#i've been meaning to do this for a while so i'm glad i finally posted :)

[gloomysoup]

he's probably worried (not hiding anymore)

@steddiebingo christmas card prompt: secret relationship

rating: teen+ | word count: 717 | tags: post-s3, post- starcourt, coming out | ao3

The air is filled with red-orange flames and smoke as the mall burns to the ground in front of him. His head is still spinning, face throbbing, and he can barely breathe. The adrenaline is starting to fade, and Steve’s injuries are making themselves known. He stands side-by-side with Robin, neither of them saying a word. Everything has changed. Neither of them will ever be the same person they once were.

Steve has a fleeting thought that Eddie must be worried. It's gone just as soon as it was there when the paramedics are ushering them into the ambulance and taking them to the hospital.

Everything is a blur of sirens and lights, Robin’s hand in his, a shock blanket around his shoulders. Doctors and bright lights, wires and beeping machines. He gets set up in a room for monitoring. Robin is okay. The kids are okay. Everyone is okay.

Steve doesn't even register what's happening when the nurse says they're going to call his emergency contact. His brain still feels a little fuzzy, even if things are starting to become clearer.

Everyone is gathered in Steve’s room. Robin and Dustin are sitting at the end of the bed, on either side of his legs. Robin refuses to leave his side. Steve is thinking about Eddie again.

Steve is late for dinner. He's probably so worried.

There's heavy footsteps in the hallway, shoes squeaking on the linoleum. The door flies open, and a head of curls stumbles into the room. Eddie’s eyes find Steve’s quickly, wild and full of fear and concern. He quickly crosses the room, pulling Steve into a tight hug. The room falls silent around them.

“Christ, Steve, I was so worried about you,” Eddie whispers, his voice tight like he's trying not to cry. “Are you okay? What happened?”

“I'm okay, promise. Just a little banged up, that's all.”

Eddie sucks in a very shaky breath, not letting go of Steve. “You're not allowed to scare me like that anymore, asshole. I can't handle it.”

“I'll do my best. How'd you even know I was here?”

Eddie pulls back, his hands resting on the sides of Steve’s face. “The hospital called Wayne.”

The door opens again, and there's Wayne. Steve notes that he looks tired, but the older man smiles when his gaze lands on Steve.

“Glad to see you're still kickin’, kid,” he says, the worry washing away from his face.

“Sorry, Wayne, can't get rid of me that easy,” Steve says with a grin that pulls at his cuts and bruises. Wayne barks a laugh at that, shaking his head.

“What the hell is going on?” Dustin says, finally finding his voice.

Eddie's eyes go wide as he suddenly seems to realize they are not alone in the room. Steve grabs Eddie’s hand with a smile and gives it a squeeze. Then he clears his throat and looks at Dustin.

"Wayne is my emergency contact,” he explains. “Has been for a little while now. I've, uh… kinda been staying with them from time to time.”

Dustin frowns, his eyebrows knit together. “But… why?”

Steve glances at Eddie, squeezing his hand again. He takes a deep breath. It's now or never. “Eddie is… my boyfriend.”

It's the first time he's said the words out loud. It's the first time they put an actual label on what they are, what they truly mean to each other. They've been boyfriends for a little while now, but they never actually talked about it. There was always so much sneaking around and secrets and keeping it under wraps. They were both scared.

Not anymore.

Steve isn't scared to hide Eddie away from his friends, from his family. The people who truly matter. Not when Eddie has never been scared of hiding him from Wayne, his family. He's done being scared, because he knows there's so many scarier things out there. He knows that monsters are real, and he knows it'll take a lot more than a boyfriend to run off his monster hunting family.

So he smiles at Eddie, and he calls him boyfriend. Because that's what he is. He's Steve’s boyfriend, and he loves him.

He's done keeping that a secret from the people who have always had his back, despite what they've been through.

[swiftlymurmurs]

I've seen a lot of people voice disappointment over this Game Changer season finale and while I personally wasn't really bothered by a lot of the criticisms (I thought the Ratfish was an interesting added game mechanic and I never really care who wins or loses so his judgements not aligning with mine made no difference to me) I do think it's very interesting and I've spent some time thinking about why it doesn't work for so many. Some thoughts: Why is this Eric guy even here?

Tim & Eric were a popular tv comedy duo in the late aughts alt comedy scene. Sam and many of the writers at Dropout are sketch comedy nerds who, in 2007, were freshly at the start of their comedy careers, and probably see them and the larger [Adult Swim] environment they were a part of as a huge influence.

Why has it maybe aged poorly?

As far as I know, their popularity came in the early stages of about a decade of quite cynical, surreal comedy that also spawned the "lolrandom" era. While huge and fresh at the time, I think my generation (gen Z, the main viewerbase of Dropout) has grown pretty tired of this style and favours sketch comedy that's more clever, witty, and emotionally open or wholesome. At least, that's a movement Dropout has very much steered into with their roster of comedians and it's what the viewers expect.

The parasocial thing

It's no secret that Dropout actively promotes itself as a tight group of friendly comedians who you are invited to get to know, expect, and love when they show up. They don't abuse parasociality in the way you see, for example, younger audience oriented youtubers shoveling merch do it, but they absolutely make use of it. Most of the moments from this episode I've seen people gush over or post positively about are those where the cast recognize each other's styles, reference their relationships, and just generally make it known how well they know one another. When a total stranger enters the picture in an episode where the cast already have a barrier to their regular banter AND is given so much power over the game, they may look like an outsider or even an enemy to the happy little family people have gotten so attached to. Especially because his role is explicitly that of an antagonist, and the cast are never given a chance to see him and maybe out their love and respect for him as a comedian. In the minds of viewers, he just stays some guy who made mean jokes about their blorbo and then left.

Conclusion

I'm always glad to see this show making big swings, and while most of them have landed, some of them are bound to miss. It's a show that prides itself on trying things the viewers may not yet know they wanted and the second it stops trying, I think it'll be all the worse for it. It's a shame to end the season on such a note, but it's been hit after hit so far, and before we know it we'll be right back into it. I love this show, I love this cast, and I'm excited to see what's next!

[xamag-draws]

BBR thoughts 2024

Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies

This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not

So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters

I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash

I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted

Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it

At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do

Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction

So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older

I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet

When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"

But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work

If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now

I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:

Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)

I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat

I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least

I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example

I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep

I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor

I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence

The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers

Some new Dolly outfits

Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days

Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo

I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused

One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book

An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well

So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)

[iliveforyouilongforyouvesuvia]

Brainrot Housekeeping: An update

I don't know how many times I've tried to find the best way to say this, but I'll put the major updates upfront and go into detail under the cut :')

To get straight to the point, I'm going to be retiring from this blog in a few days.

No, I'm not leaving the fandom

Yes, I'm going to keep creating! Just not on this blog

No, I'm not going to delete this blog

Yes, I'm still going to be relatively active as far as regular fandom activity goes

To go a little more into detail, I've had an ongoing situation at my workplace that quickly spiraled in all the wrong ways over the last month. I ended up having to resign as a last-ditch effort to preserve my physical safety, which obviously means that now my life is going to look very different from what it has for nearly the last two years.

My job (which I did love doing) involved a setup that allowed me the kind of time and space to pump out the amount of content that I have since I started this blog. Now that that's changing, I won't have the consistent, scheduled blocks of idle time to keep up my past posting schedule. Creativity will happen irregularly in my free time, and I'll want to spend it differently.

Which brings me to the future of my creative endeavors and involvement with the fandom - I don't think I'll be able to truly understand the impact this has had on my life for years to come. Having a community with all of you, getting back into my passion for writing and storytelling and creating after six years of giving up on it, finding out what it's like to watch a shared love and enjoyment for characters unfold into something real and exciting ... it's meant the world to me, and I can't thank every person who's been here for it enough. There's no way I'll leave any of this behind if I can help it.

So, no, I won't be writing for the Arcana M6 anymore, but I'm not leaving. I will still be running the Vesuvia Weekly event blog (and, if I have the brain farts for it, occasionally contributing my own submissions) and I will still be active in the Arcana Renaissance server. Not only will I be keeping this blog up, I'll also continue moving all of my writing posts onto Ao3 as well for a more cohesive, effective archive for anybody who just wants to browse M6 content. I won't be taking writing prompts anymore, but I'll do my best to stay on top of answering asks!

As for what I'll be doing next, to be honest, I'm actually pretty excited. I've had an idea rattling around in my head for a while that's begging to be written and illustrated and composed for, and I've finally reached the mental space to do it. I'm already in love with my main cast of characters and the dystopian, fantasy-punk-ish world they live in. If I ever manage to get my ideas off the ground, I'll be more than happy to invite anyone interested to watch it develop and unfold. :D

(And no, this will not involve Dorian at any point lol. I'd rather learn to code and build my own website)

If you've read this far, I can't thank you enough. You've taught me life lessons and prompted me to grow as a person in creativity, kindness, community, and joy. I've learned what it means to hold love and space for others in new ways. You've enriched my life in important and tangible ways and you'll always have a piece of my gratitude. I never would've imagined an experience like this, but boy am I glad it's happened.

Until next time!

brainrot

[churipu]

Hi! ☺️ First and foremost, I hope you're doing well. Also, I just recently found your page and I love your writing!

I really liked your post on the super sensitive reader with the jjk men. Can I get headcanons of the jjk men with reader who is very stoic and a little emotionally constipated? Like they have never seen reader cry ever while in their relationship together, but then reader ends up having a hard week and ends up crying from frustration.

jjk men & their emotionally constipated partner

featuring. shiu kong, itadori yuuji, todo aoi, geto suguru x reader

warnings. cursing and jjk men being sweet and soft to their partner <;33

note. hi anon! i'm doing great, hbu love? thank you for liking my works, you don't know how much that means to me, i hope you have a great day! and thank you for requesting, i find this request very interesting <33 also, thank you guys for the big amount of support i've been receiving for the last two days, can you imagine i gained like 140+ followers in that matter of time? i'm going to start violently sobbing istg. anw, i hope u sexies enjoy this <33

SHIU KONG. shiu loves you a lot, even if you struggle in showing the love back to him, he knows you love him a lot. shiu would receive random messages (mostly a picture of something and then you tell him that it reminded you of him, probably deemed as your love language now). i feel like shiu is partly happy that you don't take things into the heart - but at times he'd be very worried about you. you never cry, you almost never get angry at him even if he did something wrong (you'd just tell him it's nothing and you weren't mad, but he sometimes think it's because you didn't want to engage yourself in arguments), and hell, he barely sees you smile at all.

shiu has heard you tell stories about your new work place, which you quote unquote as toxic. and you've been in the company for no longer than three months, but the stories about your very annoying co-worker and your boss never stops. he swore that the topic of your work place was the only thing that could get you riled up.

i feel like shiu would be the type of boyfriend who would tell you to stop working because he's financially stable enough to provide for you, but you decline telling him that you didn't want to live off of him.

shiu didn't force you to stop or quit your job though, he'd be glad to listen to you talk about your days at work.

"y/n? you're ho— darling, what happened?" he saw the solemn look on your face and realized that something must have happened (yet again) at your work place, he dropped the cigar that was lodged in between his lips and immediately approached you.

you shook your head, inhaling sharply before kicking off your shoes, "work, of course."

"is it your boss? or that same co-worker again?" shiu knew that it was either your boss or this one co-worker who doesn't seem to enjoy your presence in the office.

"both." you sat down on the couch, throwing your head back in exhaustion (you were about to cry and the only way to stop your tears from coming out was to just force it back in with your head back), "i'm getting my paycheck reduced this month."

shiu took a seat next to you, "why?"

"i was blamed for something my co-worker did, this is so unfair," your voice cracked a little and shiu pulled you into a hug, you choked out a sob, "this is so unfair," you muttered out, your pent out anger and disappointment finally seeping out in a form of tears.

"hey, shh..." he soothes you, pulling back to see your tearful eyes. he grazed over your cheek to wipe the droplets away, "let me take care of them, yeah?"

you shook your head, "don't have to, i don't want to make this into a bigger mess."

shiu planted a kiss on your forehead, "don't worry about it darling, you trust me, don't you?"

"yes."

shiu had a "talk" with your boss and your co-worker the very next day and your co-worker ended up resigning right after, and your boss, well they never bothered you anymore (and you're getting an extra paycheck for the next half a year).

ITADORI YUUJI. people always wonder how you and itadori ended up with each other. him being this ray of sunshine, and you were like the moon. but he didn't care about what everyone says, he loves you — and that's what matter, right?

wrong. don't think that you didn't notice the enormous shit talking about you behind your back, about how you probably bribed itadori into dating you and what not. usually, you'd shove all those down the drain and forget about it.

but for some reason, you couldn't help but to rethink about what they said. how itadori isn't too fit for you, or how you don't deserve him at all. the only thing that managed to trigger you was how somebody said that itadori deserves someone more "emotionally available" for him, and that person isn't you.

you never liked being emotionally constipated, people always talk about you behind your back, saying how you're so distant and that being the reason you don't have any friends. you keep telling yourself that you're used to it when it comes to you, but when it comes to itadori and your relationship — you feel helpless.

"y/n? are you okay?"

you looked up at him, a glint of worry flashing in his eyes. and you can't help but to feel the frustration building in you as you remember the words people say to you, "yes..no? i don't kno—" you choked out, smacking your hand on top of your mouth at the sound you let out.

it just got worse when you feel the tears you've been penting up for the past few weeks come out. itadori blinked feverishly, a little surprised to see you crying like this. he has never seen you cry before, "y/n..?" he breathes out, his hand reaching out to you, but you moved back, trying to avoid his touch.

the embarrassment you felt was horrid, you hated crying in front of people, even your own boyfriend, "baby," itadori mutters out seriously, grabbing your arms and then pulling them away from your face, "tell me what's wrong. talk to me."

i feel like he knew where this was going, he had a hunch. for the past few weeks, you asked him about why he was with you, why he loves you when there were better people out there (you think). and he knew it was because of what people said.

"i...i just don't think i'm the right one for you, yuuji. they're right, you need a more emotionally available partner."

itadori's face fell when you said that, and he shook his head, pulling you into his embrace. rocking back and forth like a baby, "why would you say that? why would you listen to them y/n?" he asks quietly.

"i...don't know."

he pulled away, brows furrowed and he held your shoulders, "you're perfect for me, i don't give a fuck what they said about you and i. the next time someone says something, i'm going to beat them up," the thing is, he looked so serious you couldn't help but to chuckle.

"you just chuckled.." he breathes out, "my life is complete."

TODO AOI. he's very boisterous, and i feel like he'd be the type of person who would defend his partner everywhere they go. when you accepted his feelings, he was surprised since he never expected you to like someone like him. but he was pretty damn proud of you, and as a boyfriend, he shows you off like a trophy.

telling people about how amazing you are, how you make him happy, or how you treat him nicely. but people are fucking judgmental, some of them don't like the idea of others living happily — and you never thought that "these" particular people would target you next for it.

saying how fucking weird todo is for liking someone like you, and you had to be honest, it did get into you. and so began your avoidance to your own boyfriend, todo.

he hates it. he hated how you changed out of the blue, no matter how hard he tries to reach out for you, you weren't the same anymore and he never got why you decided to change.

believe me when i say that he tried asking his friends about it, or about tips to get you to talk to him. but really, they weren't much of a help, saying how you probably got bored and is avoiding him so he would be the one to break up first with you.

todo didn't want to let the idea of that get into him, but after a few weeks of you avoiding him non-stop, he began thinking the same thing. were you bored of him? did he do something that you didn't like? or is it because he ate the last chocolate chip cookie you were saving up and blamed it on someone else?

so when he got the chance to bump into you, he immediately took it as a chance to ask you about it.

"why are you avoiding me?" you tried ending the conversation right away by going the other way, but man is fast fast so he didn't let you — still wanting to know about the sudden change in your behavior.

todo knows how you didn't like being cornered, or how you don't like talking about the relationship, sappy shit. but if he didn't talk to you about this, todo knew he was going to regret it.

"y/n," he grabbed the back of your collar, pulling you back lightly, "did i do something wrong?"

you were silent for a few seconds before todo's ears perked up at the sound of soft, choked out sobs. you were crying. you were crying. and the panic sinks in, "i..i'm sorry, did i pull on your collar too hard?!" he panics, flailing his arms.

you shook your head, "...no, i'm sorry for avoiding you."

todo stopped his panicking and stood up straight, "i couldn't stop thinking about what people have to say about us, and now that i think about it, i feel like you deserve more than me," todo widened his eyes and looked around.

"who the fuck said that? i'm going to beat them up so bad people won't recognize them," todo mutters out and the corner of your lips tugged upward, "is that why you're avoiding me?"

you nod, "it was wrong. i know i should've said something about it. i'm sorry for avoiding you."

todo laid his hand on top of your head, brushing your h/c softly with a gentle smile, "you're perfect for me, fuck those people," he cusses out, "next time you hear em', don't forget to find out their names— i'm going to give them a lesson for it."

SUGURU GETO. suguru and you are like two peas in a pod. people never see him without you and vice versa, and often people would say that you both are the perfect couple. despite your personalities almost being the same type of calm, suguru is a calm man, and he's soft spoken. while you were just plain cold and stoic, rarely speak of something or even show your emotions.

someone bothering you? okay. someone making fun of you? okay. you were practically a walking definition of "i give zero fucks". but that doesn't mean you can't feel hurt, you are still human after all.

so when suguru told you about how he has a new co-worker, and how she has been clinging onto him, how she tries to get in his pants. you find it cute how he tells you about it, even telling you that you should come to his workplace so he could show you off.

you didn't feel anything because you trusted him. until you see the so called "co-worker" of his. she's pretty, you can't deny that. and you could see how she gets along with almost everyone, having no problem in instigating a conversation or complimenting people. people definitely like her.

that's where the insecurity began sinking in.

would suguru fall for her like everyone in his workplace does? would he leave you for her? so many questions you wanted to find the answer to.

"baby?"

you look at him, completely out of your daydream. he cocks his head to the side, "are you okay? you've been zoning out a lot lately..." he said, voice gentle and worried.

you nodded, "yeah. sorry. got a lot in my mind."

"do you want to talk about it?" he brushes a few h/c strands from covering your face, "you've been a little distant. is it something that i did, baby?"

god, just the thought of suguru thinking it was him made you a little sensitive. the past few weeks was already hard enough for you to contain yourself from breaking down, and him asking that made the tears you held in for so long drop out all at once.

suguru was a little taken aback and he sat straight up, alarmed, "y/n? baby? what's wrong?" he asks you gently, wiping the tears that never ceased from your face.

"i feel..i feel like i'm not enough. you deserve better than me, suguru." suguru swallowed the lump in his throat, he should've known, ever since you came to his workplace, you had started getting distant. and he should've known that was the reason.

suguru shook his head, cupping your face before giving you soft little kisses all over your face, "don't" a kiss on your forehead. "you" a kiss on your left cheek. "dare" a kiss on your right cheek. "say" a kiss on your nose. "that" a kiss on your chin.

the male gazes into your eyes deeply, "i love you," he softly said before planting a kiss on your lips, "you're the one i want, you're perfect for me. i can't see my future without you y/n, so please don't think about that..."

© CHURIPU 2023 , DO NOT COPY OR REPOST ANYWHERE !

[dropthedemiurge]

Love for Love's Sake | Things you didn't notice (probably)

Finally, I am watching a good K-BL and can enjoy multi-layered meanings within language, culture and translated subs altogether (unlike with Thai series where I need to learn a new language again xD)

So I'll be pointing out some fun things that I noticed for fellow foreign viewers =) Beware of a long post!

Disclaimer: I'm not fluent in Korean, but I've been learning and using it for years + lived and studied in Korea for a while so I'm offering my perspective and knowledge but it might not be the Ultimate Truth

Episode 1

«I prefer lonely supporting characters instead of happy protagonists. Cha Yeowoon is still unhappy. ... - Where are you going? - To see my main (최애). I mean, Cha Yeowoon.»

The word Tae Myungha used to described Cha Yeowoon, as I heard, was actually 최애 (choe-ae). It's a slang that can be translated as "my favourite" and typically is used for K-pop group members, meaning "my bias" (think One True Pairing but One True Person instead). Then, as his fellow classmate gets confused, hearing such word referring to a popular student in their school, Tae Myungha changes to "I mean, Cha Yeowoon", and it works because the word and the name sound similar.

Myungha uses this word because in the intro he stated that Yeowoon is his favourite character in the book out of all. So basically, his first reaction was "- Where are you going? - I'm gonna run to find my blorbo&lt;3", which is so admirable. I'd also get obsessed with making happy my fav side character that was treated unfairly by creators :D

«Kids like chocolate, right? ... (Yeowoon grabs an icecream, Myungha grabs the same, adding with surprise:) Didn't see that coming. Bi-Bi-Big (비비빅)? You eat like an old man.»

What surprised Myungha there? That Yeowoon chose this icecream->

It's a traditional icecream that is made out of red beans. This taste is usually associated with older people (because typically kids like sweet things and older people like less sweet/bland tastes), also red beans or read bean paste is used in many traditional desserts in Korea. Yeah, who would've thought that a high schooler would choose this icecream out of all options?

Later, Myungha gets the message "You can compare Bi-Bi-Big to big Ba-Bum-Bar (another icecream with "old man taste" from chestnuts), why the hell would you eat it?" and gets confused as the message seems missent. I am confused as well, because Myungha wasn't the one choosing this icecream and Yeowoon wasn't typing in his phone. Considering that the phone number is unknown, I can guess that it might be a commentary from the book's author who's watching Myungha playing his story game? Let's figure it out in the next episodes!

«- You eat like an old man. - Do you play sports? - No. - Weird. You're a whiner like I've always heard. - Kids these days have no manners.»

My quick translation->

«- You eat like an old man. - Sunbae, do you play sports? - No. - Strange. You sound like one of those older jerks (꼰대). - Kids these days have no manners.»

More on the differences between Tae Myungha and Cha Yeowoon:

Myungha tried to poke Yeowoon about his "old man tastes", and Yeowoon called him out for his conservative/stereotypical thinking.

Yeowoon keeps calling Myungha sunbae (because he knows MH's a senior in their school so he must be polite), and Myungha REALLY TALKS LIKE AN OLD MAN to him ("Kids these days" in the subs does translate this style of speech correctly! I'm glad). We all know he's much older before he was thrown into high school times (~25-30yo?), but his words and intonations really make you feel like he's 50-60yo or something xD

Yeowoon doesn't like this at all, though, so he calls Myungha a sort of derogatory term 꼰대 (kkondae), which is used to described old conservative people who are set in their ways and keep nagging and scolding young people for not behaving properly. And, as a runner, he implies that there are senior sportsmen that are hazing or nagging younger sportsmen like this as well, that's who Myungha reminds him of. No wonder the affection stats fell down in the minus zone so hard!

There you go, guys, these are my comments on the first episode of Love for Love's sake! It is filmed so well, I like the idea, and I really enjoyed it (if this one gets really popular just like Semantic Error, we might get more BLs about gamers or gamedevs and I WILL LOVE IT I am so here for it, hehe)

Stay tuned for more as I watch next episodes :]

[cinnamontoastcrunch-15]

HELLO I moved last week and I have no WiFi or service in my flat (posting from a coffee shop) so I apologise for the lack of posting.

However, this was meant to be for today's wolfstarmicrofic prompt Basilisk, but it's officially much too long because I've missed writing to post lmao, so it's not a microfic.

(Ravenclaw Remus AU.)

"Lupin, you're patrolling with..." Moody flicks quickly through his notes, "Black."

"Oh, er... Alright," he says with a shrug, trying to pass himself off as calm.

Internally? Every single alarm is going off in his head.

Remus never exactly... spoke to Sirius Black, or his friends. Ravenclaws and Gryffindors aren't really destined to interact, and Remus would have chosen death over joining the Quidditch team. That didn't stop him from being one of far too many people in the school that had a major minor crush on Sirius.

Sure, he knew that Sirius had grown up rich and pampered. He always held himself in this way that made him seem ten times more important than everyone else. That wasn't exactly helped by the fact that he was a Gryffindor. Lily, Mary and Marlene were the only Gryffindors Remus has ever really tolerated. The rest are all pretentious as fuck. Everyone knows that.

Still, for some reason, his brain would short circuit whenever he was so much in the same room as Sirius. He still lays awake at night, humiliated about the time he accidentally caught Sirius' eyes and tripped over the bench in the Great Hall.

Joining the Order wasn't even a question for him. Anything to help them win the war. He hadn't exactly expected Sirius to do the same, but it just makes him feel like he's back in school. Frustratingly enough for him, Sirius has only gotten more attractive in the year since they've left school. It hasn't really mattered until now, though. He's been pretty successful in avoiding him. It's probably helped by the fact that he isn't even on Sirius' radar, but this? He's going to set the strangest first impression on the planet.

There's nothing he can do about it, though.

That's how Remus finds himself waiting outside the Order house, fidgeting with an unlit cigarette.

"Hey, Remus!"

There he is.

Remus looks up, shoving the cigarette back into the carton. Sirius has stopped in front of him, running a hand through his hair and grinning at Remus.

Leather jackets look weird on literally everyone other than him.

Remus has to jostle his brain into functioning. He blinks once, before finally mustering a polite smile.

"Hi. Should we get going?"

"Yeah. Yeah, let's go."

They walk in silence for a while, moving from spot to spot and taking the odd note.

Until Sirius decides he's done with all of that.

"Y'know, I was hoping you'd join the Order."

"Sorry?" Remus practically stops in his tracks, turning to Sirius with wide eyes. Shock ripples through him.

Hoping?

"I mean, I had a feeling you would. I'm just... glad you did, I guess."

"I didn't even know you knew I existed," Remus confesses quickly.

Sirius actually does stop moving, grabbing Remus' forearm and stopping him too.

"You're kidding, right?"

"No, really. You existed on this... separate plane. I mean, you were you. Everyone knew about you. Why would I be on your radar?"

"Remus," Sirius says slowly, eyes boring into Remus'. It sends a shiver down Remus' spine. "All I did was think about you."

"What?" Remus sputters, a strange mixture of confusion and shock overwhelming him.

"Oh, I had such a crush on you." He shrugs like it's nothing; like what he just said hasn't turned Remus' entire world on its axis. "I thought that was obvious, I mean... you're bloody brilliant. Ravenclaw prefect, running a study group-"

"I can't believe you've even given me a second thought," Remus says, a little breathless.

"Merlin, I did. I remember telling James that I'd fight a Basilisk for you." Sirius chuckles to himself, but Remus is losing control over his own responses scarily quickly. "I know you couldn't stand me, but-"

"Who said that?"

"Nobody had to." Sirius watches Remus, a little puzzled. "You're not the biggest fan of Gryffindors, right?"

Well, he's not wrong.

"Besides, you couldn't stay in the same room as me. You literally fell over yourself trying to get away from me before."

"Oh, God," Remus mutters under his breath, his face heating up uncomfortably. His one comfort has been that Sirius didn't notice him embarrassing himself every time he walked into the room.

"Sorry," Sirius says suddenly, releasing Remus' hand. "I didn't mean to- Christ, I've made things even more awkward, haven't I?"

Huh.

He's not as confident as Remus thought.

"I'm so sorry, I didn't mean- let's just forget I said that. Finish patrolling."

No.

Remus doesn't want to forget. He needs to do something, before Sirius never speaks to him again.

Hurriedly, he grabs Sirius' hand, pulling him into an alley nearby.

Well, he's committed to it now. No turning back.

"Remus, what-"

He pulls Sirius in by his stupidly perfect jacket and connects their lips before he has a chance to second guess himself.

Thankfully, Sirius wastes no time in falling into the kiss. His lips are soft against Remus', parting just enough for their tongues to meet.

The kiss is everything he could have imagined and more. Sirius is somehow both tentative and eager and he tastes like cinnamon and fuck, Remus may as well have died and gone to heaven. His hand involuntarily slides into Sirius' hair, and he's rewarded with a muffled gasp.

Okay, maybe Gryffindors aren't that bad.

[dogcircle-scans]

I'm really curious to know if you have officially dropped the manga. If so (and even if not obvs), I'd just like to thank you for so many amazing years of awesome translations. This manga may not be very popular in the west but I'm glad you kept bringing it for so many of us

Hey, sorry for just now seeing this even though this question was sent back in late November.

No, we haven't officially dropped the manga, and Idk if any group has picked up the series while I was gone. Emphasis on the "I" because our absence was not a consenting choice made by anyone else in this group. So if anyone harbors any kind of resentment, then do not direct it towards anyone but me. If we ever decide to officially drop the series, I'll make an official announcement on this blog. To be honest, I wasn't really gonna make much hubbub about a comeback and just post a chapter as if no time had passed. But, because I got this question and you were very nice about it. I'll give some insight.

- 🦙

The only reason I'm an active part of this fandom (any fandom now really) despite it being against my lurker nature and excessive anxiety issues is because I was encouraged to do so by a friend. If you know me from Discord, then you probably know that aside from running this blog, I'm leader of the scan group and owner of its server, I'm even an admin for the Natsume fan server which is its own separate thing.

I don't know if that sounds already sounds overwhelming, but just to scare you, I also proofread the scripts so the dialogue sounds natural and act as quality checker for each chapter. This means cleaning/redrawing sections of pages if the CLDR forgot or didn't meet the standard of quality I'm looking for. Similar with typesetting, I'll rearrange the text if I feel it could be done better. I'm also the main SFX person. When it comes to the scan server, outside of running and maintaining it, I also act as mod to make sure people aren't posting anything inappropriate or inoffensive + setting up bots and permissions.

When I was in High School and even during my early years of college, I could manage it cause I had the support and energy for it. Plus, my love for Natsume was scary intense. So when life got hard, I found that working on scans acted as a lifeline.

Then I had a messy fallout with the friend who prompted all of this, and things shifted. It didn't help that things in my personal life got really bad and more or less stayed that way for 2/3 years. And because of the association, and the guilt of falling behind, working on Natsume was no longer a stress-relieving activity. It became the source of my stress. I ran away because I was scared and overwhelmed. It wasn't healthy and it only made things worse, honestly.

But, I've been really hard on myself over this past year, and I finally reached the point of wanting to come back, but the guilt from being a deadbeat was still eating me alive. Then I got really sick at the start of this month, and I'm no lie, I'm still sick... but that gave me a lot of time to think and reevaluate all kinds of things. Because honestly? I miss working on scans and the collaborative aspect that I fell in love with because of Natsume.

And literally just this past Saturday/Sunday night, I sent a message to the group, apologizing for what I did and provided a similar explanation of why I did what I did. I trying it as just an explanation and not an excuse - I hope I was able to do that here too.

I told my group to give me several days before I actually start working on scans again, though, because it'll allow me to catch up with everything and figure out what needs to be done next, and it'll also give me more time to recover.

Thank you once again for being kind and understanding! I really appreciate it 🥹💚

[loquaciousquark]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. Spread the self-love ❤️

This week has been hell and now that I'm finally coming to the end of it, I'm going to sit down & enjoy this! Sorry in advance for the length.

My favorite fics vacillate wildly depending on my mood, interest, and the time of year, but right now, I think this is what I've got. In no particular order:

Invicta, Invictus (2016)

Magister AU. Hawke ends up owning Fenris while in Minrathous & they fall in love anyway. This fic was difficult to write for a lot of reasons (a main one just being my fear of not doing justice to the premise and underselling the slavery aspect), and it took nearly a year to finish between the writing itself, the rewriting and additional scenes required from @jadesabre301's beta, and final edits. By the time I started posting I felt confident that I'd written something solid, but despite the otherwise positive response, I did end up receiving a series of extremely angry, lengthy critical comments from someone who basically accused me of perpetuating the glorification of rape, the enslavement of people of color, and the entrenchment of cruelty against victims of sexual assault. (I vividly remember a comparison between Thomas Jefferson & Sally Hemings.)

This came out of the blue from someone I knew & had otherwise quite respected; it was a blow that shook my confidence to the core, despite several wonderful people reaching out to me at the time, and while I finished posting the fic, I completely stopped writing otherwise. I ended up not writing anything of significance for three full years afterwards. It wasn't until I got extremely drunk on a work trip (after a personal dinner, no colleagues around) and went back to my hotel to jot down the first lines of the Hawke-is-rescued-from-the-Fade fic that I even entertained the idea of picking the hobby back up.

Now, looking back after almost ten years, I've long come to terms with her criticism. I've decided that I disagree with her, that I'm actually still okay with what I wrote, and that I'm proud of the work I did in that fic. I think the premise is good and the examination of the social and political structures is sound, and I think the fic does what it needs to where the relationship strains against the societal boundaries around it. Not to mention I think it has some of my best Fenris characterization I ever managed, and some of my better Hawke jokes. I think the letter exchange at the end is effectively poignant even after all this time (though I do wish I'd written Danarius's actual death a little differently), and I still find the ending as they approach Kirkwall very satisfying. I'll also never turn down a chance to let Varania have a moment or two.

I'm proud of this one, and I'm glad I wrote it.

A Midwinter's Carol; in Prose; Being a Ghost Story of Baldur's Gate (2023)

I think this fic has some of my best technical mimicry I've ever managed. I've always enjoyed a good stylistic parroting, but this was the first time I'd attempted Dickens, and I genuinely think I did a good job. 😂 I've always been fascinated by the mechanics of language, and I had a great time spoofing his oddly frank addresses to the reader and his serpentine asides.

It's quite short—less than 10k—but I think it does exactly what it's supposed to, and I'm genuinely proud of some of the AU elements. @eponymous-rose gave me Christmases Past and Present, so I can't lay claim to those (aside from execution), but the way Future's demand resolves & the Thayan book standing in for the door knocker were all mine, and I still think they're genius, ahaha. (I also fully acknowledge that I owe Jade big time for helping me clarify the final deal Astarion strikes.)

I think the wordplay throughout of what it means to be redeemed is well written, and I'm genuinely pleased with the turn of the mood during the Future sequence. I can tell my love of flippant characters having stark face-to-face encounters with gods is probably a little strong at the end, but Megan Whalen Turner was a formative influence, and I still love it the way it came out here. This is a fic that did exactly what I wanted it to from start to finish, and I love rereading it.

I also think Astarion refusing to participate in the narrative and Tav's modern voice against the Dickensian backdrop are utterly hilarious.

Iron Bound (2023)

This is the most ambitious project I've ever tackled, even considering Invicta above. I knew this would be a long fic, and while I'd daydreamed about scenes from it for nearly a decade, I genuinely didn't know if I had the technical ability to execute it the way I wanted. Once I finally, finally, finally sat down to write it, the words came out like butter, and I wrote almost 70k words in two weeks.

This fic was interesting because it included a love triangle, which is not something I have ever had the slightest interest in reading or writing, but I felt the relationships were strong enough between all three pillars that I wanted to give it a shot. I love Hawke & Fenris, obviously, but the Fenris + Sebastian brotherhood is likewise vitally important to me, and I've always treasured the Sebastian + Hawke friendship as well. Getting to examine all three of them closely here was wonderful from start to finish, and I loved looking at where the lines strained and grew lax as they got to know each other.

Likewise, I've also adored characters who have to face the conflict between love and duty, and this premise let me marinate in every part of the idea. Knowing that I'd be able to give them all happy endings—knowing that they'd be rewarded for doing the right thing—was very pat and yet very satisfying, and I enjoyed every minute of the tension before the resolution.

This fic was in many ways an homage to Patricia McKillip, one of my favorite authors, and also a frank wish-fulfillment exercise for me. This is the one where everyone lives. This is the one where no one suffers for too long. Malcolm, Carver, Bethany, Leandra—even Varania and Sebastian and Anders and the dog. Everyone lives. Everyone is happy and loved and fed and secure and will remain so for the rest of their lives, and I remain thoroughly unapologetic for it.

I do think (despite Jade's attempts to correct it) that there's some marked narrative clumsiness in the back third, and with a little distance I can see ways I could have revised the Danarius confrontation and the series of epilogues to hang together more cleanly. There are also some heavy-handed sequences regarding the broader world politics which I think stand out against what is otherwise fairly mature writing, and I wish I'd threaded those through a bit more deftly.

That said, I'm still immensely proud of this project, and once I finish this post I'm probably going to reread it start to finish. 😂

This Lethal Light Falls Softly (2023)

I was very passionate about the central conceit of this fic, and I think it shows. It's cleanly written with no wasted time—even rereading it now for this post, there's only one exchange I'd still tweak—and I'm very happy with the way I wrote the Tav & Astarion relationship at this stage. They're a wholly different beast to Fenris & Hawke, who are friends for seven years before they finally embark on a real relationship; Tav & Astarion know each other maybe a few weeks before they sleep together for the first time, and even with the most generous possible interpretation I don't think the game can take more than a handful of months. This meant I was writing lovers with new-to-me insecurities, and with Astarion's own basketful of bugaboos on top of that, everything felt fresh and exciting and a little terrifying. I think you can feel that energy in the prose, and I really like it.

Aside from that, I'm very happy with the solution I came up with to Astarion's vampirism. It was hardly inventive, but I did feel it was both practical and lore-friendly, and I felt like its cost (Tav's absence for Astarion, the exhaustion and battle and injuries for Tav) balanced out the number of boons it provided. It also made negating the vampiric effects an active, ongoing choice for Astarion, which I deeply prefer over more permanent solutions like True Resurrection or a god restoring him to mortality.

I also just honestly think it's just fun to read. I like Astarion being snippy and short-tempered while still being overjoyed to see Tav alive. I like Tav confronting the idea that Astarion loves her as much as she loves him and that her silent absence was an active harm to him. I think I did a pretty good job setting the scenery and conveying the appropriate atmosphere where it was important, and I think there are some turns of phrase throughout that came out quite lovely.

I also think ending on the button of him seeing himself in the mirror is hilarious. (Not pictured: Tav having to ask him to put down the hand mirror for literal weeks.)

ah! this grief like cold bells ringing (2020)

This is probably the most difficult fic I've written in terms of headspace. COVID's forced isolation was particularly awful for me, and I didn't know how to handle it except to try to write it out of me. This, like Iron Bound, contained something I never thought I'd write (rape/rape aftermath), but the gravity of the situation and the world at the time seemed to demand something likewise grave, and I ended up feeling like it was an appropriate choice. Hawke has been a tool of many kinds for me over the years, and I remain both glad and weirdly grateful for her resilience.

This was also the first fic where I felt like I didn't shy away from or veil Tevinter's atrocities (a necessary artifact of the premise). While it was hard to write, it wasn't hard to write, and looking back I'm glad I made the choices I did; I think to hamstring the severity of the moment would have broken the story's teeth and dampened the recovery which came after. The instinct to quit flinching away was the right one, and I think the fic is better for it.

I also think this is some of the most effective writing of catharsis I've ever managed. When I'm having a really difficult time and need to read a moment of recovery, the second chapter of this fic is always my first stop. I've actually only reread the first chapter a few times since I posted (usually the pain's not the part I need), but I've reread the second chapter a hundred times or more.

I also do think that the style of the prose—a little flatter and more direct than I usually write—came out well, especially given the subject matter. While I'd prefer never to go back to that emotional place, I'm glad this came out of it.

Honorable Mention:

Lacrimosa (2011). Still one of the oneshots I'm proudest of. I think it's technically proficient and emotionally very effective, and I love the structure of it.

A Detailed Accounting of the Rigorous and Remarkable Struggles Faced by One Fereldan Refugee in the Singularly Capricious City of Kirkwall, as Experienced by the Illustrious Author (2022). While the writing is not the best I've ever managed (it began life as a warm-up exercise, after all), it took ten years to finish, and I'm deeply proud of both finishing it and of the execution of several sections.

Find Me a Wayward Sun (2023). I like the emotional complexity of this fic very much. This was the first place where I felt like I really started to understand the dynamic between Tav & Astarion, especially in the complicated back half of Act Two, and I've gone back to it several times when I need to recapture that feeling of confused selfishness and nascent, uncertain affection.

[vidavalor]

I've had to disconnect from my dash because of all the negativity; I honestly do not get why people are acting like a semblance of justice+a movie is the worst thing in the world?

I'm mourning for the full six-episode season we lost because ng couldn't pass the utmost basic sub-zero bar for not acting like scum and of course I wish amazon had kicked him out and then sprung for it anyway (and honestly, as long as you're blaming the right person, I think it's fine to feel upset? We deserved better, the cast and crew deserved, Terry deserved better, and this one guy ruins it for everyone because the bar was buried six feet deep beneath the ground and he still managed to go lower, and that does suck, and it is miserable and unfair, so take a moment if you need it 🤷‍♀️) but let's face it, we got off lucky. Arguably, considering this was a standalone novel from the nineties, that then got made, in one of the best book adaptations I've ever seen, into a limited standalone tv miniseries (and, again, emphasising the standalone here, so even if it all goes to hell in a handbasket, we'll still always have S1 and the book; people have been ignoring the Jurassic Park sequels for nearly three decades), and then got a surprise sequel, we were pretty lucky the whole way through.

And regarding the whole what if it's bad thing, I was always going to be worried: I was anxious long before this shit went down, and I was anxious before S2 and even S1, as well. It's not like we ever had any guarantee it was going to be good beforehand either, and at this point, knowing what we do now, I'm not at all sure I'd have trusted ng to write this anyways. So while, yeah sure, I'm maybe a little more anxious now, I trust Michael and David with these characters and I trust Rob and Rhianna with Terry's legacy and story and that they wouldn't have fought so hard for this ending unless they planned to keep fighting and thought they could pull it off. Isn't the problem with this kind of thing normally that what happnes is the creator who cares deeply about the work gets pulled in favour of someone out-of-touch who cares not a jot about the story and needs to leave their own grubby fingerprints all over it? More the other way around here, no?

Anyway, what I also wanted to say was that I really appreciated your 'think of it as the final two episodes of season two' (and all your takes on this situation so far, very level-headed and optimistic, thank you). I mean, you're right, and it's hardly wildly out-there for a series to finish on a feature-length special, and although the filler material in S2 and the compression of S3 maybe means it doesn't exactly resemble what the second book would have been, it was only ever meant to be two books. (Don't get me wrong, I enjoyed S2 and was very glad to get it, even though I am a book/S1 fan and also had the most fun in that time fandom pre/post/around the time of the S1 release, but why does it exist? Ego? You can't tell me you couldn't have fit the important parts of S2 into one season with the S3 plotline.)

Basically, I'm grieving the could-have-beens (imagine if he'd been exposed way earlier and the TP estate had had control of this whole production from the very start!) and I'm a little worried that that hurt'll stick around no matter how good S3 is - which I need to fix, because that's more power over my favourite show and what it means to me that I want to give anyone, let alone someone like that - but at the end of day, I do think it definitely can be done with what we have, and I'm choosing to be hopeful it'll be done well, because, well, why wouldn't I?

(I will say this hasn't been great for my faith in humanity, because I really want to believe not all men are shit and some of them are making it very difficult right now, but that's an entirely different problem and so far believing most people are mostly good has always prevailed in the end so. y'know. we'll get there. might reread discworld, that's always good for that.)

Sorry for venting all this at you! I just kinda felt the need to write it all down once to get it off my chest... have a snack on me? I'm partial to cherry tomatoes, green melon and mandarines at the moment (I stop eating salads in winter, which means I default to eating even more fruit) but I can also offer homemade baked goodies fresh from this morning? 🥧

Hi there. 💕 You are welcome to vent away & thank you for the delicious-sounding snacks and kind words. I'm glad my posts on the movie boosted your spirits about it. I agree with and can relate to almost everything that you said here so assume that anything that I don't address just has a 'yes, absolutely' nod happening. 🙂‍↕️

The one thing I want to touch on here is S2 and this idea of it being "filler" that you mentioned that I think might not be quite accurate. I think you (and anyone else who reads this) might feel more enthused about the idea of a good ending in 90 minutes after reading this so hopefully this'll be another way that I can help?

On why S2 is really the whole story and actually had a lot more going on in every way than S1...

Ok, I'm going to explain something that drives writers like myself bonkers 😂 and that is how some readers or viewers of fictional stories mix up plot and story.

Nothing grinds our gears than reading things like "filler" and "unnecessary subplots" because, while everyone is within their rights to have an opinion on written works, 95% of the time, the person who says phrases like this isn't talking about the quality of the work but of its very existence. They're saying "why did we have to read/watch this? it didn't connect to anything" and that's where they are very, very, very... argh, just tell them, Crowley...

...thank you, dear. Right, so, why is it wrong?

Because what many people who don't write don't understand about subplots and more character-driven story arcs is that the writers sat down and decided to do that stuff for very, very specific story reasons. Readers and viewers mistake plot for story. Plot only exists in service of story and, so, all plots exist for a purpose in the story. They're all relevant. In fact, the stuff people usually label as "filler" in a story is really exactly where they should be looking to figure out what the story is saying. If you're big mad about all this time you spent with Maggie and Nina in S2, I'd say you might not still understand what S2 was about because you won't understand Aziraphale's story without understanding both Maggie and Nina's struggles in S2, for example.

A story is the whole, overall thing. It's the meanings, themes, and messages in the work. It's what's being said. It's the ideas being put forth by the piece. It's what it's about. It's different from plot, which is just the stuff the writers are making the characters do or not do in order to tell the story that they are looking to tell. Story is the art; plot is a tool used to make that art. Fiction writers can come at their story from almost anywhere to convey what it is that they are trying to say so there is meaning in the fact that they are choosing to tell their stories the way that they are telling them. They came up with these ideas for reasons.

When you dismiss stuff as filler, you're saying that it's lesser than more in-your-face and bigger plots (when, often, it's very much not), and you're telling a writer how they should have written their own story-- most of the time, without even fully seeing the ending of that story or giving any consideration to why it is that the writer wanted you to read or watch the stuff you're saying wasn't necessary. I'm not arguing that every story is perfect but you aren't getting anywhere near close to being able to evaluate a story if you're not willing to dive into what you were given and consider why it was that you were given those things and what they might mean.

Until the main question that you're asking about every single aspect of a story is "what is this saying?", you're not really fully engaging with a work. You won't get there by dismissing what the artists are telling you is important.

The secret sauce to interpreting fiction are subplots, actually. They exist to help highlight the themes of the main story, often in a slightly more direct way. If you want to understand Good Omens, starting with Ineffable Bureaucracy is actually one of the best ways to get at the core of the themes of the story. It's far from wasted time in the story.

There's actually a funny nod to the importance of subplots in 1941 when Aziraphale references Sophocles, the playwright who basically created the concept of the supporting character whose story mirrors and parallels the main character(s). The mention of Sophocles shows up in S2, the season that brings Gabriel more fully into his purpose as exactly that.

The reason why S2's plot is centered around the honestly pretty easily solvable mystery as to what's happened to Gabriel is because Gabriel, from the get-go, has been the entire story distilled down.

If you follow nothing but Ineffable Bureaucracy in Good Omens, you're going to be closer to getting what it's about and where it's going and what its end game is than you are if you are dismissing it as wasted time when we only have few episodes left. If you haven't yet seen the secret wisdom in Jim-- not to mention understand that Jim and Gabriel are the same person-- then you're probably wigging out more about the movie.

You likely think that S2 was wasted on stuff like Gabriel, or Maggie and Nina's romance, when they should have been getting to Armageddon and The Second Coming already!

You haven't yet noticed that Armageddon has more than one meaning in the series.

It's not always the literal destruction of Earth but also a person's own life crisis. We are all worlds of our own and those worlds can be put at risk if we don't let others in and take care of ourselves and those around us.

When you realize this, you can start to see that S1 goes hard with a freight train of plot all over the place that is related to Armageddon in a more Biblical, apocalyptic sense while it establishes its universe for us but that, once we know how it all works, we can get something like S2... a time where we can step back and start using Armageddon in the more figurative way that the story is also presenting it.

We need to because the story isn't about Heaven or Hell-- it's about being a person. S2 is emphasizing the deeper aspects of the themes and rolling that out at a pace more in line with a person having a few days of inner crisis. When you see that Aziraphale's crisis is the point then you can see how S1 can be about The Four Horsepeople riding to the end of the world and S2 can show War (inner conflict), Pollution (mental health issues), and Famine (symptoms of the other two; lack of food and pleasure and connection; self-starvation and self-denial) as a mental health crisis.

The point is that if you're thinking these characters need to come together to overthrow Heaven and Hell and get to the South Downs Cottage and there's no time slajdflkfwjlkejlje!?!?, then you aren't realizing that not every revolution involves guns and bombs.

People all over the world can start a love train that's far more effective. You might think a subplot about The Hellhound and The Ginger Cat learning to play nice and that they have a fuckton in common and should maybe bury the hatchet and just become eternal bffs already is filler but Crowley and Gabriel aligning is set up for the end game. It's strength in numbers and finding peace and family. They can't overthrow Heaven/Hell without help and Gabriel is the Supreme Archangel. They literally will never have a South Downs Cottage ending without a plot that helped Crowley and Aziraphale see that Gabriel and Beez are on their side.

This is the revolution in Good Omens:

It will take all the characters coming together to overthrow Heaven/Hell and set up something new for us to get a happy ending and we absolutely will. S2 is Gabriel-centric because Gabriel is the key to all of the characters getting a peaceful ending and because he's a split-directly-down-the-middle mirror of both Crowley and Aziraphale. In a season that is more about Aziraphale's inner Armageddon than about an external threat, Gabriel is vital to telling that story. The plot of S2 is every bit as important to the story as S1. I'd argue that it's even more important because takes the time to go at the themes in a slower, deeper way. It needs to because it's a story of a fall that sets up for a story in S3 of a recovery from one.

Good Omens is the absolute perfect combination of a show that is both very, very detail-oriented and full of depth while also being, secretly, an incredibly simple story. I do not mean simple in a negative way but in a chef's kiss sort of way. Simple in a tight and elegant sort of way. This is something that I think some people might not see when they're theorizing but it's something to keep in mind ahead of the movie. Not just because the movie is shorter-- this would have been relevant if we were having a longer S3, too.

Good Omens has a very engaged fan base that looks for the details, yes. *raises hand* I'm one of them lol. And there will be plenty to pour over in the movie, but... the big thing to keep in mind is that your theory needs to be something that is simple, that can be explained in under a handful of scenes, tops, and that is focused on where Aziraphale's story arc is going above anything and everything else.

If you're beginning with time loops and the birth of a new antichrist baby, I'm telling you from ages of experience reading and writing stories, you're going to be way off. If you are over here composing theories of the story that you are arguing are correct and this theory involves, idk... *makes something up* Crowley is really Elvis and Elvis is really The Bentley and when a rainbow hits Whickber Street at exactly 4 minutes into the new season, Satan will be revealed to really be Jesus, I think maybe you might be missing the point of the details that the show has given already. Like the plot, these details exist to reinforce the themes of the story. Story beats everything else-- it's what this is all about.

And what Good Omens is about? Is best summed up by Michael Sheen, in this single sentence that I really, really agree with and have paraphrased more than once in posts:

Good Omens is about the business of living. It's about the human experience, which is the experience of being a person. Everything related to Heaven and Hell and good and evil and Armageddon and supernatural things is plot that only exists to highlight a story about the complexities of being a person.

The supernatural is human and the human is supernatural.

That is what Good Omens is about.

While Crowley and Aziraphale are built as two halves of a whole and are both main characters, Aziraphale is the main character from a technical, story perspective, because he is the character whose story arc is driving both the plot and story forward. He's heading for a happy ending with Crowley in the South Downs by the end of the film. If you're making theories, start with what kind of plot would truly get him there and still fit with all of the themes of the story.

This 'it's about being a person' business is why if you look at S2 as filler and not as a season that is exploring the continuing themes on a deeper level, you're still worried about things like there being no time in a movie to show the story of a new antichrist kid being born or how they're going to fit the whole Second Coming into the movie. You don't yet see that Aziraphale parallels Adam and that being an antichrist is basically just being a person and that Aziraphale is presently the antichrist in the story. There is no antichrist child yet to be born. They won't be cutting it because it's not the story.

Armageddon since S2 has been Aziraphale's own personal one and the story from the end of S2 on is now how, if all the other characters can't come together to help him, it could also trigger Armageddon of the S1, Earth-destroying kind. It's tying a more literal Armageddon into a more figurative one. Because this story is about being a person so Armageddon is just metaphorical for going through a mental health crisis and shutting people out.

This story's themes include that every person matters and we all have to let others in and look out for one another. That there's strength in numbers. That found family and adopted family is as much family as biological family-- often, even more so. That labelling and categorizing people is bullshit and you should always open the cover and read the first sentences of people and help people whose stories begin with the same letters find one another. That it might be surprising who has things in common. It's about all of Heaven and Hell versus all of humanity, in the sense that ideas of being a perfect angel or being seen as an evil demon are concepts felt by human beings that get in the way of peace and healthy, happy living, but that fighting them is a common, human struggle, regardless of from where you come.

If you are too focused on the religious plot being the center of the film, you haven't yet seen the meaning of why the end of S1 was an eleven year old kid saving the world by telling off the bio-dad that was never there for him. You might be one of the people who thought this a silly, anti-climatic ending to that story, and don't yet realize that this is the entire story in a nutshell.

Adam can only reject Satan and keep the darkness at bay because he is surrounded-- here, literally-- by a family that supports him. He has good people for parents and was lucky enough to grow up with resources that all kids in this world should have. He has an absolutely terrific group of friends. He has this witch lady and her boyfriend and these two gay uncles that just showed up out of nowhere 😂 and his human incarnate self has what it needs to make it through this crisis, in this moment, even if he'll probably have others throughout his life, just like all of us. He's not evil incarnate and he doesn't have to be perfect-- he's just a person.

Aziraphale tells Adam this but struggles to see himself in the same way. That's what S2 is about.

S2 is about that other kid who, like Adam, breaks the season down into a single line of dialogue, David Tennant's apparent favorite from the season:

Jemimah knows who she is and she is happy to claim ownership over her art and contributions to the world. She's living her life with excitement and enthusiasm in a way that gets more complicated as we become traumatized adults. Crowley and Aziraphale struggle with this. They have been making a life together on Earth for thousands of years and each struggle, in their own ways, to truly accept that they are people who are allowed to have a life because they struggle to accept that they are people, just like everyone else.

Their story is about getting to a better place with that. That's really all Good Omens fundamentally is. That's why their ending is going to be to go live in a little cottage together that isn't a business that covers up an angelic embassy that covers up a secret love den. It's just their house-- theirs together for the life they're going to live openly together.

If you want some peace with the film, I'd advise throwing over your theories about The Second Coming and Armageddon needing to happen and antichrist kids and how Jesus fits into everything. Jesus in Good Omens is Crowley romancing Aziraphale at the crucifixion and Aziraphale using what Jesus said to Crowley to reject temptation as invitation to fuck him. I thought Jesus in a single scene or less was the most likely thing for S3 and the same holds for the movie. It's not the story. The only time The Second Coming is mentioned in S2 is by the villain and, to get there, Earth would have to first be destroyed. It won't be.

If the story is about being a messy human walking the Earth and we're in the end game now, then the story is about Aziraphale and only Aziraphale. Everything-- everything-- will be in service of Aziraphale's story arc. We already had just a few episodes with S3 and we now have even less time but the way this is going is still the same. The story is Aziraphale's fall and the other characters coming together to challenge Heaven to keep Aziraphale from eternity in Hell. That's how Armageddon is stopped this time around-- overthrowing Heaven with Aziraphale's fate as the motivation to take on The Metatron. It's nothing to do with Jesus. It's everything to do with Aziraphale.

When you see that, you can see how feasible that is in 90 minutes, with plenty of time for things like 1941, Part 3 and other flashbacks.

I think, when all is said and done, you might wind up appreciating S2 more after the film but you can get there already if you start looking at it less as meaningless fluff and start asking why it is that we were shown this story, in this way, and what that can tell us about the story we're watching.

[toychest321]

Ugh, I've been meaning to post about this doll for what feels like ages! Allergies have been pretty bad this week, but I've finally been able to pull myself together enough to post about Fulla's prayer dolls!

According to the Islamic blog Alhannah.com, "The purpose of a prayer outfit is twofold – to respect the sanctity of prayer by covering one’s ‘Awrah’ (parts of the body that should be covered in public) and to uphold the principles of modesty".

"A prayer outfit typically encompasses a long, loose-fitting skirt paired with a top that has a head covering (Hijab), collectively ensuring that the body remains concealed during prayer". The website also states that there are one-piece and two-piece versions of the outfit, the choice between the two often coming down to preference of the wearer (in this case, it seems Fulla prefers the latter)

Muslims pray five times per day: once in the morning before dawn (Fajr), once at midday (Dhuhr), once in the afternoon (Asr), once after sunset (Maghrib), and once in the evening (Isha).

As far as I can find, there have been three prayer dolls of Fulla released. Two are for the Fajr and Isha prayers respectively, and one is for a process connected to all five!

Fulla's first prayer doll was released in 2004 with a doll-sized prayer mat and prayer beads for yourself!

Prayer mats are used to ensure the ground is clean while praying. Prayer beads, meanwhile, are used for dhikr, a process of prayer recitation after each of the five daily prayers. The beads are typically counted for each of the 99 names of Allah recited, however with certain prayer beads consisting of 33 beads instead (such as the one included here) they are counted 3 times over. The first 33 recitations are "Subhan Allah" (Glory be to Allah), the second 33 are "Al-Ahamdulilah" (Praise be to God), and the final 33 are "Allahu Akbar" (God is greatest). After these you must pray "Laa ilaha illallah wahdahu la sharika lah lahul mulku wa lahul hamdu wa huwa ala kulli shay in qadir" (There is no god worthy of worship except Allah alone, with no partner or associate) once.

Her next prayer doll was released in 2006 for the Morning Prayer (Fajr)! While I can't definitively say the same for the prior Prayer Dress Fulla, this doll wears indoor clothes underneath her prayer outfit to start the day! She comes with a prayer mat and bag, and (it says on the box but its hard to read) a prayer booklet of the Morning Prayers! And I hadn't even known this until now for this doll or the next, but apparently there's a button on her back that makes her recite them (batteries included)!

I like how much the pink pops against the white! Although the outfit is decent, it looks a bit plain compared to her other indoor looks (although that could have been intentional). I don't have any particularly strong feelings on her fashion, but it's decent!

The same year a doll for the Night Prayers (Isha) was released as well! Underneath her prayer clothes she wears a pair of pink pajamas with gingham detailing, with matching pink slippers! It seems she also came with a prayer mat, bag, and booklet (this time for the Night Prayers) as the Morning Prayers Fulla did! And yes, she also has a button to make her pray them with you!

I love these pajamas so much, they're so cute!!! And the way they match her prayer outfit too??? Indoor-fashion-wise, I probably prefer this one over the Morning Prayer's indoor outfit.

Overall, I love how all of these dolls not only represent a significant Islamic religious practice, but encourage children to do it with her! Between the prayer beads and voice button, I can easily see this doll joining in prayer with her owner :)

And not too difficult to imagine either, since Fulla has also made officially branded prayer clothes in 2005, 2007, and as recent as 2024!

Anyway, I'm glad I was finally able to dive deep into this topic like I'd been meaning to look into for a while (now to get some sleep as it is currently 4am)

Ramadan Kareem!

[kozachenko]

(Click the image for better quality)

Yipeeee that Keiki and Mayumi fanart I posted the WIP of is finally done woooo- This piece was a very experimental one that I'm kind of OK on. Maybe because I've just gone insane looking at it for so long and I'm my own worst critic lol.

Artist's Notes;

So I've once again been playing around with my rendering style, mainly because I have been wanting to improve my lighting for a while now and as I was just scrolling through Tumblr, I saw some of the official art for that one webcomic-turned-animated-TV-Show Lackadaisy and was immediately inspired. I also have seen a technique a few times in the past where the lineart and shading are merged together, so I've been meaning to try that for a little while.

I did some experimentation on this one sketch of Keiki I posted in my sketch dump and I really liked the results of it, so I carried those over to this piece.

I ended up scaling up Keiki and Mayumi from the original WIP because I felt like they were both getting lost in the composition, and I'm glad for that because I think it works a lot better. I'm not a fan of how Mayumi's sword turned out at all, but it's not really meant to be the focus of the piece so eh. Overall, I think I could do better with my colours, probably because with Keiki and Mayumi's colours, I did them flat in greyscale and then used a brush on the overlay blend mode to colour all of them over, after which I changed the base layer for their colours from white to yellow and then lowered the opacity so it all went together better. I also decided to use gradient maps for a lot of the background elements, mainly to experiment with getting in my values first to make them pop out more. I ended up finding a really nice sky gradient on Clip Studio Paint that I really liked, and that kinda helped to establish the colour scheme of the background a lot. I think the whole "start in greyscale then colour" thing really works better with painterly styles rather than more illustrative ones, and while it is good at making sure your values are more readable, I honestly don't think I have the skill level to pull that off yet. Honestly, I think I've been looking at this drawing too long or maybe I added too much to it, but I wish I could've made the colours less monochromatic, but I'll just save that for the next piece I do.

I do love how the flame (...well it's more of a weird space rift than anything in this piece) and the lighting turned out, those were fun to do. I was initially struggling with the flame and how Mayumi is positioned in front of it before realizing "Oh wait! This is a weird abstraction of a weird creature! I don't have to follow the laws of anatomy!" and just dislocated it's flamey bottom jaw from the main body. I also changed the colours of it since I was really not liking how incredibly bright it was when it had lighter colours. Again, the gradient maps served the more painterly style of the flames well.

I also love how Mayumi turned out. I could do her sleeves better but that's more of just me needing to study how those types of sleeves fold in that position more. I'm also very happy with the posing, the technique I used for that was taking photos of myself in the positions I wanted, blocking in the silhouette and then modifying that by adjusting it to my lines of action that I drew on top of the original photos, and then sketching over the silhouettes and drawing in the shapes of the hands overtop of the photo if I needed to get the fine details right. As for what I do to take the pictures myself, I use a tall chair I have, prop up my phone with a phone stand, put on a ten second timer and scramble to get in position. Yes, I did have to use a bunch of thin markers I had to try and get the hand positioning on Keiki's pose right, yes I do have a fake sword that I used to get the positioning of Mayumi's arms and hand right, the sword was for an old Halloween costume from several years ago. I really like how both Keiki and Mayumi turned out in this drawing, I'll have to play around with these designs for them more in future drawings.

Also, if you wanna know why I draw buildings like that, when I watched Fantasia 2000 as a kid (One of the Disney movies where they make really beautiful animations to classical music) the way they drew the buildings in the first few sections Rhapsody in Blue segment (the jazz one with the cities) changed my brain chemistry and now whenever I need to draw buildings really quickly, I refer back to that. Since the buildings aren't really the main subject, I didn't put much thought into them.

As you can tell I am very tired of this piece, mainly because I made things harder for myself by overcomplicating the process compared to what I usually do, mainly with the whole "starting in grayscale then adding colour." I'd honestly just prefer having a black layer set to colour that I can just toggle on and off when I need to see the values, but it was good to experiment. And that was mainly the point of this whole drawing, to experiment. I'm definitely going to have to play around with this new style I'm going for, mainly because I liked how it turned out a lot in the augmented Keiki sketch, and also because I want to find ways of making it suit my style more. I also really want to keep experimenting with my lighting like this, it's very fun. Last but not least I am never starting in greyscale again because dear god I do not like the workflow it forced me into. I don't have a problem with the method itself it's mainly just a skill issue lol.

If you wanna read my headcanons for these two, I put them in my WIP post, so you can read them there if you want to. The more I look at this the more I prefer the simplicity of my WIP. I might go back to this and just take away the fancy colours and effects to see what it looks like without all of that stuff and reblog this post with that drawing, but for now, I don't think I can look at this drawing again for a while.

[hyperions-light]

Good riddance to that mess: Thank the Dread Wolf we’re done with the Mage-Templar conflict

(because magic in Thedas is more interesting this way)

Okay the people who love conflict have won and I am going to talk about this now lol

I've decided to stick within the framework of the world/story for this particular post, because I think you could talk about the issues with the mages/templars in connection with how they relate to real-life groups for an entire essay AT LEAST, and I want to focus on magic here, so I don't think it's that germane to the discussion. If you all want to talk about that later, I can put it on the pile.

It turns out that Jenny Nicholson was 100% right about the efficacy of numbered lists on the internet, so this essay will be hybridized into a list. Here are the reasons I'm glad the mage-templar conflict is gone and hope it never returns:

It limits storytelling avenues I understand how they arrived at this dichotomy as the logical extrapolation of a minority of people in Thedas being born with magic BUT it's very boring and it doesn't facilitate interesting stories. If you have this strict system and hierarchy that means that every mage has to live in the tower or they're a) a criminal or b) Dalish, that seriously limits the kind of characters you can make who are mages, which is dull as both a player and a writer.

Trying to make it nuanced is difficult Attempting to show that everyone has a point in a situation is difficult when one group has absolute power over the other and can kill them whenever they feel like it. Also, with the abuses the Templars regularly perpetuate against the mages established in DAO and DA2 any attempted justification reads as the story sanctioning an oppressive force. If they try to demonstrate the danger of magic, they end up with the 10,000 blood mage problem from DA2. It's a hard thing to do within the framework they set up, but they also haven't been particularly successful with it, imo, so abandoning it is a better choice.

It's the most reductive version of the conflict Reducing the entire discussion to whether magic is good or evil, whether mages should be free or confined is really boring. It's a false dichotomy that promotes extremism in characters on either side of the conflict who never interact with one another. "Is magic bad?" is a useless and uninteresting question. Who cares? What does it do?; Where did it come from?; What different ways can you use it? are all better questions.

Makes it difficult for the audience to learn more about magic If the only characters the audience ever meets are people who come from the Circle, Dalish mages, and apostates, the amount they're going to learn about different perspectives on magic and its various uses is limited. Part of the reason Jaws of Hakkon was such an interesting DLC for DAI is because the Avvar have a completely different philosophy about magic and spirits. It was refreshing after several games of having the same ideas about magic shoved down our throats to hear someone give a different perspective and ACTUALLY NEW information. Everything I needed to know about the mage-templar conflict, I already knew by the end of DAO, but I had to sit through two more entire games while people discussed it at length.

Magic in the North is fascinating Now that we're finally rid of that conflict, look how many different kinds of magic we get to see in DATV! We get to meet a Rivaini Seer, a Mortalitasi (who can use magic to TALK TO REAL DEAD PEOPLE!!!), a non-Altus mage from the Tevinter Imperium; we get to see magic as it was utilized by the ancient elves and how it interfaces with technology. We got DWARF MAGIC!! Finally, an answer to what Sandal was doing! We found out you can use it to turn yourself into a LICH!!! All of that stuff is so cool, and we had never encountered it before this game! It brings up so many new questions about the nature of the Fade, the source of magic itself, the strength of magic in Thedas relative to other places in the world. And NONE of it could be discussed in the South because they are too busy arguing about fucking towers!!!

tl;dr: The mage-templar conflict was a boring and reductive lens through which to view magic in the DA universe, I'm glad it's gone, I hope they continue what they started in DATV and explore different ways magic can be used in the future.

[sungbeam]

NOTE FROM THE AUTHOR: thank you to @petrichor-han for tagging me in her lovely wrapped post!! i had so much fun putting this together, and my spreadsheet tracker can finally be used for something bahaha 💀 i'll be talking more about my experiences this year later in the post!

some no pressure tags: @gluion @winterchimez @winwintea @polarisjisung @thepixelelf @sorryimananti-romantic @diamonddaze01 @jinkoh @blizzardfluffykpop @sohnric @from-izzy

first fic of 2024: daybreak ☆ ju haknyeon

posted january 5th

i remember writing this in bed while being in an awful spot, mentally. in an effort to save myself from disaster, i wrote this very short fic to focus on describing something comforting.

last fic of 2024: what we make of it ☆ wen junhui

posted december 1st

i also wrote this one in bed (i've written a lot of these in bed...)!! and it was after much mental simpery over wen junhui and the pics from his new drama that i gave into the idea of general!jun (i've also been dying to write something historically adjacent).

longest fic: incantations ☆ ji changmin

i remember conjuring about four ideas for the dbn halloween event before ultimately settling on yet another demon au TT like there was a cultish monster hunter au, a fallen angel reincarnation au, and a zombie apocalypse au... i honestly didn't know if i would make it or not lol and i had @justalildumpling proofing while i wrote the ending haha i can't say if i'm completely satisfied with it, but i can say that i think my world building and plot building skills have def improved, and you can see it in that fic

most popular fic: leave the window open ☆ choi san

tbh i thought this fic was gonna be a flop at first bc it wasn't until maybe a day after i posted it that it started to get traction? i also had the idea for it haunting my brain for MONTHS and i was so glad to finally get it out into words haha suffice to say, i am still so surprised by how well it did, but pleasantly so!

personal pick: creature ☆ ji changmin

i could talk about this fic, this series, this CHARACTER for DAYS. at this point, nt!changmin is a completely different entity to the changmin you think you know LOL creature is my self-indulgent character study of a demonic being who loves a person so much that he doesn't know what to do with himself

pretty self-explanatory — i honestly have no idea how i wrote over 300k last year, but i'm still pretty happy with how much i was able to write this year! i took a lot more breaks, and more time to write, and this def doesn't encompass just how many words i've written that are still in drafting stages and not published :')

i bet at least one of these surprises you >< (it's changmin right? jkjk)

ji changmin: ~51,900

— find him in: casino royale, subtle poetry, creature, and incantations

txt choi line: ~21,600

— find them in: bird hunt

jeong yunho: ~12,600

— find him in: bedfellows and something to give each other

to my friends, mutuals, and readers, thank you so much for being by my side this year! it's been brutal out here, not gonna lie, and i wish i had been able to post and write more this year. alas, life happens. i also find that writing longer fics that are more fleshed out just satisfy my creative needs a lot better—meaning that i will likely not produce as many fics, quantity-wise, as i used to.

on that note, i hope to at least give you some idea of what you can look forward to in the new year! i have several ideas for my superhero collab, including (but not limited to): mutant angel!jeonghan, scarlet witch!minghao, and venom!changmin. i'm also actively plotting out ventures with our sebongs, particularly a dokyeom knight fic and a fake dating dino fic! as for my current ongoing wips, i am hoping to get more finished for terra nova (high sci-fi/fantasy ateez fic), birds of prey (mafia hongjoong), and other secret projects 😌

that's all from me, friends. happy holidays and see you in the new year 💖🥂✨

[orcinus-veterinarius]

Hey! I just saw your post about outdoor cats, and I wanted to ask something/point something out. I have 2 barn cats who live primarily outdoors. Do they eat birds? Yes. But they also eat mice, voles, and snakes, which is the primary reason they're here. We keep a lot of animal food and grain in our barn, and to have mice eating it, and then feed it to our animals, would be bad. (And yes, we do keep 90% of our food in airlocked containers n stuff that the mice can't get in. But not all of it can be stored that way.) One cat has never been sick or injured, and we've had them both for about 5 years now. The other got sick once last year, and the entire time we kept her inside, she pined to be outdoors again. They do an amazing job, and we've actually had our neighbors thank us because the cats eat their pests too. (One neighbor had a vole infestation in their house and yard that our cats cleaned up for them.) We keep them up-to-date on all vaccines and flea/tick treatments, and they have easily accessible food and water. So, my question is, do you think this is okay? In your opinion, do the pros outweigh the cons? And, after all, aren't cats animals in the ecosystem too? The endangered birds and things have predators already, we can't protect them from those- aren't the cats just like that?

Sorry this turned out so long- genuinely don't want to bother you. Just interested in your perspective :)

Thank you for the ask. I'm glad to hear that your kitties are up to date on vaccines and are kept on flea/tick preventatives.

Domestic cats cannot be considered part of the ecosystem because they are not native species. Our domestic kitties are descended from the African wildcat, which is found in many parts of Africa and some regions of Asia. For all intent and purpose, cats are an invasive species. Yes, mice and voles can be pest species, but introducing non-native predators isn't an advisable solution. Snakes play a crucial role in their environment, including pest control. While many people appreciate that cats kill snakes, this is based on human fear and not a healthy ecosystem.

To me, the pros (presumedly enrichment and exercise?) do not outweigh the cons. My hospital sees free-roaming cats with horrible diseases and truly brutal injuries multiple times every week. And I do mean every single week. These are not isolated occurrences, and many of the cats had lived outside without incidence for years before their luck finally ran out. While your cats are protected from vector-borne diseases, unfortunately, they are not protected from cars or guns or the neighbor's dog, or from diseases for which there are not preventatives. It's impossible for me to endorse free-roaming cats after the things I've seen. But I truly hope your kitties live long lives, and that you and they never have to experience that trauma.

Anyway, that's my advice. It's no bother! Thank you again for reaching out.

[aaabsinthe]

Hi!! Can I request crushing and relationship headcanons for Junkerqueen with a fem s/o? Like how would she realize she likes them? thank you! :)

Junker Queen x Female Reader Relationship Headcanons

A/N: It's been a while y'all - boy am I glad to be back. Literally right after I posted my note about all of the stuff I'm working on, I got slammed with the biggest assessment I've had in my course so far (17 documents total once I'd finally finished it) and caught scarlet fever of all thing so it's taken a good while for me to finally feel well enough and have spare time to write - but here we are!

I'm so excited to write for my favourite built queen - this gif alone is makin me feel things. I'm going to format all of these the same way from now on with SFW and NSFW headcanons from now on. Ofc there will be warning for the NSFW section :)

I hope you enjoy anon despite the wait!

-Nat

SFW Headcanons

Odessa is the kind of gal that isn't really impressed by appearances.

Sure, she has her preferences and finds certain things attractive, but that isn't what piques her interest.

For Dez, it's all about personality, especially if you're the kind of person who is merciful and gentle with others.

This doesn't mean you have to be a doormat, in fact if you stand up for yourself (physically or verbally) when you feel as if you are being treated unfairly or others are being treated unfairly, that's possibly the hottest thing you could ever do in her eyes.

It's just something about the Peter Pan types that really captivates her. Not just in stealing from the rich and giving to the poor, but in being self aware of your strengths and using them to do right by those who are not in the same position of privilege.

This is how she figures out that her little crush on you was not just a little crush anymore.

She overheard you and another agent talking about life before the crisis, and found out that you used to do volunteer work every weekend delivering essentials to the homeless in your city and how much you missed your community outreach.

That and she watched you sock a guy in the face after he attempted to grope your friend at a bar.

It's healing for her and her inner child and she finds herself looking up to you as a role model - she's aware she's no angel and has done many questionable things to survive out there in the wasteland.

However she hopes that now as a part of Overwatch, she can be better and similarly to you, that she can use her position to help others less fortunate.

Dez is fine with casual or short term relationships and has had plenty in her time, she doesn't necessarily need to know someone to be attracted to them - but when she built that emotional connection with you, that's when she knew she was in for the long run.

The best part about dating Dez is that she isn't embarrassed easily - she's very open from the beginning which means conversation flows naturally with her. The downside of this is that for the first few months of being together, getting to sleep was nearly impossible, three am deep conversations just hit different.

This also means if you ever need anything, she is more than happy to accommodate.

Sick? She keeps note of the medication you need and when you need to take it so she can make sure you take it (and bring you water in your comfort water bottle to boot). That time of the month? If somehow the stash of your preferred products are out, she knows what you use - she will get you more without you even needing to ask (she will however check if you crave anything in particular on the way out).

Expect to be doing the same for her when she gets sick - she becomes the biggest needy baby when she's not feeling well.

She's stuck in bed? Yep. So are you.

Not even by choice either, she cages you with her arms and well that's that. There's no fighting this goliath of a woman.

Loves her cuddles - all positions.

Her favourite is being the little spoon though. It's not often that she gets to feel protected and cocooned (can you really blame her).

Loves PDA - particularly keeping an arm around your waist or you attached to her arm at all times, though she's known to do a casual steamy kiss in public when she's feeling particularly jealous.

If you're not one for PDA, she respects that boundary... However she will pout at you with those big red puppy dog eyes.

Absolutely hopeless at cooking and baking though not for lack of trying. Wakes you up regularly cursing about burning her toast.

Of course it's not all sunshine and rainbows.

Speaking of waking you up, Dez has nightmares somewhat regularly.

She's always so thankful to have you there to vent to if she needs it and cuddle with until she's calm enough to fall back asleep.

NSFW CONTENT WARNING

NSFW Headcanons (18+)

Sex to Odessa is powerplay, a safe space to be strong and vulnerable all in one.

Hard dom top - that control means everything to her.

This woman loves a good scrap (duh), if you choose to be a bratty sub, she eats that shit up.

Go ahead, try and buck her off of you, she's not even using half her strength. She can hold you down much harder.

Expect to be begging for mercy.

The two of you develop a safe word very early on in your relationship, Odessa would never forgive herself if she pushed you past your limit.

Definitely has and regularly uses an appropriately sized strap (ouch).

Dez has her kinks. Sex between the two of you is rarely vanilla unless other feelings are involved. She's entuned to what you need and your emotions, she knows when you need the gentler and less complicated sex or when you honestly just need someone to hold you.

That being said, she has a reasonably high sex drive. She can manage on her own if you can't or don't feel like it, but say the words and honestly she's ready when you are.

Though she really would prefer you called her Dez, Odessa, babe - really anything other than her title outside of the bedroom, call her your queen between the sheets - she'll go berserk.

Dabbles in pain play, something of an every now and then addition to the bedroom, it's not something she needs and the both of you really have to be in the mood for the more intensive side of sex. She does however love to see you take Gracie's hilt in every hole.

Unless you'd consider overstimulation a form of pain play. There is nothing she loves more than watching you struggle and beg with tears leaking from your eyes, completely at her mercy.

Light bondage when she doesn't feel like physically restraining you herself.

Claims your face as her throne whenever the mood strikes.

Speaking of claiming, your neck, collarbone and tits are never safe from her demanding mouth.

There aren't really many kinks that Dez would feel uncomfortable with, she would try pretty much anything before she knocks it.

Definite no though - I feel like she'd laugh at ironically calling her 'mommy'/'mummy', especially if you have a different accent, but considering her complicated family past, it just hits a little too close to home to take it seriously especially during sex.

Obviously amazing at foreplay, she knows what she likes which makes it so much easier from the start (not to mention her cheekily buying vibrating piercings just to mess with you) but honestly the best part is that she's enjoying herself just as much as you.

It's all give and take with Dez, you give as much as you get.