#i'd love to know more about the real him but it makes perfect sense that we don't

[lovemyromance]

what's your favorite elriel theory

I'm being petty, but I think that Azriel was always destined to be for Elain. Like yes, I think it's so powerful that Elain & Azriel might end up choosing each other over a mating bond -

But I also think there's enough textual evidence to support that Azriel has shown more mate behavior towards Elain than her actual mate.

I know this sounds crazy, but while I believe Elain & Azriel will choose each other FIRST, I still think SJM won't be able to resist and will reveal Elain to either have TWO mating bonds (one blessed by the Mother -> Azriel, and one from the Cauldron -> Lucien), or the mating bond with Lucien is fabricated (a la Maeve in TOG) and Elain's real mate is Azriel.

I think Azriel was slowly dying from the poison/faebane in ACOMAF when Elain was thrown into the Cauldron. He did cry out when she got thrown in – which Feyre thought was from the poison – but what if even Feyre misunderstood? What if he was crying out for Elain - not because of the poison?

He has always been soft with Elain. Even Rhys hasn't bothered to act differently around Feyre's sisters – but Azriel immediately went into gentleman mode around Elain. She had the man reciting poetry at their very first meeting, for god's sake. I think they've always had a connection. Elain might not have been able to put a name on it because she was human – but Azriel must've had some indication.

And then the tiff with Hybern happened.

Azriel was on the brink of death - but he cried out when the King instructed his men to throw Elain in first. And then suddenly, Elain is fae. But before anyone can even blink, Lucien swoops in and claims her.

Now if I were Azriel - I'd be HELLA doubting myself at this time. Because if I had felt a mating bond with a human, who knows if that was even possible? What could it be that I'm feeling, then? And then when that human I share a connection with suddenly becomes fae - but she's immediately "given to another" that doubt comes in FULL FORCE.

It makes perfect sense that Azriel is so hesitant to act on his feelings for Elain. The mating bond is the most sacred thing in their world. Azriel essentially has to say "Fuck your mating bond, I think my connection with her is stronger". Why would he do that before he knew Elain even wanted him back? Why would he fantasize about a future together if he didn't even think she would choose him over a mate?

This man is full of so much self doubt, and unfortunately, his logic tracks. Like the way he is - makes sense. The angst, the self-hatred, the guilt he carries around -> All of this only serves as a barrier to his love with Elain, not just Rhys.

This is a couple that has been set up for an EPIC love story. And after the hard and fast narrative of ACOSF....An Elriel slow, romantic, angst-riddled forbidden love story is exactly what we need.

[dashing-disaster]

"Buck doesn't like basketball but basketball got him Tommy so it's actually a sweet gift" might be the most self centered arrogant take I've ever had to read - and in that, it makes perfect sense that that's the kind of logic Tommy, who constantly condescends and patronizes Buck, would use.

I see how the line can be interpreted that way if one doesn't like the ship, yeah. But it's not how I meant it and I think that comes across well enough in the rest of the post so I'm not too concerned about this.

Now, I wouldn't necessarily call Tommy condescending or patronising as that implies some degree of willfulness and his behaviour towards Buck up to the moment of breaking up is never deliberately unkind.

Quite the opposite, Tommy shows up for Buck, even if he has to go out of his way to do so, he compliments him, he takes care of him when he's hurt and he listens to him. Does he perhaps not always get it and is fondly exasperated? Absolutely. Just like Eddie, as we saw in the Halloween episode. Those two were on the same page about the curse there, but they still indulged Buck because they both love him.

Honestly, after 6 months the occasional eye-roll or 'sure honey' at your partner is a given because that person might be an idiot but they're your idiot.

That's not to say that Tommy isn't still a deeply flawed individual and that is unfortunately reflected in the way he handles conflict. There are two things specifically that form a pattern: Tommy assumes to know what other people (Buck) feel or think or how they will react in a situation and he runs from his problems. Both of those things are a defense mechanism and something people learn to do as a result of trauma.

Now, is it a healthy defense mechanism? Hell no! It's one that I'd advise anyone who detects these patterns in themselves to unpack with a therapist or, if that's not possible, at least be aware of the issues and try to find coping strategies to prevent self-sabotage.

Also let's be real, if it comes to unhealthy coping mechanisms he's found his people at the 118. Everyone at that station has had a go at those at some point I think. And thank God for that otherwise this show would be dreadfully boring.

And that's also where I would have loved to see more of this relationship. I'd have loved for Buck, who still has so little self-worth that he simply accepts it whenever someone leaves him, to fight for this relationship because they're both worth it. And at the same time with Tommy, who apparently would rather blow up a good thing without cause or reason just so he can be the one to control it, I would have loved for him to take that leap of faith and trust Buck.

It could have been a beautiful story about growth. I actually think it still can be, if the TV Gods are willing.

So, long story short, is Tommy arrogant, condescending, and patronising towards Buck? No. But he's not perfect either. He's a three-dimensional character with past trauma, fears, flaws, and many layers that we unfortunately only scratched the surface of.

And it's okay if you see things differently. It's okay if you don't like Tommy and your opinions and feelings about him are perfectly valid, just as mine.

Anyway, thank you for your message, anon, I hope you have a good day.

[transmascutena]

What do you think about mamiya? I find the blackrose arc very confusing but also so cool id like to know your point of view on him

mamiya is very interesting to me in what he has to say about the show's concept of eternity, and in the ways he parallels anthy (usually by, you know, being anthy. but also mamiya himself.) he's admittedly not much of a character, as he's dead before the show starts and only appears in a few scenes, and mostly he's there to give more insight into mikage and what's up with him (which says a lot about the themes in the black rose arc in itself.) but what mamiya says about his sister keeping roses alive and how he wonders if they like being made to last longer than is natural, is so intriguing to me. it implies a lot about how he views his illness and life in general, and it's very different from most of the other characters. mamiya correctly identifies eternity as a bad thing and does not want it. he seems accepting of his own death, which is in stark contrast with how both tokiko and mikage feel about it, neither of them seeming to actually respect his wishes and agency in the matter (rose bride moment.) and the fact that when he does die it serves to let tokiko escape ohtori while keeping mikage trapped is so interesting. it really shows how important it is to be able to move on, again something none of the other characters understand yet.

mamiya says at a later point that he does in fact want eternity, but i have to assume this is either anthy manipulating mikage, or mikage misremembering/projecting his own feelings on to the memory of mamiya. but the things the real mamiya says likely do reflect anthy's own feelings about being the rose bride and her eternal suffering. especially if you believe that anthy literally cannot die. (i don't think i personally do, but it adds another layer to this.)

[buckyalpine]

Imagine jealous!sharon want to get you out of the way so she can be with Bucky…

She hurts you (even it’s like a bruise) and Bucky begins to be so protective of you 🥺🥵

ABSOLUTELY.

I'm imaging this with a soft sweet reader and fuckboi Bucky. Hear me out, okay.

He's not looking for a relationship at all, finally feeling a sense of freedom after getting a bit of himself back. He's so flirty with everyone, so charming, he knows he can get whoever he wants.

He fucks.

A lot.

Sharon eats it up, loving the smirks he gives her, his playful baby blue eyes always sparkling. She loves the naughty way he bites his lip and don't even get her started on how gorgeous he is when he works out shirtless. His Brooklyn accent comes out when he calls her darlin' and it makes her weak in the knees.

There's just one issue.

The looks he gives Sharon aren't special. She's not the only one he calls darlin', even the old lady at the coffee shop shares the same pet name. Bucky can't help the little smirks he tosses around to others, flirty compliments naturally falling from his lips. He's a bit of a heart breaker but it's who he is.

That's just Bucky.

That's Bucky with everyone else.

Then there's Bucky with you.

The quite lab assistant who worked at the compound.

He didn't have it in him to playfully flirt with you when you asked about his day. He actually liked talking to you, finding any excuse under the sun to keep the conversation going, poking at the little nick knacks you have on your desk so he doesn't have to leave so quickly.

Sharon hates the way he looks at you. Whenever he's around you, he looks at you with puppy eyes as if he's wondering how someone so sweet could possibly exist. She catches onto the way he's not the same with you as he is with others. He's called everyone in passing darlin' with a drawl of his voice but you're his doll. He's never used that with anyone else. That's reserved just for you.

She can't stand it.

At first she tries to pick you apart in subtle ways' maybe you'd finally realize you had no business talking to someone like Bucky.

"You're so pretty even though you wear glasses"

"Don't worry, that dress would still look good on your body type, its meant to suit everyone"

"I wish I was as brave as you to wear that! I'd love to have that much confidence but I could never"

She smiled sweetly while you pulled your lab coat closer together, clutching it tightly in your hand. Your heart sank to your stomach. You'd worn one of your favorite dresses, one many others had always said you looked perfect in but some how Sharon made you doubt that, despite her sugary smile.

Then she took it a step further to make sure you were more isolated, insisting you'd be uninterested in plans when the team wanted to go out. Purposely giving you extra work when they had drinks together. Anything to keep you sad and holed away in your lab while she kept Bucky all to herself.

She'd do anything to get rid of you.

She was almost certain everything was going accordingly to plan, inching closer and closer to Bucky during a movie night until she was pressed against him, sharing his blanket. Not that Bucky noticed since he was more distracted over the fact that Sam was also squished against him on the other side of the small couch. Sam was also buried under the now too hot blanket, his deep snores irrupting the movie having fell asleep on Bucky's shoulder.

"Damn bird brain" Bucky huffed, ignoring the fact that he pushed Sharon off while reluctantly adjusting himself so Sam's head wouldn't slip, shaking his head when Sam grumbled, trying to snuggle into Bucky more.

"Bet you wish that was y/n, huh" Tony wiggled his eyebrows and much to Sharon's distain, Bucky blushed. Not did he deny it.

It didn't matter though. She'd find a way to get Bucky's attention, it wasn't like you were real competition anyways. She figured you'd have the sense to like someone better suited for you, someone in your league, definitely not the very handsome Sergeant.

That was until she found out you had a crush on the super soldier yourself. You'd let it slip out during a conversation with Nat, not realizing there was someone near the lab. Sharon didn't think you actually had a chance with Bucky but it didn't matter.

At this point she didn't care about what it took.

She was sick of the way Bucky was soft over you.

So she took a more direct approach.

"Y'know, I heard someone has a little crush on a certain super soldier" Sharon smirked, wandering to your table, tinkering with one of your tools while you looked at her like a deer caught in head lights.

How did she know?!"

"I-I don't-

"Oh please y/n, everyone knows" the blonde rolled her eyes at your gaping mouth before continuing, "I just thought I should let you know that he's not interested"

You felt like you had been punched in the stomach, the hurt expression on your face made her satisfied,.

"Oh" Was all you mustered out, embarrassed beyond belief while she shrugged. You blinked back tears while Sharon squeezed your shoulder out of faux concern, handing you a tissue.

"I'm so sorry, honestly I just thought you should know because he likes me. And I like him. So it would be best for you to move on, because were seeing each other" It didn't matter if it was a lie because she intended on making it real soon enough.

From that day, you avoided everyone in the compound like the plague, throwing yourself into work, feeling ridiculous for having even thought of Bucky that way. Of course he'd never go for someone like you, you should've known that from the start.

Sharon's plan was short lived after she overheard Bucky worriedly asking Tony about where you'd been all week since he hadn't seen you. After some endless teasing, Tony reassured him you were fine and just busy with lab work, not knowing the true reason as to why you'd overloaded yourself.

Sharon despised the pink that decorated Bucky's cheeks whenever someone said your name.

She hated that she'd seen him walking by the lab hallway in search of you.

She'd do anything to end all of this.

Including hurt you.

-

You made your way down to the gym hoping to sweat some of your unrequited feelings away, putting on your headphones before hopping on the treadmill. Sharon walked in moments later, blonde hair pulled into a sleek ponytail, her toned body on full display in nothing but a sports bra and some tiny shorts.

You felt even worse.

You tried to stay hidden, deciding 15 minutes would be enough, though your escape was cut short with Sharon caught your arm just as you were about to leave.

"How about we spar for a bit" She smiled sweetly, giggling at your confused expression. You'd never sparred in your life, in fact this was probably the third time you'd even used the gym the entire time you'd lived at the compound.

"Sharon, I-I don't think that's a good idea, I've never-

She cut you off, dragging you to the mat, practically shoving you to the middle with more force than necessary.

"It's fine! I mean, it's good for you to learn since you work here n'all C'mon, I'll help you and show you what to do" Before you could say anything, Sharon had flipped you onto the mat, twisting your arm behind your back without warning. You gasped in pain as she gripped harder, pulling further up your back until she heard your joints crack.

"Let-let go" You winced out, confused over what part of sparring this was, your body hitting the floor when she released her grip.

"Ops" Sharon pouted with faux innocence, taking a long sip from her water while you hissed in pain, seeing the formation of a bruise already forming on your arm.

"SHARON"

Sharon squeaked in surprised at the loud voice that boomed through the gym, bouncing off the walls. Her eyes shot up to see a very angry super solder making his way over to the mat, eyes darkening as they landed to your injured form on the ground.

"What the fuck did you do?!"

"Bucky, we were just-

"Don't" Bucky growled through gritted teeth, rushing over to your side, and slipping his arm around your waist.

"Angel, are you okay?" He cupped your cheek, helping you to your feet and taking your hand in his, examining it with the utmost care. "Are you hurt anywhere?"

"M'all right" You nodded, your face heating up under his gaze, still a little shaken, your body trembling.

"How the fuck could you hurt her" Bucky spat, his metal hand clenched to his side, itching to punch Sharon in the jaw, having seen what she had just done but he didn't want to deal with the mess that would come afterwards. "The hell did you do that for"

"Excuse me? I was just showing her how to-"

Bucky's jaw clenched, instantly shutting her up. He refused to let go of you, keeping you firmly tucked into his side, growing unbelievably protective over you.

"Fine, go ahead, I'm sure she's different from all your other little side pieces" Sharon scoffed, smirking at the way your face fell. Bucky felt like he'd been hit in the chest; you were far more than any of his hook ups and he'd never considered treating you that way.

"You. Don't. Touch. Her" He glared her at before walking off with you. After the incident, Bucky insisted you go to the doctors to get checked over, waiting outside of the room like a kicked puppy. He couldn't help but feel guilty that all this had happened because of him. He also wondered that you thought.

Did you think he'd just use you for one night?

He would never.

He knew he wasn't into dating. He gave up on the dream of getting married, having kids, all that years ago. But that was before he met you. Ever since you'd thrown him a shy smile along with the softest hello Sergeant Barnes, Bucky had been a goner.

If his feelings were was bad before, it was even worse now.

You were told to ice your arm for the pain and swelling. Bucky had swept you away right to the kitchen, despite you telling him you'd be fine, plopping you onto the kitchen island wrapping an ice pack in a towel. He held it to your arm, frowning at the way you refused to look at him, your face downcast to the floor.

"Doll?" Bucky wrapped his arms around you for a comforting hug, wondering if the altercating with Sharon was still upsetting you, "Are you okay sweets? I missed you, haven't seen you in ages"

"I-I'm fine, I'm sorry" You pulled away from his arms, remembering Sharon's words from earlier, instantly missing the warmth of his body. "I know you don't feel the same way Bucky" You bit your lip to keep it from trembling.

Bucky blinked in confusion, having no idea what you were talking about. What did he not feel the same way over.

"What do you mean y/n"

"I mean I like you-but I know you don't like me that way so I kept myself busy so I wouldn't bother you because Sharon said-

"Wait, slow down, what did Sharon say"

You sighed before recounting all the things that had lead to this moment, Sharon insulting you, then telling you to back off, to straight up fighting you.

"Oh doll" Bucky shook his head, feeling worse over what had happened but over the moon over your confessed feelings, "She's right you know," He teased at the pout that made it's way to your lips before playfully pecking them, catching you by surprise.

"I don't do relationships. Certainly never had before. That was before I met the sweetest thing in the world and she's had my heart since" Bucky whispered, his hands, one warm, one cool cupping your cheeks, "She has me dreamin' of sayin' I do and that white picket fence, a ring on her finger, a pretty little baby bump with flowers on the window sill. Maybe a baby boy n' a baby girl. Maybe even a cat. She's the cutest little lab assistance and I'd love for her to be my girl, sweets"

Bucky held your face in his hands, his thumbs caressing over your warm cheeks while you grew bashfully shy, burying your face into his chest instead, making him chuckle.

"I didn't think you were the relationship type" You shrugged, toying with his dog tags, "I'm not you're darlin' Bucky"

"That's cause you're my doll" Bucky tilted your face up making you look up at him, his lips pressing the softest kiss to your nose and then your lips. "My one and only doll"

[dontbesoweirdkira]

howdyyy, what do u think of plat yan! dick grayson (or platonic yan father bruce wayne up to u) with a batsis who is very disinterested with him primarily bc when she was younger she idolised him a lot but now not so much. there are comics where grayson has cheated on his partners before so imagine batsis coming to realise as she aged and matured that her doting brother is a bit of a playboy…. a lot like a playboy actually—

You know, this is actually extremely realistic. There's nothing like the rose color glasses falling off and realizing just how messed up your family truly is.

I'd like to think that there was plenty of jokes and mentions about Dick being a playboy but Batsis would just be absolutely clueless. You probably just thought it was a reference to his charming appearance or the way he gets hit on at least once whenever he goes out. Not really that he was an notorious heart breaker.

Like i don't think the other batkids had serious talks about it in front of you because of your (then) age or maybe it was a request by Dick so he could keep on his perfect mask with you?

Ironically, he wouldn't want any man to treat his little sister (or any of them) the way he does to other women but he has a problem. I will say though, it makes absolute sense that Dick or even the others would have issues keeping relationships or even have sex addictions. I mean it's a real issue that many people are struggling with right now. But can you imagine your father constantly bringing home women and cheating your entire childhood? Like Bruce introduces some of these women to them, they get attached to this potential mother then it's ripped away to be discarded for the new catch. I think that definitely warped Dick's view of women and romance stems from that. *intense mommy issues* But also i mentioned before that it's hard for him to maintain relationships while taking on the fatherly role in the family. His obsession with making sure all of his siblings are cared for and protected(mixed with being nightwing), makes it all the more difficult. Maybe that leads him to just hooking up with and being sloppy in his relationships. Maybe its just a means of stress relief and that causes him to almost dehumanize/objectify the women he "romances".

I'm not saying this is justifiable, cheating is disgusting and his behaviors are something that needs to be corrected regardless of mommy issues but for headcanon sake we are entertaining the concept

I'm not sure how you'd exactly find out about it. Maybe one of the kids let it slip and didn't bother to do damage control because you're old enough now? Maybe you spoke to one of his exes that is still friendly with the batfam? Or maybe your brain started to develop and you realized he wasn't hanging out with that new super model as just friends all night...it was something more and his girlfriend definitely didn't know about it.

Regardless, I think when you finally found out about everything, your world crushed. I don't think you'd hate him but you just feel yucky about the whole thing. Now when you look at him something in your stomach just sinks. You might even wonder if you can trust him. I mean if he's got that much of a problem to be dishonest with his lovers, then why would it be so left field to suggest he lied to you too when he said he loves you or that you were his favorite? The transition from you idolizing him to being standoff-ish would be extremely noticeable to him. I mean it's hard to ignore when you were his mini me. Even as you got older you followed him around and never skipped an opportunity to be near.

He wouldn't think that it was because of the playboy thing, maybe just you needing some space as a teen. Everyone has gone through that phase before but when he notices your shift is only directed towards him, he's a little upset about it. He doesn't understand what he did wrong? One day you guys are eating ice cream together while having a sleepover in his room to you treating him like a disease.

Eventually your big brother corners you and makes you to confess whats bothering you. He apologizes if something he said rubbed you the wrong way but you couldn't keep treating him this way.

"uhm..i dunno, dick? I found out how you've been treating you partners and i think it's kinda gross. I guess i just don't really wanna be around someone who treats women like that right now..."

I think Dick's reaction would be complete shock....who tf told you?! He has no defense but he tries to muster up one before realizing this is just making him look worse when EVERYBODY knows how much of a whore he is lol. He'd back off of you and maybe even mutter an apology before walking away to go collect himself.

He's furious as well...whoever told you will be getting an earful because they just ruined something precious to him. (yeah they did. totally not his OWN actions) If it was one of his brothers, he will be throwing hands.

Dick does very much care about others perception of him, i've said this before. He knew he had a problem and his other siblings have spoken to him about it and it affected him but never enough to change. It's just a far deeper issue than wanting a quick fuck in the expense of his partners...But seeing his baby sister look at him with just so much disgust and disappointment was enough to cause him to spiral. He's not proud of his actions and knows he's hurt and discarded of many, many women for his own satisfaction. It's deplorable. I can imagine him taking maybe a few days to himself, he's just in his head while being overtaken by heavy guilt.

I'm not sure if Dick would actually change for you though? I think he is even debating it. Yeah he's a yandere for his batsis but is his obsession with you enough to kick the other one to the curb? That's up to you. A hopeful person would say, yes he would. Anything for his babybat! He's going to do whatever it takes to prove himself again, anything to make you proud. This habit isn't worth it if hes loosing you.

My opinion? No, he won't change after his guilt wears off. He'll just pretend like he's reborn. Dick would try for like a week and then go right back to doing his habits. He's a manipulative piece of work and yeah, lying to you is bad but he wants his cake and to eat it too. He's not willing to give up anything that gives him a euphoric boost. Shh...what you don't know, won't kill you.

[mariasont]

hiii! I read your last spencer one shot AND I LOVED IT! IT WAS SO SWEET AND YOU'RE SO TALENTED!! Would you write something about post prison reid and shy reader? I was thinking of her as the media liaison (in my mind she is old-fashioned in music and clothes I'd wear skirts everyday, her emotional intelligence makes her good at her job, despite her shyness). Maybe she's clumsy, especially when she gets nervous and more especially (I don't even know if that's grammatically correct) when she's around Spencer.

Thank you so much for reading this, you're doing an EXCELLENT job, your works are a masterpiece!! 💕💖💝💓💓💖💞💕💖💓

Make a Wish - S.R

a/n: eekkkkkk post-prison spencer reid has me in a CHOKEHOLD! thank you so much for requesting, i'm so sorry for the delay! i hope i did your request justice!! I LOVE LOVE YOU!

masterlist

pairings: post prison!spencer reid x shy!reader

wc: 0.9k

You had been meaning to give the reports fastened in your hands to Spencer for give-or-take two hours now. Each time you gathered the courage to approach him, just one glance, one simple stupid glance from those piercing eyes set your nerves on fire and sent your brain in overdrive.

As the new media liaison from the narcotics unit, you were warned about the BAU's intimidating figures, particularly Rossi and Emily. However, no warning came regarding Spencer Reid. They mentioned his tendencies for long-winded explanations and awkward social interactions but not the aura of intensity he exuded. Whenever he entered a room, you instinctively started looking for an exit, not because of his criminal record, but because you found yourself hopelessly mesmerized by him.

He was perfect in every sense of the word—brilliant, compassionate, selfless, and an exceptional agent. At least, this is what you had observed from afar. A part of you was scared that any real interaction with him would shatter the idyllic image you had crafted in your head, and you weren't confident you were prepared for such disillusionment. However, you needed to give him these damn papers, dreading the alternative, which was getting summoned to Emily's office.

"Hi."

You did it, okay, first step complete. You opened your mouth, determined to get out the next part you had practiced a little over twenty times in your head, but the words seemed to dissipate into a misty fog in your brain.

"Um, these are for you," you said, rocking back onto the balls of your mary janes, placing the report on his desk. "It's the Henderson lie detector test transcript?"

"Is it?"

You realized you had said it like a question.

You paused, the part of your brain stuttering for a second, trying to flip over the thousands of scenarios you had rehearsed in your head for this interaction. None of them had included those words.

Just a little off script and you felt your fight or flight kick in—nails digging into your palms as you avoided eye contact.

"Yes." A little more confident this time, not by much, and it quickly deflated as you second guessed yourself, stepping closer to peer over his shoulder at the document. "At least I think."

"I'm just messing with you, it is." He said, eyes flickering down to the document, then to you. "You okay?"

"M-Me? Okay? Yeah, of course." The words were stumbling out of your mouth at a rate that was hard to keep up with. "Do I not look okay?"

"No, of course you look okay," he responded, brows knitting together as his gaze traveled down your body, no doubt dissecting your every thought. "You just seem... a bit nervous."

You opened your mouth, aiming to articulate a coherent thought, but it fell short and was quickly interrupted by Spencer.

He suddenly leaned in, his eyes narrowing. "Wait, hold still; you have an eyelash."

He was so close, you swore you feel his breath on your cheeks, instantly warming them. Your body was in overdrive, trying to recalibrate as his finger grazed the area under your right eye. You closed your eyes, almost unwillingly, relishing in the unexpected touch.

This was weird. Every nerve in your body was on high alert, and you balled your hand into a fist, attempting to mask the way you were shaking.

The sound of your name snapped you out of your daze. Your eyes followed suit, meeting Spencer's prying eyes. His finger was raised, your eyelash perched on the tip. Your face could have been a furnace, flames of heat spreading from your neck to your nose.

"Do you want to make a wish?"

He looked at you expectantly, eyes darting from your face to his raised pointer finger.

"Okay."

You closed your eyes, forming the wish in your mind before blowing on the lash. You watched it float to the ground, settling gently on the toe of Spencer's shoe. 

"What did you wish for?"

"I feel like I'm not supposed to tell you that," you say, pulling at the ends of your hair.

He was undeniably good-looking. It wasn't like you were just realizing it; you had eyes and you were only human. But up close, you could see every detail—the dark circles under his eyes, the rough stubble under his jaw.

"I think you're right."

The sudden intimacy of the moment made your heart skip a beat. You stepped back, nodding at his words and also nothing in particular.

"Anyway, yeah, those are the papers—," you began, turning to walk away. As you did, you bumped your hip into the desk beside you, hissing under your breath in response.

"Christ, are you okay?" His hand was on your hip as the words came out of his mouth.

The touch only seemed to intensify your embarrassment. You stepped out of his grip, dropping your phone as you did which you quickly bent down to pick up.

"Sorry, yeah, I'm fine, just forgot I have a meeting with Emily, so I'm just gonna—," you pointed towards her office, quickly making your escape from Spencer as you tried to catch your breath.

Once you were a distance you deemed safe enough, you allowed yourself a quick glance back at him. He was smirking, and you felt that all familiar heat rising into your chest once again.

You really hoped that wish would kick in soon.

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[just-absolutely-super]

As many people have pointed out already in chapter 106, the Forgers—a fake family—act more authentic than the Desmonds—the actual family.

But really…the Desmonds aren’t a “real” family, not to me. Not in a way that matters...

SxF is really good at showing relationship dynamics and how blood doesn’t always make a family. This is so true now that you read chapter 106 and compare the Desmonds and their interactions to the Forgers and how they act with one another.

With the Desmonds, there is no warmth shown in how they interact. I'd say there's barely any love either (we know Melinda does care for Damian despite the conflicting thoughts, but it seems she's not allowed to show it). Damian tries to form connections but no one in the family is receptive of it. The parents have a hands-off parenting style. The older brother keeps to himself and doesn’t open himself up. Damian literally finds more affection in his dog and butler than his actual family and that’s so heartbreaking!

The Desmonds may be a family in all sense and purposes, but they don't present in a way that all families are meant to.

On the other side are the Forgers. Loid and Yor married for convenience. Anya is adopted. They’re only together because of Anya due to her mind reading abilities. It’s all a sham for WISE’s mission and to lower suspicion from the secret police.

But despite the intentions behind forming this persona of a perfect family unit…you can tell that there is a genuity to their relationship with one another. You see love, care, emotion, respect, and protectiveness. The family may be fake but the feelings they exhibit are so real despite the motives not exactly being pure. Loid, Yor, and Anya experiencing life together led to them forming bonds that they cherish. They Forgers managed to create a warm place they can comfortably call home.

idk I just find it so fascinating to see how a family brought together for convenience and ulterior motives can develop true familial bonds compared to an “official” and “real” family. I want to write a thesis paper about it lmao

I do wonder what the future holds for the Desmonds. In Damian's case, I hope he and Anya can grow more together so she can show him what a real loving family is. If Donovan really is as evil as the narrative is making him out to be, my hope is that he can be taken out of the picture so the rest of the family can heal from their respective traumas, then grow back together on what little familial love is left over. But we'll just have to wait and see when it comes to that...

[letters-to-rosie]

random Ekko thoughts

so I'm trying to get a little fic writing in, and I was thinking of some timebomb takes I've seen recently. I realized that a lot of opinions people have on their relationship and how it's depicted center around Jinx, and I was wondering what care people give towards writing Ekko, so here are some things I like to include when writing him:

perfectionist. Ekko, at least in League canon, goes back and forth over and over to craft a perfect moment. I think he'd be observant, detail-oriented, probably a little neurotic, definitely the type to replay an awkward interaction over and over in his head in the shower or before falling asleep

emotionally guarded. first, I gotta say I don't think Ekko would want to be this way. but he's been through so much he finds it useful to have walls up. it's not like all the toughness is a defense mechanism—he fights for what he believes in and is clearly very brave (who else makes hoverboards ffs). he does miss, though, the times and people that allowed him to be more vulnerable, and he treasures it when he has it. his childhood ended way too soon

chronic overthinker. this goes back to the perfectionism, but I think he'd constantly be questioning everything. he's good on his feet, but he likes to have a plan, and he'd tends to think about those for a long time

charismatic as hell. this one I think is proven by the show, lol. Ekko seems very personable, likes to haggle (at least as a kid), and is liked enough to lead a resistance movement. I think he'd make good speeches and be good at convincing people. this would, of course, cause drama with Jinx, because he'd be like "all these people believe in me and my former best friend doesn't," ow

drama. I like to give him a pretty dramatic inner monologue, lol. I also like to think he's self-aware enough to realize he's being dramatic in the moment and to then continue the drama anyway

enjoyer of thrills. hoverboard. need I say more?

childish and playful side. didn't get to have a full childhood and cherishes getting to let that side out. cue fluff

fidgeter. it preceded the tinkering

player of mind games. this is mostly based on how he treats Caitlyn and Vi after kidnapping them, putting them through what essentially amounts to tests (for, imo, understandable reasons). he also goads Jinx into a game he knows he'll be able to win. I think he'd apply this thinking to other scenarios, be they big or small

too-big sense of responsibility. would feed into the drama for sure. he feels the weight of his community on his shoulders, and because he wants things to go well, and because they're counting on him, he takes on a lot that he maybe should not

self-righteous. he strikes me as filled with righteous anger. he's right, most of the time. on the occasion he isn't, this causes problems

proud. wouldn't be a real issue in most situations, but it's there

irreverent. he flips off cops as a kid. we love him for this

smart. this is obvious, but sometimes can be forgotten in the fandom. I'd see Ekko as book-smart and having street-smarts (or at least a lot more than Jayce, but that's a low bar). I think his verbal skills would also be a bit more polished than some of the other science-inclined characters (cough cough Jinx). I think it's also notable that among the others (Jayce, Viktor, Heimerdinger, Jinx), Ekko is the main science character who has no access to proper schooling at any point. sure, he has his job with Benzo, but it's unclear how much that would have taught him. Silco probably got at least books for Jinx, and the others had real teachers. there's an element of resourcefulness in Ekko's smarts which is laudable, imo

very dorky. we love a man with range. I feel like he would be able to operate on multiple levels, one in which he's this cool charismatic leader and another when you get to know him better, who makes science puns and has a lot of insecurities, which naturally leave him replaying awkward conversations in the shower. layers!

idealistic. you have to give people what they need to live

heart of gold. one thing that always strikes me is that Ekko is really the only member of the main cast concerned enough with the plight of the average person in Zaun to make it his whole business. he's tending to the crisis in a way that is simultaneously very grounded and (again) idealistic, where substance use recovery is very much needed in the setting but he's also (perhaps in contrast to Vander) throwing himself into battles that are unsustainable because he believes in his cause, even if the persecution is so bad he has to hide over it

disaster bi (this one is for me)

Ekko's a really layered and interesting character. I wanted to bring up some things I think about when writing him because of posts I've seen recently about him being reduced to "Jinx's boyfriend" (due to anti-black racism, of course) and posts just kinda about timebomb in general? I think because it's been canon that Ekko has a crush of Jinx for so long, it's easy to take that for granted and not give much thought to his side of the ship. we also spend a lot more time in Jinx's head than his in the show, even though the brief moment we do spend in his head introduces a whole new art style and the best song on the soundtrack (fight me)

obviously, I'm a shameless Ekko and Firelights stan. he's my favorite character in Arcane and one of my favorites in anything ever, so it was fun to flesh out my headcanons, things I think are extrapolatable from canon, and just some of the traits that go into writing him. if people have others (or just traits and things they think are interesting) I'd love to hear them! I love my brilliant and contradictory boy!

[thegoldencontracts]

Too Late!

You and Azul are texting each other one day when he accidentally sends you some more honest texts.

Note/Warnings: Azul/Reader, fluff with a smidgen of angst (specifically Azul insecurities, he gets comforted tho)

You loved Azul. A lot. You'd been dating him for quite a while now, after all. But you couldn't deny that it felt like he was a bit- formal with you, to say the least. Sometimes, it felt like he was playing the role of a perfect boyfriend in a Romance Novel's screen adaptation. How did he really feel? Was he happy to be somewhere, or was he just playing along so that the other students in his dorm could see how attractive and understanding he was while they seethed in envy at the fact that they were single and he wasn't?

Which was why when Azul slipped up one day when you were texting, you were very, very happy about it.

It was a boring evening, like always. You were texting Azul, complaining about your homework while lounging in your bed like always. Nothing out of the ordinary.

Zuzuuu <3: You know, if you'd like, I'd be happy to assist with your homework. It'll even be on the house, just for you.

Me: cant believe im dating a capitalist mf /lh

Me: really tho, tysmmm for helping <3 I don't deserve u bbg...

And then, something completely out of the ordinary happened.

Zuzuuu <3: how could you say that you're literally so perfect? I love you so much I keep doodling you bc you're so. Pretty. I simp so hard for you plz never say that again <3

At first, you wondered if Floyd wrote the text as a joke. It was pretty in character for him, after all. But that didn't make sense. This wasn't Floyd's way of texting, nor did it even attempt to imitate Azul's. When Floyd was in the mood to prank someone, he put in the effort to make it good.

Whatever. You took a screenshot of the message so you could treasure it forever. And lucky you, because right after you did, the message was deleted.

Zuzuuu <3: Please don't say such things about yourself, even for comedic purposes.

He was not being slick with that. You sent a text in response, giggling all the while.

Zuzuuu <3: Regardless, would you like to come over later today?

Me: Real slick hehe... Plz show me ur doodles of me they probably look so good bc you're good at art just like everything else somehow

After a while, Azul replied.

Zuzuuu <3: I don't know what you're referring to. Regardless, would you like to come over?

As much as you wanted to press, you decided not to. Too much pressing would just make Azul clam up more. You'd just have to get him in person, where it'd be harder for him to run away when you showed him the screenshot.

Me: Sureee! Heading over right now

And so, you set out for Octavinelle, evidence in hand. You were going to make him admit he sent that text.

~~~~~~~~~~~~~~~~~~

By the time you got to Azul's room, you had everything planned out. He wasn't usually so candid with you, and he was clearly ashamed of it when he was. You were going to figure out why.

You knocked on the door, and Azul opened it, letting you in.

"Come in," he said, tone even more formal than usual, by some miracle.

"Thanks," you said, taking a seat.

"So, about that text-"

"I don't know what you're talking about," Azul said, quick to cut you off.

"So quick to interrupt, Azul!" You said with a mock-pout, before grinning as you pulled up the screenshot on your phone. "But I think you do."

First, Azul's mouth hung open in shock. Then, his whole face turned red, lip quivering as a high-pitched whine left his mouth. Then, he moved to snatch the phone from your hands.

You narrowly dodged, and you couldn't resist sticking out your tongue at him.

"Too slow!" You laughed as he tried to grab the phone from you again, only to fail even more without the element of surprise on his side, because for all of Azul's many strengths, speed wasn't one of them.

"Delete that at once!" He shrieked, voice cracking in the middle.

He kept trying to grab it for a while, before finally giving up.

"Fine, fine," he grumbled, pouting like a kid. Cute. "You win. Are you satisfied now?"

"Very," you said, "because I get to see you. Your actual thoughts. Not just the ultra-filtered version."

Azul scoffed at that, seemingly in disbelief, though you saw the way he stifled a smile.

"Don't flatter me," he said. "My 'true thoughts' are not something you'd want to see in the slightest. Merely a more pathetic, messy version of what I already tell you."

"And that's precisely why I want to hear it," she said. "You sound so perfect all the time that I wonder whether you're really being honest with me, you know. It's just so refreshing to see you be gushy and candid about things. And pretty cute."

"How odd," he said, before turning to you with a face more genuine. "Thank you. For what little it's worth, I'll try to be a tad more honest with you. I can't promise anything, though."

You smiled.

"That's all I ask."

And really, truly, that was enough.

Bonus:

"So, how'd you learn so much internet lingo? Never took you for that kinda guy."

"I'm in the board games club with Idia Shroud. What did you expect?"

[echobx]

Twin Flame 3 - pervy!bsf!JJ Maybank × pervy!bsf!fem!reader

summary: y/n is hurt and JJ isn't planning on being the bigger person either

word count: 2.3k

warnings: talk about feelings, JJ and y/n lying to themselves and their friends, smut, oral (fem receiving), outdoor

author's note: while writing I thought this was the last part and then suddenly I was at 2k again and thought to myself, just cut here and write another one so that's what I'm doing. apparently writing without a plan works better than writing with a plan.

series masterlist ♡ part 1 ♡ part 2

   “Shit, you look horrible,” Kie said as you showed up for your shift at the Wreck. 

   “Didn't sleep,” you mumbled while wrapping the apron around your hips. After what JJ had done, you had first cried for about an hour, trying to reconcile with your conflicting feelings towards him. Then you had cleaned yourself up and driven to the one 24-hours store out of town that had a pharmacy, getting Plan B just in case, because you weren't a hundred percent sure that you had always taken the pill on time. A kid would ruin your future at this point. JJ’s kid, maybe even more so. He would resent you for it, probably, just as you would him. 

   “Think you can manage, or want me to cover for you?” Kie suggested, but you shook your head. You desperately needed the distraction the job provided. 

   So, that's what you did for the following week, picking up every shift the Carreras allowed you to, and afterward you went straight home. Not to the Chat. And especially not to JJ. 

   “Okay, seriously now, what the fuck is up with you?” Kie pulled you to the side one evening, and you shrugged. 

   “I don't know what you mean?” 

   “You're avoiding us, all of us. Why?” she stared at you. 

   “I have shit on my plate, work and-” you tried to find an excuse, but you couldn't tell her the truth. 

   “And?”

   “It doesn't matter. Why do you care?” 

   “Because I'm your friend, dummy,” Kiara tapped against your head repeatedly. 

   “Ouch. And maybe I just don't want to get shitfaced every other night,” you mumbled, wanting to walk off, but her hand was still firm around your biceps. 

   “Bullshit.” 

   “Fine. I don't wanna see JJ. Are you happy now?” you hissed, and she furrowed her brows. 

   “Why? That makes no sense. The two of you are like conjoined twins.” 

   “I don't want to talk about it. Just let it go, Kie.” You ripped your arm from her hold and continued working. 

   At the Château, JJ had to deal with similar inquiries. 

   “Kie just texted,” John B sighed, running his hand over his face exasperatedly. “Wanna explain to me why y/n says that you're at fault for her not coming by for over a week?” 

   “How would I know? Women are a mystery,” JJ rolled his eyes and continued smoking. 

   “For someone who's usually the best at lying, you're doing a fucking shit job right now,” John B scoffed. 

   “What? You want me to tell you my deepest, darkest secrets?” JJ leaned forward, his arms resting on his knees. “Want me to tell you that she begged me to fuck her, and now she's acting like a whiny bitch about it? Want that truth?” 

   “No, I want the real truth. We both know she'd never do that,” JB laughed, trying to lighten the mood, and JJ decided to play the innocent. 

   “Of course she wouldn't, little miss perfect.” 

   “What if you just went and apologized for whatever you did?” John B proposed and JJ leaned back again.

“What if… what if… what if, I just sat here and forgot all about it? How about that?” 

   “That won't bring her back,” his best friend sighed. 

   “And what makes you think I'd want her back?” JJ was lying to himself. The lack of contact was gnawing at his heart strings. He knew he wouldn't hold out much longer without seeing you, but he also didn't want to be the one to cave. 

   “I don't know, maybe the fact that you love her? She's like a sister to the both of us.” 

   “A sister would never do the shit y/n did to me,” JJ thought to himself, but he kept quiet. 

   Two days later you decided to go visit your favorite place on the island, a small lagoon, a hidden gem that only the deep locals knew about. But only JJ knew how important the spot was to you, so it didn't entirely surprise you when you found him there, lying on the big rock in the sun like a gator waiting for its prey. 

   “And I had hoped you'd died,” you joked, and he turned his head to look at you. “You owe me fifty, asshole.” 

   “Since when?” JJ smirked, the tone of your voice was far from angry, and the spark in your eyes was neither mad nor anxious.

   “Since I had to buy Plan B because you don't know what a condom looks like,” you rolled your eyes and placed your towel on the sandy ground. 

   “Fine,” he exhaled and turned back to looking up at the sky. 

   “Everyone's annoying me about not being at the Chat every free minute of my shitty life,” you groaned, and JJ had to laugh. 

   “Everyone's annoying me because you aren't at the Chat every free minute of your shitty life.” 

   “Haha, funny,” you mocked. 

   “JB asked why you weren't coming by, I told him the truth, and he told me to stop lying, so there's that,” JJ sighed, and you looked at him in shock. 

   “Why would you tell him at all?” 

   “Chill, he didn't believe me. Why would anyone? Hell, I wouldn't even believe it myself.” 

   “Why?” 

   “He said you were like a sister to the both of us,” JJ huffed. “True brotherly love, then. Straight out of that medieval dragon show.” 

   “Game of Thrones?” you cocked your brow. 

   “Yeah, that shit.”

   “We aren't related, though, JJ. It's nothing like that, at all,” you remind him. 

   “Still fucked up. I mean, I watched you grow boobs, basically,” he muttered. 

   “Way to make it weird,” you rolled your eyes at him and finally took your seat on the towel. 

   “Was weird before it started, remember?” His eyes were fixed on you. 

   “Do you regret it?” you posed without thinking much about the question until it has slipped out. 

   “Should I? Do you?” His eyes traced your face, and you looked away, out onto the sound and trying to remember if it truly had been easier before, or if nostalgia was playing a trick on you. 

   “I'm not sure. I mean, I do like the way you kiss,” you smiled, more to yourself than to please him. 

   “Of course you do. You taught me. Remember?” JJ chuckled. “I still don't know where you knew that from. You hadn't even kissed anyone yet.”

   “There's a lot of things I know of, although I haven't gotten to try them yet,” you smirked and he sat up. 

   “Like what?” 

   “Love.” You didn't know why that nasty word had slipped out, but now it was hanging over you, and you hated it. 

   “Hmm, yeah, makes sense,” JJ nodded and jumped down from the stone, sitting down next to you, and you let your head fall to his shoulder. 

   “I’m sorry for how mean I was last week,” you whispered, and he held his hand out for you to take, intertwining your fingers as you did. 

   “I'm sorry for not having a condom, and for being an asshole who didn't let you come, although that technically was a punishment. And for running out like I did,” he apologized, and you felt like it was easier to breathe again. 

   “We're pretty fucked up, aren't we?” 

   “Seems like it. Yeah,” he said before exhaling a short laugh. 

   “What's so funny?” you asked, and he turned to face you, holding your face in his hands. 

   “You,” his eyes jumped between your own, trying to find a place to settle, but he couldn't seem to find it. “I mean, they expect me to be the weird creepy fucker, and they're not wrong. But who would've expected that you're worse than me.” 

   “Not worse. Equally, shit,” you reminded him quietly. “Made from the same bullshit material.” 

   “You got that high quality shit, though.”

   “Oh yeah?” 

   “Yeah. Parents, and that ass? Can't complain at all,” JJ smirked, and you swatted at his arm. “What? It's true.” 

   “My parents aren't even that good.” 

   “That’s what you're focusing on?” he huffed a laugh. 

   You leaned towards him and whispered, “I know that my ass is immaculate, Maybank.” 

   His lips were pressed to yours quicker than you could've said your own name, and you sighed into it. The feeling of his soft, warm lips against your own was one of your favorite feelings ever. Your whole body felt aflame under his touch, hands groping at your tits before he made you lie down underneath him, pressing himself between your thighs. 

   “J,” you moaned as his lips traveled down your neck. 

   “Gotta make it up to you, don’i?” he smirked and you nodded. It was a little messy when he helped you rid yourself of your clothes, leaving you completely naked and him still fully clothed. 

   “Fuck, you're gorgeous,” JJ groaned, his hands roaming over your body as if it was the holy grail. He squeezed your tits, and your back arched up in response, a gasp leaving you that was matched by his teasing chuckle. 

   “You know, princess, I'm just not that good with words ‘cause my tongue was made for other things,” he told you and a second later he was eating you out like his last meal. 

   JJ licked a long stripe up your wet cunt, humming at the taste. He wasn't thinking too much about what exactly he was doing, and just followed his instincts. Sucking on your clit until you screamed his name, digging his fingers into your thighs while his tongue thrusted into you. You were a mess because of him. You were his mess. 

   “Oh God,” you cried out, the knot in your stomach tightening. You didn't think of telling him that no one had ever done this to you, made you feel complete ecstasy with the simple use of their tongue. He wouldn't need to know, you knew it would just boost his already massive ego. 

   “Gonna be a good girl and come for me, baby?” JJ smiled up at you, and you nodded rapidly. 

   “Make me come, J,” you whined, and he dipped his head again. And JJ didn't think much about it when he pushed his fingers into your aching cunt, curling them up repeatedly while his lips were closed around your clit. He was drunk on you; your taste, your moans, the way your body reacted to every little touch of his. Feeling you clench around his fingers was probably one of the better things in his life. But tasting your release jumped straight to no.1, and if you’d let him, he'd do it every day and night. 

   He kept his fingers buried inside you until you had fully come down from your high. “You good?” he smirked and you nodded. 

   “Can I get up?” you whispered, and he pulled away, sitting up and watching you pull your shit back on as if you were embarrassed about it. 

   “Everything’s like normal again?” he asked after having licked his fingers clean. 

   “I don't know,” you shook your head. It wasn't like you didn't want to go back to before the tiny disagreement, but with everything the two of you did, you gained more clarity. 

   “So, you didn't want this to happen just now? ‘Cause this is all confusing, all right,” JJ sighed and shook his head. 

   “No, I did. It's just not the same anymore. What if you meet someone, and you fall in love, and then we have to go back to just being friends. Could you do that?” you posed, and he didn't know what to answer, so he hit you back with a question of his own. 

   “What if you fall in love?”

   “I don't even know what love is, JJ. How am I supposed to know what it feels like to fall in love,” you snorted at how funny his question was to you. 

   “I don't know,” he sighed, looking down at his hands. He had never been very touchy-feely, with no one, not even you. And yet you were always the only one allowed to do more to him than anyone else in his life. He let you cut his hair, let you tend to his injuries back when Luke had been around. He told you more than he did John B, but he knew he loved John B like a brother, just like he did Pope, like he loved Sarah and Kie and Cleo, and you. But not really. 

   “Is it, like, different from when you love your siblings? Like, do you think it feels different from the way I feel about JB and all of them?” JJ asked quietly, but you didn't know what to reply. 

   “Maybe we should ask him, he should know, right? About what it feels like, at least.” 

   “Yeah,” JJ turned to smile at you, fully dressed and looking as if he hadn't just deconstructed your whole being minutes earlier. 

   “What’ya think how long it'll take for that bush in front of your window to grow normal again? Like, there's prolly a big’ol JJ shaped hole in there,” he joked, and you had to laugh. 

  “Are you planning on not using it anymore?” 

  “Hell no. I can just come inside now, right?” he flashed his eyebrows at you and you groaned. 

   “You're not doing that again. I don't want to have to deal with three kids.” 

  “Three?” 

   “You count double,” you laughed, and he faked offense. 

   “Let's be honest, it would probably be easier to have kids with your best friends than to think love lasts. I mean, look at my parents,” JJ huffed after a moment of silence. 

   “Mine are fighting too much recently. I wish they would just say what they think and not talk so much bullshit all the time,” you sighed, and he pulled you closer, his arm over your shoulder. 

   “You know, you can always stay at my place if they get too much.”

   “I know,” you smiled up at him, and he kissed the top of your head.

read part 4 here

please don't copy and/or post my work onto other platforms! ~e©ho

taglist: @redhead1180 @spideysimpossiblegirl @drwstarkeyy @princessmaybank @ijustwantttoread @kys4-20 @immyowndefender @julczimozart @m2m2m2 @mochimms @dorkyfangirl24

[princessgarnetxvi]

Everything Johan did was For Anna/Nina

Everything Johan did was for Anna. 

                      A “Monster” capable of love.

“What I’m most afraid of is…forgetting Anna. The strange lessons we have everyday… are making my memories fade. Please, don’t make me forget Anna. It’s only Anna and me in this whole world. Just give me that - please. Please.”  – Johan Liebert”

I was very confused about the complexities of Johan's character up until the last handful of episodes. After rewatching the series for a 3rd time and exploring how Johan is portrayed in the manga, it became very clear to me that my initial opinions about Johan were basic and devalued the intricacies of Naoki's writing. From the beginning we are only TOLD by conflicting views, who Johan was. His character, in the fictional world as well as our own, is simply defined by an individual's perception of him and the story presented. However, if we dissect ALL of the themes and even the undertones Naoki presented to us through the world of characters; I think it would be evident that Johan was not committing heinous acts for superficial reasons such as simply being evil to be evil.

So what was the method to his madness? 

I believe... Everything he did was for Anna.

(Yes this includes erasing himself from existence too )

Author's Note: I want to preface before you read on that although these essays are written in a sympathizing light that Johan has done PLENTY of wrong. This is not written in an attempt to dismiss his heinous acts lightly, but to simply understand the "Monster" of the series by tackling Johan's crimes deeper than the surface. I tried to make sense of Johan's every action in regards to his OVERALL PLAN and why Naoki presented them to us as viewers. For those who will nitpick the term "everything" quite literally, I want to make it clear that not E V E R Y S I N G L E A C T I O N Johan has taken coincides with his love for his sister; his actions towards the children specifically - because there are some things that had nothing to do with his "perfect plan" but more to do with attempting to build Johan's character and his view of the world us as viewers. Justifying ones actions vs. rationalizing ones actions are completely different. I am in no way attempting to discard the accountabilities that Johan should face for his actions, but instead trying to make sense of it all. I've analyzed Johan's crimes against children here: https://xprincessgarnetxvi.tumblr.com/post/691678531250487296/i-really-love-reading-your-essays-i-can However, this will explain the root of Johan's character and the core of his overall plan(s) that was committed for the sake of his sister from the very beginning to the end. The overarching theme and message of Monster is that there are no such thing as Monsters, only broken human beings capable of great evil; so we will humanize this great Monster in order to understand not only Johan Liebert, but the hows/whys Tenma/Nina was able to forgive him and ultimately find value in saving the life of this supposed Monster.

Before we begin, I'd like to take the time to thank you for reading! I can't wait to review your comments and further discuss this magnificent series of Monster!

-

Anna was set up from the beginning to become The “Monster” given she was the one who actually endured the experiments. Her tendencies are shown in glimmers throughout the show. The heartbreaking twist to it though... is that the only reason why she DID not become the beast, was because SHE ( unlike Johan ) HAD KNOWN REAL UNCONDITIONAL LOVE.

-Johan’s love and sacrifice is what kept her safe from the darkness he knew very well. He got his hands dirty to shield her. He chose to leave her behind in the care of her foster parents, knowing she would forget him, in order to heal.

He chose her than himself over and over; becoming her shadow; choosing to lose his only attachment to his already weakened identity in order for her to heal.

His love for her is why she never became a monster...and tragically, why Johan had.

Which reflects exactly what Mikhail Petrov (whose real name is Reinhart Biermann) said about his "PROFOUND DISCOVERY" concerning his current experiment on the children he had in his home; he said the children did not become animals because he gave them LOVE.

(Mikhail Petrov telling Grimmer how the children in his current experiment did not become Monster - it was because they had LOVE.)

In his own twisted way and view on things, he was protecting her. He killed every "parental" figure they had because he was betrayed by every adult figure in his life so far. People who mentioned calling the police, ended up finding out about their past - anything that could lead the man, who Johan referred to as “The Monster” into finding them, he disposed of.

The adults in their lives thus far would betray them, torture them, hurt them, throw them away- and forcefully separate them. In his severely abused mental state, any adult figure was a potential threat to his and Anna’s safety. So he’d kill in order to runaway from "the monster" and protect Anna. Then when Anna found out about the blood on his hands that fateful night the Monster paid them a visit, he realized that now he had become someone Anna feared - a different kind of Monster but all the similar to the one they were running from.

So he rationalized that now he needed to die.

In that moment, I think we should focus on his body language and expressions. Johan faced the ground. hardly picking up his eyes. His shoulders were sunken and he did not have that menacing little smile he usually had. Johan has killed in secret various times with Anna and back at Kinderheim.

So why was he so messy with the Lieberts?

Because he did not want to kill them - he said HE HAD TO.

It was not a calculated murder, because he was not truly calm and collected; He was afraid.

Lets not forget who Johan was up until that moment: the infamous little boy who provoked an entire riot and massacre by simply opening his mouth. With mere words he was able to sway the adults and children into doing what he wanted. BUT IN THAT MOMENT when Anna caught him red handed, he could not, or rather, would not - try and manipulate Anna.

(He has never once been shown trying to manipulate or abuse her throughout the entire series as he has done intentionally with the rest of the world.)

Instead, he asked her to shoot him and run - in an attempt to finally liberate her from the horrific life they had to lead up until now - blaming his existence for the constant chase their predator (Bonaparte) gave way to them as prey because in that moment, his memories were distorted and he believed he was the one who went to the Red Rose Mansion. **** (X) (this theory is challenged referenced below)

To Johan, him living was a danger to Anna and that night made it evident to him.

But when he was brought back to life and realized the gravity behind his methods, seeing how terrified Anna was of him - he started to cry. Because despite his initial feelings of finding his death absolutely necessary for her to be safe, he still wanted what he had with her; the only bond of love he ever knew.

What set his entire ADULT plan into motion (wiping out everyone who ever hurt Anna and created HIM) was Anna's rejection at the hospital. That was when he realized internally, he was beyond forgiveness and that he was nothing more than a monster. A Nameless monster in her reflection that needed to die in order for her to live in peace. (Referencing the God of Peace storybook. )

Johan was the one who gifted the God (Anna) her hat and then she saw herself as the Monster she was supposed to be due to the Red Rose Mansion experiments. This would NOT have happened if Johan did not give her the hat (the red hat which can symbolize the blood he spilled for her. ) so in this instance, Johan is also the reflection (you are me and I am you. They are both nameless monsters)

From that moment on, he wanted to wipe out his entire existence, and that meant those who ALSO "created" him so that Anna could heal as Nina.

I believe this is what is depicted in the Nameless Monster storybook. 

Initially, we are made to believe Johan wanted to “consume everyone” so he would be the last one standing. The Monster known as Johan in the book also devours his counterpart, the Monster who went West and then there is no one left to call him by his name. But clearly, Johan never does this, because Johan never attempts to kill/devour Anna/Nina - because what it symbolizes is entirely different in nature regarding Johan’s intention. 

A quick reminder that both Johan and Anna were considered Nameless Monsters. HOWEVER - by Johan’s hands, Anna does not remain “Nameless” nor does she ever become a “monster” the moment Johan decided to not only leave her behind in the hands of a loving family, but by her changing her name and her identity to Nina. The Fortners never made any implication that they knew of Nina’s past concerning the Lieberts murder and I believe this is because Johan introduced her as Nina to the Fortners and never allowed them to see the trail behind her identity as Anna Liebert. 

Symbolically, Johan, as the Nameless Monster, consumed the Monster inside of Anna and became the only Monster left. This is what is mirrored in Johan’s intentions and the Nameless Monster storybook. 

With Anna forgetting him and Johan leaving her behind thus losing his only connection to someone who truly knew him, now all that is left is Johan, without absolutely anyone to call him by his name - the one and only Nameless Monster.

And this is heavily referenced in Another Monster:

(This reinforces that Johan was trying to make Nina forget her past as Anna)

There wasn’t some sick satisfaction from any of his killings done when he was a child. To him, it was needed for the sake of her safety. This was Johan’s initial “plan.” set in motion. He wanted to be the only one left in the world with his sister - so that they wouldn’t have to be afraid anymore. 

(I also believe at that point when they were kids, Johan's very first plan he referred to when telling Anna "Remember, I have a plan." was to run to another country with her so that the Monster will never find them. It is the only logical idea of a plan that a child could conjure following what he actually leads them to do, which was cross the border. Simply destroying the world is unreachable in his current state and Johan is smart enough to not be delusional in his endeavors. With that being said, he had to kill that old couple to erase any trail they may have left of "two beautiful blonde twins." But this plan fails because they nearly die at the Czech Border and was discovered. )

(Johan telling Anna he has a plan.)

RUHENHEIM:

One of the biggest moments in Ruhenheim has been misinterpreted and lost due to the mistranslations in both the English Dub and the Japanese subtitles. 

I clarify and mend this by breaking down what Nina unraveled in Boneparte’s house when she looked at the portraits by correctly translating the Japanese script/text in depth here on this post:

 But to summarize it for the purpose of this essay, it was revealed to us as viewers that Johan apologized to Anna when she returned from the Red Rose Mansion, revealing the overwhelming weight of guilt he carried when Anna had been taken that day. 

(That day depicts the moment their mother made the terrible 'Choice')

and then Johan accepts his mother will never return to them (assuming she abandoned them) and goes on to tell Anna this:

Johan is the one crying because soon after, Nina tells us that Johan was in that room crying.

This information provides clarity as to why Nina was finally able to understand Johan, empathize with him enough to be able to forgive him. She remembered he was a boy who felt guilty over what happened to her; a boy who cried when he realized they were now all alone in the world.  She understood that Johan desperately did anything and everything to ensure he and Anna survived despite it all.

That Rainy Night:

I want to GREATLY EMPHASIZE the important factor I missed my first time watching the scenes with Johan/Anna - the scenes shown to us were ONLY through her recollection as fragments due to her memory loss. They were told from what she COULD remember, so her take on what really happened that rainy night the first few times the events are unfolded before us should not be taken as absolute. At least...up until it is revealed in the final episodes that Anna realized that on that night instead of seeming like an empty shell of a person asking for death, Johan was crying and crying before she shot him.

The scene where Anna finds the portraits reveals what truly happened between them and its so important. She said “Johan was crying “here” just like before.” She was mimicking a memory she had just recalled in its entirety. “Why are you crying, why are you crying?” She sounded in distress. Directly after she reveals that she remembers him crying, it shows the image of him pointing at his head that rainy night.

Even though Johan told her to shoot him, it is IMPORTANT that he was crying and the author highlights this for a reason.

I believe that, finally being able to vividly remember that day finally revealed to her that Johan wasn’t the “face of absolute evil” she initially dismissed him to be; he was a boy/man who could cry and mourn - he was human. He was a terrified boy protecting Anna and himself the only way he knew how. and instead of showing him forgiveness/love - she added on to his collection of wounds scarred upon his soul from everyone else who chose to harm him.

Tenma...was ultimately the ONLY one in his life who showed him kindness.

Johan's intentions and reasons behind many crimes: Essay II.

( I will summarize it here as the extension essay was far too long to put on this post)

**** (☓) I want to ask, did Johan truly believe he was the one who went to the Red Rose Mansion or was that simply a masquerade he performed to make sure Anna did not remember?

(I wrote an essay on this being a possibility here: PART 2 OF THIS ESSAY. This will explain Johan's intentions in depth)

(this is a theory I FIRMLY believe and have completely adopted. But for the sake of argument, I will entertain both concepts behind Johan's memory in this essay.)

If we entertain the idea that Johan never misconstrued his memories about the Red Rose and pretended he did, I can dissect Johan’s intentions a bit more intricately.

Throughout the series you see that he is trying to wipe everyone who knew of what happened to Anna off the face of the earth, that included himself. He did not want Anna to remember. So when it was revealed she did remember, he mourned. It was subtle but evident in the anime when she reveals “you are wrong.” something in him shifted - for once he was reacting to the words of another.

She said "he had a smile but seemed like he was crying. I never seen such an expression on his face before." That entire scene, Johan’s eyes expressed something we’ve never seen from him throughout the series - a sense of mourning or longing?

Johan in front of Anna always appeared the most human and I feel Naoki did this with purpose.

(Naoki specifically told the directors/animators of the anime series to never stray from how he expressed Johan's eyes for a very important reason. )

Johan's expression finally meeting Anna after 13 years apart.

-

If, however, Johan DID truly think he was the one who suffered at the red rose mansion, his “perfect suicide” plan still relates to his twisted-selfless feelings for Anna.

Johan learns it was not him that suffered at the Red Rose Mansion...but Anna instead. and then Johan goes on to commit the "perfect suicide." In his plan to die, he wanted to take The Monster with him, forcing Bonaparte to endure the same exact hell he forced Anna to suffer as a child.

Call it an act of revenge. Some may think Johan is incapable of being vengeful but I cannot see this cruel and calculated act as anything other than malice. After Bonaparte was finally dead, the monster disposed of - Johan was ready to die.

But you can see his conviction began to slip away when Anna forgave him. What made it worse was realizing he was wrong about Tenma because even now, Tenma was still hesitating on killing him ruthlessly like he always presumed would happen. Johan thought he had humans all figured out - after all, all Johan has EVER known was the darkness in people’s hearts. That is why he was so confused/moved by Tenma and wanted so desperately to prove him wrong.

The manga portrays Johan’s expressions 1000X BETTER THAN THE ANIME. As soon as Anna arrives, Johan is just staring at the floor, unable to look at her - Repeating everything from that fateful rainy night when they were kids. But this time, Anna doesn’t kill him, she chooses love and compassion. and when she says she forgives him - his reaction is something the anime does not do justice

(The subtle shift the artist expressed in his eyes from her words is so significant but missed in the anime; but he reacts rather deeply, moved and shocked by her words.)

Because "Forgiveness is the remission of sins. For it is by this that what has been lost, and was found, is saved from being lost again."

In the manga he isn’t quick to reply. He ponders over her words carefully and I think this is when his mind starts panicking.

Anna realized that forgiveness was the one thing he wanted that night she shot him, despite him also thinking his death was needed. His value depended on her view of him; and what she once robbed from him was now returned - a human being worthy of forgiveness instead of a monster.

He is telling her the evident truth that he cannot turn back because he TRULY believes Tenma is going to kill him any moment.

Johan refuses her forgiveness not because he resents her or thinks its too late for her to redeem herself - but because he doesn’t think he deserves it. “There are somethings that cannot be undone.” Because it is too late, Johan is going to die - he WANTS to die. Then you see the fear and helplessness in his eyes after getting the one thing he always wanted [ Anna’s forgiveness] because he desperately wanted to die as the only thing he knew himself to be: the nameless, nonexistent monster. But both Anna and Tenma rob him of that by bestowing upon him the gift of compassion, mercy and empathy; for the first time treating and valuing him like a human being instead of a monster,god,experiment, devil etc., as everyone around him has his entire life.

(The Monster inside of Johan begins to crumble.)

Johan in his final moments was cracking and finally falling apart. You see it in the final expression he makes: the distraught, confusion and sadness. Because he realized, he was wrong about people, he was wrong about the world. But how can we blame him for his view on humanity when all he has ever been shown since birth was how ugly, selfish, cruel and inhumane people can be?

How can we expect someone who has only seen darkness to be able to find the light?

I want to clarify one thing I noticed: Johan has never shown to take any kind of sick satisfaction from killing unlike all the other serial killers being interviewed in the series. (aside from Richard) Specifically, Johan is without "the lust for murder" as Lunge explains in Another Monster - which is why Johan hired other people to kill for him instead. Especially contrasting Johan with Roberto, specifically, when Roberto tries to kill Anna.

(that is until Richard, which makes Johan's dealings with him stand out for a reason. He doesn't even take pleasure in killing the Red Hiddenburg, he leaves before witnessing her death instead of reveling in his 'checkmate' coming to fruition.)

Despite his callousness and his lack of care for life - Johan, despite how much of a "monster" he was, very clearly had humanity and had love....for his sister most of all. Johan saw when his mother choose, how little their lives meant to her and this instilled his nihilism at such a young age. He watched Anna get tossed to the wolves like nothing and in that moment, he probably thought his mother chose Anna over him for a reason. (even though the question on her intention would haunt him for the rest of his life) But her being able to choose is what hurt him the most and it's probably what instilled his self sacrificing mentality to care for Anna above the world in order to never make the same mistake his mother had.

That is why after she got back from the Red Rose Mansion, he cried for her story and apologized as if it was his responsibility to feel guilty over what happened to her. It should have been him that suffered. Then after, he treats her with the upmost care, telling her everything is hers, no matter what she will win everything because he would deem it so. He is kind to her, never letting go of her hand even when she is dragging behind - he sacrificed all of himself for her...

Because she deserved everything in the world to contrast their mother throwing her away.

(it should be noted that the Lieberts did not want Anna either but only adopted her because Johan refused to leave the orphanage without her. Which is also why I believe he killed them when Bonaparta came because he thought the Lieberts were conspiring with Bonaparta to get Anna)

🌰 (The ‘Acorn game’ represents their Mother's choice, a child in each hand. But in this version, Johan would ensure that no matter what hand Anna chooses, she will NEVER choose wrong. He manipulates the fate behind her choices by holding two acorns instead of one; never letting her make the same mistake as her mother.)

He wanted her to know above all else, she was loved.

A clear indication of this adoration/attachment he has for her is the fact that he DOES NOT forget her even after enduring the hellish experiments in Kinderheim that aimed at wiping out / messing around with his memories.

-

I wrote this because I was astounded to see various posts/Wiki pages implying that Johan’s intentions were to torture Anna and make her kill herself. Telling her to shoot him was his first attempt to drive her insane? They twisted a lot of things Johan did to try and make this statement true. But I cannot comprehend how they drew this conclusion? The series has characters mentioning on more than a few occasions that Anna is dear to Johan. "He is lost with you."

Everyone knew Anna was important to Johan, Professor Geidlitz was the first to mention this besides the old blind man. Roberto was aware of this which is why he tried to kill her as mentioned in Another Monster. Which is ALSO why Peter Capek tried to hold her hostage to prevent Johan from killing him.

and for the first time, Johan DOESN'T kill him.

Johan cried when he awoke at the hospital after he reached for his sister and she screamed in fear of him. His face full of tears - his heart completely broken. If his intention was to drive Anna insane, he would have triumphed in that moment she screamed and fell to the ground after he reached out to her. But instead he mourned.

Anna has mentioned several times that Johan has cried for her, like when he was in the room full of their happy portraits, he was crying. He never once tried to bring harm to Anna - not intentionally towards her person. Explaining the Fortners murder - either he killed the Fortners after they decided to keep lying to her, thus keeping him in the shadows when he wanted to return. OR he killed them because they were going to tell her the truth about her identity, which was something Johan worked to conceal. (this theory is explained thoroughly in essay #2 )

Regardless, if he wanted to torment her, he would not have tried to lure her away to the castle when he set up the Fortners to be killed.

They imply that Johan wanted to torture her and then kill her at the end. But that makes absolutely no sense. Where in the storyline does Johan give off this tendency towards her? Even at the end he told her where to meet him in Ruhenheim and not once did he try to shoot her or Tenma. Honestly, if he really wanted to provoke Tenma to shoot him, he would have held the gun to Anna instead of a random child. But even though being shot by Tenma was his greatest endeavor, he refused to point the gun at someone who was important to Tenma...because Anna, is important to Johan too.

To say Johan, despite being hailed as the Monster of the series, had no love or humanity in him and was merely the Devil himself...completely missed the point of the story...

I’d like to point out the constant mentioning of Hitler in this story and draw another important factor...Hitler brainwashed people to commit mass genocide. Under his rule, millions perished in horrific ways. But despite that...Hitler was capable of loving others. Hitler was also loved by others. The terrifying truth about people who commit atrocities...is that they are not monsters or demons or devils...

they are merely human.

-

Here’s two passages from ANOTHER MONSTER [novel post Monster written by Naoki] that really drives this point:

- PSA: My twin brother FINALLY finished his 2 HOUR Johan Analysis Essay, that dives deeper into Johan's character. This essay and essay #2 will be included in this analysis video as we both worked on it together. However, this lays out the details visually and with beautiful music. Please watch!

[cringefailvox]

my ultimate fantasy for hazbin s2 is a reveal of something in alastor's past that he can't explain away or justify, something genuinely morally reprehensible, and he and the other residents of the hotel have to navigate around each other with the renewed sense of "right, he's actually a bad guy."

i feel like the show and the fandom both sometimes forget that alastor is actually legitimately morally corrupt because he's superficially nice and abides by certain rules and social mores. but he like, does murder people. that's a real thing that he does.

i feel like he can get woobified a little and portrayed as like, a byronic hero who's always actually in the right but judged and misunderstood. there's an element of truth to that, but he's mostly a selfish and cruel person who does awful things because he doesn't care.

it would be personally EXTREMELY satisfying to see him face real consequences for the way he treats people, especially from the hotel that he seems to have grown to care about. fuck that deer UP!!!

REAL AND TRUE. it's always interesting to me the way murder is evaluated in fandom next to like, sexual assault, as being the more redeemable crime somehow, which i think is quite evident in the way people talk about alastor vs valentino -- neither of these characters is remorseful or even particularly in a hurry to justify the horrendous things they do, and yet i've noticed a general tendency towards letting alastor off the hook for the serial killing but not budging on the line that val is irredeemable. and like, ofc with the caveat that this is fiction and neither of them are real, but it's interesting sometimes how people measure crimes with a value system predicated on distance, where serial killers are so removed from the average person that it's nearly outlandish, definitely a spectacle, but sexual assault is real and immediate in a way that hits people harder. there's also the matter that alastor is part of the main cast and val is a secondary antagonist -- but anyway this is getting off topic from what you were asking

i absolutely agree that i'm excited to see the show really begin to grapple with the ethics of the main cast, esp alastor, because it's like. we know he's a terrible person. the gang knows he's a terrible person. but it really comes back to the bit in episode five, when lucifer (rightly, in this case, but unhelpfully) points out that alastor represents all the worst things about sinners, that he epitomizes everything lucifer loathes about hell, and charlie's response pivots neatly away from that ethical problem: "he's defending this hotel. it might be a bit more sadistic than i'd hoped, but he's doing it for me." alastor can be as morally bankrupt as he wants so long as it's in the service of a cause that charlie perceives as good

this actually makes perfect sense for charlie's character and it's sooo fascinating. she doesn't actually seem to care about how horrific everyone in hell behaves all the time -- what she cares about is those people dying en masse without any value judgment from heaven, she's affronted that it's all numbers to them, she really seems like she's only spearheading this redemption program because she thinks it'll bring down overpopulation and stop heaven, not because she was genuinely bothered by the rampant sin before. "happy day in hell" is all about how much she loves hell and keeps putting an optimistic spin on all the property damage and cannibalism and public bdsm. she doesn't care about alastor being evil because he's not her redemption poster child, but she DOES care about angel getting into turf wars and doing drugs in the hotel because it reflects badly on her. girl i need to see your personal ethics and values get cracked the fuck open so bad

[nostalgicmiscellaneous]

I'm quite honest when i say this: No, Season 3 didn't have much angst. In fact, Polin fans were lucky because even their angst had moments of the characters clearly showing love. Their main issues start at the end of Ep6, so it only truly reflected starting on Ep7. They have the fight, some hurtful words, but then they meet on the streets and have a great conversation, they have a moment evidently showing their love for each other. Later that night, Colin basically confirms that all the issues he has with trust because of LW, when he talks to Kate, are not enough to truly taint his love for her. We get to the wedding, and it's full of love, tenderness and Colin unable to hide the depth of his feelings. The Queen barging in and his concern, his worry for her safety and his family as well is triggered again. He can't yet truly grasp that LW is a fundamental part of her and he reacts as something that is above her love and care for him and his family + his insecurities. As we all know, he feels useless, unloved, unworthy, ''less than". We get Colin sleeping right outside their bedroom. Again, his feelings are eating him up. He also feels guilty that his family might be at risk because he chose Pen and yet he knows he would do it again and again. He doesn't feel too little, he feels too much and that's his problem. He doesn't know what to do and how to do things. Over and over again he tries to protect her and show her his love. Oh, but he didn't sleep with her that night? GOOD! Yes, you heard it. Good, he shouldn't have. In fact, i'd feel bad if he had. I'd feel like at that moment he just used her to placate his desires. As long as he was still struggling - and he had the right and it make perfect sense for him to be -, with his feelings about the situation, his concerns, i'm glad that he wasn't just, 'hey, i'm feeling horny, you're gorgeous and i love you and ofc seeing you in your sexy nightgown turns me on so i'm going to fuck you, even if i'm still struggling because i'm a man and men can't be sensitive and need time, complete connection and trust to make love to someone they value and love, they gotta fuck". For real, people? For real? It's a drama, a romantic drama. They make everything right in the same episode, they confess and declare their regrets and love, their hopes and their trust, they make love - and no, it's not porn, we don't need to be shown more than we were in Eps4 and 5 -, they have a beautiful baby, they are are working on their their dreams ( writing) and taking care of their families, they are happy and in love with complete trust and admiration. There was little angst. Now, if you wanted one more conversation between them, another one where they could share their feelings and have intimacy ( not even talking about sex), sure, i would've loved too. But it is not enough for the over the top dramatics some of you make it out to be, the exaggerated complaints. I wont change my mind over the mind and feelings of someone else, i feel this season is very good, a solid one with good chemistry romance between the leads. I enjoyed and like more everytime i watch. I always think about what i wanted more and what i wanted differently when i watch shows/movies, but i also never allow it to cloud the things i did get and that i love it, because when i weight it all, i love more things in it than otherwise, in this case. Wanting more is good, means Nicola and Luke did a good job making you want to see them, and you'll in S4.

[corviiids]

i loved your answer to the ooc question... penny for your thoughts on the Core of ren and goro? 👉👈🥺

rubbing my little bug hands together i dunno that i can capture all my whole... mental Akeshu Bible... in one post... but here are some notes on what i'd consider one of the most key points for each.

basically the way this works for me is ill have like a central piece of understanding sitting at the core of how i work with a character, and then let instinct guide their dialogue/behaviour from there.

i wrote a thesis again. two in fact. jesus christ

goro - sincerity is mystifying, dangerous, and impossible, but alluring.

can i talk about light yagami for a second. are we all going to be okay with it if i do that. that's going to make this easier for me to explain

i think light yagami and goro akechi have almost nothing in common once we get past the most obvious similarities - the cynicism borne of shattered once-upon-a-time idealism, the willingness to turn to radical action, the bad hair. anyway the difference i want to point out arises from another key similarity which i think only exists on the surface - the "evil underside true self" counterpart to the "pleasant preppy perfect boy" persona. looks the same. but the difference is that light never struggles with that falsehood, and akechi clearly does.

what i mean by that is i think to light, his perfect persona is nothing more than a simple disguise, albeit one he's been wearing a while without knowing why. he doesn't really have a fractured sense of self, because it's clear that the light yagami who is kira is the True self. the light yagami who is just a nice young man is mostly a falsehood to the point light sees him as a character to be played. (ok this is also an oversimplification but go with me for now. okay. that's the basic of it. just accept this for the sake of argument. this aint about him)

goro is very different. i think in the lead-up to the interrogation room, goro understands himself in a similar way, but after the interrogation room that perception is called into question. okay, i think about the interrogation room scene a lot, because i really didn't like goro's behaviour in that scene when i first played it, i thought it was a very cheap and superficial way to reveal his identity as the traitor by making him act as cartoonishly villainous as possible. and tbh i dont want to give atlus too much credit for creating a super nuanced scene there so what im about to propose is probably unintentional. but anyway, i eventually came around to it because i decided that that cartoonish villanousness must be a choice to goro. at that point in time, goro's perception of himself is akin to light's understanding of kira: black mask/shido's assassin/evil motherfucker is "the true goro", and pleasant boy detective prince is nothing but a mask.

and here i would like to bring up a complicating factor which makes light and goro very, very different. light wants to live. he refuses the shinigami eyes because he wants to exist in his new world to rule over it indefinitely. goro's plan on the other hand has a fixed timeline. goro is aware, and tells us in the engine room, that once his public reputation is shattered, he has nothing. goro's plan involves outing shido by outing himself. ergo, goro's plan is to take shido to the top and then torpedo them together, leaving them both with nothing.

what does this mean? light yagami's mask protects kira - light's true self and a man who wants to live. goro akechi's mask serves the black-masked assassin, but the black-masked assassin serves shido, a role which is just as deceptive as the detective prince. which means goro akechi's disguise protects a self that isn't real, either. it feels disingenuous to say that the version of akechi who exists to be shido's attack dog is his true self. so that goofy villainous smile in the interrogation room is, to me, goro convincing himself that that evil face is who he really is, not realising it's another facade he's playing up - but while the prince's audience is the public, the assassin's audience is goro himself. after that whole thing goes down, i think it becomes clearer that that evil face was goro pretending to himself that he's just a straight up villain who doesn't care about anything because that's easier than conceding that you might feel some complicated way about the self-loathing and bitterness you've been nurturing since childhood.

but wait, there's definitely also truth to the black mask. there's no way to deny that the akechi who attacks them in the engine room had a ton of truth to him that the detective prince lacked. but, wait. goro doesn't perfectly keep up the facade with the detective prince, either, because there are definitely times where he's being honest even when he's being the pleasant boy.

okay, where does that leave us? light has one layer of falsehood (light protects kira), but goro has at least two (detective prince protects black mask protects ???) so what the hell is goro hiding? where's the true self? is the version of akechi who showed up in the interrogation room the black mask, or is it shido's assassin? are those two different guys who overlap? does this mean everything the detective prince said is suspect? we don't know which one is true, but we know they're both lying.

okay. why? what's wrong with him? i should get to my actual fucking point maybe?

this is the central thesis of his shadows in palacefic btw. rather than being divided into a relatively clean true/false like light, goro's true self is split between his personae. every time you talk to any version of goro akechi, you're getting some lies but you're also getting some sincerity. i think goro doesnt know who he is because he doesn't see any particular use for having a real self at the end of the day, only masks he can use to achieve his ends.

except you can't actually kill your true self. it sticks around. so the most he can do is fragment it. but the consequence is the shards get stuck in his masks. every time he tries to put on a mask, a shred of truth peeks out. i think goro wants to not exist and not be known, but inside every mask he wears is a true part of him that desperately DOES want to be known, but can't allow it, but wants it, but is scared of it, but wants it, but hates it, but will die if it happens, but wants it.

what you end up with is a really self-contradictory guy where every time he talks, the things he's saying are simultaneously true and false. it's the worst with ren, because he's really interested in ren, but allowing ren to know him is suicide. light's really good at playing the part because he has no investment in the part, it's purely fake, and all his investment is in his true self. but goro is invested in each of his masks, because each of his masks contains part of him for real and there's no unified self to return to at the end of the day. so he struggles way more with the act than light does, because there's a part of him, however small, that really wants to drop the mask. but he can't, because there's nothing behind it, so there's nothing he can do

anyway when i write goro's dialogue and behaviour, it's not just writing a guy lying and playing a part because he needs the cover, it's goro injecting himself into mould after mould after mould and trying to keep a balance of how much he can reveal vs how much he needs to keep close to his chest. this is why he talks so fucking much, it's why his speech mannerisms aren't always perfectly polished, it's why the mask slips so often, it's why he's so cartoonishly evil at times, and it's why while light yagami is a popular guy who has everyone around him perfectly fooled, goro akechi is really only able to appeal to the subset of fans who are keen on his particular celebrity style while other people find him kind of annoying and disingenuous. when im writing akechi in xyz situation, it's a process of working out which mask he's wearing, what he wants to achieve, what he's hiding, how much he can or would slip, and what that slip might look like. i think this is heightened because of his circumstances, but i also think goro would be incredibly guarded and paranoid no matter what his circumstances were (although the murder might decrease a little).

tl;dr: goro akechi tries to do away with his sense of self but only succeeds in splitting it into a hundred million pieces covered in lies, each of which is desperate to be known but shies away with equal desperation

ren - in a distant relationship with the sense of self

idk that thats the right word but basically i think in true persona protag fashion, and as alluded to by beneath the mask / the power of the wild card / etc the relationship between ren's personae and his 'true self' is more complicated and detached than most of the other characters. i dont agree that the protags are true "blank slate" protagonists in the meta sense but i do think ren is a "blank slate" person in-text in that simultaneously he has extremely strong core values and beliefs which are absolutely immovable, and traits which shine through even in his limited speech, but the manifestation of his personality is a lot more malleable than say ryuji's is. ren is very flexible and wears a different mask depending on who he's talking to. i think that requires a level of detachment which manifests as basically centering his companion's character + needs in a given interaction over his own. this doesnt just come through in his dialogue but also in the way he internally reflects on what's happening.

the way this manifests most obviously in how i write him is that my ren (in texts especially but also in dialogue) has a tendency to omit his personal pronoun (in subject position).

that gives him kind of a laid-back vibe. he has a habit of omitting the first part of a sentence entirely.

he adds it back in when he's talking about something more serious, very alert, feeling uncomfortable, etc. it happens a lot when he talks to akechi because he needs to be very switched on during those conversations to keep up.

idk i know that for some people the joy of having a protagonist character is being able to make them into whoever you want them to be - so your ren might be extra flirty for example which i think is a really popular characterisation of him because it's fun and it has some basis in his dialogue, and it's a choice i went with for a while before i started shifting away from it. recently i've been way more interested in trying to reconcile this really strong-willed guy with a clearly rich and rebellious inner life with the quiet slouched character who says like 3 words every conversation and who really never reveals anything about himself. like, imagine he's a real person and not just a blank slate protagonist i can push and pull - how do i make his little mousy 8< self work with the fact that he's an international criminal without adding something on top that isn't already there in him? i think there's a way to do it and i think the way to do that is to have him internalise as much as possible. for everything he says, there are a billion things he doesn't say. that makes it really fucking difficult to actually portray him sometimes because his rich inner life can really only come through if we have access to his inner monologue, and if he's not the pov character we don't, but you know, i love a stupid fucking self imposed challenge. ren amamiya is like laying breadcrumb clues in his dumb ass 3 word dialogue options that im crawling over like weevils with a magnifying glass

but he DOES leave clues! so many of his dialogue options are sarcastic and dry or straight up goofy. so he's funny, he's deadpan, he can be impatient. but if you take that too far in dialogue, it gets overplayed, and he loses his taciturn charm, so you have to pull it back, because he's restrained, not overt. he's quippy, he's not wordy. he's a show-off, but in a self-assured way. he will never indicate in any way that he wants you to look at him. he'll just make sure he's so impressive that you can't look away. if he winks, it's like he's keeping a secret between you, not like he's putting on a show. he delivers one-liners only, not full jokes, and the setup and knockdown has to be in the same breath. if his thoughts can't be condensed into one sentence, two or three max, he doesn't say them, he keeps it to himself. whether his emotions show on his face depend on how well you can read him, and it depends who he's with, it depends how recently he's been joker, it depends if there's some extenuating factor in there that's going to make him crack. ren's more likely to crack if he's standing up for someone else.

his inner monologue is just as interesting to grapple with because my ren is pretty repressed. the more upset he is, the more he distances himself from how he's actually feeling. he's very good at deflecting people and he's also very good at deflecting himself - focus on someone else, focus on the environment around him, focus on some physical sensation, don't get too far into his own head, or else

tl;dr: ren handles himself with a mix of internalising and externalising by swallowing down everything he might want to say out loud but outsourcing and distancing from his sense of self to keep himself steady

[appleflavoredkitkats]

i will make a proper analysis post for this one day but i genuinely think the "fundy's mind" stream is fundy's magnum opus. it does so much in one short stream. it perfectly portrays the fundamentals of fundy's character while also leaving so much to be interpreted and decoded.

like of course half of the metaphors and mysteries put into that episode hinted his involvement w las nevadas. but, and i think this point stands better considering how his story was executed and concluded, i think the stream was such a perfect encapsulation of the cyclical nature of fundy's abandonment and self-worth issues. it is "fundy's mind" after all.

we see glimpses of wilbur, literal monologues of how he feels brushed aside. i think back then, our interpretations of the books were a little too literal— which was not wrong to assume at the time. fundy was having prophetic dreams, of course it was normal to think he could have been a time traveler or something of that sort.

but, in the present day, i feel like if you look into the texts of these books in a more metaphorical sense, it makes a lot more sense. there's definitely a theme about "waking up" in a metaphorical sense, but the dreams flip this phrase on its head in some sort of way, as if dream!fundy was trying to get fundy to look away from the books.

i posit that dream!fundy demands fundy to wake up because it actually shields fundy from the painful truth deeply embedded in his psyche. meanwhile, sleeping actually causes fundy to dig into this truth more as it causes him to stay into this dream world. so when fundy chooses to sleep, he's not shielding himself away— rather, it represents the metaphorical "waking up", beholding truths that he typically shies away from.

but then what is this "truth"?

well, when dream!fundy gives up scaring fundy off, he confesses to an evil someone who will destroy fundy and everything he ever loved. of course, this pertains to quackity, but here's the thing. if dream!fundy wanted to protect fundy, then he would have obviously warned him about quackity without hesitance.

i'd argue that quackity being some big baddie is half the "truth" dream!fundy is trying to warn him about. then what is the other half that's missing? i think it has something to do with the "you're not real" statements.

those seem like a scare tactic at first. if not, it does not feel like it's meant to be the "painful truth" dream!fundy is trying to shield from fundy because he says it multiple times before the actual "truth" is revealed. but i think the reveal actually becomes more impactful if you read it as "there will be an evil person out there, always, that will make you not real."

and i guess to explain— there's, like i said, a cyclical nature to fundy's issues. he follows someone, dedicating himself to the country until it all inevitably becomes futile in the end. it happens with all iterations of l'manberg and las nevadas. i've always stated that fundy is the embodiment of the nations he's apart of, and he dies alongside it whenever it comes down to it.

so when the book mentions, "you are not real", "this place isn't real", and "but he [those who left him, specifically quackity] is", i feel like it's not just talking about quackity and las nevadas. rather, if we think about it, this is literally the formula in which fundy's arcs literally follow. he becomes nothing alongside the dissolvement of a nation, because those he trusted and followed were real threats.

and what i think this dream hints in particular is that, las nevadas would be the last straw. after this, his existence becomes virtually nothing. he is rendered nothing.

which is literally what happens in the end.

fundy's storyline has always been about being sidelined, always forgotten or used as a punchline for a joke. in this case, i feel that the dream isn't just warning him about this, but rather it's literally his destiny to be forgotten. that is the painful truth dream!fundy doesn't want fundt to know. that's why he sounded so defeated by fundy's stubbornness and curiosity by the third book— he does not want fundy to know that it's literally in his fate that he ends up becoming nothing.

and, well, it's true. the last we see of fundy is when he jumped into the l'manberg crater after cutting himself off from wilbur. it's even stated that fundy didn't die to end it all, but rather to "get away from wilbur". at the same time, we see fundy donate schlatt's sword, one of his prized possessions, to the museum.

he literally cuts off one of the most integral, most defining, aspects of his character— his devotion to nationhood and those who embodied it. and after that, we never see him again. when fundy chose to choose things for himself, to separate himself from l'manberg, physically and ideologically, he's gone.

it's as if he's not real.

we never really know if fundy left for the best or the worst, really. but in the narrative of the dsmp, separating himself from l'manberg literally makes him null. that's the truth his dreams were trying to shield himself from.

[stuckysimp]

I'm like 8 years too late, but oh well - I've had this Captain America Civil War rant stuck in my head for a while and I need to get it out after re-watching it. (This is gonna be long af, but bear with me).

I feel like a lot of people missed the actual point and plot of the movie (and the marketing definitely didn't help). The whole "team cap vs team iron man" stuff becomes irrelevant after like the first 20 minutes of the movie. But of course, it's still quite a big part of the movie and I'd like to take a moment to explore what I think, the different character motivations are around why they signed or didn't (or would / wouldn't).

The only reason Tony "I successfully privatised world peace" Stark signed the accords in the first place anyway is because of his massive survivors guilt complex which we see triggered by the woman who approaches him at the end of his speech to the MIT students. Like this man does not give a single shit about the government, and much like Steve Rogers, he just wants to keep people safe. Unlike Steve, however, he doesn't trust himself to do so and thinks of himself needing the be kept in check, for someone else to take the blame (though he'd probably internalise it anyway, let's be real).

Rhodey has always kind of been more on the side of the government, even if that meant going against Tony - think Iron Patriot - so it makes sense that he'd want to sign. He understands that a group as powerful and dangerous as the Avengers needs to be kept in check, but what he doesn't understand are the risks around that. In a perfect world, it would be fine, but unfortunately government systems are stupid and corrupt.

Peter was only really in the fight in the first place because he was a child blindly following this big celebrity guy he idolised. He didn't know enough about the situation to properly analyse it, just being fed and believing whatever Tony told him (and he had no reason to go against him, so why would he? This was his shot, he's been chosen by THE Tony Stark to help). "Mr Stark said you'd say that" "he said you're wrong, you think you're right, that makes you dangerous." I 100% believe that if Peter had read the accords, that he would have been on Steve's side anyway.

Vision is an embodiment of 'good' and 'peace' - essentially everything that Ultron was supposed to be, but wasn't. He has no reason to be against the accords if it will keep people safe and he makes the point during their conversation of "our very strength invites challenge. Challenge incites conflict. And conflict ... breeds catastrophe. Oversight ... oversight is not an idea that can be dismissed out of hand." It's also very much the beginning kind of puppy love between him and Wanda in this movie, meaning that he will want to protect her. No matter what. Even if it means "locking her in her room."

Nat was seriously one of the only people in this movie with a brain cell lol. I firmly believe that if the accords had been properly put in place, she would have followed them until she no longer thought the government's instructions were 'right' and would have gone against them anyway. Her main goal in this movie was trying to keep the Avengers, her family, together and ultimately do the 'right' thing.

T'challa didn't give one shit about the accords lmao, he's damn king. No, he was only there in the first place to take revenge on his father's death (which at the point of the airport fight scene he still thought it was Bucky's fault. He later discovers, after following Steve and Bucky to Siberia, that it's Zemo's, and locks him up).

Steve's concerns with the accords are valid, and honestly I wouldn't have signed them either. To be told "sign, retire, or get locked up" isn't really a big winner for me lol. And the thing is, Steve's done this. He fought in WW2, he got paraded around like some big hero while men died, and he did nothing. It wasn't until he went against orders, that he actually did something helpful (saved the captured 107th division in Azzano). So, no, he's not going to be side-lined when people out there need help. That's just not who he is.

Bucky had no part in the accords, and as soon as he got introduced into the movie, that plot point became irrelevant. He was framed by Zemo, and then used to rip the avengers apart. The accords was just another log to add to the fire at that point. He followed Steve because "till the end of the line" and all that. He literally, heartbreakingly, says "I don't know if I'm worth all this," but he follows anyway.

Scott, much like Peter, is kinda just happy to be there. He's following CAPTAIN FREAKING AMERICA into battle without hesitation. But like, let's be honest, given his whole movie and character, I very much doubt Scott would be on Tony's side if he had read the accords.

Clint got dragged out of freaking retirement for this shit, and he didn't actually get involved until after Team Cap already knew about Zemo. That's why he's there. Not because of the accords, but to help Steve get to the Quinjet to get to Siberia and stop Zemo before he can go through with his assumed plan to wake up the five super soldiers who'd been stashed there. (Of course, this isn't actually Zemo's plan, but we'll get back to that later).

Wanda is going through some serious self loathing during this movie, and the incident in Lagos doesn't help. Like at all. Ma girl just wants to live her life and be left alone at this point and she's getting all of these horrible things thrown into her face by Secretary Ross. She doesn't want to be controlled, she doesn't want to be a weapon, she wants to be free. "You locked me in my room." - Girl already probably hates Tony Stark due to her family being killed by one of his bombs and Ultron, so she's mad anyway.

Sam is on Steve's side from the start. With the accords, to fight Zemo, all of it. During the 'discussion' between him and Rhodey, he says "So let's say we agree to this thing. How long is it gonna be before they LoJack us like a bunch of common criminals?" He doesn't trust Secretary Ross, and is clearly hesitant to add his signature to the accords. (not that I blame him).

The main actual villain and 'plot' of the movie after the first part with the accords, was the whole thing with Zemo wanting to tear the Avengers apart to get revenge for his family dying in Sokovia. He takes advantage of the accords, and of Bucky / The Winter Soldier to do this but it's not really discussed which annoys me. It's a MAJOR part of the film, yet all I ever really see being discussed are the accords affecting the decisions of characters throughout the film with no consideration of the wider picture.

From when the UN meeting is blown up, the Avengers are being manipulated by Zemo working in the background throughout the film. He frames Bucky for murder, and Steve - who has been looking for Bucky for the past 2 years - goes after him like ‘tf man’. Bucky gets taken in and Zemo uses the opportunity to activate the Winter Soldier programming, learn about Hydra’s super soldier program, and of course - “Mission report. December 16, 1991.”

This leads to Bucky’s escape and attack, Steve and co going on the run, and eventually the airport fight. The meaning of this scene gets lost, I feel, when people relate it back to the accords because it’s not about that anymore. Not really, not for anyone. Especially not for Steve, or even for Tony.

Tony at this point, most definitely feels like his world is being torn apart. He’s losing control, he’s spiralling, and Steve just isn’t listening. He’s blinded by his anger to the bigger picture and he just wants to get a handle on the situation to deal with it further.

Steve’s forgotten all about the accords, his priority is keeping Bucky safe and stopping Zemo. He tries to tell Tony, tries to talk to him, but Tony isn’t listening either. I mean their whole interaction just before the fight shows this:

(the dialogue below has been condensed to show the key lines - basically I got rid of other characters talking irrelevantly)

-

Steve Rogers: Hear me out, Tony. That doctor, the psychiatrist, he's behind all of this.

Tony Stark: Anyway, Ross gave me 36 hours to bring you in. That was 24 hours ago. Can you help a brother out?

Steve Rogers: You're after the wrong guy.

Tony Stark: Your judgment is askew. Your old war buddy killed innocent people yesterday.

Steve Rogers: And there are five more super soldiers just like him. I can't let the doctor find them first, Tony. I can't.

- later -

Tony Stark: And you've been a complete idiot. Dragging in Clint. 'Rescuing' Wanda from a place she doesn't even want to leave, a safe place. I'm trying to keep . . . I'm trying to keep you from tearing the Avengers apart.

Steve Rogers: You did that when you signed.

Tony Stark: Alright, We're done. You're gonna turn Barnes over, you're gonna come with us. NOW! Because it's us! Or a squad of J-SOC guys . . . with no compunction about being impolite. [Steve looks aside.] Come on.

-

Not to mention that Tony, after learning that Zemo impersonated and killed the actual doctor dude that was supposed to see Bucky whilst he was in confinement, he DISOBEYED the accords and Secretary Ross to go and help Steve stop what they thought at the time was the reactivation of the five super soldiers who'd been left in cryo freeze.

He follows Steve and Bucky to Siberia to help them, not to fight them. That only changes because of Zemo showing the footage of Bucky, WHILE UNDER BASICALLY MIND CONTROL, killing Tony’s parents.

In this scene, Tony 100% has every right to be angry. Unfortunately, he’s the kind of person who cannot see past his anger. He gets in his head, he spirals, and he tries to kill Bucky based on blind rage. (IT WASN’T BUCKY’S FAULT DAMMIT).

And yes, Steve was 100% in the wrong for not telling Tony. This whole scene could have been very easily avoided if Steve had just pulled Tony aside and had the difficult conversation about his parents death. Tony deserved to know, and Steve was only sparing himself pain by doing it. Dick move Steve, 0/10.

The fight between the three allows Zemo, having successfully completed his plan of eliminating the super soldiers and tearing the avengers apart, to slip away. With his work done, he tries to end his own life, but T’challa stops him and arrests him instead.

Steve and Tony’s fight was unnecessary, dramatic, and heart-breaking, and I’m very glad they managed to make up later, but ye. I think, at the end of the day, they’re all just dramatic idiots with communication issues lol.

-

Thank you for reading my long ass essay lmao, apparently I have a lot of feelings about this movie 😂