#i'd love to hear other peoples' thoughts too =)

[theetherealbloom]

Don't Stop Talking To Me, And Maybe Stay Here Forever

Summary: You join Pedro Pascal in Morocco while he’s filming Gladiator 2. Between the beauty of the Moroccan landscape, the two of you share intimate moments, from quiet rooftop dinners to playful photo-taking and teasing with the cast.

Or… “I'll hold you, I'll know you. I'll never leave out the back door. And I'd love to complete you, hope you get all you could ask for.”

I just read your latest pedro fic it was the BEST DAMN THING i’ve ever read, my heart is going to burst out of my chest from all the butterflies 🦋🫠❤️ will you write more for pedro? perhaps his gf could visit him in marocco or something while he’s filming gladiator and to meet everyone from set and maybe have some alone quality time? :3 just a suggestion 😌 anyways have a lovely dayyy ^^ — anon

Paring: Pedro Pascal x F!Reader

Warnings: Established Relationship, Age-Gap(ish), TOOTH-ROTTING FLUFF, Slight Angst, Swearing, Anxiety, Cheesy Dialogue, Cuddling, Romance, Kissing, Real People Fiction, Cameras, Social Media, Embarrassment, Teasing, Shower, Slight Nudity, Make Out Session, Celebrities

Word Count: 5.7k

A/N: Okay, so, we’ve all seen the photo dumps!??!! Yes! GREAT! I haven’t watched Gladiator 2 cause it isn’t out yet in my country, so there’ll be no spoilers here mhmhmhmhm. I’m just gonna make stuff up based on the pictures Pedro posted on his Instagram lol. And again, this is all made-up, fictional, self-indulgent vibes so pls no one come after me ahhhhhh T^T

Also lowkey, I can see multiple parts to this so… stay tuned.

Side note: I’m dyslexic and English isn’t my first language! So I apologize in advance for the spelling and/or grammatical errors. As always, reblogs, comments, and likes are always appreciated. Thank you and happy reading!

Songs: Packing It Up by Gracie Abrams, this is how you fall in love by Jeremy Zucker and Chelsea Cutler

gif by @a7estrellas

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OUARZAZATE, MOROCCO — DAY

The warm Moroccan breeze kissed your skin as you stepped onto the bustling set of Gladiator 2. Pedro’s laughter echoed from somewhere nearby, his distinct voice easy to pick out over the hum of activity. Your heart swelled just hearing it. He was always magnetic, but here—working, immersed in a world of creativity and camaraderie—he was luminous.  

You adjusted your sunglasses, feeling both excited and slightly anxious. Meeting Pedro’s castmates felt like stepping into his other life, one where you weren’t the center of his world but a welcome visitor orbiting it. He’d reassured you endlessly. “They’ll love you. I mean, how could they not?” But still, nerves lingered.  

“Mi amor!” Pedro’s voice cut through your thoughts. He emerged from behind a cluster of tents, his smile so wide it could eclipse the Moroccan sun.  

“Hey, stranger.” You grinned, letting him sweep you into a tight hug.  

He pulled back just enough to press a kiss to your forehead, his arms still firmly around your waist. “You made it,” he whispered, his lips brushing your temple.  

“Of course, I made it,” you teased, tilting your head to look up at him. “I missed you too much to stay away.”  

The day unfolded in bursts of joy.  

Pedro introduced you to Coco Ullrich, Paul Mescal, and the rest of the cast. Everyone was warm and welcoming, their teasing camaraderie quickly drawing you in. Pedro stayed close, his hand finding yours at every opportunity, like he couldn’t stand to be too far away.  

Later, you found yourself perched on a stool in the makeup trailer, Pedro sitting cross-legged on the floor in front of you. “Hold still,” you said, trying to fix his disheveled hair.  

Coco stood nearby, laughing as Pedro playfully swatted at your hands. “I’m serious, guapo! You’ll go out there looking like you just rolled out of bed.”  

“Maybe I did roll out of bed,” he quipped, grinning.  

You raised an eyebrow. “You didn’t, but if you keep squirming, I’m going to make sure you look like it.”  

Coco shook her head, still laughing. “I don’t know how you put up with him.”  

“I have my ways,” you said, giving Pedro a mock glare.  

Pedro leaned closer, his eyes softening. “You’re lucky I love you,” he murmured, his lips brushing yours before you could stop him.  

“Pedro!” you protested, laughing as he pulled you into a full kiss, distracting you from your task.  

“Hopeless,” Coco muttered, snapping a quick photo of the moment.  

OUARZAZATE, MOROCCO — SUNSET

The Moroccan sunset painted the sky in hues of gold and rose as you, Pedro, and the cast settled onto the soft blankets laid out for an impromptu picnic. The sprawling desert seemed to stretch infinitely, its serene stillness a striking contrast to the chaotic energy of the set. A light breeze rustled through the palm trees in the distance, carrying the faint sound of laughter and the clinking of glasses.

Pedro sat behind you, his arms comfortably wrapped around your waist as you leaned back into his chest. His fingertips absentmindedly traced small, lazy circles on your bare skin where your shirt had ridden up slightly. It was a touch that grounded you, soothing and sweet, and yet it made your heart ache with affection.

“This is perfect,” you murmured, your voice barely above a whisper, as if saying it louder might shatter the fragile beauty of the moment.

Pedro leaned closer, his lips brushing your ear. “No, you’re perfect,” he said softly, his voice laced with adoration.

You turned your head to look at him, catching the warmth in his gaze. He looked at you like you hung the very stars above, and your cheeks flushed. “Cheesy,” you teased, though you couldn’t keep the smile off your face.

“Honest,” he countered, leaning down to press his forehead against yours. His nose nudged yours affectionately, and for a moment, the world narrowed to just the two of you.

Paul Mescal, lounging nearby with a bottle of something cold in his hand, cleared his throat dramatically. “Alright, lovebirds, can you save the smoldering for the cameras? Some of us are trying to enjoy the sunset without third-wheeling your Notebook audition.”

Coco Ullrich snorted from her spot on the blanket, where she was busy assembling a makeshift charcuterie board. “Please, Paul, don’t act like you’re not taking notes for your own love scenes.”

Paul shot her a deadpan look. “What’s there to take notes on? I’m already perfect.”

“Debatable,” Coco quipped, popping a grape into her mouth and grinning.  

Pedro chuckled, his chest rumbling against your back. “Paul, don’t be jealous. You already found someone who tolerates you.”  

“Oh, I’m not jealous,” Paul said, gesturing between you and Pedro. “I’m inspired. The level of clinginess you two have achieved—it’s an art form.”  

“Clinginess?” you repeated, raising an eyebrow.  

“Yes, clinginess,” Paul said, smirking. “He hasn’t let go of you since you got here. It’s like watching a koala in human form.”

Coco leaned in conspiratorially. “Do you think he’d survive a day without her?”  

“Doubtful,” Paul replied, his tone grave.  

Pedro shook his head, his arms tightening around you playfully. “Let them joke,” he said into your ear, his voice a low murmur. “They’re just bitter they don’t have their partners to hold them while they complain about the heat.”  

You turned your head slightly to whisper back, “I think they’re projecting.”  

Pedro laughed, loud and unabashed, and the sound sent warmth flooding through you.  

“Alright, enough roasting Pedro,” Coco said, waving her hands. “Let’s focus on the important stuff—like this cheese board I’m absolutely nailing.”

“Coco, you put a block of cheese next to some crackers,” Paul pointed out.  

“And yet, it’s still better than anything you’ve contributed,” she shot back.

You couldn’t help but laugh as they continued to bicker, the dynamic between the cast a perfect blend of teasing and genuine affection. It felt good to be a part of this world for a little while, to see Pedro in his element and to share these small, beautiful moments with the people who meant so much to him.  

As the sun dipped lower, painting the sky with deeper hues of crimson and violet, Pedro shifted slightly behind you, pressing a kiss to the top of your head. “You doing okay, sweetheart?” he asked softly, his voice meant just for you.

“I’m better than okay,” you said, turning your face to his. “This is one of those moments I’ll never forget.”

“Same,” he replied, his eyes searching yours. “But mostly because you’re here.”

Paul groaned from across the blanket. “Seriously, someone hand me a bucket. I can’t handle this level of sap.”

“You’re just missing Gracie,” Coco teased, tossing a cracker at Paul with a sly grin.  

Paul caught it mid-air with a dramatic flourish. “She’s the love of my life, thank you very much. I’m thriving, just long-distance thriving.” His wide smile softened slightly, a dreamy look crossing his face.  

Pedro chuckled, resting his chin on your shoulder as he held you closer. “See, even Paul can be romantic. It’s not just us being disgustingly in love.”

“Yeah, yeah,” Paul said, waving him off, though the grin never left his face. “But you two are setting the bar impossibly high. Stop making the rest of us look bad.”

Coco shook her head with mock exasperation. “Let’s face it, no one can compete with Pedro’s clingy koala act.”  

“Hey, it’s not clingy if it’s mutual,” you chimed in, leaning back into Pedro’s embrace.  

“Exactly!” Pedro said, kissing the side of your neck for emphasis. “This is just... efficient affection.”  

“Efficient affection?” Coco repeated, laughing so hard she nearly knocked over the cheese board. “That’s the worst excuse I’ve ever heard.”

Pedro shrugged, utterly unbothered, his lips brushing your temple as he murmured, “Don’t let them ruin this for us.”

“I wouldn’t dream of it,” you whispered back, tilting your head to press a soft kiss to his jaw.  

The first stars began to dot the darkening sky, their glow faint but steady against the fading hues of gold and rose. The laughter of the group blended with the soothing whisper of the desert breeze, wrapping the evening in a cocoon of warmth and love.

You let out a contented sigh, your fingers intertwining with Pedro’s. These moments—filled with jokes, tenderness, and the quiet magic of a Moroccan sunset—were the kind you knew you’d carry with you forever.

THE NEXT DAY

OUARZAZATE, MOROCCO – AFTERNOON  

The afternoon sun hung low in the sky, casting warm golden light over the sprawling desert set. The faint hum of activity outside the large tent provided a calming backdrop as you and Pedro sat together, stealing a moment away from the chaos of production.  

Pedro’s lap had become your designated resting place, his arms wrapped snugly around your waist as you leaned into him. You had been quietly chatting about the day—how stunning the desert looked on camera, how Paul had stolen one of Coco’s snacks during a break—when the warmth of the afternoon began to lull you both into sleep.  

His hand moved lazily up and down your back, the motion soothing as his voice grew quieter, more relaxed. “You know,” he murmured, his lips brushing against your temple, “this might be my favorite part of the day.”  

“Falling asleep during work?” you teased, your voice soft and playful.  

“Falling asleep with you,” he corrected, his smile audible in his words.  

It wasn’t long before exhaustion claimed you both, your head tucked under his chin and his cheek resting against your hair. The quiet hum of the tent became a comforting cocoon, and time seemed to stretch and blur.  

The sound of muffled laughter stirred you from sleep, pulling you out of the warm haze. You blinked against the light, realizing you were still tucked into Pedro’s chest, his arms holding you close even as he began to wake.  

“Don’t move,” a familiar voice called. You turned your head to see Paul Mescal standing a few feet away, phone in hand, his grin wide and mischievous.  

Next to him, Coco Ullrich smirked as she aimed her phone at the two of you. “We’re documenting history here. You’ll thank us later.”  

Pedro stirred, squinting at them through his grogginess. “Seriously?” His voice was raspy, a mix of sleep and disbelief.  

Paul shrugged, grinning even wider as he showed Pedro the photo. “We couldn’t resist. Look at this. It’s like a promo poster for the most annoyingly sweet rom-com ever.”  

Pedro glanced at the photo, then at you, and laughed softly. “We should use that for the holiday cards this year.”  

You groaned, burying your face in his chest. “This is so embarrassing. They’re never going to let us live this down.”  

Coco laughed, flipping through her photos. “Oh, it’s way too late for that. I’m sending this to the group chat and the PR team. They’ll love it.”  

“Please don’t,” you pleaded, your voice muffled against Pedro’s shirt.  

Paul tilted his head dramatically. “Why not? It’s just a little fun. Besides, you two are giving us all cavities with how sweet you are. We’re suffering.”  

Pedro smirked, holding you a little tighter. “You’re suffering? Sounds like a personal problem.”  

“Alright, alright, enough!” A gravelly voice interrupted, and you looked up to see Ridley Scott standing at the edge of the tent. His hands were on his hips, but the amused twinkle in his eye gave him away.  

“Ridley,” you started, your cheeks flushing with heat. “I’m so sorry—”  

He held up a hand to stop you, his smirk growing. “Don’t apologize. If anything, I should thank you. Pedro’s been suspiciously well-behaved since you arrived. But,” he added with a pointed glance at Pedro, “if this keeps up, we’ll have to rename the film The Gladiator and the Muse. Production’s going to take twice as long.”  

The crew burst into laughter, and you buried your face back in Pedro’s chest, groaning. “This is officially the most embarrassing moment of my life.”  

Pedro chuckled, his hand brushing gently over your back. “Embarrassing? Nah. You’re the best thing about being here.”  

You peeked up at him, your cheeks still warm, and saw the sincerity in his eyes. “You mean that?”  

“Every word,” he said, his voice soft. “You make everything easier, better… you make it all worth it.”  

Your heart swelled, and a small smile broke through your embarrassment. “Okay,” you whispered. “I’ll try to believe you.”  

“Believe me,” he said, leaning down to press a kiss to your forehead.  

Paul groaned, breaking the tender moment. “Someone get a camera crew. We’re turning this into a reality show. Lovebirds in the Desert.”  

Pedro laughed, finally standing and pulling you to your feet. “Careful, Paul. You might not survive the sequel.”  

Ridley clapped his hands, his voice carrying over the lingering laughter. “Alright, lovebirds, enough stalling. Let’s get back to work! Pedro, we’ve got a fight scene to shoot.”  

Pedro gave you one last reassuring smile before winking. “Don’t go far. I’ll need more luck soon.”  

You nodded, watching him head back to set, and felt a sense of warmth that no amount of teasing could dampen. As you stepped out of the tent, the desert sun shining overhead, you knew this moment—this strange, beautiful mix of chaos and love—was one you’d carry with you forever.

OUARZAZATE, MOROCCO – EVENING  

The rooftop restaurant was like something out of a dream. Lanterns hung delicately from wrought iron fixtures, casting warm, flickering light over the table as the sun dipped below the horizon. The air was cool but pleasant, carrying the faint scent of jasmine from a nearby garden. Below, the city of Marrakech stretched out in an intricate maze of rooftops and twinkling lights, the hum of life soft and distant.  

Pedro had arranged everything, from the secluded corner table to the small vase of your favorite flowers waiting when you arrived. He always had a way of making even the simplest moments feel like magic.  

“Look at this view,” you murmured, leaning against the wrought iron railing as the sky turned from gold to a deep, dusky pink.  

Pedro stood close behind you, his hand resting gently on the small of your back. “The view’s got nothing on you,” he said softly, the teasing lilt in his voice balanced by the sincerity in his eyes.  

You laughed, shaking your head as you turned to face him. “That’s a terrible line.”  

“Maybe,” he admitted, grinning as he pulled out his phone. “But it’s true. Hold still.”  

Before you could protest, he snapped a photo, catching you mid-laugh as you tried to dodge the camera. “Pedro!” you groaned, your cheeks warming.  

He chuckled, looking at the photo with a self-satisfied smile. “Perfect. Might frame this one.”  

“Stop it,” you said, trying to grab the phone from him, but he held it out of reach, his grin only widening.  

“Never,” he replied, his free hand reaching across the table to take yours. His thumb brushed over your knuckles, and his gaze softened. “You’re the most beautiful thing I’ve ever seen.”  

Your stomach fluttered at the way he said it—no teasing this time, just quiet, earnest affection.  

“Now you’re just being unfair,” you muttered, trying to hide your blush.  

Pedro leaned forward, his head tilting slightly as if to study you closer. “Not unfair. Just honest.”  

You rolled your eyes playfully, but your heart was pounding. In a bid to regain some ground, you grabbed your own phone and quickly snapped a picture of him just as he brought your hand to his lips. The resulting photo was unfairly good—his lashes long, the lantern light catching the gold in his eyes, the softness in his expression making your chest ache.  

“Got you,” you said triumphantly, holding up the phone.  

Pedro laughed, his thumb brushing over your knuckles again as he met your gaze. “Now we’re even?”  

“Now we’re even,” you confirmed, though your grin gave away how smug you felt.  

The waiter arrived with dessert just then—a delicate plate of Moroccan pastries accompanied by a small bowl of honey and almonds. You both leaned forward at the same time, reaching for the same pastry, and burst into laughter when your fingers brushed.  

“Go ahead,” Pedro said, gesturing gallantly.  

“Such a gentleman,” you teased, breaking off a piece of the pastry and dipping it into the honey. You held it up to his lips, your pulse skipping when he leaned in without hesitation.  

“Delicious,” he said, his voice low and warm. “But I think it tastes better coming from you.”  

“You’re impossible,” you muttered, trying to suppress a smile as you took a bite yourself. The flaky pastry melted on your tongue, its sweetness perfectly balanced by the honey.  

As you shared the dessert, your conversation drifted from playful teasing to the little things that filled your days. Pedro told you about a funny moment on set earlier when Paul had forgotten his lines and improvised something so absurd even Ridley couldn’t stop laughing.  

“And then,” Pedro continued, his grin infectious, “he tried to blame me, saying my face was too distracting.”  

“Well, he’s not wrong,” you teased, earning a dramatic roll of Pedro’s eyes.  

“Oh, so now you’re on his side?”  

“I’m on the side of the truth,” you said, popping an almond into your mouth.  

Pedro chuckled, shaking his head. “I don’t know what I’d do without you.”  

Your smile softened, and you leaned your chin on your hand as you looked at him. “Probably still charming everyone who crosses your path.”  

“Not like this,” he said, his tone suddenly serious. He reached across the table again, his fingers lacing with yours. “You make everything better. You make me better.”  

Your throat tightened at the rawness in his voice, and for a moment, all you could do was stare at him, his words settling deep in your chest.  

“You do the same for me,” you said quietly.  

The soft music playing in the background faded into the hum of the city as the two of you sat there, the world narrowing to just this moment. Pedro brought your hand to his lips again, pressing a kiss to your knuckles before resting your joined hands on the table.  

As the night stretched on, the two of you continued to talk about everything and nothing—your favorite childhood memories, the places you wanted to visit together, the little quirks you loved about each other.  

When it was time to leave, Pedro stood and extended a hand to help you up. “One last picture before we go?” he asked, his phone already in hand.  

You nodded, letting him pull you into his side. The lanterns glowed softly behind you as he kissed your cheek just as the camera clicked.  

Looking at the photo, you smiled. It was perfect—just like this night, just like him. 

L’HÔTEL MARRAKECH, MOROCCO – EVENING

The golden hues of the evening sun had long faded, leaving the hotel suite illuminated only by the soft glow of warm, ambient lighting. Laughter filled the room, bubbling up between stolen glances and playful teasing. Pedro leaned against the edge of the plush sofa, his hand resting casually on his hip as you doubled over with giggles at another one of his overly dramatic impressions. 

“I’m just saying,” he said with a grin, holding up his hands in mock innocence. “If anyone here is getting an Oscar for Most Entertaining Human, it’s me.”

You rolled your eyes, swatting at him lightly. “You? Entertaining? Please. You’re just lucky I think you’re cute.”

“Just cute?” he teased, his voice dropping into a low, mock-hurt murmur. He stepped closer, tilting his head. “That’s disappointing.”

And just like that, with no warning, he took your hand and spun you gently into his arms. There was no music, no sound but the faint rustle of the curtains and the muted hum of life outside your window. But to Pedro, there was no need for anything more. 

“Dance with me,” he whispered, his voice barely above a breath, pulling you flush against him.

“Pedro,” you started to protest, but the way he was looking at you—so earnest, so unguarded—stole the words from your lips. He rested his forehead against yours, his arms wrapping around you like he was afraid to let go. 

“You are the reason I can breathe,” he murmured. His voice cracked slightly, raw and unfiltered. “The reason I can survive.”

Your chest tightened, and your hands gripped the soft cotton of his shirt as you closed your eyes. Slowly, the two of you began to sway, side to side, as if the universe itself had orchestrated this silent melody just for you.

“Pedro,” you whispered, tears threatening to spill as the weight of his words sank deep into your soul. “You don’t have to—”

“Shh.” He cut you off gently, his lips brushing the crown of your head. “I want to. You’re my safe place.”

Together, you moved as one, the world outside forgotten. The phones were switched off, the curtains drawn, and for a moment, it felt like time had ceased to exist. All that mattered was this—his arms around you, your head resting on his chest, and the way his heartbeat felt steady and strong beneath your cheek.

“What’s easy is right,” you whispered suddenly, echoing words your mother had once said. The truth of it struck you in that moment, how being with Pedro never felt like a choice—it was instinct. Like breathing. Like coming home. 

Pedro smiled, his hand brushing a strand of hair from your face. “What’s easy is right,” he repeated softly. “Then I guess it’s easy to know... I’m going to love you forever.”

You laughed softly, though the lump in your throat made it difficult. “Forever’s a long time.”

He tilted your chin up, his warm, brown eyes crinkling at the corners with a quiet joy. “Not nearly long enough,” he said, his voice a low promise. “You’ll be my best friend until we’re old and gray. And even then, I’ll still love you.”

There was something in the way he said it—so simple, so sure—that your knees nearly gave out. But as always, Pedro was there, holding you steady, keeping you close. 

This is how you fall in love, you realized. Not in a blaze of fireworks, but in the quiet moments where you let go and they hold you up. 

“Do you know what you’ve done to me?” Pedro said after a long silence, his voice filled with wonder. “You make my stomach ache with hope. You make my hands stop shaking. I wake up smiling now, and it’s because of you.”

You bit your lip, your fingers tracing lazy patterns across his chest. “Pedro…”

“No, listen to me,” he insisted, his thumb brushing against your cheek. “Love isn’t supposed to be heavy. It’s not supposed to hurt. It’s supposed to be this. Us. A safe place. A hand to hold through every storm.”

His words broke something open inside you, and you nodded, letting the tears spill over. “You’re my safe place too,” you whispered. “You make me believe I deserve this.”

Pedro pulled you closer, resting his chin on the top of your head as he swayed you gently. “You deserve everything,” he murmured. “Every laugh, every sunrise, every stupid little joke I’ll tell for the next fifty years.”

You both laughed softly, the sound mingling with the quiet hum of the room. The world outside could wait. For now, all that mattered was this moment—this love that was soft, steady, and unshakable.

Right from your hips to your cuticles, you were everything to him, and he was everything to you. Wherever you both went, it was heaven. And neither of you ever wanted to leave. 

Steam filled the bathroom, the warmth clinging to the mirrors and wrapping around the two of you like a soft cocoon. Pedro stood under the cascade of water, droplets running down his broad shoulders and soaking his messy curls. His eyes flicked toward you, a tender smile tugging at his lips as you stepped closer, your fingers gently reaching for the shampoo bottle.  

“Turn around,” you said softly, motioning for him to face away from you.  

“Yes, ma’am,” he teased, though there was a hint of shyness in his voice as he obeyed.  

You lathered the shampoo between your hands, your touch careful and affectionate as you worked it into his hair. His curls were soft and damp beneath your fingers, the grays glinting like silver in the dim light.  

“I love your hair,” you murmured, your voice reverent.  

Pedro let out a small, self-deprecating chuckle, tilting his head back slightly. “The gray makes me look old.”  

You paused, your hands stilling in his hair as you leaned around to catch his gaze. “Stop that. It doesn’t make you look old; it makes you look distinguished. And I happen to love every single one of these.” You tugged playfully at a curl for emphasis.  

He gave you a sheepish look, his lips twitching as he fought back a pout. “You’re just saying that because you’re stuck with me.”  

“Stuck with you?” you repeated, feigning outrage. “Oh, no, Pedro. I chose you—gray hair and all. And I’d choose you again. Every single day.”  

His pout softened into a smile, one so genuine it made your chest ache. “You’re too good to me,” he murmured, leaning in to press a kiss to your temple.  

“And you deserve it,” you countered firmly, finishing his hair with a rinse.  

When it was your turn, Pedro insisted on returning the favor, his hands gentle as he massaged the conditioner into your hair. His touch lingered, his fingers tracing the nape of your neck as he marveled at you.  

“You’re so beautiful,” he whispered, his voice thick with sincerity.  

“Even covered in soap?” you teased, feeling heat creep up your cheeks.  

“Especially covered in soap,” he replied, leaning down to steal a kiss.  

The shower ended with a flurry of soft laughter and playful splashes, the two of you wrapped in towels as you padded into the bedroom. Pedro pulled on a pair of boxers while you slipped into one of his oversized shirts, the hem brushing the tops of your thighs.  

The two of you slipped into bed, the soft glow of the bedside lamp casting a warm, golden light over the room. The air smelled faintly of the lavender lotion you’d rubbed on your hands, mingling with the subtle hint of Pedro’s cologne that still lingered on his skin. He had one arm draped lazily over your waist, his other hand holding a book he’d claimed to be interested in, though his wandering eyes betrayed him.

A book rested in your lap, too, but you’d long given up on reading. Instead, you could feel his gaze flickering to you, watching you more than the words on his page. It was endearing, the way he thought you wouldn’t notice, how he never grew tired of studying you like he’d never quite figure you out.  

“You’re not reading,” you finally accused, peeking at him over the edge of your book.  

Pedro grinned, unabashed. He set his book down on the nightstand and scooted closer, leaning his head on the pillow beside you. “Can you blame me?” he said, his voice soft and teasing. His hand reached up to tuck a stray strand of hair behind your ear, his knuckles grazing your cheek. “I’ve got the most beautiful view right here.”  

You rolled your eyes, trying to fight the warmth rising in your cheeks, but the smile that stretched across your lips betrayed you. “You’re ridiculous,” you murmured, nudging him lightly with your elbow.  

“And yet, you love me,” he replied with mock arrogance, leaning back against the headboard with a self-satisfied smirk.  

“Unfortunately for me,” you quipped, though your tone was dripping with affection.  

Pedro’s laugh filled the room, low and warm, wrapping around you like a blanket. You settled back into your spot, his arm tightening slightly around your waist, anchoring you to him. For a while, there was only the sound of pages turning and the occasional creak of the bed as one of you shifted.  

Eventually, the books were forgotten, abandoned on the nightstand as the room grew darker, the soft click of the lamp switch plunging you into the comforting glow of moonlight spilling through the curtains.  

Lying side by side, your head resting on Pedro’s chest, you let your fingers trace lazy patterns along the bare skin of his arm. But your mind wouldn’t quiet, and as the minutes stretched on, the thoughts bubbling inside you demanded to be voiced.  

“Okay, but really,” you began, your voice breaking the comfortable silence. “Why is ‘llama’ spelled with two L’s? Wouldn’t one be enough? It’s not like we say ‘Llama-la.’”  

Pedro let out a soft laugh, the sound rumbling through his chest beneath your cheek. He tilted his head down to look at you, his lips quirking into a smile. “Mi amor, I adore you, but it’s almost midnight. Go to sleep.”  

“I can’t until I solve this mystery,” you said with mock determination, lifting your head to look at him.  

He sighed dramatically, feigning exasperation. “Fine. Maybe the second ‘L’ is there to confuse aliens.”  

You gasped, sitting up slightly. “That makes so much sense! Like, imagine aliens judging us for eating cereal with milk.”  

Pedro chuckled again, his arm tightening around you to keep you close. “Cereal with milk is sacred,” he said, his voice heavy with playful conviction. “If aliens have an issue with that, I’ll fight them myself.”  

You grinned, turning to prop yourself up on your elbow so you could face him fully. “Okay, serious question. If you could ask someone anything and be guaranteed the truth, who would it be?”  

Pedro cracked one eye open, his other hand lazily resting on your hip. “I’d ask you why you’re so determined to keep me awake,” he deadpanned, his lips twitching with a suppressed smile.  

You laughed, nudging him with your elbow. “I’m serious!”  

“Alright, alright,” he relented, the mirth in his eyes softening as he considered your question. “I’d ask my third-grade teacher if she really lost my homework or if she just didn’t like me.”  

You burst out laughing, the sound muffled by the way you buried your face into his chest. “That’s what you’d waste your question on?”  

“Don’t judge me,” he said with mock indignation, his fingers trailing absent patterns on your back. “It’s haunted me for years.”  

Your laughter subsided into a warm giggle as you tilted your head up to look at him. “Fine. My turn. I’d ask my mom if she’s proud of me. Like… really proud. Not just the ‘I’m your mom, so I have to say it’ kind of proud.”  

Pedro’s hand stilled on your back, his gaze softening as he leaned down to press a kiss to your forehead. “She’s proud of you, baby,” he murmured against your skin. “And so am I. Always.”  

The weight of his words wrapped around your heart, a comforting balm that eased the ache of self-doubt. You nuzzled closer, your fingers curling around his as you let the quiet stretch between you for a moment.  

Moments later, you broke the silence again, your voice a whisper in the dark. “When I was little, I thought my toys came alive when I wasn’t looking. Like Toy Story. Honestly, I still kinda think they do.”  

Pedro let out a deep laugh, his chest shaking beneath you as he pulled you even closer. “I wouldn’t put it past them,” he said, his voice warm with amusement. “Your stuffed bunny? Definitely a troublemaker.”  

You giggled, your heart feeling impossibly light as his hand returned to its slow, soothing patterns on your back.  

The conversation drifted into comfortable nonsense, the kind of midnight musings that didn’t need to make sense but brought a certain kind of intimacy only shared in the quiet hours of the night.  

Finally, as your eyelids grew heavy and your words faded into murmurs, Pedro pressed a lingering kiss to your temple. “Goodnight, mi amor,” he whispered, his voice soft and steady.  

In his arms, with the world outside forgotten, you felt safe. Loved. His heartbeat was the only rhythm you needed as you drifted into sleep, a love like no other holding you steady through the night.

[hasufin]

So, this is a thing.

You might hear pregnant women talk about "baby brain", and observe how someone who used to be the most organized, punctual person on Earth is now scatter-brained and can't talk about anything except their kids.

Baby brain is real. It's literally the mother's brain being rewired to think babies are cute, and to make her a better parent (results definitely vary).

Moreover, other adults experience the same thing when around babies and small children: your brain changes to think of them as adorable little beings who you love and care about. It takes longer - months of being around children to have any effect at all, usually, compared to the pregnant mother's neurological changes which are profound and happen in a matter of weeks. The default for adults who aren't around kids is more akin to a vague disgust or indifference.

Now, I wish to remind folks of that old adage: "The customer is always right in matters of taste." In this case that means if you think little kids are cute and wonderful, you're right. If you think little kids are kinda annoying and grating, you're also right. There's no wrong here, it's just not everyone likes kids.

Now, my own suspicion is, both of these mindsets have evolutionary advantages. Obviously liking kids is a good trait to have for parents and people in households with children. Not liking kids... well, I'd point out our evolutionary ancestors were probably not notable for impulse control, and raising Someone Else's Kids is not an evolutionary win in most cases.

However, in our society it's not atypical for familial bonds to persist across geographic distances: in other words, it's perfectly normal now to not live in the same household as your older sister who has children, but nonetheless to have the social obligation to attend piano recitals or whatever. Which means the adults who aren't enamored of children are reasonably likely to be forced into circumstances which they find vaguely annoying - but not often enough for their brains to go "Oh, so we're in a family with these kids and they're cute!".

So, my very-not-professional thought on this is, if you have kids and want to maintain close personal relationships with childfree adults, you're going to need to consider that the middle ground here is the worst option. Either convince them to get enough exposure to kids that they do get used to and like them, or respect that they don't like kids and try to not put them in a bind where they have to grit their teeth and deal with the experience lest they offend you.

Obviously, that goes for the childfree adults, too - either be deeply involved, or politely decline stuff that's going to make you feel like you're being low-key tortured in an auditorium.

Going to see children and adolescents dance badly, play ball badly, sing badly, play recorder badly because they are young: YES! YOU ARE LEARNING! INCREDIBLE!

[gwendolynnderolo]

critical role ships as hozier songs

vax / keyleth : francesca

percy / vex : work song

pike / scanlan : foreigner's god

fjord / jester : nobody

beau / yasha : as it was

caleb / essek : from eden

imogen / laudna : NFWMB

orym / dorian : like real people do

ashton / fearne : dinner & diatribes

specific lyrics that i feel like represent the pairings under the cut!

vax / keyleth : francesca

how could you think, darling, i'd scare so easily?

my life was a storm, since i was born, how could i fear any hurricane?

if i could hold you for a minute, darling, i'd go through it again

it was too soon, when that part of you was ripped away

i would not change it each time, heaven is not fit to house a love like you and i

percy / vex : work song

when my time comes around, lay me gently in the cold dark earth, no grave can hold my body down, i'll crawl home to her

and i was burning up a fever, i didn't care much how long i lived

but i swear, i thought i dreamed her, she never asked me once about the wrong i did

if the lord don't forgive me, i'd still have my baby and my babe would have me

in the low lamplight, i was free, heaven and hell were words to me

pike / scanlan : foreigner's god

she moved with shameless wonder, the perfect creature rarely seen

her eyes look sharp and steady into the empty parts of me

wondering who i copy, mustering some tender charm

breaking if i try conveying, the broken love i make to her

fjord / jester : nobody

i'd be appalled if i saw you ever try to be a saint, i wouldn't fall for someone i thought couldn't misbehave

but i've had no love like your love from nobody

if i had the choice between hearing either noise, the excitement of a thousand, or the soothing of your voice

and on the other side, why should we deny the truth? we could have less to worry about, honey, i won't lie to you

beau / yasha : as it was

and in a few days i will be there, love, whatever here that's left of me is yours, just as it was

the lights were as bright as my baby, but your love was unmoved

tell me if, somehow, some of it remains, how long you would wait for me and how long i've been away

the shape that i'm in now, your shape in the doorway, make your good love known to me or just tell me about your day

and the nights were as dark as my baby, and half as beautiful too

caleb / essek : from eden

there's something tragic about you, something so magic about you, don't you agree?

honey, you're familiar like my mirror years ago

innocence died screaming, honey, ask me, i should know

there's something broken about this, but i might be hoping about this

a rope in hand for your other man to hang from a tree

imogen / laudna : NFWMB

give your heart and soul to charity, cause the rest of you, the best of you, honey, belongs to me

ain't it a gentle sound, the rolling in the graves?

if i was born as a blackthorn tree, i'd wanna be felled by you, held by you, fuel the pyre of your enemies

ain't it the life of you, your lightning of the blaze?

orym / dorian : like real people do

i will not ask you where you came from, i will not ask and neither should you

i know that look, dear, eyes always seeking, was there in someone that dug long ago

honey, just put your sweet lips on my lips, we should just kiss like real people do

ashton / fearne : dinner & diatribes

i knew well from our first hookup, the look of mischief in your eyes

your friends are a fate that befell me, hell is the talking type, i'd suffer hell if you'd tell me what you'd do to me tonight

honey, i laugh when it sinks in, a pillar i am, upright

now that the evening is slowing, now that the end's in sight, honey, it's easier knowing what you'd do to me tonight

oh, let there be hotel complaints and grievances raised and that kind of love

[transfem-tomgirl]

Yo wanted to ask a bit more about your experience in the transhet community there’s a lot of animosity towards transhets and t4t relationships that aren’t…idk how to describe it but y’know what I mean. Wanted to hear your thoughts on it. Didn’t wanna DM off the bat but if you’re down to chat I’d love to!

I'd love to chat! I revel in the chance to talk with people.

in my experience there's a lot of kindness from other trans people but it does sometimes come with a distinct feeling of "We feel kinda bad that you're only into guys." Which can get exasperating.

Like. Other trans people flinch when you say you're het, in a way that they wouldn't if you were a lesbian, not because they think less of you, but they're just kinda surprised by the outcome. Het trans people just, aren't really thought of as something that happens, outside the context of your right wing grifters who try to be one of the good ones.

And, when you talk to Bi trans girls, there's a sort of unspoken idea that men are a fun little treat compaired to the default of sapphic relationships. which is a little exasperating. [In my mind I've joked about waiting for the monthly boyliking phase so i can get the chance to finally talk about guys.]

And it always feels like there's a worry, even within transhet spaces, of getting *too* het. just like how I've seen a worry in transmasc spaces of getting *too* masc. this usually stems from a desire to not want to recreate the oppressive power structures associated in both, but, in a great twist of irony, often ends up expressing both in their vehement refusal.

That's not to say that you can't be a transmasc femboy or be in a st4t relationship where the guy is small and subby and the gal is strong and dommy and have it be a healthy outlook and engagement with the facets of oppression, far from it. But if you seek those things out as escape from engaging with oppression, you tend to fall into it trying to square the circle so to speak.

these are mostly just personal outlooks and feelings on the subject, but i think they're important, because they're a real persons feelings, ya know?

[rotshi]

sonadow brainrot yappings

Sonadow Twitter/Tiktok Takover:

I asked some questions to test my luck but ah well. at least i dont have to look both ways ten times the next time i cross the street. BUT oml what the hell was their problem? The amount of times my jaw dropped ??? Like Ayooo? "Go off king"???? Are you his queen???? "run laps around you"??? You keep it 'clean cut' to woo him????? "shopping partner"?????? You mean a fucking date???? Drawing each other unprompted????? Are you fucking kidding me?????? What the hell am i listening to? These fuckers got me exhausted. Like I woke up, listened to just 3 answers and was ready for a nap. Coffee flavored Ice cream MY HEARTTT!!!!!! (i wonder if i can get some coffee ice cream too) Sonic being like 'of course' when there's a mention of Shadow's caffeine addiction like he doesnt have a chilidog problem. They really are perfect for each other. Im surprised Shadow didn't say anything about it. Nah they did all this fruity shit on their OWN ACCORD! THEY DID IT THEMSELVES they did it themselves they did it themselves. Them influencing each other to the point where their opinions change on a FUCKING DIME: sonic: I dont have an opinion on orbot shadow: he sucks sonic: he sucks shadow: hes the best sonic: hes the best They really are so obsessed with each other it's concerning. If it were up to them they would spend their whole lives 'competing'. And these 'Competitions' 'Races' or whatever feel a lot like excuses to just be around each other. Oooooooooh their endless excuses. what is sonic's problem too? shadow opens up a smidge and the little blue bitch giggles. but i understand things had to be kept light for what theyre doing... i dont think sonic means to be... a little blue bitch. If they were alone i'd like to think sonic would be much more understanding and hear him out. But with possible kiddos listening in they couldn't get too deep into things. If it wasn't a 'Q&A Twitter/Tiktok' thing, and it was just them, I feel like they would talk all day and night. But they were getting to know each other and ahhh if was amazing. Hearing Shadow talk about himself and Sonic wanting to get to know him is the best and sweetest thing and all I was REALLY hoping for. Them just actually just sitting down and talking.

Deep thoughts:

Though I have been wondering what Shadow's beef with Sonic really boils down to. I highly doubt it but maybe Sonic reminds him more of Maria than he even wants to believe? Maybe at times he even sounds like her? Idk ??? How carefree and enthusiastic she was, helping shadow come out of his shell. IDK im a sonic noob !! He probably feels like this about a lot of people!

I can understand that there's more parallels with Maria and Amy than with Sonic and Amy. Putting myself in Shadow's shoes; I have a sister, I love like Shadow loves Maria. We are the best fucking friends. I can talk to her about ANYTHING. We're a team. But when it comes to finding a romantic partner, I dont want to look at my partner and just think of my sister lmao. But I would like a similar feeling. Comfortable, understanding, to have that team work, and able to talk about anything to them. And I think Sonic and Shadow have that if things were different I guess. Although Sonic doesn't always talk Shadow down from a decision, it does seem like they both can come to an agreement. "Two sides of the same coin". Like yeah, Sonic might've not been able to change Shadow's mind on going back to the Ark BUT I feel like Sonic probably wouldn't even try. I feel like he would probably even offer to join him for back up. IDK IDK IDK !!!! IM NEW TO SONIC STILL and all i've really seen of the two is some Game clips, some IDW stuff, and of course Sonic X and Sonic Prime. And some of the things my sister has told me. I got most of my IDW knowledge from her and pintrest ghhghg LiSTEN LISTEN LISTEN LISTEN LISTEN I know sonadow will never be canon, I KNOW !!!! i accept that. Sonamy runs this bitch and Im not even mad and I dont even care. honest to god i do not care. I just like Sonadow and will die on this stupid hill SO HAPPILY. But also it would be so funny if they were to be canon one day. I would lose my fucking mind and throw up. so for my own sanity and health, im glad that theyre never gonna be a thing. im sorry, but im already half way to calling my doctor. i dont think i can handle an official kiss. It's just pure brainrot thinking about how their complicated relationship would work. Love isn't just as simple as 1+1 , this shit has the whole alphabet and the whole fuckin pi in there and it could all add up to 0. I'm solving a math problem for fun BECAUSE IM STUPID AND LIKE TO SUFFER ‼‼‼‼‼‼ But they said the same thing about Bubbline and Korra/Asami and look how that turned out. It would be funny but at the same time reality would probably shatter and sonadow would have to save it again- like my profile says, Im gay and like gay things. let me perish.

I'm honestly the biggest yapper. I go quiet, think about shit, and open up like a shaken up soda can.

TLDR; sonadow takeover made me explode

[trans-androgyne]

Hey. I just heard a girl who I think holds radfem views say that sexism is being discriminated against based on your biological sex, sex characteristics and based on the fact that you're a woman and that's why feminism is only for girls and women. I'd love to hear your thoughts on this sort of mindset.

The qualification she adds at the end is simply not true and added by her, not by people educated on the subject. By just about every dictionary's definition, sexism is described as "prejudice or discrimination based on sex, especially against women and girls." Words like "especially" and "primarily" are used for a reason, that reason being that it disproportionately affects them and they lack gendered privilege, but is not exclusive to women.

The understanding that sexism can affect anyone of any gender is not new or uncommon, simply looking up "can sexism affect men" or something to that effect produces an abundance of affirmative results. Sexism is all about beliefs about the fundamental nature and necessary roles of "males" and "females"--so it puts limits on what women can do (like doing anything too "masculine"), but it also puts limits on what men can do (like doing anything too "feminine"). It is incredibly clear that both binary sexes get punished for stepping outside their role, often with violence. As such, feminism can absolutely be for everybody.

I'll say it a million times: feminism should not be women vs. men but everyone vs. patriarchy, as in the end the system of sexism negatively affects people of all sexes and genders. To me, feminism can continue to center women, since women tend to experience sexism differently than folks of other genders. But there needs to be a recognition that there are folks of other genders at least equally impacted by sexism, such as androgynes like myself, and that we deserve just as much of a voice as women. That is why I am a feminist, but primarily an antisexist--I center all those most affected by sexism, regardless of sex and gender identity.

[stinkrat-aleks]

Only if you want to! but would love to hear your thoughts about telepaths/psionics bias within the in-universe mutant community. I've always liked seeing Erik's particular dilemma explored in fanworks since in the movies we got to see his relationship with different telepaths, but I always like seeing it explored more generally too. so I guess I was wondering if you'd explored/thought about these bits of canon too, and of course, no worries if not!

Hello!! Sorry it took me so long to reply to this, I was thinking my answer over and all the stuff I wanted to say (/overthinker).

I think a LOT about psionphobia (or whatever the term would be called) in-universe. Especially because to me, mutations are symbolic for disabilities and different neurotypes. The term “neurodivergent” describes people whose brain differences affect how their brain works…and to me, that means all telepaths are inherently neurodivergent.

Now I see Charles as autistic, but even if he WASN'T autistic, that means his psychic powers affect the way he perceives social situations, information, etc.

And so, when I see in-universe characters (like XMFC Raven) tell Charles to stay out of their minds—while I understand the desire for privacy—it feels ableist to me. I'd understand if Raven asked Charles to keep out of her more private thoughts, but to keep out of her mind in general feels almost like asking an autistic person to stop stimming when they're around you.

Like, that's just the way Charles is. He probably overhears people's thoughts and feelings at a surface level at all times, without the intention of delving deeper.

This artist does a REALLY pretty comic depicting this and it's 1000% how I headcanon Charles' telepathy now, please go read and reblog the full thing if you haven't already:

Artist: yancant on tumblr

I also think just because Charles CAN intrude on people's innermost secrets, doesn't mean he necessarily WILL. Like, lots of people drive a car. Anyone could technically plow that car into a crowd of people. But most other people assume they won't. So we don't freak out when we see cars. Ya know.

With that logic it feels unfair to assume Charles is going to do bad things with his telepathy simply because he can. ALL humans are capable of bad things! Why is he being singled out for the way he thinks.

Re:Erik, he is the only one who seems to understand this. Him inviting Charles to be in his head (in fanworks but also XMFC) shows that he is not only tolerating Charles' mutation but EMBRACING it. (We all know he has a telepathy kink but that's something different okay.) To use the neurodivergent metaphor, he's telling Charles it's okay to unmask around him.

Like obviously this scene is very emotional for Erik, and Charles is definitely too caught up in his savior complex to take notice of his own emotions, but imagine!! Feeling that welcomed in someone else's mind for the first time!! And them not pushing you out or getting angry for touching a sensitive memory!

I have no idea any of that makes sense or if I'm grasping for straws but that's my overall take on it.

ANYWAYS…so that's my overall take on it. In terms of the soccer AU I'm currently working on..I have other thoughts and some of it will be addressed in futuer chapters (I'm gonna try to upload today). So we'll see. Sorry if this completely didn't answer your question LMFAO.

[pemprika]

hnk ch. 100 thoughts (spoilers)

Making a full-on separate post because I thought there was a lot to draw from in this recent chapter... I needed to document it, so here is my veryy long thought bubble on hnk 100:

The chapter felt like a depiction of Phos in transition to accepting themself and adapting to a new phase of peace that they hadn’t experienced before. While young Phos had a carefree life, they were perpetually stuck feeling useless, never satisfied with the way they lived, and gradually lost all their friends, selfhood, and purpose.

It’s a little difficult to emotionally match the pacing of the story considering how often the series goes on hiatus now, but note that Phos had only recently come to terms with their own flaws and the reasons why everything ended up the way it did. They had a wish to be happy, and meeting these lifeforms allowed them to realize the meaning of their existence and be more content with it.

That poetic verse was introspective and contemplative. Rather than placing worth based on certain levels, like the gems’ hardness levels or Lunarians’ caste system, these rudimentary rocks perceive that all life is made equal. For thousands of years, gems tied their own value to a designated role, and if they couldn’t fulfill it, they devalued their existence. We saw a lot of perspectives throughout Phos’ journey, including how Rutile “failed” as a doctor for being unable to fix Padapradscha on their own, or how Dia “failed'' to live up as a diamond with refined fighting skills compared to their rivaled counterpart. Again, these are just flawed traits passed down from their human predecessors and the curse of immortality.

The chapter ending conveyed a hopeful conception that all things, primitive or refined, come from the same place (nature). I struggled to connect the details mentioned in ch 97 before, but it gave us sooo much foreshadowing to this new world. Dr. Ayumu said that, “the inorganic things that we had been using for ourselves will soon have a world of their own'', alluding that these little guys that Phos met are the new world.

 Interesting how Dr. Ayumu wanted Adamant to “build the bridge” and Phos to “burn the bridge” in order to create this “beautiful, rational world” to be a more freeing and less destructive place, and refresh the Earth to avoid relying on human values and qualities to stay self-fulfilled.

I was talking with @/mlkinis who brought up an interesting theory of using rocks in this new arc to symbolize the reversion of materialism. The rocks, elements derived from basic nature, have vastly different virtues compared to the gems, a class of refined minerals that developed a habitual routine of upkeep socially and culturally. While gems are also made from the Earth, they are perceived as high-value and are often polished to be artificially beautiful. 

One Buddhist principle reflects on detaching oneself to worldly possessions and desires, such as wealth, in order to attain inner peace, and it seems that having these primitive rocks is a representation of Phos “letting go” of the gem society, which may be another way of showcasing that the world is returning back to life as the way it once was, and that Phos is on a path to attaining ultimate happiness. I’m wondering if Dr. Ayumu’s line, “When you cross that bridge, burn it” refers to Phos leaving their suffering behind as they’re going forth to being happy in this new world that is coming to be...

Anyway, upon reading the passage, along with meeting the sentient rocks and hearing its rock friend sing the verse, I felt like Phos reconciled with their own self and existence, and melted from feeling at peace 🥺😭!! Thank you, Ichikawa as always… This was a very cool and comforting chapter for me.

[mylasteverlution]

Please go into detail about the feld computers

Okay so! We get quite a bit of information about the Feld Playback Experiment, a lot more than I realized before writing this post. The interface of the game (menus, dialogue engine) is actually designed to look like its on a Feld computer. Plenty of other people have talked about that, so I'm not going to go into it here, but I will drop this archived post from the developer's blog for those who are interested.

One thing I do want to highlight from that post:

This computer uses long strips of film for feedback (projection), memory (storing on magnetic tape) and interfacing (submit commands in handwriting) purposes

The strips of film for feedback and the magnetic tape storage are what I was expecting. But using handwritten commands for input was not on my radar! This would be what's called offline handwriting recognition, where text is converted by the computer after it's written (as opposed to online, where you use something like a stylus on a screen and the computer interprets it as you're writing). This is comparatively pretty difficult to achieve, and very error-prone, as everyone's handwriting looks slightly different. Most modern versions of this use machine learning techniques, but I'm assuming these computers used very basic character extraction and recognition engines.

Trant is the only in-game source we get for the Feld computers. And after doing some digging I found him saying something similar:

"As I was saying, the device itself was very elegant, fragile even. One could write directly on the tape using a special chemical solution. The machine would then analyze the handwriting, perform operations and project output onto a white screen. It was a beautiful, delicate thing."

I initially interpreted him saying they "perform operations and project output" to mean that they can process internally, unlike radiocomputers. But this post from the developers is making me think otherwise (thanks @sollandan for sharing this on my other post!):

"These machines have on-air processing. Large prime number stations criss-cross the air. Advanced tape computers use arrays of antennas to sieve through their calculations to perform advanced calculus on site: to run programmes and communicate between the remote corners of the world."

The advanced tape computers being referred to here have to be the Feld computers. I'm still not sure how this kind of processing would work. As far as computing goes, prime numbers are used primarily in cryptography. Maybe their version of 'processing' somehow involves decrypting? People have theorized that the world in Disco Elysium is made of information. If all the information already exists, maybe it's just a matter of decoding it? I'm honestly just spitballing here, but I'd love to hear other people's theories.

Regardless of how they work, it seems pretty clear to me that the Feld computers are meant to parallel the rise of digital personal computers in our world. Like how Trant described them here:

"An elegant folding mechanism of rollers and ferrotape ribbons, portable enough to be a take-it-home solution, revolutionizing business machines, possibly even bringing them to the average consumer."

This reads almost exactly like promotional material for early home computers made by IBM, Apple and such. (Side note: 'ferrotape' here refers to ferric-oxide coated tape, used for magnetic tape storage and popularized for use in computers by IBM in the 50s.)

But in Disco Elysium, this revolution never took place. Computers never made it to the average consumer, as is clearly demonstrated by even the RCM having only limited access to radiocomputers. The only characters I know of with access to computers are Soona (obviously) and Trant (plus his kid), who seems to be much wealthier than the average citizen of Revachol. The thematic significance of this form of communication never becoming available to the masses is not lost on me.

That said, I think ending this on one of the most interesting hints we get on what happened to the Feld Playback Experiment is appropriate:

YOU - "Why did the revolutionaries destroy it?" TRANT HEIDELSTAM - "Who knows? Maybe it was an accident, or maybe they didn't want the technology to end up in the wrong hands. Either way -- they're all gone now, all three versions of the prototype. Nothing but debris and ashes remains inside that building." He takes a step back; the boardwalk creaks mournfully in the wind. SHIVERS - Two seagulls circle in the sky. You look up and think: really? Or was there a fourth prototype that remains hidden in the mausoleums below Coal City?

[waxflowerwoes]

obviously chandrilan fashion is influenced by traditional east asian garments (the first time i was watched andor i was thinking about how much it reminded me of korean hanbok but that bias is probably indicative of how i grew up near a koreatown) and i saw someone somewhere say that it's odd that the shirts are crossed right over left (the way to dress a dead person) instead of the traditional left over right

now this could be a cultural oversight on the part of the costume designers. it wouldn't be the first time hollywood (or even star wars) appropriated an aesthetic they didn't understand. but with the line "play it how you want. but i'm going to assume i'm already dead," also existing in this show, maybe it's not.

[thetarttfuldickhead]

As big an OT3 shipper as I am, I have to admit that both Roy and especially Keeley both would have a bit of a way to go based on how they end the series in order to be fully happy in the OT3. Jamie on the other hand I'm fairly sure has been up for it since s1 ep 1, and up for it without thinking it would be mostly hate sex from Roy since about S2 ep 6.

Hiya, nonny!

Keeley, I think, absolutely need some time alone. Some time voluntarily alone, I should say,

because she was single there for a bit in season 3, but she sure as hell wasn’t happy about it. While there are issues she need to adress in order to function well long-term in a relationship  (I am still rather upset that Roy is the one to apologise in 2x07, for instance), I also believe she just needs to be on her own for a bit; focus on herself, find out who she is outside of her romantic and/or sexual relationships, decide what she wants the balance between her career and her love life to look like… all that. Interestingly, and for all that she’s emotionally competent, I think that Keeley’s the one of them furthest from actually facing her issues face on. She needs to sit with herself for a bit, come to terms with the fact that there’s things she need to work on, and things she need to figure out… (Also, for her own sake, she needs to give Jamie and Roy time to figure out how the two of them can resolve their conflicts without turning her into a mediator; but the risk of that was arguably bigger earlier on.)

Roy now… Once he understands and accepts wanting to be in a relationship with Jamie, I think he would be very happy to be in the OT3 – but that’s when it gets dicey, isn’t it; when he starts to think he’s too happy? Because then he starts to question whether it can last, whether he deserves it, whether his partners will put up with him, and why should they, when he’s suck a fucking useless twat whom they’d be much better off without? Our Roy boy certainly has some way to go yet – but he’s brave and stubborn and has already taken the first step into Dr. Sharon’s office, so I’m confident he’ll get there. (There might be some macho jealousy bullshit for him and Jamie to sort out, too… and they might get so caught up in that they initially completely miss the fact that Keeley gets jealous, too, and feels left out sometimes, just because Jamie and Roy’s thing have grown so intense over the past year when Keeley was busy with other stuff. Then there’s the whole coach/player deal which I think Jamie is very happy to disregard and Roy… might not be so much, especially not when he’s new to the manager gig. And as much as Jamie might get off on Roy being rough with him, and as much as he understands Roy in general, I think Jamie needs Roy to be a bit more expressive with his affection down the road, or Jamie will start to feel insecure and… Well. Jamie doesn’t deal well with feeling insecure.)

And as for Jamie, I agree that Jamie would have been down for a threesome right from the get-go, but I think it’s fair to say that he would not, at that time, have been able to handle a proper triad relationship. The sex? Absolutely. The rest of it… Eh. Our darling prick had a lot of growing up to do, and while you certainly can do the growing while in a relationship, I think that as hot as the hate sex would have been (to Jamie and to me!), it would have been too volatile to last -- even given the fact that Jamie would probably soften a bit with Roy when given the attention (and reluctant admiration) he wants, which would in turn have Roy soften on Jamie a bit. (That said, I adore fic that explore them getting together early, when things are still very tense between Roy and Jamie, because them trying to navigate that is just messy and delightful.)

But Jamie’s spent the last year and a half reflecting and working on his issues, and he’s also been single for that whole time (as far as we know). He is, I should argue, very ready for a relationship; but he’s not gasping for one, desperate to be with someone just to not be alone. That’s a very good place to start from, so yeah, I certainly agree that out of the three Jamie is the one best emotionally equipped for the OT3 to commence at the end of S3. Which isn’t to say that Jamie doesn’t still have issues and work to do. Roy may have been first to escalate the argument in 3x12, but Jamie went right there with him, and Jamie also has shown a tendency to overcorrect when trying to adjust his behaviour, which may well cause some hiccups down the road. Additionally, while Jamie is often very open and forthright and expressive, he also has a habit of lying when he’d rather not delve into his real feelings or reasoning. That’s going to take some dealing with.

All in all, it’s likely to be a bumpier ride than we sometimes allow for – but to me that’s a feature, and not a bug! I like my ships messy – and at the end of the day, Ted Lasso was never about achieving perfection, but about trying, and trying again. And because – I think – of how much these characters love each other and how well they complement each other, they will keep on trying, stubbornly climbing back to their feet each time they fall down, doing better for themselves and for each other, offering support and encouragment and forgiveness – again and again, as they keep moving toward better; together, and so much happier for it.

[worldlydesiretemple]

a little upset with the chiyo change tbh. i didn't realize or know chiyo was going to undergo a COMPLETE remodel/rework but seeing erissa is just ... man. i understand where people were coming from with their criticisms on chiyo's design but it feels even more backhanded that they just straight up made her (afaik) white.

erissa doesn't have much ... personality? to her design? it's an alright design by her lonesome, but it doesn't signify chaos to any degree. this is just a tiktok influencer to me. and she doesn't seem like an actual child anymore. chiyo was fun in the regards that she's clearly meant to be a rambunctious tweenager and could be seen as such, but now this is just. Ambiguous Older Teen/Young Adult to me.

i don't agree with their solution to chiyo criticism being "oh let's just not make her japanese!" because her being japanese wasn't . the problem? so.

i showed my friends the new design and we all came to the collective agreement she doesn't look like a dark rider or chaotic at all this is a quirky tiktok fashion influencer

[morningmask27]

Tonight, right now, not even ten minutes ago, might have been the closest I got to an outright hatecrime

[foxgirlmoth]

I don't talk about this stuff on here pretty much at all, but a past relationship really broke a ton of bits and pieces of my brain and heart in weird ways (I'm finally thinking about him almost never but the shit he pulled was abusive as hell and still affects me sometimes). Being in love with my current girlfriends for a while felt almost. Painful? Almost like I should be ashamed I can fall so deeply in love with people, and especially how quickly that can happen sometimes too. Thats how it kind of felt. I tend to get overwhelmed with emotions if I'm feeling them very strongly, and that has been extremely embarrassing and also felt almost like I was being a burden to those I love (which love is the main emotion that can 'get dialed up to 11' for me). It IS debilitating in some ways!!! It hasn't gotten bad enough I've been nonverbal in a really really long time but that happened this past week and it was wild to me.

Things are getting better now though! Therapy in the past has helped, and honestly having such patient and understanding partners has made a world of difference ;w;. my wife is someone who was one of my best friends and I had a huge crush on and now I can ask for cuddles and we can nap together and I've fallen so much in love. Her and her presence are literally heaven for me, I don't know if anything has ever made me happier than just laying next to her and feeling her warmth.

Worries of course flare up and I feel like I need to lean on her a lot during those moments, but I don't feel like too much of a burden to her. I love seeing the posts that say stuff like 'Its okay to be a burden' or 'its okay to be annoying' because really truly I think I need to be those things to survive sometimes. I can be 'a lot' and I can be a little bit obsessive and those things aren't inherently bad or evil of me. I just make sure I'm feeling okay during and after and make sure I'm checking in on myself often. I'm a bit of a broken girl, but that doesn't mean I'm not extremely happy and living a life I love. I've written poems and everything about how it feels like it must hurt to love me and my broken jagged edges, but hey, even if it does a little bit, it doesn't mean someone like my girlfriend/wife won't go through a little bit of burden to love me, and I'm more than happy to return all of this and more for her as well if she's ever in need or feels broken ;^;

[musicrunsthroughmysoul]

A controversial thought just occurred to me that I've tried to put into words many times now about my hero (Janis Joplin) and other musicians and people who died "tragically" (especially in a "self-inflicted" way), and that is: every time I see someone online, on Youtube or Facebook or wherever, say something (always unprompted/unrelated to what the video/photo/article/etc. is about) along the lines of, "What a waste of their talent/skill their death was," I think, What a waste their death was? What have you said of their life? Why do you only choose to comment on, and apparently highlight, their death? Did their life, and their accomplishments, and what they brought to the world while they were alive mean nothing to you? Have you not a SHRED of gratitude that they were alive at all?

I am quite sure that there is some sort of psychological explanation (and I say that with the confidence of only having a basic understanding of psychology) for why people focus particularly on people's (in this case, celebrities') "tragic" deaths, but is it not a tragedy in itself to reduce those people's lives to their deaths and the fact that they're dead? Why not appreciate what they were able to share with us while they were here? You know?

[kakusu-shipping]

I recently learned about Reverse Selfship AUs (where you are the fictional character and your F/O is the self shipper) and I am so entranced by the concept but have no idea what to do with it.