#i'm going to make some weird shit

[474lyse]

The dream 1/2

What if Lil Petey, as a Petey's clone, can connect with Petey's feelings that Petey once could have felt. I thought it would be an interesting concept.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[a-scary-lack-of-common-sense]

Doodle dump because I have too many thoughts about them </3

Stupid shenanigans during their college era referencing this. Harold used to have a stupid moustache and goatee in that “I just started growing facial hair and idk what to do with it” kind of style.

Giving Melvin friends but also making him the shortest and the angriest out of the gang. He is friends with George and Harold and he hates it so much, he is entrenched in denial about it. His only two besties are each fathers of two and very much married, OF COURSE he's going to be mom/dad-friended to death.

They are judging you.

[hivemindscape]

im a big fan of esper powers slipping loose in harmless ways when they're happy

[lord-squiggletits]

The other day I saw something that actually made the fandom's complete lack of acknowledgement towards Megatron grooming/brainwashing Tarn make a lot of sense, which was essentially a comment that implied something along the lines of 'Tarn made himself worse.'

Which like, I guess makes sense as a justification? If you just write off Dying of the Light and Tarn's entire existence as him just "choosing" to be "worse" I guess it's easy to just blame Tarn and coddle Megatron as the victim of the whole thing.

As opposed to the actual truth of canon which is that Tarn was not always Tarn, Tarn used to be Damus, Damus was nothing like Tarn at all, and it was Megatron's direct, malicious, targeted intervention that took Damus (normal guy) and made him into Tarn (zealot freak). And that the DJD wasn't Tarn's creation, it was Megatron's creation, because Megatron not only wrote the DJD rulebook but also directly trained them (at least the initial members of the DJD, including Tarn) to be brutal, sadistic killers. And that Tarn's mental breakdown in Dying of the Light and subsequent deathhunt on Megatron was just Tarn continuing to fulfill the role Megatron assigned to him, which was to hunt down traitors to the Decepticon cause and make them pay in pain and death. In other words, that Tarn was literally carrying out the exact purpose that Megatron groomed him for, in service to the ideology that Megatron shaped to be centered entirely around ruthlessness, cruelty, and subjugation. And that everything Tarn did as an evil person was merely a logical extension of the ideology Megatron brainwashed him into carrying out, not him randomly deciding to "make himself worse" one day bc he was angy at his daddy.

But sure. I guess, from a certain, very zoomed in and granular perspective, Tarn is evil because he just chose to be that way and no one could've possibly predicted him turning on his master who reshaped his entire life to serve his will and then abandoned him. It's not like Megatron radicalized him for no reason and then built him to be a ticking time bomb or anything. No, Tarn just... decided to make himself worse. One day, for no reason at all. Mmmkay.

[novelconcepts]

It really frees up so much mental real estate when you start thinking of sex as just: a thing people sometimes do. Some people are super into it! Some aren't! It's for fun! It's for intimacy! It's the deepest connection some people will ever feel and totally meaningless to others! It's hot! It's boring! It helps some people sleep! It exists as an exciting construct solely in fantasy for others! What it isn't is some complicated moral ground that needs to be fought against at every turn. It's just A Thing. Which means people who have a lot of it, or none of it, or whatever in between are all worth the same. Which means stories that have a lot of it, or none of it, or whatever in between are worth the same, too. Smut isn't less valuable than "clean" stories. People who have a high "body count" aren't less valuable than those who have never had sex at all. It's just A Thing. Making peace with sex as just A Thing that is natural to consentingly have or not have, want or not want, really is a great adjustment to your brainspace.

[thepoisonroom]

honestly continually taken aback at how squeamish citizens get if you're honest about the practical calculus of immigrating, even the ones who think of themselves as pro-immigration! like why are you suddenly stumping for The Good Immigrant archetype bc i promise the immigration bureau is NOT going to fuck you!!!

[lunarharp]

if i just told you i love you would this world change

[harellan]

while messing around with a bunch of clothes I downloaded I decided I'm going to do the unthinkable: I'm giving him a new first name

[beepboopimaproblemchild]

Constantly writing a Jason who isn't as mischaracterized as in the comics (2006-2011 for instance) is exhausting. Trying to make him have a believable personality is exhausting, like how emotional is he? How much does he love his previous family? Should he reconcile with Bruce? Whats his relationship with Dick like in this characterization? How do I stick to a canon that doesn't even portray Jason in a stable way? Like girl please.

Getting so fed up I might just make Jason a full on bitch again. Really cleanse the tl with a Jason that does not give a shit. It'd be so much easier fr 😩

[littlespidermonkey]

I think in the universe where the Cullens aren't in Forks, Bella Swan takes a while to come out of her shell, but when she does, she's witty and passionate and smart as a whip, even if she's still quiet and reserved. She sits with Jessica Stanley, who demands the best of everyone, and tells her friends about her boyfriend down on the rez, who is sweet and caring and funny and good with his hands, who works for everything he's ever had.

After class, during a sleepover, Bella whispers to tell Angie and Jess about the night after prom, even though her father, loving and careless, worries about her only a normal amount and loves Jacob Black like his own. When she gets into Dartmouth--all by herself, through study sessions in garages and with Jessica and in Angela's house--she chooses to go to Stanford instead. She misses the heat and light on her skin, even after falling in love with the rain. Jessica comes with her; Angela and Eric go to U of Washington in Seattle instead, for education and journalism respectively.

Bella makes sure to call every week and then one day she drives down to Seattle and her boyfriend, warm like the sun she loves and at least twice as reliable, becomes her fiancé. The ring isn't especially big or ornate or pricey, but the way she smiles could trick anyone into thinking that it was. All of her friends, new and old, are waiting at the small party afterwards, and Bella laughs the entire time. The engagement cake--chocolate, her favourite--is sweet and moist against her tongue.

She moves back to Forks once she gets her masters in information sciences and becomes the town's librarian. She gets married a month before the move, barefoot in the surf and her old prom dress, both her parents weeping with joy and Billy Black beaming damn near as bright as his son, Sue Clearwater holding his hand.

She raises her kids --both beautiful children, blessed with Jake's thick, long hair--with Angela and Eric's and takes them down to Los Angeles to visit their auntie Jess and her husband Quil, who lavishes them with gifts from her career as a top surgeon. She jokes about having to support Quil's career as an environmental lawyer and displays each and every one of his wins alongside her diplomas. When William Black II decides he wants to be a doctor too, she writes him a shining letter of recommendation to her alma mater. Sarah, who has always been the spitting image of her father, joins and eventually takes over Jacob's mechanic shop.

On occasion, Bella fights with Jacob, even though he's the love of her life. Despite this, she is never afraid of him, and he never stops her from doing what she wants. Instead, he goes out and works on his cars and comes back in an hour later with slightly greasy hands and a bouquet of flowers from Emily Young's little garden, planted to celebrate her cousin Leah Uley's wedding. Bella makes him muffins, recipe courtesy of Sue and missing bites courtesy of Seth, Colin, Sarah, Will, and Claire, with raspberries, not blueberries, just how Jake likes them. They make up, and they make changes, and they go on.

Eventually, both slower and quicker than she realizes, Bella gets old. She lives in fear of losing herself, of losing her husband and her children, like her grandmother had. But she remembers her grandkids to the very end, even gets to meet her first great-grandchild a week before it happens. Her heart gives out before her brain does, too weak and too slow.

It was too full of love, the letter from Jacob says. Sarah reads it. Her father passed a day after his wife--simply too heartbroken to live without her. Much of the town of Forks and hordes of family attend their funeral, remembering a life well lived.

It is an unremarkable life, in the grand scheme of things. She does not live to be a thousand; she is no great beast, with speed like the wind and strength; she does not discover her powers or lead a great defiance. Bella Black, happy and human and surrounded by love, could never imagine wanting anything else.

[queer-omens-in-the-archives]

Please excuse the smudginess we used tracing paper for detailed drawing, because no way we were going to risk putting an eraser to the only copy of our sketch when it contains FOUR people at once and just figuring out the anatomy took us an hour.

Also took the liberty of inserting ourselves in there because again. FOUR people, when there's only three blorbos we wanna draw, so... why ever not at this stage? We're hanging out with the blorbos now. We've earned it

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[itsmistyeyedbi]

I've finally got the time and energy to carry on with the rewrite and I am... stuck.

I've reached the part where I need to make the kiss obvious now, Zuri can't skirt around it anymore. Not in her own head, at least💀

The problem is, the body language that Zuri and Bobby exhibit is important to the dialogue they exchange and the kiss (especially since I'm writing around the "unwanted kiss" version in the books, I'll go into detail about that a bit in the tags) but a full on flashback isn't going to work with the way I've already written this.

So... do I just keep the dialogue and leave the details out and up to imagination? Or do I keep them by having the memory be in italics and split up between her current thoughts + anything else happening around her?

[m0ggers]

One Oni-Chan to rule them all and in the darkness bind them

the Kusōzu brothers because I have no fucking chill:

Choso: Walking Anxiety. Blood Manipulation. Eso: The Rizzler. Blood/Explosions. Kechizu: Golden Retriever. Hemophilia. Noranso: The Eeyore. Purification. Seioso: The Artist. Sensory Destruction. Lanso: Nature Nut. Freaky Shikigami. Sanso: Envelope Pusher. Dismemberment (you and him). Kosso: The Chill Friendly One. Bone Weapons. Shoso: The Gentle One. Disintegration.

(eso and kechizu got new faces bc 1. they died but came back so i wanted to nod to that 2. i'd like to have more than what amounts to 1.5 eps of content accessible to me if i ever want to do more edits 3. part of the "why does only choso get to be hot??? [sexualizes your otoutous]" bit)

[andiv3r]

Having to block everyone who has "wincest dni" in their bio not because I ship wincest (because I have come to the conclusion that I actually don't) but because I do think it'd be fun to poke around at the very real weirdness of their relationship that I've noticed in the show so far. And I'm 99% sure that my poking around will get seen as shipping.