#i'm not surprised anymore

[tfofufu]

me acting surprised that diego hargreeves is my favourite umbrella academy character when my favourite dc character is jason todd

[hetchofficial]

Accounts? As in plural?? How many do you need to have???

Look when you're The Guy Who Made Minecraft you gotta have multiple social medias. Any time a new social media becomes popular I hop on and reserve mine. Verifying them also is only natural so some dick can't come and claim you're fake too.

[auxiliarydetective]

I posted 8,240 times in 2022

That's 6,732 more posts than 2021!

689 posts created (8%)

7,551 posts reblogged (92%)

Blogs I reblogged the most:

@badassbiburgerbob

@daughterofhecata

@darth-rhiannon

@mondfahrt

@literary-squagon

I tagged 3,552 of my posts in 2022

#hogan's heroes - 656 posts

#peter newkirk - 360 posts

#incorrect quotes - 317 posts

#the a team - 294 posts

#the orville - 264 posts

#die drei fragezeichen - 228 posts

#die drei ??? - 221 posts

#star trek - 193 posts

#quotes - 192 posts

#louis lebeau - 186 posts

Longest Tag: 139 characters

#aka vickey gets upset and says something that you can't really translate that well so newkirk translates her posh saying into cockney slang

My Top Posts in 2022:

#5

@florida-irl Clara/Balloracore! Definitely shows more of the Ballora side, but a possessed Ballora, so...

See the full post

48 notes - Posted January 27, 2022

#4

I made another animation. Or I extended this one. Psst... It has sound... Not really well-timed sound, but it has sound!

I now declare the Jelena purple vs yellow debate settled once and for all: Our queen gets both!

58 notes - Posted February 6, 2022

#3

Tada! Finally!!! Please click on the image for better quality.

This is my fanart for @sketchinarkomana's Toxic Boy AU! Sanji meeting Inari!

This took me so long, you have no clue... I can't figure out anatomy, not any day, so I have to rely on bases. I had to think a few days on how to get this done because I couldn't find just one base that would work. Finally, I settled for a little comic and edited three bases to fit it.

The little story behind this is: We're sometime after WCI timeline-wise. Inari is just relaxing, waiting for her crewmates and... Well, this isn't the Sanji she expected. Sanji meanwhile halfway panics because he mistakes Inari for her twin sister Pudding. A little bonding time over their similar childhoods later and they're besties now.

Now, for the colors. I originally planned for this to be directly after the timeskip, which is why Inari's hair is pink - she's bound to Big Mom. But this would also be the case after WCI. I've always loved those three-eyed sunglasses and this base just screamed for me to finally draw one! You might think Inari's outfit is familiar - that's because it's heavily inspired by Pudding's outfit during her first appearance in the Fishman Island Arc. As for Sanji's outfit, I realized there was sort of an old version (dress shirt, keychain, high-waisted pants) and a new version (t-shirt, no chain, low-waisted pants), so... I fused them! I was too in love with the chain not to

For Sanji, I had a bit of creative freedom because all the references I had were in black and white. I asked about what color scheme to use and went from there. His outfit colors were set but I took liberties with the rest. I intentionally used different color palettes for Regular!Sanji and Toxic!Sanji, with Regular!Sanji looking more like a normal human and being more tanned and Toxic!Sanji being paler. That just felt right. Yellow is a warning color so, even though I usually don't like it when people make his hair lemon-colored, I made it a bit more vibrant. The jump to the purple eyeshadow came pretty quickly then because yellow and purple have a great contrast.

Finally, there was lots of dead space in the bottom panel, so I filled it up with the names of Inari and Sanji's devil fruits and their names. This is my third color scheme for the Kami Kami no Mi, oops... Again, there were no colors for the Duku Duku no Mi, but I always associate poison with purple and then I went for purple and yellow again.

Bases by Louane-Knight and Asta9 on DeviantArt

66 notes - Posted April 20, 2022

#2

Has anyone done this before?

192 notes - Posted May 17, 2022

My #1 post of 2022

Dear Hogan’s Heroes fandom, there is a scene in "Is There a Traitor In The House" where Klink says "Schultz, turn on the speaker." It has MAJOR vibes of "Pull the lever, Kronk!" Please, I beg you, tell me I'm not the only one who hears that and someone make this a thing. I do not have the skill

192 notes - Posted February 21, 2022

Get your Tumblr 2022 Year in Review →

[takingasterix]

Queen Guinevere's guard dog (AKA the Court Sorcerer of Camelot)

quick little thing because i got bored and LOVE this concept

[sergle]

had another consult w Dr. Boobs about my reduction to check on my healing progress, and I continue to get a good grade in boobs

[gotchibam]

Commissioned piece for Gabriel!

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[hatterladz]

Bendy and Cup go to therapy but only because the other is SO sick and tired of their emotions that they DRAG each other to therapy arguing about who needs it more

[taradactyls]

"Willoughby could not hear of her marriage without a pang; ... For Marianne, however, in spite of his incivility in surviving her loss, he always retained that decided regard which interested him in every thing that befell her, and made her his secret standard of perfection in woman; and many a rising beauty would be slighted by him in after-days as bearing no comparison with Mrs. Brandon."

I'm normally too focused on 'well, well, if it isn't the consequences of your own actions' to really think about how this sort of thing would affect Marianne, but I mean, it's quite creepy, right??

Imagine you're living your life, happy with your husband, healed and flourishing, and every now and then you find out your HORRID ex is insulting other young women (and they must be young, if they're a 'rising beauty') by invoking your name. Like leave her alone, Willoughby!! You hurt her enough. She was 17 (to your 25) when she was in love with you, she's grown up, seen you for who you really are, and moved on. There's something incredibly selfish about even after treating Marianne so horribly, he refuses to stop associating her name with his own. I wonder how many people would know of Marianne PURELY because Willoughby casually mentions (many times) a young lady has no resemblance to her.

No one wants their worst ex to keep haunting the edges of their life.

[foodtruckery]

You need an abo tag? Bet.

Stan going into a heat he hasn't had in a decade when Ford calls him back because he's back in the presence of his safety, his brother. Ford opens the door, crossbow wielded have you come for my eyes, and has to immediately drop it because Stan's pupils are rapidly dilating and he's beginning to pant and Ford can fucking smell the slick running down Stan's leg. Suddenly all the anger, paranoia, desperation is single mindedly focused on keeping his omega safe, secure, covered. - starrypockets

ad;sflkja i did not say i needed one! but i mean. here we are anyway hahahaha

SO HAHAHA. i touched on this suuuper briefly in another ask somewhere, but i think if stan had gone into a random heat when he gets to ford's place, in their paranoid vs mullet stages, that would've been....bad actually haha. or at least really fuckin complicated, which makes it fun!

like maybe stan is so caught up in the stress and anxiety of seeing ford again - of ford ASKING for him to come and see him, what are the odds?? - that it all either triggers a heat or he doesn't even realize it's happening until he's already there and can't really do anything about it. but ford had invited him here, and he doesn't want to fuck things up by not showing. but he also doesn't want to fuck things up with this, y'know? but maybe ford will at least let him lock himself in a room for a few days??

but ford...well, ford isn't exactly himself right now. he has so much caffeine in his body it's a miracle he hasn't had a heart attack yet, he can't remember the last time he slept, everything hurts and he doesn't know why unless the nail is still sticking out of his hand when he comes to, and he is concvinced - for good reason - that someone is being sent to further mutilate him. you're going to throw on TOP of that his brother, who yes he sent for, but by his memory is a beta, is surprise actually an omega and coincidentally going into heat on his doorstep?? something that, oh how convenient, is a fantasy he's indulged himself in one-too-many times. i don't think ford would even believe stan was REAL right away.

cause ford also isn't just ford right now. ford has a demon in his head that has seen every depraved, hormone addled fantasy he's jerked off to and would absolutely know his feelings for stan. and even if this suddenly-an-omega stan IS real (sus), ford is still one micronap away from potentially ending the world. so now on top of the EVERYTHING he's been going through, he's also fighting every secondary instinct he has because holy shit, he can't afford to lose it right now.

but...y'know....maybe all that up front confusion between both of them at least slows down the "go downstairs and start fighting and ruining each other's lives again" thing. and it would take a lot of gymnastics to get there, but...well. bill can't use ford's body if he's tied up well enough, right? and in a few hours, all stan is really going to need is a dick to fuck himself on. if you think about it......they could make this work, right?

which would, of course, mean BILL is absolutely participating. but maybe he'd be so fucking strung out on 'alpha in proximity to their favorite omega in heat' thing that he's not trying as hard as he probably should right now to get back to the portal shit when he's in control.

[fisheito]

i told myself that yakuei only had one position then i proved myself (sorta) wrong

my fave face here:

[royalarchivist]

I've been reminiscing about Squidcraft a bit lately, so I posted this clip of Phil talking about why he didn't join the Squidcraft 2 event on Twitter (I posted the longer version of this clip a while ago, which you can see here). TLDR: Phil wasn't invited and didn't want to ask for an invite because he felt awkward, didn't want to intrude, and also felt like his Spanish wasn't good enough.

Fast-forward a few hours and many Spanish Crows crying in the quote retweets later, and someone just gave me a heads-up about this:

Komanche is one of the organizers / creators of the Squidcraft event. I don't know if Phil would accept an invitation, but the possibility of him being invited period wasn't even a possibility in my mind, so this was a surprise! :'D

[genericpuff]

I had a lot of fun reading your LO critiques and reading rekindled but now I'm just disappointed that you're slowly but surely going insane because of a comic

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[morrigan-sims]

Pirate Outfts

I was bored, so I started trying some different outfits on Zara... The last one might be my favorite, if only because I already used another swatch of the first one for Wolf, and I can't have them wearing the same thing... But I also love being able to see all her freckles in the 2nd one...

[mah-o-daryaa]

For a show that's progressive, one-of-a-kind, ground-breaking for its time, and relies on "Show, don't Tell" a lot throughout the series, it bugs me how ATLA (or, more specifically, Bryke) preferred to tell the audience that Aang is a master airbender without showing us why. I mean, Toph, Zuko, Azula, and Katara are all shown practicing and improving their mastery in bending (although Katara has become rather overpowered), so why can't Aang have the same treatment?

Yes, Aang may be a child prodigy, and he did get airbending tattoos from inventing the air scooter, but I personally think that inventing an airbending technique (which demonstrates impressive ability and skill) is a way to gain the arrows prematurely, but isn't a requirement. Nothing in the show ever suggests just how far he's mastered his native element, let alone the other three. In the beginning of Sozin's Comet, Part 1: The Phoenix King (3:18), Aang says he thinks he still needs to practice his firebending more (which in hindsight makes sense, as he's just started relearning it from the dragons five episodes ago), and Toph notes that his earthbending could use more work too. Right off the bat, Aang is two elements away from complete mastery of all four, but later on he's seen practicing waterbending with Katara, implying he hasn't mastered it either.

We don't even see Aang practicing his airbending by himself post-iceberg, preferring to show off to random girls (like in Kyoshi Island). He just learns the elements, but doesn't really learn the philosophies behind each element. In this regard, he makes Kuruk and Roku look venerated in contrast. (To be fair to Aang, he had a specific deadline to master the four elements before Sozin's Comet that no other Avatar besides Wan had to deal with, but couldn't he try to make an effort to learn from the other nations?) Additionally, compared to Tenzin and Zaheer, Aang doesn't stand a chance against either of them (even though Tenzin is his son, but since Tenzin wasn't the Avatar, he could focus on upholding the Air Nomad culture and legacy). Even Jinora could go toe-to-toe with him at similar ages. He isn't really that impressive in any of the elements, to be honest; we've seen what a master of any specific element can do in both ATLA and LOK, as well as in the novels.

The main thing people often get wrong is that mastery isn't a final goal; it's a specific mindset. As in Pai Sho, what separates true masters from everyone else is that true masters always look for improvement in their strategy or skills. That's why Aang isn't a real master of the four elements: He always takes the easy way out, never trying to better himself or improve what he can already do.

I think this quote from Zaheer perfectly sums up what I've been saying: When you base your expectations on what you see, you blind yourself to the possibilities of a new reality. Even though it stems from his anarchist beliefs, it is genuinely one of the more insightful pieces of wisdom in the franchise because it promotes progress, a constant theme in life. Toph was able to invent metalbending because she wanted to "see" a reality where she could be recognized for her own talent in spite of her blindness; Zuko could learn firebending from the dragons because he could see a reality where he would regain his honor and fight alongside the Avatar, and so on. By contrast, Aang only takes things from surface-level, not putting any effort into understanding the true meaning of being the Avatar.

Speaking of Pai Sho, guess which Avatar constantly improved his/her abilities? Kuruk. Unlike Aang, Kuruk readily asked his companions, Jianzhu, Hei-Ran, and Kelsang, to continue teaching him, ever after he mastered the four elements that he was required to do, saying they would all benefit from the experience (the "true master" quote I mentioned above was actually said by him). Not only that, it was even inverted; sometimes they taught Kuruk, other times he taught them (which technically makes him the first known Avatar to teach bending to others). He was right, as during their lifetimes, they were the most powerful benders of their respective elements in the world!

Kuruk also had an intuitive connection to each of the four bending philosophies, which to this day remains unrivaled by any other Avatar, and was also one of the first people to suggest the idea that the four elements are connected (homeboy's literally a younger Water Tribe Avatar version of proto-Iroh, I'm honestly not going to be surprised if Iroh actually learned his belief from Kuruk during the former's visits to the Spirit World over tea and Pai Sho matches). If you ask me, Mone, learning the cultures and philosophies of the four nations is way more important than mastering the four elements, because the Avatar isn't just the bridge between the four nations; he/she is also the symbol of a unified world, and the franchise is saying that only one Avatar even bothered to do that? In my opinion, if we go by this rule, that easily cements Kuruk as the greatest Avatar in history!

Aang, on the other hand, never does this. Instead, he puts the Air Nomads on a high pedestal (which in turn causes him to place Katara on a high pedestal), and doesn't respect or learn from other nations' philosophies. He openly disrespects SWT culture and actively makes sure Tenzin doesn't have any exposure to the culture that Tenzin still belongs too, and worse, he pushes his own culture on other people's throats (remember the time he forced a homeless couple to "give up on hope because it's a big waste of time"? Or the time he forced Katara to not murder Yon Rha?) and values his own nation and values above the rest of the world (like the time he refused to kill Firelord Ozai because "all life is sacred", even though he has actually killed before, but if he doesn't kill Ozai, the latter's going to burn the entire Earth Kingdom to the ground!). That doesn't sound like something the Avatar is allowed to do, but Aang gets away with it anyway because ... hero?

There's actually another Avatar who focused on his/her own nation above the rest of the world. Avatar Szeto, Yangchen's predecessor, became a government official in his homeland, the Fire Nation. Under his tenure, the Fire Nation transformed from a fragmented, disaster-stricken state to the centralized, technologically-advanced nation we know of today. Unfortunately, this led him to neglect the other nations and, shortly after his death, the four nations were caught in a political event known as the Platinum Affair, which Yangchen had to deal with, eventually kick-starting the cycle of the current Avatar fixing their past lives' mistakes, while leaving problems for their future selves to fix. This problem might have even led to the growing ambition of Firelords Zoryu and Sozin as dictators, with the latter starting the Hundred Years War.

Aang not only valued his own nation's values above the others, he also forced said values on his non-Air Nomad companions; signed anti-miscegenation laws and tried to forcefully deport Fire Nationals from the colonies to return the land to the Earth Kingdom, even though they had already blended in with Earth Kingdom citizens, didn't wan to be separated from their families, and Zuko perceived the citizens of mixed heritage as his own subjects; refused to let his family practice SWT culture, even though his children could benefit from being members of both cultures, not just one or the other, and set an example for mixed-race families around the world; refused to teach Kya and Bumi Air Nomad culture because he thought they weren't airbenders and therefore "not real Air Nomads", even though they were just as Air Nomad as Tenzin was, if not more; and forced Tenzin to uphold the legacy of an entire nation on his shoulders. The fact that this was all written by complete accident is the cherry on top, representing just how badly Bryke screwed up.

... On a completely unrelated note, The Other Side of Paradise by Glass Animals (which is also one of my favorite songs) is definitely a Kuruk song. The last third of the song in particular sums up his tragic journey as the Avatar so well, and I always think of him while listening to it.