#i’m trying to improve my technical skills

[lsbnfinn]

not superrr finished but i love her sm

[guxciestone]

🦷 ❛ SR SATURN THROUGH THE HOUSES ༉‧₊˚ ˚୨୧

(solar return chart)

☁️✧

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❝ where is the structure within your year? ❞ ✧ ೃ༄

hii !! i hope life is treating you amazing. if you have astrology or tarot blog suggestions, i’m free to considering them in my asks or notes. thank you for the love and support <3

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saturn in the 1st house

This is an indication that you will find structure, discipline, and restrictions in your outlook, appearance, personality, or how others treat/view you this year. You will notice that you are much more mature, logical, and serious this time around. Perhaps you are more focused on your aspirations or building towards certain goals. You are more than likely going to approach this year with rigidness and firm intentions of better yourself in any area of your life. Find the area you are most focused on improving and building by finding which house your capricorn and aquarius is in. Others might view you as more disciplined, mature, and focused this year; however, others might think you are too serious or a bit of a debbie downer this time around as you are more prone to negative or restrictive thinking this year. This placement is notable for indicating weight loss and isolating yourself from others. This is the perfect time to reevaluate about your life since Saturn is known for coming back around to make you think about the structures you have created so far.

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saturn in the 2nd house

This shows that you’ll find structure, discipline, and restrictions in your finances, material possessions, skills, and values this time around. It is possible that your money might run a bit shorter than usual this year, perhaps you lost a job or income isn’t coming the fastest. On the other hand, you probably secured a great job and now your finances are more stable than ever. However, it is important to manage your money skills well or this structure can easily break apart within the 12-month mark. This also indicates a singular source of income as well. Hence, if you have one source of income that seems to be handling you well, stay with that; if not, then try to break out into new different sources. It is possible that this year you’ll try to learn or discover a new technical skill that can land you really good financial or career opportunities in the future. If not, try it now. This is also a significant time to think about your priorities and values. Are these values going to be good for you in the long run, and are they going to serve you well if you abide by it?

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saturn in the 3rd house

This year is the year in which you’ll find structure, discipline, and restrictions in your mind, learning processes, communications, and peers. You are taking on your mental projects and activities more seriously this time around. Perhaps you are more focused on your studies or goals than usual. This placement is perfect for when you want to take on complex and longer plans within the year because you have excess energy to pertain to. However, it is important to take a closer look at what you are spending your time on as well as how you are viewing the particular situations as you are more prone to negative thinking and extreme realism. It may be harder for you around this time to dream and visualize your desires the way you want. You are taking on more responsibilities as well, so make sure you are properly dealing with your mental stress too.

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saturn in the 4th house

This is an indication that you will find structure, discipline, and restrictions in your sense of security, home, family, and personal life. During this time, you are more committed and responsible to your home environment. Perhaps the home is old and needs to be tended to and renovated, or you are striving to financially secure yourself to take care of your home or family. In other cases, there could be an emotional responsibility for loved ones or family members. It is possible that you have to take care of an elderly member like a grandparent and they may need physical or emotional assistance. On the other hand, you may be a new parent and could be dedicating your time to handling your newborn. The entire notion is that you are savoring your time tending to your family and home environment.

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saturn in the 5th house

This shows that you’ll find structure, discipline, and restrictions in your self-expression and creative aspirations. This time around you are uncomfortable and wary in how you present and express yourself around others. You feel like a fish out of water and you do not feel natural in your individuality. You may find that your social environment or skills have changed in some way. You’re more worried about whether you should relax and have fun. This is also the opportunity to take your hobbies and creative expressions much more seriously this year as this calls for you to possibly reap success from your passions. This indicates you should be more organized and structural with your craft. In other cases, you could feel you have a certain responsibility with your child if you are a parent.

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saturn in the 6th house

This year is the year in which you’ll find structure, discipline, and restrictions in your health, routine, pets, and daily habits. It is possible that you are taking your day-to-life schedules and habits more seriously. Perhaps you start a strict diet, start a serious morning routine, or dedicate a significant amount of time within your day to work. This easily grounds you and gives you some type of form in your life. However, it is important to be careful that you do not get caught in a loop of autopilot because it can easily lead you to depression, feelings of hopelessness, and negative thinking. This placement also could show ultimate perfectionism so it is vital to make sure that not everything has to go as planned as you want it to be. You are probably more mature about your health as well, perhaps better eating habits. This can also point to a responsibility to a pet, perhaps a pet that is usually hard to take care of, like a big or exotic animal.

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saturn in the 7th house

This is an indication that you will find structure, discipline, and restrictions in your interpersonal relationships, others, and outer environment. This is the time when you are more serious and observative about your relationships and what importance they take in your life. You are probably more picky about who you let close to you, and keep the people who you do not feel secure with distant. If you are engaged, this is a perfect placement for commitment, loyalty, and security within the marriage. If you are not or single, you might lack commitment and could feel far from your relationships with others in a way. You may notice that some of your relationships are distant due to some outer or emotional circumstance–for example: long-distance, financial problems, work, parents, etc. This placement calls for you to pay close attention to your interpersonal relationships and realize the extra commitment and care you’ll have to put into them this year.

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saturn in the 8th house

This shows that you’ll find structure, discipline, and restrictions in your finances, shared resources, and intimacy. You may find that your financial situation could be limiting and scarce at some point. Perhaps you have debt that needs to be paid off (mortgages, bills, car loans, etc) and you need to decrease how much money you spend within the year. IYou might find that you will not receive that much money from others this time around. If you are married or share finances with someone, there could be restrictions getting in the way of receiving from the other person. Perhaps they’ve lost a job or aren’t receiving much income as they used to, or maybe they aren’t willing to share with you. Additionally, intimacy may not be as fulfilling this time around due to outer or emotional circumstances.

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saturn in the 9th house

This year is the year in which you’ll find structure, discipline, and restrictions in your beliefs, the way you take and see the adversities of life. This placement shows that one might enroll in an established learning environment such as college, a course, etc. There is an innate need to learn this time around. You might feel as though you need to wait until the perfect time to start learning what you want because you want your undivided attention and dedication for the subject; hence, there could be a delay in enrolling into college, school, or any classes. This also shows that you are more serious about your personal philosophy and beliefs around the time; therefore, you are probably more willing to learn more about views on life to establish a rigid mindset on what you have faith in.

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saturn in the 10th house

This is an indication that you will find structure, discipline, and restriction in your career, professional skills, image, and legacy. This placement points to a delay, or starting over in your professional life. Perhaps you quit a job, starting a new job you have no experience in, juggling two different responsibilities or jobs at once, or starting a business from scratch. In other cases, you may be putting a delay to your career life due to other obligations or rethinking your entire professional path. This also shows retirement or moving on from your working portfolio altogether if you are older. This time around you are seen as more serious, responsible, or hard working to the public. More than likely if one of the things are happening to you above, you have tons of work to do. However, if you are sure of your goals and aspirations, this placement can be rather beneficial and cause no problems.

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saturn in the 11th house

This shows that you’ll find structure, discipline, and restrictions in your aspirations, friendships, and community. This is the time where you are reassessing your personal hopes, dreams, and goals. You have to decide whether or not these aspirations are serving you and your future. This placement also points to the realizations that one does not have any hopes or goals. It calls for them to figure it out, so this is more than likely not the time for you to go on vacation or spend lots of time loitering. It is the perfect era for you to reconsider your values as well as who you feel deserve to be apart of your community–develop serious friendships and communal connections.

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saturn in the 12th house

This year is the year in which you’ll find structure, discipline, and restrictions in your unconscious, private side, and unknown parts of yourself. This is the time to face your fears and weaker parts of yourself. You are more likely going to feel shame, insecurity, fear, guilt, and anxiety during this year. It is usual for one to feel responsible for all of the things that could possibly go wrong around the time, but in reality, it is due to them not coming into contact with and accepting the parts of themselves they avoid. Perhaps they feel guilty about feeling a certain way about a responsibility they have, their personality, their self-expression, and much more. The universe will bringing you personal blockages until you realize what it is you are avoiding and try to actively fix it.

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[meo-eiru]

Honestly, Lavi shifting poses frequently would be perfect. Personally, I tend to be a bit of a perfectionist, and it’d be a good way to teach myself how to just focus on the image overall rather than the details. Just trying to get the general feeling of something down can be so satisfying and beautiful compared to art that’s so technical and precise. Both amazing, but in entirely different ways.

*cut to me just filling out an entire sketchbook with his help over the course of a few hours and slowly realizing I’ll definitely need to start getting a lot more art supplies if I continue with this*

(Sorry for all of the stuff I’m sending you about him. I think he’s my favorite so far! I’m going back to school soon too, so this is your reminder that we aren’t an obligation. If you take a while to respond to anything or need to put off any milestone projects, that is absolutely fine. This is supposed to be fun for you, so don’t feel pressured to do anything if you’re not up for it. Good luck with school and try not to get burnt out! <3)

Yeah I think being able to draw a guy who gets the zoomies every 5 seconds would definitely improve your drawing skills

It’s kinda funny how even when he’s helping you with something it’s your wallet that receives the damage. He really is like a high maintenance girlfriend. He wants to be courted, he wants to be the pillow princess, he wants to be spoiled rotten and now you have to pay extra for drawing supplies just to paint his hyperactive ass in which he’ll probably steal the drawing for himself because he automatically views it as a gift from you

[logmore]

hello logmore! silly question but i was curious about your thoughts on like a dragon: infinite wealth so far. you mentioned being bored by the first few chapters (fair) so i’m curious what your impression is now that you’ve played more of it. i wish sega was a bit more transparent about the development of the yakuza games because im kind of fascinated by some of the decisions they made in this one

I finished the game last night so I can reply now. I will talk about Infinite Wealth spoilers here:

Things I like:

Combat: Just Yakuza 7 combat but fleshed out, which is perfect. Being able to position your character is great, the team chain attacks and weapon attacks and stuff are fun to set up. The one flaw with it is that it does not interact with Kiryu very well, and by the end I was actually doing less damage with Kiryu if I got a tag team or weapon attack instead of a basic Brawler attack.

Classes: There were a lot of classes I ignored in 7 because they just weren't doing anything; it was just better to leave Joongi, Zhao, and Eri as their defaults and go to town. I think 8 has an improved skill inheritance system that made it more worthwhile to try out different classes, so by the end I switched every character away from their base class. Desperado and Aquanaut stood out as being very flexible and fun.

Kiryu: Technically this is an Ichiban game, but its more of a send-off to Kiryu than anything. I like how there was a ton of content dedicated to Kiryu revisiting characters from the past games, delivered in a way that I still liked it even though I only played 0 and 1. I thought the way they introduced leveling up his stances + gaining the ability to go beat-em-up mode was pretty clever. I also liked equipping him with gear that gave him buffs every turn so he could tear enemies apart like King's Hawaiian rolls.

Yamai: They knew what they were cooking here. You have to fight this guy like 4 times and I enjoyed it every time. He's cool, he looks cool, even the main characters say he is cool, and if he isn't playable in Yakuza 9 I'm gonna be astounded.

Things I don't:

Slow start: The first chapter got me pretty invested, but after Ichiban goes to Hawaii the story is a fucking slog for like 15 hours. I got so bored I stopped playing, and when I came back it finally picked up again.

Side content that I wasn't ever going to do: This is the reason the start of the story is so slow. I'm sure Dondoko Island and Crazy UberEats and all that is fun, but it isn't the type of thing I'm playing these games for, and when so much time in the story is spent ramping up all these side games to play, I just feel like I'm wasting my time. Next game might as well have a Virtua Fighter 6 tournament in the middle of it, why not?

Villains: Bryce and Ebina are just lame characters. This is a game with essentially 2 final bosses, but neither of them have the emotional core or the weight of the bosses from 7. Bryce is literally just 'a weird guy shows up', and while I understand what they were going for with Ebina, his goals seem so disconnected from what the protagonists are experiencing that him taking his shirt off and fighting Kiryu doesn't feel like a real climax. Getting Danny Trejo on board was a pretty inspired choice, but you fight Dwight so early that it framed him as a weakling that didn't matter. And he keeps coming back, in spite of that! There were a few showdowns in 7 where it felt high stakes/intense, but in 8 they had to bust out Sawashiro again to capture that.

Managing 2 parties at the same time: On one hand its cool because it means I get to use every party member, but I wish they bumped up the XP of whatever party you weren't playing, so that when you switched between them they were both at the same level. There were a couple of points where I had to grind because the difficulty of the content was scaling based on what my previous party had left off at, so I needed to get my current party to that level first. I also had to spend a lot of time doing the dungeons to get the materials for weapon upgrades on 9 characters. Just kind of time consuming, but it isn't the worst thing in the world.

Tatara Channel: Its dumb, but this is the only thing in the game that actually made me mad. The social media aspect of the story already feels dated in a way, and I don't care about Vtubers to begin with, but the thing that actually got me upset about this shit is that all the Tatara Channel scenes are just story recaps with unskippable dialog where something relevant MIGHT happen at the end. At one point I got tired of it and just skipped the cutscene, and then all of the sudden Kiryu is in front of Tojo HQ ready to fight. I hope they never deliver a plot in this way ever again

Even though I wrote more negative things than positive things, I still liked this game a lot. 7 is a way better story, but I think Ichiban and Kiryu are just too strong of protagonists to truly hate on the story, even if a lot of things surrounding it are dumb. I'm looking forward to playing pirates with Majima, and I will wish on a genie's lamp for Yamai to come back as a playable berserker-type character

[hazyange1s]

1901 (Sebastian Sallow x F!MC)

so. I generated the middle photo with midjourney months ago and people on tiktok seemed to like it 😂 probably because we are desperately in need of some happy endings….

which brought my aching little heart to write a painfully self-indulgent one-shot based off of said picture (ft. my two brainchildren). this is from October and I’m cringing; I feel like I’ve improved a bit since but we’re here for vibes so who cares.

Synopsis: the year is 1901, and after a lifetime of dealing with the turmoil he became so accustomed to, Sebastian has finally gotten everything he could ever want. a night with his wife and best friends reminds him exactly how lucky he is.

Warnings: slightly suggestive reference (but still keepin it SFW), dad!Seb and Ominis, tooth-rotting fluff, aged up characters, alcohol use, pregnancy, not edited just raw word vomit

The stone and wood that made up Hogsmeade had hardly weathered since the first year Sebastian could remember coming, when he was a sprightly six year old boy with his parents. Back then, the buildings had looked larger than life. The people seemed wonderful and strange and extraordinary; their wands aloft to float signs or move merchandise. He had tugged on the folds of his mother's skirt upon staring with rapt attention, whining, "Mummy! When do *I* get to make things fly?"

"Soon, sweetling." His mother had smiled, the most beautiful sight he could comprehend at that tender age. "Soon, you yourself could be flying above the clouds."

Now, Sebastian found himself doing just that.

Cold wood bit into the callouses of his palms, which gripped the handle of his broom securely as the biting October wind tousled his dark hair into knots. He might have already frozen solid where he sat, had it not been the warming charm on his coat and the heat of his wife's smaller body pressed up against his back.

She shouted something just then amidst the roar of the wind in his ears. Sebastian turned for a split second to get a glimpse of the wide grin on her flushed, freckled cheeks.

The most beautiful sight in the world to him now.

"What?" He chuckled, turning back around as they neared the stone path leading into the quaint village.

"I said; they're going to have our heads for being late, so you better take full responsibility." Raegan repeated with her lips grazing Sebastian's ear.

Another laugh was dragged from his dry throat. Raegan had a special ability that when beyond just her fire-wielding, ancient magic, and skills on a broom. She was also one of the only people in the world who could make him laugh without really trying.

"I don't suppose you want me to tell them WHY?" Sebastian replied wryly as they landed and climbed stiffly off of the broom. The feeling of solid ground beneath their feet was a certainly a relief after miles of dark skies above the Highlands.

Raegan gave him a taunting little smirk that he'd come to understand was one she reserved especially for her husband. "Doubt you'll have to. It's hard to hide anything from those two. Ominis will probably sniff us out the moment we enter the pub."

She smoothed down the wild, russet tangle of waves Sebastian had run his hands through just an hour ago as they walked hand in hand over the bridge. He smiled at the memory as if he could still feel the softness of each lock between his fingers.

"I have considered the theory that he's part bloodhound."

The pair came to the familiar, flickering facade of the Three Broomsticks, pausing just outside when Sebastian tugged on Raegan’s hand to bring her to a stop beside him (a feat in itself, really).

“You know…” he mused, eyes crinkling at her questioning look. “Technically, we had our first date here.”

“If you call nearly getting…what were the words you used? Pulverized by a troll a romantic outing.” She laughed.

“Don’t forget the bar fight you nearly got me into. Honestly, it’s a wonder I managed to stick around for so long, with all the trouble you bring.”

The words were made in obvious jest and followed by an affectionate press of his winter-chapped lips to her temple. Because they both knew damn well that trouble was Sebastian’s middle name (it could replace Alexander for all he cared), and that chaotic whirlwind of a fifth year when they’d met was precisely what had him falling head over heels for her in record time.

“Well, as much as I love a good troll fight…the only thing you have to be scared of tonight is Ominis.”

A half-hearted scoff had Sebastian’s breath clouding in the air. “I wasn’t scared.”

“I’m surprised you didn’t wet yourself.”

“I was not scared!”

Raegan grinned indulgently at her husband, who rolled his eyes at the all-too-familiar teasing. Still, Sebastian found himself imitating her expression as he pulled her flush against his side and leaned down to fit his mouth to hers.

How many times had he enjoyed the saccharine taste that clung to every bit of her skin? It was far, far too many to count, surely, and the proof was in the way their lips moulded together like two pieces of a well-loved puzzle.

A rush of warmth hit their wind-chapped skin once the couple had finally broken apart, Sebastian opening the door for his distinctly kiss-drunk wife.

The Three Broomsticks was just as he remembered, too. Sirona, ever the dedicated businesswoman, spotted them instantly and offered a friendly wave. That was almost certainly Mr. Pippin and Mr. Hill chatting jovially over pints, and that blasted portrait of Ferdinand Pratt that had somehow withstood the ire of the patrons.

Raegan breathed the smallest of fires into her cupped hands before rubbing them together to generate more heat. It was not needed, though; for their friends had clearly planned ahead and already snagged the table just adjacent to the roaring hearth in the back center of the first floor.

Ominis's corn silk hair seemed to reflect its golden light, acting as a beacon for the Gyrffindor and Slytherin alumni to meander their way through the crowd and plop down eagerly at the round mahogany table.

"I was just about to send a Patronus if you hadn't shown up in the next five minutes." Diana gave them both an exasperated look, her brows shooting up as she took in their disheveled appearances. "Did you fly here?"

"Of course we did. It's a gorgeous night." Raegan leaned in to give her lifelong friend (sister might have been a more accurate term) a hug, despite the smaller girl's grumbling.

Ominis, who had his arm slung casually against the back of his wife’s chair, shook his head at Sebastian and Raegan like a disappointed father. It was a gesture so familiar to them both that it had been permanently seared in the back of their minds.

"Well, while you two were wasting time doing god knows what and flying fifty miles instead of Apparating like reasonable people, we've already been through half a flagon of wine." Ominis held up his half-full goblet as evidence.

The Hogwarts Professor was usually not one to indulge so heavily, but with the start of a new school year keeping him busy and his youngest daughter clinging to the chaos of her terrible twos, Sebastian supposed he had more than enough reason tonight.

"Well, you know me. I'll catch up in no time." Sebastian said with a roguish grin as he poured the rich, sweet-smelling liquid into a goblet that had clearly been waiting patiently for him.

Ominis, ever the gentleman, waved his wand to take serve Raegan from the flagon next, its contents tipping into a fourth cup.

"Oh, er...none for me, Ominis; thank you." Raegan said politely, the flush from the cold now returning for an entirely different reason.

His eyebrows furrowed into a mask of disbelief, as though the very fabric of the world had suddenly been torn open. "Are you ill? Or has someone taken Polyjuice Potion and replaced your wife, Sebastian?"

Raegan couldn't help but pair her laugh with an eye roll at Ominis's over dramatic display of surprise over her refusal to drink. Though she supposed it was true, there were very few times in her life she'd turned down a casual drink.

"Oh my-"

Diana's soft gasp broke the suspenseful silence, her pale, delicate fists causing ripples in their goblets as they collided with the table's surface. "I knew it! I told you that dream was a vision, Ominis!"

Now it was Raegan and Sebastian's turn to look confused, their shifting eyes replacing the self-indulgent grins they'd donned long before they'd arrived in the village.

"What dream?" Raegan asked, grabbing her friend's hand to recapture the raven-haired Seer's attention. "What did you see?"

Sebastian could see the tension in her grip, the light reflected by the fireplace that shone in her brilliant amber eyes. She had been dying to share this news; and if he knew her at all, Raegan was nearly bursting to deliver it herself before Diana could answer.

But it appeared her curiosity had won out over her flair for the dramatics at the present moment.

Diana beamed when she met Raegan’s imploring stare. Her voice had lowered, as if sharing an important secret.

"Last week, I dreamt of a little girl. She had the most beautiful auburn hair. Plus these adorable freckles and big, brown eyes. She was playing outside your house with a boy who looked exactly like Samuel, if he were ten years older."

Sebastian and Raegan both sported round, awestruck eyes that flickered to each other before they returned to Diana.

"Wait, I'm having a girl?" Raegan squealed, getting miles ahead of herself while Sebastian put the pieces of the puzzle together in her head.

"It's a girl?!" He gaped at the same moment.

Now, his other two friends were forgotten; his gaze solely on his exuberant wife, tears brimming despite himself.

A girl. It seemed all too perfect. A daughter and a son. Just like him and Anne, and Raegan and her brother Ronan.

"Oh...sur...prise?" Diana smiled sheepishly. "So, are you going to say it, or not?"

"It seems pointless now, since you’ve stolen my spotlight," Raegan raised her brow playfully in the beautiful Seer's direction. "But yes...I'm pregnant!"

Ominis's face broke into a huge smile, its brilliance so rare the honor was rarely bestowed upon anyone , save for the three people seated at the table now.

"Congratulations, Raegan. And you, Sebastian."

Diana began to gush as she hopped up from her seat, throwing her arms around her best friend once more. "This is amazing! How far along are you? Do you have any names picked out yet? How's your morning sickness? Mine was positively awful with both of the girls, I couldn't-"

Ominis chuckled affectionately at her elation. Gently, he placed a guiding hand on her arm to bring her back down to Earth - which was usually her least favorite place to be. "Darling, you're doing it again. Let her breathe for a moment."

To her credit, Diana looked positively pink as she relented and settled back down in her chair without losing her grin.

"Sorry, Rae. I'm just...so happy for you two."

"To answer your questions as my poor wife gathers herself, Di," Sebastian echoed Ominis's affectionate sound with his fingers intertwining through Raegan's. "She's seven weeks along, which is why we weren't sure about telling you just yet. But i suppose now is as good a time as any. And, for names, we were thinking-"

"Kassady Anne." Raegan jumped in for him, squeezing his hand as if she could pour all the love she had into that one gesture.

Diana almost teared up at this revelation, as Ominis let out an uncharacteristic, "aww". The namesakes of Raegan's late mother and Sebastian's only sister. It hadn't been a very difficult decision to come to. Though Sebastian had tried to insist on Anne as the first name in their hypothetical discussions.

"Fair warning," Ominis broke in, a knowing grin stretching his pale face. "Your second child will be your undoing. Little menace; our Gwen."

"Hey, I'm a second child." Raegan retorted, though her offense was clearly falsified. Nothing could break through the bubble of pure joy that seemed to radiate from her like the rays of the sun.

"I think you're proving his point, my love." Sebastian smirked. He barely dodged the well-aimed elbow to his side with a soft sound of indignation.

Ominis raised his glass once more after happily listening to the familiar sounds of his friends' excited chatter. "To Helen, Gwen, Sam, and Kassady-may they leave their own remarkable legacy on the world under our expert guidance."

The four of them all laughed, the sound like a chorus of church bells signifying the end of a long, fulfilling day. Three glasses of wine and one filled with water were raised in celebration, connecting the circle of lifelong friends with a resounding clink.

It had been over ten years since they'd all first sat in this pub together. Back then, the topics of conversation had centered around the goblin rebellion, Professor Black's latest warpath, and the homework that had led to countless sleepless nights.

In a way, things hadn't changed all that much. Except the rebellions now came in the form of arrests made by Raegan at the Auror's office or the tantrums of Ominis and Diana's three year old daughter. War was still in the backs of their minds, but for the most part their arms had been laid down in favor of peace.

And the sleepless nights, well...

Sebastian's mind again wandered back to the blissful visit of his youth. How he'd been unsatisfied with his feet on the ground, longing to soar above the rest.

Now, he got to feel like that every day of his life. No broom required.

[sasaleletrebol]

I found you by total accident…

Meet my OC Luna! This is the only good drawing I have of her, and I forgot the ink splotch on her cheek.. but I’m to lazy to fix it lol

I’m still learning how to draw skeletons, so if you have any tips I’d love to hear them TvT

Your art is very edible btw :D

WHAT'S UP POOKIE? DID YOU THINK I FORGOT ABOUT YOUR CHILD? NUH-HUH

Two versions because I didn't know what to do for the background lol

So... you discover I can't draw wings... you... why

Nah, nvm. It was a lot of fun and also I really like dragons but can't draw them lololololololololol

So... Tips???? Man I wish I knew how to draw skeletons too. But ahí te va some stuff that help me be a little good at it:

Ok, I'm not the biggest expert on this. But I'll try my best!

I'll devide it in sections

Study: If possible try to understand the basics of the real thing. Ya know, so your brain have a more clear vision of what your hands are going to draw.

Studying is (for me) an important part of the creative process. It's the "why are things the way they are?". Once it's explained, you'll have more confidence in what you're going to do.

Big Shapes: Now, obviously you're not going to remember all those bones by heart to draw a silly skeleton. That's what big shapes are for.

Try to look at them not as lines, but as objects. Objects have perspective. It doesn't have to be exaggerated or perfect. But knowing it can greatly improve your drawing skills.

I'll recomend watching some tutorials or drawing practices for this.

Details: this it's the fun part! Now our skeleton has a face! Yipie!.

Here I want you to remember to FLIP THE CANVAS NOW OR LAMENT IN THE COLORING. Now we are working with finer lines (depending on your style) for the smaller but not less important part of your work.

Technically it's the "lineart", but I don't know what that is *proceeds to whistle at just cleaning the sketch (but that's personal taste)*.

Style: Here's where personal taste comes into place. It's the pencils that you use, the lines you work with, what's best looking aesthetically to you.

I'll add and extra tip here... it's... STEALING!!! MUAHAHAHAJ. Ok no. Don't do that. What I mean by "stealing" is to see references of styles that you really like and try to implement elements of them in your work!

For example my biggest Inspirations are Jakei, x_nzlian and fanarts I really like!. I study really deep what I most like about those styles and use it to improve my own!

Like, how they draw the noses, the eyes, the shapes of the mouth they use, how they draw clothes interacting with the bones.

Take care and have fun. Don't compare yourself to others. Don't be sad if it doesn't work at the first try. Just keep going, keep learning, keep looking, learn from your mistakes and take care of your hand omg please. Do some wirst warm ups (that you can look up on YouTube and stuff) before grabbing a pencil. And your eyes, if you're a digital artist. DON'T DRAW ON A PURE WHITE CANVAS FOR THE LOVE OF GOD.

And also you can do whatever the heck you want! Don't follow all of this at the point of the letter. What I mean it's have fun and do whatever suits best for you. I'm just some silly clover in the internet who thinks that they know what they're doing.

That's it. Sorry if it is too long uuuhhh. Here, you got a cookie as a reward for reading all of that rambling→🍪. Thank you, and take care of yourself💕

[mysteryanimator]

Myst rambles about animation longer then they should + their love for Nocturne whoops

I keep thinking about the animation industry as of late again, all the layoffs, all the animators looking for jobs. So I might just be speaking to a void right now. I have not experienced any of the drought so I just may look doe-eyed trying to break into a disaster zone but I’m just here to offer that newbie perspective, as naive as it may seem. I’m gonna try and keep this short (whoops a lie) but if you can see where this is going, this is just going to be me talking about the impact Nocturne has on me, aka rewriting the abhorrent Twitter thread/Instagram post where I free-formed without checking my grammar. 

As someone who is pursuing animation, I have watched A LOT of animated shows growing up, I swear it was the only medium I did watch growing up. I made scuffed animatics and animations of the current show I was watching, not realizing they counted as love letters to the media. Yet, the animation industry scared me. It was so elusive and mysterious. The bar seemed too high, even when I decided to choose to study it at university. It seemed so out of reach.

Until Nocturne. 

Castlevania Nocturne practically humanized the industry to me. These people were fans of their own creations. They breathe life into them. All the character sheets that popped into my timeline, the rough cuts, all the silly memes. Something that seemed impossible became possible within an instant. My skills at the time were not what they are now by any means, hell even now I could be better, but, I looked at that show and went “I can do that. If they can do it, maybe there’s a chance I could do something like that.” I think it helps I am at a stage of my life where I can consciously consume content and have the ability to break it down.

Also, let's be so honest, it's combined with the fact that I fell in love with Mizrak and Olrox's plot... you get a very insane person. Passionate but insane. Who spends their entire day going frame by frame reanalysing 10 minutes of an episode? ME. Despite this, I have learned so much more than all my years at university have given me. I have become a genuinely better animator and a better artist. My understanding of animation finally clicked. I knew I was built for animation but didn’t know how I fit into it. I’m constantly on YouTube, absorbing information from YouTube channels like Dong Chang, wandering around Discord Sakuga servers/twitter, and taking notes. I'm still worried about bothering other people in the industry/more technically skilled than me but I think I'm getting slowly better and going "Hey I love your work! How did you achieve x/y/z? OH!? Can you explain what this means?" because again, these are just people like you and me.

So every single Mizrak and Olrox animation I’ve made has not only been a love letter to the show, and crew of people who put their heart and soul into making this, but these animations have been a testament to my skills. Take it like a capsule of how I’m improving every month. I will admit I sometimes get weirded out of the fan content I make, albeit a combination of low confidence, and imposter syndrome, and now my animation style has just become very synonymous with the nocturne style. These ‘cons’ however do get outweighed by the pros of it all. Finally finding a style that I find goes hand in hand with my illustration style (and I can't wait to see how I can evolve it into my own) and the bouts of self-doubt are vast and temporary. I am super grateful that I can look at my work in times of doubt and go “Literally anything is possible, let me put on a show that explores this certain animation principle/story beat in a particular way, and let me study it!"

It's super embarrassing to admit but Nocturne has genuinely changed the trajectory of my life. I am genuinely a whole new person with such a different outlook on animation because of this show. Yes, I am creative through and through, you cannot separate that from my blood, but Nocturne solidified that “You are exactly where you need to be”. The industry is in shambles, with people now reaching a year+ jobless, and contracts are ending, yet, if Nocturne genuinely wasn’t released at the end of September, I do not think any of this would've clicked.

(Backed up by the very fact I am/was directing a short and running a genuine studio when Nocturne came out. I was very unconfident at the time and doubted myself a lot in private since it was my first time doing any of this. This show helped me solidify a new perspective on how to run things! How to be a stronger animator!)

Now again, this is such a crazy thing to say now. I'm watching people from the show I love have their contracts ending/being laid off since last year. I swear every second tweet on my tl is of an animator desperately looking for a job or on the verge of giving up. Me, Mystery, is an animator with no skin in the game, so I don't truly know what the Western animation industry looks like from the inside besides what I get from social media. Let’s be honest, for all you know, I just animate two characters kissing constantly. That is merely the surface of its impact. HEY, I MAY DELETE THIS B4 ANYONE SEES BECAUSE THIS IS KINDA EMBARASSING, the industry sucks right now. People are losing their jobs, so what I’m saying may not matter, but also I think it does maybe? I think this is just a unique perspective to where people are losing faith and hope in the animation, I re-sparked my thanks to Nocturne. Who knows, I may lose this spark as I go further into trying to break into the industry once I'm out of uni, but I’ll take what I have now and ride this new bout of inspiration and creativity. I want to tell stories. I want to bring life to still images. I know it's possible because Nocturne exists. These are real people who exist, who put their love and care into this show. Passion like that is inspiring.

I also somehow can't escape these people reading this, so if you have made it this far- thank you for making this show the way you have! Thank you to all the people both still in it and to others who have had to part with Nocturne. I will admit I have gone through the credits and made sure I could try and learn from everyone's work despite how unique/different each role is.

I hope my grammar is better than last time HAHAH, the technicality of English isn't a strong suit of mine but fingers crossed that the ideas/content are still passable.

[hinamie]

hi hina i have some art related questions! 1) is it easy to go back to an old art style on account of already having drawn in it or do you actively have to train yourself to go back? for example, i notice that your lmhs art style is softer and your current one is sharper (that's the extent of my technical art terms knowledge gomen) 2) which of your own art styles/eras is/are your favorite(s)? 3) do you prefer more stylized or more realistic art styles? 4) are you easily influenced (consciously or unconsciously) by other art styles? i know when i read something i really love, i start to mimic that style in my own writing. 4) do you have any favorite classical paintings? i know the fallen angel is one.

hi mariam!!! sorry it’s taken me so long to this so late fjhdskgdjf i won’t lie some of these questions Stumped me but i will try my best to answer !

it depends? I think a lot of my art style shifts come naturally as the result of growing and improving my skills, so “going back” to an older style might be hard to do without falling back on bad habits that I might have grown out of, or simply things that i no longer think look good. i don’t think i would have to train myself necessarily because the muscle memory is still there, but i might have to stop myself from wanting to Improve aspects of the style in ways that might fundamentally alter what made the style recognizable in the first place. in terms of the lmhs art style, or the soft/sketchy look i was using at the time, that specifically would be pretty easy to go back to I think, since it’s basically a slightly cleaned version of how my art looks early in the process :> i would just have to take a clean sketch + add colours w minimal shading, skipping the lineart and intense render 

it feels like a copout to say but i love where i am now :’> from what i’ve seen it’s almost like. a gag among artists of arcane being a catalyst fr drastic art improvement but it IS . everything about the art and animation in that show inspires me so much and it’s been great taking what I like from it and trying to mimic and adapt it into something that suits how I like to work. even though it’s frustrating that I take longer to finish a piece, I really am so happy i’m back to painting i’m so proud of my current render and anatomy and use of colour. i think i’ve finally found a good balance of textures as well and overall i’ve just been having so much fun pushing myself into new brushes and finding new ways to use old ones :D

i think i’m somewhere in the middle but leaning more into realism, especially when it comes to the way I colour. obviously there are aspects that I stylize to suit my needs but especially in terms of Other Anime Art i’m aware that I fall more on the realism side of things lol

yes omg i’m so easily influenced and that constant influx of new inspiration and learning how to adapt to it is one of the things i love most about drawing and making art!!! i kind of mention this notion in my lil gush about arcane but i LOVE looking at other artists' works or at things that inspire me and picking it apart in my brain to see what/how i can use it! i got into art by “copying” and even as i’ve grown into being comfortable enough to make my own stuff, I think that there is always value in learning from what you love and figuring out how to make what you love about it your own. maybe it’s not that deep bc i draw anime fanart but art fr me is an amalgamation of every piece of media ive loved and of everything i’ve ever found beauty in

i do love the fallen angel painting but tbh i don’t think classical art occupies a very big place in my brain fhjdskgfj my knowledge is sadly lacking :< i like claude monet and roberto ferri’s work a lot but overall i think modern art and media means a lot more to me in terms of where I draw my inspiration from

[01-05-2001]

how are you so good at writing??? genuine question tho like what is your writing process or do you have any advice for someone trying to get more into/better at writing fiction?

hi anon!! thank you, this is so so sweet :3 i wouldn’t consider myself like. an authority on writing and i definitely think i have a lot to improve on, but here’s some advice i can offer up!

my general process for my oneshots is maybe unconventional? but it works for me.

a basic premise. eg, “oh, i want to write a caldre vibrator fic. how the hell is that going to work?” and figuring out how to get from point A to point B.

this is random, but it helps me keep track. at the top of all of my fics, i write this:

TITLE:

DESCRIPTION:

TAGS:

NOTES:

the title is usually left blank for a while. but the description is an incredibly short summary of the fic’s contents. tags helps me plan in advance for posting. the notes is just anything additional about their dynamic that i want to remind myself of. i find this really helpful to check back on every now and then.

bullet pointing key scenes of the fic. helps to have a writing buddy who can help you troubleshoot or bounce ideas off of!

under each bullet point, i write the scene out like a script, adding in notes about body language or general actions. i also copy paste in any little excerpts that come to me!

i find this the biggest step in avoiding writers block: blocking the entire scene helps keep the flow uninterrupted, helps me establish a pace, and helps to establish a strong tone in dialogue that i can then follow through in action and description. worst case scenario, i can just jump into the next line of dialogue and come back to fill in the gaps.

working top-down, i follow my script and fill in the gaps with action and description! this is obviously the hardest and lengthiest part, but that’s just the truth of it. i stick on some music or a video essay in the background and get to writing!

i usually end up working the start around, restructuring paragraphs until i find a flow.

Some general advice:

write what you enjoy. nothing will burn you out faster than trying to please everyone. it doesn’t matter if it’s cringe, or ooc, or whatever you think. write it if it makes you happy.

READ MORE - and REAL BOOKS (and poetry!). seriously. i notice the fastest improvement in my writing when i’m reading regularly. look at books you enjoy and ask: why do i like this? is it the themes, the characters? is it the writing style - the rhythm, dialogue, pacing? connecting with literature and developing analytical skills will seriously help so much. look at what you like and mirror it.

back to basics. especially with longer form stuff - use classic structures like three acts, freytag’s pyramid, etc. they are classics for a reason! learn the rules so you can know how to effectively break them. consider metaphors, flow, phonetics.

also, basic grammar and structure is non negotiable - walls of text or lack of punctuation will turn anyone off no matter how good the content is. i understand english isn’t everyone’s native language, but even a basic run through a spell or grammar checker online can make a world of difference.

on a more technical level:

variety is KEY. vary sentence length to keep a tight control over pacing, to control flow. read your sentences out loud to find the rhythm. try to keep from using the same structures or starters. sometimes i have to pull up another book to remind myself of different ways to open sentences when i’ve been staring at my writing for too long, lol

balancing description with succinctness is trial and error. IMO it’s better to be sparing than excessive. “purple prose” is hard to keep track of, and can feel like padding to a story. pacing is always, always key. remember, you CAN part with things: copy and paste little excerpts into a spare document. learn to delete!

understand the impact of intentional word choice. i love punchy verbs over wordy adverbials! but i also prefer to use descriptive phrases over niche words that readers won’t know. it’s about balance: complex language has its place, but using it intentionally is key. get a feel for a word’s nuance, otherwise your work can feel like Baby’s First Thesaurus. also, NEVER underestimate the impact of PHONETICS!!!

[obstinaterixatrix]

Usopp asks sanji to write out the recipe of a favorite dish of his and let him borrow the kitchen to make it but sanji keeps Observing and Hovering

set vaguely after arlong park I guess??

—

Despite what anyone on the crew might think, Sanji isn’t actually against having other people in the kitchen. Working in a restaurant means working with a bunch of assholes who know how to sauté shit without setting themselves on fire. But while the bastards on the Baratie could barely be considered chefs, they were still—technically speaking—chefs.

He doesn’t miss the cacophony of steel and iron, of stupid banter, of order after order after order. He doesn’t miss elbowing past Patty on the way to the fridge, or heckling some dipshit’s new recipe until it’s actually worth serving, or cleaning with the geezer at the end of the day.

What he does miss is working with someone who knows how to hold a knife.

“That’s not how you fillet a fish,” Sanji says. Once he’s sure Usopp’s not in danger of accidentally cutting himself, Sanji reaches over to reposition Usopp’s hand, finger off the spine of the blade.

Usopp makes a face, probably torn between deferring to Sanji or spinning some story to brush him off. They’re still feeling each other out—it’s been a weird leap from ‘reluctant waiter and picky customer’ to ‘crewmates bound by the whims of their idiot captain.’ In the end, Usopp nods, carefully cutting into the pike while holding the knife in his new and improved posture (smart choice, less chance of losing his grip and a finger).

“You’re not cutting close enough to the—“

“Do you not want me here?” Usopp blurts out. “In the kitchen, I mean,” he clarifies, and for a second it looks like he’s going to continue, but he. Doesn’t. No backpedaling, no deflection, no convoluted over-explanation, which—isn’t Usopp supposed to lie? That’s his whole thing. Sanji knows that much, at least (but not much else).

“I’m trying to be nice,” Sanji says, eventually. To his own surprise, he means it. “If I didn’t want you here, I would’ve kicked you out.”

“…Oh.”

Usopp continues filleting the pike, and Sanji doesn’t point out the bones that are stuck in the pieces.

Alright, so, the thing is. Spending nine whole years surrounded by thugs will apparently have an impact on someone’s social skills. Which doesn’t matter with Luffy—he doesn’t really care about what Sanji says (unless it’s about food). It doesn’t matter with Zoro—Sanji doesn’t give a shit about that mosshead. And with Nami-chan, Sanji doesn’t have to think—a single glimpse of her radiant beauty is so soul-stirring that Sanji’s simply helpless against the flood of praise that springs forth ❤️

So how the hell is he supposed to talk to someone like Usopp?

Thankfully, it’s not a question Sanji has to consider for too long—Usopp clears his throat, taking the lead.

“I actually did this a lot before joining the crew,” he says, which—knife technique aside—sounds plausible.

“Yeah?”

“I must’ve grilled a thousand—no, ten thousand fish,” he continues, which sounds like bullshit. “By the time I was eight, the whole island was lining up for a taste of the great Captain Usopp’s legendary fire-grilled fish! Using spices foraged from the forest and fish caught by spear, not even the most refined palate could resist the food I poured my heart and soul into! But you see—” and here, he smiles, bright but somehow bittersweet, “I’d only cook it for my loyal crew and the princess we’d all sworn to protect.

“Now, as astounding as my own recipe was, I’m man enough to admit when I’m beat. And yours beats mine, no contest. So someday, I’d… like to cook it. For my old crew.”

It’s impressive, the way Usopp manages to be blindingly honest while lying his ass off. Sanji’s not quite sure what to make of it. If anyone else was feeding him this crap, he would’ve told them to eat shit, but…

…

“Hey,” Sanji says. “Tell me about your old crew.”

And, with a wide grin, Usopp does.

(The fish comes out fine. A little over-seasoned, but edible. They’ll work on it.)

[annadiplosis]

I’VE HAD THIS BLOG FOR 10 YEARS

Here’s to many more years of fish, vampires, aliens and bird people! To everyone who follows me and/or has praised my art, in any way, at any point, thank you, from the bottom of my heart.

I’ll be ranting about art progress and style changes under the cut, but before that, just a reminder that I’m going through a complicated time in my life and if you want to support me and my art there’s a few ways to do so.

Now back to my goofy doodles.

Maybe because I've drawn ever since I can remember, I've never felt a ton of pressure to improve my art skills. It's always been something I knew was going to happen as long as I kept drawing, and that's what I've been doing. I try not to stress too much about staying consistent with my practice or achieving any self-imposed goals. I like to discover what I'm able to do, one drawing at a time.

I also believe progress is not linear, and not every single piece is better than the last. While my 2023 art shows a higher skill level than that of 2013, I think some of my older work looks perfect the way it is. I'm drawn to expressiveness, movement, and compelling characters, and that can be achieved at any level. I've gotten better at some technical aspects, of course; my linework is far more decisive than it was before, and my endless battle with color palettes gets easier every day. I'm also capable of unwillingly drawing the crappiest, most horrendous doodle you've ever seen, just as I was in 2013. Just as we all are. I'm not sure why I find that reassuring, but I do.

When I started this blog, what really worried me was developing a distinct style. I studied other artists and stole specific elements of their work, sometimes drawing and redrawing the exact same thing until I was satisfied with the result. At some point, and I can't exactly tell you when or why, I stopped caring about that. It's not that I thought I'd found My Perfect Style, because that doesn't exist. I guess I started focusing on other stuff, and that's when my actual style started coming together. I followed my instincts, tried to strike a balance between what came naturally to me and what I was envisioning every particular piece to look like, and it worked. Any alteration my style has gone through since then has been unplanned and intuitive, and I can't see myself approaching art in any other way. I'm excited to discover what kind of artist I'll be in ten more years.

Thanks for reading this far! Warm regards from me and every notebook I've used since opening this blog (#9 to #37 in my overall archive) ♡

[kawhh]

Rules: fill in your answers then tag some mutuals to get to know them a little better

Tagged by @anqeliclust my love I am once again sending you flowers. (I’m very slow and work tired to this, I apologise)

Last song listened to; Fang Dummy by Knife Bride

Last movie watched; Technically White Chicks, even though it wasn’t the full thing again. I’ve been editing or gaming in all my free time recently.

Currently watching; If it’s not hockey, it’s mostly been woodworking videos on YouTube. I have no DIY skills but it’s incredibly relaxing for me. Add in a few twitch streams for games I’m interested in or play.

Currently reading; Embarrassingly - tumblr smut is the only thing I’ve read in a good while lmao.

Currently obsessed with; hockey, always. Trying to improve at a video game. Got my editing brain back so I’m editing a lot. Learning how people decorate jackets - bought one to customise and design so I can have the Hughes brothers on one. There’s so much to learn. Planning out my next tattoo.

Tags; @sweetestdesire @turcott3 @uluvjay (There’s never any pressure, especially if you’ve done one. I’m so late to this 🫠)

[giddlygoat]

some of my thoughts on drawing, learning the accordion, and how they apply to each other.

i have been drawing my whole life. the last time i can remember feeling genuinely ashamed of my artistic skills was when i was probably 12. at some point i was able to look at my art and realize it wasn’t anywhere near perfect, and i became okay with that. nowadays, i have no anxiety about posting my art or leaving a piece with flaws, because i like my style and i’m comfortable enough in my skills and the knowledge that there will always be room for improvement to allow myself to simply enjoy what i create.

i have always been fascinated by the accordion. around age 11 i started considering learning to play it. by 13 i saw one at an antique store and seriously considering buying it for a long time, but did not. as the years go on i find that artistic burnout is becoming more of a frequent issue with me, and i often find myself desperately wishing i had a gratifying way of expressing myself other than drawing.

i’m always humming, and doing the mouth trumpet, and clicking and clapping out tunes all day. singing and scatting are some of my favorite pastimes. i can do all this but it’s not the same as playing an instrument. i feel like it can never quite extend past my fingertips; like i’m cranking out all this energy and excitement but it can’t go anywhere. it’s like not being able to get past the sketch when you have a whole painting inside you.

about three months ago, i finally picked up the accordion. i don’t know how to read music. my understanding of the technical side of music is pathetic, although i have a good natural sense for it, and now, a good teacher. i am scared.

i have all the usual beginner issues: my hands don’t know where to go, i’m not used to the weight of the instrument, and it feels alien in a way, just to name a few.

there’s another problem, too. i’m good at drawing.

everywhere i go, i see things i want to paint. i’m taking pictures of the pickled jalapeños and carrots at work because i want to study how they interact with the opaque black plastic container, all little dynamic shapes of green and orange swimming in vinegar. i’m watching a cat stretch and yawn on the concrete and lay down in a sunbeam that looks too heavenly to be real - it gives me an idea for a sketch.

i look at the arms of the man loading hay bales with me, and try to commit to memory how the muscles move under the skin, what foot he puts his weight on, how he wipes his forehead and shifts his weight. it makes me want to draw pages of people doing mundane things, studying how weight and action and stylization works together to create something satisfying and alive. i want to do the beauty of the universe justice.

when i open procreate to draw, i am not thinking of anything. my hands know where to go, i don’t even have to look at the buttons or tools to know what i’m doing, and all these complicated layers interacting with each other and their applied effects and backgrounds etc come like second nature to me now.

the first day i used procreate, i was so overwhelmed, i was afraid to touch anything.

the first day i held an accordion, it was the same.

my problem is that i know how to look at art and examine why techniques work or not, and i don’t quite have those skills when it comes to music. sure, i can slap beautiful harmony onto any song, but heck if i know what notes they are. i couldn’t tell you what key the song is in or what defines a measure.

and i realized that while now i am looking through this frosted glass trying to make out the basic shapes behind it, one day, i will be able to peel back the mystery and truly understand not only how this instrument functions, but how music flows, too. because i see art in everything. i understand the weight of people and objects and how they would interact in a cartoon. the colors of a blooming cactus in my yard become lemony saturated in the early light and pale and dusty in the late evening. i can see the line of action in characters and better understand the composition behind paintings, and why it works.

it’s my hope, that as time spent with my accordion goes on, i will start to see music in everything, too. there’s nothing i want more than to understand it and speak its language as i do with art. i want to someday pick up my accordion and make up a melody as i would sketch out a doodle. this is the kind of stuff i think about all day.

[kafus]

digital art is something i strive to improve at but when it comes to writing i’m really just here to have fun and type out my vibes and leave. like i’m happy with where my writing is at. i don’t need to be making anything more than shipping fic and my shipping fic is fine as it is. i mostly write for my own sake and i think i’m competent enough at writing to not have my work be Unbearable to read which is more than good enough. i don’t know technical writing skills and i am never Trying to improve in particular i’m literally just here to vibe. it’s not my main hobby or anything

that being said i’d love someone smarter in this area than me to break down my incidental writing style sometime because i don’t think about it but obviously i have a writing style anyway and i think it would be interesting to have someone who isn’t me pull that apart because whatever it is is probably not planned or consciously thought about lol. what’s my accidental writing style…

if i do have any actual skill at writing (debatable) i do Not know why because i have very little experience and my education doesn’t extend past high school english classes i barely attended. i suppose i was more into writing as a main hobby on par with art before i was 14 but when i was 14 is also when i really stopped reading a whole lot… like i am soooo out of practice with that… it has been a decade since i was last particularly invested in writing

[themirokai]

hello stranger on tumblr! i am but a member of the starry-eyed youth (18 years of age) who is mulling about what i want to do in college.

i understand that what you may start out majoring in may or may not be the thing you eventually do, but i am still burdened by the Anxiety of the Future. i've played with the idea of seeking an education in law (specifically admiralty law) but i'm not quite sure.

anyway, that was a lot of exposition for a small question to ask for advice: what are some important things one should consider before possibly settling on an education in law?

thank you :^)

Dear dear Anon, I’m very flattered that you’ve come to me with this ask. And I’m more than happy to answer but this comes with the massive caveat that I was applying to law schools in 2005 which may very well be the year you were born. So my information on law school is… dated. Also, I’m assuming you are in the US, otherwise I have no idea what to tell you.

With that said, I think some things are timeless.

First, deep breath. You’re going to be fine.

Second, you can study law following any sort of undergrad work AND/OR after working for a few (or many!) years after college. I went straight from undergrad to law school but lots of my friends didn’t and they didn’t regret it.

So what does that mean for you at age 18? My best advice is to study something you’re really interested in and that you can get good grades in. Don’t force yourself to study criminal justice just because it sounds like a law thing. If you think you might be interested in admiralty law, then maybe you would be interested in an international affairs degree. Law schools care about your gpa and in my experience getting good grades is easier when you’re studying something you love.

It’s probably a good idea to take classes that improve your writing skills and some classes that make you do some creative thinking and problem-solving, but that could be almost anything.

I liked environmental stuff and ended up with a degree in physical geography and an internship that inspired me to go to law school. In my career as an environmental lawyer, understanding how erosion works and why wetlands are important has certainly been helpful. But I also worked for a water and sewer utility and I learned all that technical stuff on the job.

So yeah. Try to make choices that make you happy. Do stuff that interests you. Keep your shit together and get good grades but not at the cost of burning out.

Good luck, Anon. You’ll be okay, I know it. And please consider this an open invitation to stop by my inbox any time if you have follow up questions or just want to chat. ❤️❤️

[frenzyarts]

NSFW anon, for clarification: how long did you practice doing NSFW art to get where you are currently

Okay first of all thank you 😭💕 I’m honored you like my work that much!!!

It’s a little hard to pinpoint when I started doing NSFW art, since I’ve been drawing all my life. Probably when puberty hit me lol. But I didn’t start drawing it in earnest until I started my Patreon last October! Since then, I’ve been trying really hard to improve my skills.

On a technical level, nsfw is a lot of naked bodies. I did a lot of figure drawing in art school where we drew live nudes, best way to learn and I miss it dearly (I’ve been meaning to sign up to a local class forever!)

On an emotional level, there’s a lot of passion that can happen. Why is your subject or subjects having sex? What’s going on in their mind? Or is nothing going on and they’re just having fun?

My biggest tip is to try to capture sensuality. That’s what I try really hard to work at. Making sure I’m not just drawing mannequins pressed against each other, but that the drawings feel as alive as I can. It’s okay to do studies of artists you like to practice (as long as you’re not claiming the art is your own).

Feel free to ask me for more advice or clarification if you need it! I could talk about art all day ✨