#i'm specifically looking for the newer ones

[pewterkat-lwd]

Unable to log into LD because I don't have enough free hours to care for my lions and it sucks bc this is where I need to stock up on my May markings kfdlksdlk

I keep asking for them in trades for rarer lions but no one ever gives me any. u_u

[dreamlogic]

...

[pirefyrelight]

Ive been riding my bike to work for the past week or so and I've noticed a few things. One, of the two major roads that have bike lanes, both of them are shit and I have simply found an alternative route that uses sidestreets with less traffic, and two, random children on parking garage rooftops wildly overestimate my abilities.

To go into more detail on that second point:

The last stretch going to my work is a just steep enough decline that I've never noticed before when walking or driving, but am able to sail down into a pleasant breeze for about 3 blocks (baring stoplights and pedestrians). The downside, or rather the going up side of this, is that after a long day of work I might as well be climing everest biking home those first few blocks.

And of course, another thing I've noticed, is that no matter which way you're going there's a headwind.

So picture me, last week. 9 hour shift. No sitting down since I got on my bike that morning. Hot as balls but in that way it *could* theoretically be worse? In black pants and t-shirt as is dress code and I haven't gotten into the habit of bring shorts to change into yet. At the start of the summer I haven't been on a bike in at least 5 years, probably closer to 10, I am so incredibly out of shape.

So this goddamn child, this hooligan hanging out on the top of a three story parking garage, sees me battling for my goddam life, going uphill into a headwind and sweating so bad he can probably smell it from up there, calls "do a wheelie" like sir the only wheelie that's imminent from me is being blown back down the hill in such a way the front tires get caught first. The only trick doable from me right now is getting to the top without falling over.

[skeletalheartattack]

i saw a Zarbon statue at GameStop today and thought of your blog

*spits out whatever i'm drinking* i think i hauve to go to gamestop

[mariocki]

Infinite list of favourite lyrics: 221/?

Half Man Half Biscuit - Stuck up a Hornbeam (2014)

"I'm so desolate, I'm so all alone.

I feel arthritic in every single bone.

I've got a mynah bird -

It does nothing but moan.

For you, I'd lose

My self-esteem;

For you, I'd lose

My self-esteem;

For Crewe, I'd use

Junction 16."

[14dayswithyou]

Give Redacted a kiss for me!!!

Do you have any dark/creepy headcanons for Redacted? I’m very curious ^^

✦゜ANSWERED: I know you asked for [REDACTED] specifically, but everything mentioned below could also apply to Ren as well ^^;

cw: mentions of gore, torture, (one line about) cannibalism, NSFW themes, and just general creepy behaviour

I'm sure most people already know about Ren's red room days, but for the newer folks: he used to livestream himself torturing his victims on the dark web. He would also harvest and sell their organs for extra cash.

His red room phase began after a group of upperclassmen started livestreaming themselves bullying people (Angel included) for attention online. If those teens wanted a taste of online fame that badly, Ren would be all too happy to give it to them — especially after he heard all the degrading things they said about Angel during their stream.

Ren has probably sniffed (licked???) Angel's underwear on multiple occasions lmao

He also keeps a bunch of their discarded cups, mugs, bottles, etc. — and on the days when he's feeling especially lonely — Ren likes to put his lips where Angel's would've been and treat it like it's an indirect kiss.

If Angel is fine with it, Ren would be more than willing to carve his name into their skin. He'd have to use an ample amount of his numbing cream though (typically reserved for when he gives himself tattoos and piercings), since he doesn't want them to be in any pain.

Similarly, he'd also be willing to carve their name into his skin as well — as many times as Angel would want. But he already has multiple tattoos of their name on his skin, so.... gksgsjj

I'm sure everyone already knows this, but Ren has an entire shrine dedicated to Angel. He keeps all his sentimental and stolen items there.

Ren genuinely has no empathy for anyone other than Angel, so if they were to ask him to murder his own mother (or his sister, his best friend, etc.) and bring back their heart, he'd do it with a smile on his face.

Because he has no empathy, Ren would probably enjoy watching snuff films like it's any other B-tier horror film. To him, it's just more research material on how he can get rid of his competition.

I've mentioned this in the past, but Ren has jacked off to the thought of Angel while in the library lol

I made a post back in 2022 that mentioned how Ren would willingly offer up any of his body parts to a cannibal!Angel, and I think the point still stands!!

He likes to put Angel's stolen laundry on his body pillow and rut into/hump it 😟

I once mentioned that Ren would slap a barcode sticker on his sledgehammer to make it look less... questionable whenever he carries it around in broad daylight — but alongside that, I think he'd also carry around some tools and an unopened can of paint to make it seem like he's just doing renovations. In reality, he'd probably force his victims to drink paint or gargle nails teehee

Builder AU except Ren mistook a body for plywood??? Why is he hammering so many nails into them?? Why is he feeding it into a wood chipper???

Builder AU except Ren gives Angel a different meaning to getting nailed and railed???????? Jackhammering???????? Getting screwed sideways????? KGJDSGNK It's 2AM I'm losing da plot now T_T I'll shut up

[artemismoorea03]

DPxDC Prompt: Who's Child Is This?

Inspired by an ICarly Clip. "Mr. Wayne, we have your son here."

Bruce blinked, then checked the number on the phone. It was from the police station. He then looked around the table which had fallen silent when Alfred had brought him the phone.

Dick, Jason, Tim, Duke, and Damian were all accounted for. Even Jon was there so they couldn't have misidentified him as his kid.

"Which one?" Bruce chose to ask.

"Tim Drake."

Bruce looked at Tim specifically as he tilted his head confused. "Are you sure?"

"Oh yeah, Mr. Wayne, we know your boys by now."

"Right... alright, I'll be there in a couple of minutes. Can I ask on why Tim has been taken into custody?"

Tim tilted his head even further while some of the others around the table started chuckling.

"He was found trespassing near the new Axion Labs at the edge of the city. The owner chose not to press charges so we're sending him home in your custody."

"I see, I'll be there soon. Thank you for the call."

"Of course, Mr. Wayne, we'll see you soon."

Bruce ended the call then looked at his kids. "Apparently, Tim has been arrested for trespassing near the Axion Labs construction site."

"And you didn't even invite me?" Dick chuckled at Tim, "We could have had so much fun together."

Tim scrunched his nose at the idea. "No way, that whole area is an OSHA violation. If I went there it wouldn't be out of costume, whoever that kid is was risking his life just walking within a block of it."

"Well, I'm going to go down there and see what 'Tim' was thinking." Bruce got out of his seat, "I'll be back soon."

"New brother?" Cass asked as Damian growled.

"We're going to assume no for now, but we may have another for dinner depending on what's going on."

"I will prepare another seat while you are gone, Master Bruce."

"Thanks, Alfred. I'll be back soon."

-

When Bruce walked into the police station he immediately noticed 'Tim' sitting in front of one of the officers desks. It was a newer officer and it was clear that neither Detective Montoya or Commissioner Gordon were in or somebody would have noticed that this kid definitely wasn't Tim.

Yes, the kid had black hair which was on the shorter side but his hair fell in front of his face more than Tim would wear it, and his eyes were unnaturally blue. He was pale in an old hoodie, blue jeans, and red shoes. The biggest difference though was that this kid looked like he was only pushing 15, not 17. Yes, he looked quite a bit like Tim but anybody who had spent more than five minutes with Tim Drake would know they weren't the same person.

"Mr. Wayne." The officer called as Bruce walked over, looking at the kid.

He was thin and pale, which a tired look on his face. He also shrunk away from Bruce when he walked over.

Bruce knew what a kid in trouble looked like. So he smiled down at the kid. "You know, Tim, when I said you could go to the lab to do your science homework I didn't expect you to go all the way to Axion Labs."

The kid looked at him, surprised then seemed to quickly catch on. "What can I say, I had to see what terrible science looked like. Sorry for making you come down here."

"It's fine, but are you okay?"

"Y-yeah, totally." He said, his hand subconsciously moving to his ribs as though he was hurt.

"Alright then you are grounded."

"What?!" 'Tim' squeaked, "Come on-"

"Nope. You are ground... for... 'til... college."

"FOR 'TIL COLLEGE?!"

"For 'til college!"

The officer cleared his throat then held out a clipboard. "If you sign the red x's you can take your son and leave, Mr. Wayne."

Bruce took the papers, quickly looking over it and signing it. It was strange to see that all of the handwriting on the paperwork was adult writing. Had they even asked this kid his name? Once everything was signed he passed it back over to the officer who nodded.

"Looks good. Thanks Mr. Wayne and you stay out of trouble. The whole city knows your face. You're just lucky Mr. Masters didn't want to press charges."

"Yeah, so lucky." The kid rolled his eyes, then stood up and looked up at Bruce. "Can we go now?"

"Sure thing, chum. Come on." Bruce said, leading the kid out of the station and to the car. The kid seemed hesitant as he looked around, his eyes narrowing when they landed on a gentlemen with silver hair in a ponytail, only when the man smiled at 'Tim' did the kid speak up again.

"Come on, Dad, let's get out of here before the stalkers find us." He said, climbing in the front seat and closing the door, much to the annoyance of the silver haired man.

Bruce climbed in the front seat, buckling in and driving away from the station. "So... 'not Tim' what's your name?"

"Danny. Just Danny... sorry about all of that Mr. Wayne. That guy took one look at me and started calling me 'Tim' and when I tried to explain that I wasn't 'Tim' hey called me a liar. But if I gave them my real name then... somebody else was going to come collect me and I didn't want that. So... I let them call me Tim. I'm sorry, I hope it didn't put you out..."

"Not at all. But... are you okay? Why were you at Axion Labs?"

Danny seemed hesitant, "I... it sounds crazy."

"It's Gotham, kid. Crazy things happen all the time..."

"Right... well um... I-I was kidnapped from my home and taken to Axion Labs. I-I escaped and when I was trying to leave the grounds the police saw me and thought I was trespassing. Since the cops were I decided to play along with it..."

Bruce frowned, "Kidnapped? Is... is there somebody I can call?"

Danny shook his head. "I have an older sister who is probably going crazy looking for me but other than her and a couple of friends there wouldn't be anybody. My parents... they were kind of involved. They... they found out something about me and tried to hurt me, I ran to somebody I knew I couldn't trust because I thought maybe he would get his head out of his ass but I was just being an idiot." Danny hugged himself. "You can drop me off anywhere though, you don't have to bother yourself with me or my shit."

Bruce pulled to a stoplight and reached over to the kid who flinched, Bruce waited until he relaxed before Bruce patted his head. "I'm not going to just leave you on the street. Besides, it's late and by now my butler has already dished you some dinner. So at least for tonight you're welcome to stay with me and my kids. We'll get some food in your belly, make sure you're not wounded, let you call your sister, and find a way to get you home. Sound good?" He asked, moving his hand away.

Danny looked at Bruce, seeming a bit untrusting for a moment before he glanced at something near Bruce and relaxed. There was nothing with Bruce, he wasn't carrying anything, but whatever Danny was seeing was enough to put his mind at ease. "Okay... but if anybody tries anything be warned, I bite."

Bruce chuckled, "So do most of the others. You'll fit right in."

'But just what the hell is going on with this kid? Does it have anything to do with that man outside the police station? I've got to get to the bottom of this before this kid leaves, especially if he's still a target.'

[watcherintheweyr]

I can't believe I'm writing this

To open up with: IT IS ABSOLUTELY OKAY AND VALID TO BE DISAPPOINTED BY THE LACK OF WORLDSTATE CUSTOMIZATION IN DRAGON AGE THE VEILGUARD. I have my own disappointments about it!

Ok? We have that covered? We good?

Cool, moving on.

To people who are genuinely, hatefully angry, saying we will now be 'forced into Bioware's worldstate' (when this year alone they've stated there is no 'canon' worldstate more than once), or saying that none of our prior dragon age choices matter, I need you to take a step back and walk with me for a second, okay?

For starters: John Epler stated that one of the reasons they narrowed the choices is because they DO NOT want to invalidate the worldstates of their longtime players. However they also don't want to alienate newer players who don't have the history and lore of the past choices. It's a narrow line to walk.

Secondly, I want you to really look at the choices made by your Hero, Champion, and Inquisitor. Which of those choices genuinely affected NORTHERN Thedas, not Southern Thedas, to the point it would linger for years afterwards? Which of those choices weren't things that specifically affected or altered the sociopolitical Southern Thedas climate and landscape in lasting ways?

The Well? Kieran?

That only leaves that if your Inquisitor drank, they now have knowledge from ages long past... that Rook doesn't need. Rook has a direct line into Solas' history and a possible Veiljumper background, unlocking those very secrets on their own.

It's entirely likely and probable that the Well's fears and threats were a red herring. Think about it. We as a gandom have spent TEN YEARS worrying about the Well, about Solas, about Mythal.

Come June 2024, we're slapped in the face by the big bads of Ghilan'nain and Elgar'nan.

Morrigan likely isn't going to be close and friendly with Rook- so there's likely not much reason for her to tell us about her child or husband if she has them.

The rulers of Southern Thedas aren't going to affect us. We aren't tackling the current world ending crisis from the position of a leader of armies like the Warden and Inquisitor, but as leader of a small task force. The Southern Divine doesn't much affect us either- nor do Southern mage politics or templar politics.

Because Rook is an entirely new perspective.

Because Rook is in an ENTIRELY different sociopolitical climate/landscape.

I DO think there should've been ways implemented to specify your Inquisitor's bonds and personality. I'm HOPING maybe there still are that we haven't seen. But otherwise?

My Warden is free. I can say she's cured her Calling and is wandering the world with Zevran.

My Champion can retire into total obscurity with his husband or be quietly helping said husband destroy the slave trade. Either way.

Your history and choices in Thedas still matter. Your heroes still matter.

They just aren't Rook's focus.

Take a breath please. And stop sending death threats to the devs bc what the **fuck.**

EDIT:

further context from the devs on Bluesky

[yesihaveaobsession]

A Well- Tailored Affair

Alastor x female! reader

Summary: Being The Radio Demon's one and only personal tailor has it own perks.

A/N- Sorry I have been gone for quite some time!! But I'm back, I had NOOOOOO idea what to write and this thought came to me mid sleep at like 12am So anyways I hope you enjoy!

ALSO this was gonna proofread because I didn't have time and I missed yall so sorry if it sucks 💀

Being a tailor in Hell was no small feat, especially when your main client was none other than the Radio Demon himself, Alastor. When you first took the job, you didn’t expect it to be much of a challenge working with his specific tastes. But over time, you came to know him like the back of your hand.

Today, he was scheduled for a fitting. He had dropped off a newer jacket last week but he said he had business to attend to and he'd come back next week and that was today. As always, the atmosphere of your small shop—which wasn’t far from the hotel—was calm and cozy. You were currently cross-stitching a dress for Rosie for some type of event in Cannibal Town when, suddenly, the bell above the door jingled. There he was. Alastor stepped inside with his signature grin, accompanied by the hum of radio static. The aura he carried was palpable. The moment he entered, you could feel the air shift.

"Ah, my favorite tailor!" he exclaimed, spreading his arms wide before resting his hands on the microphone in front of him. With a slight tilt of his head, he asked, "Have you missed me?"

You chuckled softly, stepping away from your work and already reaching for the measuring tape. "You were here last week, Alastor. Hardly enough time to miss anyone." You smiled. His grin didn’t falter, though you didn’t notice how his crimson eyes lingered on you longer than usual. Truth be told, Alastor liked you. More than he should, and more than he realized. Part of it was the trust he placed in you to handle his precious suits, which were such a vital part of who he was. But it was also because you treated them with such grace. You knew what you were doing and were exceptional at it. Not to mention, you were one of the rare souls in Hell who wasn’t afraid of him. And lastly, you were undeniably pretty—he thought that too.

"Ah, but a week without your company is an eternity, my dear," Alastor replied. You brushed off his words with a smile. He often gave small, sweet compliments about your work and how he missed you, so this wasn’t anything new. Yet today, his words seemed to carry a different meaning.

You rolled your eyes playfully, motioning for him to step onto the fitting platform. In front of him was a large mirror—he loved checking his reflection to ensure he always looked impeccable. "Alright, charmer, let’s see what we’re working with today. Did you tear another sleeve during one of your dramatics?" you teased, looking from the sleeve up into his eyes.

He let out a melodic laugh. "Guilty as charged! I simply cannot help myself. Life—or afterlife, rather—demands a flair for the theatrical!"

As you worked, your hands expertly adjusted the fabric of his jacket. You noticed his gaze drifting to you frequently. At first, you thought he might be scrutinizing your technique, but no—this was different. His grin softened ever so slightly whenever he thought you weren’t looking. Watching your focused expression gave him an odd fluttering sensation, almost like butterflies in his stomach.

"You’re very precise," he remarked, his voice quieter than usual.

"Kind of comes with the job," you replied with a smile, pinning a sleeve in place. "Can’t have the Radio Demon walking around in anything less than perfection, right?"

"Indeed. And you, my dear, are perfection. I must confess, I’ve never trusted anyone else with my suits. You have an extraordinary talent."

You paused, caught off guard by the bold confession—especially coming from him. "Thank you, Alastor. That means a lot," you said, grabbing the needle and thread.

"And," he added, tilting his head as though studying a particularly fascinating piece of art, "it doesn’t hurt that you’re quite easy on the eyes." Was he kidding? He had to be, right? Your cheeks flushed instantly, and you nearly dropped the pin you were holding. "Oh! Uh, thanks."

He noticed your reaction and chuckled, clearly amused. "Did I fluster you? My, my, how delightful!" Alastor grinned, watching you through the mirror. You cleared your throat, trying to regain your composure. "Stop moving," you muttered, focusing on adjusting the flaps on his suit. You finished stitching up the rip on his sleeve with a clean, neat stitch—it was a relatively easy fix.

The silence grew heavy until he broke it. "You’re one of the only few who doesn’t fear me, you know… It’s refreshing."

"Well, I figured if you were going to do something to me, you would’ve done it already," you replied with a smirk, stepping back to admire your work. Alastor’s grin widened. "Perhaps. Or perhaps I find your company far too enjoyable to spoil."

You shook your head, laughing softly. "Alright, smooth talker, you’re good to go. You can come and pick it up in 24 hours." You watched as he stepped down from the platform, adjusted his jacket, the one he came in with and turned to face you. "Splendid! I’ll be counting the seconds until I see your lovely presence again!" He started toward the door but paused, looking back over his shoulder with that ever-present grin. "Oh, and my dear, do save a moment for tea when I return. I’d like to enjoy more of your delightful company." You smiled, shaking your head. "You better not rip your coat on purpose in the next 24 hours!" you shouted after him.

You heard his laugh echo as he left, leaving you standing in the middle of your shop, flustered and smiling despite yourself. Maybe being Alastor’s tailor wasn’t so bad after all.

[mythalism]

i realized the other day after posting about this fan theory that, at this point, it is basically talked about in fandom as if its canon, and newer fans might not understand why. my goal today was to explain the theory and all of the evidence we have for it in inquisition to give people a better understanding of why this has become so ubiquitous, and to hopefully have something to look back on in two months with that "apollo gift of prophecy" dodgeball meme when veilguard proves us right.

very important before i get started: this is not my theory. i didn't make it up. unfortunately, i also don't know exactly who did and if it could even be traced at this point. this is something that many people have believed for a long time, and i'm not the first to write about it. there are a lot of great posts and essays that speculate on this theory, and what it could mean for solas's character going forward.

PLEASE feel free to contribute thoughts, or link to posts you have made yourself or seen before in the replies/reblogs!!! much of my own experience with this comes from long before this account existed, so i dont have exact sources but rather random, amorphous fandom knowledge of this theory and what major arguments have circulated in the past 10 years. this post by @sammakesart and this post by @mrs-gauche went around recently and both touch on this theory and i highly recommend them both! i know @corseque has also written about this theory multiple times over the years.

i was first introduced to this on tumblr when it started gaining ground in the fandom after the release of trespasser in 2015, predominantly due to a couple of lines of cole dialogue from trespasser, so that is where we will begin.

shoutout to @daitranscripts and the dragon age wiki for the dialogue

this line of cole's is basically the foundation of this theory, and what is cited most often. i'm not entirely sure if the theory existed before trespasser, but if it did, i dont remember it being well-known or widely accepted like it is now.

this line is usually interpreted to suggest that solas, who would have been a spirit of wisdom/pride at the time, took a body and came into being as an elf at mythal's behest. this is also the line that suggests solas himself once wore vallaslin, and that he removed it himself using the same spell he uses on a romanced lavellan thousands of years later, but did so clumsily the first time and left the scar we can see on his eyebrow.

first i want to acknowledge what are pretty much the most damning indications of this theory

solas means "pride; to stand tall" in elvhen, according to world of thedas vol. 1

the dread wolf form we see in murals, written descriptions, and of course, in real life in the veilguard trailer, bears a pretty clear resemblance to pride demons:

most notably, in the face and eyes. yeah i dont really have anything else to say about those lmao it's pretty blatant

overall, inquisition tells us a great deal about spirits, and gives the player an alternate worldview through which to understand them, distinct from the chantry/circle narrative presented previously.

solas himself, along with cole, has a lot to say about the nature of spirits throughout his dialogue and banter with several characters. one sentiment that he espouses repeatedly is that spirits and demons are the same thing, but demons are a spirit corrupted and perverted away from its purpose.

Solas: They rarely seek this world. When they do, their natures do not often survive exposure to the people they encounter. Wisdom and purpose are too easily twisted to pride and desire

During All New, Faded for Her:

PC: Solas, you said your friend was a wisdom spirit. Solas: That is not its natural form. It has been corrupted. PC: Corrupted? Solas: Forced to act against its original purpose. What did they do, what did they do, what did they do?

second, that spirits and the fade are a mirror, and reflect the waking world. specifically, that spirits reflect the perception and expectation of a mortal, and adapts accordingly. belief makes reality.

On Ostagar:

PC: I've heard the stories. It would be interesting to hear what it was really like. Solas: That's just it. In the Fade, I see reflections created by spirits who react to the emotions of the warriors. One moment, I see heroic Wardens lighting the fire and a power mad villain sneering as he lets King Cailan fall. The next, I see an army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. PC: And you can't tell which is real? Solas: It is the fade. They are all real.

and third, that spirits are people.

solas expresses concerns over what the breach does to spirits at multiple points, including here with cassandra.

he also regularly argues in favor of spirits personhood, and passionately pushes back against characters who argue the opposite, such as dorian:

as well as the inquisitor themselves, should they choose certain dialogue options:

PC: You trust these spirits not to possess you the first time you accidentally make a wish? Solas: Do you trust your friends not to turn on you? (authors note: LMFAOOOOOOO) PC: Well, yes, but they're people. Solas: Ah, of course. PC: You know what I mean. Solas: Are people only people because they are flesh and blood? Solas: Is Cassandra defined by her cheekbones and not her faith? Varric by his chest hair not his wit? PC: They're not defined by their bodies, but they do have bodies. You need one to be a person. Solas: A demon possessing a corpse has a body. PC: A living body. Solas: A demon possesses a living mage to become an abomination. PC: They didn't make that body. They just took it over. Solas: Technically your mother created your body, with some help from your father, one assumes. PC: You've thought about this. Solas: On occasion, yes. OR:

PC: Spirits are bound by their nature. You said it yourself. They're shaped by contact with real people. Solas: Just as Leliana was shaped by contact with Divine Justinia, as those who serve the inquisition are shaped by you. If I change your mind in this conversation, does that mean you're no more real than a spirit? OR: PC: Im certain you have some rhetorical trick ready to counter anything I say. Solas: It's likely. I've had a lot of time to discuss the question with people. Or "spirits", if you prefer.

aside from this entire conversation being hilarious and very fen'harel coded, i think its notable that his enthusiasm and snark here is distinct from the way he engages in other debates, where he is often clinical and detached. on the subject of spirits, however, we get a lot more emotional investment from him - it feels personal. as he says, he's thought about it. on occasion.

solas having originally been a spirit adds helpful context for his insistence on spirit's personhood despite modern thedas's completely contradictory beliefs, and also helps inform his worldview more generally, especially in regards to elves.

one of solas's most heavily criticized aspects is his disdain for modern elves and the dalish. and i agree, it's fucked up and he is an absolute ass about it at nearly every opportunity. however, his feelings regarding the elves sometimes seem... strange, even in the context of him being an ancient elf.

keeping in mind cole's line from trespasser, that he "did not want a body", as well as another cole line from trespasser:

most people infer that there is some sort of resentment on solas's end for him having to become human at mythal's request. it seems as if he was turned away from his purpose. wisdom forced to be pride.

cole's personal quest, which shows solas passionately arguing to keep cole a spirit, supports this. it is almost as if he is trying to prevent cole from the same fate that was forced upon him.

throughout the quest he says things such as: "This is not some fanciful story, child of the stone. We cannot change our nature by wishing." "A spirit does not work through emotions. It embodies them." "You would alter the essence of what he is." "It is good that he is not entirely changed, however human he becomes."

most telling of all, i think is this line at the end of the quest if you elect to keep cole as a spirit.

Varric: "He could have been a person." Solas: Possibly. Would that have made him happier?

OUGGHGH.

clearly, for solas, the answer was no. being a person has not made him happier.

regardless, solas still values spirits as fundamentally equal to people despite their differences and worthy of the same freedoms, self-determination and respect.

this kinship with spirits, however, might help explain his disdain for elves, in a way i find to be more satisfying than "all ancient elves are assholes" and more in-line with his character overall.

it seems as if solas doesnt see himself as separate from modern elves because he doesnt see himself as a modern elf, but that he doesnt not see himself as an elf at all, but rather as a spirit.

solas infamously says, following halamshiral if you bring up briala:

"I'm sorry, I was confused. I do not consider myself to have much in common with the elves."

the inquisitor has the option for several responses, and although most of us probably pick the one that tells him to fuck off, the others are more telling:

PC: Nor should you. You're not defined by the shape of your ears. They're not your people. Solas: No, they are not. OR PC: Who do you have much in common with. Who are your people? Solas: A good question. Solas: I joined the inquisition to save the world. Regardless of who "my people" are, this was the best way to help him.

"not being defined by the shape of your ears" and solas's immediate identification with the statement and approval of it sticks out to me. it seems like he's just being racist, and he very well might be, but in the context of this theory, it can also be interpreted as him disliking being "defined" by having a body at all, or any physical characteristics, consistent with how he resists the idea that varric and cassandra are defined by their own physical characteristics.

if the player insists they want to help the orlesian elves even if he doesnt, he still has something interesting to say:

Solas: Stop Corypheus. That will do for a start. It speaks well of you to feel for the oppressed. Help them for that. Know them for what they are.

this is not the only time he equates all oppressed groups of thedas to one another, defined by their shared subjugation rather than the real, in-world divisions such as race and religion. it's also interesting to consider the relationship between oppression, as a situation that evokes certain emotions in those who experience it, such as pride. as solas says of ostagar, spirits there were drawn to the emotions of the soldiers there. are spirits of pride drawn to situations of oppression, where pride is needed for liberation?

solas's failure (or refusal) to recognize the reality of how oppression functions in modern thedas along lines of race and ethnicity specifically is one of his biggest flaws, but it continues to fit with this theory, as it is consistent with that same sort of single-minded, spirit tunnel-vision that we see from spirits and demons. i would also assume that he considers spirits to be part of this monolithic group of "the oppressed", considering the spirit slavery/bondage practices in tevinter and nevarra, both of which he criticizes.

i do believe, however, that to equate all of solas's unfair derision of the dalish to him identifying with spirits over people, rather than ancient elves over modern elves, would be too generous and an oversimplification. its also clear how much of his anger towards the dalish comes from... wait for it.... his wounded pride.

solas is prideful. when he is faced with pride in others, he becomes defensive, even nasty. when his pride is challenged, often by others pride, he becomes almost unrecognizable. the dalish specifically rub up against his pride, in the most specific of ways that grate at his most cherished qualities and that disregard his own perception of himself. the thing he is most proud of, leading a slave rebellion against corrupt tyrants, erased from history entirely. branded a traitor instead, while those he fought against are worshiped as saviors for millennia.

Solas: I have joined my fair share of causes. But when I offered lessons learned in the Fade, I was derided by my enemies... and sometimes by my allies. Liar. Fool. Madman. There are endless ways to say something isn't worth listening to. Over time, it grinds away at you.

its also possible, considering what we know of the nature of expectation creating reality for spirits, that the dalish framing of the dread wolf actually does indeed make him worse - more arrogant, less compassionate, more ruthless, more cunning, more of a liar. a spirit being perverted into a demon based on the dominant perception of it.

perhaps the most interesting tidbit about solas of all which supports this theory, is that this phenomenon of expectation shaping his nature, making him more prideful or more humble, is not exclusive to the world of thedas, but also occurs on a meta-level with the player by proxy of the inquisitor.

a 2020 interview of trick weekes, solas's writer, says this pretty much verbatim.

"Solas mirrors. If you approach Solas from a place of humility and say, "I want to learn from you," Solas will bend over backwards to tell you how flawed he is and how he's just coming at this from his own limited understanding. If you come in with ego, Solas is genetically incapable of not bristling when he sees your ego... because he can't not do that."

this is fascinating for like 7 million reasons, but most notably for the language trick uses that i believe to be incredibly revealing. first, solas himself talks about how spirits "mirror" the real world multiple times. second is the way in which they speak about solas's mirroring as innate, uncontrollable, and involuntary. he is genetically incapable of not mirroring. genetically incapable of not bristling at someone else's pride. this being a genetic incapability implies, pretty unambigously, that he is a spirit. we dont know of any people in thedas who have pride in their DNA. except. you know. pride demons.

pride is his purpose. he cannot turn away from it or betray that purpose to pursue something else. he cannot change his nature simply by wishing. if he were to attempt it, he would be corrupted.

trick offers this information as an explanation for player's extremely varied perception of solas when playing the game, and it perfectly mimics the way solas himself talks about spirits as being created by a dreamer's expectation of them.

when asked about his friendships with spirits, he says:.

PC: You're saying that you became friends with pride and desire demons? Solas: They were not demons for me. PC: Meaning? Solas: The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt/ And if your mind is free of corrupting influences? If you understand the nature of the spirit? They can be fast friends.

i just love how perfectly this reflects every fandom argument that's been had on twitter about solas for the past 10 years. like seriously.

random twitter user: you like that guy!? but hes a [demon]!! solas stans: he wasn't a demon for me

and it is true; people who are pretty deep into the games often know what solas is like to a low-approval inquisitor, but it can be shocking for new players to see what he is like at the other end of the approval spectrum, whether that is someone who hated him seeing the tenderness with which he kisses a romanced lavellan goodbye to remove her anchor in trespasser, or someone who romanced him witnessing the cruelty and detachment which with he grabs a low-approval inquisitor to yank off their anchor. he becomes almost an entirely different person based on how the player treats him.

for all that solas, in true spirit form, reflects the perceptions of the players, he has plenty of pure pride-demon vibes on his own, independent of player expectation. he is not just proud, or made proud as a mirror for player/character pride, but he often even goes as far as to act in ways that mimic how we have seen from spirits more generally, as well as pride demons specifically.

the wiki states:

"Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

along with further reinforcing solas's tunnel vission as characteristic of spirits, he does indeed intentionally attempt to stoke arrogance in others, as well as test characters to see if they are vulnerable to arrogance and power-hungriness. this is probably best exemplified by his banter with vivienne, versus his banter with cassandra.

i mean this one is self explanatory. cmon.

but it becomes especially interesting when compared to his interactions with cassandra, of whom he starts out very distrustful of. however, through their banter, he immediately begins to test her for indications of her inclination towards arrogance and desire for power:

cassandra passes solas's tests and earns his approval through her humility, curiosity, and willingness to give up power for the greater good. as a result, solas softens considerably towards her, and becomes more evocative of wisdom than pride, offering her advice when she asks, though very humbly:

"i would hardly presume" is actually hilarious considering how he does presume. ALL THE TIME. but it shows the extent of this "mirroring" that trick mentions, when compared to how he speaks with vivienne, who does not pass his tests of pride: notice how his jabs at her specifically target her pride, the things she is proud of about herself, and tear them down:

he tells her that her position in the orlesian court is unearned, that the freedom she is so proud of winning for herself will come to an inevitable end, and that her resistance to demons does not make her special. its absolutely BRUTAL.

its especially important to note how little bearing vivienne and cassandra's backgrounds have on solas's perception of them. vivienne is a circle mage, a group of people who solas deeply sympathizes with, and believes should be freed. meanwhile cassandra is effectively templar, a group whom solas despises and finds unjust, and has been complacent in the oppression of mages that solas is so vehemently against.

and yet? it does not matter. he measures their worth based entirely on their propensity for pride.

it’s worth noting too, keeping in mind Solas’s almost uncharacteristic reverence for cassandra’s faith in the maker and (take this with a grain of salt because it was david gaider and he said via forum post….) that there are actually two types of spirits that become pride. wisdom, and faith.

"A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose."

what we DONT know: pretty much everything else about this. what was the process like? at what point in history did he take the body? how was that body made? was it stolen? did he start as wisdom and turn into pride later? did he always oscillate between both? was he corrupted by what was asked of him, to fight, as his friend was in his personal quest?

i could continue talking about this forever, probably, especially with how it manifests in the solavellan relationship and what it suggests for solas's story in veilguard, but ill cut it here for both my own sanity and yours. but first, a few fun dialogue bits that strike me as very pride-demon coded but didn't fit anywhere else in this analysis.

in conclusion:

[johannestevans]

i know it's the same late-stage capitalism grift but i'm just so tired of everything being so anti-personalisation and anti-customisation.

everything has to be kept in good enough nick to resell to some stranger, and your touch being known on whatever it is degrades its value

i buy so many vintage clothes where i can see repairs from twenty years ago, most of the furniture i buy is 50, 100, 150 years old because it's so much better than anything newer, but also like... it's patterned. it's decorated. it's not soulless shite in landlord's colours

idk i've hung up 15 pieces of art in my apartment the past few weeks, when it's "complete" i'll probs have up a hundred or so pieces to cover the walls, i want a standing piano, i want blankets, quilting, i want comfort with my antique furnishing and art

sometimes people assume that because a piece of my furniture is a century or two old it must be So Expensive, but in reality i buy it for literally like, a sixth or a tenth of the equivalent unit, uglier, less well-constructed, new, BECAUSE it's old and LOOKS old.

it's not that no one appreciates antiques anymore, even, i don't actually believe, it's that no one's ALLOWED to - even if it was easy to move the furniture back and forth in a car they don't own to an apartment full of their shitty landlord's furniture they can't get rid of

everything has to be kept attractive enough for an invisible viewer's approval, has to be Fashionable and Saleable enough, whether that means TikTokable or appropriate for their work or a landlord or whatever other bullshit

and the older i get the more technophobic i am because i like certain specific things but everything is so fucking invasive and so hostile to everything about individuality EXCEPT for the vulnerabilities in an individual that might make them easier to advertise and sell to

[vincentbriggs]

Do you need a sewing machine to start making shirts and vests? Is hand sewing an option worth considering, or should I invest in a machine, in your opinion?

That's really a matter of personal preference!

Do you need a machine? Absolutely not! Every garment ever made before the 1840's was sewn by hand, and a lot of them after that too. I've sewn many garments completely by hand, including the early 18th century tiddy-out-violinist shirt, these bright orange breeches, and this green waistcoat.

Is it nice to have a machine? I think so, but again, individual opinions vary!

One of the costumers I follow sews everything 100% by hand because she finds it meditative and isn't interested in using a machine at all. Some people hate hand sewing and prefer to do everything by machine, with maybe a bit of hand finishing if they absolutely can't avoid it.

I do about a 50/50 split overall, maybe skewing a bit more towards hand sewing. I like to do pants, shirts, and nightgowns mostly by machine with some hand finishing, but for jackets and waistcoats I usually do considerably more hand sewing than machine, because I like 18th century tailoring techniques and think they give a nicer looking result. I do most of my buttonholes by hand, or I do them by machine first and then cover them in hand stitching.

Most people who sew do at least some of it by machine, but again, I don't know which way you prefer to work, so I'd suggest trying out both to see how you feel abut them.

For hand sewing, I suspect a lot of people hate it because they're using shitty needles and/or shitty thread, and perhaps haven't found good resources for hand sewing techniques.

Here's a post of hand sewing advice that I found quite helpful a decade ago. Use good needles because the eyes of the cheap ones have jagged edges and will ruin your thread! Use nice thread because the wrong kind will be twisty and tangly and will fray more!

Thimbles are good and useful, and typically they go on the middle finger of your dominant hand, and you use them to push the needle. I prefer metal thimbles and dislike using leather ones, but some people prefer the leather ones, or rubber ones.

The metal ones come in sizes, and I don't know how to find out your size aside from trying them on in person, but I know I'm a size 11.

One very important thing is that if you're hand sewing a garment, look for hand sewing specific instructions on how to do the construction techniques you're going for. A lot of the time when someone nowadays is trying to figure out how to hand sew a thing they'll just try and copy the machine sewn version, and a lot of the time that's inefficient and more difficult and the result looks worse, because machines and hands work very differently!

This is something I'm going to briefly discuss in the outro to the very long shirt video I'm working on, because it's so very common, and I've done it too! On several of my earlier hand sewn shirts I didn't know to turn the edge in on the front slit and do a little narrow hem, so I instead sewed on a facing for the front slit and cut and turned it, just like I'd seen on machine sewn shirts. This made it about 3x more time consuming, and the result was much bulkier and looked worse.

I've got so many more things to say about sewing but it's almost bedtime and I don't want to make this post too long.

For machine sewing, again there's a lot of personal choice. Some people like newer machines, some people like vintage or antique ones. I'm one of the ones who prefers solid metal vintage machines. I grew up using an old cast iron Singer, and the newer domestic machines just feel so plasticy and insubstantial to me. I'm used to ones that just do straight stitch and can also go backwards, but some people are perfectly happy with ones that can't even backstitch.

I do think that for a beginner the vintage machines are a better deal, because if you're patient and look around for a while you can snag one for really cheap at a thrift store, yard sale, facebook marketplace, etc. Also they're mostly metal and therefore harder to break.

I recently got a Pfaff (from I think the 1960's?) at an estate sale for 25 bucks. The zig zag mechanism is stuck and needs fixing, but I cleaned & oiled it up and it works just fine for regular straight stitching.

There are SO MANY online resources for how to clean, oil, and fix vintage sewing machines, especially the more popular brands, and a lot of the time cleaning & oiling is all they need. Read the manual and get an oil bottle with a nice long pointy thing so you can reach all the parts, and get some compressed air to whoosh out the fuzz. If it's old and hasn't been used in years, turn the hand wheel and observe every single place where metal rubs against metal, and Make It Greasy There.

(If you don't have the manual, you can often find those online too. I even found the service manual for my new-old Pfaff! I have the original users manual, but this one's for the people doing repairs.)

Oh this post is getting much too long! If you don't know yet if you like machine sewing, try seeing if you can use one without owning it, perhaps at a sewing class or in a makerspace. I know some libraries can loan out machines. A sewing class would probably be a good idea actually, if there are any available where you live!

Much like how you'll have a bad time hand sewing if you've got shitty supplies and no proper instructions on good techniques, you'll have a bad time machine sewing if it's not oiled well and if the tension is uneven.

There are so so very many things to learn about sewing and I hope I'm not making it sound too overwhelming, because I promise it's not if you take it one step at a time!

Also, when someone who's been sewing for a long time says "You may think you can ignore (piece of sewing advice), but actually that's bad and you will regret it", they're usually right. Oh, how I regret not learning to use a thimble years earlier than I did...

Sorry this post is so long, I hope it's helpful!

Basically, there's no one best way to sew anything, and you should try different stuff and see what works best for you, because everyone has different preferences.

[keerysfreckles]

hey hey hey, yo

It's 2am and I was thinking of a simple Luke story (in whatever format you want) with an Aphrodite! reader who simply leaves him mesmerized every time, and at one point Percy simply exposes him and it all ends in a confession and reader just being completely beautiful lol lol lol (no description needed, we are all beautiful!!!)

teenage dream — luke castellan

pairing: luke castellan x aphrodite!reader (no specific pronouns used)

warnings: none! just a cute little luke drabble 🤗

a/n: im a sucker for aphrodite!reader x luke omg SMTH ABT IT IS JUST SO UGH-

masterlist !

꒰ა ☆ ໒꒱

if you said luke staring at you almost all day every day was shocking to you, you'd be lying. you didn't tell luke you noticed, but oh, you noticed.

in archery today, while you were helping a few of the newer campers how to aim, you sensed someone staring at you with nothing but heart eyes. that someone was luke.

while you were walking with one of your sisters after lunch, you made eye contact with luke as you passed his cabin. the boy blushed, and turned in embarrassment. you thought it was adorable.

and on the way to the infirmary with another camper, who hurt his arm during sword fighting lessons, you saw luke staring at you from afar. you sent him a simple wave and a smile. you were surprised he waved back, considering most of the time he would've just looked away with flushed cheeks.

those were only three of the hundreds of times the hermes boy has stared at you with adoration. you couldn't help yourself when you stared at him the same way. (what he doesn't know won't kill him).

you were on your way to dinner with your cabin. mr d. barrelled into your cabin telling you all to get to the mess hall. he mentioned something about chiron waiting on your cabin so he can get along with tonight's announcements.

just as you were about to sit down, you felt a tug on the back of your camp half-blood shirt.

"oh, what's up percy?"

you'd seen the boy around camp plenty of times. you two became close once you helped him get seaweed out of his hair one time. (don't ask, he had a long day).

"hey, so you see that guy over there?" he was quick to the point, as he turned and gestured to luke sitting at the hermes table.

you nod, "i'd say im familiar with him, why?"

"now luke doesn't really want me to tell you this, so you didn't hear it from me." you nod, making him continue. "he has the biggest crush on you, and i mean biggest. even when i was in his cabin he wouldn't shut up about you."

your eyebrows raise in amusement, "oh! is that so?" you look over towards luke, who seems too busy to be talking with his temporary siblings to see your stare.

percy nods, "i'm telling you, he's obsessed."

you giggle, and look at luke again. he's now looking at you and percy. you almost sense that he's nervous.

you thank percy for the not so newfound information, before walking towards luke's table. his eyes never leave you. "hi luke," you smile, placing your hand on his shoulder. "so uh, a little birdie may have told me you have a crush on me."

a few ooh's left the lips of luke's siblings. both of you chose to ignore it.

he shakes his head, "i don't know what you're talking about."

you lean down to his ear, so only he can hear, "meet me outside my cabin after dinner," you offer sweetly. you simply kiss his right temple before going back to your own table, leaving a very stunned and blushing luke behind.

[notartisticdraw]

Individual designs.

All together; lined up. The second, more colorful image displays their ages and heights. Cray and Palette's hats make them appear taller, so I have the colored blocks in the back:

Goth - red || Palette - yellow || Cray - blue/gray

Lastly, their original designs compared to their new ones.

ALSO HELLO!!! WELCOME TO MY FATASS REDESIGN POST!!

Considering I'm currently back in my huge UT AU phase right now, I decided to redesign the main trio since I had a lot of drawings and comics planned, and their old designs are kinda stinky :( (they were originally based off of aesthetics and what I thought was cool. I didn't even fathom the idea of considering their personality or occupations)

There's a lot of newer specific design choices I made for their updated designs---things such as Cray's hands being now constantly slathered in spray paint or Goth atrociously wearing socks over his sweats. If there's any questions, DMs are open :)

For anyone new who doesn't know me, no, I do not support the creator of PJs Daycare. She's the skidmark of the community, which sucks since some of her AUs were really interesting concept-wise. This AU focuses primarily on the relationships between Goth, Palette, and Cray as young adults. Most of the children from the daycare would be teenagers, and I even had a few drawing ideas with them included. And yeah, PJ would be an old, crusty man in this AU :(

Anyway, everything from the original AU remains the same, including how the creators of all of the individual characters are their parents, EXCEPT for how Rouge decided to depict specific events. These events will either be omitted or reworked.

If anyone has any requests on what any characters from the original AU look like, send an ask, and I'll see what I can do

ANYWAY ANYWAY these redesigns took me like 9 hours to draw :( I have a speedpaint that's gonna go up soon, but ngl I didn't record small parts bc I was embarrassed :((((((

For anything related to this AU, I'm going to use the #pjsdaycare10yearslater hashtag, so my stuff is easier to find (also so people hopefully don't mistake it for content outside of the AU)

Palette Roller - @lasseutblogo

Spray Cray - @spraycray // @weezy-pup

Goth Reaper - @nekophy

[stitchposts]

hi! i’m self taught in embroidery and am trying to get better. how do you stitch words? specifically the ones that look like handwriting and not serif fonts. the way that you make each stitch blend with the next looks so closely to writing with pen that i had to zoom in to figure out it was even embroidery. thank you and have a good week!

Hey there! I tend to use one of three stitches for stitching out text - stem stitch, backstitch, or split stitch. It depends on what I'm going for with the design and the scale of the work. Given the timing of this ask, you probably want stem stitch specifically.

Not entirely related to types of stitches but general advice. I often find that newer embroiderers tend to leave too much space between stitches. Finding the balance is key, but the best way to describe how stitches should look is that they are overlapping each other slightly when you are actually stitching it. Otherwise you get gaps. This is true especially of stem stitch and long-and-short stitch. It'll look correct and smooth and even when it's all stitched out though.

[artfromsaturn]

Collection of Free Art Tutorials

I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)

This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.

One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.

Overall tutorials:

DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.

Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.

Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.

Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important

Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.

There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.

Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.

James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰

BEFORE ALL OTHER BASICS….

How to Make Your Art Look Nice: Mindset

There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!

Line

How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.

5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.

A few line drawing exercises that help with line confidence.

Types of line drawings & what they are.

Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!

Good deep thoughts on lines and how to use them.

Line Weight Tutorial

Lineart Weight Tips!

How to show variation in your line art: part 1 & part 2.

Some teacher's Drawing 1 & 2 lessons put online.

Light, Shadow, & Value

An introduction to tonal values.

Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.

Tonal Values: Everything you need to know

How does light work & the basics on Light

Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.

Understanding grayscale/monochrome art. Great for shading & planning.

A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.

Crosshatching for Comics

Learn more about coloring by working in grayscale

How to Make Your Art Look Nice - Contrast!

Using lighting to make your art look nice.

Some light & shadow classifications.

Edges - notes on how they work in shading.

Color

A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)

Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.

The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.

Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.

Sarah Culture's Tips on Color

The value of underpainting

A few notes on reflective light.

Experimental color techniques with Alai Ganuza: first post, second, & third.

Color zones of the face charts

Composition

Good Tips on Composition

Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.

How to make your art look nice: Thumbnailing!

And don't be afraid to make silly thumbnails or sketches.

Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.

Flow and Rhythm

Formulas for landscape composition.

Perspective

Perspective Drawing Tutorial by Julie Duell

Linear & Atmospheric Perspective Guide

One Point Perspective City Tut by Swingerzetta

Niso Explains Perspective - these are great for drawing figures in perspective!

Putting characters into scenes and drawing backgrounds

Backgrounds that make your character stand out!

Using background detail to guide the eye.

Odds and Ends

I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D

How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.

Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.

Luna Art talks about what they're thinking when doing concept art.

Repeating visual motifs in character design looks cool.

Eric's Thoughts on Drawing Backgrounds and Props.

Show vs. Tell: Why Visual is Not Optional in comics.

The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.

Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!

Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.

Books

Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.

Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.

The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!

Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.

Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.

Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.

Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).

Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art

Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.