#i've been writing other stuff too but it is

[mxrcielaguito]

Oh boi, I've been wanting to write Elliott x Farmer for a while so here we go:

Based off one of the comments of the original post

"I would suggest we make time for a little 'rendezvous' in my old cabin... But I'm afraid it's become rather... Musty... In my absence" Elliott says. I'd like to think he's being playful but I can't really tell. His words are mischievous but his eyes seem melancholic. I mean, well, he writes angsty stuff all the time, why would this be any different, he loves feeling melancholic. He's an overemotional drama queen, and that's pretty much why I fell for him in the first place. But something's off today.

I look at him, up and down. Wouldn't be the first time we escape a social gathering and make time for ourselves. I work relentlessly. He writes relentlessly. Our kids mess around the house relentlessly, too.

"Why not?" I suggest. "It's not like anyone's paying attention."

His green eyes widen, his face blushes for just an instant and I recognize his look. He bites his lower lip, grabs my arm and pulls me into the cabin so quickly I can't even react. As soon as I step into the cabin I understand what he meant by "musty". The air feels heavy, humid, and the wood is starting to decay. His old piano is still there; withering away.

He locks the door behind us and I can already feel his heavy breath. I can't help but find it cute. It's been three years and he still gets all hot and bothered. He's turning his back on me, his hand still on the door knob.

"Elliott? Are you all right?" I ask.

"I have really neglected this place, haven't I..." He murmurs. "It's- it's not romantic at all, I-..."

"Love, it's okay, I don't mind" I try to reassure him, rubbing his back. Something's wrong but I'm not can't put my finger on it. "It's been quite some time since the last time you came here, huh."

Elliott laughs nervously and forces himself to let go of the door knob. He turns around and looks at his cabin, his eyes scanning every corner.

"I really used to live like this, didn't I?"

"I didn't know this place brought you bad memories", I say, my voice soft, almost a whisper. I know we don't talk much; my words are usually rather scarce, I can't remember the last time we sat and spoke to each other. I'd rather listen, but Elliott doesn't speak too much, either.

He runs a hand through his copper hair.

"Once upon a time, there lived a man by the sea..." Elliott speaks quietly, absently. "He dreamed of fame and greatness; he dreamed of people remembering his name. However, that day never came, and his little cabin by the sea, he let it rot away."

I frown, trying to make a meaning off of this.

"My father bought this cabin a long time ago, we used to have our vacation here, when I was a kid. With time I guess we all forgot about it, then I remembered it when he kicked me out."

My eyes widen.

"He... Kicked you out? Why am I learning about this just now?!"

"Well, he wasn't happy when I said I wasn't pursuing a career in the family business." Elliott runs his hand through the dusty desk, then fidgets around with an old inkwell. The ink has been dry for a very long time. "I didn't have much money. I was running out when I met you."

"That part, I remember, yeah", I reply.

"It's not that this cabin holds bad memories, as you said. It just a reminder of almost everything that hasn't worked out in my life. All the scrapped manuscripts. All the arguing with my father. All the times I stayed up late, trying to come up with the perfect plot, the perfect words, the perfect... Everything" he closes his eyes and sighs. I look at him and take his hand in mine. I love it: it's so soft. "And then, one day, you showed up and took care of that old farm nobody cared about. And you took care of me..."

He leans his head over mine. His hair tickles my nose, and it smells like pomegranate shampoo.

"I can take care of this place, too" I suggest, trying to cheer him up. "Just like I did with the farm."

"No, no. This place is mine to bear, not yours. However I would like to take your example and make this old place something worth the effort. Something out kids will be happy inheriting."

I look up at him and smile.

"Yeah? You wanna do that?"

Elliott smiles and nods. I feel his hand make its way through my eternally sore back to my waist. I rest my hand on his, fidgeting with his wedding ring.

"It's not that musty", I tease, after a very long silence. "The bed's still in good shape."

When you're just trying to make some goddamn soup but Elliott wants to have sex in his mouldy ass cabin.

[celestie0]

hi my friends! hope you're all doing well. just wanted to come on here and share a little updates w you guys (if you're still here lol)

i guess it's been like a month n a half since i formally went on hiatus, and it's been nice! i got kinda sick for a little bit lmfaooo which was tough to manage w school, but i'm better now

although i took time away from my blog, i still delved in writing here n there. i haven't written anything for kickoff since tbh i'm in such a slump w it. but i still have big plans for stuff that happens after ch13, so hopefully i can just push through this next chapter and get to a better place. thanks so much to anyone that is still interested in the story, it means a lot to me. i know i'm so slow w updates and the story has been going on for almost a year now, but the continued support is so sweet! even though i didn't work on writing it these past one n a half months, i still really love it and plan to finish it.

i'm not sure if many people remember that i had this sort of "apocalypse" gojo x reader au about an asteroid being set to hit the earth in three days, and reader n gojo are ex lovers n the impending end of the world makes them break no-contact...yeah i finished writing the first chapter for it and i really love it so far! it's like set in new york which is really fun haha i love stories where new york is kind of its own "character" if that makes sense...it will definitely be a limited series w only 4 chapters or so, but i kinda wanna finish all 4 chapters before i start posting it bc i don't want it to be a drawn out series in terms of posting since i think it'd be best enjoyed in frequent succession if that makes sense

as for ihm, i think i wrote the most for ihm during my hiatus. i finished three chapters for it, but they are shorter chapters (around 3-4k words). i kinda realized one of my biggest reasons for burnout w my fics were the reaaaaallly long chapters...like didn't i have a 22k chapter for kickoff or sumn lol. idk i can't remember. but anyways, yeah the mindset behind the longer chapters was bc i liked each chapter to kinda have its own conflict, build up, tension then resolution in a sense. but it was exhausting to write that way tbh lol. so i think moving forward, for ihm, i will have shorter chapters. i just don't wanna think to much about things anymore, and write from my heart, bc i have a lot of things planned for ihm, and among the criticism i've received for my writing choices vs my own vision for the story, i've realized during my hiatus that the only way i can finish ihm, or any of my storeis for that matter, is if i just.........stop giving a fuck about it. lol idk if that sounds strange to say, but like, i don't want to over-edit anything. i don't want to think too much about redundancy. i don't want to flower things up or cut stuff out. i'm at the point where imma just write a first draft, check for grammarly errors, and then post it. i guess the reason i'm sharing this is because idk if this means that people may enjoy my writing less since i will admittedly be spending much less time on it than i did before, but tbh i realized i find the most joy while i'm writing, and not while i'm editing. so i want to spend as little time on the latter as possible, and if that changes the quality of my work, then so be it.

anyways, hmm as for hiatus. i guess i'm off hiatus now? i really enjoyed being off of tumblr tbh this app has a lot of questionable content at times (esp in jjk community) and it also did wonders for my studying bc i wasn't spending time doomscrolling or shit posting anymore lmfaooo. but as for writing in particular, i think i will start to post ihm again exclusively. i can't say anything about kickoff or my other projects, but i feel comfortable to start posting ihm again.

sorry, i know that i have kept my replies and ask box off for a long time. but i will open them again once i start posting chapters because i really miss interacting with you guys.

anywho, these are my updates lol i'm like not sure how many of my readers are still here or which ones have moved on but that's ok, i'm grateful to anyone n everyone. hope to see you all soon again!

[s1m0nth3swag]

Could you write “How would Viktor does when reader has depression”.

Of course! Thanks for the ask pookie :)

These r a little short because I am still ill (and my head is literally killing me as I type this) but Viktor is more important than getting well!! (Also bawling my eyes out after act 3, even though I'd still love Viktor nonetheless, machine or not, he's getting it)

WARNINGS/ CONTENT INFO: Mentions of Depression (obviously), GN!Reader, sweet Fluff, Viktor has no clue what he's doing in all honesty, he tries (and succeeds) to be sweet

2 Stories - One more casual/not yet dating and the other is established relationship

You've been off lately, Viktor had noticed. Isolating yourself bit by bit, looking more tired and overall acting just weird. You've had your phases before, but this one was too long. It wasn't like you at all. You've barely even spoken to him or Jayce, when usually you'd yap both their ears off about whatever topic you had learned about the previous night. Now, the lab was silent. Jayce was away on some Council party, and god knows Viktor would never start a conversation on his own while working. Though, he couldn't focus tonight. He mindlessly tinkered with small parts that laid around his desk, his thoughts clouded with the question of what was bothering you. Whatever it was, it bothered him as well. He'd never say, but he missed the cheery and chipper way you'd usually be.

"Are you... alright?" He questions after a while, clearing his throat slightly. This was already too awkward for him, but he did care. Totally just because the atmosphere of the lab would suffer if you weren't your usual self. He noticed the way you shifted uncomfortably as he glanced over to where you were sitting, like you were pondering how to answer. He wondered why you'd need so long to think of an answer, as if you couldn't tell him the truth. "I'm fine. Just a little tired, I just haven't been sleeping well." You answer, a soft, akward chuckle slipping from your lips. Viktor doesn't like that answer. You're different from how you are when you're just tired - not that he actually paid attention to that, but you weren't on your fifth cup of coffee yet. Actually, you hadn't had coffee at all today, another unusual happening. He sighs softly, and you immediatly know that he's gotten into questioning mode - he was a scientist after all. He really couldn't help it. "You can talk to me, you know? We don't have to be lab partners and nothing else, we can be friends." He speaks, his voice softer than before. "What's bothering you, hm?" Viktor adds, turning his chair around to look at you properly. It's your turn to sigh, letting your head hang slightly. "I've just been... feeling off. Like, actually tired but in a mental way? I don't know how to explain." You mutter, awkwardly averting your gaze from him. "We should take a day off, then. Do whatever you want instead of working." Viktor answers casually. "I don't want to miss important stuff in the lab Viktor, I can't take a day off." You throw back at him. He huffs, a slight chuckle filling the room. "Not you. Us. Maybe all three, if Jayce is willing." He clarifies, already noting it down in his notebook to make sure that day off actually happens.

Viktor noticed the moment he woke up next to you. You'd fallen into another slump. He could tell just by the way you didn't just not want to get up - it was a physical challenge for you. He's seen you like this before, though usually it didn't last too long, at least not that he's noticed, maybe only a day or two at most. But by now, it's been almost a week, and you haven't spoken to him about it. You've been more abrasive, have started caring less about your personal hygiene, and while Viktor doesn't mind, he always hated when you didn't take proper care of yourself. He wanted you to feel good, not fall into a depressive hole. He offered to take a shower or bath with you, to make a game out of brushing your teeth, but you had shut everything down. It wasn't because you didn't think the ideas were sweet, but more because you didn't think you even deserved that much effort. Viktor had to helplessly watch you get worse, and he couldn't even do anything to properly help. It was absolute hell to him.

He'd had enough, wanted to be mad at you, even, but he couldn't blame you for it. He could, however, force you to stay cuddled up in bed with him. You liked staying in bed anyway, and cuddling with him was always one of your favourites. So, here you two were, snuggled into the covers of Viktors way too confortable bed. "You know that I love you, right?" Viktor mumbled, his accent more heavy with sleep. He didn't say it enough, at least that's what he thought. "I do know..." you answered, just as sleepily. "I know you can't control this.. but let me help you, please? I know it's hard, trust me I do, but I hate having to watch from the sidelines as you get worse..." He sighs, pressing a kiss against your forehead. "Let me just be there for you, yeah, my dear?" Viktor adds, pulling away slightly to look at you. "Alright.. I'll... I'll try, I promise." You answer, scooting back towards him so you could press your face into the crook of his neck, basking in his warmth for a little longer.

[no-thanks-im-stuffed]

I have a Gravity Falls Theory I've been meaning to write down for a WHILE so here goes:

Stanford Pines is no genius and I'm gonna pick apart every single one of "Ford's" scientific inventions/accomplishments to prove it.

Grab a beverage, this is gonna be a long one

[Gravity Falls spoilers, a little bit of The Book of Bill]

Contents:

Ford's "Grand Unified Theory of Weirdness"

Codes and Secrets

Inventions

Ford's Tragic Backstory

McGucket

Why Would He Do This??

After Weirdmageddon

TLDR

1. Ford's "Grand Unified Theory of Weirdness"

I can support most of my claims with the help of Journal 3. Unless Ford had actual, scientific research papers, this is the only research we have from him and it's... not scientific in the slightest. Ford treats his "research notes" like a personal diary. I get that they had to design the Journal to be entertaining to kids, but from a scientific lense (which is what he wants to be perceived through), most of Ford's discoveries are very surface level and sometimes (especially later on) border on paranoid conspiracy theorist rambling.

His Grand Unified Theory of Weirdness is the reason he came to Gravity Falls in the first place. His goal is clear:

but, on the very next page, the ramblings start.

It gets worse once he finds the invisible ink.

"The pyramids were built to appease Bill!" sure, buddy.

(And yes, Bill confirms most of these ramblings about his history in The Book of Bill, but a) he too could be lying about this and b) I don't think he had a nice chat with Ford about who he tricked and tormented to build his portal. It wouldn't really fit into the timeline.)

The one bit of "science" I found him doing was his experimentation with the Bottomless Pit. He threw objects in the hole and only saw some stuff coming back while other stuff went missing. Ford hypothesizes it might be a "Möbius Pit" and even spends enough time experimenting on it that he found out "nothing ever seems to get lost on Friday the Thirteenth". Credit where credit is due.

Anyway, he's documenting all kinds of fantastical creatures in the Journal - adding his whimsical commentary and making random assumptions about stuff without any scientific basis. As he admits himself later on, this is getting him nowhere to actually start his Grand Unified Theory of Weirdness, let alone finish it. It's been SIX YEARS.

BUDDY WHAT ARE YOU DOING.

It took a spark of "divine intervention" to even start doing any meaningful research and it was just Bill telling him "hey there's a weirdness dimension btw".

Ford even admits that he didn't come up with it himself. The next pages are the first actually scientific looking ones so far, but more on that in the Inventions section.

He doesn't really advance on his Weirdness Theory for a while (see McGucket chapter for more), but later in the Journal, Ford has a little adventure with Dipper, talking about "The True Theory of Weirdness". He drops a "weird" jelly bean on the floor and watches it roll uphill towards Gravity Falls. He then states that Gravity Falls is a "Weirdness Magnet" and every oddity is eventually drawn to this place. Which is not a theory scientifically speaking, more like an unproven hypothesis. He didn't develop a model to, let's say, predict which oddity will find its way to Gravity Falls next or when it will happen.

"I explained that I felt in my bones that my arrival at this town, and perhaps Dipper's, too, was not an accident. That we were part of some greater fate the town had in store for us." Very scientific.

2. Codes and Secrets

The Journal has several hidden messages from a good handful of characters, some more encoded than others.

We all know about the Map leading to the secrets of Nathaniel Northwest's fraud from the show. Ford found it somewhere in the library.

It just needed to be folded. Layton ass puzzle. A 12 year old figured it out. Ford couldn't do it. Even Mabel is poking fun at him.

Now on to the ciphers.

One of them is a letter from Blendin, encrypted with the Vigenère cipher. To this, Stanford "aced cryptology" Pines says the following:

He was given the key and still couldn't make sense of it. Of course a cool puzzle for people reading the Journal, but not really helping Ford with upholding his image of being an undeniable genius.

Ford himself mainly uses the Atbash and Caesar ciphers, both being a) literally thousands of years old, b) incredibly simple and c) not his own invention.

Bill uses two symbol substition ciphers.

Now I don't know about you, but if a divine being chose me as the genius of the century to inspire me and said being left tiny hidden messages in my diary, I would stop at nothing to try and decipher what they're trying to tell me. For some reason, Ford did not do this. The first message Bill leaves says "I'VE BEEN INSIDE YOUR MIND SIXER, I KNOW YOUR SECRETS". He could have seen all of this coming wayyy earlier (or just had yet another red flag to ignore).

Anyway, I accidentally solved the code before finishing the Journal just to discover that Bill is literally handing him the solution on a silver platter towards the end.

Girl, what do you mean "???" ??

Now, I know Ford at this point is incredibly sleep deprived, paranoid and traumatized. But come on. If I can solve it 6 coffees in while dissociating, our genius can find the solution to Bill's alphabet using the A1Z26 cipher that he put in the journal himself. Plus, as mentioned, he could have deciphered his alphabet way before The Betrayal when his mind was still sound.

So again, not a good look for Ford in the whole genius department.

3. Inventions

Now let's take a look a the inventions which are most commonly associated with Stanford:

The Portal

The Bunker

The Magnet Gun

The Quantum Destabilizer

The Perpetual Motion Machine

The Portal is not one of Ford's inventions, that much is pretty clear. He "comes up with the idea" after Bill told him about some kind of "weirdness dimension".

Now maybe Ford built the portal. Or McGucket built it (which I find more likely due to his tendency to build large scale metal structures) and Ford helped him. We can't really say for sure.

What we CAN say for sure is that McGucket left the day before the big test, which means the portal was basically finished at that point. So if there was still any work left to be done, it would have been minimal and "even Stanley" could figure it out without help, so Ford probably could have, too.

The Bunker. Designed and built by McGucket (and possibly the lumberjacks before zapping them with the Memory Gun), including the death trap of a security system.

Notice the wording. McGucket insisted he could do it on HIS own. But then went out of his way to ask the lumberjacks and not Ford to help excavate the whole thing.

Why? Why not include Ford? Maybe because McGucket could tell Ford was overworked. Maybe because he thought even with Ford's help, they wouldn't have been able to do it in a timely manner and he didn't want to memory zap more people than neccessary, I'm not sure.

Anyway, the Bunker consists of the Bunker itself, a Security Room, an Observation Room and a Storage Room. On top of that, a Temperature Control Apparatus, a Cooling System and a Cryogenic Tube.

Again with the phrasing. "HIS skill for construction". "telephone HE built". "my assistant really topped HIMSELF with the security precautions". "once F starts inventing, HE can't stop".

A man like Ford wouldn't pass up on an opportunity to tell the world about his own accomplishments, yet they are strangely missing in these pages. However, the sketches documenting McGucket's work have become more technical than they've ever been. They even have small annotations that seem as if Ford asked McGucket what he was currently building.

"F has explained" implies McGucket was once again doing this on his own. Why else would he need to explain anything to Ford if they were doing this together? Plus, again, surely Ford would have mentioned something, anything, if he had participated in any way.

The things he DID mention is that he found a mole man skeleton and "Shifty", the shapeshifting creature. And he saved McGucket once Shifty broke out of their cage (Remember this for later, it'll come in handy). And he conducts tests on Shifty (remember this as well).

On to the Magnet Gun.

Again, passive form. If Ford had modified the gun himself, he would have told us. Chances are it was once again McGucket. Or it was just taken from Crash Site Omega as Ford says in the show that he and McGucket came down there often to loot the UFO for tech.

Lastly: The Quantum Destabilizer.

He actually admits he worked on it. However, he spent 30 years between dimensions. In these 30 years he couldn't find anyone (including himself) to get the Destabilizer working. The Other McGucket, however, was able to do it in less than a week.

Ford claims he was missing a suitable power source which The Other McGucket found, but there's no way of knowing if there was more to those "minor adjustments" to Ford's blaster than Ford would like to admit.

The only invention left is the Perpetual Motion Machine which I will save for the "Tragic Backstory" section.

Honorable mentions:

The Hyperdrive needed to power the portal:

"F's mechanical know-how" vs. "my keen intuition." implying Ford merely found the Hyperdrive, but McGucket extracted it safely.

So the Hyperdrive was looted from Crash Site Omega. Plus, McGucket was the one to realize it was even needed in the first place.

While between dimensions, he was given a Dimensional Translator. Also not his own invention.

The metal plate in his head? Not his invention. Not even his idea. The Oracle did that for him.

The Book of Bill has another example that Ford can't invent for shit: He found the blueprint of Abigale Blackwing's Anti-Bill-Suit in the library (once again, not even his own invention) and drafted a more modern blueprint. And either he completely failed to build it or it didn't work because we never hear from it again. Instead, he installs a retina scanner to keep Bill out of the lab. Which he (probably) ALSO didn't build himself.

In summary:

Portal: blueprint by Bill, (probably) built by McGucket.

Bunker: designed and built by McGucket (probably with the help of the lumberjacks).

Magnet Gun: likely looted from Crash Site Omega.

Quantum Destabilizer: a mess before McGucket fixed it overnight

Perpetual Motion Machine: see below.

Dimensional Translator: Not Ford's invention.

Metal Plate: thought of and installed by The Oracle.

Anti-Bill-Suit: invented by Abigale Blackwing.

In fact, he mostly doesn't even say that he did any of this. He openly admits whenever he took something or McGucket built stuff, and barely calls any of the inventions his own. We just assumed that he can (on account of him being a genius), so we assumed he did.

4. Ford's Tragic Backstory

would only make sense if he ACTUALLY couldn't get the Perpetual Motion Machine to work. We already know Ford is an unreliable narrator and I'm probably not the first one to point out that it doesn't make sense that Stan supposedly cost Ford his entire scholarship by breaking his Perpetual Motion Machine (accident or not).

Think about it from a college's point of view: You hear about a young man who apparently built a machine that violates the laws of thermodynamics. You don't just pass up on something like that just because it didn't work the ONE TIME you came to visit. That would be an exceedingly stupid thing to do. I think they would have given him that scholarship if he even got close to achieving such a feat.

Now let's briefly assume Ford IS a genius whose invention got sabotaged. Ford could have easily fixed it and asked for a second appointment with the judges. This did not happen. And even if he didn't get into his dream school, he could have used this perpetual motion machine for the good of humanity. He didn't do that. If the Machine had ever worked, it would have made international news. It didn't. He would have been world famous. He isn't.

What does that tell us?

Does he even have 12 PHDs as he keeps claiming? In what? For what reason? Wouldn't he get a scholarship for his dream school at some point given his seemingly endless potential? It all seems like overcompensation to me. Reminds me of Tommy Tallarico and his ever-increasing number of Guinness World Records.

However, there is a reason Ford is like this. It is connected to his tragic backstory, but I will include this in the final chapter for narrative reasons.

Also note how even in A Better World, he did not go do his dream college. The science center was built around the Shack that he went to later in life:

And even there, he only manages to make a name of himself with McGucket's cooperation. We already established he couldn't build the portal on his own. My guess that McGucket once again did the heavy lifting and didn't mind Ford taking the credit (as you will see in the McGucket chapter).

5. McGucket

At this point we've already gone over how McGucket built (probably) most of the Portal, the Bunker and everything in it, and got the Quantum Stabilizer to work. We also know that in his free time, he loves to tinker. He canonically built a laptop (with extra keys for Fords fingers), a cellphone, the Memory Gun, several killer robots, the Shack-O-Tron and started an entire ass cult along the way.

And that's just what I picked up on from skimming the Journal.

We only see McGucket make stuff on screen. All this time he's welding together contraptions, piloting giant killer robots, having a blast.

We never see Ford tinkering ONCE. Still, he constantly praises McGucket for his "brilliant mind", "mechanical knowledge" and "skill in construction".

I think Ford was McGucket's assistant. He didn't get ANYTHING done before he called McGucket over for help. In the bunker, all he did was find a skeleton and conduct "experiments" on Shifty (by showing them pictures of creatures and documenting what happens). He led McGucket to the UFO crash site, McGucket was the one to actually extract the Hyperdrive. All of the stuff Ford does sounds more like an assistant's job to me.

I'm also pretty sure McGucket knows that Ford isn't the genius he claims to be. Upon seeing Bill's blueprints, he immediately gets suspicious:

Why would he say this to a fellow genius?

And he's the one who recognizes something is wrong with the portal earlier than anyone else.

The day before the test, he meets Ford at the diner to warn him cause he knows something is deeply wrong - and offers him a thesis paper.

Now here is where things get interesting.

Ford gets angry. But instead of saying something like "How dare you insult my scientific integrity / intelligence", he thinks McGucket wants the Grand Unified Theory of Weirdness to himself, which obviously couldn't be further from the truth. But Ford is too insecure about his intelligence and too curious about the portal to care.

This makes me wonder if McGucket had done this before. They went to college together. What if McGucket wrote Ford's final assignment as well? What if he'd seen him have a meltdown over the introduction and whipped up a fantastic final thesis in an afternoon?

We know McGucket cares deeply for Ford, and we can tell his intentions at the diner were sincere. He doesn't really want or need any credit - meanwhile Ford is starved for it. This is probably also why he's fine being "Ford's assistant" even though he's the one putting in most of the work.

6. Why Would He Do This??

Before we talk about Ford's plans after Weirdmageddon, I have to mention that there's a good reason Ford is pretending to be a genius. This is pretty speculative territory, but I think it makes sense given what we know about the Pines family.

When you're a twin, at least in the Stan Bro's case, you're constantly being compared to one another. Once it has been established that Ford is the "smarter" of the two (true or not), their father latches onto that and soon Ford's intelligence becomes his entire identity. I think just like Stan was looked down upon and neglected for being the "stupid" twin, Ford was burdened with expectations for being the "smart" twin. "You're gonna go far, kid. You're gonna make us so much money, you're gonna get us out of this dump." An INSANE thing to burden a child with.

This goes well for a while - Ford gets straight As and is the pride of the family. His ego inflates. But then something strange happens which I'm sure many "gifted kids" can relate to - he hits a wall. At some point he can no longer brute force things with his intelligence and he has trouble keeping up with his family's expectations. His massive ego gets damaged beyond repair.

Soon, he starts questioning everything. "If I'm not the smart guy, who am I? What's left?" He's been living like this his entire life. It's way too late to turn back so he moves forward. And if intelligence can't get him there, at least he can use the smarts he does have to make sure nobody else ever finds out. It's not unlikely for him to develop this attitude and it's the same kind of mindset he brings to taking the Hyperdrive from Crash Site Omega:

In a way, this makes him a con artist like Stanley. Which, after everything that's happened between the two, must feel like such an insult to Ford that he'd rather live in denial than face reality. The reality being that he is about as intelligent as Stanley, too. This doesn't mean that Stan is dumb (he managed to get the portal to work with barely any help, after all) - just that Ford is not as intelligent as he (and everyone else) thought / expected of him. AND that Stanley isn't as dumb as everyone always told him he was.

I think while yes, Stan broke the Machine, Ford couldn't fix it. Or it was never even a Perpetual Motion Machine to begin with. Yes, Ford couldn't go to his "dream college", but was that really his dream? Or his father's? Remember when McGucket offered him the Weirdness Thesis on a silver platter, saying with this he can finally "get his life back", and Ford still refused it? Maybe he didn't want his old life back. Because his old life SUCKED without Stanley in it.

7. After Weirdmageddon

Now that we established what Ford's dad wanted him to be, let's explore what Ford actually likes doing.

Obviously journaling and sketching what he sees, but what else?

Ford loves exploring. He goes on hikes, climbs mountains, visits caves, goes ham on Crash Site Omega. In the Bunker he looks around and discovers a mole man skeleton and Shifty while McGucket did the inventing/building.

He's also great at action hero stuff. He saves McGucket from the Gremloblin, and later from Shifty, he's jumping around the UFO with a magnet gun as if it's the only thing he's ever done, and saving Dipper from the security system, just to name a few.

He even says this in the episode: "I need to train an apprentice to help me fight monsters, solve mysteries, and protect this town." This doesn't really sound like science stuff to me.

So yeah I think Ford lied about being a genius to compensate for his (self perceived) lack of other qualities, he lied about his 12 PHDs, his scientific accomplishments, maybe even some inventions. He sucks at decoding things despite claiming to have "aced cryptology". Instead, he spends most of his time exploring, fighting monsters, stealing shit and getting in all kinds of dangerous situations. Truth is, he is much more similar to Stan than he'd like anyone to find out.

He also doesn't even WANT to do science. He likes the idea of science, like in Sci Fi movies, but not the actual labor that comes with it. Ford has been travelling between dimensions for 30 years. He probably is the only human to ever have done that in his dimension. Surely he spent these 30 years on research? Well...

There's only a single line mentioned in the Journal about doing anything scientific and he didn't even dedicate the entire sentence to it.

He "compared notes with scholars". That's it.

But surely he has so many papers and theories he can finally publish to fulfil his initial goal to "join the ranks of Newton, Tesla, & Einstein in the pantheon of science"?

Nope. He goes treasure hunting with Stanley. Ford seems to have forgotten all about his research. And I think that's not just because he wants to make up for lost time, but also because this is what he truly wanted to do in the first place, before he was forced into the "genius" mold.

To go adventuring, to be creative, to spend time with the family that matters.

8. TLDR

Ford didn't manage to write his Grand Unified Theory of Weirdness.

His Journal is entertaining, but ultimately full of unscientific ramblings.

He didn't build the portal, bunker, magnet gun, quantum destabilizer, or any other invention I could find.

All of his accomplishments can be traced back to either Bill, the town library, or McGucket.

He didn't write his own codes, he couldn't decipher any of the codes or secrets he found, including the ones he was given a solution to.

The Journal makes it look like Ford is McGucket's assistant and not the other way round.

McGucket is amazing and needs to be protected at all costs.

The tragicness of Ford's backstory makes no sense if he actually WAS a genius.

He needed to keep up the genius act because that's what his family expected of him and now he's con-artist level good at it.

He spent 30 years between dimensions committing crimes and preparing for revenge instead of doing science.

he seems to not even LIKE doing science. he prefers exploring, drawing, and getting into dangerous situations.

Once back in his home dimension, instead of doing anything science related, he goes adventuring with his brother.

Disclaimer: I have nothing against Ford, if anything this adds to his character cause I haven't seen anyone even so much as question his status as a genius yet. I just needed to get this out of my system cause this has been brewing in my brain since JULY.

This took me 10 hours to write. Thank you so much for making it this far, this post was brought to you by Autism™

[thickenmyblood]

thank you

most people on earth look forward to and enjoy the hell out of their birthdays. for a few years now, i haven't been part of that group. when i close my eyes and think about birthdays, i always picture someone else blowing out the candles, or eating overly frosted cake, or getting well-thought-out presents. it's "other people stuff", the same way i thought about kissing with tongue when i was twelve or the way i now think about having kids. it's stuff other people get to do.

last friday, however, i got a collaborative gift from many people in this fandom. some of them i've spoken to and chatted with a hundred times over the years since i joined this online space, but others were complete strangers! people whose usernames i recognize from ao3 comments or twitter screenshots or fanart—they took the time to write me messages and participate in this beautiful gift out of the kindness of their hearts.

though i sometimes lurk and watch from afar, i am not active on here anymore, but i felt the need to address any of those people that might be reading this: thank you. not just for this gift, but for taking the time to read my stories. writing is such a lonely craft. it takes so, so long to complete a single project. and yet things like this (people like this) are a reminder of why we all do it.

i have read every single message. i wish i could give you a 1:1 reply, or that there was a way in which i could repay that kindness, but i don't think there's much i can do or say other than thank you again and again and again.

it hasn't been a year since i finished posting my last fic, but these months have been incredibly lonely for me. as i said, writing often is. to think there is someone out there—anyone, really—that to this day sometimes, even in quick passing, thinks about anything i have ever written . . . that is the greatest gift. i look back at 2020 and remember all of its awfulness, its insanity, its loss. but i also remember how much it gave me back, all the friends i made, and the way it dusted off not only writing itself, but other hopes, too.

all of this to say: thank you. i hope I can repay you soon with new stories to read.

and a special thank you to lilium, who was the one that made it happen! a friend, through and through, always.

[cheshiresense]

Oh my God, you mentioned wanting to write a thing about when Starrk finally let's his reiatsu out, and honestly, I've been thinking about that so much!!! Like here is Starrk, who has been keeping his reiatsu down to around average, who sleeps all the time, so doesn't stand out, who stands beside Ichigo, Ichigo who crazy stands out, also Starrk who joins the 4th, the 4th who everyone else considers to be weaklings!! You imagine the look on everyone's face the first time he let's lose!?! Maybe some bullying goes too far, and Starrk, who nobody thinks much of, just smacks them down hard!!! And everyone is like WTF lol 😆

sorry, I just love the idea of when people realize that Starrk is actually strong like Ichigo!! So 😁 funny!! Anyway, thanks for sharing your thoughts about this. I love reading them.

Lol yes it's one of those scenes that you see happen in so many different ways and all of them would be fun. I'm undecided on how I want to do it Officially so I'm putting it off (or maybe I'll just write several of them lmao).

I imagine it would have to be very serious bullying for Starrk to take that much action, cuz like he really isn't the sort to step in for every little thing. If it happens to someone he considers one of his, he might note it down and then quietly go and prevent it from happening again from behind the scenes, but in real time, he'd rather diffuse the situation or leave it to the "victim" to handle it and only step in if it looks like they really can't, and even stepping in would just be a sharp word or two to run the bully off. He's not a straightforward bleeding heart the way Ichigo is, cuz the hit-the-problem-so-it's-no-longer-a-problem method is def Ichigo's go-to strategy, he would absolutely smack the shit out of someone bullying Asuka or Rangiku in front of him and be done with it right then and there, prob flaring his reiatsu without even meaning to cuz his control's a lot better these days but it's also kind of 0 to 50, well-hidden or flashing neon sign, no in-between unless he really concentrates 😂 It's another reason Starrk would have little reason of his own to act, cuz like Ichigo would absolutely beat him to it.

For me, I could prob imagine him unleashing his reiatsu/revealing his strength if someone's about to die and the threat is big enough that he actually has to flex. He's just not someone who'd easily show what he can do, and hiding it from the likes of Aizen and the Quincy wouldn't even be his top reason. It's more like lingering PTSD--his strength doesn't bother him anymore now that he's had years of proven control under his belt, and he's even needed every last bit of his power over the past decade of war, but subconsciously, he's still not 100% comfortable with just letting anyone feel it, even tho he has enough control now that it wouldn't hurt them unless he wants it to because what if? So like, his first instinct will always be to keep it locked down, and for minor stuff (altho minor is relative for him I guess lolol), pulling out that much power is def a last resort.

Again, it contrasts what Ichigo would do. Ichigo's just used to overkill. Like even before he got his powers, he learned that an overwhelming show of strength would solve most of his gangster-related problems very easily, plus he lived in a household where Isshin only backed off from kicking him into a wall or something by kicking first or kicking back. And then after he got his powers, it's not even really his fault that he internalized a "might is right" kind of mindset /points at the entire fucking SS invasion arc and honestly every arc after that/. And also he spent his first years of Shinigami-ing running around with an unsealed Zanpakutou and zero reiatsu control, being in a constant state of Shikai is natural for him, and (moving into this AU's headcanon territory) it took him several months into the Quincy War before he finally learned to seal it away and actually have other ways of fighting that isn't just flinging Getsuga Tenshous around. He uses Bankai the way other people use hand-to-hand combat or Kidou spells, so even now, his first instinct is to just hit the problem hard enough so that it won't get back up to do more harm, and for him, that applies to everything from schoolyard bullying to fighting monster-gods. And on top of all that, his actions are largely driven by emotion. More than anything else, his first reflex is to protect, and that often leads to him throwing way more power at a threat than he actually needs to. He knows how to be more subtle these days, but it's not his preferred method and def not a reflex either the way it is with Starrk.

Of course, Starrk also understands "might is right" just by dint of being a Hollow, but he's basically spent a thousand years as someone too strong for anyone to fuck with just by existing, so he doesn't have the same kind of exposure to physical conflict that Ichigo grew up with that would make violence his first instinct.

Aanndd omg this ran away from me lmao sorry, you get a speedrun analysis on Starrk and Ichigo instead 😅

TLDR I'm still not sure of any exact scenarios that would force Starrk to show his hand, I don't want to wait until a Sternritter shows up or a final showdown vs. Aizen happens because that would take forever before we get there (I mean I could just jump right in there since this isn't a whole fic, but in-universe-timeline-wise, I'd prefer it happening earlier), but it's difficult for me to imagine that something in everyday life or even just a Hollow extermination mission would be enough to make him reveal even a bit of what he can really do.

Case in point, if you remember that mission in SP canon where Shunsui brings Ichigo and Rangiku along on a mission into the Rukongai to gain experience, and Ichigo sees a Hollow about to attack Shinji who hadn't spotted it yet, but he also didn't want to leave Rangiku unprotected, he went straight for unsealing his Zanpakutou and basically hand-delivering a shopping list of unusual or downright unique abilities to Aizen via Gin. In this AU, if Starrk goes along, he would never do such a thing, and in fact, he'd stop Ichigo and just fire a damn Byakurai or something across the clearing and kill it that way. Even if Ichigo doesn't have the finesse to pull off a low-numbered Kidou spell on the fly, he could've chosen a higher-numbered one and that would've still revealed far less to Aizen than unsealing his Zanpakutou would. But again, subtlety isn't his strong suit. He now at least has the presence of mind to think about the consequence of leaping into the fray without thought, it would leave Rangiku wide open, but his first instinct is still to use overwhelming strength to protect the people he cares about.

In contrast, Starrk may be a soft touch compared to basically every other Hollow and quite a few Shinigami, but he has the maturity and just the general personality to go for the strategic option. He has a far more tactical mind, implied even in canon to rival Shunsui in that department, so rushing in just isn't in his nature.

The only other way imo is if someone just... asks. Reikaku (reiatsu-sensing) is a thing Shinigami learn. In canon people can sense exactly who's coming just by their reiatsu (if they know them), not just if they're a Shinigami or a Hollow or even a Human, but it doesn't really expand on how. So I imagine you have to have a good feel for the person's reiatsu, it's the same as my age headcanon for reiatsu, not only can someone halfway decent at sensing reiatsu be able to get an idea of the other person's age, they would also be able to recognize and associate that reiatsu signature with that person since everybody's is different, but obviously they would have to be exposed to it a few times to learn it. Starrk's reiatsu is very unique so once or twice would be enough, and I can see a situation where the kids might ask to feel it for that reason, or a mission might require the team leader to ask, etc. etc. So yeah, that's all I got.

[arcane-ish]

Okay, so about Mel

I have a lot of Mel fans on my "following" list, so know I'm on a different place than most of them. I thought I would still sit down as a more casual Mel enjoyer and try to explain why I listed Mel as one of the better things in the last arc and genuinely read her as having one of the better arcs.

First let me say, I think I get some of the disappointment. There apparently was a lot of acrimony in fandom. And there sadly is often always a lot of bitching about being right. It's also one of those really annoying instincts for fannish people to value being right or getting character/ship payoff over quality. The kind of crappy shows or reasons I've seen people defend just because their ship was in it.

And I include myself within that. Two of my favorite ships, Timebomb and Zaundads got some stuff, and that has deeply clouded my perception of the season, even though my more neutral opinion is that season 2 was extremely spotty.

I get that from "I had to fight people in fandom" point of view, Act 3 sucked. I get that from a personal fan engagement point of view, it is always easier to stay excited and produce media if have a ship to hold on to rather than just being the fan of a singular character.

I'm kind of in a special situation, that I've always lowkey not liked Jayce and really only found him tolerable around Mel. I thought the beginning of Act 3 was still reasonably respectful to them. They protect each other, they do a couple fight with each other.

Yes it's weird that Jayce brings up now of all times to complain about the past, but for me that was pretty much wrapped by them fighting together against Viktor. Then we have this moment where Mel explains her situation to Jayce, we have Jayce complimenting her. Honestly, before the last minutes went full on "zomg, looping timeline gifts and zapping into space together", I thought the MelJay was a bit muted, but decent enough in a finale that was generally super busy and where tons of other characters didn't have too deep writing either. But again, I see where characters wound up, completely changed people's perception of how they get there (ie that Mel and Jayce actually had a decent relationship throughout most of the show and that in my opinion both Jayce and Viktor always and Cait and Vi recently had some really spotty writing).

Somethign that is more easy for me to bear, because, like I said, I never liked Jayce that much, so it's easier for me to not care.

Everybody's Arc Was Kind Of Shit And Mel Was One Of The Better Ones

This is my basic premise of season 2. If I think of season 2, if I think of the characters who to me had the better arcs I come up with for example Sevika and Ekko.

They had better arcs because they stayed roughly in characters, formed some new relationships, got some badass moments and ended up in interesting places in the end. However both their arcs BRUTALLY suffered by lack of airtime and often missing from episodes or even arcs like Ekko.

I think Jinx had one of the better arcs, because it was very emotional and poignant, was constantly present, but even if felt choppy and all over the place at times and people are mixed on where it ended up.

I guess Jayce counts as somebody with a really meaty arc with lots of airtime, emotion, ending up in a different place, getting hero moments, saving the day etc. But like I said, I dislike Jayce too much to really think about whether his story was actually good this season.

I count Mel as among the better arcs, because she got at least semi-constent airtime, she imo stayed generally in character, she got to be badass, she ends up in a very interesting situation and they tried to be emotionally poigant with her and Ambessa. (her killing Ambessa giving major Jinx and Silco vibes even if the context was completely different) The pain of Mel's storyline has always been that she was a bit isolated from other characters, so I was happy that she at least got a badass fight together with Caitlyn. [honestly, in retrospect it's noteworthy that Mel got that spot with Caitlyn rather than Caitlyn fighting side by side with either her love Vi or her nemesis Jinx]

Just getting a badass fight isn't the same as actually getting poignant moments and developing a relationship with new characters. So that was definitely missing. People are just prone to not care as much about Mel's relationship with Ambessa, LeBlanc or Kino because from the point of view of the audience those are side or new characters and the audience only cares if the show really puts a ton of work in like in the case of Isha.

Overall the gist of Mel's storyline to me is that it seemed to be very League dictated. It's the origin story of Mel as a badass fighter, it sets up her character premise.

TBSkyen, a well known content creator in the League of Legends space, "reacted" to Arcane and he got quite angry at the finale, exclaiming something along the lines of "I thought this was gonna be a closed story, that the characters would complete their stories. But these stories are not complete, this is a sequel tease".

And that's exactly why Mel's story feels unfinished. She feels like she's part of that sequel tease (together with Cait looking at those strange map, maybe hinting at an alive Jinx).

There's a chance that Mel will get a proper resolution. But to be honest. I can't promise that. Maybe she'll get a badass Noxus based either animated or live action sequel... but we might have to wait 5-10 years for it.

Maybe the "Ambessa" novel is actually 95% about her. Maybe she will get a badass intro trailer like Ambessa. But I'm not gonna lie, even if the next season of League will be heavily Noxus based and they make heavy use of Mel in it. I'm not gonna lie, League's story telling can be very, very spotty. And even when it is decent, not everybody is particularly into collecting their infomation from short stories, splash arts, music vids, in game voice lines.

[n3felibata]

This is gonna be a hot take, but it bothers me when people say that Phoenix became an attorney JUST for Edgeworth.

Yes, Edgeworth is a big part of the reason he became a lawyer. Yes, Phoenix went to law school after finding out he's the "demon prosecutor" now. Hell, I'll even outright admit that Phoenix would not be an attorney if it weren't for Edgeworth.

But that's the only reason he stands in court. Goodness, no. It goes deeper than that, and it has a lot to do with Phoenix's depth and the overall message of Ace Attorney.

First of all, in the first few minutes of the very first game, Phoenix outright says that Larry is part of the reason he became a lawyer, too.

(Really, I feel like some of you are forgetting that Larry defended him that day as well...)

And second of all, there's the fact that he continues to be a lawyer in Justice for All despite thinking Edgeworth was dead for most of that game. And I have to admit it's been a while since I've played Justice For All, but I remember him defending his clients just as passionately as he does in any other game.

Edgeworth directly asks Phoenix in this same game why he stands in court, and Phoenix responds by saying this:

At least him saying in PWAA that he stood up for Maya because he "can't just abandon her" and "someone has to look out for people with no one on their side" is only one dialogue option out of three.

But telling Edgeworth he wants to save lives is the only answer the player can give to that question. Because it's the correct one. Phoenix Wright has a huge sense of justice, and it's a big part of his character.

This is why Phoenix hates prosecutors so much, or more specifically the ones that only stand in court to "win" and fuel their own ego rather than to actually seek the truth. And that's probably also why the writers continously make the antagonists of these games people who fit that exact description.

And yes, his backstory (or at least this specific part of it) may not be as traumatic as the other characters', but it doesn't need to be. This kind of stuff can seriously impact a child, especially when the teacher themselves in joining in on the bullying. His clients are going through worse, yes, but regardless, this experience taught him that people will assume the worst in you with little to no evidence and what it means to have someone believe in you when no one else will. He wants to be there for people going through worse than him, and that's valid. Not every character needs to be an orphan or rape victim or something to be an intriguing character with reasonable motivations and experiences that are meaningful to them.

Again, I'm not denying that Edgeworth is a huge part of why he went to law school (and thank goodness he did because I can't imagine what would've happened to Edgeworth if he never became an attorney...), but saying that Edgeworth is the ONLY factor feels like it's not only disacknowledging Phoenix's depth and reducing his character to just his relationship with Edgeworth, but also feels like it's disacknowledging the themes of justice in the writing of the game itself. Like no offense, but how did y'all manage to take what's clearly meant to be a satirical call out to Japan's flawed justice system and reduce it to just "yaoi"?

I LOVE wrightworth, but sometimes it feels like some people are so fixated on it that they forget that both Wright and Edgeworth are still their own complex individuals with depth outside of their relationship with each other.

[lalalian]

dragon riding equipment | aethergarde academy dr

date: november 23, 2024

it's been a sec since i've done a longer post (like a little over a week or smth.. right?)

I was busy with my finals... I still am, but like... I miss posting 😭😭

Equipment will be outlined in aethergarde's student handbook too!

ANYWAY-- enjoy this incredibly long post! I'm sorry if there are any typos, I don't feel like looking over everything (T-T)

how to get your equipment (kinda)

It's pretty easy to find shops that sell dragon riding equipment in cities-- but in rural towns and villages, this kind of equipment can be almost impossible to find near you.

If you are not starting off as a noble like me, buy your equipment within the first week of school-- actually, no, get it ASAP. You should, ideally, start looking for equipment after you retrieve your egg (you need to get your egg as soon as you get to campus).

What if you don't have the equipment by the time you need to start using it? You'll be left out of lessons, standing off to the side while your peers fight or fly, which will absolutely tank your grades.

You should have your equipment before the first month of school ends.

If I have a month to get said equipment, why not wait?

There are lots of dragon riding equipment shops, but not all of them are of good quality. Rough half of the students attending Aethergarde will not be nobles, on top of that, nobles will commission the best shops-- especially luxury brand shops-- to custom make their armory, saddles, etc.

This makes the dragon equipment market rather busy around this time of year.

BUT

I'll help ya'll out, though, I can't promise you'll be the only commissioning things from these places.

school supplies list

let's start with the obvious, you'll need either an enchanted fountain pen, a regular fountain pen + ink, or some quills and ink. Quills and ink are cheaper, they're the equivalent to like, wooden pencils. Fountain pens have the same reputation as mechanical pencils. Enchanted fountain pens are really trendy! Definitely also get a set of gum wax, aka waxers (erasers); kids like to call them gummies (fruit gummy resembling snacks are called jellies here!)

You should get basic stuff like loose parchment (loose leaf paper), an academy bag (a backpack, highly recommend a messenger type bag), and writing books (notebooks to take notes in)

dragon mounting gear: includes such things like a saddle and reins, very similar to horse gear

wind-breaking charm OR riding goggles OR a riding visor: Wind-breaking charms are pretty hard to find-- I mean it's not impossible, but it's just not cheap. Riding goggles are an old rider thing, they aren't used much anymore. Riding goggles look like your typical steampunk-esque goggles. If you want a physical facial wind breaker, get a riding visor. Riding visors look similar to ski visors, but the glass lookin part tends to be tinted orange due to a strong sunglasses effect.

kinda like this ^^^^ but w/o the gas mask; if anyone's got a better idea for this btw, plz let me know!

I'm still in the works with this aspect.. mostly bc I feel like the visors don't fit the fantastical aesthetic-- but I didn't want to immediately default to using magic and charms because I want the rider uniforms to be more unique than the typical 'fighting leathers', yk? Idk, maybe the décolletage cover is unique enough.

Other sight wind-breaking options:

wind-protectant eyedrops: these are rather new (has been released to the market a year before you shift here) the liquid is runny like normal eyedrops when you put them in your eyes, but the substance begins to form a film over your eyes. The film feels exactly like contacts, so it's easy to forget the substance is still on your eye. The film only lasts for a few hours (the film will eventually dissolve), and does not do any damage to the eye. To manually remove it, use the 'antidote' eye drops (wind protectant eyedrops and antidote eyedrops are sold in a set) to lubricate your eyes, then after blinking a few times, remove the film by softly pinching it out of the eye (NOT WITH UR NAILS, USE THE PADS OF YOUR FINGERTIPS!!!). The downside to these eyedrops is that they do not protect against the sun; though, sun-resistance eyedrops are starting to come to the market. You must make sure the sun eyedrops are wind-protectant friendly, or the sun eyedrops won't stick to the film, causing the sun eyedrops to leave your eyes too quickly. These eyedrops are also pretty expensive, but it's still less expensive than rider grade wind-breaker charms.

rider grade sun-resistance charm: A lot of people carry these around just in general, especially during summer, but the one's you should buy should be rider grade. Rider sun charms are stronger and are made to be used when you're flying in the sky for long periods of time. Sun charms need to be replaced every few months; all sun-resistance charms have to (legally) have a label that gradually changes to black-- the darker it is, the less it works. It typically starts to darken after two months of use.

moving on--

fighting attire: Unfortunately, it's not ideal to fight in aethergarde's uniform-- But, it's not like it's impossible if you take the outer coat off. Speaking of uniforms, Aethergarde provides a fighting garment set that comes with the formal uniform (the pretty one). You're required to wear it for fighting lessons, including outside missions; in your third, fourth, and fifth years, you can start replacing elements of your uniform with better material. Why not simply allow students to get their own fighting garments from the start? Students need to know how to fight wearing armor made for higher ranking riders-- the material is different from lower ranking riders' uniform.

you'd be wearing smth like this but w/o all the stringy bits! consists of a lot of wild dragon hide.

a weapon: you'll need to have chosen a weapon before the end of the second month!

optional riding supplies

décolletage cover: Main purpose is to provide warmth for the face and neck area without compromising movement. It's highly recommended-- plus, you'll look cool. Many décolletage covers are charmed to always be warm and protect against harmful gases.

often looks like this but less kinky looking and the bottom part is fitted to the chest-- also not all of them have this same design, but they all do cover the same areas.

it'd fit like this ^^^^ to the body!

riding gloves: helps you have a better grip with weapons or to your saddle. If you're planning to sleep on your dragon while it flies, there's a little belt mechanism that you can loop through the front of the dragon saddle that attaches your hands to the saddle. This helps keep your body from sliding off the dragon during flight. If the front of your saddle isn't comfortable, you can loop the belt through any belt buckle on the dragon; the most common place is around the bottom of the dragon's neck (pictured in the 2nd pic). It's best to get black gloves, but brown can also work.

the highlighted yellow area is, relatively, where the most popular glove attachment is (for napping). There'd be more belts and stuff around the dragon btw, I just didn't feel like doing all that shit.

belt vial holder: you can place travel sized containers of potion bottles in the best + you can attach charms to the belt too

flight bag(s): This bag can be easily attached to your dragon's saddle, most saddles can hold up to 2-4 bags. Bags in general can be tailored to become flight bags, but it's best if the bag has some sort of tight buckle-- you don't want your bag to fall open when you're flying around!

these kinds of bags are common riding bag designs! if you have a smaller satchel you like bringing around, you can put it inside of one of these bags

how to get your equipment (actually) pt.2

Like I mentioned earlier, it's better to buy rider equipment in cities rather than villages and small towns. During rider season, it won't be uncommon to see a bunch of stalls along the streets selling rider stuff.

Getting stuff like academy bags, belt vial holders, and travel bottles from stalls isn't a bad idea, but it's always best to get your most important equipment from an expert with a good reputation.

Unless you know the crafter is great at making everything-- extremely durable saddles, reins, weapons, and fighting attire, you should go to shops that specialize in each part.

recommended shops:

Since common street shops will be busy this time of year, I'm going to recommend you some underground shops.

I cannot guarantee that these places will be completely empty, as they're all well-known in their own right, but they all will be able to cater to you before all of your deadlines.

Make sure you bring the actual school supplies list with you!

middle steed

Name: Aadam El-Hussein

Specialization: dragon saddles, belts, and flight bags

Summary: After his father's arthritis in the hands started becoming worse, Aadam took over Middle Stead. His dad still helps around at the tannery though! As with all the shopkeepers, Aadam and his father are extremely passionate about their jobs. Don't be afraid to ask for any innovative features; like if you think you'd sleep a lot on dragonback, you can ask Aadam to make the saddle more comfortable for you to lay in a certain position. If you're extremely worried about safety, you can always ask to have other safety features implemented in the design.

To get here:

Find the Dragonmead Brewery in Itresal (the city Aethergarde Academy is located in) the alehouse is located on Millmount Street.

There should be a space between that brewery and the bakery next to it-- go down that alleyway and pass two wooden doors. When you get to that third door, knock; either an old man (Aadam's dad) or Aadam himself will open the door

From there, you can order a saddle and all the appropriate equipment you need

Some tips:

Get another saddle commissioned by him every two years; dragons grow relatively fast, so simple tailoring won't always suffice

You can put off getting saddles until your dragon near rider flight age

Instead of bringing your dragon to Middle Stead, bring him into Aethergarde. He'll need measurements to make a proper saddle

Any metal (like in the buckles) should be plated with a matte coat or cold black iron

storm forage

Name: Reynard Ulysses

Specialization: Dragon rider armor and rider fighting attire

Summary: Reynard was born into a rural farmer family, but after his older brother ended up being a rider, Reynard moved to Itresal with his brother. Since Reynard was often tasked with preparing hide, he decided to work at a local butcher shop to help his brother financially. Oftentimes, his brother would come home and complain that he needed to replace his fighting garments. The two of them couldn't afford to keep buying cheap fighting attire, so Reynard started learning how to make it himself. Eventually, he started selling his products to other people-- over the years, he's honed his skills, and became known in underground spaces for having great fighting attire.

To get here:

Located in the southern part of Itresal in Ranger's Way

Go down the alleyway between Steel Whim (blacksmith) and the Loving Fowl Inn

Walk straight until you reach a fork; walk through the rightmost path, then go left at the end of the path

There should be a wooden sign that says Storm Forage on a door; knock on that door, you can order from there

Some tips:

You may see Callisto here

Everything you wear has to be matte; tell Reynard to plate any metal on your fighting attire with cold black iron

waning moon burrows (face wear)

Name: Yessuf Yohannes Tarik

Specialization: rider goggles, rider visors, cloaks, aerodynamic magitech

Summary: Yessuf is the only one out of all the merchants so far who was born of noble status; however, he left home to escape from the classic noble lifestyle in his early 20s. He no longer wants to be a noble, and simply identifies as a commoner. Yessuf was particularly driven to escape his luxurious life to pursue his passions and sell his products at a more reasonable price. Ever since he was young, he had a strong affinity for engineering, but when magitech came around, he took his passion to a whole different level. Though is not a dragon rider, he was always fascinated by dragons, this spurred him on to make technology that would aid riders. Yessuf is an innovative prodigy; Yessuf's shop is most likely to be busier than the all of the ones I've mentioned so far.

To get here:

Located in the central part of Itresal in Quarry Avenue

Find The Pioneer Brewery and ask for a "vermond tea served with a stick of sweetbark"

The bartender will ask you to come to the back to see the new selection of sweetbark; follow the bartender, they will take you to Waning Moon

Some tips:

Literally every single product this guy sells is amazing. Not a single one is bad, he puts in a lot of effort to make everything he sells as good as he can make it

Only sells wind-resistance charms on the weekend, but sells wind an sun-resistance eyedrops Monday, Wednesday, and Friday

His wind-sun resistance eyedrops and his wind-resistance charms sell really quick

if there's something you want that he doesn't actively sell, like, perhaps... a flying ship.. you can commission him to make one, but you will prob need to provide him with a lot of the materials

You should get wind-sun resistance charms here; they're cheaper because Yessuf does not base the price on existing market value

the dew drop: potion's shop

Name: Katherine Dowenstein (Blonde lady), Lorelai Dowenstein (Brown hair)

Specialization: Potions, tonics, elixirs, balms, herbs

Summary: Katherine Dowenstein grew up in an orphanage. Despite that, her life was rather peaceful growing up. Since she loved going outdoors, cooking, and baking, her caregivers often remarked that she'd be a great apocathary when she's older. Determined to meet their expectations, she began learning all about different plants and potions through both books and experience. When she was older, she decided to work in a potions' shop, but hated the restrictions placed on her. Kathie grew to hate her job, and her love for potions waned, but it wasn't until she healed a child who was thought to have an incurable disease secretly by giving the child tonics Kathie believed had a chance at helping her through her illness. That child was Lorelai; after she recovered, Lorelai begged to become Kathie's apprentice. By Kathie's request, Lorelai lied and told her parents and everyone else that her body simply fought the virus on its own. Kathie didn't want a lot of people knowing about her skills, as she didn't want to be confined by strict regulations any longer. Kathie started her own potion's shop; Lorelai helps her out.

To get here:

There's two different ways

One way is to find Lorelai; she frequents a bread shop called Crumb Hours at 8AM-10AM to read a book and eat before she goes to work (Mon-Fri)

Ask her if she's reading Time of Barbury by Guinevere Roth; she'll say yes, and she'll ask you to join her on her walk back to The Dew Drop at 10AM

Another way is to find the way to the shop yourself

To do this, go to the same bakery that Lorelai likes to go to, Crumb Hours, and go down the alleyway located between the bakery and Utred's Lenses

Go straight down until you reach the area where the path deviates; go left, continue down the path until you come across a fork

Go down the middle path; then knock on a door labelled The Dew Drop

Notice that the area is not the shop is not selling any potions-- only herbs

Lorelai will answer; tell her if she's selling the book Time of Barbury

She'll nod, and she'll take you down a trapdoor, which you lead you to the actual store

Once you see Kathie, you know you're in the right place

Some tips:

Katherine prefers to go by Kathie!

Ok so do note that the regulations placed on potions and tonics are there to (obviously) make sure that potions and stuff are safe to consume, but since it's so strict, it's hard to be innovative, and use different kinds of ingredients and recipes to make potions

"but what about weapons?"

You'll need to go to a shop that specifically caters to your weapon type; if the store sells weapons that aren't closely related to each other (like swords, bows, and scythes), it's unlikely that to shop is of the best quality. if a shop sells only daggers and swords, that means that the people making the equipment are actually specialized in making those weapons. Since there are so many weapon types, I don't think I can make shopkeepers for each!

[sufferu]

Bravo to you for choosing not to let Rem be forgiven so easily. Honestly I've never been a big fan of Rem as a character, sometimes her endless pandering and obsession with subaru just really annoys me instead, and I've never understood people looking at her doing all that and then saying “Wow that's so hot I'm so jealous of Subaru!”

As for the ones who want her deeds to be easily forgiven by everyone, my personal guess is that they all only care about her body and the unheathy way she forces herself to act like the perfect waifu just for Subaru's sake, but subconsciously they can't stand the shit she did either, so they secretly want their favorite waifu to be a perfect being without flaws. But to me, isn't it essential to love a character and accept their flaws as well? They did wrong things, but there's no doubt THEY did them anyway, and that is part of what makes them who they are. Another thing is that forgiveness has to be earned, we're not cruel, coldhearted, or closeminded for not forgiving someone who hurts us. So I too agree with that anon who thinks WHDAA cast need to to beat some sense into Subaru on way too forgiving and tolerating the people who have hurt/killed him.

But now that you've decided to do that, beware of those rabid Rem stans coming after you and I'm worried that their harassment goes overboard and affects your personal life

I will say — I believe that Rem and Subaru’s canon dynamic is one of the most intriguing and multifaceted dynamics in the entire series. Their parallels regarding their insecurities and family members, their mutually codependent tendencies, the way they run the risk of becoming each other’s perfect enablers, the genuine sense of love and affection that runs parallel to the unintentional toxicity fostered within their relationship — it’s all really interesting stuff. In fact, exploring their dynamic through the lens of outsiders (including amnesiac!Rem) finally getting to peer under the hood is one of the main reasons I wanted to write a react fic at all.

As for why people like her — honestly, I think it’s kinda easy to guess? She’s a very cutely designed anime girl, she’s incredibly well-voiced, her insecurities are genuinely relatable, she’s got a super awesome oni power-up transformation, her morning star lends itself to some of the best choreographed action scenes in the series (or at least Season 1), she appeals to the whole “submissive maid” aesthetic that she knows Subaru finds attractive (and that also appeals to the target demographic of Re:Zero specifically, let’s be real here) — and frankly, there are so many scenes in anime where characters we’re supposed to like do fucked up shit that it’s not difficult to just…gloss over the whole “tortured the mc for several hours” part of her character. It’s understandable, especially if you’re not an insane person who spends all their time hyperanalyzing the anime they’re a fan of like I am. I don’t think it’s really that far of a leap for her to develop such a massive following, she was basically designed to be as popular an anime waifu as physically possible.

But then, that clash can become…a little uncomfortable if you’re writing a story where “Rem tortures Subaru” is a major plotpoint, and if you don’t want to reevaluate their entire relationship, it makes sense to find a way to just — get the characters to move along, much like a lot of the irl audience does.

But I really like toxic characters and angst and complicated relationships and all that fun stuff, so that’s what I’m gonna focus on. —Also Rem is WORSE in the LN. Girl starts fantasizing about whisking Subaru away while he’s practically comatose from shock (second Arc 3 loop) and then also makes a comment like “even if he had tried to assault her in her sleep, she knew she never would have resisted” like GIRL??? The idea of not tapping that insane well of potential drama is ludicrous to me lmaoo— especially because I really don’t care about maintaining the status quo ;)

(Also frankly, anyone who would start seriously harassing me over whether or not I share their opinion about a fucking anime girl is too pathetic for me to care about. I honestly don’t think I’ll get that big of a response — especially not on Tumblr “Gay Website” Dot Com — but even if I do…I don’t care, lmao.)

[rosewasalsohere]

(AHHHH I LOVE THE ART SO MUCH MY CHILDHOOD IS SCREAMING RN)

Anyway! What is the crew’s favorite thing to do when they are bored?(sorry if the question is boring)

I like ur energy XD (I've been in the fandom for a while, too!)

I honestly didn't think I'd get questions anymore since I don't post stuff as often anymore, so the question isn't boring! I appreciate it, actually :]

ANYWAY! (Gonna involve the OCs, too)

Cuphead: Funny enough, drawing. I see Cuphead as some secret artist. He just doesn't talk about it because, and I quote, "Hey. No one asked!"

Mugman: Baking!! Bro would LOVE to make sweet treats for himself and others. Of he can't, he'll just talk and hang out with his brother.

Bendy: I feel like dancing would be obvious, as well as reading (specifically 'The Adventures of Felix the Cat' lol)

Boris: Practicing instruments! Gotta stay in tune, ya know?

Felix: Writing and research. And I mean like that research you do for fun when you're really curious about something.

Baccarat: Card games, probably. If he's lucky, he can convince someone to gamble something.

Idris: He's almost NEVER bored. But if he is, he'd probably be fine with doing whatever catches his attention and interest.

Diana: Drawing and reading. Sometimes, she'll even read a story and draw what she thinks a certain part would look like.

Thanks again for asking ^^

[nikaii-koi]

YOU HAVE LITERALLY MY THOUGHTS—well i have a theory of how stick sparked his vision but ill write/maybe draw it later tehee— i mean what if stick need dragon to harness his power so monkey can see that he is a powerful weapon (with how the place where he stood radiates and glows)?? Or perhaps stick needs the machine so he can talk to monkey first?? In movie stick were unactive when not with monkey right? We also know that only by monkey's touch stick can wake up/turn on (like some battery), so why in their first meeting he out of sudden active annd talk to monkey first?? Aannddd it happened again in the final battle,, but ofc yesh sometimes stick can be conscious too when monkey is conscious,,, grrahhhhh so confusingg. Just some hole from the movie i guess

Although we can sure that stick recognizes dragon in monkey's ceremony,, it means for 5000 years stick was fully awake right?? Scene when monkey and stick talking, dragon and other sea creatures didn't hear/see them (stick's glow) sooo what if stick tried to talk to dragon but his ass can't hear stick over his fruity demeanor

does stick actually have free will to be independent and has merely been sassily playing with monkey and dragons feelings because he enjoys the attention of those two competing for him

WHAT IF THAT REALLY HAPPENED HUHH—

Let me play with this dragon real quick. Dang he can't hear me. Lol he’s just sitting there all sad and bored. Maybe I should put on some lights show, a little treat for what he done to my place. Phew that was fun, look at his face omg— wait, he want my power for what now? It's not fun anymore. Oh another playmate! You can hear me? I've been waiting for this moment! Ok i want you, take me and let's get out of here. Oh it's dragon again! Gosh gentlemen stop fighting over me~ im serious stop it <- Stick probably

Just a pretty centerpiece

OH OHMY heres another one, do you think dragon built the machine like it's a dress up game?? "My gorgeous machine," cmon man he act like a mother dress up her kid with a gown machine she picked out, and like a kid playing with their doll and getting mad when another kid wants a turn,, anyway heck yeahh stick is pwettyyy~~

I MEAN LOOK AT THIS— is that a normal reaction when someone tells him that everyone loves his stuff (staff)??

"How dare you! Only me can love him" ahh reaction

GOODDAM YESSHHHHH MORE ANALYSIS POSTT YIPPIIEEEEE

I will live for the next 4 years dw ill be here when you done CANTT AGREE MORE stick is the key, the fundamental, the essential, the foundation, the boundary and the connector on how the protagonist and the antagonist explored, pushed each other, and transform into their better/bigger/stronger version of themselves when with him!!

As their lives revolve around stick.

One had lived with him since the dawn of time, one will live with him until the dusk of time.

Stick, The Monkey King's Plot Device: An Analysis

a matter of Free Will, Creativity, Control, Ownership, Choice, and Consent of an animated inanimate character

aka chronological notes of what happens in the movie with interpretative thoughts

for 5,000 years, stick only ever stood in one place in silence

the crystal palace was either; built around him, or he was left there tho it's hard to believe the center pillar of dragon king's home just has a spot reserved for him. I believe it's the former however it was, he never had a choice

dragon had stick stuck in a machine that will force and use him and his power to create a storm and flood, which is the opposite of what his original purpose was that got him down there to begin with thousands of years ago. an overglorified water meter

monkey was in search of the ultimate weapon, but stick said the first word. he's been waiting and immediately calls him "the most powerful being". this is promptly followed by being complimented not once, but twice from the guy he just met (ie "you are incredible") it is important to note monkey had never any positive assurance in his entire life, yet he says these things to stick, he makes this about stick, rather than himself

stick jumps into action and carries the battle, but he prioritises monkey's safety

he is a go-getter, taking the lead to take his new friend forward. he is a driving force that enables monkey to do what he does. he is excitable, violent, eager to please. stick has never been used in so long, he has a lot of pent up energy just bursting to get out. he protects monkey, but he is obedient to the point of losing his self by taking things literally. this should teach monkey how he works, that he is dependent on his wielder, his master, and that's why he couldn't have left the palace or dragon himself. he is a tool, who's entire existence is in the hands of whoever possesses him. he wants to be used and be useful. he wants to serve a purpose

monkey tells stick what to do, he listens, monkey tells stick to stop, he does so. and stick will do the best possible thing for them to show monkey what they are capable of together, giving him the confidence to trust his weapon as much as stick's chosen to trust him, that no matter what happens as long they communication, they will have each other's back

stick shares monkey's joys and sorrows. he cheers along the troop for his new name and groans when it seemed monkey got sad. they share excitement and aggressive tendencies too

they are more like a single entity with two equal parts rather than a pair, but it's not wrong to call them that either. mind & body, heart & soul, in action they are one, as people they are two, but must be kept together in order to work perfectly. stick is an extension of monkey, and monkey is an extension of stick. they match each others freak save for minor differences in preference and personality. when not in use, stick stands on his own, he reacts similarly as monkey, turns to him, and provides emphasis for the occasional words. he is completely supportive and always by his side if only a foot apart or at arms length, never out of reach

monkey is the same in the way that he values stick's own desires that are seemingly separate from himself. he is considerate of his weapon's wants despite having no impact or benefit to his own except maybe boost his ego. they share an ambition, yet something so minor like playing the guitar is so important to him because it's something stick wants. he didn't even ask if stick wanted anything, he already has him in mind, it was a matter of what and absolute that he gets it

the theme song is sung by stick's voice actor, the singer "ultimate screaming master" aka nan li from voodoo kungfu, an outstanding "world heavy metal music" band. so you could say stick wrote and sang a song about monkey throughout their 99 demons together. I know the lyrics are from monkey himself, the words are his, stick is the music, together they create harmony

stick is bloodthirsty, and he is an artist. both actions are forms of self-expression after lying dormant for millenniums. the same can be said for monkey in that he created an imaginary family, paired with his and stick's signature head-bashing, skull-splitting move, except he does this in sought of attention for being deprived of it his entire childhood, stick has always been the center of, yet was never heard, and the only thought he wants and cares about is from monkey

it was his idea the way they defeat red girl, unpromptly suggested

stick left his "home", because he finally could. he was stolen from dragon, who housed him. he was found by monkey, who allows him to be. stick can't be on his own without his wielder's permission and even then they're in close proximity of each other. monkey allows for stick's autonomy and will to be as free as he can be. he treats stick like a person more than the actual people he interacts with, while dragon still treats stick as property even after discovering he could talk. he doesn't care that stick has feelings, he only wants to abuse his power

Monkey: “What's wrong, Stick? You know this chump?”

Dragon: “Stick? You never talked to me!”

when dragon showed up, this is the only time stick vocalised in a way that it aggravated monkey enough to close his ears. stick doesn't get to say anything else, and he doesn't have to because no one but monkey listens to him, he doesn't need an explanation to come to his friend's defence. the same way stick is in-between the demons and monkey, this time monkey is shielding stick from dragon. a former roommate, acts like a controlling parent or possessive ex

Monkey, to Dragon: “You love my Stick, everyone loves the stick, but no one appreciates Stick like I do.”

Stick: “[incessant urgent warbling]”

Monkey: “Quiet Stick, the grown-ups are talking.”

of course monkey isn't perfect either, in the heat of the moment he ignores stick to protect him, and stick never holds a grudge or resentment towards monkey for his blunders, only dragon was met with initial hostility, but then none at all for the rest of the movie. stick is never really even annoyed with his partner, it just seems like he loves everything about him and wants the best for him, because that would mean what's best for himself too

dragon tries to talk to stick to come back, but monkey says he only listens to him. dragon responds with "I don't see a ring on it, honey" which is from the euphemism for a marriage proposal. dragon clearly doesn't approve of their relationship though this implies that in order for them to be together, they need to be wedded

without monkey, stick doesn't have a will. without a person, he is useless. he has no life, no will to life. it's meaningless without monkey, who he's waited for forever

he laughs at his jokes, they share a sense of humour

stick knows about hell. he knows about the scrolls of life and death

he could not have learned this during the 100 demons slaying because monkey would have known. the reason why stick never mentioned "crossing your name to cancel your death in order to become immortal" is that monkey was under the impression he would win the immortal ones' approval by conquering demons like the elder lead them to believe. why stick never corrected him, this wasn't the mission. stick is at his service, not looking specifically for the most efficient way to do things. he is able to have fun and live his best life with monkey and if the adventure ends, what is there left to do? he wouldn't want to be abandoned again. so he answers monkey's questions because monkey asked, not because stick has an obligation to be conscious or aware of how things play out, but because he's literal and needs to be direct with. whatever it is, he will enable monkey's desires, because what he wants, they both do

they argue about bringing lin along, in which stick advocates for her and scolds monkey because he knows her worth and neither of them can read. if monkey completely owns stick, why would he allow him to knock some sense into himself and fight about something like this? does stick actually have free will to be independent and has merely been sassily playing with monkey and dragons feelings because he enjoys the attention of those two competing for him, or does monkey allow stick to be his own person without the restraint of pleasing his ego in that he is cared for even if he doesn't like it because he subconsciously understands he can't do everything on his own and needs stick to be his conscience too, for both their sakes

their expressions often mirror each other, the way they move even apart is in sync, and they exchange glances, like you do with your best friend

stick also knows about cloning, which he also never told monkey that he knows they can both apparently do. the situation called for it so it's pretty reasonable, but why does stick know more about monkey's abilities than he himself does?

steroids, another song by voodoo kungfu, is used during the fight

although apparently stick didn't know enough as "cancelling your death date" only makes you half-immortal, but monkey immediately blames lin despite it being entirely stick's idea

stick is already immortal, he's an eternal object and looks good for above 5,000 years old. he just needs to keep his friend, who he's known for at least a couple years, alive. least he becomes alone again

stick finds monkey's prank on lin hilarious, monkey makes him laugh

stick sings along with monkey while they search for lin, he yells at her after too

monkey considers stick his best friend and family

stick doesn't care to say anything during the entire peach grove scene. not about benbo & babbo, not about dragon, even though he was used to jab at him. monkey is drugged, therefore his mind isn't intact, which seemingly affects stick's behaviour as well in that he isn't very conscious. they both get knocked ou

he jolts awake after monkey does

stick is empathetic, monkey is apathetic. there is a little bit of the other to them in a yin-yang sense, because stick only empathises with monkey, and maybe lin twice on-screen, while monkey has no consideration for anyone but himself, stick, and eventually lin to an extent. they only care for each other, as stick isn't concerned about anyone else, but monkey does in a way. both for selfish reasons

stick cannot be wielded by a baby monkey, he goes to sleep

monkey tells stick to help lin, he shrinks down for her to use

he sleeps again when monkey is kicked through the roof

despite being unconscious, stick extends himself towards monkey to give the elixir

stick is just as excited as monkey is, if not more, and is ready to fight, but when lin falls, he got worried for her too

lin teases monkey, talking to stick, and he laughs with her. he isn't above laughing at his friend's expense and with someone other than him no less, someone monkey handed him over to in the moment. he was trusted with to assist her and wasn't even aware of lin's attempt to steal him away. if monkey was a controlling master and stick the obedient weapon that he is, how is it that he's able to freely make fun of his own best friend? monkey shuts him up, and he complies, but the fact is while he is always supportive of monkey, he is capable of poking fun at and arguing with him too, usually provoked

stick is left alone with lin again, and is promptly sold out

"momentary fling" sir this is a family movie

stick is inactive throughout his entire hold in dragon's clutches. he is nothing but a prize to be won, a tool to be abused. monkey may need him in every battle to win, but stick has been a damsel-in-distress twice. he is handled by dragon, forced back into a machine that awakens and makes him grow. none of this he chose, none he wanted, he can't leave without help. while he is fulfilling a purpose, he isn't doing this out of his own will. he doesn't choose dragon and doesn't consent to being used this way, but it doesn't matter because dragon doesn't need his compliance, as long the machine works and he's useful

they are so happy to see each other, and missed one another so much,,,

stick is devoted to monkey. he enables him, needs him for his entire being and existence. if it were to be anyone in the universe he will always choose monkey. caught in the middle of the final battle, despite the brief grasp dragon has on him, he is able to fight for his self because monkey is there for him to return to and fall back on. to live in utter depravity under someone who only takes from and forces you into doing his bidding, it's not living at all. monkey gives him a life, stick lives for him and gets to be himself because he's allowed to be as much of a person any object is capable of

monkey is incredibly significant to stick. he is his entire world, and the same goes for him to monkey

they're separated again, the last thing he heard was monkey's desperate cry of his name after he couldn't handle buddha's clutch

lin found stick, either by chance or he called out to her. and he shrank for her once more so she could easily reunite him with his monkey. he doesn't even know she's the one who gave him away, but I don't think he'd hold it against her. he's a staff, not human or demon with complex thoughts and feelings. a simple stick who has a colourful personality, vibrant soul, and passion for music

he flies right into monkey's hold thanks to lin

monkey is stick's home, he is his best friend, his family, his life. they are symbiotic and co-dependent, for breaking them apart would leave them wrecked on their own, one completely helpless and the other out of his mind. there is a fear of abandonment within stick and separation anxiety in monkey, but only one of them has the ability to do something about it, and monkey allows for stick to be unbound by his own ego. they're a team, each others comfort

they meditate together, being one with each other, and stick is just as important as monkey because "the world needs us"

to summarise; stick is a deeply emotional, straight-forward, fun-loving, whimsical, thrill-seeking sentient weapon who's been deprived of activity for thousands of years, which affected the way he expresses himself through bloodthirsty violence and screaming, but he does have an ambition to learn and play the guitar, already being a singer himself. it is a creative outlet for him to release all that pent up energy when he lay dormant, and is allowed the freedom to live a life he wants alongside the one person who values and loves him for who he is

in conclusion... they are both crazy, and stick likes that about monkey

[lucius-the-sinful]

WIP Whenever

Its 2 am on a Sunday. I have to work tomorrow. I do not care.

I have been writing a lot about lazarus lately so i think its time to actually draw him, lets hope i actually get around to publishing his story,,,

Expert from some original fiction I've been working on. CW: open wounds, rotting flesh

The man who answered was a tall, thin human. He had long, wavy brunette hair and captivating hazel eyes; spectacles rested on the bridge of his nose, and he held a book between his fingers. Before Zafir could get a word out, the alleged alchemist drew in a surprised breath. “Hells, get in here. He doesn't have much time.”  Zafir shuffled Nikita in, the man encouraging him to be laid on the bed. Nikita protested at the rapid change, writhing and gritting his teeth. The man pulled up a chair, unfolding a wrap of various tools onto his leg. He glanced at Zafir, beginning to unravel the dressing. “There's a crate by the dresser, drag that over, will you?”   Zafir nodded. He peeked into it to see neatly arranged, labeled bottles filled with various colored liquids. He was gentle with it, not wanting to break the delicate glasses.  “Thank you,” the man said. He had the wound exposed. It was completely black now, and turning Nikita’s thigh necrotic. “I don't know how much I can do for him here. I need a laboratory, an assistant… but I will try my best. Help me make him comfortable, this isn't going to be pleasant for him.”

that is all I have for now c:

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[icewindandboringhorror]

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

[thegirlwhorideslikeasamurai]

Thank you for sharing your thoughts! <3

To be honest, I don't know. The stories I'm reading and those I have read have a quite consistent audience that writes many (and even quite a lot of detailed) comments while these stories are being updated. But I usually read in other fandoms, so I can't tell if the demographic of these fandoms is generally more supportive of their writers or if these writers just know how to engage their audience. However, when I look at the stats of a couple of stories in the YOI fandom that started around the same time as CYHMH (summer 2022), I'm not so sure that it's just fandom demographics. Back then, there was one new story that had 10 chapters out with like 200 comments and I even saw one that had only 2 chapters out but already 300 comments. So, even back then and a long time before the movie cancellation, it was pretty much still possible to excite readers (For the record: I didn't look around for too long to protect my mental health, so the data I have to base my impression on is very incomplete.) Now that I know that many fans are very vocal about wanting more canon content, including some in-between-the-episodes stuff which CYHMH has in abundance, I'm genuinely puzzled. Having heard about the success of other novelisations and sequels, I doubt that's just about original content.

Interestingly, the movie cancellation didn't impact my stats at all. At that time I had a long-wished for uptick in engagement (supposedly due to the fact that I had resumed posting the improved & beta'ed version, but I'm not sure of that) and that uptick held on until about two months after the cancellation. It made me hopeful that I had finally found a steady audience. Interestingly, shortly after the eros-off ice chapter [about 2 months after the cancellation], comments and hits/chapter dropped massively and basically back to the low level they had been at in 2022.

The story has 477 comments (I'm counting the threads, not the total number), which is about 10 comments/chapter on average. From the outside that looks really good. However, a lot of that is from either readers who discovered the story later and made an effort to comment each chapter plus the success it had during the first half of this year. And don't get me wrong, I'm so happy every time a reader takes their time to comment on chapters that had been posted long ago because many readers seem to think that writers don't care getting feedback for these although most of us crave that. In many cases that finally got me the kind of feedback that I would have desperately needed to keep going in 2022, and if I had gotten that back then, the long break wouldn't have happened. Because no matter how much I appreciate these later readers (they're 3 in total, including you and I love every one of you <3), I also need some support and engagement when I post these chapters to keep staying motivated and not being on the verge of quitting writing again because just sharing them had made me feel so miserable.

Right now, there's still some engagement left. But knowing my experience with writing a series for my last fandom (before AO3), engagement drops with every instalment. So if, at this point, there is already so little excitement for my take on the ending of the show and my take on a continuation, I just know from past experiences that it will go down even further for the sequel. And for me, that really begs the question of whether I want to expose myself to another bout of losing my joy for writing and contemplating quitting it because I've already been there often enough.

At this point, I'm just at a loss about what to do. I feel like I did already everything that I could and it's still nowhere near enough: I did tons of research for this story, especially regarding Japanese culture and figure skating. I conducted a meticulous canon analysis to ensure that the characters are in-character and that everything that I add is a logical extension of canon to make sure that this story "feels" like YOI. I worked with a beta-reader because English is not my first language and in those chapters I've posted in 2022 it really showed. I respond to every comment and thank the commenter. And I post previews with little success, at least here on tumblr (not sure what the people on twitter do with them). There's hardly anything I could still try and it's not working.

Okay, I need to get this out of my system.

I have planned to post the sequel to my YOI novelisation in exactly a month from now. My beta said that the sequel feels like an actual continuation of YOI and a friend is even drawing a cover picture, which is just so amazing. But the more I think about it, the more it seems like I'm bound to regret releasing this story a couple of weeks later.

I won't lie. CYHMH had the total opposite of a dream start. I even paused the story for an entire year to get a beta reader because I failed to keep my audience interested and concluded that it was obviously bad. Or maybe it only did so poorly because it can't compete with other novelisations. I don't know and I don't want to know because if I learned the truth, I would probably shoot myself.

The story has 600+ kudos, but that's not reflected in the hits/chapter at all despite all the improvements I've made. The number of hits/chapter which had skyrocketed for a brief time span earlier this year (aka after I resumed posting the improved version) has decreased by 75% since June and hasn't recovered since. Often, I lose bookmarks and subscriptions within hours after posting a new chapter, which couldn't be a more obvious feedback.

I see this loss in interest also reflected in my chapter announcements and previews (not they had ever been great to begin with). Often, I'm the only person reblogging them because rarely anyone else does. On the other hand, my post that I would postpone the latest chapter due to the US elections was so popular and the contrast to the reactions when I finally posted that chapter was so huge that I wonder if people just want me to shut up and stop posting. To be honest, not posting would save me a lot of time and spoons because, let's be frank: writing for a mostly silent audience is just not it. (I have a little bit more engagement on other socials, but the downwards trend is the same there.)

There are only three chapters of CYHMH left to post. The story is at its climax and seeing the lack of interest and enthusiasm so close to the end is just so fucking disheartening after putting so much work into this story which I call my love letter to YOI. Maybe I don't write the kind of stories that inspire the majority of its readers to gush about it, but a part of me had been hoping for at least some people to be thrilled that the chapter was finally out. Or to be at least excited about the sequel. And I can't decide whether my writing just sucks that much to most people, if you're just silent because you only talk about my stories in some exclusionist fic club, or whether a sequel is just not wanted or needed due to the fandom being already saturated with that kind of story.

Would you guys prefer that I stop posting? If you really want to read my YOI sequel or just anything for that matter, I beg you to tell me and to support me.