#i'd honestly love to know more!!!!!!

[egophiliac]

Wait, did you put a photo of Vil and Neige as kids in Eric’s office??

oh good, I was afraid that wasn't going to read properly and people would just be like "what is this supposed to be". :') but yeah! I like to think Eric was pretty fond of Neige as a kid! single dad sees orphan child approximately the same age as his own son and goes "hmm. okay, you guys are going to be friends now." (this did not go as well as he'd hoped.)

(also I do love how it's kind of a running joke that everyone loves Neige except for Vil, who's standing over in the corner and just seething with furious irrational hatred. someday maybe he'll find someone who doesn't think Neige is the best thing since cinnamon rolls.)

[omaano]

Boba and Fennec about to reluctantly do the right thing and stop a bank robbery - for the @wildwestzine "For a Fistful of Credits".

I am so so happy that I got to be a part of this zine! ❤️

[artsekey]

Went to apply for a job, midway through I learned that the person hiring is someone I respect very, very much in my field (who I have never spoken to), then saw the application site was closed (How Did I Miss the Deadline for this Really Cool Job!!!!) and then saw that it was the website's fault and that they were taking applications through LinkedIn DM's. So I did the premium trial & sent my reel in, and they told me they're sending it to recruitment/leads and that it's a good reel!!!! And then the person I have respected for years sent me a friend request!

I'm beside myself!!

[ballad-of-the-lamb]

*Fires Yurification Beam at Narinder & The Lamb*

i have terrible news they'd look the exact same except now the lamb is balalaika-core ( with a little bit of roberta the maid from black lagoon ) and narinder can officially be given the 'failwife' title

[scoriarose]

I'm thinking about how I've always been told, "Reptiles are incapable of love. They only use you for your body heat." But then I see my girls do this with each other- and they're both cold blooded.

When I let them play together, they are almost always together either cuddling or following each other around. Sakura does most of the following and seeks out here sibling if she's scared, but has also been very brave when she thought her sister needed protecting. If this is not love, what is it? And yes, Scoria is very loving with me too- but I find it hard to believe she only wants my body heat when she cuddles her sibling who doesn't have any.

If not love, it at the very least is more than seeking out body heat since that variable is removed between her sister and myself and she seeks both of us for cuddles and comfort. Her little sister will race to her sister and hide under her when she's scared, and Scoria has gone out of her way to comfort her sister at no other benefit to herself. I'm hoping to get similar actions on video as they regularly do these things with each other but it's hard to predict to have my camera filming.

I think sometimes Sakura likes together time a little more than Scoria, hahaha.

"Sister please, the door is only so big."

'I'm with you! ❤️ I do what you do! 🩷'

-Tolerates baby sister's shenanigans-

Anyway, the next time someone tells you your snake doesn't care about you and is only trying to steal your body heat, remember these girls who adore each other and have no body heat to steal.

[ch1zzie]

The original in the bottom

Plus the picture I mainly drew but decided to draw the rest for funny

[nieves-de-sugui]

A Quick History of BL

As someone who wrote a thesis on this very subject a few years ago, here is the short version of how BL has evolved throughout the years. For the new comers ❤ 

a minute of silence for the original form of this post that tumblr decied to not save right after I saved it

I am going to go with a chronological approach. Unfortunately, I cannot put everything in one post so if there’s any questions about this or that aspect of the history of BL that you want to know and it’s not talked about here, you are welcome to ask me directly :)

Context and influences - Japan in the 60′s

Before the US forced Japan to open its borders to the outside world in the 1800s, homosexual practices were common place between budist monks, samurais and kabuki actors. During the Edo period (1600s to 1800s) there was a very rich amount of poetry, art, books (such as Nanshoku Okagami (The Great Mirror of Male Love) by Ihara Saikaku) and codes of conduct about how to have a good master/aprentice relationship, kinda like the greeks if you know what I mean. However, with the arrival of western influences, in order to become a more “civilized” country, it was all put in the closet. 

Yet, in the 60′s Japan started to pick it up again through literature about young androginous beautiful boys (aka bishounen). On one hand, in 1961, the novel Koibitotachi no Mori (A Lover’s Forest) by Mari Mori was published. It tells the story of a young and beautiful 19 year old worker and a half french half japanese aristocrat, and their tragic romance. On the other hand, Taruho Inagaki wrote Shounen ai no Bigaku (The esthetics of boy-love), an essay on aesthetic eroticism (of which he wrote a lot of). All this was know as Tanbi (lit. aesthetic) literature. It generally refered to literature with implied homosexuality and homoeroticism such as works by Oscar Wilde, Jean Cocteau, etc. And of course, Mori and Inagaki. 

In chinese tanbi is read as danmei (term used to refer to BL novels in china today, ie: The Untamed it’s all connected friends).

From the birth of Shonen Ai  to Yaoi - 70′s to the late 80′s

Around the beginning of the 70′s, shoujo was being revolutionized by the Year 24 Group, a generation of women manga authors (mangaka) who started to explore new themes. Among them, their interest in tanbi gave birth to a new subgenre: Shounen ai. 

Their most known manga were:

Kaze to Ki no Uta (The Ballad of the Wind and Trees) by Keiko Takemiya, and Toma no Shinzo (The Heart of Thomas) by Moto Hagio

Their stories are characterized by having suffering eurpoean bishounen in boarding schools, living an idealized perfect love (meaning passionate) that, despite the tragic end of one of them, lives forever in the other. 

As this genre starts getting popular, more and more fans of these stories start making their own self published manga, aka doujinshi, of the genre. It is around this time that the term Yaoi is coined. Meaning “YAma nashi, Ochi nashi, Imi nashi” (no climax, no fall, no meaning). Basically PWP fanfiction, for the most part. Doujinshis could be considered an equivalent of fanfiction in manga form.  It is also here that the term Fujoshi (aka Rotten Girl, for liking rotten things) starts being used to refer to women readers of yaoi. 

With this rise in popularity come the start of the commercialization of the genre. Which meant the publication of magazines dedicated solely to yaoi/shonen ai/BL. The most popular yaoi manga magazine at the time was June. The common trait of their stories being the therapeutic power of the love between the mains. The traumatized character would heal throught this newfound love.

Most of the stories at this time happened in the West (Europe or the States) as the exploration of these dark themes intertwined with homosexual romance and homoeroticism still feel safer to explore as a foreign concept. One example would be Banana Fish (1985).

Commercialization and Yaoi Ronso -  90′s 

As more publishing houses pick the genre up, the term Boys Love is used to include every type of manga about homosexuality made for women. 

The increasing amount of BL series sees a changes in its themes: 

the start of the “gay for you” trope where one mantains their heterosexuality despite being in a homsexual relationship, 

the uke/seme dynamic (mirroring hetero realtionships) also relating to physical appearence (one being more feminine, the other being more masculine), 

the use of rape as an act love (sexual violence has always been present but here it becomes a staple),

anal sex as the only type of sex, 

older and more masculine men start to appear 

they now happen in Japan

Good examples of the presence of these themes in manga are Gravitation (1996) or Yatteranneeze (1995).

However in 1992, Masaki Sato (a gay activist/drag queen) wrote a letter in a small scale feminist magazine attacking yaoi and pointing out how it “represented a kind of misappropriation or distortion of gay life that impacted negatively upon Japanese gay men”. The female readers of yaoi responded, defending the genre as a means to escape gender roles and explore sexual themes that was never meant to represent the realities of gay men. This is know as the Yaoi Ronso (Yaoi Debates).

The debate ended with both sides understanding more of each other, with mangakas starting to include queer views in their works. It also started the academic reasearch of BL. 

Yet, it is a debate that has been restarted more than once, as it is still relevant despite the evolution of the genre.

more on this on another post

Globalization and coining of BL - 2000′s 

By the beginning of the 2000s BL is being sold all over the world (like all manga), and has become a stable industry. We could say it has finally become it’s own genre. 

Some of the most well known manga series, to us (in the west), of the time are:

Junjou Romantica 2002 Koi Suru Boukun 2004 Love Pistols 2004 Haru wo Daiteita 1999

all of these have anime adaptations for the curious ones

We also start seeing short anime adaptations or special episodes of the most popular series, with questionable themes, such as: adoptive father x adoptive son  (Papa to Kiss in the Dark 2005), father x son’s friend (Kirepapa 2008), etc... 

However the themes remain more or less the same. Junjou Romantica’s love story starts with a non-con sex scene by the older one (masc, seme) to the younger one (more feminine, uke) addressed years later in the manga btw. Koi Suru Boukun’s love story is triggered by aphrodisiacs and rape. They’re still very present in the stories but slowly going away. A mangaka that represents this era could be Natsume Isaku (Candy Color Paradox 2010).

Change is slow in Japan. Even though the voices of LGBT+ people started to be taken into account in the genre it is not until later that we see it reflect in the mangas themselves. However, we can already see the start of this in Doukyusei (Classmates) (2006) by Asumiko Nakamura. Also Kinou Nani Tabeta? (2007) which is actually part of a more mature genre: Seinen.

It is my personal (subjective) theory that the BL of this era was the one that got popular outside of Japan, which is why we see lots of references to the themes, tropes and dynamics of this time in today’s BL series. 

The LGBTzation of BL and the rise of webtoons - 2010′s to 2020′s

Slowly but surely LGBT characters and themes enter the scene of BL. Existing simultaneously with the previous tropes and themes, we start seeing a shift in these stories. We now see:

characters that identify as gay or some type of queer

discussions about homophobia

more mature themes about life and romance

At the same time as we get the usual love stories with the usual themes, a new trend starts to take over. And we get simultaneously, cute, sometimes questionable but light love stories:

Love Stage 2010 Ashita wa Docchi da! 2011 Kieta Hatsukoi 2019

More profound stories and darker or more complex themes:

Blue Sky Complex 2013  Saezuru Tori wa Habatakanai 2011 (mafias) Given 2013 (suicide) Hidamari ga Kikoeru 2013 (deafness)

And others that adress the queer experience in a more mature way (which might actually fall into the Seinen genre)

Itoshi no Nekokke 2010 (slice of life, queer characters) Smells like Green Spirit 2011 (two ways to deal with a homphobic society) Strange 2014 (relationships between men) Shimanami Tasogare 2015 (an LGBT group helps a closeted gay) Old Fashioned Cupcake 2019 (you know this one 😉) Bokura no Micro na Shuumatsu 2020 (the end of the world)

As queer stories are explored, BL mangakas and mangakas from other genres start to consider more stories about queer people such as the Josei Genderless Danshi ni Aisaretemasu (My Androgynous Boyfriend) (2018) by Tamekou, or the Shoujo Goukon ni Itarra Onna ga Inakatta Hanashi (The story of when I went to a mixer and there were no women) (2021) by Nana Aokawa. 

Still, we can see two realities live side by side. Doukyuusei gets adapted into an impactful animated movie in 2016, meanwhile Banana Fish gets an anime adaptation that keeps the homoeroticism but not the homosexuality.  

For those who might be interested. Here are some of the authors that represent the first half of this era, where they start to include newer points of view:

Scarlet Beriko, HAYAKAWA Nojiko, KURAHASHI Tomo, OGERETSU Tanaka, Harada, KII Kanna (Stranger by the Sea), etc...

And authors that while keeping classical themes break the stereotypes in a subtle manner:

CTK, ZAKK, Jyanome, Cocomi, Hidebu Takahashi, SUZUMARU Minta, etc...

Mangakas also no longer stick to one genre only. They explore whichever of them they want, from BL to Seinen to others. 

ie: Tamekou, 

or Asumiko Nakamura

The curious case of Webtoons

With the digitalization of mangas, throught Renta and Lehzin, it has become easier (and more expensive) to access these stories. Korea makes and appearence with their webtoons. Through the lack of piracy protections and the majority of them being digital, manhwa (korean webtoons) sees a rise in popularity. Through the digital medium the influencee can be the influencer.

However, like many other East Asian countries they have consumed BL, without hearing about the conversations about BL. So they end up mantaining the older themes and stereotypes that newer BL is trying to leave behind. Therefore, we end up with a mix of old and new, ie:

Killing Stalking 2016 Cherry Blossoms After Winter 2017 Painter of The Night 2019

Additionally, it is also thanks to the easy access to internet that Omegaverse, with its higher dramatic stakes (that parallel hetero dynamics), enters the mangasphere in 2016. It has grown in popularity ever since.

With the Thai BL Boom of 2020, Japan rediscovers its own BL market and starts investing in it more. Which is why we get live action adaptations of BL manga that was popular years ago (Candy Color Paradox was a manga from 2010), the more recent ones (The End of the World With You) or new anime adaptations (Saezuru Tori wa Habatakanai in 2020). 

more on this in my japanese live action BL post

What has it become now? is it BL? ML? or Seinen? Or is it all just gay manga?

It is clear that Shoujo manga (with BL, Josei and Seinen) is exploring queer themes such as gender and sexuality more and more. Japan is interested in this conversation, not only in manga (Genderless fashion). Which brings up the current question in BL studies: Does it make sense to keep these categories?

As a response to BL, ML (Male Love), which is made by gay men for gay men, started happening (around the 70s too). And Bara (gay manga porn) in response to Yaoi. However both gay men and women read BL and ML. We also see other themes being explored through BL, such as friendship (in BL Metamorphose), food (in Kinou Nani Tabeta), male relationships of all kinds (in Strange), and different queer views on life and its challenges (in Shimanami Tasogare). More and more what is LGBT and what is BL is merging, the line is blurred. 

Conclusion

BL has been in my life for longer than it hasn't. It is through shoujo and BL that I have come to understand people and romance.

It is flawed, like everything else this life, but it's flourishing in many ways.

The genre feels old and new at the same time. 

We can still find shounen ai/tanbi elements in more modern manga (All About J). Or the gay for you in a new light (Itoshi no Nekkoke). Or more educational manga on queer issues (My Brother’s Husband by Gengoroh Tagame). BL has around 50 years of existence but it is also being born anew in Thailand and Korea. 

BL manga will continue to evolve in acordance to Japanese tastes, as it is still a local market. Hopefully the korean webtoons that get popular will be the more daring ones in their themes. Who knows where it will go from here? The only thing we know for sure is that it will continue to change. Isn't it exciting?

A post on the evolution of live action BL in Japan is coming, to complement this post.  As well as a more detailed explanation of the Yaoi Debates and gay manga.

[cerealbishh]

If the time is right and the time is tonight

Go on and kiss the girl

[skeletalheartattack]

Subtitles below the keep reading:

Hey you, shut your mouth and look at my paw! DON'T FORGET!! [Incomprehensible sped up gibberish] This... Journey... Money... Loads of coins. [Incomprehensible sped up gibberish] What-about-her? What-about-her? ... What-about-her? 'She still like me? [Quiet but mostly incomprehensible gibberish about subtitles] O P S O P N O-1 1. Here's the spell: Love the mermaid, for sure! The mermaid is HAPPY! Okay! It's pretty normal for a fish, right? Guuuyyyssss, beeeee caaarefuuulll wiiiiith theeee GIIIIIRRRRLSSS!!! [Incomprehensible] Oh! Silly! Oh yes! Lamb chop boy! [Incomprehensible] [Very quietly, while white noise is playing over it] Goood eevening, aand weeelcome too the shoooowww... [In the background] Ohhh, mooney!

[deoidesign]

how did u learn to paint?? like i just cant wrap my head around it

<3 I love answering asks like this!

You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.

The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)

"Master" in this sense means anyone who you want to learn something from.

One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.

I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.

(photo credit mountain men of alaska )

I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!

(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)

And then, in my work that's not a study at all, I'm informed by all of these!

What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.

And of course... most importantly... I paint.

a lot.

I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!

So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!

(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)

[ssaalexblake]

it’s also baffling to me that tumblr, home of the ‘why are white men Still being cast as the doctor’ for So many years now (For you know, like over a decade.) is somehow not appalled that they hired a white dude to be the next Doctor because look okay it’s okay if it’s This white man. 

I mean, I do not consent to acknowledge that they’ve shoved him in there under any circumstance, but my Only need for the casting of the next person was that it was Not a white man, otherwise i didn’t care who it was, so when they “announced” Gatwa I was satisfied (i am hesitant to say they announced it bc it was more like a tiny footnote than an announcement, oh the disrespect) and it took a whole seven days (it was literally seven days. Yes i counted. it was easy since it was only seven days) it was ‘actually sorry no it’s this white dude we’ve already had before did we forget to mention that???’ and it’s steadily gotten worse and worse. 

That This site of all places is not up in arms about both the situation and how it specifically played out is depressing, but also massively and darkly hilarious.  

Especially since i Also remember nobody on this site thought casting Whittaker was good enough but literally going backward to a previous white man is?? This is not even a metaphor about diversity getting worse, they literally looked backwards. 

But, yeah,  tenn/ant with the ‘what the future looks like’ headline is uh... Good???? Not super worrying and ominous? 

I feel like i’ve been dumped in some weird parallel universe by reactions to all of this on here like??? the whole way this was done was appalling, the situation is appalling, but i guess the bbc/disney should get a rousing round of applause for accurately judging that nobody would care about their poor actions if the specific white guy they cast was popular enough that next to nobody would care. 

( and to the ‘it’s an anniversary ep’ thing, they legit could have just set a couple of eps in the past. i don’t mean they travel to the past. i mean just say ‘hey this ep is set during s4!’ and nobody would care. this show does weirder stuff than this every second episode. and it would still be bad, but how they did it is so much Worse.)

[after-nine-at-the-oasis]

am I the only one who finds myself getting more attached to bucktommy and Tommy himself the more people push against it or

[crossbackpoke-check]

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two

[ambivartence]

bap jongup & vanner gon from yesterday's unit c busking

[babykittenteach]

Alright, I signed up for things? Things. The OFMD Reverse Bang and the Jeeves & Wooster email subscription. I have things to engage with. I put my name in for things. I even joined discord servers. I'm very brave. Insert stedeiamadequate.gif here.

[necrotic-nephilim]

How do you think bruce would react to a Robin pile situation?

oooh this is a fun thought. i think it depends *entirely* if you're working with a morally stable Bruce or a Bruce who's a little fucked up and dead dove-ish. somehow, i think it's actually more fun if it's a completely stable Bruce bc that adds so much more drama and issues if Bruce is deeply unsettled by the idea. if it was maybe just Jason and Dick or Jason and Tim dating that's sort of understandable. Bruce knows that while he may see them all as his sons (except Steph bc do know Robin pile will *always* include Steph for me and tbh Cass too as an honorary member. they're all going in the pile.) but he understands that doesn't mean they see each other as brothers. he respects the nuanced and complicated relationships scattered across all of the Batfam.

but if all of them are *dating*? or at the very least sleeping together? that raises a lot of logistical red flags. the most obvious one is the age gap of it all- at the biggest gap you have Damian and Dick who are an easy fifteen years apart, meeting when Damian is a kid. not to mention how many of them have tried to kill each other at some point. it shouldn't work and Bruce doesn't like that it does. Bruce has a history of wanting to control the relationships of the Batkids when he disapproves. and so he'd absolutely try to break them up. at first, he paints it purely as a logistical issue. saying it's smartest not to bring feelings into work and that this is dangerous. i think it's especially fun if this happens at a time when Bruce doesn't approve of Steph or Jason so that *also* plays into it, he doesn't want either of them near the ones he currently considers to be his family. he says he wants to protect them and wants to keep them safe. he tries to appeal to who he thinks would be more logical and listen to him the most. first Dick, and then when that doesn't work, Tim. and when neither of them listen, i *do* think Bruce would stoop to the low of trying to break them up by fabricating internal conflict between them, hoping to divide and conquer the weird polycule it's become.

while i don't think Bruce would be jealous in the sense he wants to be included, i *do* think he's wildly dislike the Robins having this close bond that makes them trust each other implicitly more than they trust Bruce. they will defer to each other before him and clearly keep things from him. he'd despise that. it's an inner circle he's not let in on and it makes him lose aspects of control over some of them, especially Damian who's the youngest and his son, who Bruce deserves the most control over. he would drive himself mad about it. at first for genuine reasons over the perceived fucked up nature of the relationship (even when each of them have confirmed that it is entirely consensual and they're happy) and to protect them. but he becomes so bitter over being ignored. they openly prioritize each other over him when the truth comes out because they see no point in hiding it. and i could definitely see Jason gloating about how he's back in the family whether Bruce likes it or not. Bruce would be beyond pissed about it. he's just never recovering. trying to stop them gets nowhere, even if he manages to cause some internal conflict.

eventually, Bruce would be forced to accept it for fear he would lose all of them. but he's *not* going to be happy about it and he keeps making side comments, hoping to get through to one of them eventually. it doesn't work, but he's definitely not going to stop trying. i also think on some level it would just disgust him a little bit in a visceral way, since they're his kids to him and he doesn't like to picture them in that way. esp when Jason or Steph lean heavily into PDA just to fuck with him. ass grabs, cuddling, sloppy kisses, the whole nine yards. Bruce will not have a moment of peace.