#i'm having thoughts on his character

[devouredbysnails]

hannibal has some pretty shit taste in art though. primavera? you mean to tell me he dedicated countless hours of work to recreate that wack ass guy with puffed up cheeks like a blowfish? swan upon leda? the bird rape? not to mention: the antlers and tusks and horns? at this point just verbally admit to everyone who enters your home that you want to fuck.

i know he's literally a serial killer but what is wrong with him?

[egophiliac]

WAIT when did he get FANGS

[thevioletcaptain]

y'know, the different factions of spn fandom on tumblr do fundamentally and vehemently disagree with each other about a lot of things, and many of the factions actively hate one another, but i just want to say for the record that i appreciate the fact that this site is not overrun with painfully hetero facebook fans. i just saw someone over there saying with their whole chest that they fully expected the finale to have dean meeting jo harvelle in heaven and them getting afterlife married, and someone else angrily responded that this was obviously never going to happen because clearly dean was still in love with lisa braeden who would therefore be his finale bride (i guess this person expected her to die in the finale somehow?), and then someone ELSE responded that they wouldn't want to see either of those things happen because they like to pretend dean is their boyfriend and it would feel like cheating(!!!!) if he ended up with one of them and they'd never be able to fantasize about him anymore. and all of these comments had over a dozen people agreeing with them.

[bungobble-my-balls]

OK correct me if I'm wrong, but I feel like the main 'yin/yang' parallel with Atsushi and Akutagawa is not something like 'this one is bad but secretly has a good side and this one is good but secretly has a bad side'.

I feel like it's more about 'who they are at their core vs who they choose to be'.

At his core Akutagawa is kind and at his core Atsushi is not. But despite this Atsushi tries every day to make the kinder choices and I love him so much for it. He has to work so hard to be good.

He wants to be a bitch SO bad I know he does but he tries his best to help people and be nice (sometimes he fails but that's OK <3)

Atsushi doesn't always WANT to help people, a lot of the time he's selfish and scared, but he does help people anyway. He keeps helping people over and over again. There's still some selfish motivation to it, and his initial motivation for helping people was because the headmaster told him that's all he was worth, but overall he does care about the people he helps and it weighs on him if he fails to save them. And of course, as the series goes on he starts helping people more because he can rather than because he feels like he needs to.

In Akutagawa's case, he's still capable of being kind but his environment led him into being someone who chooses to hurt people. But he's always been a protector at heart. In the start he was bad compared to Atsushi because he was choosing to hurt people and keep the cycle of abuse going. Just like how Atsushi developed in why he saved people, Akutagawa starts to get redeemed when he chooses to not just act on his rage. Not only does he start to spare people, but he speaks more kindly to them (apologising to Higuchi and telling Kyouka he's proud of her). It all culminates into the moment he chooses to help Atsushi and sacrifice himself for him, going back to his core value of being a protector. Even when he's finally revived, he keeps this role in his new position as Aya's Knight.

I kind of see the streaks of white in Akutagawa and the streaks of black in Atsushi not as their 'hidden sides' but as their fundamental selfs. That's who they are at their core, and their main colours (black for Akutagawa and white for Atsushi) are how they're presented to everyone else and how they try to have people see them as.

[starmocha]

Love and Deepspace + Tumblr Text Post ↳ Sylus: No Defense Zone

[almondcroissantsandink]

i feel the need--the need for speed!

[dol--blathanna]

I have mixed feelings about Zerxus in season 3 of TLOVM, but I’ve gotta say hearing him give a Totally Unbiased Account of EXU: Calamity with Definitely No Omissions Whatsoever was kind of funny. Like “ooh I thought I could count on my friends….they condemned our civilisation….” Ok Zerxus. Buddy. Last time I checked, Nydas was actually the only one trying to stop Laerryn from blighting the tree. You sat there like a chump and did not help whatsoever. And uh. “They condemned our civilisation with their hubris” ummm pal I think you’re missing an important detail there. Like yes the point of EXU: Calamity is that everyone played a role in the disaster, everyone was responsible in some ways for that ship crashing into the iceberg, but uh. Zerxus I think some people were maybe a little more responsible than others. Like, for example, the certain someone who pulled the Lord of the Hells into Exandria. I think that individual’s hubris is maaaaaybe a little bit more important than some of the other hubris on the table here.

And like, this isn’t me bashing the writing, I think it is in-character for TLOVM!Zerxus to say this, since he’s been a jaded miserable devil for a thousand years. But omg when he had the CHEEK to be like “in the chaos I found myself face-to-face with the Lord of Torment himself” like EXCUSE ME??? Buddy you just happened to “find yourself” face-to-face with Asmodeus huh??? Just coincidentally, on accident??? You were just taking a stroll around Avalir and he ran into you without warning??

Zerxus. Please. Be serious for a moment. Would you like to explain to Pike the exact circumstances of HOW you found yourself face-to-face with Asmodeus, hmmmmm? A certain “pulling Asmodeus through the tree and unleashing him upon the world” situation?

Like, I know it was meant to be a serious moment with lots of Calamity-related hype but like, it was really giving “Girl what were YOU doing at the devil’s sacrament” energy. In the most literal way possible

[omaano]

"What a strange pair. A Mandalorian and a Force-sensitive youngling, hmm... Who is in need of a master to guide him and help him to come into his full power, yes?"

Any time Maul comes across a Force-sensitive youngster: "Is anyone going to claim this apprentice as his own or do I have to do everything around here?" and doesn't wait for an answer. (Grogu is safe tucked away in Din's satchel, don't worry)

Din accidentally turns up with Obi-wan's keepsake in his pocket once, and Maul doesn't only fly into an episode of blind rage and super melodramatic monologuing, but he also gives him a boon that is nothing but trouble and chaos of epic proportions.

Bonus background detail/close up, because while I didn't redraw the full thing, I'm quite proud of my modifications:

More of the Star Wars meets Hades AU (I’m trying to give monthly updates on my progress with it)

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition

[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]

[couch-house]

playing with stc + exit shadow and rouge some more. i hit shadow with the girl beam last month and forgot to tell you. oops!

[queerfables]

My two cents on Aziraphale's "I forgive you" is that he was straightforwardly lashing out. He knows how little Crowley wants to be forgiven. He knows because Crowley just told him. Crowley rejects forgiveness so absolutely that he rejects Aziraphale right along with it. It's the whole fight in a microcosm: Aziraphale standing there offering forgiveness and Crowley saying, I don't want it.

So maybe the words are Aziraphale showing he finally understands Crowley. He knows now that "I forgive you" is the very worst thing he could say to Crowley. That's why he says it. That's how he means it.

[katabay]

THE JETSET LIFE IS GONNA KILL YOU, ERIC CARTER!

my laptop charger uhhhhhh. met its end in a very permanent, very fire hazardy kind of way last week. while waiting for a replacement I decided to try and get some work done at the library and was asking around for some urban fantasy (extra points for a mystery plot of some kind) recommendations to check out while I was there

the eric carter series was mentioned a couple of times, AND had the added bonus of having a necromancer for a main character. I love necromancers. someday I'm gonna play one in a game instead of immediately defaulting to vampires.

Fire Season, Stephen Blackmoore

[egophiliac]

queen of diamonds, upright + reversed 💎

I've redone this like eighty times, I have to just be done with it now and stop staring at all my mistakes oh no 🫠

[fictionadventurer]

Maybe Jane Austen's real genius was that, unlike other authors at the time, she didn't have long sections where characters share their backstory. Or rather, when she did it, she set it up like a mystery so we'd want to know the backstory.

Instead of having a character be like, "Here's three chapters about my life," soon after showing up in the novel, she'd sprinkle little clues through the story that make us wonder, "What's Colonel Brandon's deal?" and then closer to the end of the story, Colonel Brandon would tell us what his deal was. We'd wonder "Why does Mr. Darcy do all those horrible things?" and then he'd give an explanation that includes a lot of backstory.

And these infodumps always come in response to significant moments of the story. She'd engage our minds and our emotions and then give us the infodump at a point when we care about the information it contains. Compared to some other authors (even some that came long after) it seems like a significant innovation.

[canisalbus]

So i remember an ask mentioning your mortal enemy, Felis Atra and their cats, and i thought it'd be fun to draw what Felis Atra's version of your italian dogs would be.

I think they would be called Butter Knife and Flamengo! Butter Knife is not his real name, it's an nickname given by his peers because of how harmless he is. I choose Flamengo because that's the name of Vasco's rival football team here in Brazil, so i thought that was the perfect name :)

Cat Machete was slightly inspired by the Oriental Shorthair cat because of their long noses and thin head shape.

Cat Vasco was inspired by the Scottish Fold cat, because FLOPPY EARS. I gave Flamengo longer ears and orange fur to make him more like his look-alike.

The last doodle is a reference to this ask (https://canisalbus.tumblr.com/post/728923918314946560/me-i-am-machete-ear-fan-number-1-those-ears) and contains the tumblr ask stand-in dog, whose cat version was inspired by the American Curl cat! They have round ears that are slightly floppy outwards.

Final notes: I know cardinal clothes don't come in vibrant blue, but i was ADAMANT on switching Machete's and Vasco's clothing color patterns. I would draw the rest of Butter Knife's and Flamengo's clothes, but i suck at designing cool outfits.

Speaking of outfits, for Machete's iconic void outfit, i figured it would be fun to make it more baggy for Butter Knife, in contrast to Machete's, that looks very tight-fitted. I think it's cute, it kinda looks like a sweater. Also i can't imagine a Machete doppelganger without high heels boots, so those HAD to stay.

Oh, and just to be clear, i'm not like, claiming ownership of these guys or anything. I just thought it would be a fun exercise. Hope you like them!! I love your art and your characters.

.

[stardustedknuckles]

It's looking like there's a growing divide between Campaign watchers and Tlovm watchers in terms of like. We're here for the characters. 12-episode seasons aren't. They can't be. I'm already making peace with everything we'll lose in the Mighty Nein show, and I know I will enjoy it for what it is but I also know that almost nothing that made the story so special will translate to the screen, because turning it into a show automatically means (in this day and age) that plot must be the number one priority. They've already come out and told us it's going to be different, the characters we know and love but new stories.

Because that's how this has to work. And I feel bad for campaign one lovers, because while it is certainly the easier of the two to translate to a big, overarching story, even though it's a more "traditional" high fantasy story with easier archetypal characters, the archetypes and the plot aren't what cemented most people's love for the campaign. So much of the love for critical role is stored in the interpersonal dynamics and the payoff that comes from hundreds of hours of tiny interactions that one day become cornerstones of development and even affect or dictate the plot.

There's no room for that. There's no room for Bard's Lament in a story that cannot afford to remove and replace a main character. A lot of tlovm is for people who have been here for all of campaign one. Most of it, however, isn't. It's for a new crowd. While CR may have creative control, you can bet your ass that there were months and years devoted to figuring out how to map a character-focused love of the show into a plot that hits the right beats to be viable in the show market.

And it worked. Tlovm has consistently high viewing numbers, and its popularity has brought and will continue to bring new people into the universe who have never interacted with CR previously. That's not a bad thing - imagine finishing your favorite show and discovering it has another FIVE HUNDRED HOURS of the equivalent of behind the scenes content. That's incredible for these newcomers. But man, it is in many ways a loss for us.