#i've been meaning to do this for a while so i'm glad i finally posted :)

[swiftlymurmurs]

I've seen a lot of people voice disappointment over this Game Changer season finale and while I personally wasn't really bothered by a lot of the criticisms (I thought the Ratfish was an interesting added game mechanic and I never really care who wins or loses so his judgements not aligning with mine made no difference to me) I do think it's very interesting and I've spent some time thinking about why it doesn't work for so many. Some thoughts: Why is this Eric guy even here?

Tim & Eric were a popular tv comedy duo in the late aughts alt comedy scene. Sam and many of the writers at Dropout are sketch comedy nerds who, in 2007, were freshly at the start of their comedy careers, and probably see them and the larger [Adult Swim] environment they were a part of as a huge influence.

Why has it maybe aged poorly?

As far as I know, their popularity came in the early stages of about a decade of quite cynical, surreal comedy that also spawned the "lolrandom" era. While huge and fresh at the time, I think my generation (gen Z, the main viewerbase of Dropout) has grown pretty tired of this style and favours sketch comedy that's more clever, witty, and emotionally open or wholesome. At least, that's a movement Dropout has very much steered into with their roster of comedians and it's what the viewers expect.

The parasocial thing

It's no secret that Dropout actively promotes itself as a tight group of friendly comedians who you are invited to get to know, expect, and love when they show up. They don't abuse parasociality in the way you see, for example, younger audience oriented youtubers shoveling merch do it, but they absolutely make use of it. Most of the moments from this episode I've seen people gush over or post positively about are those where the cast recognize each other's styles, reference their relationships, and just generally make it known how well they know one another. When a total stranger enters the picture in an episode where the cast already have a barrier to their regular banter AND is given so much power over the game, they may look like an outsider or even an enemy to the happy little family people have gotten so attached to. Especially because his role is explicitly that of an antagonist, and the cast are never given a chance to see him and maybe out their love and respect for him as a comedian. In the minds of viewers, he just stays some guy who made mean jokes about their blorbo and then left.

Conclusion

I'm always glad to see this show making big swings, and while most of them have landed, some of them are bound to miss. It's a show that prides itself on trying things the viewers may not yet know they wanted and the second it stops trying, I think it'll be all the worse for it. It's a shame to end the season on such a note, but it's been hit after hit so far, and before we know it we'll be right back into it. I love this show, I love this cast, and I'm excited to see what's next!

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[iliveforyouilongforyouvesuvia]

Brainrot Housekeeping: An update

I don't know how many times I've tried to find the best way to say this, but I'll put the major updates upfront and go into detail under the cut :')

To get straight to the point, I'm going to be retiring from this blog in a few days.

No, I'm not leaving the fandom

Yes, I'm going to keep creating! Just not on this blog

No, I'm not going to delete this blog

Yes, I'm still going to be relatively active as far as regular fandom activity goes

To go a little more into detail, I've had an ongoing situation at my workplace that quickly spiraled in all the wrong ways over the last month. I ended up having to resign as a last-ditch effort to preserve my physical safety, which obviously means that now my life is going to look very different from what it has for nearly the last two years.

My job (which I did love doing) involved a setup that allowed me the kind of time and space to pump out the amount of content that I have since I started this blog. Now that that's changing, I won't have the consistent, scheduled blocks of idle time to keep up my past posting schedule. Creativity will happen irregularly in my free time, and I'll want to spend it differently.

Which brings me to the future of my creative endeavors and involvement with the fandom - I don't think I'll be able to truly understand the impact this has had on my life for years to come. Having a community with all of you, getting back into my passion for writing and storytelling and creating after six years of giving up on it, finding out what it's like to watch a shared love and enjoyment for characters unfold into something real and exciting ... it's meant the world to me, and I can't thank every person who's been here for it enough. There's no way I'll leave any of this behind if I can help it.

So, no, I won't be writing for the Arcana M6 anymore, but I'm not leaving. I will still be running the Vesuvia Weekly event blog (and, if I have the brain farts for it, occasionally contributing my own submissions) and I will still be active in the Arcana Renaissance server. Not only will I be keeping this blog up, I'll also continue moving all of my writing posts onto Ao3 as well for a more cohesive, effective archive for anybody who just wants to browse M6 content. I won't be taking writing prompts anymore, but I'll do my best to stay on top of answering asks!

As for what I'll be doing next, to be honest, I'm actually pretty excited. I've had an idea rattling around in my head for a while that's begging to be written and illustrated and composed for, and I've finally reached the mental space to do it. I'm already in love with my main cast of characters and the dystopian, fantasy-punk-ish world they live in. If I ever manage to get my ideas off the ground, I'll be more than happy to invite anyone interested to watch it develop and unfold. :D

(And no, this will not involve Dorian at any point lol. I'd rather learn to code and build my own website)

If you've read this far, I can't thank you enough. You've taught me life lessons and prompted me to grow as a person in creativity, kindness, community, and joy. I've learned what it means to hold love and space for others in new ways. You've enriched my life in important and tangible ways and you'll always have a piece of my gratitude. I never would've imagined an experience like this, but boy am I glad it's happened.

Until next time!

brainrot

[churipu]

Hi! ☺️ First and foremost, I hope you're doing well. Also, I just recently found your page and I love your writing!

I really liked your post on the super sensitive reader with the jjk men. Can I get headcanons of the jjk men with reader who is very stoic and a little emotionally constipated? Like they have never seen reader cry ever while in their relationship together, but then reader ends up having a hard week and ends up crying from frustration.

jjk men & their emotionally constipated partner

featuring. shiu kong, itadori yuuji, todo aoi, geto suguru x reader

warnings. cursing and jjk men being sweet and soft to their partner <;33

note. hi anon! i'm doing great, hbu love? thank you for liking my works, you don't know how much that means to me, i hope you have a great day! and thank you for requesting, i find this request very interesting <33 also, thank you guys for the big amount of support i've been receiving for the last two days, can you imagine i gained like 140+ followers in that matter of time? i'm going to start violently sobbing istg. anw, i hope u sexies enjoy this <33

SHIU KONG. shiu loves you a lot, even if you struggle in showing the love back to him, he knows you love him a lot. shiu would receive random messages (mostly a picture of something and then you tell him that it reminded you of him, probably deemed as your love language now). i feel like shiu is partly happy that you don't take things into the heart - but at times he'd be very worried about you. you never cry, you almost never get angry at him even if he did something wrong (you'd just tell him it's nothing and you weren't mad, but he sometimes think it's because you didn't want to engage yourself in arguments), and hell, he barely sees you smile at all.

shiu has heard you tell stories about your new work place, which you quote unquote as toxic. and you've been in the company for no longer than three months, but the stories about your very annoying co-worker and your boss never stops. he swore that the topic of your work place was the only thing that could get you riled up.

i feel like shiu would be the type of boyfriend who would tell you to stop working because he's financially stable enough to provide for you, but you decline telling him that you didn't want to live off of him.

shiu didn't force you to stop or quit your job though, he'd be glad to listen to you talk about your days at work.

"y/n? you're ho— darling, what happened?" he saw the solemn look on your face and realized that something must have happened (yet again) at your work place, he dropped the cigar that was lodged in between his lips and immediately approached you.

you shook your head, inhaling sharply before kicking off your shoes, "work, of course."

"is it your boss? or that same co-worker again?" shiu knew that it was either your boss or this one co-worker who doesn't seem to enjoy your presence in the office.

"both." you sat down on the couch, throwing your head back in exhaustion (you were about to cry and the only way to stop your tears from coming out was to just force it back in with your head back), "i'm getting my paycheck reduced this month."

shiu took a seat next to you, "why?"

"i was blamed for something my co-worker did, this is so unfair," your voice cracked a little and shiu pulled you into a hug, you choked out a sob, "this is so unfair," you muttered out, your pent out anger and disappointment finally seeping out in a form of tears.

"hey, shh..." he soothes you, pulling back to see your tearful eyes. he grazed over your cheek to wipe the droplets away, "let me take care of them, yeah?"

you shook your head, "don't have to, i don't want to make this into a bigger mess."

shiu planted a kiss on your forehead, "don't worry about it darling, you trust me, don't you?"

"yes."

shiu had a "talk" with your boss and your co-worker the very next day and your co-worker ended up resigning right after, and your boss, well they never bothered you anymore (and you're getting an extra paycheck for the next half a year).

ITADORI YUUJI. people always wonder how you and itadori ended up with each other. him being this ray of sunshine, and you were like the moon. but he didn't care about what everyone says, he loves you — and that's what matter, right?

wrong. don't think that you didn't notice the enormous shit talking about you behind your back, about how you probably bribed itadori into dating you and what not. usually, you'd shove all those down the drain and forget about it.

but for some reason, you couldn't help but to rethink about what they said. how itadori isn't too fit for you, or how you don't deserve him at all. the only thing that managed to trigger you was how somebody said that itadori deserves someone more "emotionally available" for him, and that person isn't you.

you never liked being emotionally constipated, people always talk about you behind your back, saying how you're so distant and that being the reason you don't have any friends. you keep telling yourself that you're used to it when it comes to you, but when it comes to itadori and your relationship — you feel helpless.

"y/n? are you okay?"

you looked up at him, a glint of worry flashing in his eyes. and you can't help but to feel the frustration building in you as you remember the words people say to you, "yes..no? i don't kno—" you choked out, smacking your hand on top of your mouth at the sound you let out.

it just got worse when you feel the tears you've been penting up for the past few weeks come out. itadori blinked feverishly, a little surprised to see you crying like this. he has never seen you cry before, "y/n..?" he breathes out, his hand reaching out to you, but you moved back, trying to avoid his touch.

the embarrassment you felt was horrid, you hated crying in front of people, even your own boyfriend, "baby," itadori mutters out seriously, grabbing your arms and then pulling them away from your face, "tell me what's wrong. talk to me."

i feel like he knew where this was going, he had a hunch. for the past few weeks, you asked him about why he was with you, why he loves you when there were better people out there (you think). and he knew it was because of what people said.

"i...i just don't think i'm the right one for you, yuuji. they're right, you need a more emotionally available partner."

itadori's face fell when you said that, and he shook his head, pulling you into his embrace. rocking back and forth like a baby, "why would you say that? why would you listen to them y/n?" he asks quietly.

"i...don't know."

he pulled away, brows furrowed and he held your shoulders, "you're perfect for me, i don't give a fuck what they said about you and i. the next time someone says something, i'm going to beat them up," the thing is, he looked so serious you couldn't help but to chuckle.

"you just chuckled.." he breathes out, "my life is complete."

TODO AOI. he's very boisterous, and i feel like he'd be the type of person who would defend his partner everywhere they go. when you accepted his feelings, he was surprised since he never expected you to like someone like him. but he was pretty damn proud of you, and as a boyfriend, he shows you off like a trophy.

telling people about how amazing you are, how you make him happy, or how you treat him nicely. but people are fucking judgmental, some of them don't like the idea of others living happily — and you never thought that "these" particular people would target you next for it.

saying how fucking weird todo is for liking someone like you, and you had to be honest, it did get into you. and so began your avoidance to your own boyfriend, todo.

he hates it. he hated how you changed out of the blue, no matter how hard he tries to reach out for you, you weren't the same anymore and he never got why you decided to change.

believe me when i say that he tried asking his friends about it, or about tips to get you to talk to him. but really, they weren't much of a help, saying how you probably got bored and is avoiding him so he would be the one to break up first with you.

todo didn't want to let the idea of that get into him, but after a few weeks of you avoiding him non-stop, he began thinking the same thing. were you bored of him? did he do something that you didn't like? or is it because he ate the last chocolate chip cookie you were saving up and blamed it on someone else?

so when he got the chance to bump into you, he immediately took it as a chance to ask you about it.

"why are you avoiding me?" you tried ending the conversation right away by going the other way, but man is fast fast so he didn't let you — still wanting to know about the sudden change in your behavior.

todo knows how you didn't like being cornered, or how you don't like talking about the relationship, sappy shit. but if he didn't talk to you about this, todo knew he was going to regret it.

"y/n," he grabbed the back of your collar, pulling you back lightly, "did i do something wrong?"

you were silent for a few seconds before todo's ears perked up at the sound of soft, choked out sobs. you were crying. you were crying. and the panic sinks in, "i..i'm sorry, did i pull on your collar too hard?!" he panics, flailing his arms.

you shook your head, "...no, i'm sorry for avoiding you."

todo stopped his panicking and stood up straight, "i couldn't stop thinking about what people have to say about us, and now that i think about it, i feel like you deserve more than me," todo widened his eyes and looked around.

"who the fuck said that? i'm going to beat them up so bad people won't recognize them," todo mutters out and the corner of your lips tugged upward, "is that why you're avoiding me?"

you nod, "it was wrong. i know i should've said something about it. i'm sorry for avoiding you."

todo laid his hand on top of your head, brushing your h/c softly with a gentle smile, "you're perfect for me, fuck those people," he cusses out, "next time you hear em', don't forget to find out their names— i'm going to give them a lesson for it."

SUGURU GETO. suguru and you are like two peas in a pod. people never see him without you and vice versa, and often people would say that you both are the perfect couple. despite your personalities almost being the same type of calm, suguru is a calm man, and he's soft spoken. while you were just plain cold and stoic, rarely speak of something or even show your emotions.

someone bothering you? okay. someone making fun of you? okay. you were practically a walking definition of "i give zero fucks". but that doesn't mean you can't feel hurt, you are still human after all.

so when suguru told you about how he has a new co-worker, and how she has been clinging onto him, how she tries to get in his pants. you find it cute how he tells you about it, even telling you that you should come to his workplace so he could show you off.

you didn't feel anything because you trusted him. until you see the so called "co-worker" of his. she's pretty, you can't deny that. and you could see how she gets along with almost everyone, having no problem in instigating a conversation or complimenting people. people definitely like her.

that's where the insecurity began sinking in.

would suguru fall for her like everyone in his workplace does? would he leave you for her? so many questions you wanted to find the answer to.

"baby?"

you look at him, completely out of your daydream. he cocks his head to the side, "are you okay? you've been zoning out a lot lately..." he said, voice gentle and worried.

you nodded, "yeah. sorry. got a lot in my mind."

"do you want to talk about it?" he brushes a few h/c strands from covering your face, "you've been a little distant. is it something that i did, baby?"

god, just the thought of suguru thinking it was him made you a little sensitive. the past few weeks was already hard enough for you to contain yourself from breaking down, and him asking that made the tears you held in for so long drop out all at once.

suguru was a little taken aback and he sat straight up, alarmed, "y/n? baby? what's wrong?" he asks you gently, wiping the tears that never ceased from your face.

"i feel..i feel like i'm not enough. you deserve better than me, suguru." suguru swallowed the lump in his throat, he should've known, ever since you came to his workplace, you had started getting distant. and he should've known that was the reason.

suguru shook his head, cupping your face before giving you soft little kisses all over your face, "don't" a kiss on your forehead. "you" a kiss on your left cheek. "dare" a kiss on your right cheek. "say" a kiss on your nose. "that" a kiss on your chin.

the male gazes into your eyes deeply, "i love you," he softly said before planting a kiss on your lips, "you're the one i want, you're perfect for me. i can't see my future without you y/n, so please don't think about that..."

© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !

[dropthedemiurge]

Love for Love's Sake | Things you didn't notice (probably)

Finally, I am watching a good K-BL and can enjoy multi-layered meanings within language, culture and translated subs altogether (unlike with Thai series where I need to learn a new language again xD)

So I'll be pointing out some fun things that I noticed for fellow foreign viewers =) Beware of a long post!

Disclaimer: I'm not fluent in Korean, but I've been learning and using it for years + lived and studied in Korea for a while so I'm offering my perspective and knowledge but it might not be the Ultimate Truth

Episode 1

«I prefer lonely supporting characters instead of happy protagonists. Cha Yeowoon is still unhappy. ... - Where are you going? - To see my main (최애). I mean, Cha Yeowoon.»

The word Tae Myungha used to described Cha Yeowoon, as I heard, was actually 최애 (choe-ae). It's a slang that can be translated as "my favourite" and typically is used for K-pop group members, meaning "my bias" (think One True Pairing but One True Person instead). Then, as his fellow classmate gets confused, hearing such word referring to a popular student in their school, Tae Myungha changes to "I mean, Cha Yeowoon", and it works because the word and the name sound similar.

Myungha uses this word because in the intro he stated that Yeowoon is his favourite character in the book out of all. So basically, his first reaction was "- Where are you going? - I'm gonna run to find my blorbo&lt;3", which is so admirable. I'd also get obsessed with making happy my fav side character that was treated unfairly by creators :D

«Kids like chocolate, right? ... (Yeowoon grabs an icecream, Myungha grabs the same, adding with surprise:) Didn't see that coming. Bi-Bi-Big (비비빅)? You eat like an old man.»

What surprised Myungha there? That Yeowoon chose this icecream->

It's a traditional icecream that is made out of red beans. This taste is usually associated with older people (because typically kids like sweet things and older people like less sweet/bland tastes), also red beans or read bean paste is used in many traditional desserts in Korea. Yeah, who would've thought that a high schooler would choose this icecream out of all options?

Later, Myungha gets the message "You can compare Bi-Bi-Big to big Ba-Bum-Bar (another icecream with "old man taste" from chestnuts), why the hell would you eat it?" and gets confused as the message seems missent. I am confused as well, because Myungha wasn't the one choosing this icecream and Yeowoon wasn't typing in his phone. Considering that the phone number is unknown, I can guess that it might be a commentary from the book's author who's watching Myungha playing his story game? Let's figure it out in the next episodes!

«- You eat like an old man. - Do you play sports? - No. - Weird. You're a whiner like I've always heard. - Kids these days have no manners.»

My quick translation->

«- You eat like an old man. - Sunbae, do you play sports? - No. - Strange. You sound like one of those older jerks (꼰대). - Kids these days have no manners.»

More on the differences between Tae Myungha and Cha Yeowoon:

Myungha tried to poke Yeowoon about his "old man tastes", and Yeowoon called him out for his conservative/stereotypical thinking.

Yeowoon keeps calling Myungha sunbae (because he knows MH's a senior in their school so he must be polite), and Myungha REALLY TALKS LIKE AN OLD MAN to him ("Kids these days" in the subs does translate this style of speech correctly! I'm glad). We all know he's much older before he was thrown into high school times (~25-30yo?), but his words and intonations really make you feel like he's 50-60yo or something xD

Yeowoon doesn't like this at all, though, so he calls Myungha a sort of derogatory term 꼰대 (kkondae), which is used to described old conservative people who are set in their ways and keep nagging and scolding young people for not behaving properly. And, as a runner, he implies that there are senior sportsmen that are hazing or nagging younger sportsmen like this as well, that's who Myungha reminds him of. No wonder the affection stats fell down in the minus zone so hard!

There you go, guys, these are my comments on the first episode of Love for Love's sake! It is filmed so well, I like the idea, and I really enjoyed it (if this one gets really popular just like Semantic Error, we might get more BLs about gamers or gamedevs and I WILL LOVE IT I am so here for it, hehe)

Stay tuned for more as I watch next episodes :]

[cinnamontoastcrunch-15]

HELLO I moved last week and I have no WiFi or service in my flat (posting from a coffee shop) so I apologise for the lack of posting.

However, this was meant to be for today's wolfstarmicrofic prompt Basilisk, but it's officially much too long because I've missed writing to post lmao, so it's not a microfic.

(Ravenclaw Remus AU.)

"Lupin, you're patrolling with..." Moody flicks quickly through his notes, "Black."

"Oh, er... Alright," he says with a shrug, trying to pass himself off as calm.

Internally? Every single alarm is going off in his head.

Remus never exactly... spoke to Sirius Black, or his friends. Ravenclaws and Gryffindors aren't really destined to interact, and Remus would have chosen death over joining the Quidditch team. That didn't stop him from being one of far too many people in the school that had a major minor crush on Sirius.

Sure, he knew that Sirius had grown up rich and pampered. He always held himself in this way that made him seem ten times more important than everyone else. That wasn't exactly helped by the fact that he was a Gryffindor. Lily, Mary and Marlene were the only Gryffindors Remus has ever really tolerated. The rest are all pretentious as fuck. Everyone knows that.

Still, for some reason, his brain would short circuit whenever he was so much in the same room as Sirius. He still lays awake at night, humiliated about the time he accidentally caught Sirius' eyes and tripped over the bench in the Great Hall.

Joining the Order wasn't even a question for him. Anything to help them win the war. He hadn't exactly expected Sirius to do the same, but it just makes him feel like he's back in school. Frustratingly enough for him, Sirius has only gotten more attractive in the year since they've left school. It hasn't really mattered until now, though. He's been pretty successful in avoiding him. It's probably helped by the fact that he isn't even on Sirius' radar, but this? He's going to set the strangest first impression on the planet.

There's nothing he can do about it, though.

That's how Remus finds himself waiting outside the Order house, fidgeting with an unlit cigarette.

"Hey, Remus!"

There he is.

Remus looks up, shoving the cigarette back into the carton. Sirius has stopped in front of him, running a hand through his hair and grinning at Remus.

Leather jackets look weird on literally everyone other than him.

Remus has to jostle his brain into functioning. He blinks once, before finally mustering a polite smile.

"Hi. Should we get going?"

"Yeah. Yeah, let's go."

They walk in silence for a while, moving from spot to spot and taking the odd note.

Until Sirius decides he's done with all of that.

"Y'know, I was hoping you'd join the Order."

"Sorry?" Remus practically stops in his tracks, turning to Sirius with wide eyes. Shock ripples through him.

Hoping?

"I mean, I had a feeling you would. I'm just... glad you did, I guess."

"I didn't even know you knew I existed," Remus confesses quickly.

Sirius actually does stop moving, grabbing Remus' forearm and stopping him too.

"You're kidding, right?"

"No, really. You existed on this... separate plane. I mean, you were you. Everyone knew about you. Why would I be on your radar?"

"Remus," Sirius says slowly, eyes boring into Remus'. It sends a shiver down Remus' spine. "All I did was think about you."

"What?" Remus sputters, a strange mixture of confusion and shock overwhelming him.

"Oh, I had such a crush on you." He shrugs like it's nothing; like what he just said hasn't turned Remus' entire world on its axis. "I thought that was obvious, I mean... you're bloody brilliant. Ravenclaw prefect, running a study group-"

"I can't believe you've even given me a second thought," Remus says, a little breathless.

"Merlin, I did. I remember telling James that I'd fight a Basilisk for you." Sirius chuckles to himself, but Remus is losing control over his own responses scarily quickly. "I know you couldn't stand me, but-"

"Who said that?"

"Nobody had to." Sirius watches Remus, a little puzzled. "You're not the biggest fan of Gryffindors, right?"

Well, he's not wrong.

"Besides, you couldn't stay in the same room as me. You literally fell over yourself trying to get away from me before."

"Oh, God," Remus mutters under his breath, his face heating up uncomfortably. His one comfort has been that Sirius didn't notice him embarrassing himself every time he walked into the room.

"Sorry," Sirius says suddenly, releasing Remus' hand. "I didn't mean to- Christ, I've made things even more awkward, haven't I?"

Huh.

He's not as confident as Remus thought.

"I'm so sorry, I didn't mean- let's just forget I said that. Finish patrolling."

No.

Remus doesn't want to forget. He needs to do something, before Sirius never speaks to him again.

Hurriedly, he grabs Sirius' hand, pulling him into an alley nearby.

Well, he's committed to it now. No turning back.

"Remus, what-"

He pulls Sirius in by his stupidly perfect jacket and connects their lips before he has a chance to second guess himself.

Thankfully, Sirius wastes no time in falling into the kiss. His lips are soft against Remus', parting just enough for their tongues to meet.

The kiss is everything he could have imagined and more. Sirius is somehow both tentative and eager and he tastes like cinnamon and fuck, Remus may as well have died and gone to heaven. His hand involuntarily slides into Sirius' hair, and he's rewarded with a muffled gasp.

Okay, maybe Gryffindors aren't that bad.

[vidavalor]

I've had to disconnect from my dash because of all the negativity; I honestly do not get why people are acting like a semblance of justice+a movie is the worst thing in the world?

I'm mourning for the full six-episode season we lost because ng couldn't pass the utmost basic sub-zero bar for not acting like scum and of course I wish amazon had kicked him out and then sprung for it anyway (and honestly, as long as you're blaming the right person, I think it's fine to feel upset? We deserved better, the cast and crew deserved, Terry deserved better, and this one guy ruins it for everyone because the bar was buried six feet deep beneath the ground and he still managed to go lower, and that does suck, and it is miserable and unfair, so take a moment if you need it 🤷‍♀️) but let's face it, we got off lucky. Arguably, considering this was a standalone novel from the nineties, that then got made, in one of the best book adaptations I've ever seen, into a limited standalone tv miniseries (and, again, emphasising the standalone here, so even if it all goes to hell in a handbasket, we'll still always have S1 and the book; people have been ignoring the Jurassic Park sequels for nearly three decades), and then got a surprise sequel, we were pretty lucky the whole way through.

And regarding the whole what if it's bad thing, I was always going to be worried: I was anxious long before this shit went down, and I was anxious before S2 and even S1, as well. It's not like we ever had any guarantee it was going to be good beforehand either, and at this point, knowing what we do now, I'm not at all sure I'd have trusted ng to write this anyways. So while, yeah sure, I'm maybe a little more anxious now, I trust Michael and David with these characters and I trust Rob and Rhianna with Terry's legacy and story and that they wouldn't have fought so hard for this ending unless they planned to keep fighting and thought they could pull it off. Isn't the problem with this kind of thing normally that what happnes is the creator who cares deeply about the work gets pulled in favour of someone out-of-touch who cares not a jot about the story and needs to leave their own grubby fingerprints all over it? More the other way around here, no?

Anyway, what I also wanted to say was that I really appreciated your 'think of it as the final two episodes of season two' (and all your takes on this situation so far, very level-headed and optimistic, thank you). I mean, you're right, and it's hardly wildly out-there for a series to finish on a feature-length special, and although the filler material in S2 and the compression of S3 maybe means it doesn't exactly resemble what the second book would have been, it was only ever meant to be two books. (Don't get me wrong, I enjoyed S2 and was very glad to get it, even though I am a book/S1 fan and also had the most fun in that time fandom pre/post/around the time of the S1 release, but why does it exist? Ego? You can't tell me you couldn't have fit the important parts of S2 into one season with the S3 plotline.)

Basically, I'm grieving the could-have-beens (imagine if he'd been exposed way earlier and the TP estate had had control of this whole production from the very start!) and I'm a little worried that that hurt'll stick around no matter how good S3 is - which I need to fix, because that's more power over my favourite show and what it means to me that I want to give anyone, let alone someone like that - but at the end of day, I do think it definitely can be done with what we have, and I'm choosing to be hopeful it'll be done well, because, well, why wouldn't I?

(I will say this hasn't been great for my faith in humanity, because I really want to believe not all men are shit and some of them are making it very difficult right now, but that's an entirely different problem and so far believing most people are mostly good has always prevailed in the end so. y'know. we'll get there. might reread discworld, that's always good for that.)

Sorry for venting all this at you! I just kinda felt the need to write it all down once to get it off my chest... have a snack on me? I'm partial to cherry tomatoes, green melon and mandarines at the moment (I stop eating salads in winter, which means I default to eating even more fruit) but I can also offer homemade baked goodies fresh from this morning? 🥧

Hi there. 💕 You are welcome to vent away & thank you for the delicious-sounding snacks and kind words. I'm glad my posts on the movie boosted your spirits about it. I agree with and can relate to almost everything that you said here so assume that anything that I don't address just has a 'yes, absolutely' nod happening. 🙂‍↕️

The one thing I want to touch on here is S2 and this idea of it being "filler" that you mentioned that I think might not be quite accurate. I think you (and anyone else who reads this) might feel more enthused about the idea of a good ending in 90 minutes after reading this so hopefully this'll be another way that I can help?

On why S2 is really the whole story and actually had a lot more going on in every way than S1...

Ok, I'm going to explain something that drives writers like myself bonkers 😂 and that is how some readers or viewers of fictional stories mix up plot and story.

Nothing grinds our gears than reading things like "filler" and "unnecessary subplots" because, while everyone is within their rights to have an opinion on written works, 95% of the time, the person who says phrases like this isn't talking about the quality of the work but of its very existence. They're saying "why did we have to read/watch this? it didn't connect to anything" and that's where they are very, very, very... argh, just tell them, Crowley...

...thank you, dear. Right, so, why is it wrong?

Because what many people who don't write don't understand about subplots and more character-driven story arcs is that the writers sat down and decided to do that stuff for very, very specific story reasons. Readers and viewers mistake plot for story. Plot only exists in service of story and, so, all plots exist for a purpose in the story. They're all relevant. In fact, the stuff people usually label as "filler" in a story is really exactly where they should be looking to figure out what the story is saying. If you're big mad about all this time you spent with Maggie and Nina in S2, I'd say you might not still understand what S2 was about because you won't understand Aziraphale's story without understanding both Maggie and Nina's struggles in S2, for example.

A story is the whole, overall thing. It's the meanings, themes, and messages in the work. It's what's being said. It's the ideas being put forth by the piece. It's what it's about. It's different from plot, which is just the stuff the writers are making the characters do or not do in order to tell the story that they are looking to tell. Story is the art; plot is a tool used to make that art. Fiction writers can come at their story from almost anywhere to convey what it is that they are trying to say so there is meaning in the fact that they are choosing to tell their stories the way that they are telling them. They came up with these ideas for reasons.

When you dismiss stuff as filler, you're saying that it's lesser than more in-your-face and bigger plots (when, often, it's very much not), and you're telling a writer how they should have written their own story-- most of the time, without even fully seeing the ending of that story or giving any consideration to why it is that the writer wanted you to read or watch the stuff you're saying wasn't necessary. I'm not arguing that every story is perfect but you aren't getting anywhere near close to being able to evaluate a story if you're not willing to dive into what you were given and consider why it was that you were given those things and what they might mean.

Until the main question that you're asking about every single aspect of a story is "what is this saying?", you're not really fully engaging with a work. You won't get there by dismissing what the artists are telling you is important.

The secret sauce to interpreting fiction are subplots, actually. They exist to help highlight the themes of the main story, often in a slightly more direct way. If you want to understand Good Omens, starting with Ineffable Bureaucracy is actually one of the best ways to get at the core of the themes of the story. It's far from wasted time in the story.

There's actually a funny nod to the importance of subplots in 1941 when Aziraphale references Sophocles, the playwright who basically created the concept of the supporting character whose story mirrors and parallels the main character(s). The mention of Sophocles shows up in S2, the season that brings Gabriel more fully into his purpose as exactly that.

The reason why S2's plot is centered around the honestly pretty easily solvable mystery as to what's happened to Gabriel is because Gabriel, from the get-go, has been the entire story distilled down.

If you follow nothing but Ineffable Bureaucracy in Good Omens, you're going to be closer to getting what it's about and where it's going and what its end game is than you are if you are dismissing it as wasted time when we only have few episodes left. If you haven't yet seen the secret wisdom in Jim-- not to mention understand that Jim and Gabriel are the same person-- then you're probably wigging out more about the movie.

You likely think that S2 was wasted on stuff like Gabriel, or Maggie and Nina's romance, when they should have been getting to Armageddon and The Second Coming already!

You haven't yet noticed that Armageddon has more than one meaning in the series.

It's not always the literal destruction of Earth but also a person's own life crisis. We are all worlds of our own and those worlds can be put at risk if we don't let others in and take care of ourselves and those around us.

When you realize this, you can start to see that S1 goes hard with a freight train of plot all over the place that is related to Armageddon in a more Biblical, apocalyptic sense while it establishes its universe for us but that, once we know how it all works, we can get something like S2... a time where we can step back and start using Armageddon in the more figurative way that the story is also presenting it.

We need to because the story isn't about Heaven or Hell-- it's about being a person. S2 is emphasizing the deeper aspects of the themes and rolling that out at a pace more in line with a person having a few days of inner crisis. When you see that Aziraphale's crisis is the point then you can see how S1 can be about The Four Horsepeople riding to the end of the world and S2 can show War (inner conflict), Pollution (mental health issues), and Famine (symptoms of the other two; lack of food and pleasure and connection; self-starvation and self-denial) as a mental health crisis.

The point is that if you're thinking these characters need to come together to overthrow Heaven and Hell and get to the South Downs Cottage and there's no time slajdflkfwjlkejlje!?!?, then you aren't realizing that not every revolution involves guns and bombs.

People all over the world can start a love train that's far more effective. You might think a subplot about The Hellhound and The Ginger Cat learning to play nice and that they have a fuckton in common and should maybe bury the hatchet and just become eternal bffs already is filler but Crowley and Gabriel aligning is set up for the end game. It's strength in numbers and finding peace and family. They can't overthrow Heaven/Hell without help and Gabriel is the Supreme Archangel. They literally will never have a South Downs Cottage ending without a plot that helped Crowley and Aziraphale see that Gabriel and Beez are on their side.

This is the revolution in Good Omens:

It will take all the characters coming together to overthrow Heaven/Hell and set up something new for us to get a happy ending and we absolutely will. S2 is Gabriel-centric because Gabriel is the key to all of the characters getting a peaceful ending and because he's a split-directly-down-the-middle mirror of both Crowley and Aziraphale. In a season that is more about Aziraphale's inner Armageddon than about an external threat, Gabriel is vital to telling that story. The plot of S2 is every bit as important to the story as S1. I'd argue that it's even more important because takes the time to go at the themes in a slower, deeper way. It needs to because it's a story of a fall that sets up for a story in S3 of a recovery from one.

Good Omens is the absolute perfect combination of a show that is both very, very detail-oriented and full of depth while also being, secretly, an incredibly simple story. I do not mean simple in a negative way but in a chef's kiss sort of way. Simple in a tight and elegant sort of way. This is something that I think some people might not see when they're theorizing but it's something to keep in mind ahead of the movie. Not just because the movie is shorter-- this would have been relevant if we were having a longer S3, too.

Good Omens has a very engaged fan base that looks for the details, yes. *raises hand* I'm one of them lol. And there will be plenty to pour over in the movie, but... the big thing to keep in mind is that your theory needs to be something that is simple, that can be explained in under a handful of scenes, tops, and that is focused on where Aziraphale's story arc is going above anything and everything else.

If you're beginning with time loops and the birth of a new antichrist baby, I'm telling you from ages of experience reading and writing stories, you're going to be way off. If you are over here composing theories of the story that you are arguing are correct and this theory involves, idk... *makes something up* Crowley is really Elvis and Elvis is really The Bentley and when a rainbow hits Whickber Street at exactly 4 minutes into the new season, Satan will be revealed to really be Jesus, I think maybe you might be missing the point of the details that the show has given already. Like the plot, these details exist to reinforce the themes of the story. Story beats everything else-- it's what this is all about.

And what Good Omens is about? Is best summed up by Michael Sheen, in this single sentence that I really, really agree with and have paraphrased more than once in posts:

Good Omens is about the business of living. It's about the human experience, which is the experience of being a person. Everything related to Heaven and Hell and good and evil and Armageddon and supernatural things is plot that only exists to highlight a story about the complexities of being a person.

The supernatural is human and the human is supernatural.

That is what Good Omens is about.

While Crowley and Aziraphale are built as two halves of a whole and are both main characters, Aziraphale is the main character from a technical, story perspective, because he is the character whose story arc is driving both the plot and story forward. He's heading for a happy ending with Crowley in the South Downs by the end of the film. If you're making theories, start with what kind of plot would truly get him there and still fit with all of the themes of the story.

This 'it's about being a person' business is why if you look at S2 as filler and not as a season that is exploring the continuing themes on a deeper level, you're still worried about things like there being no time in a movie to show the story of a new antichrist kid being born or how they're going to fit the whole Second Coming into the movie. You don't yet see that Aziraphale parallels Adam and that being an antichrist is basically just being a person and that Aziraphale is presently the antichrist in the story. There is no antichrist child yet to be born. They won't be cutting it because it's not the story.

Armageddon since S2 has been Aziraphale's own personal one and the story from the end of S2 on is now how, if all the other characters can't come together to help him, it could also trigger Armageddon of the S1, Earth-destroying kind. It's tying a more literal Armageddon into a more figurative one. Because this story is about being a person so Armageddon is just metaphorical for going through a mental health crisis and shutting people out.

This story's themes include that every person matters and we all have to let others in and look out for one another. That there's strength in numbers. That found family and adopted family is as much family as biological family-- often, even more so. That labelling and categorizing people is bullshit and you should always open the cover and read the first sentences of people and help people whose stories begin with the same letters find one another. That it might be surprising who has things in common. It's about all of Heaven and Hell versus all of humanity, in the sense that ideas of being a perfect angel or being seen as an evil demon are concepts felt by human beings that get in the way of peace and healthy, happy living, but that fighting them is a common, human struggle, regardless of from where you come.

If you are too focused on the religious plot being the center of the film, you haven't yet seen the meaning of why the end of S1 was an eleven year old kid saving the world by telling off the bio-dad that was never there for him. You might be one of the people who thought this a silly, anti-climatic ending to that story, and don't yet realize that this is the entire story in a nutshell.

Adam can only reject Satan and keep the darkness at bay because he is surrounded-- here, literally-- by a family that supports him. He has good people for parents and was lucky enough to grow up with resources that all kids in this world should have. He has an absolutely terrific group of friends. He has this witch lady and her boyfriend and these two gay uncles that just showed up out of nowhere 😂 and his human incarnate self has what it needs to make it through this crisis, in this moment, even if he'll probably have others throughout his life, just like all of us. He's not evil incarnate and he doesn't have to be perfect-- he's just a person.

Aziraphale tells Adam this but struggles to see himself in the same way. That's what S2 is about.

S2 is about that other kid who, like Adam, breaks the season down into a single line of dialogue, David Tennant's apparent favorite from the season:

Jemimah knows who she is and she is happy to claim ownership over her art and contributions to the world. She's living her life with excitement and enthusiasm in a way that gets more complicated as we become traumatized adults. Crowley and Aziraphale struggle with this. They have been making a life together on Earth for thousands of years and each struggle, in their own ways, to truly accept that they are people who are allowed to have a life because they struggle to accept that they are people, just like everyone else.

Their story is about getting to a better place with that. That's really all Good Omens fundamentally is. That's why their ending is going to be to go live in a little cottage together that isn't a business that covers up an angelic embassy that covers up a secret love den. It's just their house-- theirs together for the life they're going to live openly together.

If you want some peace with the film, I'd advise throwing over your theories about The Second Coming and Armageddon needing to happen and antichrist kids and how Jesus fits into everything. Jesus in Good Omens is Crowley romancing Aziraphale at the crucifixion and Aziraphale using what Jesus said to Crowley to reject temptation as invitation to fuck him. I thought Jesus in a single scene or less was the most likely thing for S3 and the same holds for the movie. It's not the story. The only time The Second Coming is mentioned in S2 is by the villain and, to get there, Earth would have to first be destroyed. It won't be.

If the story is about being a messy human walking the Earth and we're in the end game now, then the story is about Aziraphale and only Aziraphale. Everything-- everything-- will be in service of Aziraphale's story arc. We already had just a few episodes with S3 and we now have even less time but the way this is going is still the same. The story is Aziraphale's fall and the other characters coming together to challenge Heaven to keep Aziraphale from eternity in Hell. That's how Armageddon is stopped this time around-- overthrowing Heaven with Aziraphale's fate as the motivation to take on The Metatron. It's nothing to do with Jesus. It's everything to do with Aziraphale.

When you see that, you can see how feasible that is in 90 minutes, with plenty of time for things like 1941, Part 3 and other flashbacks.

I think, when all is said and done, you might wind up appreciating S2 more after the film but you can get there already if you start looking at it less as meaningless fluff and start asking why it is that we were shown this story, in this way, and what that can tell us about the story we're watching.

[toychest321]

Ugh, I've been meaning to post about this doll for what feels like ages! Allergies have been pretty bad this week, but I've finally been able to pull myself together enough to post about Fulla's prayer dolls!

According to the Islamic blog Alhannah.com, "The purpose of a prayer outfit is twofold – to respect the sanctity of prayer by covering one’s ‘Awrah’ (parts of the body that should be covered in public) and to uphold the principles of modesty".

"A prayer outfit typically encompasses a long, loose-fitting skirt paired with a top that has a head covering (Hijab), collectively ensuring that the body remains concealed during prayer". The website also states that there are one-piece and two-piece versions of the outfit, the choice between the two often coming down to preference of the wearer (in this case, it seems Fulla prefers the latter)

Muslims pray five times per day: once in the morning before dawn (Fajr), once at midday (Dhuhr), once in the afternoon (Asr), once after sunset (Maghrib), and once in the evening (Isha).

As far as I can find, there have been three prayer dolls of Fulla released. Two are for the Fajr and Isha prayers respectively, and one is for a process connected to all five!

Fulla's first prayer doll was released in 2004 with a doll-sized prayer mat and prayer beads for yourself!

Prayer mats are used to ensure the ground is clean while praying. Prayer beads, meanwhile, are used for dhikr, a process of prayer recitation after each of the five daily prayers. The beads are typically counted for each of the 99 names of Allah recited, however with certain prayer beads consisting of 33 beads instead (such as the one included here) they are counted 3 times over. The first 33 recitations are "Subhan Allah" (Glory be to Allah), the second 33 are "Al-Ahamdulilah" (Praise be to God), and the final 33 are "Allahu Akbar" (God is greatest). After these you must pray "Laa ilaha illallah wahdahu la sharika lah lahul mulku wa lahul hamdu wa huwa ala kulli shay in qadir" (There is no god worthy of worship except Allah alone, with no partner or associate) once.

Her next prayer doll was released in 2006 for the Morning Prayer (Fajr)! While I can't definitively say the same for the prior Prayer Dress Fulla, this doll wears indoor clothes underneath her prayer outfit to start the day! She comes with a prayer mat and bag, and (it says on the box but its hard to read) a prayer booklet of the Morning Prayers! And I hadn't even known this until now for this doll or the next, but apparently there's a button on her back that makes her recite them (batteries included)!

I like how much the pink pops against the white! Although the outfit is decent, it looks a bit plain compared to her other indoor looks (although that could have been intentional). I don't have any particularly strong feelings on her fashion, but it's decent!

The same year a doll for the Night Prayers (Isha) was released as well! Underneath her prayer clothes she wears a pair of pink pajamas with gingham detailing, with matching pink slippers! It seems she also came with a prayer mat, bag, and booklet (this time for the Night Prayers) as the Morning Prayers Fulla did! And yes, she also has a button to make her pray them with you!

I love these pajamas so much, they're so cute!!! And the way they match her prayer outfit too??? Indoor-fashion-wise, I probably prefer this one over the Morning Prayer's indoor outfit.

Overall, I love how all of these dolls not only represent a significant Islamic religious practice, but encourage children to do it with her! Between the prayer beads and voice button, I can easily see this doll joining in prayer with her owner :)

And not too difficult to imagine either, since Fulla has also made officially branded prayer clothes in 2005, 2007, and as recent as 2024!

Anyway, I'm glad I was finally able to dive deep into this topic like I'd been meaning to look into for a while (now to get some sleep as it is currently 4am)

Ramadan Kareem!

[kozachenko]

(Click the image for better quality)

Yipeeee that Keiki and Mayumi fanart I posted the WIP of is finally done woooo- This piece was a very experimental one that I'm kind of OK on. Maybe because I've just gone insane looking at it for so long and I'm my own worst critic lol.

Artist's Notes;

So I've once again been playing around with my rendering style, mainly because I have been wanting to improve my lighting for a while now and as I was just scrolling through Tumblr, I saw some of the official art for that one webcomic-turned-animated-TV-Show Lackadaisy and was immediately inspired. I also have seen a technique a few times in the past where the lineart and shading are merged together, so I've been meaning to try that for a little while.

I did some experimentation on this one sketch of Keiki I posted in my sketch dump and I really liked the results of it, so I carried those over to this piece.

I ended up scaling up Keiki and Mayumi from the original WIP because I felt like they were both getting lost in the composition, and I'm glad for that because I think it works a lot better. I'm not a fan of how Mayumi's sword turned out at all, but it's not really meant to be the focus of the piece so eh. Overall, I think I could do better with my colours, probably because with Keiki and Mayumi's colours, I did them flat in greyscale and then used a brush on the overlay blend mode to colour all of them over, after which I changed the base layer for their colours from white to yellow and then lowered the opacity so it all went together better. I also decided to use gradient maps for a lot of the background elements, mainly to experiment with getting in my values first to make them pop out more. I ended up finding a really nice sky gradient on Clip Studio Paint that I really liked, and that kinda helped to establish the colour scheme of the background a lot. I think the whole "start in greyscale then colour" thing really works better with painterly styles rather than more illustrative ones, and while it is good at making sure your values are more readable, I honestly don't think I have the skill level to pull that off yet. Honestly, I think I've been looking at this drawing too long or maybe I added too much to it, but I wish I could've made the colours less monochromatic, but I'll just save that for the next piece I do.

I do love how the flame (...well it's more of a weird space rift than anything in this piece) and the lighting turned out, those were fun to do. I was initially struggling with the flame and how Mayumi is positioned in front of it before realizing "Oh wait! This is a weird abstraction of a weird creature! I don't have to follow the laws of anatomy!" and just dislocated it's flamey bottom jaw from the main body. I also changed the colours of it since I was really not liking how incredibly bright it was when it had lighter colours. Again, the gradient maps served the more painterly style of the flames well.

I also love how Mayumi turned out. I could do her sleeves better but that's more of just me needing to study how those types of sleeves fold in that position more. I'm also very happy with the posing, the technique I used for that was taking photos of myself in the positions I wanted, blocking in the silhouette and then modifying that by adjusting it to my lines of action that I drew on top of the original photos, and then sketching over the silhouettes and drawing in the shapes of the hands overtop of the photo if I needed to get the fine details right. As for what I do to take the pictures myself, I use a tall chair I have, prop up my phone with a phone stand, put on a ten second timer and scramble to get in position. Yes, I did have to use a bunch of thin markers I had to try and get the hand positioning on Keiki's pose right, yes I do have a fake sword that I used to get the positioning of Mayumi's arms and hand right, the sword was for an old Halloween costume from several years ago. I really like how both Keiki and Mayumi turned out in this drawing, I'll have to play around with these designs for them more in future drawings.

Also, if you wanna know why I draw buildings like that, when I watched Fantasia 2000 as a kid (One of the Disney movies where they make really beautiful animations to classical music) the way they drew the buildings in the first few sections Rhapsody in Blue segment (the jazz one with the cities) changed my brain chemistry and now whenever I need to draw buildings really quickly, I refer back to that. Since the buildings aren't really the main subject, I didn't put much thought into them.

As you can tell I am very tired of this piece, mainly because I made things harder for myself by overcomplicating the process compared to what I usually do, mainly with the whole "starting in grayscale then adding colour." I'd honestly just prefer having a black layer set to colour that I can just toggle on and off when I need to see the values, but it was good to experiment. And that was mainly the point of this whole drawing, to experiment. I'm definitely going to have to play around with this new style I'm going for, mainly because I liked how it turned out a lot in the augmented Keiki sketch, and also because I want to find ways of making it suit my style more. I also really want to keep experimenting with my lighting like this, it's very fun. Last but not least I am never starting in greyscale again because dear god I do not like the workflow it forced me into. I don't have a problem with the method itself it's mainly just a skill issue lol.

If you wanna read my headcanons for these two, I put them in my WIP post, so you can read them there if you want to. The more I look at this the more I prefer the simplicity of my WIP. I might go back to this and just take away the fancy colours and effects to see what it looks like without all of that stuff and reblog this post with that drawing, but for now, I don't think I can look at this drawing again for a while.

[aaabsinthe]

Hi!! Can I request crushing and relationship headcanons for Junkerqueen with a fem s/o? Like how would she realize she likes them? thank you! :)

Junker Queen x Female Reader Relationship Headcanons

A/N: It's been a while y'all - boy am I glad to be back. Literally right after I posted my note about all of the stuff I'm working on, I got slammed with the biggest assessment I've had in my course so far (17 documents total once I'd finally finished it) and caught scarlet fever of all thing so it's taken a good while for me to finally feel well enough and have spare time to write - but here we are!

I'm so excited to write for my favourite built queen - this gif alone is makin me feel things. I'm going to format all of these the same way from now on with SFW and NSFW headcanons from now on. Ofc there will be warning for the NSFW section :)

I hope you enjoy anon despite the wait!

-Nat

SFW Headcanons

Odessa is the kind of gal that isn't really impressed by appearances.

Sure, she has her preferences and finds certain things attractive, but that isn't what piques her interest.

For Dez, it's all about personality, especially if you're the kind of person who is merciful and gentle with others.

This doesn't mean you have to be a doormat, in fact if you stand up for yourself (physically or verbally) when you feel as if you are being treated unfairly or others are being treated unfairly, that's possibly the hottest thing you could ever do in her eyes.

It's just something about the Peter Pan types that really captivates her. Not just in stealing from the rich and giving to the poor, but in being self aware of your strengths and using them to do right by those who are not in the same position of privilege.

This is how she figures out that her little crush on you was not just a little crush anymore.

She overheard you and another agent talking about life before the crisis, and found out that you used to do volunteer work every weekend delivering essentials to the homeless in your city and how much you missed your community outreach.

That and she watched you sock a guy in the face after he attempted to grope your friend at a bar.

It's healing for her and her inner child and she finds herself looking up to you as a role model - she's aware she's no angel and has done many questionable things to survive out there in the wasteland.

However she hopes that now as a part of Overwatch, she can be better and similarly to you, that she can use her position to help others less fortunate.

Dez is fine with casual or short term relationships and has had plenty in her time, she doesn't necessarily need to know someone to be attracted to them - but when she built that emotional connection with you, that's when she knew she was in for the long run.

The best part about dating Dez is that she isn't embarrassed easily - she's very open from the beginning which means conversation flows naturally with her. The downside of this is that for the first few months of being together, getting to sleep was nearly impossible, three am deep conversations just hit different.

This also means if you ever need anything, she is more than happy to accommodate.

Sick? She keeps note of the medication you need and when you need to take it so she can make sure you take it (and bring you water in your comfort water bottle to boot). That time of the month? If somehow the stash of your preferred products are out, she knows what you use - she will get you more without you even needing to ask (she will however check if you crave anything in particular on the way out).

Expect to be doing the same for her when she gets sick - she becomes the biggest needy baby when she's not feeling well.

She's stuck in bed? Yep. So are you.

Not even by choice either, she cages you with her arms and well that's that. There's no fighting this goliath of a woman.

Loves her cuddles - all positions.

Her favourite is being the little spoon though. It's not often that she gets to feel protected and cocooned (can you really blame her).

Loves PDA - particularly keeping an arm around your waist or you attached to her arm at all times, though she's known to do a casual steamy kiss in public when she's feeling particularly jealous.

If you're not one for PDA, she respects that boundary... However she will pout at you with those big red puppy dog eyes.

Absolutely hopeless at cooking and baking though not for lack of trying. Wakes you up regularly cursing about burning her toast.

Of course it's not all sunshine and rainbows.

Speaking of waking you up, Dez has nightmares somewhat regularly.

She's always so thankful to have you there to vent to if she needs it and cuddle with until she's calm enough to fall back asleep.

NSFW CONTENT WARNING

NSFW Headcanons (18+)

Sex to Odessa is powerplay, a safe space to be strong and vulnerable all in one.

Hard dom top - that control means everything to her.

This woman loves a good scrap (duh), if you choose to be a bratty sub, she eats that shit up.

Go ahead, try and buck her off of you, she's not even using half her strength. She can hold you down much harder.

Expect to be begging for mercy.

The two of you develop a safe word very early on in your relationship, Odessa would never forgive herself if she pushed you past your limit.

Definitely has and regularly uses an appropriately sized strap (ouch).

Dez has her kinks. Sex between the two of you is rarely vanilla unless other feelings are involved. She's entuned to what you need and your emotions, she knows when you need the gentler and less complicated sex or when you honestly just need someone to hold you.

That being said, she has a reasonably high sex drive. She can manage on her own if you can't or don't feel like it, but say the words and honestly she's ready when you are.

Though she really would prefer you called her Dez, Odessa, babe - really anything other than her title outside of the bedroom, call her your queen between the sheets - she'll go berserk.

Dabbles in pain play, something of an every now and then addition to the bedroom, it's not something she needs and the both of you really have to be in the mood for the more intensive side of sex. She does however love to see you take Gracie's hilt in every hole.

Unless you'd consider overstimulation a form of pain play. There is nothing she loves more than watching you struggle and beg with tears leaking from your eyes, completely at her mercy.

Light bondage when she doesn't feel like physically restraining you herself.

Claims your face as her throne whenever the mood strikes.

Speaking of claiming, your neck, collarbone and tits are never safe from her demanding mouth.

There aren't really many kinks that Dez would feel uncomfortable with, she would try pretty much anything before she knocks it.

Definite no though - I feel like she'd laugh at ironically calling her 'mommy'/'mummy', especially if you have a different accent, but considering her complicated family past, it just hits a little too close to home to take it seriously especially during sex.

Obviously amazing at foreplay, she knows what she likes which makes it so much easier from the start (not to mention her cheekily buying vibrating piercings just to mess with you) but honestly the best part is that she's enjoying herself just as much as you.

It's all give and take with Dez, you give as much as you get.

[pinguwrites]

Sub!Robert Fischer where he's tied up and being overstimmed repeatedly. He's crying his eyes out while reader degrades him for being spoiled and rich (I've been reading ur work for some time, but requesting for the first time!)

I’m glad you like my work and I’m glad you requested as well!

Drabble: you degrade and overstimulate Rob

pairing | sub!robert fischer x girlfriend!reader

Warning: overstimulation, degradation/ a little bit of praise, loads of crying from rob, impact play, dom/mean!reader, sub!robert, daddy issues, p in v sex, mention of teasing/edging, robert's a masochist at this point, they have a safeword, ma'am kink

Disclaimer: Inception characters, plots, quotes, etc. do not belong to me and belong to the rightful owner(s). This is only fanfiction and this is just for fun.

A/N: Sorry I haven't posted in a while. I wrote like 7k for one fic, and 6k for another, and I progressively got slower the closer I got to finishing, it's like a fucking exponential graph. That's why I haven't been writing smaller things, but you know what? Fuck that. I told myself I was going to stay dedicated but now I'mma just do what I want.

Robert gazed up at you as you crawled on top of him, his lower lip wobbling, tears dripping down his cheek like rain. He savored the brief touch of your hands on his chest, and whined when you moved away, but he made sure not to be too loud, lest he get some punishment.

"Ma'am?" Robert asked tentatively, not sure wether he was alowed to speak or not.

"Yes, Rob?" you hummed, focusing on tightening his restraints. Just a few minutes before Robert had been squirming and squealing, tugging on his ropes, and now that you were done with that particular bit of torture, you had to make sure they were secure again.

“Can you ride me?” he asked. “Please?”

"Dunno."

Robert shifted his legs. Gosh, you loved his legs. His thighs were so soft and lightly haired, you loved running your hands across them, no matter how many times he complained your touch was cold.

"Do you think you deserve it?" you added.

"You've been edging me for so long," he pathetically whimpered. "I need — "

" — Of course you do," you cut him off. "What am I even saying? You rich fuckers are all the same — spoiled, bratty. Just a need a strong woman to put them in their place, huh?”

Robert's eyes glistened. He was about to sob again. Good thing you brought tissues.

"It's not like that. Please, just . . ."

"Then what's it like?"

Robert stayed silent, clearly afraid of saying the wrong thing. You already knew the answer. It was his fetish, his kink, but he also liked being cared for and nurtured and guided. You just wanted to hear him say it, but judging at way he was behaving, you weren't sure if you could get a coherent response out of him that wasn't a beg to be fucked.

You slapped him across the face, savoring the little noise he made.

"Should've known your mouth was no good for anything. Stupid puppy."

"Yeah," he nodded eagerly, his cock twitching. "M'just a stupid puppy for you. Please, please, fuck me."

"Won't even offer to eat me out? You haven't made me come a single time today."

Robert looked down, embarrassed.

"Fine."

Without a warning you sunk down onto his cock, drenching him with your wet juices, your tits bouncing in the air. He let out a moan, his head hitting the pillow, eyes closing, relaxing as he finally, finally got the release he wanted.

But when he came, you didn't stop. You still hadn't come, and you weren't stopping until you did.

"Pretty boy," you said, then looked down with a fake pout. "Aww? Is this too much for you?"

"Y-yes," he choked out.

"Well, you're gonna have to fucking deal with it."

He shook his head adamantly.

"Isn't this what you asked for?" His eyes rolled. You pat his cheeks, getting him to focus on you. "Color?" you asked.

". . . Ah, greeeen!"

"There ya go," you cooed, moving your hips up and down. "I wouldn't be doing this if I knew you couldn't handle it. Now, tell me — tell me you're my bitch."

"I'm your bitch!" Robert sobbed, his body shaking. "I just need you so bad all the time, ma'am, I can't help myself."

"I know," you soothed, wiping his tears. "I know. You're doing so well."

That seemed to calm him down a little. Praise always did.

"I just wanna be good for you, ma'am." You could tell he was getting ready to come again.

"You are — you're a good boy," you reassured. "Now stop squiggling, okay? Or I'm going to have to punish you again."

Robert nodded, feeling like his brain was melting. At this point, you could do anything to him and he would be on his knees, thanking you.

Taglist: @henrywintersdearestgirl @shroombloom-rry @meetmeatyourworst @mrkdvidal1989 @madnessandobsession @slut4thebroken

[factual-fantasy]

@octonauts16 (Post in question) TLDR at the bottom!😅

Yeah, that was Wally <XD I doodled that on the screen while kind'a forgetting all the stuff I've talked about Welcome Home recently. How I don't wanna join the fandom and such..

But to be honest I've been kind'a torn on Welcome home over the past few days. I recently developed 3 big main reasons why I don't want to join the fandom and draw the characters. But those reasons are quickly starting to dissolve-

Reason #1. Now I don't know if I just saw the wrong side of the fandom, but it felt like everywhere I went there was shipping content. Cannon or not, it was everywhere. And of course I'm known for not liking ships or really drawing any lovey dovey content.. I was worried enough about people tagging all of my Welcome Home art as shipping, that I figured I'd save myself the trouble and just.. not post any art of it all together.

But then I thought about it.. I mean, Undertale was a huge shipping fandom too. And I was able to weasel my way around all of that and come out unscathed. Surly the Welcome Home shipping fandom wouldn't be much harder to navigate.. right?

Reason #2. I wasn't really sure.. what to draw exactly. Everyone seems to have their own interpretation for the story of Welcome Home. Wally's the Bad guy, no House is the bad guy and he's controlling Wally, no no Wally and House are both the bad guys together. Their world is real- no actually its all make believe and Wally is the only one who knows its fake- aaaa so many stories!

I felt like it would take a lot of work and research to make my own version/interpretation of the story and the characters. So I just dropped it and didn't want to bother. I'm still so busy...

...But then its like 4 AM and I have ideas for redesigns of every character, a story is being constructed, angsty situations are being plotted, lore is growing- I hardly know much about Welcome Home truly, yet I already have a whole world built that I wanna start drawing-

But! Its reason #3 that's kept me from drawing anything. Clown, the series creator.

Looking around the fandom.. It seems that Clown is like me. They have certain boundaries when it comes to their characters and what they do and do not approve of others drawing about it. I know about the copywrite issues they're dealing with.. people selling merch of their characters and profiting.. its really sad. But there's more to it.

I saw some artwork for Welcome home and went to the comments. Everyone was like "I'm so glad to finally find an artist that respects Clowns boundaries!" And I'm like uh oh- are people drawing things that make Clown uncomfortable? Has Clown been dealing with that? What are those boundaries? Is anything I would like to draw something that would cross said boundaries?

So out of laziness to not dig deeper to find these boundaries, but also wanting to RESPECT said boundaries.. I just cut off any artwork from being made all together.

But my interest in this series is definitely getting stronger. And maybe sometime after these projects are finally off my chest, I'll look into Clown and see if any of my artwork would cross a line..

For now I'm too lazy, and too busy to make any artwork for Welcome Home <XDDD Maybe someday though!

TLDR; The #1 reason why I haven't drawn Welcome Home fanart is because I think Clown has certain boundaries when it comes to fanart. And I don't know what they are, I am also too lazy to look into it. So I just decided to not draw anything at all until further notice <XDD

[cantheykillmacbeth]

((BIG ANNOUNCEMENT! New mod + Mascots!!!))

Hello everyone! For a while now, as I'm sure you've noticed, I've been struggling with keeping this blog up and running due to mental health reasons; I haven't been able to keep up the same pace that I used to, but I'm glad that you guys do still seem to be enjoying the posts I do make, however infrequent.

But, to get down to brass tacks, I finally caved and admitted to myself that if I'm gonna keep this blog on its feet... I'm gonna need some backup.

So, everybody, I would like to officially introduce our first addition to the team! My lovely sister, who has helped me with research in the past: Mod Pepper! Everyone give her a warm welcome! :) As for me, you can now officially call me Mod Anthem.

And, for the occasion, Pepper has drawn some official art of the new mascots for the blog! Here they are in their wonderful thespian glory:

Lore for these two is under the cut. Hope you guys like them!

Anthem: (It/They/He) A stage light that was discarded in the forest and became overgrown. Was given life and sentience by a god of fate, and ended up inheriting some of his powers to control the path of fate around them! This does, of course, mean that Anthem applies for EVERY Clause: Gender Clause, Unconventional Birth Clause, Birth Parent Clause, and Unique Exception. The three panels around its face light up to correspond with different Clauses: Green for Gender Clause, Red for Birth Parent Clause, and Blue for Unconventional Birth Clause.

Pepper: (She/Her) The ghost of a rat who met with a terrible fate in the orchestra pit of the theater that both she and Anthem call home. Now she serves as something of a shepherd to the afterlife for actors who meet their own fate in the name of their craft, though she also finds she serves as a symbol of thespian superstitions. Being female, she applies for the Gender Clause, though being a normal rat before her untimely demise, this is the only Clause she applies for.

[writtenbymisunderstoodnerds]

Distance makes the heart grow fonder (Alyssa Naeher x Reader)

It's been a long month and a bit but things are finally settling down and I'm back! Posting might not be as frequent for a while though I'll try my best to get my motivation back.

I started this like a week after the world cup started, but it's finally finished. Hope you enjoy :)

Words: 4.1K

Two years ago, I made the hardest decision of my life. I left the person I was madly in love with, the person I thought I would marry. Leaving Alyssa was the hardest thing I had ever done, but at the time, I needed to be home.

After my mum had died, my family needed me and I needed them. Even though with Alyssa I was the happiest I'd ever been and she was the most supportive, loving partner. It wasn't enough. We knew we wouldn't survive distance that large so we ended it before the possibility of maintaining friendship was ruined. Even two years later, she was still constantly on my mind, no matter how much I tried to forget about our relationship, it never worked. We still kept in contact occasionally so I guess that didn't help. I could never fully let her go though. 

Missing Alyssa may have been the motivation behind packing up and moving to Auckland for the duration on the world cup. When I lived in Chicago, I trained and worked as a physio, but when I moved back, I never had the motivation to do the things needed to work as one in New Zealand. So instead I just went into security. Maybe it wasn't what I wanted to do, but it was easier at the time. 

I hadn't noticed anyone in the hallway with me, but a voice calling my name stopped me in my tracks. That voice is one I would always instantly recoganise no matter how much time had gone by. 

"Alyssa." We just stood staring at each other for a few seconds before I broke out of the trance. The women I was still madly in love with, was actually standing in front of me for the first time in years. "Do I get a hug Lys or are you just going to stand there?"

Alyssa's arms wrapped around me tightly as she spun me around, I giggled, burying my face in her neck. She refused to let me go when I tried to pull away. I didn't fight it though. After two years without her, being back in her arms was the best feeling in the world. "What are you doing here?"

"Working. I got a security gig for the duration of the world cup."

"Well I'm glad you're here. I've missed you."

"Me too Lys."

A clearing of the throat behind us, made me aware of the fact that we weren't alone. Once Alyssa had pulled away, I was bombarded by hugs from the girls that were on the team when I worked with them. "Alright, alright, I missed you too but please let me go now."

We spent a few minutes catching up, but I had to go before I got in trouble for being late. "I have to go."

"Me too. Come by my hotel later? It would be good to catch up properly." 

"I'll be there. Send me the address."

Later that evening, I was waiting anxiously outside Alyssa's door. Hanging out with Alyssa was a sure way to be hurt again. I had every intention of keeping things friendly, that didn't mean the feelings I had for her had gone away or I wasn't already wishing we could be together again. Two years later, she was still the person who had my heart. Getting to spend time with her made the pain worth it in the end. 

Alyssa opened the door, a small smile appearing as she hugged me quickly, "Thank you for coming Y/n/n."

"Like I would miss spending time with you."

We spent the next hour or so getting caught up on what's been happening in each others lives. Just getting to sit and talk with Alyssa again was amazing. After the initial awkwardness, it was surprisingly comfortable, almost like old times. We used to spend hours sitting or cooking together, while talking about random things. In almost 5 years together, we never ran out of things to talk about.

Alyssa was lying on her back, but when she turned on her side to face me, my heart felt like it skipped a beat. She was looking at me the same way she used to, with so much love and adoration. I quickly looked away before the urge to kiss her got to much. "I thought you were in Wellington with your family?"

"I am, but when I found out you would be in Auckland, I thought I would try my luck and temporarily relocate." I blushed, suddenly embarrassed at the confession. Moving to a different city for over a month in hopes of seeing your ex-girlfriend who you were still in love with, but couldn't have, was a bit ridiculous when you actually thought about it. 

Alyssa tried to hide her smile as she linked her pinky with mine. I didn't even think about pulling away. "You did that for me?"

"Maybe. I kinda missed you."

"I'm really glad you did Y/n/n. I missed you. Even if you weren't here I was hoping to see you anyway."

---

The first and second night went okay, I ended up back in my hotel despite wanting nothing more than to stay. We were trying to maintain some boundaries knowing that we would be apart again soon. On the third night though, that plan failed. Over the course of the movie, I ended up cuddled with Alyssa. Cuddling with Alyssa felt so natural, I barely noticed it was happening until she pulled me closer, kissing my forehead as I started falling asleep. Everything about it was a bad idea, but I gave into my desire and ended up staying. Before I knew it, I hadn't slept in my own bed for almost a week. 

Once again, I woke up in Alyssa's bed. Well, I hadn't actually slept much so I was more just lying there as she slept soundly, arms wrapped tightly around me with our legs intertwined. It had hit me last night that Alyssa would be leaving in a few weeks if not sooner, that we were moving past our attempted boundaries and into relationship territory again. It was going to hurt all over again if we let it continue. 

When Alyssa started stirring, I let myself enjoy her for a few seconds before reluctantly pulling away. Alyssa pouted, letting out a sound of protest while trying to pull me back in. "Lys, we can't keep doing this. It's just going to hurt in the end when you leave."

Alyssa took a few seconds to reply which was expected since she just woke up, but it didn't stop me getting nervous. I still wanted to see her, I just knew it was going to hurt. "I know. The rational side of me is saying to stop, but I would rather enjoy this time with you and deal with the pain. God I wish I never had to leave, even after all this time, I'm still into you."

I felt tears sting my eyes, trying to escape as I turned away to not let her see me cry. We had an almost perfect relationship, sure we fought occasionally, but we understood, trusted, loved and cared for each other unconditionally. We fit together perfectly. Alyssa showed me her soft side, something that she didn't do easily. We were constantly talking about our life together, hell I was a week away from proposing, but I had ruined that when I left. "I'm sorry I ruined us Lys."

Alyssa turned me around, the most sincere yet serious look on her face, "Don't ever apologise for that Y/n. You did what you had to for yourself and your family. It wouldn't have been fair for me to ask you to stay knowing why you had to go. It sucked beyond belief, but I understood then and still do. Please don't blame yourself because I never will."

My brain was telling me no, but my heart won as I lent forward, connecting my lips with Alyssa's. All the feelings, love, butterflies and tingles came back full force. Everything I had felt for her 2 years ago came back just as strong if not stronger. I guess it's true what they say, distance makes the heart grow fonder.

Alyssa cupped my cheek softly, pulling me so I was practically on top of her. Hands slipped under my shirt, my skin feeling like it was burning at the touch. Yet again, I reluctantly placed my hand on her chest, pushing her away.

"You have practice, I have work."

"I wasn't doing anything."

"Bull shit Naeher. I haven't forgotten your tricks."

---

Whatever boundaries we had set, had completely gone out the window after our kiss a few days ago. I hadn't slept in my bed again and there had been a fair few make out sessions. Tonight I had come back to her room after work to find her dressed up in slacks, a button up and a leather jacket. I was confused until Alyssa directed my attention to the clothes laid out on her bed. "Get dressed, I want to take you out tonight."

"Is that any way to talk to a lady Miss Naeher?" 

"My sweet, beautiful Y/n, if you could please change and accompany me on a totally platonic, non-romantic evening?"

I held back my laugh as nervousness started growing on Alyssa's face. It was subtle unless you knew Alyssa like I did. Alyssa could be sweet and caring, anyone who knew her could tell you that, but there was a soft, gentle, loving side to Alyssa that only the people she was in love with got to see. I just happened to be lucky enough to still be that person. "I would love to accompany you on a totally platonic, non-romantic evening."

Alyssa had taken me to a little beach to watch the sunset. It was one of my favourite things from when we were together.  Whenever we got the chance we would go watch the sunset. Whether it was the beach, park or just our backyard, it didn't matter. It was our time away from the world, our way to keep connection with each other even during our busiest times. 

I sat between Alyssa's legs, cuddled as far back into her as possible with a blanket wrapped around us. Maybe winter wasn't the best time to be watching the sunset on the beach, but between the warmth of Alyssa and the blanket, I wasn't feeling the cold yet. 

Alyssa kissed my cheek, breaking the silence with a whisper, "You know I forgot how much more beautiful your are in person than in photos, which is saying something because you look incredible in photos."

I giggled, pecking her lips before settling back to my original position, "I forgot how soft you actually are."

"You know it's only ever been for you."

"It's one of the things I love most about you. I know it's kinda ridiculous, but honestly, I've never felt more special then when I was with you Lys. You made me feel like I was the most important person in your life. I could do anything with you by myside." 

"You are special Y/n. You are one of the most special and important people in my life. No matter what happens or where you are, that'll never change."

There was no response coming to mind that would properly portray what I was feeling, so I just cuddled further into her. The words swirling around my head. I knew this would destroy me, having her back then losing her again, but I was so in love with her, that it didn't matter because even if it was just for a few weeks, I got to be with her again. Alyssa kissed my temple, fingers lacing with mine. "Are you okay Y/n/n?"

"I am. Just enjoying the moment. Even though I don't have the words to describe what I'm feeling, just know you mean the world to me."

"Ditto."

We sat cuddled on the beach long after the sun had set, talking about anything we could think of. The temperature had definitely dropped, my fingers and toes becoming colder the longer we sat there. Alyssa's nose sent shivers through me as she nuzzled it against my neck. I felt the vibrations of her chuckle despite her trying to hide it. "Are you cold darling?"

"Your nose is freezing, but I am getting quite cold now."

Alyssa laced her fingers with mine, wrapping her arms around me tighter, "Me too. I had dinner reservations for us, but I think we've missed them now. How does pizza sound?"

"Pizza sounds amazing. Can we go for a spa afterwards? I think the hotel one is still open."

There was no one else around so I settled myself in Alyssa's lap, head resting against her shoulder as I enjoyed the warmth after hours in the cold. Her fingers traced patterns along my back as I played with the string of her bikini. Everything tonight had taken me back to when I was happiest in life. It took me back to the countless nights spent cuddled with Alyssa, whether it was watching the sunset at the beach, watching tv or reading. They were some of my favourite moments in life. They were intimate and safe, the moments where I felt most at peace and loved. Of course I knew I missed Alyssa, but tonight made me realise just how much I missed those moments. It also reminded me that I only had it back for a limited time. 

Thoughts of moving back started swirling around my mind, but they were joined of thoughts of leaving my family and having to start over again. Honestly, it scared me. What if I decided to do it, then Alyssa didn't want me back? What if we got back together and we didn't work as a couple anymore? I know what we were doing and how we were acting. We're in this weird space of together, but not. 

Alyssa kissed my temple, arms tightening around me, "You've been more quiet than usual since we got back, everything okay?"

"Yeah. Don't worry, I'm just tired."

"I don't believe you, but I won't push it. Just know if you want to talk about it, I'm here."

I kissed Alyssa's shoulder before cuddling back against her, "I know. It's nothing serious though so please don't worry. Thank you Lys."

---

It was one of those days where there was too much going on in my head. Mostly about the situation with Alyssa, but also the thought of moving back. I had pretty much resigned myself to being hurt when Alyssa left. However, I also felt stuck. My plan was always to go back to the states at some point, I felt like I couldn't leave though. My family was here and after mum dying we had become so much closer. It felt wrong to just leave them again. 

"Hey Y/n. You okay?" Julie asked, steadying me as I almost walked into her. 

"Shit, sorry. I don't know."

"Do you want to talk about it?"

"It's okay, I know you're busy."

Julie looked at me like I had just said the most ridiculous thing she had ever heard. Then she wrapped her arm around me and guided me to sit down, "Never too busy to talk. What's going on?"

I groaned, hiding my face in my hands, "Have you ever done something you know will destroy you, that you know you should stop, but you can't. You can't because you are so in love with that person that the pain is worth it because you get the little bit of extra time with them."

"Alyssa?"

"Yeah. I've never loved anyone as much as I love her. Even after all this time, the feelings I have for her never went away. I miss her like crazy. Hell, I'm thinking about packing up my life again for her. I know I should stop this, not for me, but for her. To stop her from feeling more pain then she needs to. I just can't do it. I don't know what to do."

"Maybe that is the best thing to do, maybe it would save some heartbreak. Though, something tells me that even if you tried, Alyssa wouldn't let you without a fight. During tournaments, she usually does everything to stay focused and in game mode. Sleep overs would never have been an option, but you come along and you're sleeping in her bed every night. Alyssa is obviously happier and seems more free than we've seen her in a long time. She's more focused because of it. Alyssa loves you, you love her, but you need to decide if the pains worth it in the end, that's not a decision we can make for you."

"Yeah I know. Thank you for listening. Can you not tell Alyssa about this conversation?"

"Of course. If moving is something you want to do, what's stopping you?"

I sighed before letting out everything I was thinking about the situation. It felt good to finally be able to talk to someone that was impartial in the situation. That I could just be completely honest with and not have them be upset or get their hopes up. Julie just listened as I talked, offering comforting arm squeezes every now and then. "I know it's scary and you'll miss your family, but you need to do what is best for you. If that means moving back to Chicago then they'll understand. They supported you the first time didn't they?"

"I guess so. Thanks Julie, everything just feels like a mess at the moment, guess I have a lot to think about."

---

It had been days of non-stop thinking. Just when I thought I had decided on what to do, the what ifs started. What if Alyssa was it for me and I wouldn't ever find anyone else? What if my family hated me? What if something happened again and I had to move back? They were just some of the many thoughts that ran constantly through my mind, sending me back to square one every time. Alyssa could tell something was going on, but thankfully wasn't pushing me to talk about it. I didn't want to talk to her before I had things sorted and end up hurting her even more. 

Alyssa had left early this morning, leaving me completely stuck in thought until my phone ringing brought me back. I was planning on ignoring it, but it was my dad so I sucked it up. We went through the normal stuff, how are you? What are you doing etc until he finally called me out.

Are you okay? You sound off.

I sighed, deciding it was finally time to talk to someone in my family about it. You remember Alyssa?

Your ex?

Yeah, well she happens to be here for the world cup and I've been sleeping in her bed pretty much since the world cup started.

Oh right. So what's the problem?

I'm still madly in love with her dad

Okay, so get back with her. If your sleeping in her bed then she obviously feels the same. 

It's not that simple. We live in two different countries, thousands of kms apart.

You could always go back. 

I can't.

Why not? If you love her as much as you claim then make the move Y/n.

But you guys are here, I can't leave you again.

You've done it before. You always said you would make the move back once the time was right and if you ask me the time is right. We're okay. Do you really think your mother is happy that you're not where you want to be just because of her? She was always so proud of you for taking the chance and doing something you really wanted to do. We'll miss you, but please don't hold back for us. You deserve to be where you want to be, doing what you worked so hard for and be with the person you love. You loved being a physio, you worked so hard to get there, please don't let that go to waste.

I'm scared dad

I know, but you've never let that stop you before so why start now? Being scared isn't a bad thing, just don't let it stop you from doing things you want to do. At least think about it okay?

I will. I have to go. Love you.

Love you too Y/n

---

There was a time where I never imagined my life without Alyssa, but it had happened and it was the worst 2 years of my life. With the encouragement from both Julie and my dad, my decision was a little bit easier. Now that I had Alyssa back, I never wanted to let go of her again, even if that meant moving away from my family for a second time. The last thing to do before solidifying the decision was to see if Alyssa was even interested in me moving back. Honestly, that's what I was most nervous about.

We had just gotten back after a game and Alyssa was on the verge of sleep as we cuddled up in bed. Maybe it wasn't the best time to bring it up, but I couldn't wait. The nerves were building too much, almost too much to handle. 

"You played great today Lys."

"Thank you. I'm so ready for our day off tomorrow though."

I kissed Alyssa softly before sitting up, successfully getting her attention. "I know you probably just want to go to sleep, but can I talk to you about something?"

Alyssa sat up next to me, concern starting to show on her face, "Anything."

My fingers laced with hers, bracing myself for whatever her response may be. "I love you Alyssa, I've never stopped and I don't know if I ever will."

"I love you too Y/n, but-"

"I know, I know what you're going to say, but please just listen to me. Back then I didn't have a choice, I needed to be with my family so we could heal together. It's still hurts, but we're living life again. Now I need to live life for me. There's not a day that went by where you weren't on my mind. Where I didn't wish things could go back to the way they were and I could be back with you. I finally got you back Lys and I don't want to lose us again. I want to try again, I want to try us again."

Alyssa looked as if she was processing. I knew it was a lot, but every second that past I was getting closer to freaking out. After what felt like forever, Alyssa squeezed my hand, "What are you saying?"

"If you think maybe you might want to be with me again then I'm ready to move back to Chicago."

"Are you sure? I love you Y/n, but I don't want you to feel like you have to or do something you're not ready for."

"I'll miss my family, but they'll be okay without me. I have the ability to come back and visit more then I did before. I'm serious Lys. This isn't something I just decided on a whim. I've been thinking about this since before the world cup even started, but my dad told me to go. He made me realise I was holding back because I was scared."

Lips collided with mine, the kiss quickly turning salty and tears fell down Alyssa's cheeks, "I love you, I love you, I love you."

I giggled, "So is that a yes?"

"Yes. I would love to try again."

"I need a couple of months to sort stuff out. You know job, housing, visas."

"You can move in with me again, one less thing to worry about and maybe you could get your old job back. I think one of our PTs is leaving after the world cup."

"I was hoping you would say that. I would love to live with you. And I'll get in contact with my old boss, see what he says. Can I just say, no one would ever believe your reaction to this. The stoic Alyssa Naeher could never be so soft."

"Shut up," Alyssa muttered pushing me away slightly only to pull me back next to her again. She turned, letting our a quite sigh as I wrapped my arms around her. It wasn't an everyday occurrence, normally I was the little spoon, but sometimes Alyssa preferred to be held especially when she was tired. I was never going to say no to it though. "So considering I'm going to move back in with you, will you be my girlfriend Lys? Again."

"Hmm I suppose so."

"Good because this would be awkward otherwise. I have one more question before you go to sleep. Do you think you might be able to stick around after the world cup? Even if it's just for a few days, I would like you to meet my family in person."

Alyssa cuddled further against my side, eyes already starting to drift closed, "That could be possible. I would love to meet your family, I'll talk to coach."

[opposums-love-arson]

Scream Queen Book 1: Conventional Final Girl

Chapter 1

Chapter 2

Stu Macher x Reader x Billy Loomis

Okay so basically let's just cut to the chase, the main character "(y/n)" is Sidney Prescott's little stepsister, yeah? Well, what happens when she takes Sid's place as the final girl? A whole lot. Disclaimer: All rights reserved to the copy righted owners of the Scream franchise. The only creative input I had in this fan fiction was the part of (y/n), almost everything else can be found in the movie. Follows the movie very closely. I mean the actual movie, not the script. Obviously switching out some parts to fit the narrative. It takes a couple of chapters to really get it kicking but I promise it gets good. *NO SMUT* these are still high school students and I do not want to overtly sexualize KIDS! And if you make the argument of "I'm not a kid" I'm 18 been there, done that, don't try it.

  "Hello, who is it?" I asked into the large telephone. 

"No one in particular..." Sounds like another one of the boys' prank calls.

"Okay Mr. No one in particular, any reason for the call?" 

"No reason in particular, just wanted to talk." 

"Hmm okay then talk," I said as I swiveled around in my chair.

"What's your favorite scary movie?" The raspy but oddly pitched voice asked. 

"Oh I've got plenty but you might want to sit down, it'll take a while." 

"I've got time." 

"Ya know, stuff like Halloween, Friday the 13th, Texas Chainsaw. Then there's creature features like The Thing. B-horror like Slumber Part Massacre or Sleepaway Camp." I finally finish my rambling when I hear my step sister and her boyfriend in the other room. 

"Do you really like scary movies?" 

"Oh yeah definitely but I think it's mainly because of my step sister's friends?" 

"Oh yeah?" 

"Yeah, I mean I always liked horror but they really got me into it. Especially our friends Randy, Billy and Stu, they're crazy about that stuff!" I said as I flopped down onto my bed. 

"What's a pretty girl like you doing with all those guys?" 

"They're not a lot of guys, if anything it equals out our group," I said, completely avoiding the whole 'pretty girl' thing... that was kind of weird. 

Hearing a knock at my door completely startled me. 

"Oh um hey I have to go but feel free to call me back anytime," I whisper into the phone quickly placing it back on the body. 

It was obvious the person on the line was saying something before I hung up but I didn't bother to listen 

  In popped Neil's head from the other side of the door. "Hey kiddo who ya talking to?" He said as he looked around. "Hm? Oh no one, what's up Neil?" I asked, now back in my desk chair. Neil was a good guy, I'm glad he and my mom started dating, they actually just got engaged! I think I was more excited about it than my step sister, Sindey, she's still grieving. "Just got done talking to your sister, I'm going to hit the sack, remember I'm not back until sunday. Cash on the table and call if you need anything," He said waiting for me to say something. "Alright got it Neil, have fun at the expo!" I waved him off before he closed the door. 

  My mom and I didn't move to Woodsoro until she really started dating Neil. It's always just been her and I for as long as I can remember, but it feels good to be part of a complete family again. I missed our old home at first with all my friends and family but Sid quickly took me under her wing. I met all of her friends including Stu, Tatum, Randy and Sid's boyfriend Billy. I'll admit it was weird at first because they just saw me as the little step sister but once Randy and I went on a ranting debate about which was the real pioneer of Slasher; Texas Chainsaw or Black Christmas, it got a lot easier. Even though Stu and Billy were pretty cute I'll never be used to Stu's wild energy, nor Billy's slightly shady behavior.

  The next morning didn't go quite as expected... There were reporters, cameras, and news vans posted up all around school. Sid and I were freaked the moment we got off the bus. She was looking around bewildered by everything going on until we spotted one woman in particular, Gale Weathers. To say the least, Weathers was a total bitch towards Sid's mom's name. 

"Can you believe this shit?!" We heard a voice pop up from behind us. Sid totally jumped. 

"Tatum, what is going on?" Sidney asks, waving her arm out to the school. 

"Yeah, since when was Woodsboro flooded with reporters?" I looked over at Tatum, crossing my arms over my chest. 

"You don't know?" Tatum asked both of us, a hint of amusement on her face.

"No," Sid and I said in unison, still confused. 

"Casey Becker and Steve Orth were killed last night," She said with a harsh but light tone just above a whisper. 

"What?! No way!" Sid softly exclaimed. 

I was too shocked to say a single word so I just listened. 

"And we're not just talking killed, we're talking splatter movie killed. Ripped open, from end to end," Tatum talked about it with entertaining ease, like it was just gossip. 

I think I'm going to be sick. 

"Casey Becker, she sits next to me in English," Sid said looking over at her best friend. 

I think you mean sat, Sid. I thought. 

"Not anymore," Said Tatum with a wobble of her head. 

She went on saying, "It's so sad, her mom and dad found her hanging from a tree. Her insides on the outside." Shoving her hands near her stomach. 

"Oh my god," Sid said as she reached for the back of her neck, probably to feel the goosebumps that appeared. 

"Do they know who did it?" I finally asked, feeling the urge to know. 

The two looked over at me with Tatum saying, "Fucking clueless, I mean they're interogating the entire school? Teacher, students, janitors." 

"They think someone at school did it?" Sid asked

"They don't know, I mean Dewy was saying this is the worst crime he's seen in years. Even worse than-" Tatum paused when I nudged her side, "Well, it's bad." She finished. 

The bell signaling the start of the first period rang.

"C'mon Sid, we gotta get to class..." I said as I lightly grabbed her hand, giving it a slight reassuring squeeze. 

"Yeah, alright..." She responded, removing her hand from mine. She's just going through a lot right now. 

  Sitting through the first period is weird when you have a seat that was right behind a dead person. Not Casey Becker but Steve Orth. He'd ask me for a pencil or notes every day because he forgot his. Claimed it was because of football practice. Soon enough the five minute bell for next class rang. A class that didn't have any dead students.

  Walking to my locker to rotate my books I was blocked by none other than Stu Macher. 

"Hey, (y/n)," He drawled out my name with a big smile, "Whatcha up to?" 

"Getting my books Stu, same thing you should be doing." 

"C'mon, you're not still upset with me, are you?" He asked with a fake pout 

"Yeah actually I am Stu!" I shouted in a whisper 

"I couldn't help myself, I mean look at you?" He said as he squished my face. 

Swatting his hand away I said, "That's no excuse!" 

"You can be such a prude," he said as he leaned his head on my locker. 

"No, it's called being a good friend with a balanced moral compass that can see when her friend's boyfriend is about to cheat with her." I huffed as I slammed my locker door. 

"C'mon, (y/n)! You can't stay pissed forever! You'll come around eventually!" Stu shouted after me. 

"Like hell I will!" I shouted back. No matter how abundantly clear my feelings for him are, I would never do that behind Tatum's back.

[kryptonbabe]

This version of Mr. Mxyzptlk finally made me realize how cool the concept of the character really is

I've been a fan of Superman for a while now, almost ten years, oh time really flies, but I was never able to truly connect to Mxyzptlk the same way I do to Brainiac, Lex Luthor or Parasite. The chaotic nature of the character was never appealing to me. I started reading Superman and following comic book adaptations as an adult, which made me wonder if that's not the reason why I can't bring myself to enjoy the playfulness of some characters. For instance I don't really like Bizarro stories either (although I think he's cute and sympathetic, I've never read / watched something with him that I didn't find more annoying than anything... for now at least, I did not give up).

However, as I was finally watching MAWS 1st season last night, something about the Mxyzptlk episode just clicked, I fell in love with the character and the show (I mean... the League of Lois Lanes?? Amazing), his looks, personality and chaotic cheerfulness, the neutral nature of his moral inclinations, his defiant attitude towards Superman, an all powerful being that can actually challenge Clark's abilities. Lovely, unique, fun.

And as I looked for images of MAWS Mxy to send to my friends and tell them "I wish I was exactly like him", I found several excerpts of old comics with Mr. Mxyzptlk, and suddenly, that big headed imp with a tiny hat became an endearing figure with funny dialogues, I felt the urge to know more, read his origins, his famous stories and all I can find about the purple and orange clad creature.

I'm a fan of silver age Superman family comics and all this time I was foolishly avoiding Mxy stories, now I know I have so much to learn and laugh about, I can't wait. And all of that unleashed by this modern adaptation, I was really not expecting it.

I love comics for this, there's no wrong way to approach them. When we are beginners there's all this insecurity of not reading the classics, or not reading in order, not understanding the complexity and ramifications of events, the plethora of references. It's fun to find out about all that, but it's ok to take your time and just enjoy the stories, good or bad, classics or forgotten stuff you found at a garage's sale. Keeping the mind open.

In my journey in comics I met with a lot of gatekeepers and this weird mentality that you must read / watch certain things in their proper order and love certain classic stories and dislike the bad ones. Now as I get older, wiser and more powerful everyday, I see there's no reason for any of that. I still respect comic books history, but I have my own personal tastes and processes too, and it's cool to be cool about that, making my own way through this rich history, right? But I digress, this is a post about Mr. Mxyzptlk! I am finally aware of his greatness, I was not ready for it before, I forgive myself, for something changed last night, I now feel the chaos running through my veins, the imp influence changing me. And I'm glad for it!