#i'm so hooked

[salisburyliam]

I think Soulless is literally the only book for which I wouldn't mind a “romance all LIS” achievement - because I'm going to do it anyway, lmao

[muffinwalloper]

A change in the weather

They meet in the woods by chance. They bond over their shared love for books and plays. When he offers her his heart and name she declines, afraid to lose her only friend in the parish. But when he leaves to tend to his broken heart she finds herself with a similar feeling.

[dragonsareawesome123]

The lesbian yearning and pining and angst in Pyramid Game.. I’m going to pass away 😭😭😭

[gofancyninjaworld]

OPM Webcomic Chapter 148 Raw

YES, the 'bad boyfriend' ONE, continues to love-bomb us with another fantastic update:

[mikaikaika]

Celebrity trials wish they had what the Slimeriana trial does

[knifes-art-dump]

So apparently I have no chill and can power through some rendering, we're having another scene from Stumbling Through F Major by @caubool

Background is just some blurred lines, I suck at architecture. And maybe it would've been better with handwriting instead of font text but hands shaky, letters jump around, had to make do.

Also hey, it's Bad! Hello Bad, never expected to draw your fancy face. Or wings, or horns. He's so much fun to draw tho, had a blast with the skin texture.

Norse kids probably will be back but who knows. They are also fun but I need at least 4 hours of sleep daily.

Let's try this again.

Last chapter's cliffhanger has me by the throat, can you tell?

[kanguin]

[sunnylolli]

Something, something, what if it all went really wrong and they were forced to speed-run the brotherly bonding

[zillychu]

designs for a zine piece! enjoy some background story my illustration never needed under the read more (fair warning I did NOT edit this at all):

newbie mage apprentices Sam and Tucker who became friends bc they're kinda… the ones at the bottom of their class and struggle the most, for different reasons. they become besties over time and practice together!

except one night, something goes terribly wrong. they spent the last few nights preparing for a project, a bigger spell that needs an intricate circle with precise measurements to work. but when they try to activate it, well… 

oops. they summoned a demon.

which is, for one, extremely illegal. only certified demonologists are allowed to summon demons because they're so dangerous. anything less than a perfect binding circle and thoroughly researched info on the demon, including their true name, is even remotely safe.

but, weirdly enough… the demon seems just as surprised as they are. as Sam and Tuck frantically try to figure out how to dispel the demon, they realize–oh god, did their circle actually sufficiently bind the demon? it can't leave. they watch the demon tentatively poke it's claws into the air around the boundary, and watch it fizzle, retreating back with a strained hiss.

okay. okay, they can do this. without death looming over their heads, they can figure out how to send the demon back. it's cool, it's fine. except while they leaf through their books, they notice the demon watching them. it looks kind of… curious. timid. interested in what they're doing. it catches them noticing his staring, and it. apologizes? it seems flustered?

weird, okay. they keep looking, and the demon starts talking. at first, little comments to itself. mumbles that soon get just loud enough to hear. little “ooh, is that a telescope?" and “is that what fire looks like up here?" and “that must be for making charcoal…”

Sam is the one brave enough to be like "are all demons as chatty as you??” and the demon gets flustered again, apologizing. says he's just never been topside before, he's only read about humans in tomes. oh wow is that the moon outside? it really IS blue up here! is it always blue? what are you doing up? I thought humans slept at night?

Sam and Tuck can't help getting pulled in with the demon's genuine curiosity. they're wary though, since they know demons can be clever, conniving. there's a number of ways a demon can get the upper hand on a summoner who has them bound. if he gets their full names, gets them to smudge and break the circle… there could also be ways they aren't aware of. so they consider their words carefully, but engage in some chatter while they research.

it's almost morning by the time they find a way to send the demon back–but as they prepare the spell, the demon says WAIT WAIT and they stop, uncertain. the demon starts stammering out how this is weird but like… he really had fun tonight. he doesn't get to just hang out much, especially with anyone his age.

Tuck is like “how do you know our ages??" and the demon points out "oh, you said something about Paulie’s 18th birthday party, so I thought…” and they're both like oh shit we didn't even notice we did that?

“Paulina" Sam corrects in her dumbfounded stupor. 

“Right, Paulina!" the demon snaps his fingers, but quickly loses his confidence when Sam and Tuck continue to stare at him like they're not sure what's going on. he coughs and fidgets and says “um, well, I was just wondering, I guess… if you wanted to summon me another time, I wouldn't mind. you see those circles there? yeah, that's what summoned me. the candles helped too I think. oh, it doesn't need all those runes though, probably don't want to redraw all those.”

Sam and Tuck are practically gawking, but… for some reason, this demon looks so sincere. so much like them, awkward and lonely and genuinely curious.

it's a bad idea. a terrible one, even. the demon probably noticed they're newbies and not demonologists. it could be hoping they make an error in their circle, or mess up a candle, or reveal their names on accident. 

But, well. They're stupid. they're also eager for anything to help them in school, and too empathetic for their own good. they send the demon off with a yeah, no. they then think about it for a week, and end up summoning the demon against their better judgment.

the demon is shocked and so happy, they can't help but be a little endeared. they lay down some ground rules, take care to be as safe as possible… and soon, this demon that introduces himself as “Phantom" becomes a nightly visitor. they talk about their worlds, find out they share a lot of common interests, and help each other in their studies. which, hello, demons also study? bro are you serious??

they play games, laugh till their ribs hurt, and open up to each other on a far deeper level than anyone expected. over time, Phantom becomes a true friend.

Sam and Tuck quietly begin to lament the fact Phantom is stuck in that damn circle. they want to take him places, let him see the human world he seems so interested in. they want to paint his stupid claws and noogie him between his dumb horns and hug him.

but it's an astronomical risk. it's legal for a demonologist with a proper permit, but it's still considered a grave taboo to grant access to a demon outside a circle. there's just too much at risk. demons can be dangerous enough to lay waste to entire towns, take multiple teams of military-rank mages to take down.

they wouldn't risk it… if they hadn't snuck into the library’s restricted section and copy a page from a demonologist book that gives them good framework for a contract. they make some edits to it though, giving Phantom at least a little wiggle room to protect himself if need be. and allow him use of transformation magic so he can hide somehow. but they spend weeks making sure they have airtight wording to ensure Phantom can't cause anyone or anything any substantial harm. 

when they finally bring the contract to Phantom, he's stunned. he cries. nothing needs to be said, they all know the gravity of their proposal. even if they ask for proof of Phantom's trust in turn, first. they ask for his full name, so they can bind him. just temporarily. but in that moment, they'll have full control over him. they could instead tell Phantom to serve them, force him to obey their every order. even if it's just for a moment, giving them his full name with the proper circle and incantation, is putting his life in their hands. 

Phantom, with tears still in his eyes, smiles warmly and nods. with only a breath to steel himself, he gives them his full name. Daniel James Fenton.

magic sparks in the circle, and Sam and Tuck finish the incantation. ethereal chains sprout up to wrap around Phantom's arms and legs, which makes him jump–but the unwavering trust in his eyes makes the two humans choke up.

they release the binding. all that's left is to break the containment barrier in the circle, so Phantom can walk free.

“Uh, about that…” Phantom laughs sheepishly… then proceeds to step outside of the circle, merely wincing when the barrier zaps around him.

Sam and Tucker gawk. Phantom scratches his neck. “Y-yeah, so… your barrier circle was already broken that first night. It's, uh… right over there. You missed a spot.”

abject horror overcomes them because this entire time Phantom's been visiting, he could have broken out? EASILY?? THEY WOULD HAVE BEEN DEAD.

Tucker falls to his knees, but soon starts to laugh. it's kind of hysterical at first but slowly, he and Sam are genuinely laughing. they're so STUPID, and Phantom is the most un-demonlike demon they've ever HEARD of. Phantom is still flustered, stammering out apologies because he wasn't trying to deceive them or anything! he just didn't want to scare them! without a proper containment circle they technically couldn't send him back either, so he just… went back using his own magic each time they “dispelled" him. 

once they've calmed down, Phantom morphs his body into a human form–which shock Sam and Tuck, because uh, only elite demons are capable of that. they were expecting an animal, or straight up going invisible. Phantom laughs it off, says he just, spent a lot of time practicing bc he's so interested in the human world (not a lie, but). he proceeds to adopt the nickname Danny, and they all have FUN WONDERFUL SHENANIGANS

(and sometime in the near future, when faced with something truly threatening he needs to protect them from, Danny reveals that. well. their contract also had some holes in it. and he's had access to his full demon power this whole time. whoopsie! it's a good thing he genuinely loves them and doesn't want to hurt anyone, or their asses would be SO dead lol)

they're about as normal about his full demon form as you'd expect from me btw:

[yourbuckies]

[gay-otlc]

Actually I think we should talk about how incredibly fucked up it is for sapphic women to say shit like "I'm no better than a straight man 😔" when attracted to a woman in a way that isn't 100% pure and wholesome, or act like men's attraction to women is inherently dirty, predatory, or objectifying.

[muffinwalloper]

Vicbourne The Artist AU

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[rosemarytrash]

this is so needlessly chaotic but so is act 4 so really if you think about it i'm imbibing the spirit of it all into a lot of gaussian blurring

[codacheetah]

Tell me your opinions on the stuff. Any stuff.

Grins. Smiles, even

I'm using you as an excuse to infodump my theory about the Island because I've had no in to do that, and my theory is pure opinion. Anyways:

THE ISLAND IS STUCK IN THE FUCKING FUTURE

(SCARE CHORD)

Hi so you might ask me. What the fuck do you mean by that. Well. Let's start with what we know about the Island, the King, and Wish Craft. (long ass post under cut. sorry)

The Island was redacted from the perception of outside world, via Wish Craft.

Wish Craft has the power to enable Time Craft. We see this primarily through Siffrin's timeloops, but also through the King's powers.

One of the King's powers is to show the saviors a "vision of the future."

...And this same attack is deflected back at the King by Mirabelle in ACT 5, in which the King is able to see the Island before being frozen in time.

...So. The King's "vision of the future." We're never told explicitly what this vision is. All we know is that it's apparently powerful enough to wipe the party in one hit, hearing it from a distance hurts your head, and that whatever Siffrin (and Loop) saw, they don't seem to actually be able to describe it. Even the King himself doesn't know what his vision entails.

We don't know whether the party all sees the same thing when struck by the vision, and Adrienne's answer to the question about it in the Reddit AMA is. vague? It's not a "no," and the specific wording makes me think the answer might be yes. But that's me reading into it.

Now. What do we know about the Island's redaction? The Island was affected by the wish recently, as in "like a decade ago" recently. We know that nobody in Vaugarde or the rest of the world is capable of thinking about the Island, anything closely tied to the Island's culture, or people on the Island for very long. When they do recall these things, they slip right out of reach. Particularly, the consequence for trying to think about the Island (or, more specifically, break the wish that forces the Island out of perception) is significant pain, localized in the head.

And that said pain is enough to become lethal, if pressed hard enough.

From here forward I'm running with the assumption that the King's "vision of the future" is not personalized to any individual, and is unchanging throughout the course of the whole story. Now. Remember the end of ACT 5, where the King gets hit with the deflected "vision of the future", and instead of dying, he recalls the Island and gets frozen in time? Very odd, yeah? Why wouldn't the King just die like everyone else does? He even does take 9999 damage when trying to say its name, like Siffrin does, and like the party does when they're hit by the attack.

Well. We know that he has a "true wish" that the ability to freeze Vaugarde in time grants. I don't think it's at all a stretch to guess that the King's "true wish" is to be able to remember the Island. My personal guess is that the King (and Siffrin) brought this "true wish" into effect via the "SAY ITS NAME" sequence- he even tries three times, a significant number in wishing.

The King (and Siffrin's) wish breaks, because it can't be fulfilled in this moment without breaking the wish to prevent the Island from being thought about. However. Consider the conditions at the end of ACT 5- the King sees the vision of the future reflected back to him, and what he sees is the Island. He remembers the Island, fulfilling his own wish, and is frozen in time. I consider this a compromise between his wish and the one binding the Island- the King gets to remember the Island, but nobody alive is able to think about it, because he's frozen in time; it's like the Universe is correcting itself (I WILL GET BACK TO THIS). The wish of all of Vaugarde to defeat the King is fulfilled, since he is no longer a threat, and Siffrin's wish wraps itself up soon after.

MY POINT BEING. The King's attack is a vision of the future. This "future" is of the Island, in some uncorrupted state. The saviors see it when he attacks them, and he sees it when it is deflected back to him.

The logical next question is "okay, so the Island exists in the future, but how do you know time shenanigans are even related to the Island?"

Recall a very odd series of interactions throughout the game, in which you try to interact with a piece of equipment that you already own.

The game rewinds slightly, before the item disappears, as the Universe corrects itself.

This is awfully similar to two particular events: looping back without seeing the death screen, and talking to the Daydreaming One about her sister. The latter is more interesting to me for the purposes of this theory.

In both instances, something is misaligned within the Universe (an item existing in two places, someone remembering something they're not supposed to) and it is corrected through some sort of rewind. Also compare the dialogue above to when you try to give Mirabelle the Stylish Bow when you already own it.

The world glitches, but Siffrin defuses the situation before the Universe has to intervene. Omitted from the screenshot is the fact that Mirabelle's portraits switch to happy from "catastrophically anxious" with no transition after Siffrin shows her where the bow is. Important to note is that when Mirabelle tries to recall receiving the bow, her head hurts, much like how trying to break the Island wish causes a headache.

The Universe leads you away from perception, and you can only follow.

My theory that I keep circling around is that through Wish Craft, the Island has been displaced temporally. The denizens of the Island, as well as the Island itself, still exist, but they are in the future. The Island is still loaded into the world, like how equipment is before you try to interact with it, and the Island cannot leave this quantum state, because it never actually went anywhere. The magnitude of the redaction event is so severe with the Island, because it is so much larger as an entity than a sword or a bow. There are of course things I don't really have pieced together, like why somebody would wish the Island into the future, how far into the future it is, or why equipment behaves this way. But it's the only Island theory I've seen that I have some level of confidence in, so I might as well lay out my cards for it.

[tapeworrmart]

Snake bite