#i've got pretty bad memory issues

[starship--aurora]

i love this episode for so many reasons

[running-in-the-dark]

I think I mentioned that I was looking into getting a better sewing machine? well, it arrived today 🙈 that happened much faster than planned. I found the model I was looking at at a (relatively) local sewing machine store, for 30% off because it had been in the shop window, so the plastic has yellowed.

I wasn't sure how I felt about that (the website only said it was a floor model or something similar, then someone from the store called and told me the specifics and asked if that was still okay), but honestly? I never ever would have paid the full price, it was just too much, I couldn't justify that. but this reduced price was only a little more than the ones I had been looking at before (that were not great quality and probably wouldn't last very long).

I am very particular about things like this but I'm trying to make myself accept that it really is not that bad. it actually looks kinda cool. I just have to get my brain to accept that it's not a flaw, it's just a completely superficial and insignificant thing that doesn't affect its function at all. it's good that this machine that works perfectly won't end up in a landfill just because it doesn't look brand new.

I only got to try it a little bit today because I wasn't feeling well but damn, the difference to my old machine is huge!! it's so much more fun and easy to use - I love having the needle threader and that it can automatically cut the yarn when you're done. and with the start/stop button it's actually really fun to wind bobbins!! I always hated that on my old machine.

I skimmed through the manual earlier (and put page markers in it so that I can easily find anything later) - it did seem somewhat overwhelming at first. I've never used or even seen (irl) a computerised sewing machine, so of course it did! but it already felt much more familiar after just using it a little bit today. I love it 🥰

(also, I think the fact that it doesn't look perfect and brand new actually helps - I'm not afraid to use it in case I 'ruin' it!)

[suzukiblu]

Day six of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon.

"You're bluffing," the thief says flatly.

"And you're fucking stupid if you think this is the play that's getting you out of here," Kon snorts, tapping a foot against the floor. "C'mon, man, give it up. I've got plans tonight." 

"Use the artifact!" the alleged "Mark" yells at the thief holding it. 

"Right!" said thief says, then . . . pauses, and looks embarrassed. "How do I . . . do that?" 

Kon looks incredibly unimpressed. Tim empathizes. Deeply. 

"You guys need a minute there?" Kon asks, raising an eyebrow. 

"Shut up!" Mark snaps at him. "Just use it, Lisa!" 

"I thought you said no names–" 

"Use it!" 

"Uh, right!" 

The thief chucks the little clay goat at Kon. Tim is genuinely embarrassed for this entire crew. 

Kon catches the goat one-handed, which is kind of a stupid idea, but letting it smash on the floor admittedly wouldn't look great. People over property, obviously, but Kon also historically has issues with property damage and letting the bad guys smash up ancient artifacts is not the best plan in general anyway. Especially given how often said ancient artifacts have ghosts or curses or apocalypses locked inside them. 

"Lisa!" the thieves all yell in horror.

"Was this the whole plan?" Kon asks, making a show of inspecting the goat. "Like, was this it? I can come back later, if you're still cooking on that."

Tim muffles a laugh with a snort. Kon definitely caught it, though, judging by his smug smirk. 

"Shut up, wannabe!" the thief still holding a gun to Tim's head snarls, which reminds Tim he should be pretending to care about the gun currently being held to his head. Honestly, he would in Gotham, but the only way this moron is shooting anybody is by accident. 

. . . admittedly, that is a concern, given the trigger discipline issue. Hm.

"Killing me would probably count as felony murder, just so you know," Tim mentions, glancing around the thieves. "Which you could all be charged with, not just whoever actually shot me. Plus I'm pretty sure stealing objects of cultural heritage from a museum is a federal crime."

He's completely sure of all that, actually, for obvious reasons, but he has to at least pretend to be a civilian here. Like, some effort needs to go into that illusion, if for no other reason than to avoid a Bat-lecture from Bruce or, worse, a Bat-"I'm not mad, just disappointed" from Dick. 

Or, worst, Alfred might make disapproving shortbread instead of approving jammy dodgers for post-patrol tonight. That'd be really unfortunate. Tim could really use an approving jammy dodger tonight. He's already going to have to write up a very annoying incident report of this situation as it is, and also deal with the mortification of getting his neck saved by a Super. There is no dignity in that. At all. 

He is definitely never telling the team his secret identity. At least not until he's absolutely positive Kon hasn't inherited any of Superman's eidetic memory, anyway. He's ninety-nine percent sure he hasn't, but that last percent is a definite concern right now. 

"No one asked your opinion, brat!" Mark snaps, though a few of the other thieves now look extremely uneasy. Tim makes another mental note about their crew's obvious lack of prep time and general planning and continues to be embarrassed for them. Museum robberies in Gotham are themed events with careful research and preparation involved, and frankly usually involve more thoughtful effort than whatever gala they may or may not be crashing did. Smash and grab is for convenience stores and small-timers. And these guys are definitely small-timers, but this is equally definitely not a convenience store.

Metropolis is so weird. Why anyone even bothers doing petty crime in it at all is beyond Tim. Maybe they're just banking on Superman being more concerned with natural disasters and alien invasions and rescuing cats from trees, which is a valid strategy. Same theory as splitting up and making a cohesive group into multiple targets.

"He has the idol!" Lisa hisses, glaring at Kon like she's not the one who threw it at him to begin with. Tim gets a gun barrel jammed into his temple again. He has no idea why Trigger Discipline: What Not To Do thinks that's, like . . . a productive thing to do. At this rate he's going to get a bruise or something.

Well, he's not actually doing it hard enough to hurt, admittedly, though Tim does keep expecting it to. The guy looks like he's putting his back into it, but the impacts continue not to actually hurt, so Tim supposes he's just trying to put on a show here. 

Well, at least he's putting in some effort, Tim supposes. That's something. 

"I really do have plans tonight, you know," Kon reminds them, raising an eyebrow at the thieves again. 

"I would appreciate you delaying those, actually," Tim mentions. "If you don't mind, I mean." 

"Oh, yeah, don't sweat it, dude," Kon says, waving him off. "These people are annoying but I'm not gonna ditch out on you here, that's not your fault." 

"Don't ignore us!" one of the unnamed thieves yells. "And give the idol back!" 

"I have no idea why you would expect me to do that," Kon says. 

"I'll shoot!" the thief holding Tim threatens, jamming the gun barrel into his head again. 

"I mean, I'm pretty sure that dude was right about the felony murder thing, so maybe don't?" Kon says, inspecting the little clay goat again. "Hm. This thing is actually kinda cute." 

"It is, isn't it," Tim agrees. "I thought it looked like a kid's toy."

"Oh yeah, I can see that," Kon says, squinting assessingly at it. "Like those chunky toddler ones?" 

"Yeah, like those," Tim confirms with a nod. "Fisher-Price, Duplo, that kind of thing." 

"I'll take your word on that one, man, my 'toddler' stage only lasted about half a day and I was sedated for it," Kon replies in amusement. Tim seethes internally and thinks very uncharitable thoughts about Cadmus. 

"I said I'll shoot!" the thief holding him says furiously, tightening his arm across Tim's neck. It's still not actually enough to hurt, but again, Tim appreciates seeing a little more effort. "Give us the idol, you stupid brat!" 

"I'm trying to help you out here," Kon says, looking exasperated. "You're just making shit worse for yourself the longer you keep this up. Put down the gun and let the guy go, you'll get a way lighter sentence." 

"Fuck you!" the thief shouts. "The power of the idol will protect us!" 

"The idol that I am currently holding, you mean?" Kon says, hefting it meaningfully. "The one that is in specifically my possession and not yours?" 

Tim does understand that talking people down is the preferred approach and Kon can't actually super-speed this problem away, but Kon could at least pretend to be taking this seriously. From his perspective, there's a civilian hostage with a gun to their head and an angry criminal with their finger on the trigger, but he's acting like there isn't any danger in the situation at all.

Tim gets the posturing thing and the general "cooler than thou" attitude Kon likes to present, but it's definitely not making any of the thieves calm down. Like, not at all is it making any of the thieves calm down. 

This incident report is going to be very annoying to write. 

"It's not yours!" Lisa shrieks at him. 

"You literally threw it at me," Kon says. "I only have it because you threw it at me. Also pretty sure it's not yours either, given all the screaming alarms and broken glass and the smashed-in wall I am currently standing in the wreckage of."

Tim starts wondering if maybe he should revisit his "tripping" plan. He doesn't really want to pull any Robin-esque moves in front of Kon, but also dying would really fuck up all that hard work he's put into being Bruce's emotional support sidekick. Also two dead Robins in a row could not possibly end well. Especially in such a stupid way. Especially in Metropolis. 

"You don't even know what you're holding, you idiot!" Lisa fumes.

"A toddler toy, I thought we established," Kon says. "'Doopler' or something?"

"Duplo," Tim corrects, internally calculating tripping angles. 

"That one, yeah," Kon amends. "Doppo." 

Tim, resignedly, thinks his determined commitment to pointlessly fucking up is adorable. Also still hates Cadmus and has the irrational urge to buy him a teddy bear or something, although Kon would definitely just think he was fucking with him if he did.

Maybe he could just smuggle one into his room and disavow all knowledge of its existence. That's an option. 

"Give us the idol now!" the thief holding Tim snarls, his face twisting in rage. 

"Yeah, no," Kon says. 

"You little–!" the thief starts to yell, and then his trigger finger slips. Tim knows this because the gun goes off right next to his ear. 

And right against his temple. 

Half the room screams and the thief yells and drops the gun, recoiling in horror. It goes off again as it hits the floor and a bullet shatters a historically-significant vase the way one should have shattered Tim's personally-significant skull. 

What the fuck?

"Shit, sorry, that was probably kinda loud," Kon says apologetically, wincing a little but otherwise looking completely unphased by all of that. Tim blinks, very slowly, and attempts to restore his resting heart rate. It's not a particularly successful attempt.

"Yeah, kinda," he says.

"Sorry, sound waves are harder to block," Kon apologizes, pointing at his own ear with his free hand, and Tim remembers the other's total lack of concern for any threat to civilian life this whole time and realizes that was because, from Kon's perspective, there wasn't any actual threat.

Huh. 

Well, that explains why neither the gun barrel nor the being choked thing actually hurt at any point, doesn't it.

"Oh," Tim says, looking down at the floor that they are, in fact, all still standing on. "Tactile telekinesis?"

"You've heard of it?" Kon says, looking pleased. 

"Once or twice," Tim says, managing not to say it too dryly. Kon looks even more pleased. "I didn't know you could use it like that, though." 

"Practice makes perfect," Kon replies smugly.

[gossippool]

what do you recommend for people who are very new to deadpool comics and looking to get into them?

hiii thank u for asking!! this is kind of a complicated question because there's no right answer really. especially with deadpool, there's no actual best starting point because besides the basic origin story that he was experimented on, everything else about him is fair game (he just lies all the time and has false memories about his past) and so all the comics are different and pretty much standalones. but here's a list of a few comics depending on what you want to explore (i have not read every deadpool comic ever so this is not the best list but i will get there):

for shorter and more lighthearted reads:

deadpool (2022)—SO so cute wade has a crush on this non-binary assassin and it's actually adorable how much he likes them lol. in terms of shorter deadpool comics i think this one is quite a standout

deadpool infinity comic (2021)—a short partnership with sue storm. funny and the art style is so cute too

dogpool infinity comic (2024)—this is just cute and logan is in it too

deadpool (2018) #6—the issues in this run are all kinda standalone stories. they're all a fun time but this issue in particular is hilarious. comics usually don't make me actually laugh but this one did

for a more meta read that explores exactly what makes wade unique from other superheroes:

deadpool kills the marvel universe (2011)—in my opinion THE most iconic deadpool run, i'm sure everyone's heard of it lmao. a little darker but hey cameos from every marvel character ever. this was the first deadpool comic i ever read and it was a good time

for a familiar face from deadpool and wolverine (for other specific familiar faces you could just search "deadpool vs [character]" and that comic would probably exist):

honestly just search "deadpool and wolverine" and you'll probably get the whole list but here are some i've read that are lovely:

deadpool & wolverine: wwiii (2024)

deadpool vs. wolverine: slash 'em up infinity comic (2024)

for long in-depth characterisation that explores a lot of deadpool lore:

deadpool (2012)—if you've been following me you might know this is my favourite deadpool comic ever. it's pretty depressing and much grittier than the movie deadpool you might be used to, also REALLY long so it can be daunting but it's very worth it imo. it starts to get really good by the good, the bad, and the ugly issue and there's just SO much in it. for me wade in this run is inseparable from wade as a character to me (this comic is also followed up with deadpool (2015) and despicable deadpool (2017). they're not necessary to read but it's definitely bittersweet to get to the end)

deadpool (1997)—another hulk of a comic run. i have not read this yet but i've heard very good things about it, and many people say that joe kelly is the defining deadpool writer (others say he ruined deadpool but i think the general consensus is more positive) so you could give it a go! older comics may be a little harder to read though, from experience

a lot of comics will sometimes redirect you to other comics that explore a sideplot, and the main comic will just pick up where those left off so you could miss some storyline. despite this it's not necessary to read those other comics, but if you want to avoid multiple instances of this when you first go in, then i would suggest starting with the shorter runs!!

i hope this was helpful lmao sorry this got really long but i think the starting point really is different for everyone depending on what they like

[child-of-helios]

hello. I've a rather stupid question. I've only read the books once, as a kid, and I don't understand why people hate calpyso x leo. whys it so bad? why does everyone seems to hate it on here?

xxx,

eurydice

First of all, this is my first ever ask, I've made it mother :D Secondly, I'd gladly explain! Though please note that it really has been a good while since I've read the books too, so my memory is kinda foggy :] Warnings for: Slight mentions (but not too much) of rape, pedophilia and mental illness (oh boy this is a tough one)

So, I have made a post abt this before, but it was written in a fit of rage so not my proudest moment (but my most popular post, oops). Anyways, I feel that the hate towards Calypso x Leo is because of a few reasons. 1. It simply didn't get enough development to feel worth it imo. Similar to Jason x Piper, I felt like there wasn't enough there to warrant a canon ship. There is also the fact that personally, I thought that their dynamic was more of a familial or that of siblings, which made me uncomfortable. I would've much rather have them be friends. 2. The uncomfortable age gap. It feels very weird because while yes, Calypso was depicted as a teenager, she is thousands upon thousands of years old. The fact that she fell in love with a literal child is incredibly weird. It was weird enough with Percy, but at least they didn't end up dating. With Leo though, she did end up dating him and the age gap feels very odd. Its even weirder knowing she had a relationship with Odysseus, who by that point was a pretty old dude so she was probably very mature and an adult (though she doesn't act like it). 3. Calypso is kinda a rapist. In the Odyssey myth, she forces Odysseus (a married man) to sleep with her. I'm sorry, but I can't support any relationship involving a rapist unless its rapist x prison cell. It makes me uncomfortable because she could very well take advantage of Leo, a mentally ill teenager with self-esteem issues. 4. Her toxic treatment of Leo. Calypso was very pissed when Leo arrived on her island, rightfully so after what she had gone through, but even then her treatment of his was outright cruel, especially compared to that of Percy and Odysseus. She made him sleep outside, exposing him to the elements after he got flung through the air and ended up on her island, which must've caused some damage. Then after they started dating, I still felt uncomfortable reading about the two, because their dynamic just didn't work, and I don't recall her apologizing to him for her treatment of him. 5. Leo's arc was thrown away. I think the worst of all, is how this impacted Leo's character. He should've had an arc where he learnt to love himself, but because of Calypso he didn't. I think the moral was supposed to be: 'even if you're mentally ill or have problems, you still deserve love!' but it came over more as: 'ignore your issues and get all your love from someone else.' Isn't it more important for kids to learn about self-love? And as an extra: what could've been. I think that Leo shouldn't have gone back for Calypso, that that ship shouldn't have happened. I prefer him going back to Echo and them learning about self-love together as buddies (and maybe evolving into more than that). Echo was stuck in an abusive relationship with the Narcissist, so I think it would a good arc for them both. I also think that if you really wanted a romance, Jason x Leo would've been much better. We know that Rick can write good gay romances, we know that Piper turns out to be a lesbian, so why not make Jason and Leo gay? I think it would add much more to the tragedy of Jason's death, but that's for another post (and this one is getting too long already oops). In conclusion, I think Caleo is bad for many reasons, but especially because it didn't have enough time to develop and the dynamic was simply too creepy for me to get invested in. Sorry for the super long post- Have a lovely day :D

[twstfanblog]

Honestly, I just love to hear you rant!!! My request is any au you choose, with Crewel, Rook, and Vil, together or separate, your choice!!! I think your rants are super sweet and sound so much like my own to my friends!!! It kinda makes me think of when I spent 30 minutes trying to find out how much a pint of ale cost in 1843 England for one sentence in something I was writing! 😅 Too bad I'm already following you, because I would totally follow you again! Can't send the Tumblr gift thingies though, because screw American capitalism.

(That price of ale thing is literally how deep I get into world building if Im not careful XD Most days I just go, IT'S FINE YOU DON'T KNOW JUST KEEP WRITING)

Hmmmm... I've written about them all a lot in most of my AU's, honestly. I dont have anything really rant worthy left to say about...I literally had a whole hour to think about it, so instead, I'm just gonna drop another AU so I can get you something new about them. My Manhwa AU is pretty self-serving, but it's got plenty of Vil, Rook, and Crewel sprinkled in.

Basic idea of the AU is that 'Villainess' type story. Yuu was seen as a villain in the original timeline, only to die and come back in time to when she was a child with her full memories. She vows to change her ways and not die in such a way again.

Crewel and Crowley are Yuu's birth parents (Because my AU's are just the same universes in different settings-oop) Crewel married Crowley 100% for the money and power since Crowley was an arch duke. You couldn't call it a marriage of convenience hard enough. But of course, Crewel had to have a puppy to fufill his duty. Crewel will openingly treat Crowley like the bumbling man he pretends to be, but he is an adoring yet stern father to his precious puppy. So you can imagine when she wakes up one day and doesn't act like herself at all. He's so concerned about her...

Vil isn't nobility, but he and his father are both rich and popular enough to buy a title. Both actors, Vil leaves for the performance to the point he was called a succubus by one of his cast stars (teenagers acting so good one falls in love but the other is like 'dude we were acting, calm down'). Vil holds onto his issues with always being casted as a villain but he holds it in much better because hes just happy that he's well liked enough to always perform. As he gets older in this AU he starts to really show his support for the arts and all who create it. He's even started looking for investors to help him fund an acting school.

Rook is a noble man, lover of the odd and offbeat art, no one but his family really accepted his art. But he tried and he shared it with everyone he could. Vil saw it during an artshow and kinda tore it apart publicly by going on and on about how disturbed it made him feel. The current brownnoser tried to 'agree' saying it was bad art.

Vil:

Vil: There's no such thing as "bad art", you toad. I said it disturbed me, I find it grotesque is a very...eyecatching way. It's not bad because it made me feel something.

So Rook falls in love instantly and basically hunts this mean beauty.

They end up working well together because Vil has FINALLY found someone willing to write him in a hero role and PROPERLY CRITIQUE THINGS WITH. They discus art and what makes something 'moving' vs 'shock value'. They fall in love hard for each other to the point Vil accepted Rook's proposal and is already 60% planned through their wedding. Only to realize he never told anyone when his dad asked if he was open to seeing anyone because he's been told many a young man and lady would like to court him.

(SORRY THIS TOOK ME SO LONG TO DO!!!)

[number-onekidqueen]

heyy !! i hope ur doing well (: can you write a luke x gn!reader where they are chubbier and short and luke Lovess the height x size difference but they thinks like making fun of them but in reality he’s just teasing ): they open up to him about past issues regarding that and he comforts them and says he’ll protect them ): maybe a bit of protective!luke

𝐖𝐡𝐨 𝐚𝐫𝐞 𝐰𝐞 𝐭𝐨 𝐟𝐢𝐠𝐡𝐭 𝐭𝐡𝐞 𝐚𝐥𝐜𝐡𝐞𝐦𝐲?

Luke castellan x gn!chubbier!shorter reader

Summary: Luke loves to talk about all your physical differences and how you still fit together perfectly. But you have a few bad memories. 

Anon, I am sooooo sorry this took so long, I've had a mad case of writer's block lately, and I no time. It's kinda short and sweet (if you get what I mean *wink*) but I hope this is what you were picturing, and that you enjoy <3

warnings: mentions of fatphobia, mentions of insecurity, panic, teasing.

“Hey shawty!” 

Immediately, you stiffened. Even if you recognised the voice as one you trusted - Luke, your boyfriend of nearly a year, who you loved dearly - the nickname still made you feel cold all over. But Luke didn't mean the nickname in that way, you were sure.

Right?

You didn't have much time to ponder it however as a warm hand materialised around your waist, pulling you into him. You let the sandwich you had been making for lunch settle onto the table, freeing your arms so you could reciprocate his embrace, although rather stiffly.

"How you been?" He murmured into your hair, while he peppered kisses on your scalp. And then he noticed. He pulled away from you, still gripping your shoulders but gazing at you with concern. "What's wrong?"

You decided to drop it. He wouldn't have meant it that way. Even if your boyfriend before had, Luke wouldn't do something like that. "Nothing," you replied, forcing a smile, "you just caught me by surprise is all."

There was a pause in which he scanned your face, searching for signs you weren't telling the truth. He still appeared wary, but he seemed to let it slide for the moment, scooping up your sandwich plate and tugging you along to his table. Loud greetings hooted about, as his fellow Hermes siblings noted his and your appearance.

Your suspicions were confirmed as you sat, after saying hello to everyone, when he clasped his hand in yours, resting it on his knee. This was something he always did when you were feeling overwhelmed or sad, to reassure you that he was always there. He hadn't been convinced by your facade then. Damn.

Beginning to eat your sandwich, you were wincing at the near-stale texture of the bread, and how hard and dry it was in your mouth. Chiron must be running on his last few loaves and forgot to get extra supplies. You were glad for the distraction of Chris, who was always happy to explain his schemes with grand theatrics, and hand gestures that often tipped over glasses. That and Luke's wild laughter from beside you got you through the unpleasant meal.

"-and you won't believe what happened next, and even though it is coming from me, it was pretty damn impressive-"

"Ok man, I'm gonna interrupt your yap session right there while I can. Anyone getting seconds?" Luke asked, holding up his own plate.

"No dude, I'm sooooooo full, how are you not?" Chris groaned, laughing.

"He didn't steal my bag of jerky, Rodriguez!" Someone down the table accused.

"Hey, that was in the middle of the cabin floor, it was fair game!-"

"I'll have some," you volunteered, turning to Luke, and accepting his hand to help you rise from the benches.

"See, lucky I can be a big back with them!" He laughed, walking away with you and back to the table filled with food.

You weren't hungry anymore, at all. Every delicious, hot meal on the table that had tantalised you only moments before now seemed like soggy sticks. Luke had mentioned stuff about your body twice now, in such a short period. You were sure he meant it now. He must be just like your ex in that respect, even if he had treated you better. He felt the same as your ex had done. Even after all this time, your body wasn't good enough- you weren't good enough-

"Hey, you can't decide? Try the macaroni, I just had a bit and oh my Gods-"

"Uh- I don't really feel too hungry anymore." You said awkwardly, gulping down your insecurity.

"Ok," he said slowly, and there was his brown eyes again, deep and full of questioning. "Are you sure everything's okay?"

"Yeah, yeah, it's all fine just... not hungry." You smiled weakly, praying he would drop it as he did earlier. Your stomach rumbling punctuated the silence. He frowned at you, second helping forgotten and pulled you to the side of the dining pavilion, near some dense bushes where you wouldn't be seen.

"Hey. Please tell me what's going on," he begged, squeezing your hand. When you looked in his eyes, you knew you were a goner. You cracked.

"Do you still- like-like- do you still like me?" you mumbled, gazing down at your feet.

"What do you mean?" He asked, confused, "Y/N, I love you, so yeah, of course I still like you."

“I- just- I- I know you didn’t mean any harm and I know you only meant to tease, but it just reminds me of my ex sometimes.”

"Wait, what? What does?" He urged, pulling you closer.

"Just the... you know, like little comments- it's just-it's kinda like the stuff he used to say that hurt my feelings."

He pulled away from you, face hardening. 

“What did he say to you?”

“It was nothing, just he commented on my weight constantly and how much shorter I was than him and sometimes- look it doesn't really matter. It's just that the 'hey shawty' and 'big back' and all that, it shouldn't, it's stupid of me, but it reminds me of him... and like, I know it was a mistake dating a guy that was older in the first place, but the biggest mistake I made was letting him say the stuff he said."

"Don't you dare call yourself stupid," he began sternly, "because if anyone here is, it's me. My gods, baby, I'm so sorry I said stuff like that, it was just a joke or a little pet name to me, I-I didn't know it reminded you of that-ugh, if I had known I would've bleached my mouth out."

You laughed a little, and his face brightened.

"You know I don't wanna be anything like him, right? Man, if he was here I might have a hard time stopping from doing something to him, what a dick."

Laughing again, you nodded, smiling at him.

"And, you know you're also perfect right? Like who cares if you're shorter or a different shape to me? That's what makes you, like you, and I love you for all of it."

He kissed you swiftly, sweetly. It was warm, and you were both smiling through it. He was Luke, not your crusty ex that had broken contact the minute he got accepted to college. And he would always love you for who you were, you were sure of that now.

He broke apart, your noses brushing. "I love you," he whispered, each syllable falling softly on your upper lip.

"I love you too," you whispered back. He backed away reluctantly, holding your hands in both of his tightly.

"Ok, let's get you some macaroni now, because I'm not kidding when I say that it hits-"

And you let him lead you back to the chaotic normality of camp, with all of the delicious food and comforting people you loved.

[cripplecharacters]

Hi there! I'm working on a modern supernatural story, and I've got a side character (the main character's best friend) who deals with chronic fatigue syndrome. He's a sweet, goofy, confident guy, and he has friends who are happy to change plans to accommodate him when he has flare-ups. They'll also help him out with chores or errands when he needs, with his consent. Naturally he gets bummed about his condition from time to time, but he's accepted that it's how he lives and with the help of therapy he's found ways to manage it. He also has plenty of hobbies and interests and grievances outside of his condition.

My question is this: I have a side-plot where the characters learn that a vampire has been feeding off him for weeks without his knowing, most likely using some kind of hypnotism. I'm wondering if the effects of consistent blood loss - fatigue, headaches, dizziness, etc - could reasonably be chalked up to a particularly bad CFS flare-up. Or would that be something where it's more likely he would notice the difference in severity of his symptoms and realize something else was wrong? Assuming the vampire can heal up any bite marks he leaves.

For the sake of clarity, he's had CFS most of his life and I'm taking care to avoid implying that it has anything to do with the vampire attacks. I'm just wondering if his symptoms would help hide the feedings or not.

Thank you!

The short answer: absolutely yes, this seems like it could be chalked up to a bad flare-up.

The long answer: I'm going to use the CDC's description of CFS/ME to lay out pretty exactly why it would work for both you and anyone wondering why exactly it would work.

A list of symptoms from the CDC has 3 core and 2 that you only need 1 out of 2 symptoms to have CFS.

Core: Lowered ability to do usual activities due to fatigue [that is not relieved by sleep/rest] that wouldn't have been an issue before illness

Core: Post-exertional malaise (PEM), which is a worsening of symptoms after physical or mental activity that wouldn't have been an issue before illness. Often described as a 'crash' and can include feeling dizzy, having difficulty thinking, headaches, or feeling ill. It can take days, months, or longer to recover from a crash and it's hard to predict how long a crash will last or what will cause it.

Core: Sleeping problesms; even a full night's sleep doesn't help symptoms much and might not help at all. Might have trouble falling or staying asleep.

Other: Problems with thinking and memory, like 'brain fog' or slowed thinking or trouble remembering things or paying attention.

Other: Orthostatic intolerance, meaning that symptoms can get worse while standing up. This can make people feel lightheaded, dizzy, weak or even faint.

I've bolded the symptoms on the list that match your stated symptoms of vampiric blood loss: "fatigue, headaches, dizziness, etc." and as you can see they match up pretty exactly!

Your character could perhaps do something that required a decent amount of mental or physical extertion, and perhaps it did or didn't cause a crash but at around the same time the vampire could have started to feed off of him. This might seem to prolong the 'crash' and your character might not think twice about it, just realize that they're feeling pretty miserable in a way not unknown to them.

I hope this helped!

PS, I really enjoy modern supernatural stories, and if you ever feel like sharing it I'd love to read this.

— Mod Sparrow

[regular-gnome]

I adore your Archivists and the lore you make for them and their personalities and relationships between each other and Collector! You don't paint them as Good but misunderstood or cartoonishly evil.

They are god-like entities and their morality system and values are way to different for mortals to easily relate and understand. And good luck for them to not grow up with an issue or two and then proceed to raise a young collector with no problems =3

Also a question if you don't mind👉👈(sorry if you already answered it, my memory is bad TT) So all five of them are collectors(and they are the only ones of their kind), the siblings have a different name for their group why? And our Collector's name is the same as species or will he have something his own later like others when he is older?

The empty, uncaring void filled with extinction and destruction is not a place where kids grow happily without any lasting issues and from a mortal point of view - a weird perception of good but they are trying

I don't think anyone has asked about this one yet! Their names are related to their identity and that connects to their history; they don't really use individual ones, but rather what describes who they are.

I've put the reasoning and my stab at the lore under the cut since I thought it might be a bit long and not everyone into it (and I just figured out how to add the read more cut so im gonna use it)

They are not the only ones in existence; they are just in this part of the galaxy we see. In the beginning, when the universe wasn't as expanded, the Children of the Stars were closer to each other, exploring the young galaxy together and living among other living creatures - mortals.

After the extinction event that left the children alone on the barren world, they decided not to let it ever happen again. They began collecting life from the surroundings and spread it to uninhabited systems, later establishing the first archive to help with it. Thats when they started call each others collectors, and after creating archive those collectors connected to it that cared for and used it were archivists. It didn't go fantastic, they were young figuring things out on the way, the lessons they learned got contained in the Guidebook everyone took. At this point, they also realized that everything they were doing was not enough. The galaxy was too vast, with too many worlds facing their ends too far apart. They separated making own archives, now too far away to ever really meet and find each other.

On how it realates to names. Collie is a kid, they are a collector so The Collector, they live around the archive but it's not their responsibility at this point -it's The Archivists. As Collector grows up and becomes an Archivist they can take a specific set of tasks and be associated with them taking on a title. However, this also means that titles can change.

The first sibling in the story, after establishing their archive, was just named The Archivist. When another collector grew up to help, they divided roles, with Curator handling organization inside the archive and Naturalist handling "ground work". Later, the tasks of the Naturalists were divided, now becoming Anatomist and dealing with the living environment and Architects handling the unliving aspects . Following Archivist became The Wayfarer, responsible for keeping track of every collected place and noting any changes they undergo. They scout out planets that are to be added to the archive.

I'm not certain what Collie would want to do in the future. I think they might be inclined towards tasks related to being around mortals as they are pretty social, so they could probably take on some responsibilities from Anatomist and Wayfarer. But, I can't say for sure what title they might take

And here's a fun little aspect: the universe didn't stop expanding. The places their archive reaches keep getting further away and more advanced systems, so planets that are more than basic fauna and flora are more prone to collapsing. At some point, probably when Collie is an Archivist, the archive might have to split, and the names will shift again

[wayfayrr]

Hey there, I wondered if Tears ever gets insecure about his arm, scars or possibly even his height. Like I find his height absolutely perfect and adorable but he is smaller than most other people and it might bother him?

So I've been wondering how he acts when insecure and what would be a good way to comfort him. I would just hold him and try to convince him of all the good qualities he has. As well as petting through his hair. Making him feel loved and secure. And honestly an extraordinary arm isn't that bad, it doesn't affect who he is after all.

I wonder if that would help or he'd need some other form of comfort. Or maybe to be left alone. Anything from an answer to hc's to a short story or even deletion is fine! If you even have time and are willing that is!

Have a great day! <3

I absolutely loved this request, thank you so much for it - I've gone with three different possible scenarios for why he could be dealing with feeling insecure and some headcanons for how you could help him feel better about himself after each one <3 There is one major one I left out but the issue regarding his memories will definitely be explored some time soon!

honestly exploring tears is just so fun, it's nice tearing into his different layers :3c headcanons under the cut!

[masterlist]

due to his prosthetic 

✦ This is the easiest of his insecurities to deal with, as it only really tends to show itself when his phantom pains act up. 

✦ he’s long used to having lost his arm by the point that you meet, having had to figure out a replacement for when Rauru’s arm faded after his second quest was over.

✦ despite that though he still isn’t used to the ricocheting pain he gets once every so often, less now than when he was first still drowned in gloom but still just as debilitating. 

✦ He just needs to taken away from other people and shown affection, reassured that his is a benefit rather than something people only pity him for. 

✦ it’s all he really needs in those moments of vulnerability, when he can feel the flesh being shredded from his none existent bone. 

“Wouldn't it be better if there was some way to just have my arm go back to how it should be? That way I wouldn’t be such a burden when he decides to haunt me again.” “Sherbert whatever do you mean? You aren’t a burden for this, why even consider it?” “The whole group has had to come to a stop just because of this stupid pain and I know you’ve seen time getting pissed off with me for the things I can do with it.” “Time’s just an old man who’s worried about your safety, he means no harm with it. Wars got the rest to come to a stop for the same reason, not because you’re a burden, but because we care for you.” “But If my arm wasn’-” “Your arm is part of who you are. And I wouldn’t have it any other way, I love you for you Li, don’t even waste your energy thinking otherwise.”

✦ another way to help him through these patches is more to do with also indulging his love for learning about your home, or well more to the point - stickers. Giving him ones with meaning and that he thinks are pretty help him to work his confidence back. Because it wouldn't be possible without his arm!

due to his height 

✦ This comes out even rarer than his doubts about his arm, and only due to a very specific scenario and that’s if you’re talking about Earth's beauty standards - how taller people are often seen as more attractive.

✦ If you aren’t quick to say otherwise he’s going to assume that’s what you think too, it’s going to do a real number on his self esteem - because the thing is, he never really cares about what other people think about him, it simply doesn’t even register as something he should be worried about before he met you outside of the memory issue but that’s a whole other thing 

✦ this is the first time that something that REALLY has never been an issue for him becomes a big problem, if you aren’t aware of why he’s feeling like this then the sudden shift will come as a surprise. As he starts to avoid you and tear up whenever you see him before leaving. The rest of the chain mention that they’ve seen him tinkering with things but no one has seen exactly what it is.  

✦ the reason it came up was possibly from another member of the chains jealousy of how close the two of you were before this, or simply another villager trying to get you to go with them ‘because why wouldn’ t you want a tall handsome guy? 

✦ the sooner you can catch on and comfort him the better, as it’ll give it less time to get stuck in his head that you aren’t comforting him because it’s true, and it’s harder to tell himself that it isn’t while you’re pretty much confirming it

✦ but when you finally do get through to him that you don’t care about his height? That you aren’t secretly judging him for being so short? He’ll have a little moment where he breaks down, he’s been avoiding you for so long… and for what? All that time with you he’s missed over such a ridiculous reason will haunt him for at least a few days. 

“Tears? Link what are you doing? You’ve been avoiding me for nearly a week now. And - are those?” “I, no I haven’t been ‘avoiding’ you, just, I’ve just been busy… yeah.” “Were you just making those stilts this whole time? Is that why you’ve blanked me, seriously?” “I just - I, that - in the village.” “Hey, hey lilac there’s no need to cry love, I’m not angry, I’ve just missed you. You don’t have to tell me why, it’s just worried me.” “It - that guy, what he said - I just, wouldn’t you prefer someone taller?” “Well someone taller wouldn’t be you love. And I couldn’t even imagine being with someone else.” “R-really?” “Really darling.”

✦ he'll be impossibly clingy and almost showy after the fact, to the point where other people start getting concerned about how close he's getting - but it's not like he's hurt anyone else over it yet but if the villager who planted the idea in his head ever appears again then, well who would blame him..?

due to his sexuality (haha demiromantic asexual tears hc stepping innn)

✦ This is a bit more of a unique one, because it isn’t something he’s had to put all that much thought into before, it’s just never come up, but when he hears how some of the others talk about relationships he starts to have doubts about himself. 

✦ He simply doesn’t feel things that the others have described and the things that he has felt happened so much slower than how they said it did for them. He simply can’t help but question if there was- is something wrong with him. 

✦ He only started to fall when he was good friends with you, not the instant connection that he heard that time had with malon, or twi with midna. He doesn’t want you the person who he loves more than his own life to be with someone who he’s starting to think as so broken. If he can’t feel love ‘right’ then how could he hope to treat you right? 

✦ If he learns about this being normal, about the fact that other people share the same things as him, that he has flags that can use to show off his identity? It’s the biggest relief that he’s felt since meeting someone who treated him like a person. 

✦ once he’s gotten it through his head that he’s not broken, and that he doesn’t need to be worried about not being enough for you. You accept him for what he is and aren’t trying to make him change. It’s something he very very rarely gets to experience, and it definitely helps him feel even closer to you in the end 

✦ some of the biggest comfort he gets is you just accepting him and letting his feelings progress at his natural rate, it’s one of the best things he could have hoped for.

[thekingofwinterblog]

Oghren Branka - A Broken Dwarf

Out of all of the original Dragon Age Origins companions, I've always found Oghren to be the most fascinating one in how rare it is to see someone actually do a full breakdown of the alcoholic, berserker dwarf, despite arguably having the most interesting and deep under the surface aspects to his character.

So i'll rectify that here, by doing a full delve into Ogren as a character, and the rather tragic tale of the last member of house Branka.

Oghren was a member of Orzammar's warrior caste, bred, born, and raised to be a warrior, a role that by all accounts he excelled at.

Oghren is famous for being probably the biggest alcoholic in the franchise, but according to lore, this actually wasn't a part of his personality before way later down the line, and came about due to a spiral downwards.

Oghren, like all warrior caste dwarves was raised to be an absolute killing machine, who's life was going to be devoted to killing darkspawn, and killing more darkspawn, and then killing more darkspawn.

This part of his life, Oghren excelled at. He was great at killing his enemies from day one, and won fame and glory.

Unfortunately, the thing that defined Oghren as a person, was the very brutal struggle, of, and Bioware's take on how hard it is for soldiers to reintegratd into societies after their states does everything they can to make them into tools for killing.

And in Oghren's case, this began with his family.

When young, Oghren was interested in a young woman named Felsi.

The two hit it off quite well, only for Oghren to be forced into a political marriage with a certain woman named Branka from the smithing caste, a political match that was seen as mutually beneficial at the time.

This marriage was the single worst thing that ever happened to Oghren and everyone he had ever cared about.

Branka would in very short time rise to become a Paragon, the only one in living memory, a living ancestor in Dwarven Society, making her the most powerful and influential woman in Orzammar, but that part is not the one I want to focus on.

Instead I want to focus on Oghren and Branca's relationship, and how it quickly fell apart.

Their relationship started okay, and in the first year there doesn't seem to have been that many problems. Things would change however.

Branca, as we learn from Oghren's talk had plenty of serious mental issues, like massive and spontaneous mood swings, and a tendency for sudden violence for the smallest offenses.

The innitial target of which seems to have been her her husband Oghren.

Oghren makes no secret of the fact that Branca was pretty violent with him, in particular the fact that she seriously damaged the hearing on one of his ears, and once attacked him for misplacing her tongs.

Also, there is a bit of subtleness to Oghren's design that adds to how bad this relationship became for him.

Oghren has a permanent injury around one of his eyes, which makes it look like he's always squinting. The most likely culprint being his wife hitting him with something heavy and blunt, which never healed properly, giving him his iconic squinty eyed look.

We don't have anything to suggest Oghren ever actually defending himself physically from his wife, but if his own testimony is to be believed, their usual way of making up after one of these outbursts was makeup sex, which suggest that there was a rather sad cycle of spousal abuse, regret, then make up in the form of sex, then another bout of abuse, then rinse and repeat.

The usual cycle really.

Things got more complicated however, once Branka became a paragon, putting her firmly above her husband in rank as far as she could go.

And it's here that Oghren's life really began to take a turn for the worst, and where the drunkard who drowns himself in alchohol to try and forget how shitty his life is really began.

In very short succession, Branka, likely due to the mounting pressure upon her after becoming paragon, turned far worse towards Oghren, and their marriage began to rapidly crumble. But her becoming paragon had other consequences as well, the most obvious being that Branka became the head of the household, and absorbed Oghren's entire family into the new house of Branca under her.

Branka then began to shun Oghren completely, making her disdain for him open for all to see, while also cuckolding him with his own cousin Hespith(though Oghren wouldn't learn about that until years later).

This in turn, made Oghren's entire family follow suit, and he was quickly completely isolated and shut off from his own family, the same family that forced him into this marriage in the first place.

Oghren had already begun drinking to try and cope with his failing marriage at this point, and the way his entire family turned their back on him to please Branka just kicked that dependence off the deep end.

Then Branka committed herself to her great folly, and over Oghren's objections, took their entire family with them on her mad quest into the deep roads for a magical anvil... While forcing Oghren to stay behind so she could get to fuck her lover hespith on the side as she pleased without him around.

Needless to say, though Oghren didn't completely understand the full reasons for why everyone considered him a laughingstock at this point(the relationahip with Hespith was an open secret in Orzammar) , he kore than felt the effects of being alone, forgotten and abandoned by his family in a city that ridiculed him while still demanding he go out and kill darkspawn for them.

It was at this point that the Oghren we all know really began, as Oghren drowned himself in booze, embraced terrible jokes, and became the man with the most inappropriate pick up lines there is, desperate for anyone to give him any affection at all.

It was at this point Oghren for the first time cheated on his declared dead wife, seeking out Felsi. The renewed relationship did not last long. Oghren's downward spiral had already completely changed his personality, and she quickly left him.

At this point, Oghren really was at his lowest. Abandoned by everyone he had ever loved, alone, only having booze for comfort, and still having to regularly go out and fight darkspawn.

It's also here we see some of Oghren's hidden noble side, as at one single point he refused to buckle on, and that was his wife's fate.

Oghren refused(correctly) to assume Branka was dead and would pester the government time, and time, and time again to send out a rescue party to find her and bring her home.

Nobody took him seriously, and instead treated him like a joke... All the way until a young noble mocked Branka in his hearing and made it plain for all to hear that Branka could not possibly have survived that long in the deep roads.

The end result was that Oghren, in a drunk rage challenged the young man to a duel, then killed him, when it was supposed to be a duel to first blood.

Oghren thus changed from drunk pest, to dangerous pest.

In the end he was stripped of his house and the right to bear arms or fight in the city ever again, but was still demanded he fought darkspawn when the time came.

Oghren talks about this in his conversations with the Warden, how the city would turn their warriors into killing machines, strip them of all rules, morals and thoughts except kill and kill, and kill some more... Then put them right back into society, and bind them, and the rage they spent so long training you harness with rules and regulations. Add this with the fact that they will still demand you go out an fight at a moment's notice, it's not hard to see how warriors like Oghren came to be.

It's at this point Oghren has hit seeming rock bottom.

Alone, a joke in a city that will alternate between mocking, and spit on him, no right to defend himself, while still having to go go out and risk life and limb for it.

The only thing that keeps him going at this point, is the desperate hope that Branka and his family might still be alive.

Which brings us to the one soul who might bring him out of his stupor, depending on player choices.

The Hero of Ferelden.

The Hero of Ferelden scoffs at the claims Branka is dead and delves into the deep roads, and takes Oghren along for the ride, looking for her.

It's here that Oghren begins to form some sort of personal bonds again, where he will find the one person who is willing to put up with him, and all his flaws and possibly see him as a friend.

As the team heads into the deep roads however, they discover the horrible truth.

Branka, in her madness and desperate search for the anvil, sacrificed Oghren's entire family to the darkspawn, intentionally creating broodmothers so she'd have a never ending supply of darkspawn pawns to throw at the anvil defences.

It's not really given the full focus it deserves, because Oghren isn't the kind of person who just lets out absolutely everything, but this moment, this revelation destroys Oghren.

It's the moment where he pretty much just gives up on life, and only follows the Warden around to find a place to die.

In the end, regardless of what you do, his relationship with Branka is over at this point, wheter you save or spare her, leaving him with the knowledge that his entire family is dead and gone, and he's the last one.

At this point he becomes what is seemingly nothing more than comic relief, and due to the unfortunate way Orzammar is struxtured, its usually done last before the landsmeet, meanjng most players won't see most of the deeper parts of Oghren, as they require some prodding to see.

Most notably of these is what happens if you bring him to the guardian at the temple, where the old man wants everyone to relay their sins and regrets, only for Oghren to cut him off when his time comes, and say this:

Why don’t I save you some time? Yes, I wish I could have saved my family from Branka. I wish I’d been a better mate. Maybe she’d have stayed at home with a belly full of baby Oghren and never gone for the anvil. Maybe I failed her. Yes, I came to the surface because I’m barely a dwarf anymore. My family is dead. My honor as a warrior is long gone. I’ve lost my caste and my house and I have nothing else to lose.

This display is really, really sad for a number of reasons, not only because of how far down Oghren has fallen at this point, but also because frankly speaking, Oghren did nothing wrong with Branka. He was the victim here, and yet despite that, he still lays all the blame on himself. It was his fault his family died. It was his fault for being a shitty husband. Not Branka's. His.

Beyond this, Oghren has other interesting observations that shows he is quite a bit more impressive than the sorry, alcoholic cassanova wannabe that he acts as.

He's the only character who figures out that Shale actually remembers killing her master, and that she regrets killing him, as rather than a conscious choice, it was a moment of her completely losing control, just like he did in the proving match so long ago.

He also proves himself a bizarrely good brewmaster, impressing Wynne and the warden withouth the proper facilities to make proper alchohol, and he's the only one who offers any plausible counter explanation for the powers of the temple of sacred ashes other than the power of god(which may or may not be on the money.).

He is also learned in history, and knows the andrastian religion and it's historical players very well for a dwarf, even seemingly having a personal disdain for Hessarionz who he calls a pompous prat.

At this point, where he goes from there is up to the PC's choices, but regardless, there is a lot more to Oghren than meets the eye, far more than the stupidly stereotypical dnd dwarf he presents himself as, in a setting where the dwarves are not all the same as Tolkien's.

[rhiaarrow]

I've seen ppl talking abt it on twitter and here and I wanted to sort of contribute my thoughts towards it,

Ppl aren't 'forgetting' about qTubbo's death. It's just that the situations of qBad and qTubbo's deaths, while they had the same outcome, were completely different for multiple factors.

(This isn't targeted at the ppl who think the death is being overlooked because that's their analysis and it's totally fair. It's just that people saying that got my analyst brain drawing comparisons between the deaths and I ended up with this big wall of text so...yeah :') )

1 - The build up (from outside POVs)

With qTubbo from most Povs he just sort of... died with no clear build up. Most ppl didn't see the true extent of his self spiralling because he hid it or they just simply didn't spend a lot of time with him in order to pick up on the stuff that we the viewers picked up on. And then all of a sudden he just died with no obvious lead up (unless you watch his pov in which case there was an obvious lead up) but from outsiders who barely saw him, it just happened.

Whereas

With qBad there was a more obvious build up on other Povs, he told the ppl he loved he was dying or at least they knew that something was wrong. They knew that his death was inevitable and as much as they hate to admit it a lot of them had already come to terms with the fact that he would be gone soon. (Again unless you watch his pov the whole build up from the past few months is less obvious but it was more developed with other players before his actual death) Most Povs at least recognised that there was something wrong with the blue spreading across his face because well...it was pretty fucking obvious

2 - The way they told people

qTubbos "I'm an egg, I only have one life left." while true sounds like a joke because well... he's obviously not actually an egg. Ppl joke abt stuff like that the whole time, the Eggboyhalo joke for example or calling Foolish 'egg coded' early in the server. How were all players meant to immediately go 'ah yes, this player is definitely an egg. Yesyes, this makes perfect sense'. It's easy to see how it wasn't taken seriously by a lot of characters when only a few of them were ever given an actual explanation besides "yeah I've only got one life"

Whereas

qBads "I'm fine, don't worry about me." while actively coughing up a lung, covered in blue infection and regularly having memory issues is an obvious lie. Even if people only saw him for a couple of minutes or even seconds it was pretty damn hard to ignore the blue spreading on his body. They'd ask what it was, he'd try to avoid it or redirect them and that person was hit with an immediate red flag of 'oh, so something is wrong with Bad.' which most shelved away and didn't actively investigate but it caused many characters to express being worried about him

3 - Outward visibility

qTubbo died due to his internal issues; self doubt, lack of self worth, suicidal tendencies, etc (I feel bad writing etc but I know there were other factors I just can't remember them) which resulted in him chosing to live using the life system and later chosing to gamble his last life in a game of Russian roulette with Richas.

(None of this being clearly outwardly visible to bystanders even if he wanted them to notice)

Whereas

qBad died due to external issues; parts of his soul physically leaking out of wounds on his body which caused his body to degenerate so far that even as an immortal he couldn't hold on and stop his corporeal body from just giving out on him and forcing him to reset.

(Which was very clearly outwardly visible despite how much he tried to hide it)

4 - The methods of their return

(Honestly I think this part is what's making ppl think that qTubbo's death is being 'ignored' compared to qBads)

With qTubbo, Creation told them that in order to 'restore' him they need smth that they CANNOT craft. Creation did not elaborate further, so they have very little to work with/very little they can actually do in order to try and help him. So most players while they have expressed they want to help, they know that if they do try to help they'll be running at brick walls because they just cannot obtain what is needed and they need to just wait for Creation to show up again.

Whereas

With qBad they know he'll be back (because he's a demon and that's just how they work) and they know what they have to do. They have to wait and be patient when he does return because he might not remember them and he'll probably need pictures to remember. He told them all of this before he died.

On one hand you have qTubbo: Wait for a prompt from Creation or an NPC to help them craft the item to get him back

On the other you have qBad: Wait for him to come back on his own terms

And for the people used to Bad providing a metaphorical example to prove his point in a clearer manner;

When playing a video game you have more hope when waiting for a loading wheel to stop spinning so you can play the level, than you do looking at a level blocked behind a currently unobtainable paywall :/

In other words, dwelling on things you don't know how to fix sucks ass and no one likes thinking about it until they have a tangible idea for a solution and right now only one of the two deaths has an even remotely tangible solution even if it is just to wait and do nothing.

(I understand that ppls reactions to qBads death have seemed more proactive than qTubbos right now but today was the first qBagi and Em learned of him actually dying so it makes sense that today was sort of centered around that. Tbh it just sucks that qTubbo died on an event day bc I feel like if he didn't we would've got a lot more focus and angst out of it but what can you do. But also it's seemed a lot more proactive because qBads kids are actively searching the server for him for 3-4 hours a day which is just depressing as hell, kudos to Pommin and Dapmin for pulling that off :') )

Wall of text over!

Have a flower for your troubles, after all our cubitos have done to us, I think we've earned some flowers without angsty connotations ;-;

❀❀❀❀❀

[itsjaywalkers]

for the prompt game: ROSEKILLER 57 WITH BOXER AU IVE BEEN WAITING MY WHOLE LIFE FOR THIS MOMENT……….. (also i hope you’re having a fun day off laurie hi hi 🥺🤍)

HI HI SAINTS BELOVED <333 i actually didn't get the day off bc i'm an idiot and i couldn't say no when my coworker asked me to change shifts.. but at least i got home before 10pm which . is unusual for me lmao . and today's shift was actually kinda fun so !!

anyways, hope you're having a lovely day and that u enjoy this silly lil thing <3 first peek into boxer au rosekiller <3 (i went a bit overboard but they've been plaguing my mind and u don't deserve less)

57. "Teach me to fight."

It's been more than half an hour of hitting the punching bag nonstop when Barty finally decides to take a break. It's not even because he's actually tired, despite the sweat he can already feel dripping down his back and his face. It's because his bad shoulder—the right one—dislocated during the last combination he tried, and after Barty puts it back in place, he's gotta wait a little bit before going back to training.

This happens way too often for comfort, but it's not really painful anymore—it never really was, or maybe Barty has simply dealt with much worse. Besides, the longer he ignores it, the more serious it'll get, which means he'll have an excuse to go get another check-up.

His manager already warned him when he first got the injury after that stupid fight with stupid Potter. Barty began to grow restless during recovery time, and then decided his shoulder was fine when it stopped hurting.

Obviously, he was wrong. Except, it only dislocates when he goes too hard, and he's learnt how to put it back in place without issue, so really, technically, he was sort of right. What does his manager know, anyway? As long as Barty continues winning and putting money in that fucker's pocket, there shouldn't be any complaints.

He pulls up his tank top and dries off some of the sweat on his neck and the side of his face, while rolling his shoulder gently, testing the waters before he goes back to punching, when the hairs at his nape begin to stand up.

There's no noise, no sudden sounds. Barty doesn't hear the door opening, or closing, and yet, when he turns around, smirk already pulling at his lips, he isn't surprised to find someone standing right behind him.

"Hey, Rosie," he greets the other man, who blinks at him, completely deadpan. "I didn't know you were still around. Long shift today?"

"Yes, you did," Evan responds, that cool tone of his sending a pleasing chill down Barty's spine. "Know, that is. I'm pretty sure you've got my schedule memorised."

Barty takes a few moments to drop the hem of his shirt, because he notices the way in which Evan's gaze drops to his stomach and stays there for a handful of seconds. His expression doesn't change, there isn't even a flicker of something in his face, but the attention is more than enough for him.

"Well, you left your email open and your laptop in my near vicinity." Barty shrugs, eyes running up and down Evan's body. He's still wearing that sexy white coat of his, the shirt underneath it perfectly buttoned and tucked inside his jeans.

There's barely any skin showing, because Evan is a little weirdo, but there's some ankle peeking, since the pants are ridiculously tight on him and the legs keep riding up slightly.

Honestly, it's like he's doing it on purpose. Barty can't be blamed if he ends up hard under his sweats. He can already feel some blood rushing south just at the sight of that tiny sliver of soft brown skin.

"And you downloaded my rotas?" Evan guesses, tilting his head to the side.

"Nah," Barty says, crossing his arms over his chest, flexing a little. "Didn't have to. I've got a damn good memory. I read over them for a couple of minutes until they stuck."

Evan nods, not fazed in the slightest.

"That's why you only come in when I'm on shift," Evan states, and it's not a question. He doesn't seem surprised, or freaked out, but then again, he barely shows any emotions. Apart from irritation, that is, and that one's reserved for when Barty is being especially pushy. Or especially horny.

"I don't think I've ever seen any of the other nurses a single time in my life," Barty tells him with a chuckle.

"You have," Evan retorts, and his eyes narrow the tiniest bit. Barty feels a pull in his stomach. "You were talking to Betty three weeks ago, after your match against Black. The bad one. You let her check your shoulder."

Barty lets out an incredulous laugh, not sure on where to focus first, going dizzy with how badly he wants this freak of a man.

He's obsessed with the way in which Evan always seems to get the urge to clarify which Black he's talking about, as if it's not obvious, considering only one of them fights. How he's always so precise, never allowing any ambiguity into his sentences. How almost nothing seems to hold his focus apart from his experiments and medicine and his patients' injuries, and yet, here he is, remembering when Barty talked to someone else momentarily.

"Did I?" Barty asks innocently, biting the inside of his cheek to keep his shit-eating grin at bay.

"Yes," Evan responds, a little furrow appearing between his eyebrows. "She was touching you."

"Was she?" The corners of Barty's mouth are twitching so much he's sure he must look like an absolute maniac.

"Yes," Evan repeats, some exasperation slipping into his voice. "She wasn't even doing it right. She kept kneading the muscle in the same place, instead of checking the ligament, and she did this for more than five minutes, even though it takes seconds to find out about a dislocation—"

"Rosie," Barty cuts him off gently, watching, with no little amount of delight, how Evan's frown worsens. "I didn't even know her fucking name. I couldn't give less of a fuck about stupid Betty, or whatever the hell she's called."

Evan blinks slowly. "But you—"

"I was tired and sore after that match, my shoulder was bothering me, and she was there. My manager told her to check my shoulder, just in case I had fucked it up beyond solution, but if I had known you were around she wouldn't have laid a single finger on me."

There's a beat of silence, Evan's dead eyes searching all over Barty's face, assessing and determined. He smirks at him, which results in Evan huffing and looking away.

"Don't do it again," it's what he ends up mumbling, and if Barty didn't know any better, he'd dare to say Evan is close to pouting. "You're my patient."

Barty raises both eyebrows, a deranged smile splitting his face while he perks up like a goddamn dog. "Is that jealousy I'm hearing, Rosie?"

"No," Evan drawls, straightening up. "It's just the truth. You're not my only patient, you know? But if you're getting treated by me, then you're not allowed to see any other nurses."

"Damn, way to make a man feel special," Barty scoffs, but he does actually kind of mean it. Which he's aware might be a bit pathetic, but, well, he'll be whatever the fuck Evan wants him to. "Wasn't interested in seeing any other nurses, anyway."

"Good." Evan nods, almost to himself, and Barty has to make an active effort not to coo. "Are you done training?"

Barty blinks a couple of times, slightly taken aback, both by the sudden change of topic and by Evan entertaining conversation. Normally, talking to the other boy feels like pulling teeth—oh, man, Rosie would fucking love this comparison—which Barty doesn't mind because he finds it incredibly fun. Unless Evan is going on one of his medical rants, and yeah, Barty shouldn't find it as attractive as he does, but it's not like he's ever worked like he's supposed to.

But this? This is new.

"Not really," Barty answers, still feeling off-kilter. He shakes his head, forcibly pulling himself out of his mind. "Why? You wanna join me, Rosie?"

"As a matter of fact, I do."

Barty snorts, assuming that it's a joke, even though he's more than aware that Evan doesn't do jokes, because his humour is way too dark, and rarely finds funny what others do. But Evan's expression doesn't change, and Barty nearly chokes on his own spit.

"Wait, you're serious?"

"Why wouldn't I be?"

"You've never been interested in boxing," Barty points out.

"That's a lie. I watch every match," Evan argues, lips pursed.

"Because you're job kind of forces you to."

"Also a lie. I need to be there when I'm on shift, in case they call for me, but I'm not required to actually watch."

"Yeah, but you still do, because your pretty little morbid head goes absolutely feral at the prospect of seeing some blood."

Evan scrunches his nose, as if disgusted.

"You're wrong," Evan lies, expression giving absolutely nothing away. Really, if Barty didn't already know the truth, he'd be inclined to believe him. "It's got nothing to do with that. I like boxing."

Barty huffs, the noise filled with amusement. "Sure you do, Rosie."

"I really do," Evan insists, always so ridiculously stubborn.

"I don't know who you're trying to convince, but—"

"Teach me to fight."

Barty sputters, brows almost reaching his hairline, and he gapes at Evan, who's still staring at him. He seems unaffacted by Barty's dramatics, but then again, he's unaffected by almost everything.

"The fuck?" he manages to spit out at some point.

"Teach me to fight," Evan says again, a lot slower, as if Barty is some kind of idiot. God, he wans to fucking devour him.

Barty isn't sure of what's going on right now. Evan barely interacts with him outside of their appointments, it's always him reaching out, so he doesn't understand what prompted this. What Evan is hoping to achieve.

"Why?"

"I told you, I like boxing."

"Yeah, okay. And the real reason?"

Evan's tongue pushes against the inside of his cheek, and it's so, so hard for Barty, not to make a very inappropriate joke.

"I'm testing something," he admits, albeit bedgrugingly.

"Ah, so you want me to be your guinea pig," Barty sighs a bit dreamily. "That sounds more like it."

"Sure," Evan agrees with unsurprising ease. "Will you?"

"All you had to do was ask, Rosie."

They get to work right after that. Barty doesn't even bother with suggesting a change of clothes, because he's aware of how well that'd be received. The fact that Evan chooses to take the white coat off is already more than Barty expected.

He tries to show him how to stand, how to do a basic punch. Evan knows most of the basic theory, mostly due to how often he deals with boxing injuries, but he's absolutely helpless when he has to act it out himself.

It doesn't matter how often Barty corrects him; he keeps slouching, stance all wonky. He lacks strength, and he takes a bit too long to protect his face after doing a jab.

The main issue, though, is his obvious lack of interest.

Evan seems to be distracted by something, too inside his own head, and when Barty is about to point this out, poke some fun at him in hopes of getting Evan to snap, the other man speaks again.

"That's enough," he declares, tone leaving no place for argument. "Let's spar."

Barty chuckles, disbelieving, but then Evan is sending a glare his way, and he raises both hands in mock surrender, giving in immediately.

He'll do pretty much whatever the fuck Evan wants him to, really.

They both get into position, and regardless of how much Barty is holding back, trying to give the other man a chance, is actually kind of laughable, how easily he overcomes him.

One moment they're exchanging soft blows, and the next Barty has Evan pinned to the floor, his legs and arms completely immobilised as Barty grins maniacally from above.

"Happy now, Rosie?" he teases.

Evan presses his mouth in a tight line. "Not quite."

"Oh, really? Because I'm starting to think this was all a ruse to get me on top of you."

Evan rolls his eyes so hard Barty worries they might get stuck inside his skull. "I'm afraid that's more your style. And anyway, I don't think it's wise to understimate your opponent like this."

"It's nothing personal, Rosie, but when victory is already mine, I—"

Barty never gets to finish. Evan raises his head so quickly his brain barely registers it, and then he's sinking his teeth hard where Barty's neck meets his shoulder. Until he breaks skin, until he draws blood, until Barty lets out a pained groan and his body goes slack, more in surprise than actual hurt.

A moment later, their positions are reversed. Evan is straddling him, mouth still attached to his skin, and Barty is lying on the cold ground, dizzy and a little bit breathless.

He doesn't know how long they stay like this—definitely not enough—but after a while, Evan lets go and sits up a little, lips stained red. It's dripping down his chin, and when he parts his mouth a little, panting softly, Barty finds out that his teeth are also crimson with blood. With his blood.

Barty groans again.

"You're hard," Evan comments, painfully nonchalant. It's that same casualness he used the first time Barty had an erection during an appointment, after Evan had pulled at the stitches on his leg and stuck his fingers inside Barty's wound.

"Yeah," he breathes out, half-delirious. "Yeah, no shit."

Evan hums, cocking his head to the side, analytical gaze running up and down Barty's body and making him twitch in his pants. The fact that Evan can feel it right under him, between his legs, forces Barty to swallow down a moan.

Barty is about to say something incredibly stupid to maybe, hopefully, alleviate the tension, when Evan leans down once more; this time, slower, more careful.

He's prepared to feel the sting of a bite again, toes curling in excitement, but it never comes. Instead, there's something wet and tentative and soft lapping at the open wound, gathering all the blood there that is still coming out.

It takes Barty a moment to realise it's Evan's tongue.

The knowledge hits Barty like a motherfucking bus. He can't stop a low moan from coming out now, or his hips from thrusting up, searching for something, anything, that Evan might give him.

Surprisingly, and instead of pulling away, the other man makes an odd noise against his skin, and Barty thinks he's imagining it when Evan presses down on him.

He freezes up after that, but only for a second, Evan's licking never stopping. But then Barty moves again, more purposefully, rubbing his erection against the apex of Evan's thighs.

The response is immediate, although definitely unconscious. Evan grinds back experimentally, with no coordination or finesse, dropping another sound into Barty's bleeding wound.

His eyes widen when his brain finally catches up properly, hands coming up to grab at Evan's hips and halt his movements.

"Rosie, are you..." Barty stops, swallows harshly. "Are you turned on right now?"

Evan laps at the blood a few more times before straightening up again, staring down at Barty with unblinking eyes and red all over his face.

"Fuck, are you—?" A laugh, strained and bordering on hysterical. "Are you wet?" He doesn't even need to check to know the answer.

Evans nods, almost imperceptibly. "Apparently so."

He has half a mind to turn them over and fuck Evan into the floor. Until Evan is a whimpering mess. Until he's crying, begging, unable to do anything but fucking take it. Until he's sore, and hurt, and full, but still asking for more. Until he can't say anything else apart from Barty's name, until he's—

"Bloody hell," Barty whispers, shutting his eyes tight and letting out another cackle.

Oh, he's going to die. He's absolutely going to fucking die.

[quixoticall]

This Could Get Ugly Track 5: The Beginning of the End

Summary: It's 1983 and The Downsides need another lead singer and you just happen to need a band--it's a perfect match. The only issue? You have to pretend to be in a relationship with your bandmate, Steve Harrington, but you can't help but be drawn to the band's broody guitar player.

pairing: s.h. x fem!reader, e.m. x fem!reader, j.b. x n.w.,

warnings: ANGST, drinking, drug use, smut, oral and fingering f receiving, p in v sex, the Harringtons make an appearance.

a/n: It has been a while my loves! If you've been following me at all, you know I've had a rough month. I really, truly appreciate every single one of you who has reached out and checked in! I appreciate you! This chapter is extra long to make up for lost time and it contains smut. It's my first time writing smut, so hopefully, I did not disappoint.

wc: 11.2K

MASTERLIST🎸

PLAY PREVIOUS TRACK 🎵

APRIL 28th, 1984 PHILADELPHIA , PA—THE UPSIDE DOWN TOUR

If you wanted to be technical about it, the whole thing started with Argyle.

The two of you were backstage, sitting outside the dressing rooms killing time during the opener—some local band that you weren’t previously familiar with.

You had always appreciated Argyle’s ability to be friendly with everyone and float above the tensions, that was the case especially now when things with the others seemed to have fallen apart a little.

You were sitting next to each other on the floor, backs against the wall, as you were running him through some of the songs that had made the preliminary list for the next album and asking for his input while he threw a bouncy ball against the opposite wall. You liked working with Argyle, he was out of the box, creative, and one of the most technically skilled band members. You had been sitting with him for only 30 minutes and he had already made one of your songs infinitely better.

“What’s the move tonight, dude?” he asks you, nonchalantly as you scribbled down some of his suggested changes.

You shrug in response, “I dunno, I might just go home and sleep after this, maybe work on the arrangements for this—” You wave your beat-up notebook in the air, and he scoffs.

“You like never come out with us anymore,” he exclaims, “I miss when we all used to party together, dude. Now you are all dropping like flies and it’s not as fun anymore!”

It was your turn to scoff at him, “Please, I was never the life of the party, Argyle, c’mon.”

“Are you kidding, dude? People would always show up in droves to see you. Plus, you’re like totally fun. Remember when you and Steve did karaoke in Austin and you both got on the bar? That was totally cool.”

You chuckle at the memory and concede, “Yeah, that was pretty fun, but you still have everyone else!”

“Well, you took my dude Eddie too,” he points out without malice.

“What do you mean?”

“He hasn’t come out since St. Louis—keeps saying he’s gonna stay in just in case you want to write with him.”

Of course, this is news to you. You hadn’t taken up Eddie’s offer to write together since he had spurned you in Missouri (and since he starred in a very vivid dream of yours). It wasn’t that you didn’t accept his apology (presented in the form of a ridiculously large flower bouquet) it was that thing would have been far too awkward at this point.

It wasn’t that you had a crush on him necessarily, you were pretty sure that mantle was still taken up by Steve to some extent, it was more that there was an undeniable sexual something between the two of you below the surface that your dreams had made obvious and you didn’t trust yourself to be alone in a room with him without wanting to rip his clothes off.

Obviously, giving in to your desires was a bad idea for a multitude of reasons but chiefly, because:

a. It would wreak havoc on the band.

b. You were certain Eddie wouldn’t reciprocate your advances.

But then… you had heard what Argyle had said.

“Wait, are you saying Eddie has been hanging out after shows just on the off chance that I may call him?” You confirm incredulously.

Argyle nods in response, “Yeah. Did you put a spell on him or something?”

“No,” you respond wryly, “I’m not that type of witch, I’m the bad kind of witch.”

“Well, you definitely did something to the dude, he’s been obsessing over whether or not you hate him and keeps trying to get me to ask.”

This takes you aback completely. Eddie caring so much what you thought of him that he’d be willing to ask Argyle, of all people to discreetly scope that out seems improbable so you continue to probe.

“What do you mean by that?”

“Well, he obviously thinks you’re pretty and he’s just been waiting around for you to call him up, and he cares a lot about what you think of him, which is weird because last time I checked he kinda hated you—no offense.”

“How do you know all this?” You ask, ignoring the offense.

“He told me, duh.”

“Have you told anyone else this?”

“No one else has asked,” Argyle says plaintively.

“Well, how about we keep all of this between the three of us, then?” You propose.

Before the drummer can confirm, the thundering applause signaling that the opening act had wrapped up cut the conversation off.

Neither of you has the chance to continue the discussion before being rushed onto stage by a harried and high-strung stage manager.

Without knowing, Argyle had invertedly changed the course of everything.

***

EDDIE: We were in Philly. It was a great show—probably one of the best of that tour. The audience was feeling us the opener was sick and we were just gelling for what felt like probably the first time. It was like we were all finally on the same wavelength if that makes sense. No more guessing what the next move was or fighting to keep up. It was like we were finally learning to trust each other.

***

The Philly show was electric, all the elements had come together perfectly. You and Steve were particularly reveling in it. You spent most of the night singing into the same microphone, lips inches from one another, your hand grasping the back of his neck, fingers carding through his hair, and eye contact unbreaking. At one point, you were certain by the way he had captured your bottom lip under the meat of his thumb, that he was going to lean in and kiss you on the mouth, a barrier that the two of you had managed to maintain this whole time.

The audience must have had a similar thought by the sounds of their cheers—a sound that seemed to have shaken both you and Steve from whatever spell you had been under because the next thing you know the pressure of his thumb was gone and his eyes were turned away from you and towards the crowd.

The rest of the show was spent similarly—the two of you toeing the line and the audience following your every move. It was easy to get addicted both to the applause and the intimacy.

After the encores were sung and the last bows were taken, though, Steve was back to barely being able to look at you.

The only time his gaze does flit to you, ever-briefly, is when you politely decline Argyle’s invitation to go out after the show.

“Come on dude, you said you would come if I looked at your song,” the drummer gives a half-hearted attempt at bargaining which only makes you giggle.

“I never said that Argyle,” and truly you hadn’t, “I said that I couldn’t go out because I had to make those changes you suggested.”

In response, Argyle begins to boo you, loudly and the others join in eagerly.

You roll your eyes playfully and bid goodbye to Argyle and the rest of the band when you part ways for the night and you notice that other than yourself, Eddie is the only one missing from the boisterous group but you try not to think too much on it.

Your efforts to push all thoughts of Eddie out of your mind seemed to have the opposite effect and it was like the thoughts themselves were digging their heels in and had found your mind to be a welcoming home.

You had made the song changes you had told Argyle you would and even tried to make some progress on your plethora of unfinished songs. As it turned out, you worked slower when you wrote alone.

You knew that as the remaining tour dates dwindled and the band’s return to LA drew closer, you eventually would have to approach Eddie again to write together. It was indisputable that whatever the two of you produced together was almost always better than what you accomplished alone.

How could you possibly approach him when you could barely look at him without dying of mortification? With Steve, at least, you could get some of the sexual energy out on stage, but with Eddie you didn’t have the same luxury and it stayed bottled up.

All of this, along with Argyle’s words from earlier in the evening made focusing nearly impossible and you gave up on writing all together, deciding to call it a night and head to bed. To your chagrin, the better part of the night was spent tossing and turning trying to evict the thoughts and ideas that had begun to formulate in your mind fueled by a lack of sleep, stress and desperation. And suddenly, you had an idea.

Admittedly, it was not a very good idea. It was actually probably a very bad idea. A ruinous idea even. And yet, you found yourself pulling the covers off yourself and stumbling into a pair of slippers, perplexed by your actions. You wondered, as you blearily shuffled down the identical hotel halls why you weren’t trying to talk yourself out of this idea—one that you were certain was going to change everything. Perhaps you were itching for a new thrill. Or maybe you were as selfish as everyone seemed to believe. Maybe it was the poison that had settled in your heart before you were old enough to know better, insisting that there was no other option for you. Or maybe you were giving yourself far too much credit and you were simply horny.

Whatever the reason, it brought you directly to Eddie Munson’s door.

***

EDDIE: I swear I thought I was dreaming when I saw her there, standing outside my door in this tiny pajama top and even tinier short. They had little cherries on them. I remember thinking they were so cute. Her hair was all a mess. I thought that was cute too.

After probably 5 minutes of us standing there in the doorway, I finally got my brain to work enough to invite her in. She seemed nervous at first. Sort of paced around the room, not saying anything for a while and then—I swear to God—she asks, “Do you want to sleep with me?” out of fucking nowhere. If I hadn’t been there myself, I would’ve never believed it. Hell, even telling you now, part of me thinks I made it up.

My brain short-circuited because I couldn’t even respond. I just stared at her with my jaw on the fucking floor, trying to remember what the signs of a stroke were.

***

“Are you serious?” Eddie spits out, voice hoarse with shock at your overly-direct question.

You nod, wordlessly, trying to ignore the panic that has begun to set in.

“Why?” he presses.

You shrug, which he doesn’t find sufficient because he nods along, trying to draw the reasons from you.

“We both like sex,” you explain, clumsily, “and I find you attractive and I think you find me attractive, too—” he nods feverishly at this—“so why not have some fun?”

You try to say this last part enticingly but aren’t sure you pulled it off until you see a flush play itself across his pretty features.

“Why me? Why not Harrington?”

Even though you had anticipated the question, you can’t help but steel yourself as you respond, “Because we like each other enough for it to be fun but not enough for either of us to get attached.”

You watched, with bated breath as the thoughts played out over Eddie’s features and when you see a flash of what could be hurt you entertain for the briefest moment, the idea that maybe someone could get hurt but the thought is pushed away as a lazy grin begins to spread over his face and a newfound cockiness color his features.

Suddenly, he is much closer, and the space between your two bodies draws thin.

“Now?” he asks.

“Yes, now,” you squeak out as he encroaches in on you, fingertips grazing the bare skin on your hips.

You take a step towards him, moving to stand flush against his hip, invitingly and weave a hand through his unruly bed head curls. You want him to know how much you want this—how much you’ve wanted this. It was inevitable really, there had always been a tension between the two of you. Whether it was the hot friction of dislike , the bold spark of creative partnership or the hot embers of sexual tension, the two of you burned for one another just the same.

He leans in for a kiss when your impatience gets the best of you and you rush to meet him halfway.

He tastes like cigarettes and cherries, a taste you revel in as his lips move languidly over yours. Suddenly, he takes your bottom lip between his teeth and lightly tugs, and a moan tumbles out of you.

“We can’t tell anyone,” you mutter into the kiss and it goes unacknowledged.

The cold of his rings meets your nipples through the thin fabric of your strappy pajama top and your body arches in response.

The kiss is broken you are left gasping for air. Eddie wastes no time in attaching his lips to your neck, his tongue tracing over your collarbone hotly.

The straps of your top are shucked of your shoulders and the fabric bunched down towards your middle and a trail of kisses following in its wake.

Your knees hit the edge of the bed, and the hands in your waist guide you down in a fluid motion.

Your eyes flutter as wet kisses are peppered over your breasts.

“Come on princess, let me hear those pretty noises,” Eddie murmurs into your skin, his hot breath covering you in goosebumps.

A heady moan escapes you, almost on command. It would’ve embarrassed you if you still had the decency to care.

A trail of kisses and suddenly Eddie is thumbing at the waistband of your shorts. You nod fervently when his eyes suddenly trail up to find you, but that’s not enough for him.

“Come on, baby,” he teases, “tell me what you want.”

You throw your head back in frustration and want and Eddie takes this lapse in response to run his hand sloppily over your clothed core.

“So wet,” he murmured, “so pretty.”

You let out a desperate laugh at this and his eyes are back on you, expectantly and any resistant you have dissipates.

“Touch me, please,” you sigh, half plea, half demand.

It’s not a hard sell because your shorts and underwear are gone in a flash and cold rings are pulling your thighs wide open.

You reach out towards Eddie’s curls for purchase, gently tugging him closer to your core, hoping he’d get the message.

A moment of clarity cuts through your haze and suddenly you’re pulling him up by his hair, forcing eye contact.

“No one can know,” you insists.

He’s all half-lidded eyes and dazed smile when he’s looking at you.

Leaning in to grab his jaw in your palm, you pull him close. This is important.

“Eddie, no one can know. Promise me,” you repeat again.

He nods in agreement, even though his expression leads you to believe you could’ve asked anything in that moment and he would’ve readily acquiesced.

“No one can know,” he affirms before hitching your body closer with a harsh tug on your thighs and disappearing in between your legs, mouth latching hotly to where you need him the most.

***

EDDIE: We started sleeping together that night. A no strings attached type thing. We had to keep it a secret. She didn’t want to hurt Harrington’s feelings which I understood. He was a good guy and anyone could tell he was head over heels for her.

And she was just… well, I guess she was just afraid. We were kind of the same in that way. Couldn’t hold onto anything without crushing it into dust.

***

MAY 1st, 1984–STATEN ISLAND, NY—THE UPSIDE DOWN TOUR

Eddie’s hands are curled around your thighs, keeping your body balanced on the flimsy tour bus bathroom sink. His silver rings dig into the soft flesh of your thigh in a way that you are certain will leave bruises in their wake.

You have to be quiet, you know that. Even if the rest of the band had taken a quick pit stop between Philly and New York to explore the Staten Island Zoo and the likelihood of them coming back this early was low, it wasn’t non-existent . This left you stifling your own moans into the back of your hand as Eddie rocked into you languidly and delicious.

Your hand moved to steady itself behind you as he lets go of your left thigh and places the pad of his thumb on the soft flesh of your clit, causing you to forget nearly everything.

He seems to anticipate your next move though, because his mouth is quickly on yours, tongue gliding over your bottom lip and effectively keeping you quiet.

The angle of his hips meeting your core and his nimble fingers worked together to bring you closer to your release.

“I can feel it, baby, you’re close aren’t you?��

You nod feverishly, eyes screwed shut, “Yes, so good Eds. I’m gonna cum,” you manage to squeak out.

“C’mon pretty girl, look at me,” Eddie instructs firmly, but you can tell by the strain in his voice that he’s not too far behind, “wanna see you when you cum.”

You force your eyes open and he rewards you by pressing his unoccupied thumb into your bottom lip which you greedily take into your mouth.

Your release washes over you in a wave and you watch moments later as Eddie finds his own.

The two of you are left panting for a few moments as you try to steady yourselves. Once you find your bearings, you lower yourself from the sink and adjust the sundress that was so carelessly shucked to your hips and Eddie busies himself with disposing of the condom discreetly.

Turning to the bathroom mirror, you make an attempt at taming your haphazard hair and fixing your smudged lipstick before making a move for the door.

“Well, that was nice,” you offer before spilling into the tour bus’s common space.

“Wait,” Eddie cries out as he’s still adjusting his belt, “where are you going?”

You shrug nonchalantly in response but don’t turn around, “Back to the girls’ bus.”

“You don’t want to… you don’t want to stick around maybe? We could do some writing?” Eddie sounds out of breath when he asks but you chalk it up to the sex.

“Better not. It might look suspicious,” you explain as you take the stops down from the bus, two at a time.

“Right, wouldn’t want that,” Eddie squeaks out and you smile back at him, grateful for his understanding.

“See you later, Eds.”

Eddie doesn’t say anything back, but when you look back after having boarded your own bus, he’s still standing on the bottom step, eyes still on you.

***

EDDIE: Let’s get the record straight about something though, I didn’t steal her away from anyone. She is her own person first of all, not some thing to be stolen. And second of all, she came to me first. Not the other way around. And! She and Harrington weren’t even really seeing each other. So, other than the lying, it truthfully wasn’t that bad.

But then again, does the truth even matter? Especially now? After everything?

INTERVIEWER: It does to me and to you too, I think, otherwise you wouldn’t be here.

EDDIE: Has anyone ever told you you’re too smart for your own good?

***

MAY 3rd, 1984–NEW YORK CITY, NY—THE UPSIDE DOWN TOUR

It was easy, really, to keep your fling with Eddie a secret from the rest of the band. Most of them were barely paying attention to what you were doing anyway.

Nancy and Jonathan were once again preoccupied with waiting by the phone to hear from Jonathan’s mother, Joyce. Will’s condition had once again worsen and the two were on high alert.

Robin and Steve were busy sightseeing and pointedly only talking to you when necessary. They weren’t hostile, per se, (or at least, Steve wasn’t) but they also made a point to not invite you to their outing. You want to tell them to be wary of the paps since the city is crawling with them in a matter akin to cockroaches but you know better than to try to tell Robin what to do.

Argyle, for his part, is in his own world.

The two of you were essentially in the clear barring rehearsals, shows and any stray public appearance. Still, you couldn’t help but want to take precautions.

***

EDDIE: She would never sleep over. You know, after. She was too worried about what would happen if Steve or anyone else went looking for her.

It shouldn’t have bothered me as much as it did, she—we had made it very clear that this was a purely physical thing but, well, between you and me kid, I always knew it was never gonna be like that. At least not for me. I was in deep for way longer than I had realized.

***

Long, skilled fingers trace patterns along your naked spine. The movements are comforting, calming, you almost find yourself lulled to sleep. Except you know you shouldn’t—that you can’t.

Your eyes flutter open as you fight against the sleep that sets in. This isn’t your bed, you remind yourself, and you feel that in the brush of the sheets against your naked body that definitively do not feel like the sheets of your bed merely a few doors down. It’s a silly thought, truly, these sheets are probably the exact same as the ones on your bed and more so, you haven’t slept in your bed, a bed that is truly, strictly your own in years . Still, this does not feel quite right.

You will your body to stir, working actively against every nerve that is telling you not to move from the warm, comfortable haven you had found and the warm body next to you but you know better. This is a dance you’re familiar with: they ask you to stay but don’t really mean it and if they do it’s only to squeeze another quick fuck in.

“Why don’t you stay?” Eddie grumbles into your shoulder even though both of you already know the answer.

“What if someone comes looking for me, huh?” A question for a question, “it’ll be hard to explain to Hopper why I’m naked in your bed.”

“Bullshit. You’re one of the only ones Hopper doesn’t have to keep tabs on,” Eddie’s only partially playful in saying this.

“I miss my bed,” you rebut, plainly and the guitarist pouts in response.

“This is like the same bed, dude.”

“ ‘Dude’? You’ve been hanging out with Argyle way too much.”

“Whatever,” Eddie dismisses as his hand travels down along your spine to circle around the rise of your hip to the front of your body to pull you closer against his chest and you squeal.

His skilled fingers travel down to the apex of your legs and two of them swipe through your still-wet heat making you jolt. You’re still sensitive from earlier in the night and Eddie is using that to his advantage as he swipes over your clit.

You moan at the contact and your hips canter forward embarrassingly quickly.

“Don’t want to leave now, do you?” Eddie teases as he moves away from your clit to tease your entrance and you mewl in response. Before you know it a pair of lips are attached to your neck and two fingers are slowly, deliciously rocking in and out of your core. A hand moves up to grip Eddie by the hair as you moan.

“Just like that, please keep going.”

You feel Eddie’s length begin to harden against your back as his pace quickens and his thumb circles your clit bringing you closer to your third orgasm of the night.

“No fair,” you pant, as you feel a tightening in your lower stomach. “You can’t keep me around by giving me orgasms.”

He laughs at this, full-blown guffaws. “There’s no rule against it,” he says as his tongue slides over the shell of your ear. His fingers curl inside you and you gasp at the sudden pressure before succumbing to the feeling. Your release washes over you, unexpectedly and you cry out.

A few seconds reprieve give you a moment to come back to earth. You sigh contently feeling Eddie’s harden length against the swell of you ass.

It would be impolite to leave him hanging.

***

EDDIE: Not that I could complain about our arrangement.

***

You had fallen asleep. Accidentally, of course, but erroneously still. You realize this far too late as the harsh red numbers of the hotel room alarm clock blare at you angrily: 11:52 AM.

You scramble out of bed, covers flung in the process and you make a grab for your clothes that litter the floor. The sudden, frantic movement had inadvertently awoken the man sleeping next to you and you could hear the sleep in his voice as he tried to grasp the situation.

“Woah, woah where’s the fire, princess?”

“It’s nearly noon!” you respond, panic clear in your voice. “I accidentally fell asleep and now it’s almost noon!”

Your mind is overcome with worst case scenarios and conclusions that are easily jumped to as you imagine how this late morning can turn into your downfall.

Eddie tries valiantly to calm you down to no avail. You had done the one thing you said you never would: you stayed the night and now you didn’t know what to do with that other than panic and rush out the door half dressed and fully angered with yourself throwing a paltry goodbye to a very disoriented Eddie over your shoulder as you did so.

You try to fix your hair in the elevator along with your harried breath. Most of the band wake up late into the day, you try to remind yourself, especially after a night out.

It was not unusual to be walking the halls of your hotel room at this time, but you still felt overwhelmingly nervous walking back to your room in a way that you felt obviously gave away that you were coming back from a night of raunchy sex.

Your heart dropped to your stomach as the elevator doors slid open to reveal Steve Harrington waiting outside your door. This is what you were afraid of. Certainly one look at you and he’d know exactly what you were doing and probably with who and that would spell the end of the Downsides, you were sure of it.

You didn’t say anything as you exited the elevator and slowly made your way over, hoping to prolong the moment before everything came crumbling down as much as you could.

A few steps in and you had caught Steve’s attention. When he looked at you though, it wasn’t with anger or disappointment but with nerves.

***

STEVE: My parents moved around a lot after I left home. Indianapolis, Chicago, Phoenix in the winter and Bridgeport in the summer, you know, regular rich folks shit.

It’s not like I could ever go back home but when they heard the band was planning on making the stop they wanted me to visit them and they wanted me to bring my girlfriend to meet them.  I hadn’t wanted to ask then, things were kind of awkward between the two of us, but they kept insisting. It’s like they didn’t believe I could’ve bagged a girl like her and they were willing to call me on it. So, I had no other choice but to ask.

***

You understood where Steve was coming from, truly, your own parents were rich and demanding. Plus, something about seeing your fake boyfriend waiting at your door after a night sleeping with someone else really made you susceptible to his request.

And really, there wasn’t a universe where you would say no to a request from  Steve Harrington, so of course you were going to meet his parents.

***

MAY 6th, 1984–NEW YORK CITY, NY—30 ROCKEFELLER PLAZA

“So I heard you’re meeting the in-laws,” Eddie plops down in the makeup seat next to you

You’re backstage at The Nightly Show with Chris Palmer, getting ready for one of the few media appearances Hopper had managed to schedule during the band’s short stint in the city.

You can tell by the pinching between Eddie’s eyes and the snarl in his tone that he’s not in a good mood. You chock up his demeanor to the same thing that has dampened yours: the upcoming interview.

The lack of media appearances had been a welcomed change during the band’s time on the road and the adjustment back to them have been rocky. You, for one, are on edge at the idea of having to sit down with the smarmy, sexist, Chris Palmer who, on his late night show, had already taken a few swings at you for laughs and the thought of him having the chance to do so to your face, made you sick.

Which was why you barely responded to Eddie’s attempt t goading you and instead, shrug in response, tightly, “I guess.”

His eyes flit over you and his demeanor shift to one approximating concern. “Hey, you doing okay?” He moves closer, but not enough for it to be noticeable to anyone but you.

“Yeah,” you try to smile but it comes out a grimace, “just out of practice I guess.”

“Well, if it’s any consolation, I have an extra copy of Baldwin that I brought on accident if you want a distraction,” the book flashes in your periphery and this time your smile comes out genuine and unprompted.

While you can’t be one hundred percent certain, you’re familiar enough with the guitarist’s ways to know that this was no accident—he brought the book with you in mind.

You make a grab for it but have to keep yourself from leaning in for a hug at the risk of the others’ scrutiny and your makeup artist’s ire. Not knowing how else to communicate your appreciation, you give his shirt a quick—and hopefully discreet—tug.  He seems to catch your drift because his fingers graze yours purposefully as you move your hand away.

The brief touch shoots electricity through you.

“Thanks,” you murmur before watching him jaunt away to his spot between Argyle and Jonathan, both of your moods seemingly lifted, if only for a moment.

You’re grateful for the distraction although it barely keeps your attention and instead end up thumbing through the pages anxiously to the chagrin of your makeup artist who is clearly relieved to pass you onto hair once the final touches of lipstick are applied.

You thank her profusely before moving next door where, to the surprise of exactly no one, you’re sat next to Steve. Or at least you think it’s Steve you’re sat next to given how little you can see through the thick mass of hairspray clouding the air.

“They don’t call me ‘The Hair’ for nothing, right?” He says when you catch his eye through the fumes.

His hair stylists laughs a little too hard for your taste and you can’t help but roll your eyes.

“I thought you hated that nickname,” you say, settling into your chair, ready to play your part as the doting girlfriend.

He shrugs nonchalantly, “there are worst things to be called.”

You scoff in response, your previous concerns regarding tonight’s host bubbling up again, “I am sure there are.”

Steve turns to you fully now, offering a charming apology to his stylist that leaves her a giggling puddle, and you can feel his eyes scanning you in assessment.

He suddenly reaches over to the vanity in front of him, “The vending machine in the hall is totally broke, it gave me four candy bars. Do you want one?”

You look over at the bars in his hand which he has fanned evenly and is waving as if they’re a wad of cash and you grab one out of his reach.

“These are my favorite,” you point out as you smooth a hand over the wrapper, remembering all the times you would raid the vending machines at venues or backstage before an interview for them.

“I know,” he says, impishly.

“Harrington, be straight with me, is the machine really broken or did you get me my favorite candy bar just to butter me up?”

He nods,  self-satisfied, like a little kid happy to be caught doing something that they’ll know they’ll get away with. Your joint hairstylists coo in adoration at your dotting “boyfriend” and you can’t help but roll your eyes affectionately.

“You seem a bit nervous,” he explains, “and candy usually helps.”

You exhale a laugh at this and admit that he’s right, “candy usually does help,” before nibbling on the bar carefully  for the sake of your lipstick.

“So, what’s up?” He asks after a beat, while the hairstylists are preoccupied cleaning their tools, “are you nervous about doing our thing again?”

He says the last part with an overly-dramatic eyebrow waggle and you giggle.

What do you mean?” You ask, avoiding his glance.

He almost rolls his eyes at this but catches himself, knowing better.

“You just seem off, like nervous almost? But not in the usual way you are nervous about interview, but like different. Normally you’re just nervous because you overthink it but now it’s like you’re dreading it.”

You snort at the way he saw right through you.

“It’s stupid but, Chris Palmer has made jokes about me in the past, you know, about my dating history and things like that and I’m not really looking forward to hearing what he has to say tonight,” you explain, bashfully.

“What do you mean? Do you and Chris know each other?”

“No,” you respond, shifting uncomfortably in your seat, “he just is, you know, one of those comedians who pokes fun at celebrities and he loves making fun of women who ‘get around’ or whatever and well, that was my reputation before you… and the band.”

You see realization dawn on Steve’s features, it’s almost like he doesn’t believe anyone could ever be mean to you.  Realization quickly turns to anger.

“And you think he’ll make fun of you tonight in the same way? In front of everyone?”

You shrug at this, “maybe, he’s not exactly known for taking it easy on his guests, but I’m used to it, it’s annoying though.”

Steve shakes his head aggressively at your dismissal and bolts up from his char, “No, I’m going to go talk to Hopper or something, have him tell Palmer’s people he needs to cool it or we won’t perform.”

He’s marching down the hall now, purposeful and quick. You make a beeline after him running ahead to cut him off.

“Woah, hey, Steve, you do not need to do that.” The last thing you want is the band being labeled as difficult to work with this early on.

Standing in front of him with your hands flat on his chest, you suddenly become very aware of all the eyes peaking out of the different green rooms to watch the exchange curiously, band mates and crew alike.

Steve grabs one of your hands lightly in his and gives it a tepid squeeze.

“I’m sorry but I am not sitting up there tonight and listening to anyone say anything bad about you.  That’s just not going to happen, okay? Please trust me, I won’t do anything crazy, I’ll just talk to Hopper and we’ll figure this out. I have your back, remember?”

You study his face as he says this and are caught up in the earnestness etched into every corner of it.

“Okay,” you finally say, softly and back away from his path, “thanks.”

And you watch him go.

***

STEVE: Hopper hadn’t known about the Palmer thing. He wouldn’t have booked us if he did. When I told him, he was pretty peeved and we immediately went to go talk to the stage manager—some smarmy  guy whose name I don’t remember.

Told us essentially, that it was no use, that Palmer wrote his own material fresh before each show.

Well, after that, Hopper and I track down Palmer in his dressing room and, you know, we give him a shake down.  Old school style. Like back when Hopper was on the force. … he did most of the shaking down, don’t get me wrong, I was definitely going to get in there, but he seemed to really enjoy it. Plus I had just gotten my hair done.

***

When Steve reappears in the green room half an hour later, Hopper is trailing him smiling giddily. 

Coming up to your side, Steve wraps an arm around your shoulders and leans into your hair to murmur, “We took care of it.”  The giant grin Hopper is sporting lets you know that they had and you exhale a sigh of relief, curling a hand against his bicep gratefully.

You spring back a few seconds later when you feel Eddie’s heavy gaze from the spot he occupied next to you, eyes boring into all the places your body is touching Steve’s.

You can sense Steve’s confusion at the lost contact but before anything else can be said or done, the stage manager appears to move escort the band to the sound stage saving you from having to navigate the complex social dynamic of interacting with your fake boyfriend who wants to be your real boyfriend and your band rival turned friend-with-benefits. Gratefully, you allow yourself to believe for the first time, that maybe luck would be on your side and tonight wouldn’t be so bad.

***

NANCY: Do I think Chris Palmer had a personal vendetta against her? No, not going into that night, anyway. I think he was just a misogynistic idiot who didn’t know what to do about a talented and beautiful woman who also did whatever she wanted.  His mind couldn’t wrap around that.

That was true for a lot of men back then. And now too.

JONATHAN: It felt like Chris had a personal vendetta against her.

***

The first half of the interview went well enough.

The band was welcomed with great fanfare and everyone filed towards the couches in the center of the stage next to the large mahogany desk Chris sat behind. You and Steve were, of course, together at the forefront and you could hear the collective cooing when he helped you down the platform.

The interview started out mild, questions about the tour and being on the road. Thankfully, Steve took the helm for most of them with the band weighing in throughout.

To your surprise, Chris directs his next question to you and Eddie.

“You two are the newest additions to the band, how has the transition been coming from working as a solo artist and from a band of a whole different genre to the Downsides and what made you want to make the change?”

The question was surprisingly insightful which took you a second to process and come up with an answer that wasn’t “Well, Chris, we were forced to join The Downsides at the risk of our careers ending completely.”

Eddie beats you to it, “The royalty checks are better than they are when you’re in a metal band for one—“ it takes the audience a second to realize this is a joke, but when they do the laugh pays off— “but honestly, I like the stability. What they don’t tell you, kids, is that too much rock and roll can be bad for you.” He says this part directly to the camera with a devilish grin.

“What about you?” Chris turns to you once the laughter subside, “do you miss being a free agent?”

You ignore how pointed that feels and smile in response.

“Not at all, the band has been super welcoming and there’s something really rewarding about working together to make something great happen.”

“Don’t miss your old duet partners at all?” The host needles.

“No, not really. At the risk of sounding cheesy Chris, I think I found my forever duet partner,” you punctuate your response with a pointed smile at Steve.

The audience eats your response  up but you can tell that Chris is not ready to let it go. Luckily for you, a well-timed commercial break saves you from further questioning.

When the cameras start rolling once more though and the segment is reintroduced, Chris flashes you a wolfish smile.

“So, does this mean you’ve settled down a bit more, now that you’re a one-duet partner type of gal?”

The question makes your throat run dry because you know that there’s another, much tricker question behind it.

“No, not at all. It’s nice to be a part of something,” you respond placidly.

Chris barely lets you finish before launching into, “well the press sure does miss writing about you! Did you know that, in the last year, you were one of the most mentioned stars on Subrosa, popping up a total of 65 times only rivaled by one Evelyn Hugo in 1967.”

You don’t really know what to say or where this is going but the feeling of dread in your stomach grows.

“In fact,” he continues, “why don’t we play a game that we cooked up with the help of your Subrosa mentions?”

Games were something Chris did with his guests pretty frequently and they varied in execution but in nature there was always something a bit embarrassing to them and tonight was no exception. But instead of going after the band as a whole, this game was targeted specifically at you .

It was a guessing game, “Simple enough,” Chris touted as his assistants bring out giant blown up headshots of various male celebrities, guess which of the men you had been involved with according to the media and which ones you hadn’t been. The joke of course was that you had been linked to all the men whose pictures had been provided.

The looks of shock on your bandmates’ faces perfectly countered the one of self-satisfaction painted on Chris’s smarmy face.

You felt Steve stiffen beside you, leg twitching as if he was getting ready to stand up and leave. Or punch Chris. Before he can, you place a stabilizing leg on his thigh and giving a squeeze. You didn’t want this to diverge into a fight and you refuse to let this vile man make a fool of you on live television.

“Well, this won’t do,” you smirk at Chris. “You only have half of my list out here, Chris! You’re missing quite a few other fellas. I thought you wanted to make this difficult.”

“Oh?” The host is clearly not expecting your response but has no choice to lean in since you clearly have the audience’s attention, “and who could we possibly be missing?”

“The crown prince of Monaco, for starters,” you respond, evenly, “and the entire Harlem Globetrotters ‘83 starting lineup—“ the crowd guffaws at your clear exaggeration, “—and most importantly, this guy,” you reach over to grab Steve’s chin and affectionately squeeze his face. At this, laughter turns into applause and from where you are sitting on the shared couch, you see Chris’s jaw tighten.

“Is there anyone who’s hasn’t made the list?” he cries, trying to turn the joke back on you.

“You, for starters,” you respond playfully, and then add before he can say anything, “but who knows? Maybe this band thing doesn’t work out and in a few years time I’ll become washed up and lower my standards and you and I can give it a shot.”

Before Chris can retort, Steve cuts in with an over-exaggerated, faux-jealous, “what about me?”  That kicks off a jokey bit of banter between the three of you that takes the show all the way up to comercial.

***

NANCY: There was a second part to the game.   

ROBIN: Yeah, that second thing was just mean. It was essentially the same premise as the first guessing game but instead of guessing different men she had been associated with, it was different nicknames she had been given by the media. They were not very nice names either, “Siren of the Strip”, “Heartbreak of Hollywood”, “Pop Music’s Maneater”, you get the gist.

Of course, like with the last “game” the joke was that it had been all is them.

***

The names had been a surprise.  You didn’t know how to react and neither did your bandmates although you’re pretty sure you can feel the heat from Eddie’s glare from the other end of the set.

Still, you kept your cool and  immediately admitted that all of them seemed familiar and instead turned the conversation into criticisms of each of the names, which was gaining too many laughs for Chris to try to stop it.

“See this one I don’t like at all,” you say, pointing to Malibu Minx that had been professionally printed on a giant poster board in newspaper font.

“Whys that?” The host asked wolfishly.

“Malibu Minx? Are you serious? Anyone with half a brain knows I’m from the Hills, not Malibu. Honestly, it’s a little insulting.”

“Come on, they can’t be that different,” Chris still plays along, even though your comment did not go where he wanted it to.

“Not at all! The Hills is where all the directors and actors live, Malibu is where divorced dads take their kids during their monthly weekend visits. It’s like, here on the east coast… well, I can’t think of an East Coast equivalent. Chris, help me out, where do you take your kids during your monthly visits?”

***

ROBIN: You should’ve seen his face when she said that.

NANCY: His first divorce had just gone public a few weeks prior. Guess it was still a sore spot. Not that he didn’t deserve it, he did, but he wasn’t used to his guests fighting back like that. The rest of the show was… tense and then after the show ended Palmer lost his cool.

STEVE: Honestly, I wanted to punch the guy since he brought out his stupid  little games, but I was willing to leave things as they were that night, especially after she had put Palmer in his place, but we get backstage after the show and he starts yelling at her about having “embarrassed” him or something like he hadn’t essentially called her a bunch of names on live tv. Before any of us could even do anything though, Hopper had him pinned against the wall, saying stuff like “I thought we had come to an agreement about the jokes, Palmer.”

He gave him a good shake down, you know how intimidating Hopper can be. Plus Chris looked like he had never been in a fight in his life so he was shaking in his boots immediately. Security had to come to get Hopper off of him and we were all thrown out after that.

ROBIN: Yeah, we were never asked back after that not that we would’ve gone back.It was a shame for him, really, that 1984 episode of The Nightly Show with Chris Palmer was one of the most viewed episodes in the ten years he was on the air.

***

You return to your hotel room in the early hours of the morning, after having gone for celebratory drinks with Hopper and the rest of the band.  Everyone had been thoroughly impressed with the way you had held your own against Chris and even previously-icy Robin seemed impressed and warmed by you.

You hadn’t had much of an opportunity to talk to Eddie throughout the night, something about the undecipherable expression he wore most of the night had left you curious and you couldn’t help but wonder if maybe hearing your entire history splayed out like that in front of him and the rest of the world had soured you and he no longer wants anything to do with you.

As you’re getting ready for bed, the ringing coming from the hotel phone jolts you.

“Hello?” You breathe out, harried and confused into the handset.

“Hey, I didn’t wake you did I?” Eddie’s concerned question statics over the line.

“No,” you respond, relief coloring your tone, “What’s going on?”

“Nothing, really, I was just thinking how hot it was when you told that dickbag off and I was wondering if you’d be up to me showing you that.”

“Showing me what, exactly?”

“Showing you how hot I think you are. If you’re up for it, of course?”

25 minutes later, with Eddie’s face buried messily in your pussy you’re near inching closer to release when you hear him muttering into the soft skin of your thigh while two of his skilled fingers begin pumping in an out of your tight heat.

“You know, if I didn’t know better, seeing you all hot and desperate to come on my fingers like this would make me think you are a minx.”

Hearing him call you that so low and growly, left you burning all over and you keen into his hands. Knowing his words had the intended effect, Eddie smirks into your thigh and speeds up his fingers.

“Only for you,” you respond once you can find your voice again.

Eddie give a low moan at this and in an instant he clamors up onto the bed and moves to replace his fingers with his dick.

“Say that again,” he challenges as he swipes his tip through your folds and you cry out.

“I’m a minx for you,” you nod along to what you’re saying, hoping that it makes him more eager to stop teasing and finally push inside you.

He does exactly as you hoped and pushes his hips into you hungrily, setting a punishing pace, “Only for me right?”

You nod along, fucked out and on the verge of coming agian, “Yes, only for you, Eddie.”

You don’t make it back to your hotel room that night either.

***

MAY 11TH, 1984–BRIDGEPORT, CT—THE UPSIDE DOWN TOUR

“Are you sure the’d still want to meet me?” You ask Steve one evening, brushing your hair standing in the doorway of the door that separated your hotel room from his.

“Yeah, of course! Why do you keep asking that? Wait… do you not want to meet them anymore? It’s okay if you don’t,” Steve is already trying to hide his disappointment.

“No,” you rush to correct as you follow the sound of his voice to the bathroom, “it’s not that at all it’s just that, well with all the Minx stuff in the news, I worry that maybe they won’t think I’m worthy of the Harrington brood or whatever.”

You’re of course referring to the drama that had followed the band’s appearance on the Chris Palmer show where Chris had given an interview to Subrosa after you had affectively embarrassed him on his own show calling the band talentless and you worthy of every bad name that the press could call you and more.

In response to the interview—and partially inspired by your encounter with Eddie following the interview— you had gotten the word ‘Minx’ embroidered on the back of your favorite suede jacket which you made sure to wear to all of your subsequent interviews and media appearances for the rest of the band’s time in New York.

“First of all,” Steve begins,  rubbing shaving cream over his chin “neither of my parents would ever dream of reading a gossip magazine and even if they did, they hate Chris Palmer, always said he was too ‘blue’ whatever that means. Plus, historically, dinners with my parents haven’t been the most enjoyable affairs, so having you there would really mean a lot to me.”

You smile understandingly at him through the mirror and suddenly the whole domesticity of it all strikes you. In another life, the two of you could’ve simply been a couple discussing meeting one another’s parents in the bathroom of a shitty apartment the two of you shared.

The fantasy is interrupted abruptly by a bright cacophony of knocks at your door.

“That must be Eddie,” you explained,  “he’s coming over to write.”

(He really was.)

With all the fucking the two of you had been doing, writing music had fallen to the wayside and as the end of the tour was insight and Murray’s quota of songs still not met, which meant you had to get writing.

You scramble over to your door and let Eddie in. He almost leans in for a kiss but catches himself when he notices the open door leading into Steve’s room where he is very much watching the interaction with prying eyes.

The two nod at each other in greeting. You linger in the middle between either sides the awkwardness tangible in the air. You look at Eddie’s urging eyes and then flash back to Steve whose puppy dog gaze and newly received information about his parents make you do something that is surprising even to yourself.

“Do you want to help us write, Steve?”

The situation is awkward at first, especially with the glares Eddie seems to shoot you and Steve’s shy insistence that he’s no good at writing music but eventually, after two bottles of wine, the tension subsides, at least a little.

Eddie and you had presented Steve with a few songs that were very close to done but just needed a bit more work on the melody hoping that maybe he had suggestions.

He scans over a song that Eddie had primarily written, “Wild Ride”. Steve had an idea for a rhythm that could match the song and before long, he and Eddie were fully invested, both of them bent over their guitars trying out the rhythm and shooting notes at each other. Arrangement  was definitely not your strong suit, however, you were more than happy to watch the two guitarists work

Steve was fascinatingly somber when it came to writing. He would play the notes over and over again until he found what came next, treating the whole thing like a puzzle that needed to be solved and running his hands through his hair when he was particularly stuck on something. His eyes would close while he was thinking, his lashes fluttering on his cheeks and then blinking open prettily when he had finally thought of a solution.

Eddie was much less delicate and would play around with notes, sometimes scrapping what he had all together and starting new. He tucked a pen behind his ear and was constantly scribbling and crossing out. When he focused on playing, his tongue would stick out from the corner of his mouth a bit.

They worked well together, never talked over each other, and were always willing to listen to what the other had come up with. As Eddie would write notes down in his notebook, Steve would lean in really close, so they were almost cheek to cheek looking down at the paper together. It almost seemed like they’d forgotten you were there and you were too busy refining some lackluster choruses to notice.

Eventually, they hit a wall in their writing and more drinks were ordered through room service, and soon the three of you are sprawled across your bed, drinking French 75s and watching a late night marathon of “Night Court”.

“Hey Harrington, you excited to see your folks soon?” Eddie asks during a comercial break.

You turn to look and see Steve grimace at the question. You know Eddie means well in asking, but the question ruffles Steve nonetheless.

“Not really. We were never really close on account of them sending me away to boarding school when I was eleven and then when we were together my dad’s favorite pastime was criticizing me and my mom’s was drinking,” Steve says, finally, “seeing them once a year is probably the most I can stand, honestly.”

A beat of silence settles over the group before Eddie finally speaks.

“Sorry to hear that man. If it makes you feel better, my folks weren’t exactly parents of the year either,” Eddie responds.

“That sucks, I’m sorry.”

“Don’t worry about it, my uncle took me in. He’s a great guy. What about you, Princess? Were your parents the perfect image of love and support?”

You scoff. “Barely. I went back to their house right before the tour started, to get some of my things, and they thought I was breaking in and called the cops.”

“Well,” Eddie bristles, “looks like being a terrible parent can happen across all tax brackets, huh?”

“Yeah, we kinda got fucked over, a bit,” you say and the other two murmur in agreement.

The three of you stay silent for a bit, processing what had been shared and how to possibly move past such a heavy topic.

It’s Steve who finally breaks the silence, “Do you guys think Dan and Christine will ever get together?”

“Oh, yeah.” “Definitely.”

***

“This restaurant is obscenely nice,” you shift uncomfortable in your chair, taking in the surrounds and the unfamiliar unease of being somewhere where you felt out of place. Of course, you had grown up in fine dining establishments in California, but East Coast wealth seemed like a different beast entirely.

“Yeah, tell me about it,” Robin huffs next to you, “but what else can you expect from Stan and Carolyn? They’re obsessed with letting everyone know how rich they are.”

She of course, had the advantage of knowing Steve’s parents after over a decade of friendship and it made sense that Steve, wanting as much of a buffer between himself and his parents during this dinner, had invited her along as well. So far, she had only been a little hostile towards you which was a personal victory.

The two of you spot Steve entering the restaurant at the same time along with two middle-aged companions that, based off resemblance alone, you knew were his parents.

Steve’s father had the same starkly defined chin and nose as his son, but none his face didn’t turn up into a natural smile like his son. He stood stately and stern, eyes surveying the room with little interest. His wife, Steve’s mother, was made up of refined, delicate features offset by the bright eyes that were clearly passed on to her son. Her entire outfit was meticulously perfect in a way that almost seemed artificial.

Steve introduces you with fanfare and pride that you don’t consider yourself worthy of but you smile along anyway and graciously shake Mr. Harrington’s hand and exchange dotted cheek kisses with Mrs. Harrington.

You exchange niceties and think to yourself maybe they won’t be so bad.

“Stan, Carolyn, it’s so nice to see you again,” Robin grits out through a tight smile.

Carolyn pats her on the shoulder in response and says,, “Please dear, call us Mr. and Mrs. Harrington. We’re out in public after all.”

***

ROBIN: Yeah, Carolyn and Stan hated me. It was like they could smell the gay on me. Or the poor. From the moment Steve had invited me over to spend spring break with them in the Hamptons they did not like me. They despised the idea of their son’s best friend being some scholarship kid whose parents were public school teachers. However bad they were to me though, they were far worse to Steve, which is why I ever even bothered going to these lunches. I didn’t want him to have to suffer through them alone.

***

“Sorry we’re late,” Mr. Harrington drawls as the three of them take their seats at the table, “our idiotic son forgot to bring cash for the valet.” His statement is punctuated by a mirthless laugh and you can tell by the matching expressions on Steve and Robin’s faces and the way Mrs. Harrington makes a grab for the bottle of wine on the table that this level of disparagement is normal for the Harrington household. You remember the comment Steve had made a few nights ago about his father’s favorite pastime

“Don’t worry,” you respond with a smooth smile, “we’re so used to having drivers back in LA—“ a lie “—I can see why Steve forgot about valet. Although, I’m sure you both know what that’s like.”

Mr. Harrington stalled. Everyone at the table—including you—knew that the Harringtons were nowhere near wealthy enough to afford personal drivers but if there was one thing insecure men, like Stan Harrington would never do is admit that they couldn’t afford something.

You were familiar with these types of ego games from your youth, although you took no pleasure in them.

Your youth was spent tucked into your mothers skirts during luncheons and tea and fashion fittings, listening as the women would eviscerate each other with laser-edge precision. If there was anything your mother had taught you was how to sow the seeds of insecurity in someone and although it did not come naturally, you could make an exception for Stan Harrington.

***

ROBIN: It was easy to forget most of the time that she came from money but damn, the way she handled Stan that night made me think that some politician was missing out on having her as their cutthroat third wife. It was like watching an artist paint or someone do sleight of hand magic. He would say something mean about Steve and she would just turn it right back around on him but she would be smiling and batting her eyes the entire time. Even with that though, it wasn’t an easy lunch to get through.

***

“It’s so nice that Stevie was able to make something of himself through his little music,” Carolyn fawns. She means well, for the most part, but the four glasses of wine she’s downed during the last twenty minutes makes her words come out just a tad but demeaning.

Her husband sneers in response, “You say that now, Carolyn, but soon he’ll be back here asking for a spot in the firm.”

“Hopefully not too soon,” you giggle in response running a hand alongside Steve’s arm, “the studio wants us recording our second album as soon as we get back and then we’ll be touring again and we’ll need him for that.”

“But darling, you can’t possibly expect to do that for the rest of your life,” Mrs. Harrington sighs, “eventually the two of you will want to settle down and have children, live a normal life.”

“Well, yeah Mom, but that’ll be a long time down the road—“

“Making music is our life, we don’t want to ever stop—“

You and Steve halt your explanation once you realize what the other is saying. The two of you exchange blank, confused looks and it’s not until Robin says, “I’m sure that they’ll decide what their next move is when the time comes. We still have plenty of time.” That the two of you jolt back into the conversation.

“Right,” you add, “plus with the royalties deal we just secured on this new album, we will be pretty stable financially.”

The rest of the lunch is spent fielding Mr. Harrington’s questions about financials and Mrs. Harrington’s questions about grandchildren. It’s exhausting but the three of you come out mostly unscathed.

The five of you part ways outside of the restaurant, and not a moment too soon. The wave of relief that washes over the three of you once the Harringtons have been sent on their way in a taxi is palpable.

You and Robin offer to buy Steve a drink for having survived the lunch and Steve offers to buy the two of you a drink as a thank you for playing roles in that. Soon, one drink each turns into multiple rounds of drinks spent recounting all the agonizing points of the lunch.

This leaves the three of you stumbling into your hotel in the early hours of the evening, completely and utterly drunk. You ride the elevator together, a mess of laughter and then bid goodbye to one another in front of Robin’s door. She’s ready to sleep off the drinking and you do not blame her.

This leaves you and Steve to stumble back to your joint rooms together.

“You know, seeing you today having dinner with my parents and my best friend almost made the whole thing feel real,” Steve says lowly, standing in your doorway.

“Steve don’t,” you plea softly.

“I just don’t get it,” he cries in response, “we would be so good together. We are good together: we have so much in common and we just make sense, everyone thinks so except for you. Just… tell me why wouldn’t you give us a shot?”

You’re in your room now, perched on the edge of the bed , teary eyes focused on everything in the room other than the man who stands in front of you.

“Steve that’s not fair. It’s just never going to work, why can’t you accept that?”

“Because I’m in love with you,” Steve blurts out, “and I know I may not be your first choice, but if you give me a chance I will prove that I’m good enough—“

“Steve, stop please don’t say that, you’re plenty good enough for anyone,” you stand now, to face him.

“Just not you,” he says devastated.

“No, listen, it’s not like that. I just, I don’t know if I can be with someone in the way that you want me to, okay? You want someone to eventually settle down with and I’m not that girl. I’m the fucking Minx for God’s sake not someone’s future wife. In another life maybe, we could’ve made each other very happy, who knows? But in this one, I can’t be what you want.”

The two of you stand there in silence for what feels like an eternity. Finally, Steve moves, walking past you to sit in your vanity chair.

“Is there someone else you have feelings for?” He asks, timidly.

“No, no,” you insist. “I told you, I don’t do that.”

He laughs mirthlessly in response, “I think you’re wrong about that. I think you’ll find someone, maybe not now or in a year or in five years, but eventually you will find someone and they will make you want to try and you will love them and I will have to watch you fall in love with them and we will both realize I was just not worth it.”

PLAY NEXT TRACK🎤

Taglist: @rexorangecouny , @persophonekarter @mystargirl-interlude @brinleighsstuff @thegaysaretired @nothing2-see @harrysvirgogf @Prior-antidote @stardustofyesterday @buckleyverse

[somewhereincairparavel]

whenever someone says that jason would have followed his father's footsteps if he hadn't ended in camp half blood i cringed because i don't think there is enough evidence for that statement. it was implied that jason and reyna might have had something and when reyna saw venus and she told her "lol no" she changed around him which is not his fault. and we don't know much more about his relationship with other people around camp. jason himself said that he viewed her as a friend but we also know that he never fully got his memories back so we cannot fully confirm that at one point (during their flirting?? stage) he didn't have feelings for her. also jason was fourteen or barely fifteen when that was happening so the judgment feels pretty heavy for two kids.

Very true! The thing about the whole Jason and Reyna thing is that it's just mostly speculation. Also, Reyna made plenty of mistakes in the situation too (rightfully so because the are both teens with no experience) so I don't get why people only pin the blame on Jason saying that he "led" her on and that it was wrong of him to move on with Piper.

Because if you put it that way, Reyna was also very quick to develop a crush on Percy just a few days within his arrival at camp. And I've seen no one say that it's a bad thing?? Double standards much? If people are gonna blame jason for developing feelings for Piper then they should also fairly blame Reyna for developing feelings for Percy aswell. But oh no it's only Jason who's the insensitive jerk :/ people need to stop victimizing Reyna so much and gloss over her mistakes to dig reasons to hate on jason in this situation it's not even that deep.

Also, Jason is mostly nice to people, so there is a possibility that Reyna might have miscalculated his behaviour towards her as "romantic". There's no telling at all really. Both Reyna and jason had major communication issues and so much misunderstandings. Also, Reyna avoiding and ignoring jason in Hoo always gave me the ick tbh, I get that it's awkward for her and stuff, but flat out refusing to acknowledge him in BOO (when she was addressing only Piper when jason was standing right next to her) was super petty imo. Instead of talking to jason about it, she avoided her problem instead, which only caused heartache on both sides because jason died before they could even share a single word with one another. I just know Reyna felt super guilty about that in his funeral :(

And as much as I love their friendship, I also doubt if they were all that close tbh because they kept quite some secrets from eachother. Jason was only a praetor for a month (?) I think. Reyna never told jason about hylla or the Venus situation, and Jason didn't tell Reyna about Thalia. Sure, this might be a stretch on their "closeness" with one another, but a part of me feels like they only saw eachother as close co-workers since they hesitated to tell eachother many things and then proceeded to have communication issues with one another. If they were really "best friends" they wouldn't have had so much trouble trying to reconcile.

[theylooklikehumanbeings]

"All you have to worry about is some stupid tape" Tommy Lee x reader x slight! Pamela Anderson (Part 2)

MDNI! warnings for: angst, heartbreak, past abusive boyfriends, Tommy is mean still lol, mentions of forced and regular miscarriages, mentions of Self harm!! please stay safe guys.

Summary: Y/N is filling in as a backup singer for Motley Crue on their upcoming album. Tommy Lee has been pissed lately because their new album isnt going well and on top of that his sex tape with Pamela Anderson has been leaked. Y/N meanwhile is living with an abusive boyfriend so getting this gig with Motley Crue would be able to help them out of their home. However, what happens when homelife is meeting studio life..?

Part one

"Is Tommy here?"

You hadn't even noticed you had been staring at her for so long. It was like she was Americas dream model. Long blonde flowing hair, a nice body, perfect face... You were so lost in your thoughts you hadn't known she was waving a hand in front of your face. "Hello?" You blinked a few times. "uh, yeah... sorry..." you cleared your throat "yeah, hes in the studio..". She let out a relieved sigh "oh thank god, he practically ran out of the house this morning in a bad mood... I'm sorry.. what was your name? I don't think we've met before..." She smiled at you. Smiled. A god send of a smile. One your mother would probably give to you if you handed her a bad drawing and she wanted to make you feel like you were the best artist in the world. God... you didn't deserve someone to smile at you like that... "I'm Y/N.. I'm filling in as a backup singer" you explained to her and held out your hand. She immediately took it and you could feel her long acrylic nails touching your skin as she shook your hand.

"youre a singer? I've always dreamed of being one... I'm Pamela.." She said still smiling at you and introducing herself. 'Well... theres a reason I'm the backup..' you thought to yourself. "yeah I guess so..." you let go of her hand wishing for a slight second you could hold it longer. "I just got lucky I guess..." you said your voice sounding unsure of yourself. Pamelas face seemed to scrunch like she noticed but she didn't say anything. "Well... I better go find Tommy I need to talk to him... it was so nice to meet you though..." she said again smiling at you the sweetest smile. You reluctantly smiled back at her. "It was nice to meet you to..." you said waving as she walked inside. You couldn't help but stare as she walked away. You didn't even know what to think... She was so kind, sweet, pretty... everything you wished you could be...

After awhile of thinking and drowning in your own problems you walked back inside of the studio. You walked to the door but stopped. You noticed in the corner of the studio Tommy and Pamela talking in hushed voices. One part of you told yourself you shouldn't get into their business... The other half was too curious... Carefully, you snuck over and leaned against the wall. Far enough you could hear but far enough back they wouldn't see you. You listened in carefully to what they were talking about.

"Tommy. I can't keep doing this with you... you can't get so pissed youre running off and not telling me where you are going... I'm upset about the tape just as much as you are..."

"Not everything is about that fucking tape, okay? I've got more issues than the tape"

"I know baby but-"

"Listen baby... I need you to stop stressing so much.... this isn't good for you... our baby-"

You decided not to listen after that. It brought back memories... terrible, terrible memories.. You walked into the studio lookign at both Mick and Nikki "I have to go I'm sorry..." Nikki looked at you "hold on, if we just wait for vince a little longer-" You held your hand up "I'm sorry Nikki I need to go... I'll be back on Tuesday..." you said before turning. You felt tears burning in the corners of your eyes as you quickly grabbed your bag. As you walked out you turned to see Pamela and Tommy hugging and caressing each other. Tears ran down your cheeks as you made your way out of there. Life is unfair...

1992

You stared down at the pregancy test with shaking hands... No, No this cannot be happening. You couldn't be pregant.. you were not ready... and most definitely not with him... You held your head as you began to cry. How could this have happened...? How were you supposed to tell him..? Was the baby supposed to grow up in this awful apartment with a horrible father like him...? You stared down at the tiled floor in comtemplation. You couldn't give birth... not now... not ever... You got up shaking still. You walked over to the counter and stared at the whiskey bottle before you....

You stared at the road ahead of you. Dried tears were on your cheeks. Thoughts spiraled throguh your mind. You shouldn't even feel jealous... You shouldn't feel jealous of Pam and Tommy... yet you were. You were jealous they had each other. You were jealous they seemed to have the perfect life. The only thing they were worried about was a stupid fucking tape... You wiped the tears from your eyes as you made it home. Luckily, your boyfriend wasn't home from his job. You made your way inside and closed the door behind you.

You went into the bedroom you unfortanely had to share and got dressed into pajamas. Afterward, you made your way over the couch and laid across it turning it on. Luckily, MTV was on showing off the latest Nu Metal bands that were rising to fame. You were realizing why Tommy was upset. All the bands that started in the 80s were becoming irrelevant to the public. No longer were segments about Motley Crue, Guns n roses, Bon Jovi, etc. They want to report the newest thing. You frowned a bit feeling rather bad.

About an hour or two had passed as you sat there and watched the tv before you heard the landline ring. You looked up intrested. Usually, it was someone calling for your boyfriend. You went over and picked up the phone "Hello, Y/N speaking... If your looking for..." A voice cut you off "Hey, Y/N" You were shocked to hear who was on the other side "Tommy?" you asked recognizing his voice almost instantly. You heard a chuckle over the phone.

"Yeah its me... I just wanted to say I'm sorry... I'm sorry for how I was acting at the studio today... I can tell I upset you..." You stared down at the ground below you. You were both a little shocked Tommy out of all people would call you but more so that he was apologizing. "Oh uh... its alright really... It wasn't really you I'm just... going through some things..." you said trying to play it off and hoping he wasn't going to ask anymore questions on the matter. "Well, I still want to apologize, and to ask if you wanted to come with Pam and I to dinner..." You blinked for a second. Was Tommy Lee asking you to dinner? You were speechless for a moment. "Uh, well um... sure! where?" you asked curiously. "Theres a really nice place downtown I'll give you the address... Pamela would love to see you again..." Those words stuck in your brain. Pamela wanted to see you?

As he told you the address you wrote it down on a sticky note and stuck it in your pocket "okay... okay great, I'll be there!" You said as a genuine smile was on your face. It had been awhile since one of those appeared. Tommy chuckled over the phone "Great we will see you tomorrow" With that the phone hung up. You stared at the ground for awhile. You were in awe. Pamela and Tommy just invited you to dinner. You felt like you wanted to pinch yourself to make sure you weren't dreaming.

Now another problem was approaching. What were you going to wear? sure, you had some mediocre dresses in your closet. But, you were sure they were going to take you somewhere so fancy you could only dream of it being real. You walked into the bedroom and looked in the closet for awhile. After awhile of searching, in the back was a beautiful black dress with a long black lace train. It was your prom dress from a few years back. It would still fit right? To your surprise it did. You stared at yourself in the mirror admiring the dress for awhile. It was so pretty. You remember saving up all your money from whatever job you were working at in high school to buy it. You smiled again seeing yourself however your gaze went down to your arms..

(Masc version skip if you don't wanna read:) You walked to the closet and looked around. You hadn't worn anything very nice in awhile. Knowing, Pam and Tommy however you knew they were probably going to take you to the fanciest resturant you could only dream of going to. After searching for awhile, you reached in the back and found a old suit. It was your suit for prom. You had completely forgot it was in there. It would still fit right? To your surprise, it did. You looked at yourself in the mirror testing out the shirt and the tux. It looked really nice on you. You smiled again seeing yourself in the mirror however, your eyes glanced down and noticed the sleeves of the tux rising up. It exposed your wrist...

Across your arms were gashes and cuts. Some healed, some still fresh. You swallowed and covered on of your wrists. Hopefully tomorrow Pam and Tommy won't notice.

A/N: thank you so much for the support on the first part! I'm sorry this is a bit delayed I was in the hospital with kidney stones. I'm so excited to continue writing for this series though!! with love, mwah mwah mwah