#i'm not an artist at all so i know it's bad (say it to yourself first and no one will hurt ur feelings 😉)

[calware]

Do you have any advice on how to write Dirk and Hal or know of anyone I could get tips from :0?

okay so first of all i want to say that i don't think that i'm really an 'authority' on the subject, or that anyone else really can be aside from andrew herself. but i do have some thoughts and opinions that i'm willing to share

#1 piece of advice is to reread the comic once in a while. or at least reread bits and pieces if that's too daunting or not feasible. the POV cam extension is really helpful for that because you can specifically reread just the parts where dirk is there (does not work for hal though iirc which is where the dialogue directory is the next best thing) anyway i suggest doing this because it's always better to have their canon depictions fresh in your mind so you aren't accidentally working off of purely fanon ones

i think this is more of just a writing tip in general but try to think about how much you intend to transform the character. and by that i mean how much you want to stick to canon characterization. no matter how far you go with it, your depiction should always be informed by canon, but you can go as far with it as you want as long as it's intentional. so for example, if you want to stay really close to canon characterization, go for it. but if you want to stick them in an AU, ask yourself how that will change their behavior, personalities, etc. and it you specifically want them to act differently than they do in canon, that's okay too as long as you justify it and make it believable to your reader. you don't have to be afraid of changing them as long as something happened to cause that change

i feel like these are the two biggest pitfalls people fall into, usually a combination of the two. either they just don't understand the character well enough to give a believable portrayal of them, they don't give the audience enough reason to believe their portrayal of them, or both. for example there are a lot of hal fics out there where he is evil and kills people for fun, which to me just tells me that the author didn't really get him. but the takeaway isn't that you should never make hal evil and kill people, just that you need to provide basis for the audience to believe that he would be evil and kill people while still feeling in-character for doing so. that's what i mean by intentionality, you need to understand why you make the artistic choices that you are making

i wrote down some common tropes (?) of hal writing i tend to see that are along the lines of "i see these a lot and they wouldn't be bad if the author just made them feel believable" if that's at all helpful. i can do some for dirk as well if anyone wants me to

3. avoid being reactionary. the homestuck fandom is so reactionary with its portrayal of characters, meaning that one mischaracterization will get popular, and people will complain about it and swing the complete opposite direction, leading to a different mischaracterization becoming popular. an example of this is everyone thinking dirk is the coolest ever, and then switching to think he's the lamest ever. just try to focus on your own perceptions of the characters based on what you read from the comic and what you agree with others on, don't form perceptions based on trying to break away from something else

4. this goes more for dirk than hal because hal isn't as popular, but just keep in mind that dirk isn't the main character. i think a lot of people attribute main character energy to him when they don't really have to. obviously if you write a fic about dirk, he's literally going to be the main character, or if he's your favorite character you're going to care about him more than the others. but that doesn't mean he's any more important, more special, more traumatized, more mentally ill, or what have you, than any other character. going back to the example from above, the people who treat him as both the coolest OR the saddest character are both portraying him as the Special Boy. when the reality is that they are all pretty special and he's not an exception

i hope that all made sense... if not feel free to ask and i can explain further if needed

[joe-fuckingtwice-toye]

i was going to draw a shark, but johnny's spirit got into me and voila. happy martin monday to all those who celebrate.

let's just appreciate how beautiful his face is caressed by the sun

[burning-academia-if]

i know you said your shy about your art but you shouldnt delete it! it's good! ....maybe we can have a happier piece in the future lol x.x also you miiiiiiiiight've inspired me to work on one of my pieces again, im no artist but i enjoy drawing even if its no good, thank you for that

Dw Rhea's bday is the 18th so you'll get a happier piece with her then!

Also I firmly believe in making art for the joy of it not the skill of it, so if I inspired you I'm glad!

[superconductivebean]

Just my thoughts—as a fandom hermit of sorts.

Creating for nobody but yourself is actually discouraging when it's done repulsively. You'll feel its hard slap later down the line—unless your inner reader began to enjoy you as an author. They will gradually subside your inner critic and might teach them few lessons in how to appreciate maybe not the work itself—who of us doesn't have an one we dislike in some way?—but the craftwork went behind its creation.

How to do that?

Surprisingly easy.

Watch your creative decisions. Introspect. See yourself in your work.

You are inseparable in some way or another, your reflection is present within it, and by that I imply how you felt writing it and why did you think something would or wouldn't work. The only one who usually know is you, so, if you feel something is wrong, it probably is. The best is the enemy of the good, yes, but I'm not talking about perfectionism. I'm talking about the need to listen to that tingle and being able to assess it before editing.

Perfectionism is, in a sense, artistic pessimism. It tells you everything is wrong but it can't be an objective truth. Then some scenes must be wrong, and alright, good, the field is narrowed down. Which ones? Where? Why? At that point, put the work away for a day or two, then re-open, re-see, realise, that yes, that could be improved, except it isn't a scene. It's a sloppy word choice. It changed the sentence, that avalanched into a little rearrangement, and voila, everything works.

You fight the pessimistic outlook with a little bit of rest.

The more you learn how to treat your work, the more you might grow excited to try new things and not because you want to show them to the world but first to yourself.

That little part of you is who actually matter. Learn to love these little emotion abstractions. Care for the little guy, nurse them, feed them different ideas, styles, work them up to your master and see yourself forming in directions you'd never thought you would be able to simply because them—you—wanted to try something new. It would not matter if those were successful or not; when the entire process is a journey, the output's performance begins to matter very little.

Besides, the little guy would want company—and that's when other people come in. The reader doesn't like negative responses or no responses at all, true. Know who does? Your inner critic.

They're all too eager to overthink things and they're the perpetrator of your pessimism. So make them analyse why something clicks for many people and why something goes under their radar, make them a little analytics-building machine (which is also a skill), and just keep its outputs close in case you're curious how different fandoms or communities work. It's mostly a useless information. But you will be certain about things, and certainty brings comfort.

It will help to find readers in case you'd need more, too. Or if you'd like to meet someone new. But is it a guaranteed method? No, it isn't. Sometimes you'll write the most influential fandom monsterfic and all these people will pass by. Othertimes you'd write the smallest fic in the fandom but all its people will get around it because they liked your take on things or became curious with your ideas—and they can actually stuck around. You may never know. Fandom isn't business, it is rather a wild fair with barely predictable events in its main mystery.

Besides.

You can't make yourself a miracle to everyone; but be the miracle to yourself, and people will notice it and will try to comprehend you. Be Original, they say. They lie. They want the same jacket but red. Or the same jacket but sewn from kelps. Be Familiar But Be Outland-ish. Do your thing, that everybody else does, in your own fascinating way. Be the artist after all, be that bitch and leave people with the art-shaped holes in their thoughts.

I used to play an instrument once. I was bad at it, well, I was taught poorly and was only ever learning how to play from the sheets. It never go outwith or far and the instrument is long-sold, but I'm still able to recall the emotions I had while playing it. Heartbeat was the metronome, the hands were going in perfect synch, the entire body was able to feel the timings, and at some point, it wasn't simply the flow and going along with it. It was being the flow. The architect behind its creation—well, yes, the music wasn't mine, but being able to recreate it and make it sound as it supposed to sound was utterly captivating, enamouring, absolutely wondrous experience.

Years later I became enamoured with the writing—the process of it. If I manage to build the flow correctly and sail down my own rivers with little to no bump, unless planned, I'm overjoyed and amazed.

But will it go far? How well will it perform? Sometimes I do care if I know people might be interested, but beyond that, it's just doing its thing and bringing me joy because it's a puzzle, because it's a never-ending fascination—and because it's even more than that when done in the completely different tongue. And people take to it. Because it looks fun, perhaps, or it's something they had rarely seen before done in the language, or maybe it's just the way I tend to pick words and arrange them. I always get different answers. But what I know for certain: that something I found within me works both for me and people liking my things.

That what matters.

It all might sound a tad bit mental but it's so important to be in harmony with yourself as an author, as a reader, and as your own critic—who else knows you as much as you? Don't forget the people you have—the crowds will come and go, but the friends will stay.

Maybe this is a hot take, but as creative people, our #1 priority in our work should be ourselves.

It is not, AND SHOULD NEVER BE, what would get us the most engagement. Dispel "content creation," popularity, and monetization from your brain. Write, paint, draw what you want to! HOLY SHIT!!!!!!

The people who resonate with it will eventually show up. But the people who don't? Who cares???? The art you personally create is meant to help you heal, to help you express, to bring you joy and pain!!!!

You need to learn how to work on something because you deeply care for it and can revel in that self-satisfaction. Of course recognition feels fucking great! We all want it. We are humans, but you need to stop creating with the idea of other people consuming your work!!!

Give into the art movement. Create a renaissance for yourself. Fuck other people. Be that bitch! People are not going to be in your lives forever, and when you're left to your own devices, you should be able to look at what you've created and fucking love it.

[hoziersong]

do you mind if i ramble in the tags about my weird relationship with making art in fandom for a second

[whisperofwonder]

Continuation of this

fem!reader x Kuroo Tetsurou

You smile at your reflection in the mirror as your maid of honor tucks one wayward strand of hair back into your updo. In less than an hour, you'll be walking down the aisle. You wonder what Tetsurou's face will look like when he sees you. You wonder if he'll cry. He'd insisted he wouldn't, but, well.

"You look so gorgeous!" One of your bridesmaids breathes, and truthfully, you'd have to agree with her. The hair dresser and makeup artist have worked their magic, and you'd found the absolute perfect dress. Now, all that's left is to wait until the ceremony begins.

Your friends' fawning over you is interrupted by a knock on the door.

"Yes?" Your maid of honor moves to stand by the closed door, hand hovering over the handle.

"Babe," The voice belongs to none other than your soon-to-be husband, and you instinctively cross your arms over your front, even though the door is still firmly closed. He can't see you before the wedding!

"I need you to tie my tie!" You resist the urge to roll your eyes.

"You know how to tie a tie," You call back carefully. "Just do it yourself!"

"But you always tie my tie." His voice is the next thing to a whine.

You sigh. "Where's Kenma?" Surely his best man didn't allow this. You wonder how he managed to slip away.

"Kenma is 'sick of my shit'," He intones, and you can practically hear the words in Kenma's voice. You sympathize. "Baby. My love. Please." He's begging now, and you can't help it. You start to soften.

Your maid of honor is looking at you with wide eyes, slashing her hand across her throat in a clear gesture: NO. You love her for that, but still.

"You'll close your eyes?" You ask in your sternest voice. "You can't see me, you know! It's bad luck."

"Yes, I'll close my eyes! Promise."

"Close them TIGHT," You insist, making sure he understands the gravity of the situation.

"They're tight," He promises. "Open the door already."

You nod. Your maid of honor hesitates for a few moments, but slowly swings the door open with a shake of her head.

There he is. Tetsurou. Your fiancé. In less than an hour, your husband. You feel your heart begin to swell in your chest. He wears a suit every day, but he looks especially handsome in this one. The tie in question is draped loosely around his neck.

"Babe?" He has his eyes squeezed shut, that much is obvious. As an added measure, your maid of honor pulls him inside and moves behind him, pressing her fingers across his eyes.

"Go ahead," She sighs. You reach for the tie, carefully straightening it around his neck. You reach for his collar, making sure it's turned up all the way around, and you watch as a smile begins to tug at his lips.

"I'm so excited," He murmurs as you work. "Can't wait to see you." The fingers covering his eyes tighten.

"Me too," You can't help the smile that's stealing across your own face. "I can't wait."

You begin making the knot, enjoying the dopey grin that's now completely filled his face. "There you go," You finally say, giving the knot a pat. "Perfect." Like always, you tug on the tie, just a little. Tilting your chin up, you lean into his kiss, savoring the feeling of it.

"I love you so much," He murmurs as he pulls away. "Thank you."

"I love you too, Tetsu." You take a step back, just drinking him in. "I'll see you soon."

He opens his mouth, but before he can drag the moment out any longer, your maid of honor steps in. "Okay, lovebirds, that's enough." She pulls him back. "Get back to wherever you're supposed to be. I'll kill you if you mess this up," She threatens sweetly.

"Yes ma'am," He murmurs as she shoves him back through the door, slamming it shut nearly in his face.

"You two make me sick," She sighs. The mushy smile on her face doesn't match her words at all. "Come here, let me touch up your lipstick."

[were--ralph]

why exactly do you dislike generative art so much? i know its been misused by some folks, but like, why blame a tool because it gets used by shitty people? Why not just... blame the people who are shitty? I mean this in genuinely good faith, you seem like a pretty nice guy normally, but i guess it just makes me confused how... severe? your reactions are sometimes to it. There's a lot of nuance to conversation about it, and by folks a lot smarter than I (I suggest checking out the Are We Art Yet or "AWAY" group! They've got a lot on their page about the ethical use of Image generation software by individuals, and it really helped explain some things I was confused about). I know on my end, it made me think about why I personally was so reactive about Who was allowed to make art and How/Why. Again, all this in good faith, and I'm not asking you to like, Explain yourself or anything- If you just read this and decide to delete it instead of answering, all good! I just hope maybe you'll look into *why* some people advocate for generative software as strongly as they do, and listen to what they have to say about things -🦜

if Ai genuinely generated its own content I wouldn't have as much of a problem with it, however what Ai currently does is scrape other people's art, collect it, and then build something based off of others stolen works without crediting them. It's like. stealing other peoples art, mashing it together, then saying "this is mine i can not only profit of it but i can use it to cut costs in other industries.

this is more evident by people not "making" art but instead using prompts. Its like going to McDonalds and saying "Burger. Big, Juicy, etc, etc" then instead of a worker making the burger it uses an algorithm to build a burger based off of several restaurant's recepies.

example

the left is AI art, the right is one of the artists (Lindong) who it pulled the art style from. it's literally mass producing someone's artstyle by taking their art then using an algorithm to rebuild it in any context. this is even more apparent when you see ai art also tries to recreate artists watermarks and generally blends them together making it unintelligible.

Aside from that theres a lot of other ethical problems with it including generating pretty awful content, including but not limited to cp. It also uses a lot of processing power and apparently water? I haven't caught up on the newer developements i've been depressed about it tbh

Then aside from those, studios are leaning towards Ai generation to replace having to pay people. I've seen professional voice actors complain on twitter that they haven't gotten as much work since ai voice generation started, artists are being cut down and replaced by ai art then having the remaining artists fix any errors in the ai art.

Even beyond those things are the potential for misinformation. Here's an experiment: Which of these two are ai generated?

ready?

These two are both entirely ai generated. I have no idea if they're real people, but in a few months you could ai generate a Biden sex scandal, you could generate politics in whatever situation you want, you can generate popular streamers nude, whatever. and worse yet is ai generated video is already being developed and it doesn't look bad.

I posted on this already but as of right now it only needs one clear frame of a body and it can generate motion. yeah there are issues but it's been like two years since ai development started being taken seriously and we've gotten to this point already. within another two years it'll be close to perfected. There was even tests done with tiktokers and it works. it just fucking works.

There is genuinely not one upside to ai art. at all. it's theft, it's harming peoples lives, its harming the environment, its cutting jobs back and hurting the economy, it's invading peoples privacy, its making pedophilia accessible, and more. it's a plague and there's no vaccine for it. And all because people don't want to take a year to learn anatomy.

[norikuna]

WHAT? LIKE IT'S HARD? ✶ choso kamo

abstract ✶ there are six physiological stages of having a crush. you just wish that you didn't have to learn this through first-hand experience. everyone said that choso kamo was a loser in high school, a quiet kid who haunted the campus with no friends. sure, he was brilliantly smart, but he dropped out in senior year. he even managed to break your heart, the glittering prom queen, with the world at your fingertips. imagine your surprise three years later, when you find yourself stuck with him in med school. what's worse? he's actually super hot now!

PART II. of the new years letters, a series of fics dedicated to some of my lovely mutuals! 🎁

pairing. choso kamo x afab!reader genre tags and warnings reader is practically a blair waldorf prototype (filthy rich, a bit bratty, spoiled), bestfriend!gojo, background gojo x geto, mentions of blood and injuries, med school, MISCOMMUNICATION, angst and hurt, fluff, kissing and making out. sukuna and yuuji cameos.

word count. 17.5k! song inspiration. crush culture — conan gray

a/n. shameless med student insert i rlly projected my full heart and soul into the anatomy lab ick. art belongs to all respective artists [will add credit!] crossposted on ao3 💖

dedication. for my dear kashika, first of all happy (belated) birthday @kasukuna 💗 wanted this to coincide with ur day but i'm late, i fear!!! you hype me up so much, send the sweetest asks and you're so damn talented that i'm left begging for an ounce of your creativity and amazing mind! your fics are so witty and well thought out and i like to think that you've spawned an incredible dumbass!bf sukuna renaissance on jjk tumblr 😭 idk if you remember but i sent you an ask on creamflix so long ago like the start of december asking you to choose between characters and au's so i tried lifting this as verbatim as i could from ur answer <3 hope you had the most amazing day ever!!

mp3. ✶ crush culture makes me wanna spill my gut out, i know what you're doing! tryna get me to pursue ya <3

You refuse to speak to Gojo Satoru ever again. Not today, not tomorrow, not in this lifetime nor the next. He’s officially dead to you, figuratively, of course. Unfortunately.

The moment he stops cackling like a deranged hyena in the middle of your bedroom, you’re going to shove him out the door so hard that he’s going to see stars. You’ll block his number, you’ll delete every photo of his smug grin, and you’re going to hire an exorcist to cleanse his essence from your life.

Except right now, your best friend is sprawled across your bed, practically writhing as he gasps for air in between bouts of ridiculous, chipmunk-like squeals. He’s still in his uniform, having crashed at your place after school, with his white shirt untucked, sleeves pushed to his elbows and his tie dangling uselessly around his neck.

“You are such a child,” you grumble, shoving your sticker-laden journal off your lap with a huff, just so you can aim a precise kick at his ribs. Satoru wheezes dramatically, clutching his stomach like he’s just been mortally wounded in battle.

“It’s -” he’s snickering, slapping the fine-thread sheets with the fervour of one trying to summon a higher power, “It’s just too good. I – oh my god, I really can’t breathe! I think I’m going to pass out.”

Satoru’s rolling over dramatically, dark-tinted sunglasses slipping down the bridge of his hawkish nose, leaving him to look like a cherubic bird with a bad attitude.

“If only,” you mutter darkly, arms crossed over your own blazer as you glare daggers at the white-haired boy, “It’s not that funny.”

But Satoru just doesn’t listen, of course. His grin is wide enough to split his face in half, and every breath that he takes is another affront to your polished dignity, and every stupid wheeze is a reminder that you made the colossal mistake of trusting this man with classified information.

“Keep laughing,” you say, your tone low and menacing as you snatch your phone off your nightstand, “And see what happens when I play offence.”

That gets Satoru’s attention, as he freezes mid-snort. Grin faltering just enough to make you feel a small and petty thrill of satisfaction, “You wouldn’t.”

“I would,” you say, already tapping away on your phone, scrolling past the ninety-nine notifications clogging Instagram. A certain raven-haired boy’s name hovers in your mind, one who shares the same initials as Gojo Satoru.

You’re not above sending a risky message.

Hey! Gojo’s been totally obsessed with you, ever since you bashed his head in with a spiral notebook back in seventh grade, and called him a spoilt, rich kid. He draws love hearts around your name every night. Just thought you should know, XOXO.

“Wait!” Satoru bolts upright so fast that his sunglasses fall into his lap, his grin morphing into a scowl as panic flashes in his too-blue eyes, “That’s playing dirty. Totally unfair.”

“You’re the one who laughed like a lunatic,” you say sweetly, tilting the phone towards him as if you’re about to hit send.

“You can’t be serious!” Satoru points a long, accusatory finger at you, his dramatic outrage undercut by the way his lips keep twitching, “I mean -” Another snicker escapes him as he buries his face in his hands, shoulders shaking again, “Like how? Of all people, you really have a crush on that guy.”

For a fleeting moment, you wonder if it’s too late to enrol in witness protection. It was clearly your mistake, deciding to tell Satoru critically sensitive information. Revealing the name of the boy that you were crushing on.

And yes, your type has turned out to be greasy Tim Burton reject loners who wander around school in faded Lord of the Rings hoodies.

You’re just totally head-over-heels for Choso Kamo.

“Whatever,” you snap, shoving your phone into the pocket of your school blazer with as much dignity as you can muster under the barrage of Satoru’s relentless cackles, “You wouldn’t understand?”

“Understand?” Satoru shifts himself with all the casual arrogance of someone who, unfortunately, has never been truly humbled in his life, propping himself against one of your enormous plush pillows.

The velvet squishes beneath his weight, gold embroidery bunching, but he’s utterly unbothered. “Enlighten me, we’re talking about the same Kamo right? The guy who sits behind you in class, and doesn’t so much blink in your direction? The one who looks like he’d rather gargle glass than talk to you?”

Another pillow sails across the bed before you even realise that you’ve hurled it. It strikes him square in the face, with a satisfying thwump! Muffling his laugh as he flails, tangled in thick, down stuffing.

“He’s just shy!” You insist, your voice rising as you get up to pace. Your Prada loafers click against the polished floor, before you kick them off. “And he only acts like that when others are around, by the way. He talks to me when it’s just us.”

“Oh, sure,” Satoru sits up, wrestling the pillow aside with a theatrical groan. His snowy hair sticks up at angles, like he’s been electrocuted, “That’s probably because he’s plotting his escape route while you corner him, like a lion closing in on its prey. Poor Kamo’s the gazelle.”

“Just know that I’m blowing you up in my mind.”

Satoru huffs, “So, what is your plan now? Are you going to ask him to prom? Are we going to see a proposal for the ages?”

You pause mid-pace, fighting the hot flush that creeps up your neck. It burns brighter as you glance towards the gilded vanity mirror, for that is exactly what you had wanted. You just needed to hear someone’s validation, “Should I?”

Satoru’s grin falters for a second, replaced with a look of sheer disbelief, “You’re kidding, right? That kid hates social events. You think he’s going to go with you?”

“Why not?” You’re fiddling with the crystal perfume decanters, the bottles of skincare on your vanity, “I’ve been dropping hints, okay? Subtle ones, all that manifesting shit.”

“Subtle?” Satoru snorts, “You mean letting half the football team pile bouquets into your locker? The locker that’s right next to his? Oh, yeah. Super low-key. Very humble.”

“At least I have options,” you snap back, flicking on the lights as the sun begins to sharpen its afternoon glare. Warm golden light spills across the room, catching on the ceiling-length silk drapes, “Meanwhile, I hope you end up alone at prom. Making ugly, kissy faces at Geto Suguru, while he’s with someone else.”

Satoru groans, like you’ve truly pierced his heart, “Cruel. So cruel when provoked,” but he’s propping himself back up on one elbow, “But hey, if you really do like Kamo, you know that makes him my future brother-in-law or something. That’s cool.”

Your gasp is sharp, scandalised, “Excuse me?”

“But think about it,” Satoru continues, ignoring your sputters, “You’re practically confirmed to be Prom Queen. Do you really want to drag that guy up on stage with you?”

“I think you’re being judgemental,” you mutter, tugging the drapes close and blocking out the faint twinkle of the city skyline, “He’d have to be insane not to say yes to me.”

“Someone is going to deflate that big head of yours one day,” Satoru says, and his voice has softened just enough to make you glance back at him, “You do know he cuts class a lot, right?”

“What’s your point?”

“I’m not being a bitch, I swear,” Satoru holds up his palms defensively, “He shows up for only half the month, you might want to check on your boy.”

You flop onto the chaise lounge, throwing an arm over your face tragically, “This isn’t the inspiring pep talk that I need right now.”

Satoru leans lazily against the gilded frame of your canopy bed, “Hey, it’s not my place to tell you what to do. But if you are that into him, then fine! Just ask him to prom and see what happens. And tell you what? If you ask Kamo, I’ll ask Suguru.”

You narrow your eyes, “Wow, this must be serious if you’re out here wheeling and dealing like this. Are you feeling okay?”

Satoru presses a dramatic hand to his chest, his grin morphing into something faux-solemn, “Cross my heart. I’m making a binding vow, like, it’s unbreakable. Life or death.”

“Deal,” you quickly say, ignoring the sudden leap of your pulse, because there’s no way that you’re letting him see how the sudden time-pressure is making your stomach twist into ugly knots. You point towards the door with a flourish, “And as much as I love our time together, I need to get ready. So…out! Chop-chop.”

Satoru groans like you’ve just asked him to drag a boulder uphill with his teeth, slumping off your bed in exaggerated defeat. He sluggishly reaches for his discarded backpack from the floor, slinging it over his shoulder, “I still don’t get why you bother with working. You and I both know that we don’t need it,” he mutters, as if the concept of responsibility personally offends him.

“It’s just babysitting,” you gently correct, shrugging on a cashmere cardigan from the back of your chair, “And anyway, you know I need a well-rounded list of extracurriculars for Pre-Med.”

“I’d rather eat my sunglasses, one lens at a time,” Satoru shoots back, adjusting said sunglasses squarely over his face, “Instead of being stuck babysitting brats all evening. We’re not meant to be saints.”

“It’s just one kid tonight. New family, new house,” you reply, grabbing your bag where it rests by the vanity, “Anyway, I expect a full report on your prom date by tomorrow, Satoru. I’m not forgetting that vow.”

Satoru pauses in the doorway, with the edges of his grin sharpened into something that makes you pity Geto Suguru in advance, “I never disappoint.”

You had finally managed to shove Satoru out of the doorway, his obnoxious laughter echoing faintly down the hall. The quiet that follows is a relief, albeit short-lived. You’re left standing in the stillness of your room, phone in hand, thumb hovering over the text with the address of tonight’s gig.

Honestly, Satoru might have a point. You, the only child of one of the country’s most obscenely wealthy families, babysitting? It’s not like you’re chasing pocket money or trying to build character. But medical school applications don’t only care about your bank account, there’s so many extra boxes to tick. Factors like being selfless or dedicated to the community.

The request had been odd from the start. Some child had called you himself, and normally, it’s the frazzled parents who handle that kind of task. His voice had been small, but determined, saying that his brother was out, and he needed a sitter for the evening. Something about the earnestness of it had softened you, though, now you were starting to regret the whole thing — seeing how far out this house was from your own penthouse.

Showing up in the Bentley with tinted windows and your chauffeur had felt a little off brand for this role. So, in the name of relatability, you had popped a piece of cherry gum and a book, taking on the bus. The sticky seats and questionable patrons had almost been enough to make you reconsider, but the suburb itself offered a strange charm.

It was quiet here, too quiet, the kind of place that might have once been picturesque, but it had gone soft around the edges. The homes were older, cozy but tired, with paint peeling in places and lawns that were overrun with weeds. You wrinkle your nose as you step off the bus, weaving through tufts of stubborn greenery and abandoned toys in the yard.

The house that you’re looking for stands a little crooked, but sturdy. It’s faded shutters are barely hanging on, and a basketball hoop leans precariously over the driveway. There’s a small, red toy car that’s entirely faded and scratched, sitting forgotten near the porch steps.

Just as your knuckles hover over the worn wood of the front door, it swings open with such force that you nearly stumble backwards. A blur of motion catches you off guard, and you’re suddenly face-to-face with a tiny, pink-haired whirlwind.

The boy’s grinning up at you, wide and gap-toothed, with big golden eyes. His hair is wild, a fluffy crown of rosy strands over a dark undercut, and his scraped knees are haphazardly patched up with dinosaur bandages.

“Wait here! I’m going to get my brother!” He chirps, his voice bright and slightly whistly, thanks to the missing tooth. Before you can get a word in, he’s gone, sprinting back inside with the energy of an overeager puppy, leaving you stranded on the porch.

You shuffle awkwardly, glancing down at the scratched paint on the doorframe. There was something endearing about the child, and you’re starting to feel less apprehensive. That is, until the door opens again, and time slows.

Your heart stutters, skips, and then plummets. As if someone’s dropped you into an industrial freezer. Standing there, with one hand resting lightly on the kid’s shoulder, and an expression that’s one part confusion and one part disbelief, is Choso Kamo.

It’s as if the universe has conspired against you, playing its most cruel and ridiculous joke yet. Tall and broad, with tired eyes that sweep over you in slow recognition. Dark mark twitching across his face, like a deliberate smudge of ink.

Choso’s blinking, startled to see you here, though his usual stoic expression has yet to crack. Meanwhile, your inner monologue is screaming a symphony of pure panic. You can already heal Satoru’s stupid squeals in your head.

The pink-haired boy tugs on Choso’s arm, “See, I got a babysitter! Isn’t that cool?”

Choso glances down at the kid, then back at you, his lips parting as if to speak.

“Uh, hey,” you manage. The picture of eloquence, the master of the verbose elite.

It strikes you, with almost absurd clarity, that you’ve never seen Choso outside the campus bubble. No dim library corners, no lab tables cluttered with textbooks, or heavy beat-up laptops parked in front of him. Gone are the oversized hoodies thrown over his school uniform, or the baggy jeans he dons when he forgoes the dress code entirely. Instead, he’s here, standing in the soft glow of the broken porch light, wearing a loose black tee and dark track pants.

His chestnut hair is free from the two greasy, spiky knots that he favours on his head, falling softer around his face. Your traitorous heart lurches, feeling a sharp pang of betrayal.

“You’re the babysitter?” Choso’s voice cuts through your spiral. Raspy as always, roughened like rock salt, but there’s something else threaded into the question. A flicker of irritation, and confusion. As if he’s struggling to reconcile you, with the person standing on his doorstep.

“You didn’t know when you booked?” You shoot back, aiming for casual indifference, but landing somewhere closer to petulant. Your eyes flick to the box he’s holding, with contents that glint faintly in the light. Suspiciously metallic, as if he’s cradling surgical tools.

Choso follows your curious gaze, exhaling sharply, and shifting the box to a nearby table, just out of your line of sight.

“I didn’t book,” he grunts, “Told Yuuji to check the ads, and pick one.”

“And I picked the best one!” The delighted chirp comes from behind Choso, as Yuuji reappears, practically bouncing with a sunny grin. His golden eyes are locked on the ribbon-wrapped box in your hands, and his expression is lit up with unabashed glee.

You glance down at the box, containing an array of decadent artisan doughnuts. Saffron glaze, coconut cream, pistachio and chocolate. All from that impossibly chic Swiss patisserie downtown. You ignore the dull ache building between your eyes, smiling as you hand the box over, “These are for you, little man.”

Yuuji’s already snapping his hands for the box, as though you had just delivered a treasure chest of gold doubloons, “Can I have one? Please? Pretty-please?”

Choso glances down at him with a long-suffering look that somehow manages to carry an undertone of fondness, “Just one,” he warns, his voice dry but warm, “For now.”

Yuuji doesn’t need to be told twice, bolting towards the kitchen and clutching the box to his chest like a sacred relic. The faint sound of icing being smacked off fingers echoes from somewhere around the corner.

Choso watches him go, before turning back to you, his posture easing slightly. “That was nice of you,” he says, his voice softer now, almost tentative, “But he’s going to crash hard after that sugar high. Good luck.”

You wave off his scepticism with a breezy smile, “I’m good with kids. I’ll manage.”

For a moment, the boy’s expression shifts. Something fleeting and unreadable flickers across his face, a hint of thoughtfulness or something heavier.

Another thought gnaws at the edges of your mind, a tiny spectre of dread wrapped in Gojo Satoru’s smug grin. Two hours ago, though it feels like a lifetime now, you made a pact.

You ask Kamo, I’ll ask Suguru.

At the time, it had seemed like an impossible bluff. But the thing about Satoru is that he’s infuriatingly reliable when he sets his mind to something. No matter the cost.

Which is why you’re here now, sweating under your cashmere sweater. The fabric is suddenly too soft, too warm, clinging to the nape of your neck. You, with half the school population ready to pen sonnets just for a chance to take you to prom. Jocks, debate captains, the crème de la crème of eligible dates. All overlooked in favour of the quiet boy that no-one seems to notice.

The boy whose locker was assigned right next to yours, empty and cold steel. While yours was glittered with Polaroids, and pastel sticky notes, and the occasional folded love letter. The boy that everyone said had no friends, but he was easily the uncontested valedictorian. The boy that you desperately wanted to ask to prom.

Choso is shuffling papers on the table, avoiding your gaze like it’s a laser beam. His movements are slow, and deliberate, but there’s an edge of tension in the way his fingers linger on a set of silver keys, before he slips them into his pocket.

“What?” His voice breaks the quiet, low and rough like gravel underfoot. It startles you out of your spiralling thoughts.

“Nothing,” you blurt out, far too quickly. You’re grasping at straws to keep the conversation going, “Where are you headed?”

Choso hesitates, a slight hitch in his movements, picking that cardboard box again. For a moment, you think he’s going to ignore your question, but then he mutters, “Work.”

You tilt your head, your curiosity outweighing your better judgement to never press Choso Kamo for more than two sentences in a conversation.

He shifts uncomfortable, and you catch a glimpse of latex gloves tucked neatly inside before he angles it out of view, “I…clean up things,” he says finally, his tone clipped as though every word is a concession, “Errands. I’m a cleaner.”

The kind of response that’s designed to kill conversation in its track. It’s vague, annoyingly so, but you let it slide, “Oh.”

You’re this close to spontaneously combusting. The pact, the reason that your hands shake when you catch yourself staring at Choso Kamo for just a second too long. It’s either now or never. Rip the band-aid before your central nervous system completely betrays you and implodes.

Objectively speaking, you’re a real catch. Second-best grades in the cohort, from an old business dynasty that rivalled the Youngs from Crazy Rich Asians, two-time prom queen with med-school practically knocking on the door. Yeah, a dream. College applications adored you. Surely, Choso would have had to be running on a clone’s brain stitched into his head to say no.

Yet, somehow, it doesn’t make your heart beat any less erratically. It doesn’t erase the hollow pit that’s clawing at your insides. And now, you’re wishing that you had asked for advice from someone with an ounce of finesse. Like Shoko, or Utahime. Not your best friend who called himself The Honoured One.

You clear your throat, the taste of artificial cherry gum still lingering, “So, are you going to prom?”

Choso snorts, the sound entirely dismissive. But he seems to realise that you’re not joking, flicking you a glance, like he’s deciding to humour you, “What’s it to you? Need me to vote for you to be prom queen?”

You roll your eyes, fighting the flush creeping up your Burberry sweater, “Didn’t I already ask you to do that, like, two months ago?”

His lips twitch, barely, like he’s holding a smile back under layers of indifference, “Yeah. You pestered me three times. And I actually did it.”

You latch onto the softer tone in his voice, “So, are you going to go, then?” You’re watching him, almost desperate for a sign, for anything other than no.

Choso’s shoulders tense, “Can’t.”

“Can’t?” The word slips out of your mouth before you can stop it, incredulous, “What do you mean can’t? Why? You need to study or something?” You’re trying so hard to sound indifferent, like you’ve got a roster of dates lined up. And well, you do. But this is the only one that you want. The panic creeping into your voice betrays you before you even realise it.

“No,” Choso replies, his tone quieter, “I really just can’t go.”

A weight drops in your stomach, heavy and cold. Is this what rejection feels like? The thought hits like a wave, leaving you breathless. Your heart’s flipping in your chest like it’s teetering on the edge of cliff, seconds away from freefalling into nothing.

You inhale sharply, steeling yourself for the words that are about to spill out.

“I want you to be my date for prom.” “I can’t go because I dropped out.”

The words slam into each other, and for a moment, everything freezes. Choso’s mouth has fallen open, the curve of his lips slack with shock. As though as someone’s hit the pause button on him, mid-thought. You blink at him, your brain becoming a skipping CD. Round and round, never quite catching the beat.

“What did you just say?” Your brows knit together in a sharp pinch, like your face can’t decide whether to wince or frown. But Choso just grimace, lips curling into a tight line as his shoulders stiffen.

“You first.”

Your fingers fidget around the cream Van Cleef that rests on your throat, tracing the cool edge of the pendant. It’s one of your mother’s newer gifts, the kind that comes with all the frills and none of the warmth. Her true transactional brand of maternal affection.

“I wanted to ask if you’d go to prom with me, as my date,” It spills out of you in a jumbling mess, like you’re tripping vowels and consonants over each other. Choso’s eyes widen, but you barrel on before he can interrupt, “I mean, I get it if you think it’s lame or boring, or you just don’t want to go. But I promise my friends are actually really nice, and you can sit with us.” The rest of your monologue trails off, crumbling to dust, “I just really wanted to ask you.”

You wish to sink into the floor, like the soft earth will swallow you whole. You can almost picture Satoru’s ridiculous proposal to Geto Suguru, no doubt involving fireworks or an airplane trailing a banner.

The air is so still, you can hear the faint crackling of Yuuji’s incessant doughnut quest from across the small house, his movements clumsy and unintentionally loud as he rips open cellophane for more than one sweet treat.

Choso’s shifting slightly, and there’s a faint blush creeping onto his cheeks. The pink hue is a stark contrast to his usual sickly pallor. Even his ears are a shade darker, and his jaw tightens like he’s chewing on something bitter and struggling to swallow it down. It’s hard to tell if he’s upset or just lost. Or somewhere in-between.

“You wanted to go with me?” His voice is low, hoarse, like the idea is too outlandish for him to even process. You don’t know whether to laugh or apologise.

“Mhm.” It’s all you can manage, your throat suddenly dry and tight.

“I dropped out of school two days ago,” Choso mutters, as he runs a hand through his dark hair. He’s glancing at you, with the ghost of an apology flickering across his expression, but the shock that you can’t seem to mask makes him wince, “Look, it’s not a big deal. And it’s nice that you asked, but…”

“Dropped out? Like, entirely out of school?” Your voice cracks, each word climbing higher like you’re stepping on a broken escalator, “Why? What happened?”

Never let anyone tell you that teenage love is simple, or wholesome. Full of first crushes, and sweet moments. Because this? It feels like someone ripped the floor out from under you, the air yanked from your lungs, leaving you stranded. And it’s not a pleasant feeling, being denied something that you want, for the first time in your life.

Choso shrugs, like he’s been answering this question a thousand times already. Though, you’re sure that this is the first time he’s said it to out loud to anyone, “Family stuff. Just had to.”

You try to piece this together, for this house does smell faintly of stale coffee, and the worn leather of the couch has clearly seen better days. You can tell, on some level, that something is off. That there’s no parental figure in sight for little Yuuji, just the harsh edges of whatever it is that Choso seems to carry on his own.

You can feel the words bubbling up again, stupid and reckless, “But you know you just can’t leave. You’ve got the top marks in the class, Choso. And you know that you were on a scholarship, right? For one of the most elite schools in the country? How are you ever going to get that again?”

The second they leave your mouth; you hear how self-righteous and insensitive you sound. You already regret it, almost reaching up to slap your hands over your face.

Choso’s expression darkens, his face tightens. Like a storm cloud rolling in, as his lips pull into a tight and angry line, “Back off,” he snaps, voice suddenly sharp enough to cut, “You don’t know a damn thing about my life.”

His sneer twists, not with malice, but something deeper. Harder, like he’s being chewed up by all the things he never got to say before, “Don’t worry, though. I’m sure they’ll make a big, shiny tiara for when they name you valedictorian. Maybe, it’ll match your prom dress.”

“Hey!” Your eyes well up, stupid heat of tears prickling behind your eyes, and swelling a thick lump in your throat, “That’s not what I meant.” You cannot believe that you’re tearing up, over this. Over wanting something that you can’t have, and someone who seems to have more to lose than you ever thought possible.

Choso’s lip curls into a half-sneer, but there’s a flicker of something else there. His posture shifts, as if he’s trying to fold in on himself. He lowers his voice, still low and uncomfortable, but careful. Careful, because his little brother is just down the hall.

“I don’t need your pity, okay? Or your help.” His fingers grip the metal of the net door, “I have to go now. Just look after Yuuji.”

The heavy clang of steel on mesh echoes in your ears, sharp and final. The sound lingers like a ringing in your skull as you stand there, utterly paralysed as your mind scrambles to catch up with the wreckage of what just happened. Your five-year crush crashing down in five minutes.

Your feet move, and you find yourself in the bare dining room. Yuuji’s perched at the table, with a doughnut half-eaten in his hand, a mess of pistachio cream smeared across his chin like a brave trooper. There’s an iPad, an old, scratched model, with a silicone tiger case, propped up in front of him. The screen is flashing with something, like blueberries. Bouncing in time with some peppy tune.

“Did Choso leave for work?” Yuuji asks, utterly oblivious to the emotional landmine that his brother left in your hands. His eyes are wide, curious, the innocence of a kid who still thinks the world works in neat, little boxes.

“Yeah,” you say, forcing a smile, “He works a lot, huh?”

“Oh, yeah,” Yuuji mumbles through a mouthful of pastry, sugar clinging to his lips, “He always gets upset when Uncle Kuna’ calls him in. Even after school.”

Choso has never mentioned an uncle. Or a brother, for that matter. But then again, why would he? You had never even asked for his number, never bothered to learn anything beyond what was right in front of you. You realise, with a strange pang of guilt, that you’ve built your entire image of infatuation with Choso, from incomplete sketches. Filling in the blanks with whatever fits into the tiny box you’ve kept him in.

“Hey, do you have Netflix?” Yuuji’s voice cuts through your thoughts, bright and eager. “I want to watch How to Train Your Dragon. It’s Fushiguro and Kugisaki’s favourite movie!”

The names are unfamiliar, but Yuuji’s excitement is infectious. You cannot help but smile at the boy, his messy hair and too-big shirt. It’s hard not to be fond of such a kid. You take the iPad from his sticky hands, logging into the app. All the while, chasing yourself around mentally with a baseball bat for the biggest fumble of the century.

If last night felt like a disaster, this morning was just the encore performance. And you were the unwilling star. Just the effort of peeling yourself out of bed felt like an Olympic event. And facing your reflection of swollen eyes and blotchy skin felt like punishment for sins that were way out of your paygrade.

Reluctantly, you’re tugging on your blazer, and clipping a barrette into your hair. There’s a sparkling, diamond tennis bracelet fastened around your wrist. All little things that you need to don like armour, to face your senior year, the student population and the empty locker that would remain untouched next to yours.

Satoru and Shoko are the first faces that you spot in the crowd, and Satoru’s practically bouncing down the hall, “Oh, yeah, I got it locked in,” he announces, cheeks flushed with an absurdly boyish grin, “I got it in the bag.”

He’s sliding his sunglasses down just enough to peer at you, wordlessly handing you his coffee cup, as is your morning ritual. The overly sweet, creamy warmth does nothing to ease the ache in your chest, and your lip-gloss stains the edge of the paper.

“What about you, eh?” Satoru chirps, but you must look blatantly devasted. Because your best friend’s grin falters, the corners of his mouth pulling down.

“Wait, you’re joking right?” His voice is marred with disbelief, and his eyes scan the hall like he’s trying to spot someone’s dark head of hair, “Where is he? Jughead Jones lookin’ ass? Shoko, do you know where Choso Kamo sits? Because I’m going to give him a real piece of my mind and —”

You cut him off, abruptly shoving the coffee back into his warm hands, “It’s fine. He dropped out school, anyway.”

Shoko hums beside you, her fingers absentmindedly twirling a strand of cinnamon-brown hair. The chipped polish on her nails catches the fluorescent light, “Prom queen and valedictorian in one year? Not a bad run for you.”

You glare at her, and Shoko’s doe-eyed expression softens. The breeze from the open window catches her sleek hair, making it sway gently, and she shifts. Voice dropping to something quieter, more thoughtful, “That really does suck, though. Sorry.” She sounds like she means it now, her usual flippancy up in smoke, “I didn’t even know you liked him like that. Not until Gojo told me, like, two hours ago.”

Your eyes snap to Satoru who, for once, has the good sense to shut his mouth.

Shoko’s voice is subdued, “I wonder if it had anything to do with him being called into admin.”

“Wait, when?” Satoru interrupts. He’s taking another long slurp of his sweet mocha, the froth giving him whiskers.

“Three days ago,” Shoko shrugs, “Some big guy rolled up to the office. Demanded to see the principal. No idea who he was, but he was important. And rich. Like you need to be super wealthy to call the shots in a school for the children of the top one percent.”

You must look tragic, because even Shoko pauses mid-chew. Her lollipop moving from one side of her mouth to the other. She looks at you, really looks at you. You can see the careful shift in her demeanour, as though she’s considering the most diplomatic answer that she can offer you to avoid making things worse.

“Well, you don’t have to go to prom with anyone, right?” Satoru says, the words hanging awkwardly in the air like a balloon that’s just lost its helium. His consolation is well-meaning, but a bit clueless. But now, his sunglasses are perched atop his head now, leaving his eyes exposed. Icy blue, framed by lashes so long that they practically flirt with his eyebrows. For once, there’s a flicker of real concern in them, clouds passing over clear skies.

“I know,” you gripe, your voice flat as you find yourself glaring at a group of juniors who are skipping by, with their phones out in unison, clicking away like it’s a competition. Fantastic. You can already see the gossip Instagram stories by lunch, wondering what happened to you. Rumours milling about the reason for your glum expression.

Shoko shifts her heavy bag onto her shoulder, patting your arm. “I’ll see you at lunch. My treat,” she says, turning her heel for the Chemistry building. Leaving you alone with Satoru, as Shoko quickly picks her pace up to catch her Honours class.

“So,” you start, keeping your eyes on him out of the corner of your vision, watching how his fingers twitch around the coffee cup, “How did it go with Geto Suguru?”

Satoru’s shifting, as though he’s trying not gloat, but clearly bursting to tell you, “It was nice,” which is an unusually subdued, sensitive explanation from Satoru. The one who can take five hours to tell a story that you could wrap up in ten minutes. “He was really friendly. More than I thought he would be.”

“That is nice.” You’re forcing some perk back into your voice, but it comes out rather weak, “Like, genuinely.”

Satoru crumples the empty cup in his hand, tossing it into a nearby trashcan. Then, he shoots you a sharper look, “Did you actually talk to Choso, like, in-person? How did that go?”

You exhale, “Turns out I was babysitting his little brother,” and Satoru’s eyes widen slightly, “He was fine. And then he wasn’t. I asked him to be my date, and told me he dropped out. I said something…stupid. And now he’s going to hate me forever.”

Satoru stares at you, his gaze sharp, as though he’s dissecting you. And you swear that he can see right through your skin, right into your bones. It’s moments like this that make you feel like maybe your best friend has a sixth sense, some secret radar for picking up on these things.

“Wow,” he murmurs, a touch of something in his voice, “It really got you bad, huh?”

You bristle, a mix of annoyance and embarrassment flooding your chest. You’re straightening your shoulders, but it’s all too obvious and so fucking frustrating, “Yeah, well, I don’t even know why it matters so much.” The bite in your voice is more directed at yourself, than him.

Satoru doesn’t flinch, just tilts his head, and he’s quiet. It’s a weird look on him, soft concern, “You genuinely really liked him that much?”

The truth sticks to your throat as your chest tightens, and your eyes blur. It would be nice to tell Satoru that you didn’t really care that much. That it was never fully that serious, but the lie won’t leave your lips. The lump in your throat is palpable, and all you can do is sniffle, “Yeah. I did.”

“Do you want to cry?” Satoru’s voice is gentle enough to catch you off guard.

You open your mouth to retort, something sharp and defensive. But before you know it, tears spill as your chest constricts. It’s sudden, like a storm that breaks on the horizon.

And just like that, your best friend pulls you into him. For once, the wild energy that crackles off him is gone, replaced by something quieter and more unwavering. You can feel his shoulder under your cheek, soft and warm, salt staining the expensive fabric. And if anyone does see you sob into Gojo Satoru’s arms, while the white-haired boy pats your back, no one says a word.

But to borrow a line from Bangtan Sonyeondan, life goes on. The next few months slip by like the kind of indie film that you’d see at film festival. It’s bittersweet, and there’s a melancholy that everyone can taste in the air, especially as you all realise that this last blue spring of youth is slipping through fingers like sand.

In this haze of time, you discover a few things that you didn’t expect. For instance, Geto Suguru is, in fact, far more than the tall and brooding figure that you once shrugged off. He’s the stillness to Satoru’s sharper teeth, the quiet that counters the blue eye of the storm. He’s soft-spoken, with an easy patience that tempers Satoru’s edges. He’s become a bit of a constant presence, as they always bicker and makeup in a sort of perpetual cycle.

Spring arrives like a first kiss. It’s hesitant, not rushing in. Just tiptoes around you, tentative enough as it coaxes you out of winter’s gloom. Before the flurry of sparkly gowns and speeches, there’s Utahime’s birthday to celebrate. It’s supposed to be a relaxed affair, she insists that she has no desire for fuss. But you all show up anyway, surprising her with a giant, pastel cake that takes up nearly half the table.

Her laugh is loud, and carefree, mixing with the salt of the ocean breeze on this beach trip. Her black hair whips around her face, even as she blushes at the attention. She’s protesting, but it’s swallowed by laugher, by the sound of waves breaking against the shores.

The awards and titles are all well and good, prom queen and valedictorian. A shiny, little stamp on your high school resume, a golden ticket to the next chapter of your life. But when anyone brings it up, or someone presses too hard on the subject, you shift uncomfortably, your fingers toying with the edge of your pre-med acceptance letter like it just might tear under the pressure of your grip. No-one talks about how you’ve been visiting your locker less and less.

Satoru, of course, loudly denies crying at graduation, even as salty, shiny tears tack to his cheeks. They’re practically immortalised in every digital snapshot that you take. But for now, he’s too busy wrapping everyone in a bear hug, clutching the group that it’s the last time he’ll ever see them. Nanami’s already peeling him off, shaking his head with a worn sigh.

It's late in the morning after the graduation ceremony, as you all pile into cars, driving to a riverside café. It’s one of those places where people with money go to prove that they have money, to prove that even their breakfasts are above the meals of the common folk. But you all sit there, with the graduation ribbons still pinned to your lapels. There’s the debate over who cried the most during the ceremony (Gojo, easily, though Haibara is a close second) and who’s the one who peaked in high school. Everyone unanimously votes for Geto, who sulks as he tosses his hair out of his face, ever the drama queen.

“Bullshit,” he’s grumbling, “Just you wait. You’ll see what I accomplish in ten years.”

Satoru grins, all teeth and lazy confidence, “Yeah, what? You’re going to start running a pyramid scheme cult?”

Utahime’s voice cuts through the chatter, her white ribbon flouncing as she leans towards you, blinking at the empty space in front of you, “Where’s your food?”

You wave her off with a smile, “It’s fine. You guys can go ahead and start, I’ll just go and check.”

You hear Satoru choke around a mouthful of food, already bulldozing half his way through his plate like a bottomless pit.

There’s a pretty glass display at the front, filled with delicate chiffon cakes that glisten in the soft light. You wonder if you should have just ordered one, perhaps to share with Nanami. You know he likes desserts like this.

“Can I help you?”

Your pulse stutters as you bite your tongue, heart crashing against the rocks. You soothe your tongue over the tang of iron that blooms in your mouth from the stupidly familiar voice.

Choso Kamo.

You’d like to say that he looks good, but the truth is, he doesn’t. The hollows beneath his eyes are far more accentuated than you remember, and his hair is pulled back into a messy knot at the back of his head. Even his pale skin has taken on a sicklier pallor than usual.

“Hello?” His voice cuts through the silence, sharper this time, carrying an edge that takes you by surprise.

“Oh, uh, hey. Choso. Just wanted to check on my order,” you say, like it’s a poor prelude to small talk. It sounds far too chipper, almost artificial.

Choso’s expression tightens immediately, in an ill-omen. It’s as if he’s irritated that you even have the nerve to recognise him, to stand there in his space. He doesn’t meet your gaze, his attention flicking back to the screen in front of him with a quickness that almost feels deliberate.

“Hello.” He’s muttering back, more out of obligation than any real interest. Like it’s a formality.

The sharp, hollow feeling in your chest expands, deeper than you’re willing to admit. The last time you saw him, you had been standing at his door, and he had slammed it in your face.

“What are you doing here?” Your question is clumsy, hanging in the air, and far too intrusive for a stranger.

“What?” Choso doesn’t even look up. But then he does, just briefly, his gaze flicking to yours with the same disinterest. He shrugs, as though the query is too trivial for any answer.

“It’s just…it’s been a while, yeah?” You’re not quite sure how to word and I want to know how you’ve been.

“I’m fine,” Choso replies quickly, dismissing your question with a wave of his pale hand, “Just working around here and there.”

It’s offbeat, landing wrong. You don’t think it’s unfair to think that everyone expected more of him. One of the smartest, most brilliant minds in your cohort, who had been a shoo-in for medicine, alongside you.

The bustle of patrons behind you intensifies, but you stubbornly dig your heels into the polished tile, “How’s Yuuji?”

The mention of his younger brother softens him, just a little. A small, bashful smile tugs at the corner of Choso’s pink lips, hesitant, like he doesn’t quite know how to let it show, “He’s good. Says you were the ‘bestest’ babysitter that he ever had. Even asks about you sometimes.”

You fight the urge to smile too openly, not wanting to seem too affected by the gentleness that suddenly lingers in the space between you two, “I’m glad. And…are you still working for your uncle?”

It’s as if you’ve thrown a switch, causing all the warmth to evaporate from his features. His jaw tightens, as his brow furrows. Settling a coldness over his expression, “Who the fuck told you that?”

You blink, surprised at the sudden harshness of his words. “Yuuji mentioned it,” you murmur, quieter now, careful. The hesitation in your voice isn’t feigned, and you realise you’ve broken the golden rule of ‘never push Choso Kamo about his personal life.’

Choso doesn’t seem keen on letting you explain, as his glare cuts through you, “If you wanted to snoop into my life, just ask me your stupid questions, okay? Don’t drag my little brother into it.”

The accusation lands like a slap, stinging you more than you expected, “What? I wasn’t snooping,” you insist, defences flaring open, “He told me that himself. I didn’t even ask him anything, and I didn’t ask anything else!”

He just stares at you, eyes burnished and unreadable, but he seems mollified by your answer. Like he knows that your explanation is sincere, but the chasm is nigh impossible to bridge, “Sure. Okay.”

You don’t know how to respond, opening your mouth to ask what on earth has made him so unreasonable. To dig the tips of your almond nails into his long sleeves, and demand that he treats you as adoringly as everyone else in your life does. But he interrupts you first, “Your order’s coming.”

Choso’s tone is clipped, colder. As though he’s already moved on, “And I’ve got a lot of other customers to serve. Nice seeing you again, or whatever.”

A dismissal, if there ever was one. The embarrassment rushes up your neck, hot and insistent, but you bite your tongue. You let your heels clack a little more loud than necessary, as you stomp away. You’re swivelling your head to deliver a final, withering stare but his gaze is no longer on you.

Choso’s looking at the table where everyone is sitting. Where your friends are laughing, leaning into one another as they snap their final graduation photos. Where Geto has his lips pressed to Satoru’s cheek in a rare display of affection, arms linked with Shoko and Utahime. Where even Nanami’s smiling, the sunlight leafing through his golden waves of thick hair.

There’s no anger in Choso’s eyes, or even that solitary, brooding stare. He looks almost…sad. Profoundly sorrowful, in a deep and aching way that makes your anger dissipate.

He’s looking at your friends, at their graduation certificates stacked in sleeves on the table, as though he’s lost something that he never had. It aches your chest tightly, a knot pulling at your heart.

Once, he was Choso Kamo — the quiet boy you liked in school. Then, he became Choso from the café. Soon, he'll be someone whose name you won't even remember in a few years, someone who's path you'll probably never cross again.

You find yourself blinking furiously, feeling as though you've just lost something yourself, but you fight back the salt that threatens to blur your vision before your friends see.

THREE YEARS LATER.

Your day had started off deceptively well, like a glass of water poured perfectly. Clear, refreshing, with no chance of spilling. The sun was shining, your skin looked like it was having its best day, and there wasn’t a cloud in sight. But of course, it didn’t take long for things to spiral, as they tend to do.

It was like playing a real-life Sisyphus game, except instead of a boulder, it was a series of small, dumb annoyances that you couldn’t dodge fast enough.

First, Satoru had texted to cancel lunch. And to be fair, you weren’t that bothered. He had been talking all week about a world-renowned professor dropping in on his fourth-years Honours class, something about nuclear engineering. And you knew that Satoru lived for anything involving theoretical mass and explosions.

Then, your favourite tote bag had decided it was done with you. The strap had snapped off with a surprising, sudden violence. Your beautiful new water bottle had hit the floor with a sickening, metallic thud. Pens rolled across the tiles like little soldiers. You had been kneeling, already late for class, muttering curses under your breath when your phone had rung.

Your mother.

And you already knew that tone well enough, that voice that could cut through steel.

“You missed the charity dinner? You know how embarrassing it is for your father and I to come up with excuses, just to explain your absence —”

Yeah, like you had personally insulted her by choosing to study for your exams, instead of milling around an event hall. You tried to explain, but it was like trying to explain Satoru’s quantum physics to the wall. Totally pointless, and not worth your time and energy. And naturally, her tone escalated, because that’s what she just tended to do. Nevermind that she was calling from some ritzy hotel in Europe, crackling over the phone.

And then, just when you thought it couldn’t get any worse, the course coordinator paged you in for a meeting. You were still in your first few weeks of medicine, so you had been scratching your brain for what he could have possibly wanted, snapping gum as you rushed and clacked up stone steps, breezing through campus.

Now, here you were. Standing in front of his desk with your arms crossed, almost petulantly. The room smelled like old coffee, and expired textbooks as the man coughed, leaning back against his desk, littered with academic transcripts and stacked envelopes.

“Look, there’s no denying that you’re one of our most brilliant students. All the tutors and lecturers admire your work ethic,” and the professor stopped, and you grimaced. Ah, here it comes.

“But, you’ve chosen Ieiri Shoko as your partner for the past three years, am I correct in saying this?” His dark eyes are narrowed behind wiry glasses, as you frowned.

“Yes.”

Shoko had practically excelled in Pre-Med alongside you, surviving late night study rants, extreme caffeine dependency, and textbook-induced breakdowns.

“You work together well,” the coordinator adds, looking like he was trying to make this sound like a compliment, “But you need to branch out. Develop your versatility. In a noble field, such as medicine, it’s important to be able to work with others. Not rule and conquer.”

You blink at him, “Branch out? I don’t know how else to say this, but I don’t like anyone else in my class. And Shoko and I are easily the best.”

He ignores your comments, “So, I’ve thought it better to move you to a new stream. Instead of Tuesday’s clinical practice, I’ll have you attend the Thursday session, starting today. There’s a new partner for you, and I assure you, he is just as competent as Ieiri Shoko,”

You doubt it. No-one can handle the sight of infected perineum stitches like Shoko can.

It seems there’s only one card left for you to pull, “My grandfather paid for this entire wing of the building. His name is on the plaque outside.”

The coordinator doesn’t even budge, “That may be true. But you still need to grow. You will never learn if you just continue to stick with what is familiar.”

You leave the office with a sour taste in your mouth, clutching the crisp sheet of paper that’s already being emailed to your student account, no doubt.

“Collaboration,” you’re muttering under your breath, “Building character, my ass.” You’re squinting at the page, trying to decipher the name of your new stream partner, but it’s obscured by a hastily scribbled note with your classroom change.

The faint ache in your neck refuses to budge, and you roll your shoulders with a sigh. Pushing through the double doors to the anatomy facility. Immediately, the frigid air bites at your cheeks, sharp and unwelcome. These buildings always feel like high-tech mausoleums, with tables lined up like gleaming altars. Surfaces cold enough to numb your fingertips if you’re careless.

The faint, cloying scent of formaldehyde hangs in the air, sharp and chemical. It’s supposed to preserve the cadavers, but it has the unfortunate side effect of making your stomach growl at the worst times. Hunger, and embalming fluid. A combination so disgusting that you try not to dwell on it for too long.

Your lab coat is rubbing uncomfortably against your arms, and your Loewe sweater is bunched awkwardly around your elbows. It’s a long-suffering sigh that echoes the hall as you shove the heavy barred doors to the classroom.

The tutor is a stalk-like man, with perpetually knitted brows, glancing up at you as you enter, “Ah, yes. The transfer,” he’s brisk with it, “Got the note about you moving to my Thursday stream. Just sit over there, for now. Yeah, there. Your partner should be along soon. If he’s a no-show, I’ll reassign you to a different table.”

You nod wordlessly, scanning the room as you head to your non-descript, assigned corner. The faces at the other tables blur together, some curious and others indifferent. Most focused on pushing worksheets under steel clipboards.

Great. A room full of strangers with all the warmth of wet cardboard.

Sliding into your plastic seat, you pull your notebook out and flip it open, the pages crinkling and echoing in the too-quiet room. It’s a minute, maybe two of shifting uncomfortably in your chair, feeling the awkward hollowness of sitting alone at a two-person station. But the door swings open with a groaning creak.

“Perfect! Full class today, that’s what I like to see. Just head to your usual spot, and I’ll start passing the models around.”

You glance up, squinting at the figure who’s broad enough to cause a solar eclipse of the fluorescent light.

“Get out,” you blurt.

“This is my class,” Choso Kamo stares at you, equally bewildered. His bronze eyes widen briefly, flickering from your face to the lab tables, to the unaware tutor.

“Don’t care. Get out,” you scowl, speechless for a moment, “No. Don’t sit. This is my assigned stream. Don’t tell me that you’re my —”

“Partner?” Choso finishes for you, deadpan.

“Of all the people in this entire school —”

“I’m starting to feel offended,” Choso cuts in, already pulling out the chair beside you, and slinging his bag down with an air of resignation.

“What are you doing here?”

Choso’s lips twitch, but he doesn’t quite smile, “I’m getting an education. Obviously.”

Your gaze flickers away from his unfairly handsome face, following the motion of his hand as he shifts. There’s a single black hair tie, looped around his wrist.

But something just does not add up for you. This isn’t just any medical program. It’s the kind of rigorous, cutthroat, soul-consuming degree that requires three years of a top GPA from Pre-Med. It’s designed to weed out the faint hearted before the first semester is even over. Graduates here don’t just get jobs. They get titles, and invitations to Westminster where the British monarch probably bestows them with Dame, or Sir, or some other archaic title.

And Choso Kamo is a high school dropout, with nary a certificate to his name.

“You got into medicine?” It’s as blunt as you can get.

“What? Like it’s hard?”

“Don’t quote Legally Blonde at me,” You snarl, wordlessly taking the tray of silicone gashes from the tutor.

Choso blinks, as though he’s truly stumped by your hostile reaction, “Then don’t ask stupid questions.” He seems…different now. Sharper, and less apologetic. There’s a streak of confidence that’s as unnerving as it is infuriating. Is he taller? He seems taller.

You exhale sharply, a sound between frustration and resignation. It’s not like you can go up to the course coordinator now and say, ‘Oh, sorry! I can’t be in this stream because my new partner is the boy who broke my heart in high school. I cried and threw up on my best friend’s blazer for three days.’

But you’ve definitely given the group chat enough material to fuel their devious amusement for days, even weeks. You’re practically writing the jokes for them.

With a defiant swing of your arm, you hoist your bag onto the desk. The soft leather tanking against the sterile surface, like a gauntlet being thrown. You slide it firmly into position, the strap dangling just enough to make a point. That this is your line in the sand.

“Don’t move one centimetre over your side of the desk.”

Choso just rolls his eyes.

“They…modify bacterial ribosomes.”

“Wrong.”

You sigh and tap the edge of your notebook with the tip of your mechanical pencil. The rhythm is irregular, your thoughts too scrambled to produce anything like a steady beat.

“They inactive carbapenems,” you try again, your tone pitched with the kind of hope that knows it’s already on life support.

“Nope.”

Choso’s shaking his head, the movement loose and lazy, and it sends strands of his chestnut hair tumbling into his face. The harsh fluorescent lights above make his hair shine with an almost metallic lustre, and as he tugs a thick sweater over his broad frame, your gaze drifts.

The fabric of his white top is riding up, revealing a pale stretch of skin. There’s the faintest dusting of dark hair trailing downwards, and your eyes snap back to the textbook. Your cheeks flushed, for the briefest second as your resolve breaks.

“Just tell me the answer.”

Choso exhales, in a soft and patient sound, sliding the textbook your way. He’s tapping the page with his finger, his blunt nail landing on the highlighted sentence.

“Extended-Spectrum Beta-Lactamases hydrolyse a wide range of beta-lactam antibiotics, including third-generation cephalosporins. This contributes to antibiotic resistance.” His voice is smooth, but it carries that faint rasp that always makes it sound like he’s just woken up.

“I was close.”

“Close doesn’t get you any marks,” Choso replies, deadpan.

Your retort dies on your glossy lips, when a sharp shhh cuts through the air. You glance up, spotting a student two tables away, glaring at you over the rim of her stylish tortoiseshell glasses.

Your next sip of coffee is deliberate, making an obnoxious gurgle as you drain the bottom of your cup. Choso’s eyes flick to the order scribbled on the side, Caramel Crunch Latte, Extra Whip. His lips twitch, but what can you say? Satoru’s dropped a habit or two on you over the years.

This has become the routine over the past few weeks. The outright disdain you had initially felt had eroded, once you had realised that you were truly stuck with the man. It had become something closer to a begrudging truce, but ‘truce’ may be too generous a word.

The two of you found yourselves studying together. Regularly. Choso needed to interact more with people, and less with his old, dusty laptop. And you needed a study partner that could match your wits. Unfortunately, Choso seemed entirely oblivious to the reason you nursed an ancient grudge against him, choosing to accept your bad attitude in stride.

It doesn’t help that Choso is, well, hot now.

In high school, he had always been cute in that underdog way. Endearing, if not exactly the type to inspire confidence. He had been the subject of your sweet trope-like fantasy that you would nurture during long, dull classes.

You, the radiant prom queen, standing under a canopy of glittering lights, extending a perfectly manicured hand to him. The shy, awkward loser who’d clearly underestimated how gorgeous his messy hair and tendency to trip over his own words were. Ugh, now you’re not sure who had been the bigger loser.

But three years had passed, and the Choso that sat across from you now bore only a passing resemblance to that daydream. Time, it seemed had been suspiciously kind to him. Unfairly, even. His frame was lean but undeniably defined. His shyness remained, because you knew that he refused to correct the woman at the food trucks whenever she got his name wrong, but it had softened into something less clumsy, and more self-contained. Far less teenage angst.

The dark violet smudges beneath his eyes were still there, giving him that haunted and sleep—deprived look. And his hair was still the same stringy, chestnut mop that you remembered. But it was more of a deliberate statement now, instead of an oversight. It hung just over his shoulders, and you had heard many a passerby giggle and whisper about hot emos on campus. Like, get in line.

“What are you doing next weekend?”

The question comes so abruptly that your head snaps up like a spring-loaded trap.

“Huh?” You blink, the tip of your pencil teetering dangerously close to snapping against the page.

Choso stares back at you, his expression maddeningly neutral, “Like, are you busy?”

“It’s my friend’s birthday on Saturday, we’re going out at night,” you’re narrowing your eyes at him, already feeling your composure fray.

It’s Suguru’s birthday, and Gojo’s gone full-out with a surprise planned at some five-star restaurant. You managed to get your hands on a vintage vinyl turntable for him, courtesy of a Sotheby’s auction.

Choso nods, like he’s filing that away somewhere, “What about Sunday?”

“Sunday?” You repeat, dragging it out, “I’m free, I guess.” Against all reason, you find yourself answering honestly, even as some internal voice is screaming at you to lie and make up an excuse.

“Do you want to study at my place?”

There’s a pause, long enough for the air to grow heavy between you two. You wonder if he remembers the last time that you asked him to go out with you. Your eyebrows shoot up, and your mouth must be twitching in something close to incredulity.

Choso notices, for his ears go pink first. Then his cheeks, like someone’s spattered him with a splotchy watercolour paint. The flush sits pretty, just under the dark mark that crosses the bridge of his nose, “No, I mean, like really study. Just studying. It’s easier than being here…” He twitches, looking anywhere but you, “Yuuji would be happy to see you again, and stuff.”

And stuff. How ridiculous that two words make your heart trip over itself. Your three-year resolve to keep him firmly in the do not touch zone has basically cracked wide open. There’s a traitorous smile tugging at the corner of your lips, but you manage to suppress it. Barely. Playing it off with a nonchalant hum.

“Hmm. Sure, I’ll think about it.”

Choso lives in an apartment now. Not a polished high-rise with sleek fixtures and panoramic views, but a tired and unremarkable building with flickering yellow lights that cast long and ominous shadows along the stairwell. You clutch the slip of paper that he scribbled his address on, squinting at the nearly illegible scrawl. It’s barely decipherable, a penmanship perfect for prescriptions and indecipherable notes.

In your other hand, you balance a box of cream rolls from the bakery that Nanami swears by, their golden horns stuffed with airy dairy and dusted with cinnamon sugar. The smell is warm and sweet, a sharp contrast to the questionable stairwell.

The ascent feels longer than it should, each step accompanied by the faint swing of those tired lights overhead. But you bite back any judgement, you’ve made that mistake before.

Someone else is already there, a tall figure that knocks on Choso’s door with wide, lazy knuckles. Once. Twice. The man huffs, pocketing his phone and pulling out a key. There’s a practiced ease to the way he clicks the lock open, and for a moment, you hesitate, wondering if you’re witnessing a breaking-and-entering type of situation.

But there’s something familiar about the muted shock of rosy, pink hair that spikes over his head.

“What are you doing?” His voice is rough, deep, with an edge of irritation that makes you stand a little straighter. He looks over you once, and his eyes fall on the box of pastries in your hands. Disinterest giving way to a little bit of curiosity. It reminds you of Itadori Yuuji.

“Uh,” you clear your throat, “Choso invited me.”

The man’s eyebrows lift in surprise, and you’re fascinated by the tattoos that curl around his face. Even running along his jawline, and down his neck. There are silver studs littering his ear, and if you didn’t know better, you would say that there are real precious stones scattered among them.

“Didn’t know he had a date.” The man seems gruffly amused, and you stomp your heels, the sound snapping off worn walls.

“It’s not a date. We’re studying.”

“Don’t care. Didn’t really ask.”

With that, he swings the door open, stepping inside before you can. You linger in the doorway, before hesitantly following him, watching as he kicks the door shut with his heel. He seems to be making himself at home like he owns the place, peering through an empty fridge and rifling through cabinets. All before collapsing on the sagging couch like it’s his throne, sprawled out as he starts scrolling through his phone again.

You just perch awkwardly on the edge of a cold chair, as the space suddenly feels oddly claustrophobic. Your fingers toy with the edge of your notebook, as you wonder whether you need to call Choso, to see if this was all a mistake. Instead, your gaze flickers over to the man sitting opposite you.

You’re sure that he comes from money. You’ve spent enough summer holidays backstage at Milan and Paris shows to recognise the season’s latest pieces. And the crimson racing jacket on his shoulders is definitely a Dior piece that costs more than what you assume is the rent of this entire apartment complex. Plus, you had spent enough time flicking through Van Cleef’s catalogue to recognise the whirring, high-jewellery piece that sat on his wrist. A watch with an eye-like mechanism, studded with Burmese rubies. Easily the price of your penthouse.

“So, you friends with Choso?” He asks suddenly, lowering his phone. His eyes are sharp russet, locking with yours.

“We know each other from high school,” you say, trying to keep your tone neutral. It’s best to leave it at that, it’s safer that way. You’re playing Choso’s game, the one where you don’t share a thing about your personal life.

“Hmph,” The sound is more of a grunt than a response, and it makes you bristle. Why bother asking a question if you’re not interested in the answer?

“Did I leave the door unlocked?”

You hear Choso’s faintly bewildered murmur, almost to himself, before he catches sight of you. It’s cute, how a bashful smile creeps over his face again, almost embarrassed at the sight of you. But it darkens instantly, sharply. His bronze eyes are fixed on the man that loiters on his couch.

“Get out.”

The man is unfazed, “Why? Am I interrupting your date?”

“It’s not a date. We’re studying.” Choso’s mirroring your exact, previous words. His tone is stiff, like you’ve never heard it before. A snarl, with irritation bubbling underneath the surface.

“I don’t know how else I can stress this enough, brat. But I really do not care what you do to get off.” The man drawls, pushing himself off the couch. He’s absurdly tall, easily the height of the ceiling. You catch a glimpse of the tattoos trailing up his forearm, dark ink that winds around his wrist. A startling splash of red staining the sleeve of the pristine jacket. It’s dried up now, crusting the edges of the fabric. Sort of like…

Weird. And impossible.

Choso grunts, “Fine. Get up. Go,” and he’s gesturing towards a door leading into another room, his jaw clenched tight. The muscles in his neck are taut, the apology in his expression at you somehow mixed with a faint flicker of regret, like he wishes you weren’t here to see this.

What happens next is an absolute masterclass on being nosy. You’ve edged closer to the door, shifting on the couch so you’re practically perched on the armrest. You can hear the muffled thrum of Choso and the stranger’s voice through the door, but it’s not enough. Curiosity is clawing her sharp nails at you, and you wonder if you should text Satoru. Or maybe drop a quick message in the group chat.

You end up leaning in closer, ignoring the way that you’re teetering on the very edge.

The conversation is low, like the rumble of thunder in the distance, but the voices are gradually building until —

“What? You did not just fuckin’ throw something at me!” The man’s voice booms so loud that you almost jump out of your skin, “What is wrong with you? Can’t even have an honest conversation these days?”

Choso’s response is tight, simmering with frustration that you don’t understand, “Nothing you do is honest. And don’t break into my place then!”

“Your place?” The man’s scoff is almost a sneer, like he’s amused at the mere thought, “Brat, let’s not forget all the favours I’ve done you.” There’s a crash, something hitting the floor with a thud, and the man’s voice bellows again, “Oi! Put that down right now. Don’t you dare throw something else at me. Fuck, you’ve got good aim, I’ll give ya’ that.”

You can hear Choso shuffle, spit something sharp in response.

“You’ve done all these things for me before, eh? Why the hesitation now? Got tired of cleaning it all up?”

Choso’s response is firm through the thin walls, “I’m done with doing your dirty work all the time.”

The silence that follows is thick, suffocating, punctuated with a low and disbelieving laugh.

“You said that last time. But you came crawling back when you couldn’t handle looking after the kid all on your lonesome.”

“Leave Yuuji out of this!”

There’s another muffled scuffle, a loud thud that makes your heart race as the stranger growls, “Can’t believe you bit me.”

The door swings open with a suddenness that almost knocks you off your seat. Choso’s practically putting his entire back into shoving the man out with a sharp grunt, like he’s had enough.

The stranger turns, giving you a lazy, bored wave. Like he knows that it will simply irk Choso off even more. And he’s right. Choso, not having it for a second, snaps at him, “Get out. And don’t come back.”

The man rolls his eyes, but not before pulling out a pricey Italian wallet, slapping a wad of thick bills down on the kitchen counter, “That’s for this month. I’ll send a cheque next month for the little brat’s birthday.”

Then he’s gone, muttering something about bitchy, little bastard children, born on the wrong side of the sheets, with sharp teeth.

Choso’s whirling around to you, his expression unreadable and blank. Like the surface of still water that refuses to betray even a ripple of emotion. You school your features, meeting his gaze with a look of equal, quiet disinterest.

“Friend of yours?” You ask, your voice cool. But there’s questions dancing on the tip of your tongue, and you can taste them in the air.

He doesn’t answer right away. He’s flicking through the thick stack of bills that the stranger left on the counter. The sound of cash shifting in his hands is oddly loud, and you whistle low, almost involuntarily. It makes Choso look up, catching your appreciative gaze. His fingers tighten around the stack, his jaw clenching, as if to keep in whatever thoughts or words are threatening to spill out.

“Don’t say anything.” His voice is a low mutter, hard.

“I didn’t.”

Choso looks at you again, his hazel eyes softening just enough that you catch the flicker of something unsure. He lets out a low sigh, “But you want to ask.”

“Will you let me ask?” You’re pushing, your voice a little softer and coaxing than you intended. You can already see the signs, the slight stiffening of his shoulders, the way his gaze flickers to the door as if he’s considering an exit. Choso’s like a clam, snapping shut, as if there is a pearl that he’s not ready to share.

“What do you want to know?” He’s saying this like it’s a chore, as if it is the last thing he wants to do.

You make your way to the kitchen counter, “What will you tell me?”

If Choso is irritated by the vague, passive nature of your questions, he doesn’t show it. He simply tugs his purple sweater down, sharply. “Yuuji will be sad if his uncle didn’t send him money for his birthday. He turns ten next month.”

“So that was…Uncle Kuna,” you ask, murmuring more to yourself than to him. But Choso’s sharp gaze flicks to you, a faint confirmation in the nod that follows.

“Mhm.”

And just like that, something clicks in your brain. A conversation that you had overheard once, perhaps a year or two ago. A rare moment that both your parents had been home, still too distracted to realise that you were listening. The realisation hits you hard, like a small shot of adrenaline, “That’s not Sukuna, is it? Ryomen Sukuna?”

Choso’s amber look is like fragile glass now, “Yeah. How’d you figure?”

In a world such as yours and Satoru’s, it’s quite hard to avoid gossip, and whispers that float around in the backrooms of business meetings, or in the too-quiet halls of private clubs. For all the older business-clans, Sukuna is quite the upstart. A man who clawed his way to the top, not just content with money, but power and influence as well. Apparently, he made quite the name for himself, building an empire with wealth beyond measure.

And all at the low price of being wanted in more than thirty-five countries and territories. A businessman, a crook and a criminal. Your father said that Ryomen Sukuna’s ledgers were written in red ink, fresh blood for both personal and financial debts that were owed to him.

“Why did he say that you came crawling back to him?”

Choso’s eyes flutter shut, and you can see that he’s calculating whether it’s worth the effort to respond.

“He’s the reason I dropped out of school,” Choso mutters, the words low enough that almost don’t catch them. They land with a soft thud, the kind that makes your pulse stutter. You stare at him, with the kind of look that people give when a ticking time bomb has just been dropped in their lab.

Choso scoffs, eyes darting away, “Yeah. He’s always been sending money for Yuuji. And I was stuck doing his…favours.”

Suddenly, you’re back in high school. On Choso’s doorstep, watching him try to hide a cardboard box of surgical tools. There’s a little corkboard map in your head connected with red strings, as you pin other things on there. The latex gloves in the box, Choso’s general lack of squeamish misery when it comes to the stickier parts of medicine, and the bloodstain on Ryomen Sukuna’s Dior jacket.

It’s almost odd, in a morbid way, that a crime boss chooses the latest Vogue streetwear, instead of a dark Godfather suit and a cigar.

Your expression must betray the pieces that you’ve put together, because Choso’s eyes widen, like he can see the cogs turning in your brain. “Look,” he stammers, voice rougher now, with a nervous edge, “I didn’t do anything wrong. Never saw what he did. Not really. Just —”

You shush him gently, a hand reaching out to land on his, a little too quickly and a little too hot. The instant your skin brushes against his, there’s a sharp feeling. Like you’ve touched something that burns beneath the surface. His face flashes a faint pink, muscles stiffening as though your touch seared him in a way he wasn’t prepared for.

“Go on,” you hope that your tone is reassuring.

Choso swallows, his throat bobbing as his fingers suddenly curl around yours, “Anyway, I got tired of doing his dirty work, you know? Thought that if I dropped out, I could get a job. Work enough to support myself and Yuuji, without taking a single dollar from him.”

“But he’s your uncle?” Your question is tentative, like you’re testing the waters of a deeper pool, “Wouldn’t he support you, too?”

Choso’s sigh is deep and weary as he gently corrects you, “He’s Yuuji’s uncle. Yuuji’s my half-brother.”

Suddenly, Sukuna’s comment about ‘biting bastard children’ snaps into place with clarity. Oh.

You’re not sure what to say now, what words could possibly fill the emptiness that lingers between the two of you. What a misery it would have been. Being a teenager with such potential, forced to close off your own future for the sake of family, and those that you love.

You remember Choso’s face that day, after graduation, with his hollow expression as he watched your friends celebrate their youth. There’s a bitter lump in your throat, but for once, you keep it down. This really isn’t about you.

You frown, the thought sneaking up on you and settling in your chest like a splinter you can’t ignore. “He said you owed him favours.”

Choso exhales sharply, his shoulders stiffening as if bracing for something unpleasant. His voice is low, bitter. “You think high school dropouts pay their own way into med school without a benefactor?”

Right.

“So?” Choso’s voice cuts through the fog of your thoughts, and you blink at him, startled.

“So, what?”

Choso shifts, unease seeping into his posture. His calloused fingers are still curled tightly around yours, like he’s afraid that you’ll pull away and slip past him.

“Are you angry?”

You’re not sure whether to laugh, or sigh, “Why would I be angry?”

He’s hesitating, dark hair falling loose around his face, “I was a jerk to you.” The words come quietly, like they’ve been gnawing at him, biting at the edges of his thoughts, “At the time, I don’t know, I guess I was just angry. Everything felt unfair, and I didn’t want anyone else to be involved.”

You frown, not fully understanding what to say, “You were still a teenager,” you say slowly, like you’re trying to convince both him and you. You hesitate, unsure whether you’re underplaying things, so the worlds come out a little jagged, not quite as comforting as you wished. “I guess…” It feels weak as your words suddenly stagger off.

Choso’s eyes flicker to yours, searching, like he’s trying to figure if there’s something else, you’re not saying, “What?”

You can practically hear Satoru’s voice in your heard, groaning and whining about screwing the long game. But you puff a breath through your cheeks, worried you’ll lose the nerve, “You know, I really liked you, right, Choso?”

Choso’s mouth drops open, as his face flickers with disbelief. The same way it had three years ago, “Like, really?”

You nod, a smile tugging at your lips without even thinking, “Yeah. And you know, everyone else thought I was being, like, silly. But I really liked you. I just never knew what to say to you.” It feels so stupid, and obvious now. But back then, it had been a great chunk of your world. You force yourself to hold his bashful gaze.

Choso’s quiet for a moment, before he admits, “I couldn’t believe it when you asked me to be your date. I thought it was just a game you were playing, or there was no-one left to ask.”

And then, after a beat, “Who did you go with?”

You snicker, a little too bitter and honest, “No-one.”

Choso’s quiet, relieved ‘damn’ makes you laugh even more, threading your fingers with his.

“I just can’t believe he’s in your classes. What are the odds?” Satoru mutters, abandoning his sunglasses for the evening, his bright eyes flashing like sunlight refracted on water. He claims that his eyes are less sensitive today, but you’re certain it’s an excuse for him to freely rifle through your kitchen without obstruction. In the living room, the rest of your friends hover like a pack of starved hyenas, waiting for the snacks that Satoru is currently monopolising.

“I’m telling you, when I first saw him, my heart dropped straight to my ass,” you say, tearing open a bag of sour cream crisps with more force than necessary. The chips tumble into the earthenware bowl in a noisy cascade.

Satoru snickers, expertly arranging small platters on a big, oaken serving board, “I pity the lack of cushioning it got.”

You flick a stray crisp at him, the chip bouncing off his shoulder with a gratifying crunch. For a moment, his grin is steady, but it quickly turns rueful. That slight furrow in his brows, the way the corner of his mouth twitches downwards. There’s something else simmering under that veneer of carelessness.

“You’re not happy, Satoru?”

His expression hardens slightly, plucking a cluster of wine-red grapes, twisting them off their stems with methodical precision.

“Well, yeah,” Satoru admits after a beat, his tone uncharacteristically sober, “I’m glad that he’s, like, nice now or whatever. But he basically broke your heart, didn’t he?”

You glance away, your fingers tighten on the corner of another snack bag, “He had his reasons.” Your flat reply avoids his curious gaze, perceptive and knowing. You hadn’t filled him on the Sukuna-lore. You’re not sure what it is, but there’s bad blood between the Gojos and Sukuna, and you’re not keen to exacerbate it.

Oh, hey, Satoru! So, Choso is like Sukuna’s adopted nephew. And I think Sukuna forced him to like clean up people’s chopped fingers and arms, or whatever. But I have a big crush on him, yep. Right after I said that I wouldn’t catch feelings again.

Satoru scoffs, wagging a long finger at you. A glistening droplet of grape juice clings to his thumb like a ruby bead, “Don’t make excuses for someone hurting your feelings. You know better than that.” His tone carries the same theatrical lilt as always, but it’s underpinned with something firmer, genuine.

Before you can fire back, a new voice meanders into the kitchen, soft and unhurried, “Who hurt your feelings?”

It’s Suguru, propped lazily against the doorway, choppy layers freshly framing his sharp features. The dim kitchen light catches on the faint sheen of his silver rings as he crosses his arms.

Satoru grabs a bag of pretzels, lobbing it towards him, “Choso Kamo. Remember that emo guy I told you about?”

Suguru catches the bag with practised ease, without looking, his mauve gaze flicking to you. You silently curse Gojo Satoru for broadcasting your love life, or lack thereof, to what feels like half the city.

“What’s he look like again?”

You narrow your eyes at the tall man, “He was literally in our grade.”

Suguru shrugs, his palms raised in mock innocence, “I never saw him, okay? He was quiet as hell, never had classes with him.”

“He wasn’t that quiet,” you protest, but your words are drowned out by Satoru’s triumphant declaration.

“Hold up! I got visual aid.”

He’s whipped out his phone, unlocking it with a brief glance of his face, before shoving the dimmed screen inches from Suguru’s puzzled face. The photo, a grainy yearbook photo of Choso in junior year, gleams under the kitchen lights. You wonder if you’re going to need to fight for your life on the frontlines again.

For a moment, Suguru’s expression remains neutral. Unimpressed even. Then, as if someone’s flipped a switch, his eyes widen with dawning recognition, “This is Kamo? His girlfriend’s my neighbour.”

Half a grape travels down Satoru’s windpipe, “The villain!”

Your best friend’s exclamation ricochets off the kitchen walls, loud enough to silence whatever protest was forming on your lips. Not that you had much ground to stand on. How would you even know? Choso had talked to you about his family, not his love life. You saw him a few times a week, and then the two of you would drift away, back to your own orbits. And he was a grown man with a life that had surely moved past you.

You had told him that you had liked him, and he hadn’t said a word back that hinted at any mutual connection. How had you missed that?”

Satoru is still recovering from his near demise at the hands of fruit, “What girlfriend? You’re sure, Suguru?”

Suguru raises an eyebrow, looking like he regrets ever opening his mouth, “Hey. Don’t pin this on me. But he comes by, with a little pink-haired kid. His brother? And she’s like talkative,” and he gestures vaguely above his head, “Like, really tall. Blonde.”

Your eyes had drifted to the unopened case of vodka sitting on the counter.

Satoru clocks you immediately, “Don’t even think about it. We’re going to handle this like mature adults.”

“We?”

Satoru nods solemnly, looping his arm through Suguru’s leather jacket, “Yes. Your Choso loss is my Choso loss,” and he pulls Suguru closer, “Our Choso loss.”

Suguru sighs, not shaking him off as he looks at you sympathetically, “Why am I a part of this? No offense. You could skip all this misery, and I don’t know because I’m just spit balling here, ask him?”

The dark-haired man continues, “Or, and I know this is radical for two divas like you, you could just let it go and spare yourself the drama. If you’re going to be working in the same field, wouldn’t professionalism be better?”

Satoru scoffs, “Or! We do some reconnaissance. I mean, you’re the girlfriend’s neighbour, Suguru. Go snoop around.”

“Why is it always me?” Suguru’s pinching the bridge of his nose.

“Because it is always you. You’ve got the best sneaky liar face I know,” Satoru replies breezily, ignoring how Suguru mutters about the love he feels in this kitchen, “And you need to do this for the greater good. All that noble shit.”

Suguru shoots you a half-hearted glare, as if this is somehow your fault, and not Satoru pulling every string. You’re one more inconvenience away from slumping onto the counter, head in hands, a shot glass by your side.

Your mind flickers to the hair tie that Choso always wears on his wrist. It could be innocuous, sure, but the green-eyed monster claws itself up in your chest. You imagine this faceless girlfriend passing it to him, like an intimate, inside joke.

“What am I supposed to do? Corner him in the break room on placements, and interrogate him? Should I pull out the clan funds, and pay him to date me?”

“It’s what I did with Suguru,” Satoru quips, not missing a beat.

“Now who’s the liar,” Suguru murmurs.

The hospital’s looming ahead. A hulking mass of glass and steel that outline the bleak sky. It’s a bitter Monday morning, the kind that bites at your cheeks and sinks into your bones, no matter how tightly you bundle up. The drive has been long and so utterly tedious, the pale sunlight doing little to brighten the cityscape as you crawl along congested streets.

Now, on the far edge of the suburbs, you’re left squinting and fuming as you circle the parking lot for the third time. The situation is grim, spots are scarce, and every turn feels like an ill-fated gamble that only ends in someone else’s bumper.

You mutter curses under your breath, the heater in your car doing little to thaw your mood.

Choso’s already there, not a massive surprise, for his apartment is far closer than your waterfront residence, smack-bang in the city’s central district. His dark hair is loosely tied back, and he’s thrown an old hoodie over his scrubs. There’s a clipboard tucked under his arm, and a coffee cup in the other.

He extends the cup towards you without preamble, “Want it?”

You blink, catching on the incongruity of the gesture. But Suguru’s intel still echoes in your mind, he has a girlfriend.

You furrow your brow, the cup hovering between you, “Where’s yours?”

Choso shrugs, “I don’t drink coffee. Makes me jittery.”

This answer irritates you for no logical reason. Who doesn’t drink coffee? It feels like some fundamental character flaw, and you snatch the cup from his hand. Doing your very best not to unfairly glare at him, for the sole crime of having a life outside of you.

It’s hard to focus when he’s nailed your exact order. You lower the cup, the warmth seeping through the cardboard sleeve and into your fingers, doing little to melt the icy knot that sits in your chest.

Choso seems almost unnervingly chipper this morning, a far cry from his usual brooding demeanour. There’s no scowl etched on his handsome face, no trace of his typical stoicism. Instead, he wears the faintest trace of a smile, a subtle and almost tentative thing that pulls at the corners of his mouth as he glances over a nearly printed itinerary.

The sight throws you further off-kilter. It’s rare to see him like this, easy and unguarded, and you can’t help the way your lips twitch, the barest hint of a smile threatening to escape before you smother it.

“We’re starting in the ER for two hours,” he reads aloud, voice steady, “then, the paediatric unit.” He pauses to flip the page, his expression shifting to mild exasperation, “And then, paperwork in the break room.”

“Figures,” you grumble, tucking your hands into your coat pockets, “Free labour from the students, yeah?”

Choso glances at you, from the corner of his eye, an unimpressed but faintly amused look on his face, “Thought that you would start the day with a more upbeat attitude.”

You grunt in response, which only earns a shake of his head as he folds the itinerary back into his clipboard.

A beat of silence stretches between you, only punctured by the sound of light metal snapping as you clip a badge to your pocket, but he’s speaking again.

“You good?”

His bronze eyes flick to yours, clearly searching, and your pulse stutters, “Yeah. Obviously.”

Choso takes a deep breath, his chest rising and gearing up for something monumental. The way his fingers fidget against the clipboard betrays him, they tap out a staccato rhythm. There’s a flush creeping on the back of his neck, subtle but unmistakeable.

“Want to get dinner tonight?” He blurts, the words tumbling out so fast that they barely sound like a sentence.

You blink at him, confused, “Bless you.” Your automatic response, because he spoke so quickly that it sounded as though he had sneezed.

Choso’s scowl is immediate, “No.” He says it firmly, drawing out each word in exasperation, “I asked if you wanted to get dinner tonight. After this.”

Oh. Oh.

The realisation hits you like a jolt, and for a second, all you can do is gape at him. He’s looking at you now, an almost defiant sort of expectation in his gaze, as though he’s worried that you’re going to laugh at him. But before you piece together a coherent response, there’s a sharp rap-rap-rap of knuckles on the doorframe.

The ward manager is here, her expression brisk and no-nonsense, gesturing for the two of you to begin your shift placement.

Your head snaps back at him, mouth moving before your brain diplomatically catches up, “I don’t think that’s fair to your girlfriend, do you?”

Choso’s brows knit together, his expression shifting to something startled and indignant. Irritated, even, as you push past him.

He’s trying to speak to you. It’s painfully obvious, as he’s got that mildly dazed look. All that awkward, earnest attention is squarely focused on you.

You’re having none of it.

He steps to your side as you shuffle through patient charts, his broad frame taking up more than his fair share of narrow space, shadowing your elbow as you scribble furious notes. His mouth opens, probably to say something that you don’t want to hear, but you’re faster.

“Hey, Choso, what’s her blood pressure?” You interrupt, not bothering to look up from the faintly lined paper.

There’s a second of hesitation before he answers, “120 over 50. Just write that down. Got it? Okay, yeah, can you stop moving for a second and —”

You squint at the chart, cutting him off again, “Hmm, don’t you think that the diastolic is a little low?”

His shoulders slump, “Yes, but the doctors already know that. She has hypothyroidism, you told me that when you interrupted me like half an hour ago. Can’t you just —” Choso stops mid-sentence again, muttering a resigned oh my god, when you pivot away and head to the next room without so much a glance back.

It sets the tone for the rest of the shift. You make a sport of avoiding him, weaving through the emergency department like a fish slipping upstream, leaving Choso stranded in your wake. He follows, persistent in his mild-mannered way, but you’re relentless.

“Can you hand me that chart?” He’s trying again, as you’re elbow deep in filing.

“Oh, this one?” You sweetly ask, holding it just out of his reach, before conveniently remembering that you need to double-check something on it. He just huffs at you.

By hour three, it’s clear that Choso’s patience is wearing thin, and fighting a war against his professionalism. He corners you near the supply cart while you rummage for gloves.

“There you are.”

“Oh, are we low on size medium?” You cut in, loud enough to catch the attention of a passing manager, “Should we restock?”

Choso inhales through his nose, “We’re not low on gloves. We’re fine on gloves. Can you stop talking about gloves for one second?”

You flash him a smile that’s all teeth, “Gloves are important, Choso. Hygiene is crucial.”

This time, you see him run an exasperated hand over his face, before realising that now he’s just contaminated his own pair of gloves. Snarling at you as he rips the blue latex off and reaching for the size large box.

Your phone buzzes in your pocket, once and then twice. Then thrice, as if whoever’s contacting you as something urgent to say. You ignore it, you’ll check it after placements.

The hours tick by, and your strategy remains the same. Stay busy, stay distant, and stay unreachable. Don’t make it seem like you’re irrationally bothered by Choso having a life of his own and having a girlfriend. Or that you actually had hope that this time round, his feelings for you were requited.

By the time you both stumble into the break room, Choso looks as if he’s experienced the full emotional spectrum, like he’s been knocked through the five stages of grief and landed somewhere in the resigned space of acceptance. He looks as if he’s clearly preparing to lecture you, to tirade you on professional conduct and —

Without warning, his phone buzzes.

You don’t even look up from cracking open your water bottle, the sound of plastic barely crinkles louder than the dull thud of your own heartbeat. Choso glances at you out of the corner of his eyes, a flash of alarm crossing his face, before he draws his attention back to the screen of his phone.

You hear the faintest scoff from his direction, and he’s shaking his head as you watch in mild interest.

“What?”

Choso doesn’t answer immediately, still scrolling through his phone.

“I’m not dating Tsukumo Yuki.”

Your mouth goes dry. You blink rapidly, wide-eyed as if he’s just spoken in an ancient, dead language.

“What?” You manage weakly, “Who? What? —”

There’s a sinking feeling in the pit of your stomach, and you fear the cause of this slow and curling chest is a meddling duo of two men, one with dark hair and the other with snowy-white.

Choso doesn’t even glance up at you, his voice tinged with something incredulous now, “Why is Gojo Satoru texting me? He says that you’re not replying to his or Geto Suguru’s messages. And apparently, this is super urgent, and he feels like he must do his divine duty by interfering before you do something stupid.

Choso pauses, finally looking at you as if he’s truly baffled, “And you all thought that I was dating Tsukumo.”

You’re crafting a list in your head. Twenty creative ways to kill Gojo Satoru and not land in prison afterwards.

Maybe you should ask Choso for Ryomen Sukuna’s contact.

“That’s crazy,” you say, the words tasting thin and hollow in a bitter, embarrassed lie.

Choso shakes his head at you, some dark strands of hair falling across his eyes, “She looks after Yuuji sometimes. I take him over to her place because Yuki’s adopted a kid, Todo. The two of them are friends.”

“Uh.”

Choso turns back to his phone screen, scrolling through whatever nonsense Satoru is feeding him, “Have you being icing me out all day, because you thought I had a girlfriend?”

“Will you hate me if I say yes?” You’re looking anywhere but him, focusing on the chipped, lilac paint on the break-room door. Or the slightly off-centre light bulb flickering above. Somewhere, in the back of your mind, you’re adding Geto Suguru to your kill list.

Choso’s voice is softer when he answers, almost too quiet, “Hey. You know I couldn’t hate you if I tried.” But there’s a strange mixture of amusement and disbelief in his voice, a bemused chuckle that lingers in the air, “Wow. Just wow.”

You grimace, fingers toying with the edge of the water bottle as you wrangle your thoughts into words, “Are you mad? I mean, look. I told you I liked you. And then you held my hands, so I thought you liked me back. And you got me coffee. But Suguru said you had a girlfriend, and you can’t blame me for being — Oh my god, I’m going to stop talking, you’re looking at me like I’ve gone crazy.”

Choso’s expression shifts, just staring at you. You don’t more than a split-second to process his strangely intense look. There’s no time to recover before he leans down, his hands surprisingly warm and gentle as they cradle the side of your face.

Your breath hitches, but before you can form another thought, his lips are on yours. They’re warm, deliberate and surprisingly firm. The scent of crisp green apples falls over you, as his hair envelops your face.

He pulls back just enough to study you, “Was that okay?” he asks, his fingers still lingering at the curve of your jaw, like he can’t believe he just kissed you. You can feel the sharp blush sting your face, as your heart practically goes into cardiac arrest, nodding quickly.

“Uh, I’m not really an expert in this field,” Choso murmurs, “But I can’t believe that I waited this long to do that.”

“You can do that again,” you say. Wondering if you should buy Satoru and Suguru a bouquet of flowers instead.

Choso, predictably, blushes deep enough that it nearly looks like he might combust. His eyes flicker away, avoiding your gaze in that way he does when he’s trying to sort through his emotions. But it’s hard to miss the warm flush that’s firmly planted on his neck.

“Can I do it over that dinner?” Choso murmurs, his voice dipping lower, before he quickly rephrases, “I obviously do want to kiss you now, again, that is, but if they catch us in the break room —”

You suddenly beam up at him, patting him on the cheek, “You can kiss me as much as you like over dinner.”

Choso looks as though he’s been struck with a metaphorical thunderbolt, as if he didn’t expect you to agree so straightforwardly. And then, as if he can’t help himself, he presses a quick and soft kiss to your forehead. For the briefest second, it feels as if you’re a teenager again, caught in the whirlwind of something simple and so sweet.

“Okay. So, is that a yes?” He asks, a little breathless, as if he’s not sure what kind of confirmation he’s just gotten but needing it to hear it anyway.

“If it’s a proper date, it’s a yes.”

Choso mutters under his breath, “You know Geto Suguru texted me with a five-paragraph apology, something about sneaking around my apartment. Stalking me this morning,” and here, he looks at you, utterly exasperated but fond, “Something about checking to see if I had a girlfriend. I mean, I don’t even know the guy. We never talked in school.”

You loop your arm with his, pulling him in slightly, “See, I always did say my friends were super nice. They’re going to be super nice, and normal. Trust me.”

ONE WEEK LATER.

“And to my brother-in-law, my brother-in-arms, my brother in the Constantinople Crusades of 1204,” Satoru hiccups, his words slurring together in a rambled mess, as he sways over the edge of Suguru’s arms, and for a split second, you’re worried the white-haired man is going to tip over entirely, “My new brother, Choso. We always knew it was going to happen, eh?”

Choso’s cheeks turn a faint shade of crimson in the sudden spotlight as everyone cheers, and he shifts awkwardly. Suguru’s shooting him an apologetic look, the corners of his mouth twitching as he props Satoru up, “He’s a lightweight. And we watched a historical movie last night.”

“I can tell,” Choso grumbles, his face flushed now as Satoru’s monologue drifts like an aimless plastic bag in the wind, his words growing nonsensical as you reach over to pinch at his cheeks. He yelps but continues to babble on about how he and Choso are going to be best friends now, and they’re going to go shopping together, and ice-skating, and fruit-picking. All nonsense burbles being strung together by the tequila shots that Satoru swore he could handle an hour ago.

You glance over at Choso, faintly embarrassed, but he just laughs, a sound that’s unexpectedly light and unguarded. His fingers slide into yours once more, and the motion is gentle and natural, as though this, you, are exactly where he’s meant to be. And he drapes the wide expanse of his aviator jacket over your shoulders.

Meanwhile, Suguru is wrestling with Satoru, pushing him back down from his impromptu toast to your boyfriend, before the bartender can usher you all towards the exit. The burly man is already giving Satoru’s drunken proclamations a nasty look.

Shoko, of course, is grinning at you, a tankard of beer glimmering in front of her. Her eyes gleam with the sharpness of someone who’s won a decent amount of money in a bet. And Utahime is standing back with a faintly judgemental expression that only veils her gossipy curiosity, and a glum look as she passes wads of cash into Shoko’s waiting hands.

“They really do like me,” Choso murmurs, his voice low and almost carrying the undertone of vulnerability, alongside some quiet self-awareness.

You laugh, brushing your thumb over the back of his hand, leaning in to press a quick peck to the dark mark that streaks over his face, “They all have no choice. You’re my boyfriend now.”

The words slip out effortlessly, and for a moment, they hang between you like something solid and unspoken, as though saying it aloud has made it feel real in a way it never quite did before. Choso’s eyes flick to yours, and something shifts in his expression — just a slight softening around the edges.

Then, without warning, you lean in, closing the distance between you, and kiss him. It’s slow, deliberate, with none of the frantic energy of your first kiss but instead the quiet certainty of something just beginning to bloom. You feel the faintest sigh from Nanami in the background, the sound of Geto groaning as Gojo whoops with drunken delight.

The noise from the bar fades into nothing as you focus entirely on the warmth of Choso’s shy lips against yours, the gentle pressure as he presses more into you, the soft thud of his heartbeat where your hand rests over his chest. For that moment, it’s just you and him, and everything else is an afterthought.

“Okay! I’ve had enough of the lot of you snogging and yelling in my bar! And take stupid Jack Frost out with ya’!”

[livelaughpeg]

I'm writing this from a throwaway account, because you know...Scientology.

I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.

But one thing that did always rub me up the wrong way was the way he talked about getting work.

I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:

I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.

I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.

I think someone had more financial cushion that he was letting on.

And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.

And then I saw Jeff's tweets. Oh, that's why...

I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.

I suspect it's all a lie.

[woso-dreamzzz]

Injured (Alba's Version)

Alexia Putellas x Teen!Reader

Summary: You are forgotten

TW: childhood neglect, depressive thoughts, suicidal thoughts

When you are four, Mami forgets you at nursery.

Tia Alba gets angry but Mami apologises and Abuela gives you back to Mami.

When you are five, Mami forgets you at school.

Tia Alba has to come and get you but Mami apologises and Abuela gives you back.

When you are six, Mami forgets you at ballet.

When you are seven, it's at school again.

When you are eight, it's at your friend's house.

Nine is at a birthday party and ten is after a recital.

You start taking yourself to school at eleven. You don't have a bus pass so you walk the hour to school, there and back every day. You take yourself to ballet and to your recitals.

At twelve, you join the Ballet de Catalunya ballet school.

Alexia forgets your celebration dinner.

At some point, you don't understand when, something snaps in you. Days off are spent in bed, with no energy to do anything but rot.

Jaume is a rising star in his age group, rising through La Masia's ranks quickly.

It's all Alexia talks about at dinner.

How talented he is. How good he is. How he scores goals like they're easy.

The tickets to your recital sit forgotten in your bag.

The seat in the front row is left empty.

You stop coming down to dinner.

You eat alone. Breakfast. Lunch. Dinner.

Your recital clashes with Jaume's game.

You've got a solo. You've been working towards it for months.

Alexia tells you to skip your performance to watch Jaume's match.

You don't.

You go to your recital. You perform your heart out.

The Artistic Director of the ballet company comes to watch. He offers you a spot in the actual company. He wants you to dance. To properly dance. To have a career in dance.

You want that too.

You're still a child though. You can't sign a contract by yourself. You need a guardian to sign for you.

Alexia's mad at you though, mad that you didn't turn up to support her son. She's mad at you for putting yourself above him.

"Family is meant to support each other," She tells you," Family sacrifices things for family. Do you think that your grandmother didn't sacrifice things for my football? That Alba didn't?"

It's funny, you think that night, as you stare up at your bedroom ceiling. You're invisible to her most of the time, the ghost that lives in her house, until it's something to do with her golden boy.

It's not all bad. At least, you don't think it is.

Alexia is a good mother.

She makes dinner and she gives you somewhere to live and she clothes you.

There's family days out and little restaurant trips and holidays away during the summer.

She comes to your parent-teacher meetings and pays for all your new ballet equipment, your shoes and your leotards and your leg warmers.

You get a train on your birthday and a cupcake.

You are being dramatic.

Alexia is a good mother. You're just different to her.

It's easier for her to relate to Jaume. He is like her. He loves football and everything that comes with it. His love for Barcelona rivals Alexia's. He is everything you are not.

He is Olga's son.

You are not.

"I don't like arguing with you," Alexia says as she sits on your bed at night," And I'm sorry. I just...I just wish you understood what this means to your brother."

You hold a pillow to your chest, still turned away from her. "I wish I did too."

Alexia rests a hand on your side, gently rubbing her fingers along your skin, trying to sooth you.

You feel like you're going to cry. But you won't.

Not in front of her.

"Dinner's in the microwave."

"I'm not hungry."

"Well, when you are."

"Okay."

"Goodnight, y/n."

"Night."

You forge Alexia's signature and start training in the ballet company of your dreams.

You don't know when it happens or what sparks it but one day, you walk from practice all the way back home.

Your feet hurt and your legs hurt and something in your chest bursts free and you sit on the beach and sob.

Something in you is broken, shattered like a mirror that someone's desperately trying to fix without having all the pieces.

Part of you is missing.

You don't know what part is missing. You don't know when it is stolen from you but it isn't there anymore.

Lots of parts of you are broken. Some more than others. Some missing completely.

There's something wrong with you as years-old exhaustion sets into your bones. Something in you is irreparable as you stare out to sea.

There's a pier to your left, as empty and quiet as you feel inside.

It's dark now.

It had been midday when you'd left practice.

You'd been at the beach ever since, just staring out at sea.

It would be so easy to walk until the end of the pier, to sit down on the edge and dangle your feet over it.

The drop isn't enough to kill you but the sea is deep enough that you'd drown if you don't swim up.

That's interesting, you think.

How far does someone's instincts go?

If you jumped in, would you automatically kick and swim up?

Or would you consciously be able to stop?

If you were in the water, could you bring yourself to open your mouth and breath?

Or would your brain stop you until you were safe again?

You kick your legs, staring at the water.

The night makes the sea look even more daunting.

Somehow, that's comforting to you.

If you jump in now, someone won't find you until morning. If they would ever find you at all.

The water is inviting.

You imagine it will be peaceful when you finally go.

Like falling asleep.

You'd just float away.

It's so tempting.

You can't imagine anything sweeter but your phone flashes.

Tia Alba: How are you?

You can't remember the last person to ask you that.

No.

That's a lie.

You can't remember the last person to ask you that outside of Alba.

A sob forces its way out of your throat and you're crying again, uncontrollable, gut-wrenching sobs.

Something is wrong with you.

That's all you can think as your aching feet walk you away from peace.

You walk away from salvation.

There's a doorknocker on the front door. It's rusty and the paint is patchy, flecked off from a life well used.

The door opens.

"Bambi?" Alba stands behind it. "Are you okay?"

[topazadine]

Writing Post Masterlist

All my posts about writing - plus some I absolutely loved by other writers.

Masterlists by Other People (all good)

"Writing Tips Masterpost" by @deception-united - Deception-United has an incredibly wealth of resources available, far more comprehensive and detailed than mine. Go check it out!

"WQA Post Master Lists" by @writingquestionsanswered - Another fantastic and wonderfully comprehensive resource that covers damn near everything you need to know about writing. Genuinely one of the best free resources on writing that you could find on the internet.

General Advice for a Happy Writing Life

"The Myth of the Martyr Artist" - An incredibly important post, perhaps my most important one ever, that discusses why mental illness is a burden, not a benefit. I have no idea why this even needs to be said, but it does, apparently.

"Building Self-Esteem as a Writer" - Why you gotta be nice to yourself. You gotta.

"Identifying bad writing advice" - Warning signs that the post you are reading kinda sucks and you should click off.

"Advice to Beginner Writers: The Good, the Bad, and the Unpleasant" - How long it takes to become a good writer, what to focus on when learning, and why fanfic is such a useful tool.

"Mindset Shifts: Fanfiction -> Original Fiction" - What fanfic writers should know about deciding to take on original characters and stories.

"Defeating Protracted Writer's Block" - What to do when you find it impossible to write for days, weeks, or months at a time.

"Five Common Anxieties of Newbie Writers, Demystified" - Explorations of five mindsets that can set younger writers back as they learn their craft, including overcompetitiveness, overdescribing, and fearing they're "too old."

"Good Motivations for Continuing to Write" - Why it is crucial to have a passion for writing beyond fame and fortune.

"Extremely controversial writing opinions that will make you mad (but I'm going to say them anyway)" - Things you really don't want to hear, but need to be said. A bit of tough love, including the insignificance of ideas, the cold hard truth about how non-writers react to your writing, and the essentiality of having a well-rounded life.

"Why Mindfulness Is a Key Practice for Writers" - On the need to slow down and let our brain rest - plus some options that are categorically not sitting there in dead silence (boring).

"Writing When Happy" - Wherein I hijack someone's question to discuss the Myth of the Martyr Artist, why we might self-limit because of it, and how to do the impossible: write when we're happy.

"The Neurodivergent Writer’s Guide to Fun and Productivity" by @bookishdiplodocus - Excellent advice on how enjoying the process and reminding yourself that writing is supposed to be fun can help you stay motivated and productive, even when your brain is not cooperating.

"The Glorification of Self-Deprecation in Art/Writing Spaces" by @nicolkoutoulakiauthor - I've discussed before how crucial it is to have a healthy self-esteem when writing, but Nicol does it even better here. Nicol also includes some excellent reframing tactics so you can stay motivated.

Generalish Writing Advice (multifactorial)

"Signs That You Will Probably Finish Your Writing Project" - An analysis of the mindset that leads to results, and encouragement on how to develop them.

"'How Do I Start Writing?'" (Or; A Psychoanalysis of Newbie Writer Fears) - Inspired by the dozens of Reddit posts that ask this exact same thing, often with useless responses. So why do people ask this? I offer my theory.

"I Can Think of Ideas But Can't Write Them!" - A consideration of the many reasons you might find it difficult to get started on your precious idea-baby.

"How to elevate your writing style with 6 simple hacks" - Information about how to develop a prettier prose style, catch errors, develop good dialogue, and focus on brevity.

"How to improve your writing style : a 5-steps guide" by @writer-logbook - Especially great information on why reading widely is so helpful for your craft!

"Some Writing Advice" by @whispers-whump - Especially great discussion of why you shouldn't write what you mean.

"Practical Writing Advice Part 2" by @so-many-ocs - Does what it says on the tin. Simple, easy-to-follow advice that can break you out of writer's block.

"25 Prose Tips for Writers" by @thewriteadviceforwriters - I absolutely love the emphasis on sound and harmony here. As someone whose entire book series revolves around the magic of poetry, of course I think this is incredibly important advice!

"Pacing and Show Don't Tell" by @mylordshesacactus - Two for one deal! First, learn more about why pacing is important; then, look at some examples of the classic advice "show, don't tell." The post does a great job on breaking down what show don't tell actually means and what is not a violation of this guideline so that newer writers aren't confused.

Writing tools

"How to Build a Sustainable Writing Habit Through SCIENCE (Fuck Off, NaNoWriMo)" - Why NaNoWriMo doesn't actually motivate young writers and how to do better through a spreadsheet (yes, really, a spreadsheet). It also explains the importance of intrinsic motivation!

"'I've Outlined Too Much and Now I Can't Write!' (Or: the Double Outline Method for Overanxious Plotters)" - Some of us tend to go absolutely ham on our outlines, to the point where they're practically their own books. But then we also tend to not actually do the writing attached to said outline. Does this mean outlining is useless? Of course not. My method lets you have your outline and eat it too. (.... Wait.)

"'How Do I Make Myself Start Writing?' (Tips to Get the Damn Thing Done) - In this post, I provide a step-by-step guide to start writing, including a few tools to help improve motivation and concentration.

"How to Write Faster (And, Hopefully, Better Too)" - Eliminating distractions and forcing your brain to write is key to getting more done. Here, I explain how you might be limiting yourself by too much thinking and not enough doing.

Worldbuilding

"Stop Making Everything So Damn Complicated!" - Why fantasy (and scifi) does not need to be dizzyingly intricate to be enjoyable.

"How to Kick Ass at Worldbuilding" - I offer some suggestions on how to create a grounded and interesting world that will not bore your readers, based on real life examples.

"Grounded vs. Airy Fantasy" by @aethersea - Excellent breakdown of different levels of groundedness in fantasy and why it's important to understand your own approach.

"Fantasy Guide to Building a Culture" by @inky-duchess - Thorough and methodical analysis of what can create a compelling fantasy culture, including those things that many fail to think about when writing.

"Writing tip - Research" by @pygmi-cygni - Fantastic assessment of the importance of research, including for fantasy stories. As Pygmi-Cygni said, a lot of people claim that they don't need to do any research for fantasy novels, which isn't true! Any parallels to IRL need to be realistic, or you will lose credibility.

Plotting

"How to Use Chomolungma for Writing Adventure Stories; Or, the Plot Mountain Method" - If you're sick of saving felines who should really figure their own shit out, it's time to head to Plot Mountain. In this post, I offer you an alternative to the formulaic "Save the Cat" and "Hero's Journey" which also incorporates tension, characterization, and forward momentum.

"Avoiding Melodrama In Your Writing" - The most annoying all things: melodrama. My least favorite thing. Do not do it. I will show you how.

"How to Find a Plot When All You Have is Characters and Setting" by @rheas-chaos-motivation - This is a common problem for many writers, when you have cool characters or an intriguing setting. This short post can help you kickstart your ideas for how to create an intriguing plot that has built-in tension.

Description

"Remembering Perspective When Writing Descriptions" - Key factors to think about when describing other characters or settings from your POV.

"Description, Momentum, and Tension; Or, How Not to Bore a Reader" - Why, when, and where to put description so that people don't skip over it. Hopefully.

"Writing Notes: Seasons" - Each season has both benefits and downsides. In this post, we look at the negatives and positive aspects of each so you can decide how a particular season may strengthen your themes - plus some descriptions to help inspire you.

"Writing Advice: Spicy Mundanity" - Wherein I explain how to stop having boring descriptions by packing in characterization.

"How to Write Smut?" by @unfriendlywriter - Wonderful examples of how to write heartstopping smut.

"How to pull off descriptions" by @fictionstudent - Fictionstudent has a ton of great posts, both about film analysis and about the art of writing. I especially liked this one because it discusses how important perspective is for descriptions and the importance of filling in the details as a character would rather than just throwing it all at the reader at one time.

"How to avoid White Room Syndrome" by @writerthreads - Fantastic and focused advice on how to ensure you're offering readers just enough setting to help them envision the world.

Characterization

"Writing Relatable Characters; Or, Using Human Failures to Your Advantage" - Explaining how you can use character flaws and human needs to create a relatable character. Also explains the basic development of a plot, which is about equilibrium.

"How NOT to Write a Character" - Wherein I give you some examples of annoying characters we want to punt off a cliff so you can watch yourself.

"Writing Strong Female Characters" - Why you should give your female characters a secret goal, as well as how to avoid common 'strong female' stereotypes.

"Writing Compelling Trauma in Fiction: Dos and Don'ts" - How to avoid melodrama and create intriguing emotional wounds for characters.

"Quality Assurance Checks for Character Development" - Thought exercises that can help you differentiate characters, prune down unnecessary characters, develop true chemistry between LI and MC, and avoid having too many POVs.

"Developing Character Agency (Or; Cutting the Plot Strings)" - A discussion of character agency and how to ensure your characters are not bound by the narrative.

"Writing Notes: Thought Distortions" by @literaryvein-reblogs - Some psychological concepts you can use in your writing to add depth to characters.

"Questions about your character’s perspective on love and relationships" by @luna-azzurra - Excellent questions that can help you delve into your character's attachment style, what baggage they may bring to a current relationship, and how to create conflict through mentality.

"How to Write a Confession of Love," also by luna-azzurra - Perfect discussion of how to create tension, the utility of setting, not making it perfect, and including the other character's response.

Revisions

"Common Writing Issues that Reduce Readability" - Examples of fixes for four common issues: double describing, long sentences, overexplaining, and head hopping.

"How to Avoid Purple Prose" - A critical part of the revision process is making sure your writing is clear and balanced. In this post, I show a blatant example of purple prose and provide suggestions on how to make a more elegant passage.

"Differential Diagnosis When Your Writing Is Getting Worse" by @ariaste - Fantastic explanation by a professional writer about why you might feel like your writing is getting worse and what to do about it.

"How to Make Your Writing Less Stiff Part 3" by @physalian - Physalian's whole blog has some excellent advice, so definitely give it a look!

"How to Improve Your Writing" - Also by literaryvein-reblogs, this offers some excellent exercises to help with sentence-level issues, such as modifiers, parallelism, and details.

Publishing

"How to promote your book online : a discussion about social media (and few tips)" by writer-logbook - Great tips about how to get more interest in your book. I especially enjoyed the emphasis on patience and consistency. Writer-logbook has some excellent info overall about the nitty-gritty of writing, so I definitely recommend poring through their blog in general. (That's why they're included here twice!)

"A masterclass in how not to market your books, in one singular tweet" - Wherein I help you derive lessons from an abysmal tweet by an author.

"Mistakes I Made When Self-Pubbing My First Book (Part 1: Mindset Edition)" - I talk about how being delulu is not the solulu, that yes marketing is important (even if it is horrible), and how a bit of self-confidence can go a long way.

"Mistakes I Made When Self-Pubbing My First Book (Part 2: Presentation Edition)" - Graphics and covers and blurbs! Learn about them. Do not do what I did.

"Mistakes I Made When Self-Pubbing My First Book (Part 3: Ads and Reviews Edition)" - Why you have to get reviews. You gotta. And you gotta demand them. Shake those reviews out of your readers. You'll thank me later.

Specific Research Advice

"Assassination Methods Through the Decades: A Writer’s Handbook" by @hayatheauthor - A thorough review of different assassination methods, including a section discussing common assassination methods by region!

"How to Write Someone in a Wheelchair" - A group effort! This is a reblog chain discussing body language in manual wheelchairs, the mechanics of power wheelchairs, wheelchair propulsion methods, and a reminder that just because someone is in a wheelchair doesn't mean they can't walk short distances.

"Writing Research Notes: Caves" - Oh caves how I love them. Caves. Let me tell you about them if you want to write about caves. Blessed.

"Writing Research Notes: Horses" - A beginner's guide to horse mindsets, whether horses like working, approaching horses, how to ride, and tips on training.

"Writing Research Notes: Bipolar Disorder" - Written by me, a writer with bipolar disorder! This shares basic facts about bipolar, offers a list of symptoms you can use, and cautions you against spreading misinformation through poor characterization or myths.

"Writing Research Notes: Politics" - I provide a quick overview about governments and international relations, based off my suffering while getting an MA in International Relations.

"Stop Doing This in Injury Fics!" by @pygmi-says-hi - Discusses some common errors when writing whump/angst. The fever part was especially helpful for me!

"Writing US Military Characters" by @lookbluesoup - An explanation of the habits and mentality of US military characters. Many of these were quite helpful for my fantasy military characters, so you can get a lot of mileage out of these for soldiers in other militaries too!

Little Funsies

"What Painting Style Is Your Writing?" - A short exploration of different writing styles to help you better understand your own approach.

I'll be adding onto this as I continue to scroll through my old likes and, of course, as I find more resources.

[butchreg]

mommy ! caitlyn x fussy troublemaker ! reader headcanons !!

requested by anon ! i did headcanons instead of a fic, i wasn't sure which you preferred but headcanons are a bit less time consuming and you've been waiting a bit so i decided on headcanons. i hope that's okay ! mommy ! caitlyn is so sweet :3 arcane masterlist here , upcoming list here

mama caitlyn is never angry or yelling, but she is firm. if you've done something naughty she'll bend down to look into your eyes, firm hand on your shoulder, and speak to you in a calm but stern tone, scolding you a bit and explaining to you why what you've done was naughty.

if you're especially fussy, she'll take you onto her lap shushing you gently as she rubs your back. "what's the matter, my love? mama can see you're upset, would you like to talk about it?"

with you being a bit of a troublemaker she's no stranger to you coloring on the walls. her hand catches her face as she sighs but she can't help but chuckle. "where's mama's little artist?" she'll call and you'll nervously peek your head around the corner. "do you want to explain yourself mister/missie/little one?" you sheepishly grin at her, trying to decide if you should pretend it wasn't you. a few days later she gets whiteboard paint for your room and all colors of markers.

you're always making messes and blaming them on your stuffies. imagine you're up early trying to make yourself a bowl of cereal when you drop the milk. you try to clean it all up by yourself but in the end you have to accept defeat, creeping into caitlyn's room with your stuffie in hand. tapping her awake, holding your stuffed animal right in front of her face. "um.. mommy... bunny did an oopsie. i tried to help him but it was too much..."

you're no stranger to the time out corner. you try to tantrum your way out of it but caitlyn won't say anything, giving you a sympathetic look but not letting you out until you can calm down. "shhh, baby, enough yelling now, love. you're gonna hurt your voice. as soon as you've calmed down enough to tell mama why you're feeling grumpy you can come out."

if you're in a fussy mood, caitlyn will sing to you to calm you down. she has a pretty voice but saves it only for you. she'll often sing you lullabies if you're trying to protest against bedtime or nap time. you'll start to stomp and she'll give you an amused look. "i know you're not sleepy (;3) but why don't you rest your pretty little head a minute and let mama sing to you?" she knows you really are sleepy and that's why you're so cranky, but she knows you'll shout if she suggests it.

if you're feeling especially testy you'll curse, only the baby equivalent curses but this shocks her every time. she'll gasp, horrified. "who taught you that, that's very naughty." she might drop the classic "i'm not mad, just disappointed," or have you write lines. nothing crazy, just "i will not say bad words," five or ten times. if you start to get upset, she'll sit with you, once again explaining why those words are bad. if you're to get weepy she stops the punishment immediately, kissing your head and rocking you. you'll choke out something about you being bad, and she gently shushes you. "oh no no no. look at me, baby, can you do that? can you look at mama?" you tearily glance up at her, and she meets your eye. "in no way are you bad, sweetheart. you may have done something naughty but you're a very good girl/boy/pup/etc. do you hear me? i love you so much, baby, i'm not angry with you, just need you to understand me. does that make sense?"

she always keeps a paci on her for if you're out in public together and you get fussy. sometimes you lose yours, spitting it out to get your mama's attention. she'll have you in your stroller going up and down the same few blocks trying to find your beloved paci you spit out. she always has an extra one because this seems to be so entertaining for you — you can't stop giggling whenever you spit your paci out like you did something sneaky.

[firelightmlpoc]

This is Pansear (if you want proof, look at my pinned blog; I'm well aware that there are a lot of imposters out there). I wish to say thank you for being open minded while also acknowledging that- yes- I did fuck up at times. I didn't treat Azriel the best. I was selfish towards the MAP collaborators. I wasn't a particularly great person in general- all that I admit, and I have my own separate posts for those. Overall, I'm sorry.

The harassment was too much and the screenshots were obviously fake. It wasn't fair to me. It wasn't fair to anyone either including those who believed were fake too, even to future potential victims of allegations and former victims of harassment campaigns. I left not in admittance of guilt, but to everything else that has boiled over (again, I detailed this in a post).

I know there's people beaming to know that I'm alive and well (and of course, people who are angry that I'm not). I just want to say that I'm sorry for having to leave everyone in the dark for so long, and that I was basically a POS back then.

It saddens me as well that this whole situation not only affected me- it has affected most of the fandom. It has affected the other artists, who no longer feel safe and comfortable. It has affected my friends, who missed me and feel lost in the dark. It has affected my fans, who worry about me and feel so conflicted about everything. It has affected friend groups who are distanced in their conflicts.

Even for the things I didn't do, I still felt horrible. There were no winners in the end, and any winner I could describe are those vile people hiding behind anons who have hurt the most.

People can already predict that I will never return and that is definitely the case. Not just for the sake of my well-being, but I believe it's for the best for everyone in general. It's been far too long that I danced through the harsh weathers- some strange fucked up game of ping pong, and it's time to put it to rest. I don't care if people will hate me still, all I care about is everyones' safety and for those who have been hurt to heal from this.

I have no real say on the Emily side of things. Indeed what she did to Azriel was irresponsible, but she doesn't deserve the harm and harassment she's got and been getting. Nobody does. Not even my calloutters and my harassers. Looking at their responses and posts just makes me feel bad. I can't help but feel sorry for them.

I hope you yourself are doing well. To all others reading this, I hope you all are too. The fandom isn't the same but I know love can persist somewhere. I am leaving it all up to you to make this place so much better, and that one day everyone can laugh again.

For now, I'm hoping things can rest.

I’m glad to hear you’re doing alright. And as you’ve said: Yes, you have done things wrong, but the actions taken against you were far beyond the pale for what you actually did.

An apology backed by action towards self-betterment is a good apology, & is what you’ve shown to be doing, though I truly wish that the cost you’ve had to pay for this all wasn’t so steep. I hope that you’re still able to find enjoyment in your art still, & hope that you’re able to heal from all of this, even if it takes a good bit of time to do so.

May the path you walk no longer hurt to stand on, & may you find yourself at peace with all of it some day.

[yoongiseesawmp3]

own my mind - san (m)

summary: part of the idol series. idol!san x producer!reader. san hates you, you're sure of it, and the feeling is pretty mutual. are these feelings true, or does he just need to spend some time getting to know you?

word count: 10.6k

warnings: smut. afab reader. oral (f and m receiving) unprotected sex w pull out method, don't do that. recording during sex, don't do that either.

masterlist

"so the practice rooms are down this hall," your new boss explains as he shows you around kq, "and over here are the boys' studios, but your's will be this way..."

you're trying to take it all in and simultaneously remember where all of the confusing hallways lead. kq may not look like much on the outside, but within it's basically a maze. you keep nodding and smiling as you follow your boss around, politely greeting anybody you encounter. he ends by bringing you into a conference room to finalize some paperwork, and after that you're on your own. you're officially the newest producer at kq, and...you have no idea what to do next.

you step out of the conference room and try your hardest to remember which direction leads back to the studios, but you also need coffee. you remember where the kitchen is, so you head that way as you text your friend jen. she recommended you for this job, and she promised she'd say hi on your first day. she's one of the make up artists for ateez, so she's always around, but her schedule is a little more frantic than yours. you understand if she doesn't answer right away, so you send the text and forget about it. you take a moment to yourself in the company kitchen as you try to figure out the coffee machine, letting your thoughts wander.

are you really cut out for this? it's your first day and you already feel overwhelmed. do they expect you to just go into your studio and start producing? what kind of tracks do they have planned for the next album? will the current producers even let you touch anything important, or will you have to prove yourself first? you're thinking about all this and more when someone bursts into the kitchen with a screech.

"Y/N!!!" jen yells as she scoops you into a hug. "you're here! it's finally happening!"

"this isn't very professional," you laugh as you hug her back. "you're helping me make a bad first impression."

"not possible, i've been talking about how great you are for months," she smiles. "they're gonna love you, seriously. i can't wait to hear what you make."

"what if i suck though?" you ask, but jen shakes her head.

"don't do that. no negativity on your first day."

"whatever."

"so what are you doing first?" she asks, taking the coffee you just brewed and having a sip for herself.

"dude, that was mine," you cry, and she hands it back to you with a half assed apology. "um, what am i doing first...well, i got confused on my welcome tour, so i guess i'll wander around until i figure out where my studio is."

"oh i can show you," jen brushes you off. "it's not that confusing, you just need to walk it all a few times. lots of doors, but you'll get the hang of it."

"do you want to make your own coffee, or can you show me around right now?" you ask as you finish doctoring up your mug.

"i can just have another sip of yours," she says as she reaches for it, but you hold it just out of reach as someone else walks in.

"hey jen," hongjoong greets her, his eyes falling to you next. "are you y/n? i've been summoned to help you get started."

"thank god," you sigh in relief. "i wasn't sure what to do, so i appreciate it. it's nice to meet you, finally."

"likewise," he smiles. "i'm a big fan of your work."

"really?" you feel yourself blush. "thank you. you were one of the reasons i started producing, so that means a lot."

"really?" now it's hongjoong's turn to blush. "well, that's...nice."

"great," jen claps her hands, easing over the awkward silence. "you can show y/n her studio and the two of you can keep gushing about how great you both are." she turns to you and puts her hands on your shoulders, giving you a playful shake. "you're gonna do great things here. be nice to yourself. and uhhh, go team!"

"thanks jen," you laugh as you wave goodbye, following a respectable distance behind hongjoong. he looks back to make sure he hasn't lost you and motions for you to come closer.

"no need to be shy," he tells you. "we'll need to be pretty comfortable with each other considering how close we'll be working together."

"how often will i be working with you?"

"mmm, every day maybe?" he thinks about it. "in the beginning at least. you'll shadow me for a few days to see how the studios run, and then you'll sort of report to me with whatever you're working on. hopefully we won't get tired of each other."

"i don't think that'll be an issue," you assure him. you catch the tips of his ears turning red and you smile to yourself. "so, what makes a good producer here?"

you watch in admiration as hongjoong explains the creativity and collaboration that makes kq work so well, and you kick yourself for getting distracted again. you were supposed to be watching your surroundings, keeping an eye out for where to go to find your studio, but you can't help it. in this moment, it hits you: you get to make music with one of your favorite producers for one of your favorite artists. you must be dreaming, right?

if this is a dream, you're knocked out of it abruptly. while you were watching hongjoong, you weren't watching where you were going, and you walked right into the human equivalent of a brick wall. you spill your coffee everywhere, but don't worry, most of it lands on the most handsome man you've ever seen in your entire life. you're currently staring at choi san, singer of ateez and one of your new coworkers. he's looking down at you, a little bit of shock in his eyes, and you rush to correct the situation.

"oh, shit, i'm sorry," you apologize. you look to hongjoong for help and he's running off to find napkins, leaving you with a very buff man in a soaking wet white t shirt. "i am so so sorry, really, here, let me try to-"

"don't worry about it," san takes a step back. he starts to walk away, but you follow behind him.

"at least let me-"

"i said don't worry about it," he tries again, his tone calm but his eyes tell a different story. he's glaring down at you, which makes your blood boil. he has a right to be mad at you for spilling coffee on him, but why's he pissed at you for trying to help clean him up?

"sure, go drip coffee all down the hallway then," you grumble as you brush past him. "i'll tell hongjoong to follow the trail when he comes back with your napkins."

"fine," san sighs, stopping where he stands. he throws his hands up and asks, "happy?"

"sure."

"who are you anyway?" he mumbles to himself, looking you up and down. you feel his eyes linger, and it makes goosebumps rise over your skin. you take that as a further sign that this guy is getting on your nerves.

"i'm y/n, i'm the new producer," you answer. "nice to meet you."

"you spill coffee on all of your coworkers, y/n?" he asks, and you roll your eyes.

"i said i was sorry-"

"here's hongjoong," san cuts you off. he reaches out for the napkins and smiles at his bandmate. "thanks man."

"so you've met y/n," hongjoong chuckles, trying to ease the tension. "she's really great, we're lucky to have her on the team." san doesn't reply, just nods and sends you a tightlipped smile as he dabs at his ruined t shirt. the fabric is basically translucent now, showing san's tan skin below and the definition of every single muscle. hongjoong clocks the way your eyes are trailing over san's torso and he clears his throat. "um, should we continue our tour?"

"yeah, sorry," you gesture for him to lead the way, and you hold san's gaze as you walk away. he's a dick, you think. that'll be fun.

-

"so is san always an asshole?" you yell over the loud music to jen as you follow her to a table. she insisted on taking you out for drinks to celebrate your first day, and after the morning you had, you need this.

"is he what?!" she shouts back.

"an asshole!"

"san?" she looks at you bewildered. "he's a sweetheart!"

"are we talking about the same guy?"

"are we?" jen questions as she finally pulls you to a table in the back. it's a little quieter back here, so you don't have to shout, but the music will still drown out your conversation so no one can eavesdrop. once you're both settled, she takes a sip of her drink and then, "spill."

"nothing to spill, i just think san is mean and i hate him," you say simply. "i spilled coffee on him, totally an accident, but he was a huge dick about it. wouldn't let me help him, didn't really introduce himself...it all felt off."

"to be fair, i would've been pissed if you had spilled coffee on me when we met," jen points out.

"yeah, but you would've been nicer in the aftermath," you shake your head. "it's whatever. i hopefully won't have to work that closely with him."

"and what about hongjoong?" jen wiggles her eyebrows. "i hear you two hit it off."

"he's nice," you smile shyly. "made my first day a lot easier. he was really patient with all my questions, which helped ease my nerves."

"he's really good at that," jen nods. she goes into a story about her first meeting with hongjoong, and it makes you laugh and endears you to the man more. she tells you stories of the other members, none of whom you met today, but now you're excited to get to know them. "they're all really nice, especially san and yunho. i feel like they're the ones that always check up on everybody-"

"san?"

"yes, your mortal enemy," she rolls her eyes. "he's a good guy, i promise. you just need to make up for the coffee thing and i think you'll be on his good side."

"i'll think about that," you mumble, taking a sip of your drink that almost drains the glass. "so who's this guy you're seeing?"

"whoa, looks like you need another one!" jen deflects. she grabs your glass and runs off to the bar to get another round, leaving you to sit and stew on your own. if san was such a nice guy, why was he only rude to you? it sounds like he isn't mean to other newbies, so it can't be some kind of hazing. whatever dislike he holds for you is personal, and that's making you even angrier. when jen comes back with your new drink she says, "you look mad. what did i miss?"

"can you find out why san hates me?" you ask, and you swear jen would punch you if she could reach across the table.

"he doesn't hate you!! you just made a bad impression! stop making him a villain," she begs you. "man, you're so obsessed with him. maybe someone has a crush?"

"please," you scoff. "just because he has muscles doesn't make up for his shit personality."

"so you like his muscles," jen smirks. "tell him that tomorrow, it'll boost his ego."

"i'm not listening to you anymore."

"but i have so much knowledge to share!" she whines, and you let jen tell you all the do's and don'ts of working at kq as the night goes on. maybe you'll take her advice and try to patch things up with san in the morning. could be worth a shot, right?

-

the next day, you're in one of the bigger studios to help hongjoong with a vocal arrangement. since the last album did so well with the unit songs, you and hongjoong wanted to experiment a little further. you excitedly told hongjoong about your hopes to compose and produce a harmony heavy vocal track, and he was all for it. you worked on the music for it last night, bringing about half of the song to hongjoong for you to play around with today. you both agreed it'd be good to have a guide version ready before you share it with the entire vocal line, so seonghwa offered to help out, too. he's in the booth now as you and hongjoong instruct him from your seats behind the soundboard. he finishes the final layer for the first harmony, and you wait as hongjoong lines it all up. he plays the snippet for you and seonghwa, and you notice both boys are waiting for your reaction.

"that was great, seonghwa," you encourage him. "i really liked it, but..."

"don't be shy," hongjoong nudges you, "he can take it."

"i can," seonghwa agrees. "give it to me straight. did it suck?"

"no, it was really beautiful actually," you assure him. "but for the melody, could you make it more...monotone? that might sound weird, but we're trying to play with the high and low harmony like they're the angel and devil sitting on your shoulder, and for those to stand out the melody needs to be less...captivating."

"you hear that? she thinks your voice is captivating," hongjoong smiles to seonghwa, and he beams at you.

"i get that," he nods. "can i try it another way?"

you help hongjoong reset, and then seonghwa tries another layer in a sadder voice. it's just as powerful, but will be the perfect conduit for the story you're trying to tell. when he finishes, they look to you again and find you smiling proudly.

"that was it," you nod. "great job."

"thanks boss," seonghwa says as he steps out of the booth. "who do you want me to bring in next?"

"you can call san, we'll get him to do the high part and then-"

"san?" you look at hongjoong. "i thought seonghwa was doing the guide vocals."

"well, usually we could do with just one voice, but this song would work best with three distinct voices," hongjoong explains. "i don't think the guys would get it if it's harder to distinguish the different levels, you know?"

"right," you agree, just a little dejected.

"so..." seonghwa trails off. "should i go get him?"

"yeah, tell him to meet us here in ten," hongjoong tells him. seonghwa says his goodbyes and then hoongjoong turns to you. "you alright?"

"i'm good," you reply. "feel a little in over my head, but good."

"you're doing great," hongjoong says, placing his hand over yours on the desk. "it's a lot to jump into, and i'm sorry if it seemed like i was-"

"no, i needed the insight-"

"because i value your opinion-"

"i know that-"

"and-" hongjoong is cut off from finishing his thought because the studio door opens to reveal san. he's wearing another skin tight t shirt, black this time, so even if you spilled another coffee on him it would be harder to notice. he's paired it with a beanie and baggy black pants, and if what you're seeing is correct, he's not wearing any underwear. he stands there staring at you both before his eyes fall to your hand still beneath hongjoong's, and the two of you separate like you've just been shocked.

"i'm not interrupting anything, am i?" san asks suspiciously, and you viciously shake your head as hongjoong tells san to get into the booth. he explains the idea to san and queues up seonghwa's melody as san struggles to put the headphones on over his hat, so you lean into the mic and suggest, "try taking the hat off, maybe?"

"thanks, big help," he says sarcastically. he listens anyway, tossing his beanie away like he's mad at it. "so what am i doing? copying hwa?"

"no," you say sternly. "you're singing the high harmony. we'll layer it over seonghwa's vocals, but your voice needs to be distinct. you can practice if you want-"

"i don't need to practice," san cuts you off, staring daggers at you. "just play it." he keeps his eyes on you as he listens, and you feel nervous. he's listening to your song, your lyrics, and you think you see the slightest flicker of emotion in his eyes as seonghwa's voice fades. he doesn't comment on it, just continues staring at you and says, "yeah, got it. you can record this."

"let's listen to it first, and then record the next one," you tell hongjoong, and he nods in agreement. you watch san get ready, and then you hear the most beautiful falsetto flowing over your track. it makes you emotional, and it's another instance of the coolness of your job hitting you. you're so mesmerized you miss san finishing on a bit of a creative note, so the boys are staring, waiting for your input.

"y/n?" hongjoong calls your name. "what'd you think?"

"that was," you clear your throat, "that was perfect, san."

"great," he nods, taking the headphones off, but you stop him.

"ah, we need to record it," you remind him, and you catch his groan through the mic.

"i thought i said to record that one?"

"you don't decide that," you reply, and hongjoong tries to diffuse.

"she has a specific vision for the song, so we wanted to hear you first and then decide if there were any notes before we record you."

"what's the vision?" san asks you, and he listens intently as you explain. when you're done, he takes a deep breath and says clearly into the mic, "that sounds stupid. but i'll do it again. make sure you're recording this time."

"whatever you say, asshole," you mumble, angrily getting the track ready for his bratty voice. you wish you could stay mad at him, but as soon as he starts to sing you're enchanted. again, you get distracted by his voice, the emotion in it and all over his face as he sings, and you think, if he says your idea was stupid, why was he putting so much heart into just a guide vocal? he finishes and you thank him, saving the track quickly before you turn to hongjoong and inform him you need a water break. he's left in the studio with san as he saunters out, but hongjoong meets him at the door.

"what's your problem?" he barks, livid at the way san was treating you during that session.

"uh, you're blocking my exit?" he asks, but that was the wrong thing to say. hongjoong dives into a lecture about respect, and san has to laugh. "oh, you want me to respect the girl who spilled coffee all over me yesterday? who thinks, on her second day, she can tell me how to do my job?"

"she's a producer, her job is to literally tell you what to do-"

"well i'm sorry i hurt your girlfriend's feelings," san spits. "but i did what you asked me to do, so please let me leave." hongjoong steps to the side, still fuming, and san walks out. you catch him in the hall as you return, and you want to stop him, to tell him how great he sounded, but when you lift your hand in greeting he turns the other way and disappears.

-

you get a break from work later that day and find jen making a coffee. she sees you coming and has a cup ready for you to make your own, and you catch up on your days as your coffee brews. you tell her about san's lovely time with you in the studio, and jen listens, but when you finish she asks, "and he was still like this after you said you liked his muscles?"

"i'm not telling him that," you mumble.

"telling who what?" wooyoung asks as he pops around the corner.

"mind your business?" jen replies. "have you met y/n yet? she's the new producer."

"no, but i've heard mixed reviews," wooyoung says as he dramatically shakes your hand. "can't wait to decide which side i'm on."

"there's sides?" you ask nervously.

"yep," he says with a pop on the p. "hongjoong and seonghwa worship the ground you walk on. san hates your guts, although i'm not sure why. you seem lovely."

"she is lovely," jen points out.

"hm," wooyoung squints playfully. "guess we'll have to wait and see."

"what about innocent until proven guilty?" you ask. "just assume you'll like me and then you will!"

"yeah, but san is a good judge of character," wooyoung shakes his head. "if he doesn't like you, then he's got a reason."

"is the reason because he's maleficent?"

"oo, maleficent, i like that," wooyoung coos. he turns to jen and asks, "why don't you use big words like that?"

"i'm afraid you wouldn't get them," she sighs.

"try me, i'm full of surprises baby," he winks at her before smacking her ass and walking away. you watch in confusion, and she waves it off.

"don't worry, he does that sometimes."

"to everybody?!"

"just to me," she shrugs, and then it clicks.

"he's your fling," you smile. "very nice."

"nuh uh."

"no, he totally is. that's elmo," you piece it together. "is that his nickname because of his laugh?"

"you were never supposed to meet him," jen defends herself.

"so getting me a job here wouldn't interfere with that?"

"i figured i could keep it a secret," she pouts.

"you did! for a whopping 36 hours, good job!"

"don't patronize me," she complains. "i could call san and have him here in seconds-"

"oh man, i need to go record something," you frown, "maybe you two could talk though? figure out why he's got an all burning hatred for me, an angel?"

"i'll get to the bottom of it," jen says, and you realize the error you've just made.

"wait, no, don't talk to him, please," you beg.

"too late, you've asked for my help, so i'll help," jen concedes easily. "he'll either love you or simply tolerate you by the end of the week, i promise."

"great, thanks..."

-

you've made it through your first week, yippee! you really like it here, you fit in well with the members, and the producers seem to really like your ideas. the only problem is san. you enter a room that he's in and it goes quiet. he passes you in the hall, and you're fuming for the rest of the day. everyone knows about your little rivalry at this point, but no one understands where it came from. even jen, who was determined to make you and san best friends, has lost hope.

you're able to make it a couple days without any more san run ins, and for that you are grateful. you and hongjoong have made a lot of progress on the vocal line track, and he's invited you to a few writing sessions with mingi for the rap line track. you're feeling invincible after one of those sessions, walking back to your studio, when you get the scare of your life. you enter the code to your studio, guard completely down, and jump out of your skin when you see someone sitting at your desk.

"what the fuck?!" you shriek, using the door as a shield. you peek around it and see that it's not an intruder. well, at least not one that wants to hurt you. maybe. it's san, so this interaction could go in any direction.

"hello," he says simply. "nice way to greet your guest."

"how'd you get into my studio?" you ask as you close the door. you wonder if you should keep it cracked open, just in case you and san get into it and you need a witness that he probably started it.

"i needed to ask you a question," san responds instead, and you cock your head in confusion. "i can't do that?"

"i don't know, can you?"

"your song. the vocal one. how's it going?"

you're surprised this is what he wanted to talk about but, honestly, what else were you expecting? this is a normal work interaction, you think. you're just not used to having those with san. since san is sitting in your desk chair, you pull your stool over to the desk pathetically and perch on top of it as you shoot san a glare.

"can you move over? i need to get to my keyboard."

"aw, can't reach over my muscles?" san teases, and you feel your blood run cold.

"what?"

"my muscles? little birdie told me you liked them."

"what are you doing in my studio, san."

"i wanted to hear your song," he shrugs. you wait for him to move out of the way, but apparently that's not happening. you grumble as you lean over him and type, pulling the project file up on your screen. you check the volume before you hit play and look back to see san watching you intently. he's close, your arms brushing and his head only a few inches from yours. you hold his gaze for a second and then hit play, sitting back as you watch him listen. you can't read his expression as the song plays, but you don't care what he has to say. you love this song, and you think it's turning out great. whatever he has to say isn't important to you-

"wow," he whistles. "i get it now."

"get what?"

"why you're so pretentious about your work," san smirks as he side eyes you.

"is that supposed to be an insult?" you ask, trying to gauge his reaction.

"not really," he shakes his head.

"well it's not a compliment," you tell him.

"i'll work on that," he says as he stands. he puts his hands on your desk to support himself as he rises, and you swear to god, he's flexing his arms a ridiculous amount. nobody needs that much upper body strength just to get out of a rolley chair.

"hey!" you call as he walks away. "what the hell?"

"do you have to curse all the time?" san asks with look of distaste. "it's not very polite."

"nor are you."

"nice," he nods. "well, i'll be around-"

"no, wait, why'd you come in here?" you ask as you follow him out of your studio. "you just wanted to listen to the song?"

"yeah?" he shrugs, turning to face you in the hallway. he's standing so close you have to lean back to look at him properly, and you frown.

"i don't believe you."

"why not?" san smirks. "you wanted me in your studio for another reason?"

"no-"

"you're not the only one who likes to stare, doll," he says quietly, leaning down so his ears are just barely brushing your ear. he straightens back up before you can melt into a puddle on the floor, and then he smiles what might be his first genuine smile in your presence. "so maybe i didn't just come here for the song. but now i've heard it, and i know don't hate it, so i think we're done here."

and with that very confusing information, san walks away.

-

san is tired. he's been practicing for their seoul concert since the early hours of the morning, and he needs a break. it's almost an acceptable time to eat lunch, so he grabs his things and starts the short walk to his favorite convenience store. he likes this one because it's got a seating area in the back where he can eat, giving him some time to himself. it's secluded enough he doesn't have to worry about being bothered, but it has a good view of the street outside so he can people watch. it's the perfect spot for him to rest and enjoy his food, so he leaves the company with a pep in his step.

he grabs all of his favorites, moving on autopilot, and pays for them quickly. he takes everything back to his usual table and prepares his feast. now that he's stopped working, he feels the tiredness in his bones and realizes how hungry he actually was. when did he eat last? was it dinner? that was more than twelve hours ago, so maybe he can get away with eating another ramen before he goes...

san is considering whether or not he should get up and grab more food as he stares through the store window. there's people rushing to work, couples going to lunch, families wrangling kids. he watches with a smile as one family, a mother and father, try to handle what looks like a girl and two twins. that job is way harder than anything he's doing as an idol, he thinks. he watches fondly as they walk away, and when he turns back, his smile falls.

you and hongjoong are crossing the street, engaged in some conversation that's making you both laugh. you make a joke that sends a laugh crashing up from within hongjoong's chest, and san scoffs as he watches you stare in admiration. hongjoong rushes forward and opens the door to the convenience store for you, and san hears the end of your sentence as you enter.

"-didn't have to do that," san catches, and he hears hongjoong make a dismissive sound in response. "wow, there's a lot of food here."

"you see why we like this place so much," hongjoong responds. san can't see you, but your voices are getting closer. "there's something for everyone."

"there's so much, i don't know what to pick..." you trail off.

"get whatever you want," hongjoong says. "it's on me."

"what? no-"

"ah ah, no arguments. consider it a welcome gift."

"well thank you," san hears you squeak, and he can just imagine the way you must be blushing, looking at hongjoong so shyly, pretending to be coy-

"oh, hey san," hongjoong greets. you come to a stop behind him, bumping into his back, and san has to laugh. "didn't know you were here."

"didn't tell anyone i was leaving," san shrugs. he leans over, trying to catch your eye, and waves. "hi y/n."

"hi san."

"are you eating here?" san asks, and hongjoong shakes his head.

"ah, no, we were just taking a break," he replies. "i was going to buy us lunch and then we're gonna head back."

"got it," san nods, still looking at you. "carry on then."

"thanks for your permission," you mumble, holding onto the back of hongjoong's shirt as he turns you down another aisle. he starts looking for a snack he wants you try, but he can't see it. he looks up, eyes flitting around the store, and his face lights up.

"oh! it's over there! be right back!" he runs off, and you continue scanning the shelves. you're not that hungry, but you know you won't have time to leave again, so you need to get enough food for lunch and dinner probably. you're reading the ingredients on one of the prepackaged meals when you feel a presence behind you. turning, you see san looming above, and you jump.

"shit," you hiss. "wear a bell."

"need help pronouncing the big words?" he asks.

"yeah, come closer and let me show you."

"you having fun?" san sneers, and your confused expression makes him clarify, "with your boyfriend."

"what?"

"oh come on, letting him buy your lunch, holding onto him like that...you're eating it up, aren't you?"

"i don't know what you mean," you say as you step around san, but your face is red. he's getting to you.

"it's cute, really," he says, beating you to the end of the aisle. he puts his arm out, effectively blocking your way, and he continues staring down at you in that frustrating way of his. like he wants to swallow you whole. "how long do you think it'll last?"

"if you're asking about my patience i'm afraid that ship sailed a while ago," you try to fight back, but san just laughs.

"you're cute, you know? you try to be so tough, but it doesn't work. i see right through you."

"and what do you see?" you ask as you cross your arms. san bares his teeth, ready to quip back, but his eyes catch on something behind you. you look over your shoulder and see hongjoong holding up a bag, a confused look in his eyes.

"found the sweet potatoes," he says as he approaches. "what are you doing?"

"getting to know our coworker," san says nonchalantly, removing himself from your personal space. "i'll let you go. my food's getting cold."

"sure," hongjoong says skeptically, reaching for you. he tries to guide you away with his hand at your back, but you can feel san's eyes still on you. you turn and his hand politely falls away, but san's eyes follow you through the rest of the store. he gets an idea when you go back to the drink coolers, so san finishes his food quickly and heads to the front.

when you and hongjoong are finally ready to pay, you go to the register and hongjoong reaches for his wallet. the woman behind the counter shakes her head, showing a stack of bills to tell you it's been taken care of. you look around and find san halfway out the door, a wicked smile on his face. he waves at you teasingly before the door dings closed, and hongoong happily takes the food, babbling about how nice san is as you leave.

-

later that day, the boys are getting fitted for their tour outfits. each practice room has been converted into a walk in closet + vanity combo, so you peek your head in to see how it's going. jen spots you and waves you over to her station, and you duck through the racks of clothes to say hi to your friend. you're taken aback when you see who she's working on, but jen laughs and assures you it's ok.

"he won't bite, he's asleep," she says about the pouting san she's working on currently. "he was here all night, apparently. he knocked out before i could even say hi."

"are you sure he's asleep and not faking it?" you ask as you tentatively sit in the chair next to him. it's enough distance away that you're not concerned by the proximity, but you keep an eye on him as you talk. "maybe he doesn't want to talk."

"hey, san likes me, so i know he's not faking it," jen tells you. "he and i get along really well."

"congratulations," you mumble as you reach for a makeup brush to play with. "so how was your day?"

you and jen catch up as she works on san, periodically asking for your opinion on the look she's created for him. you know she's trying to get you to say something nice about him, to slip up and call him handsome or sexy, but you won't budge. all the compliments you give are very makeup forward, but she won't let up. she's also not being gentle in her application, so you really are afraid san is awake and listening. she's almost done with him when wooyoung walks up, greeting you happily.

"hey y/n!" he chirps. "nice to see you! you're in my seat."

"oh, my bad," you scramble to get up. you got comfortable, your feet propped on one of the giant makeup cases before you. jen puts a hand out to stop you, turning to wooyoung with a trying-to-be-stern look in her eyes.

"my friend and i are not done talking."

"well your boss told me to come over here and get my makeup done, so unless you want me to stand..." wooyoung trails off as jen finishes with san's face. she turns to him and nods.

"standing is fine," she says, quickly getting to work on wooyoung's base layer. "i'll work fast so you don't have to stand long."

"but then i don't get to bug you as long," wooyoung whines.

"life's cruel like that, huh?"

"come on, i know i'm your favorite part of this job," wooyoung teases, and you share a silent laugh with him as jen blushes profusely. once wooyoung catches your eye, his attention turns to you, and he asks, "what about you, y/n? now that you've been here a few days, what's your favorite part of this job?"

"san's abs," jen answers for you, and you try your best to kick her. you accidentally nudge san's chair and freeze, but he doesn't stir.

"oh yeah? let's tell him-"

"no!" you shout, and if he wasn't awake now he definitely is. he still doesn't move, but you continue in a softer voice, "um, no. don't do that. uhh, my favorite part of the job...i don't wanna be a kiss ass, but it's probably working with hongjoong."

"of course it is," san mumbles, and even though he spoke quietly it makes you jump. he opens his eyes and your skin sets fire as soon as he looks at you. "you're in wooyoung's chair."

"he's having jen time," you counter. "let him enjoy it."

"yeah, let me enjoy it!" wooyoung agrees.

"san, what do you think of the eye makeup i did? tried something new," jen says as she focuses on wooyoung's eyes now. san sits up and looks in the mirror, but he's not looking at himself. he's watching you pretend like a strand on your sweater is the most interesting thing in the world, so he decides to call your attention.

"y/n? what do you think?" san asks, and you meet his gaze through the mirror. you're shocked to realize he's checking you out, blatantly, your cardigan falling off your shoulder to reveal your bra underneath. you were in a rush this morning and thought that would be enough. surely no one would notice you weren't wearing a tank, since this bra could pass as long as your sweater stayed up. but right now it's not, so san can see an entire cup, and he's almost drooling. instead of answering his question you look over at jen and repeat your earlier compliments as you pull your sweater tight around your torso.

"yeah, it looks good," you say again. "now that he's awake and you can see his eyes, you did a good job, uh, highlighting them."

"eloquent," san chides, and this time you intentionally kick his chair. he grabs your ankle before you can pull back, and tugs, bringing you closer.

"big word," wooyoung whispers, and you can hear jen smack him as you lift your eyes to san's. he's looking at you with that hungry gaze you're coming to get used to, and he rewords his question.

"what do you like about it specifically?" he tries as he leans in, and you hold your breath as you stare. this is closer than you've ever been, and you can smell hints of cologne that have your head spinning. alarms are going off in your head to run, but with san's hand still on your leg, you're trapped.

"you drool in your sleep, you know that?" you decide to say, ignoring his question completely. he's surprised enough that his grip on you loosens and you're able to bolt from the chair, grabbing your things as you say a quick goodbye to jen and wooyoung. they're watching on, amused with your little show, and when you're fully out of the room san collapses back into the chair with a groan.

"she's right," jen says. "i had to get napkins to mop up your spit."

"sorry," san grumbles.

"when are you gonna tell her?" wooyoung asks, and san makes a confused sound to encourage him to explain. "y/n. when are you gonna say that you're into her?"

"i'm not into her," san rolls his eyes.

"yeah, right," wooyoung laughs. "and me and jen aren't fucking."

"hey!" and another smack. they continue bickering as san stares at his reflection in the mirror, his eyes falling to the chair you just occupied.

-

the next few days, you spend a lot of time in your studio. too much maybe, but you need to get this vocal track finished. all the boys have recorded their parts, and now it's down to you to get the final mix to the other producers by monday. it's friday now, and you know you can't pull any all nighters this weekend - the boys want you to come to their shows, so you'd like to be finished with the track before you leave today.

it's weird, being here so late at night. you think you're the last one left, hongjoong left with the rest of the members and the producers started trickling out about two hours ago. you don't mind being here on your own, you know the security is fine, but it's still eerie. when you got another coffee just now, you caught yourself jumping at the slightest sounds. you could've sworn you heard footsteps following you, but after investigating you realized it was the sound of your own that scared you. you hunker down for another spell in your studio, and you get a lot closer to the product you want. hongjoong kept telling you it didn't need to be perfect, it still had to go through critiques so it would probably change a lot, but you can't let your first project here be a mess. it at least needs to meet your standards, so you keep working.

you're not sure how much later it is, but you wake yourself when your head falls off your propped up arm. you fell asleep listening to the final track, wanting to check for any mistakes, so you don't know how long it's been looping while you slept. you listen through one last time, almost satisfied, but you hear something that sounds off. you try another listen, and realize it's not coming from your speakers, it's coming from somewhere else.

heart racing, you press your ear to the door of your studio and curse the sound proofing. you can make out a noise, but not enough to figure out what it is from the safety of this room. you look around for a weapon, something to protect you, and all you see are stray wires. you find one long enough and wrap it around your fists, pulling the wire taught between them. worst case scenario you garrote the intruder and then call for help, but you're being dramatic. whatever is out there can't be a threat, can it?

you open your studio door and follow the sound. in your tired state, you recognize a song, but you can't place it or where it's coming from. you tiptoe down the hall toward the practice rooms, and spy light coming from a door at the end of the hall. so it must be one of the members, you think. or maybe the bb trippin guys came early to prep for the show. whatever it is, you keep walking, aware now that the song you heard is wake up, one of your favorites. the boys were cryptic about the setlist, wanting it to be a surprise for you this weekend, but you get excited at the thought of what kind of mystical performance they could do for this song. when you reach the door, you stop cold, seeing maybe the last person you expected it to be.

san is dancing, quite sexually, to the music bumping through the speakers. he's in baggy sweats and a tank top that shows off his figure and his ridiculously chiseled muscles, and you can't help it. you stare, watching in awe as he drops it low and grinds around to a song you never expected to be portrayed like this. as he's on the ground, a tie hanging from his teeth, his eyes flick to yours through the mirror. you gasp, and he smirks, somehow able to catch the sound of your breath hitching over the loud music. he feels proud of himself, knowing he's got you so shocked, but when he finishes the portion he's working on, he looks to the mirror and you're gone.

you're rushing down the hall back to your studio. what the fuck was that. you had a physical reaction to san, and not a good one. and he saw you! that's humiliating, you'll never be able to look at him again-

"where ya goin doll?" his deep voice asks. he's right behind you, and before you can sprint off to your studio, he grabs your shoulders and pushes you against the nearest door. when you come face to face, he's breathing heavy, and you assume that's because of the intense choreography he just worked through. little do you know, being this close to you, smelling that annoying perfume that follows you around, touching you, all of this is taking his breath away. his hands trail down your shoulders to your hands, and he looks at you quizzically when he finds the wire wrapped tightly in your fists. "what's this?"

"i, uh, i thought i was the only one here? so when i heard something i looked for uh. i wanted something to protect myself with," you explain, embarrassed by how dramatic that sounds.

"you're a badass," san chuckles, lifting your hands by the wire hanging between them.

"i thought cursing wasn't polite," you remind him of his own words, and he laughs again.

"i just said that to piss you off."

"you're insufferable," you groan, trying to twist away from the man in front of you.

"and you're in a bit of a pickle, aren't you?" he smiles at you evilly. "can't get away, little kitten?"

"let go of me, san," you say steadily, but he just keeps smiling.

"why would i? i've finally got you right where i want you."

"what?" you breathe out.

"you couldn't tell? i've wanted you since i laid eyes on you."

"wanted me?" you scoff. "i'm not a steak."

"but you went and spilled that coffee on me, and then you were so delightful during our recording session, i just kept falling harder and harder for you," he teases.

"you're shit at showing how you feel."

"and you're shit at hiding how you feel," he smirks. "i know you want me, doll. that's why i acted the way i did. it was fun messing with you, letting you think i hated you. wanted to see how far i could push it."

"that's so middle school of you san," you complain, pushing your finger into his chest. "if you were a real man you would've done something about this already instead of playing a bunch of games."

"if i was a real man?" he chuckles lowly, and he's so close you feel it in your stomach. "baby, you haven't been with a real man til you've been with me."

"prove it," you whisper, but your breath gets caught as san pulls your hands above your head by the wire still wrapped around them. he holds your wrists in place as his other hand squeezes your waist, and he watches you squirm with glee in his eyes.

"prove it? you sure you can handle me doll?"

"do your your worst," you smirk, and then he's crashing his lips to yours. the kiss is fierce, all teeth and tongue, and you gasp as his hand travels up your waist and beneath your shirt. he traces the skin beneath your hoodie, smirking into your lips when he discovers you're not wearing a bra.

"i like it when you make things easy for me," he breathes out against your neck, his lips making their way across your skin and leaving little marks as he pleases. his hand beneath your shirt traces beneath each breast before leaving a featherlight trail to your nipple, and he surprises you with a quick pinch. you gasp again, giving him a chance to return his lips to your mouth and press his tongue past your lips. he kisses you one last time before pulling from your lips, asking, "should we take this inside?"

"wha?" you murmur, twisting to look at the door behind you. "but, san, this isn't my studio-"

"i know, it's hongjoong's," he says as he punches the code in. "he won't mind."

"i do!" you squeak out as san opens the door and pushes you inside. "san, seriously, we're not having sex in here!"

"we're having sex?" san teases, and you use your newly released hands to beat against his chest. "take that stupid wire off, baby. you're gonna need your hands."

"for what?" you grumble, listening to him anyway. when your hands are free, you notice the little indents left from the wire, and san surprises you by taking your hands into his softly. his thumb rubs over the raw skin, and he stares darkly at you as he lifts your hands to his lips. he kisses over the sore spots and up your wrists, whining cutely when he hits the fabric of your shirt.

"take this off," he tugs on your sleeve, and you shake your head.

"only if you take your shirt off too," you counter, and he easily lets go of you to remove his tank top. you hate the way you're staring, but you can't help it. he's beautiful, and you're mesmerized. he calls your name, the first time he's said it all night, and you find his eyes staring at you softly. "right, sorry," you mumble, pulling your hoodie off, not so accidentally catching it on your tits so they release with a bounce. san groans as he watches on, and then his hands are on you again, cupping your tits and teasing your nipples. you moan softly, reaching for his head to pull him into another kiss. your hands wrap around to his neck, one sweeping down to feel his soft, sweaty skin. you trace over the muscles in his chest, the lines of his abs, and end at his waistband. his hand reaches down to stop you before you can continue, and he pulls back to ask, "do you trust me?"

"do i trust you? not completely," you answer honestly. "maybe you don't hate me as much as you made me believe, but i still think you're despicable."

"if i'm so despicable why are you letting me use you like a toy?" he jokes, pushing you down into hongjoong's desk chair. "if you trust me, i want you to do something for me. if you don't, tell me to shut up, and we'll go back to having sex. but it'll be more boring that way."

"can i get that in writing, you saying that sex with you is boring?" you tease, and san growls as he captures your lips in another kiss. he's caging you in, and when he releases your lips, he leans his forehead against yours as he speaks.

"start a new file on his computer," san says lowly. "and hit record when i say."

"you're kidding."

"like i said, do it if you trust me," he shrugs, his hands moving from the armrests to your waist. he starts tugging your pants down as he continues. "if you don't trust me, then we just fuck like normal and go on with our lives."

"san, i-"

"are you gonna make the file?" he asks, kneeling in front of you. you open and close your mouth like a fish, but then you're moving without thinking. you twist in his hold, punching in hongjoong's password and finding the mixing app. you start a new project, label it inconspicuously, and then settle back in the chair. san is looking at you proudly, and he praises you, "good girl."

"what now?" you ask quietly, and san separates your legs further. he starts kissing up your leg, starting at your knee, and when he gets to your panties, he whispers, "i make you come."

he pulls yours panties down then, hissing as he watches your arousal cling to the fabric, and he smiles. "oh, she's pretty."

"i didn't know you were capable of giving me a compliment," you quip, and san bites your thigh to shut you up.

"wasn't talking to you," he says against your skin, leaving kisses along the inside of your thigh until he reaches your core. he brings his hands up to spread you open for him, and he stares in admiration at how wet you are, just for him. he leans in and you wait to feel his lips, his tongue, something, but instead you feel something wet land on your clit. san spit on your pussy, and he brings his hand up to rub the sensitive spot as he blows on your entrance.

"i thought you said you were gonna make me come," you whine, and he nods.

"i will. when i want to."

"san-" you whimper, lifting your hips as he continues playing with your clit and neglecting the rest of you.

"you want more doll?" he asks, his eyes staring at you darkly. you look down at him and nod, but he pinches your thigh in response. "words, baby."

"want more, san," you groan. "need your tongue."

"hit record and i'll give you what you want," he smirks below you, and you're so horny you can't even think about fighting back. you turn around and press record, san's lips finding your clit immediately. he licks over the bundle of nerves, prodding a finger at your entrance as he listens to your sweet moans. he fucks his finger into you once, twice, then adds another. you whine above him, your hands catching on his hair as you try to push him closer. he licks up every drop of you, fucking you on his fingers, and moans into your pussy for good measure. the vibration seends you reeling, and you whisper out, "fuck, san."

"who?"

"san, fuck! feels so good."

"yeah? you wanna come?" he asks, leaning his head on your thigh as he stares at you writhing above him. you're watching him with hooded eyes as he adds another finger, fucking you open for him. you lift your hips again, trying to make him move faster. "d'you still hate me, doll?"

"no," you whisper shyly, and he smiles.

"say it louder."

"i don't hate you," you moan out, his fingers scissoring you open as his lips return to your clit. he sucks harshly, and you let out a whine that turns into a frustrated scream. "faster."

"hm?"

"faster, please," you beg, "please, please, fuck. 'm gonna come."

"let me hear you, baby," he mumbles into your core. "who's making you feel so good?"

"san, you, fuck-" your voice tapers off as you hold your breath and crash into your release. you're clenching around san so deliciously, he groans into your clit and does his best to help you ride out your high. you're trying to catch your breath as. san cleans you up, slurping obscenely, and in your post-nut clarity you realize what you've done. you turn around, frantically trying to stop the recording, but san stands above you and catches your hands again.

"what are you doing?" he growls, and you blubber out a response.

"he can't, we can't, i have to delete it, i'm not-"

"not what? not enjoying yourself?" san asks. "because i'm looking at a dripping pussy that tells a different story."

"we need to go somewhere else," you hiss, and san shakes his head.

"i think we're doing fine right here," he smirks, kissing you deeply so you can taste yourself on his tongue. you bite his bottom lip as he tries to pull away, and he groans.

"is it my turn now?" you ask, and you watch fire spark across san's eyes.

"your turn to what, baby?"

"drive you insane?" you ask innocently, pushing san away so you can stand. you keep pushing him until he hits the wall, and you drop to your knees. you waste no time pulling his pants down, revealing his lack of underwear. you look up at him and ask, "you makin things easy for me, babe?"

"no," he smirks down at you. "bet you can't even fit it in your mouth."

"you're full of yourself," you point out as you spit into your hand. you bring it to his cock, stroking over his soft skin. "you liked eating me out this much?"

"it wasn't bad," san nods. "wouldn't mind doing it again."

"maybe later," you mumble, bringing his tip to your lips. you spit again, watching as it dribbles down his shaft, you stroke him a few more times, flicking your tongue over his tip teasingly. he's trying so hard not to lose it above you, and the way he's biting his lip to keep quiet pisses you off. without warning, you swallow him whole, his tip hitting the back of your throat as you try to fit him all in your mouth. he cries out above you, his hands tangling in your hair. he pulls you off of him completely, gasping for breath above you. "hey. i wasn't done."

"not gonna last," he says shyly, and you feel your ego grow ten sizes. "need to fuck you."

"eh, i'm getting tired-"

"shut up," he growls, pulling you up by your hair and slamming his lips into yours again. "go bend over his desk."

"you're sick," you tell him, obeying anyway.

"you're into it," san says cockily, adjusting your hips as he comes up behind you. "make sure you're right up to the mic, doll. wanna hear this." you hate yourself for it, but you find the mic in front of you and pull it closer. you feel his hands on your ass, pulling you apart as he stares at your pussy again. "so pretty for me," he sighs, removing a hand to bring his cock to your entrance. he teases your hole a few times, laughing when you jerk back and try to catch his tip. "impatient girl."

"just fuck me," you say clearly, and he responds by giving you exactly what you want. he thrusts into you, splitting you open, and you moan so loud it's embarrassing. san stays still, giving you a minute to adjust, but you start fucking back into him, and he gets the hint. he grabs onto your ass again, and then he's fucking into with no control. your mouth hangs open as he fucks you hard and fast, and san frowns. he smacks your ass and feels you clench around him as he barks, "lemme hear you." so you moan, and whine, and altogether let go. you're a babbling mess, mumbling incoherently about how good it feels, how he fucks you just right, how his cock is perfect, you can't stop. san is eating it up, fucking into you so deep you can feel him in your gut.

too soon, he's pulling out, and you let out a pathetic cry. san pulls you up by your hips, his hands smoothing over your skin, as he explains, "wanna watch you when you come." he helps you sit on hongjoong's desk, lifting your legs up so you're completely exposed to him. he holds your thighs open and tries to fuck back into you, but you have to help him, taking his wet cock and guiding it back to your entrance. he thrusts into you, slotting his hips against yours, and your eyes roll to the back of your head. he should've fucked you like this the whole time, he thinks, because he can't stop staring. you look so perfect, so blissed out, and it spurs him on. he holds one thigh down as his other hand wraps around your waist, holding you in place as he fucks you.

"i'm gonna come, baby," he warns. "where do you want it?"

"my stomach," you gasp out. "wanna see it."

"fuck, you're insane."

"don't slow down," you whine, holding onto san's broad shoulders like your life depends on it. you let him fuck you senseless, clenching around him as you get closer. he brings his hand around to rub his thumb over your clit, and you jerk away in sensitivity. "can't take it, san, gonna come-"

"then come for me," he begs. "need you to come first."

"fuck, san, fuck," you gasp, digging into his shoulders as you hold him in place. you clench around him until he can't take it anymore, and he pulls out, his forehead against yours as you watch him stroke himself. he comes quickly, painting your skin, and you moan breathlessly as you watch him empty himself over you. "fuck, that's hot."

"we should do that again," san smirks at you, and you playfully push against his chest. you leave your hands on him as you respond, "not now. i'm exhausted."

"how long have you been here?" san asks, sudden concern in his voice.

"too long," you sigh, noticing how raw your throat feels. you cough, your back bumping into the mic behind you. "oh shit. i need to turn this off." you look at san as you crouch down, saving the file and sending it to yourself. "what the hell am i supposed to do with this?"

"listen to it when you get lonely?" san jokes, and you push him. "use it in a song, maybe?"

"that would get me fired," you inform him, making sure you've deleted all traces of it from hongjoong's computer. satisfied, you turn to san and cross your arms over your chest. "was this your plan all along? you get me to record a salacious audio and then blackmail me with it?"

"you still think i hate you?" he asks, brushing your hair behind your ear. "bummer. thought we'd moved past that after your first orgasm."

"i'm just saying, if this was an elaborate plan to get me to leave, i commend the effort-"

"y/n," he says softly, and you meet his eyes. they're serious for once, which is odd. "i don't hate you, and i don't want to get you fired."

"good to know," you squeak. his gaze is too intense for you, so you start looking for your clothes and then remember the mess on your stomach. "oh, yuck-"

"here, let me clean you up," san says, searching for tissues. he holds onto you carefully as he wipes up his release, pulling a few extra tissues to clean the mess between your legs.

"see, if you'd just let me help you like this on my first day, we wouldn't have been mortal enemies for so long," you joke.

"yeah, but we wouldn't have fucked like that if i had been nice to you from the start."

"so what now?" you ask as you get dressed. "you said you wanna do that again?"

"don't you?" san asks, his pants halfway up his legs. you unashamedly stare at his cock before you respond, but he's got his answer.

"i mean, if you want-"

"i do," he interjects. "whenever you want me. i'll be there."

"is this what everyone means, when they say you're so nice?" you ask genuinely. san comes over to you, wrapping his hands around your waist before he kisses you.

"guess you'll have to find out, huh?"

[littleseasiren]

Hypothetically speaking

Summary: Hypothetically speaking, Bucky Barnes is the perfect man. You have a list that proves it. What happens when someone overhears you telling Natasha about it?

Pairing: Bucky Barnes x Avenger!Reader

Warnings: None, just fluff

Words: A drabble at 800 words

"All I'm saying is, hypothetically, Bucky is the perfect boyfriend," you whisper to Natasha over the kitchen table. 

"And why do you think that?"  Her green eyes stare past you, making you nervous for a second before her gaze meets yours. "Hypothetically speaking, of course." Natasha knew how you felt about Bucky but humoured you nonetheless.

You don't hear anything so you continue, "Well, I mean, he's the full package. Just look at what he's like," you chuckle. You lift your thumb as you start counting the points. "He's handsome with his dark hair and his eyes to die for." Your index finger goes up, "He's quiet but authoritative, like the time he saw a guy bothering me at the bar. He didn't hesitate before threatening him with bodily harm if he didn't stop bothering not just me - but all the ladies in the bar." Your middle finger rises, "He's got muscles galore like we've seen when he and Steve burn off extra energy in the gym and take their shirts off." Your ring finger raises, "And he's kind - too kind sometimes. Remember I told you about that time we were stuck in the rain in the middle of nowhere on a mission? He gave me his jacket and stood freezing in the pouring rain for more than an hour while we waited for our pickup." Finally, your pinkie raises, "Then there's the vibranium arm," you say as you drop your hand, your eyes sparkling with excitement.

Natasha smirks at the look that crosses your face when you talk about Bucky's prosthetic arm. "What about his arm? Most people would think it's a bad thing."

"Huh, as if! If they think that, then they're stupid. His arm is amazing. The black and gold design makes him look like a masterpiece painting. If I were an artist, I could spend hours watching him, getting every shadow and groove perfectly immortalized on the canvas." You giggle softly before continuing, "He's super strong - even stronger than Steve is, with that arm. He has amazing coordination and precision, and the temperature difference between his human hand and his vibranium hand is awesome. On a hot day, you can hold his left hand without sweating like crazy, and on a cold day, his right hand will be nice and toasty. But the biggest thing?" You take a deep breath, "His arm is vibranium, so I'm 100% sure his arm won't fall asleep like a normal man's when spooning with him in bed. A woman can lie on that arm for hours - I'm sure Bucky won't move an inch. That's the type of man he is..." A dreamy look passes over your face as you imagine yourself in that situation.

A perfect eyebrow raises in question, "Honey, why don't you just tell him you like him?" 

"What? No, I don't! I was speaking hypothetically!" You aren't like Natasha, you can't just walk up to Bucky and confidently tell him you like him. Just thinking about it makes you anxious.

Natasha's smile is huge as a shadow hovers over you, making you feel like your heart is beating out of your chest.

Please, please don't let someone be behind me.

"Hypothetically speaking," a deep, confident voice starts behind you, making you drop your head into your hands, "if I do my best to live up to your expectations, would you go out with me tonight?"

You slowly raise your head, seeing Natasha leave the kitchen quietly and Bucky take her spot opposite you.

Why can't I keep my big mouth shut?

You can't meet his eyes, your cheeks burning with humiliation as your eyes focus on your wiggling hands. "Uh, Bucky, how much did you hear?" 

This time, Bucky's voice is softer, unsure. "Pretty much everything. I know I shouldn't have listened; I couldn't help myself. Not when I heard your hypothetical. How about it, doll? Do you want to go out with me on a date?"

"Bucky, you don't have to do that just because I embarrassed myself. You don't want to go out with me."

You slowly meet his blue eyes, a smirk plastered on his handsome face. "Of course, I want to, doll. I honestly just never thought you would want to go out with me. You're so sweet and beautiful. I just never thought someone like you would be interested in me. Not with all my baggage." His gaze becomes nervous at your hesitation. "If you give me a chance, I promise I'll do my best not to disappoint you."

Can he be any sweeter? "You could never disappoint me, Bucky. You're amazing." 

His face lights up at your honest reply. "So, how about it, doll? Let me take you out on a date. If you play your cards right, I'll let you test your theory on my arm tonight. I promise I won't move an inch if I get to hold you all night long. I won't even cop a feel tonight; I'll be a perfect gentleman, I promise." 

You can't stop from giggling, feeling mischievous. You weren't making stupid promises like that, something he might figure out soon if all goes well. "It's a deal, Sarge," you reply as you grasp his hands, shivering from the hot and cold sensation. 

This is going to be fun. 

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[everythingisromant1c]

p2: three reasons why you can't stand co-star!james potter

co-star!james potter x actress!reader

summary: you were finding the first days of shooting your new TV show to be absolutely amazing, aside from the fact that you absolutely could not stand your co-star James Potter. unfortunately for you, you spent enough time around him to narrow down his most irritating qualities to only three:

a/n: hey so this took waayyy longer than i would've hoped to release, but i promise this series is not going anywhere, so tysm for all the loveee and all ur guys' patience <33

also pls pls pls feel free to send in prompt requests for this series i am so all ears

full series: Trouble in Hollywood - masterlist

1. He was insufferably good at his job

You wished you could say working with James Potter was such a challenge because he was simply bad at his job. But the thing was: he wasn't. It turned out he was really the impeccably good actor that your director Minerva seemed to swear he was, as if the talent truly was seeping through his veins. Somehow, that only made working with him more frustrating to you.

"Aaron, you've got to believe me."

James had come to you during the middle of hair and makeup and asked you to rehearse lines with him even before official rehearsals for the day's shooting began, saying it would make him feel more prepared. And, as much as you hated it, you felt the same. Your only regret was thinking you'd be able to stand him and his arrogance before seven in the morning.

"Why should I, Cassidy?"

The brunette responded to you fully in character, leaning back against a nearby vanity with his long legs crossed in front of him as you sat in your cushioned chair. He apparently got out of hair and makeup in under a matter of minutes, looking effortlessly put together with his curls hanging perfectly over his forehead—you didn't have the same luck. Your lovely makeup artist Mary seemed to be unbothered by the interruptions, continuing on with your makeup as you rehearsed your lines, though you caught her amused smile every once in a while from her reflection in the mirror.

"Because..." you began, trying to stay in character as your brain scrambled for your next line.

"You're supposed to say," cut in James, "'-because we can only trust each other right now.'"

"Please stop telling me my lines, James." You repeated the irritated request you'd uttered all morning to him as you put a tired hand to the bridge of your nose, one that Mary moved away hurriedly.

"Watch your makeup," she pleaded with a powder-filled brush to your nose , and you winced apologetically.

"Did you just want me to stand here and wait for you to remember them?" James's voice poked at you irritatingly as you stared up at him from your seat.

"Yes, that's exactly what I want." You fought from rolling your eyes. "You could at least give me a second. I didn't even ask for my line."

He raised his brows with an acquiescent sigh. "Whatever the lady wants."

Ignoring him, a skill you were growing like a muscle, you cleared your throat in focus, trying not to move too much as Mary blended some product on your neck. "Because we can only trust each other right now."

James quickly jumped back into character, right on time. "That didn't mean anything to you the other night."

"I already told you I'm sorry for that. When I heard all the rumors, I ..." you cursed at yourself as your mind drew another painful, embarrassing blank.

"-I didn't know what to think." James looked anything but guilty as his voice met your ears once again, finishing your line for you without fail.

"James!" You glared at him, doing your best to stay out in your chair and not storm out of the trailer he'd so brazenly infiltrated. You shook your head to yourself through your reflection in the brightly lit mirrors . "You're impossible."

James shrugged innocently. "I don't get why you're mad at me for trying to help."

"I'm not."

He scoffed, putting a dramatic hand to his chest. "So is this what you look like when you're happy with me?" The corner of his aggravating lips lifted along with his shoulder in a small shrug, before turning away again. "Isn't very much like how I've pictured it."

You didn't miss the way Mary let out a small breath of laughter from her nose as she switched over to doting on your hair. You gritted your teeth.

"I mean, I'm not mad at you for helping. I'm mad at you because you're annoying."

He crossed his arms defensively, his lips still quirked up, and you fought against the urge within you that had your eyes following the movement of his biceps. "I'm annoying?"

The feigned disbelief in his voice snapped your back to your right mind.

"Yes," you answered plainly. "You and your posh accent."

Maybe you'd stopped making sense, but it was too early for you to care. James was watching your meltdown with what you could only identify as merriment, his unfortunately unignorable presence taking up too much space in the cramped makeup trailer.

Thankfully choosing to ignore the part about his accent, he put up his hands innocently. "Last time I checked, I wasn't the one who keeps forgetting their lines."

"We just got the updated script for this episode last night." You shifted in your chair to face him, and you heard Mary wince from behind you, probably getting fed up with how much you were moving around, though you were too annoyed to stop yourself. "How the hell are you already off-book?"

James shrugged smugly, shoving his hands in his pockets as he leaned forward. You squinted your eyes at him. "An actor never reveals his secrets, love."

You twisted your mouth in disgust at his words—because you definitely felt something as he said them, whether it was disgust or not you didn't want to think about—and probably only made him more satisfied. "Mary," you groaned, looking at her through the mirror in front of you. "I think I'm going to be sick."

She shook her head and gave your reflection a sharp look back. "Not in that freshly ironed shirt you're not."

You sighed, settling back into your chair and sparing another glance at the man to your right. He tipped his head at you, almost tauntingly, and you felt your jaw tighten. It was going to be a long day.

2. Everyone else seemed to love him

You'd been going about your Thursday innocently, filming scenes when called upon—finally having memorized all your lines properly—and somehow getting through the morning without any irritating interactions with your least favorite person on set at the moment. That good feeling, of course, could only last so long.

"What's this?"

Minerva, your director, had been walking around set with you until you both stopped at the sight of a crowd forming outside one of the sets. You followed her, making your way through the crowd of your fellow actors and crew members until you were met with a nauseating sight: James Potter.

At the sight of your director, his already proud smile grew to a beaming one, almost blinding, as he greeted her. "We've all been really busy with this week's filming schedule, Minnie, and you mentioned what a hassle it's been ordering enough food for everyone every day with our budget, so I pulled some strings and got my family's chef to cater our lunch."

Your jaw slacked as he nodded his head to his left, where a number of tables were set up with what looked like pizza ingredients, a moustached-man in a chef hat standing behind the scene proudly. You couldn't believe your eyes. Apparently, neither could the woman next to you.

"Oh my- James this is ... amazing!" Minerva—or Minnie, as James somehow had grown accustomed to calling her—turned to your co-star, expression as bright and beaming as James's crowd-pleasing smile was. "But you shouldn't have gone to all this trouble-"

"It was no trouble at all. Francis was more than happy to help."

He waved a hand at the chef, who you assumed was the 'Francis' in question, who nodded back at him happily with a pizza cutter in his hand. It was like something out of a movie, the way everyone clapped for James who stood at the front of the crowd like the beloved man he was. You felt sick to your stomach.

"What's wrong? Do you not like the pizza?"

You'd taken your lunch shamefully, making sure to hide your amazement at the endless selection of pizza toppings that James had arranged at the build-your-own-pizza station, and were sitting with Remus, who you'd met at auditions for the show and luckily got casted in a role other than one that'd gone to James, and Sirius, another one of your co-stars who you'd quickly become friends with since you spent practically all your time on set nowadays.

You looked up at Remus briefly before returning your gaze to the pizza in front of you, the perfect slice underneath the sun seeming to taunt you. "No," you grumbled. "The pizza's amazing."

Sirius chuckled. "You'd think you'd be happy about that."

"I would, aside from the fact that it was Potter who brought it in."

The black-haired man tipped his head at you curiously. "What's your problem with James again?"

You shook your head forebodingly. "Don't tell me he's brainwashed you both with his hundred-dollar pizza too."

"I doubt the pizza's that much money." Remus bit into the slice in his hand, talking through the bite. "But it is pretty delicious."

"It is," Sirius nodded. "It was pretty nice of him to cover lunch for the day. If anything, you'd think you'd like him more for this."

You groaned. "He brought in his family's private chef, for God's sake. It's not like he rescued a cat from a tree or something."

Sirius and Remus shared a look as you spoke. You knew you sounded ridiculous, but you currently lacked enough dignity to care as yet another slice of pizza sat on your plate, ready to be eaten.

"James is actually a really nice lad," reasoned Sirius. "Take it from us. We kind of grew up with him."

That fact had yet to escape you as soon as you'd met the two of them. According to the stories they'd relayed to you, Remus's mum had been an on-set tutor to James growing up when he was acting in some movie, while Sirius's parents had been producers for some of James's parents' films. Safe to say, the three of them certainly left you feeling inexperienced in the world of acting.

"James should be the least of your worries," urged Remus. "He's harmless."

"If he's so harmless, then why has he gone out of his way to be a pain in my ass since I met him?"

Sirius snorted. "We said he's harmless, not that he's not an idiot sometimes."

"But," Remus added, "whatever James has done, just know that it always comes from a good place. The man doesn't have a mean bone in his body."

You sighed inwardly. The James Potter you knew seemed to be very different from the one that everyone else seemed to be familiar with, and it was driving you crazy.

3. He was an obnoxious flirt

When you said 'flirt', you not only meant that he flirted with you—unfortunately—but that he seemed to flirt with anyone in sight, whether he realized it or not. In fact, you'd been forced to watch as he smooth-talked one of the hairstylists on set for the past ten minutes.

You couldn't hear everything they were saying, thank god, but you were sure she was probably more charmed by the fact that his last name was Potter than anything he could remotely come up with to win her over. You'd had enough conversations with him to know that the movie-star smiles he offered were enough to charm people before they realized just how insufferable he was.

After what felt like hours, he said something to the woman in parting and left her looking flushed and smiley as he strolled away. You sighed, happy to finally be rid of distractions, and looked back down at the script on your lap that you were trying to memorize but stopped almost immediately as you felt an unwelcome presence lingering from in front of you. You looked up and fought a groan.

James tipped his head at you innocently. "You wanted me?"

You tensed at his phrasing and did your best to go back to ignoring him as you focused back on your script. "I did not."

Not taking the hint, as usual, he stayed put, shoving his hands in his well-tailored pockets. "Well, you've been staring at me for the past ten minutes, so I just assumed you had something to say."

"Well, you assumed wrong." You gave him a tight-lipped smile from where you sat. "And I wasn't staring. I just miraculously found it hard to concentrate on memorizing lines when you were harassing that hairstylist right next to me."

He squinted at you quizzically before shaking his head, finding your banter more amusing than you probably were. "Admit it. You're obsessed with me."

You scoffed, blinking rapidly to truly portray your disbelief. "You wish. Reality is, Potter—I think I hate you."

James peered at you with a glint in his eye like he'd never heard anything more amusing, leaning back against the wall next to you. "You think?"

You shrugged tightly. "The jury hasn't come to a decision just yet." You thought back to the unfortunately delicious pizza he'd provided, and all the things that Remus and Sirius had said to you that stood in stark contrast to practically every other experience you'd had with him.

James grinned, finding teasing you the most entertaining part of his day, even on set for a TV show. "So I still have a chance?"

His eyes glistened and you reeled. "A chance to what? Did you not hear the 'hate' part?"

"Hate is a strong word, don't you think?"

You shook your head. "Strong, but appropriate."

"Ouch." He touched his hand to his chest in that dramatic way he always did, something you blamed on his actor roots. "Your words hurt, you know." You rolled your eyes, truly trying then to get back to memorizing your lines so James would have nothing over you during filming the next day, but he didn't seem to care. "Look, I get it. You said you hate me. But really, I don't think you do."

You sighed, setting your script aside as you looked up at him with finality. "And why is that, Potter?"

"Because," James began, and you didn't like the tease in his tone as he looked down at you. "A little birdie told me you had some say in whether or not they cast me in South Bay. And that you actually encouraged it."

Your lips parted, those words being the last ones you expected him to say after weeks had gone by since the chemistry read. You didn't know who'd ratted you out, but whoever did would be getting a stern talking to. Or a partially stern one, since they were more than likely your boss.

You shrugged weakly at him. "That ... that doesn't mean anything."

James's thick brow lifted effortlessly. "So you're not denying it?"

At his challenging look, you relented with a drop of your shoulders. "I'm not. It's true; I told Minerva I think they should choose you to play Aaron becuase you are good at your job, James. As much as it annoys me. I mean, you're clearly a great actor, you get all your lines memorized overnight, not to mention the entire crew is in love with you for some reason-"

"Oh, I see."

You paused, looking at the way James's slight grin turned into a shit-eating one. "What?"

He tipped his head at you tauntingly. "You're jealous."

You let out a laugh harsher than you meant it to be. "Please. There's nothing about you I could possibly waste my energy being jealous over."

The brunette tutted, and you hated the feeling it sent through you. "For such a great actress, you're not a very good liar."

You felt your breathing shallow for a moment, not knowing what to do with the compliment that flowed so easily from his lips like he hadn't given it a second thought. You pushed the thought aside, focusing on the insult part of his statement instead, and rolled your eyes.

"Look," James continued at your expression. "Jealous or not, we're going to have to work together on this show for God knows how many more months. Years even, if it gets renewed for a second season." The thought both filled you with excitement and dread as it came from James's lips. He looked down at you with an honest curiosity. "How much longer can you go on pretending to hate me?"

You noted that what he was saying was true, letting the words sit in your chest for a moment, but you also noted that you had more fun being petty. You tilted your chin up at him. "Funny that you think I'm pretending."

James put a hand on the table you were sitting at, leaning forward slightly and making you freeze up. "Funny that you're still not a good liar, love."

Your throat felt tight with something you wanted to again dismiss as disgust at both his proximity and the delicate word that fell from his lips. You let an unpleasant pinch form between your brows. "I thought I told you not to call me that."

James felt something warm, almost giddy, form in his chest, and it didn't matter that you looked like you were considering slapping him right then. He let the corner of his lips quirk up. "You're adorable when you're mad."

"Don't call me that either." You huffed, picking up your still un-memorized script and standing. "I'm going to my trailer."

James quirked a brow, following you with only his eyes. "Is that an invitation?"

You rolled your eyes, walking away and calling over your shoulder. "Absolutely not."

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