#i'd like to talk about it

[talesfromthecrypts]

Warlock: The Armageddon (1993) dir. Anthony Hickox

[teaboot]

Social anxiety level: Chatting with someone experiencing a schizophrenic episode and becoming increasingly self-concious of how I'm just saying "That sounds really stressful", "I've never heard of that but it sounds scary", and "You must be pretty worried about that" over and over again

[egophiliac]

(almost) four years in, and I finally had time to draw something for the anniversary! woo! 🎉🎉🎉

[bamsara]

As a writer who doesn't often read other fics because of personal preferences, but also to focus on my own and spend a lot of time writing something completely to my own exact tastes instead I gotta ask

(This is specifically about long-fics, but short fics can work too)

Personally, I have specific preferences/squicks that make it hard for me to read certain things and prefer to write what I like instead of looking for it in other places (That's not to say that it can't be found! I just find writing it to be a lot more satisfying)

[inkiedraws]

IT SHOULD'VE BEEN ME, NOT HIM.

IT'S NOT FAIR.

[bbbbbbbbatman]

When Bruce is feeling petty he'll arrange an interview with the Daily Planet and specifically request Clark, then spend the entire interview in character as Brucie, refusing to break no matter how many times Clark tells him to knock it off, and then Clark has to write an article on whatever inane topic Bruce could come up with.

[jakeperalta]

very sexy of joe alwyn to have the eyes of millions of prying swifties on him for months and to only ever be like "btw you should care about gaza"

[royalarchivist]

Jaiden: How did you guys even find out that, um... Chayanne's admin plays Cucurucho? [Reading chat] Ohhh, accidentally played the soundboard as Chayanne? That's hilarious actually. I wanna see the clip of Phil reacting to that.

Jaiden: I love– I love the way that Phil laughs, it's just such a hearty, genuine laugh. The few times that I've made him laugh, I've felt really good about myself! [Embarrassed laugh] Because he makes me feel much funnier than I am, you know?

Jaiden talks about silly QSMP moments and laughter. 💜

[ Full Subtitle Transcript ↓ ]

—

TRANSCRIPT

Jaiden: How did you guys even find out that, um... Chayanne's admin plays Cucurucho? Did they just tell- tell Phil? Did- were they just hangin' out? [Reading chat] "The same username"? Ohhh. [Reading chat] "It was a mistake"? ...Wait, what was the mistake? What do you mean "it was an accident"?

Jaiden: Ohhh, accidentally played the soundboard [Laughs] as Chayanne? That's hilarious actually. [Laughs] What di- what did he say, was he just like, "Ha ha ha"? [Laughs]

[Old clip of Bad, Fit, and the Eggs] Bad: –have one of the things I'm looking for. Chayanne: [Cucurucho voice] HA HA HA Bad: What was that? Fit: You heard that too, right? Chayanne: [Cucurucho voice] NO Bad: ...What the fudge was that. Fit: Wait–

Jaiden: [Reading chat] "He said 'no'" [Laughs] That's so funny. [Laughs] I wanna see the clip of Phil reacting to that. I love– I love the way that Phil laughs, it's just such a hearty, genuine laugh.

[Clip of Phil laughing]

Jaiden: The few times that I've made him laugh, I've felt really good about myself! [Embarrassed laugh] Because he makes me feel much funnier than I am, you know?

[Old clip of Phil and Jaiden] Jaiden: Oh, that's awesome! And then it– [She gets snagged by the machine] Jaiden: Oh– Ahh! Phil: Be careful! Jaiden: AAAAAᵃᵃᵃᵃᵃᵃ — [Her screams fade as she's dragged away] Phil: [Laughs] There she goes! [Hits his desk and laughs]

[Another old clip plays] Jaiden: [Singing along to "It's Been So Long" from FNAF] It's been so long, since I've last seen my– Phil: What is happening? [Laughs, then laughs more seeing Jaiden's mask] PFTTT– [Laughs] Jaiden: [Laughing] Phil: Jesus Christ–

Jaiden: It's just like, such a good laugh! I wish I had a– a like, more-hearty laugh. You know? You know what I'm talking about? My laugh is kinda like... Uh, you know how you guys compare Foolish's laugh to like, the... window cleaner? Like a– [Squeaky window-cleaning sound]

[Short clip of Foolish covering his face with one hand and making the squeaky laugh he's known for, slapping the arm of his chair as he keeps laughing]

Jaiden: I can't do it– [Laughs] It doesn't sound like that. I think mine is like... Because like, I do like, "Hee hee hee!" and I also like, breathe in, like– [Squeaky sound] You know? So I think– My laugh kinda just sounds like... Like, after you spray the window, and you're like, cleaning it. Like, wiping it down with a cloth. You know? That's what my laugh sounds like. I wish it was more of like a, "Ha ha ha."

[Short clip of Cucurucho saying "HA HA HA"]

Jaiden: But, I mean, I'm not complaining. I don't think– I don't think "laugh anxiety" is something that I wanna– is not a path I would really wanna go down. [Quiet laugh] It's like- sometimes, you just gotta pick your battles. [Laughs]

Jaiden: [Reading chat] "You have a good laugh" Thank you. [Quiet laugh]

[marzipanandminutiae]

why are skirts inherently evil and oppressive in historical fiction until men are wearing them

I've never heard anyone going on at length about how Universally ImpracticalTM the garb of a Scotsman or an ancient Roman politician are

suddenly everyone has a concept of situational practicality that previously was not there

[binomech]

some opinions on fanfic trends for Disco Elysium on AO3 for the past 2-ish years; i address racism, ableism, jean and kim tropes, accesorization of harry and the way the game themes appear to have warped.

some of you may know i've been reading every fic published on the disco AO3 tag chronologically since 2019 for a little over a year and jotting down some trends (not a proper statistical study, just some tracking of when certain tropes are introduced and when and how they reproduce because i like observing that kind of thing.) there's been an uptick in trans(masc) Kim and Jean character studies since late 2022-early 2023, among many others, but these ones were like overwhelmingly prolific once they were introduced.

harry, kim and jean are overwhelmingly the characters with most fanworks in the tag. and having read a little over 4k works it turns out that people engage in a very distinct way with them for the most part that tracks with the growth of the trans Kim and Jean character studies as a trend.

the disco elysium fandom's english-language writers are, according to my cursory snooping, overwhelmingly trans, some flavor of gay, white and from north america and western europe. given personal anecdotes, i also suspect they are upper middle class (though not as statistically huge as the previous things) and struggle with mental health. in the past decade or so a lot of fanworks have followed a trend of exploration focused on catharsis and personal relatability.

now, kim and harry appear so much in the text with so much detail that there's plenty of personal details to pull from to write them, where as jean's total presence in the game (rarely achieved in one run but i'm taking into account all his mentions and lines) is smaller so it follows that people need to fill in some gaps and there's more characterization freedom. jean is white, younger than both harry and kim, canonically depressed, non-canonically confirmed by his character player an amphetamine addict but presented as a functional person during the game, and covers a very specific narrative hinge that i understand as relevant: he's a bridge between pre-Martinaise Harry and his Martinaise self.

he's objectively a very comfortable character to play with because he's mostly a blank slate except for his relation to Harry and his vitriolic grief towards him. so logistically i understand why people who struggle with mental health, are white, are anywhere between 17 and 35, are functional and able-bodied and may or may not have a complicated relationship with a close person who struggles with addiction or other health issues might go "YES, GOOD CATHARSIS NARRATIVE FOR ME". but the sheer amount of works that value Relatability over engaging with the characters or the themes has resulted in a very strong ripple. which leads to trans kim.

the game paints a deep and vivid image of kim, both from within harry's own perspectives and the objective things he says out loud. he's a walking contradiction, he's alienated from his body and selfhood, he beat himself into submission to stay alive. he's a walking reminder of his assasinated communist parents, the people who killed them paid his salary, his body (racialized, disabled) is both a hindrance to his assimilation and a tangible proof that he could have belonged somewhere but doesn't, that no matter what he does it will be considered first. so he watches his words, his movements, his appearance. so he partakes in hypermasculinity. he's canonically gay, mixed race, diasporic seolite, and disabled. and somehow, the only one of this that is recurringly explored in most fanworks is his homosexuality, usually in the form of being a guiding figure to harry or as a Fellow Gay Cop to jean, or eyes, or someone else.

now, we have the trans kim trope. my opinion on the trope isn't relevant to the point i'm trying to make, but i will say i think transmasc kim is something i enjoy in theory, i think it's a worthy exploration that works very well with the hauntings of embodiment and perception that exist in kim's canon self. but it's very jarring when all of these tales of gay trans kim refuse to engage with race, or with physical disability. like, after you've read 800 trans kim fics you start noticing how solid that avoidance is, how big the elephant in the room is, and i can't help but think that, coupled with the explorations of Jean, the issue is: the white ablebodied writer is unwilling to engage with race and disability.

my charitable reading of this is that the white ablebodied writer doesn't want to write about what they don't know, they don't want to overstep. my neutral reading of this is that the white ablebodied writer doesn't consider how sexuality and gender's material realities are tied to race and ablebodiedness in the real world because they are the Default Categories and it didn't occur to them that kim's experience of them might overlap. my least charitable reading of this without directly falling into the assumption of ill intent is that the white ablebodied writer is uncomfortable with the idea of the fact that their experience of gender and sexuality isn't universal and it's not as emotionally cathartic to think about how they might be racist and ableist because they put on horse blinders and they're trying to write things they like, and understanding this is unpleasant and doesn't belong in their feel-good hobbies.

people love to talk about kim's body without acknowledging the way asian masculinity and femininity exist in relation to whiteness when it's harry or jean in the room. people love to talk about kim's body without engaging with the power relations that exist in many disabled people's sexuality.

the tropes' strength lies in the relatability factor (very high) and the willingness of both author and audience to engage with the canon material for the characters they are writing (very low). and so you end up with a lot of jean character studies about his feelings towards harry (when everyone but kim in the game also knows both harries, but jean is prioritized consistently) and a lot of character studies about kim (that ignore most of the lived experiences of him because they're directly tied to his and his parents' race and alienation that are not particularly cathartic for the white author and reader)

one of the big themes of the game, if not the biggest, is failure. specifically it asks the player to think about what to do when you have failed and you know there are no blank slates, and asks you to empathize not only with harry, whose every thought you're privy to, but to everyone you talk to that has the same rich landscape beyond your brief interaction. when relatability is prioritized in fanworks, this question falls apart, the purpose becomes to find ways in which these characters are like you (the author, the reader) so you can afford them the level of humanity needed to feel emotions about them.

harry's tropification follows four large trends: self-loathing, aggressive addict, psychic omniscient prophet, overwhelmingly emotional and adoring puppy. some authors sometimes are capable of depicting both, usually as if they are unrelated and it's a harry-esque contradiction, but it's truly baffling how rare it is to find stories that engage with all of them or with multiple of them as inextricably bound together like canon material does. harry needs to be relatably lovable (heartbroken, self-loathing, fixable by love, fixable by the universe, capable of change that gets exponentially better) or relatably hateable (physically and emotionally abusive, manipulative, unreasonably needy).

most fics in the relatable lovability fall on the kim/harry ship, most fics in the relatable hateability fall on the jean/harry ship. here's where it ties into the big tropes for kim and jean: the fanworks about a game that asks a question about failure and questioning certainty become stories about inevitability.

jean's vitriol in the game comes from the same place as harry's self loathing: a visceral response to decades of failure. they're not objective truths (i'm thinking about the mirror reveal being intended as a way to make the viewer realize harry isn't a reliable narrator at all, but especially about himself: you see a regular guy, conventionally handsome but clearly in pain and growing old and sick. he calls himself horrible shit, however).

playing up jean's part as the Bridge is comfortable because it allows the player to separate Harry's failures from their agency as a player (something that greatly drives the point of the game home, emotionally speaking -- you're not that different from Harry. Harry's not that different from anyone else he meets. the irreversible failures exist for all of us, as do the chances to try again.) if jean is right in resenting harry, and moreover, he's objectively describing harry's behavior, harry's failures become logical and inevitable consequences of his Way of Being. if Harry calls kim a slur, or threatens children, or scares civilians, that's just because that's how Harry is (according to Jean and Harry's own brain), so the possibility that one of your tries might be meaningfully good becomes... less weighty. it's a fluke, and you'll fail again, so don't get your hopes up. it's almost an excuse to believe that there's nothing new under the sun and going back to old habits is inevitable, but the conclusion becomes "so nothing i do really matters" instead of "it's hard and painful to try again when you've failed so many times before. what does this say about the person who tries?". and in that way jean is an interesting character because understanding why he resents harry for being able to try more freely than him without the weight of memory is important to the theme. what has to click to start climbing out of the grave? can anyone do it? will i ever do it? why now, and why not when i tried to pull him out?

and similarly, when we write about kim, we have to confront what makes him who he is and not another generic character to write, and the fact of the matter is that being a cop, being visibly of seolite heritage, having PTSD, having a visual impairment on record that interferes with his cophood, his cophood being the only identity he appears to have had a choice over, how he treats harry because he's a cop vs. other harry parallels who aren't, how he treats harry whether harry respects him or not... they're important. and trans kim could be a way to approach these themes but it's currently existing in a vacuum of authorial catharsis, and the refusal to address the real politics that give emotional weight to disco elysium is becoming a worrying, overwhelming trend. i urge you all to think about these things a little.

[alchemistc]

Part One

The loft is sadly undecorated. He'd tried, is the thing. Gone to the same novelty store they'd found on a random walk after a date, in late September, where Tommy had spent twenty minutes worrying a foam pumpkin in his hands while Buck tried to decide what sort of decor would fit his utilitarian loft.

They'd spent so long lingering over the sculpted white candles, Buck thrilled because Tommy's straight face broke every time Buck pointed out which ones looked like incredibly expensive dildos, that he'd felt bad enough to buy a whole set of them just to appease the girl at the counter who'd been watching them with a half annoyed, half wistful expression while Buck made a comment about dragons that had had Tommy biting his lip so hard he'd actually gone red in the face trying to hold the laughter in.

But every time he'd picked up a glass tree and thought how much fun it'd be to try to make Tommy go full Tik Tok Paramedic on him, every time he'd found something soft or plush enough that Tommy wouldn't have been able to resist running his fingers over it, plucking it up to toss it between his palms - well.

It wasn't like there'd be anyone in his loft long enough to really appreciate his decorations.

"Why'd you kiss me?" he asks, rounding on Tommy as Tommy takes a tentative step towards the kitchen.

"You were being annoying." At Buck's look, he elaborates. "Force of habit."

The finger comes up without any input from Buck, his voice tipping into that same flirty, bickering rapport he'd always pushed as far as he could. "I knew you did it to shut me up."

Tommy expression shutters. He recognizes Buck's tone. A few months ago that tone would start with a round of banter that usually ended with at least one of them with their pants around their ankles.

He looks spooked. He's staring at the island stool closest to the door like he's replaying the last conversation they had here, and Buck feels all his ire rear back up.

"You promised me clarity, Tommy." It's an accusation, and they both know it, because he looks ready to fucking bolt.

Slowly, he steps in. Half a yard closer to Buck, close enough to curl his hand over the island, and Buck is struck again by how goddamn unfair it is that Tommy looks this goddamn good in a suit.

"I did."

Buck's pretty sure he has some muffins he hasn't frozen yet that wouldn't actually damage Tommy, if he threw them at him.

"Can we...?" He gestures, vague as his half a question, and Buck wants to throttle him. Or kiss him again, which is -

"I need a beer. You?"

Tommy sighs. His grip on the corner of the island makes his knuckles go white. "Evan."

"No beer, got it." He swings the door open and doesn't wait for the reaction to either his snippy little rejoinder or the stacks and stacks of baked goods filling up the shelves of his fridge. He pops the cap with his back still turned, let's the fridge door fall closed. "Not like you drove here, but sure. One of us should be sober, I guess."

The switch back to Evan doesn't do anything for him at all.

Buck leans back against the counter and tries not to think about how he'd had this half formed idea of getting a real tree this year, finding some novelty kiosk that made those hokey ornaments for people to mark the years they'd been a family. He'd thought -

Tommy blinks guiltily when Buck catches him eyeing the way he fills out his slacks, a toe to groin drift of his gaze that makes Buck ache for when he could respond to that by dropping to his knees.

"That's a lot of bread," Tommy notes, eyes focused somewhere over Buck's shoulder.

"Why'd you break up with me, Tommy?"

Tommy freezes. Shifts from foot to foot. Sighs, and takes a few steps to the fridge, swings it open to grab a beer of his own. It's still the stuff Tommy likes. Buck's not picky, really, and it'd been habit to grab the six pack he always kept for Tommy.

The last five times he'd restocked.

Tommy takes half a step back to lean against the island, just off center from Buck, so they both have to twist their necks just a little to actually look at each other.

"You terrify me," Tommy murmurs, a few swigs in, when the silence is just starting to make Buck's skin itch. "Evan, I'm not -." He grimaces, frustrated. "I'm not some Super Gay who fights for justice and equality and the ability to make horrible television with Hummel doll sopranists."

"I don't know what that means."

Tommy's smile is wry. He'd had a running list of movies Buck's never seen on a note on his phone - every time Buck missed a reference, he'd added it to the list. They'd gotten through maybe twenty before -

"I led on a good woman for years because I convinced myself I could live my life ignoring a huge piece of myself. I hurled slurs with my buddies just to make sure no one noticed me. I fed into every toxic stereotype I could just to avoid anyone realizing I wasn't one of them. I'm not - I'm not some Gold Star Gay, paragon of the community. I didn't do shit. And even when I made the decision to let myself just be who I always was, I waited until no one in my life was close enough to me to question that I hadn't always been this way. I -." He winces. Shakes his head. "I run instead of fighting. I hide every time someone tries to see me. I'm not - this comfort you're so convinced I have I took at the cost of other people who were braver and stronger than I could ever be. Do you - is that an admirable quality, to you?"

Buck wishes they'd sat, like Tommy seemed to have been hinting at. He wishes he'd spent the ride over preparing himself for this, instead of stopping himself from crawling into Tommy's lap and getting a horrible rider rating for his trouble. He wishes -

"Do you think I don't already know all those things about you?"

It's - actually, it makes him a little furious, to think that Tommy spent six months thinking he'd successfully hid all those things from Buck. And - sure, he hadn't exactly been forthcoming about more than a few of those things, but like -

It wasn't like Buck didn't actively find ways to pry stories from Howie and Hen, even Bobby on occasion. It wasn't like Buck hadn't noticed the clipped way Tommy spoke of his past, his family, always tucking away more than he revealed. It wasn't like Buck wasn't well aware that Tommy Kinard had the capacity to be a total fucking asshole, if he wanted. Just because he'd kept it cool around Buck, made it just flirty enough for plausible deniability -

"You deserve better than that. Than me."

"Then be better than that, Tommy." It's not the best way to get his point across, but... "I've had multiple serious relationships, Tommy. I'm - I've been in love, before, and I've had my heart broken before, and I've had my trust broken before, and I've made people I love feel like shit. You weren't new and exciting, Tommy, we were - we were boring and domestic and it was the best six months of my life. It was what I -."

And this, of course, is where the words start to crest over, too many at once while his mouth tries to keep up and his throat is too tight to -

He swallows. Stares at his toes until his vision swims. Maybe those are tears, or maybe he's just stared long enough to go cross-eyed. His throat feels like he might be able to scrape a few words out

"I go too fast sometimes. I - I get scared I'm falling behind and so I clear a few hurdles too fast to catch back up and it -." Frustration rises through him as he remembers the way Tommy had levered himself up, spun away, broken things off without even a hint of the careful consideration Buck had grown so used to. "And you just - you tell me you want more than anything to be my last but you can't even give me the closure of a clean break! What the hell was that about?"

"Evan, I -."

"No! Okay, no. It's my turn to - it's my turn to be mad. It's my turn to - do you know how lonely I've been? How - how much I'm in my own head about where I went wrong, and what I could have done differently, and why you won't just fucking text me when you clearly want to? Do you know - do you know what it's like to think you've finally found something worth the humiliation of being known and then have it vanish in a single night? Over - you never talked to me about any of the shit you brought up that night, Tommy! You never - if you were so scared of not being enough to keep me interested, or so sure you weren't a good enough man, or so sure I couldn't possibly know what I wanted out of this, you could have saved us a hell of a lot of time and - and hurt by not being exactly the person I thought I could spend the rest of my life with! If that was all a - a smokescreen, some act, then why did you - are you actually so cruel that you convinced me we were falling in love while you had one foot out the door the whole time?"

Tommy's grip on the bottle looks painful.

"It's your turn to talk," Buck snipes, and he takes a little satisfaction in the way Tommy blanches. Just a little. Just enough to ignore how much he wants to rip Tommy's suit jacket at the straining shoulder seams and bite a bruise into that spot below his collarbone that even Tommy's undershirts hid well enough to keep the team at Harbor from putting him on blast for coming to work covered in hickeys.

"Six months with you was more devastating than two decades of hiding who I was, Evan," Tommy says, and it's a horrible opening that makes Buck feel like he's being drawn and quartered but he'd given Tommy the floor, so -

Tommy's eyes are a little too misty to call them anything but welling, and Buck hates it as much as it satisfies the pieces of himself he's spent weeks trying to pick up and glue back together.

"Evan, I lived with Abby for years and I don't think I saw her as much as I saw you. You -." He swipes a hand through his hair, and rustles one of his Superman curls loose to drape tauntingly over his forehead. Buck wants to bite him. He wants it to hurt. "You burrowed in and you just kept digging and I didn't take a second to question it until it was too late."

"Too late for what?"

"For me to take the cowards way out and leave before it hurt."

"Maybe I should have dug further," Buck snaps, and Tommy's gaze flits to his. Holds, for the first time all night. He's breathtaking in the best and worst way possible. He's spent weeks now trying to imagine anyone else ever making him feel the way prolonged eye contact with this man makes him feel.

"You did," Tommy admits, a confession that sounds like it's been gut punched right out of him. "You still -." Another grimace, Tommy pulling back, pulling away, hiding, running, and Buck can't -

"So what is this, Tommy? Is this - are you -?" He shakes his head to clear the cobwebs. Rears up, pushes off the counter, and Tommy's eyes widen like he's just now realized he doesn't have an easy exit. Buck just stands there, though. "If this is it, let this be it. If you don't want - if you're not willing to fight for this with me, tell me now. I know I'm - I know I'm a lot. I know I push for more when I'm scared. I know I'm overwhelming, and I sometimes can't stop talking to save my life, and I know I'm jealous and petty and - I know I'm not perfect."

Tommy sets his bottle on the counter beside him. Worries his lip between his teeth and rolls his jaw.

"You snore. You're a bitch sometimes and every once in a while it's not even charming. You hog all the covers and then you complain that it's too hot. You're vague about every single thing in your past that you think makes you seem like a bad person. You always think food needs more garlic and sometimes you're wrong. Sometimes when I spiral you just give me that stupid indulgent smile of yours and I know you stopped listening two reddit threads ago. When you're grumpy sometimes it takes everything in me not to pick a fight because you're such an asshole. You get cagey every time I pick at a thread you don't want to unravel and I - I hate it. I wanted a life with you and you couldn't stick around long enough to tell me why you were too afraid to go for it. So if - if you think I'm seeing you with rose colored glasses, or whatever. If you think I'm not - if you think being the first guy makes you too special for this to be real then just..." He sucks in a breath. Blows it out through his nose and feels the ache in his chest that's half remnants of his earlier panic attack and half fear that Tommy will actually turn and walk out at the end of this. "If you don't wanna fight for this I'll fill in the hole I dug as best I can and I'll leave you alone, okay?"

The look on Tommy's face is one he's never seen before. They've done this dance, or parts of it, at least. Tommy'd left him outside Micelli's, breathless and confused and aching, before he ever knew what it was like to hold his hand, to press his nose into the join of his neck and shoulder, to curl a hand in his hair or be filled by him - with attention, with affection, with the weight of his body and the stretch of his cock. Even then, this had felt different. Real, in a way the misty edges of his time with Abby, or the way Buck's puzzle pieces had never quite fit with Taylor's had never been. Even then, he'd just wanted so desperately to know and be known by Tommy that he'd taken his second chance and run with it.

"I don't snore," Tommy says, when the silence gets too heavy, and Buck - god, Buck has missed that tone, the snappy little tilt of his head, the blatant lie that passes over Tommy's lips so smoothly it's hard to tell sometimes that he's not being serious.

"I have audio proof," Buck says, and then doesn't immediately admit that he'd played it on a loop two nights into the breakup when he'd wrapped his entire body around the spare pillows on his bed and still hadn't been able to sleep alone in his bed.

"It bugs me that you spent days following scraps of information about a dead outlaw you convinced yourself cursed you, but you didn't even know what a Kinsey scale was."

This is - progress. This is... not Tommy bolting.

"I'm a two. If that's - is that, like, gay enough for you, or...?"

"You go too fast for me, Buckley," he says, and Buck knows that's a fucking reference to something he doesn't have context for just as well as he knows he's willing to spend the next decade waiting for the reference to pop up on Tommy's list. It's a terrifying, exhilarating thought and it's probably exactly what Tommy means.

"I can slow down," Buck says, and he tries to mean it. Nothing about how he feels about Tommy is slow.

"I don't want you to," Tommy admits, and then lets the silence stretch. They're two and a half feet away from each other and the distance feels like the farthest he's ever been from Tommy and the closest he may ever be again. "Living together, making a life together..." He swallows. "Marriage." That stops him short just long enough to recall how he'd blazed right past the I love you and straight into how he could keep Tommy. "You scare the shit out of me every goddamn minute of every goddamn day and I've never missed being terrified as much as I have since I walked out that door."

"I'm in love with you," Buck tells him, and Tommy blinks back tears. Takes a shaky breath and nods.

"That's what scares me. It's never - it's never been enough, before."

He'd sort of expected this to end with either the echo of his KitchenAid or a frantic rush up the stairs, but when Tommy meets him halfway all he does is sink his nose into the curls behind Buck's ear and breathe.

His arms drag Buck closer, his feet shuffle beneath them, his chin hooks over Buck's shoulder and he breathes, and breathes, and breathes.

---

"Your morning breath is rancid," Tommy tells him, palm centered on Buck's nose when he leans in for a kiss, pads of his fingers curled just slightly so that his hand is nearly encasing Buck's entire face. He wants to be annoyed but it's mind numbingly hot and Buck has missed it. Missed the snark, and the comfortable way Tommy will shoot him down when his head is in the clouds, and exactly how fucking large Tommy is.

"I'm so tired of avocado toast," Buck bats back, and Tommy is distracted enough by his need to make a face at that for Buck to swoop in and press a kiss to his cheek. He makes sure to make it a little wet just to watch Tommy's face crinkle in mock disgust.

He's in one of Buck's hoodies, is wearing the pair of his own sweats Buck had buried in the back of his closet in a fit of pique three days post breakup. He still looks properly debauched and Buck wants to drag him right back to bed.

Except -

"You don't have to go," Buck repeats, for the fifth time since he brought it up somewhere between peeling Tommy out of his suit pants and rolling out of bed to warm a hand towel under the sink so that Tommy could clean the cum off his abs. "But I need to shower and leave in like - twenty-seven minutes."

Tommy catches him by the waist and drags him in. "I won't be able to stay. You baked and I took as much holiday overtime as I could, but if you seriously want me there -."

"I seriously want you everywhere."

Tommy raises a brow.

"I mean that in a horny way and a codependent way."

Tommy snorts. "Good to know we're approaching this in a healthy manner."

"You told me not to slow down," Buck reminds him, and he gets a smack to his ass for his trouble.

"When Maddie pulls me aside, do you think she'll just slip me a poisoned glass of wine, or is she gonna get up on a step stool and make me stand there while she strangles me to death?"

"She won't do that." Buck leans in again, rolls a loose curl between two fingers. "She'll just stab you in the middle of the kitchen and warn my parents not to step in the blood."

"That's comforting."

Tommy takes a utilitarian shower in the downstairs bathroom and doesn't let Buck join him, and then rifles through Buck's closet until he finds all three of his button downs Buck had tucked away.

He has to borrow a pair of Buck's slacks and Buck absolutely does not mind that his ass is definitely gonna stretch them out.

With about seventy seconds to spare, Tommy presses Buck to his front door and kisses him just long enough to screw up Buck's meticulous timing - by the time he pulls back and gives Buck enough room to glance at the time on his stove, Buck knows they're gonna hit just enough red lights to make them late.

"I love you too, by the way," Tommy murmurs, and just this once, Buck decides not to be a brat about being five minutes late.

[biblically-accurate-dca]

painting test with a limited color palette

here's the moon equivalent!

[wolfisblank]

People who think the party forgives Siffrin too easily at the end of the game confuse me. Tbh I think their reactions were really realistic. Yeah if my friend said some really hurtful and deep-cutting shit I'd be upset but they were literally in the torture labyrinth for months where they died over and over and experienced catastrophic levels of OCD and had an abandonment issues mental breakdown of a cosmic scale... Like yeah I'm a little mad but I can be mad later??? I'm worried about my friend :(

[egophiliac]

Wait, did you put a photo of Vil and Neige as kids in Eric’s office??

oh good, I was afraid that wasn't going to read properly and people would just be like "what is this supposed to be". :') but yeah! I like to think Eric was pretty fond of Neige as a kid! single dad sees orphan child approximately the same age as his own son and goes "hmm. okay, you guys are going to be friends now." (this did not go as well as he'd hoped.)

(also I do love how it's kind of a running joke that everyone loves Neige except for Vil, who's standing over in the corner and just seething with furious irrational hatred. someday maybe he'll find someone who doesn't think Neige is the best thing since cinnamon rolls.)

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[chatnia-starlight]

a little addition to bakery enemies au part 184 from @buggachat I put the dialog to let y'all know where I imagined it'd go!

If you haven't already, go check her comic now!

ID: [Adrien blushing a bit is leaning over giving Marinette a kiss on the cheek making her blush profusely while she looks shocked. Adrien has a speech bubble over him saying "you're amazing".] End of ID