#i'm not saying what she sang wasn't problematic

[gay-impressionist]

did you do it? did you defend the honor of the shitty racist white woman? did you cheers yourself and your hard work as she kissed that teenage boy without consent while her song about the guy who was so gay he should kill himself played? get over yourself, katy perry isnt worth the effort to defend whether she kissed a girl as a teenager or not

I don't even know most of the stuff you're talking about.

And honor??? Who said anything about honor. Saying Katy Perry kissed a woman, and didn't just sing that for money isn't a question of honor. It's a fact.

But most importantly, you could at least get off anon if it's to send agressive stuff

[culttvblog]

The Lovers: Sardine Sandwiches (Seventies TV Season)

Content warning: rape

The introduction to this series of posts on 1970s TV shows can be found here: https://www.tumblr.com/culttvblog/729351469162233856/seventies-tv-season-introduction

I commented in the introductory post to this series that 1970s TV can be incredibly problematic, featuring sexism, racism, all kinds of sexual offences and so on. Regular readers will know my long-term policy is that I only blog about TV which I consider good, and will not platform entertainment featuring racism, sexism, etc. Nonetheless I was very aware that there was quite a lengthy list of shows that I wouldn't be blogging about and was slightly worried that this series of posts would end up being a series of three or four.

For that reason I was delighted to discover this 1970-71 series, about the toings and froings in love of a young couple played by legendary and much-loved actors Richard Beckinsale (Geoffrey Scrimshaw) and Paula Wilcox (Beryl Battersby). Beckinsale is probably best known for Porridge and Rising Damp before his tragically early death and all I can say is that I can't overstate the affection in which he is held. Wilcox is just as well known and her credits include Man About the House (obviously not frightened of the sexy stuff) and Emmerdale. Nothing could possibly go wrong with these two much-loved characters in a show which has a 12 certificate on its Network DVD release.

So it hit me like a lorry when, two minutes and twenty seconds in to this the first episode, Geoffrey is eyeing Beryl across a market and thinking about her before audibly saying, 'Oh God, I want to rape her!', followed by a laugh track.

WHAT.

And that was how, four posts in, this series crashed straight into the rock which is 1970s sexual attitudes. Don't get me wrong, I love all the sexy stuff from the seventies: I love sex comedies, I love the Confessions films, I love dirty jokes, my inner world makes the baby-eating bishop of Bath and Wells look naive. I was fully expecting to be dealing with sexy stuff in posts about the TV of the decade that goes with sex like fish goes with chips, but, come on. Rape? But then this was the age in which Peter Wyngarde released a record in which he 'sang' about rape.

I don't even think that something so wrong that early in the show is the reason I had never heard of it until I came across it down the back of the Internet Archive. Bearing in mind that this show was made in the age when pretty much everything was about getting 'it', and if it wasn't about getting 'it', it was about what you did once you'd got it to get more of 'it', there's something that doesn't sit right about this series.

To avoid any further beating about the bush the problem is that for a show called The Lovers, Geoffrey and Beryl aren't actually making love at all. I haven't watched the entire series so have no idea how it progresses, but a whole TV show about a young couple who obviously want sex, and the way each of them takes it in turn to sabotage the other's attempts to get to the point, frankly isn't the best viewing. It should really be called 'Self-Sabotage', rather than The Lovers.

There is a problem with this episode (again, I have no idea how this plays out over the whole series, but have seen one other episode and suspect that this may have changed as the series progressed) which is that this episode gives a vibe that it is Beryl stopping any sex happening and that she should just give it up to him. There, I've said it. It gives the impression that she is 'playing hard to get' and should just put it out for him and leap into bed. You will gather that I'm really finding this show quite distasteful. In fact the reason it's appearing here is mainly because it's an unusual character for Richard Beckinsale which I think readers might like to see, but as a whole the show is a terrible misstep.

I watch every TV episode I blog about here at least twice and of course I've found myself thinking about how I wish this show could have been. Obviously they should have got rid of the reference to rape, because that wasn't entertaining even in 1970. Other shows manage to have two protagonists who combine incredible sexual chemistry with never getting to the point (I mean, look at Steed and Mrs Peel), but they usually are shows about something other than the protagonists' relationship. This would have been good set in a workplace, hospital, or even university and that would have provided an additional subject for the show. I haven't seen this said anywhere, so I'm guessing, but this feels like the show is trying to be about the relationship, but is ending up being about the couple's wanting sex and that's where it goes wrong. It could have been all about how their relationship developed; for example we are told in the first episode that they've obviously known each other some time and had some sort of tiff or disagreement, and there we potentially have a whole episode of a show all about a relationship.

So I wouldn't necessarily suggest anyone watches this except for a different Beckinsale role, and a quite magnificent collection of 1970s decor, for example that wallpaper forming the background to Beckinsale smooching a life-size cut-out of Brigitte Bardot. If you slept with that wallpaper you absolutely would dream about Brussels sprouts.

The seventies were obviously a different age, and I'm glad they're gone.

This blog is mirrored at

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Archives from 2013 to September 2023 may be found at culttvblog.blogspot.com and there is an index to the tags used on the Tumblr version at https://www.tumblr.com/culttvblog/729194158177370112/this-blog

[deepdonutkid]

Hi, I'm so sorry it took me so long, I wanted to make it short as possible but always failed so...I have one that is somewhat short (this hurt me so much because when I'm describing something, it is LOONG) and second that is LOONG (that is why I warned you that I actually wrote horribly written "one-shot" or what it is actually, it would be much better, if you have time, to read both...when I tried to make it short, I maybe cut out important things...).

Like I said the girl is my OC, and her name is Sinon (given by Poll), but she is actually Maya (given by her real parents). And I gave names to her parents. But yeah, you can read it, consider if you will write it and change anything you want. Surely there are mistakes, holes and things that don't make sense.

I completely understand if you don't want to write it like "You wrote it yourself, what do you want from me, go to hell." But hey, I'm not a writer, I hate writing and I'm dead sure you can write it 100% better. To me, it looks like a grocery list. If you don't want to write it, just tell- JUST TELL ME TO F*CK OFF. 🤣🤣🤣🤣 (my apologizing must be annoying, welp, sorry once again).

So yeah.

I will send both, if you have any question, or if you don't want to write it, feel free to tell me.

➡ Short one: Ada brings to Polly a baby girl after the woman stopped her, gave her to her and quickly left. Ada discovers a small book, with the letter and a note with the name "Shelby" written on it. Polly thinks that the woman was a whore and the baby is his due to having also blue eyes. Polly decides to not saying anything to Thomas and adopts her herself. The girl grows and is known as an angel among demons. The Shelby's brothers love her, but Thomas...he lives for her. She loves him and he loves her (just...ugh 💝💗💘💓💖💕💞). They play, dance, everything. She is helping him with nightmares, bad moods, not hearing shovels, etc. Life goes by and Thomas loses his wife and brother. Polly and Ada want to cheer him up by telling him that the girl is maybe his daughter but he gets angry and says nasty things about the girl, she hears it and runs. After some time he wants to apologize but Ada stops him. She tells him she contacted the girl's family to pick her up. Thomas is devastated, not only because she leaving, but because he was just a dick to her and can't properly apologize. The Shelby's say goodbye to the girl and she leaves. After years (S5), Thomas is not himself anymore, regrets everything, etc. One day he is closed in his office sitting on the floor, mess around him and hallucinating. Then he hears knocking on the floor and is met with the blue eyes of the much older girl. He thinks she is the only hallucination and wants to shot himself, but she throws stuff into his face, launches at him, hugs him and pushes him and herself to the floor. She tells him that despite everything she loves him and that she missed him. He just hugs her tightly, begging her to forgive him and to never leave him alone ever again. They'll fall asleep and after a few hours when Tommy wakes up, his sister comes in and tells him she and her father are back and he will buy a house here. The girl never left Thomas's side and helped him heal.

➡ Disgustingly long one (it's funny how much of a useless words/sh*t Tumblr allows you to write): Ada brings the baby to Poll after a weak-looking woman approaches her and asks her if she could look after her baby because she needs to check something. When they take a look at it, their eyes meet with two beautiful big blue ones and an adorable smile of a baby girl. After washing the baby Ada discovers a note saying the name "Shelby" wrapped in the blanket. Polly immediately thinks the woman was a whore, got pregnant, then fell ill and now threw fruits of karma back at where it belongs, to Thomas Shelby. Ada asks Polly what they'll do now, but Poll doesn't say anything, Ada look at her and see Polly with a sweet smile and tears in her eyes. She wants to keep it. Why give this sweet little being to the most dangerous man in Birmingham when she can say nothing to him and rise her like her own? Ada agrees but is unsure at the same time...what if that woman wasn't a whore? What if she never had something with the Famous Thomas Shelby? She looked weak, ill, but stressed and maybe...sad? She remembers her crying and kissing this baby's head when leaving, that is not what unloving mothers do...

Polly rising this baby as best as she could now was the most beautiful, kind, clever, brave girl that ever ran through streets of Small heath. She had honey-blonde hair, similar to Ada's in style and length with long curtain bangs on her face and beautiful blue eyes, similar to Tommy's. She never liked girl clothes, always wearing boy clothes after Finn. Shelby brothers loved her so much, she never was problematic, never wanted to know things about the business, only have her little happy life and do fun things with her family when they made time for her, and oh boy they made it plenty. They played with her, danced with her, sang with her. But Thomas, a man who was drawn to this little girl like no one, was everywhere she was. She loves him and he loves her, she was something beautiful to him, peace in mind and heart, always melting how she treated him like a normal person, not thinking about all the bad things he did and just loving him for not so many good ones. He wants her to feel loved like she is one of them, not allowing her to question herself because somebody said she is not Gray, nor Shelby, that she is different and too good for Gypsies like them, like a real diamond among cheap bijouterie, an angel among demons. She helped him to sleep after every nightmare, with bad moods, stop hearing shovels against the wall.

Life goes by and Thomas experience the worst days of his life...he loses his wife and brother. The girl wants to soothe him everything will be fine. She was almost there when she heard Polly and Ada in his office, so she stayed behind the doors and listened to what were they about to say, maybe they trying to soothe him too. Little did she know what she'll about to hear. Ada and mainly Polly tells Thomas a secret about a girl Ada brought home, that Poll didn't find her in front of her doors, that in reality some whore approached Ada and pushed her her baby with a note saying the name "Shelby", and left. She didn't want to take care of a bastard child. And, our girl has the same eyes. But Tommy only scoffs and slams his hands on the table. After everything he's been through, they come up with this shit? They thought they are helping him, that his sweet girl is actually really his, that it will give him new hope for a new beginning, Thomas thought they can't be serious. His wife died, is now a single father, his brother died and now this?? He starts to shout he's not the father of good for nothing, any whore belonging, an odd, snotty and annoying child he never loved. Polly wants to beat him, strangle him but hears behind the door sobbing of her " daughter"...Polly is cursing his nephew before running after her girl, Ada following right after her. Thomas is unable to move, doesn't know what to do...He regrets every word second after but being stubborn cretin in his whole gory, he doesn't follow them but sit into his chair and let silence eat him alive.

After a few days of not facing his family and overthinking what to say and do, his sister stops him in his tracks. He's forced to sit and she starts to explain why is she here. She pulled out of her coat a burned sheet of paper, a small book and starts reading:

"Dear Thomas Shelby,

If you receive this letter...I'm begging you, please, to help my daughter. My name is Bella Rogers and I got separated from my husband, Scott Rogers when we were running from America to England. I heard about you from people in London. (Some people told her Thomas Shelby, so she went somewhere he likes to go in London, to his sister. And bc he never stayed long, she gave the baby to Ada.). I know I can't expect anything but please, contact this person (her husband's mother), tell her you saved my daughter, Maya Rogers. Tell them our names. You are my only hope now. Please help my daughter, please help me...

Thank you deeply,

Bella Rogers.

(Adress or number of her mother-in-law)

Ps: Please tell my daughter I love-"

And stopped.

Flashback: When the girl was growing, Ada confronted Poll with a small book in her hands.

Present: She handed the burned book to Thomas and he took it.

Flashback: She told Polly that the girl belongs to someone else and they deserves to know what happened to her and her mother.

Present: He carefully opened it.

Flashback: Polly knew it was selfish to keep her here, but she loved her so much she ignored every word.

Present: He started to spell the girl's name, date of birth, her parent's names, their date of birth...

Flashback: Ada begged Polly to think about this, she felt bad for a father and family that they didn't know what happened to them, but Polly had enough, she grabbed the book and a letter Ada was holding and threw it into the fireplace and with teary eyes left, Ada immediately took a piece of wood and got both things out of the fire, hoping that everything wasn't lost.

Present: Ada knocked on the table, drawing Thomas's attention from his thoughts. She swears she could see tears forming in his eyes when she told him she already contacted Rogers family and they are coming from America to get her back. He felt betrayed, he wanted to vomit. Ada tells him Polly already knows it and hesitantly agreed and that maybe it's better he said what he said, she wouldn't miss him that much and he made it easier for her not to think about him, which made him snap his eyes from the ground back to Ada. He asks her when they will arrive. An hour. Instead of getting up and do something he just sat there, sharply inhaled, and started crying. He cried, with his sister by his side, hugging him, crying as well.

When an hour was about to pass, they took all courage they had and get going to meet their girl's family and say goodbye. He wasn't ready. He never wanted to be ready for something like this.

Now they were standing there, in the uncomfortably big room, face to face with their Rogers family, two grandmothers, one grandfather and one father. He looked more beaten up by time than Thomas himself. They on the one side and Thomas, Poll and other Shelby's, Ada not with them but with the girl preparing. They greet each other, had a glass of whiskey, awkwardly debated about stuff, business, America...when then a young man asked where his daughter is, not willing to wait anymore. They called and there she was, hiding behind Ada's leg after coming into a room full of people she knew and didn't know. Her father immediately started to cry, slowly kneeled and opened his arms. She was looking at him and after a minute she starts to cry too...she maybe was the baby, but she remembers him, his face, his voice. She lets go of Ada's skirt and runs into his arms for the warmest and tightest hug she ever received. All members of Rogers family are immediately around her, introducing themself. And she's smiling, hugging everyone like she knows them for years. Thomas can't bear the sight of them so happy, especially her. He wanted so much to be in their place. He doesn't know why but asks Ada if they are really who they may be and Ada looks at him, understanding from where this is coming from. She shows him a slightly burned photo of their girl and her parents. "I remember how her mother looked like," Ada says. "And I remember her." Tommy is pointing at the baby in the middle, and Ada chuckles. "Yes, me too." "And now she about to be taken away from us and we can't do anything about it" ". Ada tries to hide her tears. They now looking at Arthur and Polly with Finn behind him hugging the girl and begging her to visit them every summer and Christmas. They kiss each other, Polly goes into a loving bear hug and kisses the girl on the cheek like million times. Uncle Charlie, Shelby's wives, even some of Peaky Blinders members themself like Curly. Now it was Ada who hugs the girl and then looks at her lovingly. "I'm gonna miss you, we all will." The girl softly smiles but looks at Thomas with an apathetic expression. Ada looks at him as well but Thomas is ghostly absent, just staring at the girl with glossy eyes, happy moments with his girl running in front of his eyes. He couldn't bear it anymore, he never ran from things, but now...He snapped into reality, quickly shaken with hands of the other side, wished them luck, TOO quickly ruffled the girl's hair and left, Ada following right after him. Rogers family just stared. Eventually, Rogers family said goodbye with the girl in their arms and left. They promised they will visit them.

That same day at night Thomas couldn't sleep, well, he never really slept after the girl left...

Years passed and Thomas was like a corpse, functioning only on 50%, if even. Ada and Poll tried to talk to him, Lizzie, his brothers tried too, but nothing helped, eventually all of them stopped. He regretted everything. One day was especially hard. Thomas was in his office, sitting on the floor with face in both hands. Around him a broken glass, two other chairs and papers. He was hearing his wife, crying charlie, shovels against the wall, gunshots, ghostly breathing. Everything was too loud. But nothing as loud as three soft knocks on the door. He lifted his head when a person who knocked came inside. His blue eyes met other blue ones. There she was, standing in front of him, much bigger and older, with a teddy bear he once bought for her. She still had it? How?. He couldn't believe it. He thought his mind is messing with him. You're not here, you're not real he said to her and every time he said it, she denyed that. He wanted to end this, grabbed his gun at aimed it at his head, but before he could do anything, a teddy bear hit his face. He opened his eyes and tried to process what just happened. You just threw your teddy bear into my face he asked. She said yes and that if she wasn't real, it wouldn't hit him. So...she was real? But how best to know your sanity is gone, then to welcome whatever your mind was made you see into your arms?

She ran to him, Thomas expected her to dissolve under his touch, but little did he know both of them would end up on the floor. She was giggling, saying he doesn't have any strength and fell easily, he on the other hand had eyes wide open, tears start to sting them. Thomas didn't waste a second and wrapped his arms around her warmly and tightly, proving to her even he can give this kind of hugs. He started to cry, cry like he never did, everything went out, rocking forward and backwards, face in her neck, begging her not to leave him alone ever again. He continued apologizing about what he said, for how bad he is, what he's done. She told him that despite everything she will always love him and that he missed him so much. He stroked her hair gently and she cuddled into him. He felt safe again. He finally was in peace.

When he woke up, he and the girl were covered in a blanket. He sits up. He smiled but got worried at the same time. How did she get in here? He needed to know. But before he could wake her up, somebody knocked. "Tommy?" Ada whispered into the room and walked in. She smiled, seeing Thomas with a little one sleeping in his lap, both covered in a blanket a cuddled to each other was....beautiful and cute. She carefully sits next to him and leans against his shoulder. He asked her how is she here, where is her father her, family. She said he didn't want to go back to America, his only plan from the whole beginning was to move to England with his wife and raise a child here, that he is buying a house. Somewhere nice and safe. In memory of his wife. A new beginning, new hope. And that she was sad and depressed. It wasn't fair from them to keep his daughter and it wasn't fair to just grab her and leave, promising to come back and never mean it. He put his cheek on the girl's hair and brushed it slowly. I think I can live with that he said. Ada chuckled. The rays of sunshine shined into his office. This is his new beginning, new hope. And he was willing to fight for it like a lion.

Eventually, the girl stayed with Shelby's family. The girl's father bought a house a few villages away so he could always pick her up and be with him. He made a little monument for his wife where his daughter put flowers Thomas or Ada bought. He knew who Shelby's were, but just like his wife telling Ada she trusted her when giving her baby to her, he trusted the rest of the family. Happy Ending!

Thank you for your time!!!!😍😍😍😍

Omg, you didn't lie, this was fucking long for a request... if this can be called a request at that length!

I really like the idea tho and it's super cute, Tommy with his daughter, etc.

Like you offered, I'm going to change a few things or to be percise... I will take the short version, because this already got me thinking and the long version was basically a story already.

I like to fill in the gaps myself and make this a full story, but it's going to take a while... because I have loads of other requests and I can't shut up... so I might write +10k again... for this idea.

Or multiple parts, I don't know yet XD

Gosh, I have to say it again... this is a long ass request... coming from meeee, the person who writes 12k ONE- SHOTS XD

Thank you for sending this in! 🌹

[silverinia]

I came for Baranski, I stayed for Baranski - a quick Christmas On The Square review someone* actually asked for

(* thank you, anon)

Disclaimer: I am in no way a professional of any sorts when it comes to film and I'm not a journalist either. The last movie review I've written was probably for a school assignment in eighth grade. I didn't do research for this and I've watched the movie exactly one time, so this is just for fun.

It was a Sunday, Sunday the 22nd of November, nearing the end of the train wreck of a year that is 2020. I woke up on an air mattress around seven am, my head aching, my throat itching with pyrosis and light nausea, it was still dark outside behind the closed blinds in front of the windows, when I slowly realised where I was, one of my best girlfriends sleeping next to me in her bed. I had crashed at her place after a warm, fuzzy evening of mulled wine, tacky Christmas movies I would never watch alone (Christmas Chronicles and Holiday Calendar, which I quite honestly didn't enjoy at all, but the company made it fun anyway), doing our nails, wearing the fun kind of face masks for a change and smoking too many cigarettes, as the soft pain in my head informed me right now. She woke up an hour later and the morning went by with coffee and reheated pizza for breakfast, when we decided to watch another movie and I realised that it was THE Sunday I'd been waiting for through Zoom interviews and Dolly Parton twitter memes and the infamous wig gate that will be briefly discussed in the following, and so we clicked on the small icon in the Netflix menu that said "Christmas On The Square".

And oh boy, was it a ride.

To start off, I should mention that I have a hard time watching most modern day American Christmas movies, as I noticed quite vividly again when I watched the two aforementioned Netflix productions last night. The character development is always foreseeable to say the least, the plot lines are plain clichés hunting each other like they're the kids in The Hunger Games, and the writing is generally so bad that you can join the actors in reciting the entire scripts on your first watch. I watch How the Grinch Stole Christmas once a year while I'm gift wrapping and pause every fifteen minutes to shamelessly stare at forties Christine Baranski (I think we should all turn away from the birth of Jesus and instead count our years based on Christine Baranski's date of birth) in flamboyant nightgowns and short Christmas themed dresses, looking so fabulous that every interpreter of Santa Baby ever could only dream of it, I watch Love Actually at least five times a year to lust over Hugh Grant, cry with Emma Thompson and miss Alan Rickman, I enjoy Bridget Jones, which I would definitely consider a Christmas movie, and that's it. That's my yearly Christmas time entertainment routine and I can barely tolerate anything beyond, because I'm still traumatised from the time when I was around five years old and on a holiday family visit where had to sit through National Lampoon's Christmas Vacation, the dumbest movie I have ever seen (my apologies if you like it but also, who hurt you?), with my cousins. I hated it. I hated every minute of it. And it scarred me for life.

But this was a Christine Baranski movie, I knew she was going to play the lead and so I was pretty much as excited about this as I could. And the fact that Dolly Parton wrote the whole thing didn't hurt either. As I said earlier to my friend I was watching it with, I have the pop cultural taste of a fifty year old gay man, a quality I am most proud of, and this simply ticked off all my boxes.

I expected something similar to a Mamma Mia experience that wouldn't cause me to crave packing my bags, give Covid the finger and run off to Greece. Light-hearted entertainment, easy to stomach, uplifting music and so little plot that the simplicity feels like a creative choice. That's what my pained, hungover brain knew it could cope with and that's not what I got.

The movie started and I was immediately in the zone. I saw Christine Baranski's name in the front credits (an experience that never fails to make me scream "Yass Queen" at the screen, regardless of where I am and who I'm with, as if I'm the sobering result that pops out of the package when you order Jonathan Van Ness on Wish), the setting was wonderfully corny (I grew up watching Gilmore Girls once a week, so give me warm fairy lights and a gazebo and I'm perfectly happy) and as my friend wondered whether Dolly Parton, in her exaggerated homeless attire that didn't make her look shabby at all, was green-screened into the setting because she stood out so much (which she was because the background dancers were dancing in slow motion, but to be fair, we were probably still a little too drunk to notice that from the start) and I told her I thought that it was just the natural glow someone who's Dolly Parton simply carries with them everywhere they go, I was happy. This was the movie I was prepared for. A movie in which the most problematic thing would be stereotypical characters and the wig they hid Christine's real, flawlessly handmade by God herself hair under.

And then, around five minutes in, Christine Baranski's childhood love interest was revealed as she pressed her perfect pointy nose against the window of his shop and sang about her unrequited love.

And suddenly, things started taking turns at a pace I was still way too sleep-deprived for.

Suddenly, in the middle of my general amazement at seeing Christine Baranski do literally anything and laughing loud at her impeccable comedic delivery, there were unresolved daddy issues, hanging prominently at the wall in her marvellously designed house (she literally says "Daddy" at one point and I couldn't help but think that only someone with her vocal skills could keep from making it sound cringe-worthily kinky). One moment, I was clutching my chest above my heart while she was bonding with little bartender Violet and munching on pretzels while downing some whiskey in that elegant way only Christine Baranski can bond with ten year olds who had it rough, eat pretzels and down whiskey, and the next she felt responsible for said girl's mother's death (which she kinda was too, but I'm not the boss of her). I was still busy making fun of how the very annoyingly, but when you're snacking on pizza with extra cheese at nine in the morning also highly funny, slow talking pastor's name was Christian, and suddenly there was a cancer scare.

It was a lot, a hasty sprint from major issue to major issue with a hint of comedic relief every now and then, and it didn't get any less until the very, rather poorly resolved, end.

The entire, constant up and down was followed by the movie's peak of suspense, the near death of precious Violet, something I couldn't even get too invested in because I was still so busy worrying about Christine's MRT results (I was truly fucking worried), not to mention that I hadn't even started to really process the sudden revelation of the love child and how it had affected her character's actions until this point. Was her constant tendency of pushing people away, as we've seen most clearly with her angel in training assistant who's name I cannot recall right now, the result of her broken trust in her father who practically ripped her son away from her after she had just given birth to him? Was it a result of her never getting the closure she needed with plaid flannel wearing Carl she was clearly still in love with? Maybe both? And what of the many issues was it that made her so incredibly shaken up when Violet blamed herself for her mother's death? Was it 'just' due to the fact that the closed pharmacy was on her, or was there more to it? Was it because she had grown up without a mother herself? Or did I miss a major piece of information because I was momentarily distracted, dumbfoundedly staring at Christine's very blue eyes? No time to ponder on that, little Silverinia, because here comes unconscious Violet in an ambulance, WEE WOO WEE WOO WEE WOO!

I'm not going to go in depth about what plot lines I thought were especially carelessly handled and why, real standouts were the sudden forgiveness towards her father who had still acted like a shitty asshole even though he might have had his reasons, because giving the baby up for adoption just wasn't his choice to make, and the fact that I kind of didn't buy how quickly Regina managed to forgive herself, especially for Violet's mother's passing, considering how deeply her tall, slim, dare I say angelic and entrancing figure was buried beneath the weight of all her issues. It felt rushed and incomplete, but that's as detailed as it gets because my major point is something else.

I think this movie made the great mistake of trying to be more than your average, flat, happy ending Christmas movie. I think no one involved thought it was possible to make it a big hit if the only real plot would've been great Dolly Parton music, fun ensemble dance choreographies, Christine Baranski's outstanding acting skills, fun settings and costumes and a redemption arch with as little plot as it could possibly take to make Christine likable to those who aren't already lost forever in the rabbit hole of being obsessed with her (poor fuckers, can't relate). They didn't notice that with the legends that were involved, they could've easily gone the Mamma Mia way. And I think that's why they tried to include heavier plot lines than most creators would've chosen, experiencing loss at an early age, struggling to find closure, dealing with sickness, teenage pregnancy, parents forcing their choices on their children when they affect their childrens' lives first, adoption, and the fear of losing your kid.

It was a lot and I don't want to say that it didn't work because my friend was crying, like, pretty hard and I questioned my entire existence all through the movie in not the worst way, and I did enjoy it a lot while watching. The "grief is love with nowhere to go" line was a real standout, for example, where the attempt of complexity DID work. It positively gave me fleabag season two, "I don't know what to do with it now, with all the love I have for her." - "I'll take it. It sounds lovely. You have to give it to me." feels, and that's about the biggest praise I can come up with. BUT (and this is written in capital letters because it's the big but) I'm also totally convinced that I wouldn't have enjoyed it if they hadn't cast Christine Baranski for the lead role. In my humble opinion, the hasty, not really at all resolved plot of this movie only worked because Christine Baranski is just a fantastic actress. She quirks a mocking eyebrow and you laugh. She parts her perfectly painted red lips and you immediately hang on them because you don't want to miss a single breath she, a literal goddess, graces us mere peasants of people with. She smiles and you're happy. She laughs and even while she's still laughing, you can't wait to hear her do it again. Her eyes fill with tears and you feel goosebumps on your arms, her voice slightly trembles, a breath hitches in her throat and you feel your heart shattering to pieces. As Chuck Lorre once said, this woman could read you the phone book and you would end up laughing tears because she just gets the job done. She knows what she's doing, she's an absolute pro in her game, and it doesn't matter, not even a little bit, what she's working with, because the work she eventually delivers with it is always at a minimum of 200%. I forced my friend to watch this movie with me because I adore this woman, and I felt for this movie because I felt for her. It wasn't the plot that sadly brutally overestimated itself, it wasn't the songs that I obviously enjoyed, nor the comedic elements that truly made me laugh a lot, it was all her. I came for Baranski, and I stayed for Baranski. This woman can do anything. She can even look graceful in a terrible wig job.

(side note / unpopular opinion: I actually didn't think the wig was all too bad. It wasn't good, actually far from good, but for me, nothing can match the awful wig game of Mamma Mia 2. I loathed that wig, I absolutely cannot stand it. So this didn't feel all that terrible. It definitely wasn't the most problematic part about the movie.)

I enjoyed watching this. It was a nice distraction from all the bullshit in the world. Watching it today was the first thing this year that actually brought me something close to excitement about the holiday season, even though everything will be very different and probably not quite as jolly this year. But it just gave me good vibes and as someone who did not watch this as a film reviewer, that's the biggest part of what leads me to enjoy a movie.

Will I watch this again? For sure. Will I enjoy it when I'm not hungover, having freshly done nails and munching delicious pizza for breakfast? Probably not as much, but it'll still have Christine Baranski in it. Would I recommend watching this? If you share my obsession with Queen B, one hundo. If you don't, probably not.

[mommyinafrica-blog]

Day 2: The orphanage

Day 2 : the orphanage

Tears... That is all I have. Tears.

I read somewhere by an Israeli guy who came here with innovation Africa, that he felt these were the places that God forgot about.

I don't believe that because i believe in a loving and good god... But I think they are the places we have forgotten about. Because it's too hard. Where do we start? And when we start it feels so very futile.

Our journey began from Entebbe to an orphanage ( the place and name is failing me now) but suffice to say it is in the middle of absolutely no where. As we say in Hebrew - at the end of the world turn left.

Poverty reigns supreme in Africa but the orphanage broke me.

I intended for this blog to be Liza funny - in all my quirkiness... But I feel devastated today so forgive me.

The orphanage was a last minute add on. When I saw our itinerary I realized it wasn't listed and I knew Innovation Africa had helped one or two. And I wanted to go. They said the road was longer and bumpier but if I was willing to forgoe the scenic route it was doable. So we did it.

I had nothing to bring of substance to the children... We had just scraped the $18000 for the school... I asked Sivan the CEO of innovation Africa, what they need - her reply was : everything!

She then forwarded me an email sent to her last week from Patrick the director and founder of the orphanage asking for food, help with the drainage of the girls toilets, help with the water system because it was being overused.

Sivan had sent $2000 dollars of food... But there were no more funds at this stage.

I saw the email and said - I'll organize another $500 of food. Having no idea how I would do this.

By miracle i discovered that night that there was money from proceeds of wine we sold after our wine tasting event.. And instead of it being a few hundred shekel as I initially thought... It was actually 2600 shek... Which gave me $750!!! The food was bought.

On the day we left, at 6:30 am, friends of mine showed up with 100 euro for the orphanage... Which meant I now had money for books and treats which we bought on the way in Uganda. It was like the universe was willingly complying with me.

I knew it would be upsetting... But I can't quite catch my breath when I think about it.

All the kids were waiting for us. Like white Demi gods coming to improve their lot... But we had done so little, so very little and i felt undeserving of this ceremony.

They sang and danced for us, some were scared of us. The director made a speech welcoming us - some teachers cheered, but I noticed a couple that looked annoyed at best... The ones who knew we would come and go - and not much would change. The kids would still be left in the same devastation that is their lives.

The soccer ball was a huge hit amongst them. They had never seen a ball of this quality. ( it was a completely regular soccer ball) they divided in teams in minutes and I'm quite sure if given half the chance there was a messi hiding amongst them. But we will never know, because they will NEVER be given such a chance.

The little kids would run up to us - touch us and run away. I took pictures of them and showed them. There are no mirrors, so they have never seen what they look like.

The older kids were cynical maybe even angry... But they had every reason to be. They were old enough to know we would come and go and other than a pencil, a lollipop and some crappy rice... Not much would change.

They sleep in smelly tiny rooms, 2 or 3 to a mattress in dirt floors, that are highly problematic because the kids keep getting bitten by worms. There are no toilets just holes in the floor with no water or wipes to clean up after with. There is no gas for food only fire and the wood is expensive. The classroom had a chalkboard that looked fifty years old, it was dusty and stuffy and tiny. I could not fathom where all the kids sleep or sit.

I wondered about these poor girls, a period.. Just wanting to feel clean and pretty. The babies... Oh the babies - who need a mommy. No one to just keep them all truly safe and deeply loved.

There was another classroom but it had no roof, the director is desperate for money to close the room ( it's now the rainy season) and obviously cement their floors so the kids can stop getting bitten by bugs.

Everything about being there was hard for me. One little girl caught me eye... she was beautiful - I told her so. She held my hand and never let go until we left.

I got in the car and cried a million tears. Grateful for the dark.

Of course fifteen minutes on a very bumpy off road track honestly in the middle of no where with not much time till dark, out jeep got stuck wheel high in mud!

I may have been silently panicking.

I was raised in South Africa, being in a very fancy looking jeep with two white people sitting in the back is not exactly where one wants to find themselves.

robs and Franco - from the amazing IA team began to call guys driving past on their motorbikes or bicycles to stop and help us... he told them to stop because people needed help. Not for money.

I knew how poor these people are, and yet they stopped knowing that the few items of clothing they owned were about to get covered in mud.

Before I knew it 30 men, accompanied by an audience of kids were digging, bring rocks and pushing our jeep.

I had more cash in my wallet than they have probably seen in a year, and even though I was terrified - they did nothing other than help us.

Eytan asked me why we didn’t just call a towing company!!!

We gave them some sweets and money to say thanks. But i left floored, in their eyes we were wealthy sitting ducks.

The complimented me by asking Eytan the name of his sister - and off we went!!

A very long drive home on different dirt qbumpy roads, wet and scary due to the rain - we finally arrived at our fabulous hotel in the town of mbale.

Descended on by the english some 100 years ago... mbale has hotels and is relatively built up.

Oh the contrast of our lives.

I went to sleep devastated... my mind chewing over what we can do to help these ever so needy and desperate children.