#i'm the kind of person that can see value in the idea itself so. that doesn't stop me from being excited for the next games and

[unproduciblesmackdown]

love my own like theatrical relationship to shakespeare which is a) being so slow to realize like "oh, i've loved theatre? everyone doesn't just feel this way & go 'of course acting onstage would fucking kick ass' & adore rehearsals and hanging around backstage and in greenrooms and changing and performing & etc?' never really occurred to me" and b) my response to most encounters w/shakespeare being "wha" when it comes to anything granular yet the relevance still in the spirit of things lol

namely one prominent example being i was an on campus college student where said campus has a shakespearean theater literally three blocks away, and we had like a freshmen orientation weekly class there doing shit with actors and checking out the theater, not to mention like punchcards to see four shows free (to write up about afterwards but yeah sure whatever) and this wherein also you always got student discount tickets And there were pwyw performances....kicked ass. i went there for shows so many times. i have never fucking known what tf is going on in any of the like dozen shows i saw there when a) audio processing can be tricky enough for real life modern vernacular parsing and b) sure am not used to ye old very stylized language nor any other qualities of shakespearean material so lots of times when i finally started to kind of acclimate to the language it would be like "oh wait that was the conclusion? ok. hoorayyyyy" like also c) You Have A Great Time Seeing Shakespeare Productions Anyways like again i loved going anytime. it's Theatrical and if people are just putting their damn backs into delivering and performing the material it's An Experience even if you're really not following lmfao. and i suppose one can read the text / familiarize oneself beforehand

also like my first and really one of my only like regular theatre performing experiences was my literature class in fourth grade doing a few scenes from julius caesar. i was so hype for getting cassius like one of the most prominent roles? a guy? an antagonist if you're caesar or dante??? oh Fuck yes. b/c of technical difficulties we got to perform it twice in a row when we did a field trip to some other school to perform our respective [scenes from various shakespeare plays] altogether. even back then i was way into it and cared about stuff like "we have like no Effects to make it that dramatic when we kill caesar. or like, non silent. bit awkward" and "also i like, don't know how to act and am just winging it. and of course, i'm also like 9" like in theory i do like to know How to do something vs trying to make it up myself. somewhat lol. a balance, who can argue w/that

beyond that there's also lots of things i just didn't quite realize "counted" lmfao like, when you're a theatre gay with a parent req'ing you go to church every week but you have a good time being in the choir....i was sure on those tenor harmonies & singing loud. and going relatively often to various live theatrical events, having an engaging enough time there, but also would've assumed anyone would be into it And that that's not really the same as actually being in them, of course. but that most of my firsthand experience was just sticking w/ballet for like a decade, and kind of live theatrical performance adjacency there. don't say shit, for years was effectively just like, an ensemble for the occasional performances, but even then it's like hoorayyy i Love rehearsing and being onstage and backstage and dealing w/costumes and coordination behind the scenes and shit. and eventually being like, a distinct individual character in shows, so despite again nobody saying shit you're still somewhat interpreting and doing whatever character work while also enjoying the bennies of [it's dance, so also it's choreographed]....even more clear like oh i love backstage and rehearsing and behind the scenes and onstage and putting together stage character makeup, and i don't mind tackling technical difficulties, and etc etc. didn't even necessarily have the reference like, idk, wouldn't / doesn't everyone feel similarly. classic ye old memory of like being idfk 7 or some shit simply getting to walk with classmates behind a backdrop to the opposite wing of a stage, and loving that lmao. combines a love for [backstage] and [secret passages] type deal lol, big fan of these elements

also in 7th grade doing a theatre/drama class for a few months and we couldn't really get like all this in depth extensive stuff b/c you know, intro course for like 8 weeks for rando middle schoolers, but idk it was just illustrative lmao like after julius caesar, us slapping together some kind of script and my getting to be this fun little theatrical(tm) antagonist guy again? feedback was "what was supposed to be happening" but could've stood to have learned that the enthusiasm and affinity i felt for acting onstage was perhaps indicative of enthusiasm and affinity for acting onstage rather than just, idk, the exact kind of baseline experience any & everyone would have lol. not that i would've necessarily had the chance to really do anything with that knowledge, but even now, ofc i don't particularly anticipate getting to use it, but it's great having that knowledge like ohhh i see. the entire time i've been huge into doing theatre with all these kind of adjacent & gently overlapping brushes with it. gotcha

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[roxtron]

I was trying to think of why this made sense to me- the fact that the mimic is intended to be a larger threat but Ennard still had more impact/presence. I think the biggest issue is buildup, or lack of.

I mean, in sister location you spend the whole game avoiding the animatronics while also causing or witnessing the horrible things they go through, you're able to feel some level of sympathy for them. Though for some people that may just make them even more of a threat considering they obviously want revenge. Even though you were being lied to when led there, you get a sense that you still know these characters through the interactions you've had with them, genuine or not. Everything that happened up to this point still matters and gives you a reason to think back.

As much as I have tried to make theories or analysis on the mimic based on the lines we're given.. It doesn't really do the same. The majority of its voice lines as gregory (so basically all of its voice lines..) are just irrelevant "do this thing for me" that's completely skippable in the long run. Sure it's pretending to be a scared kid but we can't really gather any of its own emotions through that because not only are we unsure if there's any genuine thoughts there, but the dialogue focuses so closely on the goal we get no real characterization out of it like 90% of the time.

At least when Baby (or at least her voice?) was guiding you she still had moments where she gave small information, or sarcastic remarks, etc. Things that not only build the story but also show how the character reacts to these subjects. Her seemingly passive aggressive attitude towards Ballora, how passive aggressive she acts towards Mike on Night 4 in the spring lock suit, sure she tells you your goal and the game mechanics, but she also does so much more than that. I know people tend to complain about how Sister location is like 70% dialogue (or more depending how biased you are on the subject) but that dialogue at least serves a purpose! There's still plenty to be analyzed there and work off of, not only do we get pieces of lore from it.. (baby's thoughts on the scooper, the mention of the springlock suit and it "not being used the way it was meant to be used," her dialogue about the day Elizabeth died, characterization through her tone of voice or sarcastic remarks, etc!) But depending on how far you look into it you can get at least a baseline understanding of the characters and their goals.

But the mimic..? Look, you can check the post I've made about it before, I've tried analyzing his voice lines to see if they hold any purpose beyond just guiding you, and honestly? I'm grasping at straws on most of it. A lot of it is pretty irrelevant, I think I only found maybe 4-6 voice lines that matter? And I definitely had to do some reaching to find any potential ties to if anything the mimic said mattered to itself or to gregory, and while I stand by my analysis of it potentially giving us more information about what happened to Gregory down there.. not only does the dialogue barely give us any new information that the environmental clues didn't (backpack, handprint on the vent, etc.) But it doesn't develop the mimic. It develops Gregory. Which, hello, Gregory's one of my favorite characters lol, I'd be happy about that, but for the mimic itself? That's really bad. It makes it feel like everything you've done up until this point is meaningless development-wise. Once it's revealed you're not saving Gregory, it's kinda like, well, what was the point? I'm not talking generally- obviously the mimic being freed is supposed to be bad, but my point is that there's not a lot to look back on and feel like it served a purpose towards building up the ending. Sure you can look back and say "Oh yeah that makes sense, Gregory was kind of whining a lot more than Security Breach." but that's not really enough to justify it? Going into this a LOT of people were already theorizing it wasn't Gregory. Popular opinion at the time seemed to be that it was Vanny or Glitchtrap or Burntrap or whatever. That it tied into a previous villian using Gregory as a lure to get a new victim, someone else to trap into their plans. And that was cool honestly, I might've even preferred it! At least Glitchtrap has BEEN built up as a villain (I mean, I wish he had more screentime and all, but there was development even if it could've been expanded on.) and whether or not the Princess Quest ending is canon it still could've worked, using Cassie as a replacement for Vanessa. Though it may have been a bit repetitive plot-wise, it was a cool idea at least, besides it's not too different from what people are theorizing the current ending means.. Okay, i got sidetracked a bit. Point is, the theories people had at the time, they led somewhere! the twist of it not being the real Gregory isn't really enough to justify all this because 1. most people saw it coming and 2. even if you didn't see it coming, you can't really look back on the experience and feel like there's any new information to be given from it.. For there to be so much buildup for this, for most people to already be actively wondering what was using Gregory's voice and why, only for it to be.. a character the majority of the fanbase would be unaware of due to it only existing within the books up until this point. For anyone who didn't read the books (which is most people) this reveal was likely going to be unsatisfying, to say the least. Hoping for an answer and only getting more questions in return. That's not new for this series, sure, but it can be a bit disappointing at times. Depending on who you are and how that kind of ending makes you feel, I think most people can at least agree the way it was executed would've left people with mixed reactions.

Even if you did read the books, it still didn't really answer anything, did it? Sure, okay, the mimic is here. Now what? Is it the same mimic with the same backstory as the books? Are we gonna be twisting the backstory from the book universe to the games universe? What does any of this have to do with the story that was built up so far? From my perspective, it seems just as out of nowhere as if Eleanor was dropped into the next game. Most people would only know her as the villain of one specific story in the books, and for a one-off villain to suddenly be inserted into the plot instead of the villain we've actually been fighting this whole time.. it just comes out of nowhere, it really does. And all that gets twisted up even more with the question of how the mimic connects to glitchtrap. It's either replacing a pre-established villain and saying "it was this guy we know next to nothing about the whole time!" which is just really unsatisfying because it once again feels like everything up until this point has meant nothing, because there is no solid connection to tie the mimic to glitchtrap in a way that makes it feel, y'know, connected? They feel like two separate entities, whether they are or not, it's still unsatisfying. And even if they are two separate entities, then it's killing off Glitchtrap, a pre-established villain that posed a solid threat with semi-understandable motives.. for this wild card that hasn't been established whatsoever within the games. It feels like killing off glitchtrap in the middle of his arc because people got tired of him before he even got to do much. It felt like glitchtrap was still building up in my opinion, only for them to suddenly get rid of him. Once again, it makes everything feel pointless. I think the TLDR here is that Ennard served a purpose, even if the things they did were to trick you, it wasn't for nothing. You could still get pieces of lore, characterization, and motives from your previous interactions. But the mimic doesn't have any of that. It has basically no established motive besides "use Gregory's voice to let me out" and then what? Get out to the larger world? just kill people for fun or get revenge on specific people? What does it want from there? We don't know, which makes it difficult to care. On top of all that its previous interactions do feel like they were for nothing, there's very little to be analyzed from them and it just feels like a waste. It was all a trick, so, why does any of it matter? There's very little to be taken away from it beyond the fact that it's fake.

✨🤖An endoskeleton that dresses like a clown and tricks someone by mimicking a child's voice into freeing them from an underground basement.🤡✨

[bonefall]

do you have any tips for writing a low empathy character who isn't evil? Or how to make an interesting apathetic character who's a thoughtless sort of evil? These are two different chatacters btw-

I tried looking up examples and stuff but uh. It's been a bit fruitless.

Honestly it's not too hard! Having low empathy just means we're bad at automatically "connecting" to the feelings of other people. You can come to understand it's not even a character flaw once you uncouple the idea that Empathy = Kindness. And apathy, well, that one's a bit more complicated imo.

Low Empathy

In English, it's just unfortunately super common to conflate Empathy and Compassion. To have compassion is to be aware of the suffering of another person, and ergo, want to help stop it. To be empathetic is to identify with and understand the feelings of another person. These are different things.

For an example in action; imagine a medic with a patient whose shoulder is dislocated, and xey'll need to pop that arm back in place in order for the patient to feel better.

A medic feeling EMPATHY for that patient is having an emotional response to what xey're seeing. Xey might have a tingly "ghost pain" thinking about the injury, and xey might feel guilty xey're going to put them in more agony, but also joy because this patient is going to feel much better in just a moment.

A medic feeling COMPASSION for that patient is thinking about how the shoulder must be causing a lot of pain, and knows xey have the skill to fix it. Xey know from xeir own experience that pain sucks and so it is a bad thing that needs to go away. It will hurt a little more for a moment, but then there will be immediate relief.

This is imo, why a lot of low empathy people are "bad at" comforting people without going to Autism College where they give you the scripts of Shit Neurotypicals Say. We're not trying to be selfish when we end up making "comfort sessions" about ourselves-- that's what we think empathy is, because we don't have a lot of it to really know what you want.

Like, doesn't it make sense to you? "I don't know what you're feeling. Here's a similar situation I've been though. I must know what you're feeling-- does that make you feel better? That you aren't alone? I think that's what empathy is, am I right?"

A LOT of low empathy people go into medical fields, the funeral industry, and disaster relief. We often really do want to help people so seek these fields out, or when we get there, just end up not getting burnt out like our high-empathy peers!

Apathy

As for the apathetic character, honestly, I'd suggest thinking about your story's themes. Villains are very special to me and I always try to handle them with care. What are you trying to say is bad to not care about in your work? How does their apathy play into the story you're trying to tell?

A Captain Planet villain is completely selfish, and exists only to benefit itself by exploiting nature in some way. Then the Planeteers show up and punch it in the face. Boiled down to its barest, most simple essentials; "We have conflicting goals and so I will stop you."

Personally I find total apathy to be something not especially compelling in villains, for that reason. Like, if you really don't care about anything, why bother with the trouble of going against the protag? Motivation is meant to be MOTIVATING.

(also ngl I'm on the Shadow As A Hero sort of bandwagon where I find it much funnier for the simple apathetic cool edgy guy to be the funniest person on your tennis team)

Dungeon Meshi has TWO characters who struggle with apathy, and are both antagonists at some points in the story, but never villains. Shuro and Mithrun. The theme of Dungeon Meshi is the beauty and complexity of life, the value of living, and how our connections to others changes the people we are. Food is a metaphor for bonding, self-care, and understanding.

For Shuro, he begins the story as someone who's both been encouraged to bottle up his emotions for the sake of other people, as well as to not actually consider the emotions of those lower-born than him. He's from a very different place than the other members of his party, and this causes friction as class, culture, and sophisticated, refined, weapons-grade autism clashes.

When the woman he loves is eaten by a dragon, he doesn't stop to tell her brother and """childhood friend""" what he's planning, as if they both wouldn't run in and get hurt. He owns demi-humans. He doesn't consider his own needs or the needs of his rescue team of loyal vassals. As a result, he's too weak to continue, losing a fistfight with one of the main characters, Laios.

After this, he connects with him for the very first time, and reaches out to him by giving him an important magic item. There's even a MASSIVE moment where he outright tells Laios that his ability to be so open (read: not have to mask his autism) is something he envies, breaking through that veil of apathy he wears.

The story Dungeon Meshi is telling here is that it is important to value the needs of yourself and of others. Shuro's apathy towards his own needs in a bid to prove his love weakened him. In acting like he was above his old teammates, he never spoke to them like people to smooth out his issues. He's never even noticed how much his vassals love and care for him.

(and the incredible irony is not lost on me, that Shuro's name is because Laios mispronounced it and was never corrected... while Shuro never noticed that Izutsumi had the unwanted name "Asebi" forced onto her when she was "taken in" and made his slave.)

See how that comes back to the theme? Shuro doesn't exist to just "be some asshole" or act like a villain. He has a full character arc that contributes to the narrative.

For Mithrun? I won't even spoil it. Go read Dungeon Meshi. Watch elf depression. We love a king with strabismus.

Anyway,

If you ever need good personal resources on any stigmatized mental condition, I've found it's usually productive to go into the #Actually (Thing) tag here on Tumblr. You can find people posting about basically anything. I found a lot of really good resources on NPD that way.

[otomiyaa]

Ticklish Blade x Reader

Platonic + 47. "I wasn't even touching you." Requested by anon for my 1K Followers Event🌻

Guess guess what scene inspired this, hahaha!

It felt... odd. You eyed the driver nervously. He was so quiet. Not more quiet than usual, but in this case it was kind of concerning.

"Blade...?" you murmured. It was already a surprise that Blade was offering you a ride while you had no idea he even had a driver's license. But the bigger surprise was when you realized Blade was sleep-deprived, and getting in a car accident with him was not necessarily on your wishlist.

Too bad the realization came only after he started the car, and you were now trying to make sure he wasn't falling asleep.

"Blade?" you asked, louder this time.

"What."

Another person would think he was angry, but you knew him better by now.

"Are you sure you're alright? I can go there myself. No need to help me."

"I'm fine. I already told you."

You gazed out of the window, then back at him. Instead of acting like you were worried about him, maybe a more selfish attitude would do it then.

"I appreciate your gesture, really. I'm just wondering if you can get me there in one piece."

You saw him frown a little. "Are you doubting me?"

"Not your driving skills, of course. But... Your current state. Blade, you haven't slept at all. I'd like to keep living, if you'll let me."

He was quiet for a moment and you had a feeling he was going to ignore this discussion. But then he simply pulled both hands off the wheel, and you gasped.

"What are you doing?!" you shrieked, only for Blade to look at you, with his hands right above the wheel and the expression on his face almost, what was it... taunting?

"The car is driving itself. Now happy?"

Oh he was totally taunting you. How petty, hehe.

You would laugh at it, but because of the jumpscare, the first thing you did was let out a sigh in relief. "I can't believe you," you said, faking as if you were going to hit him, but to your surprise he jumped slightly and blocked himself with his arm.

"Don't," he hissed. You stared at him and cocked your head.

"Huh? What're you getting all defensive for? I wasn't even touching you."

Blade glared. "Yet. You sure were about to."

You chuckled. "What, is the almighty Bladie afraid I'm gonna hit him? For real?" you teased.

"Don't call me that."

It was strange, Blade wouldn't recoil from a hit, fake or real, not from an enemy and definitely not from you, so... You smirked.

"Hey!" Blade's voice did quite the thing when your finger pierced into his side, poking him misschievously.

"What are you doing?!" he asked angrily.

"I have a feeling you just thought I was going to tickle you, weren't you? Which inspired me... to actually tickle you."

"I did no-ahh! Don't! That's dangerous! Stahahap!" Blade yelped when you tickled him again. You couldn't stop grinning. This was just gold.

He must've witnessed the two or three times you ended up getting in a tickle fight with Silver Wolf the past days, which caused him to think you were actually going to tickle him just now? The idea wouldnt even cross your mind!

Well, now it definitely did.

"Dangerous how? You said the car is driving by itself. I'm just making sure the driver and passenger won't get bored in the meantime," you said, wiggling your fingers against his side. Blade squirmed in his seat. This was just wonderful. You could see him struggle to not move too much - since then it would get a little more dangerous after all.

Right now he was merely trapped in the driver's seat and forced to endure your little tickle attack.

"I'll - ahah! Stop that!" Blade's angry giggles were everything. You knew you were really being too reckless for someone who valued life so much until seconds ago. But ticklish Blade was actually a discovery worth it.

"Gehehet ohohoff!" Blade swatted at you, and the lack of force in his reactions only made you go "aww". He wasn't entirely helpless - there were plenty of ways he could make you stop without crashing the car, but those might probably include hurting you, or...

Nah, never mind. He would never.

"Lahahast chahance!" Blade warned, jumping hilariously in his seat and twisting from side to side to avoid your relentless tickles. Using both hands, you wiggled your fingers against his sides and ribs, and occasionally tried to poke his tummy, but he really blocked that area with all of his might.

"Last chance or what?" you asked, but finally he managed to catch one of your hands. Then without warning he clawed at your side, tickling you back, and you screamed in surprise.

"EHEyes on the road sihihir!" you cried out in sudden panic. Blade froze, appearing shocked by the volume of your voice. You had already pulled your knees up and lay curled up in your seat, watching him in fear as you anticipated his counter attack. He would never tickle you back: you were confident about that. But... not anymore.

He sighed. "Then stop tickling me." Blade finally put his hands back on the wheel, and for the second time this ride, you sighed in relief.

It was funny to hear him say that word. Hmm. Maybe you just ruined your chances of having your first ever tickle attack with Bladie. But tickle fights in cars were never ideal. You smirked. Knowing he was ticklish and might even potentially tickle you back, you couldn't help but store this information in your head for another time.

"Don't you even think about it," Blade said, probably noticing the smirk on your face.

"I wasn't thinking anything~" you sang, but of course both of you knew that wasn't true!

[luna-loveboop]

Luna, my dear sweet friend, can I pick your brain?

Lofty gave me a veeerrry good scenario for a Time vs Sky conflict, but I'd love to hear your thoughts on what that could look like? I picked 2 very mature characters and now I have to make them brawl lolol

I think the best route (for me at least) wouldn't involve the master sword or Hylia. So this would be a personality conflict. I don't wanna spoil the scenario she gave me, so I thought I'd ask for your general opinion on what you think would make them fight, personality wise🥰

Feel free to delete if you don't care to go over this, but I thought I'd ask cus you're really good at going in depth with character analysis❤️

BYE FRIEND😀 also I hope you're doing well and you're amazing and wonderful❤️❤️❤️❤️❤️

YES ok so personality conflicts between Sky and Time. There's... a lot to look at there lol.

So I'm just gonna look at each of their personalities +flaws, and then how they interact :))

Soo for Time

Time is dad. He's older and more experienced- and he's still a stubborn gremlin like all of them. He's patient with them but also stern- he cares very deeply about all the boys and Sky is no exception

I don't doubt for a second Time wants to be just as close to Sky as the others

One of Times biggest flaws is the idea of a closed mindset. Which makes sense, since we know Time's ending as the hero's shade- he spends years in that mindset of regret. Time has these thoughts of being too old to change (<no), and allows himself to keep holding onto bitterness, especially about the sword. Which he has good reason to be a grumpy old man already, with the mental and physical age difference, but still

Time is obviously capable of changing his mind- as Wind took a challenge to prove

But overall Time is still. He's not super expressive, my man likes to just be. He wants to be still and live, and hero as needed, and not be a super crazy hero, but just a chill dude with malon.

Time is patient and stern and calm and good. He is also closed and stubborn. That's all good, but it doesn't always work the best with Sky.

So Sky.

I literally love this ask because I could rant forever about his flaws to talk about them more (no one kill me).

Sky very highly values being a hero as part of who he is- in contrast to time who literally just doesn't want to.

I see so much of Sky's patience. And with good reason- with others Sky is endlessly patient and calm in resolving conflict. He's emotionally intuitive and intelligent and awesome

But Sky is also I think extremely impatient. With himself, and with things around him that aren't going well.

He wants answers and he wants them now, which is kind of scary from him. I see a lot about Skys temper, but I don't want to forget how much of that is from impatience- not knowing how to handle things going slow.

Because things moving fast and violently is how it needs to be right? *cough cough IMPA

For all sky is extremely patient with others feelings, he is one of the most impatient people with himself and his circumstances. Which a lot of comes from immaturity, which is my next point-

Sky is. A monster with pranks. I don't even know why it took me so long to realise this was Sky-

Saying 'I know we should help but this is too funny'. Twilight and wild are looking disturbed and like they want to help, and Sky and legend are just cold-blooded leaving four struggling for his shield and taking bets. He's very immature, and furthermore, he doesn't really respect Time as an authority as much in the face of pranking/joking

Bro is not remorseful at all I swear-

I also think 'nice hair' Sky is a little... idk judgy? With people he doesn't get along with as well. Like Hyrule. (Wait I haven't yet I gotta rant on that sometime sorry- but yeah he and Hyrule don't vibe well)

Sky can also be unrestrained with his words and snark- his words can practically be a prank in itself 'nice hair' 'am I late?'. I think sometimes he toes the line with pranks and joking around (like that one quest where you could break Peatrices heart?), and same with his words. Overall he's a snarky and sharper person- and being able to pull off good pranks and jokes isn't inherently a bad thing- he's smart. He's a kind person too, but I think sometimes his words and actions can be too sharp.

I think Jojo also said in the post with their ages that she made him slightly younger because of his immaturity compared to twilight. Do with that what you will

So point is, Sky has flaws that are mildly subtle but still prominent, like his impatience with himself and situations, his immaturity with joking and temper and words, and I hc he's a slightly judgy person. 'Nice costume' to Zelda like SKY but I swear I love him. Don't kill me for discussing flaws please I have a dog

So how this comes together with between him and Time is pretty cool-

Skys impatient, and Time has a resistance to change in his mindset- which means that as far as the sword, Sky wants change now, he wants validation and Time to not hate it. Time does not care about this because the sword hurt him and he's spent years hating it.

But with situations and stuff, especially with the entrance arc, we can see Sky being very impatient after Twi's injury- from what I can tell he wants to rip dinks throat out. But it's still subtle- what's not as subtle is how much Time wants to slow down. He wants to hold them back and protect them, and Sky is impatient in a frustrating situation. I could honestly see Sky wanting to run after the shadow on his own right now (sorry, I've been rereading elastic heart). Sometimes patient + wanting to hurry up doesn't work well.

If you think about it in relation to their journeys it makes sense that they are portrayed this way. Skys journey was about rushing and trying to hurry up. Times journeys were horrifying, with this insane feeling of running out of time.. but he could still turn back said time.

I can't even count the number of people I've seen say they tried to rush through the eldin temple as fast as possible on reruns- after Impa telling him it was too late trying to run as fast as possible even knowing it wouldn't change anything. That translates into skys character, and it must be insanely frustrating for him.

They are both heros. Time's journey was about saving the world and Sky's was about trying to kill a god. It's a big disconnect between them- one is patient and one is not, one doesn't want to be a hero and one's life is being a hero dating a goddess. One lightheartedly jokes and one throws a love letter down the toilet (SKY), one is older and one is immature. Yet on the surface Time wears a scowl and Sky is as soft as can be.

They are so very different in so many ways, but so much alike- they are both heros, they both want to be young and playful at heart. They both really like stabbing things and setting them on fire. And also saving the world.

They are also both extremely mature in ways beyond their years and endlessly kind.

I love them so much.

I wasn't sure to say this in the post bc the ask is about personalities, but I feel like another major issue between them could be whatever happened with Time and timelines and the triforce. Obviously the timeline is messed up. I also have not played times games... but I think in timeline talk one he mentioned the triforce of courage ended up broken? I can see Sky not taking well to all of that.

Soooo in terms of personality conflicts that would make them. Fight? Yikes what are you planning Oma, I would say there's several possible triggers outside of the master sword and Hylia (which I think is wise of you to avoid btw)

I think that Skys impatience contrasting with Time's fixed mindsets can have issues. But the way Sky has shown no acknowledgment of Time when he's tried to stop the boys goofing off w/ pranking can also be a trigger- as well as that sharp and sometimes insensitive snarkiness in Skys words we all know and love. They have. A lot of issues. lol.

Yeah! I uhh hope that helped and was relevant or made sense at all- I swear I love these guys. These two are fun to look at because outside of the obvious stressor of the sword they have a lot of other issues as well. They have differences in thinking and personality that can lead to a lot of tension between them.

Thank you for the ask and I can't wait to see what you come up with

The art and comics is by Jojo @linkeduniverse au :D

Thank you for listening to my rant, and here's one of my favourite pictures of these guys

Simply majestic <3

:)

@skyloftian-nutcase

[mantequillamcwhoremick]

Why did you start shipping Bunny? What made you realize their characters had a certain dynamic you enjoyed?

Alright, story time.

My best friend is the one who introduced me to South Park and they started out by showing me select episodes from season 4 and forward, and around the time we were at like season 10ish they informed me what like popular ships exist in the fandom. Namely Creek, Style (I had already seen Tweek x Craig, it was actually the first SP episode I ever watched lmao, and I could kinda see why Style was a thing because they're best friends with lots of moments that CAN be read as romantic), and Kyman (I could also see why it was popular lmao) but when they mentioned Bunny it surprised me. Like these two characters barely/never interact on screen, but my friend just said "Trust, you'll see why later in the show." Instead of waiting to see why later in the show, the idea infested my brain and it clicked anyway.

At first it was just vibes, they seemed sweet and compatible. Let's over-articulate the "vibes" a little further; Keep in mind these are all conclusions I was able to draw about these characters pre season 14 (Pre "Coon & Friends", pre "The Poor Kid" and pre "Going Native".)

These two come from opposite ends of the family trauma spectrum; With Kenny it's neglect, with Butters it's an overly controlled/sheltered environment.

Butters is a yapper, Kenny is a patient listener.

Butters gets cut off/belittled very often for his yapping whereas Kenny isn't one to judge or dismiss.

But Butters isn't the kind of yapper who just likes to hear himself talk; he engages a LOT with whatever someone tells him, and always takes his conversation partner seriously. Kenny is rarely asked for his input, he's rarely ever even referred to directly in a room full of people, but rather just a spectator.

Based on this, I could see Butters rambling to him directly and give importance to Kenny's input and opinions, something we rarely see with anyone else. Funny that this was even confirmed to be true in season 16's "Going Native"

(idk these are just instances that kind of prove to me how Butters values & respects Kenny and his side of things, by either outright saying so or just referring to him in conversation and asking for his input that I rarely see anyone else do. This even gets driven super far in the vaccination special where Kenny is just completely and utterly patronized by his best friends & treated like their child)

So all of these things, without ever even having them seen interact, just made it make sense that these two characters were very compatible in a healthy and sweet way. They both have heavy trauma, but the ways that they cope/express themselves likely wouldn't be triggering for the other. Rather they'd kind of be good for each other to heal; Butters is the least apathetic character in the show, so he wouldn't ever make Kenny feel ignored or neglected. Kenny has seen & lived through enough shit, making him incredibly unprejudiced, he'd never even think to make fun of any of Butters' quirks he's been punished and belittled for.

As I got to the Coon & Friends trilogy and "The Poor Kid" and the whole Kenny lore bomb, something about the two of them being the most tragic characters in the show just kinda fucked my head even worse.

Picking that apart; it was kind of this underlying fact that Butters would believe Kenny about his deaths BECAUSE he's so naïve and gullible. Again, Butters would take Kenny seriously and value his input and emotions, he'd be the ideal person for Kenny to finally relieve some of the burden he's forced to carry alone. Matt and Trey are cowards for not making an episode about this like c'mon seriously it doesn't even need to be romantic

I'm not gonna get further into "Going Native" right now, mostly because the episode speaks for itself, has been probably talked about most in the fandom and kind of confirmed a lot of the things I already assumed about these characters (but if you'd like me to pick it apart feel free to send another ask), so instead I'm gonna tell you why I started going insane over them on a fandom level. Funnily enough, it was the Style-centric fic "The Scenic Route" by Hollycomb.

The coolest thing is Hollycomb actually published The Scenic Route BEFORE "Going Native" aired, and the way that they handled these characters and their relationship still fucking blows my mind. Dude, they're not even the focus of the story. They're a side story. A background ship. I'm not saying the main storyline isn't entertaining lmao but the Bunny background storyline was probably just so much more my taste I think? Especially how imperfect and messed up it started out, continued and went on. It implemented the canon fact that Kenny did kind of just not care about Butters and how his fucked up parents treat him, just like the rest of the town. Like Kenny is kind and all, but he can also be very apathetic and indifferent, and there's lots of instances in canon where the other boys treat Butters like crap and Kenny just watches it happen.

(Episodes: "Good Times With Weapons", "Marjorine", "Cartman Sucks", "Butters' Bottom Bitch" and "The Tale of Scrotie McBoogerballs")

(mind you, they're also just 9 year olds though lmao)

The way Hollycomb wrote how Kenny slowly started caring and falling in love with Butters even though he initially just intended to use him for venting about his own problems just stuck with me so hard. Like yes. That makes so much fucking sense. Kenny needs someone to take him seriously, and he doesn't need that person to be someone he cares about. He picks the easiest person available. But the slow realization that he's started pitying, then caring, and then deeply loving and wanting to help and save this person? That shit hit the SPOT.

Anyways, what I'm saying is that this fanfic was the reason I started thinking about possible ways they could get together and stay together, a lot of them messy and tragic and every bit wholesome as it is entertaining and fucked up. Kenny and Butters' traumatized asses finding comfort in each other is just something that became so special to me. I started out reading & writing Style, but whenever I tried to craft my own fics I'd always be thinking so much about what Kenny & Butters were doing and what their story is until I thought "damn dude why aren't you just writing about them instead". and thus I fell down the rabbit hole. enter chaos plan lol

This is such a tiny part of why I love these characters and why both of them separate AND their dynamic is incredibly comforting and interesting to me, and I haven't even mentioned anything about the many foil/parallel narratives around these two; Kenny & Butters as Kenny's replacement. Mysterion & Chaos. Princess Kenny & Paladin Butters. Philanthropist Dr. McCormick & capitalist scammer Vic Chaos. Especially the last one what the fuck I could write my bachelor thesis on Post Covid Bunny.

Thank you so much for the ask, anon. I'm so happy I got to ramble about my favorite little assholes <3333

[adobe-outdesign]

the way you get specific NC items on Neopets is absolutely deranged and frankly I'm amazed it works at all

So basically you have the NC Mall, where is where you go to spend NC (NC being a separate currency from the standard game currency that you buy with real money). Sounds fine, right?

Well the problem is that the mall tends to only have an item in stock for about a month, give or take. Once an item has left it almost never comes back, save for rare exceptions that usually involve some form of chance (such as randomly getting them from mystery capsules).

So in order to get basically any item that you missed during that very short period, you have to trade with other users. You can't trade NC itself or NP; you can ONLY trade NC items for NC items.

Now, in order to trade those items, you have to have something called gift boxes. You get a few boxes from redeeming NC and a few from dailies, but they mostly come from something called Gift Box Mystery Capsules (abbreviated: GBCs/caps). Because of this, "caps" are their own currency of sorts used to give a baseline idea of item value. One item may be worth 1 cap, 10 caps, etc. Some can get as high as 100 depending on item rarity.

Now you know what item you're looking for, and you know what the cap value of that item is, so now you have to make a list of what you have to trade with and what you're looking for. Nowadays you do this through Jellyneo's wishlists, but back in ye olden days you had to hand-code an HTML/CSS list to host on your pet pages.

Now, with everything set up, you just need to find a trading partner. There's no centralized place to trade NC, so you have to do this by either:

Making a post on the Neoboards and praying someone with the item you want happens to see it and will be interested in a trade

Try to find a person to trade with using JN's wishlists, which you then shoot a Neomail off to (and keep in mind this is a recent development, as you couldn't previously mention fansites like JN on Neopets itself)

Then you just have to hope that you get some kind of a response instead of just being ghosted or rejected, which can be extremely difficult depending on how desirable the item is. This can take weeks if not months. Once you have a partner, you both send each other your trade items on a trust basis because, once again, there's no official system in place to do any of this.

And then you just do that very simple process for every single customization you ever do

[yellowocaballero]

dude psyched ur reading orv, insanely curious about ur takes

My friend @charterandbarter put it best.

ORV is pretty fascinating to me. It's really just a self-insert isekai OP webnovel, and it is nothing else. Its medium is trashy and lowbrow, and its genre is almost devoid of high art. OP isekais are 'id' stories, meant to be satisfying and fun and contain very little of substance. ORV is a very well executed OP isekai - it contains the elements of the genre that make it satisfying, it understands why people read the genre and enjoy it, it reproduces those elements very well, and it is very concerned with telling an enjoyable story. ORV really, really loves webnovels and isekais and shitty wishfuillment stories. There's a lot more to ORV than the 'fist pump' moments of kdj doing something cool or pulling a fast one on a shmuck, but those moments are the undoubtedly the point of ORV, as they are the point of all SIOC isekai OP webnovels. And that's the point of ORV.

Metanarrative stories are cheap. Neil Gaiman's written 30 and millenials love waxing philosophical about the power of narratives. These metanarratives tend to describe stories as a theoretical framework through which we understand the world and our lives. Therefore, stories are tremendously important and valuable because they contain the totality of religion, history, culture, relationships, and lives. ORV says this too. But this theory tends to land at mystifying and exalting stories on virtue of them being stories, which I think misses the point. Stories aren't special because they're stories. They're not more sacred for containing our lives. What ORV says is that stories are important, because our lives are important. I like that a lot more.

ORV says that stories are our way of ordering a disordered world. A history, culture, nation, and religion are stories. None of those stories are true or real, because histories/cultures/nations/religions are constructs - they're how we interface with reality. They're created with a purpose, told for a point, pulled together into a narrative, and are satisfying or dissatisfying based on certain factors. ORV's perspective on fiction is deeply seeped in its own nature as 'low art'. There's something very cynical and commercialized about narratives in ORV, and every narrative in ORV is being told for a quick buck or to try and spread an idea for an individual's gains. It's a very unromantic, unimpressed view of narratives and fiction. It's pretty much the only way a SIOC OP isekai webnovel like ORV can talk about it without being disingenuous. And it's remarkably raw and visceral as a result, because ORV loves SIOC OP isekai webnovels like kdj loves yjh. Fiercely, insanely, like breathing, exactly for what it is. No pretensions.

It's bizarre, because ORV is about love. It's not about love for anything that deserves it. Not for a story with a lot of literary merit, a main character who is a remotely kind or lovable person, or art itself outside of its commercial or philosophical value. kdj really, really, really fucked loved TWS - because it was there, and because it lasted 15 years, and because it was fake, and because it was what he had. He loves yjh because yjh was his only companion in a dark world. That's fiction. Fiction helped him survive, because love is a way of ordering a disordered world.

I'm still reading myself, but ORV seems to be about how we manage to live in a hard world, and how to find it within ourselves to love each other and find meaning in that hard world. I see why kdj's the protagonist: he can find merit in something for existing, and loving it for being there, and he holds onto something because he has it. He sees the value in that. He read it in a book.

TL;DR: ORV is well-executed trashy commercialized art that is so obsessed with trashy commercialized art that it's looped straight back around into being somehow the most raw and visceral depiction of love I've seen in a long time.

[hadesknockedupintheunderworld]

Reading the fleetway Sonic comic now and

I'm convinced that Tails is his special little guy??

I mean, he's an asshole, no doubt, but he passes up a party (mind you, he loves being celebrated as a hero so much) to go looking for Tails

He goes looking at his "favorite place" and literally dons shades and a worse attitude at learning Tails was taken

He genuinely cares about him as his buddy? Sure he complains about him or insults hin fairly often, but he clearly likes having Tails around enough to want him back??

Are we gonna talk about how Tails breaks free from Robotnik's control because he can't bear to keep hurting Sonic, because he cares?

This scene too reminds me so much of that scene from Fang the Hunter issue 1 where Tails called for Sonic and Sonic bid himself to be patient and not lash out because Tails is his friend. Like again, Fleetway!Sonic is an asshole, but he's holding back when it comes to Tails even a little bit

There's just constant proof whenever Tails is put in danger or captured that Sonic cares about his well-being. In fact he cares so much he just kind of is just indifferent about those he puts in danger by zeroing in on saving Tails (and those he saves he doesn't necessarily save with intent to). In this issue specifically, Sonic, the animal companions with him, and an unconscious Tails get washed away in a current of water, and rather than worry about his own well-being or those of his companions, he yells at them to keep ahold of Tails in the water so he can take care of the badnik.

Personally I feel like this sequence speaks for itself? Although Sonic is fairly confident, he risks his life on the chance that he can steer the Death Egg off course (and we're not even factoring in whether he can escape in time), and sends Tails away in the only escape pod. He literally gambles his life on this act of saving Emerald Hill and worries first about securing Tails', even if only Tails may end up escaping.

There's also the setting? Tails crying for Sonic and calling him the bravest hedgehog he ever met, Sonic reacting like he didn't just narrowly avoid death and that Tails is just stating the obvious, the two of them floating down in the escape pod during the sunset

I don't have the picture space to show it, but there's also another part of this issue where Sonic continuously nags Tails to stay out of danger and to let him handle everything alone, and then (after falling into a trap), starts talking to himself about how glad he is that Tails wasn't around to see him make such a rookie mistake. It's easy to read as Sonic always leaving Tails behind because he doesn't think much of him or thinks he'll be in the way, but I don't think that's completely true! I get the idea that Fleetway Sonic likes having his buddy around just as much as he wants his buddy to be safe. So he brings him around everywhere he can, but he forces him to hang back during the dangerous bits. And that's not to mention how this issue showed just how much Sonic values Tails' opinion of him.

And BOY does this scene get me

It's like

This is the first time Super Sonic ever appears in StC. Are we going to ignore that Fleetway!Super Sonic stops attacking and reverts back into regular Sonic because of Tails?

This is like Mecha Sonic in Archie's Mecha Madness special all over again, except Fleetway!Super Sonic is under no one's control. He stopped attacking because Tails bids him to remember them.

There's just so many little things about them in my reading so far that I almost can't believe it (and would hit the tumblr photo limit a number of times if I were to show it off)

If I had to label their relationship in StC, I'd say that, to Tails, Sonic is someone he admires greatly. He doesn't seem to be fond of Sonic's attitude (largely when it's aimed at those other than himself), and he expresses criticism as to how vain Sonic is and his eating choices, but ultimately he cares about Sonic enough to stick around with him and go on adventures from time to time. For Sonic, I think Tails is someone he secretly likes having around. He often criticizes him, and depending on his mood he'll do it whenever he gets an opening, but he's also just...bad at feelings. When Tails is in danger, he'll zero in on saving him, almost above all else, and then when he saves Tails he's going off about how he can't trust Tails to be alone, angry and annoyed. He's a jerk, but a jerk who cares more than he lets on about Tails. Tails isn't just some admirer, he's important to him, and at the same time, Tails' is someone whose opinion of him he values. Ahsjsjs and....he's also the kind of guy who would say something like "Hey, that's enough! Only I get to bully Tails!"

Is their relationship healthy? No😂 But also in StC it also comes off like...they're both choosing this. Despite everything they choose to be buddies

Idk I'm fascinated so far😂

The Sonic the asshole and his special little fox

[latent-thoughts]

The Jews weren't the first natives in that region. The Canaanites were there before the Jews showed up to violently erase them from existence for the terrible crime of not being of Yahweh's choosen people. All Jews know this. It is literally in the fucking book. You know this.

Don't lie in order to defend the idea that Israel is a thing that absolutely must exist. It's fine that you believe that idea, but what's getting irksome is this underlying insistence that "Israel must exist" is an obvious conclusion to the region's problems and anyone who has a modicum of moral fiber in their soul can clearly see that. Your religion isn't true to the people who aren't you. I do not recognize the Jews as a chosen, special sort of people and I shouldn't be expected to. And, yes, I can tell when it's expected because they'll get annoyed when I mention the Canaanites. Yeah, I've seen the eye-rolls, the "history's a complex mess so I'm justified in picking and choosing what events humanity should give a shit about based on how recent they are and how much the directly affect MY culture" bullshit, the accusations of antisemitism despite the fact that I would be completely fine with the existence of Israel if the people who made it didn't, well, slaughter the families of Canaanites in order to do so. Also, Israel isn't a person or a type of person, it's a state, it's completely fine to hate and isn't synonymous with hating Jews. If you think that it is, I'm going to remind you that people who aren't Jewish exist and they don't need to necessarily have the values Jews want them to in order to good people.

If the foundation of your state is built on moving into land that isn't yours and erasing the people that your god doesn't want there, it's completely reasonable to expect that other states might just return that favor in kind. After all, you set the precedent, right? And then constantly referred to it in your holy texts like it was the best, most necessary thing that ever needed to happen. That kind of zeal certainly won't spread.

Oh boy, I'm going to say it. I think that all of the states that have ever engaged in and justified (I'm going to say it) genocidal behavior aren't really... y'know worth defending? Worth giving a shit about? And yeah, saying "God needed us to do it! We are the chosen people! HOLY LAND!" is a shitty justification. Objectively shitty. Jewish people aren't the chosen people to anyone else besides other Jewish people. Nothing really wrong with that, but... nothing really that right with it either. It kinda cancels itself out.

Long ask, I know. Whatever. Stop lying. The Canaanites were there before the Jews. The Jews killed them all then called the land they stole from them "Israel". See? There are perfectly good reasons to hate Israel that have nothing to do with Palestine.

C'mon, the Americas had fucking slavery. England tried to take over the world. Hell, Germany tried to kill all of you! Israel is another shitty place. It isn't special.

I vow to ignore Israel from now on, achieving everlasting peace and making the entire Middle East envious of me.

Oh, and to be absolutely clear in the most awkward manner possible, I don't hate the Jews. I just find their bullshit to be really fucking annoying.

If the Jews killed them all, how is it that their DNA is still dominant in modern day Jews (plus Palestinians and other populations of Levant)?

The truth is that both Jews and Palestinians were part of the same people at some point in time, who also mixed with Canaanites and settled in the region that is modern day Israel+Levant. And Canaanites' ancestors had actually arrived in that region from further East.

So by your logic, then, even the Canaanites weren't the natives of that land.

(There may have been tribal wars, as was common in that era, but it's pretty clear that no one wiped out anyone.)

We can keep going back in time to disprove the indigeneity of people till we arrive in Africa. Which is kind of moronic, TBH.

Personally, I'm not denying the indigeneity of either Jews or Palestinians. Only you are trying to justify your hatred for Jews and denying that they have a right to live in their homeland. Just by saying that you don't hate Jews doesn't veil your anti-semitism.

Both Jews and Palestinians deserve to live there. A two state solution is one way for it. Terrorism by Hamas isn't.

Furthermore, if you know your history (which I'm having doubts about), you know that Jews were persecuted and driven out of almost all the countries and kingdoms they had moved to over the centuries. There were Jews in the Middle Eastern countries, African countries, Europe, etc.. Tell me what happened to them. If you can't, you don't understand why Jews wanted a country of their own, in their native homeland.

With the exception of India, they were either killed, forcefully converted, or driven out of these countries at some point in time. The Holocaust is just one such instance over the centuries, and it was a big deal. The present day rising anti-semitism only strengthens their belief that they're never fully accepted in other places. Hence their need for self determination and separate state of their own (which they already have, btw).

Also, I know you didn't bother to check before coming in my inbox to spew venom, but I'm not Jewish. I'm not even from that region. But I understand what it means to have a history that's full of massacres and genocide of my people.

Plus, I'm someone who likes to stay informed, someone who's against anti-semitism. I don't need to be a Jew to understand where they're coming from.

[tharizdun-03]

Whole Cake Island revolves around the complexities of family, the juxtaposition of blood ties versus chosen family, and the struggle for personal freedom amidst oppressive family structures. As with everything One Piece — it's pretty damn great.

It’s not just about Sanji getting dragged back to his abusive family, but about how the concept of family itself is explored from different angles — whether it’s blood relations, chosen family, or the chains that tie people to their past.

He was raised in this nightmare where strength was the only thing that mattered, and anything outside of that — like compassion or kindness — was seen as weakness. And the arc goes out of its way to affirm that it is in his kindness that Sanji's true strength lies.

The idea of found family is a recurring theme in the series. For Sanji, the Straw Hats are his true family, and the bond he shares with them is way stronger than anything he has with the Vinsmokes. And the arc is very explicit about how even though Sanji may not want his abusers to be massacred, and even if they help him a bit by the end, that does not make them family.

We have this lovely moment at the end of the arc where his father spouts insults about how soft and essentially feminine-coded Sanji is, and Sanji says nothing back while Luffy innocently wonders what why Sanji's father is shouting Sanji's best qualities to him which just... it says everything.

Speaking of Sanji, his arc is very much intertwined with Pudding's. Who is set up as this sweet innocent bride-to-be, but we quickly learn she’s just as deceptive as the rest of Big Mom’s crew. She’s been playing everyone, including Sanji, but Sanji being Sanji, still manages to see the good in her. He helps her realize that she doesn’t have to be defined by her family’s expectations or her appearance (one of many thematic parallels in the arc).

Luffy gets great stuff throughout the arc too. His loyalty to his crew, especially his declaration that he won’t eat anything but Sanji’s cooking, hits hard because it’s not just about food — it’s about how much he values Sanji as a person. Luffy knows Sanji is suffering and that he doesn’t really want to leave, so he plants himself in the middle of danger and waits for him. It speaks volumes about the strength of their bond.

In contrast, Big Mom’s version of “family” is twisted. She treats her children like collections, using them for political marriages or to build her empire. Sure, she may talk a big game about wanting a perfect family, but she treats her kids like tools. To Big Mom, family only matters as long as it helps her achieve her goals (of course juxtaposed by how it is the complete opposite of how the Straw Hats do family).

Another major player in the arc is Katakuri, who starts off as this untouchable, perfect figure, but as his fight with Luffy progresses, we see that he’s hiding his true self. He’s built up this image of perfection for his family’s sake, but deep down, he’s just as vulnerable as anyone else. Luffy, being Luffy, drags that out of him, and by the end of their fight, Katakuri learns to embrace who he really is, flaws and all. I think it works pretty well thematically, even if it's a bit of a simple parallel and his reason for wanting to hide himself (people hurt his family in retaliation for how he looked, which is that he had a bit of a weird mouth doesn't do much when he's far from the weirdest looking character in the series, or even the weirdest looking character in his family lol). Nevertheless, it fits and he makes for a great foe to Luffy.

Big Mom herself is a walking contradiction. On the one hand, she wants to create this utopia where everyone — no matter their race or background — can live together in harmony. But on the other hand, she’s a tyrant who uses her children and subordinates to get what she wants. I'm interested where that will go in the future.

I have a couple of drawbacks with the arc, which really aren't fundamental in the sense of "this is bad", but more so as in why it separates this from just being a really great arc as opposed to an exceptional arc that goes beyond that.

I think the fundamental one is just that it's a bit too... simple? Don't get me wrong, there are some emotional and personal themes here. Some of the more personal themes in the series. But Sanji's abuse isn't much more complicated than a quick flashback to him being abused under a horrific but very simple ideology from his father. It's great that it's very family abolitionist and very explicit about cutting abusers out of your life.

But I just think the depiction isn't particularly noteworthy to me when I've read other stuff that handles abuse in more interesting ways. In the same manner that, sure, I like how Katakuri's arc worked thematically, but by itself it's a rather simple character thing and isn't particularly interesting on its own.

Most of the arc is just a long raid, which is great, but when the emotional core is rather simple. Then the plot and conflict is rather simple too it basically makes for an arc that works so strongly because of its execution. Still, there's nothing there to elevate it conceptually beyond "a simple but great arc".

I also feel like many of the all-time One Piece arcs are about structural oppression? Again, I like that we got a more personal arc about oppressive family structures. I just felt like we didn't have much to say about it besides "this is bad" with very straightforward abuse. When One Piece deals with the oppression of an entire nation, how it's intergenerational and intersectional, how it affects different people differently which gives us so many different characters with their emotional stories, how it changes the customs and culture of the nation, and the insane heights of emotional crescendo as the unimagine tyranny is finally eliminated and liberation is at high -- is what the series does best and when it has the most interesting things to say.

Overall, of course, Whole Cake Island is a great arc. At its core, it’s about finding your place in the world — whether it’s breaking free from the family that tries to control you or embracing the found family that accepts you for who you are. Sanji’s journey is one of self-acceptance and it's the best his character has been maybe ever. The Candyland horror aesthetic is some of the best in the series so far. Plus, that Luffy vs Katakuri fight kicked ass.

And while my tiny quibbles, from its more straightforward narrative to its lack of particularly strong pathos to elevate it further, it's still a great arc that I really can't complain about when it's already better than most arcs in any other shonen series. With so much good stuff going on, I'm nothing but happy.

[blasphemecel]

ngl still being a kaiser fan after 261 is lame

Omg this ask got me so tight when I got to it I had to hop on mylaptop to type my essay

Ok this is a little Personal and some of yall aren gonna fuck with me after this but it's ok . Kaiser is a character I identify with because he's a good portrayal of someone with NPD so WE WILL GET INTO IT!

So like that being said. What do you mean 'Still liking Kaiser after the leaks is lame' like genuinely what do you mean. I just woke up but are you guys like SURPRISED by this. I liked him when he was introduced and this is what he was acting like. There have been A HUNDRED more chapters of him acting the same way past introduction. And now he's still acting like it. I understand if you just hate him right off the bat that makes sense but this doesn't really. Even if you're one of those people who just liked him for the backstory reveal because you have a I Can Treat You Better hero complex re:abuse victims that behavior WAS shown EVEN IN 260. "I hit the ball but it doesn't hit back" - the author has a very specific way of writing and this was VERY much intentional

Also like I understand there might be an initial shock when reading such words. Like it's Unpleasant it's Ugly. But also it boils down to a State of mind which personally I've observed as common among victims of severe trauma. "These people are born 'humans'. Different from me, they were born 'wanted humans'." = I hate people who weren't hurt the same way I was because I am jealous and bitter, I'm so jealous and bitter it feels good to me to make others feel like shit. And I'm not trying to get on some Hurt People Hurt People bullshit because that shit is annoying and apologia but what I'm trying to say is that sometimes Trauma makes you unpleasant and ugly and erratic and I appreciate that Kaneshiro actually wrote it out. Also like that feeling by itself isn't inherently evil. I think it's a very natural response! In this case Kaiser goes too far not by experiencing this emotion but by acting on it.

So now with THAT out of the way too, I think we need to sit down and think more into the Ness situation. So first he says, "I can't accept kindness because all I know is malice. If anything I think malice makes life easier." Then he goes to say he is specifically looking for someone to make a "dog to his malice" and reads a psychology book to achieve that. Like first of all I'm sorry but that is so comically evil it's hilarious to me. He read a textbook to be a more efficient male manipulator. But anyway the way I understand that isn't a deep underlying evil within him but a need for control. I think he believes everyone will hurt and disorient him unless he feels like he's Controlling them. From an abusive household the only relationship dynamic he knows is person of authority - inferior party. His only friend is Ness and the only person he feels safe around being Ness is because of he tells himself Ness is his "dog" and therefore won't ever raise a hand to him. And that's because he thinks anyone who isn't his dog/under his control will do exactly that.

And so... If we go from there, from the parallel we understand Kaiser didn't see his meeting with Ness the same way Ness sees it. However, that doesn't mean Kaiser's view is the objective truth. I think they're both UNRELIABLE and EMOTIONALLY UNSTABLE. So what that means is that Ness sees his time together with Kaiser through a more glorified lens, while Kaiser denies himself thinking of Ness as a companion because that puts him in a vulnerable spot, so to maintain his feeling of being in control he exerts distance and tells himself Heh we aren't actually friends because he doesn't even know that one time I giggled at him in the showers I was actually just manipulating him all along because I am sooo evil and untouchable 😏. Like do we actually take this perception at face value here because to me it just seems like a Scared and Cowardly person trying to act out his idea of a strong person because the ONLY other time he's been in any meaningful proximity to someone he got beat up and degraded.

With that I also think Kaiser is very much narcissist posturing. He'slying to himself to make himself seem invulnerable and self-aggrandizing himself through his malice (I think pretending we are 100% evil and irredeemable makes a lot of us feel safe because it seems inhuman and people are easily hurt so you don't Ever want to be a multidimensional person with layered personality traits). Because like if you think about it without the emotional reaction of "I hope Ness kills you you stupid whore" that we all have... He actually isn't doing anything that big. Like in his head he's like Heh I'm soooo Patrick Bateman I have all the control 😏 but all he did was like find a guy to play football with.

Like he's trying to say to himself that he's all that. Sure he does insult Ness and that's not good! But he didn't pull off some Complicated deeply horrific scheme. I do not believe Kaiser has an objective view of himself. It really takes away the power from all of that when you realize what he's doing is just Very Pathetic and Paranoid and Intimacy Averse. "I can't have normal friends let me get this guy in on my master servant roleplay and I'll act like he's not enjoying it too because it'll make me feel more powerful" Men will do anything but go to counseling

Addendum: This is also not Kaiser. Now I don't know what kind of person Kaiser is but considering I read it as him suffering from NPD/a disordered personality that means he doesn't have a "real" identity most of the time, this is a shell we're seeing. He just has a mask maybe there's something underneath maybe there isn't and he's empty inside, but the point is he is the kind of character who has a specific way they want to portray themselves and will lie to both themselves and the audience to achieve it. Yes I believe that includes the I'm a male manipulator evilest person alive 😏 shtick too (I think the actual truth is probably somewhere in the middle of his and Ness's view. Most likely they're both incorrect).

Notice how Barou and Rin overcame things? That is because they have a real ego. Kaiser doesn't have a "real ego"/sense of self right now, all he has is his selfish act. I believe that is intentional because I think the Blue Lock mangaka shows a good grasp and understanding of psychology. The development is pointing towards him actually getting one during this match we'll see. Hey he might even change and grow as a person if that happens but I wouldn't get too overly optimistic!

Also we need to understand that we only see these people playing football we don't know what the fuck he's like outside of that. I currently don't have any reason to believe he's anything beyond rude and insufferable when like talking to people who aren't his football rivals and in Blue Lock on principle I believe everyone is at least 30% a better more bearable person off the field.

And to finish off my demented rant some of yall are fucking HYPOCRITICAL. So when Isagi takes joy in ruining people's dreams it's fine but when Kaiser does it he needs to kill himself? Let's be very serious.

TL;DR Kaiser's behavior makes total sense, his 261 characterization falls in line with everything we've seen of him before so there's no need for shock, and he looked good being dysfunctional and messed up too

[maoam]

What do you think of itafushi and satosugu?

Ah I think I was asked about this before but back then my opinion was very non-opinion. Because I hadn't gotten that deep into the series yet. I also answered an ask about satosugu earlier.

I will say that they complement each other very well. They understand each other better than other characters, like I don't believe that something like Gojo not realising how bad Geto's state was until it was too late would happen with Yuuji and Megumi because they seem to figure each other out pretty well (though we can possibly blame Gojo being high on his new powers and too self centered due to it). Gege also did draw parallels between Geto-Gojo and Yuuji-Megumi duos. But that's not something I'm gonna focus on here.

(Manga spoilers up to chapter 266 ahead!)

Yuuji and Megumi's relationship is deeply intervowen into the text of the manga itself. The fact Megumi chose to save Yuuji despite the fact it put more people at risk is what sort of started everything. And the actions of the two impact each others development.

Todo was asking Megumi about his type, and when he is not hearing an answer he adds that it's fine if he prefers men. Why is this needed here? Gege is not making a joke, like a homophobic joke some average dudebro author would make because a male character is taking his time to answer, where said male character then gets offended and the audience laughs. Todo is very chill, it's a non-issue for him. Megumi is also not shown to be offended or even phased at the implication. Well there is no joke, so why did this need to be added? To imply. To hint. To put the idea in the reader's head. And then Megumi answers and uses 'person' instead of a girl/woman. Also the fact many male characters seem to point out Megumi's cuteness/attractiveness makes it even more obvious that Gege seems to like the idea of Megumi being 'available' to both men and women. Obviously women think he's cute as well but that's sort of given.

Megumi's type is someone who has an 'unshakeable character' according to a translator I asked about it. I once read another person say it's 'unwavering humanity'. This translator said this goes with Yuuji's name, but I have also seen a translator who thinks this is a bit forced interpretation, and that unshakeable character is more accurate. Apparently the word is more about character than kindness.

However when asked about his type, Megumi thought of Tsumiki.

Before that, when Yuuji "died" Megumi was imagining Tsumiki on a field surrounded by countless sunflowers. Sunflowers apparently symbolise passionate love, and the more sunflowers, the more intense the love is. So there is that implication that Megumi's feelings for Tsumiki might be not completely familiar... Megumi is someone with abandonment issues, because his mom died and his dad left. So he has low self esteem and doesn't value his life. But he had Tsumiki. And he developed that intense need to protect her and care for her. In Jujutsu Sousen which is the prototype for jjk, Yuuji also mistook Tsumiki for Megumi's girlfriend, and Megumi's reply was that "well, she is someone important to me". Megumi did everything for her happiness' sake, which is why he lost all hope and will when she died.

Yet, I do see that Megumi has a soft spot for Yuuji.

Megumi tries to come up with ways for Yuuji to live, while Yuuji tries to come up with ways to die. I noticed Megumi is a bit tsundere because he's not that smooth about comforting another person, so he comes off a bit mad like here, calling Yuuji selfish for caring about him, haha.

Back to Tsumiki.

It feels like in the absence of Tsumiki, Megumi started to look for Yuuji as someone to idealize, as someone who to learn from. That mission where he took the criminal's badge to give to his mom, that action is something he wouldn't have done without Yuuji's influence. And in this moment above he's thinking about both of their genuine, sweet smiles, placing them next to each other in his mind. Yuuji has in a short time become someone important to him.

And as I said it seems like Megumi has a bit of a soft spot for Yuuji.

Which is why Yuuji has this effect on Megumi. I never see Megumi mellow down like this as a response to other people. It's like Yuuji gets through his defenses.

Here's the tsundere again. Megumi shows his care with certain level of aggression because like I said, he's not the smoothest person around.

Even when he's about to die, he thinks about Yuuji. I do think it makes sense that someone like Yuuji has become so important to him in such a short time. Because he's Megumi's type of person.

And I also noticed that whenever Megumi smiles in the manga, it's either due to him making progress as a sorcerer or it's because of something related to Yuuji.

It's the framing here how Gege does the little smile that I find interesting.

Of course there's also this moment where we see a very genuine Megumi smiling. This moment is very important because it was even used in the recent MV with Yuuji, Megumi and Sukuna. I think Megumi's connection to both is very important to the conclusion of the story.

Notice how I talked mostly about Megumi? Because the differences in his behaviour are easier to notice, compared to Yuuji's "I get along with everyone" personality. Obviously, Yuuji does like Megumi a lot, as we see in the previous images he easily gives him compliments like calling him reliable and smart (or even cute when teasing him with Hana lol) and he is also very protective of Megumi.

What's funny is that the last moment immediately reminded me of Naruto and Sasuke's dynamic in the land of waves. It's identical (please don't kill me narusasus who dislike itafushi and itafushis who dislike narusasu). I also think he really does admire Megumi and immediately notices him first out of all the other people (like with Ozawa and Nobara). And just like Yuuji influences Megumi, Megumi influences Yuuji, and makes him think outside of his own mindset "what if someone you saved killed someone else in the future?". They both also acknowledge each others differences and respect them.

I don't think his answer to Todo (I mean he seemed unsure in his answer too) or his comment about Jennifer Lawrence are necessarily dealbreakers considering this is Gege lol. Gege seems to make Yuuji indecisive, like how he couldn't answer the question whether he prefers dogs or cats because he's unsure, or how he says "I guess" when referring to his type of girl. He says 'tall girl' but when actually tall girls that fit his supposed type show up like Ozawa and Yuki, he doesn't show that kind of interest in them. I'm not saying he can't like girls by the way, I'm just saying Gege hasn't shown Yuuji show genuine interest in women unlike for example Horikoshi has with Deku. With Yuji it's a one-note joke, with Deku we actually see him show attraction.

But the reason why I point these things out is because Gege is very particular about Megumi's character, to the point his editor commented on it, so I don't think he would draw things for no reason. If Yuuji is the only person that makes the usually stoic Megumi smile and if he manages to mellow down Megumi's worried/distressed side then that is something important, since Gege feels the need to repeat these situations. Author intent is always important. However I know some people probably aren't fans of this but Gege is clearly very fixated on the connection between Megumi and Sukuna as well. Possibly even more so. They have a lot of connections that would need their own post. I talked a bit about Megumi and Sukuna here but it's not even close to being everything you could write about Gege's writing concerning them. Also, Yuuji and Sukuna can't stand each other and are currently pretty much fighting over Megumi (lol). I don't think Megumi will stay passive though, as we see in this recent chapter, he is fighting back. But it's something to think about.

(Different translations, under is myamura's (Go_Jover) translation.)

And in this recent chapter, Megumi is once again placing Yuuji and Tsumiki next to each other, imagining a calm, relaxed life with them. I already imagined that one of the character image songs Gege chose for Megumi , Weezer's 'Island in the Sun' was just about having fun with Yuuji and I was right!

Yuuji dares to finally admit he needs Megumi too. And Megumi's comment 'Someone like you'... Megumi really does place Yuuji high, and I think people are starting to see it. Yuuji makes him happier and more relaxed. And the fact he lost all will to live, yet regained it because Yuuji would be lonely without him, speaks volumes as well. And to Yuuji Megumi is also a special person. I don't know if there will be a happy ending for them, but they definitely changed each others lives.

[spookysweettooth]

Grief aspect combo analysis

This combo aspect idea belongs to @superxstarzz they were kind enough to allow me to do analysis of their combo concepts and to make things easier I'm going to start out with aspects! I do hope everyone enjoys!

Grief is the combo aspect of doom and rage, I'm still getting use to the aspect and classpect analysis so please bare with me

To break things down, here's how I view what doom and rage are to me as aspects

Rage: negative, positive and neutral emotions. Mental stability, emotions in general, emotional issues, pessimistic, tough love, hard outer shell and distance, hate for lies, values the truth more than anything.

Doom: the dead, zombies, voices of the dead, seeing the death of the future, puppets, stitches, self destruction, loyalty, hard outer shell and slight hard inner shell, the physical body, control of the dead.

These are some key things I see for these aspects, do I know there's more to them than that? Yes do I care? No, this is key words I use to remember what these aspects are about. Now onto what I think the grief aspect could be and what sort of powers it can grant as a aspect

Grief in general is heard when you are grieving someone or something, grief itself has multiple stages as a result, sadness, anger, resentment, acceptance and forgiveness. Grief can be represented by stone like grave stones or by the tears of the weeping, The yelling of the angered, the glare of the resentful, the blank stare of acceptance and the smile of forgiveness. It can also be represented by rebirth, the new form of a person after grieving.

Grief: the aspect of grief can be granted to a person whom has gone through many stages of life or has lost multiple people or sentimental things. Often seen as people who became hero's of grief have to fully become hero's of it by fully understanding what grief is to them, once at God tier they have fully understood what grief is not only to themselves but also to the people around them, once realizing and reaching god tier the people of greif can utilize their emotions or the emotions of others for their benefit for the sake of the session.

Powers for the hero's of grief:

Depending on what class you are combo or not depends all on your powers but here are some I like as ideas for powers.

The voices of the hurt and the dead: as a hero of grief and it being a mix of doom I like the idea that not only can you hear the voices of the dead but can also hear the voices of people's inner pain begging for help or guidance.

Control of the dead: again I can see the doom aspect of grief having the ability to. Utilize the people of the dead for grate benefits! Making a army of zombies as you try to take on enimes and a okay idea right?

Emotion control: the rage aspect taking over the negative emotions of your mind you can use them to make weapons as a last resort or use your anger to make sharp lightning bolts attack your enime. As a grief player time is a soul virtue and it's needed more than wasted on people.

Emotion manipulation: while controlling the negative emotions of your teammates you create a raging hell of a team while they are full of anger or resentment or any negative emotions. Good luck doing that my friend

Healing bodily parts and the mental stability: if you are a healer class you can use your tears to seal wounds and use the bones of the dead to make thread and a needle for stitches, also using emotional manipulation to keep mental breakdowns at bay or taking on the burden as well.

@superxstarzz I hope you like my analysis and I hope I did this aspect justice, I personally may be a sylph of grief now haha! Please do feel free to suggest what aspect to do next!

[cosmicjoke]

Levi and the importance of staying true to ones heart:

I'm gonna' talk about another aspect of Levi's choice in Shinganshina, but first, I want to dedicate this post to all the little bitch eruri shippers out there who are too scared to come off anon, who now can't send me hate messages over it since I turned anon asks off and ya'll are a bunch of cowards. Hope you enjoy this one, because it's for you.

I was thinking about an ask I got a few days ago, about why Erwin chose Hange over Levi to take over as commander, and why in turn Hange chose Armin, and I answered that I thought it had a lot to do with Levi's own philosophy of "no regrets", that is, Levi's insistence on always following ones heart, doing what one feels is the right thing in any, given situation. Not necessarily right in terms of what the outcome will be, but right in terms of how your choice will sit with your conscience.

I think obviously, this aspect of Levi's character, his belief in always doing what your heart tells you to do, is evidenced by his choice in Shinganshina, to give Armin the serum and to let Erwin die.

Putting aside all arguments regarding whether it was the right thing to do "for humanity", I think what maybe people don't focus on enough when it comes to this moment is whether it was the right thing to do morally.

I've talked before about how Levi's choice was really an act of compassion over ideology, here: https://www.tumblr.com/cosmicjoke/737207612761915392/the-importance-of-compassion-over-ideology-levis?source=share And I think it's worth revisiting this aspect of his choice again.

I think people get so caught up in the concept of "the greater good" when discussing "Attack on Titan", and this moment in particular, that they miss one of the main overarching themes of the story, which is that the "greater good", particularly, things done in the name of the greater good, can actually lead to horrific atrocities and cruelty, and that the idea of the "greater good" itself is based in subjectivity, and never absolute. It isn't something we should ever prioritize over the tangible and concrete reality before us. That tangible and concrete reality being the things we can do to alleviate the suffering of others now, rather than hoping for and pursuing some idyllic utopian future where nobody ever has to suffer, and, ironically, causing people to suffer in the pursuit of that goal.

I talk a lot too about how I don't think Levi has ever held any great faith in the concept of a better world. I think Levi is a realist. Someone who understands and accepts the bleak reality of life on this planet, someone who accepts human nature, who knows that a utopian existence isn't really possible because of that reality, but who, despite that, still maintains a great depth of kindness and compassion toward others, still values life and the right of others to live.

His support of his comrades in the Survey Corps has more to do with his wish to fight for them, to support their own, personal dream of a better world, than it does his own belief in that better world. He thinks of Erwin as a "greater existence" than himself, to quote Isayama, because he believes Erwin is able to conceptualize and believe in a better world, to see that possibility, while Levi himself can't.

What Levi is fighting for is people, not a concept. That's always been true of Levi, I think. We see that manifest in multiple ways, multiple times throughout the story. In Levi's first appearance, when he holds that dying soldier's hand and promises him that his sacrifice will give Levi the strength to keep fighting. When he gives Petra's patch to that grieving soldier. When he goes out of his way to help the people of Trost. When he saves Ramzi, endangering their mission to rescue a single child. When he refuses to accept right away that Eren has gone rogue, to turn on him, because so many of his comrades died for him and Levi can't bear the thought of them having sacrificed their lives for nothing. And we see it manifest in his choice to let Erwin die. He prioritizes a person over a concept. And I think that fact emphasizes the great morality of Levi's choice, and ultimately, the rightness of it. Concepts are just that. They aren't real. They're ideas. But people are real. People exist. People matter.

Armin talks early on about the need to abandon ones humanity in order to achieve victory. Erwin's entire character revolves around this premise. He's seen as a great and visionary leader because of his ability to detach himself from human emotion and make tough decisions and sacrifices. Basically, for his ability to engage the concept of the ends justifying the means. Whatever it takes to "win".

But then, what does winning even mean, what does salvation for humanity mean, if in the pursuit of it, we lose our humanity?

Levi talks about being willing to take on the role of a "monster" if it means nobody else having to. He understands that, if people are forced to lose their humanity in pursuit of freedom, then freedom itself is rendered meaningless. There is no salvation for humanity if we ourselves lose sight of what it means to be human. Levi says he's willing to become a monster, that he's willing to lose his humanity, as long as no one else has to. He's willing to make that sacrifice.

But what Levi's choice in Shinganshina shows us is that he actually wasn't able to abandon his humanity at all. He never was a monster, and never actually could be. Because he couldn't, in the end, look upon the suffering of another human being, and ignore it.

That goes back to what I said about why Erwin chose Hange, and why Hange chose Armin. To be an effective leader, in order to achieve "victory" of some abstract goal, one has to be able to abandon their humanity. And Levi can't.

Levi is the most compassionate and empathetic character in AoT. And part of the reason for that is because of the inherent nature of that compassion. He isn't able to give up his humanity, he isn't able to lose it, because it's too much a part of him, too deeply rooted in who he actually is. It's the driving force behind everything he is and does. The beating, bleeding heart and soul of the Survey Corps. His presence, his role within the story, in many ways, functions as the moral compass by which both the audience and the other characters are guided.

Even in the face of violence, war, atrocity, and prejudice, even in pursuit of some concept of "the greater good", Levi can't bring himself to actual cruelty. Because that's what it would have been, to give Erwin the serum. It would have been an act of cruelty, against a man who didn't deserve it. And, again, if in the pursuit of a better tomorrow, we ourselves become cruel, pitiless, unempathetic, merciless, how can a better tomorrow actually be achieved? What salvation is there for humanity if, by the end, we have no humanity left in ourselves?

Erwin was able to abandon his humanity in pursuit of a personal dream, and we saw where it ultimately lead him. Into a state of such utter depression, and so wracked by guilt, that he became ineffectual, needing Levi to do the right thing for him. Erwin had strayed down a path that went against his heart.

That's something Levi was never able to do. Go against his heart. Go against what he felt was right. The only time we really see Levi do something that doesn't sit right with him is when he helps Hange to torture Sannes, under Erwin's orders and as a favor to Hange. Levi is noticeably less enthused about the whole affair than Hange, taking no actual pleasure in the exercise, even visibly distraught over Hange's level of cruelty. And still we see after how heavily that weighs on him. He completely forgets to inform Historia of the information they tortured Sannes for in the first place, and then explodes on her when she refuses out of self-pity to take on the role of queen, threatening to render the whole thing pointless. Do what your heart tells you, this is something Levi emphasizes to others again and again, which is what I mean when I say he acts as the moral compass of the story. Do the best you can, make the choice you won't regret. That doesn't mean the choice that will have the best outcome. That means the choice which will sit well with your conscience.

And I think in order to understand Levi's choice in Shinganshina, one needs to understand what sort of choice it was. Levi's choice, in its purist form, was a choice of the heart. It was a moral choice, decided upon through conscience, through the understanding, at an intrinsic level, what was right, rather than some ideological pursuit with an intangible endpoint.

He knew it was wrong to bring Erwin back into the world, and to put the same expectations on him to be the great leader he had been. He knew, in its way, that to do so would be to betray his own declaration, of taking on the role of a monster for himself so long as it spared anyone else from having to do the same. Erwin was corrupted by his dream. The threat of that corruption promised to make him into a monster. And Levi wasn't going to let that happen, just like he said. He wasn't going to allow Erwin to lose his humanity, even if it meant condemning himself.

Whether one wants to argue over Levi's choice being the right choice for humanity's salvation or not, what I don't think is up for discussion is that Levi's choice was, in the end, the right choice morally. And no, that doesn't mean Levi chose Erwin over humanity, or that he sacrificed humanity for Erwin because he loved him. It means he chose compassion over an idea. He chose humanity over a concept. He chose a person over an ideal. Because it was the choice that rejected the ideology and the dogmatism of "the greater good" in favor of something real, which was kindness and mercy for another human being. It was a rejection of cruelty and barbarism in pursuit of some evanescent and ultimately meaningless concept.

There is no greater good without morality. There is no salvation for humanity without mercy or compassion.