Thanksgiving, but Eddie overheard phone calls that maybe he shouldn’t have been listening to, and he has a suspicion it’s more to do with the fact that for a while there Wayne was facing all his future Christmas’s alone and this one’s kind of special.

They’re watching the TV, eating too much, and sipping on beers. It’s normal. Just regular Christmas Eve in the Munson home, but the weight of it, the what ifs, hang in the air. It’s not oppressive, or sad, it’s just … there. It should be a sign, probably, that he and Wayne need to have a good talk, maybe work through a few things. But Wayne isn’t a talker, doesn’t understand why anyone would go to a shrink, he buries his shit deep. When Eddie thinks of his father, he was much the same. It probably shouldn’t be a surprise to anyone, then, that Eddie likes to keep things locked away, hidden from public view.

He sips on his beer and he eats his cookies, and he smiles at Wayne and Wayne smiles back. They know what they have. It’s enough.

They don’t get visitors often and he can’t think of a single Christmas where they’ve had one that wasn’t a cop, so when they hear the knock at the door they both look at each other like deer in the headlights. The bad knocks, the ones that end up with shit on the doorstep, or notes on the door telling him to move away if he knows what’s good for him, they don’t come as often as they used to. The last one was around Halloween, which in some regards he kind of expected; every town has a boogeyman and sadly he’s it for Hawkins. They keep a baseball bat behind the door where most people store their umbrellas. 

Wayne answers the door, fist twitching, but then Steve is wandering into his home, flakes of snow on his eyelashes and in his hair. 

“Hey sorry, I didn’t want to disturb you, I just wanted to give you these.”

He hands over two badly wrapped gifts, something bottle shaped for Wayne who seems a little shellshocked at getting anything, and a small navy blue package for Eddie, with way too much tape holding it together. And he knows gifts aren’t a quid pro quo kind of situation, but he’s honestly been back to back with appointments and just life in general, and he doesn’t get out as much as he would like, seeing as he still can’t drive, so his heart sinks a little at it.

“Shit, I didn’t— sorry, I was just so caught up—”

“It’s nothing. Honestly, it’s just something I saw that reminded me of you.” 

His voice peters out as he says it, and Eddie feels that little kick, the little squeeze in his core, but he just can’t help it. Reminded me of you. Like he’s important enough for Steve to think about. And isn’t that something?

Reminded me of you.

It’s a little fan, breathing life onto a flame that he just can’t afford to have lit any further. Tamping it down is getting harder and harder.

They talk for a few minutes, but it doesn’t matter how many cookies or beers or sodas Wayne offers him, he declines them all with a sorry, got to get back. He gets up to leave and Eddie walks him to the door.

“What are you doing on Friday?” Steve asks.

“Hmm, I’ll have to check with my secretary, my diary gets booked up so far in advance these days.”

“He ain’t doin’ nothin’!” Wayne shouts. “And close the goddamn door, you’re letting all the heat out.”

“Jesus Christ, old man, keep it down. No fucking privacy here. Well, as you heard, I ain’t doin’ nothin’ apparently.”

It’s a pretty accurate impression, which he knows Wayne heard and he’ll be paying for that for a while. But he made Steve laugh, so it’s entirely worth it.

“Cool. I’ll pick you up at four, be dressed and ready to go.” Steve hops down the porch steps back to the car. 

“Where are we going?”

“You’ll find out on Friday. Get inside before you freeze to death, Munson. Merry Christmas!”

“I’m going, I’m going, why is everyone such a nag? Merry Christmas, Steve!”

He should wait until tomorrow, but the little blue package in his hand feels like it’s burning him. He sits on his bed and tries his best to peel each piece of tape carefully, but the fucking thing is covered in it so he ends up ripping the paper off anyway. 

The guitar strap is neatly folded, blue embroidery singing against the black leather. Guitar picks slip onto the floor at his feet. 

His breath falters, trapped in his throat, and it’s several long seconds before he takes a deep breath again.

His guitars were some of the only things saved from the old trailer. Wayne told him how lucky he was to be at the back, how most of his precious possessions survived. He even hung the Warlock on the wall of his new bedroom. It felt like he was being watched, like an eye following him around the room. It felt like a living thing in a way that scared him. 

And it wasn’t just the thing of it, the object that got carried into battle - even if that one was a version from another world - it was the way it sounded in his hands now. He tried to play it just once, and once was enough to know it would never happen again. The shake in his hand was frightening, the lack of control, the dissonant noises that rang from it. He chalked it up to some weird phobia, a reaction to what the guitar meant now. But then he picked up his old Fender knock off and it wasn’t any better, and it hit him that it was gone, everything he had practiced, everything he worked for, it was gone just like that. Now he had a shaky left hand and no grip strength and moving his fingers along the fretboard was an effort not an instinct.

It was over. And he never wanted to see that fucking guitar again.

But now he’s sitting here with a beautiful guitar strap in his lap and guitar picks all over the floor, things that Steve chose for him, because they reminded me of you, and it’s painful in a different way, in a way that he can’t examine right now because he just doesn’t have the strength for it in the middle of a Christmas he was never meant to see. He wraps them both back up in the crumpled blue paper and puts them in the bottom drawer of his dresser, pulling a pair of sweats over the top.

Christmas is… emotional. But like in that quiet ‘we’re not gonna talk about it’ way that he and Wayne have perfected over the years. There are pats on the head, hair ruffles, side ways glances when Wayne thinks he’s not looking. Weighty, but not unpleasant. It’s a lot to know you’re loved so deeply, a lot to know how difficult this would have been for Wayne if Eddie hadn’t been here.

(There’s things about that day, about the decisions he made, that he tries to keep hidden from everyone, himself included when he can manage it. They haunt him at night when he’s alone in the house by himself and has time to dwell on them, but when Wayne rests a calloused hand on his head, it’s almost like forgiveness. He hopes Wayne doesn’t know. He hopes none of them know.)

When Friday swings around he feels entirely too much like a kid in a candy store, and if Wayne notices his slightly hyper demeanour when Steve pulls up outside, he at least has the grace not to mention it. 

Steve doesn’t open the car door for him. Anyone looking on, watching Eddie potter down his steps unevenly, crutch in hand, would read that as rude. Eddie reads it as trust, as being listened to, and most importantly being heard. Other people struggled with that, so many of his friends, fuck, even Wayne, wanting to step in whenever they thought he needed a hand, but never really hearing him when he said he was fine. And look, he’s a stubborn fuck, he knows this, and he hasn’t made this easy on people, he could have - should have - asked for help at times, but having one person in his corner that listened to him made him feel less powerless. That it was Steve made his heart sing.

Steve still won’t tell him where he’s going, so they do what they usually do, argue over the radio while Eddie tosses tapes around in the glove compartment. Eddie doesn’t get out often, mostly of his own choosing, so these moments mean a lot to him. Painfully normal. 

Painfully normal with Steve by his side.

He starts to nod off to the sound of Cyndi Lauper coming through the speakers, but he catches sight of the sign to Indy and it wakes him up with a start. He glances at Steve who definitely knows he’s being stared at because the little smirk on his face grows. Something in Eddie grows with it.

Twenty minutes later they’re pulling up outside Sandy’s.

“Holy shit,” he says, almost under his breath. “I haven’t been here since… fuck, last year I think? How did you find this place?”

Steve unbuckles his seat belt, that smirk firmly still  in place. “Friend of a friend.”

And then, because Eddie’s world hasn’t spun out from beneath him enough this year —

Steve Harrington winks at him.

And it’s not a wink like, sports and jocks and rough-housing with the kids wink, it’s a wink. It’s loaded. It takes up space in the car. It passes between them, a little bird Steve set off into the air for Eddie to catch with careful hands.

He doesn’t know what’s happening, but it feels like it will collapse around him if he asks, his little tower of cards that just got to the second level will flutter to the ground. So he laughs it off, calls him a dork and then gets out of the car.

They take a booth at the back, sliding in, face to face. 

“Have you eaten here before?” Eddie asks.

“Just the once.” And there’s that smile again, and that little thing in him that keeps so deeply hidden continues to unfurl.

The waitress approaches to take their order, and Steve gets in before Eddie can.

“Two chilli dogs with extra onions, two sides of cheese fries, and two peanut butter malts, please.”

He didn’t even look at the menu.

The moment she walks away, Eddie leans forward.

“How do you know my order?” He’s a little rude with it, though he doesn’t mean to be, and for the first time Steve looks unsure.

“I told you, a friend of a friend.”

“Gareth. You can say Gareth, Steve. I’m not stupid.”

Steve picks up the salt shaker, rolling it idly between his hands. “I just wanted to do something nice, for Christmas, you know? Is that so bad?”

“You did something nice for Thanksgiving.”

“Uh, no, I tried to do something nice. Consider this a do-over.”

Eddie does his best, tries not to read too much into the fact that Steve knew his order, or that he asked Gareth for help, or that he ordered the same thing, or that he spends the entire time practically moaning as he slots the hotdog into his mouth in a way that honestly looks filthy as fuck, but he can’t possibly know what he’s doing, or what he’s doing to Eddie specifically.

He does his best. But a boy can dream. 

Steve pays, which just makes it all so much worse. Is this how they feel? All those girls from Hawkins High? Is this what it means to be wooed by the Steve ‘The Hair’ Harrington?

They get back to the car, and Steve starts her up, the cool air from the vents turning warmer as they sit there. 

“That was… that was really cool, actually.” 

“Yeah, those hot dogs were awesome. Seriously we need a place like that in Hawkins.”

Eddie shakes his head. “No I mean… you bringing me here. It’s my favourite place to eat. It was a really nice thing to do. Thank you.”

Steve looks delighted. “Good, I’m glad you liked it. And hey, it wasn’t burnt this time, right?” 

Steve laughs and Eddie tries to but he can’t, is the thing. It’s all kind of caught up in him, like a tangle. He’s confused, and warm, and happy and a little sad, actually. He surrounds himself with things he wants and can’t have. Sometimes he can live with that, but sometimes it hurts.

“Thank you. Like, honestly,” and he let’s a puff of air out of him, blowing his bangs out of his eyes. Blowing the sting from them. “I haven’t been there since my birthday last year. It was kind of a tradition, you know? I didn’t get to go this year, so… yeah, thanks.” And he means it. Truly and honestly means it.

Steve taps the steering room, out of rhythm to the song on the radio, a nervous little tick Eddie’s noticed before.

“So, there’s one more thing. Uh, one more place I want to take you. If that’s okay?”

He looks so earnestly at Eddie, like he’s honestly scared Eddie will say no to him when right now Eddie doesn’t think he would deny him a fucking thing.

“Yeah, of course. Lead the way, sire.”

They don’t drive far, but they move into the suburbs on the other side of town and into a little neighbourhood Eddie recognises, before pulling up somewhere Eddie knows very well indeed. 

Wayne was the first one to bring him to Rudy’s Music Shop back on his twelfth birthday, when he got that old Fender knock-off from Gary at the plant. It needed strings, and it buzzed like crazy and Rudy’s was cheaper than the big store in the middle of the city, so they visited and Rudy fixed it up for him, almost as good as new. And when he was finally ready for his first serious guitar, something metal that he would take the world by storm with, it was Rudy’s that he went to. He couldn’t afford a lot, but the Warlock was a trade in, barely used but with a couple of big chips in the paintwork. Rudy cut him a deal, and Eddie spent three bucks on red nail polish and you could never tell they were there unless you knew where to look.

“Steve… ?”

“I um… Wayne told me about this place. I thought it would be nice to visit. It’s been a while, huh?”

“Yeah,” Eddie whispers.

Steve taps him across the chest. “Come on.”

This time he does let Steve help him out of the car, the long journey and the cold starting to wear him down. They walk over to the window, the red neon sign glowing bright into the dark street, the guitars stand like soldiers under it, and he feels the pang of want. It feels like the twist of a knife.

“You wanna go in?”

Eddie’s not sure where it comes from. But something in him stirs, something that feels like bravery, and he finds himself wanting just that. But…

“It’s closed,” he says, trying his best to keep the disappointment from his voice. “But thanks for bringing me here, it was a really lovely thought, you know.” 

Steve walks right past him to the door and knocks three times, and in a moment Rudy is there, unlocking the door and ushering them in.

“It’s good to see you, kid,” says Rudy.

“Uh— shit.” He starts laughing, it bubbles up from nowhere and he feels a little delirious with it. “It’s good to see you too. Sorry, it’s just a lot, being here.” He gestures around the store at the walls of instruments.

Rudy laughs softly, “Yeah, I bet.” Then he looks at Steve and says “You got half an hour then I got to lock up. You want the, uh—” he gestures over his shoulder with his thumb.

“Uh, give us ten minutes?”

Rudy nods before heading out back, pulling the office door closed behind him. Then it’s just them, and Eddie’s head is spinning like a fucking top.

“What the fuck is going on?”

“Promise not to get mad?”

Eddie’s eyes narrow. “Why would I get mad?”

“I thought maybe it was time to get that new guitar.”

Eddie tips his head back, looking up at the ceiling painted with famous musicians. He stares B.B. King straight in the eye. B.B. Stares right back at him.

“Steve, I just… I can’t.” He blows out a huge puff of air, and it feels like he’s emptying his heart as much as he’s emptying his lungs.

“I know you sold the Warlock. And I get why.”

“No, you don’t!”

“Okay, so explain it to me.”

“I don’t want to have this conversation.”

“You can’t run from everything, man.”

It’s like a slap and Eddie turns on him. “Oh fuck you!”

All of it’s falling to shit, all the good, summer, the trips to the drive through, the summer spent in the Harrington’s pool. Cold nights tucked up against each other watching horror movies. A burnt Thanksgiving dinner. 

A guitar strap.

Steve reaches out to him, squeezing his wrist. “I’m sorry, I didn’t mean it like that. It’s just. You’re so fucking talented, Eddie, and I hate that you lost the thing you loved the most. You deserve better than that.”

Eddie scoffs. “How do you know I was talented? You’ve never heard me play.”

Steve smiles softly and digs into the pocket of his coat, pulling out a cassette before waving it gently in the air. 

“Borrowed it from Wayne. Blues, huh?” And there’s that smirk again, like he’s won something, and fuck it. He has.

“Fucker.”

“Me or Wayne?”

“Both of you.”

There’s a pause, Steve opening and closing his mouth like he's working out what to say next.

“Why did you lie? Why did you sell it?”

It’s not an accusation, just an honest question. If it were anyone else Eddie would fob them off. But it’s Steve, and he deserves so much more than that.

“Because it wasn’t the same, Steve. I couldn’t look at that fucking guitar, I didn’t want it anywhere near me, man. It just didn’t sound the same anymore. I didn’t sound the same. And it just reminded me of everything, every time I looked at it, Chrissy, and Patrick, and the bats--” He heaves in a breath. “Do you know what it’s like when your dreams are stolen? For them to just disappear overnight?”

Steve’s eyes drop to the floor, but he replies with a nod.

“I had a basketball scholarship lined up. Until Billy smashed a plate into my head, anyway. It’s not the same, I know, but I do get it.”

Billy was a bastard, and Eddie never liked him, and it’s awful but all he can think right at this moment is that he’s glad he’s dead.

“I’m sorry, I didn’t know that,” he says softly.

Steve shrugs. “Shit happens. It’s what you do after that matters. Come on,” Steve takes him by the hand, locking their fingers together, and Eddie’s breath slams to a stop as Steve leads him to a stool and amp. “Rudy said you can play whatever you want. Just point and I’ll grab them. But there is one, I kind of put aside for you. If you want to try it?”

Alternate dimensions haven’t got a thing on what ever the fuck is going on here today. He barely nods before Steve runs off like an excited puppy. He returns a moment later, carefully holding a guitar. 

“So, I know this isn't like, metal, or whatever. But Rudy said it’s got a really nice tone? And it’s a lot lighter than your Warlock, so I thought… “ He coughs, suddenly sounds embarrassed, “I just thought it would be easier for you.”

He recognises it immediately; a Gibson ES-335. But not sunburst or cherry red, like everyone knows it for, but in a washed out sky blue. It’s scratched, the paintwork chipped in places, but it’s clean and otherwise clearly well looked after.

“It’s beautiful.”

Steve’s eyes light up. “Yeah?”

Tentatively, Eddie reaches out for it and Steve hands it over almost reverently. It is lighter than the Warlock, though it’s bigger. But the rounded cut outs make it fit him better, it rests comfortably on his thigh. He runs his fingers up the neck, feels the comforting grab of the frets under his finger. The loss of it all hits him so suddenly he feels himself fall back, like a gust of wind carrying his grief slammed into him. 

“Yeah,” he manages to say, but his throat is closed tight and theres no way Steve doesn’t hear it. 

Steve kneels in front of him, places his hands on Eddie’s knees and a spark fires through him.

“Play me something.”

“What?”

Steve beams at him. “Anything you want.”

He feels a tear slip over his lashes, and he watches as Steve traces it down his cheek, wiping it away before it falls from his chin.

“No tears on the guitar,” Steve whispers. “Not good for the paint.”

“Fucker,” Eddie laughs wetly. “Plug me in.”

Steve sets him up, with a little direction, then sits on the floor in front of him, legs crossed, like a toddler at story time, his attention undivided.

It’s rough, the first chords are chunky and stilted, he doesn’t have the strength or the dexterity that he once had, certainly not the speed. But as his hands warm up, as he falls into it, the rhythm, the vibration of the strings under his fingers, the callouses softened from all these months without steel underneath them. His eyes slip closed and he plays by feel again, and without thinking he starts striking chords, the D, into the F sharp, G into the A. He smiles to himself, before opening his eyes, and he and Steve lock eyes, sitting in the dark in Rudy’s, just the neon red lighting them up. 

You’re the one I’ve waited for

He sings it openly, part challenge, part declaration. 

I need your love more and more

His breath is knocked from him as Steve rushes forward, hands on Eddie’s cheeks pulling him in, his lips pressed deeply into Eddie’s. Eddie grips the guitar in one hand, covering Steve’s hand with the other, holding it there. When the shock passes, he kisses back just as fiercely, lips finding one another in the red glow.

Steve breaks apart first, breathless with giggles before leaning in for another quick peck. And then another. And then he takes the guitar from Eddie, gently places it on a stand before standing in between his legs, his hands on Eddie’s face, tipping him back, before leaning down to kiss him again, slower this time, more softly.

“I’ve thought about this for so fucking long.”

A sound escapes Eddie, air rushing out after a punch to the solar plexus, to a place deep within him.

“You have no idea, man,” is all Eddie can manage in response.

There’s a cough from behind them and they split apart as fast as they came together.

“So, uh, we taking that guitar, boys?”

“Yes,” answers Steve, at the same time Eddie says “I don’t know.”

“Do you like the guitar?” Steve asks.

“I love it.”

“Good. Then we’re taking it.”

Rudy carefully places it into a case and hands it over before letting them out onto the street, and wishing Eddie well.

“But I haven’t paid—”

“He’s all paid for kid. All yours.”

Eddie is dazed when he makes it back to the car. He looks at the little store front in the dark, the neon fighting the orange glow of the street lamps for the honour of lighting the sidewalk. It was a minute ago but it seems like a dream already, like a spell was broken the moment they walked back onto the street, and he’s not sure it happened. It’s too ridiculous to imagine that it happened.

Steve climbs in beside him, looking every bit the King of Hawkins High, smug bastard.

“What just happened?” Eddie says to no one.

He catches movement beside him, Steve pushing his fingers through his hair, checking himself out in the rearview mirror before repositioning it.

“Well, I took you to dinner, then I brought you to your favourite guitar store, bought you a beautiful guitar and basically took you out on the best date you’ve ever had.”

Eddie nods absently. “Oh, is that what happened?”

Steve looks like he’s actually thinking about. “Yeah, pretty much,” and he winks again, like he doesn’t know exactly what he’s doing to Eddie now. 

They drive back to Hawkins, Steve stretching his hand out to hold Eddie’s every time they come to a stop light, Eddie squeezing it tightly like it might disappear, like it might be the last time he gets the chance.

They pull up outside Eddie’s little house, just as snow starts to flutter to the ground again. Steve leaves the car running, the heat blowing out onto their faces. Eddie feels a little flushed. He’s not entirely sure its the heater though.

“So…” he starts.

Steve throws his arm across the back of Eddie’s seat. “So.”

“Did that really happen? Because, I was dead for about five minutes back in March and they said there could be lasting consequences from the oxygen deprivation and—”

Steve shuts him up with a kiss and not for the first time Eddie’s pleased they moved to a private little house where they can’t be seen from the street.

“Firstly,” Steve says when he let’s go, “Don’t ever joke about that.” Steve’s cradles his jaw, thumb stroking at the raised pink of the scar that sits there. “But yes, it happened. All of it. Maybe I was a little slow off the blocks. Let’s just give thanks for me getting there sooner rather than later, huh?”

Eddie can’t help the bubble of laughter. “Oh, I am giving thanks, trust me, big boy.”

Steve’s eyes narrow as he leans in for another kiss.

“Oh we are totally circling back to that,” Eddie says gleefully.

“Shut up.”

They lean in again, and this time he wraps his arms around Steve’s neck, pulling him close, his lips parting ready to kiss, until a loud knock knock knock on the window has them flying apart.

Wayne peers in at the two of them as Eddie rolls the window down.

“Jesus Christ! You scared the shit out of us.”

“This strikes me as something you might want to do inside.”

Steve combs his hands through his hair, nodding. “Yep, absolutely. We will definitely do that.”

“Not tonight though,” Wayne adds, and honestly, Eddie loves this guy, he does, but fuck does he pick his moments to get parental. “Goodnight Steve.” And then, because Eddie’s suffering is his greatest pleasure, he smirks and says. “Hope it all went well.”

“Would you just leave, please, now. Thank you.”

They both watch Wayne walk back up the porch steps, a sly smile on his face.

“Fucker.” Eddie sighs into one more kiss, Steve meeting him across the console. “I should go.”

Steve hops out to grab the guitar - his guitar, and that’s going to take a while to get his head around - and carries it up to the porch for him.

“Call you tomorrow?” 

“Please,” Eddie says, feeling for all the world like a fucking schoolgirl with a crush. So, this is what it’s like?

Steve gives him that stupid little wave and smiles at him, but as he’s about to get in the car he calls back.

“Hey, what was that song you were singing?”

Eddie laughs. 

“Oh, uh, Love Hungry Man. AC/DC.”

“Holy shit,” Steve laughs. “Don’t hold back, Munson.”

He shrugs, delighted. “What can I say? Speak your truth, right?”

Eddie stands in the cold as he watches Steve drive off into the night. Flakes of snow begin to fall again, shimmering in the amber street lighting. He sticks his tongue out to catch them. He feels giddy, kind of light headed and for a second he thinks he’s over done it today, he should get in, get his pills and sleep. 

It takes a moment for it all to filter through, for his brain and his body to catch up with one another, but eventually it hits him; he’s happy. He’s never let himself want before, not big things, not things he can’t buy. He’s spent years hiding big parts of who he is, even from his closest friends, with only the dream of moving to a city to give him real hope for a connection with someone. For love.

And then Steve Harrington, brave, smart, wonderful Steve Harrington, knocks the wind right out of him, turns his world upside down, the good kind this time, and now not only does Eddie get to want, he gets to have. 

He sticks his tongue out again to catch a last, fat flake of snow, and then carries his guitar inside. 

He has a lot of practicing to do.

****

Holy shit. Full disclosure, I wrote most of this today and I'm sleep deprived and I can't bear to think how many typos and errors there are in this, but I'm trying to hit a deadline. Feel free to let me know what I fucked up. 😂

[madlori]

I'm asking this to you because you're the only person I know who's been around fandoms for so long — do you find this shipping-situation weird? I've been in many fandoms but I've never really seen this insistence on there being only one acceptable ship for a character and encouraging the idea that anything other than the norm is almost sacrilegious. Almost every big fandom over the years have had multiple conflicting pairings, take for example, Marvel. Even works of media that have a canon romantic pairing have had fans who ship others with the leads (that was what shipping was tbh) and no one has ever shown up to their doorsteps with pitchforks in hand, at least not that I'm aware of. So I guess I'd really like your opinion on why you think this is happening now? Have things always been this way, just not in plain sight? Is this just the new fandom culture that is developing now with the influx of younger people? Or is this fandom an aberration where a group of people are so used to being the majority that they simply aren't taking well to things not going their way?

I've been thinking about this today, and I'm still not sure what I think.

I've been in fandoms with a hugely dominant ship before. I've been in fandoms that had ship wars. I've been in fandoms with a lot of peacefully co-existing ships. I'm not sure this fandom is really all that different. To answer your first question, no, I don't find it all that weird. In fact I sort of expected it.

Let me tell you a story about the Brokeback Mountain fandom, which managed to have a ship war despite having really only one ship, the canon ship. So BBM fic fell into several broad categories, the biggest of which were fix-the-ending/canon divergence fics and the straight-up AU fics (I wrote one of each, lol). Post-canon fics weren't as common, because you had to deal with one half of the canon pairing being...well, dead.

There was a post-canon fic that gained a lot of fans...and when I say "fic" that's really an understatement. It was a SAGA, and I don't use that term lightly. It was a series of like...6 or 7 epic 100K+ word fics and it was over a million words total. The author would put out more than one 5K chapters per DAY. I'm still in awe of this woman's output. But it was the content that created the issue.

(Brief recap for those who have not seen BBM - two ranch hands in the 1960s, Ennis (Heath Ledger) and Jack (Jake Gyllenhaal) spend a season herding sheep together, have sex, form a bond, then separate to go about their expected hetero lives but get together for fishing trips every year or so to have sex and spend time together. Jack wants more, Ennis is terrified. Both marry and have families. Eventually Jack dies in what is implied to be a gay-bashing but who knows, and Ennis makes his peace with the love he'd felt for him)

The saga picked up a couple of years after the film's events. Ennis decides to tentatively explore what being queer means, goes to Laramie, finds a gay bar, and very cautiously enters. Through a Series of Events he gets mixed up in an assault there and befriends a local sheriff's deputy, who is also gay. They begin a relationship.

Now, this series was COMPLEX. A huge cast of characters, a long and thorough evolution of this relationship, a lot of angst over Jack's memory, and it really worked for a LOT of readers. The new love interest she created was a really great character.

For others...it did not work and they hated it.

The animosity between fans who loved this saga and those that did not grew pretty heated. This was like '05 so there was no twitter or tumblr, this was all on LJ and dedicated fandom forums (some of which banned discussion of this fic for this reason), but there was doxxing and namecalling and real vitriol.

I guess my point in all this is that when there's strong feelings, some fans will find a way to be horrible to each other.

I was in the Sherlock fandom, another fandom 98% dominated by one ship. There were other ships, but somehow they seemed to co-exist mostly peacefully barring some snide remarks and rude comments (I could be wrong about this, if you asked someone who shipped a non-Johnlock ship they might have a different answer). No, the insanity in the Sherlock fandom was not ship-war-related.

I was also in the Criminal Minds fandom, which has a whole bunch of disparate ships and no ship wars that I can recall.

Then there are other fandoms, like Avatar, with TERRIBLE ship wars that are still going on.

I don't think the situation in 9-1-1 is as unique or different from other fandom wanks as has sometimes been asserted. I think terrible fandom wars are sort of inevitable, whether they're ship related or not. But for what it's worth, here are some of my thoughts on what's going on here.

A loooooong time (5.5 seasons) with one very dominant non-canonical queer ship. No other ship really ever approached the level of saturation or devotion of Buddie.

A pervasive belief that this ship might possibly become canon. That's a feature a lot of other ships do not have.

A lack of intense devotion to any of the other love interests. BuckTaylor was never a challenger to Buddie. Neither was Eddie and Shannon, or anybody else. It's hard to fight when there's no worthy challenger.

But now? BuckTommy is not only canon, but it has a lot of fans. It's a threat. And it's not only a threat in a feelings kind of way (as in, people like a thing that is not the thing I like and it makes me upset) but there's a perception that it's an ACTUAL threat, as in if people like this ship and promote it, it could cause it to become a permanent relationship (the degree to which fan response actually affects how the show unfolds is...debatable).

I do not personally think this is the case, but some fans strongly believe that Buddie could still happen if it weren't for BuckTommy. So if you're still wanting Buddie and believe it will or could happen, the existence of an alternate love interest represents a direct obstacle to that happening. That's a heck of an incentive to hate that competing ship. I get it.

That...might be a somewhat unique situation. There's a fight now because there's a challenger who might actually stand a chance.

This goes along with what we saw in the immediate aftermath of 7x04. I read someone else say (apologies, I don't know who it was, feel free to @ me if it was you and I'll credit you) that the early post-7x04 enthusiasm and acceptance of Tommy reflected the belief that he was temporary. A lot of folks thought it was just a way for Buck to get with Eddie, like, very soon after that. But the more time went by, the clearer it became that this was not the plan or the intention. So the mood soured for those who were still pulling for Buddie.

Other fandoms I've been in with a hugely dominant ship...Sherlock and X-Files are the two that spring immediately to mind...there was never a challenger with any legs. X-Files fandom wank was between the ship and the...lack of ship, shall we say. But a concrete, tangible "opponent" makes a fight so much more visceral, doesn't it?

I do think there's been a fandom shift towards needing ships to be canon that I don't really get, but it's there. There's been a lot written about fandom culture in the last ten years, the breakdown of boundaries between fans and creators, the access to those creators, a sense of ownership/entitlement, purity culture, obsession with shipping "correctly" (which leads into wanting things to be canon for the validation)...these are all newish features. So pile that on top of 9-1-1 having a longtime single ship that's legitimately threatened for the first time in its existence by a competing canon ship and it's kind of a powderkeg.

No wonder it's caught on fire.