#i'm already so excited for s2

[silveraura]

I just finished watching Sword AF and I love how these things inspire me so much to be creative. The downside is that i have exams rn and don't have time for my hobbies for another week.

Guess I'll just sit here with buzzing energy and stars in my eyes and write a report instead ;-;

[areyoudoingthis]

s1 was pinocchio s2 is the little mermaid I'm so excited to see which fairy tale they pick for s3

[hawkinslibrary]

[mobblespsycho100]

🍳 go for it me

thanks me.

anyway, I think people who love Kabru/care abt him/enjoy his character should also care about Kabru's party. Think abt his relationships with Kuro, Mickbell, Holm, Daya, Rin (especially Rin. lol) and like as a leader of the group. like if you stan Kabru but dont gaf abt his party dynamics ... I think. you should uhm... care <3 at least a lil bit <3 (a lot of supplementary material is in world guide or like daydream hour comic extras but like . i think . they're required reading for dunmeshi fans anyway)

theres sooo much more to Kabru that anime-onlys havent seen yet (NOT SAYING THIS IN A CONDESCENDING WAY JUST. like its factual. anyway read the manga).. hes like the sea (not fully explored yet) and I know so many of the kabru of utaya™ enjoyers know. like they know him ( so many good kabru analysis ive seen... so many understanders... ) anyway shoutout to the ppl whos been drawing Kabru and his mom I think they're so cool. Kabru nation rise ...

[altruistic-meme]

ive successfully gotten most of my family to watch good omens (s1), including everyone who I thought i COULD convince and 1 who i DIDN'T

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[theghostofashton]

this new podcast is so fascinating

[twilightcitysky]

Everything Is Meant (long S2 analysis, part 2)

Part one here

Okay, so that's how I think the pre-creation scene and Gabriel's arc connect to Aziraphale's choice. I also think the ineffable bureaucracy speedrun exists to prove totally different things to Aziraphale and Crowley: Aziraphale loves that they can love each other but notes they have to run away to be together; Crowley sees this and immediately thinks "hey, we can do that too!", forgetting that running away is not a solution Aziraphale has ever been interested in. It's the mentality of an individualist vs a group-oriented mind, and neither of them is necessarily wrong, it's just that their priorities are different and they HAVE TO TALK ABOUT IT, which they don't.

Continued analysis under the cut:

3. Let's take the Job minisode. Why include it? We already mentioned that it proves Aziraphale remembers Crowley as an angel, since he mentions it. And he believes Crowley is the same person he always was, and that he doesn't want to harm Job's crops or animals or children. Crowley tries to convince him he's a Big Bad Demon who is all in on this assignment, but fails utterly to kill even a single goat, soooo... Aziraphale comes to the conclusion that he knows what Crowley wants. Alert! Alert! This is a big problem! Crowley says, "What do you know about what I want?" Aziraphale: "I know you." Crowley: "You do not know me." But because Aziraphale got it right this time, he goes ahead assuming he'll always get it right, which is a crucial failure when it comes to the final reckoning. He doesn't ever ASK Crowley what he wants, he just assumes. When you assume you know what someone wants, you usually assume their priorities align with yours... he couldn't be more wrong about that. The Job minisode sets up this dynamic for them, and they never really manage to change it.

The other thing happens at the end of the minisode. Crowley acknowledges two crucial points: 1) he's lonely ("But you said it wasn't!" "I'm a demon. I lied"), 2) he doesn't think Aziraphale would like Hell. Aziraphale DOESN'T like Hell. Aziraphale hates Hell for what they've done to Crowley. He doesn't see Heaven as innocent or benign, but importantly, Heaven has never tried to hurt Crowley directly. They never threatened his safety. They never tortured him (as it's heavily implied that Hell did). Fast forward to the last ten mins of season 2: Aziraphale excited to tell Crowley that he can be an angel again BECAUSE: he never has to go back to Hell. They can never hurt him again, not the way they did before. And he doesn't have to be lonely anymore.

Last point before I leave Job: Crowley has the chance to cause Aziraphale to Fall, here, probably. ("I lied to Heaven to thwart the will of God!" "You did, but I'm not going to tell anybody. Are you? ...good, then nothing has to change.") He doesn't take it. He doesn't want Aziraphale to be a demon. He loves Aziraphale as he is. "Angel" as an affectionate. Aziraphale certainly doesn't use "demon" as a pet name for Crowley. I think they set up this scene to contrast the final one, and show how deeply hurt Crowley is that Aziraphale suggest he change.

4. Moving on to Victorian Scotland. This one confused me at first. I was delighted that they brought back the "the lower you start the more opportunity you have to rise" dialogue from the book, but apart from that I didn't really see the point of it. It seems like the statue of Gabriel and the fact that he and Beelz ended up at that pub in the present were more or less coincidental.

The point, I think, is actually not the girl, but the doctor. He's a person who is trying to do good by working in a system that's deeply flawed, and engaging in questionable moral practices for the greater good. (Cadaver dissection is still an essential part of medical school. You need dead bodies to understand living ones.) He shows Aziraphale a tumor he removed from a child who died, and Aziraphale clutches it to his chest. The camera zooms in and lingers to tell us that this is a guardian through and through. He wants to protect people. He wants to do good with every fiber of his being.

To Crowley, it's enough to just "be an us" with Aziraphale. He doesn't really want anything more than that. That's an issue! For one thing, it fosters unhealthy codependency, and for another, Aziraphale would never be happy without the opportunity to help and protect people. It's an essential part of who he is. Metatron knows that, and he plays Aziraphale like a fiddle. The doctor showed Aziraphale that you can make a difference even in systems that are flawed, and even if you have to do things you'd rather not do. Aziraphale doesn't want to go back to Heaven, but he truly thinks he can change things; thinks he can be a guardian with some real power. In his mind, that's the right thing to do.

Last thing that happens in Scotland: Crowley saves a soul from Hell, arguably, by preventing a suicide. He gets in Big Trouble. Whatever happened to him downstairs resulted in him coming back up, leaning on a cane, and asking Aziraphale to give him holy water. Go back and watch that scene knowing what we know now about the Victorian minisode. Ask yourself how Aziraphale must have felt. He likely blamed himself for what happened, because if he hadn't meddled then they never would have been there in the first place. He knew where Crowley was, and why he was there, and he had to sit with that knowledge for years. He desperately wants Crowley to be safe; is perfectly willing to push him away to keep him safe-- which is what he does do, the minute Crowley gets back.

Now think again about what Metatron offered him. A chance to keep Crowley safe forever. He'd never be harmed again. Aziraphale is going to take that offer, no matter what else is asked of him. He's shown over and over again that he'll sacrifice his own happiness to make sure nothing happens to Crowley. And he'll do it without talking to Crowley about it first, because he is a moron who doesn't know how to use his words. Leading Crowley to assume that Aziraphale doesn't love him. The idiot angel is doing it all out of love, but because he doesn't make himself clear Crowley doesn't know that.

Part 3: Maggie and Nina, and their roles as mirror couple/ Greek chorus!

[sunday-fr]

OK, so I know it's been a long time since I last posted... and yesterday I've been doing everything except what I'm supposed to continue.

So here you got me, excited after Arcane s2 trailer, and the sons of @itsxroxannex Ash and Silver!

(I'm sorry already you'll get tagged in three different places <x3)

[pumpkin-cake]

hi this request isn’t for S4 i hope that’s ok!

but takes place in s2 where five strands everyone?

his spouse gets stranded a year and a bit before he gets there

and they made a career for themselves as a singer? maybe they have some sort of siren power or they are just naturally talented !?

but he finds them on a billboard or something that says where they will be performing next and they have a reunion where the reader has a love hate reaction to seeing him?!

sorry if this is a lot!!!

totally okay! i like all the other seasons better than 4 anyway lmao- this is actually an idea i have for my upcoming reboot of a five story i'd written, so i'm excited to sort of test it out! this turned out a bit more fem reader coded, but no she/her pronouns are used last i checked.

also my swiftie is coming out for this story, sorry to all you non-swifties ;-;

divider credited to @cafekitsune (lmk if you'd like me to remove it or anything of the sort!)

warnings: taylor swift (i love her actually but some people don't so)

The last thing you remembered was holding hands tightly with Five, and then he was ripped from your grasp, and you were falling ass first into an alleyway. Where did he go? Where were the others?

"Five..?!" You cried, hurrying out of the alleyway and bumping into somebody, who glared at you and walked off. You looked around and spotted a newspaper box, and you were over there before you could think. Your eyes scanned the paper. Year, year, what year was it?!

1960.

The sixties?! What the fuck?! All you could do was drop the newspaper to the floor, collapsing against the building wall beside you. You were the only one there. Some of your found-family wasn't even here yet, you'd imagine. There had to be some kind of time frame. You felt bad for whoever was put the farthest. Were you put the furthest in the past? What if you were super old by the time you found everyone again?! Well, you are already old, but what if you looked like it?!

All you could do was wait. You knew Five, he'd stop at nothing to save you and his family.

Unfortunately, there wasn't exactly anywhere to go. You looked pretty young and had no identification. You were wearing strange clothes, you didn't fit in. This felt like the apocalypse in a way, loads better obviously, but being alone? The worst feeling.

You had to stealth around, stealing and pilfering where you could. Sitting in alleys in the rain, starving. That was until you were dumpster diving behind some sort of bar. The heavy door creaked open and you froze inside the green box.

"Them damn raccoons again." A heavy southern accent was muffled to you, but you could tell it was a woman. You heard heels clicking on the ground and the dumpster opened and a broom whacked you in the head.

"Ouch!!!"

"Oh my heavens, yer a person!!!" The woman exclaimed, dropping the broom with a clatter. She reached over and helped you out of the trash, her nose crinkling. The woman was wearing a scantily clad flapper dress, a cute headpiece adorning her blonde hair. "What're ya doin' inside the trash, sweetie?" She asked with worry, brushing some garbage off you like it was nothing.

"Uh...I'm so sorry, I can go." You apologized, ready to get out before she called the cops like everyone else.

"Oh no, baby, no. Here, you come in, we'll getcha somethin' to eat." She assured you, ushering you inside. Some other women (and some men) that were dressed similarly didn't seem to mind. "Most of us here, came from poor too, we'll take ya in." She smiled, taking you to the back and providing you with a meal.

"Thank you...." You said, completely shocked at her kindess.

"Oh! Right, my name's Jess, nice to meetcha." She cooed politely, and you gave her your name through bites of food, making her giggle. "Tell me, sweetie, can ya sing? Dance? Anything of the sort?"

You paused. A golden opportunity was just presented to you. 1960. Some of your favorite artists haven't even been born yet. Not to mention your power dealt with your voice, similar to Allison's. You were frequently named The Siren in Umbrella Academy material. And, you didn't have any stigma to using it like Allison did.

"I write songs." You blurted, and a wide smile came across her face.

"Do ya?! Oh, you'll have to show Bruce then. He's the owner of the place." She hummed, and soon you were cleaned up and sitting in a private room on a nice sofa with a guitar in front of a sleazy looking man who looked like he'd run some kind of club with sexy women around to exploit.

"Alright, sweetheart. Show me whatcha got." He said, a fat cigar between his greasy looking fingers.

You took a deep breath. "Um...so...this song is called...." Shit, you had to think. You didn't have much time to come up with the song to sing. You had to pick a song that was popular in the modern era, maybe it would be good here too? But maybe you should stick to country. You were in Dallas, Texas after all. Not to mention you'd need to change some words if needed.

"C'mon, don't have all day." Bruce took a puff of his cigar, blowing the smoke into your face.

"Um. It's called...Mean." You blurted, and began to strum the guitar. Taylor Swift had been a hit as a country singer, this was a good idea in your mind. You were careful to control your power, and also make it believable. A southern accent and changing the word 'football' into 'baseball'.

As you sang, Bruce stopped focusing on his cigar and was completely focused on you and the shitty guitar you managed to make sound so good.

You finished the song and had a job immediately, with a small lie that you were 18. No liquor, but you could have beer! Thus began your career in that small club, becoming friends with the women who worked there. Soon enough you had the money for a small apartment. You despised the creepy looks men at the club gave you. All you could think of to continue was Five. He'd find you, right? Surely!

But after years? It was tiring. Dancing in sexy outfits in front of men with cigars, smoke and alcohol filling the air. The harsh lights on you while you had to make acoustic country covers of Taylor Swift songs. The more sexual songs like 'Dress' and 'Don't Blame Me' were your least favorite. You'd just have to withstand it. For days. And days. And days. And weeks. And years.

Five crashed into Dallas after witnessing the second apocalypse, with his hand empty. He forgot which sibling he'd been holding onto, but he knew he had you in his other hand.

"Shit, shit, shit!" He had hissed to himself, looking around and calling your name desperately. He'd never admit how panicked he currently was, and composed himself immediately upon the meeting of Elliott, some weird nerd.

"Alright, before I do anything." Five walked up to the man, looking up at him with fierceness. "Do you know anything at all about someone by the name of (Y/n) (L/n)." It was more a demand than a question. "If I find out you've been lying, I'll kill you." He threatened.

Elliott cracked immediately, telling Five he'd seen a billboard of that name recently. He didn't listen to music much, but their name was everywhere. Five was instantly gone, and was amazed to see your face on a huge billboard. You? A star? Not that you weren't talented, you absolutely were! You just weren't that kind of person. He asked around and found the club, teleporting in without an issue.

Ordering a drink, he sat as close to the stage as possible. A sleazy man you would absolutely despise walked out with a grin, golden teeth shining under the light as he began to speak. About you. Five clenched the glass of whiskey in his hand. This asshole looked so smug. Like you were his property.

Then you walked out with a shining silver guitar. He felt his breath leave him. "My God..." he hissed under his breath. You were gorgeous. He wasn't a fan of the makeup on your face, red lips and such. But you were glowing, looking so confident in yourself. You started singing 'You Belong With Me' by Taylor Swift, and he understood the situation quick. The folks around were immediately entranced, and it made him sick. You were using your power to reel them in, keep you popular and making money.

Your eyes met his and you faltered for just a moment, but no one else noticed as you kept singing. After the song was over, you gave him a look and walked backstage. Within seconds he was back there, so relieved to finally see you again.

"A singer, huh?" He said with a lopsided smile nobody else in his family got to see. "Not what I expected."

Your face dropped a tad, tears filling your eyes. "That's all you have to say to me?" You asked, and Five panicked. He hurried over and very gently held your face.

"No no, sweetheart, I'm sorry if that came off wrong. I'm so glad to see you." He quickly said, letting you fall into him for an embrace. "How long was I gone for?"

"Three years." You murmured, and he sighed.

"I'm sorry, I'm here now. You looked really good up there." He said softly. He decided to not tell you about the upcoming apocalypse. At least, not yet. When everyone was together.

"Thanks." You said with a weak smile, not at all letting go. Last time you let go, you were without him for 3 years. You didn't ever want to let go again.

fuck im sorry that ending was so rushed, but if it wasn't i wouldn't have had this out

[cyclondoojay]

can we say that they gave us back Jay? yeah, i would say so Even though it was like 30 seconds, was it worth it to see him in just one scene in an entire season? OH MY FUCKING GOD JAY IN A SUIT OAOCIIQISIVIIAJXOAOOW IM NOT GOOD NONONO LIKE MY GOD IM NOTHIGN THAN NORMAL FRO HIMM

OKAY OKAY, I am evidently very excited for his 3 second scene, where I could see again the ass hole that was my wife. and precisely because I'm already loving (and also very hating) the plans that could be for Jay in DR-S2, draw him in a super badass villan way, was all I could do.

i lovw hom so much

I'm just waiting for either ideas to come to me to write him as a MANAGER AKOCOWOICIQ or for someone else to do it, I need it and I especially need to talk about it just like all day (or all the year until next season, it depends..)

(oh and it is like the very very veeery first time drawing a suit and also its lights, so if it looks a bit messy I'm sorry.. soon I will post other cunty ass-hole manager Jay and hope to improve)

[hugmekenobi]

S3: The Bad Batch (4)

Chapter Four: A Different Approach

Gif by @azertyrobaz

Hunter x femaleJedi!reader

Series Summary: Ever since Eriadu, Clone Force 99 had been a fractured squad. Months have passed but you're finally back with the Batch but Omega is still out there and you won't stop until you find her again.

Chapter Summary: A reunion may be on the cards sooner than you thought

Masterlist for S1 and S2

<Previous Chapter

Genre: Friends (idiots) to Lovers (we're in the lovers stage now)

Chapter Warnings: Canon-typical violence, gambling, again we have my interpretation of headspaces, limited use of y/n, fluff and mild angst, discussion of character death, protective reader and Hunter, reader and Crosshair kinda get into it

Word Count: 5.3K

Author's notes: Now we're getting into part of the series where each episode allows for a bit more creative license which I'm very excited about! It starts with the end of this one and I hope y'all like it! Also, with regards to tagging people, I'm only tagging the users who still officially register when I do it. Please, please let me know if you want tagged/for me to try your username again!!

Sparks flew from the control as Omega did her best to stabilise them, but it was proving to be a rather challenging task. “I could use some help up here! Our comms are down. I can’t contact Hunter!”

From down below in the shuttle, Crosshair was also doing his best to get things under control but the smoke, electrical malfunctions and the persistent screech of the alarm told him that was a very unlikely outcome. He analysed the screen dictating the state of the ship. “That’s not the priority. The ship sustained heavy damage.”

“I can see that.” Omega retorted.

Crosshair made his way back up to the co-pilot’s seat, with Batcher following close behind. “Get the stabilizers back online!”

“That’s what I’m trying to do.” Immediately after she said that a large spark of electricity crackled from the console and the ship was torn out of hyperspace and spiralled towards the planet ahead.

“We have to land.”

“A little hard to do when nothing’s working.” Omega snapped at him as she fiddled with the steering but to no avail.

The ship entered the atmosphere and started to plummet towards the ground.

Omega pulled hard on the lever to even out the ship as the ground grew ever closer. It was all she could do before it crashed landed and skidded along the surface.

When it finally came to a halt, Omega opened the glass roof to allow them all to get some air and eventually exit the wrecked vehicle. She looked in dismay as the controls fully shut off and the last dying spark flickered. “This will take forever to repair.”

Crosshair exhaled a sore sigh as he got his bearings, but that soreness was soon replaced by irritation as the hound pushed insistently on the back of his chair. “No. there’s no time for that.” The dog’s fussing got too much for him. He stood up to allow her to jump past him and off the shuttle.

“We need to get the nav reader online to extract the coordinates to Tantiss for when we go back.” Omega said, turning to look at him.

He couldn’t understand how she’d only just escaped that hell and was already talking about returning. “We’re not going back.”

“We left the other prisoners behind.”

“And the Empire is going to be searching for this ship and us.” He grabbed the pack with the blasters and hopped out of the shuttle. “We have to move. I scanned a spaceport a few clicks east. We’ll start there.”

Omega followed his example and let him lead the way to the spaceport.

--

With the establishment of the new plan being they would get to the spaceport and sneak onto a shuttle, they acquired their disguises and the two of them blended in with the civilians of the town.

They walked past the various troopers in the town as casually as they could so as not to arouse any unnecessary suspicion.

Omega warily analysed the situation ahead as they reached the spaceport. “It’s too well-guarded. We’ll never slip past all those troopers undetected.”

“I can take out at least half before they know what’s happening.” Crosshair stated confidently.

“Or… or we could try a way that doesn’t involve blaster fire.” Omega countered.

“Like what?” Crosshair asked, his voice filled with doubt.

“Watch and learn.” With that, Omega calmly led the way to the ticket attendant.

“Oh, I can hardly wait.” Crosshair said with a sigh as he followed a few paces behind.

“Hello. We’d like two tickets on the next shuttle please.” Omega requested pleasantly.

“Chain codes?” Came the standard reply from the attendant.

“About that. We lost our chain codes.” Omega said coyly.

“No chain codes, no passage.”

“Right. But you see, a problem for us could be an opportunity for you if, say, you knew of an alternate way of booking passage without a chain code.” She advanced towards the desk.

The attendant leaned forward. “Are you insinuating that I should take bribe?”

“If that’s what you want to call it.” Omega replied, feigning innocence.

“I do. And that could be arranged… for 15,000 credits.”

Omega’s composure slipped slightly upon hearing that price, “For two tickets?” She exclaimed.

“Per ticket. And it’s non-negotiable. You’re lucky I’m not charging extra for the creature.”

“Where do you expect is to get 30,000 credits?”

“Sounds like a you problem. Don’t come back without the credits.” The attendant waved a hand in dismissal.

Omega hung her head in defeat and left the port with Crosshair.

“Well, that went well.” Crosshair remarked sarcastically.

“Stow it.” Omega grumbled.

--

“Storming the spaceport would be easier than finding 30,000 credits.” Crosshair hissed as they aimlessly wandered the streets of the town.

“I don’t want to hurt anyone.”

“Don’t be naïve. Every second we’re here, we’re at risk.”

They came to a stop outside a bar.

“The quite wasting time complaining.” Omega argued before two troopers exited the bar and they both averted their gaze, but the opening of the door had given Omega another idea. “I think I know how we can make some fast credits.”

“Of course you do.” Crosshair mumbled as he saw her getting ready to make her way into the bar. The fluttering of a scrappy piece of paper caught under a nearby crate grabbed his eye before he entered, and he came to a sudden stop as he picked it up and saw what- or rather who- was on it.

Omega noticed he had stopped and when she turned back to enquire what was wrong, the question died on her lips as she saw what he was looking at. Only half the information on the sheet was news to her, but the rest made her eyes widen in shock. By the looks of things, you had been on your own for the time she’d been on Tantiss and clearly, you’d stopped hiding. And judging by the harsh language and substantial reward offering, the Empire wasn’t too happy about that. Now, not only was there the trouble of how exactly this information would go down between you and Crosshair but she also couldn’t count on the fact that you were back with Hunter and Wrecker. She glanced up at Crosshair and, despite the fact that most of his face was covered, he could not conceal the emotions that flashed behind his eyes. “Oh… um… she- well back when- I’m sure she would’ve told-” She broke off with a sharp breath as she struggled to find the words to say.

“Doesn’t matter.” Crosshair said dismissively, crumpling it up and putting it away before he carried on into the bar. The fact that Omega seemed to already have an idea of what your… situation… gave him enough of a timeline to go off of.

“One thing at a time, right girl?” Omega said with a shaky breath, patting Batcher’s side as the hound nuzzled into her. Putting her mind onto the task at hand, she too entered the bar.

--

The bar itself was relatively busy, especially compared to how Cid’s had usually been, and it gave Omega the chance to study her potential adversaries from their booth by the wall unnoticed.

“That’s your plan? You want to hustle someone?” Crosshair repeated sceptically. What had they taught this kid?

“I’ve done it before, and I prefer to think of it as a temporary requisition of funds.”

“And bet with what? We don’t have anything.”

“They don’t know that.” Omega said with a cheeky grin.

“And if you lose?”

“Well… I guess we’ll be in more trouble.” With that, she made her way to the card table in the middle of the bar and sat across from the Trandoshan and got her performance ready to go.

--

To say that Crosshair was surprised would be an understatement, the kid was winning every hand against the Trandoshan and securing credits within a matter of minutes. Whatever experience she’d gained with the rest of his squad was clearly something to be admired. Although the mental image of Hunter even allowing her to hone such a skill felt very out of place, he was quietly grateful for it right now.

The bar came to a sudden hushed silence as the door opened. Omega heard Crosshair clear his throat in warning and she looked to the entrance to see an Imperial officer flanked by two troopers enter. She studied them carefully but remained at the table as she won the next hand much to the Trandoshan’s disappointment. “I think I’ll quite while I’m ahead.” She said in response to his pleas for another game. Having an Imperial official here complicated matters and it was time she, Crosshair and Batcher left.

“Leaving so soon?”

Omega turned her head to face the officer as he stood by the table.

“You’re in my seat.”

The Trandoshan let out a low snarl before he departed and gave up his seat to the man.

Crosshair tensed as he saw the Imperial sit but Omega waved him back.

“So, you think you’re good at this game?”

Omega replied with a nonchalant shrug of her shoulders.

“Want to try against a, uh, real opponent?” He suggested to the young girl. “I insist.”

--

“Your mutt don’t seem to like me.” He said as the dog released a series of growls.

“She’s harmless.” Omega said in reply as she organised her cards.

“She’s a distraction. Get rid of her.” He demanded.

Omega signalled to Crosshair to take her out.

Crosshair got to his feet, clicked his tongue, and led Batcher to wait outside.

The Imperial watched them go. “Never seen you or your dad around before.” He commented.

“We’re just passing through.” Omega replied as she watched him flip the next card and the rise in murmurs indicated that both he and the crowd seemed to think her time was up.

“Eh, I’ll admit you’re not bad. But you seem to have misunderstood your enemy.”

Omega only smirked, “Did I?” She placed her cards down and flashed the set of the three Eastern Stars. Game over. “I’ll take those 20,000 credits.” She grew nervous however when his two guards made to approach the table.

He held a hand up to stop them. “I concede. You beat me fair and square.” He gave her the credits. “Nicely played.” He left the table.

The Imperial went back to his men and one of them addressed him.

“Sir. Patrol found a crashed Imperial vessel on the outskirts of town.”

“I wasn’t notified about any shuttles arriving today.” He angled back to look at the two strangers with a newfound sense of suspicion. “Now, hang on a minute.”

Omega gathered the credits in her bag and, now that Crosshair had returned, she got up to leave with him, but the familiar voice of the Imperial stopped them both.

“We’re not done here.” He chuckled coolly. “You haven’t paid your fine.”

“What fine?” Omega asked.

“Gambling’s illegal in these parts.”

“What?” Crosshair snarled as he made to step forward, but Omega’s arm stopped him.

“The law is the law. Now, all you gotta do is pay the fine. And I’ll be on my way.”

“How much?” Omega asked him as she did her best to keep her disgust at bay.

“Ten thousand credits… unless you prefer to be arrested instead.”

Omega got the credits out and handed them over.

“Excellent. Consider your fine paid in full.” He said smugly. “Try and stay out of trouble.” He dipped his cap and left the establishment.

Omega sighed in relief. “Let’s get out of here.”

Crosshair caught her shoulder. “How many credits do we have left?”

Omega checked the bag. “Thirty-five thousand. Enough for two tickets and a little extra.” She made the first move to leave.

--

“Crosshair, where’s Batcher?” Omega asked anxiously as she scanned the area for her companion.

“Oy. You looking for that hound?”

The two of them turned to look at the young boy speaking to them.

“You know where she went?” Omega queried.

“Sure do, but the answer’s gonna cost you. Ten thousand credits.”

The fact that he was a child made no difference, Crosshair sighed and stood intimidatingly over the boy. “I’m getting tired of this.”

“Okay, okay.” The boy backtracked. “Five, but that’s my final offer.”

Omega touched Crosshair’s arm to call him off before she gave the boy the money.

The boy examined the credits before he supplied the information, “That Imperial officer and his troopers snatched the creature and headed for the cargo docks. Down that way.” He pointed. “Nice doing business with ya.” He ran away from them before they could change their mind about the money.

Omega started off in the direction of the docks.

“Omega.”

She angled back to face Crosshair. “You heard him. Batcher’s this way.”

“And the spaceport is that way. Forget the hound. We have to get off this planet.”

“We never would be escaped without Batcher. I’m not leaving her.”

“You’re making a mistake.”

“I’m not abandoning her!” Omega angrily tossed the bag of credits at him. “Take the credits. If you wanna go, then go. I’ll find my own way.” She stormed off.

Crosshair watched her go but before he got ready to go his own way, he felt guilt coil in his gut. It was becoming very clear as to the impact she could have on someone and explained why his squad had cared so much for her since he too found himself following her rather than doing the more sensible thing of leaving from the spaceport.

--

“Fine. We’ll do this your way.” Crosshair agreed begrudgingly as he placed the bag down before Omega scaled the gate to the cargo docks herself. “But my skills are being wasted.” He offered his hands as a means to boost her over the top.

Omega gave him a warm smile, “Noted.” With his assistance she was able to climb over the gate with ease.

Crosshair made the quick climb after her and together, they snuck through the docks looking for where Batcher was being kept.

Omega then heard a series of whines and she saw Batcher’s cage. “There’s Batcher.” She signalled to Crosshair before she analysed the situation around her. “Shouldn’t we free the other animals too?”

“Don’t push it.” Crosshair replied.

--

They had managed to covertly make their way around to get better access to the centre console but before they could make a move, that dull voice spoke up.

“I thought you’d come searching for your mutt. Yeah, unfortunately for you, Lau has a very strict pet policy. No license means a hefty fine.”

“How much this time?” Omega asked, pretending to play along as the two of them were swiftly surrounded by troopers.

“How ‘bout you give me all my money back? Credits won’t do you any good when Hemlock shows up.” He saw the shared looked between them. “Oh, did you think I wouldn’t piece it together when I found that crashed shuttle? Nothing gets by me. I run this town.” He drew his own blaster. “So, hand over the credits and surrender.”

Omega sighed, “Alright.” She chucked the bag to the Imperial. “Let’s try things your way.” She murmured to Crosshair.

“Finally.” Crosshair waited until Omega ducked to cover before firing the first shot, but he noticed his hand was still no unsteady and his aim was more compromised than he liked.

Omega used the chaos of the firefight to get to the controls and release all the animals, the resulting stampede thinning out the Imperial forces and reuniting her with Batcher.

“I’ll handle this. Take Batcher, and power up the ship.” Crosshair ordered. He provided her cover fire as she got the ship ready and when he saw a break in the blaster fire, he made his move towards the step.

Once he was on board, Omega got the cargo ship in the air and into the safety of hyperspace.

--

You had remained on the ship to study Tech’s datapad and the various planets and their coordinates whilst the other two dealt with the lead on this particular planet, but its name escaped you- you’d been to so many in this sector already, the names of them were beginning to blur together.

You were doing what you could to try and determine the next, more efficient course of action whilst the others were out but the words and data on the screen were moulding into one pile of unintelligible information. You put the datapad down for a minute and rubbed your eyes as you huffed a tired breath from your lungs. You stretched your neck and adjusted your posture but before you picked the datapad back up, a faint chirping caught your ears.

You swivelled in your chair to see the communications light flashing and you knew you weren’t supposed to be hearing from Echo any time soon. So, when you patched the encrypted message through and untangled it to find coordinates to the moon just outside of Ryloth, you knew there was only one other person who could’ve sent it.

You jumped out of your chair and cleared the steps of the Marauder in one leap before you sprinted to find Hunter and Wrecker.

--

“What’s wrong?” Hunter asked urgently as he saw you come running towards them.

You shook your head as you glanced between them. Your breath was heavy from the running but also from excitement as you said, “It’s Omega.”

--

“Look, I hate to be the one to say it, but what if this message is a trap?” Wrecker broached carefully as the ship flew through hyperspace.

“Who else would know those codes?” You disputed.

“But if the Empire has her…”

“If it’s a trap, then we’ll get out of there but if it is her… we need to be there, Wrecker.” Hunter said as the ship disengaged from hyperspace, and he entered the landing cycle. There was no sign of another ship yet, but he opened the door anyway.

“There’s no one here.” Wrecker murmured, wringing his own hands anxiously.

“Then we wait.” You said calmly though your own heart was pounding.

--

“The Empire will be able to track this vessel. We need to ditch it.” Crosshair advised as he entered the cockpit after getting rid of the hat and face covering that he had donned back in Lau.

“We will. I’m heading to a remote location, and I sent a coded transmission for Hunter and Wrecker and (Y/N) to meet us there.” Omega responded. She only hoped you’d be with them too.

Now that this reunion was approaching ever closer, he found himself unprepared for what was to happen next. “Omega. It’s- it’s been months. You don’t know if they’re still ali-”

“They’ll be there.” Omega interrupted sharply.

The ship exited hyperspace and as she peered out the window, she saw the welcomed sight of the Marauder waiting there.

Omega dashed down the ship’s steps but paused as she saw no immediate sign of any of you.

--

A few hours had passed but there was still no sign of the ship and nerves were starting to get the better of you all.

Hunter had begun pacing the length of the cockpit, you had not stopped fidgeting with your vibroblade and alternated between that and examining the hilt of your lightsaber, and Wrecker was busying himself around the rest of the ship.

You saw the uneasy expression on Hunter’s face, and you pulled yourself together enough to be there for him. You caught his shoulders and looked deep into his eyes. “Just wait, take a breath. She’ll be here, Hunter. I know it.”

“But-” He broke off as he heard the sound of a ship landing and a whole different type of nerves overtook him.

Wrecker made the first move to look outside and what he saw filled him with pure joy. “Now there’s a sight!”

Take your time. You caressed Hunter’s cheek with a comforting and utterly relieved smile before you ran outside to join Wrecker.

Hunter braced his hands on the back of the pilot’s chair. He needed a minute to gather himself. This was the moment he had been seeking out for months but part of him couldn’t quite believe it was happening.

--

“Wrecker!” Omega cried in relief as she ran towards him and let him pick her up.

“I wasn’t even sure your message was real!” Wrecker said with a happy laugh as he held her close.

“I knew you’d show up.” Omega closed her eyes and let the comfort of his strong hold overtake her.

“We wouldn’t have missed it.”

Omega opened her eyes to the sound of your voice, and she smiled brightly as she saw you standing just behind him.

You knelt down with your arms open as Wrecker lowered her.

Omega fell into your embrace and nuzzled into your shoulder. “I wasn’t sure if- I thought you might’ve been-” She pulled away with a teary sniff.

You tilted your head as you tenderly wiped away the tears that had slid down her cheek and stroked a hand through her hair, the longer length of it a painful reminder of how much time had truly passed. “I’m right here, nothing happened to me.” You didn’t need to worry her about past events right now- that rehashing undoubtedly would come up later- but this current moment was something to be celebrated and not clouded by anything else.

Omega went to clarify what she meant but Wrecker’s words stopped her.

“We crossed the galaxy four times looking for you.” Wrecker revealed, wiping his own tears away.

“Five.”

Omega glanced past you as she heard Hunter’s voice and the sight of him created a feeling of pure elation that she wasn’t sure she would never experience again.

“But you’re the one who found us.” Hunter said with a smile from the doorway of the Marauder.

Omega started to run towards him.

Hunter darted down the steps two at a time and came to his knees as he held his arms out to her.

Your heart swelled and the emotions of the moment got stuck in your throat. That sight had been one you had been waiting to see for quite some time. You sensed and visibly saw how relaxed and content he looked, and you felt tears prick at the corners of your eyes.

Wrecker put a friendly arm around your shoulder as you both go to your feet, and he saw your reaction to their reunion. He too felt himself getting caught up in it all. Finally, things were looking up.

“We missed you, kid. We never stopped searching.” Hunter said affectionately and as he tightened his hold on her and felt her reciprocate, for the first time since Ord Mantell, he felt truly at peace. He pulled away but kept his hands on her shoulders, “But how did you escape?”

Omega hesitated before saying, “I had help.”

Hunter looked past her to see… well to see his brother descend the stairs of the ship, but what hit him was far more complicated than the relief he had been experiencing a mere second before.

You all followed his eyes and whatever happiness and lightness that had been surrounding you all immediately vanished and was replaced by a palpable tension as you all faced the clone that walked down the steps.

Your hand automatically came to cover your lightsaber.

Omega gaze darted between you all and she saw the shift in body language as well as the serious and distrusting expressions on all of you. It appeared she may have miscalculated as to how this smoothly this particular reunion would go.

“We can do this now and remain by a ship the Empire will be currently tracking, or we can get out of here.” Crosshair said simply.

Hunter placed a guiding hand on Omega’s back and jutted his head to Crosshair as the rest of you boarded the ship.

Crosshair followed them, with Batcher now close on his heels and the Marauder entered hyperspace once more.

--

Omega stood in the middle of the hallway. None of you had so much as made a sound or really moved since the ship had begun the journey back to Pabu and it was getting rather unbearable. “So… I got a dog! Her name’s Batcher.” Omega said with an uneasy laugh into the dead silence of the ship, but it got no reaction. The four of you continued your standoff with Crosshair positioned down the hall of the ship closest to her room/gun turret and the rest of you closer to the cockpit. All of you had your arms crossed and you, Hunter and Wrecker looked particularly guarded. She took that resulting quiet as her cue to perhaps let you all have it out right now. She took a seat and called Batcher over to sit by her feet and waited.

It was Crosshair who broke the silence first, “Where’s Echo?”

“Working with Rex.” Hunter replied briskly.

Crosshair released a soft hum in acknowledgement before he asked the question that he’d been putting off since he’d deduced it from how Omega had talked to him all those months on Tantiss, “And Tech… he’s- he’s really gone?”

“Yeah. It-” Hunter released a sad sigh, “It was a mission gone wrong and he- he sacrificed himself for us so we could get away. He knew what he was doing but… yes, he’s gone.”

Crosshair’s jaw tightened. He knew exactly what mission Hunter was referring to. “So much for Plan 88.” He couldn’t help but say, the grief and tense situation getting the better of him.

“What?” You remarked with a glare.

“You were supposed to stay hidden.”

“We couldn’t do that.” Wrecker said grimly. “Not when it looked like you were in trouble.”

“We couldn’t leave you behind, Crosshair.” Hunter added quietly, some of the fight leaving him as he recalled the events of Eriadu.

“Why? You never had trouble doing that before.” Crosshair retorted harshly.

“Excuse me?” You growled.

“Hey, it’s okay, don’t-” Hunter came to stand in front of you, but you stepped past him.

You couldn’t help it, the protectiveness that hit you was all you could act on. “You don’t get to do that. You don’t get to throw your choices back in his face. You were offered a different path, but you decided the Empire was where you wanted to be. And yet, despite all of that, the moment we found out you needed us, there was no real alternative. We never knew what had happened to you, but we didn’t need to. All we knew was that you were in trouble. We all knew the risks of ignoring that plan… Tech knew the risks. Don’t you dare-”

Crosshair wasn’t prepared to explain what happened to him yet, so he kept up with his provocation instead, “You want to talk about risks? What are you playing at staying around with them?”

Hunter and Wrecker both looked sharply towards Crosshair.

Your posture stiffened. “I don’t know what-”

“I may have been out of action but I’m not blind. If the lightsaber on your belt didn’t give it away, the wanted poster I just saw sure as hell did.” Crosshair spat as he flung it towards you.

You unfurled the paper, and your breathing became irregular saw this was one of the more detailed wanted ads that had been circulated. You crumpled it back up and then glanced to Omega who could only offer an apologetic grimace that she couldn’t warn you earlier, “That’s what I was trying to tell you.”

You looked back to the clone, “Crosshair, I-”

“You’re a Jedi and that wasn’t something you felt the need to share?”

“Every day.” You said tightly, “But I couldn’t chance something happening-”

“Well, something’s happened now, hasn’t it?” Crosshair bit back angrily. “Do you have any idea the danger you’ve put us in? Do you even care? You’d be doing us a favour by leaving.”

Even Omega joined Wrecker in shaking her head at him this time.

“Crosshair.” Hunter cautioned as he saw the guilt and shame that flashed across your face as your mask of composure slipped. “She’s not going anywhere. We’ve handled it so far.”

“You don’t know what the Empire is capable or what she is. I read what she’s done, and they won’t stop-”

“We’ve got it handled.” Wrecker repeated again as he noticed the way your shoulders started to heave.

Your jaw clenched. “You weren’t there. You don’t know-”

“I was there on Devaron.” Crosshair snapped. “I was there when you decided to join us. I was there when you decided to spend every day lying about what you are.”

“Crosshair.” Hunter warned again and there was no mistaking the protectiveness in his tone or his stance now.

Crosshair picked up on Hunter’s reaction, but he wasn’t to be dissuaded. “You want to judge my decisions, but you betrayed-”

“You don’t get to talk about betrayal, Crosshair.” Hunter interjected coldly as he came to stand by your side.

You only let out a bitter laugh. “Yeah, I made my choices in the beginning but when would you have liked me to tell you, Crosshair? On Kaller? But would that have been during or after your attempts to kill the Padawan? Or perhaps you would’ve preferred it on Kamino when Tarkin was there, and you were talking about how great the Empire was and how the Jedi were traitors and what happened to them was justified? Or would you have liked to have a sit down during one of the many occasions you were already actively trying to kill us? Tell me, when should I have entrusted you with this part of me?”

This time he didn’t have a response for you, he just shifted uneasily on his feet and glanced down at the floor.

You continued to speak but there was a distinct sadness to your voice now, “I wished I had been honest with all of you from the start. Truly I do. But after everything that’s happened, I’m glad you’ve only just found out because looking at you now, knowing what I do, I can’t be certain that if you had known what I was on Kaller, that you wouldn’t have tried to kill me too.”

Crosshair went to speak but found that he couldn’t immediately offer the reassurance that was needed.

“You’re our brother, Crosshair, and you’re welcome to stay on Pabu with us but don’t expect any of this to be easy.” Hunter said, placing his hand on your back in support.

“He helped me get out of Tantiss. He’s different now.” Omega remarked quietly.

Wrecker grunted and nodded towards his brother, but you and Hunter made no such moves, instead you both retreated further into the cockpit.

You sat in one of the passenger seats and stared at the paper again as you read the painful reminders of how you’d acted when you’d been separated from them. He’s right, you know.

“No, he’s not.” Hunter disagreed firmly as he knelt before you and untangled the wrinkled piece of paper from your hands. He paid it no attention as he threw it away. He came back and placed his hands on your shoulders as he crouched before you. “Are you alright?”

You breathed deeply and nodded. And you?

Hunter also nodded before he got to his feet and sat in the seat across from you.

--

“So, when did this happen?” Crosshair asked, gesturing to the two of you. The way you both were behaving wasn’t totally different to how things had been in the months before Kaller, but there was a definite shift that marked something more official. There had been a lot he’d missed out on.

“After Tipoca City.” Omega informed him as Batcher eagerly greeted them.

Wrecker enthusiastically petted the hound as he moved closer to Crosshair and Omega. “About time, right?” He added with a hint of humour in his voice, but the stern looks from the two of you had him clearing his throat awkwardly.

Crosshair simply hummed in reply and found himself wondering just quite how difficult things were about to be.

Next Chapter>

Tagging: @noeasyisnoisy, @andreaaxy, @dominoeffectsworld, @nightmonkeysstuff, @arctrooper69

[shadowgasps]

I'm so so happy that mismag s2 is eleven episodes. They're going to be able to tackle a much meatier plot and have so many good character moments throughout. So much of what I loved about the first season was just the table riffing and being so deeply in character and so funny and heartfelt. And now we get to have those silly and beautiful conversations between these beloved characters for so many episodes in addition to an already very engaging mystery and plot. I'm so excited for what Aabria and the rest of the table are about to throw at us

[gentlebeardsbarngrill]

09/21-22/2024 Daily OFMD Recap

TLDR: David Jenkins: Cast Honks; Fan Honks; Rhys Darby; Ruibo Qian; Kristian Nairn; Vico Ortiz; Nathan Foad; Samba Schutte; Rachel House; Gypsy Taylor; Lindsey Cantrell; Articles; Fan Spotlight; amuseoffyre; Doll Normal; Love Notes; Daily Darby/Today's Taika

= David Jenkins =

Whelp, Chaos Dad is keeping us all on our toes still! Grats @edwarbteach for being perceived and getting answered by Dad!!

Source: David Jenkins Twitter

= Cast Honks =

Fan Honking hasn't stopped since David's last tweet-- but with the new one, we've got more cast interaction! Con is back with spreading Adopt Our Crew posts on Instagram!

Source: Con's Instagram Stories

Hugo, our darling OFMD Cheerleader is still at it. Netflix has been asking what you'd like to watch on Netflix in 2025-- What a lovely prompt for the honkening- if you haven't already, feel free to let them know!

Source: Hugo's Twitter

= Fan Honking =

The crew is really keeping at it with the honking this weekend! Some kind folks are sharing some fantastic data with everyone to help support!

Special thanks to the darling Katrina, aka kmostran over on Twitter for putting together this EXTREMELY detailed list of Cancellation/David events.

Source: Kmostran on Twitter

And as always our friend Ashley (Seven_Sugars over on twitter) has more fun data for us!

Source: Buttons (Ashley)

There's been so much fun fan-honking going on, memes, and art being created-- I just wanted to share one that caught my eye today:

Source: unpopularcult's Twitter / ramsay_b_OFMD's Twitter

== Cast & Crew Sightings ==

= Rhys Darby =

Outside of the clowning, we've had some Rhys sightings!

View this post on Instagram

A post shared by Rhys Darby (@rhysiedarby)

Rosie also put out the call for some help with getting Rhys and Rosie's son, Finn, and his band Great Big Cow some more subscribers to their Youtube channel! The goal was to hit 1,000 subscribers-- and great news, they did it! If you aren't already subscribed, and you're interested, I'm sure they wouldn't mind more! Great Big Cow Band Youtube

Source: Rosie's Twitter

= The Cryptid Factor =

There's another video of the Edinburgh Fringe Live shows on The Cryptid Factor Patreon! Night two this time!

Source: The Cryptid Factor's Patreon

= Ruibo Qian =

Our Pirate Queen Ruibo is digging her adorable shoes today <3

Source: Ruibo's Instagram

= Vico Ortiz =

Vico was interviewed by LatiNation! Check it out below!

View this post on Instagram

A post shared by LatiNation Queer (@latinationqueer)

Source: Vico's Instagram

= Nathan Foad =

Nathan and friends on the tube <3

Source: Nathan's Instagram Stories

= Samba Schutte =

Samba 🤣🤣🤣

Source: Samba's Instagram

= David Fane =

Apparently it's been 20 years since the release of Bro'Town! David, Oscar Knightley, and Madeleine Sami voiced characters in the animated series back in 2004!

"A modern day fairytale about five Auckland teenagers growing up in the big bad city, bro'Town chronicles the schoolboy misadventures of Vale, Valea, Sione, Mack and Jeff da Maori in a proudly suburban, non PC satire."

David shared some videos but I couldn't fit them all on tumblr-- so here's a link to the repo with more: https://ofmd-renewal-repo.knowledgeowl.com/help/david-fane-brotown-20-year-anniversary

Source: David Fane's Instagram Stories

= Gypsy Taylor =

The fabulous Gypsy Taylor has been immortalized by our badass crewmate @amuseoffyre with a gorgeous Gypsy Muppet!

Source: Gypsy Taylor's Instagram

= Lindsey Cantrell =

Lindsey is so excited to see the tiny boats from s2 are living on!

Source: Lindsey Cantrell Instagram Stories

Also some cool news from the ofmd.buys.boats of Instagram!

Source: ofmd.buys.boats on Instagram

= Rachel House =

Rachel was interviewed by Sirius XM Canada Talks and she talks about working with Taika on Boy!

View this post on Instagram

A post shared by @siriusxmcanadatalks

Source: Sirius XM Canada Talks

== Articles ==

Kristian was interviewed by Queerty and does some lovely shoutouts to Nathan! Please check the article out below, and thank you @adoptourcrew for sharing this!

Source: AdoptOurCrew Instagram

Some WB news-- Our friends over at NeverLeftPodcast shared the news! Thanks dears!

Source: Never Left Podcast Twitter

== Fan Spotlight ==

= A Muse of Fyre =

Okay so I'm SURE you've seen the OFMD muppets around, but I got permission from the EXTREMELY talented @amuseoffyre to share them in the Recaps! I've been meaning to for weeks and then life got in the way--but Gypsy sharing her muppet seemed like the perfect time to spotlight them! If you haven't checked the OFMD Muppets out before, please oh please do! I cannot tell you just how brilliantly made and gorgeously DETAILED these are. From the intricate beads, to the facial hair, their expressions, these beautiful creations bring the OFMD Cast to life in muppet form! Every time I see them pop up on another platform, I continue to be astonished at the gorgeous craftsmanship! If you have a few minutes, please visit some of @amuseoffyre socials! Instagram especially has so many wonderful muppet posts! Thank you @amuseoffyre for bringing our beloved crew to life! More to come in upcoming recaps as there's SO MANY to see! Tumblr / Twitter / Instagram

Source: Fyre's Instagram

= Doll Normal =

Next up on tonight's fan spotlight is Doll Normal! One of our fantastic crewmates has written Netflix a song imploring them to Adopt Our Crew! This is phenomenal! Please give it a listen :) Socials: Instagram / Linktr.ee / Twitter

View this post on Instagram

A post shared by Doll Normal (@doll.normal)

Source: Doll Normal's Instagram

== Love Notes ==

Wow Lovelies. What a weekend huh? Yall have been clowning/honking (however you wanna describe it) for days now and it's so incredibly uplifting to see! It feels like the beginning of the year again, all buzzing with life in the fandom!

I've seen lots of mixed emotions on the subject of renewal today, so tonight I just want to send you a couple reminders. If you aren't feeling up to Honking for any reason, whether that be that the ups and downs of the cancellation/renewal news, or you've got things going on in your life, or you just don't want to get your hopes up again-- please know, that is OKAY. If you are honking your head off, tweeting, tumbling, drawing, writing, creating, and putting your whole soul into the clowning after David's tweet on Friday -- That's OKAY too. If you're passively keeping an eye on things, waiting for news, or focused on other things-- that's also OKAY. Every single one of us experienced OFMD different from each other. Every single one of us experienced grief from the cancellation differently from one another. Every single one of us has or has not begun to heal differently. If someone is having fun honking-- that's great, keeping doing it babes! If you're feeling like you just can't bear the disappointment again if something goes wrong-- you do what you need to take care of yourself m'dears! Don't push yourself in a way that makes you feel worse. There's no wrong answer here in how to be involved in what's happening right now. Be kind to one another, and let yourself and others do their thing-- and all is well <3 No matter what happens, we're still here for you crew-- we still care. Don't feel bad for how you are coping and engaging with the fandom right now. Just be yourself. Goodnight lovelies, I hope the week ahead treats you with kindness and healing.

== Daily Darby / Today's Taika ==

I didn't wanna miss another day of gifs-- but I'm running out of image room, so we get these two iconic dude together tonight. Gif Courtesy of @dallonismysavior!

[anghraine]

thatinsufferableb-st-rd said:

@anghraine so i have read the books multiple times and am an avid fan of the movies. I enjoy both for what they are. I think the main difference is that Peter Jackson was very open about what they chose to cut and why from anything I've ever seen. They even have Sam give a nod to the book readers by saying "by rights we shouldn't even be here". No I'm not happy about what they did with Faramir and Glorfindel got jipped, and I would have lover to have seen Elronds sons but at the end of the day there were acknowledgments of what and why. Rings of Power to me has always come off as hiding from any criticism by using the shield of "well if you don't like it it's because you don't like POCs in it". To which I genuinely could not give a fuck less, like there are so many branches of elves that went different ways so that could make sense within what Tolkein established. But don't hide behind that when your writing is just "Sauron is evil. We know. And we know she knows. But we have to make it seem like she's the only one who Has A Clue so we must all try to shoo her off to make a plotline"

@lesbiansforboromir has already correctly and politely pointed out that you are doing the very thing we were criticizing in that post—intruding on ROP fan discussion to unfavorably contrast the show to the Peter Jackson films, while also applying a degree of scrutiny to ROP that the Jackson films are rarely subject to in a remotely comparable way and could not bear. Frankly, @lesbiansforboromir is nicer and more restrained than I am about this, but you chose to tag me as well, so I'll also respond.

We (lesbiansforboromir and I) were talking about being excited about costuming in S2 of ROP and disliking the fandom meltdowns over ROP's costuming looking (somewhat) different from the films' aesthetic. Since it had already come up in their discussion, I added that I'm not convinced by the anti-ROP contingent framing their seething hatred of the costuming and design as just caring so much about fidelity to Tolkien's vision. I pointed out that Tolkien fandom broadly cares far more about their preferred, film-influenced aesthetics than Tolkien's actual descriptions and gave some specific examples of this.

There's been a lot of talk, for instance, about how the universally long, flowing hair for Elves preferred by the fandom and used in the films is actually totally canon according to Tolkien even if it's rarely mentioned in LOTR proper. This is inaccurate. Galadriel's brother Aegnor is typically depicted in the fandom/film-preferred style rather than per Tolkien's description of his hair as "strong and stiff, rising upon his head like flames" (indeed, in general neither Aegnor nor anyone else is ever depicted this way, and this description rarely shows up in the lists of "no it's about ethics in adaptation" Tolkien hair quotes).

Tolkien repeatedly describes Elvish, peredhel, and Dúnadan women as wearing their hair bound up in braided coiffures with jeweled hair pieces/nets rather than loose and flowing à la the films and the fandom. Nobody cares, any more than they care about Tolkien's description of Arwen's clothing as soft, grey, and noticeably devoid of ornamentation apart from a belt and netted cap (i.e. the opposite of her highly elaborate film costuming and typically loose, unbound, uncovered hair in the films and most illustrations).

Meanwhile, my fave Faramir's hair is nowhere near long enough in the films or most art to mingle with Éowyn's as Tolkien describes. It's usually also depicted as blond, reddish, or brown rather than black as in the book; in Tolkien's LOTR, all described Gondorians have dark or black hair, with the only difference in coloring being that some Gondorians are dark-skinned and some are pale. Again, almost nobody in the fandom cares about this when they're going on about costume design and casting to reflect Tolkien's vision, and male Gondorians are overwhelmingly depicted with short or shoulder-length hair in the films and in Tolkien illustrations.

Popular depictions of Gondor, including the Gondor of the films, very rarely reflect Tolkien's description of Gondor's aesthetic as similar to ancient Egypt, the Byzantine Empire, and the Roman Empire. Film Gondor has, at most, extremely vague allusions to Byzantine architecture amidst the general and deliberate westernization of Gondor's design—as just one example among many, Tolkien's explicitly Egyptian-based design for the royal crown of Gondor is converted to a generically western European-style crown in the films and overwhelmingly in the fandom.

I then pointed out that it's been very noticeable that ROP haters tend to have a powerful double standard wrt fidelity when it comes to the Jackson films. For over 20 years, most film fans have been constitutionally incapable of tolerating even slight criticism of the films without jumping in to defend their greatness and condescendingly explain the most basic elements of adaptation. (Yes, we know film is not the same medium as text, we know changes are part of adaptation to another medium, we all know that, we all know that a word-for-word adaptation would suck and never be made, this is not new information and does not make the PJ films' every choice a good one.) Yet most film LOTR fans who vocally despise ROP display none of the charity towards ROP that they demand for the films (demand even from someone like Christopher Tolkien, a dead man the entire fandom is deeply indebted to, whose dislike of the films still leads to regular attacks on his character from Jackson film stans).

This hypercritical yet hyperdefensive tendency in the fandom is neatly illustrated by the fact that you responded to a conversation about the double standards in evaluations of ROP's costuming vs the films' to go on about how ROP is objectively bad for reasons entirely unrelated to costuming, how you're totally not racist (something nobody was talking about), and to quote you directly, "Like the show was just Bad." Truly, an incisive critique. Meanwhile, your concessions with regard to the Jackson films are mainly about extremely minor and defensible omissions like removing Glorfindel and the sons of Elrond rather than the serious and fundamental problems that lesbiansforboromir and I have with them, or even the ways they do pretty much the exact same things you're lambasting ROP for.

I mean, if we're going to talk about action hero Elves in ROP vs the Jackson films, what about the action hero-ification of Legolas in the films? He was described by Tolkien himself as the Fellowship member who accomplished the least, so super badass battle-skateboarding Legolas hardly represents fidelity to Tolkien's vision. Why should that get a pass while film-stanning ROP haters seethe about ROP!Galadriel being too special, even though Tolkien described her as one of the most special Elves to ever live and specifically as remarkably athletic and insightful?

Meanwhile, film Gimli is reduced to comic relief, the only dwarves taken seriously are conventionally hot ones in The Hobbit films, and Frodo's expressions of strength and fortitude are consistently removed to glorify other characters. Film Gondorians were deliberately designed to seem like useless tin soldiers (which they are in the films, as well as whiter and blonder than Tolkien wrote them) rather than the physically imposing and highly effective fighting force of the book. ROP imagining Elvish rituals upon approaching Valinor that aren't based in Tolkien canon but don't directly conflict with it is absolutely trivial compared to the films' handling of Denethor and Faramir.

The point is not that you, personally, are not allowed to like the films or dislike ROP despite all this. Many people do love the films, including most of my followers. They do have their strengths, though they are extremely racist and few film fans will acknowledge this without soft-pedaling it in some way (esp, since you brought it up, given the context of the truly unhinged degree of racism that has accompanied much of the broader discourse around ROP).

The point is that film fans who hate ROP are constantly showing up in our conversations to be "well actually ROP is just objectively bad, unlike the films, because the show has failings that are also in the films but it's totally different there because of the contents of Peter Jackson's soul" or whatever. The point is the absolutely glaring and obnoxiously hypocritical double standard of defensiveness about the films and obsessive nitpicking of ROP that leads to ROP haters continually going on rants to ROP fans that are unwelcome, uninvited, and usually (as in this case) irrelevant to what was even being discussed.

[plantsjustwannahavefun]

"Izzy Canyon dwellers just want to turn him into an innocent victim who did nothing wrong!"

Actually my problem is that, in hindsight, Izzy didn't do enough wrong to justify the common interpretation of his relationship with Ed. In my book, the first time in the series he legitimately crossed over to villainous antagonist territory - someone you actually loved to hate for it even if you understood his reasons - was when he set the British Navy on the Revenge. That way he not only betrayed his integrity as a pirate by consorting with the common enemy of all pirates, but risked Ed's life too - cause, like, come on, that "plan" to send CJ to convince Ed to leave Stede was so far-fetched it barely counts as a plan. I don't buy Izzy ever looking at CJ and going "yep that seems like a smart, responsible, trustworthy man I could rely on for a delicate mind games operation like this". It was an act of sheer desperation on Izzy's part, but he still chose to do it. IMO this was actually worse than what he said to Ed in S1 finale. Although of course that was very nasty, too.

But the thing is, we don't actually have any info on what their relationship used to be like before S1. We were only ever shown, not told - and both times from Izzy's perspective: the first time in S01E04 during his resignation rant, which was very heartfelt and I'm sure a lot of it was true, but it's still one-sided, and the second time during his deathbed speech, which was, again, one-sided and this time biased in another direction - instead of airing his pent-up grievanced Izzy was putting most of the blame on himself.

Other than this, the entirety of Ed and Izzy's pre-S1 relationship gets extrapolated from one single episode, S01E04. The narrative itself seems to want us to see it as a microcosm of their usual long-standing dynamic, at least on the surface. We see Ed being depressed and suicidal, trying to open up to Izzy about it, and Izzy shutting him down and making him act like Blackbeard again. Since it's already clear that Ed and Stede are the main characters, we're primed to see Ed as the victim here and Izzy being an annoying, insensitive nag.

Except the context of those interactions changes everything. The context being that they are literally about to be attacked by the Spanish - something Ed knowingly brought on them with his decisive power as captain - and Ed is deliberately withholding crucial information from his own first mate and the rest of the crew, making them all think they're going to die and he isn't doing anything about it. Izzy wasn't just being a boring buzzkill not being excited for Ed when he showed him that ship model. He was actively panicking and trying to do his job asking Ed for orders so they don't all get slaughtered.

So, yeah, those are some very exceptional circumstances that don't say anything about their typical day to day interactions go when they're not in immediate mortal peril due to lack of communication. Was this the first time Ed ever told him about not wanting to be Blackbeard anymore? Izzy didn't seem very surprised, so probably not, but we don't know, and if Ed had confided in him before, we don't know how Izzy reacted - but I'd like to point out that this time he didn't ridicule Ed in any way, he simply pointed out that they were about to die if Ed didn't do anything. Does Izzy usually indulge Ed in the stuff he finds fun when they're not about to be killed? Again, we don't know, but Izzy's playfulness during that first confrontation with Stede in S01E02, and his whittling and jokes in S2 showed that he wasn't always as grouchy and joyless as he's made out to be. We actually saw him smile when Ed got excited about Buttons, too. Pretty sure if Izzy always shut him down about things like that, Ed would have stopped trying to share it with him long ago.

And, finally, there's one piece of this puzzle that doesn't seem to fit in with the rest at all. The show both told us and implied that Izzy couldn't let Blackbeard go because his own identity was too tied up in it, and because he idolised the glory of violent pirate lifestyle. But if that's the case, then why did he have no problem with Ed wanting to retire? Izzy literally gave him an enthusiastic thumbs up on the whole "kill Stede and steal his identity so he could live the rest of his life as a rich aristocrat" plan. If Izzy only admired Ed as a pirate, and was so hell-bent on keeping the Blackbeard persona alive, why was he ok with Ed retiring? How does this square up with the idea that Izzy had been keeping Ed chained to piracy?

I'd honestly hoped we would get some flashbacks of the two of them in S2, and then S3 before that hope died too, because there's still so much we're missing.