#i'll elaborate if this post gets 2 notes

[tiger-manya]

Обговорювали з колегами переклад імені Laios. Мені "Лай" здавався природнішим, але вони наполягали, що "Лайос" більш уживаний у фандомі й коректніший щодо японської. Поки намагалася розібратися в усіх традиціях щодо -us та -os, на думку спало ще одне фентезі-ім'я зі схожою історією.

Vaarsuvius.

Бачте, існує традиція в латинських запозиченнях закінчення -us відтинати. "Gaius" перетворюється на "Ґай", Julius — на "Юлій", "Marius" — "Марій", і навіть "hippopotamus" — "гіпопотам". Ця традиція не завжди послідовна (plus, minus лишаються такими самими, наприклад; врешті, там особливо немає що відтинати), та і фентезі-світи не завжди коряться правилам реального світу — звідси мотивація моїх колег вживати "Лайос", а не "Лай". Проте з Vaarsuvius в українській мові відбувається дещо цікаве: ані "Ваарзувіюс", ані "Ваарзувій" не є прийнятними варіантами, бо ці імена є чоловічими, а Ві — не чоловік.

Ви можете заперечити: латиною -us теж сигналізує чоловічий рід, але ж у світі коміксу це нічого ні для кого не значить. Так, однак лише тому, що комікс оригінально написаний англійською, де іменники не відмінюються.

Почнімо з базових речей. В українській мові ми маємо чотири відміни іменників, дві з них відповідають за іменники з нульовим закінченням: друга відміна стосується слів чоловічого роду (і середнього, але нам це зараз не треба), третя — жіночого. Тобто хоч й існують слова чоловічого й жіночого роду з нульовим закінченням, які здаються схожими в називному відмінку, під час відмінювання різниця стає очевидною. Наприклад, "біль" (ч.р.) та "міль" (ж.р.) дуже схожі, однак у родов��му відмінку маємо "болю" та "молі". Те саме стосується імен: "Менуєль" та "Нінель", але "Менуєля" та "Нінелі". 

Відмінювання здається ще більш невідворотним, щойно ми згадуємо, що більшість вживань імен у коміксі — це звернення, а тобто ми повинні будемо використовувати кличний відмінок. Проте тут ми можемо згадати про перший спосіб зробити ім'я гендернонейтральним українською мовою — не відмінювати його. І цей вибір здається очевидним, але є одне але: щойно ми перестаємо відмінювати ім'я "Ваарзувіюс", воно стає жіночим, а Ві — не жінка.

Річ у тому, що українська мова не має "шаблону" для іменників жіночого роду, що закінчуються на твердий приголосний. Тож імена на зразок "Крістел" чи "Сабін" лишатимуться незмінними в усіх контекстах. Що саме по собі нормально, в українській мові повно таких запозичень (це цілий пункт у підготовці до ЗНО), якби ж лише не той факт, що такий "шаблон" існує для іменників чоловічого роду. Оскільки імен осіб середнього роду не існує, то присутність чи відсутність відмінювання саме по собі є маркером роду. "Сем — Сема — Сему" це чоловіче ім'я, "Сем — Сем — Сем" це жіноче ім'я.

Шлях незмінюваного іменника досі може нам допомогти, однак. Нам треба всього лиш відітнути більше літер. "Ваарзуві" незмінюване й позбавлене очевидних маркерів: прикінцеве "і" нічого не означає, слово "салямі" жіночого роду, "Тбілісі" — середнього, "сулугуні" — чоловічого.

Єдине що, звісно, ім'я Гейлі теж закінчується на "і". То що це значить? Що в неї тепер гендернонейтральне ім'я? Так, але не в тому суть. "Гейлі" жіноче ім'я, але щось на зразок "Страдіварі" — чоловіче, але при тому вони мають однакову форму в усіх відмінках. Тож "Ваарзуві" лишається амбівалентним, а отже гендернонейтральним. 

Хоча, звісно...

Це лише перший спосіб досягти гендернонейтральності в українській мові. Другий — лише для найсміливіших, бо він передбачає не віднімання, а зміну. Vaarsuvius стане гендернонейтральним, якщо натомість прийде... "Ваарзувія".

Ви можете обуритися, мовляв, я так багато говорила про відмінювання, щоб натомість запропонувати до невимовного очевидну жіночу форму. Мовляв, 90% українських жіночих імен закінчуються на -а/-я! Хіба не так? Так, але взагалі-то ні. 

В українській мові є низка слів так званого спі��ьного роду: "суддя", "вбивця", "сирота" тощо. Усі ці слова змінювані й закінчуються на -а/-я, але водночас не мають жодних формальних ознак роду. Прикметники й дієслова узгоджуються з ними як в чоловічому, так і в жіночому. Чому? Бо вони належать до першої відміни. Усі слова першої відміни відмінюються однаково, незалежно від роду. Імена теж. 

Микита (ч.р.) — Микити — Микиті — Микитою — Микито тощо.

Рита (ж.р) — Рити — Риті — Ритою — Рито тощо.

Марія (ж.р) — Марії — Марією — Маріє тощо.

Єремія (ч.р.) — Єремії — Єремією — Єреміє тощо. 

Тож на рівні граматики "Ваарзуві" та "Ваарзувія" однаково прийнятні варіанти. Їхнє ім'я насправді є однією з найпростіших частин перекладу, коли йдеться про збереження повсякчасної гендерної невизначеності англійської мови. 

Найскладнішими є слова "elf" і "parent".

[drvscarlett]

Let Him Cook pt5

Charles Leclerc x MasterChef! reader

A/N: I'm really so happy with all the love that you have given to this fic. I enjoy writing about it, let me know if you have any blurbs or scenarios that you wanna see. This series will continue on and on

Let Him Cook Series: 1, 2, 3, 4, 5

taglist: @bookstore-of-dreams @barcelonaloverf1life @ririyulife @minseok-smaus @mehrmonga @sltwins @charlesgirl16 @six-call @spideybv28 @casperlikej @weekendlusting @janeholt3 @evie-119 @leilanixx @randomgirlnumber-13 @itsjustkhaos

lec lerc challenge

"As you all know by now, Charles is planning to launch his own ice cream store"you started talking to the camera "And you know what funny story, he didn't even tell me"

Charles, who was by your side, was laughing like a hyena. He actually wanted it to be discovered on the the first day of April so everyone might think its a prank but then he will announce that he is very serious about it. It was an elaborate prank on top of prank. However, the news sites got a hold of it earlier.

"That's another story time. We have to get down to business" Charles reeled the topic back to the video that you two are making.

"Okay so in order to test Charlie's knowledge about ice cream, I have here ice creams that I made myself" you explained.

In front of the two of you were 10 paper cups. They have been covered on top so that Charles won't get a hint about the color.

"So my main task is to identify what's the flavor of the ice cream"Charles confirms "Easy"

"I made some unconventional flavors to throw you off" you informed him.

You can't help but giggle as you remember how you made some weird flavors for the ice cream. But hey, this was supposed to be a challenge to see if Charles' taste buds are working so it doesn't necessarily have to be a delicious ice cream.

"Okay, I am ready to scream for ice cream"

The first five cups were easy peasy. It's common flavors such as chocolate, vanilla, cookies and cream, caramel, and pistachio.

"I'm good at this mon amour"

Charles is pretty confident now. Time to throw the curveballs.

"I'm excited for you to try this"you excitedly give him the cup.

Since Charles is blindfolded as he does this challenge, the first thing he does is smell it. He is usually confident upon spelling but the frown lines forming on his face suggest that he might be confused about the flavor profile.

"This feels strange. I smelled this before but I can't put my name on it"Charles notes.

He takes a scoop from the cup and tasted it. It was evident to his face that he didn't enjoy this ice cream a lot.

"That's so sour, mon amour there are definitely strawberries in that"Charles complained.

"Strawberries and?"

There was a string of italian and french word from Charles as he tries his best to identify it. Finally, he had a lightbulb moment where he remembered the taste of it.

"BALSAMICO" Charles screamed "That is not a flavor I will put in my store, definitely"

Y/NCooks posted a photo.

Y/NCooks turns out Charles is pretty good with his taste buds. Watch me test Charles with his ice cream skills [link]

User1 Atleast we know that Charles is committed to being an ice cream man

User2 Charles_Leclerc you should definitely try the bourbon and corn flakes in the menu

User 3 Highly agree, I would love to try that User4 were all acting like were so close to milan. Babes we live across the world.

LandoNorris do you have some plain ice cream left for me

Y/NCooks i have some but its good to try other flavors every now and then Lan LandoNorris mmm, i'll try that black sesame one. that seems like a good flavor Y/NCooks brilliant. message me when i can see you Charles_Leclerc im amazed how Y/N managed to convince you of different food choices

MasterChefAU is this Charles' entry to master chef blind taste test challenge?

Charles_Leclerc MasterChef Monaco soon??? User4 I'm laughing at the number of sidequest Charles has. SIR you are an f1 driver!!!

Charles the baker

Charles_Leclerc posted a photo.

Charles_Leclerc okay i did all the measurements right. WHY DID THEY EXPAND

User1 I can hear Charles screaming with the caption

User2 Charles is such a mood when I try to bake things

User3 But is it edible tho?

Charles_Leclerc it is but its not as pretty User4 this is an internet highlight wherein Charles is sulking and asking the internet where he went wrong

maxverstappen1 recipe reveal?

Charles_Leclerc no ✨✨ maxverstappen1 don't want it anyways. i just wanted to know what you did so i won't end up like that User5 MAX!!!!! User6 your honor we love the lestappen crumbs

Y/NCooks honey maybe you should consider giving it some space, bread do expand when they get baked.

Charles_Leclerc they do?? Y/NCooks Yes they do. But in all honesty they look so cute, its alright honey Charles_Leclerc love you mon amour!

SebastianVettel maybe we should have a baking session one of these days, I can teach you a lot about baking breads

Charles_Leclerc sounds good, miss you already Seb User7 oh to be Charles Leclerc having the Sebastian Vettel teaching him bread and MasterChef Y/N encouraging him

tiktok pasta challenge

It was a fairly simple tiktok viral recipe and in your mind its something that Charles will be able to follow instructions with. So you set up your camera and told Charles about a cooking challenge that he has to do.

"Today's challenge, Charles will be using his listening skills. Lets see how well he listens to me"you greeted the camera "Are you ready mon amour?"

"More than ever, I look good in an apron"

You stayed behind the camera as Charles stayed in front of the kitchen counter. He was tying up his apron and grabbing your chef hat from one of the drawers.

"First of all, I need you to quarter an onion"you instructed.

Charles was immediately grabbing the onion and you immediately face palmed yourself when Charles started quartering the onion without even peeling it.

"Honey, you are supposed to peel it" you sigh

"Honey, you didn't say anything about peeling it. We have three cameras set up and editors should replay that you said quarter it and not peel it" Charles argued

You raised your hand in defeat, you should have been more clearer.

"Okay, I'm not gonna be vague. I'll make it clear"

The whole cooking went along smoothly until its time for Charles to cook the pasta. He has been heavily stressing to get the texture right this time or else it will further the allegations that he can't cook pasta.

"Calm down Charlie"

"I am very very very calm, I'm just checking" he lifted the lid for the fifth time "They have to be perfect"

"Charles is very honored to be taught by Gordon on a 1 on 1 session"you informed the camera.

The two have exchanged numbers and Charles will often ask his culinary questions to Gordon when you were not available to answer them right away. Gordon seems to enjoy the new friendship with the driver since he often send Charles link for cooking recipe to try.

"I don't wanna be an idiot sandwhich" Charles muttered, stirring the pot of pasta.

Charles got a perfect al dente to his pasta. He pulls out the baked feta and tomatoes out of the oven then mixed it with the pasta. It seems as if the dish looks pretty especially with the garnishes that Charles insisted.

"Plating is also everything"he says to the camera as he grates some lemon zest to the plate "Whatever this taste like, just remember that Y/N was instructing me so if there is anyone to blame then its Y/N"

"Way to throw me under the bus Charles"

Y/NCooks just posted a photo

Y/NCooks The dish vs the chef. I think they are equally yummy [link]

User1 CHARLES CAN COOK!!!!

User2 alternative title charles stressing 10 minutes straight if the pasta is al dente or not

User3 The girlfriend effect on Charles is that he is now able to cook pasta

User4 I really want to try that pasta

Arthur_Leclerc i hope you never get tired of the pasta, its the only thing he will cook from now on

Charles_Leclerc i mean she loves it!!!! Y/NCooks its pretty good arthur, you should try it!! Arthur_Leclerc next family dinner? Charles_Leclerc im on it! User24 oh to be a fly at the Leclerc family dinner

User5 I think everyone ignored the caption, miss maam thirsting over her boyfriend

User6 if i was Y/N i would too Y/NCooks facts only!!! User6 Mother replied to us!!!

scuderiaferrari so charles is approved for a cooking challenge in the channel soon?

Y/NCooks he is born ready User8 kind of missed the c2 cooking challenges

everything i cooked

Charles_Leclerc posted a reel

here is everything that I did to celebrate Y/N's birthday. This isn't a common day, its really special so I have to run at 5 to get the flowers I ordered for her. Then next I cooked up breakfast which is some pancakes, thank you Carlos for the recipe. And then I surprised her with a little bit of breakfast in bed

and then I started making our lunch after clearing the table. Y/N had been craving butter chicken and I purposely did not take her so I could make some at home. Its a fairly easy recipe, I just had to mix some spices, cook the onions then you have the tomato paste and then cream. thanks Gordon I owe you one. She loved it so much.

and then I started early on the dessert for dinner. I didn't do the ladyfingers from scratch, I don't have a lot of time so yes here we are. The tiramisu is in the fridge. And then since Y/N loved the Lady and the Tramp spaghetti meatballs scene. I did my own take on it. Needless to say she loved it. So yes happy birthday once more mon amour, I love you so so much.

User10 I know we have been making fun of Charles but the man can actually cook.

User11 My boyfriend be forgetting my birthday but Charles here is slaving in the kitchen for Y/N's birthday

User12 CHARLES IS THE STANDARD!!! User14 Imagine cooking a whole breakfast, lunch, dinner, with a birthday dessert???!!! GOD I SEE WHAT YOU HAVE DONE FOR OTHERS

MasterChefAU Im glad to hear you are treating our girl well, happy birthday Y/NCooks

User13 OUR GIRL??!!!! Y/NCooks he is treating me well, thank you for all the greetings

Gordongram That's a beautiful dish and effort Charles!

Charles_Leclerc Thank you !!! Y/NCooks he is screaming btw Gordongram

PierreGasly when will you cook for me

CarlosSainz55 and me?? i think there is some former teammate privileges out here LewisHamilton the current teammate is also wondering SebastianVettel you boys are not Y/N. Y/N is special. Charles_Leclerc what seb said!!!

Y/NCooks one of the sweetest gesture anyone did for me. Thank you honey for making this day extra special. I don't need any five star restaurants when I have you in the kitchen.

Charles_Leclerc I love you. You deserve the world User21 Them your honor. User22 Happy Birthday Y/N, you two are excellent for each other

[akirathedramaqueen]

The bias is not always conscious

And that's the case with Stolas. That's it, that's basically the post, so you can count it as your tl;dr, but let me elaborate. :)

(A little gratitude note! Sorry @tealvenetianmask, I failed being concise here, but I thank you for encouraging me to put it all together :3 I also thank you for our conversations about Stolas and about museums in particular which heavily contributed to it)

I think there's some misunderstanding when people get offended by the suggestion that Stolas acts classist/racist. It seems that people assume we’re implying he is malicious and intentional with it, but the actual problem is that he doesn't think.

S2EP2, Seeing Stars, 1:29

The problematic behavior we're discussing is reflexive and internalized. Stolas was raised in an environment where the lower demon class is looked down upon, and while he believes he expresses nothing but deep respect for Blitzø and treats him as an equal…

Goodnight, Blitzø. S1EP7, Ozzie's, 14:50

And while you can see from this bow that this intention is sincere, which is both wonderful and fascinating—he preserved this profound gesture ever since he was a kid, despite being actively discouraged from doing so!...

[Stolas]: I'm Stolas! It's nice... Ouch! [Paimon]: Don't bow to that one! He bows to us! Idiot! S2EP1, The Circus, 7:40

He was still raised in privilege and influenced by the narratives around him. For him, it's acceptable because that's what he was taught is fine. It's part of his everyday speech, and he never actually asks Blitzø, or anyone else, how they feel about the literally belittling nicknames (like literally—do you notice how often he uses the word "little" when referring to imps?).

I mean... there's a lot, okay? I'm just going to pull out some examples off the top of my head. All of them are from Season 1, and I'll explain why later.

I was hoping you brave little imps would accompany us! S1EP2, Loo Loo Land, 5:15

Ugh, that's better... Where's Blitzy? He's my knight in shining armor, not you, littler ones! S1EP2, Loo Loo Land, 13:22

And it [grimoire] isn't supposed to be lent out to itty-bitty imps like yourself. S1EP5, The Harvest Moon Festival, 0:30

Greetings, tiny Wrath Ring imps! S1EP5, The Harvest Moon Festival, 8:22

[Stolas, in the background]: Who dares threaten my little impish plaything? S1EP6, Truth Seekers, 18:20

How the fuck did you get caught by humans? Are you little creatures not being careful up here? S1EP6, Truth Seekers, 19:38

He also takes pride in being part of Ars Goetia. That pride seeps into his mind whether he wants it to or not. He lives in a huge palace, never worries about money, can arrange a seat in a club that’s always booked out, and gets admitted to a hospital immediately, while hellhounds wait five years for a Hellbies shot.

Being part of the Goetia family is rather valuable, you know. S1EP2, Loo Loo Land, 4:39

Most of these examples come from Season 1 because, after the disastrous Ozzie’s date, Stolas begins to unconsciously cut back on this language. He seems to sense that something is wrong, though he doesn’t fully understand why. However, he is acutely aware of the problems with the transaction and the unfair dynamics it creates, and he is serious about putting Blitzø on equal ground by providing him with the means to run his business independently of Stolas.

And still, he maintains full control over the conversation during the Full Moon meeting, immediately dismisses Blitzø after one mistake, and throws him out. He continues to impose his narrative on Blitzø and…

I don't look down on you! How many times do I— When have I ever?! S2EP9, Apology Tour, 2:45

When have you ever indeed, Stolas? You literally look down on Blitzø saying that. This moment illustrates the problem clearly. He isn’t lying when he says he doesn’t look down on Blitzø because he genuinely believes he doesn’t.

Despite all said, Stolas is making a tremendous effort and is progressing, and he is far ahead of Stella, who is openly classist/racist and very conscious of her biases. So I believe—no, I know—he will get there one day. But not today.

This is something I take quite seriously, and I think people need to understand how dangerous this subtlety can be, as it happens all the time in real life too.

How often do you ask yourself why medical research groups are predominantly represented by white, cis, upper-middle-class males, and how this affects the efficiency of treatments suggested in these studies for everyone else—women, people of color, non-binary folks, and those who struggle financially?

How often do you visit museums and see art created by wealthy aristocrats who defined what constitutes 'fine art,' while 'folk art'—often created by marginalized communities—is overlooked and lost to time?

I could elaborate further on how deep and cruel this bias is, but I’ll stop here. I just ask you to consider why you might get offended when someone points out Stolas's subtle bigotry and why you might downplay it compared to the loud, aggressive Blitzø, whose anger and avoidant issues are obvious.

Just sit with it.

[narutouzumakiarchive]

I love the Naruto and Sasuke reunion.

When a character is suffering from some illness and an author wants to foreshadow this, one way to do so is by having the character exhibit symptoms of said illness.

Sasuke's personal affliction is the weakness that he associates with having personal bonds and connections to other people. This is something that he's forced to reconcile with during VOTE 2 with Naruto, who was Sasuke's weakness and the only person that Sasuke felt he needed to cut off to be lonely. But before we get to that moment there are hints along the way.

Now, during the reunion we hear Sasuke discuss this personal view of what bonds are. There's the repetition of the "bonds = weakness" motif that crops up throughout the manga, but more specifically, Sasuke states that the confusion that arises from having too many bonds is what causes that weakness.

This is where the first seeds of sns foreshadowing were planted post timeskip... I looked through 9 different sources (in order of what popped up on the search engine I used so there was no bias or selective filtering) to get a general consensus, and one of the primary symptoms of confusion/delirium is distractability. Distractability is characterized by diminished alertness, an uncertainty of what's going on around you and your surroundings.

And during the SNS reunion, we get just that. Right after Kurama ominously warns Sasuke that he'll regret killing Naruto, Sasuke, who Kishimoto made a show of pointing out surpassed Team 7 in strength, pointedly stares at Naruto to the point that he ignores Yamato. Furthermore, Sasuke's lack of external awareness is highlighted in the manga when Sasuke is narratively punished for this oversight with Captain Yamato's retaliation. The significance of this scene lies not in the fact that Sasuke stared at Naruto, but in the fact that Sasuke lost control when staring at Naruto. Kishimoto wanted this moment to be taken note of. It's a manifestation of Naruto being a "temptation" and cause of confusion.

And the scene itself imparts a romantic connotation that's validated by the text.

Previously, briefly discussed my view of romance which I'll elaborate a bit on in this post, using the reunion scene as an example.

So, from a scientific perspective, romantic love has been shown to be correlated with reduced cognitive control. In other words, romantic love is linked with distractability and a decreased ability to focus on tasks.

One of the ways this scientific *fact* has manifested itself in a shared socioculturally produced convention is through the Distracted by the Sexy Trope [an aside: I dislike the name of this trope], which is characterized by a character losing control (whether it's walking into walls or dropping whatever it is they're holding) at the sight of someone they find attractive.

And furthermore, this is a romantic trope that is promoted by the Naruto text. During the battle with Kaguya, we see the Distracted by the Sexy Trope manifest when Naruto uses the reverse harem jutsu on Kaguya, and she gets distracted to the point that she's temporarily caught off guard by the enemy. Now doesn't that sound familiar?

In both cases (Reunion and War Arc) there's significant narrative focus on the act of staring, and that act of staring has a tangible impact on the plot.

So not only does the Naruto and Sasuke reunion function as a way to show Sasuke still hadn't managed to cut his ties with Naruto, it's framed in an incredibly romantic way with a common romcom trope

... and this is just Sasuke's side. I haven't even discussed the way Naruto reacted towards Sasuke in this scene. But anyway, I think their reunion is neat. I also love the narrative progression from Kurama warning Sasuke that he'd regret killing Naruto directly to Naruto causing Sasuke to lose his external awareness. Kishimoto couldn't have been more clear about his intentions and the fact that the latter scene was an extension of the former and that both were connected.

[putschki1969]

Kalafina 「sprinter」 (Yuki Kajiura LIVE Vol.#2) - Unreleased and Unedited

Update 24/09/07: The original YouTube "video" was made private so I can no longer link to it. Instead, I am including the audio which I downloaded last night from the video. Please note that even though I keep calling the original upload a "video", it is just an audio track with a picture.

Update 24/09/08: The video on YouTube is back up again. I don't notice any obvious changes so I'm not sure why it was put on private in the first place. Check it out HERE.

Update 24/09/09: Check out my UPDATE POST here. New information has been revealed that in my opinion proves that the track on YouTube is fake.

Thanks to @gslin (@gslin on Twitter) for the heads-up! A mysterious account on YouTube (@FJS_Official => which is definitely not "official" but pretends to be judging by their name and handle; The account has since changed their handle to "@FJS_Channel") has uploaded an interesting audio a couple of days ago. It is presumably from Kalafina's front act performance for "Yuki Kajiura LIVE Vol.#2" held at Shibuya O-EAST on July 31, 2008. Wakana, Keiko, Hikaru and Maya (who was still a member back then) sang 4 songs in total:

oblivious

Kizuato

ARIA

sprinter

Official footage exists of their "ARIA" and "Kizuato" performance (included as bonus content on the "Seventh Heaven" album) but up until recently, I think everyone believed that there were no live recordings of "oblivious" or "sprinter" featuring Maya (please correct me if I'm wrong in that regard).

When I initially saw the video on YouTube, I thought that this whole thing was fake. I feel like these days, any tech-savvy person can layer different audio tracks and make it sound like a brand-new live recording with a few tweaks here and there (especially if you factor in the growing popularity of AI). I mean, all you'd have to do is mix the original studio recording with Maya's vocals (or Maya's unofficial karaoke performance of the song) with one of the many existing live recordings of "sprinter" and voilà, you'd have created something like the above audio.

However, after listening to the audio a few times, I'm having a hard time recognising any specifics of the live performance. I'll admit, I'm not 100% familiar with every single "sprinter" performance since it's not exactly among my favourite songs but from what I can tell, Hikaru sounds a lot shakier than in any of the "official" live recordings that are out there. So yeah, this might indeed be "unreleased" and it appears to be as raw/unedited as it gets. I did a quick research but couldn't find anything on this topic so I don't think this has been posted before...

As @gslin has mentioned on Twitter, the sound quality is exceptionally well, too good for a bootleg (possibly recorded in an official manner close to the PA system?)

The video description says that it is a sound source preserved at Sony Music but I have my doubts about that. I wonder how the person who runs the account would just get access to it and be allowed to post it on a random YouTube channel. Sounds a bit fishy to me. If there are actually people out there who can get their hands on unreleased Kalafina audios, there would be more of them floating around (someone give me all those Christmas live sound sources!!!!).

But who knows, anything is possible. Maybe the venue had some of these sound sources stored (no idea if this is a common practice)? Shibuya O-EAST could have gotten rid of them (made them publicly available) after they rebranded the venue in 2021.

[kinopioa]

It's funny how these are technically 3 different chars

But due to sheer publicity of the latter 2 and bias, no one cares!

Let's elaborate

Rise of Lyric

RoL Shadow is a dick. However his main reason for fighting Sonic is entirely due to him fucking up in releasing Lyric. Unfortunately this is poorly explained, and most only saw the boss fight, so many assume he was just a bully for no reason

Post Final boss however

The teamwork dissing is important, I'll explain

In John Melchior's draft, the game was apparently meant to be more serious, but late dev Sonic Boom's brand was suddenly meant to be a comedy, so another writer took over to insert comedic elements along with prioritizing the *teamwork* gimmick. Whether Shadow was initially planned or not is debateable, but his dissing on it seems to have been the aftermath of this gameplay focus. It's also important to note that Shadow's origin is straight up not mentioned, and he's treated as a familiar

Shattered Crystal was made likely after this shift, hence

Shattered Crystal

So taking place in its own continuity, Shattered Crystal features Lyric wanting to use Amy's archeological knowledge to access ancient tech. Shadow is captured off screen and used as a pawn

When freed, he's confused and aggravated, especially upon finding that he was mind controlled. He however has no true hostility to Sonic unlike RoL, though mad dashes off to find the snake. Lyric in the end after the boss fight is taken out by him, then we get Stixk's crack teamwork speech

Again, Shadow specifies he's a loner, and weirdly states he's superior, but just leaves harmlessly

Meh attitude, though better than RoL in execution. This was written by Warren Graff, Ken Pontac, Tin Guerrero, interesting as it means they were aware of the brand distinction given differences to mainline

Meanwhile the TV Show

TV

Everyone knows of his infamous S1 finale apparence with him coming in on Eggman's villain council, calling them shit and leaving, then aggressively targeting Sonic and beating him up, says the fucking "shame to hedgehogkind" after breaking an IKEA cabinet entirely cuz...

He's evil

Why??? I really don't know

Season 2 is even dumber, you straight up have him want to nuke the entire universe. Again, villainous for no fucking reason

Even for Boom standards this is beyond stupid. He's an anti hero in SC, and nowhere purposefully destructive in RoL

People learned later about mandates from Sega, though it's important to note 2 things

-Shadow being an edgelord is entirely the writer's idea

-Sega barely wanted to use him in general for Boom TV

I can't stress this, for as much as fans pushed the "Sega wants bootleg Vegeta" narrative, nowhere do either writers say they were forced to. It was just them taking cynical piss at the "no jokes" mandate that clearly wasn't hard pressed given what happened, and did the surface level comparison that was common in the early 2000s. For as limiting as he was, they clearly did whatever the fuck they wanted given how much this contrasts with both Boom games

Ffs, they could've just had him petty at Sonic for taking the last burger at meh burger as a concept, there's a better way to have him be a dick

I'm honestly curious if his backstory would've ever been revealed in a later Boom game (hence the show being explicitly barred from making their own), but as we know, Boom was discontinued around 2016 game wise, and the show ended 2017

[clare-with-no-i]

theogony part 1 behind the scenes

**SPOILERS ahead for theogony and mild spoilers for Outlander!**

this is just going to be a long infodump of all of the things I pondered while writing theog (specifically part 1, part 2 will come later) but never talked about! I'll try to go chapter by chapter, and maybe I'll end up adding more later on, but for now I just think it'd be fun to chitchat and reminisce on some of my favorite tidbits. this story is really my baby idk :")

Prologue - Alalá

one thing that I wanted to establish in the prologue, other than the obvious James-Sirius dynamic, is the presence of otherworldly or spiritual premonitions in this universe. it was always important to me that the first person who actually made any sort of prophetic declaration was James.

so much of the story relies on Lily's status as an oracle, but this little tidbit here helped build the world for me so much; we can't be sure if James's various dreams and premonitions are wishful thinking, or really the Gods speaking to him, or something else entirely. of course, this story deals with time travel, so there's an inherent supernatural element. but Lily and James's conflicting – and sometimes competing – conceptions of God felt like such a necessary tension for me to explore. it was such an incredible shorthand for the tension between modern and ancient sensibilities. and we never get a definitive answer to those looming questions, which I knew I wanted to do from the outset. did the Gods bring Lily back to the past? did James? did she do it herself? does God/the Gods even exist?

also: there are probably moments where I failed to do this, but I tried to capitalize Gods in all of the James chapters but not in Lily's, unless she was referring to the Abrahamic Capital G God. that is, until the last chapter, which I'll elaborate upon later :)

also: i wrote the prologue first, then the epilogue, and then i posted the prologue pretty immediately after. I had the entire story roughly outlined but I absolutely jumped the gun when it came to posting the prologue LMAO I didn't even really announce the story, I just joked about writing it and then posted the prologue, which you can see from the beginning note. i remember Suze was about to go to sleep and she started messaging me like wtf Clare what do you MEAN?

and the rest was history (pun completely intended)!

Chapter One: Ouroboros

the narrative brushes past the other statues in this section pretty quickly, but I always imagined that the first bust is Philoctetes, James's father. I think the consensus on this one tends to oscillate between Philoctetes and Aristides, which is another great interpretation.

The reason I wrote it this way and imagined it to be Philoctetes is because I thought it would have been nice to let Lily 'meet' James's father (in a sense), even before she 'meets' him. when I read this chapter back after I first finished the story, I had a very soft moment where I close-read my own fic (lol) and thought that maybe it was Philoctetes who sent Lily back to the past. maybe he sensed something about her and knew she'd be right for James and for antiquity.

sooo many people forgot about this! which i was hoping for!!!!! I was hoping everyone would forget about James's statue holding something until the Big Reveal. fun fact is I wrote the reveal right after this. I liked the idea that, no, he was never going to actually be holding anything. he'd be reaching for Lily. the choice to accept his hand was always going to be hers.

a fun fact about this chapter is that I had to pull from a bit more Outlander lore than I originally thought. and no I don't mean the 'Jesus H Roosevelt Christ' part lol. It was always hilarious to me how Outlander set up Claire to be the objectively perfect person to go back in time. she was a combat nurse who happened to develop an interest in medicinal botany and Scottish-English history. she also happened to spend her formative years with her adventurous archaeologist uncle after her only living relatives died. like girl. lol.

so I had to really toss up which traits I thought it would be appropriate for Lily to have as she traveled back in time. the biggest one, obviously, is her field of study, which was necessary given the language barrier and the completely foreign nature of social norms in Classical Athens. I toyed around with the idea of making her mum a nurse so as to give her some base medical knowledge, but that felt a) unnecessary given the circumstances of the story, and b) far-fetched that she would have gleaned enough transferable skills to apply in 479 BCE.

it was also fun to give her more reason to go back to the future; she has a sister who, while they aren't in contact, is a significant emotional attachment; she has academic goals; she has a best friend (however toxic we know him to be). it added a layer of conflict that I enjoyed playing up, even if I definitely could have explored her modern life more fully.

Chapter Two: Kinesis

soooo much exposition and worldbuilding in this chapter. oml. it was so much fun to play around with the reasons why James would be in Tatoi in the first place; I can't remember quite how I landed on the Persian auxiliary soldier thing, it might have been from my initial (admittedly extensive) research on the months leading up to Plataea; it may have just been the fact that I KID YOU NOT this story used to take up all of my fucking brainspace. I couldn't stop thinking about it. I'd be doing work for my research fellowship and just daydream about theogony. the initial idea came to me AS A JOKE!!!!! when i was idly pondering before going to sleep (as one does), and then it just wouldn't leave me alone. i kept imagining what it might look like. I thought about how the time travel might work. I thought about James's Greek equivalent. I ranted to my sister and her dog (he did not care) about what the statue might look like and mean (sorry bestie love u).

one narrative decision that has given me a bit of strife was the Dimitrios-James name change. I've had a number of people ask me if I'd ever try to pubilsh theog – and this is one of the (many) reasons why that would be pretty categorically impossible. using James's English name in his internal narration, instead of the name I give him as a Greek man, is something that only translates to fic. it makes pretty much no sense at all if you consider these original characters lol.

honestly putting the word 'practicum' in here caused me SO much pain. in James's chapters I tried really hard to use words which had Greek roots and not Latin roots, even if they're in modern English today. in most of his chapters, I'd try and find synonyms for big/complex words so I could use ones that came from Greek. it just helped me stick to his narrative voice a bit more.

I forgot how much STUFF went on in this chapter. oh my god SO much happens?? we get the lack of the Parthenon as the time marker (felt very clever doing that), Lily processing the fact that she's time traveled (lazy writing on my part to not have this happen in a Lily POV chapter but I'll take that on the chin), the Plataea reveal. OML. tired just thinking about it. lily sweetie i am so sorry

guys, the amount of time I spent wondering if I should Greek-ify Sirius's name is insane. For so long I thought about making him Seirios, which is the original Greek version of Sirius. But I felt like I had already messed with their names too much, and so I left it. but honestly I'm still torn. looking back, maybe it would have been the right move to make him Seirios and have Lily give him the name Sirius, but I guess we'll never know!

one of my favorite Sirius moments, and something that, essentially, sets up the rest of the story. but I wanted there to be a little ambiguity throughout the story about how much of this Sirius actually believes.

we know that James has just confessed to Sirius and Pétros that he was hoping they'd desert the Athenian army. we know that he thinks he's going to die, and he's adopted this sort of fatalist view of his future. and then here you have Sirius, who could never abide such a thing, pretty much leaning into the idea that Lily can tell the future – which would allow him to challenge James's prediction. I always wanted to leave it up to interpretation, and I know it comes up in later chapters (at the komos especially), Sirius's skepticism about Lily's origins. but it's such a fun question to ask: does he really believe that she's the Oracle that James prayed for, or does he just need that to be true so he can try and influence the future himself?

Chapter Three: Peribolos

omg. lol. the chapter three opening academic argument scene. this is a favorite of mine, and something I had so much fun writing. it's actually based on an argument/"spirited discussion" I had with my dad a few years ago about moral absolutism versus moral relativism which forced me to interrogate and expand my knowledge on the subject. I thought it was such a fun way to get into Lily's politics and her character without doing crazy exposition in the ancient world.

it also touches upon one of the touchstone themes of the story: that to study something is, in a way, to detach yourself from it. academia is routintely completely disconnected from its subject matter, and it creates this weird disdain for lived experience versus book knowledge. Lily has spent upwards of ten years studying (in some capacity) the ancient world, but she is so utterly out of her depth when she experiences it herself. as such, she espouses these very revolutionary politics when examining historical conflicts, but she has a blindness to what the real-world realities may have been for the people living in those conditions at the time.

alsooooo, The Return of Martin Guerre is one of my favorite books I read in college, and the easter egg here is that it's about a person of dubious origin entering a community and the politics of how the community might accept or reject them. ha ha!

^^based on something I said in an argument with a Poli Sci major in college and I have to say one of my better moments. was an absolute haymaker. this was very 'author gives main character a zinger' of me and I will not be ashamed of it

this! ladies and gentlemen! this was basically a declaration of love!!!! to be loved is to be remembered!!!

in a very romantic way, the study of history can be such an act of love to those who lived before us. i just adore the idea that, even before Lily developed real romantic feelings for James, she had this itching sort of feeling; AKA, when someone has made such an impression on you, and you know (or in her case, you think) that you'll be leaving them at some point, and you just want to be interesting enough, be impressive enough, that they remember you, that they think of you randomly as time goes on. that is such a giddy hallmark feeling of having a crush, in my book. I liken it to making eye contact with someone or having a brief conversation on a night out, maybe at 3am on your way back from a bar when things are sleepy and dizzy, and you just have this sense that you're being seen in that moment as anyone you want to be. i love this moment so much I feel like I could give it its own meta LMAO

Chapter Four: Hamartia

this chapter really put the pedal to to the metal lol. at the time of writing the story, I generally didn't (and still don't) love fake dating that much as a trope; I don't typically love plotlines predicated on (even harmless) deceptions, it's just a sensitivity of mine that I don't expect anyone to relate to or share. but when I was considering how to structure theog, it just made so much sense for James and Lily's arcs to have them get 'married.' there was no way that Lily was going to be able to navigate Classical Athens as an unsupervised woman alone, and even with the Oracle title offering her some protection, there was nothing really tying her to James. much like Outlander, it really did feel like the last possible resort, which softened me to the idea of using the trope.

fun fact, i got a snarky comment a few months ago complaining that i was trying to pass the story off as historically accurate (lol to the fifteen disclaimers I embedded throughout which addressed that) and one thing they took issue with was that lily wouldn't have been able to own property and the only thing that would have kept her from being a slave would have been marriage.

which! yknow! none of which contradict the story! but anyway I digress.

I was initially nervous about how early on the fake marriage happens; we don't really know the characters that well yet, we're not sure who James is as a potential partner to Lily, or how Lily's feelings for him are starting to bump up against her very rightful and justified desire to get the hell out of dodge. but – we only really see James in canon as a husband and as the father to the main character, so it felt pretty true to the source material to throw him into being a husband pretty early.

I loved writing this scene with Aristides. I've always been partial to his appearances throughout the story, and this one is just so special to me. I think of him as a driving force in humanizing the ancient world in theog, sometimes even more so than the main cast of characters. to elaborate a bit on that: with the Marauders and Lily and the other transplanted HP characters, I think there's this inherent sense that they are already fleshed out people (to some degree) even before they hit the page of the story, because they appear in canon and across Marauder fic verses. no matter how much I make James into Dimitrios and Peter into Pétros and Fleamont into Philoctetes, people know them and love them outside of theogony verse. but not Aristides. he doesn't have a one-to-one HP character. there is some version of him that really existed in 479 BCE (my complex and largely negative feelings on RPF are setting off alarms at this but we proceed) and that's it.

it would have been easy to just give him this very gruff and surly character, to make him a military general who didn't care about anything other than the war. I think that's how we conceptualize historical people sometimes, often without meaning to. but he was a person, and he had likes and dislikes, he probably had a family and maybe he'd fallen in love, and it was such an honor to give him such dimension. not to say that I'm putting that personality upon the actual historical person; but just to really take my time with a character outside of the Marauder canon. in this scene he has this human moment where he reminds James that, yes, love is a worthy pursuit, even to those in positions of incredible power. even when the discussion isn't about romantic love but about James's love for his closest friends. it's this permission that James didn't even know he was seeking but ultimately that changes the course of his and Lily's lives. Aristides is who James might become, in many ways. in the actual Plataea chapter this becomes more and more prevalent. (more on this later!)

overall, I am forever hoping that people come out of reading this story with an appreciation for the humanity of those that came before us. I did a poor job with other characters in this story, and I own that, but I'm proud of how I wrote Aristides.

oh my godddddd I fucking love this part. i am so fucking proud of it. LMAO. achieving wordplay in an ancient language that i have never studied should be on my fucking CV I swear. like this was just perfect I'm sorry I am BUZZING that I pulled this off.

also, a cute way to introduce a phrase to the narrative which will become very important: se filo!

I remember that I wrote this passage, which many people commented on and which I loved writing, in a coffee shop on a sunny day when my cousin was visiting me to introduce me to his girlfriend. there wasn't any wifi in the coffee shop so I was blessedly devoid of distractions and could only focus on the doc, and i was LOCKED IN let me tell you.

when my cousin and his girlfriend arrived I told them I was sending an important email and edited the last sentence of that paragraph about four different times while they sat in silence and waited for me to finish LMAOOO

Chapter Five: Ascesis

a profoundly insane moment in my personal history was reading excerpts from Eudemian Ethics, Nichomachean Ethics, and Memorabilia just to passively mention them in a flashback in a fic. relied heavily on Foucault for this, I will be so honest. why did i do that tho. like girl take a breath...

but in all seriousness this was just a joy to write. i miss being a history student and having these discussions – law school is great, but history classes will forever hold my heart ngl! also, this passage is in some ways an homage to my grandfather, who is one of my favorite people ever. he taught himself Classical Greek and Latin when he was in his 20s, before he went to medical school (and get his pilot's license for fun, he's seriously the most interesting guy alive). he gifted me his leatherbound Great Books printings of Aristotle's works and of the Iliad and the Odyssey shortly after I started theogony, and I cherish them so much. he spurred my interest in ancient greece when i was young. so this is for him :)

one of the hardest things for me to articulate (and maybe something I could have done better) was the war and the balance between James's inherent goodness and his growing feelings for Lily. i wanted her to have plausible reason to think that he doesn't at all feel romantically towards her, even as she's growing to admire him more and more. I hoped, as I wrote the story, that these little interactions where the reader clues into his feelings (this protective 'peninsula' moment being one of them) still walked that line. as in, i wanted lily to reasonably believe that he's just that good of a guy that he would take issue with anyone being taken advantage of, not just her. she's so destabilized in this moment as well, I think that worked to my advantage. or I hoped it did LOL.

from what I remember of writing this chapter, it just came really quickly and naturally. much more than the later ones. this early period of writing was just an outpouring of the ABSOLUTE BRAINROT I was going through after conjuring up the idea for the story. it just flew. the ending scene where they have their little almost-moment was probably about an hour's worth of writing. it's like I couldn't type fast enough to keep up with my thoughts. not sure i've experienced that since!

also, the now, here, alive line reappears in the last chapter, which is one of my favorite callbacks:

:) :) :)

Chapter Six: Kleos

one thing I used to worry about CONSTANTLY is that I was losing the classic (and necessary!) Marauder goofiness to the more somber setting. so it was a jaunt and a boon to write scenes like the opening one here, where it honestly could be copy-pasted into the Gryffindor Common Room and it'd look a lot like my canon stories.

he's just a dude being hungover and embarrassed about the previous night with his bros!

the first time we get a hint of Pétros disappearing to dubious locations!

this chapter was one of the most research-heavy. it was a new setting, filled with new characters, and predicated entirely upon planning the Greek front at Plataea. so if I couldn't nail that down (at least to some degree), I was going to have trouble. of course I took liberties, but I spent a lot longer combing through sources for this chapter than some other ones, I'll tell you that for free. it took ages to find any treatises on ancient athenian sword combat, sigh.

yeah I mean i remember thinking that the subtitle for this chapter could have been 'I am going to create an environment that is so toxically masculine' because that's pretty much the whole vibe. James is not immune to that, either, and that was intentional. he feeds off of the violence and the anger of the men surrounding him, and he exhibits some behaviors in this chapter (rushing off to kill Anaxagoras after he grabs Lily's arm, for instance) which are not ideal! but I do think that there's meaningful conversation to be had about Lily's cultural assimilation into an ancient, misogynistic society, and how there was absolutely no way I was going to get out of this story without giving James some sort of period-typical attitude. now again, I took the liberties I deem necessary, because I have no desire to make my main romantic lead into an asshole. that's not my James Potter. not that that's news [gets taken out by a sniper]

i got CLOWNEDDD for referring to this dude as Dion son of Dion but idk what to tell you!! that's how the old documents referred to him!!! i didn't make that shit up I swear to god!!!!

also - that's the actual text of the Oath of Plataea, except (as Lily points out) it should read Athena Areia. is it likey that she'd remember this off the dome? no. is it possible that she just recognized the missing descriptor from context clues? yes. did i care enough to explain this either way? no, no i did not.

the Big Ticket Item of this chapter, though, is the oh.

and it wasn't just an oh, it was an oh followed by this innocuous conclusion that isn't even about Lily. i made myself laugh so hard with that. he's just like 'oh god my friend is going to wave this over my head FOREVER' and you know what? he's right!

as for the previous paragraph in that passage, I pulled a bit of a bait and switch, but not as badly as you might think! it was a risk to even bring up the idea that James could leave Athens, because I know it spurred some people into thinking that he'd go to the future with Lily (sorry babies that was not on the table). but what I intended for this passage (however successful it may or may not have been) was to just…allow him a moment of real, visceral empathy for the sensation of displacement that Lily's experiencing, and as well, introduce the idea that he might leave the life he's cultivated in Athens. his entire upbringing has been himself, the consummate Athenian man, surrounding himself with people from outside of Athens and drawing from their experiences, but never venturing outside of his little realm. in so many ways, the story questions what Lily's relationship with 'home' is (especially later on), but it always felt necessary to me to reckon with how 'home' may change for James as well.

finally:

yeah honestly i just remember the exact moment i thought of this passage. i had been reading the secret history (shoutout Donna Tartt i idolize and fear you) and i was lying down in my local park in the summer. I just thought about the Greek myths I knew, and the kind of cosmic horror that it is to really admit you're falling in love with someone, that they have this power over you that you didn't anticipate. and that closing line of the scene really struck me out of nowhere – I wrote it down in my notebook and just stared at it for a good few minutes. it's still one of my favs of the story :)

ok! if you made it this far, you are just amazing. this has to be a few thousand words at least. TYSM!!!!

see you all later for the part 2 BTS ❤️

[mysumeow]

Tighnari NSFW Alphabet pt. 2 ⊱☆⊰

warnings: afab genitals. gender neutral pronouns. mentions of breeding, scenting, marking, and usage of aphrodisiacs on this post.

a/n: i didnt think i would post this today but here we are. i hope the food is good

PART ONE

K = Kink (one or more of their kinks)

Breeding, scenting, marking is pretty much a given at this point. Sprinkle in a tad of having a thing for using particular medicines that could either heighten one’s sensitivity to stimuli, or mess up with someone’s arousal levels, increased fertility rate, etc. Plants truly are a blessing from the heavens! You can come up with so many combinations that can give interesting results during sex. Tighnari is knowledgeable when it comes to these types of liquids. Of course, all of this requires prior mutual agreement.

L = Location (favorite places to do the do)

Usually prefers the comfort of being in private. As long as it's inside his home or yours, he’s in. If you go overboard with your teasing while he’s on patrol, and you both are deep in the forest’s innards, there’s a chance he might give in. However, he must be borderline pent up for that to happen.

M = Motivation (what turns them on, gets them going)

You being near this man is enough for him to think...stuff about you. First, he perceives your voice from a great distance, his tail is already wagging happily, as embarrassing as it is for him (he can’t control it). Then, your scent. You smell nice; he can’t help thinking as he greets you with a smile. He’s chatting away with you, and next thing he knows; he’s already craving more of your touch and body.

N = No (something they wouldn’t do, turn offs)

Sharing you with someone else. During sexual activities, the only ones involved should be you and him. No one else. Not because he’s incredibly jealous…but because his nature just doesn’t allow him to. He could consciously agree to it, but in the actual moment, he’ll feel uneasy and end up opting out.

On a more humorous note, if you were to crank up a bad joke during the deed, he’ll go soft.

O = Oral (preference in giving or receiving, skill, etc.)

Giving.

He'll enjoy it as much as you. Though he might lack experience, there's something about your natural scent that gets him going, to which he sucks and licks you with such fervor, experience can get overlooked in this case. It all ties down to scenting: he's constantly thinking of opening your legs and burying his face between them. 

"You smell so good, please let me suffocate in the middle of your thighs" he thinks.

(I'll elaborate a little bit more later on.) 

P = Pace (are they fast and rough? slow and sensual? etc.)

Starts slow and gentle, taking his time with observing your reactions, where he achieves the most delicious reactions from you, enjoying his time with you... He'll keep his pace moderate and constant. He'll go faster if there's a lot of teasing on your part. Much faster. He almost seems like a different person, pushing you against the mattress, restraining your arms behind your back, and just bullying your poor cunt with his pounding. Oh, and your clit, of course. His fingers aren't leaving that place anytime soon.

Q = Quickie (their opinions on quickies, how often, etc.)

With his busy schedule, there's barely any time window for him to engage in a quickie. He prefers waiting until night so he can take his time with you, but in the event there's a opportunity for a quickie, it has to occur in a private area. Or semi private at most. 

R = Risk (are they game to experiment? do they take risks? etc.)

Everything's fair game as long as it's done in privacy. He's most willing to take a risk in public if it's done in the middle of the forest, where he's 130% sure no one's on patrol near that area. 

S = Stamina (how many rounds can they go for? how long do they last?)

If he's not making you cum at least twice that night, you're not escaping from him. If you're in an interesting situation in which he proposes some aphrodisiacs and one of you or both are under the influence, you're going to wake up covered in love bites and bruises all over your body. 

T = Toys (do they own toys? do they use them? on a partner or themselves?)

You'd have to be the one to introduce them. With you, he's very lenient on what you want to try out in bed. 

U = Unfair (how much they like to tease)

If you've been misbehaving (a.k.a been teasing him too much), he'll return the favor tenfold. Fox boy is generally good natured and patient, but even he has a limit. He can get real mean about it if you surpass it. 

V = Volume (how loud they are, what sounds they make, etc.)

Whines. He attempts to keep his voice low, and if he's going at a moderate pace, you'll be rewarded with his soft moans and heaving breaths. On the other hand, if he's overstimulated and going fast, he won't be able to hold back his small whines. They're small, but constant. 

W = Wild card (a random headcanon for the character)

He has a big thing for your fluids. Your cum, specifically. Every time he goes down on you, you must push his head away because otherwise he's going to keep licking and sucking your pussy even after you climax, which ends up overstimulating you. And he always has this dumb, messy look on his face: tear-prickled eyes, blush all across his cheeks, and his tongue out, from where an obscene mix of his saliva and your cum drips. There's just so much of it, and he seems so satisfied with himself afterwards when he makes you squirt or cum so hard that it takes a whole minute to come back to your senses.

X = X-ray (let’s see what’s going on under those clothes)

We all saw it coming. One word: knot. 

When you hold it, your middle finger and thumb never touch, and you must take deep breaths when you have it in your mouth. It’s so heavy on your tongue, too. And don’t even try to pull yourself off his knot before it’s calmed down, you’ll hurt both yourself and him.

Y = Yearning (how high is their sex drive?)

It’s consistent. He wants to have you at least once a day, but he can control himself when there’s too much work piling up.

Z = Zzz (how quickly they fall asleep afterwards)

After he makes sure you’re all taken care of, he’ll cuddle up and wrap his tail around your leg as he keeps you company until you fall asleep. Once he sees you’re off to dreamland, he follows you.

[happiest-hotch]

Appreciation

a/n: so i was watching Don't Worry, Darling for the first time and all I could think about was the dining room table scene with Aaron, so I had to write it

Summary: You cook your husband dinner and he makes sure you get the appreciation you deserve

CW: oral sex (fem receiving)

WC: 1.5k

There's an evergrowing list of things you love about your life post-BAU. The reason you had to go into WITSEC was terrifying, and it changed your world and perception of security, but now that you're out of protective custody, things are better than ever.

Vermont being so beautiful helps, as does the lack of stress from Aaron choosing not to return to Quantico and his endless list of Unit Chief duties. After being with Aaron for a crazy six years, the slower-paced life is perfect. There are no missed dates and mutual guilt because Aaron always felt terrible for canceling last minute, and you felt bad that he felt bad. 

One of your favorite things is when he comes back from work. There's more than enough money between his FBI 'retirement' and your shared investments for him not to work, but he's thrived off structure for so many years that he's not ready to give it up. His hours are nothing like when he was at the BAU. There are no missed holidays, and he's never missed a school event of Jack's.

That morning, Aaron told you he'd be home 'late,' which is 6 pm these days, not 2 am. Although Fridays are date nights, you like surprising him, and you've got a few extra hours, so it seems like the perfect chance to make a more elaborate meal.

You're just turning off the oven to let the roast sit when you hear Aaron's key in the door. Excitedly, you skip over to greet him. 

"Hey, handsome." You say with a grin. Aaron in a suit is a pleasure you get to see every day.

He puts his bag and keys down on the side table. "It smells amazing in here." He notes. "Did you make a pork roast?"

You nod, not having the time to answer before he kisses you. Unlike the peck you were expecting, his lips are firm against yours as he walks you back through the house with his hands on your hips.

"With roast vegetables?" He checks when he pulls back, his lips only an inch from yours. 

"Mhm." You agree, but you can't tell him what specific vegetables you've cooked before he kisses you again. You're boring together, but you usually have a routine: a welcome home kiss, a drink, maybe some hugs in the kitchen, and dinner. His affection isn't anything new or unwanted, but it's notable.

"And those nice brussel sprouts?" He asks. 

You have to grab his face to move it away from yours so you can actually answer. "Yeah, because the only way you'll at them is with cheese."

Aaron kisses you firmly again, guiding you until your butt hits the table. "You love me." He sing-songs teasingly. 

You chuckle. "Yeah, I love you." 

"Good because I love you too." He replies sweetly. 

Then he's kissing you again with renewed vigor, and you're slightly stunned by his boldness. His hands drift from your waist to the back of your thighs, hoisting you up onto the table with ease. On instinct, your thighs spread to let him stand between them.

"Mmm." You mumble against his lips, pulling back for some air. "What's gotten into you?"

"What? I can't thank my darling wife for a delicious homecooked meal?" He wonders, making it easy for you to identify what's made his eyes darken. "Jack's out, right?"

You brush your nose against his with a soft smile that he mimics. "He is, but how do you know it's going to be delicious?" You joke. 

Aaron chuckles, quickly coming up with a witty reply. "I'll thank you for the effort then." He decides.

You grin. "Alright, get to it." 

He winks, planting another kiss on your lips before sinking down to his knee. 

You're thanking yourself for wearing a dress that gives him quick access when he bunches the skirt further up your thighs. 

He starts with gentle kisses trailing up your inner thighs, designed to be loving and teasing. Your skin heats with his mouth on it.

"Someone had after-dinner plans for tonight." He teases, fingers tracing along your underwear- your lacy white underwear- to accentuate his point.

"The order wasn't important." You say through pressed-together lips to keep from moaning. 

His laugh pushes warm air against your core, making you tense on reflex. "Relax, baby." He instructs. "Let me take care of you."

You lay back, getting ready for what'll no doubt be a mindblowing orgasm. Aaron pushes your panties to the side, fingertip tracing over your most delicate skin. You can feel him smirking at how you quiver, completely at his mercy. Because this technically is your reward, he doesn't excessively tease you, and you barely have a few seconds before his lips are right where you need them. He starts with slow kisses up and down your slit before his tongue finally dives in, making you gasp.

"Fuck, Aaron." You moan as his tongue darts around, tasting every inch of you. "Feels so good."

Your praises make him double his efforts, pressing firmer into you with his tongue. Your walls flutter around him, but it doesn't do anything to dissuade his work as he keeps lapping you up. 

You card your hand through Aaron's hair, tugging him closer to you, and he gets the message. He moves his head from side to side, brushing his nose against your clit and making you squeal with delight. Like the expert at working your body that he is, he focuses on a different part of you, licking a fat strip with his tongue flat against you before reaching your clit. He anticipates your next move as well because his hand has been ghosting over your thigh, knowing you'd tease and try to close them, so when you do, he grips your thigh, spreading you again. 

"Baby." He growls in his low, warning tone. "Keep your thighs spread." 

"Okay." You agree, biting your bottom lip to keep from moaning at his hot breath fanning your clit. 

He notices because, of course, he does. "And I want to hear every one of those beautiful moans." To test that you're going to follow his instruction, his lips latch onto your clit, sucking firmly, and your jaw drops open, and a loud moan falls out.

Satisfied with you, he keeps the same movement going, focusing all his attention on your bundle of nerves, cycling between sucking and blowing and licking, with no order. You're screaming a mix of his name and curse words above him, feeling pleasure stream through your body. There's no doubt a proud smirk on his face, but your eyes are so tightly shut from the bliss that you can't see it.

"Please don't stop." You whimper, subconsciously rolling your hips against his face as you chase your high. 

"Ready to take my fingers?" He asks, his voice all low and deep against you.

"Please." You whimper out, overcome by the pleasure but still wanting more. As his middle finger slightly nudges you, you grip the edge of the table. He momentarily pulls off your clit, forcing you to focus on the feel of his fingers. He's swift with his motion to push it deep into you, resulting in a loud moan falling from your lips. His ring finger joins, stretching you open, and you silently thank the universe that he's part of the ten percent of left-handed people because the coldness of his wedding ring against your warm core is a delightful contrast.

You see stars when he starts to move his fingers, thrusting them in and out of you. "So good." You manage to moan out as you arch your back. 

"Here." He offers out his free hand to you, and you stop gripping the table's edge to hold it. You know he likes to feel how much pleasure he's giving you, so you squeeze it as he works you. 

His lips reattach to your clit, giving you so much bliss from both places, and you scream out as you get closer. 

"A-Aaron, I need to- shit- cum." You say, words no doubt slurred together. 

He knows, and he knows how to get you over the edge. "Mm-hmm." He mumbles against you. The added vibrations are enough to do it, making you moan his name while squirming on the table as you reach your high. He works you through it, lips, fingers, and tongue not letting up until you're gasping at the overstimulation.

Spent, you lay against the table as Aaron readjusts your underwear and dress before standing up. 

"That good, huh?" He asks despite knowing that, yeah, it really was that good. 

"Absolutely." You agree, letting him pull you upright with the hand you're holding his with. He leans in to kiss you, and you can taste yourself on his lips. "Thank you." 

"Thank you." He says. "Do you think dinner's burnt by now?" 

You shake your head, hopping off the table. His hands hold your hips, helping support your unstable legs. "The oven was off, so it's just probably cold." You assure him before smirking. "Oh, I meant to ask, since that was just appreciation for me cooking, what do I get if the meal actually is delicious?"

Aaron chuckles. "We'll see, but I have a feeling you've already got some requests." 

[sexiestpodcastcharacter]

Sexiest Podcast Character — Unscripted Bracket — Finals

Propaganda

Glenn Close (Dungeons & Daddies):

#Propaganda for Glenn Close: one of the other PCs mentions multiple times how hot he is #Actually several characters point it out but especially Henry #Also the only person in a podcast that has to put a disclaimer about not being a BDSM podcast to have had sex during the course of the show

Young hot rocker dilf

Loyal to his dead wife <3

Does in fact smoke weed

BARD!! HES A BARD. HE WAS LEAD GUITAR IN HIS BAND (that he was kicked out of)

His band was a Christmas cover band btw.

Literally the fandom had hot Glenn summer which consisted of drawing him being incredibly hot and sexy

Anti government (ofc)

Kind of cringefail (Disney adult) (was on dilfs of disneyland)

Young and sexy not your style? Then how about HIM AFTER YEARS LOCKED IN A TIME PRISON WITH A DAMN HANNIBAL MASK ??

Lost an eye and wears a fucking eyepatch

One incredibly buff arm

Has a pet rat named after his son <3

Immeasurable amounts of trauma in this man- becomes progressively more unhinged

OH OLD HUMAN BARD ISNT CUTTING IT? FINE

HE BECOMES A FUCKING DEMON

A COOL HOT ONE-EYED DEMON WHO WANTS TO KILL HIS DAD (also sexy)

HE CANONICALLY ENDS CHRISTIAN HELL VIA CHRISTMAS

IS ALSO WAY OVERLEVELED

Becomes a demon hunter for the rest of his existence

Also nonwhite !!! We are done with cringefail whiteboys !!!!!!!!!

I can’t put into words ok just know he is the best plz love him.

Okay but Glenn made a minivan cum by talking to her so

HE HAS A BOOK THAT HE MARKS X’S AND CHECKS FOR EVERY DAY TO SEE IF THAT DAY WAS A SUCCESS OR NOT. TO SEE IF HE DID GOOD THAT DAY. ITS ALMOST ENTIRELY X’S. HE WAS CUCKED OUT OF A SON. AND A DEAD WIFE. HE DIDN’T EVEN GET TO KILL HIS DAD IN REVENGE. There’s absolutely nothing going for him except his sex appeal in his life. Nobody he loved remembers him. He lost his eye. All he has is a pet rat and friends who admit they don’t really like him that much. He was kicked out of his own band. The band was named after him. He was kicked out of the Glenn Close trio. All he could do was deez nuts the big bad and be sexy. If nothing else, then pity him. Look in his eyes. Look at his heart and soul. He did not do the BDSM episode for this I’ll tell you what. Do this for my his sake. Do it for Nick Jr, who needs the prize money to pay for his rat snacks. Do it for his son. For Morgan. Ganbatte.

Glenn is the goofiest sexiest character there is and I will die on this hill! I will ride into battle for him! what Dndads created is truly unique and Glenn is a key part of that and for that he deserves to win. I said it before and I'll say it again - GLENN SWEEEEEP

Can we talk about how he says ‘baby’ casually? Like he just calls people that?? That’s HOT. THAT IS HOT!! He’s also bilingual and knows Japanese!!!! He’s a big dumb idiot with a lot of charisma!!!!!! HE WORKED AT A BDSM PLACE FOR TWO SEPARATE ONE SHOTS. HES SO SAD BUT PLAYS IT OFF LIKE HE’S CHILL ALL THE TIME!! HE DOESN’T THINK OF HIMSELF AS SINGLE BECAUSE HE DIDN’T DIVORCE HIS DEAD WIFE!!! He’s like.. the perfect guy. We need this win.

I’d also like to add the fact I made this. Which is the first 11 episodes edited to (almost) only have Glenn in them <3 which is a level of insanity I hope to reiterate. These took hours to make. I wouldn’t do that for anyone else.

vote Glenn I am asking with the biggest saddest eyes possible 🥺🥺🥺 he is so sexy it's pathetic and also so pathetic it's sexy, no I can not possibly adequately elaborate just trust me

Mod Note: While I will still take "bad dads are sexy" propaganda and "bad dads aren't sexy" anti-propaganda, I kindly request no more discussion on whether or not he was a bad father. This is a sexypoll, not a parentingpoll. If you see a post you strongly disagree with, you can just not reblog it.

Mod Note 2: This tournament is about fictional podcast characters. Please do not vote for the real actress Glenn Close.

Gable (Campaign: Skyjacks):

7ft tall silver-haired thembo of a fallen angel. was the literal sword of god until they killed him! reasons slightly unclear but probably sure to forbidden queer love! super caring for their friends. has one friend they have known for hundreds of years who they HATE but are bound to by the red string of fate. their sword is a part of them, they can sheathe it into a tattoo. they start out indistinct at the edges but as they have continued on through the campaign they have become more and more distinct. they became a flaming engine of justice to kill their friends shitheaded older brother who was following him. they have learned enough necromancy to allow other fallen angels to die, even though they typically cannot. they fly giant birds in to battle.

7ft tall beefcake wielding a sword as tall as they are. vengeful sweetheart

Imagine now: a fallen angel with beautiful gray hair and very big muscles. Now imagine them with a 9 ft sword. Now imagine them as a helmsperson of a pirate ship in a flowy deep-v pirate shirt. Now imagine they're dumb as a fucking rock. And finally, imagine that they killed god. Here, you have made Gable Skyjacks: sexiest podcast character of all time.

7ft tall nonbinary/genderfluid thembo fallen angel sky pirate who wields a buster sword. silvergrey hair with black/gold streaks as they regain feathers/memories of before their fall. back is covered in tattoos that hide the scars of their shredded off wings. killed God. toxic exes with lucifer. they are the keeper of several giant war birds who occasionally crave human flesh. they enjoy getting rowdy/smoking rope with their boys. they collect rocks that they think are neat. When anyone admits they are attracted to them, Gable trips over their words and absolutely swaglessly ends up sounding stupider and sexier by the end of the conversation; the will they/won't they and teasing they dish out to these (un?)lucky few is palpable. Sometimes the buster sword is on fire. They are immortal, they are cringe, they are trying to atone because they believe they are the reason the world is ruined.

Okay so aside from all of the above (giant with a matching giant flaming sword, killed god, extreme dumbass), here's some more propaganda for Gable the Godkiller.

They've escaped death multiple times with their partner in... crime? Like literally they were about to be executed in the most brutal way possible and just. Escaped and killed all their captors in the snowy wastelands.

They are the helmsperson of the Uhuru and take this job very seriously and definitely haven't left it to Bowser (you know, like from Mario) multiple times. Can steer that flying ship in horrible weather and still make it to port safely.

Healed an entire fucking hospital by cutting their hair for someone they had the hots for who was also in the hospital. Imagine being on that level of myth making in some random port city because of a hair cut.

Giant bird caretaker and also took the giant birds out on their friend's bachelor party (this was like. his Xth polyamorous marriage at this point btw) and had a fucking blast getting high on some rope and fucking around. They've also flown these birds into combat and looked cool as hell doing it (see: killing their friend's shithead of an older brother in a joust).

Had a relationship with Lucifer the Morning Star before they fell as an angel and killed God. Literally the reason the stars fell was their love for each other. The world would not look the same without Gable and they are, at the very least indirectly responsible for the creation of the Church of the Slain God and everything it represents (fantasy Catholicism).

And also yeah they are regularly tripping over themself and saying very silly things. 10/10 character we love Liz Anderson and Gable in this house

I am seeing people say that this Nicky fellow is basically trans! That's very cool! Gable is actually trans. Pronouns they/them/any presentation whatever they feel like.

Gable held a bachelor party for a BFF where the attendees hunted from their sky birds, wore dresses, and still managed to keep their eyeliner on point!

Gable killed God because he wouldn't let them be queer. They should rightfully crush anyone in their path.

We are finally going up against a character I know. I can confidently say all sexy moments with Gable are much sexier than TAZ's largely off-screen romances. Mod Note: This was written during the poll versus Killian Fangbattle.

But seriously. Listen to Gable's most recent introduction. Unparalleled sexy thembo introduction! Context: The Captain's Council is at a magical tattoo/piercing parlor (which has a lengthy form and disclosure process), trying to stay below the radar, and the Captain and Jonnit are pretending to be father/son to keep up the ruse. And to let Jonnit get a tattoo, since he's technically sort of underage. Bonus: Gable's decision at the tattoo/piercing parlor and noping out of Orimar and Jonnit's acting. (You should check out the full episode! Episode 197 starts a new arc and a good point to step into the series!)

Nicky Close (Dungeons & Daddies):

One armed half-demon man with a sword (also a Dedicated, Involved, Loving Father). (Specifically campaign 2, where he is an adult)

Transmasc bisexual (or at least so widely accepted as such it's basically canon) dilf half-demon let's start with the basics

And by half-demon I mean the literal prince of Hell

But also simultaneously is Saint Nicolas get you a man who can do both specifically this man

Missing an arm cause his ex-friends tragically betrayed him and shot it off but he doesn't need two arms to show you a good time wink wink ;)

The betrayal in question forced him to be seperated from his also hot milf voice actress wife and their son which is sad but in like a way that makes him sexier

Uses his one hand to wield a flaming katana that he used to rescue his son from the FBI

Protects his family with his life very literally which is hot as hell

Big himbo energy couldn't come up with a good plan if he used 100% of his brain

When he does fail at things it's pretty cute honestly

Definitely played a variety of musical instruments before the whole arm thing happened! Maybe he still does idk he's a sexy mystery

2 in 1 deal! This man was born from the merging of two timelines! Kinda sick!!! Also two dads = twice the daddy issues

You'd think the whole being forcibly split from his family thing would mean he isn't very close with his son but nope! His son adores him! They get along great!!!

His mom is simultaneously alive and dead

His mom bagged fucking two different dudes (one of whom FOUND HER DEAD in a different timeline, both of which are demons)

HIS MOMS NAME IS MORGAN FREEMAN, HIS DAD’S NAME IS GLENN CLOSE, AND HIS OTHER DAD’S NAME IS JODIE FOSTER, AND HIS GREAT SOMETHING GRANDFATHER’S NAME IS MERYL STREEP

HIS SONS NAME IS TAYLOR SWIFT

Lifelong pot smoker 👍 (plus drug flower user!!)

CANONICALLY BOTH A POLO WEARER (and yes, has all the stereotypes of that attached with it — a nerd, which is hot) AND A LEATHER JACKET WEARER (which also has all the stereotypes attached with it — a rebel dude person, which is also hot) [<- all widely accepted as canon by the fandom even as he’s older]

A part of the SECOND BIGGEST ship of season two, (Nark) despite the two characters only having one-two canon interactions (one of which JUST happened last episode)

Man’s a himbo what’s hotter than that

So many fucking names. You try to tag him in anything and he takes up half the space. That’s probably hot. For someone out there

This was already mentioned but so very very trans. Like. It’s basically canon

Rock and roll(er)

Joined a group of thieves called the watermice when he was like 13

for a few minutes had a guitar called the Battle Axe of Hatred

definitely had an frienimies with benefits relationship with his childhood friend Lark (sorry ppl that don’t ship nark lol) (it’s canon after ep 44 hah)

Nicky also acts like his sons Pokémon! Taylor tells his dad to do things, and Nicky does it without thinking about anything else he could do!

I feel like the audio of the entire Nick-breaking-into-the-FBI scene should be propaganda, but I'm copying select bits from the transcript:

Anthony: Yeah, it kind of echoes up through the vent, like the beginning of Metal Gear Solid. You hear a voice that strikes you as ever so slightly familiar, Taylor. Saying—  ??: [a deep voice] [echoing in the vent] Where is he?  Anthony: You hear—  Will: Uh-oh, he’s hot.  Anthony: —a bunch of shouting voices.  [giggles]  Beth: Uh-oh! Anthony: You hear a bunch of shouting voices and people shouting for him to get down on the ground to turn off his flame. To fucking get his hands behind his back. You hear this rhythmic stepping forward— because his footsteps don't sound like anybody else's because it's almost like… y’know when you toss a little bit of water onto a really hot pan and it just sizzles like that? It's like every footstep he's taking, you can hear that— Freddie: Cool  Anthony: — and you can feel some of that heat coming up in this vent, even though you can't see him at this point. And he goes—  ??: [echoing] Where. Is. My. Boy? Anthony: You hear the FBI agent—the FBI in quotation marks agent—in the back going like—  Agent: [echoing] He's safe for now. If you want to go ahead and make sure that he stays that way, you feel free to go ahead and step inside the suite that we've prepared for you, my boy. Anthony: And you hear the hot guy voice saying—  [chuckles]  The Hot Guy: [echoing] I don't think that's going to happen.

...

[a powerful rush of air builds] Anthony: You hear—  [gunfire, and the air rush culminates in a burst of flame; from underneath the fire, metal music starts playing] Anthony: —plumes of flame exploding.  [a person’s pained shout, gunfire and bursts of flame continue]  Anthony: You can feel the heat radiating through this metal vent and it's actually beginning to hurt and burn your hands.

...

Anthony: And you hear blood—  [sizzling]  Anthony: —hitting the fucking ground and you hear sizzling and things boiling and burning. Taylor: That could just be coffee! That could just be coffee. Link, let's go. Anthony: And you are getting closer and closer to the elevator. And you hear that same hot voice say—  The Hot Guy: [echoing] Where the hell is Taylor?

Gable and Nicky Together:

We are on a joint ticket now! This is a truly unbeatable combo. Not even god can nerf it because Gable killed him. Vote for us. Nicky Close will watch your stuff and play with your cats while Gable gives you the night of your life.

Gable and Nicky can literally be yuor angle or ur bevil.

Art of Gable and Nicky from @slightlyhopefulromantic.

[timemachineyeah]

I really, really need you to elaborate on this note you left on a post. I'm fascinated.

If you don't I'm sure I'll survive but this is an absolutely intriguing concept.

Whoooo, yeah, let's talk about Mormon theology and cosmology!!!

In response to me saying that this is basically Mormon theology, because it absolutely is

(I swear, being raised Mormon, and especially the studious and serious kind, and then leaving the church is like that bit in the first episode of The Office where they think they might be getting shut down and Jim says something like, "I know so much about paper. What I am supposed to do with all this knowledge if I don't work here any more." Like I never got very far in The Office, but I think about that feeling all the time.)

From the book of Mormon, 2nd Nephi Chapter 2:

22 And now, behold, if Adam had not transgressed he would not have fallen, but he would have remained in the garden of Eden. And all things which were created must have remained in the same state in which they were after they were created; and they must have remained forever, and had no end. 23 And they would have had no children; wherefore they would have remained in a state of innocence, having no joy, for they knew no misery; doing no good, for they knew no sin. 24 But behold, all things have been done in the wisdom of him who knoweth all things. 25 Adam fell that men might be; and men are, that they might have joy.

Also worth noting that Mormons are so opposed to original sin that it's actually the second of the 13 Articles of Faith, which I had to memorize in grade school. The only article that comes before it is the one saying we believe in God, Jesus, and The Holy Ghost.

"2 We believe that men will be punished for their own sins, and not for Adam’s transgression."

And stealing from the church's official current website on the topic

President Joseph Fielding Smith (1876–1972) said: “I never speak of the part Eve took in this fall as a sin, nor do I accuse Adam of a sin. … This was a transgression of the law, but not a sin … for it was something that Adam and Eve had to do!”

Adam's fall is considered an unequivocal good to Mormons. So this whole take on theology taps into two very import Mormon principles.

The first is "agency", "free agency", or "free will". This basically boils down to: you can't grow, your actions can't matter, if you don't have a choice. The ability to choose is power, and we are here specifically to experience that freedom and to learn how to use it.

This was actually the basis of a premortal war (don't ask how folks without bodies who can't die do a war, I've no idea) between Lucifer and Jesus, because Lucifer wanted to guarantee everyone's salvation by eliminating the ability to choose wrong. The losing side was cast out of heaven and that's where Satan and demons come from!

Here have a musical number about from a VHS I used to watch constantly (in case the link malfunctions, relevant song starts at 10:55)

The second is, "opposition". Basically, things can only exist in contrast. You can only truly recognize something in comparison to something else. Ergo, a world without suffering or sin is also a world without joy or virtue. It is a nothing world. Here, a worse song from the same musical! (starts at 8:57)

By this principle, the Garden of Eden, while wonderful from the outside in retrospect, was not wonderful from within, because Adam and Eve had no frame of reference for it. To them it was just Existence, and as an existence was fairly bland.

Another thing to understand here is that Mormons believe in a premortal existence. We are all, spiritually, as ancient as God is. We've all always existed. Another Mormon principle is one of "Eternal Progress" - the idea that we are always on a journey to improve, and are capable of improving to even the state of Heavenly Father.

I remember asking once if Heavenly Father was done progressing, and told we can't possibly know, but it's possible that even He has more progress to make. But if so, we can't possibly comprehend what he is progressing towards and it's not relevant to us now.

It's important to realize that "As man is, God once was. As God is, man might become" is, like, central to Mormon theology. We aren't lesser things than God, just not as far progressed. He's among the first caterpillars to figure out how to make a chrysalis and become a butterfly and he's trying to show us how to do the same.

Regardless, a necessary step to this progress, to growth, is to live a mortal physical life in a body. A body is so important that Mormons believe at the second coming everyone who ever lived will be resurrected into "perfect" eternal immortal bodies. (This ALL creates MANY logistical and theological problems but we don't have time for all that!)

Other necessary steps include compulsive heterosexuality, marriage, and having children. Because of course.

But if God's power is not innate, but rather something he has gained by being Perfectly Good And Noble - which is like the Force or something - then he isn't truly omnipotent. He is so powerful and omniscient that to us mere mortals the distinction is meaningless, but God cannot endorse harm or cruelty without potentially losing his Godhood. Godhood is conditional upon good behavior. Morality is a natural force in the universe that can be utilized, but! See above about opposition! And free will! To utilize it, you have to be capable of knowingly being bad and choose good anyway!

This puts God in kind of a bind when it comes to guiding humanity.

He needs people to have knowledge of good and evil, but if he gives it to them directly, he'd kinda be doing a bad thing? Like, he'd be causing suffering to just force knowledge of good and evil upon us. The suffering can't be something inflicted upon humanity, it has to be a product of human choice. And choice is essential, but to learn to make choices, first you must be presented with simple ones.

Like Adam and Eve are immortal, physical, useless baby adults who cannot progress. They need to progress, and they also need to get to boning or else all the other spirit children waiting in heaven to be born will not have bodies.

So God sets up a little trap. A little trick. Just a fun little -just a fun little game.

He puts a tree in the garden and he's like, "Just leaving this over here. Don't touch it. But it's right here. See it? Right here. Just making sure you saw it. Yeah, don't touch it. In fact, two commandments for you.

Go have kids

Don't eat that fruit"

And Adam and Eve are like, "cool, great, awesome."

And God is like, really loudly in front of Lucifer/The Snake like, "Oh noooooooo. I sure hope they don't eat from this treeeeee. That would be terrrrrrible! They'd learn about SIN and BECOME MORTAL." and Satan is like "tehehehe I have a great idea!"

Meanwhile Eve, who is currently a metaphysical biological immortal, does not know what sex is and has no sex drive. She's like, "Sooooo? The kids part? How that?"

And the snake is like "You can find out, but you gotta eat this fruit" (true! this is Eden, it is still free from sin. The snake cannot lie here, yet. Because folk Mormon theology - Satan can't lie! That's a fun fact about him. He twists and manipulates truths, but lying is a Mortal gift we got from the whole Fruit thing that Eve is about to do)

And Eve is like, "Yeah, sure, I want babies. God told me to have them so...." and eats the fruit exactly as God intended her to, tempted by the snake exactly as God planned. And she was like, "Oh! I WANNA BONE ADAM. ADAM EAT THIS SO YOU KNOW WHAT BONING IS SO I CAN BONE YOU."

But then they were materially and metaphysically changed, so they couldn't stay in the Garden anymore. Less about casting out, more about God having to follow the Moral Metaphysical Laws that give him his power.

I was even taught it's not even that childbirth/periods/menstrual pain were punishments from God. They are just natural results of sexual reproduction and the part where God says that's gonna happen now isn't him giving Eve a curse, just kinda God giving Eve some sex ed. Since she'll need it.

Basically, God couldn't tell Adam and Eve to eat the fruit, and in fact was morally obligated to tell them not to, because doing so would cause suffering and death. But the suffering and death aren't a punishment from God, they're just facts about the world that become real when you know about them, but you have to know about them and experience them in order to know and experience good things also, and become closer to being a god yourself, and God wanted us to have good things, so he wanted us to eat that fruit. Which is why he put it there.

So very much like leaving water out for a cat who thinks they're being naughty but actually you just want your cat to be hydrated.

Elder Dallin H. Oaks of the Quorum of the Twelve Apostles observed: “This suggested contrast between a sin and a transgression reminds us of the careful wording in the second article of faith: ‘We believe that men will be punished for their own sins, and not for Adam’s transgression’ (emphasis added). It also echoes a familiar distinction in the law. Some acts, like murder, are crimes because they are inherently wrong. Other acts, like operating without a license, are crimes only because they are legally prohibited. Under these distinctions, the act that produced the Fall was not a sin—inherently wrong—but a transgression—wrong because it was formally prohibited. These words are not always used to denote something different, but this distinction seems meaningful in the circumstances of the Fall.”

And before any baby Mormons come in here like, "nuh uh!" about any part of this, your "eternal truths" have been so watered down in the past several decades by leadership trying to seem mainstream and cling to hemorrhaging membership. Y'all don't even know your theology anymore half the time, and what's worse is it's just as toxic as ever but like 200% less interesting. I like Mormonism better when they're proudly declaring Bigfoot is Cain and talking about how John the Beloved already has an immortal body and has been wandering the world for 2000 years and confidently claiming he was the stranger who helped them fix a tire that one time.

[corndasby]

Patch 1.9 Full Event Summary! (Live Updates)

The 1.9 event summary got posted! I ran the patch notes through google translate and combined them with some translations from the official server. If I find anything else major I will update. Skin/Character previews can be found in my previous post, and I'll post some new character kit rundowns later! I will tag every spoiler post with the version number, so add that to your filters if you don't want to see anything about it.

Things You'll Care About

Full translated list is after this section.

Free Six Star for everyone: Semmelweiss, a mineral support that drains ally health to give them buffs based on their missing health.

First banner: Lucy, an intelligence DPS/support that spends Electricity to give their incantations extra effects, such as hitting more targets or buffing ally afflatus damage.

Second banner: Kakania, a plant support/tank/sub-healer that absorbs a portion of damage taken by allies and uses it to enhance her self-healing and damage.

Lorelei is a star afflatus five star support/sub dps. Her incantations haven't been released but her i1 Passive gives a buff depending on the most common card type in your hand, and her i3 passive gives her moxie when critting with her ult (Just Star Things). She is obtained from the new roguelite mode so may be accessible to players starting after 1.9.

Free Sonetto skin for logging in!

New skins for Mesmer Jr., Desert Flannel, Voyager, Regulus, and Jessica.

Thirty combined free pulls just for logging in. I'm sure clear drops will be showered on you elsewhere in the event.

Special banner for a single 6* rate up selector (If you win the 50/50 on this banner you get to choose ANY six star up until 1.6 excluding JNZ! This is a crazy good deal and you can pick up anyone you missed before the next saga of the story)

New main story chapter of course. Chapter Six is called Vereinsamt. Apparently, 1.7 is not a direct continuation of 1.5, but 1.9 will combine the two for a proper ending.

Brand new roguelite mode. The reception to 1.6's attempt was pretty poor, so I think this is a revised version that will be left in the game permanently.

New story events for Lucy and Kakania.

New anecdotes for Eagle and Semmelweiss.

New maps for Three Doors! I enjoyed the Mesmer storyline so I'm interested.

Reruns of all the skins from 1.1 - 1.4. The London wilderness will now be permanently available in the shop.

All of the standard stuff you can find in events. There's a shop, new wilderness, free items all over the place, and puzzle side events. Uttu is going to be there. You know the drill.

Edit 1: They're finally adding a system to let you seamlessly connect water tiles in the wilderness. No more dumb transition tiles!

Edit 2: They're adding new animation upgrades to older skins!?!? Confirmed list so far: Jukebox Bkornblume, Halloween Sotheby, Halloween X, Jukebox Matilda, Summer Pickles, Wild West Tennantt.

Full List

Some of these are literally just titles in the patch notes so if I don't elaborate that is why!

Login event: free 6* character: Semmelweiss, a mineral support that drains ally health to give them big damage buffs.

Free Sonetto skin

Login event: free decalog (exclusively for Lucy's banner)

Login event: daily free Unilogs (total 20 Unilogs)

Login event: free Matilda Portray (why did we wait a year for p1 Matilda lol)

Login event: free clear drops and anniversary item

Login event: free Wilderness building

Login event: free golden materials

Shop crystal drop reset (I think this means the "first time buy" bonus is reset?)

Special banner: free single 6* rate up selector (If you win the 50/50 on this banner you get to choose ANY six star up until 1.6 excluding JNZ! This is a crazy good deal and you can pick up anyone you missed before the next saga of the story)

New main story chapter: Vereinsamt

New story event: Lucy

Limited collection: Thoughts Alone in a Tank.

New story event: Kakania

Event: Practice of Phantom starts.

New permanent gamemode: Roguelite

Three Doors: new maps

New function: select BGM on suitcase lobby

Anecdotes: Eagle and Semmelweiss

Mane's Bulletin: Abyss, Opera, and Lord of Dreams

UTTU: Mesmer Jr. skin

New function: event atlas

Limited collection: Promise of the Lake

New Jukebox: Desert Flannel skin

New skins: Regulus, Jessica, Voyager new skins

New Wilderness set: Laplace

New packs

Patch 1.1 skins rerun

Patch 1.2 skins rerun

Patch 1.3 skins rerun

Patch 1.4 skins rerun

Patch 1.1 Wilderness is added to the shop permanently

Event starts: Little Steel Gold Rush

[patricia-taxxon]

heya! i just rewatched your sc2020 video…again… and then found out you're on tumblr and, of course, immediately went to look if you've posted anything about sj aswell and found that post from *checks notes* 1.5 months ago - so, i guess what im here to ask is, would you mind elaborating on that?

im unfamiliar with marble blast (im so sorry i do not have the brainpower to watch your essay on that...yet) so the comparison you make is not particularly useful to me :v

also for context, i did contribute to sj, specifically playtesting and programming, so i do have Opinions™ (that im gonna keep to myself due to lack of anon ask (not a bad thing! i understand why you have it off)) and i wonder if those happen to bleed through to the player experience or if your gripes with it are something different entirely.

well, firstly, i have developed such a deep seated hatred of the celeste community that i haven't opened the game in months and i've considered just deleting my spring collab video multiple times, I'm not finishing any more of my maps because I don't want to make anything for these people. so i didn't actually finish SJ, I did everything up to & including the easy half of the grandmaster lobby though, and my take is that even with the few miracles I found within the map list, it would not have inspired a video essay on the level of the spring collab one if I'd played it first. it's just not as interesting, and not as rewarding to study. it represents a horrible misattribution of priorities that permeates the entire community.

in that video, i confidently say that spring collab is ALWAYS interesting, because modding culture is interesting even if it's interesting for being a little bad or revealing something about the author's proclivities. strawberry jam represents a near unanimous drive to remove authorship and make levels that are impartially agreeable, to make Celeste 2. it's only interesting when the mapper does something interesting on purpose, like Paint, Pointless Machines, Undergrowth, Summit Down-Side or Flipside Cliffside. a path of least resistance emerged in the time between SC2020 and Strawberry Jam, and experiencing it in this quantity made me forget what I liked about this game or this modding scene in the first place. the volume of creative gimmicks and varied aesthetics is huge, but each one starts to feel identical after being ground through this particular jank-averse process. I still have strong opinions about every map in SC2020, even the ones that might seem unremarkable, I can only barely begin to quantify the entire fucking C tier of my SJ tierlist. it's diverse on the surface but the substance is homogenous, especially intermediate through expert.

also in my SC2020 video, I talked about a certain tension that arrives once you get to the expert lobby, where the mappers had to create uncommercial levels of difficulty that rubbed against a similar apparent drive to make the player feel like they're actually doing the challenge & not just watching it. strawberry jam arrives at this conflict far earlier, the INTERMEDIATE maps and onwards are the ones that seem to pull between making interesting challenges while also having the player be an agent in those challenges. they want the intermediate levels to feel hard, look cool, and the solution is to just make them ridiculously constrained so the only way is the ~satisfying~ way. that's why I won't make a video about strawberry jam, because many segments in my spring collab video already serve as criticism for strawberry jam. it made the same mistakes again, but worse, and with far less of the things that made me love spring collab in spite of its flaws.

here's my tierlist, if there are any questions i'll try and qualify any of these takes with what i can remember from playing it. however, for reasons stated previously I won't be playing more so this is probably gonna be it.

[azurecrystalz]

A Guide to Reading Crazy:B Stories!!

A quick note: I won't be linking any stories for the sake of the fact that this is meant to be a guide not a directory. However, if there is something on this list you can't find anywhere and want translated, please don't hesitate to drop an ask and I'll consider it !! Last Updated: Launch Day (1-24-2023)

I'll be making edits to this frequently if any suggestions + new stories come up !! I also invite other unit producers to make their own story guides and I can maybe host a guide masterlist so that anyone can reference it!!

Things to Know Before Reading This Guide

This is going to be an ongoing post that will be updated frequently, so if there's any errors, questions, suggestions, concerns, etc drop an ask/dm on here/twitter !! For the time being, I'll leave Double Face sort of out of this until I compile information about them. Please do not repost this guide anywhere. You can link it in whatever you'd like and share it with your friends but don't repost it please and thanks.

Getting to Know Crazy:B

The Importance of the Main Story: A majority of Crazy:B’s content lies in the main story. I highly recommend, before reading any Crazy:B story, to read the main story first. The main story not only gives you an idea of who each character is, but it also gives you insight on how existing characters think of them and hints at multiple things that still need to be elaborated on in future events. Plus, most Crazy:B stories go back and reference “MDM”, which is like it’s own arc in the main story that has a huge impact on the characterization of Crazy:B (both individually and as a whole). It’s available on the English Enstars server, please try to read it if you get the chance. It’s not like a requirement to read it, but you’d be missing out on references and characterization if you don’t.

Rinne Idol Story 3: If for any reason you can’t read the main story, this is a good story to start. It’s a very basic, one-chapter story that includes all four members of Crazy:B and it introduces them and their dynamics on a semi-basic level. Nothing is explained here but the story brings up enough unexplained points that make you curious enough to learn more.

Reading the First Idol Story of Each Member: If you can't read the Rinne Idol Story since you haven't unlocked it or something, read the basic introduction idol stories. Every idol in the game has one and it gives you a feel for their personalities on a basic level. Crazy:B has the advantage of having theirs voiced too. So, if all else is no good, start there.

Specific Pair Dynamics:

The following explains what stories to read when looking for development between two specific characters:

Bold indicates major development, italics indicates semi-major development, and no edit indicates very brief but still important development

Rinne + Niki: Hot Limit, Sweets Hunter, A Cup's Worth By Yourself, Niki Idol Story 2

Rinne + HiMERU: Nightclub, The "Runrun" Calamity, Prerequisites for a Win

Rinne + Kohaku: Sudden Death, Honeybee

HiMERU + Niki: Ariadne, Lucky SCRAMBLE

HiMERU + Kohaku: Honeybee, Romantic? Date, HiMERU Idol Story 2

Stories that hint at Kaname: Obbligato, Past, Present, And..., Ariadne, Roaring Sea Marina, A Pursuit in Plain Sight, HiMERU Idol Story 2

Niki + Kohaku: Spider, Secret Service, Kohaku Idol Story 2

Rinne + Crazy:B as a whole: The Bee's Knees, A New Game making the Rounds

HiMERU + Crazy:B as a whole: Ariadne, Romantic? Date, Lucky SCRAMBLE

Kohaku + Crazy:B as a whole: Spider, Honeybee, A Spring Evening's Respite, Sakura Sakura

Niki + Crazy:B as a whole: Hot Limit

Specific Members:

The following explains what stories to read when looking for development of a specific character:

Bold indicates major development, italics indicates semi-major development, non-edited indicates very brief but still important development. It is not recommended to read the ones marked with ** immediately.

Rinne: Main Story, Nightclub, AOSOBI

HiMERU: Obbligato**, Ariadne, Past, Present, And..., HiMERU Idol Story 3

Niki: Hot Limit

Kohaku: Sudden Death**, Spider, Honeybee

Fun Stories

Not everyone wants to read 42 chapters of a Reminiscence story, or sometimes you’re in the mood for something silly. The following is a list of lighter stories for each member that aren’t too heavy on the feels. These stories can either be from cards belonging to them or stories they appear in.

Rinne: AOSOBI

HiMERU: Lucky SCRAMBLE, The Principles of Sex Appeal

Niki: Sweet Sweet Hunger, Sweets Hunter, Sweets Box

Kohaku: Spider, Fruitful October, Storm Cloud FUMBLE, Lullaby

Lore Heavy Stories

The following explains the stories to read if you want full background closure on a specific member, meaning you want a story that explains a large part of their individual origins. These are more informational (and emotionally heavy) stories that need not only a good grasp on the member themselves to understand, but other characters in relationship to them as well.

Rinne: Select sections of Main Story

HiMERU: Obbligato

Niki: N/A

Kohaku: Sudden Death

Other Story Appearances

This is a list that contains idol stories that Crazy:B members make appearances in. The card and story don't belong to them but they still have dialogue in it.

Return Trip Service (Yuuta 3* Featuring Rinne)

The Principles of Sex Appeal (Jun 3* Featuring HiMERU)

Other Units Interacted With

2wink: Nightclub, A Spring Evening's Respite, Love Letter, FUSION Unit Collection 07 Live Story

Knights: Sudden Death

Most, if not all other units: Main Story

Stories Not Yet Sorted into the Guide

As far as my knowledge goes, the stories I haven't included featuring any of the four members are: Decadence, White Tiger, Nighthead (Shuffle) , Butlers (Shuffle) , A-Z (Shuffle) , Black Snow (Shuffle), Bankara, Chill Yellow, Easter (Shuffle)

Thanks for reading!! If there's anything missing from this that you'd like to suggest, please don't hesitate to ask!!

[ro-is-struggling]

Hello Hello & Congratulations

Recently gotten back into some Bucky feels & wanted to ask for him with lyric prompt 2 please! Made myself laugh with a friends to lovers idea where you're cooking for Sam & Buck & Sam slides a magnet into your back pocket cause obviously he's the best wingman (& tired of the pinning). Then I found comic panels with Buck & a little white cat & if that's Alpine!! & that first show prompt is open... Don't want to over ask but just know if it's down to the wire & no one asks for it...someone asked for it >.> Thanks for reading and stay hydrated!

Hi beautiful! Thank you so much for participating in the celebration and I’m so sorry it took me so long to post this! I LOVED this prompt and the little twist you gave it so much I wrote this in like a few hours. It’s short and sweet, I hope you like it💜💜💜

More Than Friends || Bucky Barnes x Reader

Summary: Sam is tired of always getting caught in the middle of the flirting and nervous glances you and Bucky subject him to every time you're in the same room, so he comes up with a plan to give you two the little push you so desperately need to confess your feelings —and laugh at you along the way.

Warnings: set somewhere after civil war where team cap is on the run together, mutual pining, friends to lovers, fluff, humor, Sam being tired of your shit 

English is not my first language

Word count: 2000

Notes: I'm pretty sure this one is gender neutral? but I wrote it with a fem reader in mind so I'll tag it like that just in case some description slipped my tired brain while editing

This fic is part of my 600 followers celeration

Sam was tired of watching you and Bucky dance around the feelings you two clearly had for each other. Sometimes he thought you were doing it on purpose, like some kind of elaborate prank to torture him as revenge for the times he made fun of you. It was the only logical explanation he could find for your attitude. Otherwise he didn't understand why you would continually refuse to face the obvious. You were in love and everyone seemed to see it but you.

Life on the run was torture when he was stuck with the two of you. Watching you two get flustered from being crammed in the back seat of the car, Sam really thought that maybe he should have taken the Clint and Scott route and made a deal with the authorities. Home detention sounded so much better compared to the heavy tension in the air that seemed to follow you everywhere. On particularly bad days - like that time a man flirted with you in a bar and Bucky was in a bad mood all day - even traditional jail seemed like paradise in comparison. 

Sam had tried everything to help you. He used to leave you alone on missions, put you in the same hotel room under the pretense that they had no more rooms, even made you sit together in the back of the car when you traveled. But despite all his efforts, you were no closer to facing your feelings than when he started. Even his subtle comments and pep talks didn't help. Every time he even dared to bring up your feelings, you acted confused and dismissed his words. He had tried it with Bucky and with you separately and you both had had almost the same response, which only proved Sam's point. 

The rest of the team was tired of you too, but since they didn't have to spend half as much time as he usually did stuck with you, they didn't care. Wanda would disappear from time to time to see Vision, and Steve and Natasha were usually together in their own little world, figuring out what the next step would be. Which left him stuck with Bucky, you and the unbearable tension in the air. That's why no one understood his suffering and therefore no one was willing to help him. 

Steve and Nat had told him that he should give you time, that eventually you would figure out your feelings and everything would get better. But Sam was beginning to think that would never happen. You had been dancing around each other since the day you met and showed no signs of changing. He had done everything he could to help you in subtle ways —talking to you privately or creating certain situations without your knowledge— all so as not to expose you and embarrass you, but apparently that was exactly what you needed, for something to expose your feelings and force you to confront them. And he had the perfect idea.

It came to him suddenly as he watched the two of you struggling to get comfortable in the back seat of the car. It was way too small a model, clearly not meant to comfortably transport a super soldier, so Bucky ended up taking up more than half the seat. Sam watched as he fiddled nervously with his hands, adjusting his position every five minutes to make sure his legs didn't accidentally brush yours. And as the sunlight beamed on his metal arm, Sam chuckled to himself at the thought that maybe next time he should give you pants made of magnets just to annoy Bucky. 

It was like a light switched on in his head. It was the perfect way to get back at you while helping you deal with your feelings. A hilarious idea all around that made Sam proud of his creativity. It wasn't hard to execute either, he just bought some magnets and waited for you to leave the bag with your belongings unattended to slip them into the back pocket of one of your pants. 

Not knowing when you would end up wearing said article of clothing added a layer of spontaneity to the situation. Even Sam had forgotten which pants he had chosen and when he saw you emerge from your room in the morning he didn't even realize his plan had been set in motion.

It was the first time in a long time that you hadn't slept in a crappy motel. Thanks to an old contact of Natasha's, you were able to stay in a safe house that had several rooms, good water pressure and a large kitchen. It wasn't the Avengers compound, but it was much better than the places you'd become accustomed to living. So, to celebrate you decided to prepare breakfast for the whole team.

You didn't let anyone help you, the very idea of someone else hanging around the kitchen while you worked on the pancakes made you anxious. You weren't a great cook by any means, but you found it easier and more relaxing to work when you had total control of the kitchen. So you sent everyone to wait elsewhere while you finished cooking. Steve opted to go out for his morning run and Natasha went back to bed, mumbling something about being woken up when there was food on the table. That left you with Sam, who settled down at the kitchen island with a glass of water to chat and keep you company. And not long after, Bucky popped his head through the door frame.

"Bucky! Just the guy I needed right now!" you said with a smile as you saw him enter the kitchen, dragging his feet as he rubbed his eyes to shake off the sleep. "Breakfast is almost ready, could you get the plates from the cabinet, please?"

Sam didn't think much of it, only that he would have to prepare himself for a morning of uncomfortable looks and flushed cheeks since you were in Bucky's way and to help you he would undoubtedly have to get closer to you than he seemed to be able to handle normally. Sam didn't remember his little joke until he felt the unexpected gasp you let out when Bucky's metal hand made contact with your backside as he reached behind you for the cabinet. He nearly choked on his water, laughter getting stuck in his throat as he watched Bucky panic, not understanding what had happened.

"I-I didn't... I mean, I'm sorry, I..." The super soldier tried hard to form a coherent sentence, but his mind was short-circuiting and his cheeks were turning a vivid shade of pink as he pulled his hand away from your body with difficulty. There was an inexplicable pull that drew him to you, making his metal arm move of its own accord, seeking to cling to you again. Bucky had to take a few steps back from you to make sure that didn't happen again. 

"Well, the cat is out of the bag. Finally!" Sam exclaimed with a mischievous grin that told Bucky everything he needed to know. "Although to be honest, I was hoping you'd find a more subtle way to confess your feelings, Buck. Or at least do it in private."

"You did this?" Bucky asked, though he already knew the answer. Sam simply let out a long laugh as he rose from his seat and disappeared out the kitchen door. "You're dead, Wilson!"

“What is he talking about?”

The sound of your voice snapped Bucky out of his angry state, his gaze softening as it settled on your confused expression. The urge to murder Sam faded as he panicked, searching for an answer to give you. This wasn't the way he would have liked to confess his feelings for you, but he couldn't lie to you either-Sam had made sure of that.

"I..." Bucky hesitated, having trouble finding the courage to tell you the truth. He could hardly remember when he had last been in that position of vulnerability, having to search for the right words to express feelings he didn't know how to describe. He was rusty, the skills and confidence that characterized his younger self had been buried in the past and now he had no idea what to say to you.

"Yes?" You spoke as he fell silent, looking up at him with glittering eyes waiting to hear that thing you'd been dreaming of since the moment you two met.

Bucky sighed, defeated. "I like you, doll, like more than just a friend." He said finally, cringing at his poor choice of words. "I'm sorry, I didn't mean for you to find out this way. It's just that Sam figured it out and has been pressuring me to talk to you about it and I guess he got tired of waiting and did all this to fuck with me."

Bucky was rambling, talking at a speed that was not normal for him. He was also having trouble making eye contact with you, his eyes looking at everything but you. You'd never seen him this... nervous. He was nervous. His cheeks turned a darker shade of pink with each passing second and he spoke so fast that his tongue threatened to get stuck halfway through each word. He was so adorable that you couldn't help but let out a giggle.

"I'm glad that he did." It took Bucky a few seconds to process your words, his flustered expression slowly morphing into a frown of confusion.

"What?" he muttered and you smiled. 

Reaching into your back pocket, you pulled the magnet out. It rested flat in the palm of your hand as you got closer to Bucky. In an instant, his metal hand was on top of yours, cold against the soft, warm skin. You intertwined your fingers with his, your smile widening as he copied your movements.

"I might have to thank him later because, you see, I kinda like you too. And I've been trying to do something about it for so long but I just couldn't, so Sam kinda saved me there cause I was starting to lose it." You let out a chuckle and Bucky joined you, completely understanding the sentiment.

The room fell silent, but it wasn't awkward or uncomfortable like other times. Although you could still feel the tension in the air as Brucky's gaze traveled from your eyes to your joined hands, lingering on your lips for longer than necessary. He took a step toward you and your breath caught in your throat, your insides vibrating with anticipation.

"Can I kiss you?" His voice was a soft whisper. His warm breath collided against the sensitive skin of your face as he rested his forehead on yours, looking up at you through his eyelashes with a hint of desperation. He was waiting for your consent, needing to hear it from your voice before proceeding.

"Please." It was all you could say before Bucky's lips crashed against yours.

It was a soft, slow kiss. Bucky's lips moved with torturous sensuality over yours, a gentle brush that barely satiated your need for him. But despite that, you let him guide the kiss to ensure his comfort. Bucky wasn't usually comfortable with physical contact —not after all he'd been through— and you knew this was a big step for him. So you embraced the softness of his kisses, quieting that voice in your mind that was screaming for you to grab his face and intensify it. It was tempting, yes, but you would have time for that.

Bucky didn't pull away from you immediately when you broke the kiss. He kept his forehead pressed against yours as his flesh hand traveled upward to caress your cheek. He looked at you with complete adoration, his fingers gently stroking your skin, as if he couldn't believe what was happening, as if he was afraid of being too rough and breaking the fantasy into a thousand pieces. Then he let out a chuckle and a smile broke out on your face as you heard such a sweet melody.

"What is it?"

"Nothing, is just that... Sam is never gonna let this go."

[cleromancy]

saw a post that was like. "jason probably wouldn't have ACTUALLY killed the joker if the joker had killed Bruce and jason had lived" using willis and harvey as an example and while i can see where that's coming from i do not agree at all for a couple of reasons.

firstly. jason finds out about willis's probable death in batman 410, which opens only 6 months after moving in with bruce; the 2-issue felipe plotline directly precedes the first issue of the death in the family arc, during which canonically the incident with felipe leads directly to jason being benched and seeking out his bio mom. most peoples sense of personal morals develops drastically from ages ~13 to 15, and we have direct evidence of this happening for jason whether you believe he killed felipe himself or not (more on this in a bit).

but going back to the two face incident and Willis. jason's still calling bruce "mr. wayne" at the beginning of this issue (bruce actually tells him to call him bruce *directly* before jason finds the file), and after the training montage they actually start talking about harvey after jason asks about the giant penny:

so one of the first things jason learns about harvey is that his benefactor and mentor, in whose house he currently lives, cares about Harvey as a person and believes he doesn't necessarily have to be this way. i don't think this is the main factor in Jason's decisions wrt harvey in 411, but i want to make note that it *is* a factor, and revisit it down the line.

moreover, bruce is making the case that harvey does villainous things because he's unwell, not because he's just a bad or selfish person.

this got long! cut for length.

of course we know jason at first still *does* want to kill harvey (batman 411):

this is however depicted as a very robin buildup of emotion, rather than a decision he made with a clear head and the intent to follow through. theres no indication this was a decision Jason thought through or a certainty that harvey had to die--theres no indication he even considered it before he got there and was physically facing him.

after the mission:

the thing that breaks through Jason's defensive shell is the word 'trust,' and it's there that Jason explodes and explains--and expresses how hurt he was by *bruces* actions. by *bruces* perceived lack of trust.

and there's a resolution which i'll describe and elaborate in a little bit, but this is bruce's assessment following that:

(...also worth noting that in 410 alfred adminishes bruce for comparing jason too often to "the first robin". there's evidence here jason's already feeling pressure to live up to dick's example, those high standards, or at least the version of them bruce has told him about, which almost certainly wouldn't have included that dick at one point wanted zucco dead, himself.)

and I cant post the entire sequence without running out of images, but to recap, jasons on-panel emotional progression after finding out two face killed his dad goes from shock at the discovery, stewing and fuming without telling bruce what was wrong, the furious outburst above when he and batman run into harvey, the tough guy facade, then a tearful fight where he accuses Bruce of hiding willis's death from him bc he doesn't trust him. pausing here to get into more detail on that last:

a thing you often see in traumatized/abused people, particularly children, is a conviction that any transgression will lead to disproportionate consequences, a constant sense that the rug could be pulled out from under them at any time. an invisible line they could trip over and lose everything. given his age and the complexity of the situation, jason most likely conflated a jumble of feelings here without the maturity or emotional management skills to untangle them. the ones we specifically get to see are jason feeling betrayed by bruce, angry at both bruce and harvey, and insecurity over whether hes still good enough to be robin. however, i think its reasonable to assume two further things: one, that jason hadn't been entirely confident in his place at wayne manor up to this point, and two, that he'd conflated being robin with that security. pretty clearly when jason asks if he's a washed-up robin, he's worried his outburst meant he might not be good enough for it anymore, and extrapolating further from that, hes possibly worried he might lose that level of security, of usefulness, of connection. so hes got a lot of really big, really upsetting emotions rn.

then the resolution of that fight pictured above is bruce telling jason he was wrong to keep willis's death from him, explaining his intentions, and then what you see in the above panels where jason asks for, and receives, reassurance, followed by them making a new plan of how to proceed together.

so the other thing that changes jason's mind to my reading, though this is extrapolation, is bruce reaffirming the trust between them, reassuring Jason that he has *not* crossed the invisible line that would make bruce hate him or kick him out, and jason feeling secure enough to leave that mental space of recklessness, of feeling like he had nothing left to lose. and that would be proceeds which is jason following bruce's lead as his adult guardian, with a clear head:

so summing up my thoughts on jason and harvey. 1) he's insecure enough in his place with bruce, and young enough to defer to adult perspectives on morality over developing his own, that his decision was more about following bruce's lead than the beliefs he would develop as he aged, and 2) that even when the emotions did boil over it wasn't exclusively about willis, and the deciding factor was not, in fact, "doing it because he took me away from you."

(speaking of that last point, about "took me away from you," we do also know that Jason didnt *expect* Willis to be around consistently or there for him bc in post-crisis Jason's debut issue when bruce asks where his parents are jason says that he doesn't know where Willis is but says derisively that hes probably back in prison. the consistency and presence in jasons life is key here.)

OKAY!!!! ONTO FELIPE GARZONAS!!!!!

so time has passed and now jason's the age he will be when he's murdered, either 14 or 15 depending on the version of his death certificate you go by. (i, like most people, go by 15.) either way, he's now demonstrating the maturity to be developing his own sense of morality independent of Bruce's, which we see in batman 422, when bruce relays the story of judy koslosky killing the unrepentant serial rapist who murdered her sister, and who she had baited into choosing her as his next victim:

i put a particular emphasis on this because judy's perspective is one that jason goes on to paraphrase to talia in lost days: "I didn't *'murder'* him. you murder *people.* i... ...*put that reptile down.* don't *tell me* the world isn't better off." evidently her perspective stuck with him.

with that in mind, i now argue that it is irrelevant for the purposes of this post whether jason pushed felipe or "spooked him" and he slipped. either way, we have evidence that Jason believes that sometimes a person's death, and therefore causing that death, can be the just course of action. but what i actually want to talk about is that in the case of felipe, batman 424 is ALL ABOUT how Felipe can't be touched for the rape and battery of gloria stanson.

essentially, the law's hands are tied, so batman and robin try a different avenue. the garzonases have been smuggling drugs or whatever--war on drugs propaganda not important--so theyre trying to deport Felipe for that. jason points out, "that's *not much* of a punishment," and bruce replies, "I'm afraid it's the *best* we can do."

so for the moment, Jason is focused on punishment--just retribution for the pain felipes caused to whatever degree the law and batman can deliver. he's willing to settle for that, at least up until they book Felipe and he makes a point of making a phone call in front if them to harass gloria.

and, well, then they rush to gloria to offer protection and tell her felipe was on his way back out of the country, only to discover gloria hanged herself rather than experience felipe a second time.

this is the point at which robin gives batman the slip and follows felipe to his hotel room, where we the readers witness him talking wistfully about how he'll miss american cocaine and american women. (*cough*PROPAGANDA*cough*)

again, it's irrelevant for my purposes whether Jason pushed felipe or not. what is relevant, is that when jason saw that the man they were trying to send away from his victim used the opportunity to victimize her agajn, and she took her own life as a result, jason arrived on felipes balcony. whether he intended to kill him or not, jason weighed the life of one of felipes victims against, at minimum, the potential fallout of a diplomatic incident bc Jason showed up at *all.* remember, they persecuted him on a lesser crime bc the law, and batman, can't prosecute for the one that left a woman dead. this is jason acting outside of that agreement.

the other reason we needed to talk about Felipe was bc the issue following, batman 425, has some... poorly written fallout where starlin was *trying* to show that 3 more people died bc of Felipe's death but in practice looked more like bruces carelessness/incompetence lol. but it's relevant rn that bruce made a point of telling jason that actions like that can have unintended consequences that he'd bear responsibility for. so that's a factor in play too at this point.

so to my mind, there are three major factors to Jason's decision on whether or not to kill the man who killed bruce. 1) personal hurt; "because he took me away from you," 2) the relative morality of the killer (motives, circumstances, and Do They Deserve It?), and 3) whether or not the world would be better off (which would have worse consequences, to kill them, or to let them live?)

(post-resurrection jason is a different story because lost days explicitly shows us Jason choosing not to kill the joker because then it'd be *over*; he goes on to tell talia that the world would be better off, "but i don't really give a *crap* about the world." and while we can't take him completely at his word there, because he spent the entirety of lost days leading up to that *extremely* giving a crap about the world despite his best efforts, at this point jason has made the choice to prioritize his hurt over the greater good. so while lost days jason would be less concerned with things like potential fallout because he has no intention of fixing any of the messes he made, we'll assume that the alternate Jason would still be in hero mode, and would take responsibility for them upon himself.)

on the topic of if the world would be better off, i dont... really have any interest in arguing whether Jason would believe the world is better off without the joker. he *would* believe that, full stop. where bruce told jason back in 410 to think about the tragedy behind harvey doing the things that he does, the joker... simply does not have one. by utrh *at least* jason fully believes that the joker caused pain for pains sake and filled graveyards just to fill them. and they had yet to fully build the joker up by that point to the unrepentant, uncomplicated monster that he is today, so I won't apply that retroactively, but by then he had already shot and paralyzed barbara. furthermore even if jason didn't kill the joker for killing bruce at the tender age of 15, as the jokers crimes and body count escalated Jason would be repeatedly facing *this same decision* each time. so let's take it as read that Jason would at some point weigh the joker's death against the deaths of uncountable future victims, and choose the side of the victims.

but right now we're arguing whether or not jason would kill the joker *for killing bruce,* specifically. so to be clear what im focusing on for the moment is reasons he might talk himself out of it--so, moving on to the next part of that: diplomatic immunity?

one of the reasons post-jasons death bruce doesn't rain holy hell on the joker is-- okay let me just say this whole plotline is blatant propaganda against the middle east. but if you take the conditions the story lays out at their word, Iran made the joker their embassador to the UN so he has total diplomatic immunity to any crimes committed before or after being appointed to that post, meaning he couldn't even be prosecuted, and any unlawful pursuit despite this could cause an international incident. and SUPERMAN HIMSELF comes down to tell bruce this. for our alternate Jason, we already know he's willing to cause those consequences even if hes not necessarily prepared to face them.

so recapping, jason 1) believes that killing someone can be the right thing to do if it means the world is better off, 2) was not deterred by the possibility of a diplomatic incident when seeking justice for gloria, and 3) has no sympathy for the joker in particular. *eye* think thats enough evidence, but i actually do want to go back to Jason's personal hurt re bruce and how it is presented differently to willis.

all the way back at the beginning of this post i talked about Jason's feelings of betrayal, how the perceived lack of trust was what finally made him break and tell bruce everything. this is, to me, a big deal. by contrast, we have no evidence that jason ever had or expected any kind of trust from willis; he didn't know Willis's whereabouts and assumed he had wound up in prison again without feeling the need to tell jason or catherine. willis was not someone Jason had ever had consistently in his life, and losing him to two-face was not functionally different from losing him to the justice of the state.

i do not believe the fleeting rage or feelings that he had a right to know what happened to willis would be *at all* comparable to the tidal wave of emotion Jason would feel, at this point, at losing Bruce.

"because they took me away from you."