#i'm loving every single moment of this

[r0ulotte]

Average Fortnite lobby rn

[benevolenterrancy]

He'd just finished speaking when Mobei-Jun sent Shang Qinghua flying forward with a kick. And he really did go flying... flying... flying... [...] he tumbled and skidded as he went flying into the hole, to "investigate and ascertain the situation". After a long, dead silence, a terrified scream suddenly exploded from within the cave.

The absolute business-like manner with which Mobei-Jun decided to "volunteer" Shang Qinghua nearly killd me, the visuals of this scene are unparalleled

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[zivazivc]

my brainrot about these two can be measured in liters

[yrsonpurpose]

and Alex is. well, Alex is so in love he could die.

[l-in-the-light]

The most embarrassing series of posts about Lawlu you will ever read: the staring edition ❤

Let me present to you (probably) every single moment in which Law was staring at Luffy and thought no one noticed:

More than I expected. I thought it would be like 3 or 4 times only haha.

Now what Luffy looks like in Law's eyes? Wonder no more, I did a compilation just for you! These are all the scenes in which Law looks at Luffy (be it openly or discreetly) and this is what he sees:

Those last ones are from the very end of Wano, he really allowed himself to stare. It's kinda like Law wanted to take the memory of it in his journey forward without Luffy... ffs.

Law's totally collecting Luffy's face expressions, like they're coins.

There's some sense of odd distance in those few (around the time Luffy decided to punch Kaido at the beginning of Wano). It's kinda like Luffy is so far away from him, not even looking at Law anymore.

And below is how Law saw Luffy fight and his attacks. Boundman even has a Law commentary included lol. Those are mostly from Wano, because in Dressrosa they fight side by side or too far away from each other, so nothing to rediscover there.

Summarizing: he saw Luffy failing at least 9 times in battle, 3 times losing G4 and ending up immoblized, knocked out or fainted. He also attempted to save Luffy 3 times, and only one attempt failed. I mean, it kinda makes you stop wondering why Law worried over Luffy that much, right??

Since first impressions are important, this is Luffy from Law's pov in Sabaody:

Even if he wouldn't see the first scene, he would have heard the screams. And he was listening, because when they first talk, Law answers something that Luffy voices ;) "Admiral and battleships are coming", "they're already here".

I see that Luffy was trying to impress Law already in Sabaody haha. Also Law called him out on "bad finish" because Luffy turned into a child form. It was the very last time it happened, Luffy made sure of that and after post-timeskip he doesn't have this problem after a particularly strong gear attack... until we discover G4, that is, hahaha. Still enough of a proof that Luffy cared for Law's opinion there and got rid of one of his own weaknesses ;)

Damn, they were already staring at each other all the time in Sabaody. Curiosity from the first sight. Kid feels like such an extra standing between them smh.

Love Fate at first sight!

[spaceratprodigy]

Ooh palettes 🥰 Jasper and Faith in either Malabar squirrel or cherry pie?

@darkfire1177 — [ palette prompts ]

✨ The Unplanned Variables ✨

[givemewallywestorgivemedeath]

There are only so many fanfics that use the entirety of DC as cardboard cutouts to prop up bat family characters that I can read before I go berserk.

I swear to god. Every character that has ever been shipped with a bat or coexists on the same team as a bat is owed an apology.

How many Young Justice fanfics that solely revolve around Tim must exist? How many Titans fanfics centered only on Dick? Why is it a herculean task to find a Justice League fanfic without Bruce as the main character?

And then even when you do find a fic that seems like it's balanced, everything still revolves around the bat. Like Kon, Cassie and Bart have nothing else going on in their lives except Tim and Tim's issues or thinking about Tim. Like Donna and Wally and Roy just cannot function if they aren't spending every waking moment thinking about Dick.

I'm... Guys. I'm at my limit. I swear to god. We need to make a Batman tag and surgically remove all these fics and quarantine them there. We'll keep the actual DC fics and they can do whatever the fuck they want in their own tag. It's getting ridiculous how hard it is to find fanfic that's actually DC related and isn't just 'The BatFam Show'.

[teathattast]

tonight the stars are falling

and tonight i'm burning endless

tonight the sky exploded

we were right to come together

we are unstoppable

[wildsaltair]

not enough words in the English language to explain how much I need him right this second

[mariocki]

The Long Good Friday (1980)

"Alan found him dying. He'd been nailed to the floor."

"When was this, then?"

"Well, it must've been just after you saw him and just before Alan saw him. Otherwise, you'd have noticed, wouldn't you? I mean, a geezer nailed to the floor. A man of your education would definitely have spotted that, wouldn't he?"

[secriden]

Going legitimately insane because all my brain has been able to chew on has been this particular callback and what it means for the headspace that Fadel is in at the end of episode 6.

It's insane that Fadel even said that to Bison in the first place because the Fadel of episode 5 knew better than to believe it was possible for anyone to truly bare themselves to another person, knew better than to want to know and be known and chosen despite it all. To the Fadel of episode 5, "laying yourself bare" was an impossibility because of how much power it gives the other person, and Fadel's mind is too practical, his circumstances too complex, his heart too fragile to ever give that to anyone ever again.

But Fadel's walls began to crack in the face of Style's honesty and the shared pain of knowing what it is to loose someone precious; cracked under the weight of Style pressing kisses to his scar and laying Fadel bare to bring him pleasure; shattered in the face of Style giving himself over to loving Fadel for a whole night -- and Fadel woke up half underneath the spread of Style's body and found himself already in love.

And do you know how I know this? Because of all the things Fadel could have said he liked about Style, he chooses this. It's not that Style is effortlessly kind and thoughtlessly generous at times. It's not that Style is hot and sexy and frankly kind of a slut (specifically for Fadel). It's not even that Style has secret, hidden depths and an unexpectedly shared pain which allows him to understand and empathise with Fadel in a way that no one but Bison has been able to for a very long time.

No, it's his cockiness. His arrogance. The way Style is unabashedly himself and makes no apologies for it. The way Style will literally dance to his own tune and sing at the top of his lungs with no care for anyone else's opinion unless it's to appreciate it. The way Style walks into the room and has the confidence to put his body on display and already know that he will be welcomed and wanted -- and this confidence meant that he assumed Fadel would find him attractive, and would not stop until Fadel eventually gave in to that attraction.

It's telling that it's these specific instances that come to mind when Fadel thinks about Style's lips. There are so many scenes and shots they could have chosen (because lbr here Dunk, and therefore Style, really does have amazing lips), so it feels very intentional that Fadel thinks firstly of the time Style refused to back off when Fadel pretended not to miss him, and then the moment when Fadel finally admitted that he did and was rewarded with Style's reassurance and reciprocated vulnerability and wholehearted embrace. Also, because this was the last episode that Style did not Know, and therefore was still being fully honest with Fadel. Both instances are Fadel appreciating in hindsight the way Style's very nature -- the way he would not give up, the way he keeps pushing and pushing even in the face of Fadel's seeming impassivity -- gives Fadel not only the opportunity but the impetus to finally let go of his control and acknowledge his feelings for Style.

It's explicit confirmation that Fadel enjoys and appreciates and has grown to love Style's personality and antics and the way he expresses himself.

So the Fadel in episode 6 dares to ask for Style's honesty and gives with it an explicit promise of trust and acceptance in return. After recognising the effort Style has had to put in to find ways to connect with Fadel (heavy metal vs pop rock), he now asks for Style to be real with him because Fadel understands himself to be ready to love, and in loving Style, is able to offer the very thing he wants the most from Style: "acceptance of who he really is".

We also see the evidence of Fadel's unspoken promise in the way that he now responds with an almost easy openness to Style's questions in stark contrast to the Fadel in the early part of the show. If he wants Style to accept him, he can't continue keeping all his secrets. So now, he gives Style pieces of himself with barely a thought, and lets Style use them to push and prod and drag to light the very things he used to keep hidden because he thought they weren't useful or helpful or worthy of being loved (see @sherrymagic's gorgeous gifset + my tags on it).

It's also in the way he now allows Style to take him outside of his comfort zone because he trusts that the private joys he's kept to himself are safe in Style's hands; that, moreover, Style will look to Fadel's happiness and not make a mockery of it.

I'm obsessed with the moment in the screenshot on the bottom right because Fadel looks so completely out of his element and almost in a state of shock. He's literally standing separated from the rest of the group in the composition of the shot, hesitation writ in every line of his body, while Style, who isn't even a fan of this band or this music, fits in with the band seamlessly.

But this hesitation isn't because of discomfort, it's nervousness and an almost joyous disbelief because Fadel could never have done this on his own, he would never have allowed himself the indulgence of actually showing his love for his favourite band if Style hadn't taken the initiative to drag him there and ask for the photo. And, oh, how wonderful it must have felt to see Style prove his own words by being right there by Fadel's side as he lets himself go, as he lets himself be himself without fear, for the first time in what must have felt like forever.

In a single, perfect night, Style has been exactly, precisely, breathtakingly everything Fadel could ever have wanted; because in a single night of Fadel finally having the courage to bare himself to another person, Style gave Fadel not only acceptance but a celebration of who Fadel is. With everything Style does that night, he ties himself to Fadel; he ties his happiness to Fadel's and his comfort to the warmth of Fadel's embrace. Style fashioned himself into exactly what Fadel wanted -- and now that Fadel has had a taste of it, how can he possibly go back?

Which is why Fadel already knows that it's too late for him, he knows that he is already in love; knows, moreover, that he has rewritten parts of himself to seek out and miss and yearn for Style; has even learned to love Style the way he understands Style wants to be loved.

So Fadel might as well keep the promise he made to Style with his lips pressed shut against the lies he didn't want to keep telling Style. He might as well give Style more days and nights and chances to spin his lies, because at least Fadel has the meager comfort of knowing he spoke the truth.

Because if Style wants to keep playing this game, if Style is able to so be so convincingly deceptive that Fadel can no longer trust himself to tell when Style is lying, then Fadel will take the punishment of choosing honesty in the face of his betrayal. Fadel will fashion himself into a heartless tool and allow himself the indulgence of playing this tantalising part -- because he may just find a way to save Bison in the process.

And to Fadel, it does not matter if his own heart gets broken along the way, because Fadel deserves the punishment of laying himself bare to the man who does not love him in return; he deserves to give Style the power of knowing the hold he has over Fadel.

But doing so is a punishment for Style, too, because if Fadel must love, then he is going to weaponise his own feelings in the fight he now thinks he has to wage against Style. Because two can play this game of cruelty, and Fadel does not care if this sword is double edged because cutting himself to pieces is a small price to pay if it means dragging Style along with him into hell.

After all, what's another crack when his whole entire world has already been so utterly and completely shattered?

[crowroboros]

One thing I especially love about Tears of the Kingdom is the focus on the leadup to each of the Temples as being a major component to the Zelda dungeon experience. There's an added emphasis on getting to the dungeon that the other games don't have to the same degree, with some notable exceptions.

The Rising Island Chain and the subsequent dive into the eye of the cyclone for The Stormwind Ark and the Ring Ruins, Zonai Ruins, and Dragonhead Isles exploration and investigation for the Construct Factory/Spirit Temple especially stuck with me, and I am very glad that Echoes of Wisdom has been keeping up that trend.

[romance-rambles]

how is xavier both old man and baby girl coded at the same time

[lovecolibri]

Oh I am *cackling* at the producers trying to claim the show was driven by Loki and Sylvie's relationship when she refused to lift a finger to help multiple times (while platonic bestie Mobius was living out romcom moments by the dozen with Loki), and honestly they could have not had her in the season at all and barely anything would change. Like, I don't like that ship but it's still SO deeply disrespectful to give them NOTHING on screen all season while giving all the cute classically shippy moments to Lokius, and then come out after and claim it was some grand, sweeping romance and also there was nothing intentional about giving all the shippy stuff to Lokius. 🙄🙄🙄🙄🙄

Also, as I said in some tags, the "we can't get into Loki's head" like is just....peek absurdity. My brother in Christ, YOU'RE the writers! This character has been in the MCU for like, 14 years, played by Hiddleston who is *obsessed* with Loki. Getting into Loki's head should have been a cake walk! And even if it wasn't, IT'S LITERALLY YOUR JOB TO GET IN THE CHARACTER'S HEAD. Maybe this is why shows are so shitty? Instead of letting the characters drive the plot by getting into their heads and making choices from that perspective, showrunners instead twist the characters into a storyline.

ANYWAY.