#i've been back at the office more lately and it's not like i ever really knew how to talk to people

[baronessvonglitter]

Law of Attraction ~ Chapter 7

Rom Com AU divorce lawyer!Dave York x fem!Reader (featuring private investigator!Tim Rockford)

Word count: 6,209

Summary: A friendship reaches a new level, Dave gets the truth about Carol, and a misunderstanding brings two people closer than they've ever been..

WARNINGS: 18+ Only! Explicit for smut. Fluff. One adorable dog. Mentions of food/eating, alcohol/drinking. Fingering. Oral (f&m receiving). Infidelity (but a certain someone was unfaithful first so.. Uno reverse?) More marital strife (sorry). Porn-shaming. A lovers' misunderstanding. Angst. Unprotected piv. (please lmk if I've missed anything)

Author’s note: This is where they finally hook up. Wave. Of. Relief. Also, the whole Tim scene was really just me thinking about that old show Cheaters. It really scarred me for future relationships lol.

Series Masterlist

Common sense tells you to stay away from Dave while the investigation is going on. He's vulnerable now, and as your attraction grows stronger with each passing day, you know it'll soon be impossible to hold back from the natural predilection for being close with him.

In short, you're not so sure you can keep your hands to yourself when you're around him.

On a sunny weekend you meet at a pet adoption agency and, true to your word, you choose a dog together, a beagle named Maple, and the first time you bring her home, Dave stays for almost the rest of the day, helping set up what she needs and playing with her. There's a light in his eyes as he spends time with your new pet, a gleam that you haven't seen before, and it touches your heart.

He's invited to come over anytime he wants just to spend time with her, and he happily takes you up on the offer, indulging in more late night dinners and movies. Maple's a good chaperone, much too cute to ignore, and she keeps you from lingering on the sinful thoughts you're having about each other. For the time being, anyway.

You become a great means of support to Dave, a lifeline, and in that commisseration of your wrecked marriages, you find not just solace but a profound closeness. You spend every lunch hour together, at your cafe or at his office, sharing meals and talking about your day. No subject is too mundane or too trivial to insitgate conversation about a million other things, discussions that Javier would easily get bored of, and that Carol would dismiss as silly.

In a white floral print dress that's intentionally too short and too tight to fully button up, you visit Dave on your lunch break, bringing homemade soup and sandwiches, knowing he has a busy day ahead with meetings and court dates, and wanting him to have some comfort food in the midst of it all.

Despite his feelings for you, he likes to remain above reproach. Your visits are never secret, and when you're in his office his blinds are open. Nothing inappropriate passes between you anyway. Your looks and your words are the most intimate things that you share, at least since the heated kiss not so long ago. (Even if anyone gives a second thought to your visits, most of Dave's coworkers and their spouses hate Carol and would keep mum just to spite her.)

Still, you look like the sweetest sin, and under his desk Dave has to shift to accommodate his growing hard-on, eyes feasting on the playful lift of your brow, the curve of your smiling lips, the graceful column of your neck and the bountiful billow of your breasts, practically on display. He knows it's just for him. Spending so much time, you don't have room for any other guy.

"Are you listening?" you giggle, your bubbling laughter doing not-so-innocent things to Dave's dick.

"Yeah. Of course I'm listening. And yes, we're still on for tonight. Carol's already said she's doing a girls' night with some of the women from the hospital."

"I can't wait," you smile. "It's so good to spend time with you and the girls. I wish.."

"Wish what?" he whispers, his hand reaching out for yours.

"It's selfish, but I wish it could always be this way. When I think about my life before you, it's a blank. I don't know how I managed to stay sane, but when I'm with you I feel.. alive. I don't want to know what it's like to not have you in my life."

Dave pulls your hand across the table, bringing it to his lips to plant a soft sweet kiss on the back. "Baby, you don't know how much that means to me. It's like I'm drowning, and then I talk to you and suddenly I have air again. You're the only thing worth staying above water for."

"I think we're saving each other from drowning," you tell him.

Dave walks you out, insisting as usual to escort you back across the street, and this time when you step into the elevator, there's a charge in the air, a new tension both of you know has always been inevitable.

The close, cramped space of the elevator, you in that dress, curves begging to be caressed, your sweet floral perfume beckoning him closer. There are no words exchanged as you share a look, communicating everything in that prolonged glance. He's thankful no one else is on, and his heart leaps right before he presses the STOP button.

You press him to the wall in a kiss full of longing, aching for his taste, for the feel of his tongue against yours. Your panties are sopping wet within seconds as his hands find their way under your dress, his large hands smoothing over your skin as your own fingers find their way under his jacket, hungering to feel his muscles and the heat of his skin under your palms. You settle for the cotton of his light blue button-up.

"We should stop," you tell him, pushing your panties to the side as his fingers slide between your warm thighs.

"Yeah, we should." He teases your folds, relishing in the sighs and tremors that go through you at his delicate touch.

"You're married," you remind him, a gasp leaving you as he pumps not one but two thick fingers inside your drenched pussy. Dave's head drops down, trying to contain himself, willing himself not to come in his pants then and there. Never felt anything so fucking wet in my life..

"A married man whose wife is fucking someone else," he says,a lawyer even when he's hot and hard for you. "I want you to come for me, baby. I need to know what you sound like, what you look like, what you taste like when you come." He pumps slow and steady, fingers scissoring to feel all of you, and imagine how well you'd take him if he could fuck you right now. "You're so fucking wet, I know you need to come, baby."

You grasp his wrist, feeling the strength behind his skillful touch as you greedily take every plunge of his fingers, crying his name in a shudder as his thumb swipes your clit.

"Keep your eyes on me, baby," he utters, giving your bottom lip a soft bite. "I want to see your eyes when you come."

Unable to speak, you nod, your high-pitched gasps and moans letting him know you're close. He crooks his fingers, too caught up in the surreality of the moment to even think about teasing you or edging you the way he fantasizes about. "That's it, isn't it?" he smiles as he takes a moment to bury his face in your neck, inhaling your scent, his fingers finding that spot deep inside that is your undoing. You're squirming under his touch now, desperate.

"It's all you, baby, come for me," he whispers, holding your chin up so your eyes meet his. And as if they're magic words, you come apart under his touch, clamping down on his fingers, earning a deep, satisfied grunt from him. Just when you think one wave is over, another starts, his fingers continuing their blessed work inside your cunt.

"Sweet girl," he murmurs as you finally push him away, overstimulated, eyes glassy in fucked out bliss, some loose strands of hair caught in your lip gloss. He removes his fingers gently, your glaze sticky on them. With his eyes on you he licks off your essence, closing his eyes briefly at the taste of you, just as he'd imagined.

After, he makes sure you're okay, cleans you up with his handkerchief from his jacket, wishing he could wear the heavenly scent of your pussy on him all day, but he'll switch it out for a new one later.

"I'm not ready to go yet," you murmur, stopping him from pressing the elevator button.

Before he realizes what's happening, you're on your knees in front of him, fingers deftly working at undoing his belt buckle. He doesn't make a move to stop you. No man in his right mind, married or not, would deny you anything. "Here, baby," he says, handing you his jacket to give you cushion for your knees. He runs his fingers through your hair, heart pounding madly in his chest as you look up at him with those irresistible eyes, releasing his cock from its confines.

Thank you Jesus, I knew it, I fucking knew it! You glory in the big fucking dick that you always knew Dave was packing down there. Your mouth pools with saliva as you give him a couple teasing strokes, marveling at the swollen shaft, curved, ringed with smaller veins and one large one running along the top. He tips his head back against the wall, breathing heavily as you give little kitten licks across the head, scooping up his trickling precum.

Carol can have this every day and she chooses not to. What the hell is wrong with her? A victorious little smirk curls the corners of your mouth as you drag your tongue along the underside, your free hand gently palming his balls, feeling their heft in your hand. Just thinking about how much he's going to unload makes your cunt clench in anticipation.

"Stop.. teasing.." he begs, looking as if he's close already. "Not fair.."

"Good point," you tell him, unable to keep back a smile. You move the shoulders of your dress down, pushing it over your breasts and bringing your bra down as well, baring your breasts to him. Practically drooling at the sight, Dave fondles one in his large palm, his thumb rubbing avariciously over your nipple, bringing it to a tight little bud.

At last you take him in your mouth, hollowing out your cheeks as you slurp the first couple of inches, adding pressure by stiffening your tongue. One hand rests on his base against his neatly trimmed pubes, the other on his thigh, hard muscle and soft hair under your palm.

Taking him in as far as your throat allows, you alternate between using your mouth and your hand, spitting on his shaft to add lubrication, watching him innocently from below as Dave loses control little by little. His hands tangle in your hair, thumbs caressing your cheeks as you gag on him, pulling away and leaving a stringy mess of saliva between your lips and his cock.

Poor Dave hasn't been blown in ages.. I'm so lucky to be the one to give him this.. You use your fist and mouth in tandem, bobbing your head as your fist works the base, keeping your eyes on him as he tries desperately to hold back.

Giving his balls a little massage, you hear him groan and feel him shiver. Keeping your mouth suctioned to his cock, he cries out in relief as he pulses and shoots his load down your throat.

By the time you reach the ground floor you both look like nothing ever happened, not even a hair out of place nor a button fastened wrong. As you part ways in front of the bakery/bookstore you exchange a small, secret smile, with the promise of more stolen moments to come.

Dave almost regrets having to go home, but Molly and Alice are the only bright spots there, and he brings them a couple of brand new Squishmallows, loving the light in their eyes as they greet him home. They don't know that you're coming over later, just in case they accidentally spill the beans to their mom. So far they think of you as a babysitter who's also their dad's friend.

After dinner, Carol's quiet, like a ghost hating the place she haunts she goes about cleaning up the table, putting things in the dishwasher, putting an extra load of laundry in the wash, rejecting Dave's offers of help. This is something he'll be yelled at about later. It's nothing new.

He's counting down the minutes until she leaves and you can come over. He texts you some ideas of movies to watch with the kids, maybe more Disney classics, or even the older greats like E.T, The Princess Bride, Matilda, or Jumanji.

But when Carol sees him smiling at his phone, a light blush on his face because he's recalling the passionate encounter between you two in the elevator, her face sours.

"I think you need to get help. You have a porn addiction," she frowns at him.

He's too happy to argue back. "Yeah, sure, maybe."

She makes a sound of disgust. "I don't know what a man your age still watches that stuff for."

Again he makes no answer, choosing instead to cold-shoulder her anger, hoping she'll just complain her anger away while he texts you, in between reading work emails. Waiting for a quiet moment in her muttering, he asks, "So, how was work?"

"It was long.. and hard," she says, putting laundry away in the dresser.

Dave's knuckles grow white with holding back from telling her everything he knows she's done. Playing pretend has never been so damn difficult. He swallows the bile that dares to rise in his throat when he thinks how she's played him. "I bet. Sounds rough."

A little sigh from her, and when he glances up he swears he sees a little pink on her cheeks in her reflection in the vanity mirror. "It was pretty rough," she says lightly.

His eyes narrow and he can practically feel the blood pulsing through his body. How can she be so callous, so uncaring about the risks she's taking? Does she know how she's just stringing him along?

"I can imagine," he replies, voice tight.

Carol must sense his sarcasm, because she turns in her seat to glare at him. "You don't know what it's like for me. The long hours, the responsibility, the lives I hold in the palm of my hand."

He nearly snorts in laughter. "No, you're right, Carol. I don't know what any of that is like. All I do is go to the office and joke around with the guys, fuck the paralegals, and come home to a cold bed, spend my money on webcam girls, then go to sleep, only to start it all over in the morning. With you as the occasional guest star," he rants.

"You're outrageous," she mutters, slicking on some lip balm. "I don't have time for this. I'm going out."

To see Joel Dave finishes her sentence, hands fisted at his side as he tries to control his breathing. Only his wife can make him so hotheaded, so willing to damn everything to hell over a snide comment.

"You don't have time for what?" he repeats. "To talk to me?"

"What's there to talk about? We stopped talking and fucking a long time ago." She's in the closet putting on a silk blouse and looking for shoes to go with it.

"You always use work as an excuse. You do it deliberately to avoid being here at all!"

"I had a life before I met you! Excuse me for trying to find a little fulfillment apart from you and the girls. You don't define me!"

That comment stings. Dave hasn't realized until now how big a part of his life Carol's been, and how much of his youth he spent building a life she would love. Now here she is dumping all over it.

"I never wanted to define you. I just wanted to make you happy," he says quietly.

His sincerity does nothing for her. "Do you want a fucking parade?"

"You know what? A parade would be great because at least I'd be getting some attention. I-"

He's cut off as Carol grabs him and kisses him. Taken off guard, Dave freezes, his body unable to react to her lips on his. Finally he puts his hands on her shoulders and gently pushes her away, breaking the contact and stepping back. "What are you doing?"

"Don't you want to?" she asks, looking almost hurt. She comes close again and presses the flat of her palm against his crotch then takes it away as if she's burned herself. "You're not even hard."

The blood rushes back to his cock as he recalls the way your lips wrapped around him, tongue laving him as your beautiful eyes gazed up so innocently. Of course he's not hard when you drained every drop of him earlier.

"Of course I'm not," he says, turning away so she can't see the longing in his eyes, the obvious bulge when he does start to get hard again thinking about you in that elevator. "Do you expect me to be in the mood when we're arguing?"

"You used to tear my clothes off after every argument. Or have you forgotten?"

He remembers well the passion of their youth. Carol had always been feisty and tempestuous and that excited him before. Their arguments, no matter the subject, typically led to a passionate embrace. And now.. perhaps time has reshaped them.

"Will you at least lay down with me?" Carol's request comes as a surprise, given how demure she sounds. He looks at her, resting on her side of the bed, and he almost feels guilty for his earlier transgression with you. But he knows Carol has done worse, and likely has been for a long time.

But he's been with her this long out of habit, or maybe it's because she knows how to play him, and only recently stopped the game, tossing her cards aside and abandoning the rules when that stupid plumber came around.

What Dave can't resist is a little peace around the house, an interim white flag. And that particular white flag is in the form of laying next to his wife, watching her fall asleep as her eyes flutter shut.

You return to Dave's house, still under the impression that you're going to hang out, maybe make some dinner with the kids while Carol's gone. There are two cars in the driveway this time, and as you make your way to the door you wonder how to introduce yourself if Carol's actually here.

The girls let you in, hugging your legs as you come inside. Heart brimming over, you ruffle their hair, placing soft kisses on the tops of their heads.

"Mommy and Daddy are asleep," they tell you, bringing you to the half-open door of the master bedroom.

You're unprepared for the stab of jealousy as you see husband and wife resting peacefully, holding hands in their slumber.

Has he forgiven her? Has she somehow wormed her way back into his heart? Maybe he's loved her all this time and is willing to overlook her discretions, just as you secretly forgave Javier's for so many years. Maybe neither of you have any backbone when it comes to letting people walk all over you. Maybe it's a secret kink.

You can only control your own choices, and as soon as you sit alone in your car, you let the silence engulf you before you pull up the application for the culinary program in Paris, quickly entering your info before applying, sealing your fate.

Dave wakes before Carol, rubbing his eyes and stretching. It's nearly ten p.m. and he checks his phone, jolting up when he realizes he never texted you not to come over. The fight with Carol and the tenuous white flag raised between them had come so suddenly that he'd not given thought to the night in he promised you.

He gets out of bed, careful not to wake his wife. As soon as he leaves the room the girls are on him, telling him you came by but had already left. Dave quickly shuts the door as quietly as he can, to stop Carol from hearing them. He takes them out of the hallway and questions them.

"She told us not to wake you up," Molly says.

"Did she say anything else?" Dave's heart is in his throat.

"She told us to be good and that you and Mommy love us," Alice answers. "Can she come over every day?"

"She was crying," Molly added.

That's a twist of the knife already in his heart. He imagines how it must have been for you, walking in and seeing him with his wife, probably assuming the worst.

"Did she say where she was going?" he asks.

"No," they answer, already bored with the questions. "Can we go spend the night at Michelle's?"

"No, honey, it's very late," he says, heart skipping a beat when his phone buzzes with an incoming call.

Tim.

With an ache in his gut, throat constricted, he answered, somehow able to speak. "This is David," he answers, quickly moving out onto the patio to take the call.

"Mr. York, this is Rockford. Do you have time to come in tomorrow so I can discuss my findings." The PI is pretty blunt, just what Dave needs to get out of the cloud of confusion he's in.

"Tomorrow? Can't you just tell me now?" The thought of having to wait another twelve hours is excruciating.

"That's not the way I like to do things, Mr. York. But if this is an ASAP kind of thing you can drop by my office." He gives the address which Dave quickly makes a mental note of.

Of course Carol makes a face when he tells her he has to go into work. A necessary lie, but he takes note of how much she seems to dislike having to stay home. He wonders if she misses Joel, if she even loves him. That's a thought he tries not to entertain for too long or it'll drive him crazy.

The PI's office is in a small room overhead a Korean grocery shop downtown. As Dave traverses the the entrance via the back alley and up a couple flights of stairs, he gets the notion that he's in a 1930s film noir, complete with dingy hallway with wooden paneling, and a door advertising Tim's services as a PI, the signage somewhat faded on the frosted glass. Dave expects the surly former cop to show up in a trenchcoat and a Trilby, but the man appears in the doorway, a loosened tie and white shirt, gray slacks. Tim looks ready to call it a day.

He offers Dave a drink, to which Dave firstly declines, then decides better of it. If he's offering alcohol, it's probably bad news. He thanks Tim for the proffered bourbon and fortifies himself with a sip as they get situated at Tim's desk.

"As you well know, you've paid me to keep tabs on your wife, one Carol Marie York, forty-four years of age, and have surveiled her comings and goings these past few weeks. This is what I've found."

He pulls out a manila folder from an accordion file index and presents it to Dave. "About eighty percent of the time she's not actually at work, as she gives you reason to believe. The other twenty percent she's definitely at the hospital, keeping herself shut away in her office. No visitors during those times."

There's a sinking feeling in Dave's stomach and he feels all the blood rush from head. He doesn't touch the folder, as if it'll burn him. "And the 'eighty percent' as you say? What's she actually doing? Seeing this.. Joel idiot?"

"I've identified her companion as one Joel Richard Miller, fifty years of age, a plumber with a company that services Mercy Memorial, the hospital where Carol works."

Dave leans back in his chair, his grip on his glass of bourbon growing tighter. "That must be how they met.."

"They are not seen together at the hospital," Tim continues. "Their typical MO is to meet at the Starlight Motel, less than an hour from here." He takes the folder and leafs through the info. There are photos of Carol and Joel meeting up in separate cars, going into the same room, smiling, kissing, holding each other while they think they're not being watched.

"I have photos and audio, if you want further evidence."

"Audio??"

Tim shrugs. "Just between us, I have a friend on the force who lends me better equipment for high profile cases such as yours. It's not always easy to get pictures through the windows."

"What.. what's on the audio?" Dave asks, almost timidly. He knows the ascertainment of such evidence by such means is toggling some very blurry lines of legality, but for once in his life he's not going to play by the rules. Forty five years of being good has earned him some legroom to forgo his typically heroic beliefs.

Another sigh from Tim. "You can listen for yourself, or I can tell you: they're definitely fucking."

"Oh, god." Dave puts his glass down on the desk and holds his head in his hands. Tim, used to such reactions, goes around his desk and gives his client a strong pat on the back.

"I'm never happy to pass on news like this," he comforts Dave. "But you have a right to know. You're not the first man whose wife stepped out on him. What you do with this information is completely up to you." He passes the brokenhearted man a box of tissues, letting him have his moment.

"Tell me more about this Joel guy." Dave's voice is strained.

"He's single, lives alone on the east side of town. Worked in the home services industry for almost thirty years. He's big. Strong. I'd say ex-football player."

Of course. Joel was the opposite of Dave, in almost every way. Maybe that's the kind of man Carol needs. Or maybe she's just slumming. Now faced with more questions than answers, Dave slams back the rest of his bourbon, all his senses buzzing.

"I don't usually do this," he says, coming back around his desk to face his client head on. "But you seem like a good guy. If you want, we can catch them in the act."

"How?"

Tim relays the evidence, the patterns of their meeting nights and times, the place already established. Dave doesn't know how he'd not been able to see the signs right in front of him. The late nights all matched up at the same hours, on the same nights, with rare exceptions.

"If all goes according to plan, they'll meet up tomorrow night at the motel. You can be there to catch them in the act, and I'll be there to make sure nothing happens that shouldn't."

It doesn't take a lawyer's imagination to think of every possible result from him catching Carol and Joel red-handed. It would be satisfying, despite the evidence Tim has gathered. He needs to confront them in person, demand answers. Maybe Joel doesn't even know Carol's married. Worse, maybe he knows and just doesn't care.

"Let's do it," Dave agrees.

After leaving Dave's, you drove straight to work, throwing yourself into doing some work after hours, handling the invoices and filling out supply orders ahead of schedule. Anything to keep you from thinking about what you saw. Soon you found your office too confining, and started moving packages to the front, refilling display cases and restocking shelves, making room for new books. Anything to keep you distracted.

A knock at the glass door snaps you from your spell and you see Dave, peering in, waving to you. With a knot in your gut you go and open the door.

"Hey," you say quietly once he's inside.

"Hey," he says back, stuffing his hands in his pocket, unsure what to do with them.

"What are you doing here?"

"I came to see you.. to talk. I went by your place but your sister said you were here."

"She wanted to get away from my parents for a bit, and keep Maple company."

"Good.. that's good." Dave nods.

"You could have called. You didn't need to come over."

"I wanted to see you." A ghost of a smile passes his lips, warming you a little.

"I saw you with Carol," you mutter. "In your bed.. it looked like you'd forgiven her."

A shard of guilt pierces him. "I know.. the girls told me. I am so sorry, baby." He makes a move to reach out for you but pauses. "Please.. look at me."

You reluctantly bring your eyes to his, brimming over with tears. He takes your hand, rubbing your knuckles with his thumb. "I promise you, it wasn't what it looked like." He could kick himself for saying such a cliche thing. You've probably heard it over and over from Javier.

"Do you still love her?"

The question hits him like a kick in the stomach, and his immediate instinct is to say no, that he doesn't love Carol at all, and he wouldn't be going through all this if he did. But that's far too black and white, too easy of an explanation. And he doesn't want to lie to you.

"It's complicated," he mumbles.

You don't say anything for a long while, leaving him tense and worried.

"She's the mother of my children, and the first woman I was ever serious about. We fought last night," he continued, "and then I guess we just had no more fight left in us." He sighs. "I just came back from Rockford's office. She's having an affair with that plumber."

"I'm sorry," you tell him. "I'll send some condolence cookies to your office." You turn to go, torn between wanting to comfort him and needing to turn him away.

It's too tempting right now to start an argument, all your pent up passion needing to be externalized. "My own divorce wasn't nearly as messy as this situation is. I don't love my ex-husband. There's nothing complicated about it."

"Will you listen to me?" he goes after you, grabbing your hand and turning you to face him. "Yes, it's complicated with Carol. It always has been. The only uncomplicated part about my life is you!"

Now the tears fall freely. "Dave, I can't risk my heart getting involved any further. I have to protect it." You wipe your face with the heel of your hand, makeup smudged but you could care less. "You deserve more than being a cuckold. I would never do to you what she did. If I had you in my bed every night I'd have no need of satisfaction elsewhere."

That thought sets him ablaze, the memory of you on your knees in that cramped elevator, your tight wet mouth wrapped around him.. he could have that every night if he could leave Carol so easily.

"I know you wouldn't.. because you actually care about me."

"No, Dave. I fucking love you." Realizing what you just said is a jolt to your system, but you continue. "Please don't choose the woman who betrayed you over the woman who's madly in love with you."

He takes a breath and cups your cheek, gazing into your eyes as he speaks. There's a vulnerability in his voice. "Do you really mean that?"

Your feelings are laid bare, your heart open to him and there's nothing more frightening or more exhilarating. "Dave, I shouldn't have said-"

He shakes his head, silencing you with a firm but gentle touch. "Please, just let me say this. The fact is, I'd choose you. If if came down to it and I had to choose, there would be no contest. I'd choose you. Every damn time."

Your lips meet his in a crashing kiss, alighting both of you with need. Hands on your hips he presses you to the nearest flat surface, a large wooden bookshelf. Dave's kisses travel down your jaw, your neck, and he rips open the top buttons of your dress to get to the swell of your pretty breasts, pressing messy kisses and love bites on your supple skin.

"I need you," you moan, "right now." Your desire is growing out of control.

"God.. I need you too," he says breathlessly. He unbuttons his jeans, quickly pulling down what he needs to, while you hurriedly remove your panties. He grabs your thigh, hooks your leg around him as he presses the tip of him to your dewy folds, teasing you until you're squirming with need.

"This okay?" His breath is hot against your ear. "I don't have a condom. I can pull out.."

You shake your head. Even if you weren't on birth control you'd want to feel him in every way, want that glorious pump of his seed filling you. "It's okay, I'm good, I want it."

He eagerly lines himself up. "You're dripping already.. fuck, I don't think I can hold back.." He slides into you, slowly, savoring this moment he knows he'll look back on for years to come. "I love you," he moans, unable to help the last snap of his hips that delivers his full length into you. He's surrounded by you, warm and tight and oh so wet. "I wanted to be inside you when I said that," he confesses, thrusting home again, filling you deeply.

"Dave," you moan, looping your arms around his neck as he thrusts at a languid pace, shivering from keeping himself at bay. He's a stretch to fit, but he keeps his thumb on your clit, working in small circles as he fills you.

"Please, fuck me," you beg, nails digging into the nape of his neck as you break from a sloppy, delicious kiss. "We waited too long for this.. fuck me now and make love to me later."

He shakes his head, the pleasure already creeping up into his balls. "Gonna come if I don't stop now." He picks you up and carries you to the nearest sofa, both of you giggling as he tries to walk with his pants down around his ankles.

He places you on the sofa, legs spread apart for him as he settles himself beneath you, raising the hem of your dress over your hips. Hooking your legs under his arms he brings you to the edge of the cushion and places small, teasing kisses along the insides of your thighs, groaning as you run your fingers through his hair.

Dave looks at you like you're a miracle, breath warm on your soft skin, tongue dipping out to taste you. He'd had a taste earlier when he licked your cream off his fingers, but there's nothing like drinking from the source. "I love you," he rasps, saying it after planting each kiss upon your thigh, until he reaches his destination, blowing soft cool air on your clit.

"Dave," you groan again, hips eager for him to press forward.

"Payback," he reminds you how you teased him in the elevator almost twelve hours before.

"Mmm.. punish me as you see fit.."

He takes his time once he's there, languidly licking a stripe up your center, delighting in your sweet little moan as his tongue swipes over your clit. His tongue delves into your folds as if to memorize your shape and your taste. You sigh when he pays attention to one side, and your entire body tenses when he laps along the other. When he fucks you with his tongue the handsome curve of his nose rubs against your clit until you're a shivering mess beneath him, your essence all over his face.

Waiting until you're just on the edge, he pulls back, using his fingers just as before, knowing what it will take to get you to come all over his hand. He pulls the most beautiful moans from you, such symphonic sighs as you scream his name. And the cherry on top is when he purses his lips around your taut little clit and sucks as his fingers curl inside you, making you moan louder than he's ever heard anyone as you coat his face with your juices.

He's inside you again, your warmth clasping around him as if he belongs there, in your perfect pussy, buried deeply as he pistons his hips against yours, the culmination of every fantasy he's ever stored up about you now becoming real as you buck your hips up beneath him, demanding all of him, taking every inch because you're made just for him.

True to his word, he fucks you, makes you his in every way. There's nothing so perfect as the feeling of you coming on his cock, squeezing him and urging on his own climax. Once again ensuring that you want him to, he comes hard, painting your sweet cunt with his spend until it's spilling out of you while he's still inside. There's no doubt when you're screaming his name and it's ringing throughout the empty bookstore, you belong to each other and always have.

"Are you okay?" he asks sometime later when you've both caught your breath, holding onto each other for dear life.

"I'm wonderful," you answer, body still thrumming with pleasure, a lightness in your heart that nothing else has ever produced.

dividers by @strangergraphics 👑

taglist: @penascigarette @joelalorian @la-vie-est-une-fleur29

@darkheartgatita @speaktothehandpeasants @rav3n-pascal22

@vickie5446 @mrs-pedro-pascal @zascal @sunnytuliptime

@mysticsuitcasealmondwombat @joelmillerisapunk @almostfoxglove

@itwasntimethatdidit40 @604to647 @milla-frenchy

@everybodylovedcontractors @misstokyo7love @ppascalq

(sorry it's a little later than I promised!)

[katranga]

idk how to tell this guy at work to stop talking ab his diet and "goal weight". like i simply Will Not engage in that kind of conversation and idk how to be any more polite ab stopping it than literally saying that the weight you are is not a personal failing

[silasours]

ৎ⸝⸝⠀COCKWARMING ! —

#pairing : lucifer, alastor, vox, valentino, x gn reader. #cw : 18+ content, mdni. unprotected sex. edging. office sex. public sex. sub/power sub reader. no mentions of specific anatomy. vox is in an online meeting for work. touch starved lucifer. val blowing his smoke on you for fun. non proofread because it's six in the fuckin morning and I have not slept a wink. #summary : in which they keep themselves buried deep inside of you while being busied by other stuff. #note : save me, I've been writing nothing but hazbin smut lately. i should really start working on other shows.. alastor's a bit shorter than the others, can't really think of a solid idea for him and I wanted to get this out as soon as possible

ʚ LUCIFER .

lucifer whines when you force him to focus on his unfinished work once again. he has been going back and forth from attempting to thrust into you, but you always found a way to press him down in his place firmly. he had some unfinished work that he left sitting in his office for almost a week now, and it irritated you. that's when you offered to cockwarm him while he worked, get him to finally get his hands on those unfinished works.

being absolutely touch starved, lucifer agreed without hesitation unaware of how miserable and impatient this will make him. his hand remain on his working desk, occasionally scribbling some words and a signature on the paper filled with printed words. he does his best to resist the urge to finally thrust into you, worried that you'd leave him unsatisfied if he doesn't do as he's told.

but there's a limit to how much he can contain himself, especially when he has you sitting on his lap with his cock stuffing you to the brim, when you'd tease him so often by clenching around him or moving your hips ever so slightly. lucifer whines every time, the hand that's placed on your hip squeezing on your flesh desperately.

"can i please.. just finish this up later?" his voice muffled from nuzzling his face into your shoulder, eyes closed shut to focus on the warmth engulfing his throbbing member. you let out a small chuckle, baring your teeth into his neck to draw out those pretty moans of his; his cock leaks pathetically inside of you.

"no can do, luci. you're not going to get whatever you want until you finish up." you pull away and tilt your head slightly, pressing a soft kiss onto his jaw while giving a quick glance at the papers sprawled across his desk. he's only halfway done with them. "you're doing pretty well, no? you're halfway done."

lucifer groans, annoyed as he picks up the pen from the desk again while reading through the papers. this time, you decide to tease him a little more instead of staying still. you connect your lips with his exposed neck, sucking on the sensitive skin as your hips slowly grind against his. you hear his breath hitch, his knuckles turning white from how hard he's gripping you.

your name spills out from his lips breathlessly, following with a whimper that you love so much. you carry on with your actions, dark marks gradually bloom all over his skin like breathtaking flowers. lucifer shifts to lay his forehead on your shoulder, shuddering from pleasure; you tug on his soft hair, firm enough to lift his head up from your shoulder.

"stay focused, luci. remember what's waiting for you to finish your work."

ʚ ALASTOR .

"oh, what a twist!" alastor exclaims with his eyes glued to the book he's reading, chuckling like you're not clenching down on his cock out of desperation. your eyes are teary as you turn to peek at the page he's on, frustration brewing in your chest. upon noticing your reaction, alastor laughs while moving his hand to cup your face, leaning in with a grin. "don't you agree, my dear?"

you groan, parting your lips further enough to drop his thumb into your mouth, biting down on it. alastor mutters a small "fiesty" before buckling up his hips, watching your eyes widen from the sudden pleasure that shoots up your veins. his arm tightens around your waist to stop you from squirming around excessively.

"put.. the fuckin' book down, a-alastor.." your nails dig into his shoulder through the fabric of his shirt, the back of your other hand hovering over your mouth with a frown on your face. alastor smiles in response, holding the book between the both of you now that there's a gap.

"why, it has only gotten interesting! patience is key, darling."

"it has been almost a whole fucking hour, alast-" your words get cut off by yet another harsh thrust of his hips, an uncontrollable moan slipping off your tongue. a low, barely audible grunt could be heard coming from alastor because of how you're squeezing around him like your life depends on it.

slowly, he places the book down, pushing two digits into your mouth as his sharp nails graze past your gums. your tongue swirls around them, gaze fixated on his that seems to be mocking your desperation. you grind your hips, wanting to feel more of that sensitive spot in you being stimulated by his tip brushing against it. alastor grunts every time you tighten around him, the feeling making his skin jump and his eyes close shut from the pleasure he receives.

you reach for the book to toss it aside, not allowing him any chance to get it back and return to what he was previously putting you through. he laughs at the action before getting cut off by yet another groan, a frown slowly finds its way to spread across his face despite the grin that remains on his lips.

"the book shall wait after all."

ʚ VOX .

the sound of vox's workers and colleagues echoes through his workplace, the source of it coming from the laptop that sits in front of him. he's holding an urgent meeting with them to discuss some things about work, yet you're here obediently sitting on him, cockwarming him. your arms hug his neck tightly, hands grabbing tightly onto his shirt while listening to him speak to the people in call.

you bite down every moan that builds in your throat, not allowing any sound to be heard by anyone but your partner. times when vox isn't discussing important matters, he leans into your ear to whisper praises, thrusting into you, and stops so suddenly when you're close to release.

he grins as you whine at the sudden loss of friction, skin flushed while feeling him draw lazy circles on your hips with his thumbs. he starts speaking again just when you're about to voice your frustration, drawing out a grumble from you. you stay there unattended, glancing at the part where the two of you connect; you're craving release, and you're done waiting.

with a steady pace, you move your own hips while holding onto his shoulders for support. vox's head snaps toward your direction, teeth gritting as he bites back the groans that threaten to leave his lips. he tries to hold you down, but his body betrays him and allows you to carry on with your movements. his head tilts back to lean against the headrest of his chair, the words that his workers speak gradually shifting to a blur in his mind.

"fuck, w-wait," his breath grows heavy, barely managing to keep his eyes open as you fuck yourself on his cock. you're supposed to be cockwarming him, not riding him. he has allowed you to the point of no return, how is he going to carry on with the meeting now? you grab him and connect your lips with his, drinking in his groans like how he does to your moans.

ignoring the calls of his name from the meeting, he pulls you closer by the waist as you grind yourself on him. it wasn't until he started getting annoyed by the meeting that he broke away from the kiss, strings of saliva still connecting your lips while his hand reached out to shut the laptop down. the room falls to a sudden silence, the only sounds that remain are your heavy breathing.

"you're gonna fuck up my company if this carries on," vox snickers before crashing his lips with yours again, hands holding onto your hips to thrust into you without anything holding him back this time.

ʚ VALENTINO .

you still can't process the fact that you're in valentino's studio with his cock buried deep inside of you while people walked around to work on set. valentino takes puffs from the cigarette he holds between his fingers, often ordering and even yelling at people as they rush to obey his commands.

nobody pays any mind to the both of you; in fact, they see it as something normal. after all, they're working for a porn producer, what is there not to be normal? you keep your face stuffed in the fluff of his coat, hands gripping tightly onto his outfit while still trying to adjust to how good he stretches you apart. everyone has just started working, and the set is still being prepared for a new film.

"you're tighter than usual my love, are you that excited to be around everyone?" he teases with a mocking tone, puffing out a wisp of pink smoke onto your flushed face. you lightly shake your head with a whine, the smoke that you inhale causing your vision to spin immediately. humming, valentino lifts your body up with the help of his lower pair of arms before roughly slamming you back down onto his cock. "I doubt that. you've always loved being fucking in public, no? look at you,"

you gasp, body tensing as a moan escapes your throat. you immediately bite down on your lower lip, eyes screwing shut while simultaneously having your body trembling under his hold. you don't want to draw too much attention to yourself, yet the idea alone excites you in an odd way that you never knew it would. noting your reaction, valentino continues repeating the action before stopping promptly, feeding himself with your choked back moans.

"keep looking pretty like that while i work, i'll have a reward waiting for you." you mewl at his words, giving him a weak nod while tugging onto his shirt. he takes another long drag from his cigarette before letting his gaze fall onto the prepared set displayed in front of him, eyes scanning for the stars of the show in the room.

he would moan softly into your ear whenever you clenched around him, teasing you with his mere voice and carrying on with his work. you don't complain, though, considering how you'll be fucked into a moaning mess once he's done with work.

© silas ( @silasours ). all rights reserved. every work posted on this account belongs to me, and only me. please refrain from reposting, plagiarizing, translating, or reproducing my work in any form possible.

[lizardsfromspace]

I've looped around from finding the belief that The Wizard of Oz was "the first color film" or "first technicolor film" understandable if wrong to finding it deeply annoying

Like. I get how it feels true - how the transition from sepia to technicolor in the film feels epochal, and how it's a springboard to people imagining how AMAZING and how AWESTRUCK audiences must've been at the time, but it just isn't the case, and no one in 1939 would've thought it was the first color film.

I mean, you've probably seen Snow White (1937) and Adventures of Robin Hood (1938). At the time color features were becoming more common, and they had been common in cartoons and shorts for years.

On a base level, if The Wizard of Oz was such a monumental moment in film history, giving people something they've never seen before, why did it only break even at the box office? By all accounts while not a flop it did decently but not great, and it only became a Cherished Classic thanks to TV airings later on. I mean, 1939 saw what is still, if adjusted for inflation, the highest grossing film ever made, and it wasn't The Wizard of Oz

Here is the actual history of color: most silent films were tinted, most commonly with different scenes being all tinted different colors, but more rarely hand-coloring. But back then people started experimenting with many different "true" color film systems, most of which failed for one reason or another, and there were a couple silent features made in two-strip technicolor, which had a more limited palette. At the start of the sound era, some black & white scenes would have color segments; this stage has been largely forgotten bc in many cases, the color segments don't survive & we only have them in black and white. Then three-strip technicolor began and became the dominant form of color until the late 1950s, with the first full-length three-strip technicolor film being 1935's classic...Becky Sharp. Which did decently, and got one Oscar nom for Best Actress, but didn't really become a classic. And then color films became more common until they became the norm in the 1960s

But it has to be a classic, right? It can't just be some random movie that ushered in technicolor. It has to be a famous movie everyone's heard of. It can't have been a gradual process touched by many individual artists, it has to be something one Great Man ushered in overnight, and the crowds were amazed, bc they had just been waiting for someone to Do Color Film so they could ditch black & white forever. It couldn't have been the case that they rejected many previous attempts at color film bc they sucked. Nothing can ever be the result of many people making many choices in many works of art, it has to be the work of one Great Work of Art that Changed Everything Instantly, and all the little people and failed experiments and less-enduring ones just have to be erased to make way

But it isn't. The transition from sepia to color in The Wizard of Oz did dazzle audiences, and still does, but that's because it's a incredibly well-done visual effect and a creative choice within the story to show the change from Kansas to Oz. We don't have to say it was important bc it was the first to do something technologically; it can be important for just being a really good movie

[easy-there-leftovers]

A Question Unasked

Written with season 1 Spencer in mind

Summary: In which your ambitious, workaholic nature makes Spencer wonder if you've got a crush on Hotch. This slight hitch in his plan causes him to miss a few signs.

[A/N]: Can be seen as a filler from Spencer's perspective of certain scenarios from "Mixed Messages" and a prequel to "As Cool As I Think I Am", but can also just be a standalone

Pairing: Spencer Reid x fem! (mentored by Hotch!) reader | cw: slight spoilers for s1e04, allusion to inappropriate workplace dynamics (it's not true, relax lol), slight description of canon-typical violence, mildly inaccurate timeframe | word count: 4k

Spencer looks up from his endless stacks of files on his desk to look at the girl on the other side of his desk. Only a single carpeted walkway really separating them.

He could easily just get up and walk right to her. Ask the burning question that's been on his mind since the Arizona case, but he can't.

Why is that?

He's been your friend for a while, and he's known you for a while longer.

With his eidetic memory, he remembers so clearly when you first started working together. He remembers your starched blazer and pressed blouse, a stark contrast to his swimming-in-sweaters look, and how that alone let anyone know that you were serious about uniform and protocol.

You were, without a shadow of a doubt, one of the prettiest girls he had ever seen, and a fresh graduate just like him.

You were smart, beautiful, and started working at the BAU as early as he did.

And because you were new and young, one of the senior agents had been assigned to supervise your progress. So much like how he was mentored by Gideon, you had been mentored by the unit chief himself; Aaron Hotchner.

He'd like to think that he learned a lot from Gideon. He wasn't the type to hold his hand throughout a case, which he is thankful for, but he had been there to encourage him to think more outside the box. To let his mind be more flexible and creative. To see things from every conceivable angle. Leaving no stone unturned.

He supposed you learned a lot from Hotch as well. With your calm exterior, polite demeanor, and calculating mind that occasionally colored your less polite vocabulary-- He didn't know what Aaron must've been like in his junior years, but he supposed that having you as his colleague was essentially the same experience.

What he does know, however, is how close you are to your boss. Or is it your work?

Either way, you being glued to your work almost always meant that you were glued to him by proxy. You two being the first ones in and the last ones out showed that you spent three-percent more of your time with each other than the rest of the team, and two-percent more than with him.

Granted that had changed as of late, but still!

That didn't leave him a lot of time to ask you if---

"Dr. Reid, if you keep staring at me, I don't think you'll be able to finish your action reports on time." You had said without lifting your eyes from your folder.

Having been caught, he cleared his throat with a small 'sorry,' and directed his head back down to his still endless stack of files. The action earning a couple of chuckles from the bullpen where the rest of your colleagues had certainly seen, or at least heard, the exchange.

Not long after however, he saw Hotch from the corner of his eye lean over the railing outside his office. Calling for you both to meet him inside with his usual stern expression.

Spencer noticed how you got up, eyes still zeroed in on one of your files, and continued on your way up and into the unit chief's open door.

A clear sign that you had been invited there often enough that you didn't need to see where you were going.

You expected it.

He sighs and makes his way into the office as well. Dreading what the meeting could even be for, though he's confident he hasn't done anything wrong.

***

"As you might have noticed in our previous cases, I've paired you two to work on the more analytical aspects of it together. With these changes, we've been able to work twice as fast, and we’re thankful for the help."

Whatever Spencer had been expecting, it was not this. His raised eyebrows evidently agreed with him.

It wasn't everyday that Hotch complimented someone like this, much less in the proper environment. And if your respectful posture, but shining eyes in slight pride were anything to go off of, this was something new for you too.

As he was about to voice his thoughts, you had spoken up.

"Sir, Dr. Reid's knowledge in a wide array of subjects has certainly helped with our investigations. Though I'm afraid I haven't done much aside from ensuring it's accuracy and-"

"No! I mean--," He looked to see you already looking at him in slight confusion before continuing.

"She's been a huge help so far and has allowed me to exchange ideas with her to build a more accurate profile. Not to mention that her ability to mediate between departments has been beneficial to gaining access to pertinent information! So I think she's done plenty for the investigations as well." His voice dwindles as he realizes he's rambling on praises and he suddenly feels warm under the scrutiny of both his boss and his colleague.

He just didn't want anyone thinking you weren't doing anything by being humble. Especially since you're both so young.

Thankfully, it's Hotch who speaks up again after a beat.

"So what I'm hearing is that you're both satisfied with this arrangement?"

You both nod carefully and he smiles a small smile at that.

"Then we'll be carrying on with this pairing into the foreseeable future. Should there be any concerns about this arrangement, see to it that it goes through me. We can't afford to lose either of you." He says it with a finality that prompts both Spencer and you to leave with a nod, but the thought is instantly corrected when he speaks again.

"Oh and agent?" He looks only at you, but Spencer looks back as well out of instinct. "A private word, if you please."

Spencer sees you nod without a second thought and he takes it as his cue to hurriedly leave.

***

It hasn't been that long, Spencer argues with himself, since he left the unit chief's office. The blinds aren't drawn, he would know since he'd been looking at them periodically, so he also knows that nothing untoward is happening.

Yet something is bothering him about it.

From his position on his desk, he can see you and Hotch discussing something on his table very seriously, but he also sees how your eyes rarely leave the face of your superior. He can't quite see your expression due to the distance and the light, but he has this sinking feeling that it's a lot like the one from earlier.

He scoffs at the thought. If he wasn't thinking so rationally, he would've thought-

"Does she like Hotch?"

"Who likes Hotch?"

The new voice makes him whip his head back so fast to see Morgan with a confused face. Upon further examination, he sees him holding something that was definitely supposed to be flicked at him if he hadn't been caught so off guard.

He internally debates to voice his opinion, but he does anyway.

"Do you think that she likes Hotch?" He gestures with his eyes to their supervisor's office.

"You're asking me if I think 'little miss perfect' has a crush on a man that's hitched?" Derek echoes back with the use of your nickname. One that he coined as a playful jab at your no-frills behavior.

Spencer cringes when he hears it back though. He didn't ask this to get you in trouble, but it might come across that way now.

"Who has a crush on married man?" Elle joins in, and he only shrinks into his seat more.

"I'm not asking if she has a crush on him! I just want to know if she might like him and--what it is that she likes about him..."

The two exchange looks before looking back at him. Fully knowing that that's not the reason why he's asking, but they humor him anyway.

"Reid, what makes you think she likes him and not literally anyone else?"

"Well. there's her preference for prolonged eye-contact, a common indicator of interest for one. Her being in constant proximity to him, a sign that shows comfort in certain contexts, and then there's the amount of time they spend together."

The last one might be a bit of a reach, considering how you all work in the same area, but at this point he just wanted someone to tell him that he was either absolutely right, or crazy.

"Kid, that's crazy."

Duly noted.

"I'll say.” Elle chuckles out her response. “I haven't thought about it all, but those signs don't really mean anything. It just sounds like she has a habit of looking at whoever's talking to her." She notes, sharing her experience of being on the receiving end of your rather intense gaze.

His other friend adds onto that.

"And the whole closeness thing? You've seen her, she's like a computer with the way she works. She's a workaholic. And Hotch is another. It's just math, Reid."

Spencer furrows his eyes at the man's statement but before he can ask further, he sees you coming out of the office and staring at the small crowd that has now formed at his desk.

"Is something going on here?" You ask with tense brows. Eyes flickering to and fro.

He couldn't really think of something on the spot, but thankfully Derek had one at the ready. "Was just caught trying add my stack on to pretty boy's plate."

He sees you let out a small 'hm,' and you eventually turn your back to them to reach your desk.

He sighs in relief as he feels a firm pat on his back from Morgan.

"Next time, try looking at what she does when you're the one talking." He says before leaving to go to his own desk as well.

Spencer doesn't know what good that would do, especially now that he's worried one of his colleagues have caught wind of him liking you, but he at least takes note of it.

--------

He does not, in fact, take note of it until very later.

The team had been called to San Diego to deal with someone they had been calling, "The Tommy Killer." An unsub that had a preference for gluing his victims' eyes open.

As they were reviewing the scene in the jet, they had noticed a few stanzas of a literary work had been left behind at the scene.

"It's a ballad from the late 1600s. A Dialogue Betwixt Death and a Lady." Spencer had mentioned from where he stood.

"A 17th Century ballad?" Morgan had asked him incredulously from his seat, but it’s you who answers.

"One where a woman tries to bribe Death with all that she has in exchange for a little more time to live. Naturally, he doesn't allow it. Claiming that she was undeserving of an exception that even kings were denied of."

Spencer looks up from his own copy to see you still looking at your own from beside Hotch. With your brows furrowing in thought, he almost sees the actual gears in your brain turning.

"So what, are we looking at a literature professor of some kind?" Elle asks which immediately perks him right up.

"Well, actually anyone with access to the internet today. You should see what comes up when you type in the word, "Death" into a search engine." He laughed absentmindedly.

"Reid, no wonder you can't get a date."

Morgan's words made him frown, but he brushes it off.

Hotch, as previously discussed, then called on for the both of you to look deeper into the messages. To see if there was anything new that could be inferred.

He nods at him, and looks up. Expecting you to still be looking at Hotch as well.

Instead, your eyes meet his, but you quickly look back onto your file.

Reid thinks it's just a coincidence.

***

"Creepy, huh?" JJ had asked you two as she approached where transcripts of the written messages were tacked onto a board.

Spencer had been focusing so hard that he was caught off gaurd by her sudden appearance. Fully expecting the area to just be for you and him so he told her what first came to mind.

"Actually, conversations between Death and his victims was a fairly popular literary and artistic theme throughout the Renaissance."

Though perhaps the delivery wasn't as as good as he thought it was as JJ only stared back at him with an unreadable expression.

He thought it was interesting, really, but he supposed his slight stutter and breathy laugh at the end must have distracted her from his point.

He turned to look at you for help, but you too had been focusing on the messages and wouldn't be available to do that. So he just agreed with JJ’s sentiment, which seemed to be enough for her to leave.

He sighed out in relief.

"The lady never answers. Have you noticed it yet, Dr. Reid?" You turn to him as you ask.

He immediately refocuses on to the case and tries his best to reply after his prior blunder. "Oh uh-- Right, the dialogue in the ballad seems to be fractured. Well, it's more of a monologue than a dialogue seeing that there is no exchange of information."

A small smile graces your lips at that, and you gesture with a nod to go report your findings.

"So it is. Let's get going."

He follows you to where Hotch and Elle were discussing the sexual aspect of the crime and sees you take your place next to your mentor. The same position you were in when he was blowing out his birthday candles, as he also inserts himself into the discussion.

"Sir, we believe what the unsub has written at the scenes are most of the first three verses of the same ballad." You deliver, prompting your mentor to raise his brow at that.

"Most of?"

"Yeah, it's only one side of the conversation." Spencer adds. "There's no betwixt." He takes pride in your shared effort, which makes itself known by the smile that adorns his face.

Unfortunately, his satisfaction, isn't met with a positive reaction either as he sees Elle desperately trying not to make eye-contact, and your supervisor staring at him very pointedly.

He's thankful though at the little chuckle that you quickly try to hide behind a cough and a cover of your mouth to appear more professional. Quickly looking down at the ground.

He's happy that at least someone thought his joke was well-placed.

He continues to explain your theory about how the Lady in the narrative never answers, and that's enough for both Hotch and Elle to at least think about it.

Their attention is quickly stolen away however at an incoming call about a failed attempt nearby the precinct.

Quickly excusing themselves to get onto the scene as soon as possible, you see them call Gideon on their way out. Watching them as they leave the department doors.

But Spencer keeps his eyes on you as the thought just dawns on him.

You were the first one on the team to laugh at his jokes.

***

The more cases he works for the BAU, the more he realizes how much of his work isn't theoretical anymore. He feels it in the weariness in his eyes, the weight on his chest, and the shake of his hands.

Or maybe the shake is from the cold.

After all, he had dressed for the warm, California air. So now that he was in the cool, air-conditioned jet, he was seriously regretting not packing a sweater, at the very least.

He makes his way to the back of the aircraft after another successful investigation, and that's where sees you.

You had opted to shed your typically structured blazer on the seat beside you, leaving you in a softer blouse, both in color and form, that made everyone around you know that you were officially off duty.

It's a nice look on you, he thinks. A slight departure from your usually stern and hardened exterior. He wouldn't mind seeing a more relaxed version of you every once in a while.

A version of you that looked more your age and not constantly under the pressure of doing well.

He momentarily wonders if that's part of your mentor's influence as well.

He freezes a bit, as if catching himself in some depraved daydream, and takes a few steps back to return to the more vacant areas of the craft.

Before he can get any further though, you see him and beckon for him to come over with a tired wave of your hand.

"How's the flight treating you, Dr. Reid?" You ask, drowsiness lacing your tone as he sits on the seat opposite of you.

"Oh, it's the same as always, I guess. A little colder than usual, but that's to be expected. By the way, we’re actually lucky that we haven't experienced some semblance of turbulence yet on our flights, considering that the likelihood of it has increased by seventeen-percent in the last decade."

You laugh at that. "You really know just what to say, huh?"

He doesn't see it as funny as you do, so it seems. "I'm sorry. I didn't mean to scare you or--" "There's no need to apologize, sir. I find everything you have to say interesting, whether you mean it to or not."

He stays silent at that, suddenly nervous, and tries to make himself comfortable. He does so in the hopes that he can finally steel himself to ask you that question.

He talked to Elle earlier when they were waiting for the unsub's call. Asked her if she thought it was weird that he knew what he knew, and if it had anything to do with his inability to get a date. She had reasoned with him that it was because he didn't ask, but it couldn't be that simple, could it?

He mulls it over in his head before sighing. Opting to give up and just wait for a more opportune time.

Besides, jury’s still out that you could very well be pining over his boss.

The action, however, seems to remind you of something.

"Before I forget," You look into your baggage, rummaging around before finally finding what it was you were looking for.

You ask him to close his eyes, which he obediently does, and you place a thick rectangular box into his awaiting lap.

The sudden shift in weight causes his eyes to open, and he is certainly surprised to see what was on there.

"What is this?"

"It's your birthday. There wasn't a good time to give it to you, so might as well."

He takes the box into his hands and shakes it a little.

From the sound alone, or near lack thereof, there could be a multitude of things inside it. He looks at you questioningly and you only smile and gesture for him to open it.

He takes his time in doing so, and he doesn't know how or why, but he finds your reactions to his movements much more amusing than whatever could be in the box. As if you were more excited for him.

He finally peers into the now open box to see some sort of purple cloth. A ribbon of geometric designs cutting through its middle and he stares at it in wonder.

"It's a scarf!"

You smile at him, and he was thankful that the rest of the team were either asleep or just not paying attention as it allowed the both of you to savor the moment with at least some semblance of privacy.

"I've noticed that you had a tendency to wear a lot of layers. I wasn't sure if it was because you were cold, or you just liked dressing that way, so I made an educated guess and got you something practical."

And just like that, he's over the moon.

He immediately goes to put it on with a wide smile, paying no mind that it paired so badly with the short sleeves of his button up.

Not that he would know, nor care.

And just when he had been feeling cold earlier too! "Thank you so much. This means a lot to me, especially since you don't usually give gifts."

You shake your head. "I don't, but it's not everyday one spends their twenty-fourth at the BAU."

He continues to observe the cloth that now hung around him. Smoothing his hands over it as he does with an expression unreadable to you.

You worry a bit and hurriedly mention, "I'm sorry if it isn't your color. I see purple show up on your mismatched socks more than any other color, so I just assumed. If it's any consolation, purple is a great color to contrast the warmer hues in brown eyes?"

He flushes at your admission, but matches your urgency to set you straight. "No! Please, I actually really like it-- It's beautiful."

You breathe out a sigh in relief and nod slowly at that.

"Speaking of the color, did you know the origin of purple dye is actually quite fascinating?" His voice filled with enthusiasm. With his eyes, bright, and filled with a child-like fascination that makes your chest feel warm at the sight.

"Historically, purple dye was incredibly rare and valuable, which is why it became associated with royalty and nobility. The earliest known purple dye, known as Tyrian purple, was produced by the ancient Phoenicians around 1200 BC. It was derived from the secretions of a particular type of sea snail, the bolinus brandaris, found in the Mediterranean Sea."

He paused for a moment, wondering if he was boring you, but sees that you're still very much paying attention to him.

"The process to obtain this dye was incredibly labor-intensive and complex. It required thousands of these sea snails to produce just a small amount of dye. The snails would then be collected and left to decompose in large vats. After several days, a gland from the snail was extracted and crushed to produce a purple mucus. This mucus would then be exposed to sunlight, undergoing a chemical reaction that transformed it into the deep, rich purple dye we commonly associate with our modern day equivalent."

As he kept going, he suddenly remembered what Morgan had told him all those weeks ago.

"Next time, try looking at what she does when you're the one talking."

So he does just that.

He observes the way that your shoulders are more relaxed, how your eyes never stray from him, and how the small upturned curve of your lip makes itself known as you rest your cheek onto your propped up fist.

How he has your undivided attention and yet you don't even look the least bit bored of what he has to say. Only silently appreciating and subtly nodding along with the slow blink of your eyelids.

All clear signs of unguarded comfort, and or interest, in his presence.

Had you really been looking at him like that all this time?

Now the idea of you liking your boss seems silly. Especially when you’re looking at him the way he imagines himself looking at you.

"I did know that, actually, Dr. Reid. At the time, Tyrian purple wasn't only desirable for its rarity, people said it was also incredibly lightfast. That it was resistant to fading under the sun and the weather. Not to mention all that hard work that just to get a single gram of it. Then again, modern studies do claim that its lightfastness was, in fact, not an accurate feature as it's color diminished when it was exposed to light and UV radiation."

You laughed a little again, as if remembering some anecdote, and that sound was steadily becoming one of his favorite sounds. Following only after your speaking voice.

"Fortunately for you, doctor, I could only afford a synthetically purple-dyed scarf. Though that means that you won't ever have to worry about it fading under the sun."

Hands up in faux surrender, you give him a tired smile that he returns with one of his own.

A calming silence enveloped the both of you as you continue to bask in each other's presence.

At some point you doze off, draping your blazer on top of yourself to shield yourself from the cold, and that's when he starts considering Elle's words again.

"Do you ever ask anyone out?"

"No,"

"That's why you can't get a date."

He nods to himself, and reclines a little more into his seat. Snuggling into his new scarf that still has the faintest smell of you.

Maybe he will ask you out on a a date later.

_____________________________

Like my work? Consider tipping me!!

[sashi-ya]

𝑪𝑼𝑻𝑺 𝑶𝑭 𝑭𝑹𝑬𝑬𝑫𝑶𝑴 「 part 1 」 soshiro hoshina x f! officer! reader

a/n: yes! first Kaiju no. 8 fic ever! idk how many of you would like to read from Kaiju but I've been obsessed with it lately, and especially with Soshiro. it's pretty short and wrote it cause I needed to think of other things after studying. So yeah, enjoy! tw: there aren't "sex" scenes, however mdni as it has suggestive language, nudity and mature content. (thank god for this manga having almost every character above 25!). Pretty much inspired on Soshi's backstory from Kaiju no 8 side B, so expect fluff too. what happened on the following days? more Soshiro smut, here. masterlist

“I can’t take the suit off” you murmur, trying to lower the front zipper. The mission took much more than what you expected, and the kaiju stench is making you nauseous.

For the time being, most of your squad members have already jumped into the showers. But you, still trying to get out of the suit, haven’t.

“I… this shit… why is it not working?” you protest, forcing the zipper more and more, but it hasn’t been able to go down past the beginning of your chest.

You try to look for the intercom; pressing it to call the Operations leader Konomi, will surely help you out with the captive suit. But, you can’t find it. Did you lose the little intercom before coming back to the base? Or did it fell around there?

Everything seems to be flaunting tonight. It’s late, you are tired. You’ve been hit several times by different Kaiju, but none of them -luckily- was able to injure you.

However, you begin to feel an incredible -and uncontrollable- heat coming from the suit itself and reaching the inner layers of your skin and organs.

You don’t panic. At first.

You definitely panic two minutes later, when the heat is unbearable and the pain in such restrictive jail is almost deadly.

“Help…” you whine, not loud enough to be heard by anyone else. Or at least, definitely not enough to be listened over the lively chattering coming from the showers.

But it hurts, as much as the acid of those despicable monsters when their core explode. And it really begins to interfere with your breathing, and thus, with your consciousness.

“Help me… I’m burning…” you scream louder this time. But no one comes, and your knees hit the ground in pain.

Tears flood up your eyes, your nails aren’t enough to tear the thick skin of Izumo Techs’ innovative suit. No guns are enough, probably, even if you had the chance to go grab yours… it wouldn’t be useful.

You pray, you wish for someone to cut that trap into pieces.

“H- help… me…” “WHAT IS IT?!”

In between blurred eyes and painful frown, you device an angel of slanted eyes and deep purple hair.

“I… the suit… it’s boiling… it’s overheating… I can’t take it off” you grasp a little bit of air and try to communicate -effectively- the reason of your suffering.

“Stay quiet” he commands, and you comply. There is nothing you wouldn’t do to go against his orders.

An immediate relief comes with enough cuts that you couldn’t even see. Completely naked, completely soaked in sweat. There you lay, panting, with still stings of pain reverberating all over your skin.

“Come here” he says, ripping the remaining pieces off the suit still ferally attached to your burning skin. And as feral as the suit is, the feral his hands are when ripping its pieces away.

“Vice-captain Hoshina… th-thank you…” you cry, completely unaware of your impure show off.

His eyes open widely, and for the first time you see the beautiful bloody irises he usually keeps hidden away. But his expression is not jovial, nor even neutral. He is by far worried.

Probably for the first time in ages, the blades have fallen to the ground and with those same hands he saved your life he hurries to carry you to the men’s showers.

At the speed of light, cold water begins to gush from the showerheads. Your body feels instant relief; so much there is even some vapor coming from your skin.

As it bathes you, it also bathes him.  Completely dressed, Soshiro gets drenched in the same water as you. And, as his hair becomes wet, one of his hands moves it out of his face, revealing his façade completely.

Your arms hang from his shoulders into his back. Your knees, fight to keep you standing up even if the one actually holding you up is no other than him.

Soshiro is completely mute, and so do you. There is, maybe, no need to speak.

He lets his jacket slide through his shoulders to finally fall into the shower’s floor. The compressive shirt underneath gets also wet, becoming something like a second skin of him. Showing off the hours of training, and why he is the vice-captain of your division.

Immorally, you that were on the brink of death a couple of minutes ago, now feel in heaven because of your saviour. Because of your blades wielding hero.

Once again, he was able to save a life with those thinly cut masses of iron.

His hand, with soft but still steady pace, clean something off your back. And for that your breasts are pressed against his chest. You can see his neck from the side, as he tries to take a deeper look at your shoulder blades. You inhale the scent of his skin, a mix of sweat from the last battle and manly hints of fresh perfume.

“You got them almost engraved on your skin. What the fuck? The suits aren’t supposed to hurt you this way” he whispers, close to your ear. “We should go to the medical pavilion, now” he adds.

You nod, feeling how everything has started to spin around you and your stamina decreases more and more.

“Thank you, Soshi- Hoshina fuku Taichou…” you babble, realizing your faces are closer that what they should ever be and your arms and his are interlocked pretty strongly to the other’s body.

He takes a deep breath through his tiny nose, looking at you with lazy eyes. Just a tiny line of red is visible, as tiny as the opening of his lips that let prominent fangs barely flash.

Soshiro’s chest goes up and down, harder every time. His muscles tense more and more, especially the ones on his neck. His hug gets even tighter, pulling you so closer that ever before.

“It’s… ok…” he barely words; something is affecting that man… and it’s probably all your body, all your still warm skin being his for at least a couple of minutes, the way your lips have become red and pouty, your sloppy eyes and the warmth of your breath closer to his mouth.

“What happened!!??” “Vice-captain?!” “are you two allr-“ the girls scream in terror. Probably, once they were out of the showers they faced the dantesque scenery of blades lying on the ground and a anti kaiju suit completely destroyed and fuming scattered all over the floor.

Within seconds, not only the officers of squad 3 have reached the place but also the men. Some of them, thinking not the worst… but probably that Hoshina fuku Taichou and you have finally caved in for lust.

With a fast reaction, Soshiro grabs the coat of his own uniform to cover you up. And with a much more severe tone ever heard, he orders Kikoru to call Mina and Okomi and let them know he is taking a badly injured officer to the medical pavilion. As for the rest, a scary deadly look over his shoulder was enough to make them run away from the place allowing him to pass.

You, however, couldn’t quite experience such happenings, as your consciousness had fade away right before your comrades arrived.

A soft white light shines in between your shut eyes; the sound of unknown solitude reaches your ears as well as the synchronic beep of your heart reflected on a machine.

“What-“ you mumble, regaining consciousness. Your body feels cold, and you are thankful for that. Your limbs are heavy, but you can move them. Your lips and mouth are dry, but you smile as you remember vague flashes of Soshiro and you under the shower.

You finally open your eyes to discover you are indeed at some kind of medical facility, soon remembering this is the place you all come when you are severely injured after battle.

Everything on your body seems to be on its place, and for that you breathe alleviated. Thankful to your hero, you wonder how to thank him when you are out of here… or maybe, you just plan to leave the squad as he has seen you completely naked.

“I didn’t know you were awake already” a well-known voice scares you away. You try to stand up, but his hand stops you from doing so.  “I couldn’t sleep, I was worried for you” he says, with that sweet funny tone he often uses to communicate.

There is, as far as you could see, anyone around but you and him. Soshiro, who apparently couldn’t sleep, has come to see you.

Your cheeks burn, and it’s not because of a defective suit now. It is because, you are deeply embarrassed, and still, something inside you is jumping with genuine happiness to see him here.

“I’m ok, Sir. But.. you didn’t have to come! I’m deeply thankful for you saving my life, and I promise you I will replace the uniform you got all wet” you say, trying to look away from him who has came closer to your bed.

Soshiro bursts out laughing, the way he only knows how to. He grabs his stomach, and soon flashes of the way those abs looked with wet fabric sticked to them, makes you shiver.

“You- you should worry for your own suit! Not mine!” he continues laughing while, little by little, he ends up sitting right on the bed. “By the way, you know why your suit almost killed you?” he asks.

You swallow. What- why is he sitting next to you?

 You shake your head in denial, out of words, because you couldn’t think of a reason for such big flaw on that impressive technological miracle.

Soshiro, who is well known for being at least a little bit irreverent -and that’s exactly what you love the most about him-, gets himself comfortable next to you. He lies back, as you move to the side to make him some space.

Now, the scent of his skin is clean and delicious -even more than earlier-. And you can smell it, because there isn’t much room to be separated on a single bed.

“Well… you had a piece of Kaiju tooth stuck on your lower back. Therefore, the suit either processed it as a threat or… it reacted with the pieces of kaiju within it. In any case, you will be given a new one in a couple of days” he tells you, with his right arm stuck underneath the back of his head.

His bicep, perfectly moulded to be strong, but still lightweight to be as agile as possible, protrudes with the hem of the compression shirt around it. Does he really know how sexy he looks? Or he is absolutely unaware of the effects he has?

“Oh…” you sigh. You take it as a personal failure; how were you not able to see it? “Don’t worry, this incident helped them to investigate further security measures… however, isn’t your back hurting?” he asks, this time turning to you.

You deny, again, without any words coming from your mouth. But there isn’t much you could do, when Soshiro turns you around so that your back faces him.

“You do, in fact, have a big bruise. I should report this, too” he comments, as his soft index travels down your spine, to the small of your back.

Your eyes, opened big enough to look like moons, have stopped seeing all around and all you can think of is the proximity of that man to you.

“You good?” he murmurs, ignorant of everything happening to your body. “Ye-yes, vice-captain. I wanna thank you for taking care of us the way you do; hadn’t been for you, I’d be dead by now…” you pull those words from who knows where, even if your muscles seem paralyzed from his touch. Your speech sounds like those you give when you follow commands during battle.

He laughs; this time softer and sweeter. You can feel his body coming closer, enough to feel the tip of his nose grazing your neck.

“We should have each other’s backs in here, or else… but most importantly, being told my blades will not be useful to fight and protect, you remind me once again that they indeed can” he whispers, making your skin shiver.

It’s clear that he wants you. And you want him, too.  And you always knew, and he always knew. And all of them, too.  Why, just now, on a place where you should be monitored, there were nobody around if not?

“Can I rest here for a minute?” he asks, as his forehead lands on your nape. “All the time you want, Vice-captain” you answer back, smiling softly.

You slowly relax, as his hand slides in the most delicate way towards your belly to hug you. Your hand, also delicate, fall on top of his, confirming how much you would love for him to touch you like this forever.

“Call me Soshiro when we are like this, ok?” he murmurs, planting the first kiss right on your shoulder.

You turn around, slowly. Even if you would love to stay the way you were, you can’t stop yourself from wanting to see his face.

“Soshiro…” you whisper, coming closer to his lips. “That’s better…” he smiles, kindly.

And one kiss, and then another came by… and thankfully, that night, there were no more Kaiju around.

[luveline]

hi honey!! i have a request of sad spencer comforted by bombshell reader. maybe hes the one on the brink of tears and really shes just there for him please

thanks for your request!!! fem, 1k

Spencer Reid can't stop frowning. 

“You know what I've been reading lately?” you ask him. 

“Cosmopolitan?” 

“That's just sexist.” 

Spencer points at the copy of Cosmopolitan hidden between papers and an open book where it lies on the desk in front of you, a smile interrupting his frown momentarily. “Sorry,” he says. 

“Oh, don't be sorry.” You squint at him ever so slightly as you cross one leg over the other and sink back into your borrowed seat. “That's on me. But, you know… this isn't my desk. That could be anybody's magazine.” 

He laughs politely and turns back to his work. 

“You don't wanna know what I'm actually reading?” you ask. 

He stares at his keyboard. “Mm.” 

He's not listening. That's alright. You don't really want to tell him about what you've been reading; it's just a book. 

You slide your chair closer to his and peek at the computer. He's on a page for American Airlines, flights to Las Vegas, but he hasn't clicked anything. Spencer grew up in Las Vegas, and his mom still lives there alone in a sanitorium for the mentally ill. She can get really sick at a moment's notice. You know he’s been thinking about that more lately. 

“Is everything okay, Spencer?” you ask quietly. 

You incline your head to his. He looks up, at first surprised by your attention, and then abashed. “Yeah.” 

“You don't seem yourself,” you say, putting your hand on his arm. You feel up to the crook of his elbow, waiting for him to shrug you off. He doesn't move. You stroke his skin with your thumb. “You can talk to me, you know? I hope you know that, anyways.” 

“Yeah, I know, it's…” His voice wobbles. You lean in closer. “It's nothing.” 

The first time you saw Spencer cry, he was in a hospital room being weaned off of a terrible thing, and it was sudden but expected all the same. He was suffering, recovering but in pain, and you would've cried if the roles were reversed. That was a long time ago. Seeing him upset doesn't get easier. 

“Spencer,” you murmur, “What's wrong? You look like you could burst into tears. Do you need me to get you a glass of water?” 

He shakes his head. You stay right there by his side waiting for the inevitable, the tears gathering in his eyes that he blinks away, and his painful swallowing. You have two hands —the one that isn't squeezing his arm jumps to his back to hold his stiff shoulder. 

“Do you want me to get Morgan?” you ask, unsure. 

It's a busy office, and you and Spencer sit on the outskirts closest to the offices upstairs and furthest from the hubbub. Nobody notices your closeness. You speak too quietly to be overheard. 

“Spencer,” you implore. 

He ducks his head, putting his hand to his brow. 

“I'm okay,” he says, his voice stronger now, “it's just my mom doesn't sound right in her letters lately, and I'm tired, and I wasn't expecting you to ask me.” 

“No?” you ask, giving his arm another tender rub. “Sorry if I'm upsetting you, Spencer. I was worried. You don't have to talk about it.” He winces. “But if you do want to, I'm right here.” 

He needs a hug, you decide (unsurely). You stand and he immediately lifts his head with worry in his eyes, but you're not going anywhere, the opposite. You cover up his head and shoulders as your chin rests gently atop his soft hair, a gravel to your tone as you say, “It's okay.” 

Spencer is silent. Slowly, tentatively, he wraps his arms around you in turn, and then he's squeezing you tight enough to feel it in your spine. 

“It's okay, Spencer. We can talk about it, huh? We can work something out. It wouldn't be terrible for you to take a vacation every once in a while, maybe that's what you need.”  

He breathes out against your sleeve. “Sorry,” he says. 

“It's okay.” You kiss his head. He likely doesn't feel it. “I promise, it's fine.” 

“I wasn’t expecting you to ask.” 

“I know, you said that already.” You don’t tell him with any malice, just reaffirmation. “But I’ll always ask. I care about you, I need you to be okay, Dr. Reid. You’re my pillar of strength.” He laughs with self-deprecation, but you mean it. “You are. You’re always there for me. You’re always looking after me.”

“Since when do you need looking after?” 

“That’s one of the best and worst things about you. You don’t realise what you are to people.” 

Spencer screws his hands into your blouse and grows still in your arms. You consider scolding him about wrinkles to lighten the mood, but he’ll take you too seriously, and stop hugging you, and that’s not what you want. You try to be subtle about the comfort you’re giving him as you wrap your arms behind his head to close him in, hiding him from any prying eyes, but the longer you stay holding him the more attention you recieve, until even your stoic unit chief can't pretend this is appropriate for the workplace. 

“L/N,” Hotch says in concern. “Reid. Is everything okay?” 

Spencer seizes up and tries to push you away.

You lift your chin above his head and give Hotch your stickiest smile, arms moving to a more amicable position behind his shoulders. “No, everything is not okay, Hotch. You realise I only joined the unit to be with Spencer, right? And you punish me by sitting me halfway across the office!” 

Everyone watching either laughs or rolls their eyes, used to your dramatic favouritism. Even Hotch seems tired of it. 

“I’d be sorry if I thought that were true. Can you go back to suffocating Reid on your own time? We have some consults to look over.” 

You widen the gap between you and Spencer, allowing him the space to collect himself. “If you insist,” you say, grinning brightly. 

You stand in front of Spencer, heart aching as he sniffs quietly. He stands, and for a moment you think he won’t be alright after all, that your comfort was useless and he’ll need to excuse himself, but he draws a ghost of a line into your side with his knuckle and squares his expression. “Let’s get back to work,” he says to you with a small smile. You’ll talk more later. 

“Wanna hold hands?” you ask. 

“Maybe when everyone’s stopped looking at me?” he says under his breath, starting toward the steps to the conference room. 

“Wait, really?”

He hurries up the stairs. You follow.

[themultifanshipper]

Hello!!

I was wondering if I could ask for a request? I love your work and I had an idea for a fic but don't have the skills to make it a reality, ANYWAYS lol.

Charles leclerc finding out his crush does onlyfans 😏

You were very well paid as an engineer in one of the top Formula 1 teams, but your secret side hustle provided much more of an... escape, than your day job did.

Warnings: onlyfans, sextapes, smut, masturbation, fluff, Charles’ brain literally malfunctionning, angst but it end well, also I know this isn't how being a brand ambassador works but for the sake of this fic pretend Charles owns part of APM.

You had an Onlyfans. You'd had the account since college, and it had helped pay for your engineering degree.

But you'd found the experience so liberating and exciting, that you never really stopped.

So you continued posting regularly, and streaming, completely anonymously of course.

It would be absolutely mortifying if any of your colleagues found out about your other source of income.

You were smart about it. You never showed your face, barely spoke, and didn't put anything on your account that would in any way hint at your identity.

Your username was inconspicuous, you didn't really have any defining features on your body like tattoos or scars, and you'd even bought a green screen to hide your surroundings.

Sometimes you recorded videos in risky places, but they were never recognisable enough for someone to know exactly where you were.

Being a mechanic for Charles Leclerc was a dream.

He was so nice to you, if a bit shy, and extremely helpful in his feedback to you and the team.

He had made moving to Italy a lot easier and the flat he rented for when he was there was in the same neighbourhood as yours.

Charles had a thing for you. He couldn't deny it, he'd been taken with you ever since your first day, when you walked in late, and wearing a Ferrari uniform that was obviously several sizes too big for you.

“They sent me the wrong ones!” you panted as you tried to explain your attire “the orders got mixed up and I got sent someone else's uniform, I've just been at the office trying to figure it all out”

He was barely listening, your eyes had captivated him and it was too late, he just stared at you.

“Charles?”

He snapped out of it and you could finally get to work, but not before Carlos had sniggered in the corner and given Charles a teasing look.

The teasing only got worse when it turned out that the uniform mix up was actually with Charles, because you had similar addresses.

The discovery that you'd actually been technically wearing his clothes had driven Charles to the edge of madness and back.

You'd tried to give them back to him once you’d received your own, but he insisted you keep them.

“I don't need them, you can have them”

“But they're yours! I don't need them either and they're way too big for me anyway”

“They look really good on you, you can wear them for bed or… or something…” he stuttered, the image of you in bed and in his clothes was too much for him, and he blushed his way out of the room as Carlos, who had unfortunately witnessed that interaction, howled with laughter at the idiocy of his friend.

Over the next few months Carlos was getting increasingly annoyed with Charles.

He'd teased him to bits for a few weeks, but now it was getting just plain pathetic.

You were all Charles could talk about, but he was too shy to do anything about it.

“Cabrón, you need to ask her out instead of talking my ears off about her”

“It's worse than that Carlos, I've done… something”

Carlos raised an eyebrow at his teammate, whatever Charles had done, it couldn't be good.

“Go on”

Charles blushed and looked around before getting his phone out to show Carlos something.

"There is this Onlyfans account…” he started and Carlos groaned in frustration, already knowing where this was going.

“She looks and sounds a bit like her and… Carlos I'm obsessed. I think I have a problem”

Carlos glanced at the screen. The girl didn't not look like you, but given that her face wasn't visible, and he had never seen you naked, he wasn't capable of making any sort of comparison.

“You need to do something about this mate, this is not healthy”

Charles sighed, putting his phone away. “I know”

They were at a race, waiting for qualifying to start while you were out working on the car that would hopefully get him pole position.

And it did.

The first thing he did when he got out of the car was run to you and lift you up as you laughed.

“Thank you, thank you for the car. It was perfect!” you blushed and hugged him back.

“Anything for you, Charles”

Eventually he was whisked off for his interviews and you were left red-faced and grinning as you watched him go.

The first week of summer break was spent in the factory doing some sim work and testing to see exactly what was so right about the setup, and whether you could replicate it for Carlos' car.

So the three of you (plus all the usual employees) were in Maranello for a few days.

Charles took you to one of his favourite restaurants to celebrate his latest race win.

You had a few drinks and laughed the night away, and when you separated at the end of the night, all Charles could manage was a peck on the cheek.

You went home to finally start your stream, late, and Charles went home to discover his favourite account would be starting their stream late.

 Perfect timing, he thought as he unbuckled his pants and got to work.

Yeah, he had a problem.

“Ferrari69 has joined the stream”

It wasn't rare that formula 1 themed usernames popped up in your subscribers, but it always made you chuckle when your literal employer's name appeared while you masturbated on camera for the world to see.

Ferrari69’s name was a regular sight, and a regular donator, and quite generous too.

It was probably an old rich man who had nothing better to do with his money, you supposed.

You had planned to film one of your riskier videos that week.

You didn't want to livestream it in case something went wrong, or you got caught.

There was a beautiful park in Maranello, one that had plenty of hiding spots.

That, and you did it at night when no one was around, so it was all good.

It all went smoothly, and once you were done you packed up your equipment and started making your way home when you spotted a familiar frame walking down one of the footpaths in front of you.

“Charles?” you called out and you heard a gasp followed by a relieved chuckle.

“Oh my god you scared me!” he smiled at you as you got to his level.

“What are you doing outside at this time?” he asked, perplexed.

“I uuhh… I was just clearing my head I guess… it's been a long week, you know?” you tried, and he obviously wasn't convinced but he nodded anyway and silence fell over you.

“So um…” you could feel the awkwardness dripping from his tone “that's a nice bracelet”

He motioned to your wrist and you grinned at him.

“Thanks… it's your own collection” you giggled and he facepalmed.

Yes it was his collection, he was wearing the same one around his own wrist.

“Right, right… I think I should probably head home and get some sleep then” he chuckled.

“Yeah, me too. Need to be up bright and early tomorrow for my flight home”

“Yes! Me too actually…” he fiddled with his hands nervously and the awkward silence became too much for you.

“Right well, goodnight then. I'll see you in a few weeks, Charles” and before you could think too much about it you leaned in and pressed a light kiss to his cheek.

He reddened and smiled shyly.

“Yeah, see you around”

You rushed home and slammed your front door, leaning against it as you tried to slow your heart rate down.

That could have been a disaster. God knows what could've happened if Charles had wandered past a few minutes earlier.

You shuddered, the idea of Charles catching you in the act wasn't completely unpleasant.

But you couldn't risk it, you wouldn't be filming in that park ever again.

You looked through the footage, editing what needed to be edited, and uploaded it to your channel before going through your nightly routine.

Your phone buzzed with likes and notifications as your most avid followers reacted to your new post but you didn't look at them until you were firmly planted in your bed, ready to go to sleep.

By the time Charles got home, he was ready to do some serious unwinding.

‘that's a nice bracelet’ ??? What the fuck was wrong with him.

He took a quick shower and checked his phone for the notification he hoped would be there.

He clicked on the video and grabbed a bottle of lube before climbing into bed.

He didn't even get to open the bottle though, because his eyes zoned in on the little familiar blue diamond chain around the woman's wrist.

Then he took in the surrounding trees and bushes, which were even more familiar.

No...

It couldn't be you, surely it was some kind of twisted coincidence.

But objectively, the evidence was damning.

He decided to look through the comments as a distraction.

There were the usual comments about how hot she was and how people wished they were with her.

A flash of possessiveness surged through Charles at those.

That was new. He'd never felt possessive over her before, but now that he suspected it was you… that was a different story...

You liked a few comments, replied to a couple of others and were about to call it a night when you got a different notification.

A private message. From Ferrari69.

You opened it curiously, he'd never messaged you before, despite the numerous times he had sent you money.

“That's a nice bracelet”

A chill ran down your spine. That's exactly what Charles had said, in the park.

“Is it new?”

Bit of an odd introduction, but you supposed he deserved to know, it was his money that had paid for it after all.

“It is yes. I was in Monaco recently and I thought I'd spend some of the very generous tips you've been sending me ;) thank you so much by the way”

Charles' possessiveness flared again. Technically he had paid for that little trinket that he'd seen you wear only hours prior. He felt emboldened, and a bit turned on by that fact.

“That's a shame… I happen to know the owner of the collection, I could have made sure you got one for free. You could’ve spent the money on something else…”

Several red flags went off in your mind.

He seemed to be taking an interest in becoming your sugar daddy, which is not what you'd signed up for.

But more importantly, this man (you assumed it was a man) was potentially acquainted with Charles. Big no-no.

He could be lying for attention of course, but if the amount of money he'd sent you was any indication, he was proper rich, and therefore could very possibly know everyone in the goddamn paddock.

“If it makes you feel better, I've spent your money on other things as well, like a custom dress I'll be wearing to an event soon, and also that custom dildo I used in the park earlier :)”

Charles' dick throbbed as he thought back to the video.

“Really? Money well spent in that case. I enjoyed the video very much ;) Will you be doing any more risky ones like that?”

“I don't know… I was almost caught by a colleague of mine tonight”

Charles was in too deep. He needed to stop this madness before somebody got hurt.

He ended the conversation as quickly as he could without seeming off, and groaned when the thumbnail of the video flashed on his screen again, cock twitching at the sight of you riding a dildo that he'd paid for.

And then you’d met him in the woods, and acted as if you hadn't been getting yourself off minutes before.

Instead of doing the reasonable thing and having a cold shower, he put the video on again and fisted his cock desperately until he was spent.

Yeah, Charles was fucked.

A chill ran down your back as you turned your phone off.

You couldn't shake the feeling that your identity was in danger.

You shrugged it off, putting your paranoid thoughts down to the fact that it was late and you were tired as fuck.

You caught your flight the next day, barely, because you'd forgotten to set an alarm. So the night before was successfully put out of your mind for now as you snoozed away on the plane.

A couple of weeks later was the event.

You and Charles called it that in a derogatory way, because you knew it would be anything but an event.

It was possibly the most boring day of the calendar, basically the equivalent to a business meeting, but with everyone forced to be dressed to the nines because sponsors would be there.

It took place in a big mansion, belonging to some CEO or another, in the Swiss countryside.

So all the most important staff were invited, and put up in a fancy hotel.

Charles was waiting anxiously for you to arrive.

He had decided that today was the day he was going to tell you he knew about your uhh… side activities.

He didn't quite know how to broach the subject, but he was sure the inspiration would come to him at some point.

He'd spent the last two weeks avoiding any conversation with you, and he hadn't told Carlos a thing, confusing the Spaniard to no end as he watched Charles suddenly turn completely dismissive whenever you were mentioned.

When you arrived, he thought he was dreaming.

You were wearing a long red satin dress. It showed off your curves, having a very low neckline and no back.

The old rich pigs sponsors were going to love you.

He certainly did.

Wait what? Did he love you? He was certainly possessive over you. And completely obssessed with you, and your eyes, and your smile, and the way you were the only one who laughed when he made stupid puns…

“Charles?” you frowned at him, eyes full of concern as you snapped your fingers in his face, trying to get his attention.

You were standing right in front of him, sparkly makeup making you glow, and you smelled divine. He didn't know how long you'd been standing there.

His brain was short circuiting and he stared straight at your breasts that were barely covered by the rosso corsa fabric that was clinging to your body.

“Charles?” you knew he was staring, and you were getting slightly uncomfortable. “Are you okay, man?”

He paid for that dress. You looked fucking sexy incredible in a dress that he was responsible for buying, in his colour.

Something glinted in his vision as you lifted a hand to his forehead to check whether he was having some kind of fever.

You were wearing the bracelet. His collection. The bracelet you were wearing when you fucked yourself on camera with the dildo he also paid for.

“Charles people are staring. Do you need to lie down?”

Shit. He needed to say something.

But there was no way in hell that anything that came out of his mouth could possibly be appropriate right now.

He gave it a go anyway.

“You're all mine” he growled.

You jumped at his tone, retracting your hand in surprise.

“What?” you whispered, glancing around to see if anyone was listening in.

“Do you want to know a fun fact?” he said, mouth dry, brain barely working.

“Uhh… sure?”

“I paid for that dress”

You looked at him questioningly but he didn't elaborate.

“What?” you chuckled nervously. “No, I paid for this?” you were very confused by Charles' sudden change of personality. He looked like he was on drugs, pupils swallowing his irises as he scanned your body.

“I also paid for this” his voice was hoarse as his hand went to grab you wrist.

He internally begged you to understand what he was saying, even if his mouth couldn't say it out loud.

“I… I don't understand Charles… this is from your collection but you didn't buy it for me? What has gotten into you?” you ripped your arm away from his grasp.

“No, I paid for it, and I can prove it to you.”

You frowned as he took out his phone and tapped away on it for a minute, hiding it from your view.

You were even more confused when he put it back in his pocket and waited.

“Charles what-“  you were cut off by the sound of your phone buzzing in your bag.

What on earth was he playing at? You pulled it out to check it.

He opened his mouth just as you saw the notification on your screen, and you froze as your brain absorbed the information.

“I just sent you two hundred euros”

‘Ferrari69 has sent you 200€’

Your fingers tightened around your phone.

You physically couldn't look away from the screen.

You reread the notification over and over, while your brain replayed Charles' words.

This couldn't be happening.

You tried to heave in a breath but it got caught in your throat and you choked on a sob.

You walked away as quickly as you could, tears threatening to blur your vision as you almost ran down a hallway in search of somewhere you could block out the thoughts threatening to split your head open.

You've been found out. You're going to lose your job. Charles has lost all respect for you. You will lose your career, your friends, everyone you've ever known is going to be disgusted by you.

You didn't hear the footsteps behind you until it was too late.

Charles wrapped an arm around your middle and dragged you into the closest room he could find.

You didn't have the strength to fight.

Tears flowed freely down your cheeks as he sat you down in a chair and cradled your face in his hands, crouching down in front of you.

“Hey. Hey, it's okay. You're going to be okay. It's just me. I'm the only one who knows. Just breathe. Come on, deep breaths for me.”

Thankfully, Charles' brain had rebooted at the sight of your trembling frame running away from him.

“I'm sorry. I'm so sorry.” He leaned his forehead against yours, thumbs wiping the tears from your cheeks. “I shouldn't have told you like that. I don't know what came over me. I’m sorry…”

At last you were breathing relatively normally again.

“Charles” your voice shook as you pushed him off and put your head in your hands.

“You have no idea. No idea how humiliating this is.”

“I won't tell anybody, I promise.” Charles took your hands in his and squeezed.

“That's not the point. It’s supposed to be secret. If anyone else finds out I'll lose my job, and… and you”

“Look at me” he whispered, and you slowly raised your head, eyes betraying nothing but vulnerability.

“You are not going to lose your job, or me. I have been in love with you for months. This is not going to change that. And I will not tell a soul about this, I promise…”

Your jaw dropped. Your head was pounding with all this information.

“And do you want to know a fun fact?” he cracked a smile and you couldn't help letting out a nervous laugh.

“I think I've had enough fun facts today thank you very much”

He chuckled dryly and nodded understandingly.

“This one is important though. Do you want to know why I followed your uhh… account, in the first place?”

You shook your head.

“It is because I was too much of a coward to tell you how I felt, and the woman in the videos reminded me of you. So it was like I was in my own little fucked up fantasy when I watched them.”

Your eyes were wide as you listened to him. He was thinking of you, while unknowingly jerking off to your actual nudes…

“And you have no idea how fucking hard I came when I figured out it was actually you”

Your breath caught in your throat.

“That is so fucked up, Charles”

He nodded.

“I know. So if anything, I'm the one who is humiliated, and if you never want to speak to me again, I will understand”

You laughed disbelievingly. It was almost sweet how he was trying to make you feel better.

“Charles… I don't think you understand. I am in love with you.”

His mouth opened and closed several times before any sound came out.

“Oh…”

You laughed “Yeah, oh…”

“You don't care that I am a pervert who has been sending you money?”

You froze and thought back to the conversation you'd had that night.

“Oh my god… is that how you figured it out?”

“No” he chuckled “I figured it out because you wore my fucking jewelry collection in a video filmed in a place I know very well, minutes before I saw you in it”

You sighed. “I knew it was a bad idea”

Charles’ hand came to cradle your jaw, thumb brushing at your lower lip.

“If it makes you feel better, not a day has passed where I haven't thought about fucking you in those bushes”

Your breath hitched and you saw his pupils grow in size.

“As long as we don't film it and post it on the internet, I don't see why we can't make that particular fantasy come true”

It was his turn to gasp.

“Next time we are in Maranello, I am going to fuck you under the moonlight.”

You scrunched your nose at his words.

“That's very sappy Charles”

He laughed, slowly leaning in closer to you as he responded.

“Well, so far the beginning of our relationship has been… complicated. I need to make up for it…” his lips brushed yours and your unsteady breath mingled with his “starting right. Now.”

He pressed his lips to yours and your eyes fluttered shut.

It was surreal, kissing the object of your long time affections.

His lips were so unnaturally soft, parting your own as his tongue came to deepen the kiss, and his hands came to rest on your waist.

Your own hands came up to curl in his hair and tug at the strands, making him groan.

“Fuck- don't do that unless you want to walk out of this room limping”

You smirked at him, very tempted by the offer. But you knew that at any moment someone was going to come looking for Charles for his speech.

“I'll take you up on that at some point, but right now you need to go. I'll get myself freshened up and join you in a minute”

He nodded, coming to his senses. He did need to go make a speech. Inaugurating his new relationship would have to wait.

His speech was the most entertaining thing of the event, considering how dull the rest of it was.

Every time he spotted you in the crowd he would stutter, blush, and need about a minute each time to get back on track.

And only you noticed, but he kept subtly readjusting himself every time he put a hand in his pocket, feigning nonchalance.

The two of you left straight after the speech, bumping into Carlos in the lobby.

“Where are you going, Cabrón? You need to do the thing at the end with the-“

He took one look at your guilty faces, and intertwined hands, and groaned.

“Jesus… okay, go. I will cover for you”

You both thanked him breathlessly and all but sprinted to Charles' car.

He drove you to the hotel you were both in, and dragged you up to you room as fast as was humanly possible.

Unlocking the door was a challenge, already climbing on each other by that point, and if someone else had been in the corridor at that moment they would have seen a shirtless Charles pulling your dress up around your waist while trying to get his keycard in your slot, as it were.

It wasn't long before you were inside, fully naked, pressed against the wall with your legs hooked over his arms as he pounded into you.

You panted and whimpered into each other's mouths, pulling each other closer as you struggled to kiss with the pleasure that was coursing through your bodies.

“I love you” he said, voice cracking with the effort of holding back.

“I love you, Charles” you whined, one hand scratching down his back, the other tangling in his hair to pull on it once again.

He growled and his hips slammed yours against the wall.

“Fuck, I'm going to fill you up if you keep doing that”

You moaned, extremely close to edge yourself.

“Do it. Fill me up, Charlie. Make me yours!”

You reached your highs at the same time, moans echoing in the room as you rode the waves of pleasure, clinging to each other desperately.

He carried you over to the bed, put you down gently and kissed you senseless.

You showered together and you put one of his shirts on (the ones mistakenly sent to you) to sleep in.

While you were in bed, cuddled up together, one of his hands slipped under the shirt and came to rest on one of your breasts.

“Baby?” you giggled as he gave it a quick squeeze.

“I can't believe I used to fantasize about these, not knowing they were next to me the whole time…”

He kissed your cheek and you groaned.

“God, you are such a perv, Charles”

He laughed softly. “I think you are not well placed to be saying that to me”

You gasped in mock offence.

“Why? Because I've been posting myself masturbating for the world to see?”

“Nooo…” he purred in your ear “Because, you are going to keep doing it” he bit your ear lightly as his other hand trailed down your body “and I am going to buy you all the things I want you to use on yourself, for the world to see”

[saintobio]

sincerely yours. (10)

↳ gojou satoru/reader

when a twist of fate led their marriage to the path of a quintessential tragic romance, two past lovers go through another series of experiences on love, heartbreak, identity, illness, and trauma along the road to a happily ever after. 

genre. heavy angst, amnesia, modern au, 18+ 

tags/warnings. depression, intoxication, trauma, implied suicide attempt, toxic relationships,

notes. important announcement ! as you all know, this series has always had an extensive approach into detailing the events in its side stories (ie. sera x sukuna x naoya, yuuji x megumi, maki x yuuta x miwa, etc), but while writing the chapters, the word count and the plot building had become too exhausting for me to produce consistently, esp with the amount of scenes and side stories i was introducing to the story, so i've decided it's best for me to stick to the main characters, reader & gojo, and will only add side stories as necessary. this really hurts me knowing that i can't achieve the level of comprehensive writing and world building that i did for sincerely not, but i really want to finish sy as soon as possible and removing a chunk of side stories would be some of the things that'd help me achieve that 😭 i hope you guys understand. hopefully i'll figure out a way to write those side stories instead of completely abandoning them mid-way in this series. but as always, thanks for ur continued support <3

series masterlist -> episode eleven

“It’s a little weird.”

What was supposed to be her bed time had turned into a moment of reflection for Sera who, instead of being fast asleep at this time of the night, had unconsciously brought herself inside Sukuna’s home office to join the up-and-coming tech mogul in his late-night programming. 

She wore her silk pajamas, pacing back and forth in her boyfriend’s office as her mind flew back to the recent encounter she had with her ex-boyfriend. Who knew that Satoru’s kid would look just like a carbon copy of him? No, actually, the question should be: who knew it would be a different woman by his side acting as the mother of his child? Sera had to laugh at herself, shaking her head as she realized how truly and undeniably ridiculous her ex was. It was clear that day that he wasn’t really as loyal of a partner as he claimed himself to be. 

Did he really just go through all those crazy things with you, only to look like a whore-hopping fool now? 

If he was bound to end up with someone else other than you, then why did he have to make Sera’s life miserable in the first place? 

She may have done terrible things before as a selfish and materialistic lover of his, but that wouldn’t change the fact that Satoru also contributed to her role as the side-piece in his marital relationship. He allowed her to cling to him like a mistress. Being his side-piece wasn’t even something that she had forced upon him. It was his promise, an idea that he planted on Sera’s head, saying that she would need to stay by his side and that he would marry her guaranteed that he had already secured the merger and divorced you. He swore like a fool that he would divorce you. But guess what? The jerk ended up falling in love with his wife and suddenly had no use of Sera. Suddenly, he was such a good husband who couldn’t be more loyal. Suddenly, he was a lovestruck man who had always been in love with his childhood friend. If he had downright dumped Sera the moment his engagement was announced, if he had not been prideful and ambitious since the beginning of his marriage, he probably would have had better luck at having that healthy relationship he yearned from you. 

But how come the blame of being the third-party was all on Sera when her only mistake then was loving the person who promised her all the good things in life? 

Now, you see, this was all just bitterness brewing at the back of her head. She knew what she did was still wrong and that she wasn’t innocent. Sera swore to herself that she would never look back on those awful days ever again, but seeing how Satoru was running around freely with a different woman just reminded Sera of his days as a spiteful, two-timing man. Somehow, it felt like he had changed and yet didn’t at all. 

Ha ha ha. How ridiculous was that? 

“What’s funny?” asked Sukuna, her present boyfriend and thankfully so. He was Sera’s blessing, because she never would have thought that a man like him could still exist in a world full of Satoru’s and Naoya’s. “You look cute smiling to yourself, though.”

“I know,” she responded to the compliment, shifting to settle herself on his lap, though his attention remained fixed on his laptop screen. “It's just strange to me,” she continued, her voice thoughtful, “how Gojou appears his usual self, yet there's something off about him.”

The question clouded Sukuna’s eyes in confusion, tilting his head to the side as he tried to comprehend her description. “You mean dude got uglier?”

I wish, Sera thought. “No, he’s… he’s different. The vibes are different. For a second, he even looked like he was dissociating the whole time he was with that girl,” she said, referring to Satoru’s new girl as though she was your cheap alternative, “But then again, why is he with her in the first place if he looks absent-minded the whole time, you know what I mean?” 

“Was he like that with you before?” 

“At times, but it’s not like the way he’s acting right now… I don’t know, I can’t explain it. The energy is off. That’s just not how he acts when he’s really, really into someone.”

To be honest, Sukuna didn’t give a damn about Satoru Gojou’s life and any normal boyfriend wouldn’t really like hearing their girlfriend talking about another man, especially her ex at that, but he knew Sera found joy in old money gossip and he was aware of the demoralizing past she has had by associating herself with them. Sukuna was acting all engaged in their conversation because he wanted to make her feel heard and that he shared her simple joys in life. Besides, it was through her that he learned so many inside scoops about the people that ran the country’s biggest conglomerates. It was like watching one heck of a messy episode of Dynasty. 

“Didn’t he get into a car accident?” he recalled, remembering the headlines on the news that day, “Then, we saw him at the expo and he couldn’t really remember you. The guy’s probably got his head all messed up.” 

Sera was bitter at the time thinking that Satoru was toying with her when he asked who she was, when the truth was, he was actually diagnosed with amnesia. It was such a shock to her, truthfully, because having amnesia felt like something you would only see on a movie’s screen. Well, in that case, she could also say karma’s a bitch. The director might be onto something here.

“He’s probably not mentally fine, but still…” she thought carefully and played the scene in her head again. What was it about the Gojou that she saw the other day that was different? “He just has a different vibe to him that it feels uncomfortable. It’s like he’s rude, but not so rude? He doesn’t have much of a personality anymore. Like a complete stranger.”

“Maybe it’s the new girl rubbing off on him.” Sukuna was back to typing on his laptop as he said that. Frankly, he was just saying anything at this point. 

Sera shook her head in response. “Well, I don’t know about that girl he’s seeing and I don’t really care, but it’s common knowledge to the filthy rich that she’s Y/N’s best friend. That’s why I recognized her right away, and that’s why it disgusted me,” she pressed on, “Tell me, would you—and be honest about this—would you fuck your best friend’s ex?” 

The humor on her boyfriend’s face came right as she asked that. “Babe, you fucked a married man. It’s worse than fucking somebody’s ex.” 

“Shut up.” Rolling her eyes, she got up from his lap and sighed, but Sukuna wasted no time in pulling her back onto his lap. His chuckle was mingling with the gentle kiss he had planted on her cheek, unaware that his actions made Sera’s heart flutter. “Forget it. I shouldn’t even be talking about Satoru with you.”

The man stretched his arms and finally closed his laptop, patting Sera’s thigh afterwards. “On that note, I do have another ‘dude from your past’ that I gotta meet tomorrow.” 

Her reaction alone was a response for him. “Naoya?” she protested, face contorting with disgust. “What for? I told you not to take on that project.”

“Yeah, I considered it, and you know, the partnership could really benefit CleaveTech,” Sukuna reasoned, leaning back as he outlined the situation to her from a business standpoint. Given her own background working for the Gojou Group before, he expected her to grasp the significance of this partnership and set aside any personal grievances or emotional attachments. “The Zen'in Group is a major client. It’s all pros and no cons here.”

“The contra is the guy you’re gonna work with,” she highlighted with a hint of annoyance rising from her throat, “Naoya is nothing but an opportunistic motherfucker. Mind you, he’s a stupid elitist, too.” 

He held back a laugh, not even threatened by a man who had a terrible history with his girlfriend. “Nah, I’ll deal with him. Just trust me on this.” 

As much as Sera wanted to object, she knew Sukuna had a point and that she really shouldn’t hinder his company from being partnered with such a large conglomerate. She just didn’t like the thought of her boyfriend being around a man who manipulated and humiliated her to the point where she had been blacklisted by multiple companies, leaving her to resort to being somewhat of a prostitute just to make ends meet. 

The world was harsh for the not-so-rich, and all Sera wanted was to give those upper class people a taste of their own medicine. But seeing as her desire for revenge would clash with her boyfriend’s chance at company growth, she had to set aside her personal grudge and support him on this one.  

Still, there was nothing wrong with being curious. “Is there any other reason you agreed to this partnership?”

Sukuna smirked as if he expected that question from her. “Blame it on my little brother, he’s been bugging me ‘bout it.”

“Yuuji?” Sera asked, clearly confused. 

To which her boyfriend quickly answered, “Yeah. He said it’ll give him an opportunity to work with his best friend. You know that kid, Fushiguro, right?” 

Ahh. Toji’s kid aka the heir to the Zen’in business empire. Sera had met Megumi before, and while that other brat Mai used to be unreasonably rude to her, the younger boy was always civil and respectful at least. He never even once treated Sera like dirt when she was spending time with Naoya at their mansion. Perhaps their upbringing really differed because he was raised by Toji and the other Zen’ins were raised by demons. 

Nevertheless, with a connection now established between Sukuna and Naoya through Yuuji and Megumi, Sera couldn’t help but feel that her peaceful days as a nouveau riche were about to become far more intriguing. Depending on the cards she would choose to play, they could even turn into a living nightmare. 

— —

You weren’t exactly abandoning your company; you were merely taking a break, a necessary pause given your current mental state after the whole break-up with Toji and the Osaka thing. Your mind was just too overwhelmingly occupied to even properly function. Each day, mustering the energy to show up at Hearte's head office became increasingly challenging, especially when faced with individuals who relied on you for major decisions and creative direction. 

To make matters worse, Akemi’s sudden resignation hit hard.

You received her decision by a simple letter, a mere piece of paper, without even having the guts and decency to meet with you in person. Was she scared? Or was this her way of rubbing salt on the wound, shoving it in your face that she was now taking things to the next level with your ex-husband? 

She did cite in her resignation letter that her reason for resigning from the role was due to conflict of interest. You wanted to laugh when you read that part. No, you wanted to choke in your fit of laughter after reading through her asinine reasons. She could have been upfront and mentioned that the so-called ‘conflict’ was the very man her best friend had previously married. 

Obviously, everyone in the office felt sad knowing that a core member of the company left without at least a 30-day notice, but they were all also aware that her resignation was due to personal albeit controversial reasons. Did Akemi not care about her image at all? The same colleagues she had trained, managed, and collaborated with would now likely gossip about her behind her back. She would become a hot topic of disrespect among the people that once heavily respected her. Did she also not care about the company you two created together anymore? This was the same company you two had passionately dreamed of during your late-night conversations on a New York rooftop. She was the one who wanted to build a fashion house together with you.

Yet, it seemed she was willing to throw it all away for a man already entangled in complicated familial dynamics. Her immediate resignation and refusal to speak to you in person just further confirmed it to you that Akemi was willing to forsake your friendship by choosing a man who already had a child with someone else. 

Since she chose that path, you couldn’t help but interpret Akemi’s actions as a deliberate slight against your friendship. It seemed clear that she no longer viewed you as a friend and was essentially cutting ties with you. Otherwise, why would she take such a step? Akemi wasn’t the type to be vindictive; she likely believed she was sparing you further pain by severing your connection. However, regardless of her intentions, her actions felt deeply disrespectful and hurtful.

If this was what she wanted, then kudos to her and her unbelievable confidence to choose a man like Satoru Gojou. Besides, it didn’t even take you a week to find another replacement. Your family connections were powerful after all. You readily had a pool of potential candidates for the role of the Head of Sales, Retail, and Merchandising—all from prestigious backgrounds and unparalleled expertise. While the competition was tough, you selected the person you deemed was the most qualified to be your second-in-command. This was someone you had esteemed since college, a person who excelled in both business acumen and creative vision.

Yuki Tsukumo. She was influential in every sense, and you trusted that she would be able to manage the high pressure environment of a start-up fashion house and transform it into an iconic brand, a household name that would one day rival Chanel and Miu Miu. 

You may have succeeded in replacing Akemi. You may have shown her that her position in the workforce was easily replaceable, but her role as your friend still left a lingering, repugnant mark that proved far more difficult to erase. This underlying sentiment could explain the unreasonable anger festering in your heart—a visceral reaction born from feelings of backstabbing betrayal. 

It was hard enough for you to travel all the way to Osaka with a broken heart, but it became much more agonizing to watch your own son run up to Akemi like she was his mother. It was a goddamn slap to your face, indeed, to see that your ex-husband had already chosen a woman to have his happy, little family with. That he wanted to be a good man and be everything you wished for in a husband for her. 

As they say, nothing hurts more than building a man for another woman. 

And honestly? You cried so much on the way home that you became numb. Now, you were just trying to get over it. You were trying to bury the searing pain in order to forget the betrayal you felt. It was all too much for a person to handle and it wasn’t like you hadn’t gone through the same old shit before. Wasn’t it worse before with Satoru actually cheating and all? He technically wasn’t crossing any lines here, so it shouldn’t hurt you. It shouldn’t. You had been here before. If you had managed to get through such an awful time as his previous wife, his relationship with Akemi shouldn’t be too hard to accept. No, you weren’t trying to lowball your pain, but it was better to be an optimist in this situation than be a suicidal, self-destructive person. You had a business to run and a child to raise. You had to be strong. 

Or at least, that was what you told yourself. That was what you had been telling yourself over and over, each time you got up from bed forcing yourself to have a false positive mindset. In fact, that was also why you had to take this extended break because you had to have your peace of mind. You had to have some form of release to remember why you needed to stay alive and keep yourself going.

Not just for Sachiro’s sake, but also for your own. 

Your safe haven for now was at the horse ranch, where the tranquility of riding and the beauty of nature provided the perfect ambiance for reflection. How long has it been since your last visit to Willow? Your father had been joking that you shouldn’t be leaving a beautiful, white Friesian horse unattended for years, especially not for the expensive price he paid her for. True enough, because the moment you saw the mare again, you almost forgot how majestic she was for her breed. Willow was a completely docile and graceful horse, so alike to you in many ways. However, one thing that was unlike you, was that she lived in peace, existing solely for herself and not for anyone else.

If only you could be like her. 

As you reached out to stroke your rare-breed horse, a new and unfamiliar stallion in the stable caught your eye. To think of it, your family shared this equestrian estate with the Gojou family. This realization meant that the strikingly elegant and tall gray horse in the adjacent stall belonged to none other than Satoru.

“It’s a Thoroughbred,” the equine caretaker informed while guiding your horse out of the stable, “Mr. Satoru got him recently and named him Six.” 

A gray Thoroughbred, renowned as the most expensive horse breeds out there. It could fetch a price as high as $70 million, and of course, Satoru was the perfect owner for such a prestigious horse. The stallion embodied his essence completely—its color, its build, its rarity. On the other hand, you couldn’t help but find his naming convention by number a bit odd. His previous black stallion was named Eight. This time around, it was Six. Couldn’t he be more imaginative?

“He’s beautiful,” you mumbled, nonetheless, in awe with the regality of the horse. 

“He’s a good boy, too,” added the enthusiastic horsekeeper in a thick country accent, “Mr. Satoru was here yesterday and played polo while riding him. They were perfectly in sync even if it was his first time riding him.”

Of course, he would play polo. That was one of his favorite recreational sports. The burning question at hand was, who was with him during his visit? Because if the caretaker mentioned Akemi, you would certainly lose it. This was your private space with him. This estate was a place that none of his other women had access to, not even Sera. This was a location filled with memories from your childhood. For him to bring another woman here would be crossing the damn line. 

“Did he bring anyone with him?” you asked, trying to sound casual as you dusted off your boots. 

The caretaker denied. “No, he was alone. He just came to play polo and check the horses he recently bought.” 

Oh… “He bought more than one?” 

Did he seriously get Akemi her own horse? Your heart was racing at the thought, but the caretaker led you to the stable near the exit to show you the other horse than your ex-husband had purchased. It was a brown Shetland pony. 

“He got a fully trained Shetland for your son,” the horsekeeper proudly declared, showcasing the pony as if he had been instructed to do so in anticipation of your visit. It was obvious that Gojou had already briefed him on introducing Sachiro’s new pony to you because he knew you would be asking about it. “His name is Elmo. He is kid-safe and very friendly.”

Frankly, you wanted to sigh in relief, but at the same time, it warmed your heart to know that Satoru got his son his own horse at such a young age. You could already sense him planning to make Sachiro take equestrian classes when he gets older, and probably join him on his horseback riding sessions, too. You could imagine just how perfect it would be to see the father and son bonding here, racing together, playing polo together… yet it would not be you who would be watching them on the side.  

This future he was setting up with his son would be an experience he would share with Akemi. 

There was no you in that vision anymore. 

The caretaker likely questioned your sanity when he noticed the bitter smile on your face as you mounted your mare. He might have even doubted whether you were sane enough to ride alone, without a guide, particularly through the woods since Willow had not been ridden for some time now. However, you had done it countless times before and were quite familiar with the trail, and so you dismissed his offer to lead you and assured him confidently that you knew your way back.

You needed this solitude. You craved this moment of peace, alone with your thoughts and surrounded by nature, to reflect on the ceaseless torture of your life. It was just never-ending, squeezing every drop of happiness out of your system to make sure that you would only live to suffer. You really thought you had your happy ending with someone else? You actually believed you had found the perfect man to be your actual husband? 

Well, unfortunately for you, Toji was not the one. 

At first, your mind flew to Toji as you went on to the trail, allowing the mare to continue trotting as you held the reins to control her. You remembered Toji’s text that morning, asking you for the hundredth time if he could meet with you. He likely wanted to apologize in person, but you doubted he would change his mind and take back the things he said. Because they were true. He could never fill the void left by his deceased wife by being with another empty soul. It was painfully, unmistakably true. You were better off dead if that was the case, because even if you did end up marrying him, you would never be regarded as the person he loved the most. After all, your role in this world seemed to always be the second option. You were never the first in other people’s books. Not with your ex-husband. Not even with your family, especially with Gen around. You were meant to be a bystander, watching others live their perfect lives while you were forced to be in your misery. Someone like Toji would not have a guaranteed blissful marriage with you and you had to spare him from that. You had to draw the line and step back from this charade that you were playing with him, knowing that you were never the right person to be with him, so at some point, you had to accept his drunken words. They came from a place of truth, and that truth would set the both of you free. 

Even it hurt. Even if it fucking hurt to hear his words. You couldn’t deny them. 

You could easily forgive him, but his words might take a while for you to forget because even thinking about it now was bringing a wave of pain into your chest. You didn’t even notice that you were losing control on Willow’s reins by the time you entered further into the woods, bouncing on the saddle as you galloped along the challenging path. With the speed you were riding right now, inexperienced riders would certainly find it unsafe and scary. But for you? It was just what you needed. The breeze of fresh air, the thrill of riding alone, the peaceful sound of nature—you could die there and be at your happiest. 

Maybe that was where you had to be; to disappear and leave them all behind. Wouldn’t that be best for everyone? If you were to vanish, they could finally be free. Your presence, even from the beginning, was a burden for everyone—for your dad, Gen, Satoru, Toji, and even Akemi. The people you trusted the most would be the same people who would secretly celebrate your demise. So, what else was hindering you from taking matters into your own hands and ending it all yourself?

“Giddy up!” 

Was it Sachiro? Definitely. But now he had his father, and he was likely starting to see Akemi as a mother figure as well. Your role as his beloved mama could be easily replaced if you were to leave him now. It wouldn’t hurt him as much that way. Three years with Sachiro seemed sufficient enough, and he was at an age where he could grow up alongside his father. In this short span, he would have lasting memories with you, yet not enough to deeply grieve your absence. He was a young child, surrounded by people who would offer the whole world to him. At least, for that, you were eternally grateful. It brought you comfort knowing that your son would have support after you were gone, and that he would find a mother figure in Akemi. Given the brief time he spent with you and the rest of his life with her as his stepmother, Sachiro would likely come to love and accept Akemi as his own mother. This was the best outcome you could hope for.

My child, my son, my baby… please don’t get mad at mommy. 

Tears were gushing out of your eyes and you hadn’t even realized it until they started blurring your vision. You were far too lost in your own thoughts, unaware that you were now in an unfamiliar and seemingly dangerous part of the trail. The path was getting a little bit too steep and poor Willow was clearly stressed at your inconsiderate handling. There were multiple obstacles on your rocky terrain and you weren’t as steady and controlled as you wanted to be because the horse wasn’t comfortable navigating such a difficult path with the pace you were forcing her to.  

“Ah!” 

Your attempt to balance was interrupted by Willow’s loud neigh, signaling her distress before she bolted into a full rampage. She was sprinting at an estimated speed of 20 miles per hour. Not even a skilled rider like Satoru himself would be cantering that fast on unfamiliar terrain and an unfit horse. But you, you clearly had a death wish, because instead of fearing for your own life, you were far more concerned at the thought of how dreamy Satoru and Akemi’s wedding would look like after your demise. They would definitely make Sachiro their ringbearer. Suguru would be the best man. Shoko, the maid of honor. People on the internet would praise them for being an attractive couple. They would anticipate their beautiful kids together, living in the same mansion he bought as a gift to you. He would kiss her good night, tell her loves her, and offer the whole world to her. They would exchange vows and promise themselves a lifelong commitment to be by each other’s side through sickness and in health, and only in death would they part. 

“Willow!” 

You let out a shriek as the reins slipped from your grasp, causing you to tumble off the saddle and crash onto the ground. The impact was first felt in your elbow, and a sharp, searing pain then radiated through your body. There you lay, sprawled on the dirt, helplessly watching Willow galloping out of control up the mountain, and then tragically plummeting off a cliff.

“Nooo! Willow, no!”

Utter hysteria overtook you. You sobbed uncontrollably, unable to determine which pain was more agonizing—the clearly broken elbow, the loss of the horse you had inadvertently led to its death, or the heart-wrenching reality of Satoru starting a family with someone else.

You were pathetic. You were such a pathetic excuse of a human being and this was why you deserve hell. 

“Willow!” 

Toji couldn’t love you. Your own son didn’t want to be around you. Satoru had gotten over you. And now, you drove a poor innocent horse to its demise because of your recklessness! 

You were crying hysterically as you held your pained elbow, crawling by the cliff’s edge as you screamed for your horse’s name, but in the end, there was nothing you could do. You could only apologize to poor Willow for having such an irresponsible owner, and now she was dead because of you. 16 years of her life, she was able to live in peace until you came and ruined it all for her. It should have been you. You were the one who should have jumped off a cliff. You should atone for your sins and follow her, but you were too weak, far to overcome by the excruciating pain on your hip and your broken elbow to move or do anything at all. 

That was, until your mind had completely shut down, leaving you as a mere body to be discarded alone in the darkness of the woods. You hoped that no one else would find you soon. 

— —

“A-Angina?” Satoru’s eyes went wide. His whole world stopped before him.

“Yes. She was diagnosed with stable angina,” Dr. Mori confirmed, much to your husband’s horror. “But there is another factor that requires her to have more rest. You need to take good care of your wife, Mr. Gojou. Her body needs a lot of nutrients so she can carry safely.”

He could barely process the whole thing in his head because the news kept coming one after another, leaving him in a befuddled state with a flood of unanswered questions running through his mind. “What do you mean…?”

“Your wife is seven weeks pregnant.”

…

…

“Y/N?”

“Y/N!”

“Are you out of your mind?!” 

You could barely pry your eyes open, but when you finally managed to, you were met with the concerned expression on Gen’s face. The harsh glare of fluorescent lights and the antiseptic scent confirmed to you that you were in the ER, likely an hour or two after the incident in the woods. The memory of the trail quickly flooded your thoughts, and a pang of sorrow gripped your heart as you recalled Willow's final moments before she fell off the cliff. The poor horse had lost her life, while the one responsible for her tragic death remained alive, save for the bandage wrapped around your arm.

“Why did you ride into the woods alone?” Gen persisted with her barrage of questions, standing by your bed as you attempted to sit up. “Are you suicidal or what? Riding your horse in a dangerous trail like that—”

“You know what, maybe I should have just died back there!” you snapped, wincing from the pain in your elbow. Her choice of words struck a nerve in you. “Maybe I’d prefer that over sitting here, listening to your sanctimonious lecture like you're so perfect yourself! How obnoxious.”

“Then, maybe you shouldn’t be riding so recklessly and causing alarm to everyone else!” 

“Did I literally ask you to come save me?!” 

The atmosphere around you two just became even more uninviting, with discomfiting silence seeping through as you and Gen were engaged in a sharp glaring contest. Your father stood behind her, clearing his throat to cut the tension. 

“That’s enough, Gen.” Your dad placed a hand on her shoulder, and although she wanted to protest, she knew better not to keep stirring the pot after receiving his strict gaze. “Let’s just be thankful your sister is safe. There’s no need to be so overwhelming.” 

You rolled your eyes, drawing in a deep breath before you looked away from them. None of them would ever understand your pain unless they were in your position. They didn’t carry the same baggage as you, so they would never fully comprehend the weight of your suffering. You had already dealt with similar pain on your own before and that was why you didn’t need any of them to come to your aid, meddling with your life like they knew exactly what you were going through. “Just leave me alone, you guys. I wanna rest.”

Since when did your relationship with your sister start to get rough? It wasn’t really like this before, but ever since she started to become too overprotective over you and your choices in life, particularly choices linked to Satoru, Gen had started to become insufferable in your eyes. She was acting too much like a mother; controlling your decisions, lecturing you about your personal relationships, being too involved with your private life. There, ever since that, you started to distance yourself from her, and she didn’t like that. Her stubbornness wouldn’t allow her to cease acting like this mature, picture perfect big sister to you. 

With that said, Gen would have normally gotten annoyed when you asked them to leave you alone, but this time around, she seemed to have reflected on her insensitivity a lot better with your father around. “I’m sorry, okay?” she said, her tone still tinged with stubbornness, “I just got worried. I don’t know what’s gotten into you to put yourself in danger like that, but… please, Y/N. If you’re going through something, you can always speak to us. Dad and I, we’re here for you.” 

To be fair, if you had to put yourself in their shoes, it really would have been alarming to know that your sister almost died. This wasn’t the first time you were at death’s door either, so they were probably scared shitless when they were informed of your situation. Your absolutely reckless situation. You didn’t mean to cause a scene, neither did you intend to bother them on their already busy schedules. You just had so many things in your mind while you were horseback riding, too engulfed by your own sorrow that you didn’t realize the repercussions after the incident had already taken place. 

“I’m sorry, too.” Your voice softened with humility. “I didn’t mean to worry you guys. It was just really an accident.” 

Of course, Gen suspected it was more than just an accident. Your dad did, too. It was obvious on their forlorn faces that they were worried for your mental and emotional well-being, but none of them dared address the elephant in the room. It seemed they didn’t need to, anyway, since one of the many reasons that contributed to your earlier breakdown took a peek from behind the curtains, clearing his throat and sending you a look of sympathy. 

“Y/N?” Toji looked at your father and your sister for approval before stepping further inside your space in the ER. “Can I talk to you?” 

There was no escaping Toji’s presence anymore. No more hiding, no more avoiding. You knew you had to have this talk with him no matter how many times you ignored his flood of texts and calls. While this may have struck as an opportune moment for him to speak to you in person, facing the painful truth of your situation weighed heavily on you. Besides, hadn’t the irony presented itself right there? If Satoru were the one trying to speak to you, even if he was the father of your child, Gen would have been quick to lash out at him. Yet with Toji, even with the general knowledge of what had transpired between you two, your sister still showed no hostility towards him, allowing him to approach you freely and without interference.

But then again, Toji was far from being a cheating, manipulative scumbag who not only caused you suffering but also sought to selfishly acquire your family’s company. Therefore, he wasn’t considered a threat. 

Alright, then. Since Toji genuinely wasn’t a threat to your current emotional state, you agreed to talk with him. It was the first time you had seen the not-so-confident side of Toji Zen’in. He was typically a man of virtue, often holding his chin high, offering the best advice, and having insightful perspectives on life. However, it seemed you had shattered that confidence in him. You could sense his cautiousness around you as he stood by your side in the ER, assisting you with your needs, and eventually agreeing to your request to walk you to the rooftop garden.

“I don’t really think there’s anything else we should talk about.” It was you who first broke the silence, staring at the cityscape while sitting on a wheelchair. The calm breeze allowed your mind to seize the moment with a peaceful mind. “I already heard what you had to say.” 

Toji found it better to kneel down in front of you to meet your eyes as he spoke to you in a sincere and earnest voice. “Y/N, I was drunk when I said all that shit back there. I didn’t mean them. I didn’t mean to hurt you with my callous words, and I feel awful that you had to hear them from me. You trusted me. You sought comfort from me. I wasn’t thinking like a normal person when those things came out of my mouth.” 

“That doesn’t mean they weren’t true,” you replied with quiet resignation. It was the acceptance in your face that seemed to have caused Toji’s heartbroken gaze. “It’s okay, Toji. I think, when you said all those things, it actually made me realize some aspects of our relationship that had to be addressed. It made me more self-aware and it opened my eyes on the bigger picture.” You touched his hand, giving it a comforting squeeze as you mustered the courage to speak your next words. “It’s for the best that we part ways. It’s not fair to me to become a placeholder for your wife the same way it isn’t fair to you to have to deal with my ex-husband always being present in my life. Our unresolved feelings won’t really be resolved by being together.”

“Y/N…” Toji’s voice hinted at his vulnerable emotions, though he restrained himself from showing it fully. And you didn’t miss the apologetic look he had presented to you. “Despite all that, I hope you know that I’d been true to you. I do love you and will always love you. I’ll always be someone you can rely on, someone you can seek comfort from, someone you can turn to when you need help…” 

Damn it. Why did he have to make it sound like an actual break up? Now, it tugged at your heartstrings and hit you in a place it shouldn’t have. You weren’t good at these things and it certainly was your first time dealing with such a mature and mutual separation, but wasn’t that a good thing? No further drama was to happen, leaving a stark comparison to your separation with Satoru. While this one didn’t hurt as much, it still brought a hollow feeling in your chest. 

“Same for me,” you agreed, displaying a weak smile. “You’ll always have a spot in my heart, Toji. I’ll always be grateful that I met you.” 

Sometimes, two people didn’t need to be together to love each other. Friendships could still thrive between ex-lovers, and that was why closure was so important. It not only closed a certain chapter of your life in a healthy way, but also allowed you to heal and open yourselves to a new beginning without any bitterness left behind. 

It shouldn’t be considered bad to remain friends with an ex. It also shouldn’t be bad to give a parting kiss from said ex, right? 

You weren’t the one who initiated it, after all. It was Toji’s hand that gently stroked your cheek. It was him, who leaned forward and pressed his lips onto yours. It wasn’t forceful, but neither was it passionate. It was simply a tender kiss of goodbye, feeling the warmth of each other’s lips for one last time before you two would transition from being lovers to friends. What you didn’t understand from this supposedly bittersweet moment was the faint tears that somehow managed to escape your eyes, perhaps because you knew that once Toji left, you would be alone again. 

You had no one by your side to love you, cherish you, choose you, and offer their entire world for you. You were meant to live this cruel world all by yourself. 

As he pulled away, he pressed his forehead against yours. “Please learn to love yourself before anyone else, Y/N. It’s what you need and what you deserve.” 

That night, while you were getting your MRI, your mind kept flying to the possibilities of a future without having anyone by your side. Any normal person would tell you to focus on loving yourself first, as Toji did recently, focusing on what matters most, and ridding yourself of the toxic things that hinder you from moving forward with your life. Things weren’t as easy as they sounded. Besides, it was different being on the receiving end of the said advice. How could you do those things when the primary cause of your pain was someone whose life would always be linked to yours forever? 

Based on the result of your MRI scans, your doctor recommended that you undergo elbow arthroscopy. It was just a minimally invasive procedure compared to open surgeries, but considering how much of an overthinker your dad was when it came to your health, he insisted on your confinement at the hospital until you had been completely cleared of any other issues. He really placed a big deal on your condition and emphasized to the doctors that they make sure nothing was missed. It could have been worse; you could have had a broken hip or a fractured leg, but at least you only had a dislocated elbow. Nothing that couldn’t be easily corrected by surgery and physical therapy. 

The decision was for you to stay there for two days, and on your first night, a crying Sachiro ran inside your private room because his ‘mama has a boo boo’. Gen said he was picked up from daycare and dropped off at the hospital because the poor kid was looking for you. She didn’t mention who dropped your son off to you, but you could tell it was Satoru. You could sense it by the glances she exchanged with Ian after you asked how Sachiro came to the hospital. 

So, in that case, Satoru must have found out about your little incident and didn’t care enough to see you. Did he not even have an ounce of care anymore? Or was it Gen who stopped him from seeing you? 

“Did you ask him to leave?” you confronted Gen in a mellow voice, rubbing Sachiro’s back as he snuggled into you on the hospital bed. 

Your sister knew exactly which man you were referring to, and she denied having done such. “No, I didn’t even talk to him. He took Sachi here and left.” 

You didn’t know why you looked at Ian to confirm the truth of his wife’s words, but hurt yourself upon seeing his bowed head. It was an apologetic expression that did signify your ex-husband’s blatant act of ignoring you. To hear about your near-death experience and simply leave without even checking on you should be your wake-up call. He didn’t care anymore. No, why should he care? He had Akemi. His only responsibility with you was to be a supportive father to your son. 

Why did the pain in your heart feel far more agonizing than the discomfort on your dislocated elbow?

If anything, you wanted to ask for the strongest anesthetic they could offer to numb your pain. You were desperate to have anything even if they had to put you into an eternal sleep. That would have been much easier to deal with than feeling disregarded by a person you supposedly had moved on from. Satoru did nothing wrong here. It was you who had that expectation, only to disappoint yourself when things didn’t happen as you imagined. 

And just when you thought things would get better as long as you ignore your torturous thoughts, it didn’t help that being in the hospital kept giving you flashbacks of the time you were in this exact room, hearing Satoru crying helplessly from outside and begging for you not to terminate his child. What comes around certainly goes back around. Or worse. 

Such depressive thoughts had you occupied throughout your stay there, and your unusual placidness alarmed the nurses instead of being assured that you were doing well. You heard your doctors telling your father and sister to always keep a close eye on you as the incident may not seem serious, but the trauma would undoubtedly be present somewhere and somehow. Were they aware? Of your intrusive thoughts of wanting to hurt yourself? 

The elbow arthroscopy was successful and by the second day, you were free to go home. You were placed on certain medications to help with the swelling and the pain, and while you were walking around the hospital with a listless mind, you happened to pass by the Obstetrics and Gynecology Department. What a deja vu it was, remembering the time you had seen Satoru there waiting outside for Sera. Back then, it was one of the climactic events in your life that led to a domino effect on the downfall of your marriage. Not that you were reminiscing, but it did remind you that Shoko was probably there in her consultation room and it would be nice to talk to a friend who had witnessed the wild history of your marriage. 

You asked Gen to wait for you in the car while you headed to Ieiri’s consultation room, assuring your visibly worried sister that everything was fine and that you wouldn’t take too long. You had to give Gen some slack, because despite the strains in your relationship as sisters, she was still always there for you. At the end of the day, she was family. 

Shoko, on the other hand, was the next closest thing you had for a sister. She welcomed you inside her room in a very worried embrace, telling you that if she had known about the incident, she would have gone straight to your hospital room on your first day, but you told her not to worry about it and understood that being in the medical field already had her schedule tight. 

“Well, I guess it’s perfect that you’re here, too.” Shoko smiled warmly, sitting behind her desk. She had exciting news to offer, it seemed. “I just wanna say that… of course, I’ll still be sending you a formal invitation and everything. I actually have a few gifts along with it.” 

You shared her enthusiasm. “Hmm… is it what I think it is?” 

The wedding. The most eventful day of her life would be arriving soon and you were the first one to hear it. 

“Yes!” she answered, with the utmost joy coruscating from her eyes. “I want you to be my maid-of-honor, Y/N. I’d be extremely happy if you could make it. I know you just got into an accident, but it won’t be until two months, so—”

“Hey, it’s okay.” You eased her worries by chuckling. “I’m completely fine, of course I’ll be there. I can’t miss it.” 

Shoko was grateful to hear your answer, relieved even, because by asking you to be her maid-of-honor, you should already understand who Suguru’s best man would be. That was a touchy subject for you and she was keenly aware of it, but you didn’t want her to worry. You didn’t want your relationship with your ex-husband to have a negative impact on the relationship of all the other people surrounding the both of you. It was already bad enough that Shoko and Suguru almost called off their engagement after they fought over their morals as you and Satoru’s friends, and you were glad that they somehow made things work. They somehow set aside their disagreements and ultimately chose their love over anything else. 

Their love was beautiful, and while that wasn’t something you could easily have, it was something you deeply admired. 

“Where are you guys planning to hold your wedding?” you asked, steering the conversation away from any mention of your ex-husband. “Here or overseas?” 

She delighted you with her answer, sounding as if this was the perfect wedding she had always dreamed of. “It’s an intimate wedding on the lakeside. Suguru chose the location, actually, since he wanted our wedding to have the view of Mount Fuji.” 

“That’s perfect,” you said with wide eyes. “Lake Kawaguchiko?” 

“Yep. That’s exactly where it’d be.” She smiled with her eyes. “You know this resort… Hoshinoya Fuji? We already booked the place, and we have a luxury cabin for friends and families to stay at.” 

You had been there before, but you were too young to remember. All you knew was that it was a high-end resort that had the best panoramic views of Lake Kawaguchiko and Mount Fuji. The hotel owner was also a close friend of the Gojou family, so that was probably why they were able to rent the entire place for the wedding, especially at a peak season for tourists. 

Since the fall season was arriving, you could only imagine the stunning views of the autumn foliage there. It offered the perfect weather, too. It wouldn’t be as hot as summer, nor as freezing as winter. Surely, it would be nice to do some nature walks and stargazing, maybe ride a boat or bathe in a hot spring. You looked forward to it, except for the fact that your ex-husband would also be there. 

And just what a perfect timing it was, because as Shoko sorted through her patients' medical records above her desk, a file slipped from the pile, revealing the name of your very friend, Akemi. 

“Oh,” Shoko murmured apologetically as she retrieved the record, not wanting to ruin the mood of your conversation. “She, uh, came by a few days ago... with Gojou.”

You didn’t need to ask. You didn’t need to hear any further detail. Akemi’s visit likely revolved around her desire to conceive, as she wouldn’t have visited Shoko otherwise. Why? If it were simply to monitor her polycystic ovary, why did she choose Shoko instead of her own gynecologist? Thinking of how your ex-husband and best friend were attempting to start a family together left your heart shattered in unimaginable pieces, stirring up painful memories of your pathetic marriage with Satoru and reopening old wounds you thought had already healed from. Wasn’t it ironic that a couple of years ago, you were crying over the same situation with Sera? 

You couldn’t stand this feeling anymore. You thought you had already freed yourself from the pain of loving him, yet here you were suffering from the same heartbreak over and over and over again. Tears threatened to spill, but you held them back, the ache in your chest too raw to confront just yet. 

“It’s funny.” Although you displayed an outward smile, the sadness in your voice reflected your otherwise inward thoughts. You didn’t know why you said that. You were just too… too emotional. Almost like you couldn’t breathe. “He was never this passionate with me. They seem so in love.” 

Ieiri’s eyes carried sisterly concern in them. “Y/N, it’s not really what you think.” 

Was it? You weren’t sure what to feel anymore. You certainly weren't there to hear it anymore, either. Satoru chose her, just like what you wanted for him to do. Just like what you asked him to do. He had moved on, he had found someone who would love him for who he was, he had chosen the woman he would share the rest of his future with. Call yourself ridiculous for even feeling hurt about it, because you had no right to be and you definitely chose this. Either you own up to it, or you cry about it for the rest of your life. 

Both choices had no happy endings. 

— —

When Satoru learned about your incident in the woods, he thought he was going to lose his mind. 

Was it out of love that he swiftly left the office in the middle of a meeting just to get to where you were? 

He still had to pick up Sachiro from daycare, and he felt bad telling his son on the way to the hospital that his mother was hurt. It actually gave Satoru a hard time explaining to the 3-year old that they had to go to the hospital because his mommy was there and that she had an unfortunate encounter while riding a horse. 

“Dada, is… is mama okay?” Sachiro pouted with wide, tearful eyes as he clung to his father’s hand. “Sachi wants to go to mama!” 

“She’ll be okay, Sachi.” Gojou carried his son and soothed him as they went inside the hospital, searching for you. “Mommy’s strong, remember?” 

Was it out of love that he wanted to be the person that brought your son to you when you most needed him? 

According to the nurse, your room was on the seventh floor, but when he got there, your room was empty. It was Ian who told him that you went up the rooftop garden to get some fresh air, insisting that if Satoru wanted to go and talk to you, that it was best to leave Sachiro with them. 

And so he did. He ran hastily, almost out of breath, until he reached the rooftop, scanning every face within the vicinity until his tired blue eyes finally landed on you. 

Satoru laughed in disbelief. He scoffed bitterly, with each breath full of disgust. The tips of his fingers felt cold, while his breathing grew thin and ragged. He could feel his stomach clenching at the humiliation of seeing you engaged in an intimate make-out session with Toji Zen’in. 

How sickeningly sweet. 

At that point, he was laughing at his own expense, ignoring the elderly lady who looked at him like he was a crazy person. He stood there frozen for a few minutes, watching you kiss another man before it finally woke him up from reality. 

It was out of love that he let you go. 

You see? This was where his attachment to you would lead him. It was pure and unreasonable selfishness, but he would gain nothing at all from even seeing you. He didn’t need to care for you at all, no. You had Toji. You seemed to be goddamn happy with your life with Toji. And what a romantic fucking moment that was, too. 

Satoru couldn’t think straight when he hurriedly left the hospital and got inside his car. He desperately wanted to forget the painful image of you locking lips with somebody else. How? How would he? Fuck! He was mad, mad at himself for choosing to come to your aid like he still had any role in your life. He was disgusted at himself for ignoring Akemi’s calls after promising her a movie date after work. He couldn’t believe he had her waiting all by herself in that cinema, waiting for him to come while he was stupidly running around the hospital to see his ex-wife. 

You chose Toji, then you better be happy. Satoru hoped you were happy, and that wish came from a place of genuineness. He genuinely hoped the best for you. Because for him, it was time to fully let go and stop himself from trying to be the superhero whenever you were in danger. You weren’t his wife anymore. 

So, was it out of love that he headed straight to Akemi’s apartment that night with a bouquet of red roses? 

She didn’t know what happened nor was she given the full detail as to why he unintentionally stood her up on their date night. He had just briefly explained that he had to drop Sachiro off to you at a hospital because you got into a small accident. Akemi, being your friend, got immediately worried upon hearing the situation and asked if Satoru was able to check on you. 

He said no. He said Toji was there. He said he left as soon as dropped Sachiro off. 

And in an effort to apologize for not paying attention to the current woman in his life, Satoru pulled Akemi in a tight embrace. He held her in her arms, drunk from the sweet and citrusy notes of her perfume, before pulling away to kiss her. He kissed her with the same passion as you did with Toji. Perhaps even more, even better. He completely devoured her lips, with a hand on her cheek and the other on her waist. The taste of her tongue was sweet like strawberries, while her lips were red like cherries. 

This woman was all he needed. 

But was this love? He didn’t know. It was too soon to tell, too early to answer, too hasty to even consider. 

— —

The current situation you were in reminded you of your younger self after your mother had died. It was the same before; you never left the house, often locking yourself in your room, shutting yourself off from the world, and drowning yourself with the pain and loneliness of losing somebody important. 

Sure, no one really died for you to be acting this way right now, but the feeling was still the same. Was this really a comeuppance to all of your wrongdoings before? But just how terrible were you of a person to be hit by this unbelievable truckload of sorrow? You might as well spur on the physical pains of your angina again if this torment continued. Otherwise, how else do you avoid it? 

You were being a terrible mother, too. You were too engrossed by your own misery that you couldn’t even properly take care of Sachiro. He didn’t deserve to have an incompetent and irresponsible mother like you. He deserves someone better, someone like Akemi, who not only has all the motherly traits a woman should have, but also the physical and mental capacity of being a true, strong woman. 

Sachiro was bound to have that, anyway. Now that his father was planning his lifelong journey with another woman, and now that he was trying to build a happy family with her, you were no longer needed in the picture. There was no need for you. 

How many more times would you tell that you have accepted it? 

Because, god be damned, you knew you couldn’t. You knew you were lying to yourself when you said everything was fine, lying to Satoru when you told him you didn’t need him in your life anymore, lying to Toji for telling him that you wanted to marry him, lying to Akemi that you didn’t care if she was seeing your ex-husband, and lying to Sachiro when you promised to him that you would never leave his side. You were a liar. A terrible liar. A pitiful, terrible liar. 

How would you tell the universe that you couldn’t take it anymore? That, for once, you wanted to be showered by happiness and all the good things in life? 

Sera was right. Not everyone could have it all. There were people of lesser fortune who weren’t blessed to live a lavish life like you, yet still work hard to achieve what they want. Why couldn't you achieve your own happiness without blaming it on the universe? If this was simply a lesson, then weren’t you the top student at this rate? 

God. God, help me. You really didn’t know how to deal with this life anymore. You weren’t sure how to proceed. You couldn’t rely on anything other than the bottle of alcohol on your hand—what was once full was now half empty after you took another swig. This was your second bottle already, wasn’t it? Or third? 

You got up from the floor and failed to walk in a straight line as you made your way towards the balcony. Your steps were unsteady, wavering like a leaf caught in a gentle breeze. With each attempt to move forward, your body swayed from side to side, struggling to maintain balance. You almost lost grip of the bottle you were holding. No, it did, in fact, slip from your hand and ended up crashing into the floor. Shards of glass lay across the ground, ready to pierce the soles of your feet to mirror the same physical pain your heart was experiencing. 

“Stop,” you muttered under your breath, begging for your chest to stop hurting. But it only worsened, and your antidote to that was to wash it down with even more liquor. No matter how expensive it was, you didn’t even like the taste of alcohol. You hated the sting on your throat whenever you drank it. You despised the bitterness it left on your tongue. However, it did great at numbing your emotions. 

It just felt wrong in many ways that you were seeing Satoru’s face whenever you closed your eyes. You could see his smile, his loving eyes, his beautiful lips. You missed his embrace, his kiss, his touch. You missed hearing his I love you’s. Him. You missed him. You yearned for him. Three goddamn years, and you were still undeniably in love with him. 

“Satoru…” you cried, sitting on the floor. Each breath made it harder and harder for you to catch as tears continued to stream down your face. You were tired of pretending, denying that you no longer had feelings for him when you knew deep down that you would always choose him. “S-Satoru… come back to me, please.”

Was it him coming inside your room? Or was it your vision making a fool out of you? 

“Baby, what are you doing?” Satoru’s expression was engulfed in immense worry as he knelt down and reached out to you, touching your cheek and looking at your eyes somberly. “Don’t do this yourself, Y/N.” 

Your head hung low, your gaze unfocused and glazed, as you fought to keep your eyes on the path ahead. You had to reach him. You wanted to touch him, hug him. And despite your best efforts, your movements were disjointed and erratic, betraying the effects of the alcohol coursing through your veins.

“Y/N, that’s enough.” Gen had to use force just to be able to snatch the bottle away from you, forcing you to wake up to the reality where Satoru no longer existed to be there for you. It was her who came rushing inside your room in the middle of the night. The bottle of liquor was now spilled all over the floor. The same could be described with your emotions. “Get it together. You haven’t been acting like yourself lately!”

You couldn’t, even if you wanted to. You were in delirium after having dealt with all the terrible things the world had thrown at you. If you couldn’t drown yourself in alcohol, how else would you have been able to numb the pain? How else would you have been able to… forget? 

As much as your sister tried to hide the obvious sympathy in her voice, even your drunken mind could recognize it. “We all know you’re going down the depression lane again, but never to this extent.” Her voice cracked in the middle of her sentence, cradling you into her arms as a tear fell down her face. The Gen who would usually lecture you, was now holding you in her arms as her only baby sister. “Stop this, Y/N, please. Don’t ruin your life the second time. I-It’s hurting me. It’s hurting Dad. Do you… do you realize what Sachiro’s gonna think of you when he sees you like this?” 

“Gen…” Muffled sobs unwillingly came out of you, leaving you with such excruciating pain in the chest, so much so that it didn’t even feel like you had done surgery to fix your (quite literally) broken heart.  “I w-want him back,” you continued to cry, “I want my husband back. I want to be with h-him, Gen.” 

“Y/N.”

“Where’s S-Satoru…? D-Did he leave? Please take me to him—”

“Y/N, listen to me.” She gently cupped your cheeks, forcing you to look at her pained eyes. “You’re intoxicated. He was never here, and he’d never come for you. You have to let it go.” 

“But—”

“He’s not good for you. He never will be.”

— —

It had been two weeks since Satoru last heard about you. Miwa was the one who updated him that you had already returned to your family’s mansion, letting him know that you were okay and that you were recovering well. Frankly, Satoru was starting to get annoyed at the fact that his secretary was still giving him updates about you. What did he care? He wasn’t your husband anymore. 

Besides, Toji was probably visiting you every day, so why did he have to worry about you? If there was anyone he should be worried about, it was Akemi. She had been experiencing terrible pelvic cramps lately, which needed to be given serious attention, but you would never see her being dramatic about it. The only thing she needed was for Gojou to accompany her visits to the OB-GYN, and even then, she never showered herself in self-pity. She carried herself like an independent woman, and that was exactly what Satoru needed in his life right now. 

He had a son to raise. He had a company to run. It wasn’t the perfect time to commit himself to someone lawfully. Heck, he didn’t even believe in marriage anymore. He realized that two people could still love each other without getting married. As long as Akemi didn’t pressure him about such things, he was fine with having her around. She didn’t ask for anything much, anyway. 

As for you, well… 

“What are you planning with that mansion you gifted Y/N?” asked Nanami, seated on the couch inside Satoru’s office, casually reading a newspaper. “Do you even remember that?” 

He certainly did. “What about it?” he questioned, idly toying with a pen on his desk. “It’s her property now. She can sell it if she wants.”

Better yet, you should let Sachiro inherit the property someday. His son was already set for a life of privilege having wealthy parents on both sides, but wouldn’t the mansion be a substantial addition to his assets in the future? Satoru couldn’t help but envision the kind of man his son would grow up into. He hoped Sachiro would not inherit his father's immaturity and pettiness but would embody the kindness and altruism of his mother. From a business perspective, however, Satoru planned to groom his son to be a leader, as he was the sole heir to the Gojou Group. Additionally, he would also inherit half of Creston and the entirety of Hearte. No wonder Sachiro was recently listed as the wealthiest kid by Forbes Japan. He even beat Megumi Zen’in from the list even though the teenager was the heir of the Zen’in business empire. 

These were the thoughts that should consume Satoru—the future, not the past. His kid, not you. And he was right about doing so, because when he came home to his penthouse, he was told that he had a visitor. 

A visitor on a Wednesday afternoon? 

Your brother-in-law, the esteemed prosecutor who sent his evil stepmother to jail, appeared on his front door, carrying Sachiro in his arms. It was hard to tell what type of emotions were visible on the man’s face, but he definitely didn’t bring any good news. 

“Ian?” Satoru promptly made way for the man to come in, ushering him into the penthouse and allowing him to set Sachiro down. The young boy was quick to dart off to his playroom, leaving the two men in an uncomfortable silence. “What’s going on? Weekends are usually my schedule with Sachi.” 

Ian cleared his throat, a hand on his pocket. “Do you mind looking after Sachiro for the time being?” 

By saying ‘for the time being’, it seemed like Ian wanted to actually say ‘until further notice.’ But that confused Satoru even more, because what was happening for the man to come here and ask him to let Sachiro stay beyond the agreed schedule with his father? He couldn’t read through Ian’s expression and it was making him uneasy. 

“I can, but… why so suddenly?” Gojou asked, glancing at his oblivious son. 

“It’s Y/N’s idea, Gen doesn’t know about it.” Ian released an awkward chuckle. “You know how my wife is.” 

Gen would absolutely hate it, Satoru was aware for sure. Though the questions lingered in his mind. “Why would Y/N want Sachi to stay with me? Where’s she?” 

Was it him or was Ian having a hard time explaining the situation? It felt like he was walking on eggshells, deciding between what had to be said and what shouldn’t. He was careful with his words when he spoke again, “Y/N flew to Monaco this morning and will be back when she’s ready. She says Sachiro should spend all of his time with you while she’s gone.” 

Monaco? Why would you be there?

Confusion bathed Satoru’s eyes. “Is it for a fashion event or something?” 

“No, she’s just…” Ian struggled heavily. “Well, to sum it up, she has to go there to sort some things out. It’s a personal thing, but she really needs this time for herself and we think it’s the best for her right now. I don’t know how long she’s gonna stay there or when she’ll be back, but I hope you understand what I’m trying to say here.”

No, he didn’t. Satoru found it difficult to fathom his ex-brother-in-law’s words, seeing as he had no general idea of what was truly going on. But if you were flying to Monaco, surely Toji wouldn’t allow you to go there all by yourself? 

Ahh. It made sense now. I see what’s happening here. 

Satoru’s lips curled into sarcasm. You would be vacationing with the love of your life. Is that what it was? Planning your halted wedding? Choosing wedding gowns? Looking for venues? There was no way you would be flying to Monaco alone, especially without Sachiro around when you two had been inseparable since his birth. 

“What kinda mother is she?” Satoru muttered in disgust, unaware that Ian had overheard him. But Ian had heard loud and clear. How could you leave your son behind like this? Couldn’t you face your ex-husband to discuss it, instead of just dropping Sachiro off as if he were some unwanted toy?

“Hold it right there,” Ian interjected, becoming defensive at the accusation. “You have no idea what she’s going through.”

How would he know? No one was telling him shit. No one was giving him details, so did they expect him to understand things and accept them as they were? Did they do the same thing to Satoru when he was at the verge of losing his sanity asking everyone for forgiveness over and over? 

“I've never taken sides between you two, Satoru, you know that,” Ian continued, trying to maintain a calm demeanor and speak with clear judgment, “But one thing I’m not gonna let you do is call Y/N a bad mother.”

Satoru’s chest tightened at Ian's words, a mixture of guilt and frustration bubbling up inside him. He knew he shouldn’t have spoken out of turn, but the pain and resentment were too raw to contain. It felt like you were abandoning him and your child, like you were off to a new chapter in your life again, and leaving everything behind. Perhaps this was his trauma from the New York thing crawling back at him, but it definitely reminded him of the day you had abandoned him. For three fucking years. How long would it take you to return now? 

Why do you keep doing this? He was sick of it. You kept running away instead of talking to him. He gets it, people change, circumstances change, but couldn’t you at least have the decency to talk to him about it? Was it wrong for him to wish you’d handled this differently? To wish that you’d talked to him, involved him in the decision-making process, instead of just making this unilateral decision and leaving him to pick up the pieces? 

Satoru took a moment, collecting his thoughts before continuing. “It’s fine, I’ll take care of Sachi,” he reassured, “I’ll take some time off work and have ‘Kemi help me out.” 

He looked back at Ian, his eyes pleading for further details, for answers, for some semblance of clarity in the midst of this emotional turmoil.

Yet none of it was given. 

And so, would it still be wrong to assume that he could now completely forget about you? That this opportunity to be with Sachiro would allow him a chance to share it with someone else? If you spent three years of your life playing house in New York with Toji, would it still be unfair for Satoru to do the same with Akemi? 

[reiderwriter]

ACK I'm so excited that your requests are open again! Um okay, this one feels a bit silly but I'd love a fic where fem!bau!reader is really attracted to Spencer and the way that he smells? (I just KNOW that man smells like cinnamon and a Scholastic Book Fair.) Like, she's been doing a good job hiding her crush from the team, until Spencer catches her eyes dilating at him when he's standing close. And he's an oblivious king, so he's trying to figure out why they were dilated. If it could be race blind like my last request, and from Spencer's POV, that'd be great. (Or split POV, if you'd rather). I really see this as fluff, but if you want to include angst or smut go right on ahead! Thank you for reading my request! Your writing makes my day.

-❤️‍🩹

A/N: This was so fun and silly, and I love writing awkward, puppy love Spencer because sometimes you just have to let yourself become mildly infatuated with a coworker. For the plot. Or at least character development. I hope you like this one!!

Warnings: none.

Masterlist

You thought you'd settled into work well in your first few weeks as a member of the BAU. You thought you were up to speed about everything going on in the office. There was just one mystery left to solve.

“Where is that smell coming from?” You whispered to yourself, frustratedly sniffing the air for the second day in a row as you attempted to locate the warm, delightful smell that seemed to follow you whenever you were in the office.

“Could be one of Garcia's scented candles. They tend to linger,” JJ said from her corner of the bull pen.

“No, I checked earlier and she said they made her throw those out weeks ago.”

Honestly, it was not knowing that was driving you insane. If you knew what the smell was, you could bottle it, spray it all around yourself, and wrap yourself in it like a little blanket. It somehow reminded you of home and of the public library you'd spent much of your childhood in.

After another day of being able to figure out whoever had bought the scent version of the Scholastic Book Fair mixed with homemade cinnamon buns, you gave up. 12 hours of paperwork, and you were just as excited to get away from the sight of brown folders as ever, and as everyone else in the bureau, evidently.

Grabbing your bag, you got in the line for the elevators alongside your team.

“Ready for the crush?” Derek said, punching Spencer Reid on the arm as they waited ahead of you.

“Ow,” the younger man muttered and you tried to hold your giggles back, rolling your eyes as you watched them in amusement.

Derek’s words were true, though. Every day at home time, the elevators packed up quickly, and being on the middle floor meant that it could often take a while for the elevator to come back to you. You swore it was half the reason Hotch stayed late most nights, just to avoid the crush of the trip home.

“I've been taking the DC public transport since I got this job. You think the elevators are bad. Try 8 am subway on a Monday morning.”

The doors opened, and the three of you climbed into the barely there space of the elevator. With a quick side step, you found yourself against the left wall of the elevator. But to your shock, the scent you'd been searching for for three weeks didn't dissipate as it usually did when you got on the elevator.

It was here. The source of the scent was here.

You tried to stay calm as it grew more potent, tried not to frantically look around searching for whatever man or woman was perfumed in heaven. The doors opened again, and more people squeezed in, and suddenly, you found yourself buried nose-first in whatever sensory heaven existed here on earth.

“Sorry,” you heard a mumble in front of you as Spencer held his hand against the wall above your head, trying to keep a polite enough distance so as not to squish you any further. Your mismatching heights, however, led to your face being just about level with his neck.

You really weren't trying to smell him, but you had to inhale, and each time you did, it was a sensory overload.

It was him. Dear God, it was him.

The proximity and his scent really weren't helping your brain stop short circuiting in that moment, and you had to remind yourself after a minute or two or three that you were staring.

Though evidently Spencer had already noticed, and was looking at you with some concern.

“Are you okay? It's pretty tight in here, but I can try and move back if you're uncomfortable.”

“No! No, it's okay,” you did your best not to shout the words out, suddenly wanting his smell and his body close forever.

You hadn't been looking before, but like a freight train at maximum speed, the weight of his attractiveness hit you all at once. There was a slight stubble peppering his jaw, his hair hanging slightly loose, eyes big, and brown, and beautiful. He was tall, and you knew he was strong from watching him manhandle unsubs each week.

To put it blankly, you spiralled. Hard. Straight into infatuation and attraction, and you felt your head growing light with the tipsy feeling of a girlish crush.

You were fucked.

Spencer was concerned about you for the next week.

For starters, he knew that most new hires pushed themselves to the extreme over the first month and ended up quickly burnt out, mentally and physically. He may not have the best physical stamina, but he knew the lengths he had to go to to maintain his mental and physical wellness while working the job.

Which was why he started looking out for you a bit more. Every time he looked at you, you were staring off into space, somewhere just past him, or around him, face glazed over.

He wondered if you had a fever a few times, subtly touching your forehead - wiping away some sweat or a strand of hair - to feel you, and you did always feel hot.

You insisted you were fine though. But the nervous panic, and the constant insistence made him wary enough to pull you aside one day and ask you straight to your face.

“Do you need something?” He said, having unassumingly lured you off to the meeting room without arousing suspicions.

“What? What do you mean?” You said, instantly defensive. You'd hoped you hadn't been as creepy as you knew you had and that he hadn't caught on to your stolen glances and sudden close proximity.

You really couldn't help it. The man smelt too fucking good.

“If you're feeling sick, no one is going to think any less of you for taking a half day, you know.”

His voice was so gentle, you almost didn't die from sheer embarrassment. Almost.

“Oh! Oh, oh no, I'm fine, I'm totally healthy. As a cow!”

“A cow?”

“Yes, I'm as healthy as your average farm animal. Can I go back to work?”

You made to leave, but he grabbed your wrist gently as you brushed past him, and it was like sparks travelled up your arm and pierced your heart directly.

“Spencer!?” you squeaked.

“Your heart rate is elevated, and you feel hot and clammy,” he said, which was exactly the kind of compliment you were aiming to receive from men you were falling for. “You should go see a doctor and then get some rest.”

“No, Spencer, that's not-”

“Everyone pushes themselves in these first few weeks. I had to take a week off after two days in the field from the weight of holding a gun up for so long, which is more embarrassing than it sounds, and Derek-”

“What cologne do you use?” you snapped, desperately hoping to both shut him up and also detangle yourself from this situation with at least one win under your belt. If you found out whatever the smell was he used, you could buy it, grow accustomed to it, and grow out of whatever phase you were going through before you out your job in jeopardy.

“What?”

“You smell… really good. I was wondering what cologne it is.”

“I don't… I don't really use cologne.”

You baulked, unable to stop your face from dropping as your dreams of detaching yourself from your little crush on Spencer Reid faded before your very eyes.

“Shower gel? Shampoo maybe?”

“They're both unscented.”

“So you just… you just smell like that naturally?”

It was his turn to flush then, though the panic never left your head fully.

“Sorry, is it… distracting.”

“Yes,” you whispered, but with such an exhausted exhale, it sounded like a dreamt sigh. You wanted to kick yourself. You wanted to open his jacket, step inside, bury your face in his chest, and fall asleep.

“I see.”

“Mhmm.”

A minute passed in awkward silence, and you wanted to kick yourself for blurting everything out. Quickly turning to leave again, you wished so dearly to erase the last five minutes of your life, sending up enough hail mary’s to absolve you of any sin.

“Lavender. And sometimes patchouli,” he called from behind you as you took your first steps to the door.

“Hmm?” you said, turning back around against your better judgment.

“What?”

“That's what you smell like,” he explained, hands suddenly very preoccupied with his jacket buttons. “I'm not great with scents, but you also smell… nice. Sorry, that was weird.”

“No, not at-”

“You know, the major histocompatibility complex genes are important for the immune system and appear to play a role in sexual attraction via body odour. Studies have shown that body odour is strongly connected with attraction in heterosexual females.”

“Oh. I didn't know that…”

“Do you want to grab dinner with me?”

The words almost knocked you back into the door, as sudden as they were. Had he just asked you on a date? Or was it a friendly coworker thing? A friendly coworker thing where he acknowledged your attraction to his scent and then invited you out on a date.

“Yes?”

“Yes?”

“Yes. Yes, I would like to get dinner with you.”

He did his best to suppress the smile, and you tried hard as well, though neither of you succeeded.

“Great, perfect,” he said, circling you as he made his way to the door, his eyes always turned to you no matter what. He likely regretted that as he bumped into first the edge of a table, then a chair, and then hitting the door with his back, but in your state of puppy love, you didn't care.

“It's a date,” he said, opening the door and walking away, cheeks flushed with heat.

[fatuismooches]

Dottore and his segments get a taste of their own medicine after giving you a job of your own. (In other words, you ignore their need for attention in favor of your work, they get pouty, just like you did.)

As of late, a peculiar sight had made its way into the lab. Actually, peculiar wasn't even strong enough of a word for the agents to use. They had nearly tripped over their feet once they saw the new area of their working quarters in the lab.

In addition to their Lord Harbinger's desk (that was shared amongst the segments depending on the day), there was now another desk on the opposite side of the room, and the cute decorations on it were quite noticeable. Photo frames and stationery. A comfortable and plush chair with a blanket that dropped over it.

... A plushie version of the Harbinger that laid on Dottore's desk, commissioned by you to motivate him.

(A side thought - the number of desks the Doctor had was something to wonder about. One in the lab, one in the office, one in the bedroom - no wonder things were always scattered around the place. But that was something for another day...)

And most importantly, you, Dottore's spouse, standing next to their Lord, rocking back on your heels nervously as he introduced you as their new co-worker.

—

It all began when you approached your husband with a very simple request.

"Dottie, I want a job!" You said with enthusiasm, smile as wide and proud as ever. The scientist paused his work and turned to look at you with a blank expression.

"... A job, you say?" You only puffed your chest out more at his confirmation.

"Yes, a job. I mean, being your lover is already a lot of work for my poor back, but I want to actually work with you! With your research and stuff, like the old days!" Your excitement was completely serious and were it not for your health, it would have been infectious for the scholar. Rarely did he ever meet anyone who was truly interested in his work. But of course, certain restrictions have held you back for a long time now.

"We've already been over this. My work is too dangerous for you," the Doctor sighed as he turned back around to continue whatever he was doing.

"I know, I know, but I meant other kinds of stuff. I've been thinking like... a desk job! It doesn't have to be anything dangerous! I could... sort papers for you? Oh, and you have one of those fancy stamps, right? I could stamp them too! I could rewrite your notes... ah, and the best part - I could help you write reports too! You always liked my essays, didn't you?" You were doing your best to provide Dottore with a convincing case, snuggling up against his firm back. Only another sigh escaped your husband, not really that convinced.

"Come on..." you inhaled his familiar scent, tinged with that laboratory smell that never seemed to go away, but somehow brought comfort to you. "I've been so bored lately... and lonely," you muttered the last part pointedly. "I just want some work to take my mind off things!"

Indeed, there was always limited entertainment and pastimes to occupy yourself with. It was especially boring on days you couldn't get out of bed, or when no segment could afford you attention...

"And you know what, I could give those agents of yours some writing tips, too!"

Yes, there had been many times his employees were not up to his standards, despite how many of them fawned over him (for some odd reason)...

"And I'll be helping you too! It's good for everyone."

Of course, you always felt rather good about yourself if you managed to help him, being the Second Harbinger and all...

"I suppose I shall give it some thought-" Before the man could finish his sentence you started squeezing him tightly while hopping in delight.

"Oh, thank you! So, when do I start? Do I get one of your huge desks too?"

"I didn't say yes yet, darling."

"Shh... we both know what you mean!"

—

And that was how you now clocked in at "work" every day with the agents (later than normal, but you had special privileges.) It was daunting at first for the poor souls, even the ones who secretly admired you from afar (being in the fan club and all.) Even though initially you were merely sorting papers, you were the most important person in that room.

However, soon enough, going to work in this dreary lab became a lot more cheery thanks to your sweet demeanor. Somehow, the atmosphere had become a lot less tense since the last time the segments visited.

The agents had little to no problem speaking to you like a normal person, after you had graciously given them tips on impressing the Harbinger.

"Psst..." you were hovering behind an unsuspecting agent, reading the report she had for Dottore, who jumped at your whisper. "You know, he might click his tongue if you give him that." Although her mask covered her face, you could see that half surprised at how you popped out of nowhere, and half agreeing with your words. Perhaps she felt comfortable enough to spill the situation to you.

"I-I am well aware of that," she deeply sighed, "but no matter what I write, my Lord always seems to be unsatisfied..." You patted her shoulder in sympathy. Having worked with Dottore since the Akademiya days, you knew very well of his distaste for certain things.

"Well, that's why I was hired, friend! To make his and your life easier! See, look here, that's a no-no, he wouldn't appreciate those details, mhm, but this needs to be elaborated on more, uh huh..." Of course, being the good spouse and employee you were, the report was converted into the best one that had ever landed on the Doctor's desk.

On your lunch break, they provided you with some juicy gossip about anything they could get their hands on (the fan club had long reaches, apparently.) Frequently you had to debunk things about Dottore... (the handbook was swiftly revised.)

Needless to say, things seemed to be going well. You looked happier. Motivated. Having new "friends" as your company (that still watched their mouth around you after a single glance from the segments.)

However... an issue arose after a while. One that seemed entirely stupid and impossible.

Now that you were so caught up in your work, when the segments finally had some spare time to come to you, they were... rejected. Yes, they had come to you, fully expecting your devoted attention and kisses that you always gave them without hesitation, but now turned away. (Even more embarrassing, sometimes in front of the agents who kept their eyes glued to their strange chemicals.)

—

It was Omega, of all segments, who was turned away first. The most confident and charming of the bunch left uncharacteristically silent. He had come up behind you and traced his hands against your neck, always being the one who had no shame in touching you. You only softly giggled at the sensation and caught his hand in yours.

"It seems you've been busy for a while, dear." In truth, it was mostly you seeking him out and not vice versa, but the segment hadn't seen you invading his office in a while. The space had gotten too quiet without you.

"Mhm! But I can't imagine how much work you do. My desk is nowhere as cluttered as yours," you smiled as you felt the segment kiss your lashes.

"What do you say to a break with me?" Omega offered, already knowing what your eager response would be.

"Nah, I can't right now."

...

Your words took a few seconds to process through his head.

"Pardon?"

"I have all this work, 'Mega, and other people need my help," you shrugged your shoulders as you swung your legs. "But don't worry. I'm sure we can spend some time later!" You kissed him on the cheek and pulled your chair in before continuing your work.

Omega, the greatest segment, was reduced to a blankly staring man who had been deprived of his lover's attention for the first time.

He was irritable for the rest of the day.

—

Beta was next, the poor thing.

You were always the one he blew off steam to, always willing to listen about his gripes and complaints, offering him consolation in the form of kisses and soft words.

However, you hadn't come to visit in so long, the segment was all pent up and now the agents were beginning to fall victim to him.

Fine then - he'd seek you out. Not because he needed you or missed you or anything of the sort. You were just... halting his progress with the lack of your presence. Yes, that was it.

And so the scientist, donning his grand pink bow tie, swung by your desk.

"So this is where you've been? How boring." Beta was not a segment that you'd want to do paperwork. He much preferred to be hands-on.

"Ah, Beta!" You brightened in delight at seeing one of your lovers. "I missed you!" At least you were always honest about your feelings.

... But to cut a long story short, Beta faced the same conundrum that Omega did.

Someone got turned into a floating Ruin Machine that day.

—

By now all the segments had experienced being turned away from work. Alpha's signature scowl had become permanent. Zandy was pouting the whole day as he missed his parent. Foxttore kept to himself with a pathetic sopping wet eye. His segments were fighting with each other inside his mind, a great nuisance.

All because you were too absorbed with your work to pay them any attention.

... The Doctor was now realizing that it sounded like a very familiar tune sung by you. So this was what you felt for days on end? Now, it was easier for him to understand why you were always upset if you were ignored too much.

Still, it was mortifyingly embarrassing that his segments were reduced to this pitiful state just because you rejected cuddles a few times. Regardless, it was up to him to solve the issue. After all... he missed you too. He wanted you to be around him more often again.

And so the Doctor made his way to his beloved.

There you were, all cozy on your seat as you sorted through some papers. Really, he had no clue you'd be this productive, to be honest. At least it was proof that your health hadn't gotten worse, considering how well you were handling this.

"Aren't you the one who kept saying to take breaks?" His voice made you jump a bit, having not heard him walk up.

"It's you, Dottie! I was wondering when you'd come around. And of course, I take breaks, Dottore. I have lunch with the other agents!" Ah, another party that's been hogging your attention.

"You know, this job has been pretty fun, Dottore! Everyone's real nice, we make jokes, I get to write about interesting things..." You continued to go on about the research and while usually he'd be intrigued by your findings, this time he had enough.

Dottore picked you up like a long cat as you squealed from the sudden grasping.

"What are you doing?!"

"You're coming with me," was his cut and dry response as he lifted you into his arms.

"B-But I have to work on the big report for Pantalone!" Dottore's eye twitched at the mention of the banker.

"Someone else can."

"But I-"

"I'm not listening to anything you say further," he plainly said as he walked with you cuddled into his chest as you gawked at him.

Could he be... jealous? A wee bit lonely? You kept your guesses to yourself as he eventually bought you back to his room and laid you on his bed, not even saying anything to you before sitting at his desk.

Did he simply miss your presence that much? You felt a bit bad neglecting your lovers that much. But to be fair, they kinda did the same... sometimes. You got up to console your silly husband, who was just a man in your hands.

"Hey... I missed you too, dear husband... but I had to make sure no one stole the title of best assistant from me!" Dottore only sighed at your foolishness.

Of course no one could ever replace you.

"I know you'd rather die than admit it... but don't worry. You're lucky I'm sensitive to your feelings," you teased as you kissed the top of his mask. "I'll pay more attention to you and the segments, before they cause another headache for you, love. You'll give me some vacation time off, right?"

You laughed at your own joke before Dottore pulled you into his lap, biting down hard on your neck.

—

"Beloved, would you care to join me in discussing your work?"

"You fool, they're obviously coming to my lab to activate a new Ruin Machine."

"But [Name] is supposed to play with me today!!"

"As if, they're far too busy to join you all with your silly games."

"You all will stress them out with this arguing. Now, why don't you join me for a cup of coffee instead?"

"Grr, gr gr, grr!"

It was good to be loved so deeply.

[eaterofman]

Yandere Coworker Harem x New Hire Reader: A Meeting with the CEO

Follow up to this post

Finally fed up with it all, you decide to leave... but you learn it may not be that easy.

Content Warnings: General creepiness, yanderes, financial manipulation, manipulation, power difference, gaslighting

AN: Holy shit the first part blew up, more so than any post I've ever made on tumblr... ever. Thank y'all, and I hope this lives up to everyone's expectations? Had to ignore a few asks since they were essentially the plot to this part, haha.

As nice as Jake is... it starts to wear on you. The seclusion from your other coworkers, Warren and Jax's constant attention, it all becomes too much. This was the easiest money you've ever made, but it almost felt... condescending in a way. Seriously, you feel like you haven't actually worked in months, just given simple tasks to complete so that Jax could praise you. Otherwise, you felt like you were just eye candy set in a pretty office. No more, you figure. You make up your mind to go back to HR, it's been a long time coming. They either fix it, or you're gone.

With your mind made up, you return to Leon. He'd been so kind before, surely he'd help, right? As you explain your problems to him, he nods and gently smiles. In your distress, you don't notice his hand moving to cover yours, massaging yours comfortingly. You welcome the comforting sensation, overwhelmed to the point of not really considering the implications. You look into his dark eyes as you finish, silently pleading with him for help.

"That really is something. I'm sorry to hear your experience with the company has been so distressing. Tell me, do you have any proof?"

His demeanor seems to shift instantly back to the colder man you remember from your first sight of him. His fingers rubbing gentle circles into your palm shift into a harsher grip.

"Proof? I-I mean, the cameras have probably caught something?"

You'd say there were eyewitnesses, but all of your other coworkers had been avoiding you. You barely even knew their names...

"Unfortunately, our cameras have been malfunctioning lately, I doubt they'd catch anything. Without any actual witnesses, I'm afraid I can't do anything for you."

"How can you say that without even looking? This place is insane- you know what? I'm just quitting. I can't take this anymore."

You try to remove your hand but he keeps it there. His gaze is suddenly ice cold. He lets your hand go after a few moments of tension, fingers lingering before you yank your hand to your chest.

"Ah, you could quit... but I'd really recommend against it. You'd of course have to pay the dues you signed in your contract, as well as any additional fees. I'm not in charge of finances, but my estimate would be somewhere around... 200 thousand or so?"

You gasp, blood running cold. 200 thousand?! You don't remember signing that, but you also don't recall really reading over the contract in your excitement. You try to think of a way out, surely there had to be some sort of loophole-

"Of course, there's always the option of asking the CEO to change your contract, but..."

You'd tuned anything after that out, insisting to meet with the CEO as soon as possible. Which, to your surprise, was almost immediately. Almost like he'd been... waiting for you? Leon himself lead you to the CEO's room, at the very top of the skyscraper your office resided in. As you're let in, you're met with the biggest office you'd ever seen. It composed of the entire top floor of the skyscraper, massive windows encircling the entire ornate office.

You really try to ignore the feeling that you're walking into a trap.

The CEO was patiently waiting for you. Like a king on a throne, he sat in the middle of the room in front of a surprisingly simple desk. You'd heard of the CEO, Kennedy Grey, but you'd never met him in person before. He had an air of sophistication around him, an older gentlemen with salt and pepper hair and a well trimmed beard. His suit was pristine and looked expensive, probably costing more than your entire yearly salary. He smiled, urging the two of you to sit. His eyes glanced over to Leon's, a slight smirk on his face as if the two were in on a joke you weren't.

"So, what brings you two here? I've heard very good things about you from Jax. Things are going well, I presume?"

You fidget, despite his welcoming tone, he felt oddly... menacing. Like you weren't supposed to disagree with him, even if he asked you a question. You begin to explain your issues, but are quickly stopped with a firm look of disapproval when you bring up the idea of leaving the company.

"Now now, we can't have that, can we? With your contract, that wouldn't be a very smart idea, would it?"

Before you can even respond, he simply continues to talk over you.

"No, no it wouldn't. And you've just been such a good worker, we'd just hate to lose you."

"Well, I was actually hoping we could talk about the contract, I just don't think it's fair-" you can barely get your thoughts out as he cuts you off again.

"Unfair? But my dear, you signed it. I'd just hate to get my lawyers involved... they're top of the line, y'know? Besides, you don't actually want to leave, you're just... stressed. What do you need, a paid week off? A bonus for your hard work?"

"No-"

"Well, now that that's done, let's get back to work, shall we? You'll have a bonus on your next pay-"

You've had enough of his condescension and interruptions, it's time for you to interrupt him.

"You know what, I'll take the lawsuit. You people are insane. You can have the money if you want, but I'm out of here."

As you get up, you find you can't. Leon has moved behind you, surprisingly strong arms holding your chair in, preventing you from moving. You look up at him in angered confusion, but he's sharing a look with Kennedy. You once again feel like you're missing an important part of an inside joke again. You try to struggle, but you're stopped as Kennedy interrupts.

"Apartment 101, Evergreen Apartments, right?"

"W-wha-"

"You know, I've been venturing into the rental market recently. Very profitable at the moment. I actually just bought a few buildings in your area, including your little apartment. Such a shame, you know you could do better, right? All you have to do is ask..."

He smiles at you as if this was a normal conversation to him, like he was doing you a favor.

"I guess that makes me your landlord now, if you think about it!" his smile turns colder, eyes crinkling like he's laughing at you, "That being said, I just don't see how you're going to pay for the rent increase without this job. I hate to do it, but it's a necessity, y'know? Cost of living and such."

He waves his hand like it's no big deal, like he isn't playing with your livelihood and threatening you.

"You could move out, of course, but well, word gets around, and I just don't know how the other investors in the area would react to your... history."

You feel dread well up in the pit of your stomach and tears in your eyes. He... has you. What could you even do? Moving out of the city would mean starting over, and that's if you could even find a place and a job to pay for said place, and paying for the lawsuit-

In your panic, you can only whimper, "I just... why? Why me? i don't understand-"

"That's the beauty of it all, you don't have to. All you have to worry about is coming in and doing your job. We'll handle all the rest."

You jump, having almost forgotten Leon was behind you in your panic. You go to open your mouth-

"Wonderful insight, Leon. Now that we're all on the same foot, let's get back to work, shall we?"

You can only numbly nod your head, too overwhelmed to continue fighting.

You're finally allowed to sit up and begin walking towards the door, trying to speed walk out of the huge room that somehow managed to feel claustrophobic. You just wanted out at this point, you needed somewhere to think.

As you step into the elevator, Leon staying behind in the office-thank god-you're interrupted one final time.

"Oh, and I meant what I said. If you ever need any assistance, anything at all, just come to me. All you have to do is ask."

[jexnkookie]

The Law of Attraction (Lawyer!Jung Kook x Reader) [Part 1]

Story Synopsis: Throughout his life, Jung Kook has only ever loved one girl. Despite her being out of his league and of an elite class that he wasn't born into, he fell hard, keeping his feelings a closely guarded secret. When they parted ways, and Jung Kook pursued his law career, he did so with the intent of moving on. But when she unexpectedly arrives back into his life, Jung Kook finds himself once again face to face with his own insecurities, and the girl of his dreams.

Story Rating: M (18+) [Language, sex, depression, alcoholism] Genre: Angst, Fluff, Smut

Characters/Pairings: Lawyer! Jung Kook x Reader (feat. Jimin x Reader)

Chapter Word Count: 2.6k

Authors Note: I have this listed as "part one", because I may want to continue it in the future! This is just an idea that I've had floating around in my head, and I really haven't been inspired to write more of my other story lately, so why not put this out? If you'd like more of this story, please let me know and I can possibly continue it, if it's something y'all are interested in!

(It got another part)

Next Chapter

Series Masterlist

New York City is always bustling on a Monday morning. Crowds of people piling onto the sprawling connection of subway, buses and sidewalks on their way for another week of hard work. Jung Kook was among them, wearing a discounted, freshly pressed suit, and a fresh cup of Starbucks coffee in his hand. AirPods in his ear, he let the newest pop playlist cover up the sound of the crowded street on his way to his new office. There was a little, barely noticeable pep in his step, hinting at his excitement for his first day. 

His office building was rather large, even by his own metrics. Coming from Seoul, Jung Kook was no stranger to towering buildings, but this fresh law office had something glistening about its structure. As he entered through the front rotating tour, scanning the pass in his lanyard to be let in, any seasoned attorney would quickly recognize the wide-eyed young man as an ambitious rookie. 

“Jung Kook!” A voice called out from across the lobby. Jung Kook stopped walking and looked up, scanning the room to see Mr. Kim Namjoon, one of the best defense attorneys he’s ever had the pleasure of meeting, greeting him with a dimpled smile. 

“Good morning, Mr. Kim!” Jung Kook responded, quickly making his way over to greet him. 

“Aish, Jung Kook. Call me Namjoon.” He smiled shyly. “We’ll be working together as partners, I won’t be just a mentor to you anymore. I want you to feel comfortable around me.” 

“Right, of course.” Jung Kook grinned. “Thank you for bringing me here, I’m really excited.” 

“That’s great to hear.” Namjoon’s voice was warm and sincere. “I wasn’t sure how’d willing you’d be to leave Korea, but I’m glad you’re here.” 

“Yeah, it um…” Jung Kook pauses, thinking to himself for a moment for the right words to say. “It was a move that was for the best.” 

Namjoon kept a smile on his face, but furrowed his brows just briefly as he read into the younger man’s explanation. Not wanting to press too much, he motioned Jung Kook to follow him to the elevator. They walked together with comfortable conversation, questions about Jung Kook’s move to the city and his commute. As the elevator took them high above the rest of the city, Jung Kook’s finger absentmindedly tapped on the coffee cup he held, jitters taking over. 

“We had a case come in that I think you’ll be perfect to help me with.” Namjoon said, leading Jung Kook to his new office overlooking the city. There was an unorganized set of case files already on the desk. “You can put your stuff here, please make this space your own. The case is centering a Korean family, actually, so I thought maybe the two of us could connect with them on that level. Wealthy family, they’ve been doing business in the States a long time. But the son of the founder just recently inherited the company, and he’s being accused of defrauding investors. I need you to look over the case, and tell me what you think.” 

Jung Kook nodded as he took his seat at his desk, opening up the file to read the defendant’s name, Park Jimin. The name sounded oddly familiar to him, but he brushed it aside as he read the details of the case. 

“…Coaxed into investments using fraudulent and misleading data and projections…” Jung Kook read out loud, under his breath, before looking up at Namjoon. “So, he allegedly massaged the numbers into looking bigger than they are, leading to an increase of investments.” 

“Hm.” Namjoon hummed, leaning against the door frame. “Then when the actual numbers came in, and they were nowhere close to what he had projected, he didn’t have the money to pay out. Now it’s our problem.” 

“Yeah, ok.” Jung Kook nodded. “I have some ideas but I’d like to ask him some questions.” 

“Perfect. I’ll give you his contact info, but he should be flying into the city tomorrow. He wants to meet with us anyways, he just needed a little time.” 

“For what?” 

“He recently got engaged.” Namjoon responded nonchalantly, scrolling through the contacts in his iPhone. “She comes from a wealthy family from Busan, apparently. Their fathers knew each other, since they’re both from the city..” 

“Oh, they’re both from my city, I knew his name sounded familiar.” Jung Kook acknowledged. “Since her family is wealthy, maybe I’ve heard of them, too. What’s her name?” 

“Aish, I can’t remember…” Namjoon thought for a moment. “Mr. Park mentioned her, and now my mind is blanking.” 

The two startled when Namjoon’s phone rang. Namjoon apologized before stepping out to take the client’s call, leaving Jung Kook with his case files to further review. The rest of the day passed for the new, young lawyer, buried in a mountain of papers and taking notes. Namjoon peeked into his office on occasion to bring him coffee, or chat, or ask him about the case. But it was a slow, calm first day. 

As was the next day, and the day after that. Jung Kook got into a routine as the weeks passed, feeling a growing sense of familiarity with the way that he was able to bury himself in his work. It was a nice way to briefly consume himself and chase away the loneliness of the last two years of his life. 

He slowly made friends at his new firm. Never the extrovert, he was shy at first and afraid to open up. But knowing Namjoon for several years gave him a foot in the door, and allowed him an entry way into conversations that he wouldn’t have had otherwise. They asked about his life back home, and never dug too deep when he gave vague answers. He appreciated that, and his colleagues grew to like the handsome young lawyer. 

Finally, on a Friday, as the week was winding down and Jung Kook was thinking of possible weekend plans, Namjoon quickly walked into his office after a brief warning knock to his door. 

“We have a surprise meeting with Mr. Park.” Namjoon explained. “He just flew in from Seoul with his fiancé, and called me to say they want to meet with us. They’ll be here in a few minutes, so grab your notes and meet me in the conference room.” 

Jung Kook’s eyes widened and he responded with a quick “ok”, before gathering up his collection of papers into a manila folder, and walking to meet Namjoon, stopping momentarily only to grab another quick cup of coffee to make sure he was alert. Being his first client meeting since joining the firm, he wanted to make sure he was at his best. 

Settling into the conference room, Jung Kook looked over his notes, and made sure to have a pen to write down anything he may need later. He could see a light reflection of himself in the wall of windows facing the rest of the office, which he used to make sure his hair and suit looked presentable. He was hoping that with the money he made off of this case, he could buy a new, nicer suit like the one he saw in a shop window that he passed by not long ago. 

His thoughts of a modest suit however were quieted by the presence of what he knew immediately to be his client walking down the office halls, nearing the conference room. Dressed in a luxurious, designer black suit and Louboutin loafers, Park Jimin was striking at first glance. He hid his eyes behind black sunglasses despite being indoors, and his dyed blonde hair complimented his glowing complexion and lush, pink lips. He looked expensive, the textbook definition of an heir. 

The woman by his side looked gorgeous, Jung Kook thought. She was also beautifully dressed, in a sharp, maroon pencil dress and heels, with sunglasses also covering her eyes. Her Chanel bag dangled off her shoulder, her head was down, and her hand was intertwined with Mr. Park’s as they walked.

“Good afternoon, Mr. Park.” Namjoon greeted with a bow as he opened the door for the couple. “How was the flight in?” 

“It was excellent, thank you. Please, call me Jimin.” Jimin responded, taking off his sunglasses, before turning his attention to Jung Kook. “Hello, I’m not sure we’ve met.” 

“Jeon Jung Kook. I’ve just recently been added to look over the case.” Jung Kook smiled, standing up from his chair to bow. “It’s a pleasure.” 

“Park Jimin.” Jimin introduced himself. “And this is my fiancé, Y/N.” 

Y/N. Jung Kook repeated in his head, his eyes widening. It’s not possible. 

You took off your glasses before bowing to Namjoon, and raised to meet Jung Kook’s eyes. Your expression matched his own, recognizing the man instantly. 

“Jung Kook?” You smiled warmly. “Jeon Jung Kook? Oh my God, what a small world!” 

“You two know each other?” Namjoon asked with a raised brow. He looked over at the young lawyer, who was staring at you with large eyes and parted lips. 

“Jung Kook is an old classmate of mine.” You explained to Namjoon and your fiancé. “We went to the same university ages ago, when we were still living in Busan.” 

This was Jung Kook’s worst nightmare unfolding right before his eyes. Here you were. You. Just as warm, beautiful, and personable as ever. Just as clueless as ever. It was amazing how you could be such an angel, but put him through so much pain, and not even know it. 

“How have you been?” You asked with an innocent, bright grin. “I haven’t seen you in so long!” 

“I-I’ve… been good.” Jung Kook stuttered, causing the other men in the room to look at him with growing suspicion. 

“Honey, I don’t know that you’ve ever mentioned a Jung Kook.” Jimin said in a sweet tone directed at you, while his eyes judgmentally looked Jung Kook up and down. Namjoon nervously watched the interaction, waiting to bud in at any opportune time. 

“We just had a couple classes together.” You explained. “Jung Kook, wasn’t it um…” 

“History.” He finished your sentence, quicker and more deadpan in his tone than what he meant to. “And our political science class.” 

“That’s right!” You nodded. “I remember you were always so smart, I guess it makes perfect sense you practice law now.” 

“We’re happy to have him on the team.” Namjoon interjected, walking over to Jung Kook’s side of the table. He noted how Jimin still seemed unsure of Jung Kook’s mannerisms, and wanted to press on with the meeting. “Let’s get started, I’m sure the two of you have plans for the evening.” 

Everyone took their seat, and Jung Kook stared at the blank notepad in front of him. He could feel Jimin’s eyes on him, but pretended not to be bothered. He scribbled down the date on the paper, desperate to not meet the client’s gaze. 

“So, we reviewed the case.” Namjoon began, seeing how Jimin’s death stare didn’t shake from Jung Kook as he spoke. “We think that we have an excellent shot at winning, and to be completely honest, we’re expecting the judge to throw the case out.” 

“That’s great news!” You said excitedly. “Honey, you’ve been so worried about this.” 

Jimin looked at you, his eyes softening and a soft smile appearing. He rested a hand on your thigh, and looked over towards Namjoon. 

“That is great news. Thank you, Mr. Kim.” 

“Jung Kook has been reviewing the case for several days now, and he put together a couple arguments that we’ll present to the court, and have this ordeal finished, so you can move on.” 

“Y-Yeah, so um…” Jung Kook started, the weight of everyone’s stare feeling heavy and thick in the air. He was careful to avoid your eyes in particular, sure that his reaction would be less than professional. “First of all, the numbers allegedly presented to investors were never your numbers, Mr. Park, they were the numbers that your father had supposedly projected. The suit is filed against you, not the company, so we can argue that you cannot be held personably liable for any losses. A-Also, there’s no um… There’s no physical evidence of these exact projections being shown that the plaintiffs presented so um… We could argue insufficient evidence.” 

If Jung Kook were brave, he’d look up from his notes to see the way you grinned at him with the same, beautiful smile he used to see walking across campus every day. If he were brave, he’d tell you how beautiful that smile, and the rest of you, have always been to him. 

If he were brave, he would’ve told you that a long time ago. But Jung Kook has never been brave. Not then, and definitely not now. Not when his client is shooting daggers at him from across the table, and a sparkling 24k gold and diamond on your finger reminds him of the thing he’s always known; you’re too good for someone like him. You deserve more. 

“I think that sounds like an excellent plan.” Jimin said calmly, eyeing the young lawyer up and down, before turning his attention to you. He tucked a piece of hair behind your ear. “I think Mr. Jeon has this whole thing figured out. What do you think, darling?”

“I agree.” You blushed at your fiancé’s uncharacteristic public affection. “He’s always been so smart.” 

“It seems so.” Jimin responded. “In that case, I believe we can wrap up this check-in meeting. I’d like to take my love out to dinner tonight. It’s her first time in New York City.” 

“Is it?” Namjoon’s voice was pleasant but quick as he spoke. “Well, let’s not keep you two waiting. Thank you for coming in, and we’ll be in touch. Please, Mr. Park, don’t be afraid to reach out to either of us if you need anything.” 

“I’ll keep that in mind.” Jimin said, getting up from his chair and helping you out of yours before bowing to the lawyers. 

“Jung Kook, it was so nice to see you.” You said, waving at him while Jimin placed a hand on your back to lead you from the room. “Thank you for working on this for us.” 

“O-Of course.” He bowed. “You two have a nice night.” 

With that, Jimin led you away from the room and down the office, and Jung Kook watched as he took your hand in his and caressed your skin with his thumb. It amazed him how even after all this time, seeing you with another man makes his chest ache. 

“So….” Namjoon’s irritable voice said, leaning against the table. “You want to tell me what the fuck that was about?” 

“It’s nothing.” Jung Kook responded quietly, cleaning up his papers to avoid making eye contact. “Just an old classmate.” 

“Nothing?” Namjoon asked with a scoff. “Our client just burned a hole through you with his glare the entire meeting, and you want to call that nothing?” 

“I want to go home.” Jung Kook said with growing frustration. “I promise, it’s nothing. It’s just been a hard first few weeks, ok?” 

Jung Kook was headed out the door quickly, when Namjoon grabbed his arm to make him stop for a moment.

“If something is going on with our client’s fiancé… if there’s a history there or whatever, you need to let me know so we can manage this. We can’t lose Jimin as a client, we’d both be out of a job. He brings in too much money.” 

“What, does he get into this type of shit a lot or something?” 

“What do you think?” Namjoon asks. “It’s part of the job, dealing with rich clients that have more money than sense. They didn’t teach you that in class? Or were you too busy ogling her?” 

“It’s really nothing.” Jung Kook said, this time more calmly through gritted teeth. “I just need to go home.” 

Namjoon sighed as Jung Kook left the room, and cursed his luck with the obvious situation under his breath. 

[weneeya]

hi!hi!!! this is the same person who requested tht office romance w/ kuroo last time hehe. i love your writing style so much bc its easy for someone like me (who has a deteriorating brain functioning system from all of the brainrot ive been influenced by the internet) to understand and imagine in my silly deluional head XDDD anyways !! id like to request dad! headcanons for the black jackals (specifically, hinata, sakusa, atsumu and bokuto^^) omg maybe a scenario where they find out that reader is pregnant then proceed with the headcanon with how they act with the kid/s i just needed to request this bc my baby fever has been progressively getting worst and i just cant stop thinking abt kids :']] GOODLUCK AND I WISH U WELLLL !!! <3333

baby fever w/ hinata, atsumu, sakusa, bokuto m.list | rules

note. omg thank you sm I'm so happy you loved the one with Kuroo because i loved writing it sm!! and i probably the idea even more because omg the boys as dads?? it's genius idk why i've never did it before! i hope you'll love it just as much <3

Hinata Shoyo

You had been trying to have a baby with Shoyo for a few weeks already, but it was like fate was against the two of you because you seemed to not be able to end up pregnant. You were slowly starting to lose hope ; thank God Hinata was way too positive and optimistic to even think about the worst. It was helping you, in a way. 

He was at the gym to train for their next matches when you learned the good news. You didn’t hesitate twice before almost rushing to join him. He was talking with his team, most specifically Bokuto, when you arrived like a fury. Shoyo looked at you with a big smile and you waved at him. He came to you in no time. 

“You seemed happy. What’s the news?” He asked with his usual smile, and you almost felt the tears in your eyes. You took his hands between yours, trying not to talk too loudly. “We did it Shoyo! I’m pregnant!” And your words didn’t get the time to fall in the silence. 

Hinata held you tightly between his arms, carrying you off the ground and spinning around with you in his arms. Right after your feet finally met the floor again, he cupped your face with his hands to kiss you. “I told you, we needed to be patient!” And you were sure that the rest of the team was going to learn the news sooner than later. 

good with children ; he has a little sister after all 

always so patient no matter what 

not the type to ever yell, so when he get to angry mod, the kid stop immediately 

will talk a lot about highschool and his friends ; so proud 

take pictures all the time, videos too ; a lot of memories of your baby boy 

ready to take a break from volleyball so he could give all his time to you and the baby

Miya Atsumu

Saying that Atsumu was scared of having children was an euphemism. The man was absolutely terrified by the idea. It wasn’t that he didn’t want to have a child with you, of course not ; it was just the responsibilities which were so stressful for him. He kept acting cool at first but after some time you’ve been able to understand what was going on inside of his mind. 

Until you’ve been confronted with reality. You were alone in the bathroom, and Atsumu was waiting for you right outside of the room. Things were a bit weird with your body lately and you both noticed it. So it wasn’t so surprising that you took a test just to be sure. 

You got out of the bathroom, and your gaze met Atsumu’s eyes. You slowly showed him the test, and he could quickly read the answer he was waiting for. You were pregnant. He looked back at you, and he saw that you were about to say something he didn’t want to hear from you. 

“Don’t ever say you're sorry,” he started, slowly caressing your cheek with his thumb. “It’s the best news you could have told me. Because we’re going to have the most beautiful baby ever, and I’m going to love you two until the end of my days.” This time, you couldn’t really help the tears which felt down your cheeks. You closed your eyes, and he left a kiss against your forehead. 

“I love you,” you told him in a whisper, and he couldn’t help but to smile slowly. “I love you too,” was his answer before he held you tight between his arms. He was scared, of course ; but he couldn’t be happier at the same time because God knew how much he loved you. 

the man is an overprotective mother ; almost like he was the one who bear the baby 

careful about absolutely everything 

acts cool but stressed when something doesn’t go as planned 

girl’s dad at 100% 

loves to be considered as a princess ; will wear a dress and a tiara 

bringing gifts all the time, especially when away because of volleyball

Sakusa Kiyoomi

You already talked about having children with Sakusa, but the conversation was never ending well. In fact, it always ended up in an argument. Your partner was completely closed at the discussion and you couldn’t understand why. 

So when you learned that you were actually pregnant, fear ran over you. You cried a lot, for a long time. How were you supposed to say this to him? Was he going to leave you? You were so scared, and it was messing with your poor mind. 

Sakusa came home after practice, and he found you in your bed, curled up in the blanket to hide yourself. A sigh left his lips before he took place right beside you after being ready to do so. “What are you hiding from me? Don’t say nothing, I know you too well. There’s something wrong.” 

You looked at him and he frowned immediately when he saw the redness of your eyes. You had been crying for quite a while, so he knew he was right ; even if he hoped to be wrong. He slowly caressed your cheek, waiting for you to find the strength to tell him. 

“Kiyoomi… I’m pregnant…” You told him in a little voice, and his eyes widened almost right now. He blinked a few times, and you looked away, feeling the tears coming back. “I know, we talked about it, but I…” 

Sakusa grabbed your chin with all the softness in the world, making you look back at him. He left a small kiss against your lips. “I couldn’t be happier, my love, I swear.” It was your turn to stay silent, all blinking. This is how you learned that the only reason behind Kiyoomi’s anger towards pregnancy was actually fear because of all the complications. 

But if it was for you, he was ready to take the risk. Because having a baby with you was all he could dream of. You just needed to be careful. 

biggest girl’s dad ever 

will do anything for his baby girl ; even if it meant going out with ribbon in his hair 

discreet about his private life but when he sees you two during his matches? can’t hide much longer 

completely devoted but still know how to be a little strict 

wants his child to have the best education so he’s careful about everything 

get scared every time the baby is just a little sick 

overly protective ; especially when it comes to boy close to his girl

Bokuto Koutaro

He was made to be a father, you were sure about it. He loved children so much, there was no way he wouldn’t be happy to learn that you were pregnant. But it was still pretty stressful for you, because you were never sure of anything with Bokuto. 

Today was the day, because he was finally coming back home after being away with his teams for a few weeks. You couldn’t announce this to him on the phone so you had to wait for him to come back. When he entered your shared apartment, he had a huge smile on his lips. Being able to finally reunite with you was all he could ask for. 

You were sitting on the couch, and he almost immediately jumped on you. As the yapper he was, he started to talk about his trip and everything that happened. But you seemed lost in your thoughts, and he noticed it quickly. 

“What’s wrong babe?” He asked, tilting his head to the side. You met his gaze and a sigh left your lips. “I have something to tell you,” you started, and Bokuto slowly frowned his eyebrows. Something was weird, and he didn’t like it at all. He stayed strangely silent while you were trying to find the right words to tell him the news. 

Another long sigh left your lips before you finally decided to say it out loud. “I’m pregnant, Kou.” And the silence after that was long. Too long for you, and you started to worry. Until a huge smile appeared on his lips. He grabbed your hands, eyes wide. “We’re expecting a baby? Really?” 

It was like all your worries fled away at this exact moment, and you slowly nodded with a smile on your own lips. “Yes, we’re expecting a baby.” Nothing could go wrong if it was with Bokuto after all. 

neither a girl’s dad or a boy’s dad ; just devoted and obsessed with his children 

had probably cry more than you when he saw your baby for the first time 

it’s like the accomplishment of his entire life 

not really the strict parent ; doing half of the stupidities with your boy 

will obviously teach him volleyball at the youngest age 

always playing with your son when he can ; doing his best to be as present as possible 

will show him to the camera during his interviews after a match 

always talking about you or the baby to everyone ; really the proudest 

a kid himself so obviously he know what to do to make the baby boy laugh 

thank you for reading!

[thewadapan]

So why did Transformers One bomb?

Look, I'm just going to say it right off the bat: no, Transformers One is not the best Transformers movie of all time. I am (gritting my teeth) very happy for every single Transformers fan except me, who all seem to have liked it, and most of whom seem to have loved it. I agree that, as a production, it meets some baseline level of technical competence. It's a perfectly fine movie.

It's also the worst-performing Transformers movie Paramount has ever made.

Hopefully, now that its theatrical run has unceremoniously ended, people aren't going to try to rip me to shreds for theoretically threatening this multi-million-dollar film's box office revenue some miniscule amount by sharing a few teensy weensy complaints with my fifty followers.

Because I do just have a few little nitpicks, which I've tried my best to communicate, over the next 17,000 words of this post.

If you're not a Transformers fan, sorry, this essay is mostly written with the assumption that you've seen Transformers One. However, it might still be of some interest as a window into the current state of the franchise. I've written a basic plot summary of the movie to bring you up to speed, in that case. Because Transformers One purports to be the perfect introduction to the story, no homework needed, I've also done you the courtesy of elucidating background context as needed—think of this less as a review, and more as a history lesson, or maybe a "lore explained" YouTube video. After all, that's pretty much all that Transformers One is.

(And if farcically long posts aren't really your thing, you might prefer to listen to the special episode of Our Worlds are in Danger where my pals and I chatted about the film. Many of the hottest takes and silliest bits in this essay are shamelessly stolen from Jo and Umar.)

We've been waiting for Transformers One for a very long time. It's the first animated Transformers film to get a theatrical release since The Transformers: The Movie came out in 1986. It first entered development around a decade ago. Many fandom members I know online got to see it as far back as June. Its US premiere was in September; those of us in the UK had to wait a full extra month before seeing it, for no clear reason. This is a film which purports to show, in broad strokes, for the first time on the big screen, the origin of the Transformers: where they come from, who they are, and why they're fighting.

By the end of its runtime, Transformers One does not actually answer these questions. Don't get me wrong, it takes great pains trying to answer a lot of different, related questions—just ones which nobody was really asking in the first place: What does the word "Autobots" mean, if not "automobile robots"? What does the word "Decepticons" mean, if they're not actually deceitful? Why is he called "Optimus Prime"? Why is he called "Megatron"? If they were friends, why did they fall out? Why does Starscream sound Like That? Where does Energon come from? If "Prime" is a title, what were the other Primes like? How do Transformers transform?

Writer Eric Pearson, coming onto the project as an outsider to Transformers, describes having to go to Hasbro to ask these kinds of questions:

they had a script that outlined the story that they wanted to tell. I knew Optimus Prime and Megatron and I knew Bumblebee as well, or B. I had to ask about some of the other deeper ones, the mythology, “what exactly is the Matrix of Leadership?” Stuff like that.

See, Hasbro does in fact have the answers written down somewhere. The story as I understand it goes something like this. During the wild west of the '80s and '90s, Transformers "canon" was largely a by-the-seat-of-your-pants consensus-based affair between the freelance writers and copywriters the toy company would bring on to advertise their toys. That changed around the turn of the millennium, when late later-CEO Brian Goldner saw how Hasbro's licensed IP lines (such as Star Wars) were more financially successful and realised they could make more money by aggressively promoting their own in-house IP, which they didn't have to pay licensing fees for. (For the curious, a similar thought process at rival toy company Lego was what led to their creation of BIONICLE.)

The guy basically singlehandedly managing the Transformers brand at the time, Aaron Archer, eventually set to reconciling all the self-contradictory lore surrounding Transformers, an endeavour which dovetailed into the creation of the HasLab internal think-tank (best known for Battleship, the 2012 store-brand Michael Bay knockoff which was a failure critically and commercially but not in my heart) and ultimately the creation of the so-called "Binder of Revelation", an internal story bible which cost over $250,000 to produce and has strongly influenced nigh on every piece of Transformers media released since, but which we hadn't actually seen until it got leaked a week ago. As it turns out, the document itself (compiled mostly by marketers and toy designers) is patently useless to any writer: it's a typo-ridden internally-inconsistent wishy-washy mess that mostly describes the characters in terms of a made-up form of Transformers astrology that has otherwise never seen the light of day.

So although the Binder is the baseline story bible for most modern Transformers media, its influence isn't direct per se; it's more accurate to describe it as being an elaborate game of telephone between high-profile cartoons, comics, and other internal documents, with the Binder itself apparently just sitting in a drawer somewhere at Hasbro; Eric Pearson says that he never received a "binder", with the "script" he mentions either being the earlier draft from Andrew Barrer and Gabriel Ferrari (the guys who originally pitched the story), or some other unseen internal document. Director Josh Cooley, however, definitely seems to have been physically handed the Binder or its mass-market adaptation:

I knew that there was a lot of origin to be told, and when I first started, [Hasbro] gave me the Transformers Bible. I could not believe how big it was. I was like, "This is way more than I ever anticipated."

When trailers first dropped for Transformers One, a lot of my friends who are savvy were immediately like: "Oh, this is a weirdly faithful adaptation of the Binder of Revelation, huh."

I. The One True Origin of the Transformers

Half of the people reading this are Transformers fans, and half of you literally could not give less of a shit about Transformers, so if you're in the 'former group (so to speak), you'll just have to bear with me while I bring the rest of us up to speed.

Before the Transformers' civil war begins, Cybertron is being oppressed by the Quintessons. The Quintessons are a race of five-faced aliens (as in, not Transformers), who execute everyone they come across, first introduced in The Transformers: The Movie, presiding over a kangaroo court on a castaway world. In the followup cartoon five-parter "Five Faces of Darkness", writer Flint Dille established that, gasp, they were actually the original creators of the Transformers! But basically nobody else at the time was particularly compelled by this idea, it seems, with most fans preferring the more mythological origin story conceived by Bri'ish writer Simon Furman for the Marvel comics. I think people kind of just didn't like to think of the Transformers as being robots—mass-produced, a fabrication, programmed—as opposed to an alien race of thinking, feeling beings like us. But because the cartoon was important to many kids, a lot of early-2000s media tried to reconcile the cartoon and comic origin stories by stating that the Quintessons didn't actually create the Transformers; rather, they simply colonised the planet early in its history and pretended to be the Transformers' creators, until the truth came out and they got kicked offworld. This is how the Binder of Revelation ultimately paid lip service to the Quintessons. In Transformers One, the Quintessons are just sort of here, they're these evil aliens secretly skimming Energon from its miners, they don't speak English (or whichever language the film was dubbed into in your market region), they're just these nasty societal parasites.

Energon is Transformers fuel. In the original cartoon, it was these glowing pink cubes the Decepticons were always trying to produce using harebrained Saturday-morning-cartoon energy-stealing devices. There was a Cold War going on, America had just been through an "energy crisis", maybe you're old enough to remember any of that. Transformers are these big, complicated machines, so I guess the idea is they need this hyper-compressed superfuel to run off, and their homeworld has run out. By the time of the Binder of Revelation, the concept had been telephoned to the point where Energon is like the lifeblood of Primus or some shit.

Primus is the Transformers God—but not the kind of God you have "faith" in, rather this actual guy whose existence is objectively known in various ways. He transforms into a planet, that's kind of cool, right? Where does Primus come from? Look, it doesn't matter, he's like, the God of Creation, he was there at the start of time. He created all of the Transformers. All the other species in the galaxy, though, they evolved naturally thanks to "science". Actually wait, didn't that Quintus Prime guy go around the universe seeding all the planets with different kinds of Cybertronian life? That's why they're called Quintessons. See, now you know. Who's Quintus Prime?

Okay, so the Thirteen Original Transformers, or the Primes, are the thirteen original Transformers created by Primus. Most of them correspond to different kinds of Transformer: Nexus Prime is the god of Transformers who can combine, Onyx Prime is the god of Transformers who turn into animals, Micronus Prime is the god of Transformers who are small, and Solus Prime is the god of Transformers who are women. You might remember the Primes from Revenge of the Fallen, although there were only seven of them there for whatever reason.

Honestly, The Fallen was the only one who mattered for a long time. The whole reason there's thirteen of them is because thirteen is kind of an unlucky number, right? Twelve would've been fine. But throw in a thirteenth guy, and he betrays everyone, he's this fucked up evil guy. In the Binder of Revelation, though, the Thirteenth Prime is his own special guy shrouded in mystery, because they kind of liked the idea that Optimus Prime would secretly turn out to have been the Thirteenth Prime all along, and he just forgot or something, because that means he has the divine right of Primes. In IDW's 2010s comic-book reboot, the Thirteenth Prime was called "The Arisen"—in reference to that one line in The Transformers: The Movie, "Arise, Rodimus Prime!" (this margin is too narrow to explain who Rodimus Prime is). Towards the end of his run, writer John Barber did some actually interesting stuff with the concept, playing with the ambiguity over whether-or-not Optimus Prime was actually the chosen one.

All of Optimus Prime's immediate predecessors as Autobot leaders, Sentinel Prime, Zeta Prime, the lineage seen in "Five Faces of Darkness"... they're all false Primes. They're Primes in name only. In fact, IDW had a whole procession of these cartoonishly evil dictators thanks to a few continuity errors leading to the addition of a couple of extra narratively-redundant fuckers. Transformers One tries to simplify it slightly by just saying that Zeta Prime was one of the Primes for real—occupying that thirteenth "free space"—and it was just Sentinel Prime who was only a normal Transformer pretending to be a Prime, then Optimus Prime who's a real boy.

But if he's not a Prime from the start, Optimus Prime needs another name in the meantime. In the '80s cartoon episode "War Dawn", before he was called Optimus Prime, he was called "Orion Pax". Have you noticed that Optimus Prime is kind of an odd-one-out amongst all the straightup-English-word names like "Bumblebee" and "Ratchet" and "Jazz"? That's because his name was one of a tiny handful from very early in the franchise's development, before writer Bob Budiansky came onboard and came up with identities for the vast majority of the toys. Practically everyone Bob Budiansky named is called like, "Bolts" or some shit, long before the characters even know of Earth, which has always just been a contrivance of the setting you're not supposed to think about.

Presumably to create a parallel with Orion Pax's transformation into Optimus Prime, someone at Hasbro in the 2010s came up with a new name for the bot who would become Megatron: "D-16". In real-world terms, this was nothing more than a dorky reference to the Megatron toy's original Japanese release being number 16 in the line ("D" stands for "Destron", which is what they call Decepticons in Japan). But in-universe, the name "D-16" was drawn from the sector of the mine where he worked. I don't get the impression it was originally intended to be part of a broader pattern.

Which is why I'm baffled as to what the hell the reasoning was behind Bumblebee's pre-Earth name, "B-127". There's this bizarre situation in the Bumblebee film, where the name "B-127" first cropped up, where literally every other bot gets a normal cool name with personality like "Cliffjumper" or "Dropkick" except for Bumblebee, who is stuck with this clunky sci-fi name until he makes friends with a human teenager on Earth and she gives him the name Bumblebee. I guess I don't find it confusing that the writers would (correctly) realise it's a bit weird for Bumblebee to be called Bumblebee on an alien planet where bumblebees don't exist. What I find confusing is that they didn't extend that logic to any other character.

So despite everything else in the franchise's direction pointing away from "robot" and towards "alien", Transformers One ends up with this ridiculous situation where two of the most important guys are, for practically the whole movie, simply referred to as "Dee" and "Bee", I guess because the writers correctly realised the numbers sound fucking stupid.

And if you squint, "Elita-1" sorta fits this naming scheme. But the great irony of it is that the very same cartoon episode which coined "Orion Pax" simultaneously established that Elita-1 also used to go by a different name: "Ariel"! Like the Little Mermaid. Y'know, because an "aerial" is a type of electrical component- oh, forget it.

By the time the script made it into Eric Pearson's hands, it's obvious that he simply was not thinking about it that deeply. He describes the genesis of a scene where Bumblebee introduces his imaginary friends, "A-atron, EP 5-0-8, and Steve." A-atron was impov'd by Keegan-Michael Key as a reference to one of his own skits on Key & Peele. Steve ("He's foreign.") was literally just because Pearson thought it would be funny. It's true that Steve is an inherently funny name, and I guess if you're struggling to come up with jokes of your own, it can be handy to fall back on something which is inherently funny.

And again, our silly answers to these silly questions beget yet more questions. If he started out as "D-16", then where did the name "Megatron" come from? And if all the Primes have epic made-up fantasy names, then surely that one guy can't just be called "The Fallen", right? That's not a name, that's an epithet. Unfortunately, someone at Hasbro had the bright idea to answer both these questions at once: The Fallen's real name was "Megatronus". Later, for consistency, they threw on the title, and we get "Megatronus Prime", which sounds like what a thirteen-year-old on deviantART in 2014 would call their Steven Universe fusion of Megatron and Optimus Prime. So you see, Megatron actually named himself after Megatronus Prime, famously the most evil of the Primes. In Transformers One, this is changed slightly so Megatronus is merely the strongest of the Primes, as part of its overall effort to make Megatron not look completely insane.

Which, it must be said, is a tall order. Better stories have tried and failed. Back in 2007, Scottish writer Eric Holmes came up with Megatron Origin, a perfectly-fine comic miniseries which drew heavily from the miners' strikes that took place in the UK from 1984-1985, coinciding with the inception of the Transformers franchise. In that comic, Megatron is a lowly miner who, through a series of chance events, winds up at the head of a dangerous political revolutionary movement.

For some reason—I guess because nobody had ever tried to make Megatron anything other than a bloodthirsty cackling madman before—this take on Megatron as a guy who rose up against a corrupt system became the defining interpretation of the character, copy/pasted pretty much wholesale into the Binder of Revelation. Orion Pax also opposes the system, and bonds with Megatron over it, but they disagree on how to fix it: Pax believes in peaceful reform, Megatron just loves to kill. In Transformers One, the problem everyone has with Megatron is basically "whoa, this guy's a little TOO angry!" and there's a point towards the end of the film where Megatron suddenly starts jonesing to kill literally anyone who stands in his way, because he's irrationally angry.

The core problem here—and it's kind of the Magneto problem, the Killmonger problem, whatever better-known example you care to insert here—is that these guys all fundamentally exist just to be a big villain who loves to kill people and who ultimately gets defeated, but the kids who grew up on this stuff in the '80s are now adults who are no longer satisfied with cardboard cutout villains. People like a complex villain, they like a villain who has a point. They like to root for both sides. And in fact, it's easier to sell more toys to people who are rooting for both sides, if your villain is just another kind of hero. But you don't really need to take the same effort with the good guys: they're good by design, righteous by nature. They don't need to stand for something, they just need to stand against the guy whose whole thing is that he loves to kill people.

But again, we're starting from a place where the evil faction—who half the planet will ultimately align themselves with—are literally called "Decepticons". It's a name you'd only ever call yourself ironically, maybe reclaiming it from your enemies. In this film, there's some tortured logic that implies they're called Decepticons because they were deceived by Sentinel Prime. Like if you met a gang of guys who call themselves "The Robbers", but it turns out to be because they got robbed one time, and they actually have zero intention of stealing from anyone.

The Autobots are easier, of course. "Auto" is a prefix that just means, like, the self, or whatever. And the most agreeably American ideal of all is selfishness the power of the individual, the freedom to seize one's own destiny. Prime's original '80s motto, "Freedom is the right of all sentient beings," is bastardised in Transformers One into the slightly less rolls-out-off-the-tongue "Freedom and autonomy are the rights of all sentient beings," because (I can only assume) they forgot to work the word "autonomy" earlier into the script. If they ever greenlit Transformers Three, I suppose the motto would have ended up as something like "Freedom, autonomy, ruthless efficiency, and an almost fanatical devotion to the Pope are the rights of all sentient beings." Even though bodily autonomy is one of the most salient motifs present in the film—all but referred to by name—I suppose the filmmakers were worried that you might think, when Prime says "freedom", that he actually means something completely different. So now you see! "Autobots" is actually the descriptive name of a political movement which believes in obviously good things. Like "Moms for Liberty".

Okay, so the cannier among you have probably spotted the mean rhetorical trick I'm pulling with this encyclopedia-entry-ass introduction. By sarcastically relitigating all the storytelling choices I dislike from the last 20 years of Transformers lore, I can build up a negative association with Transformers One without even reviewing the movie itself! On a subtextual level, I'm deliberately misattributing these bad ideas to the filmmakers, conveniently ignoring the mountains of evidence to suggest that they were just trying to make the best of whatever Hasbro handed them from on high. If anything—you might think—the filmmakers deserve even more credit, for spinning this shite into something even remotely good on the big screen.

Like, you'd be wrong, but I can see why you might think that.

II. The Spider-Verse of Transformers

Okay, I can see that I've spat in your soup. I'm sorry. There are lots of good bits in Transformers One. I can even think of one or two of them off the top of my head, without really racking my brains.

Maybe halfway through the film, there is one specific moment where the story suddenly promises to get good. You can pinpoint it down to the word, down to the frame even. Our heroes have just discovered that their planet's leader, Sentinel Prime, is a complete fraud who's been secretly exploiting them ever since they were born—and worse, castrated them by removing their transformation cogs. They are all very cross about this. Orion Pax expresses that he wants to come up with a plan to expose Sentinel Prime. Megatron is too angry to listen. Orion Pax asks, "Don't you want to stop him?" And Megatron replies, "No, I want to KILL him!" And there's like, a little tint of red creeping into the glow of his eyes.

Whoa. Chills. Up to this point in the film, Megatron has been kind of surly at times, but he's otherwise a generic kids' movie protagonist. He's often chipper. He makes quips. He has this banter with Orion Pax where he's always complaining. It's literally that one "Optimist Prime"/"Negatron" comic, committed to film. Like I'm not even being facetious, one of the film's few obligatory "emotional moments" has Elita-1 sit Orion Pax down and say, "You know what I love about you? You always see the bright side. Like you're some kind of OPTIMIST or something." And then later completely unrelatedly God gives him the mandate of heaven and says "ARISE, OPTIMUS PRIME!" Y'see, as originally conceived, "Optimus" is the word "Optimum" if it was a name, which is why people sometimes localise his name as "Best #1". But it's genuinely kind of cute to reverse-engineer the etymology as coming from "optimist", I guess. Like, it's stupid, but it's cute.

Argh, I got distracted with naming minutia again! Entirely my bad. That's the last time, I promise. Where was I? Right, we'd just found out that Megatron is kind of scary. Brian Tyree Henry's line delivery as he growls "KILL" is his crowning achievement in this film.

Where Optimus Prime's character arc in this movie sees him change from a funny, rebellious spirit to a complete personality vacuum, Megatron's character arc is kind of the opposite. When we're first introduced to him, it's weirdly hard to get a handle on who he is. He's a fanboy for Megatronus, the strongest and most morally-unremarkable of the Primes. He looks up to Sentinel Prime. He likes sports. He doesn't like breaking the rules. In fact, we get the sense that, were it not for his friendship with Orion Pax, he would be literally indistinguishable from the legion of silent crowd-filling background characters he works with. But the moment he starts to become Megatron, it's like everything starts to click. Gears catch, where once they ground and idled. There is something in this guy that was made to fight, made to kill, made to rule. It's sick.

And the underlying tension in his friendship with Optimus suddenly snaps into focus. Megatron is mad at Sentinel Prime, but Sentinel Prime isn't there, he's somewhere else, far below... and he can't help but turn that anger on the next closest thing to an authority figure he has in his life, which is his peer-pressuring bestie, Orion Pax. There is a part of Megatron that wishes he'd never learned the truth, and he blames Orion Pax for his cursed knowledge, for constantly leading them into predicaments on his stupid flights of fancy. Now that he knows, he can't go back to how he was. He can't stop thinking about it.

I'll be honest, it rules. Obviously it rules. It's complicated and toxic and darker than this movie was marketed to be. In interview, Josh Cooley describes the draft of the script he was presented with when he joined the project as having been far more jokey, light-hearted, glib—and it seems we can credit him for saying "Look, this ain't right, the minute the credits roll these guys are going to be at civil war for millions of years."

So, they started talking about it in — what did you say, 2015? I came on board in 2020, and when I came on board there was the first draft of the script. So I don't think they'd been working on it that entire time, but they'd been thinking about it, for sure. And the script that I read was a little more comical? But it was clear that that wasn't the right tone for this film specifically, because we know there's gonna be a war, civil war on Cybertron, you can't have everybody making jokes and then all of a sudden there's a war. So, um, the stakes were really important for this film. And because our characters at the beginning are a little naive, and just on the younger side, not as experienced, it allowed more freedom for them to be a little looser and have fun really getting to know these characters. But once they realize something's going on and things are getting real, it needs to get real.

Cooley also describes his "in" on the film as being the brotherly relationship between Optimus Prime and Megatron (they're not literally brothers in this film, though they have been in the past), which perhaps explains why Megatron and Optimus Prime get to be characters, instead of just like, guys who are there.

That was always the goal from the beginning and what got me on board. It was this relationship between these two characters that was very human and brotherly. I thought about my relationship with my brother and how I could bring that in. It’s not like we’re enemies, but we grew up together and then went down our different paths, but we’re still brotherly. I became a writer-director and live in a fantasy land, and he became a homicide detective who deals with reality, so we’re two very different mindsets. I have always been fascinated by the idea of two people who come from the same place but end up in different ones. From the very beginning, I was like, ‘That’s something I can relate to.’

Anyway, things I liked, what else. There's that joke at the very start, after the excruciating lore powerpoint, where Orion Pax does a fake-out like he's going to transform, the music briefly swells, and then it just cuts to him legging it down the corridor. In a similar vein, I liked the idea behind the Iacon 5000, where Orion Pax has them run in the race. I felt like the execution of the race left a bit to be desired—the only other participant who matters is Darkwing—but it's still honestly the best big action setpiece in the film. There's also that bit at the end where Megatron and Optimus Prime are both changing into their final forms simultaneously, and it's basically a Homestuck Flash (what would that be, "[S] OPTIMUS PRIME. ARISE."?), so obviously I liked that. Oh, and I really liked the environment design where the planet's landscape is constantly transforming, that's brand-new, someone had an Idea there, and it creates visual interest during the initial Energon-mining scene... even if I wished it had actually paid off in a more meaningful way than "the planet's crust opens as Prime falls to get the Matrix"—like, someone really should've gotten eaten by the planet, that's a cracking Disney death scene and they left it on the table! I also liked getting to see my blorbo, Vector Prime, on the big screen.

I think, as a Transformers fan who's had to sit through a lot of really quite sexist, racist, and plain bad films, you're well within your rights to come out of this one ready to give it a fucking Oscar. You should be ecstatic! It has none of those pesky humans clogging up the frame. It has plenty of robot action. It has jokes which- well I struggle to call many of them "funny", but they're at least trying to be funny in a different way to Michael Bay's films. The film is obviously a massive love letter to... honestly every part of Transformers except the live-action movies. It is an incredibly faithful and earnest adaptation of all the lore and iconography that has randomly accumulated the way it has over the last forty years of bullshit.

My main point of contention, then, is with the overriding sentiment I'm seeing from pretty much everyone else in the fandom: that this is not just the best Transformers movie, but that it's a great animated movie period, that it does for Transformers what Into the Spider-Verse did for Spider-Man, what The Last Wish did for Puss in Boots, and what Mutant Mayhem did for Teenage Mutant Ninja Turtles. That, in effect, this film will make you "get it". That it's better-looking, better-written, and more meaningful than a silly toy commercial has any right to be.

I think you can definitely see some loose influence from Spider-Verse in the overall look of the film—particularly in its color grading, and in the design of its main setting, the underground city of Iacon, where the upside-down skyscrapers hanging from the ceiling evoke the iconic "falling upwards" shot from Spider-Verse. Like The Last Wish, it's an animated franchise film that spent much longer than you'd think in development, only for the release of Into the Spider-Verse to have an immediate impact on its visual style... without actually affecting the basic story to the same extent. Both Transformers One and The Last Wish, in many ways, feel like stories concocted using an older formula; in particular, Transformers One bears startling similarities to a similar toy-franchise-prequel, BIONICLE 2: Legends of Metru Nui, which was released twenty years ago! By contrast, Mutant Mayhem—which had a much shorter development period—is a direct reaction to Spider-Verse in both aesthetic and narrative, and it has a much more distinctive creative direction as a result.

If you look at how all these titles have performed in cinemas, I think you can make a pretty strong case that audiences are perfectly willing to go out and see this kind of flick. A glance at Wikipedia tells me that Mutant Mayhem, The Bad Guys, and The Last Wish grossed double, triple, and quadruple their budgets respectively. In terms of the pre-existing cultural cachet they were banking on, we're talking about Teenage Mutant Ninja Turtles, a children's book series I'd never heard of, and fucking Puss in Boots. You cannot tell me that Transformers, as a brand, is on the same level as any of these properties. Meanwhile, Transformers One hardly broke even, while The Wild Robot—another DreamWorks film based on a children's book I've never heard of, which it ended up competing with in theatres—grosses three times its budget. My friends who've seen The Wild Robot say it made them cry.

Face it: Transformers One has not lit the world on fire. I've seen a lot of people cope with this by suggesting that it's to do with the film's staggered release, or even by claiming that the film's marketing was somehow misleading. I'll be honest, upon seeing it, it did not strike me as being at all dissimilar to the trailers. You can maybe say that the trailers undersold the depth of Orion Pax's and Megatron's relationship—which is its best aspect—but honestly, I think if they'd taken a lot of those scenes out of context and put them in early teasers, audiences would've laughed it out of theatres. Like, c'mon, it's toy robots, stop pretending it's Shakespeare. And otherwise, what you see is what you get; it's exactly what it says on the tin.

I wonder how many Transformers fans, on some level, have noticed that even when we're supposedly "eating good", and watching "peak cinema", our films just aren't as good as everyone else's. They're something you'll enjoy if you're already highly predisposed to enjoy them. But otherwise, they're not turning heads. They're not as funny, or as heartfelt, or as complex, or as exciting, or as charming, or as memorable, or as beautiful as these other films. Unlike with Spider-Verse, there's no word-of-mouth amongst normal people to say that this is a film worth seeing.

What I perceive in studios hoping to recreate the flash-in-the-pan success of Spider-Verse is a misunderstanding of what made people go crazy for that movie in the first place. Yes, it changed our conception of what an 3D-animated film could look like. Yes, the multiverse is very cool and all that. Yes, it had a huge IP attached to it. But on a more fundamental level, that movie has a fantastic story underpinning it. The script is razor-sharp. The story is beautifully complex. The vision of New York City it presents is a living, breathing place, populated by real people. It has the kind of craft to it that can only come from truly obsessive creators cultivating an absolutely miserable professional environment for a legion of passionate animators.

In interview, Transformers producer Lorenzo di Bonaventura actually spoke surprisingly candidly about his view on crunch:

I probably shouldn't answer this question, because I'm not exactly PC on my answer. I think the nature of filmmaking is, we're really lucky to work in a business that's about passion. Passion doesn't fit really well into a timeline, so inevitably you come to a crunch time. It's just true in the live action, it's true in every movie, and authors always tell me that about when they're writing their books — it's the same thing happens to them! There's something about the creative process that's not — it's unruly. So, I think if you're enjoying it, you need to recognize that. Like, you know, I don't wanna abuse anybody, and y'know — if you get into that period where people have to really work too hard, you gotta help them in that situation, then. 'Cause it's gonna come. It does on every movie. I've never seen it not come, no matter how well you plan, et cetera. 'Cause it's not a science what we're doing at all, and there's all these discoveries that happen near the end, which makes you go "oh, let's do some more, come on!". We discovered that on this movie, where we're calling ILM going "we've got a few ideas, you know, do you have enough man-hours?". [...] Like, you gotta be conscious of it — in live-action, for instance, there are some studios that are so cheap that when you're on — sort of medium location-distance and you're shooting 'til midnight, they don't pay for a hotel room. It's like, well, no-no-no, you pay for a hotel room. You protect the people.

According to everyone who worked on Transformers One, everyone who worked on Transformers One was very passionate about it. But there are parts of this film where I think you can say, pretty objectively, that it's falling short of its intended effect. So I guess maybe they weren't that passionate. I'm not saying that to be mean! It's just... isn't that better than the alternative—that this was the best they could do?

III. I did not care for The Godfather

At one point in the film, the gang's magic map leads them to a scary cave, which looks like this:

Bumblebee fills the dead air by saying, "A cave, with teeth. Nothing scary about that!" The joke here is that this is a cave that looks like a mouth. But as depicted, it's a cave that looks like a mouth that doesn't look like a cave! I get that this is an alien planet, but stalactites don't grow that way on Earth, so when you see the cave onscreen, your gut reaction isn't "oh my, what a frightening cave!". No, this is a cave that makes you say, "that's not a cave, that's some kind of alien monster".

(It's not like "cave turns out to be a monster" would in any way be a fresh twist. In BIONICLE 2: Legends of Metru Nui, there's a bit where a character swims into a scary cave, and it turns out to be the mouth of a massive sea serpent. In The Empire Strikes Back, the Millennium Falcon briefly hides in an asteroid tunnel which turns out to be a giant space worm. So I'm definitely not saying Transformers One would've been a better film if it had used this stock trope.)

Then once the heroes go inside, we're whisked off to an entirely different set of concept artwork, for this lush organic underground paradise. There's no danger there. The cave itself is reduced to a strange little footnote. Maybe it's only in the story because a concept artist drew it before they'd worked out the finer points of the narrative, and Keegan-Michael Key just ended up ad-libbing the "teeth!" line when he was told to vamp for a few seconds. Or maybe the teeth gag was fully written into the script from the start, and the environment artists just interpreted it way too literally.

Like, I'm sorry, I don't mean to start off on the wrong foot here by harping on about the cave thing—it's not a perfect example anyway—but to me it's a microcosm for my frustration towards what I perceive to be a lack of creative vision in this film. So much of the film feels like it's not there to be entertaining, or meaningful, or narratively load-bearing... it's just obligatory, something they threw in for the sake of having anything at all. It's colors and sounds. When you see the spiky shape onscreen, you think, "ooh, this film was pretty bouba earlier, but now it's more kiki!" They get the comedian to improvise a few one-liners while the characters walk from place to place. And it's like, yes, this is a film for children. Of course the heroes have an adventure map with a big red X on it. In many respects this is a glorified episode of Pocoyo, or the modern equivalent, which I guess is "Baby Shark | Animal Songs For Children".

Nowhere is this sense of "we are obliged to put this in the movie" felt more strongly than in its supporting cast. When you look closely, you notice that Bumblebee and Elita-1—placed prominently in the film's marketing and being technically present for much of its runtime—don't actually do anything of narrative significance. They don't make choices that impact the story; they're just there, and it would not take much rewriting to excise them entirely, so it's just Orion Pax and Megatron on their little adventure. In fact, I'll just come out and say it: I think Transformers One would have been a better movie if Bumblebee and Elita-1 were not in it.

It helps that, from a Doylist perspective, the motivations for their inclusion are perfectly transparent. Firstly, think of the merchandise! Secondly, in Bumblebee's case, it's fucking Bumblebee, he's the whole reason half the kids will be watching, you can't not have him in there. Whenever Bumblebee's not onscreen, all the other characters should be asking, "where's Bumblebee?" Also, I think the creative team felt that they could use Bumblebee tactically to balance some of the darkness in the story.

In the G1 cartoon, Bumblebee just has the default Autobot personality—good-natured, a little sarcastic—with the dial turned a little more towards friendliness. There's this iconic anecdote from the production that cartoon, where writer David Wise found himself in exactly the same situation Transformers writers are finding themselves in forty years later: he was told to write a story about something called "Vector Sigma", and he had no fucking clue what Vector Sigma was supposed to be. So he asked story editor Bryce Malek, who also had no fucking idea. Malek in turn asked Hasbro, and was told that Vector Sigma was "the computer that gave all the Transformers personalities". Upon hearing this, Malek said, "Well, it didn't do a very good job, did it!" Vector Sigma, in case you missed it, does actually appear in Transformers One, as the polygonal shape that transitions into the Matrix of Leadership in the opening powerpoint; I guess they're one and the same now. Some things never change: in Michael Bay's Transformers movies, there is again just a single default personality that every single Autobot shares, a braggadacious action-hero facade over genuine bloodthirst. Who can forget that iconic moment in Revenge of the Fallen where Bumblebee rips out Ravage's spine in grisly slow-mo?

Aside from the fact that he's small and yellow, Bumblebee in Transformers One bears very little resemblance to any incarnation of the character kids might be accustomed to. Instead, he occupies a stock comic-relief archetype, he's a zany guy who goes "Well, that just happened!" If anything, his one joke in the third act—wanton murder—reads like it could maybe be a reference to his many Mortal Kombat fatalities in Bay's films. Beginning in 2007's Transformers Animated, Bumblebee has sometimes possessed deployable "stingers" that flip out from his hands, as a fun action feature for toys. Clearly someone on Transformers One saw this and thought it was the funniest fucking thing that Bumblebee has "knife hands", because the character spends the third act of the movie just shouting "knife hands!" and cutting people in half like a medieval terror.

(In the UK, Bumblebee's lines were re-recorded at the last minute so he says "sword hands" instead. This is because in the UK, we generally aren't able to kill each other using guns, so it's knives that are the big armed-violence boogeyman. Everyone's always talking about how all the kids have knives. And look, I'm not someone to indulge in moral panic, but genuinely, when I look at Bumblebee chasing around people with knives, saying, "I'm gonna cut these guys, watch!", I'm like... what the fuck were they thinking when they wrote that?)

Frankly, whatever is going on with Bumblebee is just an entirely different movie to everything else that's happening. When Bee shanks his twelfth nameless lackey in a row, the movie's like, awww, you're sweet! But when Megatron tries to kill the one (1) evil dictator who's just fucking branded him, who's still lying to his face while his people continue to die to the guy's fuckin' honor guard, Optimus Prime is like, HELLO, HUMAN RESOURCES?

Bumblebee is solely here to be funny, but there's a point in the film where it needs to become a war story, and the best they can think to do with Bumblebee is to have him kill people but in like, a funny way.

As for Elita-1... look, to put it very bluntly, she is in this movie to be a woman. Transformers has had a long, long forty-year history of boys'-club exclusionism, if not outright misogyny, and each new series usually has a token female character, as a kind of fig-leaf for the fact that really, the only fucking thing Hasbro cares about is that the boys are buying the toys. Beginning in the 1986 movie, it was Arcee who got to be "the pink one" for many years of fiction—but not toys, y'see, when parents want to buy something for their beloved young lad, they don't buy "the pink one", no sir. In the 2010s, wow-cool-OC Windblade took over for a stint as leading lady, decked out in a commercially-non-threatening red color scheme. Recently, though, it's been Elita-1—Optimus Prime's girlfriend from the original '80s cartoon—who's been the go-to female character, and she's increasingly allowed to be pink.

There is a lot of love for these characters amongst creatives and fans alike, and especially in the last decade, female Transformers have been both more numerous and better-written than ever. Unfortunately Transformers One, which depicts Elita-1 as an arms-crossing career-obsessed buzzkill, whose arc sees her learn her place in deference to a less-competent man... well let's just say it struck me as a significant step back in this regard.

There's this great interview with Scarlett Johansson, voice of Elita-1, where she's trying to describe what makes her character interesting, and it's like she's drawing blood from a stone. She's like, "yeah, so Elita-1, I would say, she's on her own journey, because at the start of the film it's sort of like she's working at a big company, you know, and she wants to get a promotion, but then later on she learns that she can't, y'know, get a promotion". Look, it's not that Scarlett Johansson does a bad job—in fact, considering the material she's working with, she practically carries Elita-1 entirely on the back of her performance—it's just that I can't shake the impression that the filmmakers would rather pay Scarlett Johansson god knows how many thousands of dollars than try to think of a second actress that they know of.

As I've already complained, Transformers One has a pretty thin cast, but it effectively only has two other female characters who do anything. Airachnid is a secondary antagonist, Sentinel Prime's spymaster/enforcer, and it's clear that some concept artist really fucking popped off when designing her. She has eyes in the back of her head, and it's ten times creepier than that makes it sound. Her spiderlegs also create some visual interest during fight scenes. As a character, Airachnid has zero internality and is not interesting, but she is cool, so you'll get no complaints from me there.

The film's other other female character is Chromia, who wins the Iacon 5000 race at the last moment. She really comes out of nowhere to clinch it. It's funny, because the leaderboards show this one guy, Mirage, hovering near the top of the rankings for almost the whole sequence. And Chromia's character model really looks suspiciously like Mirage's. In fact, there's a different character who stands around in the background a couple of times who looks much more like Chromia. Funnily enough, that background character is even called Chromia in concept art! So if you connect the dots, it really seems that the "Chromia" who is the best racer on Cybertron was originally meant to be Mirage, a guy, until they switched the character's gender at the very last minute, and didn't bother changing the leaderboards to match.

There are two possible explanations for this. The first is that Mirage was the dark horse of Rise of the Beasts, and for some reason they felt like his depiction in Transformers One would've gotten in the way of their plans for the character somehow. It's plausible, I guess. The second, infinitely funnier option, is that at some point someone working on the movie realised that they only put two women in the film, scrambled to look through the feature to find a suitable character to gender-swap, only to discover to their horror that they'd forgotten to put in any characters whatsoever. Fuck it, the racer guy! He can be a girl. Diversity win, the fastest class traitor on Cybertron... is a woman!

In case you were wondering about the Transformers One toyline leaderboards, by my count, Orion Pax has ten new transforming toys currently announced or in stores, Bumblebee and Megatron have six each, Sentinel Prime has four, Alpha Trion has two, Elita-1 has two, Airachnid has one, Starscream has one, Wheeljack has one, and the Quintesson High Commander has one. In fact, one of Elita-1's toys—the collector-oriented high-quality Studio Series release—isn't scheduled for release until some undetermined point later next year, and she was entirely absent from leaked lists of upcoming releases, which to me smacks of "we realised last-minute that it would look really really bad if we didn't bother to release a good toy of the one woman in the film". Oh, and obviously, Chromia has no toys—but there is an "Iacon Race" three-pack consisting of Megatron, Orion Pax... and Mirage. Go figure.

The thing is, all of the stuff I'm grousing about here is pretty much standard fare for kids' films targeted more at boys. Hell, even The Lego Movie—which is basically the gold standard of toy commercials—gave supporting protagonist Wyldstyle a pretty similar arc to the one Elita-1 gets here, which was probably the weakest element of that film. Evidently conscious of this, Lord & Miller redeemed themselves by devoting the entirety of The Lego Movie 2: The Second Part to deconstructing common narratives surrounding gender roles. I guess I just wish the young girls who presumably comprise some portion of Transformers One theatergoers could actually get anything out of Elita-1 as a character. Ah, what do I know, maybe it's still considered countercultural simply to depict a woman punching people.

Still, to give credit where it's due: Transformers One doesn't remotely touch the gender-essentialism prevalent in the Binder of Revelation, treating female Transformers no differently to their male counterparts in lore terms. Solus Prime is, it seems, just a Prime who happened to be a woman, rather than the mythological Eve after whom all women are patterned. There's a scene where our heroes are gifted the Transformation Cogs of the fallen Primes, and the Primes named thankfully bear no particular relation to the characters; in other words, Elita-1 isn't given Solus Prime's cog. As Alpha Trion puts it: "What defines a Transformer is not the cog in his chest, but the spark that resides in their core." Dude really remembered nonbinary people exist halfway through that sentence huh.

(Actually, the bigger mistake would've been with Megatron: if he was given Megatronus Prime's cog from the start, then this would've created the unfortunate implication that his descent into evil was only the result of Megatronus Prime's fucked up and evil cog, rather than a choice Megatron made of his own free will. The film instead has it the other way around: Megatron's radicalisation into a "might makes right" philosophy is what causes him to covet Megatronus Prime's transformation cog, to steal that power from Sentinel Prime, who stole the cogs of both Megatronus and Megatron in the first place. That's cool! This does create a bit of unfortunate narrative dissonance with Alpha Trion's words, alas, as it does seem like Megatronus Prime's cog really is more powerful than the others, because it gives both Sentinel Prime and Megatron a powerup.)

There's just something that I find so dreadfully mercenary about this movie's cast—honestly, everyone except Orion Pax, Megatron, and maybe Sentinel Prime. Take Darkwing, for example. Bro was clearly designed from the ground up to fill this stock character role of "bully who pushes our guys around and later gets his comeuppance". For a more interesting take on that exact same archetype, look no further than Todd Sureblade from Nimona, a bigoted knight who gets a whole damn character arc in the background, which directly complements that film's main themes.

Again, I'm not playing some kind of guessing game here, the authorial evidence is right there: Darkwing didn't even have a name until Hasbro designer Mark Maher was shown a picture of the character and asked, "If this was a Decepticon flyer, who would it be?" This is actually par for the course with ILM; most of their concept art is labelled with very basic descriptions, with the exact trademarks being picked in conjunction with Hasbro at a later point. Darkwing just stands out in Transformers One because he's the only recurring speaking character who's an OC in all but name (unless you count Bumblebee), he's the one guy who's been invented from scratch with total creative freedom, and he's boring as sin. It's like the filmmakers just couldn't conceive of a children's movie without that stock character—and they clearly had no idea what to do with him once they'd invented him, because he disappears entirely from the film at the start of the third act, when Orion Pax throws him into an arcade cabinet, which they have in the mines on Cybertron for some reason.

In a film with as painfully few named speaking characters as Transformers One, there's really no excuse for having this kind of one-dimensionality in their portrayals. Genuinely, I ask—who are Orion Pax and Megatron fighting to liberate? Jazz, one of the biggest personalities from the original G1 cartoon, who gets all of two boilerplate lines here? Cooley seems to think so:

As you’re designing them the background characters are almost like Lego pieces where you put different heads on different bodies just to fill in a crowd. But some of them would be brought forward and be painted specific colors so that it represents a character that I didn’t know was such a big deal. But there was stuff—like Jazz, for example, has a pretty big role. It was important to have a relationship with a character that we know gets to be saved.

To me, the idea that casual cinemagoers would be invested in any of the Transformers as characters is laughable. Michael Bay's characters are famous for being hateful non-entities. In terms of the films, Jazz is best remembered for dying at the end of the first one, seventeen years ago; he looks completely different here. The one breakout character in recent years—Mirage, as played by Pete Davidson in Rise of the Beasts—was, as I've already mentioned, written out so that the movie could reach its girl quota... not that he would've had any lines anyway.

And I just don't buy the idea that the complete dearth of compelling characterisation in this film is just an unfortunate side-effect of its clipped one-hour-thirty runtime—that, given even half an hour longer, the film would suddenly be crowded with rich portrayals of all your Transformers faves. Bumblebee and Elita-1, ostensibly two of the most important characters in the film, are not in this movie because the movie is interested in telling their stories. They are in this movie for the sake of being in this movie. It insists upon itself.

IV. No politics means no politics

In fact, putting aside merchandising considerations, Elita-1 and Bumblebee serve one very specific purpose in narrative terms. The trait Optimus Prime and Megatron have always had in common is that they are both leaders—and what is a leader, without anyone to lead? Without Bumblebee and Elita-1, you'd have this farcical situation where the only person Optimus Prime ever gets to boss around is Megatron, until the very end of the movie when God makes him king of all Cybertron. The High Guard, Starscream's gang of exiles, serve a similar narrative purpose for Megatron; they're a ready-made army who've just been sitting around waiting for him to show up and take charge.

Towards the end, the movie does actually take care to show both Orion Pax and Megatron rallying groups of Cybertronians: in Pax's case, he reveals the truth to his legion of interchangable miner friends, while Megatron riles up the High Guard mob. Again, there's a bit of that narrative sleight-of-hand, a bit of a thematic cop-out, where the question of "how do Optimus Prime and Megatron come to be leaders of their factions?" is answered only in the most literal possible interpretation. Yes, we technically see the exact chain of events that lead to this point—but both characters are portrayed as born leaders. We don't see them grow into the role, except physically. The moment Megatron decides he wants to rule, he's able to take charge. Likewise, Optimus Prime just gets divinely appointed by God. At a key point, Megatron loudly declares "I will never trust a so-called leader ever again", and the movie plays a fucking scare chord like this is supposed to be ominous. Like, oh no! Optimus Prime is a leader! And they're friends! Whatever will Megatron do when he finds out his friend, Optimus Prime, is a leader?

I don't think the movie has given any real thought to what a leader actually is. It seems to take a stance that power cannot be taken, i.e. through violent action, as Sentinel Prime and Megatron do. That one scene with Elita-1 suggests the most important trait for a leader to have, above and beyond any particular competency, is simply hope and optimism. What I just can't wrap my head around is the fact that the counterpoint the movie presents to Megatron, in the form of Orion Pax becoming Optimus Prime, does not support a belief in collective action or basic democracy—rather, it's a boring sword-in-the-stone divine-right-of-kings fantasy.

Except I do have a theory for why the film is like this. Let's look again at that interview with Eric Pearson, who came onboard in the "late middle" of production:

One of the first things that I did was a big pass on Sentinel Prime. I just felt like he was too obviously telegraphing his wickedness in previous versions, and I felt like, “No, he’s a carnival barker.” He’s got to be a big salesman. He’s a bullshitter, honestly is what he is.

(Honestly, if this is Sentinel after a "big pass" to make his villainy more of a twist, I shudder to think what the earlier drafts were like.)

Now, let's see how WIRED introduces their interview with Josh Cooley, titled "Transformers One Isn't as Silly as It Looks":

He liked the script, which traces how Optimus Prime (Chris Hemsworth) and Megatron (Brian Tyree Henry) went from friends to enemies. But as the world went into lockdown as Covid-19 spread, Cooley found his story changing, if only slightly. Trump was still in office when Cooley started working on the film, and he was having meetings with the producers and they’d “start these meetings off on Zoom just going, like, ‘Holy crap what is going on in this world?’” he says. Ultimately, the infighting they were seeing between Democrats and Republicans in the same family became an undercurrent in the film’s friends-to-enemies storyline, “because that’s what Transformers is.”

So it's like, oh, this is a 2016 election thing. This is just that one election that broke everyone's brains. Of course this movie about a made-up political struggle on an alien planet being developed from 2015-2020 wouldn't be like, hey, you know what might fix our society's problems, is if we had an election. Of course the main villain is a "big salesman" "bullshitter" who says things like "The truth is what I make it!". Wow, guys, your film is so-o-o politically-conscious, and very pretty.

The fantasy is more or less that Donald Trump's army of reactionaries is marching on Washington to seize power through violent means, and on the way he drops Joe Biden into the Grand Canyon, but just before Joe hits the ground a giant fucking bald eagle swoops in to catch him and squawks, "God finds you worthy! Arise, President Biden!"

In our escapist little morality play, our best friend slash allegorical dad gets made king of the planet, and we all get jobs in the government. As in, one of the funniest lines in the movie is straightup Bumblebee exulting, "This is the greatest day of my life. I get to work for the government!" When Prime met Bumblebee—an hour ago—the dude was talking to imaginary friends, and honestly the only fucking skill he's demonstrated since then is cold-blooded murder. We have this dissonance in the storytelling, where it's mostly a story about four friends going on an adventure (are they even friends? Most of them hate each other!), but it's also a founding-fathers political origin story, which means there comes a point where our hero just suddenly starts bossing his friends around in a deep voice, and they're like, "Yes, sir!" It creates this unhinged situation where the "good" faction on Cybertron is ruled by the biblical chosen one and his nepotism buddies.

Per that quote from WIRED (or are they just putting words in Cooley's mouth? I can't help but notice they don't give an exact quote!), the film is ultimately sympathetic to the bad guys (the Republicans, I guess). It deliberately suggests that there is really nothing that should divide the Autobots and the Decepticons: their political goals, it claims, are identical, and they only disagree on the means by which to achieve them. The Decepticons, who are angry and hateful, have simply been misled by a power-hungry liar with charisma—first Sentinel, then Megatron—and so the tragedy is that they are artificially pushed into conflict with their fellow men, when really they should be uniting to stand against their common enemy, the foreigner illuminati trying to steal Cybertron's wealth.

Now, I know I've just handed you a get-out-of-jail-free card. My political allegory here is chock full of holes. What, are Sentinel Prime and Megatron both Donald Trump? Get a grip. Obviously any real-world commentary in Transformers One was only intended in the loosest sense imaginable: things like, "people should be free to change into whatever they want!" I'm being unfair, I'm reading too much into it, this is a cartoon movie for children, and if I want politics, I should start reading some fucking books. Also, come to mention it, my whole argument about that cave earlier really didn't hold water, and- I know, alright? I know.

V. Place / Place, Cybertron

I'm not mad at this toy commercial because its politics don't quite align with mine. I'm not mad at it for having a boring-ass supporting cast. I'm not mad at it for reheating a bunch of half-baked lore I didn't care for from the early 2010s. I've actually spent a lot of time mad about Transformers media that I've thought was bad. There's Transformers: Armada, where the English translators are fully asleep at the wheel and render even the most basic cartoon plots incomprehensible though constant mistranslations. There's Transformers: Micromasters, where two white guys wrote a downtrodden race of tiny Cybertronians who greet each other like "Wattup, my micro!". There's the recent series of Transformers: EarthSpark, where there's an episode that I can only describe as "the Wonka Experience but it's an episode of a children's cartoon", with a plotline that mostly revolves around our child heroes straightup robbing a Onceler-looking businessman of his most valuable possession. There's Transformers: Age of Extinction, with that one scene, and also the rest of that movie. In fact, I would go so far as to say that most Transformers fiction is some combination of bad, offensive, and offensively bad.

So even though I've just spent thousands of words whinging and moaning about how I didn't like Transformers One, the truth is that I had a perfectly nice time at the cinema. I got to go see it with five of my pals who love Transformers just as much as I do, and we had a blast. It is easily in the top 50% of all Transformers fiction.

Unfortunately, for whatever reason, I guess I've always given a lot of thought to what Transformers looks like from the outside. Maybe it's that I'm compelled to spend so much time and money on it, that it somehow compels me to vomit up these kinds of essays, and all I want is to be able to make it make sense to anyone in my life. It would be so, so nice if I could just sit down in the cinema with a friend or family member for a couple of hours, and at the end of it, they'd be able to walk out and say, "Okay, I guess I see what you get out of it." Rise of the Beasts was kind of that movie for me, but Rise of the Beasts is also the seventh instalment in a blockbuster franchise. It kind of takes for granted everything about Transformers.

It doesn't answer, "what the fuck is a Transformer anyway?"

For many years now, fans have noticed a marked aversion to using the word "transform" as a verb, or even as a noun. Optimus Prime no longer says, "Autobots, transform and roll out!", he just says, "Roll out!". Transformers no longer transform, they "convert". In fact, Transformers are no longer Transformers at all: they are "Transformers bots", the italics here serving to distinguish a registered trademark. This is because the worms in suits at Hasbro are worried that, if they continue to use the word "transform" by its dictionary definition—that is, to change—then rival toy companies will be able to make the case that anything that transforms can legally be described as a Transformer. It will become a generic trademark, like Velcro, or Band-Aid, or Dumpster.

Yet in Transformers One, "Transformers" is not just the noun by which the characters are referred to—rather, it's used in a descriptive sense to specifically mean "Cybertronians who can transform"! Characters are constantly talking about whether they can or can't transform. Prime gets to say his catchphrase in full. It's a miracle. Not only that, characters even get to say the word "kill" instead of "defeat" or "destroy".

Transformers One has a level of unrestricted creative freedom not seen since the 1986 animated film. This is a film unconstrained by location shooting, or licensing deals, or uncooperative actors; through the magic of CGI, for every single frame of its one-hour-thirty runtime, the filmmakers can put literally whatever they want on the screen. They were given the assignment, "Make an animated prequel set on Cybertron telling the origin story of Optimus Prime and Megatron", handed an estimated $147 million and a blank page, and told to go nuts. Like those born with transformation cogs, Transformers One had the power to become anything it wanted to be.

The 1986 animated film took that carte blanche to do whatever the fuck it wanted, and basically singlehandedly defined the direction of the franchise ever since. On a lore level, in terms of tone, I would say that Transformers owes practically everything to The Transformers: The Movie. Cartoons, comics, films, and video games have adapted every single one of its scenes countless times over. I'm not necessarily saying that it's a good film, or even that it's a particularly original film—much of it is ripped off from Star Wars—just that it took the franchise somewhere it hadn't gone before. It was looking to the future. As in, literally, it was set in 2005, at the time two decades into the future.

What gets me down about Transformers One is that—like most major franchise media released since The Force Awakens—all it can do is think about the past. Swathes of it are devoted to painstakingly recreating or setting up the various bits of iconography which have arbitrarily come to define the franchise. Even when it appears to be taking things in a new direction, it's not long before it course-corrects back into familiar territory: Steve Buscemi invents a surprisingly fresh take on Starscream's voice, and then Megatron half-strangles him to death, saddling him with a post-produced rasp to emulate Chris Latta's iconic performance from forty years ago.

The very title of the film, Transformers One, is an allusion to the line, "Till all are one," which originates in The Transformers: The Movie. In an early script for that '80s feature, it was actually "Till all life sparks are one", referring to a literal metaphysical process in that draft whereby one Transformer's life force could be passed on to another, presumably with the belief that they would all eventually be merged into a single afterlife. In the finalized story, it's just this kind of mystical phrase vaguely evoking concepts of togetherness and unity.

Transformers One brushes up against the phrase a couple of times. Alpha Trion almost says it at one point, when passing on his dead siblings' transformation cogs: "They were one. You are one. All are one!" Whatever that means. Later, Orion Pax starts a chant amongst the miners: "Together as one!" And finally, at the very end of the movie, during his obligatory film-ending monologue, Optimus Prime again goes: "And now, we stand here together... as one." (Half of Cybertron has just been banished to the surface forever.) "[...] Here, all are truly... Autobots." (Again, half of Cybertron- Optimus, what the fuck are you talking about?) Regardless, this is inexplicably the one instance where the movie doesn't twist itself up into knots trying to nail the exact phrasing.

Actually, there is one other sideways reference like this I can think of. Early in the film, Orion Pax is chatting up Elita, and he remarks, "Feel like I have enough power in my to drill down and touch Primus himself." To which Elita replies, "You don't have the touch or the power." This is kind of a nonsensical retort unless you know that in the 1986 movie, one of the most iconic songs on the soundtrack was "The Touch" by Stan Bush, which had the chorus line: "You got the touch! You got the power!" It's a banger. Anyway, remember when I said Darkwing gets chucked through an arcade cabinet? Well, here's Cooley revealing why that arcade cabinet is in the film:

I actually wrote [that exchange between Orion Pax and Elita] because I love that song. [...] And we had this one version where D-16 and Orion were playing a video game, like a stand-up old arcade game—it was inspired to look like that, but a Cybertonian version of that. They’re playing that together like friends and the song, like the 8-bit song that’s playing is ["The Touch"]. But that scene got nixed. And so I wanted to work it in there somewhere. And I just felt like a natural place for it. But that was one where I’m like, "I just love that song and those lyrics and that’s Transformers to me so I want to get that in there."

(I've had to amend that quote to fill in the blanks where the article has redacted "spoilers" for the movie. Spoiler culture is an absolute pox, I swear. Can't have the audiences knowing about one (1) mid joke in advance—the movie barely has enough jokes to fill a "Transformers One Funny Moments" compilation as it is!)

This actually isn't the first time Hasbro has "nixed" a reference to "The Touch" in major Transformers media. In the Transformers: Cyberverse episode "The Alliance", a character references "The Touch" right before a training montage which is clearly supposed to have the track playing, except instead it's been replaced by a generic rock instrumental, presumably because they couldn't afford the license. And in Daniel Warren Johnson's Eisner-award-winning bestselling comic run, there's one panel where he clearly wanted to include the song's lyrics as a sound effect, but wasn't allowed, so the final sound effect famously reads "YOU KNOW THE SONG". But that's a random episode of a bargain-bin cartoon, and an indie-darling comic series—not a $147 million blockbuster. You really have to wonder if it came down to money, or if it was something else. God knows Transformers One would not actually be improved for having a chiptune remix of "The Touch" in it, anyway.

The most egregious misplaced bit of fanwank in the film isn't even in dialogue. In the 1986 film, there's this one iconic moment when Optimus Prime arrives at the besieged Autobot City, drives through a crowd of Decepticons in truck mode, then fires some afterburners, launching his cab up into the air, where he transforms mid-leap, drawing his blaster to shoot a couple of Decepticons before hitting the ground. It's a fantastic bit of original animation. It's the Akira slide of Transformers. And, surprise surprise, it crops up in Transformers One. In the climactic final fight, Orion Pax shows up to save Megatron, and he does the thing.

But the problem is... he's not in truck mode! The film just cuts to him standing there in the middle of some anonymous mooks, then he does a standing jump into the air, the movie momentarily goes into extreme slow-mo like he's doing a fucking quick-time event, then he shoots a couple of guys and drops to the ground. There's no momentum. It exists purely to create that simulacrum, to take the single most iconic frame from that bit of 1986 animation, and stretch that one frame into infinity. The context is discarded, irrelevant. All that matters is that brief moment of recognition: "I know what that iiis!" God knows Transformers One has precious little in the way of impactful fight animation of its own; the choreography is stiff and uninspired, while the shots themselves are nauseatingly cluttered. Often, the best it can do is pilfer from older, better stories.

"Did you clap at any of the new moments and memorable characters?" "Were there any?"

Look, I get it. Transformers One is a prequel. By definition, it can't change the future. It has to play with the characters that are already in the toybox. But I do think it had this really special opportunity: to show theatregoers where the Transformers come from. To show us Cybertron not as a distant star or a barren scrapyard, but as a living, thriving alien world, unlike Earth, something special and worth protecting in its own right. Something new and memorable. In Rise of the Beasts—probably the best Transformers movie by default—when Optimus Prime is at his lowest, he wants nothing more to return home... but home is something we've only ever seen as a cold dystopia, ruled by Decepticons. The version of Transformers One I had hoped to see was one that would have imbued Optimus' homesickness with greater meaning. I wanted to feel his loss, and to hope that one day the war will end, and Cybertron can be restored.

I think Transformers One sincerely tries to achieve this effect. The concept artists have clearly put a great deal of time and thought into Cybertron as an environment. When the artbook comes out, I'm keen to see how much stuff didn't make it into the finished film. You have to assume most of it got cut, because there's next to nothing left!

At the end of the film, battle lines are drawn, the civil war is about to start... but strangely, the movie's setting does not convey the sense that anything beautiful is being lost. Nobody is unwillingly turned to violence, innocence-lost; they're all too eager to get to killing, friggin' Bumblebee is gleeful about it. There's no beautiful, iconic landmark, which gets tragically destroyed, like in some kind of Transformers 9/11—"What have we done! Where will this war take us!". There's no part of Cybertron's natural ecological environment to be ruined by the war, because the surface world is already turbofucked by the Quintessons to begin with. No, rather, we have the total opposite: Optimus Prime finding the Matrix (which was just, like, hanging out in the core of Cybertron or whatever) actually restores Energon to the planet, removing the unnatural scarcity which was the entire impetus behind the film's dystopia. He made Cybertron great again. So again, Transformers One fails to answer one of the most fundamental questions one might expect of a Transformers prequel: "When did things on Cybertron get so bad?" The movie ends with the planet in better shape to how it started!

The big original idea that Transformers One has is that Cybertron, the planet itself, should be in a constant state of transformation. I've already talked about the beautiful shapeshifting landscapes, but it's also the moving buildings, the complicated mechanisms, the roads and rails that magically lay themselves between the vehicles and their destinations. I've already mentioned how odd I find it that none of these environmental transformations have any significance to the story; the closest it comes to some sort of payoff is when Orion Pax falls into the hole that makes you king.

What I find most perplexing are the deer. When the gang makes it to the surface, the idea is to show the natural beauty of the surface, which the cogless have been denied their whole lives. The mountains glisten as they move. Nebulae glow in the night sky. The surface is blanketed in organic (?) plantlife, like a watering can forgotten in a garden. And, most strikingly, there are deer: mechanical animals, just like those found on Earth, being hunted for sport by the evil Quintessons. When the cruisers near, their glowing horns turn red with alarm, and they prance around in fear.

I'm reminded of a brief gag from the third season of Transformers: Cyberverse—one of very few shows to have devoted any serious effort to Cybertronian worldbuilding—in the episode "Thunderhowl". Bumblebee and Chromia stumble across a "singlehorn" (read: unicorn), and when it senses danger, it neighs, transforms into a rocket, and blasts out of frame. And apart from being really cute and funny, it's like, oh, of course that's what animals are like on Cybertron! Everything on this planet transforms. Why not the animals?

For whatever reason, the deer in Transformers One are like the one thing that don't transform. Why the hell not? If Cyberverse could find the budget for its split-second sight gag, surely this blockbuster could, I don't know, have them turn into dirt bikes with antler-handlebars. That would've been something, right? If not, then at least could we maybe see some other animals on Cybertron, to really get across that alien biodiversity? Of course not. See, the deer exist to communicate one very specific story beat: a single moment of trepidation, where the heroes know there's danger nearby, but they don't know what. And all you need for that is a single kind of prey animal, with some kind of warning light to let you know, hey, there's danger! Once this purpose is fulfilled, the deer have no further significance to the story.

We need only look to BIONICLE 2: Legends of Metru Nui to see this exact same beat play out with a modicum of competence and creative flair. Also in the second act—in fact, at practically the exact same timestamp—our heroes, the Toa, have a run-in with the bad guys, and they're nearly captured... but then there's this sudden rumble of danger approaching, we don't know what. It turns out to be a herd of giant Kikanalo! They send the bad guys packing, except they nearly trample our heroes too! But then, Toa Nokama's mask begins to glow, and she discovers that her mask grants her the ability to talk to animals. They learn some vital information from the Kikanalo, and are able to ride the creatures for the next stage of their adventure. Finally, when they can go no further, the Kikanalo cave in the passage behind the heroes to ensure they won't be pursued. Holy shit, that's like, five different story beats with just that one type of creature!

It's not just that Transformers One struggles with that kind of basic narrative flow, where a single element serves multiple purposes. It's that often, it wastes precious time creating redundant setups to achieve the same effect twice.

For example, Megatronus Prime's face happens to look exactly like (what we know will be) the Decepticon insignia. At the beginning of the movie, Orion Pax mollifies Megatron by giving him a rare decal of Megatronus Prime's face. Traditionally, Megatron wears his insignia in the middle of his chest—but in this film, nearly every character has a big hole in the middle of their chest, where their missing transformation cog should go. So Megatron sticks the decal on his shoulder instead.

Later, he gets a cog, and the hole in his chest is filled. When Sentinel Prime captures Megatron, he notices the Megatronus sticker, and rips it off. Then, he re-applies it on Megatron's chest—purely so it's in the "right" place for the iconography. And then, he uses his gun to crudely brand Megatron with a tracing of Megatronus' face, inadvertently creating the Decepticon symbol. Finally, in a post-credits scene, Megatron has fashioned a proper Decepticon brand with which to brand himself and his followers. So in effect, there are four separate moments where Megatron gets the symbol! Orion sticking it on his shoulder, Sentinel moving it to his chest, Sentinel mutilating him, and finally Megatron branding himself. You can make an argument that the symbol starts out meaning one thing, but ends up meaning another thing, which has a kind of tragic significance—but I think you would struggle to distinguish subtle shades of meaning from all four of these brandings. Considering the movie only has an hour and a half to work with, I find this lack of narrative economy to be honestly embarrassing.

(My friend Jo also points out what a misstep it is to just have Megatronus Prime's face perfectly resemble the Decepticon symbol from the start. Had it been a looser, more stylised—that is to say, original—design, the moment where Sentinel Prime roughly carves it into Megatron's chest could be a shocking reveal, as the basic outlines are abstracted and simplified. Gasp, that's the origin of the Decepticon symbol! Instead, from the very moment that sticker first shows up, it's like... oh, well, there it is I guess.)

In a similar vein, both Optimus Prime and Megatron undergo two different transformations at different points in the movie: first, when Alpha Trion gives them transformation cogs, and second, when respectively they obtain the Matrix of Leadership/Megatronus' cog. The gun that sprouts from Megatron's arm in his intermediary form bears a much closer to resemblance to his iconic "fusion cannon" than the triple-barrelled cannon he ends up with in his final form. Again, in such a short film, can we really say whatever subtlety this brings to Megatron's arc is worth all this fanfare? Now, Redditors ask: "What is the EXACT moment D-16 became Megatron?"

In fact, probably the only point of criticism I've seen levied at Transformer One from within the Transformers fandom at large is that Megatron's arc is maybe a little "rushed". He starts out being best bros forever with Orion Pax, and by the end of the film, he's ready to drop the guy into a bottomless pit. The film takes a lot of time to justify his anger at Sentinel Prime, but the deterioration of his friendship with Orion goes much more unspoken, and is framed more as a point of irrationality: psychologically, Megatron comes to conflate his bossy friend with his oppressive ruler. I liked this, personally. I liked that it's as if a switch gets flipped in Megatron's head. But you do just kind of have to buy into it. The film itself does not put in the work to really sell you on the friendship souring, because again, it's too busy fucking around with two (2) magical girl transformation sequences for each of them.

Everything in the film is like this. They go into the cave and meet Alpha Trion, then leave the cave so they can watch a FMV cutscene with Sentinel Prime and the Quintessons, who've coincidentally arrived at that exact moment, basically just to rehash what they've just been told... and then they go back into the cave so Alpha Trion can resume his infodump, and then they end up clashing with Sentinel Prime's forces once that's done. At the beginning of the movie, they're at the very bottom in the mines, then they get banished to an even lower level, then they banish themselves all the way up to the surface, then they return to Iacon, and then Megatron gets banished to the surface again so he can be mesmerized by the beauty of the world and/or get gunched by Quintessons depending on what the film wanted me to take away from this. Compare to Minecraft but I survive in PARKOUR CIVILIZATION [FULL MOVIE], where the theme of class struggle is pretty efficiently depicted in the vertically-stratified setting.

I just find it so wasteful. Outside of the one scene where they're introduced, the Quintessons—ostensibly the true architects of Cybertron's oppressive status quo—may as well not exist. If not for Orion Pax addressing his closing remarks to the Quintessons, almost as an afterthought, I'd assume the film wants us to forget about them entirely, as it knows full well that its paltry runtime does not give it time for a second action-climax against the aliens. Even as sequel bait, it feels halfhearted at best; Josh Cooley is clearly already bored of Transformers, and seems unlikely to come back for another round unless the money is really really good (which *glances at the box office* it's not). So what the fuck are the Quintessons here for? Was the idea that Sentinel might just have pulled off his coup singlehandedly really so hard to stomach? Could the conspiracy not have been simplified to just involve Sentinel and his Transformer cronies? Hang on, are all the Transformers seen at the start of the film in on it, or just some of them? How's it decided who keeps their cogs and who doesn't?

VI. Into nothing

Why does this movie, where the main selling point is ostensibly that we're getting to see Transformers civilization for the first time, mostly focus on all these guys who can't fucking transform? Surely the entire thing that makes the setting fun is the Zootopia angle of, look, they're all different animals! Or the Elemental angle of, look, they're all different elements! Or the Emoji Movie angle of, look, they're all different emoji! Or the Cars angle of, look, they're all different cars! This is a Transformers film which features several significant sequences involving these cool trains, and there is absolutely zero indication that these trains are themselves Transformers. This is a Transformers film which extensively focuses on miners, and none of them transform into mining vehicles; they're holding, friggin', space jackhammers. Even the premise of "isn't it sad that these ones can't transform" is kind of undercut by the fact that all the miners get to wear fucking jetpacks, which is a frankly much cooler and more effective method of locomotion than driving.

I'm just sick of Transformers stories having zero interest in the basic premise of Transformers, which is to say, they transform into something. I also think this is the biggest dissonance between casual audiences, who think "oh yeah, Optimus Prime, that guy who turns into a truck", and Transformers fans, who think, "oh yeah, Optimus Prime, the messiah or something". Normal people love to know what the Transformers turn into. They ask, "Wait, is there a Transformer that turns into [insert silly vehicle here]?" Of course people are interested in that angle! Vehicles are such a huge part of our daily lives—honestly, for those of us living in cities, more so than animals, the classical elements, or emoji—but the closest Transformers One comes to engaging with this lens is that aforementioned Iacon 5000 race sequence. By and large, it presents a world which is made for standing up and walking around. And personally I do think that's an insane approach to take?

Is the excuse that cars can't emote? Nonsense. If you've ever seen a traffic jam, you'll know that cars can sure as hell emote. Pixar, where Josh Cooley cut his teeth, famously spent a lot of time working out how to put a facial expression on a car. No, the problem dates back to the very start of the franchise.

In the 1980s, two main people were responsible for writing the comic stories: American writer Bob Budiansky, and British writer Simon Furman. Budiansky approached the premise of the franchise from an external, human perspective, writing about culture clash, and taking delight in the Transformers' mechanical alien nature as "robots in disguise". Meanwhile, Furman wrote the Transformers as giant people: he focused on their own internal conflicts and motivations, and the grand history of their war. Pretty much every Transformers story ever told can be boiled down to one of these schools of thought: Budianskyist, or Furmanist.

Budiansky quit the comic after fifty issues, allowing Furman to take the reigns as sole writer, and Furman basically got the final word on what the Transformers are. They did not evolve from naturally-occurring gears, levers and pulleys. They were not designed by a supercomputer, or built by an alien race. They are the chosen sons of God. The Thirteen are, of course, an invention of Furman's. And Transformers One is perhaps the most Furmanist story ever told. It's the culmination of years and years of lore building up, ossifying into something you can no longer describe as the history of a universe—no, this is a mythology. It's the most perfect form of brand alignment imaginable: this is not an origin story, this is the origin story. It's been the origin story for a better part of the decade—and now that everyone's seen it in theatres, it will be the origin story forever.

It's not just the fiction, either, by the way. These days, if you go into the store to buy a Transformers toy, chances are it'll turn into some misshapen made-up futuristic concept car with unpainted windows and wheels that don't even roll—and that's terrible.

There's truly a lot to hate about Michael Bay's Transformers films, but with each new entry that's released following his departure from the franchise, I feel like I only find myself appreciating them more. In the 2007 Transformers movie, we see the Transformers crash-landing on Earth in their "protoforms", and their movements are animated like they're shy, like they're naked until they scan an Earth vehicle and adopt a disguise. The visual impact of Megatron, meanwhile, is that he doesn't adopt a disguise in that movie: he's a horrible metal skeleton that turns into a jet made of knives. It's weird and alien and it rules.

In the 1980s Transformers cartoon, and in the last-minute Cybertron-set prologue added to Bumblebee, and now in Transformers One, the Transformers look basically the same on Cybertron as they eventually do upon their arrival to Earth. Optimus Prime turns, unmistakably, into a truck. He has windows on his chest, and smokestacks on his arms. He doesn't have these features because he disguises himself as an Earth truck. He has those details because that's just what Optimus Prime looks like. They're his "essential brand elements", or "trademark details", which "identify the must-have elements in character design to be carried across all creative expressions". Prime may take any form he wishes, so long as it looks exactly like himself. A mask of my own face—I'd wear that.

What I find fucked up about the reception towards Transformers One is that a lot of people seemed very invested in its success—and not its popular success, certainly not its artistic success, but rather its commercial success. They wanted this to be the first film to make one bumblebillion dollars. They wanted Hasbro to line its fucking pockets and make movies like this forever. So if you express any kind of negativity towards this film online, which might theoretically affect some other person's decision of whether or not to go and see it, which might theoretically affect the profit it makes at the cinema, which might theoretically affect the future of the franchise in some unknown way, then you're some sort of fandom traitor who oughta be executed.

If you're so worried about the future of the franchise, the fandom really isn't where you should be looking. Like, c'mon, the Transformers fandom has been good as gold, we buy so many toys. Meanwhile, Hasbro just got finished laying off around 100 employees with no warning to make their books look a bit better. Transformers designer John Warden—who'd worked at Hasbro for 25 years, is widely credited with inventing the modern paradigm of Transformers toylines, and ultimately became the creative director of both Transformers and G.I. Joe—was on assignment to a convention in the UK with the rest of the Transformers team when he heard the news. Suffice to say, he did not end up making a public appearance at the convention. With his work's health insurance snatched away without notice, he's had to resort to crowdfunding to pay his family's medical bills. As a well-known figure in the toy industry, he will presumably find a new job and land on his feet, but the same cannot be said for all 99 of the remaining employees we're told have been unceremoniously dumped.

The Binder of Revelation, which has been something of a holy grail of behind-the-scenes material for over a decade, has finally been leaked—presumably by one of these guys, presumably out of spite.

Now, I'm not going to pretend to have been paying particularly close attention to Hasbro's financials, but from where I'm sitting, it sure seems that ever since the sudden death of then-CEO Brian Goldner in 2021—credited for saving the company in 2000, and overseeing the explosive growth of its intellectual property ever since then—his replacement, Chris P. Cocks (or "Crispy Cocks", as we're all now calling him), has been dead set on gutting the company for all it's worth. The Power Rangers franchise, which the company acquired for $522 million in 2018, is dead in the water, with huge quantities of physical assets being flogged at auction for quick cash. In 2019, they acquired the entertainment company eOne for $4.0 billion, and now they're selling off the whole shebang (except the cash-printing Peppa Pig franchise) for just $500 million. I guess maybe they just fucked it big style?

Because now, Crispy Cocks has proudly announced that Hasbro is going to stop financing movies altogether.

I'm sure that in the wake of this announcement, many of those aforementioned fandom pundits will be drawing a correlation between this announcement, and the box-office figures for Transformers One, and the fact that you personally failed to convince your Mom to go see it with you or whatever. "Ah, you see! They didn't make enough of their money back, and now they're consolidating. Simple economic cause and effect. Market forces." And look, I'm not going to sit here and claim these things are wholly unrelated. Of course they're very related. But I am going to make the case that, in truth, nobody at Hasbro really cared how Transformers One did. Unless it turned out to be some pie-in-the-sky runaway hit, I don't think the future of the Transformers film franchise would've been particularly different if only the film had done better.

With Paramount, Hasbro has been making these movies and having them underperform ever since 2017's The Last Knight—which apparently lost Paramount $100 million—and that's because at the end of the day, what they're most interested in isn't making movies. It's making toy commercials. And on that level, the Transformers films have clearly been a success so far.

Now, Crispy Cocks' skinsuit fashions itself as a gamer, so he can personify Hasbro's hardcore pivot towards digital and tabletop gaming. While we await the release of the assuredly-dogshit, assuredly-hell-to-have-worked-on, assuredly-never-coming-out Transformers: Reactivate, the brand has been whored out to a procession of mobile games you've never heard of, glorified gambling machines designed to hack the monkey part of your brain with bright colors and Things You Recognize. The exact content of these games is irrelevant; all that matters is the announcement, on every single pop culture news outlet simultaneously (naturally—they're all owned by the same company, talk about Monopoly), of New Collaboration Between Transformers And Goon Warriors Free To Download Now. Your daily, weekly, bi-annual reminder to think about that thing you can buy.

That's all any of this stuff is.

All these words spilled about what a good movie Transformers One is, and how bad it is, and why the marketing failed it, and what the next one might be like, and- none of it mattered! It does not matter. From the beginning, this movie was always going to be too preoccupied with its own mercenary interests to be something anyone would ever be able to seriously talk about as a work of art, even corporate art. The actual content of the movie is irrelevant; I've spent very little of this review talking about it, because there's nothing there to talk about. It is the mere fact of the movie's existence that serves its purpose. Like the Optimus Prime Fortnite skin, it's enough for it to occupy our attention.

Maybe that's why they staggered the film's release date: because some marketing exec watched the rough cut and realised, if everyone saw it at once, we'd be done talking about it within a fortnight. And in ten years' time, after it has been paraded around whichever streaming services survive 'til then, and nearly every last cent of revenue has been squeezed out of it, the kids will be able to watch it on YouTube with ad breaks, and decide what they want for Christmas.

To the Transformers fans reading this, I am begging you, unless you happen to own shares in Hasbro for some fucking reason, to disabuse yourself of the feeling that you owe any kind of loyalty to a toy franchise. It shouldn't matter to you one jot how Transformers One did in theatres. The people who actually make the product you care about, the friendly faces paraded before you on livestreams and press tours, don't see this money anyway—they too are merely assets, who can be fired and replaced with cheaper, inferior equivalents.

I'm sure many of you will have, from the very start, seen this review for the foolish endeavour it is. I've wasted all this time criticising Transformers One for its lack of artistic vision, when the truth is, Transformers One is playing an entirely different game. Like the Disney Channel running "Fishy Facts!" segments to subliminally get kids interested in fish a full year and a half before the release of Finding Nemo, this is not a product—it's an ad for a product.

...

Okay I'll be honest, I don't entirely love where this review has ended up. It ends on kind of a "bummer note", I guess you could say. Flashing back to sections I. and II., I feel like things started out so fun. We had that whole bit at the start where I was telling you about the Transformers, remember that? We learned so much together. And there were even a few moments where I was able to express some kind of sincere joy and appreciation over this thing that I supposedly adore so much. Sure, I did a lot of complaining, but it was fun complaining, right? It had like, a sarcastic edge to it, sort of.

What happened? Why am I suddenly talking like I want to cut someone's head off? As I grow more bitter, I type this essay with increasing difficulty. The massive gun that's sprouted from my forearm keeps colliding with my monitor.

Hasbro descends from on high to reward @TFHypeGuy, a grown-ass adult who has spent untold unpaid hours fearlessly replying to every single viral tweet to tell people to go see the film, somehow netting himself 80,000 followers in the process, with a crate of toys, which was probably his end goal from the start. He and I duel. We trade blow after blow. Finally, he clobbers me with a Walmart-exclusive light-up Ultimate Energon Optimus Prime figure. "It didn't have to end this way," he says. Then he banishes me to the surface world to think on my sins.

VII. The Wrong Trousers 👖 | Train Chase Scene 🚂 | Wallace & Gromit

When Eric Pearson came onto the project,

It was late middle of the game. They had a script that had the outline of the story, which is still very much the structural bones of the story now. But what I found interesting about animation is there are certain things that were far along in the process. The train escape to the surface was very far along, so that was just kind of locked. Maybe you could change a line here or there. Meanwhile, the opening, the whole first 10 minutes, was all storyboards and sketches, which changed a bunch of times.

And I do think that's a really difficult position for a scriptwriter to be in. Sure, the parts of the screenplay I feel able to attribute to Pearson, I wasn't particularly impressed by. But I think this anecdote goes to show how unnatural the constraints can be on a story like this. When you think of like, a scene that's key to Transformers One, you're probably imagining something like the Megatron/Optimus fight, or the scene in the mine—not the train scene, which is basically a bit of arbitrary connective tissue bridging the two main locations in the film.

Josh Cooley, the film's director, the face of the film on the press circuit from a creative standpoint, came onboard after five years of previous development work was already done. Writers Andrew Barrer and Gabriel Ferrari, who originally pitched the film and presumably wrote the early drafts of the story, might have already left the project by that point. Aaron Archer and Rik Alvarez, the creative forces behind the Binder of Revelation, left Hasbro years before the film was even pitched. It's no wonder to me that the final result feels incoherent, disjointed, and oddly stilted. It's certainly no wonder that nobody at Hasbro today really seems to care about the film; it's not their baby. If any of the people credited with bringing the project to completion had been given full creative freedom to make whatever Transformers movie they wanted, it would've looked completely different.

Luckily, there are still plenty of areas of the franchise where creators have just been allowed to go ham. Over in Japan, TRIGGER has taken a modest budget for a music-video and produced one of the most visually-striking bits of animation in the franchise, a true love-letter to all the weird parts of its forty-year history. And in America, comic creator Daniel Warren Johnson is halfway through his Eisner-winning new run on the title, which is the kind of thing I would basically recommend to anyone without caveats as being a phenomenal story, period. If that comic can be said to be an advert for anything, it's for Skybound's other, nowhere-near-as-good comic series, or for the unofficial unlicensed copyright-infringing Magic Square Optimus Prime toy Daniel Warren Johnson apparently used as reference the whole time.

I dunno, maybe Hasbro stepping back from financing these films is a good thing, in the long run. Maybe we can do without Transformers movies for a while. And however many years down the line, maybe Paramount or some other studio will put together a new team of talent, and they'll get to do whatever it is they want. And maybe the movie they make will be the one that knocks everyone's socks off.

Truly, I don't know where the road leads from here. It hasn't been built yet. It could turn out to go anywhere.

If you made it this far, I hope some of what I've said has been entertaining or interesting. Thanks for reading!

Time to for me to come clean. There is one other reason why I've waited so long to release this review... and that's because I have a special announcement to make. Last month I set myself a little challenge: to write something that's at least as long as this review, but which isn't another negative-nancy tirade. It's a story.

The working title is "Ice Road Transformers". It's like an episode of that one reality TV show about Canadians driving trucks across frozen lakes—except the truck is Optimus Prime.

Early reviews say it's good! It'll be going through several rounds of revisions, to turn it into a well-oiled machine, hopefully in time for a seasonally-appropriate wide release in February. I'm very excited for you to be able to read it. You can follow me here or on Bluesky to be the first to find out when it's ready!

I'd like to thank my friends Jo and Umar for their work interviewing Cooley and di Bonaventura during the film's press circuit, along with Viv, Callum, and Omar for allowing me to enjoy this film much more than I otherwise might have. I wouldn't have been able to express many of my feelings about this movie nearly so cogently if not for the conversations I had with them. Additional thanks go to Chris McFeely, as his Transformers: The Basics videos (linked throughout this essay) refreshed my memory on a lot of the Aligned stuff, sparing me from having to read The Covenant of Primus again.

[ryiju-muunie]

hiii ^^ can u write ab how perverted each JJK man is? plz plz plz includ choso!!!!! i luv my little bbg

Dirty Little Pervert!

HOW PERVERTED ARE THEY?

[Gojo, Geto, Nanami, Choso, and Toji]

18+ viewer discretion is advised

fem!reader/JJK MEN Warnings: established relationship, fem!dom!reader [Gojo], sub!Gojo, anal fingering, dumbification, public sex, dub-con, exhibitionism, slave play, pet/master, hair pulling, degradation, spanking/flogging, bratty!reader [Nanami], brat taming, dacryphilia, daddy kink, mutual masturbation, sex toys, Choso's is really sweet, hunter/prey, consensual non-consensual [Toji] breeding kink, biting, blood play [blood drinking] Word count: 1941 DESC: How perverted are each JJK man on a scale from 1 to 5?

I actually had so much fun with this! I've never done a multi-fic before I'd love to do more!

This is not my most well written fic but hey it's something!

Satoru Gojo: ★★✩✩✩ Submissive/Dominant

Satoru Gojo was the most pathetic man you had ever been with. You had never heard a man cry and whimper more than him, which was strange because when you first met him you had him completely wrong. From the way he acted and from how he presented himself, you pegged him for a dominant guy who liked to fuck submissive girls. You initially thought it would be a problem, being a dom yourself. So it surprised you when you heard him casually admit to being a sub. 

“I like a real dominant woman. Someone who can fuck my smug attitude outta me.” That was all he needed to say. Because soon that’s exactly what you did. 

You just used your fingers, pumping them in and out of his tight little hole. He was already so sensitive that’s all he needed to become a slobbering and filthy mess. You watched as the boy you knew as cocky and conceded fall apart, whimpering and crying out that he wanted more.

“You like that slut?” You smirked, arching your fingers to touch his sensitive prostate. Satoru moaned, nodding his head against the bed. Both of his hands were gripping the sheets and his back arched as he felt a wave of pleasure shoot through his cock. He’d already cum several times, writhing around in it. But he still wanted more. And not to mention, you wouldn’t let him leave until you milked him completely and utterly dry. 

“M-mommy.. Please.. F-f.. mmm… shit.. Mm-fuck.. Fuck.. fuck me… p-please!” He sobbed into the cushion, jerking his hips to the sensation. It wasn’t long before he felt it get too intense and he spilled out again onto the bed, screaming out with pleasure. He threw his head up and arched even more that he possibly could. All from your plush little fingers. You hadn’t even begun to stroke his cock or fondle his balls and he was completely and utterly gone. He was in a haze, fucked dumb from your digits. 

“More…” he rasped, looking over at you with his tongue sticking out, “I want… more..”

Suguru Geto: ★★★★✩ Exhibitionist and slave play

Suguru wasn’t one for hiding his perverted nature. You shouldn’t have been surprised when you both came home from a late day at the office and he was beginning to pull down your pencil skirt. One hand pulled at the hem while the other used little force to push you stomach-first against the hood of his car. You let out a breathy gasp and turned back to him, trying to see what exactly he was doing.

“Suguru?” You asked, trying to get an idea as to what was about to happen. You didn’t want to admit but you were already soaking wet. You knew with the nature of your relationship he didn’t need to ask, if your master wanted to fuck you you knew to oblige. No matter where you two were. 

He pressed his raging boner against your ass and let that speak volumes. He hadn’t been able to concentrate without thinking about fucking you in public. He wanted everyone to hear you moan that he was yours and no one could ever fuck you like that. He wanted you to cry and choke on his cum as he pounded into from the back. Suguru wanted everyone to know who owned you. 

Your skirt came off and fell down to your ankles, revealing your underwear. He inhaled sharply and pulled his cock out from his slacks, letting it hit your fat ass with a small noise. It was within seconds that he was inside you. You gasped and arched your back, feeling one of his hands on the small of your back and the other grabbing your hair, pulling you back to him. 

“You like that, huh? Whore? Little pathetic slut?” Suguru spat in your ear, making your pussy throb in between your legs. You were the most self-respectable girl, never letting anything get to you. But in your sex life… you were a different person. You were a total slut for your husband, doing anything and everything to please him. 

Kento Nanami: ★★★✩✩ Spanking and Brat taming

Kento wasn’t a very perverted guy at all, he’d only ever really think about that stuff when he was with you. You never pegged him for the guy who was into going to fetish bars or doing ACID on a Tuesday night, and you were right. However, you didn’t account for the fact he had his own kinks and ways of pleasuring himself. He never admitted but he enjoyed his fair share of BDSM, only with the right person of course. When you came in, with your bratty nature and your big innocent eyes… he wanted to corrupt you. He wanted to cum on your tits and force you to lick it off or give you a piece of his mind after a long day of work, fucking into you with no care for your own personal boundaries at all. But… he restrained himself enough to limit his kinks to a select few things.

So you found yourself, bent over on his lap with a flogger in his hand, while his other lifted up your pink skirt. Of course, you didn’t wear underwear. He had gotten used to the fact you were the pervert in this relationship, doing everything to get a rise out of him. And it worked. You had been able to make him so sexually frustrated it was pissing him off. He needed to tame you and make you bend to his will over and over, and over again. 

Of course, it would only make you behave for about a week before you started to test his patience again, and then the cycle would repeat. And god he loved it.

“Okay dirty girl,” he spoke gently, “Remember if you stop counting I start over,” and with one fell swoop the flogger smacked your ass. You let out a whimper and threw your head back, counting the first number.

After a few more spanks from the flogger you hazily looked over at him, drool pooling on your bottom lip and dripping onto the floor, “I.. mm.. I forgot… my place,” you let out a hiss as Kento frowned and raised his hand, slapping your ass with enough force to make you cry out. “Mm! I’m sorry!” You let out a sob before he smacked it again, “D-daddy Mm.. mm sorry!” 

“You’re going to show me how sorry you really are, okay?” He raised an eyebrow as you, looking you over as your body shook. You didn’t realize it but he was so incredibly hard it was becoming painful for him.

Choso Kamo: ★✩✩✩✩ Mutual masturbation

Choso actually isn’t that much of a pervert! Choso had never found himself interested in BDSM or crazy sex. He preferred the romantic aspect of a relationship over the sexual, which he was very glad you did too. There was nothing he really wanted to try or had a desire to do. All he really wanted was to be close to you in any way possible. So maybe there was one thing. He wanted to see how you pleasured yourself when you were all alone. He wanted to see how you touched yourself to the thought of him, and he wanted to show you how he touched himself to you. 

When he suggested the idea you thought it was really sweet and agreed. It made him happy to think you wanted to be as close to him as he wanted to be with you. You watched as your boyfriend shyly peered over at your exposed pussy, glistening just for him. You placed your small vibrator over your clit, letting out a faint sigh at the new sensation. Just watching you begin to please yourself made a small jolt of electricity travel through his cock.

“Baby…” You cooed, motioning for him to lay beside you. Choso nodded and laid back, resting his head against your shoulder, “You wanna touch yourself too?” 

“Mmhm…” He nodded, looking down at his growing erection. It took a few seconds before he was freed from his pants and sopping wet from his precum. He shyly placed his hand around his shaft and stroked upwards, before focussing on his tip. You watched him with a curious expression, slowly rubbing circles around your clit with your bullet vibrator. You let out a small moan as you watched him massage the slit on his tip, before going back to stroking his length again. All the while, his eyes were on you. Your face and the cute expressions you were making. 

This felt more intimate than sex. A way to be close to one another without truly touching each other. Even though he longed desperately to touch some part of you, that’s why he was leaning his side against yours. Your warmth and your smell were so comforting, it was all he needed to masturbate near you. He really, really loved you.

Toji Zenin: ★★★★★★ Hunter/prey and CNC

Toji wins. Toji fucking wins. He’s the most perverted man you’ve ever met. The first thing he asked you when you walked up to him at that bar was your bra size, and that same night he was taking it off with one hand. Your relationship was purely sexual from the moment it began and you both loved it. You would do any kink or any weird thing he suggested, as he would for you. As long as it meant he got to breed your pretty pussy in the end. 

Today you both had decided on something… out of the norm. It was dead of night, maybe 3 AM? And you were in a lovely wooded area, running for your life. Behind you, you heard something chasing after you. Maybe it was a beast, maybe it was a man, you couldn’t tell. Toji was supposed to be chasing you, but it had been so long since you had seen him that you weren’t sure what was behind you anymore. You looked down at your surroundings but it was pitch black, the only thing you could see were a few branches in front of you. You still saw them yet you tripped. 

You fell face-first into a pile of leaves, scrambling when you heard… growling. A large hand grabbed your shirt and you gasped, struggling against it. You could barely see, you didn’t realize he had leaned down and began to bite you. You let out a cry, “Agh! S-stop!” You continued to struggle, whimpering when the man behind you broke skin and started to suck on the blood seeping from your neck. 

“Pretty thing. Shame… M’ gonna fuck you so good,” Toji whispered, throwing you back into the ground. He was giving you a chance to run, to escape. But you didn’t want to. It was so fun to role play, to pretend you were in any real danger. You knew even though your relationship was sexual he’d kill for you and your tight pussy.

“Please…” You cried as you felt your pants rip from the top down, exposing your ass, “Leave me alone…” You buried your head into the leaves, a large hand grabbing your hair and pulling you up. 

“I said I’m gonna fuck you good. Now stay quiet you fucking brat,” Toji pushed you down, making you squeal in pain as he slapped your ass a few times. Your skin stung and you knew this was just the beginning of a long sexual experience with your lovely sneaky link, Toji.