#i’m very curious about this

[the-irrelevant-trumpeter]

mischief fandom. for science.

answer with whatever is closest to your feelings. also this is just for a bit of fun and no feelings should be hurt because of this poll. cheers 👍

(also if y’all want to include your takes in the tags, pls go ahead)

[trans-hua-cheng-agenda]

[axsolotle]

ok I have a very important question for you all

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[spooky-activity]

I love how everyone just breezed past that thing with March.

What I believe to be Himeko’s response under the cut:

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[madgirlmuahaha]

New additions to the conspiracy board:

- Jace Stardiamond is the bad guy (probably)

- With all this Devil’s nectar talk, Buddy Dawn is probably not as innocent as I initially speculated in terms of the whole “resurrecting a dead rage god” conspiracy

- The Last Stand(ard Exam) is Brennan’s punishment for what the Intrepid Heroes did to Plinth in the Battle of the Brands.

Also, I don’t think we’ll get any cameos from the Seven in this season (I’m happy to be proven wrong though) but I think Katja would love Ankarna, or at least the version of Ankarna that Fig is holding on to. A goddess of justice and retribution with horses? Hell yeah.

[too-many-rooks]

The Cartwright House

[kelin-is-writing]

kelin may i hear more about rockstar touya \(★ω★)/

I was planning to post other headcanons before going for these, BUT I’ve got some for Rockstar!Touya that are pestering my mind these days and your asks come in the right moment, so bear with me please 🤧

࣪𖤐… ROCKSTAR!TOUYA

The first time Touya knew that he wanted to become a rockstar was in middle school, right at the age of thirteen, his influent CEO of a father was trying to mold him into a carbon copy of himself to rival Yagi Toshinori’s Enterprise. While taking a break from studies, he saw his sister watch on TV a rock concert of “Loudness” and to say Akira Takasaki is his role model is the least. That’s a true legend to him.

After “Loudness” and Akira Takasaki, he discovered “Metallica” and Kirk Hammett which made him go like “HOW??? HAVE??? I??? MISSED??? ALL??? THIS???”, scolding himself for taking so long to fall in love with the electric guitar and its sound. The next week he’s blasting full volume “The Final Countdown” by Europe inside the Todoroki Mansion like the good old stamp rock fanatic he is, getting himself scolded and grounded by Enji who is a fan of traditional Japanese music so yeah…

At one of the Todoroki family gatherings during the weekend, he was scrolling down his phone looking first of all where to take guitar lessons and second for a guitar to buy, but he knew his father would never agree to get him one. That’s when his grandfather, peeking at his grandson’s phone, butted in and asked Touya if he’s interested in music. He wasn’t sure if it was a good thing to answer that question, since he’s the father of his father, but he did and hell has it been the best thing he did!

On his fourteenth birthday, Enji’s father bought Touya his very first electric guitar, a good old Fender Stratocaster CUSTOM MADE for him. It’s snow white like his hair and has a his name engraved on the bottom left side of the guitar, while on the other side there were engraved tiger’s fangs, all in turquoise… The color of his eyes. And this has been by far Touya’s best birthday ever.

After finishing Middle School he choose to attend an Art School, taking the music classes as main classes of course; he may or not have done it to piss off and raise Enji’s blood pressure from how mad he got for choosing something different from Finances and Management. Oh his father was livid and Touya was so proud of himself for that.

He has formed a rock band, of which he’s the guitarist and vocalist, with Tenko Shimura (Bassist&Vocalist) and Shuichi Iguchi (Drummer) called “The Villains”… Are we even surprised about this name? Really? Because I am not. Tenko suggested, Iguchi supported strongly and Touya just went with it because complaining and thinking about another name was “Too much effort”. He likes it a lot but will never admit it.

At the age of nineteen, Touya owns a Fender Stratocaster (Custom Made), an Elite Stratocaster, an ST-83-80 Japan (1983) black, Lone Star Strat, IC350 black, IC50 black, ICHI00 white, Gibson SG Standard mahogany and a Jackson Pro Series DK Modern HT6 MS. He also owns four acoustic guitars for songwriting, like a Martin GPC-X1E, Martin 000-28 Modern Deluxe, Taylor GS Mini-e Rosewood SN LTD and a Taylor AD22e. Did he pay all them with Enji’s credit card? Hell yeah. Did he do it out of spite? Absolutely. Did he care about his father’s blood pressure rising even more? Not even remotely.

His favorite groups are Loudness, Metallica, Led Zeppelin, AC/DC, Europe, Scorpions, Slipknot, Three Days Grace, Green Day, Skillet, Linkin Park, The Rasmus, L’Arc-En-Ciel, UVERworld, Nirvana, Guns N’ Roses and Evanescence to list some, because there are many more he adores honestly. He isn’t a picky ear as long as the song gives him chills and inspires him, being someone who’s driven by emotions that’s what makes him likes something he hears.

Atsuhiro is their homeroom teacher, at the Art University they attend, who introduces them to Giran, a friend of his, who has an agency for new talents and after they sent him six of their songs wants to launch their very first album by August to make them debut at the “Rock In Japan Fes.”

Touya, being the emotional driven type of musician, is the one put to write the lyrics for the band’s songs and most of the times are hits, especially because his and Tenko’s voice brings to life the emotions of the lyrics in a way that it reaches the listeners right into the heart and soul.

You will never catch Touya’s fingers empty, there’s always rings decorating them and some rings are even custom made by his cousin Geten, who owns a Jewelry shop that he promotes a lot on his social media. One of his most precious rings is the one that he got made for him, with his birthstone carved in it, when he turned eighteen.

He has three earrings on his right ear: an helix, mid helix, conch and low helix. Four on his left one: two helix, a low helix and one on the lobe, plus three nostril piercings on the right side of his nose.

After “The Villains” debuts and proving his father that he could succeed through music without his help nor his name, Touya owns now a black card that he lets Fuyumi and Shoto use to their heart content.

Last, but not least, be ready to be the muse of Touya’s songs the instant he falls head over heels for you. The moment it happens everything, and I mean everything, to him becomes about you driving Tenko and Iguchi to pure exasperation.

[crystaltoa]

Which Bionicle character belongs on the “hear me out” cake?

[akkivee]

in the hypster magazine, when asked if there was anything he reeeeeaaaaally wanted, ichiro responded that he wants one of those robot cleaners and you know else has been asking for that exact thing lmao????

[pkmn-smashorpass]

Tell me why in the comments or tags!! I think either Galar or Alola. I lived in Scotland for a bit and would love to move back so I LOVE Galar for that!! But something about the Alola region is so appealing! It feels so peaceful and like there’s a lot to do!!

[polarsirens]

Your never after art is so good! I adored your recent Gerard, it made me feel a lot! If this isn’t too rude, could you do a father goose one?

thank you for the compliment & the clarification ☺️ can’t say i’ll be able to answer every request ask, but you, my friend, are in luck because i did have this timothy doodle i didn’t post yet!