#i'm making an entirely different set right now

[sylvianritual]

‼️Stop and Read 🇵🇸🕊️

How much work do you think goes into building a house? Laying the foundations, creating the floorplan, putting in the plumbing and wiring, there are so many considerations. But the hard work is worth it to know that your family will always have a place to call home, and your children will always have a roof over their heads and somewhere to live out happy lives.

Siraj, @siraj2024 , knows this process very well. He spent 10 years investing in and building a house for his family, so that he could provide them with hope for their future, and create a home full of love. Siraj and his family loved their house, but the occupation cannot let Palestinians have any happiness. Siraj’s home was bombed by Israel, and has recently been bombed again while he is trying to organize the effort to rebuild it! Why does Israel need to bomb a house that is already destroyed, if not to shatter the dreams and hopes of the future of the Palestinian people!?

Siraj refuses to let the occupation make him flee. He has decided to firmly plant his feet on the ground and rebuild his house, because it is his right to live in his own homeland. But he cannot accomplish this alone. He put a lot of time and effort into building the house the first time, before Palestine’s infrastructure was destroyed by the occupation.

Now it is difficult for him to prepare to build again while caring for his family of 23 members. He has an incredible weight on his shoulders, and his work and his campaign are the sole hope of his entire family. They live and sleep in a tent with little protection, but they have not given up on their beautiful home, and they need your support to see it restored.

If you are in the Northern Hemisphere, I'm sure you’re already feeling the weather starting to cool down. We all know that as fall begins, winter will not be long behind. But when you live in an exposed tent, where you are already vulnerable to insects and disease, the winter can be very dangerous.

The changing seasons will bring a whole new set of difficulties, and Siraj needs your support to care for his family in these times. Siraj works very hard to promote his campaign, walking several miles each day to access the internet, but he cannot do all the work on his own. He needs your support. Only by helping him spread his message and donate to his campaign will we see their beautiful home restored.

Verified #219

Siraj’s campaign is currently at

$81,108

He has a short term goal of 82k, that he needs to reach by the end of the day. His current overall goal is 150k.

Please donate to Siraj’s campaign, any amount helps a lot. If you have nothing to give, then please put your effort into sharing his campaign and speaking to your friends and others around you about it. You have more influence than you know, and your voice matters. Your donations and your assistance in spreading the campaign can be the difference for Siraj’s family.

[dronebiscuitbat]

Oil is Thicker Then Blood (Part 87)

She pulled N into their apartment with a groan, having been tensely silent the entire walk, with a huff, she grabbed a sleepy Tera out of N's arms, and with a breif kiss to her delicate head, went to put her in the crib.

“What's wrong? Why’d we rush out like that?” N was right behind her, looking worried. It didn't take long for Uzi to back out of the bedroom and begin to shrug off her hoodie.

A soft blush took over his face, tail kinking up as her clothes hit the floor.

“O-Oh… Uh, R-right now?” He stammered, surely she didn't have them leave early just so that they could have some alone time? That was unlike her. Though it wasn't like the nest was much privacy lately either…

She looked at him strangly, before blushing, realizing how it looked without any context.

“N-No! Dummy, not that. Come here.” She opened her side panel, huffing again as she pulled out all the paper she was using to stop the flow of thick oil, “Eugh…” She whined as it stuck to the paper, leaving strings of oil to come off her.

“Are you bleeding?! Are you hurt?! Is the baby-” He immediately panicked, closing the distance and grabbing onto her shoulder so he could take a closer look, she grabbed the bottom of his chin to shut him up.

“No. I'm fine. Everything's fine. I think, I just need you to test something.” She hummed, pointing over to the fridge where they kept Tera's oil supply. “Get out one of Tera's filled bottles and take off the top, and bring me a empty one, please.”

He did what he was told, quickly setting out one full tiny bottle and handing her an empty one, she took a deep breath and began to fill the new one, he could already tell that this was different… she looked way less uncomfortable and more relieved.

She sat down the newly filled bottle next to the pre-filled one. And then went to go put back on her undershirt with a sigh.

“You have sensors that tell you what somethings made out of, right?”

“Yeah?”

“Tell me the difference between the two.” She explained, pointing to the two bottles on the counter.

He flushed gold, now for a whole new reason.

“But… I'd have to taste them…”

He didn’t care about drinking his girlfriends oil with her permission, but drinking it from a bottle she'd filled with the express purpose of giving to their daughter felt wrong on so many levels.

“It's just oil. I just wanna make sure it's not unsafe for her to drink.”

“But… the human equivalent!” He whined, maybe it was his time at the manor making him feel that way, the time spent with humans making this simple act feel extremely strange.

“Then don't think about the human equivalent! There's no difference between the oil in the bottle and the oil currently keeping me alive!” She argued, and she wasn't wrong, but it didn't make him feel any different about it.

“We've shared oil before babe. It's not any different.” She said a little softer, now dressed and standing behind him, leaning on his arm.

That was true… one night, during a particularly passionate evening. A heated kiss had turned into a double bite, each other's oil pouring into their mouths. It was one of the most intimate things they'd both experienced. But this situation was entirely different.

Still… he didn't want it to be unsafe for Tera either.

He tipped the first small bottle into his mouth and it went down like a shot glass, she was right, it tasted no different then any other time he'd gotten a taste of her oil, even if he did think her’s was the best tasting.

“Just oil. Like normal.” The sensors in his mouth read out normally. 100% pure machine oil; And he made sure the taste was out of his mouth before he eyed the new one and tipped it between his lips.

It was thick and coated his throat, he made a scrunched up expression as intense sweetness spread in his mouth. His sensors got to work.

50% machine oil, 25% organic protein, 25% electrolyte solution.

He blinked.

“Uh, it's…not the same, but… nothing is being tagged as harmful, if anything it's being accepted into my system better.” He said, a little bit surprised at that fact himself.

“What is it then?”

“You want the basic answer or the complicated answer?” He asked seriously.

“Basic I guess?”

“It's oil mixed with milk.”

Uzi blinked, blushed, then looked grossed out, and then horrified.

“That's fucking gross! Are you serious?!” She whined, N nodding his head solemnly, trying to repress that fact himself considering he just drank it.

“Why am I made like this…?” She despaired, covering her visor with both hands with a sigh.

“Aaaand scoop!” In an instant, N was lifting her bridal style, taking her towards the bedroom. “It's decompress time, let's not think too hard about it!”

“I wanna go back to noooormaaaal.” She moaned, completely distraught at this new information. “I'm gross and huge and feel like garbage!”

“You're beautiful and perfect and absolutely nothing is wrong with you.” He replied, laying her on the bed with a certain kind of gentleness, pressing a kiss onto her rounded stomach.

“I don't know how you can still look at me the same way! And It's just going to keep getting worse! If this is exactly like a human pregnancy, it's not going to be 5 months, it's going to be 9! That's really close to launch day!” She went on a small, stress enduced angry rant that N just let her work through for a moment while he took his hat and coat off, replacing it with a loose fitting black shirt.

“Agh!” She finished up as N crawled into bed beside her. Resting his head on her shoulder and wrapping his arms around her gently, purring.

He didn't even have to say anything anymore, all he had to do was hold her and purr and she already knew what he would say if he did grace her with his words. That she was beautiful no matter what and literally nothing could change how he felt about her, especially something as shallow as her changing appearance.

She sighed.

“I definitely don't feel it…”

He smiled and placed long, trailing kisses down her neck, still purring, now wrapping her up in his tail, his hands making feather light touches up her sides until she was shivering every time they made a pass.

“You want me to be honest?” He hummed, finally, after she started to relax and lean into his chest, basking a bit in his warmth that surrounded her own core like a warm embrace, chasing off the feeling of cold she was often left with.

“This might sound weird, but… I'm really attracted to how you look right now…” He admitted softly.

“You're just saying that…”

“No! It's true! I don't know why but… you, being like this, with our baby. You still being so wonderful with Tera… I-” He stops, embarrassed, before smiling warily “I kinda want to… do this again.”

Uzi turned onto her side to look at him, completely befuddled, though flustered, and possibly a little bit angry.

“You are not getting me pregnant again anytime soon. I will take a copy of your code and develop a special firewall for myself if I have to.” She said, being completely serious, and he smiled again.

“I figured as much.” He chuckled, leaning back into her shoulder and closing his eyes. “But you understand what I mean. I love you either way.”

She looked down at the comforter, sighing and rolling her eyes before looking back up at his soft expression, she returned it.

“Yeah… I do, I love you too, N.”

He leaned down to nuzzle her visor, a spark jumping between them as they laughed and connected their lips, enjoying the moment of privacy…

[mrs-steve-harrington]

[icewindandboringhorror]

Some fantasy traveler inventory details (like what they would carry in their bags), based on two of the recent costumes I did.. love finding random little scraps and items and putting them together lol

[violet-traitor]

One of my red flags (? Is that the right term to use) is probably the fact that I want my ocs to be happy and have good relationships, which takes away the funny and the interesting. The trauma is there but I won't rest unless they have a good ending. Would it be more interesting if the ending was bad? Surely. Do I have the guts to do it? Absolutely not. Wouldn't it be interesting for 2 of my ocs to have a toxic relationship whose themes are explored and made interesting? Yes but I'll be sad if my character and their significant other aren't all cutesy and happy with one another. I would be making an antagonist/villain with the idea that my characters will finally dislike someone, but then I feel bad for them, give them a redemption arc and throw them in the main group. They're all friends now. In the early stages of a story I am making a character used to be the main villain set out to conquer the world (don't comment on it I was 12) and now he's a very innocent and sensitive person

[sysig]

Working some more on this Weird Little Guy (Patreon)

[bookwyrminspiration]

greetings. i have a Pronouns Question: you have it/whatever in your bio. Is it/its what you'd prefer to be mainly used, or do you like all pronouns with a slightly higher proportion of it/its, or? what's the pronoun situation here?

Salutations! I have a Pronouns Answer. It's whatever. You can use any and all pronouns to refer to me, whatever you feel like using. I'm more of a no pronouns person, but I know that can be inconvenient grammatically to do and since I don't feel a connection to any pronouns, I don't mind what you use, so take your pick.

If you want to pick one and only use that, that's fine. If you want to use every conceivable pronoun under the sun at the same time, that's also fine. Somewhere in between? Also fine. Do what you like! Outsourcing it to others to choose feels similar enough to me to having none that I'm comfortable with it, at least for the time being

I have specifically highlighted it/its because I do have more of a fondness for those than others, but it's not too strong of a preference. I'm just as comfortable as a he or a xe or a fae or something else as with it/its. And it is fun to have a mix, so don't feel like you have to use it just because I'm more fond of it/its.

If we're getting more specific, she/her is my most meh, as I always wonder if people are misunderstanding my identity when using them--though that feeling may improve with time. So I avoid those in real life socially, but on here? For people like my mutuals and who understand more about my gender? Go for it! They are still 100% on the table and can be used--better if used in tandem with others because then I know you know more about my identity and aren't putting me in a box, but at the end of the day? They're pronouns for other people to use and not my problem. I use I/me, people who need to refer to me can sort out how they want to refer to me for themself and I don't mind what they pick.

That's a long way of saying i like it/its, but I don't feel a true connection to any particular pronoun or the idea of pronouns in general, but since no pronouns can be inconvenient you may refer to me however you wish :)

[loumauve]

.

[rivilu]

The more I think about the story through Daeran's pov the more insane i go. btw.

[burntoutdaydreamer]

Things That May Be Causing Your Writer's Block- and How to Beat Them

I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help

If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic

[mariamlovesyou]

tuned into Plestia's live with Rahma Zein's second account (she got shadowbanned). key moments:

plestia talked about her adjustment to living in australia. "it's 1:30am now and it's normal for me and many palestinians who live abroad to be awake hours into the morning. i am scared of sleeping. because of the time difference, i'm scared if i sleep i will wake up to bad news. in gaza i was scared of the sound of the bombs, here i am scared of the quiet."

contacting family and friends in gaza is near impossible. "sometimes i feel like a crazy person, calling 20 times in a row hoping that on the 21st time the call might go through."

on the destruction of entire communities and neighbourhoods: "i'm scared when i go back to gaza i won't recognise it anymore. someone sent me a picture of my neighbourhood, and i couldn't tell it was mine at first. all my favourite places, cafes where the aunties used to give me extra food and ask about my day, have been destroyed. i dread looking at my gallery or seeing snapchat memories because most of these people in the pictures are no longer alive."

rahma asked plestia to talk about one story that stuck with her. plestia said "i remember walking one time on the 'safe corridor', that's what they called it anyway, and i saw an older woman clutching onto a donkey cart where her son's body was, refusing to let go of it. i asked my colleague what the smell was, he said it's dead bodies under the rubble. it was the first time i familiarised myself with the smell. the son's body was decaying and the woman told me about cats and animals eating away at it. i've had children talk to me about birds eating away at their parents' decomposing bodies and not being able to chase them away."

"it seems so silly to go to hospitals for minor sicknesses now. i can't even think about how many palestinian children are going to be terrified of hospitals now. there was a girl who was taken to the hospital to get treatment for injuries by one of the bombs, and while she was in the bathroom another bomb landed nearby. the impact from that sent the ceiling crashing down on her.. she got another injury while getting treated for her first one."

"i hate how people talk about our resilience - as if it's okay that this is happening to us. we are only surviving because we have to, because we have no other choice."

rahma brought up the way family homes are set up in palestine and asked plestia to elaborate. "basically, there are floors. someone will live on the ground floor, and then their married son lives with his children on the floor above them, and then their successors above them and so on. so when family homes are targeted, they wipe out entire families. many families officially no longer exist."

"i used to wear my journalist helmet and vest all the time, felt naked without it, even slept with the vest on sometimes until i realised it only made me more of a target. they didn't give me any protection, only headaches and back pain."

"i am an optimistic person, i loved covering sweet sentimental things, like at my graduation asking parents of top graduates how they feel about their children graduating. that's what i love reporting on. i wanted to cover things like that when i came back to gaza, show the beautiful side of gaza that the media didn't really show, but i didn't have the chance." "do you think they'll give you right of return?" "i can only hope."

plestia mentioned how hard it was being a journalist with limited access to the internet, charging facilities, no mics, lack of equipment and how difficult it was uploading things. rahma asked her what's one story that wasn't really recorded or posted due to these constraints; plestia said "the evacuations. sometimes they informed us about them, sometimes they didn't. you have no idea how hard it was, everyone looking for their family members, making sure every one was there, taking to the streets in 5 minutes and not knowing which way to go. i remember i went to my friend's house for shelter for 30 minutes before the first evacuation was announced and we ran to another family's house, stayed there for 2 days before another evacuation was announced. me, my friend, and that family all evacuated together to another family's house. there were already so many people there seeking shelter, it wasn't just one family staying there. none of us knew how long we had in any place."

before october 7th, palestinians were used to limitations on electricity. plestia used to plan her day's tasks around when the electricity was working. "for example when the electricity was on from 12 to 4, i would say i will do my laundry and charge the phones during this time. life wasn't exactly 'normal', but all of us pray to have those days back in comparison to what we are experiencing now." plestia also said that cars are running on cooking oil now because there is no fuel.

on hygiene: "many pregnant women have to give birth without any pain medication or medical attention. once we ran out of medicine, that was it. women who had to get C-sections couldn't stay to recover or get followup treatments because someone else needed the bed. we have no water, no tissues, no pads, barely any bathrooms. in the shelter schools you have to wait an hour before even getting to use the bathroom because of how many people are there."

"something you don't hear about is how many people die because of sadness. there's so many ways to die in gaza, because of the bombardment, because of starvation, the lack of resources, but i also know many elderly people who died because their hearts couldn't take it anymore. i have been in gaza before and lived through 4 aggressions, but nothing compared to this one."

a recurring sentiment that was echoed in the video: "sometimes i thought to myself: who am i recording this for? because we've already shown everything, we've already talked about everything. everything has already been said, the proof is everywhere, nothing i talked about today is new." rahma said the first video posted about what's happening in palestine should've been enough.

she is 22 today. plestia's closing words: don't stop talking about us, don't stop boycotting, don't stop protesting, please don't get bored of fighting for palestine.

[cherrynflowergarden]

disgusting(ly in love) || matt sturniolo

an; hiiii my loves how are y'all?? someone please give me some ideas for this i wanna make one for chris too:( this was originally supposed to be for 10 mins but i ran out of ideas and ended up making it 8 mins THANK YOU SO MUCH FOR 400 FOLLOWERS I LOVE YOU ALL<33

summary; a youtube compilation of matt and yn being in love for 8 mins.

tagged; @t1llysblogs

matt was bored. and on youtube. having stumbled upon a video titled "MATT AND YN BEING DISGUSTING(LY IN LOVE)!!!??? tw happy couple (ew)" he decided he had nothing better to do than watch this.

clip one; sleeping beauties

the clip started with nick going down the stairs and screaming for matt. what he didn't know was yn, matt's girlfriend had stayed over.

expecting matt to be awake, he pushed the door open with his vlog camera on.

there laid matt and yn, all cuddled up on the bed. the blanket covered their tangled legs yet the way matt held his girl against his chest was enough to make everyone jealous of the couple. near them mr wrinkleton, matt's pug plushie and ms bubbles, yn's rabbit plushie cuddled too, almost making it look just like the couple in plushie forms.

a small laugh left nick, as he zoomed the camera into their faces.

clip two; twitch stream

matt was streaming on twitch with his brothers while his girlfriend went out on lunch with her friends.

coming back home, yn did not expect to hear shouts from each brother's room. assuming they were only playing video games with each other, she yelled "honeyyyyyy i'm homeeeeee" right as she entered in matt's room. not giving him any time to answer the girl skipped her way to her boyfriend and sat on his lap; all excited to tell him about the latest gossip session she had with her girls.

but that could wait for a while.

he looked so beautiful that she couldn't help but wrap her arms around his neck, giving a sweet kiss on his lips. pulling away she kissed his cheeks and mumbled "god you're so cute".

giggling softly, the boy pulled her face up and said "thank you baby" she was about to say something when chris screamed "OH MY VIRGIN EYES". laughing at the way her eyes got wide, matt explained "we're streaming baby"

clip three; birthday gift

sometimes yn vloged. since the triplets' birthday was coming soon, she decided to vlog the entire process of shopping for the brothers.

twelve minutes into the video, she was all set and ready with meaningful gifts for each brother. once she put all the gifts in separate bags for each brother, she smiled at the camera. "finally. it was such a tiring day. now only one thing is left to do. y'all remember the paints i brought? well we're doing a fun little craft." taking out the red and pink paints, she went to grab a plain black tshirt.

cutting a heart stencil out of a paper, she stuck the paper to the tshirt's back. applying the fabric paint on her lips she started kissing the cloth between the cutout paper heart. applying different shades of pink and red, she filled kisses in the shape of a heart. laughing at her now smudged 'lipstick' she showed the camera her now ready gift.

"gonna let it dry now. i think i will maybe do something in the front also. not sure. will keep you guys updated!!"

safe to say, matt loved his gift so much that he demanded another kiss tshirt so that he could wear her kisses every day.

clip four; beach

this was a short clip from the hawaii vlog. the triplets, yn, maddie and nate where walking to the beach near hotel. well not all of them were walking through.

yn decided she was too tired to walk today and matt being the absolute angel he is, let her to hop on his back as he carried the girl to the beach.

maddie had vlogged matt carrying his girl on his back, humming to whatever she had to say. the camera captured matt listening carefully to his girlfriend as she spoke animatedly about penguins. the last thing the camera captured was yn repeatedly kissing the boy's cheek as he smiled before chris pushed the couple claiming "it was sick to watch people in love"

clip five; beach again

this was a clip from the same vlog as the last. matt and yn were seen enjoying in the water. splashing water against eachother their joyous laughs could be heard.

suddenly matt lifted the girl up, enjoying her screams of fear. dropping her a little, matt laughed harder as his girl tightened her hold on his neck. "matt i swear to god if you throw me in the water" laughing at her empty threats, matt dropped her down a little.

"MATTEW STURNIOLO"

"but baby i love you" he said as he completely dropped her down.

clip six; deaf, mute and blind challenge

yn sometimes participated in the triplets' videos. right now she was a part of the deaf mute and blind challenge. nick and chris were deaf, matt was mute and she was blind.

it was tough to be blind when she was only one who could actually cook something but nothing goes according to her wish, right?

which brings us to this moment. yn, desperately trying to find the bowl which contained the pancake mixture. looking at his struggling girlfriend, matt came behind her and pulled the bowl towards them. putting the whisk in her hand, he grabbed her from behind and helped her whisk the ingredients together. mumbling a small thank you the girl was finally relieved as the process was almost over.

all while nick and chris danced and screamed to doja cat.

clip seven; grwm

yn was filming a get ready with me to go to a date. while she was putting the make up on, her boyfriend entered the room. saying a quick hi to him she turned back to explain her makeup process to her followers.

"—oh y'all need to try this mascara. it's sooooo good. i literally cried—" hugging the girl matt cut off her rant. he squeezed the girl in his arms as she turned around to place a kiss on his cheek. laughing at the bright red stain her lipstick left on his cheeks she tried to grab a tissue to wipe it off. protesting against it, the boy pulled her closer to him.

clip eight; dancing in the snow

the clip was from a random vlog yn posted. it started off with yn putting her vlog camera on the car's bonet and running towards matt. the two, fully covered in wools from head to toe danced in the snow without any music.

matt twirled his girl, a small laugh leaving him as the girl lost balance and collided with him, pushing the two to the ground.

it may seem silly to others, dancing without any music or laughing like madmen in the snow but to them this was the best moment of their life.

as the video ended, matt pouted at the screen. he now missed his girlfriend. he decided to facetime his girl not knowing chris was right behind him and he recorded matt smiling and blushing at moments with his girlfriend. probably this would end up in another compilation of matt and yn being in love.

[the-faceless-bride]

More Ideas for KNY (demon slayer) different characters ♡ (SOME NSFW CONTENT FOR SANEMI AND MUZAN AND MENTIONS OF GORE IN SANEMI AND LIGHT NSFW IN GYOMEI)

<- Part 1

Imagine being dangerously in love.

Imagine being a demon, obsessed with the brash, and blood thirst Wind Hashira. the first time ever being in battle with him is what leads you down a path of want and lust for the cruel hashira.

Imagine going out of your way to always be where he is, always catching his attention and being attacked by him. He believes you're mocking him, following him just to show off that he hasn't been able to kill you. But that isn't true at all. When you fight, you never actively try and gut him, only blocking your neck and leaving the rest of your limbs exposed to be lashed in this masochism tango.

Imagine struggling to hide your enjoyment and ecstacy each time his sword ripped, teard, and scar your body. He had to have known how me made you feel. He must. The darkness of your cheeks must've been a giveaway. Right? His eyes bewitching you in how intense he glares into your soul. It sets a fire under your cold skin, a burning desire.

Imagine one time when you and Sanemi are fighting. Other slayers show up. But they don't instantly jump into the fight. 1. from looking at the fight, you hadn't landed a single strike and seemed to be a greater deal slower than the hashira, and 2. Tanjiro made an odd comment. "Huh, it's like she's avoiding striking him on purpose."

Imagine how Shinobu decided the fight was long enough and tried to sneak in and end the fight. Only for a switch to set off and catch her off guard and spin at the speed of light, leaving a large gash across her body from her left founder to her hip. And Sanemi instantly tried to help her. Only to be stopped by your own weapon pressed so close to his neck that even swallowing made his Adamsapple scrape against a sharp blade. "Don't you dare. Your attention is meant for me. Are you seriously letting her attempt to get between us work?" And that made Sanemi pause... "us? Wha-" -- "don't play dumb darling. We're soulmates, Sanemi~" you whisper to him. "What the fuck."

Imagine how now you make him feel so conflicted, how he hates you for what you are but loves you for how you make him feel... in his home in his spare time as the sun rises, his windows covered and locked tight as he has you on your knees, leaning forward and his chest pressed to your back. Your head locked between his bicep as his other hand held his sword under you. It nicks you each time he thrusts. If he pushed you forward anymore, his blade would surely cut your chest and stomach open. "I HATE YOU, YOU FILTHY DEMON. I DONT WANT YOU. CURSE YOU FOR DEMONIC TEMPTATION." You softy cry at the harsh words from your love, "I don't care if you don't want me... I'm yours right now..."

Sanemi Shinazugawa × Demon reader Trope: Yandere Lovesick/I hate you so much I love you.

Imagine being with Muzan his entire life... your family were servants to his family. And from a young age, you were assigned to be Muzans personal maid or companion as you were too young to really do any work than cleaning up his room. But since you can remember, you've always been with Muzan.

Imagine being the one he confides with most. His fears, his wishes, and despite his coldness. His shouldering eyes seemed to be less scorching when it came to you. His one and only friend. Even if you didn't have much of a choice in the companionship. It was you who sat in on his doctor's visits about his deteriorating health. When he got the news of how it would be a miracle for him to even make it to his mid 20s...

Imagine how one night after a particularly scary coughing fit, he simply places his head to your mid section as you blush his hair and pull it back into a braid. He softy thanks you as he tilts his head to look up at you, "Of course, I'm always happy to take care of you." But that isn't want he wants. He wanted to take care of you. Not you to him. And without thinking, he pulls you down to him.

Imagine His heat is pounding in his chest. You lay across him as his long and slim fingers tease you between your legs. You try and stay quiet, your face twisted with pleasure and guilt. You felt like you were taking advantage of the sick man who would never find love or feel the love of another in such a romantic and intimate way. You thought maybe that this was him just grasping for a moment where he didn't feel so useless being bedridden. But it was so much more. If this was the last thing he did, pleasing the only one who he cared for most. The one he wished he could've married... he would be happy to die. This surely isn't good for his heart, but he couldn't care less. You hovering yourself above him. As he tried weakly to pull you in to rest your whole weight. This was how he wanted to spend his last days, weeks, and months. However long he had left. He wanted it to be with you.

Imagine as days go by, and he feels more and more guilty. He starts to feel as though you let him do these things because you feel obligated as his personal maid to do so. Nights in the dark ask he fingers you, giving and receiving oral pleasure. But you still won't give him everything. You refuse to fully lay with him. Sometimes, he feels like it's because you don't really love him. Not like he does you. Or maybe you find him... pathetic... he can't actually make love to you. You'd be doing all the work. He doesn't want that, and it seems you don't either... eventually, his thoughts become too much, and he decides to let you go...

Imagine you were relieved of all your maid duties, not just to Muzan but to the family as a whole. You were heartbroken. And the heartbreak only worsened at the news of Muzan and his families and your families deaths. You'd cried more times than you'd ever had before in your life. And you were so very confused when you'd found a Man who looked exactly like Muzan sitting in your bed a few nights later. "Hello dear. I'm home." He invented to truly give you what you wanted, and he was eager to give it too you.

Muzan Kibutsuji × reader Trope: Unrequited/reunited love/soulmates

Imagine being Master Kagaya's faithful slayer, you'd always admired him. You and your Master had created a strong bond. Stronger than others. Moments like this reminded you that you were special. You sat on your knees as you just like you had the first time. Your head pressed to his chest and he dragged his fingers over your head.

Imagine trying not to tear up as you remember the first time you'd kneeled for him. You'd been reckless and impatient leading to a fellow slayer getting extremely hurt. You kneeled before him as you sat in the room alone waiting for him to speak. Doing your best to not make any noise as you silently cry. You'd failed him. Your beloved Master. But he didn't yell. He didn't make you feel like you were a problem. He merely hummed before knealing with you, one hand on atop your head and the other cupping your cheek feeling the wet stream of tears and wiped it away. "It's alright. You didn't mean for this to happen. I know you didn't. I know you're a good girl." And your breath hitched. He noticed. And from then on he gave you positive affrimations which encouraged you to do better. For him.

Imagine how as you sat there listening to his words letting yourself flow away and melt into your master. He thought it was innocent. He was simply your master helping you, if it wasn't him maybe you'd find these soft words from Gyomei or maybe even Kyojuro... but he was wrong. So wrong. It was him. Only him. You'd put yourself on the line so much more than you should've. All to hear those soft praises. His wife must not like you... you do take up more and more of his time as days go on...

Imagine how he softly calls to you. Late that night, he'd heard your footsteps. He sat with you talking. About anything that day. Soft and short conversations. Quiet but not uncomfortable. "You're my favorite you know." He sighed, before he let out a small chuckle "don't tell the others." You know he was teasing. But your heart told you other wise.

Imagine being hurt. In battle you were hurt. But even in your pain you still made your way to your master... your beautiful Kagaya... the married man, the family man, that you had fallen in love with. "My dear, you still come and see me while you're in such pain?" He seemed shocked. But you aren't sure why, you'd walk on hot coles and crawled on your hands and belly to kneel for him. You'd do anything for your master. And you could only hope as his favorite... you wouldn't let him down. Finally you lifted your head from his chest, pulling his hands from your hands, leaving a kiss to his knuckles. One day. One day you'll have him.

Kagaya Ubuyashiki × Slayer reader Trope: unrequited love/lovesick/slow burn

Special Part two of Forbidden love with Gyomei × demon

Imagine how the rest of the slayers flock around Gyomei, asking him so many questions. And he couldn't even answer them all. Too consumed by his disbelief that the person he'd fallen in love with so deeply, had turned out to be a demon.

Imagine how he layed in bed lonely and... missing you. He began to long of your cold touch, your voice, your laugh that was so contagious to him. He missed you. He'd fallen for you. Demon or not. He laid in his bed trying and failing to get even a wink of sleep. But just as he had almost fallen asleep he was awoken by a sound. 'Tap tap' was the sound, 'tap tap' on his window. "Gyomei... my love..."

Imagine how he practically leaped from his bed. Demon or not you had carved yourself a spot in his heart. Slamming open the window and pulling you inside, his hands instantly feeling over your cheeks, your nose, your neck. Kissing the knuckles of your cold hands.

Imagine being the one that made Gyomei for a moment stay from his faiths. Gyomei devoted his life to his beliefs, that includes waiting. Waited all his life for the one. Saving himself and waiting. But you both were in a unique circumstances... so from that point on Gyomei promised himself to you. You would stay with him in his home and he would always come back to you. That night he would kiss you, love you, lay you under him while he whispered for you to be his.

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[14dayswithyou]

💖 Day 3.5 is now available! 💖

For the last couple of months, only Server Boosters had access to the 3.5 update... Buuuuut now it's available for everyone to play in the 14DWY Discord — and soon itch.io once I'm happy with the QA and state of the game — so please don't feel pressured to join unless you want to!!

The full devlog + even more screenshots are under the cut ^^

What's been added to the 3.5 version?

📺 Streamer Mode!

I've been told that it's difficult to stream and monetise age-restricted videos on YouTube and Twitch, so I added an option to remove the sexual content and strong language used in the demo.

Now y'all can invite Ren into your bed for cuddles without putting your streamer career on the line /silly /lh

This won't affect the 18+ rating or dark themes/elements of the game, however! Although Streamer Mode will prevent you from seeing any "gruesome" CGs in the future, most of the core elements of the game will still be tied to the choices and decisions you make. So you won't miss out on the overall experience by using streamer mode!!

⚙️ Custom Pronouns!

It only took me one entire year to get around to it, but you can finally choose your own preferred pronouns (or use a set of pronouns instead)... At the cost of being able to change them mid-game ^^;

Since the original pronoun screen wouldn't update until a new scene was displayed, I temporarily disabled the feature. But once I find a workaround, I'll bring it back!

💗 Choose how others perceive you!

You can now choose how the cast and narration perceive you! Originally, the narration was kept strictly gender-neutral (outside of pronouns and genitalia picked by the player), but this will soon change in future updates.

For more clarity: you don't get to choose the words specifically, but you can choose between masculine, feminine, and androgynous terms!

📋 Separate top and bottom genitalia!

You can now choose your tatas and pps separately! >:3

Alongside that, you can also choose your preferred body type!

I removed the "both" genitalia option because a few players still assumed it was an obscure version of "intersex". That wasn't my intention and I don't want to mislead anyone, so I took it out for now ^^;

I also didn't want to include a screenshot of the new genitalia choices in action (because it's NSFW), so y'all get the same character menu screen for the nth time instead lmao

📱 Relationship Screen Overhaul!

You can now change your own status for more immersion, and long-term Server Boosters will eventually be able to submit and use their own icon within the game as well!

Stalking finding your friends has now become easier by using "Buddy Maps"; a new app that allows you to see the location of all the cast members!

I want to offer players more incentive to check the relationship screen since they tend to miss the status updates, so hopefully this might help ;v;

It also says it "updates every few hours" so folks don't go overboard and check every 5 seconds to see where Ren is gdsghf (also keep in mind that he's a hacker lol)

🖤 Additional Scenes Update!

Day 2 received a brand new CG!!!!! Originally, I planned on only adding a few CGs sporadically throughout the game, but it didn't feel right to leave Day 2 so... empty... so I added a brand new CG to (hopefully) make things feel more balanced and natural!

If you decline Teo's offer on Day 3, Leon will now call and try to convince you to reconsider. However, players are still allowed to decline, and if they do, they'll reach a dead end.

After listening to feedback on itch, I changed some of the dialogue during Days 1-3 to make it seem more consistent! They're only small changes though, so it's honestly not worth looking for sdgjssga

🎶 Updated BGM and SFX!

I wanted to try out a different style of music to see if it fits the vibe of 14DWY more! The BGM features more acoustics to suit the "beachy" theme of Corland Bay, though I made a conscious effort to include piano elements as well to stay true to the original!!

I figured it'd be better to give players a live example before I make a poll (to see if they prefer the change or not) and publish it to Itch.

Some new SFX have also been added, though it's very minimal and honestly not that noticeable.

How to download and play the update?

(warning: clicking on the following links will open Discord!!) To download the Day 3.5 update, simply join the 14DWY Discord server, verify your age, and visit the "14dwy-updates" channel!

Alternatively, you can also wait until the update is publicly released on Itch to play it as well!! (It normally gets released shortly after a round of QA testing/getting feedback from the server, though I may release it earlier if I feel like it hehe ^^)

Enjoy!!

[yinyuedijun]

SINCERITY

Flirting with Suo is never a good idea—you can never tell whether he means to charm you or make fun of you when you do it. Sometimes it feels like both. Occasionally it feels mean. More often than not, you like to entertain it. But you can't right now, not when his blood is all over the washroom sink. Your manager will be furious about the mess, and also about the fact that you're giving first aid to three delinquents while you're on the clock. If Suo makes one more joke about marrying you, you'll probably throw up and cry. (Or: Suo, Nirei, and Sakura get into a fight in the red light district and go to you to get patched up. Suo takes the opportunity to tease you mercilessly.)

4.5k words, suo x reader with implied one-sided sakura x reader, sfw with mature themes. set post-canon (they are all 18-19 years old), non-canon backstory details for suo and sakura (speculative as of ch. 146). fem reader – references to gendered professions, e.g. hostessing; reader wears a dress for her job in a girls’ bar. warning for inaccurate depictions of first aid! dividers by @/cafekitsune.

Suo’s never liked your job.

You suppose this is fair. The feeling is mutual. You’ve never liked the fact that Suo chose to go to a delinquent school rather than a proper high school, and he’s never liked the fact that you chose to drop out of your proper high school to go work in the red light district—first at a kyabakura, and now at a girls’ bar. His master, who also happens to be your master, has always told you that this was a natural reaction on his part. Having a secondary school certificate is important, after all. But Suo’s disapproval of your income sources, no matter how politely or subtly phrased, has always felt like it runs deeper than simple concern for your education.

Still, this has never stopped him from visiting you at your place of work, though he only tends to come by under the worst possible circumstances—tonight worse than any other.

When you see the three of them limping through the clamour and heat of the red light district—the neon glow of the street making the blood smeared across Suo’s face shine vibrantly—you entirely forget that you're on the clock. You chuck your sign onto the ground (3000¥ per hour! it reads) as you cut a path toward them, almost tripping in your stiletto heels. Your customer service voice gives way to your regular one, which is so outraged that it startles everyone around you.

“Suo, you motherfucker—are you trying to lose the only eye you have left?!”

Suo is unbothered. His smile is calm and deeply shameless as you approach him. It’s nothing like Nirei, who cringes at the furious look you give him, or Sakura, who looks like a deer caught in headlights when you round on him instead. Like he doesn’t know what to do at the fact that someone is worrying over him, and especially not when that person is wearing an extremely revealing evening gown. For a minute, you think he's going to bolt.

But Suo keeps him there, grip tight on his arm.

“Hi,” he says brightly, like there isn't blood all over his face and shoulder. “Are you busy? We might need to trouble you.”

“Of course I'm busy! I'm in the middle of a shift!” you fume at him. But you still extract Sakura from him, scruffing him by the neck before he can clam up and run. You pull him in the direction of your bar, and gesture for the other two to follow. “Hurry up before my manager sees you.”

Smuggling three delinquents into the washroom of a girls’ bar is not a skill you thought you'd ever need, but it is one that you've become an expert in. This is at least the third time you've done it. The Furin trio rarely ever loses fights, but they occasionally slip up in the part of the red light district that isn't controlled by Roppo-Ichiza. This is somewhat unavoidable, as Keyaki Street is a different beast from Keisei Street. It isn't just delinquents here, but bona fide criminals. “Like, actual fucking Yakuza,” you grouse at Suo for the millionth time. You wipe at the blood remaining on his face—most of it you've already rinsed off, staining the melamine sink with iron—and the paper towel in your hand blooms red.

“But these guys weren't Yakuza,” he says cheerfully.

“They still pulled weapons on you! Bladed weapons!”

“Mm… well, that's true. I'm sorry.”

You scowl at him. “No, you're not.”

“No, I'm not.” He’s still smiling. “In our defense, we didn't have much of a choice. They were about to do something terrible to an innocent person,” he says, and you deflate a little, because you know Suo can't stand to see injustice. This is something you love very dearly about him, and also a quality of his that constantly raises your blood pressure. But then you roll your eyes when he happily adds, “And in my defense, it’s all our Captain’s fault!”

“Oi!” Sakura yells from one of the stalls, where he’s sitting and holding a bag of ice to a knot on his head. “Wasn’t my fault we ended up fighting. They were practically beggin’ to have their asses kicked.”

“You did provoke them, Sakura,” Nirei says. He's in the other stall, trying to stay off his sprained ankle.

“Well, they were dangerous! Not like you wanted to just leave them alone either,” Sakura grumbles, and Nirei apologises, though Suo accurately points out there is no need for him to. After hearing this story, you can't help but agree, and you suppose you shouldn't have expected any differently. After three years at Furin, Sakura is no longer the type to pick fights for no reason. Whatever those guys were up to must have been pretty bad for him to start shit in unfamiliar territory.

Still. The red light district is what it is. Touts, street gangs, and Yakuza are constantly causing problems here, with violence of a scale and nature that Bofurin simply don't see on their own turf. Your street in particular makes someone like Endo look like a joke. “You should still learn to exercise some restraint,” you say to Sakura. “And you”—you give Suo a miserable look—“you know the area. You should have known better. At the very least, you should have called me for backup.”

“But you were on the clock,” Suo points out, and you frown. Despite having absolutely no need, you take out an alcohol wipe and swipe it over his cut. He winces.

“I'm still on the clock now,” you reply, voice dry, “and here you are, distracting me anyway. My boss is going to be on my ass about it if I don't bring in any customers tonight, you know.”

“We can be your customers,” Suo offers.

“You aren't old enough to drink!”

“Neither are you, yet you work here.” His gaze has turned a little sharp. His voice too. You blink, suddenly mollified.

“...okay. If each of you buys a drink after this, I’ll call us even.” Then you glance down at his changshan, which is sliced through, the pearly silk stained red at the shoulder. He’s insisted that the wound is unserious and said that he'd rather clean up his face first, and you're starting to question his priorities. “That is, if you don't have to go to the hospital after this.”

“I don't.”

“I don't know if I believe you.” You pull out some polysporin. “Come closer.”

Suo could do this on his own. His hands aren't incapacitated. But he humours you, as he's always humoured you, and allows you dab his cut with the antibiotic. You feel a little sentimental as you do it, and almost a little sad. Doing this reminds you of when he was a kid who had just started learning martial arts. Granted, he never got any real cuts back then, but sometimes he’d scrape his knees or his elbows or—god forbid—his face, and you would plaster bandaids all over him when he did. But none of those were real injuries.

More than anything, doing this reminds you of when he lost his eye. The state that he was in after the accident. The way his face was bandaged after the surgery. The texture of the gauze against your fingers when you asked to try swapping out the dressings for him.

If Suo notices the way your lip is trembling, he doesn't comment on it.

“You’re so mean—how come you never believe anything I say?” he asks. You press the gauze to his cut with more pressure than necessary, and he blinks. He opens his mouth again, but then the door rattles violently.

“Sorry!” you yell. “Washroom’s closed for cleaning!” You wince as you hear complaints in reply—you’ve been closed for half an hour!—and shoot Suo a sour look as the customer leaves. “I’m really risking it all for you three,” you remark.

“I'll make it up to you,” Suo says. “I'll stick around the whole night and buy as many drinks as you want. Your manager won't be able to hassle you about anything then.”

“No way. You're not wasting that much money on the red light district.” You frown. “Master will kill me if I let you piss away your inheritance like that.”

“I’m not wasting my money on the red light district. I'm wasting it on you.”

“Well, I'm employed at a girls’ bar, so when you waste money on me, you are in fact spending it on the red light district.”

“Then you should quit so I can spend as much money on you as I want.”

“Quit and then live on what income?” You set aside the first aid kit and grab some more paper towel. “Take off your shirt.”

“Oh? Right here? Right now?” His eye goes wide. “How forward.”

Sakura coughs very, very loudly from the stall. If you weren't so used to Suo saying this kind of thing just to mess with you, you'd probably do the same. In fact, you'd probably choke on your spit and die on the spot. But as it is, you only sigh and start unbuttoning Suo’s changshan, starting at the high collar. Any sentimentality or concern you previously felt is quickly drowned out by annoyance.

“Suo.”

“Don’t worry—I don't mind,” he adds. “I thought you'd never ask. I just didn't think it’d happen here. And so suddenly.”

“Don’t do that. I can't do this today.”

“Don’t do what?” he says innocently. He lets you slip his changshan off one shoulder. To your relief, the cut does look very shallow—he’s too quick for anything other than a bullet to land a serious hit on him, you guess—but you still swallow when you see it. It looks like he's bled a lot more than he probably actually has.

Or you hope so, anyway.

“Joke like that,” you reply after a moment. “It's very mean.”

“I’m not joking about anything.” You feel his eye on you as you start dabbing at all the red on his skin, the paper towel in your hands blotting crimson as if with ink. Your breath shakes as you study the wound. He lifts his hand, his knuckle brushing against your cheek. You smack it away, but he doesn't seem bothered. “I was being very serious,” he continues. “Quit working in the red light district and let me support you instead.”

“Suo,” you say, your voice flat, “there is no job you could qualify for on this planet that will let you earn more than what I'm making now. If anything, you should let me support you.”

“Ah,” he says brightly. “I get it now—you want me to be your trophy husband!”

Now you are choking on your spit and you do think you're dying. Sakura sounds like he's not doing much better—something bangs loudly against the washroom stall, and you assume it’s his forehead. Even Nirei is affected, not-so-subtly clearing his throat.

“I do not want you to be my trophy husband.”

“Just a regular husband, then?” he asks. “That’s alright. If I joined the Yakuza, I could make plenty of money. You could even stay at home if you wanted.”

“Suo you motherfucker you are not joining the fucking Yakuza! And I wouldn't be a stay at home wife!”

“Oh? You wouldn't want to be?”

“No, god! Do you know how much I could make if I scored a hostess gig at a high-end place? Why would I ever turn down that kind of money?!”

“Ah, so you want us to be dual income?”

“Of course I would want us to be dual income!”

“You could get a different job and we could still be dual income.”

“There’s no other job that would pay as well.”

Suo sighs, and your brow twitches. You've always been suspicious about why he disapproves of your choice in career. It’s not in his disposition to judge people, but sometimes you still worry that he's doing it to you.

“What,” you ask, “would you be so against marrying a hostess?”

“No, not at all. But I'd be worried if my spouse worked somewhere unsafe. What if you end up at a Yakuza-owned club?”

You pause, startled at the abruptly earnest tone of his voice. Suddenly you feel guilty.

“Oh… well, I wouldn’t work at a Yakuza-owned club.”

“Hm… then I guess it's fine.” Suo nods, as if arriving at a decision. “We’ll get married, we’ll be dual income, and neither of us will work for the Yakuza.”

“Yes, exactly. We’ll get married, we’ll be dual income, and neither of us—” Your eyes go wide as you realize what you're saying. You feel yourself flushing. “Wait.”

“What? Is there a problem?”

“Suo.”

“Don’t tell me you're going to change your mind now. That would just be mean.”

“I'm being mean?” you ask, flabbergasted.

“Well, yes. You don't think it would hurt if you changed your mind about marrying me? And so soon after agreeing, too.”

You stare at him in disbelief. You have a number of possible retorts that cross your mind, and somehow you pick the least relevant one: “You can't trick someone into marrying you.”

“Then can I trick you into dating me?”

“Suo! I said don't do that!”

“Don’t do what?”

“Joke about that kind of thing!”

“I'm not joking about anything.”

“Yes you are? You don't actually want to date me. Stop saying that you do!”

Suo leans in. He stares at you, his gaze distinctly vulpine. It's very attractive, and also intimidating, and you should be used to it by now, but your heart rate ticks up anyway. You swallow thickly as his thumb glides along your cheek again, your skin scorching beneath his fingertips. You forget to bat his hand away this time.

“You’re so mean,” he repeats, voice lilting, “how come you never believe anything I say?”

He's baiting you. He's obviously baiting you, and you consider for a moment whether you want to bite.

Flirting with Suo is never a good idea—you can never tell whether he means to charm you or make fun of you when you do it. Sometimes it feels like both. Occasionally it feels mean. More often than not, you like to entertain it. But you can't right now. His shirt’s stained with such a bright red that it keeps distracting you, just like the blood he's left all over the washroom sink. Your manager will be furious about the mess, and also about the fact that you're giving first aid to three delinquents while you're on the clock. You think they'd go broke before they could spend enough money here to appease her, were she to discover the four of you. You might even lose your job. Then you wouldn't be able to support yourself anymore, let alone Suo, who cracks jokes as easily about being your trophy husband as he does about being Leonardo DiCaprio.

If he makes one more joke about marrying you, you'll probably throw up and cry.

“You're not being very gentlemanly right now,” you finally point out. He raises a brow.

“No?”

“No. I'd even say you're being a menace, actually. Doing a very bad job of”—you almost laugh as you say this, because you've heard this speech so many times—“engaging with my feelings. Not being supportive at all. Really falling off the staircase to adulthood, you know.”

Suo studies you. Something complicated passes through his eye before he pulls away, his expression now back to normal. It's deceptive how innocent he looks.

“Sorry,” he says. “You’re right. I’ll play nice.”

“No, you won't,” you retort, and Suo smiles at you, not replying. But he does give you a break. You finish cleaning up the cut without incident, although you do get flecks of blood on your evening gown, which you hope won't be too noticeable against the black satin. You bemoan the lost cause of Suo's changshan too—made of Suzhou silk, a gift from your master—and silently make a note to buy him a replacement sometime.

You're in the middle of buttoning up his shirt when the door clicks and swings open. Met face to face with your coworker, you freeze up.

Your stage name leaves her mouth in an angry bark. “What are you doing? I told you you're not supposed to be having sex with customers here, you should be doing that someplace—” She stops, evidently spotting the blood on Suo’s shirt, and then the other two individuals locked up in here with you, one of whom is blushing violently and looks to be on the verge of dying from embarrassment. Beneath your hands, you feel Suo’s body go stiff too.

“Oh,” she says before either of them can comment. “It’s just your delinquent boyfriend and his buddies.” Suo waves at her, and she nods back before squinting at the sink. “Are you going to clean that up?”

“Yes,” you say quickly. “Please don't tell our boss.”

“Have I ever ratted you out?” she asks. “Just get out of here soon. People do have to piss, you know.” Then she stops, looking at Suo with a dubious expression. “And make sure your boyfriend doesn't die.”

You're too tired to correct her on the nature of your relationship. “I've been trying,” you say, and she gives you a sympathetic look before retreating. You hear her laughing with a customer about people fooling around in the washroom, and I'm so sorry for the inconvenience, sir, and could you please go downstairs while I clean up. You’re so relieved, you nearly fall to your knees. A calloused hand touches your back as you rub your temples.

“I’m sorry for worrying you,” Suo says quietly—sincerely—and instead of saying no, you're not, you reply, “I know. I’m sorry too.”

Suo’s always hated your job.

He’s always hated your job, your boyfriends, your apartment, and a lot of other things about your life that Sakura doesn’t have any business prying into. And it's just as well. Sakura also hates your shitty job, and your shitty boyfriends, and considering that you live in the same shitty building as him, he isn't a fan of your rental situation either. Nirei’s too polite to say anything about it, but Sakura can tell that he disapproves as well. It’s not like any of them are living the most comfortable lives either—Sakura has personally been living from shithole to shithole, mostly alone, ever since his parents passed—but your lifestyle does make them all feel poorly.

You're just a very easy person to like. And it's very easy to want nice things for you. So Sakura gets it, how Suo feels about you.

What he doesn't quite get is how Suo acts about you.

One thing he’s learned over the years is that Suo is very good at reading people. Sometimes he understands Sakura better than Sakura understands himself, and he can convince Sakura to do things which he himself didn't think were possible for him to do. He's done the same with Nirei, and about half the other people in their grade, and at least a third of the guys in Bofurin. It’s frankly a terrifying skill. But Suo never uses it with you—not to get you to change jobs, or boyfriends, or even apartments.

At first Sakura thought that you were just immune to Suo’s tactics, but he's recently come to realise that Suo simply gets too emotional about you to know how to convince you of anything. He’s even emotional enough to get kind of petty and a little mean with you, which is something that Sakura has only witnessed from Suo during fights. Really bad fights.

It’s terribly uncomfortable, especially when you’re clearly head over heels for Suo.

Sakura doesn't have any business prying into your personal problems. Though truthfully, he’d be happy to thrash some random assholes for you anyway, if that would fix your heartbreak. (He's already done this to at least one of your exes, and it worked shockingly well.) The problem is, Suo is not a random asshole and Sakura isn't sure that you'd want him thrashed in the first place. But it's just fucking painful watching the two of you act like this around each other, so he ends up pulling Suo aside after you kick them out of the girls’ bar, scowling.

Suo looks at him, surprised. “Sakura? What's the matter?”

He doesn't mince words. “How come you were being such a dick to your friend?”

Nirei goes stiff. “Sakura,” he says in his panicked ‘why are you trying to pick a fight now’ voice, “where is this coming from? I don't think Suo was being rude…” But Sakura can tell, as Nirei’s finishing his own sentence, that he's second-guessing himself.

“No,” Suo replies. “I was being a bit terrible, wasn't I?” There’s no humour in either his words or his face, but the corner of his mouth lifts. He actually looks endeared. “I'm surprised you noticed, Sakura.”

“I mean”—Sakura feels himself going red, embarrassed at just the memory of how you looked at Suo; first so worried, then painfully fond, and then like you were going to burst into tears right there in the washroom and ask him to hold you, as if you were in a horrible getsuku drama—“it was kinda hard not to.”

Suo nods. “I suppose it’s natural to be sensitive to the feelings of someone you like.”

Heat floods his face. “I don't like her!”

“Did I say you did?” Suo’s mouth curls when Sakura can't answer. “Don’t be embarrassed. She's a very easy person to like.”

Sakura tries his hardest to ignore Suo—which should be easy, because Suo lies randomly and pointlessly all the time, whenever he thinks it's funny—and says, “If she's an easy person to like, how come you act like you don't like her at all?”

“Was I acting like that? Or was she acting like it was impossible for someone to like her?” Sakura stops. Suo gives him a long look, then smiles. “You would know how difficult it can be to accept being liked, Sakura. And how long it can take to understand that there are people who want to support you unconditionally.”

Sakura opens his mouth once, twice. A third time. Nirei sighs. The two of them watch as Suo—rather than walking in the direction of the subway—steps over to a vending machine and buys a bottle of oolong tea.

“Are you going to wait for her shift to finish?” Nirei asks.

“Mm, I think so.” Suo glances down at his ankle. “But you should go home, Nire-kun. You can’t fight like that. In case those guys come back here, I mean.” He opens the bottle, takes a sip. “They had bladed weapons. It would be bad if you risked it.”

Nirei glances at the entrance to your bar, worried. “But…”

Sakura understands without Nirei finishing his sentence. The security at your bar is terrible, and plenty of people like to exploit that. It was Nirei who noticed a group men eyeing you before anyone else did, following you all the way from Keisei Street to your place of work. And sure, Suo kicked the shit out of them in the end, did much worse to them than vice versa—but who knows if there aren't more of them.

Suo hates your job. All three of them do.

“It’s okay,” Sakura says. “I'm sure the two of us will be enough.”

“...I'll ask Tsubaki if he's free,” Nirei finally relents. “And I'll text Kiryu and Tsugeura too.”

“Thanks, Nire-kun.”

Suo gets a bottle of ramune after Nirei leaves, passes it to Sakura. Tsubaki comes by later, still in his pole outfit, with several pieces of taiyaki for them to share—I’m always snacky after dancing, he explains—and the three of them loiter in front of your bar until four in the morning. Tsubaki asks questions about you in a tone that has Sakura wanting to crawl into an alleyway just to hide, and Suo deflects masterfully with questions about Tsubaki’s new boyfriend. The guys from earlier don't show up. Maybe the sight of Roppo-Ichiza’s top fighter scares them off.

You're surprised to see them there when you emerge a little later. You give Tsubaki a happy but perplexed look as he hugs you.

“Tsubaki? What are you doing here?”

“Keeping these two company,” he replies. “And I wanted to say hi, of course. You should come by the club sometime, you know! I haven't seen you in forever.”

“Sure! That would be nice, but…” You turn to Sakura and Suo, puzzled. “Why are you guys still here?”

Sakura, on instinct, nearly recounts the whole evening to you—about the men tailing you, about how they got into a fight, about the kind of things they said they'd do once they caught you—but Suo answers first.

“Troubling you again,” is all he says. “It’s fine since your shift is over now, right?”

You give the two of them a long, curious look. For a moment, you look worried, but you're eventually disarmed by Suo’s expression.

“I guess it's fine,” you reply. You sound so happy. Suo’s gaze goes soft, and Sakura has to force himself not to look away. “Let's hurry up and go home.”

You smile at them, and it's the kind of smile that makes it very easy to like you. The kind of smile that makes it natural to want nice things for you. The kind of smile that would make anyone emotional, even if they're normally very controlled. It makes something in Sakura squeeze tightly, all knotted up and painful.

He’s starting to understand why Suo acts the way he does around you.

END

this wasn't meant to be a love triangle, my apologies…

this was also meant to be a very short piece (like 500w lol), but I kept thinking about what suo’s backstory might be, and why he was so comfortable in the red light district in the manga, and what these guys might realistically act like in an aged up, romantic context. that all coalesced into this very bizarre fic LOL. I'm not sure how it'll land, but I hope someone out here enjoyed it! I would like to write more about this triangle (+ nirei) but I'm not sure what the level of interest would be, or if it'll even make sense with the manga. I guess we’ll see eventually!

in any case, thank you for reading!! <3