#i'm not talking about anyone specific but i just feel like it is a trend with bigger “aesthetic” blogs and weirdly those who preach a

[imadeoutwithmikeywayonwarpedtour]

i do side eye ppl who haven't reblogged a single fundraiser but do put stupid vague shit on their blog so they won't get called a zionist

[hotvintagepoll]

Vintage movie recommendations for getting through these dark times? 🙏 Looking specifically for anything joyous, especially if it's queer/progressive for its time. Thanks!!

ooh ok! that's a big ask, because queer/progressive doesn't always show in the ways we expect in older movies. still, joyous i can do, and as poly as I can I'll try for:

the talk of the town (you knew i would say this). jean arthur, cary grant, ronald colman are all tangled up in all sorts of ways, legally but also including in each other's pajamas. it's free on youtube and tubi last time i checked!

singin' in the rain (you also knew i would say this). cosmo brown, weird little third wheeling queerplatonic ideal that you are. gene kelly, debbie reynolds, and donald o'connor have fire chemistry and all three of their characters love the other ones so truly and with such joy they break all of hollywood with the power of song. (it is gorgeous and sublime that the story is built so only these three ever actually engage with the musical format—the format that is, in universe, the way of the future—structurally equating music and musicals with love. no one else gets a song or a villain number or a little ditty that's not a literal musical number. only these three break the story and heal it at the same time.)

the adventures of robin hood—i swear to god will scarlett is good for nothing else besides being robin's hot little friend. will alone makes this movie queer for me. also, watching a movie about a socialist uprising against a cruel and unjust government sure feels apt! for no particular reason! (this one is also on tubi.)

the philadelphia story—jimmy katharine and cary are absolutely a threesome in this movie and it's a crime they didn't just make more of this movie, again and again, forever. is there a plot? they're all by a swimming pool, it's hot, there's champagne. what else do you need for a film. oh yeah there's some discussion of autonomy and women's rights and wealth and class and marriage, some of which i disagree with, but i think mostly it's katharine hepburn in an evening gown and jimmy stewart in a white terry cloth robe and cary grant standing there not minding in the least. (content warning: there is one instance of a racial slur [not directed at anyone but still there], and one shove. also on tubi.)

the lady vanishes—i love this movie, so much, couldn't tell you why (i can: michael redgrave is here being hot). there are two bit characters who read as queer coded (they are also obsessed with cricket and are mocked for being english by the narrative, which is nice), and there's a weird plucky joy in michael redgrave's performance that feels like a departure from your usual Solid Very Serious Male Heroic Main Character. this movie does trend mildly xenophobic in a very England-in-the-30s type of way—there are shady "foreign" characters and other batshit stereotypes—but nothing I think that would cause direct offense. (let me know if I'm wrong on this though and I'll tag accordingly). this one is free anywhere and can be watched on youtube.

the wizard of oz—i know you've probably seen this before but it's worth seeing again. yes you're allowed to cry at the end i always do

[transmascaraa]

Hi!!! Im not used to requesting but i just thought of this, could you write a scenario where the reader, does the trend where you pretend to pet a dog/cat like you drag your hand over there head like your about to pet them, but you dont? and they lean into it and dont understand what your doing? i hope you get what i mean!! sorry if i was unclear... 💗💗

(with gorou, itto, lyney, tighnari, maybe neuvilette or zhongli?? and anyone else you want)

multiple characters headcannons!

not petting them.

characters: lyney, gorou, itto, tighnari, neuvillette, zhongli x gn!reader

author's note: ofcccc i think that's a really cute idea!! especially with the specific characters you requested lol hope you enjoy

♡ Lyney

-it is pure evil doing this to him

-you slide your hand over his head and just keep it there.

-he leans into it confusedly.

-"what are you doing?" with his pully dog eyes.

-"nothing, why?" you boldly reply.

-he thought you were about to let him.

-so he just stops leaning into your hand and does the same to you, keeping his hand over your head like that.

-"what?" you ask him.

-"how does it feel to not be petted properly?"

-you just put his hand back down and kiss him on the cheek, telling him it's a prank.

-he just goes red for the rest of the day.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

✿⁠ Gorou

-also pure evil that you're doing this to an actual dog(i would too)

-so just randomly in the day, you come to him, who is in the living room on the couch.

-"need anything?" he asks.

-"no." and that's when you looked as if you were gonna pet him, but you didn't.

-after a few seconds of just staring at eachother while he leans his head into your hand, his tail wagging slowly— he questions you:

-"hm? you can pet me, i don't bite, do i?"

-"nope, wasn't even planning to." and you put your hand back down.

-"you're really mean, y'know?" he says irritatedly.

-"mhm." and you pat him on the head just then.

-he might be a bit sassy throughout the day but not like it bothers you lol

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

⑅ Itto

-never written for this guy yet but ok i hope he doesn't turn out ooc or smthn

-so, you go up to him once, talk a bit.

-js everyday talk as if you're not planning to do this to him rn

-and you finally do it, leaving your hand above his head, only brushing against his horns faintly.

-he leans into it, confused about what the hell you're doing.

-"what's that supposed to mean? are you trying to trick ME? the ONE and ONI itto?"

-"no, i didn't want to pet you."

-"liar, liar, pants on fire. i've already seen that trend!" so he did the same to you, trying to mock you.

-"it wasn't the trend-" you try justifying yourself but he cuts you off—

-"then what, you just randomly float your hand above my head? what's that supposed to be? a ufo? i don't think so!!" sassy idiot.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

✷ Tighnari

-he doesn't keep up with the trends at all so you're kinda safe with doing it to him

-so you do it while he's researching something

-some plant idk

-and you come to his room all of a sudden.

-"what do you want? i'm a bit busy now...." he says while giving you a slight smile from his desk.

-"nothing at all, don't worry." so you come up to him and drag your hand over his head, him thinking you'd pet him for being hardworking.

-"why don't you pet me, hm? something wrong?" he's so fucking confused

-"nope, everything's fine." you can't stand to see him so needy of you petting him so you actually pet him.

-"thank you. now go, i hope it's not another trend you're doing."

-"well........... about that—"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

☆ Neuvillette

-he'd be the most confused out of all these guys(excluding itto)

-he was working on some papers with you near him, as you usually do.

-sharing a few words here and there, and then you just act as if you'd pet him (which you ofc don't do)

-"hm? love? what are you doing?" he raises his head from his papers and looks at you instead.

-"nothing."

-"you can pet me if you want?.." he slowly takes your hand himself and puts it on his head.

-so now you just keep you hand still on his head.

-"my dear, what are you doing?" he doesn't understand a single thing happening.

-you just shrugged as he then continued doing his paperwork.

-that's when you decided to just pet him as you wanted to at the start, seeing him smile at you from the side.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

✧ Zhongli

-ehh so i feel like he would know about trends but never expect you to do one of them to him personally

-and you basically decide to take action mid-talk with him.

-"yes, and i've also heard about- what are you doing?" he gets cut off by your hand above his head.

-"nothing, you can continue." you reply innocently.

-"uhm.. okay? so as i was saying, recently, i've heard about how furina is doing currently in fontaine, and i can say i'm very impressed, she has- why are you laughing?" he asks with a confused smile on his face.

-you continue laughing for a bit longer until you actually pet him.

-"it was a prank-" you can't continue due to laughing at him.

-he's confused but also smiling at the same time.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

i hope nothing was too ooc

this was fun

hope you liked it :p

| @mischievouseal | @mariaace <3

[kaciidubs]

hey kacii boo 💞 i have a request if that’s okay?

hear me out ☝️

a/b/o OT8 skz x omega reader and reader finds out she is pregnant? the boys start noticing her acting different and she accidentally leaves a pregnancy test on the counter, causing the boys to see. When she gets home, the boys sit her down and talk to her about it ending in group cuddles from the boys 🫶🏻

I'm in love with this, truly! ❣ Word Count: 1.9k [I did not mean to type that much] ❣ Warnings: A/B/O Poly! SKZ x Omega! Reader, pregnancy, angst if you squint, mention of birth control, fluff, comfort ❣ Additional Tags: Mentions of Chris being an alpha, Felix, Jisung and Hyunjin being omegas as the only specific pack roles, no clear mated pairings within the pack but it's sort of Chris x Reader centered toward the end

It would begin with the most intuitive of the pack members noticing your extremely slight deviation from your usual routines - Felix.

He was a fellow omega, like Jisung and Hyunjin, but he was the most aware of everyone's trends and habits; which meant it was immediately apparent to him that something was wrong when you start doing small things like wearing pajama pants around the house as opposed to your favorite, work out pajama shorts.

Eventually, the small things he noticed began to grow into big things that the rest of his pack mates would catch onto, such as the way you turned away your favorite snacks when Changbin offered them, or the way you couldn't seem to stand the smell of Seungmin's shampoo though you spent countless nights washing his hair with the same product before. There was even one night where you snapped at Jeongin when he tried cuddling up to you when you least expected it, then immediately started crying because you felt bad.

Since that night you'd resorted to staying in the "guest room", which was simply a spare room for anyone who needed their own space for some time - which was highly disliked by each of your pack mates, but they wouldn't take away your decision.

One day, when you were out running a few errands, Minho was the brave soul who would venture into your temporary room to do a bathroom sweep to clean and take out any trash. What he didn't expect, however, was the waft of an overly sweet scent overwhelming his senses the second he opened the door - nor was he expecting to stumble across a plastic pregnancy test on the counter.

When you walked through the front door, reusable bags in hand, you were met with eight pairs of eyes staring at you, freezing you in place as you stared back with worried confusion.

"Um... Hi?"

The mix of scents usually eased you, but with the thick layer of anticipation and worry threaded throughout, you weren't sure what to expect.

"Kitten, can you come sit with us for a minute?" Minho offered softly as Changbin was the first to stand, walking over to take the bags from your hands and bring them to the kitchen for the time being.

Left with no other choice, you walked into the living room and sat in the empty space between Felix and Hyunjin; Jisung sliding onto the floor to rest against your leg while Jeongin and Seungmin settled against the opposite, before Changbin filled the space behind Hyunjin while Minho remained next to Felix.

Easing into the comfortable, impromptu cuddle puddle, you figured the impending discussion was going to be simple until Chris stood before the group - directly in front of you.

"Love... You know you can tell us anything, right?"

You bristled at his cautious tone, though the feeling of Hyunjin's hand grazing against your own eased your guard. "I know I can - what's this about?"

"You've been acting different lately, and at first we just thought it was because of a period, or a new symptom of your heat coming up, but then you started avoiding food and smells, and isolating yourself from us." Chris tried his best to keep his tone level, to keep the authority that swelled within him at a tolerable value, but his unwavering gaze showed all of his emotions. "Then Minho found this-" reaching into his back pocket, he pulled out the same device that had thrown you into a panicked fit, so much so that you had to leave the house for a sudden errand run, "-and it all started to make sense. Why didn't you tell us you were pregnant, love?"

A pang of shame shot through your heart like an arrow, and judging by the disheartened whines from the boys immediately around you, they already felt the shift within you.

"We aren't upset, Jagi," Jisung pouted up at you as he nudged your thigh with his nose, round eyes filled with love.

Hyunjin nodded against your shoulder, bringing your hand up to press a soft kiss to the back, "We're just worried about you, muse."

A shivering breath rattled through you as you blinked back hot tears, looking up at the eldest, the head alpha among your unlikely pack.

"C-Chris, I- I don't-" You sniffled, cursing the tremble in your voice, "I wasn't trying to keep it a secret, I swear - I knew something was different but I didn't want to assume anything until I took the test last night and-" Biting back a sob, you felt a soft touch against your cheek - Minho's hand wiping away a stray tear. "I just... I didn't know how to say it so I went out to clear my head and figure out the words to say to you - to everyone because I- I'm not sure who got me pregnant! I didn't even skip my birth control, for fucks sake!"

This wasn't planned - despite a few discussions here and there about the potential idea of introducing pups in the future, none of you had done the true mating bond to solidify who would be the one to directly grow the pack with you, and the stress of it all had pushed you to isolation without you even realizing until you'd moved yourself to the guest room.

"Bunny, please take a breath for us." Changbin pleaded, leaning over so you could have a clear view of his comforting gaze, "You know none of us would be any type of hurt over who's pup you're carrying, not when it's the miracle of you being the one bearing them. It doesn't matter who did it, we'll figure that out when the time comes, all that matters is you being healthy and cared for - no more isolating."

"Bin's right," Chris piped up once more, drawing all attention to him with ease, "all we want to do is make sure you're okay - no matter how sudden this is, I don't think any of us weren't aware of something like this potentially happening. None of this is anyone's fault, none of ours and none of yours, you hear me?"

Nodding softly, you smiled at the subtle sensation of Seungmin squeezing your calf in a hug of sorts while Jeongin nuzzled against your thigh.

Minho cleared his throat softly, leaning forward to take your free hand within his, "I... I didn't mean to intrude on your privacy, Kitten - I would never look through your things without you knowing, and I'm sorry for not going to you first."

You squeezed his hand, looking at him with warm, glimmering eyes, "It's okay, Min, I know you meant well - I'm not mad at you at all. Honestly, it would've only been a matter of time until someone clocked it was pregnancy, anyways."

"You do have a new smell, Pup." Seungmin muttered from the floor, Jeongin nodding alongside him.

"Felix thought you were falling out of the pack - Chan had to talk him off the ledge," Jisung laughed, earning a few chuckles from Changbin and Hyunjin at the recollection of the memory.

The blond whined, lips pursed into a pout, "I was worried we did something wrong! I'm sorry I'm the only one who thinks of these things!"

Cooing, you nudged the side of your head against his, "It's okay, Lixie, there's no way I'd ever think of leaving any of you, you guys are my home."

He hummed softly, and you could feel the cuddle puddle slowly begin to set in but there was one final thing missing before you could truly feel at ease with the situation.

Untangling yourself from the tangle of bodies and arms, you made your way toward the eldest who was watching the scene with warm eyes and a soft smile - something he'd taken a liking to doing when he thought he wasn't being watched.

Without a moment to spare, you wrapped your arms around his middle, melting into the familiar mahogany and coconut scent as his arms wrapped around you in kind, securing you in a natural protective hold.

"I'm sorry for worrying you, Channie." You murmured into his chest before leaning back to look at him, "And I'm sorry for not saying anything when I first felt off, I genuinely didn't think it could've been this."

"You don't have to apologize, baby, you were only doing what you felt was right at the time." Pausing for a moment, he studied your face slowly, "I know this whole conversation was a lot to throw at you so soon, but I just want to make sure... Are you okay with this? Do you want to have a baby right now?"

You nodded before he could even fully finish his second question, "I'm sure - I know I was scared on how to say it, but I never felt scared about not being able to take care of this baby, not when I have the world's most amazing pack to raise it in."

It was the truth, there wasn't a single doubt within you that made you believe that having a pup would be difficult in the pack - it was a possibility, a thought that had been floated around enough to start considering the full mating process, and now was the time to turn that thought into a processing reality.

A deep rumble vibrated through Chris's chest and he ducked his head in an attempt to hide away from the blush that had already consumed his ears, the sound making you melt against his body and draw the attention of the seven boys watching from their seats.

"Someone's happy to be a dad," Hyunjin teased with a grin, earning a scoff from Minho.

"Who says it's him?"

"I'm just saying it cause of his reaction! Technically we're all dads until she gets a scent tie, so why can't I place my bet now?"

Jisung groaned, "Placing bets on a baby is so inhumane... I bet it's Changbin's."

"What?! Why is my name in this now? What if it's Jeongin's?"

The youngest made a sound that could only be best described as confused shock as his head shot up to look at the man, "Listen, I'd be honored, but I can say for a fact it wasn't me! I'm too young to be a father!"

"That's not what you were saying when-"

Chris cleared his throat with a pointed look, "Okay, how about we not have this debate and go cuddle and think about dinner, yeah?"

With that, the mini crowd dispersed in a jumble of comments, heading down the hall toward his room since - in an ironic retrospect - that's where the biggest bed was put.

As the living room grew quieter, he looked at you with warm eyes, "I have a feeling it's mine."

You laughed in shock, hitting his chest lightly, "What happened to 'let's not have this debate', Mr. Bang?"

"It's not a debate! It's just a... speculation, a theory, if you will." He murmured softly, leaning down to press his lips to yours in a quick kiss. "Now come on, the last time that combination went into my room, they turned my bed into a wrestling ring and I just found a replacement for my lamp online."

Letting him lead you down the hall, a soft smile settled onto your lips as your free hand came to subconsciously rest over your stomach - the pride of the new life growing within you and the one changing before your eyes filling you with a new sense of optimism and anticipation.

[unedited]

[oldmanjenkins985]

So, I wanted to talk about something since MD Twitter in particular seems to be having some issues with a current trend in the MD fandom. That being the Panic AU by @candyasbestos (apologies in advance for the ping, just felt like maybe you'd wanna see this)

So I'd like to start right off the bat by saying anyone who is uncomfortable with this AU is completely reasonable for being that way. It's more so that uncomfortableness leading to disdain for the AU that I wanna talk about.

So, I'm a horror fan. I watch plenty of things on horror movies and play plenty of horror games. And what exactly does horror media try and do? Make the player horrified and uncomfortable. Seeing grotesque imagery which may make you wanna vomit. One of the games that comes to mind for something that's definitely meant to make people uncomfortable and not just scared is Fear & Hunger. It's a game with incredibly uncomfortable imagery, sometimes due to gore and other times due to sexual themes. And it's perfectly reasonable for that to turn people off, yet I've never seen anyone have the kind of reaction to stuff like that compared to the reactions some people have had to the Panic AU

And that's the thing with the Panic AU, it makes *N* uncomfortable. Uncomfortable with himself due to Nyx's influence on him. That is the entire point of the AU it seems. And Nyx himself seems to be some kind of representation of mental illness (pretty standard horror trope, I know). I'm not an expert in the subject despite dealing with it quite a bit so I won't name any specific mental illnesses it could be, but it's clear to me Nyx is some kind of urge of N's.

I've made plenty of characters like Nyx for my original works that are also meant to be representations of mental illness. Voices that whisper to you to do terrible things, creatures that make you feel worthless and shut down, etc. I make these not only because I find them scary but also as reflections of my own experience with mental illness. And it's that first point again that makes me question people's reactions to it.

People have said "It's grossly out of character for N" and stuff like that which...honestly that makes me think they only saw the initial wave of art and don't really know how N feels about the whole situation. But the other thing is that so many AUs have intentionally mischaracterized N because of what the AU is. And I'm not talking just swap AUs, I've seen plenty where N's character is wildly different because of the circumstances of the AU. And I see the Panic AU no different.

I also saw another comment of someone saying "We shouldn't normalize behavior like this" and again, I question whether the person has actually researched the thing they're talking about. Nyx, the thing that makes everyone uncomfortable, is very clearly the *villain* of the AU. He killed Uzi, he wants N to kill Thad, he's a horrid little creature. Are villains not meant to do things we disdain? Murder, torture, etc. It's prefectly understandable these things would make people uncomfortable, but isn't that what many villains do? There's plenty of media with torture scenes in them which make people uncomfortable, but that's the point! Hell, some kid shows have torture scenes. What about the Lich's design from Adventure Time? He's a rotting corpse! In a kid show! His design is clearly meant to make the viewer uncomfortable.

So again, while I don't think anyone is in the wrong for being uncomfortable due to the AU, I think many of the criticisms are unfair. A piece of media which is specifically designed to make people uncomfortable should not be criticized for that very reason. Avoid it all you want, that's completely reasonable! Never feel like your reasons for being uncomfortable are unwarrented. But I'm just saying that if you were to critique Silent Hill because it's themes of mental illness and character depictions made you uncomfortable, and that was a *negative*, it just seems a little weird to me.

This is all just my opinion, obviously I'm not THE definitive person on the matter. And I'm not saying anyone who has the AU blocked or anything should check it out. I'm just saying, many people seem to be judging it unfairly.

[fairestwriting]

*KICKS YOUR DOOR DOWN*

IT'S 8 AM AND I HAVENT SLEPT. I FOUND THE WORD DOCUMENT SO HERE HAVE THE FIRST ONE IT'S THE SIMPLEST ONE I'VE GOT I'M GOING TO BED

Maybe Vil finding out MC is basically his equal in their world? A famous actor/actress, model, makeup artist, etc? Maybe they're super casual in this world so it's not obvious until it gets bright up what they did in their world?

MAYBE i am really simple maybe i will see a vil request and black out and go crazy.......anon please go to bed at regular times (<- guy who does not do this either)

Vil Schoenheit

He's not completely clueless, he does put in the effort to keep up with trends after all-- But it's exactly because of this that he ends up not really recognizing you.

The entertainment industry has no shortage of people, and in the end, Vil is still only human, no matter how much of an eye for detail he has. It's hard to remember other artists' names.

He does get a feeling that he might have seen you before, but he can't really figure out where. It sort of gets on his nerves for a bit. If you pay attention you can catch on to this hint of odd curiosity every time you talk to each other.

There's no way he misses your charisma, either. Still assuming you're not in the position you actually are, Vil is genuinely surprised at how good you are at dealing with people. Even when you seem tired or out of it, you still keep a smile on your face and a pleasant tone to your voice.

Of course, though, he'll still be stern sometimes, even as you grow closer. Maybe he ends up even being a little bit harsher than usual because he sees all that potential in you. At the same time, though, he's a lot more gentle outside of things like school projects. If you show that you know a thing or two about fashion or performing, he's absolutely willing to discuss.

Then, he eventually finds out. Maybe he stumbles upon one of your posts in social media. Maybe you straight up run into each other when he's doing a photoshoot. Later he'll think he should have seen this coming, but in the moment, you're getting the privilege of being one of the few people who really shocked this man.

He'll keep it together if you're both in public, but the second you're not, he's kind of a mess? He doesn't want it to show, but obviously now there's this whole new concern about your relationship hurting his or your career, and wondering if anyone's seen you two together already, and just how the hell did you fly under the radar for so long, he's not mad, he just really needs to know--

Of course, you talk, calm down, and it works out. And deep down, he's happy about being with someone who can really understand the specific struggles he goes through, besides being able to trade work tips and share stories. It feels comfortable.

Honestly though? He's not getting over how you just did that. He's too proud to say it, but he's forever baffled at how insanely good you are at blending. Sometimes you catch him staring. Mostly it's just out of fondness. Other times he's trying to figure out how to pull off your totally-not-a-celebrity aura so he can go to the mall in peace.

if you wanna support my work, you can buy me a ko-fi or commission me!

[neon--nightmare]

I've been looking back at your rambles about Fresh again and I wanted to ask for if you have any thoughts about 2.0 and esp about the like, if the threat of potential replacement was real even if 2.0 didn't understand how it worked- because I don't think that realistically "we" the people watching would replace Fresh for having feelings, but I do sometimes wonder if maybe you could interpret future versions of Fresh as... Who knows, maybe 2.0 DID win. Maybe even he was replaced eventually too

OHHH ANON I HAVE SO MANY THOUGHTS ON THIS I HAVE TO CHOP MY REPLY UP INTO TWO POSTS. YOUR BRAIN IS MASSIVE (ALSO AAHH IT MEANS THE WORLD TO ME THAT PPL LIKE MY ANALYSIS!!! i love these goobers and their dynamic i need to share them with the world <3)

dude something so genuinely. interestin to me about the idea of 2.0 replacing fresh? nobody else in the multiverse would ever know. he acts the same, looks the same, talks the same, and since he was watchin 1.0 the whole time with the higher ups? he could easily fake having all of fresh’s memories without even breakin a sweat!

it’s never been specified if any other outcodes know about fresh’s whole thing, whether the higher-ups and general ‘creators’ are different in the context of the story or if it’s all just us, and since fresh keeps every single thing, every single ‘vulnerability’ and all facts abt his life that aren’t SICKNASTY COOL RADICAL SWAGGY!!! insanely close to his chest (except for one scenario we know of, pacifrisk + possibly some of those at loveball i don’t have the full logs </3) (p.s. 2.0 called pacifrisk 1.0’s sibling in a mocking way AND IT MAKES ME WAUH :( they were like siblings,,) nobody would just. ever know, unless 2.0 told them directly.

bc 2.0 is such a good actor, it’d take someone intimately familiar and close with 1.0 to spot any of the minuscule differences or cracks in his facade that couldn’t just be chalked up to.. fresh bein fresh, unpredictable and WACKY and weird and ever-changing (tho he’s actually way more predictable than he thinks, when emotions aren’t involved) and that thought makes me CRAZY.

1.0’s worst fears coming true and he takes it all to his grave to be replaced by one of only ones he could truly hate with his limited emotions, a copy of himself. and so the snake eats its own tail and the cycle continues, repeating on and on and on, fresh 3.0, fresh 4.0, the same song and dance of fixing the mistakes of the last before succumbing, messing up in one way or another. 5.0, 6.0, 7.0, 8.0, the metaphorical blood of their predecessors marking every step they take, forced to follow the steps to the letter. be more brutal, more funny, corrupt worlds faster and faster, never, ever stop to rest, or you’ll end up like those before you, waiting for the next wearing your face and name. knowing the limits more than anyone, their gods demanding perfection, no more, no less.

until the last higher-ups get bored, or decide to move onto something, someone new. no peace, no ‘justice,’ no mercy. and so it goes, and so it goes.

anyways since fresh 1.0 has 1990s furbies fresh 2.0 should have a 2006 purple funky furby he takes everywhere especially since the funky furby has a semi similar level of ridiculous rarity that fresh 1.0’s signature kid cuisine furby has IN THIS ESSAY,

(fresh 2.0 2005 furby manifesto under the cut! I'M DOIN IT!! and then it got very sad for him because i got carried away AGAIN uh oh,)

look at this little guy this is 2.0 all over!!!

also the 2005 furbies being made to replace the 1990s furbies once their sales were waning and keep up on current trends (specifically furreal friends at the time!) only to be discontinued and scrapped only a year or two into production.. and most people nowadays remember and love the first though technically less 'advanced' version of the furbies. while 2005s tend to be overlooked by the public at large as just a cliffnote. the metaphors write themselves bro!!!

they're also generally a lot more fragile (mostly based on my little black and white fellow from personal experience) than the original older furbies! their beaks are covered with rubber that degrades and rips very easily over time vs the original yellow plastic beaks, and they can move and stomp their feet vs the nonmoving fabric paws but those also have a tendency to break off! my 2005 boy is missin one of his feet and his beak rubber is gone but i love him..... his name is gizmo (because i was obsessed with both furbies and Gremlins (1984) as a kid) but ANYWAYS,

THE IDEA OF 2.0 actually breakin way more quickly than fresh 1.0 is smth i literally didn't think about until right this second but oh my god that's so compelling to me. idea - he thought he was better, immune to making the same mistakes, tying his self-worth to being BETTER than his predecessor - but when he crashes hard, he absolutely panics. he knows what he has to do, he knows he has to fix himself as fast as possible, he knows his deadline is coming soon and he's going to meet the same fate as the version of himself he gleefully replaced.

but his anxiety and frantic tries to prove he's still useful only make the fact that he's falling apart all the more obvious!! while he tries to push himself harder and harder! while in the weird limbo of refusing to admit to himself how bad his emotions and emotional spiral is becoming, because acknowledging it would open the floodgates and he'd break down completely - plus, look at what happened to 1.0 when he admitted his weakness! but on the other hand, he's struggling for his life to keep going on as if everything is fine in the face of absolute overwhelming terror, sadness felt for the first time, misery, unable to concentrate as his mind is rebelling against him, slipping up and tripping over his words as he tries to put up the image of the perfect parasite he was made to be.

look, see, he's trying! he's fixing it, he's going to make it better! just give him a little more time, please, just a little longer! he can fix it, he can fix himself, he's different, he can fix all the problems he's caused, he just needs a little more time.

should he run? can he ever escape from his creators, those fickle things practically his gods? where in the multiverse can he go that he wouldn't find himself? who would take him in? 2.0 cries for the first time, that day, and it sinks in that there's truly no going back.

some nights, jolting awake, chest heaving, 2.0 swears he can hear the echos of 1.0 laughing at him. fresh was right, after all. 2.0 really wasn't any better than him.

[linkspooky]

Okay, so I received an ask in response to an MHA critical post I received last night that I originally responded to, but then decided to delete the ask and the original post because I didn't want to get into an argument.

However, I feel like I should address one of their complaints about a post I made last night. That I was being too dismissive on the cultural reasons for some of the writing choices Horikoshi made because I am obviously not a part of the culture that Horikoshi grew up in and is commenting on in his piece of work.

I tried not to dismiss the cultural reasons entirely in the post though, I just said I don't think you can entirely blame Hori's writing choices on them. My cited example was there are other shonen jump mangas that don't go out of their way to gruesomely kill their villains (which is what I'm taking fault with.) I understand that the death penalty is a common response to murder in japan, but within the realm of fiction of shonen manga doesn't have a trend of killing all their villains.

But yeah, that might have been a shallow argument.

So there are different lenses of fiction you can criticize Horikoshi's writing on, because every piece of fiction is in fact influenced by the culture it's in, as well as obviously the author's personal life and unconscious biases but that's not all. There's also genre to consider, and influences / inspiration the author might have taken from other works.

For example, there is also genre in particular MHA is written as a response / commentary to both western comics and classic shonen jump manga. Horikoshi said in an interview:

“Probably have to be Goku and Spiderman. To me, when mentioning heroes, these two are the ones that I think of. In Goku’s case, it’s the reassurance that everything is going to be fine he brings when arriving.” 

There are multiple critical analysis lenses that you can analyze a story from. If you're talking about MHA from a feminist lens then you're likely to stick to topics relevant to that, like say japanese feminist movements. If you're talking from the sociopolitical angle then it's relevant to discuss collectivism, and especially how it inspired the Todoroki Family. However, my intent wasn't to dismiss sociopolitical reasons as why Horikoshi chose to write the story this way, but to say it's not the only reason that informs Hori's storytelling choices. MHA isn't just one thing it's multiple thing, me deliberately choosing to talk about MHA as a response to both eastern shonen manga and western comics is a valid critical lens to apply to the manga. You can talk about both obviously, but that was a pretty short post. Perhaps I didn't word my post the best but please try to be understanding that I can't make a post covering all of my bases on leaks night.

For a manga where Horikoshi cited his concept of heroism comes from Goku and Spiderman, they both don't kill their villains, Goku specifically let Vegeta live so if those are his inspirations the choice to kill every villain is weird to say the least.

I can make the argument that MHA fails as any kind of meaningful commentary on comics in general because it doesn't seem to understand the comics it is taking inspiration from. The X-Men are the underdogs in their story, not members of the privileged class they are the outcasts. Batman doesn't kill people because he believes that most of his mentally ill victims turned villains deserve a second chance and he can't dictate who deserves recovery and who doesn't.

If anyone reading this post is curious, here are posts by @siflshonen that discuss both the manga influences and comic infleunces easter and western infleunces on MHA, and also the cultural ones. They are also really long posts because those topics require a great length to discuss critically. This one is about MHA's manga DNA in regards to Bakugo's character, and specifically references Yu-Gi-Oh and Kaiba's character as well as Jonouchi as response for Bakugo's development arc from bully to best friend. This one discusses more about the nuances of collectivism. This one is in reference to the Todoroki family, it discusses both collectivism / japanese family roles / honnae and tatamae concepts that the Todofam is critiqueig, and also how Enji is inspired by eastern ideas of heroes while All Might is inspired by western ones. (Therefore it's not a wrong critical lens to compare MHA to other shonen manga and western comics because that is literally what the manga is taking inspiration from and commenting on).

Here's a powerpoint presentation by @sans-san that discussed Hegemonic Masculinity in Tokyo Ghoul in terms of work culture and how the CCG is inspired by that, which I think also applies to Enji's character as well.

This post by @bnhaobservation spoke about how the Todorokis decision for not disavowing or abandoning Toya after he was sentenced to life in prison would still be a progressive ending to the TODOFAM arc, and while I still wouldn't have been satisfied by that ending I'd at least be able to accept it. That is however, not what we got, we got Toya dying a slow agonizing death while hooked up to life support. So we could have still gotten a slightly softer ending where Toya's at least allowed to live that would have still been in line with the values of the culture that produced MHA.

This post by @bnhaobservation also talks about how the Todofam plotline can still be seen as progressive in some ways in regards to his criticism of Enji's parenting, because of certain outdated attitudes of parenting that still exist about Enji pushing Shoto to his absolute limits.

However, I don't want to debate the person who sent the ask, I just wanted to clarify I'm not trying to make a reductive statement that sociopolitical circumstances have nothing to do with Hori's writing choices, but that you can also analyze it from a lens of genre, commentary on comics and shonen manga, and also the predecessors he's taking inspiration from. All of these things have an inspiration on Hori's storytelling choices.

Since I'd rather not debate, now that I've gotten clarifying things out of the way I'm actually going to use this post as a book reccommendation.

Here's Shigaraki with Underground, one of my favorite books. It is a non-fiction work from famed fiction author Haruki Murakami about the Saren Gas attacks.

On a clear spring day in 1995 five members of a religious cult unleashed poison gas in the Tokyo Subway system. In an attempt to discover why, Haruki Murakami talks to the people who lived through the catasrophe and lays bare the Japanese Psyche.

For those who are unaware the Saren Gas attacks were a terrorist attack where members of the Aum Shirikyo cult released saren gas in the public subway system. It is the biggest japanese terrorist attack in modern japanese history and at the time and even the modern day it was a great shock to them as a whole.

The book consists of several interviews with the victims of the attack, and they are incredibly harrowing to read I remember crying while reading this book multiple times. However, at the end of the book after giving considerable time to let the victims share their stories Haruki Murakami also devotes space in the book to interviewing former members of the Aum Shirikyo cult.

Haruki clarifies his intent in his decision to include testimonial from the cult in the afterword of the novel. "As I worked on this book I attended several of the trials of the defendants of the Tokyo Gas attack. I wanted to see and hear those people with my own eyes ad ears, in order to come to some understanding of who they were. I also wanted to know what they were thinking now. What I found there was a dismal, gloomy, hopeless scene. The court was like a room with no exit. There must have been a way out in the beginning, but now it had become a nightmarish chamber from which there was no escape. [...] To all of them I posed the same question, that is, whether they regretted having joined Aum. Almost everyone answered: "No, I have no regrets. I don't think those years are wasted" Why is that? THe answer is simple - because in Aum they found a purity of purpose theycould not find in ordinary society. Even if in the end it became something monstrous, the radiant, warm memory of the peace they originally found remains inside them and nothing else can replace it. [...] However, as I went through the process of interviewing these Aum members and former members, one thing I felt quite strongly was that it was't spite of being part of the elite that they went in that direction, but because they were a part of the elite. [...] However, we need tor ealize that most of the people who join cults are not abnormal; they're not disadvantaged; they're not eccentrics. They are people who live average lives (and nmaybe from the outside, more than average lives), who live in my neighborhood and yours.

Haruki interviews members of Aum Shirikiyo because he wants to make the point that the people in these cult aren't from a dangerous fringe element of japanese society, but rather they are normal people, some of them even highly educated. The capacity to commit those crimes exists in normal people, and also the capacity to fall victim to a cult.

The Ikuhara anime Mawaru Penguindrum is heavily inspired by both the Saren Gas attacks and the questions that Haruki Murakami asked in the Underground. Fully covered here in this article: Exploring Mawaru Penguindrum 2011 from a historical, cultural and literary perspective here.

Underground was Murakami’s attempt to interview survivors of the Sarin Subway Attack. Apart from learning the perspectives of ordinary citizens involved in that shocking incident, he also managed to interview several members of Aum Shinrikyo and tried to get their point of view on the matter. (In the Japanese edition of the book, the interview with the cult members were published in a separate book, titled The Place that was Promised.) It was an important piece of journalistic work that criticized the public’s attitude of questioning what happened, instead of asking the proper question of why it had happened. In the anime, viewers knew that an event took place in 1995 that affected all the characters, but what exactly was the event about? Why did the people do that? What social factors attributed to the occurrence of such event? These are the questions that Mawaru Penguindrum asked, and one that we were left to ponder on.

Ikuhara and Murakami both exist in the same culture as Horikoshi, Haruki is an incredibly prolific japanese author and he was born in 1945 but both of them are able to ask more meaningful questions about the society they live in then Horikoshi accomplishes with the league of villains and the todoroki family. Haruki Murakami emphasizes the humanity of the aum shirikyo members and that they are not lunatic fringe members, and Mawaru Penguindrum is about the extreme social pressures that people especially children can be a victim of.

Literature is influenced by the culture it takes place in, but it's also a response to that influence and the piece of art that Horikoshi wrote just isn't as thoughtful of a response than what was written by both Ikuhara and Murakami.

More book recommendations if you're interested. The Setting Sun, by Osamu Dazai. Pachinko by Min Jin Lee. How do you Live? by Genzaburo Yoshino. In the Miso Soup by Ryo Murakami. People who Eat Darkness by Richard Lloyd Perry. Night on the Galactic Railroad by Kenji Miyazawa (I'd argue this is an example of good collectivism). The Memory Police by Yuko Ogawa. Out by Natsuo Kirino. There was a couple more I wanted to include but they had cannibalism in them so I thought it better not to reccommend them.

[velvetvexations]

I'm a perisex altersex/salmacian person (i specifically desire some form of cosexual/bisex genitalia) and I'm highly disturbed at the trend of people online insisting it's ok to "identify" as intersex, or to say you "wish to become intersex". and also the labelling of characters with cosexual genitalia (or even just men with vulvas and women with penises...) in porn as "intersex", or even worse, the H-slur.

anyone, be they intersex or perisex straight or gay trans or cis or whatever else, can identify as altersex. being altersex can present in so many different ways. it's a really really broad label to describe so many different experiences (i could talk about my specific "goals" all day, lol).

Why do these people insist on belittling and disrespecting intersex people by claiming to be "intersex" when they're not? claiming they're allowed to "reclaim" the H-slur based on their dysphoria?? i feel like it's common sense NOT to do that...especially when we've had ALTER-pun intended-NATIVE labels for almost a decade.

anyway, not entirely certain why I'm sending this to you, I guess I just knew you and velvet nation wouldnt be assholes about this.

I'm always happy to provide a space for venting, anon. <3

[pseudophan]

may I ask for research assistance on a fic via your ask box? I'm writing a fic where Phil has a few dreams (three to be precise), and I need to know if he's talked in general about the kinds of dreams (any trends, motifs, ways of dreaming) he has - in a video, live show, anything. Please nora and devout followers of nora, do you know? signed, common phannie scholar

ooooh surely someone out there is a dan and phil dreams expert, anyone?

personally i'm like pretty sure he's at least mentioned dreams before but i couldn't tell you any specifics, i just feel like that's the kind of thing some people would remember cause ik a lot of you love analysing dreams

[jmdbjk]

Cultural reset...

These are just my own opinions and I think it's time I address this.

I had to google "cultural reset" to make sure I was using the term properly. New Google AI Overview says:

A cultural reset is when something significant in popular culture changes or is added, causing people to change the way they view things or to have a lot of people hop on the trend. For example, in K-pop, a cultural reset is a song that is very influential, usually one that gets pretty popular and many people love. It has a lot of influence over the K-pop fandom, and gets a lot of attention.

I did not ask Google AI Overview to specifically give me an example in K-pop. That's just my browsing history telling Google AI Overview that this bitch is obsessed... scary right?

(But I'm a little miffed that Google AI Overview generalized my BTS browsing history as K-pop because I don't look at or search up other K-pop artists. I am BTS only.)

Anyway, thank you Google AI Overview. Actually, I was more interested in styling concepts that are a cultural reset.

Let's stop stalling and just get into it.

I know none of us knew what to do with this Jimin when the photo folios dropped:

Definitely a cultural reset in my opinion.

We had never seen a Jimin like that before. Only in our fanfic-AI generated images imaginations had we ever thought...I don't think AI images was even a thing when this Jimin dropped on us.

Does anyone else have the urge to smooth the wrinkles and creases out of those pants for him? No? Just me? Ok.

Photo folio-black lace up leather gloved-patent leather panted-big chain belted-horny mask Jimin was a cultural reset for me and for many of us. The gloves really put it over the top. We'll never go back. He's covered from neck to foot except for a few slivers of skin. It's wild. It's just a smooth arm pit. Ok, before I run off the rails here... what was I saying? Oh yeah.

Also a cultural reset for me:

Every time I see this come up on my Youtube I watch it because it deserves all the views. Even the soundtrack was perfect.

I know Dora-the-Explorer haired Jungkook is not the favorite of some but I absolutely adore it... wait... sorry. There's a word there that I'm striking from my regular vocabulary from now on. Reasons.

This Jungkook was a cultural reset for me. He's never looked like this before and hasn't since in any concept photos. This was brilliant styling, I don't know if it was JK's regular stylist or if a Calvin Klein stylist did it but it was pure art.

He played that camera until the camera wilted, I just know it. I hope he grows his hair out long again when he's back with us.

And no shoulder booboo. I wonder when the shoulder booboo incident happened and I wonder if we'll ever hear the details.

While I'm talking about cultural resets, I have an honorable mention:

Not just this visual but the song too. PJM2 is coming. I feel another cultural reset coming.

Talking to my partner in crime the other day and I think a meeting DID occur where they detailed out a timeline for Project Naked Bangtan. Because they weren't going to go full frontal on us cold turkey. (Somehow all those words together sound hideous but you get my meaning.)

Regardless of Tae and his proclamation that "Chapter 2 isn't about us taking off our shirts" it is about showing a more mature side of themselves which inevitably is going to lead to showing some skin and some cuss words. Little did we know.

I can imagine how it went down in the brainstorm meeting of them trying to come up with content to fill in the time until they are all discharged...on a whiteboard possibly... because some of us are visual learners... someone drew a timeline of nakedness, possibly for each member.

I can hear it now:

RM: "We have to ease them into it. Who's first?"

Jin: "Hyung will do it." LMAO

What's been your Jimin and Jungkook cultural resets?

[rmbunnie]

Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.

It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.

[utilitycaster]

anyway this is obviously a wild shift in the topic of conversation, but I was talking about it in the group chat last night as a distraction and would like to continue the distraction if I am being honest, so, with the caveat that this is based off of Fandom Osmosis Observations and a few reads of reviews and I have at this time played neither of these games, some thoughts about BG3 vs. Veilguard and what I've seen. many thanks to @captainofthetidesbreath for actually knowing things about video games and answering my many questions.

also just putting this up front with all said caveats: if you disagree that is great, I am very open that this is an outside observation and I could be very wrong but I am going to block people who get hostile without warning, and make this nonrebloggable if too many people get hostile. You are always permitted to disagree but like, I don't really care about your opinion if you're not someone with whom I have a pre-existing rapport unless idk you're like, actually a BG3 or Veilguard official story writer who happens to be on Tumblr. If you're a player? You have all of your own biases and they are not mine. Save it for someone who wants to get in a fight about this; I am not that person.

Essentially, what I've seen in terms of criticism from Veilguard that isn't just rampant transphobia comes down to the following:

why am I not playing my previous character from Inquisition again

why am I limited to a fairly consistent through line for the story

But first, I'm going to talk about BG3. What's funny is I seem like a much more obvious candidate for playing BG3, as a longtime D&D player who has come around on Forgotten Realms as a setting. However, while I looked at it for a while, I eventually lost interest for a couple of reasons. One is that apparently all the characters are WAY too eager to romance you which is like, a fun fantasy for 10 minutes but would probably annoy me in the long run. Another is that everyone who watched early reviews and kept abreast with the game told me that there was a clear favorite companion (Astarion) and that many of the characters had most of their interesting flaws sanded down (eg: Wyll was apparently much cockier originally; Shadowheart even more petulant; and as these are perhaps the two characters I was most intrigued by, reducing them to something blander destroyed much of the appeal). But perhaps the most interesting one is that as a boring goodie two shoes sort of person, my thought back when I was like "yeah, perhaps I will play this" was "oh, I do not want to have a murderous urge within me."

It became very apparent, through watching people play through and post on my dash, that if you didn't specifically play as the Dark Urge, and didn't specifically resist that urge, the story didn't really cohere. I have to admit, I know the premise of BG3 very well (tadpoles), and I know a lot of shipping trends (put a pin in that), and I know some of the more obvious points within it (Astarion is a vampire, Gale and Karlach both have bombs in their chests somehow, Shadowheart bleaches her hair) but I don't really have a great sense of the ending, and I did not avoid spoilers.

It feels like BG3 is designed for people who have one of those massive spreadsheets of D&D characters they haven't had a chance to play that are meticulously kept and thoroughly realized...and don't really leave room for modifying to fit the campaign you will actually be playing in. It feels like an OC sandbox simulator unless you do actually pick the choice the writers actually wrote for (Durge), and while it's not technically playersexual...it kinda is. I mean, I am a big fan of the trend in video games towards making it possible to romance anyone because it conjures up the idea of a world of high-powered bisexuals running around, which is very enjoyable for me, but the criticism of the Mary Sue archetype originally was never "how dare you fantasize about being cool." It was "wow, the characterizations are all warped beyond recognition solely so that everyone is in love with this character, and that makes for a dull and unsatisfying story." If you're everyone's type, and it's for romance and not just sheer lust, then either everyone around you is boring and wants the same thing, or you are sort of bland and inoffensive, or else the story is bashing characters together without a good basis for a compelling romance. This is also compounded by the fact that the companions can't get together with each other if you're playing your own character and not an Origins character.

None of this is to say it's bad to like BG3 and again, I didn't play it; but it is why I ultimately said "you know, given the effort involved to play it for me, a person without a gaming system, it's not worth it."

Veilguard has specifically intrigued me for going against a lot of this. You have a lot of choices in your character build, but they're all fairly thematically consistent: you did something within your faction that was well-intentioned but upset higher-ups and so you need to step away for a while. This establishes a personality for you! We know why you're part of a faction but also something of a free agent at the moment. We know why you're here and why you might be a good candidate for the current mission.

I'm not going to go into detail for the choices because while I'm not avoiding spoilers I don't want to spoil a relatively new game for others, but a lot of choices are fairly parallel, not in an "illusion of choice" way - they have consequences - but in terms of hitting similar themes. You can only save one city and both are places you have seen and places your companions have connections to; while the exact details may differ you are telling a consistent story.

I also think the fact that the companions can romance each other in your absence is important too! They exist even when you're not there. They are not just here to woo you, and indeed, they might be a better match for each other. I've been informed this is true in Inquisition as well, and I think it's a much more rich world if you, as the player, as the person who can ultimately decide the fates of your companions, aren't the center of their personal life. I also think it prevents the ability to sand down companions to be more agreeable to you as a player if you have to make an NPC/NPC romance compelling (and I will freely admit that, in a move that is not at all like me, I was pretty well sold by a potential in-game NPC/NPC romance, which is usually not the thing that gets me into works of fiction).

I'm not the right person to speak to the Inquisitor not being a significant character because I did not play DA:I, and I get that 'well, this is a new game with a new protagonist, as there has been for every Dragon Age game' is still not necessarily an adequate explanation. Nor is "hey, maybe it's good to attract new players" even though as someone who is highly attracted as a new player that is my opinion. However, I want to go back to the point about Resist Durge being the strongest option in BG3 in terms of story by a long shot. When I was trying to learn more, I said "ok, so just like how you're Tav in BG3 and Rook in Veilguard, you're Lavellan in Inquisition, right?" and was told that you are not - that's just the elvish Inquisitor option. Obviously this is anecdotal, but the fact that one option was far and away the most popular and thematically resonant is an indication that perhaps bringing forth the Inquisitor is carrying over some of the limitations of that game, whatever they may be. The true argument is "they are trying to tell a specific story here, and it is about a different POV than the one you previously had."

And that's really my point. I know I'm not an expert here - in fact I'm usually quite hesitant to write meta about things in which I'm not highly steeped, and very critical of those people who do - but I think an outsider perspective is useful here. The thing that is drawing me to video games is a new way to experience a fictional narrative (the other game I have been meaning to play - and even own on Steam- is Disco Elysium). That's not what everyone wants! But it is what I want. And so I want to be put into a developed, thoughtful narrative, and I don't mind if my choices are restricted in order to support it, and if I am playing a person I did not entirely choose. In tech, there is a saying of "make it easy to make the right choice (and hard to make the wrong one)" and so if you need your protagonist to hit certain beats, you should make that the required protagonist.

I think a story is stronger if your choices matter but if there is something of a foregone conclusion because it gives the writers thematic throughlines. This might sound a little silly given that this blog is largely dedicated to Actual Play but the thing is, most actual play does have, if not a foregone conclusion, at least a strongly intended conclusion of "work towards uncovering this mystery and achieving this goal", though the success of said goal is not guaranteed. I would argue that when a campaign lacks that, it tends to suffer in all aspects. RPG video games almost always have a foregone conclusion, but that's its own liability. In actual play, lacking a forgone conclusion means you spin off in any direction and it's anyone's guess if it's coherent. In an RPG, having this conclusion but not supporting it through the rest of the game will make it feel contrived. I feel a lot of Veilguard criticism is focusing on small contrivances early on that really mostly matter to a highly specific subset of potential players that prevent much larger and less forgiveable contrivances later on.

Anyway. Again, I am an outsider here, and I'm not here to say that it's bad to have a more open-world, sandboxy game with a self-insert-y OC type; but I have to be honest, I'd rather explore that in a true sandbox of fanfiction or original fiction, which is significantly cheaper and in which I can actually tell the entire story I want to tell. I don't want to be given more choices if a lot of them will be profoundly unsatisfying as a narrative. I don't want to cut through the world like a hot knife through butter. I want to be affected by it, and that's very hard to do with a character whose only trait is "self-insert whom everyone wants to fuck" or "guy that already carries the baggage of years of personal headcanons and highly variable choices that are hard to account for for every single person who ever played the previous game."

[batsplat]

Hi I've been speed running reading though all of your posts on Sete and Valentino and Casey and Valentino and ough you're a godsend and literally your analysis on everything is just so good I've been euphoric for a good hour.

It's just so fun to read through all of these and I really really like that one point you made about Valentino having fun poking at Casey like he was a particularly interesting puzzle because yeah that's the best way I've seen it summarised by anyone plus Sete and Valentino's rivalry is never talked about enough in my opinion but in retrospect I'm also just very obnoxious about the two of them so maybe that's a me thing.

I hope this isn't annoying I'm just freaking out because I'm annoyingly into this stuff and all this analysis on them is like from my dreams wow thank you so much for all the work you've put into this!!!

oh this is so lovely, cheers! extremely not annoying and very much appreciated! interest in proper sete/valentino scholarship in these parts trending healthily, for casey/valentino admittedly still in the absolute gutter - but both of them SO niche that i always get very hype when someone else is enthusiastic about them. and i'm EXTREMELY up for talking about them... yes 2 me valentino having fun poking casey is so key like... he loved having that challenge!! it was a fun challenge for him!! casey's the toughest puzzle he could have been given! people must take the whimsy in the casey/valentino rivalry seriously...

okay so. as evidence of how up for talking about them i am,, i am continuing in a proud tradition of using an ask to discuss something kinda tangentially related. i have been thinking a lot recently about these two rivalries as a set. so,, this did get a little longer than i was intending but well. it is a very nice ask. here goes:

ofc on many levels, these two rivalries are VERY different. sete is unambiguously the rival-valentino-later-feuded-with who valentino pre-feud is closest to, joint holidays and all, whereas casey was always kept at a difference. a big part of the sete rivalry is how sete is framed as somehow 'lesser' and not as worthy a rival, which feeds into how eager valentino is to dismiss him and then erase him - whereas casey obviously gets to be The Most Talented and is a young challenger etc etc so a) is accepted more readily as a rival in public discourse, and b) is accepted more by VALENTINO. because casey challenging him is more flattering to the ego than sete challenging him. so by some metrics they're two of the most different valentino feuds. the vibes, they are very different

bUT i do think there's more to be said about how the two rivalries,, like... interact... firstly because to some extent there's ofc going to be a causational relationship, where how the sete rivalry played out affects how the casey rivalry played out. the casey rivalry follows on from the sete rivalry... casey quite literally takes sete's ducati seat... casey replaces sete as valentino's rival... believers of the 'sete was valentino's coming of age rivalry' thesis would suggest that valentino enforcing a certain amount of distance from virtually the start with casey was informed by his post-sete approach to rivalries. a valiant attempt to try and keep them a bit less messy. which is also sensible.... like personally i've always agreed with valentino on this, it's tough to completely separate your feelings towards someone from a competitive rivalry, it makes sense to kinda hate the person who deprives you of what you want most ESPECIALLY if it helps motivate you to beat them, it makes sense to not be ultra friendly towards your rivals if that doesn't really work for you. the problem is that on the casey end, he comes into this rivalry with SO much baggage in both a general sense (he's been through so much to get to the premier class) and related to valentino specifically (hero worship and how valentino low key represents casey's hopes and dreams for the sport) that this valentino approach very much Did Not Land Well with him. and it's kinda... for one and a half seasons, is valentino really doing anything THAT crazy to casey - that isn't also more or less matched by what casey himself is saying about valentino during the same period...? opinions differ! but, the thing is, valentino was always going to hurt casey. all of valentino's later rivals have all this weird hero worship baggage with him that's kinda disastrous to manage in a competitive rivalry situation... valentino was sort of damned whatever he did on that front, like i'm not saying he was at any point particularly interested in casey's emotional wellbeing but. laguna 2008 only gets worse if valentino is nicer to him before that. except he needs to laguna casey to win the 2008 title, so now what. he worsened that relationship in a way that has a clear competitive logic, but it's also understandable why casey took it so so poorly

and i do think! the fun link between these two rivalries is that at certain points. to some extent. casey gets to slip into the role of what valentino was doing in the sete rivalry. because to valentino, for the duration of their ON-TRACK rivalry, casey's this fun tricky puzzle to solve. and the bitterness and animosity only really comes late on when casey figures out how to properly piss valentino off post-2010. but for CASEY, he's all-in with the emotional investment. he cares SO much. it's his coming of age rivalry in the same way the sete rivalry is for valentino. by 2007, valentino's more or less the finished article. obviously all the later rivalries still affect him, but he's not going through a Character Arc the same way he is in 2003-05 where he's fundamentally a different competitive animal by the end of it when compared to the start. like he's done that already!! whereas casey does it with valentino, where valentino becomes so synonymous with SO many issues casey has with the sport and also manages to spark some specific bizarre neuroses within casey that it's just all... it ends up being So Much for casey. valentino is constantly the frame of reference within the sport to casey, valentino is the one who sparks casey's transformation

and the similarities do go beyond that. like,, valentino does kinda get valentino'd a bit. the turning point of the vale/casey rivalry everyone points to is laguna 2008, casey has HIMSELF called it the turning point of his entire CAREER, he STILL talks about it a lot. but the thing is, right, these two are not feuding immediately after laguna 2008! casey apologises at the next race for being so rude to valentino and saying he'd lost respect and all that stuff. obviously they do to some extent still reference laguna after that point, but it's very sparingly pre-2010 and the relationship only really sours in that mid-2010-11 period. two years later!! and it's just... when you think about how the sete/vale rivalry unfolded and there's this sort of delayed backlash, where valentino's clearly already not happy with the sete rivalry being a thing in 2003 (cf sachsenring) and then there's all these Complaints brewing in 2004 (mugello, assen)... and you've got valentino himself saying that qatar just provided him an 'excuse' not to talk to sete... i'm not saying jerez 2011 fulfils quite the same function for casey/vale because the relationship is already pretty fucked by then, but it is kinda that same vibe. the benefits of biding your time!! casey couldn't really fight valentino back in 2008, he just wasn't ready yet to have that fight, but in 2010 he WAS and valentino had broken his leg and wasn't the undisputed king of the sport anymore. casey was in a stronger position! he was very much in a stronger position by the time 2011 rolls around and he's winning and valentino's not. and he shamelessly takes advantage of that state of affairs to lash out at valentino at pretty much every opportunity - because now he finally can. it's that vibe of... these wounds festering, of them sitting on this grudge and being able to park it for extended periods of time, but it still Being There. and then when the moment arrives, they go for the kill

and it's really that vibe of malice. like i always feel what unites casey and valentino above and beyond any of the other big name riders is how *nasty* they get. not aggressive, not killer instinct, not insane or any other word used to describe some of these riders, but nasty. viciously mean, where they really have this air of maliciousness to them, the ability to twist in the knife. it's not just about winning, it's about making it hurt. valentino is a bit more discriminating in his targets - casey sometimes just says something insanely rude about some rando he's met twice in his life - but they've both got it. and i do think their respective coming of age rivalries helped them... embrace that evil energy. with sete, valentino's whole thing is this marriage of joy and cruelty where he uses his quirky lil post-race celebrations to actively humiliate sete - it's targeted, it's personal, it goes beyond anything valentino had done up until that point. in the biaggi rivalry he's way more reactive, in the sete rivalry he wants to break the other man. with casey... the thing about valentino being Like That is that it gave him this sense of (self) righteousness where he felt that valentino was such a deserving target that he could just completely have at it. free reign. but it's free reign to instincts he already had all along. and in 2011-12, it means that casey can attack valentino all he likes while keeping a pretty friendly relationship with his actual on-track rivals - it's almost like he gets it out of his system

my fave Fun Parallel for the intellectuals - vale/casey vs taking shoulder injuries seriously

(h/t to #1 sete scholar @bikefuckersoftheworldunite for that one valentino line)

'i don't think i hurt his shoulder' vs 'best shoulder doctor in melbourne hospital' like tbf that one did come back round nicely to bite valentino

like they're both assholes!! (casey and valntino, that is.) it's so key that they're both assholes with the potential to be cruel and petty and often lack any sense of what constitutes a proportionate response. gOT to be the starting point for understanding these rivalries. because the malice is such a massive motivation for both of them. which brings us neatly onto the next point - they're both LIARS about this. and they both lie about this in their autobiography specifically. with valentino, it's going from being very clear that he's motivated by his rivalry with other riders and sete specifically to almost entirely erasing sete from his autobiography and talking about HONDA lodging an appeal in qatar (again h/t to bike and specifically this super helpful post)

whereas casey goes from saying in 2012 that "i started to find other reasons to win. i just wanted to beat everyone, just to annoy them" to saying in his autobiography he didn't care who he beat and also that he 'never became obsessed' with his rivals, which is so laughable a statement you barely even know where to start

and in BOTH cases this weird autobiography retconning is an attempt to control the narrative about One Specific Rival!! valentino mostly tries to erase sete entirely, apparently preferring to pretend that whole thing never happened. casey obviously CAN'T do that but he does at times talk down the importance of that rivalry - and more often what he does is talk down the EMOTIONS of it. making it this sort of blandly respectful situation between them before valentino just!! attacked casey!! UNPROVOKED for half a decade straight while casey was simply trying to live his life. but casey never really cared about valentino, he just respected him as a rider! that's the only reason why valentino annoyed him! and it's kinda like. okay but how was laguna 2008 this massive turning point where you were confronted with the darkness of human nature or whatever if you only ~sort of respected~ valentino pre-laguna? but obviously casey is motivated to talk down this whole idolisation dynamic because it's painful... he doesn't want to make it sound like he spent so much time thinking about valentino because it makes him vulnerable... and it's kinda like that for valentino with sete!! where the fact that this guy who wasn't Supposed to be valentino's challenger lived so rent free in his head and had the power to betray him is just,,, so uncomfortable, that he'd really rather pretend it hadn't happened

and the thing is. the thing is! for both of them, it's worked! their preferred narrative of those respective rivalries is low key the most accepted one! sete was never a serious challenger to valentino and can be safely discounted, valentino was just sort of a dick to casey and casey never really liked him. because they're both pretty adept at this! and they also take advantage of existing narratives in The Discourse that worked out in their favour - people were predisposed to dismiss sete, valentino had gotten a reputation for making enemies out of all of his rivals. casey's whole coming of age thing with valentino is that he also has to learn to embrace the dark arts - both on-track aggression and whispering to the media, as he has repeatedly discussed. he learned to use those skills against valentino!! he's the rival who actually stands up to valentino rhetorically and not just on the track, who's willing to go toe to toe with valentino in the press. what casey says about valentino in 2011-12 goes so WILDLY beyond what any other rival has said about valentino, quite frankly in terms of sheer frequency it quite possibly outstrips what valentino has ever done to a rival. they're the two who are most adept at trading blows in the press! where they just have these proxy wars through the media that make you go. wow every single line is a banger here. both quite poor at saying any of that to each other's faces, mind, but that adds to the charm of the rivalry

so yeah... both of these as coming of age rivalries for valentino and casey respectively... both are kinda rivalries that made them WORSE. on some level anyway. valentino gleefully coming up with multiple custom shirts to mock sete versus casey being dragged kicking and screaming to a point where he competently uses the press against valentino. hey, you even get shirt drama in both! aND crew chief drama! they've got it all! idk i just love the vibe that they've both been on a lil corruption arc... ofc the way this works is that valentino low key corrupts himself and then very much helps casey along the way - like i haven't focused on it here but obviously valentino very much gives as good as he gets in the casey rivalry lol. AND they're both obsessed to the point where they're FREAKS about it,, like valentino is SO determined to humiliate sete and casey gets SUCH a kick out of humiliating valentino that it's very... wow you little weirdos... keep going... and they're never ever going to quite move on because they still have to be Weird about the whole thing and stick to their chosen narratives... idk!! i do think these two rivalries are in conversation more than people think. to a point where it also quite helpfully showcases the similarities between valentino and casey when you use the sete rivalry as a comparison. ughhh such top tier rivalries i love them

[ennn]

Hello, I’m a bit late to aaa and I liked your blog because it usually show the better part of the fandom. I’m a believer if you’re having fun and not being a dick you’re doing fandom right and I can’t understand why instead of being happy that your wlw ship is so popular and so many are writing it maybe for the first time, we’re scolding fic authors for their ~troubling trends of fanfic writing and that just means authors aren’t writing their favorite character well enough for them.

Instead of just not reading free stories and moving on if they are not for you, there is a need to bitch about their lack of ~media literacy and ~comprehension skills because they’re writing free stories and making it ‘out of character’ for you. Such a condescending attitude makes this quite the obnoxious and unwelcoming fandom and I’m still not sure why do it beyond making you all feel superior, you know authors you will still write what makes them happy and good for them it’s fanfic except maybe a few more insecure ones might stop, I guess score!?

I honestly don’t remember this attitude for any other ship and please, most fanfic are not that great, the same as most of everything and yes, plenty of fic are origin fic with characters who look like the actors, is everyone here new to fandom?

Okay so it's 545am here and I haven't slept at all (happy 2025 woo) so it may be a bad idea to respond to this but I'll bite.

You are reading too much into my post and treating it like a personal attack when all I did was highlight a few core traits for the character(s) as presented on the show.

Nowhere in that post am I "scolding" fic authors. I specifically said my points applied to people who want to write canon-compliant characters. If you want to write original fic disguised as fanfic, go ahead, I'm not going to call the fanfic police to arrest them.

Think of it this way: Say the grass is green in the canon text and a writer does a story where the grass is yellow. Sure, lots of readers may actually love the yellow grass. I don't care, write stories with grass any colour you want. I actually enjoy some of those myself personally.

BUT if that writer or anyone actually believes that the grass is not-green in the canon text though, then I would have to disagree and I'll damn well do a post talking about it. Does that mean I have an attitude? I guess? But the grass is fucking green in canon.

Also, from what I've observed from the post's tags and comments, so far responses haven't been hateful or mean. There have actually been a few appreciative comments.

So maybe take a moment to consider why you're actually so angry about this, Anon. Are you even in this slice of the fandom because it uh, sounds like you don't even ship the two characters I talk about?

[redbuddi]

Do NOT Read "Lady Crystal is a Man"

People who know me know that I'm a little bit of a webtoon addict. I'm basically always reading a million different fantasy romances, even as someone who is not personally interested in romance in real life. Because of this, I am well aware of the more problematic elements of a lot of webtoons, to the point where it's easier to list webtoons that aren't problematic than to name ones that are. It's unfortunate, but it's a common aspect of webtoon consumption that most people get used to. (Note: When I say webtoons, I am talking about the genre of phone-optimized romance webcomics as a whole, not just things from the WEBTOON app. The series in question is on Tapas.)

Because of that, I will admit it is partially on me for assuming this comic was going to be more progressive than it actually was. People new to webtoons may be fooled, but I should have known better. On top of that, I am well aware that female-oriented romance stories can sometimes be a little toxic, and while this is a problem that needs to be worked on, I also know about what can happen when something meant for teenage girls is criticized. Even when the criticism is in good faith, it can start a trend of bashing anything teenage girls like and shaming them for wanting to explore media that is anything but flawless. I don't want to add to that.

But this series isn't just a little problematic. It doesn't just have some questionable elements or common plot failings. This is a series that has the potential to seriously hurt anyone who is trans, gnc, or gender questioning, and could give anyone who isn't any of those things the wrong idea about what is and isn't appropriate when it comes to trans/gnc/gender questioning individuals.

If you would like the td;dr, then in a nutshell this comic portrays material that could make an individual feel shame, discomfort, or even body dysmorphia. And on top of that the protagonist is cruelly gaslit and manipulated in ways that the series presents as if it were just light teasing, and that is all only in the 19 chapters that I was able to stomach before dropping the series entirely.

If you would like a more detailed description of this series' flaws, then I will continue below the cut.

cw: transphobia, body dysmorphia, gaslighting

Lady Crystal is a Man follows the story of a man raised as a woman attempting to escape a forced marriage by going to the mysterious and dangerous duke Illian, unaware that Illian is secretly a woman. The story is essentially a combination of two tropes, the Crossdressing Romance trope, where the main character and/or their love interest is secretly not the gender they present themselves as, a trope which has been around for as long as female-oriented comics has existed, and something a little more specific to webtoons (to my knowlege,) the Contract Marriage trope, wherin the protagonist escapes a bad situation by entering a temporary marriage with someone else, only for true romance to bloom between them. I have read many webtoons about Contractual Marriages, but not very many about crossdressing. As a nonbinary person, I tend to be uncomfortable with the highly traditional way many webtoons portray gender roles, and so I try to steer clear of series that tackle gender directly, but that is not to say no webtoon as ever handled it well. In particular one of my favorite webtoons, Alien Idol, tackles gender in an extremely understanding and informative fashion, even taking the time to acknowledge places where it's knowledge is lacking, which I've never seen a comic do so honestly before. Most webtoons are not like this, unfortunately, but that is only to my knowledge, and recently I've been wanting to expand my horizons a little bit. How can I be sure so many comics handle it poorly if I don't even read them for myself, after all? That is what convinced me to check out Lady Crystal is a Man.

In the first few chapters I was hooked. The series has extremely good artwork, and it first appeared to me that they might be trying to do a metaphor for t4t couples. Crystal is constantly coached on how to act and behave as a woman, because if he lives as a man he will be killed by his cruel and uncaring family. He takes a drug to halt his growth, and this drug is actively harming him, he is literally being torn up from the inside having to live as something he is not. He envies masculine traits he observes in others, and dreams of running away to live with the people who truly love him, cutting his hair short, and living as himself. It's because of this that I made the mistake of buying multiple chapters in advance instead of just waiting for them to unlock, and that's why I read so far into this series when normally I would have dropped it the moment it started to go downhill. Anyway, Crystal meets duke Illian, and already a connection is established by the narrative in how the two have had to live in fear of being who they really are. And at this point I was ready for them to start relating to each other and forming a bond.

This does not happen. Not really, anyway.

Illian tricks Crystal into thinking that the marriage paperwork went through extremely fast, and that they are now husband and wife. This is a red flag, but in the same chapter Illian reveals that she's just teasing Crystal as payback for trying to trick her, and that she will fully support Crystal's escape to be with her family as soon as the snow clears up. But then she doesn't. Even when Crystal admits the truth to her, and the snow clears up, Illian maintains the facade that they are married and that Crystal will have to keep staying with them until the annulment paperwork can go through. This happens because Crystal, under the impression that they are really married and that he has tricked Illian into falling in love with him only to have her heart broken, decides to take responsibility for his actions instead of running away like he originally planned. And Illian, hearing this, continues to lie to Crystal about their being married. This establishes a pattern that will continue from here: Crystal will show genuine care and consideration for others, and will be rewarded for it by being continuously manipulated by the people around him.

It's at this point that Illian finds out that Crystal is not a cis male. Not because Crystal told her, mind you, but because Crystal faints due to side effects from the drug he is taking, and Illian, who has taken the same drug, recognizes them. At first this is fine to me. I like that Illian does not get angry or upset, or even wants to confront Crystal on this, and at first I thought it was because Illian respected Crystal's boundaries and would only acknowledge it if Crystal decided to tell her. She even continues to refer to Crystal with female pronouns, even when she deduces that Crystal might be living as a woman just to not be killed in the battle for succession. But then, Illian decides to "make sure" that Crystal isn't cis. And while we aren't directly shown, it is heavily implied that Illian looked under Crystal's nightgown to see his genitals.

There had been one or two red flags up to this point. In particular, focus on the size of Crystal's hands. This was off putting to me, as this is something that could hurt people. Even people who aren't transfeminine could be hurt by this, the fact that having bigger hands than what is considered "normal" for a woman and how this is treated like a clue to Crystal's gender identity is something that would hurt anyone who identifies as a woman but doesn't fit what is considered a normal body standard. Focus on hands is even something that can be a big dogwhistle for TERFs, although I don't suspect the author is a TERF since I'm fairly certain this is a Korean comic, and I don't know what the discourse on gender in Korea is like.

Regardless, even with my growing suspicions, this was a massive shock. Crystal was unconscious at the time, unable to consent. This is unambiguously a massive violation, but the comic portrayed it as just a silly, over-the-top bit of shenanigans by our female lead. I know for a fact that this wouldn't have happened if the genders were swapped, in every webtoon I've read people who try to look under women's skirts are treated as disgusting perverts. But because Crystal is a man, suddenly it's cute and funny when his privacy is undermined. And this is the turning point where the series goes from a seemingly flawed but earnest attempt at a trans metaphor to a showcase of the most disgusting abuse I have ever seen in a story, all written as though it were just silly antics by people who are ultimately in the right.

Soon Illian and the doctor she had look at Crystal begin internally referring to him with masculine pronouns, all without asking if it's what Crystal wants to be seen as. As the doctor mulls over Crystal's potential circumstances, she thinks "Few people pretend to be the other gender, even fewer do so against their will," the series acknowledging the existence of trans people, but only as "petenders." And again, this is before they even know for sure if Crystal is doing this against his will. All the while, Crystal is portrayed in more and more infantalizing ways. He plays with snow like a child. He doesn't understand basic social cues, or even that people might be lying when they speak to him. He accepts everything Illian tells him without checking, even when he knew going into this that he would need to be careful. Illian secretly alters Crystal's communication devices so that she can see everything that Crystal says when he sends out messages to his friends in the east, who are waiting to take him in, unaware that he has been manipulated into staying against his wishes. Illian is drawn in by the way Crystal wears his heart on his sleeve, and doesn't want to let him go, even though she knows that Crystal has a home somewhere else. Crystal is prevented from escaping, and isn't even giving the courtesy of knowing that he is a prisoner.

There is another character in the comic, a cook who is portrayed as being large and strong, completely unfeminine despite being female. For one thing she's a show of hypocrisy, a cis female is a female, without question even if they don't fit eurocentric standards of femininity, but a trans female has to pass these standards with flying colors, and even then they don't really count. But there is another thing about this character. She is regularly referred to as a "monster" for her immense strength, size, and endurance. She owns it, seeming to be perfectly content with it, but not all real people who look like this would enjoy being called that. I feel that this is another acknowledgement of the other, that yes there are cis people who also don't perfectly fit their expected appearances, but they're not normal. They are exceptions. Monsters.

And then came the chapter that made me drop this series for good, completely overwriting my buyers remorse with disgust. Illian has to leave for a mission, and had instructed the Doctor to take away the drug that Crystal is using to maintain a feminine body. The doctor confronts Crystal, telling him that she "knows" he's a man, and blackmails him, threatening to tell Illian if Crystal doesn't hand over the drug. In exchange, the doctor gives Crystal a magic ring that she says will make other people perceive him as female. This is already bad for a few reasons, namely that even during this confrontation, the doctor never asks Crystal if he truly identifies as a woman or not. If Crystal did identify as a woman, then the ring would be a terrible trade. A person who wants to look at themselves as feminine does not do so in the hopes that other people will see them the same way. While the perception of others is certainly a concern, the main consideration is if the person sees themselves as feminine. A ring that only allows other people to see them as feminine would certainly be useful for people who don't want to be misgendered or seen in a way they don't want to be seen, but it wouldn't be an adequate replacement if it wouldn't help the wearer get a body that makes them comfortable. At best it would just be a supplement to something else.

But worst of all, it's all a lie. The ring doesn't actually work. It's all a trick to get Crystal to give up the drug. Yes the drug is harmful to Crystal, and Crystal himself doesn't want to take it, but as far as the Doctor knows Crystal could be trying to appear feminine for his own reasons. But without even consulting him, Illian and the doctor assume they know what's best for Crystal and trick him into giving up what could very well be the thing making him happy and comfortable in his own skin. Imagine how horrific things would be for Crystal if that was the case. Seeing his body change in ways he does not want, entirely against his will, and since the ring doesn't actually work his transformation would be fully visible to everyone around him. But instead of asking what if he wants this, Illian and the doctors decide to play the odds, and this is written as though they're being helpful by doing this. To add insult to injury, the doctor internally criticizes Crystal for accepting the trade without questioning it, seemingly forgetting that Crystal was essentially forced into it.

For obvious reasons, this was the point where I had had enough. This was abuse, plain and simple. Yes characters are not real people, and there is a place for stories that tackle things like abuse and manipulation, but this series never acknowledges the horror of what it's characters are doing, treating these things as though they're just cute and quirky romcom gags, maybe not normal but ultimately harmless. Meanwhile in the real world, these things are deeply harmful and hurtful to the readers of this series, especially those who, like the characters of the story, are forced to live in identities that are not themselves.

It's pretty common for webtoons to tackle things like this without really knowing what they're doing, and usually I'm able to shrug it off and keep reading, even if still criticizing it, as long as it seems the writers have the best of intentions. Making mistakes is how we learn, after all, and a lot of webtoons are written by young adults living in conservative societies who just need the chance to see other people's experiences. But there is a point where I draw the line, and that is when there is no perceivable compassion whatsoever for the types of people they are portraying. As I mentioned, the comic clearly shows an understanding that there are people who do not live as the gender that they are assigned at birth. But it does not see them as people. Even beyond the "pretend" line, gender is portrayed as concrete, inescapable, with terrible consequences for trying to change it. It portrays transfeminine people as clueless, weak, and unable to decide for themselves what's good for them, and illustrates anyone who doesn't fit typical standards of appearance as a strange and terrifying other that shouldn't be considered on the same level as everyone else. In general webtoons already have a massive issue with beauty standards, (don't even get me started on the way fat people are usually written,) but this is a whole other level of cruelty. While this comic was probably not specifically made to harm people, it takes careful steps to put people it doesn't like "in their place." It wants you to feel bad about yourself. This comic and comics like it should never be supported, not just for political reasons, but because, like it's characters, this comic is trying to enforce ideals that it feels for best for you, regardless of if it's what you actually want. And no one deserves to be hurt like that.

So if you see this comic or a comic like it, I encourage you to turn away. If they won't portray us as human, then we don't have any obligation to give them our support.