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writingwithcolor · 3 years ago

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What Does Our "Motivations” PSA Mean?

@luminalalumini said:

I've been on your blog a lot and it has a lot of really insightful information, but I notice a theme with some of your answers where you ask the writer reaching out what their 'motivation for making a character a certain [race/religion/ethnicity/nationality] is' and it's discouraging to see, because it seems like you're automatically assigning the writer some sort of ulterior motive that must be sniffed out and identified before the writer can get any tips or guidance for their question. Can't the 'motive' simply be having/wanting to have diversity in one's work? Must there be an 'ulterior motive'? I can understand that there's a lot of stigma and stereotypes and bad influence that might lead to someone trynna add marginalized groups into their stories for wrong reasons, but people that have those bad intentions certainly won't be asking for advice on how to write good representation in the first place. Idk its just been something that seemed really discouraging to me to reach out myself, knowing i'll automatically be assigned ulterior motives that i don't have and will probably have to justify why i want to add diversity to my story as if i'm comitting some sort of crime. I don't expect you guys to change your blog or respond to this or even care all that much, I'm probably just ranting into a void. I'm just curious if theres any reason to this that I haven't realized exists I suppose. I don't want y'all to take this the wrong way because I do actually love and enjoy your blog's advice in spite of my dumb griping. Cheers :))

We assume this is in reference to the following PSA:

PSA to all of our users - Motivation Matters: This lack of clarity w/r to intent has been a general issue with many recent questions. Please remember that if you don’t explain your motivations and what you intend to communicate to your audience with your plot choices, character attributes, world-building etc., we cannot effectively advise you beyond the information you provide. We Are Not Mind Readers. If, when drafting these questions, you realize you can’t explain your motivations, that is likely a hint that you need to think more on the rationales for your narrative decisions. My recommendation is to read our archives and articles on similar topics for inspiration while you think. I will be attaching this PSA to all asks with similar issues until the volume of such questions declines.

We have answered this in three parts.

1. Of Paved Roads and Good Intentions

Allow me to give you a personal story, in solidarity towards your feelings:

When I began writing in South Asia as an outsider, specifically in the Kashmir and Lahore areas, I was doing it out of respect for the cultures I had grown up around. I did kathak dance, I grew up on immigrant-cooked North Indian food, my babysitters were Indian. I loved Mughal society, and every detail of learning about it just made me want more. The minute you told me fantasy could be outside of Europe, I hopped into the Mughal world with two feet. I was 13. I am now 28.

And had you asked me, as a teenager, what my motives were in giving my characters’ love interests blue or green eyes, one of them blond hair, my MC having red-tinted brown hair that was very emphasized, and a whole bunch of paler skinned people, I would have told you my motives were “to represent the diversity of the region.”

I’m sure readers of the blog will spot the really, really toxic and colourist tropes present in my choices. If you’re new here, then the summary is: giving brown people “unique” coloured eyes and hair that lines up with Eurocentric beauty standards is an orientalist trope that needs to be interrogated in your writing. And favouring pale skinned people is colourist, full stop.

Did that make me a bad person with super sneaky ulterior motives who wanted to write bad representation? No.

It made me an ignorant kid from the mostly-white suburbs who grew up with media that said brown people had to “look unique” (read: look as European as possible) to be considered valuable.

And this is where it is important to remember that motives can be pure as you want, but you were still taught all of the terrible stuff that is present in society. Which means you’re going to perpetuate it unless you stop and actually question what is under your conscious motive, and work to unlearn it. Work that will never be complete.

I know it sounds scary and judgemental (and it’s one of the reasons we allow people to ask to be anonymous, for people who are afraid). Honestly, I would’ve reacted much the same as a younger writer, had you told me I was perpetuating bad things. I was trying to do good and my motives were pure, after all! But after a few years, I realized that I had fallen short, and I had a lot more to learn in order for my motives to match my impact. Part of our job at WWC is to attempt to close that gap.

We aren’t giving judgement, when we ask questions about why you want to do certain things. We are asking you to look at the structural underpinnings of your mind and question why those traits felt natural together, and, more specifically, why those traits felt natural to give to a protagonist or other major character.

I still have blond, blue-eyed characters with sandy coloured skin. I still have green-eyed characters. Because teenage me was right, that is part of the region. But by interrogating my motive, I was able to devalue those traits within the narrative, and I stopped making those traits shorthand for “this is the person you should root for.”

It opened up room for me to be messier with my characters of colour, even the ones who my teenage self would have deemed “extra special.” Because the European-associated traits (pale hair, not-brown-eyes) stopped being special. After years of questioning, they started lining up with my motive of just being part of the diversity of the region.

Motive is important, both in the conscious and the subconscious. It’s not a judgement and it’s not assumed to be evil. It’s simply assumed to be unquestioned, so we ask that you question it and really examine your own biases.

~Mod Lesya

2. Motivations Aren't Always "Ulterior"

You can have a positive motivation or a neutral one or a negative one. Just wanting to have diversity only means your characters aren't all white and straight and cis and able-bodied -- it doesn't explain why you decided to make this specific character specifically bi and specifically Jewish (it me). Yes, sometimes it might be completely random! But it also might be "well, my crush is Costa Rican, so I gave the love interest the same background", or "I set it in X City where the predominant marginalized ethnicity is Y, so they are Y". Neither of these count as ulterior motives. But let's say for a second that you did accidentally catch yourself doing an "ulterior." Isn't that the point of the blog, to help you find those spots and clean them up?

Try thinking of it as “finding things that need adjusting” rather than “things that are bad” and it might get less scary to realize that we all do them, subconsciously. Representation that could use some work is often the product of subconscious bias, not deliberate misrepresentation, so there's every possibility that someone who wants to improve and do better didn't do it perfectly the first time.

--Shira

3. Dress-Making as a Metaphor

I want to echo Lesya’s sentiments here but also provide a more logistical perspective. If you check the rubber stamp guide here and the “Motivation matters” PSA above, you’ll notice that concerns with respect to asker motivation are for the purposes of providing the most relevant answer possible.

It is a lot like if someone walks into a dressmaker’s shop and asks for a blue dress/ suit (Back when getting custom-made clothes was more of a thing) . The seamstress/ tailor is likely to ask a wide variety of questions:

What material do you want the outfit to be made of?

Where do you plan to wear it?

What do you want to highlight?

How do you want to feel when you wear it?

Let’s say our theoretical customer is in England during the 1920s. A tartan walking dress/ flannel suit for the winter is not the same as a periwinkle, beaded, organza ensemble/ navy pinstripe for formal dress in the summer. When we ask for motivations, we are often asking for exactly that: the specific reasons for your inquiry so we may pinpoint the most pertinent information.

The consistent problem for many of the askers who receive the PSA is they haven’t even done the level of research necessary to know what they want to ask of us. It would be like if our English customer in the 1920s responded, “IDK, some kind of blue thing.” Even worse, WWC doesn’t have the luxury of the back-and-forth between a dressmaker and their clientele. If our asker doesn’t communicate all the information they need in mind at the time of submission, we can only say, “Well, I’m not sure if this is right, but here’s something. I hope it works, but if you had told us more, we could have done a more thorough job.”

Answering questions without context is hard, and asking for motivations, by which I mean the narratives, themes, character arcs and other literary devices that you are looking to incorporate, is the best way for us to help you, while also helping you to determine if your understanding of the problem will benefit from outside input. Because these asks are published with the goal of helping individuals with similar questions, the PSA also serves to prompt other users.

I note that asking questions is a skill, and we all start by asking the most basic questions (Not stupid questions, because to quote a dear professor, “There are no stupid questions.”). Unfortunately, WWC is not suited for the most basic questions. To this effect, we have a very helpful FAQ and archive as a starting point. Once you have used our website to answer the more basic questions, you are more ready to approach writing with diversity and decide when we can actually be of service. This is why we are so adamant that people read the FAQ. Yes, it helps us, but it also is there to save you time and spare you the ambiguity of not even knowing where to start.

The anxiety in your ask conveys to me a fear of being judged for asking questions. That fear is not something we can help you with, other than to wholeheartedly reassure you that we do not spend our unpaid, free time answering these questions in order to assume motives we can’t confirm or sit in judgment of our users who, as you say, are just trying to do better.

Yes, I am often frustrated when an asker’s question makes it clear they haven’t read the FAQ or archives. I’ve also been upset when uncivil commenters have indicated that my efforts and contributions are not worth their consideration. However, even the most tactless question has never made me think, “Ooh this person is such a naughty racist. Let me laugh at them for being a naughty racist. Let me shame them for being a naughty racist. Mwahaha.”

What kind of sad person has time for that?*

Racism is structural. It takes time to unlearn, especially if you’re in an environment that doesn’t facilitate that process to begin with. Our first priority is to help while also preserving our own boundaries and well-being. Though I am well aware of the levels of toxic gas-lighting and virtue signaling that can be found in various corners of online writing communities in the name of “progressivism*”, WWC is not that kind of space. This space is for discussions held in good faith: for us to understand each other better, rather than for one of us to “win” and another to “lose.”

Just as we have good faith that you are doing your best, we ask that you have faith that we are trying to do our best by you and the BIPOC communities we represent.

- Marika.

*If you are in any writing or social media circles that feed these anxieties or demonstrate these behaviors, I advise you to curtail your time with them and focus on your own growth. You will find, over time, that it is easier to think clearly when you are worrying less about trying to appease people who set the bar of approval so high just for the enjoyment of watching you jump. “Internet hygiene”, as I like to call it, begins with you and the boundaries you set with those you interact with online.

#PSAs #asker concerns #diversity #motivations in writing #writing with diversity #blog housekeeping #internet hygeine #asks #WWC

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kiivg · 2 years ago

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What your art process? Do you do the backgrounds first or last? How do you pick colors? Sorry if you answered ask like this before. I am just big fan of how the art is completed looks! I like looking at all the small things and people in background!

.Thank you so much!! I am trying very hard with my art at the moment to do a few new things, always trying to improve, and I'm super enjoying it at the moment despite the 8,000,000 year art block I had hahaa.

.There's a sort of in depth look at my process below, but also I have a gigantic grand total of 2 videos on my youtube channel and I do not know how to record on this tablet so idk what's going to happen there :)c.

.So initially, I don't ever just sit down and draw something, like I have to at least have a vague idea in my head of what I want to draw. Right now it's all Dragon Age because I replayed DA2 and actually managed to do the Fenris romance, and then I wanted to try his rivalmance because Anders' rivalmance is delicious but apparently Fenris' sucks so... Wah. Also Sebastian ehehehee.

.Anyway, (if these pictures are unreadable I will scream and upload them separately), Depending on how clear my idea is on what I want the picture to look like depends on how clear the initial sketches are that I do. Like I could try to draw a few different angles or a few different poses, or start drawing like, for example, Hawke dancing whilst playing the lute thinking he was going to be in a tavern, and then changing it to a more sombre version of him in Crestwood at night with a few of the Inquisitor's companions. Like I say a lot, I like to have a story in mind with each picture, so the Champion in Crestwood image lead to things like, does Hawke have a fling with Dorian where he's very clear about not being able to give him what he wants (re: a boyfriend), because he's still in love with Sebastian, despite them breaking up years ago (re: Anders blows up the chantry). And I think that adds up to a lot in the picture, because it lets you put more things in that fit into a context; even if the majority on that picture is covered up by people.

.If I don't know what I'm drawing entirely, then I'll draw it in sections, like I'll draw what I know I want to draw, and then kind of fit things around it. The exception being that if I have a particular angle I want to draw, then I will sketch only the thumbnail and then the background, and then fit the thumbnail sketch better to the background, and then carry on as usual. Most of the time, the background is just framing lines and maybe the vague outline of what could end up being a pillar, or a flag, or a statue, or those kinds of things.

.Somethings end up being like a foreground filler (Varric is surprisingly good for that haha), which add another layer to the picture and hide something that can be quite monotonous, like drawing Meeran's trousers in that last picture, I didn't feel like they were interesting enough, so I just put two people playing cards in the front. It makes it a lot better, like yes, I did draw Meeran’s trousers, and his boots, and I ended up removing them.

.But that’s a lesson I had to learn. I can actually draw something, completely line it, and then decide, actually it’d be cool if this was there instead, and just erase part of my picture. Like so many times I’ve watched youtube timelapses and watched people sketch everything, and then line everything, and then colour everything, and nothing is ever thrown away. But you can throw it away if it doesn’t fit, and you don’t get special artist points for not doing that or whatever idk, imaginary artist rules are dumb.

.One thing I do want to say is that when I’m drawing, I do take several hours to do a picture. Because like the Fade picture, that background is so line heavy, so many lines, so much to colour in and shade and everything. But it looks so cool haha. And since I take several hours I can get bored of just linearting the same thing. I’m not going to enjoy drawing someone’s outfit from head to toe in one sitting. It’s just too samey for me, so I like to flit around the picture. I’ll draw Carver’s face, and then I’ll draw Hawke’s face, and then I’ll draw Carver’s hands, and then start on the Inquisitor. Not only does it keep my brain finely tuned to what I’m doing, it also gives me fresh eyes on what I’ve already drawn.

.Adding to this, it’s also good to go back to the sketch when I’m slowing down on lineart. I don’t know about other people but I don’t use pen pressure, all my lines are 3px, that is extremely samey across the whole picture, it can become kind of repetitive. So I go back to the sketch, and if there’s nothing that I haven’t drawn properly or clearly enough (I hardly ever sketch hands/feet or the things connected to on the first go round) I just add something else in. Maybe someone could be wearing another belt, or some fancy embellishment on their clothing, or maybe a whole other dude is there in the background. Just the simple action of going from clean straight lines to messy chicken scratch kind of loosens up the hands and switches the brain round, and after I’ve sketched what I need to, I’m fresh on the lineart again.

.So onto colour, I’m not going to lie, I do a lot of colour picking initially from my old stuff haha, and then edit it from there. It allows me to kind of pick skin/hair tones and then build off of those, so I’m not just white canvas to colour immediately. I also tend to sick to a very loose colour gamut, ranging from desaturated blues, purples, pinks, reds, and sometimes desaturated yellows. I don’t like using orange and I don’t like using green, the exception being the Fade picture which HAS to be green so I’m brave, I left my comfort zone there, and it worked, lmao, whatever.

.But what I start with is a limited palette, I have maybe three or four colours to start with, and then I slightly change those colours depending on what I need. Like for an example, does Sebastian’s jacket need to be lighter than his pants or darker, then I can just grab the colours of his pants and then change it as per what I want.

.The secret, imho, is putting the colours of people into the surrounding area like I explain below. It makes their skin or their hair or their eye colours fit in to the picture; it’s like an alternate version to reflective light (I think?). Yes this character does have blue eyes, but in this picture? Purple. Yes this character does have grey hair, but in this picture? It’s golden. It’s reflective light, it’s a colour gamut, and it’s colour theory. Which I’m not an expert on and other people can probably explain it better :).

.Throughout the picture’s process I will tend to change the colours of some things, or add layers of “Darker Colour” or “Subtract” or all those fancy things because I sort of know how they work. I used to use the “Soft Overlay(?)” but I prefer “Lighter/Darker colour” because it will only change a percentage of the image. Like for the picture above I made the whites of Sebastian and his wife’s clothing more yellow and subsequently warmer using the “Darker Colour” filter. If you experiment with those, you’ll learn how to use them how you like.

.For changing the colours of things (like Varric’s coat or the wine tray), it’s mostly about trying to balance the image out. It added some darker elements to the picture above because everything was no longer super pale. It frames Sebastian, his wife, and Hawke in a better way, they are essentially the brightest things in the picture.

.I also found out that personally I like to make things dark and the add highlights as opposed to the other way around. I feel like adding an orange light can be more beneficial than adding a blue shadow. But you could also do both which looks banging. Another thing with colour is the actual colour of the lineart. I usually take the darkest colour on the picture, and put it at anywhere between 15% and 50% on a layer above that only affects the lineart. (Can’t remember what that’s called exactly oops.) but that also helps to tie the picture in together.

.Anyway!! Thank you again! I’m having a lot of fun drawing and have gained a lot of followers lately, hello :). I’m always open to questions (especially about my OCs god if you ask me about them I will just be ecstatic) and I love reading all your tags and knowing all the pain I caused with that picture of Carver in the Fade >:)c hehhehehehh.

.Hopefully this is helpful? Or Interesting? Or, if this is TLDR: Sketch, lineart; you can do those things simultaneously, colour gamuts are your friend, the state of your art is not permanent, and I love you :).

#answer #anon #art analysis #process #artists on tumblr

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corpsoir · 2 years ago

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hello! so I don’t really know how to word this in a non word vomit kind of way so my apologies ahead of time! One of my further questions about art especially digital art is finding a nice in between style of realism & “cartoony.” I personally struggle with the realism kind of art somethin about drawing real people is extremely difficult for me, I don’t want to draw them like fully real like but I do think my art could improve if I figured it out. Do you have any tips or recommendations to help with finding this? My other question is a bit more into coloring, i think I’m getting a little better at it but I’m still a tad confused on things like shading how to do lighting all that extra stuff people add when it’s not just flat color. Hopefully I make sense? I’ve been watching videos on digital painting & it’s helping but sometimes the ones I watch kinda go over my head & I was wondering you had any other tips/tricks or could dumb it down for me. Please & thank you sm again I really appreciate your help 💘

yeah sure i have lots of tips and thoughts im sure other people might find useful or fun to read as well!

i just wanna preface this by saying this is how just i do things and by no means am i saying im doing it "right" or that there even is a right way to do art. have fun! art is just a by-product of being human, nobody can do art more correctly or better than anyone else, its just art, its like breathing!

the best tip i can give to anyone looking to improve their art, especially when it comes to drawing people and light and shade, is taking a real life figure drawing class!

i know it can be expensive depending on where you live etc but if you ever get the opportunity, DO IT! its seriously so valuable especially if you have a teacher who is good at explaining 1) how to think when youre drawing and 2) can point you in the right direction and give you tips personally according to your abilities

when it comes to balancing realism and a more stylised cartoony style the best thing here is also to learn how the real human body works and looks. and again a figure drawing class can help here but so does looking at pictures, looking at your own body and how it moves and how light plays on your skin etc! i think in order to stylise something its always helpful to have that background knowledge of how something looks like in real life, that way you can sort of abstract the thing youre drawing and simplify it with simple shapes. i think one of my favourite examples for this that a lot of people struggle with is hands. people tend to want to draw every single finger in detail, and sometimes that can look a little bit stiff. heres a bunch of hands ive scribbled lately, notice how theyre all just. idk. shapes? especially the little negative spaces that trick you into seeing a finger when in reality its just a blob with a hole through it.

you read them as hands but theyre really just. blobs mostly.

there are tons of books on anatomy for artists as well and those might help! i dont have any tips there though, most of my knowledge on the human form is from figure drawing and looking at my own body and stuff :))

and COLOURS! so i always work with a limited palette for my art. instead of going in and picking new colours all the time and ending up with an inconsistent muddy mess like i used to, i have made a nice palette with colours i enjoy and that go together well.

lots of reds and browns and purples here, but thats just my personal preference for how i work with colours lol

and im gonna be really annoying with this but when it comes to shading things "right" this is something you gotta practice practice and practice, by looking at real world examples and trying to replicate it on paper (or digitally i guess). i still have a lot to learn, i struggle with light and shade still too and its fine, its a learning process!

but anyways this is how i usually do the light in my art, and i think this piece is the best example because its a very bright light source and stuff

excuse my handwriting lol my thinking when it comes to light is just. im trying to think about what im drawing as a 3d object, so in my head i try to visualise for example how the light will fall on their weird hair shapes and their skin and clothes.

oh and also i just found a compilation of a bunch of videos by an artist who is really good at explaining a lot of stuff i do too! its REALLY long but she's got so many good tips on how to think about art and its really helped me a lot since i stumbled upon them. shes also really great at explaining colour theory in a way that made it so much easier for me!

youtube

hope this helps at least a little bit lol im not a good teacher sorry!!

#sorry if this is just a jumbled mess im hungover and tired lol jgkhldfgd #colour theory #art tips #ask

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obeiii-mee · 3 years ago

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Hello! Can I request an hc about a shady MC who's not phase by anything in Devildom with the brothers (and Diavolo?? he deserves love!!!)? Like, when Luci's like "i CaN KiLL yOu hUmAN", MC's reaction was like "Oh... congratulations then." i need more shady mc who may or may not be planning to ruin your life😂😂 Thanks and take care!!❤❤

The Brothers + Diavolo with an MC that is not phased by DevilDom

__________________________________

Pls I need more shady MC, they would not take any shit from the brothers. Put any Gen Z-er with these guys and you’ve got yourself a suicidal and reckless human exchange student.

They wouldn’t know what to do with one of those ahaksbakanhaka you’re right, Diavolo deserves all the love >:(((((((

You better take care too >:( thanks for sending me this big brain request. I’ve been preoccupied with other projects so I took a while to get to this ask. Hope you’re doing OK💙

____________________________________

Lucifer:

-He thought having a human exchange student was going to be bad enough as it is but this…..this was so much worse than he could have ever imagined

-The moment you arrived, he already knew you were going to be a problem child and a persistent one at that

-Literally the first thing you asked him was : “Why do you look like an off-brand Levi Ackerman?”

-And he was left there, astounded, confused and offended because he had no idea who you were talking about (cuz at that point you hadn’t met the third eldest) and the tone you had was, frankly, pissing him off

-You kept wondering off on your own????? Without looking like you gave a shit even though you almost walked into a butcher’s shop that specialises in human meat???? Tf MC?

-Also really irritated that you couldn’t be intimidated and that DevilDom was like a playground to you, for some reason? Like, MC get out of the fiery pits of eternally tormented souls- this is Hell, not the McDonald’s ball pit ffs

-Things did not improve for him lmao, by the end of the first week he had already ripped out a good chunk of his hair because of you

-“MC, you should know by now provoking demons like this for no good reason is only going to make life harder for you. Keep this up and you’ll get killed in no time because of your behaviour.”

-“Great, can we have a hip-hip and a hurray?”

-In the span of one day, he’s had to come to your rescue six times (approximately) because you’re too nonchalant about your surroundings around literal creatures of hell

-He doesn’t have enough coffee or will to live for this bs

-“Lucifer, I found this dead plant and brought it here because it reminded me of you.”

-“…..sigh. Why? Why does it remind you of me?”

-“Because it’s cold and unresponsive.”

-He made the consecutive decision to ignore you

-(low-key kept the plant tho)

-Honestly, you get on his nerves a lot and he has definitely contemplated killing you in the past but at the end of the day he really can’t bring himself to do it

-We both know he tried a few times lmfao

-“I will tear you limb from limb, human-“

-“Can I finish my tea first.”

-“You…wait, what?”

-“You’re crazy if you think I’m letting this tea get cold. Try to kill time before I’m done and I’ll smash this cup against your head.”

-If you try hard enough, you might even elicit a laugh out of him, especially if your shadiness is directed at any of his brother which results in him patting your head affectionately

-Nowadays he’s just concerned because you seemed to have made an alliance of sorts with Belphagour and Satan and that’s not a good sign

-For his sake, if not yours, at least try to survive the year without getting chomped on by a random demon please

-He’s too stubborn to let you die just because you’re unbothered by everything so cut him some slack and help out damn it

Mammon:

-“Oi Lucifer, how come I’m stuck babysittin’ this stupid human?”

-“And how come I’m stuck with this asshole for a tour guide, with his fake ass designer shoes and no brand sunglasses. That’s a lot of smack talk from someone with crow shit stains covering the back of his jacket. Also, did you stick your hair in a bucket of mayonnaise?”

-……..

-He was so offended lol

-Normally, humans like you cower in fear whenever demons are as much as mentioned because of the whole “I can eat you whole” thing

-And here you are; insulting the Avatar of Greed and one of the princes of Hell himself just because you didn’t like his attitude

-Don’t worry tho, he warms up to you in less than a fucking month simply because you still come to his rescue whenever his brothers start insulting him and wow, look at that, his heart is now combusting on the floor

-“Y’all have no right to criticise Mammon when he has the most self control out of all of you.”

-“Since when does Mammon have any self control? He can’t keep himself from nicking anything that looks shiny.”

-“Motherfucker, I don’t see him trying to choke me to death, respectfully pls shut the fuck up. I don’t want to say I have favourites but if I do, it’s definitely him.”

-While Mammon’s in the background, with hearts instead of pupils in his eyes like ❤️👄❤️

-He doesn’t even mind running around after you anymore (will still complain about it though because your ass is in constant danger and he’s had enough)

-Honestly, you keep starting shit with random demons, some of which are quite powerful mind you, and you don’t back down even when he’s there to step in

-Would low key love to watch you fight one of your classmates at RAD and organise a ticket selling booth for the event but Lucifer will hang him a new one if he does

-So for now, he sticks to baring his teeth at the aggravator in question and you’re there, giving the same demon the middle finger

-The way you sometimes match his energy gets him so hyped up lmao

-“Mammon, did you steal Levi’s money again?”

-“T’s none of her business human. Now go away, shoo!”

-“Bitch, don’t ‘shoo’ me, I ain’t a bird. Now tell me, did you?”

-“…..Why do you ask?”

-“Because a new flavour of instant noodles just got announced, called ‘Super Hell-Sauce Flavour’ and I thought you might be more interested in that than wasting the money on gambling.”

-“….ok but only if you come with me to buy some.”

-This…this is true love right here

Levi:

-Oh no, now there’s two of you

-Why do I feel like his energy would match MC’s almost immediately? Maybe it’s because he spends too much time in his room on the internet like the rest of us do

-“What do you want, you stupid normie?”

-“300…..”

-“….300 what?”

-“300 mangas collected, thousands of episodes of anime watched, over 60 character figurines, plushies, body pillows, merchandise and several posters only to be called a fucking normie by a demon weeb that’s only known me for 10 minutes.”

-Boom, instant friendship

-He becomes attached to you almost immediately and now that he knows how unphased you are by DevilDom, he is seriously worried

-Hell, you’re making him consider going outside his room just to make sure you’re alive and not dead in a ditch somewhere because you decided to get on someone’s nerves that particular day

-Even during the quiz thing, when he almost kills you, you’re just sitting on the floor and awkwardly watching him as he throws a sissy fit

-Levi feels sort of conflicted with you because one one hand you’re good company and he loves having you around, you’re his Henry after all

-But on the other hand, you put yourself in so much danger it makes him paranoid so often to the point where he wants to keep you locked in his room and wrapped in bubble wrap

-Nearly had a heart attack when you almost walked right into a pit of lava like MC???? This isn’t one of his video games???? You’re not gonna respawn if you die????

-Besides all that, he gets a bit jealous of you confidence and your ability to just do whatever without fearing death or consequence

-“MC, how do you do it?”

-“Do what?”

-“How do you go about your life without a care in the world?”

-“I guess I’ll tell you my secret Levi. I’m not like other humans that’s why, I’m just so unique I do things differently.”

-“You sound like a pick me-“

-As long as you’re OK and not injured because of your carelessness, he’s indifferent about your behaviour and will even applaud you for your bravery when it comes to this sort of thing

-“lmao the human exchange student just dumped Solomon’s cooking in the trash while looking him dead in the eye 💀💀💀”

Satan:

-Your attitude towards DevilDom and demons in general kept him entertained, if nothing else

-You rarely seemed to consider how much of a threat that place really is and usually you were just running around, completely ignoring Lucifer’s rules and doing your own thing

-Which, you know, he’s all about

-I can’t say there were no incidents between the two of you

-With his short temper and your tendency to say things without caring about the consequences, there were definitely moments when he might’ve snapped on you

-“MC for goodness sake, what happened to my room?”

-“What do you mean?”

-“It’s an absolute mess! I just told you to bring me my spells and curses book, not mow through everything!”

-“It’s not my fault this place is built like a fucking labyrinth. You should be grateful I went to get it for you at all, I almost tripped and died several times on my way back. Also, you should get a new ladder for your shelves. It did the broken.”

-“MC….”

-“Yes?”

-“You are so lucky I love you.”

-Other than the fact his anger takes over him when things like these happen, he not so subtly encourages you to keep going because seeing Lucifer scowl at your antics gets him wheezing his lungs out

-I like to think Satan would be very impressed, even in the beginning, at the amount of nonchalance you can radiate at times

-I mean, you sure as hell don’t see it often and he loves how unpredictable you are more often than not

-If anything, he should probably thank you-idk how, but his patience has increased significantly every since you got here and he appreciates having some more control of his emotions

-“I’m gonna go put oil in Lucifer’s shoes.”

-“Do you have a death wish?”

-“Satan, I am old enough to make my own decisions and I concluded that this action is necessary.”

-“Necessary for what?”

-“Raising everyone’s morale! All of you seemed to feel down lately so I thought this would be fun for everybody!”

-“Except Lucifer, right?”

-“Except Lucifer. He grounded me from my D.D.D like I’m a fucking teenager who needs to be supervised-pssshht, I’m the most responsible one here.”

-“Yes clearly.”

-“Goodbye dear Satan, I may die today. But it’s for the greater good! (Dramatic exit with sound effects)”

-“WAIT MC!”

-“(pops head back in) yes?”

-“May I offer you my assistance?”

-You’re basically taking turns pranking his brothers and it’s hilarious

-Satan is not too worried about your well being simply because he knows his siblings and him are always going to be nearby to save you if you pull something stupid again

-Even so, he checks up on you throughout the day; just to make sure

-“Where were you?”

-“Running from a bunch of demons. Who wanted to go munchy crunchy on me, I assume.”

-“……”

-“Either that or people here are a lot friendlier than originally expected.”

-You can be such a handful and it really tests him, especially when he’s angry enough to begin with

-But despite your amazing talent at either getting completely lost around Hell, purposely walking into a prohibited place just because you felt like it or riling up others with how blunt you are, he still cares about you deeply

-You may be a pain the ass, but you’re his pain in the ass <3

Asmo:

-He should’ve known something was up with this particular human when you stood there, completely calm and collected, while Beel salivated at the thought of eating you on your first day

-Asmo just brushed it off for a while but it kept happening???

-The first time Lucifer ever told you off, you really went and said “Or what? Are you going to eat me? If so, you can go ahead and start with-“

-He came to your rescue and covered your mouth before you got to finish and before Lucifer unleashed his wrath on to everyone in that house

-“OOPSIE! I think MC has been spending too much time with me. Sorry Lucifer, we gotta run now! We have a party to attend, don’t we MC darling?”

-“You mean the one hosted by the guy that tried to kill me because I shoved into him on the hallway at school and then proceeded to tell him to go fuck himself right back into whatever hell hole he was born in before you came and charmed our way out of it?”

-“Yes.”

-“Ah OK. “

-You’re tiring for sure but you’re not exactly unlikeable

-You have a certain charm hanging about you that Asmo loves

-“I almost died like…30 minutes ago.”

-“WAIT WHAT?? WHY?? WHAT HAPPENED-MC ARE YOU OK???”

-“Yeah, I almost drank some poison today because someone told me it was water. It smelt off though so I didn’t.”

-“….”

-“Anyway, I got you this bracelet on my way home.”

-He really does wish you would take things a bit more seriously

-This is your life on the line, you know? What would he do if you died?

-“MC, you’re not immortal, you can die so much more easily than I can, you know that right???”

-“I don’t care.”

-“Well I do! And you should too….”

-A lot of people don’t see past his vanity tbh, because he can be such a caring person towards the people he loves

-The amount of videos he has of you appearing to be completely calm while pure chaos is descending in the background is pretty impressive

-Every time he uses his charm on you to try and get you to commit his sin, it just doesn’t work???? For some reason???? And even if it’s just with simple, innocent affection for now, he is determined to tempt you into it

-“MC~gimme a hug!”

-“But that’s social interaction and I don’t support it- do you have a charger for my D.D.D by any chance?

-Or at least die trying to ig

-Asmo loves having you around but you’re giving him wrinkles and that’s not okay >:(

Beel:

-The moment he realised how carefree you actually were, he sort of started checking up with you quite frequently throughout the day

-It’s his way of protecting you but if he could, he would follow you around all the time

-Becomes your body guard because you may not care enough about your safety but he certainly does so get ready to be carried everywhere

-You will not get hurt nor will anyone mess with you if he has a say in it and let me tell you, he does

-Thing is, his brothers mostly know him for being slightly dense in some aspects of day to day life

-He’s not perceptive of things that don’t involve food or his loved ones

-And because you most definitely are a loved one of his, he does notice how careless you are really often

-And it scares, rather worries, him because DevilDom is an incredibly dangerous place-even with all the precautions they had taken when you came

-“MC get down, you could fall.”

-“But Beel, look-I’m finally taller than everyone else! Taller than you even! Hey, should I do a backflip?”

-He has no idea why you thought jumping from 60 meter high cliff into a small river of squashed demon blood was a good idea but he wasn’t going to risk anything just because you felt like showing off your diving skills

-Proceeds to carry you away, completely unfazed

-In this case, I feel like Beel is not someone who gets bothered by the horrible things happening around there either

-As long as he has food and his family is safe and happy then he’s also happy, as mentioned above

-But he knows he’s alright with DevilDom because he’s been living here for centuries now

-A bit curious as to why you’re so unbothered

-And even more curious as to why you weren’t terrified of him transforming in his demon form after he lost control when he found out you ate his pudding

-Or more like Mammon did and pushed the blame on you

-“YOU. ATE. MY. PUDDING!”

-“Beel I love you but if you did not just see Mammon shoving the damn container in my mouth two seconds prior to this, then you might need glasses.”

-He apologised to you later for it but even so, you didn’t seem to mind like at all and he didn’t really understand why

-Unless you end up explaining why exactly you feel so indifferent about your life being in potential danger, he won’t really pry

-But now he has even more reason to follow you around like a lost puppy

-Since it’s clear you don’t really care about protecting yourself

-So now it’s his job to do it

-MC protection squad? Mostly Beel and Mammon

-ahhh he cute

Belphie:

-Oh

-You piss him off so much

-He’s trying to have his moment, you know?

-Finally getting that glimmer of satisfaction after killing a human as a way to avenge his sister’s death

-Trying his hardest to make it as miserable as possible because he has so much rage in him, he needs you to suffer

-“Harder Daddy-“

-“Oh fuck off.”

-Nah but for real, what the fuck MC

-Why does he even bother, he feels like he should be sleeping instead of dealing with your bullshit

-Even afterwards, when your future self shows up and he tries to kill you again, you look more thoughtful than irritated???

-Lucifer and Beel are literally holding him back from doing another Chocky on you and you’re standing there, looking at him with your eyebrows raised

-“Hey Belphie, I have a quick question. I know you’re trying to kill me and everything but do you like the colour blue?”

-“HUH??!?!”

-“It’s a simple yes or no question Belphie. Do. You. Like. Blue?”

-“WHAT DOES IT MATTER???!!!”

-“BELPHAGOUR, AVATAR OF SLOTH-YES OR NO, JUST FUCKING ANSWER!”

-“YES! FUCK YOU!”

-“Ah ok thanks. I like blue too :)”

-????????????

-Pls he felt like sticking his foot down your throat

-As of late, he’s kind of glad he didn’t manage to scare you away that day and that he didn’t traumatise you or something

-At the time, he was mad because he didn’t understand why you weren’t scared but now he just wants to make it up to you

-“You didn’t deserve any of that. I’m sorry MC, I won’t blame you if you decide to stay away from me now.”

-“Stfu dipshit, what’s gotten you so depressed? Did you have another fight with Beel? I told you not to eat the last slice of cake.”

-“Rude ass, I was trying to apologise for my past mistakes-let me repent will you?”

-“Said no demon ever. Now let’s go hang out you emo bitch.”

-Y’all vibe together on a spiritual level once that shit gets sorted out

-But he’s kinda scared you might pull out a knife on him ngl

-Obviously, you’re still annoying as fuck with that indifferent attitude of yours but he can live with it

-He appreciates the fact that you’re not scared of him, even after what he’s done

Diavolo:

-Ah yes, the future King of DevilDom himself

-He’s very enthusiastic about the idea of you having fun this year…..and to keep you alive….

-He, of course, expected a range of reactions from you when he first summoned you here

-None of which were “Ok but could you not have given me a heads up? Before the whole teleportation thing? I face-planted your onto marvellously polished the floor and now I think I lost even more brain cells than before.”

-He felt so bad gagajajahahwgehhsb

-He apologised for bringing you out here without any warning like that and then proceeded to introduce you to everyone

-Diavolo is actually kind of relieved to see you’re handling everything pretty well

-He thought that maybe DevilDom was too much for a human to deal with

-Meeting Barbatos also went incredibly smooth

-“Barbatos? The one that cleans the floors right? Big fan of your work, I could eat off the floor of the main hall.”

-He’s so glad to see you getting along with everyone and not getting intimidated by the brothers

-It gets him excited thinking about how the exchange program is gonna work and all three realms will be united

-But he’s not stupid so don’t think he’ll allow you to stumble around, getting up to all sorts of mischief

-He always has someone watching you because he would hate to see you die, despite being pretty fond of your carefree attitude

-“MC, please be careful. Most demons here aren’t all that nice.”

-“Aye aye Captain.”

-He fears that many demons would take your indifference as a challenge and try to assert dominance or something by kidnapping you

-As far as creatures of hell go, they love installing fear in people

-So he always keeps an extra eye open for you

-And he’ll be there to help you if something goes wrong

-But other than that, he’s pretty chill as well and he finds you so hilarious, it’s been a while since he’s seen someone as eccentric and dramatic as Mammon and Asmo

-Idk what else to add here, Diavolo is very accepting and as long as you don’t get hurt, he’s glad you can get used to your new surroundings so easily

———————————-

Al~

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dinosaurtsukki · 4 years ago

Text

being the MSBY Jackals’ physiotherapist

anon: HEY BOO! LISTEN BEING THE BLACK JACKELS PHYSIOTHERAPIST! I can imagine a lot of damage I- bye 😽 I could I please have that as a headcanon 👉👈 thanks! ❤️ (that is a If requests are open..)

they are most definitely open and OH MY GOD THIS IS SUCH AN AMAZING IDEA WHEN I GOT THIS I COULDN’T WAIT TO START. i’ve been watching a lot of vids on what physical therapists do too and i hope you like this it was so fun to write !!

Bokuto Koutarou:

he deadass got you mixed up with the sports psychologist

when he walked into your clinic he was all ‘ah, hey there’ before lying faceup on the cot and just talking about his problems

and at first you were alright cause good to make conversation and everything until you realized.... “this guy thinks i’m the therapist”

bokuto: people always assume that i’m really naive and i kinda am but--

you: bokuto,,,, i’m not the therapist

bokuto: oh 👁👄👁

you: does it, um, hurt anywhere?

bokuto: *points to his heart*

after directing him to therapist’’s office, you finally clear up his misconceptions on what you’re supposed to be

you did hear about bokuto but what you didn’t expect was that he was An Actual Ray of Sunshine

whenever he comes to your office for his weekly check-ups, he always brings some sort of present

he likes to bring a package of cookies and the two of you eat them while you have your session

bokuto still uses the term ‘ouchie’ and it’s adorable

he takes really good of himself and his body so he isn’t prone to serious injuries. as soon as he knows something feels off, he’ll stop himself from working and come to your clinic

except,,, he comes way too often

bokuto: I WAS FLEXING MY FINGER AND THEN IT SUDDENLY MADE A CRACK SOUND WILL IT FALL OFF???

you: you’ve... never popped your fingers before?

bokuto: you can POP your FINGERS???

in interviews, bokuto loves to mention all the people who helped him on his journey and ngl it’s a REALLY LONG LIST but he always, always mentions you as ‘the best physical therapist ever!!’

and it makes you so soft you love your job so much

he actually ends up recommending you to his friend, akaashi keiji, because bokuto knows his shoulders and back hurt

akaashi comes into your office and just goes: “can you crack my back and shake me like a glowstick?”

you: i think you’re looking for a chiropractor

akaashi: ...

you: okay, lie down. i’ll see what i can do

Hinata Shouyo:

he got LOST TRYING TO FIND YOUR CLINIC

like, you were checking your watch wondering where your client was before he burst into your clinic thirty minutes late

also for some reason he was really nervous to see you poor baby he had the misconception that you were there to find what was wrong with him and then after he wouldn’t be able to play again

so he was genuinely surprised after you just made him do a few stretches for him, recommended some ways to move his body to utilize it better, and just sent him off

hinata: just... just like that?

you: yeah, pretty much. unless you feel that something else is wrong

after that he’s not so afraid to visit your clinic. in fact, he enjoys it quite a lot!

hinata really takes note of the advice you gave him (he brings a notepad and everything) and he likes to call you up to let you know that they worked

he actually calls you A LOT, like you’re probably the person he texts and calls the most other than natsu

at one point he was calling you every single day asking about what to eat until you decided to make a whole-ass weekly meal plan for him to just cycle through

he’s actually quite flexible (not as much as sakusa though) and he’s so proud of being able to reach farther than his toes

when you’re not looking though he measures himself against the height chart on your wall and you think it’s absolutely adorable

hinata knows how to take care of his body and TRIES not to overwork himself but sometimes he gets really impatient about wanting to improve so he’ll stay late in the gym, practicing his spikes and serves

BUT since his teammates know hinata listens to you they’ll threaten to tell you when he’s overworking

sakusa: hinata, if you don’t leave the gym right this instant i am calling y/n

hinata: just five more minutes!!

sakusa: *pulls out his phones and presses some random numbers in*

hinata: OKAY OKAY I’M GOING

it’s kind of like the adult version of your parents calling the doctor when you don’t want to eat

also you have no idea that this happens

even though he’s moved on from it, hinata still gets a bit paranoid about playing a major game while being sick

you’re always at their games as part of their medic crew and before it starts, hinata always comes up to you and asks if you can take his temperature

you didn’t know why until atsumu explained everything so now you make sure to always have a temperature on you for hinata’s peace of mind

Atsumu Miya:

someone who actually knows what physical therapists actually do thank god

ngl you’re kinda shookt at how large he is in real life when he walks into your clinic

he also assumes right away that you want an autograph so he gifts you a signed picture of himself which you always have on your desk from now on because come on you are a fan

atsumu’s really nice to talk to, he does flirt quite a bit but he genuinely asks about how you are too or if your family is doing alright

such a sweet boy

atsumu’s the one who visits your office often but for reasons that are actually relevant to your job because this man just overexerts himself too much

and he keeps brushing it off and saying that he’s alright but you know better you’re a physical therapist for god’s sake

atsumu: i’m telling you. it’s just a sprain!

you: *pokes his ankle*

atsumu: aaaAAAAAAHHHH

he’s the one that you have to constantly keep tabs on and thanks to the help of his teammates and a spare key, you’re able to drop by his apartment once in a while

but no matter how much of a pain in the ass he is you still can’t help but want to take care of him. whenever you make yourself dinner you find yourself making seconds for atsumu

before you know it, you’re making dinner for your favorite MSBY boys because you don’t want them to feel left out

you also have to stop atsumu from overdoing on the protein shakes and drinking vitamins

because he’s addicted protein shakes especially the strawberry-flavored one but you’re the only one who knows that so shhhhhh

atsumu: if one vitamin capsule makes me healthy, does that mean drinking more will make me even more healthy ??

you: NO STOP. STOP WHATEVER YOU’RE DOING. RIGHT NOW.

one time you got a call in the middle of the night from atsumu saying that he ate an entire container of gummy vitamins and you had to run to his place in your pajamas

idk you just see him so much because he keeps getting injuries and it’s hilarious

atsumu, walking into your clinic: hey, doc! they sent me here cause my back hurts from carrying the entire team!

you: atsumu, you dislocated your shoulder

Sakusa Kiyoomi:

probably your most normal client among the four of them but that doesn’t mean you don’t enjoy his visits to the clinic

well, actually when he first visited your clinic, everyone else stalked him because they wanted to see his Flexible Wrists in action

you had to chase them out

sakusa is SO HAPPY that you just took one look at his Flexi-Wrists and noted it down without going batshit over it

you always spray the cots and your instruments with alcohol before he comes in and sakusa knows cause he smells it and he appreciates that so much

one thing that you do notice is that sakusa,,, frequently glances at the jar of lollipops you keep on your desk and give out to your kid patients

and after a session he just lingers for a bit before saying good bye and leaving so one day you just take a chance

you: would you,,, like a lollipop?

sakusa: .... yes please

he chooses a cherry flavored one and is about to leave when he sits back down on the chair

sakusa: they’ll never let me hear the end of it if they see me

so you let him stay in your clinic for a bit longer before deciding to also get a lollipop and that’s how the two of you end your sessions

no talking. just lollipop eating

(i know how it looks but pls don’t add sexual connotations i jus want sakusa to enjoy a fricking lollipop)

he actually likes to remember the scientific muscle names and everything just to impress you

also, he doesn’t want to give you a hard time but he also likes visiting your office and talking to you (and eating the lollipops) so he makes up all these excuses to come by your clinic

sakusa: i hit my toe on the table

you: okaay, do you need a bandaid?

sakusa: it was the small toe

sakusa’s quite selective about the people he’s with so he’s kind of attached to you now. like it or not, you’re his personal doctor

prepare to receive texts like ‘y/n, i have a cough. what should i drink?’

you: sakusa, i’m a PHYSICAL THERAPIST

you: also, ginger tea is supposed to be good for you

he’s actually your eyes and ears when it comes to monitoring the team. kind of like the kid who tattles to the teacher in pre-school

sakusa: y/n, atsumu’s overdoing it again

you: is that so?

atsumu, in the background: NOOOOO NOOO I’M NOT !! SAKUSA’S LYING

you have such a soft spot for sakusa. when he had to be confined at home for breaking his ankle, you sent him a whole jar of lollipops

he ate them all in one day

***********************************************

taglist (still open to anyone who wants in!): @montys-chaos @miyumtwins @strawberriimilkshake @pocubo @sugawara-sweetheart @akaashisbabydoll @laure-chan @therainroguefanfiction @atetiffdoesart @stephdaninja @oikaw-ugh @charliefredb @dramaqueenweeb1469 @tremblinghearts @applepienation @doodleniella @haikyuu-my-love @waitforitillwritemywayout @kattykurr @tpwkatsumu

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shellyseashell · 3 years ago

Text

QUEER REP IN GILDED

@deprivedmusicaljunkie since you wanted this

I can’t find the original mm queer rep post so this is a separate post. If anyone has the link to the original please tell me tumblr hates me.

So I finished Gilded a bit ago and I have thoughts. Overall, this felt like the one Marissa put the most effort into, though she definitely has a lot to go.

Starting with Lorainne (?? I have no idea how to spell her name) and Frieda, I thought this was her better attempt at gay parents. She definitely did a better job of establishing them as individual characters. They felt like separate people outside of being gay parents, and it was super nice. Also seeing two older women, one of whom has a child, in the awkward blushy stage was nice. And Leyna knows what’s up and that was fun to read. Side note, but do we know how old Leyna is? I always thought she was like 8.

In terms of their relationship, I’m not sure how I feel about them not being a big part. On one hand, they’re not who the story is about, so they’re really just background gays (which sucks, but at least they’re there, I guess). But I’d also love to see them get more development and have a bigger part, but which how Gilded ended I don’t think it’ll happen in Cursed. Serilda is pretty stuck in the castle lmao. I have nothing specific to say about them rn because there’s not much to say, other than ✨women✨.

Onto the gods! So to start off, I was actually so happy every time the gods were mentioned because of they/them pronouns. We don’t get a real confirmation on how exactly the gods identify, which makes sense because it’s medieval times and they didn’t really have labels, or at least the ones we use today. But from the conversation Serilda has with the kids, I’d guess they would be non-binary or genderfluid. It doesn’t really matter anyway but I like thinking.

Anyway! They worship non-binary gods! Amazing! I love Serilda’s conversation with the kids about gender roles, because it’s the first time Marissa has really touched on gender and society’s perception of gender, and I think it was done well. They know how their gods identify and don’t argue with it, and Serilda is teaching the kids to be accepting of people no matter their gender.

That said, it would have been nice to see some main characters fuck around with gender. This is more nitpicky than anything, because I do think for a first try at trans rep, it was pretty decent. But when you have a society that worships genderless gods, why are there still gender roles? If their gods are such a big part of their life, why are people strictly girls or boys? It would have been nice to see Serilda or Gild, the two characters most connected to the gods (there’s also the Dark Ones but idk what they are and Serilda and Gild are definitely human lmao), fuck around with gender. Gild already breaks a stereotype with his spinning, I think, anyway. Idk that but is more nitpicky than anything but I just think when your gods are non-binary, society’s perception of gender will be different.

And that’s my review of queer rep in Gilded! Overall, I thought it was better than her other book(s) (Renegades is the only I remember with canonical rep), though she has a lot of improvements to make.

#gilded #serilda moller #gild

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sour-n-salty-citrus · 3 years ago

Note

Do you like the backstory for rick? Idk I kinda preferred it when Rick's past was a complete mystery and i dont really care about diane at all. I didn't expect the writers to actually write a canon for him either but I guess they realised how much the audience wanted one for him

Ajdjdjeidjs ack, I'll be honest I'm not... keen on it.

(Bolly-quinn actually puts it into words well how I feel about Rick's backstory here)

I liked the mystery element of his backstory! I know it's always exciting to have things in canon, but like... it being open to interpretation was something I always appreciated.

And... ugh, hoo boy. I'm torn. I mean, I love that Rick is completely different from what dudebros and like- "high iq" redditors present him as. He's a man who loved his wife and daughter, loved them so much he would rather give up travelling the multiverse, becoming a genius scientist, just to stay with them. He was vulnerable, soft, and caring. He wasn't nihilistic and reckless and selfish and some "alpha male who wouldn't let anything tie him down". He was ridiculously romantic, optimistic, sweet and loving, and maybe even kind.

And I don't give a shit.

I don't! I don't care. This might sound incredibly cruel and unfair, but I don't care that Rick lost his family.

Ok- let me explain.

I'm... disappointed. I'm disappointed that losing Beth and Diane is all it was that made Rick into the complete and utter monster he is today (or the start of the series anyway). I don't mean to undermine his loss and grief- at all! It's just... for him to go on a (seemingly decades long) killing spree, slaughtering any version of himself he seemed to come across... christ. Maybe in his eyes, they were all as bad as that One. Which is understandable. I'm very lucky to have not experienced that kind of loss. I haven't had to Grieve the way Rick did. Maybe I just don't get it, because I've never felt it. That's fair.

It just felt... god, I don't want to say excessive. I know, people process grief in different ways, and for some it manifests in unhealthy ways, some lash out at the world, fixate on trying to find an explanation, to find justice, etc. And I like how Rick was an absolute inconsolable wreck at first. Something like that, it needs time to process and overcome before you can start moving again.

I just- I don't know. Something rubbed me the wrong way about it all.

It's like- it's not that I wanted Rick to have spent all that time partying or something. It's just- argh, i don't know! Maybe someone else can put it into better words lol.

I hate that he immediately jumped into not giving a single shit about other people (save birdperson and squanchy!). Like- when he blew up those aliens who gave him whatever it was he needed. Ah- ok, they probably weren't exactly innocent or anything, but still. I think it was just I felt if we ever saw Rick's backstory, I'd want it to be a slow decline into who he is, show him gradually losing so much of his morality and becoming so jaded. Idk i guess i just wanted it to be like, a series of significant (and lesser but still important) events that lead to him going down that path rather than- this ONE thing that just apparently completely ruined him? And yeah ik ik it was a BIG thing, but like- i guess i was expecting.... more? Maybe something like idk Rick trying to save all the other Beths and Dianes and failing, idk, just... something more.

I actually would have preferred it if Diane lived. I dont know, I just- man I really hate the dead wife/daughter turns ordinary man into callous asshole trope. I agree, it's hard to really care all that much for Diane, and for a while I couldn't understand why. I thought, idk, is it internalised misogyny? Do I just not like Diane because I want to ship Rick with someone else?

I think I get it now. Diane, for all her significance in Rick's backstory, just... isn't a character. She's just- the motivation Rick needed to kick off the story. You could replace her with literally anybody else Rick could have loved and it wouldn't feel any different. She just doesn't feel special. She's no more unique than any other Dead Wife. We get nothing, literally nothing of her. I kept thinking, why? Why does this just not hit that hard? Rick's had emotional moments with Beth, with Birdperson, even with Summer and Jerry. And then I got it- it doesn't feel earned. It felt like how you feel when you see side characters or extras in the background of an action movie die. Maybe some faint sadness, but mainly nothing. We as an audience get nothing from Diane, we don't know her, don't get to see how she matters to Rick, don't get to see her relationship with Rick, we don't get any chance to connect with her character. So when she dies and Rick gets his montage of seeking revenge, it doesn't feel earned. It feels more like I'm being told about how this guy suffered than really seeing it (which i believe, may have been the writers intention actually...). It's kind of like a feeling of "damn that sucks bro... and?". There's no real heavy emotional response that I could really get from it...

I actually would have preferred if Rick and Diane broke up, divorced. I feel like that would offer so much more for them BOTH as chatacters. Instead of their relationship being happy and sunshine and rainbows until a Big Bad came in and took that away, I'd prefer it if Rick's downfall was just... his fault. (Actually His fault.) If his marriage fell apart because he couldn't make it work. If he estranged his daughter because he couldn't properly handle fatherhood, despite loving her. If he was flawed, terribly flawed, because of his own misjudgement and shortcomings. I guess my biggest problem, is that this is presented as someone having the perfect life, which is then taken away as a result of someone Else. It's too easy to then say, oh, it's not his fault he's like that! He had his heart broken, his life ruined! He lost himself in a revenge spree, poor thing... I'd have rathered if it was just a little bit more... realistic? If Rick had been the root cause of his own problems. If he'd experienced tragedy, but also been the cause of much more. I just wish there'd been more of a balance? It just felt so rushed. And not because of the montage- it just like Rick became completely apathetic way too fast. I just hate hate HATE the "he was a good guy with the perfect little life until tragedy struck and he was never the same". Rick never made the effort to improve his life, to do better, to be better. He's actively a cruel, callous, unkind person (complex, yes, but these are traits no one can deny he harbours). He's done far worse than was done to him, and that will never be justifiable to me... it just all feels so very cliche and out of place, and out of everything, this was the one thing I had hoped they wouldn't do.

I think the writers are aware of this, strangely enough. I mean, Rick even calls it his "crybaby backstory". I think they didn't want to leave it open any longer, and just got it out of the way. I don't think they really want to elaborate on it anymore. From what I predict, they want to focus on the here and now of Rick (and Morty, haha), and the development of who Rick is NOW, instead of who he WAS. I think they kind of just went, here's your gut-punch, your tragic backstory, now leave it alone. Diane is dead, Rick had a hard past, the series is about moving on and change. Now can we PLEASE get back to the sci-fi shenanigans?

(There was something I LOVED about the backstory though, and that was the soundtrack! Like the music for the Battle of Bloodridge, it fucking SLAPPPEDDDD. I can't imagine making synthwave emotional, but it actually kind of worked! The swell of the music actually did a lot more for getting a reaction out of me than the content lmaooo. It kind of reminded me of Kurzegast's "optimistic nihilism" for some reason... I actually liked the Bloodridge track so much, it got me a little into synthwave, which i never listened to before! The music producers this season have just KILLED IT!)

#citrus speaks #long #ajdjsjdhaj im sorry i just have so many Thoughts on this #as critical as it sounds i promise i dont hate it that much #rant #is this a rant? it sounds like one akdnaja #RaM #Rick and Morty spoilers #rick and morty #RaM S5 finale

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miraculouscontent · 4 years ago

Text

(miraculous asks)

Anonymous said:

Oh My Gosh!!!! I was just thinking about Party Crasher and man I hate how they had Ladybug get captured for the men to save! It's a continuous thing you see in media: strong heroic woman gets put in peril so that the men can shine. I didn't even realize it until you said it! I get that it was probably meant to be a "role reversal" of Chat always getting kidnapped or brainwashed for Ladybug to save, but the fact that this is the "guys' episode" it read like "well damn, we can't have the guys be strong if a girl is in the way; let's have the girl get captured so the boys can prove their worth by rescuing her!".

At least in Sandboy, Ladybug was still competent and came up with the plans, but this?! It makes me sick, and it's all too easy to fall into these traps; even Kim Possible did it! In my magical girl story, the heroine does get put in a magical coma and require someone to bail her out, but it's her female friends AND her boyfriend who save her, so it's not just a girl being weakened so a boy can be powerful, especially since said boy actually does a minority of the work required to save her; the focus is on the female characters so it's her girl friends who do most of it. I still ended up scrapping that side plot anyway, and do you know why? Because regardless of who saved her, I still didn't want my female protagonist to be put in distress at all due to the unfortunate implications! Needing help in a fight? Sure. But outright being captured or kidnapped? Nah fam.

I was honestly thinking about that when the first episode came out. Like, they could’ve just had Marinette NOT SHOW UP in time so the guys take care of things, which at least gives more of a message that Paris wouldn’t go to hell just because Ladybug is a little late or something.

And yeah, the “boys squad episode so gotta toss the girl out” is... sigh.

Anonymous said:

I think the writers were trying to show Chat angsting to show his regret instead of an actual apology. Still doesn't explain why Aeon didn't bring up her death afterwards. Did Olympia delete that from her memory banks?

I guess? :|

I don’t know why Chat can’t just apologize without fishing or trying to earn sympathy. Like JUST SAY YOU’RE SORRY, DAMMIT.

Anonymous said:

If you haven't read Maribat, then you won't regret it. I am not in the DC universe but I started reading it and WOW. Literally every single time Marinette is a badass queen and gets her complete revenge and is actually happy! Even if you absolutely love Lukanette (which I have nothing against) you should totally try it.

Appreciate the comment, but I find it hard to ship other Marinette ships outside of Lukanette. Ivanette is a very loose exception and it’s not like I ship it hard or anything.

Anonymous said:

Despite not being a Lukanette shipper I love you. Why? Because you amazing, so right in literally everything and I love you <33

gkdfjgfdngjkfdg thank you

bat-anon said:

The NY Special made it so that Max is literally the only Black/Brown kid that doesn’t exist to make Love Square happen and that just makes me hate it even more.

I wish you didn’t make me have this realization because I hate it.

At least Delmar existed in the New York special???? I guess???? I dunno, I’m trying here, I don’t recall him doing anything love square centric.

Anonymous said:

I honestly don't mind Alix's outfit as Bunnix! I feel like it fits her, plus she's an adult so its not much of a problem, not saying it can't be improved however. I DO have issues with the designs for the underage girls outfits however....those are very sus

Yeah, the problem I take with Bunnyx’s is that it’s a bodysuit. If there was just more definition, like having actual boots, I wouldn’t complain as much.

Anonymous said:

I actually just really like the idea of the new bee being a genuinely nice person who becomes friends with Marinette. Not exactly close friends (since I like the idea of friendly working relationships without actual personal stakes in them). I also enjoy the idea of the new bee having some small animosity for Chat Noir- just because their personalities aren't the greatest mix. I also think that it would make sense for the miraculous of subjection to be at odds with the miraculous of destruction

Full agreement but we know how much the writers are resistant to have characters go against Chat.

Anonymous said:

Not gonna lie the scene where the girl squad gets akumatized almost makes it seem like they got akumatized on purpose, similar to Manon in Puppeteer 2(although she was a little kid who was probably just imagining she could enact revenge). And why can't they have a uniformed design, like they're a team but wear different colors, similar to the Sailor Senshi(like, Alya's the leader and wears orange, Rose wears pink, Alix wears green, Juleka wears purple, and Mylene wears yellow). It's so boring.

Mood.

Not to mention that WE ARE SO TIRED OF THEM GETTING AKUMATIZED INTO THE SAME AKUMA.

AT LEAST PALETTE SWAP THEM.

Anonymous said:

Relating to the Didn't Need Burrows and Treatment of Marinette bingo cards, have you considered making one for whenever the show fails at girl power? It could say things like "sexualized frames of teenage girls" "boy tells girl what to do" "girls don't get to keep Miraculouses", and "girls are forced to apologize whenever a situation goes wrong". And in the center, it could say "Don't show this to your daughter!"! Lol! What do you think?

lol I feel like I have enough cards, otherwise I would.

Anonymous said:

I saw another post that talked about Miraculous New York, and they theorized that it was rewritten to focus more on Marinette and Adrien in order to get viewers invested in the Love Square again after more people started to lose faith in the ship. Do you think that's a possibility?

I think so. The whole special comes off as trying to reassure love square shippers because of how hard it goes for him. I cut out Marinette’s crushing and it cuts like 18% from the episode, meaning it’s even worse than Season 3 (15%).

Anonymous said:

Maybe the point of the [break-up episodes] is meant to discourage people from shipping Lukanette and Adrigami too?

Spoiler alert: didn’t work.

Anonymous said:

Are we not gonna talk about how in one ask, somebody legit said "(long dreamy sigh) Viperion"? Like same.

RIGHT????

Same.

Anonymous said:

Ml fandom: I hate how Ladybug keeps secrets from Chat Noir! He sacrifices himself for her all the time and she never appreciates him for it! He has EVERY right to get mad at her!!

ML Fandom when Chat Noir does the same thing in the special: ....Wow Ladybug was way to harsh on Chat Noir!! She doesn’t appreciate him at all!! Shes so mean to him!

i hate it

Anonymous said:

Idk if it's just me, but a majority of the fandom is split in two; it's never one or the other "MARINETTE SUCKS AND IS A HORRIBLE PERSON GUARDIAN MARY SUE WHO SEXUALLY HARRASSES" or "ADRIEN SUCKS HE WAS NEVER ON MARINETTES SIDE" but im personally on the latter, but not to that extreme. i hate videos bashing marinette and then never acknowledge adriens faults

Yeah, the fandom gets more divided as time goes on because of the writers trying to increase the drama/tension.

Anonymous said:

I am PERSONALLY offended they gave Luka the snake miraculous. Snakes have such a negative connotation. A lot of people insult Lila by calling her a SNAKE. And now those ML writers DARE insult the best character in ML?! HOW DARE THEY!?????

I adore Viperion but I agree that I first heard he was getting snake and was like, “BUT MY BOI???”

It gets awkward too because other animals like the pig have negative connotations, like how Daizzi basically means “idiot/stupid” and they’re giving it to the freaking blond character, really???

Anonymous said:

I think that Ivanette would be even better if Marinette was plus-sized character.

I see why you’d think that. I just disagree because then it turns the ship into “let’s pair the heavyset characters together because they heavyset.”

Anonymous asked:

On the topic of romance failures and general series salt, my main issue right now is how the series puts so much focus on romantic relationships while failing to consider other levels of relationship or what they affect.

On the L² front I can completely buy Marinette being in love with Adrien. Most of the time she genuinely wants him to be happy and is ready to take a step back for him, however much it hurts. But in terms of romantic love? It. Is. A. Crush! But if we step back from the formula, what is there left between them? Their civilian relationship is held together by a “comedy” of errors and without that there is surprisingly little left. Well, besides two “best friends” desperately trying to make it happen because somehow they lost their individual characters and instead of being friends became matchmakers?

I too like Luka and Marinette together. Their relationship is pretty nice to see and all. But sometimes it feels like it happens in a dimension of its own, like the writers want to make the endgame clear in that the “sideships” can be easily cut out of the big “how they got together”-recaps. I especially miss reactions from and interactions with Juleka. She is Luka’s sister, Marinette’s friend, and IIRC someone aware of if not even a bit player in the great shipping game. She is in a prime position to step up and bring progress on all fronts: She can talk with Luka. She can either give Marinette helpful pointers or go “All in or nothing”, i.e. trying to make Marinette get her Adrien-feelings in order as she does not want her brother to get less than Marinette’s full heart. Similarly, she can counteract “friendly acts” and stop humiliating situations from escalating, or she herself can escalate them in the “All or Nothing”-scenario. Yet she remains basically a background character who gets little attention from the camera and almost no “non-focus identity”

As for Kagami, I may be too biased. *Any* positive Kagami/Marinette relationship is to me what Lukanette is to you. So naturally I have lots of opinions when it comes to her role ;) But can I just say that Adrien/Kagami is the weirdest ship for me? They have a few cute scenes and I think if they’d spend a lot more time together, they’d do each other good but I don’t know how they work. “No Hesitation” Kagami would lob Adrien’s head straight off with all his…everything. If we are meant to take Adrien’s love for LB seriously (and I guess we have to because how in the name of sanity is any form of the stated endgame gonna work otherwise???), how does Kagami fit into that picture as a girl who can hardly express emotions while Adrien is the definition of a guy who can not stop flirting or goes for all kinds of romantic gestures? Sometimes it feels more like a “social fit” and “Mommy/Daddy approves” kind of deal which is quite the shame! Normally I like these kind of relationships in fictions but they need a solid underlining or good development. One they haven’t and one the series has not been giving to anyone so far.

Yeah, the whole thing with the love square versus side ships ends up feeling extremely forced. Keeping Luka away and forcing Adrien into Lukanette episode are the biggest giveaways, basically a big fat sign that says, “We know Marinette would forget that Adrien exists if she hung around Luka for more than five minutes.”

AND YEAH, KAGAMI WOULDN’T PUT UP WITH ADRIEN’S GARBAGE. I liked Adrimi but it’s definitely more flawed than Lukanette.

Anonymous said:

Watched your opinion on the New York special and I agree with you. It was mediocre at best. It could have been something nice, like if they added Kagami and Luka, for example, so that we can get a bit of development from the new couples on season 4, so that it doesn’t feel rushed when they start dating on season 4. It could also be a good opportunity to see the other temporary heroes one last time, since Marinette technically has the miracle box.

They could have had an epic fight with the American Superheroes, maybe even giving the bee miraculous temporally to Aeon or Jess so that we didn’t need to see their awful and uncreative superheroes designs. It would have been nice if they made something more useful other than being characters that believe that Adrien and Marinette are “Meant to be”, like, we already got a ton of these already, couldn’t we get someone who didn’t feel something about this ship? It has so much wasted potential that I don’t even know how to start. Do you agree with anything I said?

I agree, yes. They could’ve easily thrown Luka/Kagami into the mix (or had Marinette/Adrien stay behind while flipping perspectives or something; flawed but they could make it work).

Anonymous said:

I'm rereading ladybugout and wow... the moment of silence after "chat deserves that kiss" gets me every time. Everyone stopping and just staring because wow he really just said that

Me whenever Chat Noir opens his mouth in the show.

Anonymous said:

I saw the Backwarder post you just talked about and yes, it is so totally ridiculous. They forgot another thing, though. Miraculous isn't just about comedy, action, and romance, it's about embarrassing Marinette. And the fact that almost everyone in the comments was acting like the medicine scene at the end was funny was just stupid and saddening to hear or read about, because it shows how people have been conditioned to hate and rally against Marinette without even realizing it. Granted, there was one lady who said it reminded her of her husband, so I guess that's okay(but all it means is that Adrien will be Marinette's--aka "his lady's"--husband like eeerrrgh!). And there was one person who said they liked that Juleka's advice because "If you're friend isn't willing to commit crimes for your happiness, is she even your friend?". But everyone else liked the ending. And I don't get the person who said we got "Subtle progression with Adrien and Marinette". We're right where we started.

Weeeeell, I understand the “comedy, action, romance” comment because all of those basically boil down to embarrassing Marinette or invalidating her. Comedy and romance goes without saying while action involves her dealing with Chat “Nice Guy” Noir.

Anonymous said:

Is it just me, or does Snow White's "Red Shoes" form look a lot like Marinette. I know, I know, Marinette is Chinese and Red Shoes is Korean, but they still look strikingly similar. They're bodies are really similar, too, but that might just be because animation tends to use eerily similar body types for its female characters on a whole. It's sad and it makes me think of how cute Marinette would be if she was fat. I also think Snow White was cuter than Red Shoes but that's kind of the point.

I think it’s the body type thing but that’s just a guess since I didn’t immediately make the connection.

I agree that Snow White is cuter.

Anonymous said:

Am I the only one who's never liked "destined to fail" characters? Basically this is when characters aren't allowed to be good at/succeed at something or else the whole universe will somehow fall apart. Think of how in The Amazing World of Gumball, if Richard gets a job, the world will be in complete and utter chaos. So he's better off as a lazy, bumbling dad. In Phineas and Ferb, Candace is always trying to rat out her younger brothers but if she gives up or succeeds something bad will happen.

TV Tropes put it the best: "Not only is she not allowed to succeed, but she's also not allowed to stop trying!"(conveniently under the Cosmic Plaything trope). I just don't like it because it shows that the writers just want to lead them on with the promise of success then snatch it away at the last minute. And now we're back at Miraculous Ladybug, where Marinette is humiliated every time she doesn't sign a gift that's for Adrien, and yet when she does, everyone in Paris DIES. Except for...HIM.

you: *mentions Candace*

me: [a million awful flashbacks]

Also, yeah, it’s so hard to watch, especially in “Chat Blanc” because it’s like, “Oh, you want to give a gift to a boy and you dArEd to use your powers for it? Congrats, but everyone else is DEAD and you can hang out with him as much as you want! You’re welcome!”

Anonymous said:

I think it’d become a “faintest idea blackout card”rather than a bingo.

(referring to my “Faintest Idea” card)

We’re getting there.

darkmoonravewolf said:

I hate that everything on that list could happen and very likely will

(referring to “Didn’t Need Burrow”)

Yeah, and it makes me sad :’)

Anonymous said:

That’s be real here. Miraculous ladybug is not a show about Marinette; Miraculous Ladybug is a show about Adrien. Adrien is the real main character.

Notice that when they focused on Adrien in “Lies,” they only cut back to Marinette (IN A SCENE THAT CAN’T EXIST) to have her fawn over him.

Anonymous said:

Is it just me or are Lady Noire's eyes huge? Maybe it's just the green but they seem way bigger than Marinette's

I’m not sure, but considering Rena’s facial structure being different from Alya’s, it wouldn’t surprise me.

asexual-individual said:

With what you've said about Adrien lacking a reason to exist outside of development for Marinette and Gabriel, I have to wonder how different the show would be if Chat Noir's identity was also kept from the audience. Adrien would still be there as himself, but he only gets as much focus as Alya, and Chat Noir's identity is treated as a mystery (a Tuxedo Mask type mystery, but a mystery all the same).

I see what you mean but it might cause Adrien+Chat’s screentime to feel excessive once the reveal happens, because suddenly their screentime gets combined and it’s like, “oh wow so the combined screentime is his then.”

Anonymous said:

I know that the kwami's really only exist so we can hear our protagonists' thoughts outloud (like what the Coraline movie did with adding Wybie to the story). But honestly, what's the point in having magical gods in the jewelry if you're not going to do anything with them?

Marketing with “cute” side characters.

guisendisguise said:

It's funny, originally, I had shipped Marichat in the sense that Chat and Mari start hanging out and both fall in love with the other's supposedly less perfect, more real selves. Then Luka was introduced and I ended up putting both lukanette and marichat at the same level. Then S3 hit and killed any love I had for Marichat. The writers themselves killed the Love Square for me. At this point, it's very clear they are living in a delusion where the Love Square could ever work narratively without Deus ex Machina or Deus Lo Vult (God wills it). Basically, they've gone past scraping the bottom of the writing skills barrel and are now shoulder deep in the hole they dug thru the bottom of said barrel. I'd like to point out that the bottom of the barrel is writing poop and now they're digging thru the useless plastic landfill the barrel was sitting on top of

Uggggh, yeah. Any appreciation I could’ve had for Marichat died in “Weredad.” I already didn’t like Adrien/Chat and then “Weredad” just showed his complete lack of... well, ANYTHING.

cosmostellar said:

Honestly feels like MLBs writers are going based off the "JUST IMAGINE EVERY POC CHARACTER YOU'RE WRITING AS WHITE" instead of, yknow, fleshing them out while developing them also in the context of their cultures and giving them these little things that the audiences who belong to the same minority can identify with. I don't mean "have Marinette walk in qipao 24/7" bcs thats just... bad on its own but man, /some/ casual acknowledgments of her culture would be nice.

Reading the sentence “JUST IMAGINE EVERY POC CHARACTER YOU'RE WRITING AS WHITE” physically hurts me.

Anonymous said:

Ok, I've always thought that Chloe was robbed of redemption (they held it in front of us, but then jerked it away while Astruc says, "She's irredeemable! We thought she was redeemable, but she wasn't :)!" What are your thoughts! Also, I just recently found your blog and I really like it :)

Thank you!

But I have no sympathy for bully characters, so I didn’t want Chloe redeemed. Maybe I’m still bitter about my own bullying experience, but I just wasn’t here for Marinette being forced to forgive Chloe, which is basically what they did until they backpedaled.

The time spent on her was wasted though and that I can agree on.

Anonymous said:

Me: Writes a 1k rant about how the tweet makes no sense as the "mistake" is about motivation and not the critical plot. Also me: Remembers that in MLB the plot always comes back to the romance. Finally me: Wonders why he got involved with the series post-S3 when all the red flags were already everywhere.

Mistakes were made.

Anonymous said:

I'm semi-catching up on miraculous, and- is it my impression, or does Kagami rebel against her mother more in few episodes she's in (even though her mother's influences on her seem to be stronger in general), than Adrien in the entire show? I /know/ that I don't want to see Adrien free himself from his father w/ the desperation I want to see Kagami free herself from her mother and realize that the standards she's held up to are unhealthy and too strong.

Yeah, I’m way more invested in Kagami than Adrien.

Anonymous said:

Am I the only one confused about whether the staff stopped caring and half-asses the series or cares too much and over-produces the hell out of it?

Nah. It really feels like they secretly hate the love square so they have to keep forcing it.

Anonymous said:

ngl I haven't watched any new episodes since Chameleon and I've been getting all that Miraculous News via tumblr to avoid that Marinette Brand Second Hand Embarrassment™

Understandable.

Anonymous said:

If they aired the 6th one first WHAT WHAT HAPPENED TO LEAD UP TO THIS???? WE ARE ON SEASON FOUR WITH TWO SPEICALS, GETTING A THIRD, AND ANY DEVELOPMENT WE HAD HAS GONE BACKWARDS, SUCKED, OR STATUS QUO YO-ED AWAY!!!!! HOW THE HECK DO WE GET ADRIENETTE FROM FOUR SEASONS OF NOTHING?????? I USED TO FANGIRL AT THIS NOW I AM TERRIFIED.

Answer: We don’t get Adrienette. We get forced love square and rushed/fake “development” of it while being constantly confused as episodes air out of order.

Anonymous said:

im sorry But adrienette has been suck in this limbo of one sidedness for 3 seasons. neither of them have become closer, neither of them have confided in one another, but somehow people still ship it? at least luka was able to make a move on marinette lol adrien still repeats the same boring “shes just a friend” line. adrienette is a really boring ship.

lol don’t apologize, you’re absolutely right.

nahte123456 said:

Very minor bit of salt to throw to the pile, but can this show just decide on how strong Miraculous holders are? Yes it's a cartoon and not the focus but in the Furious Fu episode we literally get Ladybug dodging lighting and then Su who seems mostly human and is at least slower then Fu was outspeeding her. It's distracting trying to figure out what is and isn't a serious threat in this show.

The deciding factor in the strength of the miraculous holders is “whatever works for the plot.”

Anonymous said:

At this point the only thing I'm excited for concerning Miraculous Ladybug is when it gets a reboot in like, a decade with actually competent writers

Best case scenario is that Zag goes bankrupt and Disney/Netflix picks up the series and gives it to competent people.

Problem is that the love square has been ruined so badly for me that even a “good” version of it wouldn’t be something I’d be into, but still.

Anonymous said:

Honestly, the problem with having all of Marinette's mistakes result in huge disasters (ex. Feast), is that is gives off the impression that teenagers aren't allowed to make mistakes. This show clearly doesn't like giving second chances to the protagonist, so why would life give one to you? Am I right, kids?

Exactly.

Marinette makes mistakes and suddenly the world is ending.

Anonymous said:

If your gonna watch the show, at least pirate the episodes so the writers dont get your support

Don’t worry, I have no interest in financially supporting the show.

Anonymous said:

ml in a nutshell: wasted potential, then giving themselves more potential, only to turn the rest of it into a dumpster fire

Yup, that’s it.

Anonymous said:

u know, when My Little Pony, Sofia The First, and fanfiction carries out character development, respect, romance, and the main plot better than the original show, especially when the shows mentioned above are aimed more at little girls and the original show is aimed at slightly older audiences... somethings wrong

*sigh*

And then it’s like--people will excuse the show because “it’s a kids’ show” and then I’m just “okay then, why are there actually good kids’ show?”

If shows get a pass for being for children then all childrens’ shows should just not try and be garbage since the standard is so low.

Anonymous said:

ive seen some cool fic ideas/concepts/reviews that made me think: ml could use so much more looking into how a character thinks in some situations. one fic i read had alya in chameleon (i know its been forever since the ep came out but hey) not question lila cus she thought: "hey, lb wouldnt befriend a bad person" w and added a plot line of lila making her think lb was cobsidering replacing rena rougue. like, just a few lines to make them seem better pls?

YES. Like, show us characters’ perspectives and why they’re rolling with the facts that they’re rolling with, otherwise they just end up looking like jerks.

We sort of got it in “Ikari Gozen” with Kagami but of course it was just to make Marinette look bad.

Anonymous said:

You know I’m honestly considering making reviews of this show and if I do I could create hour long rants about the show just from that mans twitter.

Yeaaaaaah, once you had in the Twitter stuff, it just becomes, “okay so this is going to add another hour or two then.”

Anonymous said:

Okay one thing that bothers me is how plain marinette's suits are despite being a DESIGNER. Her multimouse suit it just blocks of color and her ladynoir suit is just grey with green lines. I think the lines are supposed to represent actually clothes. Like the limes on the calves are supposed to make it look like boots but why not actually GIVE her boots. (Right, because she has to have a skintight suit unlike the boys who get some layers.)

THE SHEER DISRESPECT OF HAVING THE FASHION DESIGNER WEAR SUCH A PLAIN SUIT.

It also goes to show who really designs here, like oh, interesting, the girls get skin-tight simplistic bodysuits and the boys gets all the cool stuff--

Anonymous said:

I heard some people in my class saying they watched Miraculous Ladybug for the first time, and they were saying how good it was, and I was like: 'Oh you poor fools. You have NO idea what it's truly like.'

You know what they say: ignorance is bliss.

bat-anon said:

Isn’t it INTERESTING how in Frozer, Luka understands that Marinette is torn between her crushes and continues to support her even though he knows she probably won’t chose him, and in the exact same episode Chat Noir refuses to help save the city because Ladybug told him AGAIN that she wasn’t romantically interested in him? HMMM 🤔😑

dbfgjbdfjkgf

I’M REMINDED OF “FELIX” WHERE IT’S LIKE--THEY WERE CLEARLY TRYING TO SHOW HOW MUCH “BETTER” CHAT NOIR IS THAN FELIX, BUT LUKA WAS THE RESPECTFUL ONE.

Anonymous said:

You know what I want to see? An evil kwami, like they just want to commit crimes. No moral high grounds, just chaotic evil.

That’d be amazing just because I wouldn’t be able to take them seriously.

Anonymous said:

Watching S1 and S3 episodes back to back, it feels like reading salt fics at times, especially in regards to the L². Like, Marinette was happy about weird plans, she both needed and wanted the final push, and most of the time there was at least something coming out of it. Nowadays it just makes her sad, Alya and the girls act *against* her, and we get shipping for shipping's sake.

That’s a good point. The shift from Seasons 1 to 2 to 3 is rather noticeable.

Anonymous said:

I hate how Adrien's busy schedule seems to only matter when it's used to make Marinette feel bad, but the second Marinette has a bit more to do, it somehow has a negative effect on not only her, but also everyone/everything she cares about, like, what's up with that??

I’m reminded of “Lies” here and I hate it. :|

Anonymous said:

Honestly, the way the show treats teenage girls is horse ass. The show treats the teenage girls of this show as if they're stupid, naive, emotional, clumsy, and need a boy to tell them what opinions to have. Marinette is always treated like the show's punching bag and blamed for everything that goes wrong because she's "emotional" or "obsessed with Adrien", Chloe could've been redeemed but the writers would rather keep her a brain-dead Alpha Bitch Valley Girl(even though Gabriel and Felix, the latter of whom is a teenage boy introduced in one episode, get to be treated as redeemable, despite the things they do being far, far worse), and Lila is a conniving, self-absorbed fox.

And even though Kagami seems better, she's still roped into the "girls catfight over an oblivious guy" cliche and so far, all of her akumatizations have been because of Adrien. Whenever Marinette tries to move on from Adrien the other characters tell her what's good for her and steer her in the "right" direction because she apparently can't think for herself, and the writers LOVE to use the girl squad to tell us who Marinette should be with, because they apparently know better than she does.

Plus the show loves to treat all the girls as the same, making them all either fight over Adrien or be obsessed with shipping, as if teenage girls are all one assimilating, homogenized group(also when they treat Marinette as if she's "just as bad as Chloe", rinse and repeat for the other ladies.). Honestly, the show feels like it was written by those types of people who think "teenage girls are the worst" so they make them all mood-swingy, obsessive, showoffs, emotional, and downright clingy.

Plus the way Thomas Astruc talks about the female characters on Twitter is even worse, and only serves to make this more evident: he claims Marinette "has poor control over her emotions"(all the while calling Adrien "perfect"), that Chloe was racist in Kung Food "because she's stupid"(so rather than having that scene serve as a lesson on respecting other's cultures, he just did it to pick on Chloe and make her look "stupid"), that she's incapable of being redeemed, that Lila's unlikable but Gabriel and Felix aren't(even though he claimed Felix was a terrible character and a "cliche", that's not what the show says my guy), and other such nonsense.

Other Twitter users have also called out Miraculous Ladybug and its stereotypical treatment of teenage girls. The only shows I've ever seen do this worse are those pretentious "darker" Magical Girl "deconstructions" aimed at grown men such as Madoka Magica and Yuki Yuna, as well as most shonen/seinen shows such as Naruto and Death Note, which says a lot. Honestly, whenever I feel like watching a show with empowering and respectful depictions of teenage girls that treats them as bright and intelligent and actually unique from one another, I just watch Equestria Girls, Liv and Maddie, LoliRock, ANT Farm, Moesha, PreCure, or Sailor Moon. Because the way the show acts towards them is deplorable, absolutely deplorable.

Yes to all of the above. Almost all of the girls are involved in love affairs in some way, the two teenage girls are irredeemable while Felix got a sympathetic backstory right away (Chloe took forever to get hers which is a failure), and Marinette is flawed because she’s “too emotional” (a misogynistic stereotype).

Anonymous said:

Hi, I'm the anon who got upset at the lady who made the "Miraculous Ladybug is a Mess" rant, and yes, thank you zodiacspirit17 for liking and agreeing with my rant! I'm glad someone else saw that video! And ugh, Marinette learning to love Chat Noir? Really? I don't remember that line but I also don't want to go back and revisit it to make sure so I'll take your word for it. Ew. That was actually one of the things I hated about the Glaciator scene. Chat was supposedly comforting Marinette by taking her to the rooftop where he planned Ladybug's date, and yet only Marinette finds out about Chat's crush on Ladybug and comforts him on that(while rethinking her feelings), while all Chat knows is that Marinette's heart was also broken. He never asks who it is, or tries to help her get over her crush even if he doesn't know it's coincidentally him.

I know it's because of the "love square" but it's unfair that only Chat's love problems are directly addressed. Come to think of it, the reason Chat took Marinette to the rooftop...I know he was doing it in-universe to help her instead of intruding on her personal feelings(which might have also been why he didn't ask her who her crush was, he was probably thinking along the lines of "we don't have to talk about it right now, we can just have fun!"), but meta-wise, since we know she's Ladybug, the writers were probably trying to tell her "See? This is what you could've been doing, but you missed it. Shame on you!" That's a huge issue I have with the show: characters will do things in-universe to help Marinette, but the show has a different motive in mind. Compare to how Tikki gave actual advice to Marinette in Puppeteer 2, but the writers intended that for the statue scene so they could embarrass her in front of Adrien and the thousands of eyes watching the show(except we're not laughing.). Even if characters do support her, the writer is using them as props for her ritualized humiliation. And yet Luka is the problem somehow.

If Marinette needs to learn how to love Chat Noir, then it should at least be balanced out by Adrien learning to Marinette. I'm sick of this double standard that "girls need to learn to accept boys who like them but guys can do what they want". Another thing she said was that "Marinette needs to learn to define herself outside of who she's crushing on." NOPE. NOPE. NOPE. You see, unlike Adrien, Marinette HAS a life outside of who she's crushing on: she has school, she has Kitty Section, she has her "girl squad", she has her parents, she has her outside family, she babysits Alya's and Nino's siblings, and she has OH YEAH HER FASHION DESIGNING! I didn't even count being a superhero since Adrien does that, too. She has so many things to do outside of Adrien, and yet the fact that she makes gifts for Adrien or dreams about Adrien or wants to have kids with Adrien somehow makes her nothing but an "Adrien fangirl"?

First of all, she's the bloody protagonist?! That's such a "Real Women Don't Wear Dresses" argument, that she can't have her own life AND be in love at the same time! And somehow her crushing on Luka also means her life revolves around him, too! But Adrien's life doesn't revolve around Ladybug even though he doesn't really have anything going for him in his ordinary life? Outside of being rich, hot, white, and male, that is? What are his interests and hobbies, besides what Gabriel lets him do to pass the time? He doesn't even like modeling! And the Agreste plot is more about Gabriel, Emilie, and Nathalie than it is about him.

And what about his friendship with Nino? He didn't even care that Nino was getting strung along by Lila with the others! What about his friendship with Chloe that also waxes and wanes? Granted, Chloe's not a GOOD person, which that lady acknowledged, but she at least tried to change and has more development than him, the writers just won't let her change. I hate when people come for Marinette for doing literally anything when the show won't let her have agency and progress. It's so unfair of her and I wish they could see that. These double standards are driving me insane and they're sexist(maybe even a little bit racist, too), and it hurts even more when a woman's doing those things.

(I had to cut off some of this ask because I didn’t get all of it, so I cut it off at the point where it still seemed like a full ask.)

I FEEL THE “GLACIATOR” THING SO BAD. It hurts even worse when you realize that “Frozer” has to take place after “Glaciator,” so Chat Noir heard that Marinette has love problems and then ignored it to ask her for advice about his own love problems later on. The total lack of insensitivity???

Also, the idea that Marinette’s life would revolve around her crush on Luka is stupid. It’s the exact opposite, in fact.

Meanwhile, Adrien has so little going for him and the “interesting” parts of him involve who he’s connected to or what his father has forced him into.

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beelieveinfandom · 3 years ago

Text

Convo from the 18+ discord about a very silly star wars crossover I wanted to share.

gremgeous the gem pillar Just had a GREAT idea for a star wars crossover Just dipper visiting the star wars universe for whatever reason (multiverse vacation maybe? Idk. Dipper maybe dusted off that old portal in a fit of nostalgia or smth) and palpatine finds him and tries to tempt alcor to his side by offering him power Standard stuff for the sith really Except Well If you offer a demon unspecified power, in what form are they going to take it if not in the one who is offering's soul? Biggest and best tasting power boost there is, really! And then maybe he takes over the empty shell of a body afterwards which may or may not grant him force acess and alcor has a grand old time making a mess out of running the republic (or at least running lose in the senate) This is like... early prequals or pre-preauals era maybe. When palpafucker is still undercover and being all covert and unsuspicious and stuff I call this.... "palpatines penechance for grand speeches and unspecific ominous statements to try and seem all powerful and cool and dramatic fuck him over" Or in shorter terms ... . "There's a demon lose in the senate" And it basically runs like that one john mullaney bit With a side dashing of that one journak 3 thing where bill posesses a guy, messes with a roman army and then makes a guys head explode Also like nobody knows who alcor is or that hes even there bc theres no demons or dream demons in star wars (that i know of) so he gets the run of the place Even moreso than back home in gravity falls bc no one knows magic, its all "force this" and "force that" Dippered probably spends a lot of time nerding out over the different alien species since they dont have those back in his dimension (theyve got aliens but theyre different kinds) and also about the laser swords (just like the one Grunkle Ford made for them all (Ford, Dipper, Mabel, Stan, Soos, Grenda, Candy, Grendas boyfriend, Pacifica, and even waddles and gompers) back in 2017! Good times, good times.)

swbeeworm oh this sounds like fun

gremgeous the gem pillar Right???

swbeeworm if i was familiar enough with the star wars universe to write anything in it i'd give this a shot

gremgeous the gem pillar right???

swbeeworm like i know star wars?? but i don't know star wars n i have to know something to be confident in writing it

gremgeous the gem pillar Sadly everything i know comes from time travel fixit and semi-salty pro-jedi meta

swbeeworm but just.... the sheer chaotic potential of this...

gremgeous the gem pillar Gosh yes....... Oh its be so good..........

swbeeworm oh mood it would be

gremgeous the gem pillar @Abigor u like star wars too gimme ur thooooughts When ur awake and have them to give

swbeeworm ugh i should. probably not be awake, i have stuff to do tomorrow n i have a headache but this is fun to think about

gremgeous the gem pillar I had another thing thats fun to think abt too Clone wars era, alcors there and everyon thinks hes a brand new sith player b/c gold eyes

swbeeworm just the shenanigans. the bullshittery. the sheer what-le-fuck reactions of everyone from the senate to the jedi to the people ooooooooo

gremgeous the gem pillar YES!!! Exactly.

gremgeous the gem pillar Oooooh jedi can do mind things i wonder what alcor wpuld feel like to them

swbeeworm my first instinctive responses were: 1) constant Screaming and a whirlwind mishmash of colors/concepts/etc that makes everyone who 'looks' too long start bleeding thru the nose/eyes 2) wii music on loop and these are VERY different prompts to have back to back but that's what i got

gremgeous the gem pillar AKDHSGGSHD I LOVE IT Oh what if its both at the same time Ajdhegdhdj what rven is the music like in star wars anyway

swbeeworm the fkin,,,, cantina music

gremgeous the gem pillar Like how would they react when confronted w wii music

swbeeworm is the equivalent i would think

gremgeous the gem pillar Do they even have the same sorts of instruments do they even know what electronic music is

swbeeworm just. that spawned another Thought imagine that the cantina music from That One Scene is the sw-equivalent of the wii music and just. just imagine that same scene playing but with wii music on loop in the background

gremgeous the gem pillar Gosh "wii music on loop" i love it AODHDHSHSJD

swbeeworm it would probably FIT they have the same vibe

gremgeous the gem pillar Im crying Mits so good

swbeeworm sdjlksdafj i saw a post the other day that was talking abt the music there n how it kept playing on loop n the poster joked that it might have been like,, the john mulaney salt-pepper-diner-story situation which is only tangentially related to this topic but i had to recall it

gremgeous the gem pillar AJSHH i love that Gosh ok i feel like take 1 would fit with the new sith in town scenario And take 2 fits with theres a demon lose in the senate

swbeeworm sfsdkfjh yES

gremgeous the gem pillar But how FUCKING HILARIOUS would it be if in the senate story its the former, and in the oh so serious sith story its the wii music on loop im akdhsjdvsjdhsjbd

swbeeworm ASLDJSLKFJ plEASE take 1: gritty, serious, angst, deadly miscommunications--and fucking wii music on loop take 2: lighthearted, cracky, shenanigans and bullshittery--and fucking bleeding out the eyes if you try n read the guy talk about dissonance

gremgeous the gem pillar "Big scary sith! Look at the yellow eyes! What dastardly plots cpuld he be thinking/partaking in....." [Hard cut to alcor pov/inside alcors head] wii music plays as he stares off into space during a supposedly very important meeting

gremgeous the gem pillar OH I DO LOVE THE DISSONANCE Gsjdgysgsvsjgd wheeze its so good i love it

swbeeworm me tooooo .....for the sith one. would ppl see blue fire n think lightning

gremgeous the gem pillar Theyd probably think its some other secret sith technique

swbeeworm fair enough

gremgeous the gem pillar Everyone thinks one of the other sith lines that was supposedly wiped out had it since this sith deffs aint the line of bane- even the cirrent sith wanna know where alcors popped in from "Lightning was the bane line specialty.... guess where ever this kids guys from fire was theirs"

swbeeworm= adjlsdfkjlfkjf the shenanigans n bullshittery one imagine alcor-as-palpatine just. going incorporeal, still visible but not able to be touched, and the jedi go from "what the fuck is going on" to "why the fuck is he a force ghost"

gremgeous the gem pillar AJSGSHSGSHSA

swbeeworm alcor, who'd done it only bc his ~ornate robes~ had got so caught/tangled on something he could only get free by phasing through it: ??????

gremgeous the gem pillar wheeze Alcor: how the fuck did this guy move around in these AJDHSGDH ALCOR NOT KNOWING ABOUT THE SITH- SHOWS UP TO THE SENATE IN THE SITH ROBES

swbeeworm asdlkjsfkjsdfdf

gremgeous the gem pillar CALLS IT A "FASHION STATEMENT" WHEN CALLED OUT ON IT

swbeeworm a fASHION STATEMENT YES alcor: :blobsweats: alcor: what the FUCK is a sith alcor: and why do they have better style than the jedi

gremgeous the gem pillar WHEEZE He doesnt know jack shit abt the jedi or anything hes just vibing!!!!!!

swbeeworm yesssssss

gremgeous the gem pillar AJDGSGGDJS YOU KNOW WHATVWPUKD BE EVEN BETTER ALCOR THINKS THE SITH LOOK IS TACKY AF

swbeeworm alcor: no listen. listen. i picked these space robes out of my space wardrobe because they looked cool, not because i'm part of some. some space cult ljflskdajfslkdfjsd

gremgeous the gem pillar BUT HE STILL THINKS ITS BETTER THAN THE JEDI

swbeeworm that's even better

gremgeous the gem pillar space cult im HOWLING

swbeeworm you KNOW he'd be so excited at being in space this DORK

gremgeous the gem pillar Ph gosh imagine it starts out all dark and serious and angsty and creepy in the whole beginning exchange But as soon as the day after alcor takes up palps role hits it takes a sharp turn into crack terriotry

gremgeous the gem pillar OH HE WOULD

swbeeworm yESSSS

gremgeous the gem pillar Alcor takes one look at dooku and is like "youre the only one aroynd here with any sort of fashion sense" "And its HORRIBLE"

swbeeworm sljflskdjfsd

gremgeous the gem pillar Just roasts him And by extension everyone else too

swbeeworm dooku has NO IDEA what's going on but at this point ""palpatine"" or whatever's taken over him is ten minutes into a rant abt the layers on layers of boring robes jedi wear and at this point he'll take the backhanded compliment about his own style

gremgeous the gem pillar Akehdsjfssksgsjd

swbeeworm just to shut him up

gremgeous the gem pillar AKDHDJDGDJDHD Alco goes on a 30 minute rant on why suits are SO much more professional

swbeeworm snaps "palpatine" into a suit and goes "...except maybe for this guy idk if anything could make him look good"

gremgeous the gem pillar And its more of a backhanded insukt than a backhanded compliment but anything to shut the guy up, right?

swbeeworm how much we roasting palpatine here

gremgeous the gem pillar To a blackened crisp

swbeeworm as it should be

gremgeous the gem pillar Its better than his wrinkly old rasin look anyday

swbeeworm lskjdlsakjfdf agreed

gremgeous the gem pillar Be hard NOT to improve on that honestly But the dude sinks so low i bet hed somehow manage it

swbeeworm --alcor getting fed up w palpatine's body and just. showing up to the senate meetings, full alcor, eyes n his normal face n everything, in palpatine's robes, and when someone rightfully asks him who the hell is he, he just deadpans "i'd think by this point you'd recognize your own chancellor" and just straight insists he's palpatine (and has the knowledge to back it up) every time someone sputters

gremgeous the gem pillar Also i included the bit abt the journal 3 thing bc my saga of alcor repeating bill's patterns, behaviors, and ideas unknowlingly and without awareness that that is what he is doing shall continue >:3c

gremgeous the gem pillar AODHAJDBAKWJHEVEJDJDHSHSHSJWOWKJEHEE I LOVE IT OH HOW I LOVE OT ALSOWHSKJDISOSOAJAIW Oh gosh what if he fuckin

swbeeworm because at this point it's less about blending in and more about trolling the whole senate and being as distracting as possible because with everyone paying attention to his trolling theyre less likely to notice the bills for clone rights n abolishing slavery n such that he's pushing thru in the background misdirection at its finest

gremgeous the gem pillar I was gonna say a thing abt alcor replacing palps b4 the election and so they did elect alcor to chancelorhoood But it might be funnier if he took him over AFTER abd still says that bit abt recognizing their own chancellor Oh gosh in that secind scenario it would be hilarious if the jedi are all :blobglare: @alcor except for obi-wan who is all like "i am looking away" bc at least THIS guy (whiever the hell he is) has stopped being such a creep abt anakin

swbeeworm the jedi are sent in to figure out wtf is going on and. they, unfortunately, bewilderingly, confirm that this is the same person as the chancellor who'd been showing up recently??? same wii music/bleeding effect??

swbeeworm alcor, finding appointments with some random jedi kid on palpatine's calendar: wtf why is this creep trying to meet with a kid alone, yeah how about i cancel that

gremgeous the gem pillar AKDJDJD Alcor, looking at palpatibes planner: "every day i am more and more glad that i ate thig guys soul" "Like i knew it was oily but im suprised i havent got an upset stomach from it yet"

swbeeworm sjlskdfjsdf alcor the next day, after finding stuff abt the order 66 chip things, gagging: "i spoke too soon"

gremgeous the gem pillar Obi-wan to the council: hmm? Yes this is totally the chancellor, i know this because of all the previous meetings and close relationship he has had with my padawan which you allowed and helped facillitate- "Palpatine":[has a completley different body type, height, and face. Plus he actually has hair and is maybe even floating a little but its hard to be sure in those black and gold robes- and with a completely different voice] oh, yeah, totally, Im the chancellor and i totally know who this guy and that kid is yup yup yup-

gremgeous the gem pillar [UGLY LAUGHTER] AkdjskkdkdjsysAODJSJEUEIEIIEF

swbeeworm ASDKAFDF "palpatine": [grins with very sharp teeth at a nervous senator] council: "okay that is NOT normal" obi-wan, deadpan: "i'm sorry, it sounds like you're discriminating against non-human beings? that's not very jedi of you now is it"

gremgeous the gem pillar ALDHDJDHD Wait wait no what if its "This is completely normal behavior. I, as a human, know this for certain" "I can do this too, but i dont, because it is impolite, but hes the chancellor he can do whatever he wants"

swbeeworm asldksajflksdfjsdf;jsdf yes yes beautiful

gremgeous the gem pillar Alcor and obi-wan team up to be passive agressive at everyone who allowed palps and anakin to hang out ABOUT them letting an unsupervised minor chill w a suoer duper old guy Shoulda had a chaperone at LEAST Butalso

swbeeworm the other humans on the council: "uh, actually-" obi-wan: [manages to sip tea (which he shouldn't even have access to in a council meeting btw) with an aggressively polite smile and silent Threat] the other humans: "....um."

gremgeous the gem pillar "Thats not very jedi of you now is it" AODHSJSIDHALSVD IM HOWLING I LOVE IT THE SASS wheeze*

swbeeworm i live for obi-wan sass it gives me LIFE

gremgeous the gem pillar SAME oh its so good Love that one post where obj-wan is on tatooine and calls all the force ghosts to view his powperpoint presentation about how letting palps have acess to analin was a bad idea as hed been saying all along-

swbeeworm u need to know i wrote this with the "that's not very plus ultra of you" meme, which is a bnha offshoot of the "that's not very cash money of you" meme, in my head on repeat

gremgeous the gem pillar Ph him terrorizing all the people palpatine had in his pocket...... Ok this is veering into even MORE crack territory but at some poibt alcor replaces, uh, whats the dudes name, palps second in command - mess something-or-other? - with a nightmare Not just ANY nightmare But a DIFFERENT nightmare each day

swbeeworm ASDLSDFKLDJF PLEASE

gremgeous the gem pillar They took it upon themselves to go on rotation They couldn't decide who should go when alcor proposed the idea so its everyone One at a time They dont even look REMOTELY human Or like anything the galaxy has ever known or seen And theres no "secretive supernatural species" excuse for them to fall back on here lmao

swbeeworm random dude: "what is that???" alcor, cheerful: "that's my assistant" rd: "is that--is that supposed to be a sheep?" alcor: "no they're my assistant" nightmare: [sound that, if you ignore the reverb and microphone-screeching and kazoo effects, might be a "baaa"] alcor: [smiles aggressively wider with sharp teeth] rd: [sweats nervously]

gremgeous the gem pillar ALDJDKSIEJEHAJWJWHEI Obi-wan: i am still l :eyes:king away Anakin: oooh, the wool is so soft master. Come feel it! Obi-wan: really? Ooh youre right The council: ....

swbeeworm rd: "okay but this is a DIFFERENT one than yesterday right?? right???" alcor: "i have absolutely no idea what you're talking about :)" obi-wan, still with tea he should not have, this time with space whiskey mixed in: "sir i think you might be seeing things, they are clearly the same individual as yesterday"

gremgeous the gem pillar Mace: ...hrm it is quite soft- The rest of the council: ??? When did he get-

gremgeous the gem pillar AKDJDJDHDHD JUST LYING THROUGH HIS TEETH ALDJDHFJF

swbeeworm obi-wan looking mace dead in the eye and chugging his spiked tea which is more whiskey than tea at this point: "how dare you accuse me of lying. me, after everything i've done for this council. i am betrayed. heartbroken. never shall trust again. i am leaving until i recover" -and promptly fucks off on a vacation with anakin

gremgeous the gem pillar The jedi start getting a LOT more missions about busting slave rings and giving aid in the outer rim - plus some more dimplomacy docused ones in regards to solving teeaties instead of putting down rebellions

-alcor shows up on the vacation with zero explanation and obi-wan at this point is like "fuck it why not" -a nightmare takes his place in palpatine's robes in the senate for the week they're gone

gremgeous the gem pillar ALSJSHDJDJSKDHEE Weirdly enough some of the more corrupt senators go missing after that week No one knows what hapoebed to them but the robes the "chancellor" wore that week have some awfully suspicious stains WAIT WAIT WHAT IF ITS NOT A NIGHTMARE WHAT IF ITS GOMPERS alcor didn't even ASK gompers to be there he was planning to not even warn anyone n just vanish but gompers just SHOWED UP the nightmares were the ones who put the robes on him

gremgeous the gem pillar Alcor doesn't even KNOW gomoers is there He gets back after the week and is like "what the heck" The nightmares are pretty proud of themselves for that one

swbeeworm the nightmares, collectively: "this is gonna be HILARIOUS" alcor, halfway across the galaxy, sees a newsfeed of a senate meeting with gompers in the robes in his place, and spits his drink clear across the room

he's only mad because he didn't think of it in the first place

gremgeous the gem pillar wheeze Hes proud of them

swbeeworm he IS

gremgeous the gem pillar Its so HILARIOUS

swbeeworm i pity anyone trying to read this mess later but i hope we at least make them laugh once

gremgeous the gem pillar Same Its such a joy Alcor teaches anakin the secret to mabel juice

swbeeworm oh no

gremgeous the gem pillar Only the children thank him The minders.... not so much

swbeeworm alcor: "okay so what i'm hearing is, the adult jedi have been making Stupid Decisions and not paying as much attention to the kids, as evidenced by them letting that one kid have meetings one on one with the creepy older guy i stopped putting effort into impersonating a month ago. so, clearly what needs to happen is something that forces the adults to pay attention to the kids and start keeping a closer eye on them, but it can't be something that actually hurts the kids because then i'd feel bad" alcor: "...." alcor: :blobamused:

gremgeous the gem pillar akdhdjsgshsjhdsjdjdj

swbeeworm alcor in a totally not suspicious trench coat and sunglasses: "hey. hey, kid. you wanna try some mabel juice?"

gremgeous the gem pillar AKDJDJDJDLFKFIFJIF WHEEZE "With the creepy older guy i stopped putting effort into impersonating a month ago" ALDJDBDJDJDDHDHDJDJDJDJDJDJDJSJDJEJEJE

gremgeous the gem pillar AKSJSHDJDJF

swbeeworm star wars kids: "mr chancellor why are you wearing that" alcor: "because i think it's funny" kids: "it isn't" alcor: "look do you want the juice or not"

gremgeous the gem pillar I LOVE ALL OF THAT LOOK DO YOU WANT THE JUICE OR NOT

swbeeworm i am having WAY too much fun with this ldjsldkfjdsf;

gremgeous the gem pillar "Were not supposed to take drugs from strangersl" "Its not- just take it!"

Hooooh man thats so funny Oh gosh Alcor uses a different time/date system

Than the star wars one

swbeeworm ooooooo yes

gremgeous the gem pillar Nit super sure where im going with this but.... Pretty sure he woukdnt know the star wars one At all Maybe the in-umuverse knockoff calendar maybe Hes wnough of a nerd to have that memorized But the star wars proper one

No, no i dont think he knows that one

swbeeworm nope no chance

gremgeous the gem pillar Omg yes

gremgeous the gem pillar Well its a good thing we have this..... and the mistaken sith version too :blobamused:

WAIT WAIT QAIT FLASH OF INSPIRATION ALCOR GIVING ANAKIN THE STRANGER DANGER PPT

swbeeworm i have 1 scene i can think of that actually almost made my friend cry and i have 1 au scene of a different au of mine where a character who canonically dies and gets brought back to life...doesn't come back (which is extra angst bc this is a Ghost Seeing Fic) and both of these i wrote at like 3-4am

swbeeworm SDFJKSDLFSJf YES :blobamused:

gremgeous the gem pillar Alcor: "you know, i usually save this one for the kids who followed the stranger with the nice candy into the alleyway and end up as sacrifices but I feel like you could benefit from it too"

swbeeworm alcor: "no talking to suspicious ppl" anakin: "except you right?" alcor: "....in any other situation i'd say no but if i say that you're just gonna up and leave (i see that grin thanks very much) so in this one singular personal case it is fine that you trust my very suspicious self"

gremgeous the gem pillar AKSJSJDJJD "My very suspicious self" Aksjdhdd

swbeeworm obi-wan, straight up knocking back shots now: "the man has a point anakin"

gremgeous the gem pillar Haha nice Obi-wan is taking notes Hes also re-inventing alcoholic mabel juice He weaseled the recipie out of the kids

swbeeworm asldfkjsdlkfjd imagine if somehow SIDIOUS CAME BACK and tries to take back over the senate but everyone at this point is used to alcor and one of two things happens: 1) they assume this is alcor messing with them with a clone/double (they don't know how he'd do it but at this point given his "assistants", the goat that somehow made more eloquent speeches than the "human", and the other things involved, they wouldn't put it past him) and just ignore him 2) they look between the real palpatine who'd been pushing thru some very sketchy bills, and between alcor who's been sneaking through law after law protecting all kinds of sentients, and they turn back to palpatine and go "how dare you impersonate the chancellor" and kick him out

swbeeworm at this point he deserves it tbh

gremgeous the gem pillar AKDJDJDHFDJDJDJD Ok i preffer him dead and gone and forgotten in favor of alcor (its what he deserves) but oh those are hilarious

swbeeworm agreed to both counts alsdjalsdk

gremgeous the gem pillar ESPECIALLY if the senate chooses to keep alcor over palps XD Ph man we can work that into him being dead and gone too- alcor starts dispersing the power and the other half of the senate w bail and padme are like "yeah seems legit" along w obi-wan The jedi only put like, a token effort into investigating and are more put out by trying to figure out what happened to the real palpatine and all his past shady dealings than exposing the current "palpatine" for a fake

swbeeworm palpatine: "excuse me?? i am the chancellor of this republic" councilmembers, with the same deadpan as alcor's been pulling on them all year: "sir, i think you're confused. this is the chancellor" [points to alcor, in palpatine's robes from his closet, making no attempt to hide his lack of resemblance to palpatine, with a nightmare at his side wearing a small top hat that proclaims its position as "chancellor's assistant"] palpatine: [screams of frustration]

gremgeous the gem pillar Once they reaize the shift in mission assignments can be attributed to new palp

gremgeous the gem pillar AKDJDJDJSJSJSBEJSJSJSHSJSKS

swbeeworm yesss this

gremgeous the gem pillar I wanna say maul gets the joy and pleasure of offibg palpatine the second time in that version

swbeeworm FINALLY they get a chance to pull one back over on someone, pass along the suffering a little bit

swbeeworm oh definitely

oh shit we've been at this for an hour

gremgeous the gem pillar Maul comes back and offs palps and evrryone is jist like "Maul!!! How?!?" And completley ignore the palpatibe corpse 2.0 Ajdhhd so we have Niiiight book

Also from a tumblr post the phrase "your pal friendpatine" is hilarious and i think yall shoukd enjoy it too As is "SOMEHOW... MAUL RETURNS" Both taken from the same post lol Okokok so switchibg tracks for a bit Revisiting Some groundwork for the mistaken sith version Alcor is there..... because al-v was there first, made friends with the droid army mid clone war, and caled his dad in to help Which puts alcors initial point of contact as the separost foot soldiers

gremgeous the gem pillar No matter what the dominant language alcor has most recently been using OH OH OH ALCOR WITH ACESS TO OTHER UNIVERSE SLANG CONFUSING ALL THE SENATE WITH HIS NONSENSICAL PHRASES AND IDIOMS AND SLANG/PROFANITY LIKE "over the moon" AND "hot belgian waffles" AND "fuck" "Palpatine": [drops paperwork he JUST spent so much time disorganizing (as in putting in a dissaray)] FUCK Senator: .... sir, what is a 'fuck' "Palpatine": ......... im not explaining that to you Or conversley he makes smth up Alcor, upon realizing the most common swear word is "kriff': yeaht hats stupid im not saying that Alcor mercilessly roasting the star wars profanity And how stupid they all sound. This one is great for the al-v and alcor make friend w a droid army and maybe-sorta steal them while massivelt confusing and mystifying everyone along the way, bc why not add a language barrier on top of all the other assumptions and misunderstandings >:D But also at the same time it would make sense for him to have got thw local language in an infodump somewhere along the line (maybe an older version) if its located in a different galaxy but the same universe........... but also what if theyre just suoer far away so he didnt get priority acess...... or even if he traveled back in time ............. [Shrug] idk Mwanwhile inexplicably having the same language is hilarious in the demon lose in the senate ons but also imagine alcor pretending to be palpatine while unable to speak the common tongue lolol I know it wouldnt work (he has to be able to understand palpatine on some level to take MASSIVE advantage of him and eat his soul) but it is hilarious to think abt the shenanigans............ OH GOSH ALCOR TAKING CONTROL OF THE SENAT BUT BEING UNABLE TO R E A D AKDBSKSKJFF Okokok Imagine the basic/english language inexplicably being the same structure w a few different words and concepts...... when spoken And completley different when written down SO ALCOR CAN SPEAK BUT HE CANT READ Meanwhile in mistaken for a sith land alcor either doesnt have any knowledge of the local language or else gets a SUPER OLD AND POSSIBLE DEAD LANGUAGE in an infodump (to help feed the misunderstandings and rumors and future clashes w the sith and the jedi hehhehheh) bc semi-omniscience is not total omniscience and so is not everything and, once again, is not very helpful But ill leave off for tonight on the thought of alcor, lose in the senate, in the seat of the chancellor, lord of all paperwork for the galactic republic....... and able to read NONE of it And barely understands it too (demons are not ones for politics, Brian the Organ Duck and his 200 year sucessful presidency run aside) (his is soemthing of the exception, not the rule.) Meanwhile all those humanitarian aid bills and the like are all being passed by bail and padmes group all over the place bc their strange and inexplicable source of resistance was devoured like, a week ago Not ones to look a gift horse in ths mouth until AFTER they get what they want the group passes a ton of bills without delay - and manages to break up a few monopolies along the way Now im not saying that "palpatine" suddenly acting off and the bills facing a lot less resistance is a noticeable coincidence...... and around the same time he stops asking after anakin ............... but im totally saying they notice it and realize its probably, absolutely, not a coincidence and theyre not going to say anything bc they like this new "palpatine" better. Despite all the other mindbending weirdness and mindfuckery going on there The jedi are only mad abt alcor bc a few of their own started bleeding from the eyes nose and ears when they tried to investigate initially so theyre a little ticked off abt that, which, fair.

Also the blantant lying and lack of trying on alcors part is a little insulting to them as a whole ("does he think we'll really fall for that") and is slightly concerning to them ("who the heck is this, someone is inpersonating the chancellor of the ENTIRE REPUBLIC-" Which is, admittedly, a little concern worthy) but if the council is honest (or some of the council anyway) with themselves its pretty much the darn best entertainmnt theyve had in a good long while, headaches aside, sot ehyll focus more on the okd palpatines dissapernace and dealings than the new "palpatine" so long as he doesnt start doing anything ACTIVELY damaging to the republic. A little mischief doesnt technically count as harm- and hey theys preffer to find the og chancellor b4 upsetting and potnetially causing the new one to do smth drastic by attsmpting to out him (not that alcor would, its so much funnier to deny everything to their faces while blatantly lying but they dont know that. So caution (and stress) it is)

#Transcendence AU #Discord Convo

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itsclydebitches · 4 years ago

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RWBY Recaps: Volume 8 “Midnight”

Happy Saturday, everyone! I’d like to extend a formal congratulations to every Cinder fan in the community. Criticisms of the writing aside, you all struck gold with twelve whole minutes devoted to your fave and I’m absolutely thrilled for you.

We again start with a dark screen and some audio, in this case Cinder’s scrubbing. This technique—along with closeups on eyes—is a real favorite of RWBY’s this volume, to the point where I think they’re a little too enamored with it. But at least this is just a preference, not something that actively harms the storytelling in any way, so it’s welcome to stay. This time, unlike our premiere, we stay on Cinder as her life is summed up with three events intercut with one another: scrubbing floors, getting taunted by boys, and the sound of heels making their way towards her. It’s clear that Cinder leads a poor, miserable life, if her dirty clothes and stronger guys throwing her around is any indication, but all that changes when the rich woman says “I’ll take her” and Cinder is transported to a better life in a wealthy hotel.

At least supposedly.

Here’s my problem with the worldbuilding. This moment has Witcher vibes and Witcher, in turn, built itself off of a trope seen a hundred times before: A young woman is treated terribly by her family, is whisked away by a wealthy/powerful caretaker, and though her life has arguably improved, she quickly learns that the new world she’s entered is just as dangerous and harsh as the one she left. In Witcher’s case, Yennefer is a disabled woman abused by her family, bought by Tissaia, and taken to Aretuza where the other girls hate her and the curriculum is potentially deadly. Cinder is a poor woman arguably abused by her family (scrubbing)/the locals (fights), is taken by an unnamed woman, and whisked away to the swanky hotel where the daughters hate her and the work is potentially deadly due to shock collars. The difference between these two setups is that Tissaia bought Yennefer because of her magical potential. Why does our hotel lady take Cinder?

I mean yeah, obviously she wants a slave, but it’s a little weird isn’t it? Usually when a young woman falls headfirst into a new and questionable life, there’s a solid reason for her entry. This woman—whose lack of a name also says something about the worldbuilding—could have hired anyone she pleased to abuse. As we saw in regards to Atlas and Mantle in the past, every city has its poor and downtrodden. So what made her go out to some random farm and snatch Cinder up? It just, as always, feels a little too convenient. Cinder didn’t enter this life because something about her characterization or origin justified it, the plot simply ensured that she, out of everyone possible, and with very little reason, was the one chosen to follow The Plot™ .

It also messes with the Cinderella parallels. Originally (or “originally,” going off of Disney here which is likely what RWBY is using as a template too) it’s her step-family that abuses her and yes, we recreate that via the hiring (“hiring”—I doubt she was paid), but Cinder was already scrubbing floors back home. Her status as the servant already existed. So why change locations? Why not just keep Cinder as an abused farm girl, or have her a part of the hotel family right from the start? Part of the reason why Cinderella resonates is because of the contrast between the happy life with her father and the new, horrific life she falls into once he dies. Which is then further contrasted by the rest of the outside world. Fairy Godmother, Prince, and party-goers alike are all presented as kind, decent people. They represent the “real” world that Cinderella can escape to. By making Cinder’s original life horrible, her new life worse, and everyone connected with that life cruel and/or indifferent (with the exception of this one, special huntsmen)… you paint a very different picture of the world as a whole. Which is something RWBY has been vocal about trying to accomplish—it’s not a fairy tale—the only problem is with how these moments are undermined the second the story wants Ruby to ~Believe in People~. Cinderella is a story about enduring and eventually overcoming temporary hardship. Cinder’s story is about endless hardship that creates villains. A dark and fascinating story… but how does that fit into last week’s episode where Ruby told the whole world about Salem, expecting them to band together in peace and harmony? This is how Remnant’s world treats people when there’s not a global crisis, and Cinder isn’t even a faunus.

Which, I want to make clear going into the rest of this recap, does not excuse Cinder for her actions. At all. I think there are some complicated acknowledgements to be made in terms of her abuse and the Huntsmen’s responsibility in it continuing, but that does not give Cinder a blanket pass for all the horrific shit she has pulled over the years. Cinder didn’t just defend herself from abusers, she became one. More on that in a minute.

First though… is the Huntsmen’s name Rhodes? Did we hear that in the episode? If we did, I totally missed it because I have a note here about the one important character not getting a name. So yeah, idk. If we got this from more supplemental info, bad RWBY. If I missed it, bad Clyde. Either way, I’ll use that name going forward.

Back to the plot at hand. The hotel is, as said, populated by indifferent and shallow people and there’s no desert nearby, so I presume we’re supposed to be in Atlas? (Why did this woman buy a girl from another Kingdom?) There are customers getting drunk, flirting, and generally just enjoying their wealth, which harkens back to Weiss’ comment in Volume 4 about all their problems being superficial. We’re introduced to the owner’s two daughters who are, as expected, quintessential Mean Girls.

They love ordering Cinder around, not just with hotel chores, but personal ones as well like, “rub my feet”… despite the fact that this place is massive and must have an equally massive staff to stay in business. Why aren’t the girls terrorizing anyone else? Again, it makes sense for Cinder(ella) to be the focus of their abuse when she’s in a single household, but transplanting that to a hotel raises a lot of questions that RWBY hasn’t bothered to examine. You can’t move a story like that and not think about what further changes that would evoke.

See, RWBY could have done something interesting here by considering some of those other changes. Like having one or both step-sisters be the one to help free Cinder from her abuse, playing the villain before becoming the fairy godmother. Up until she turns villain instead of hero, this is just Cinderella’s story copy and pasted into RWBY. It’s moments like this that should make us wary of using fairy tale allusions as evidence for our readings and theories. Whether RWBY is deconstructing or upholding a story varies wildly, and we never know what we’ll get until we actually see it on screen. Even then we can’t count on a choice remaining consistent, as we saw with Ironwood’s deconstruction being tossed out the window in Volume 7.

Cinder is originally just as meek as her fairy tale counterpart too. We don’t hear her speak until the owner is about to leave when she simply goes, “Food?” The sisters laugh at her and a roll is thrown to the floor with the comment that she should get busy because it “looks filthy.” I quite like that moment. Your job is to ensure the floors are clean enough to eat off of—literally.

We see a montage of Cinder doing just that, lots of chores, with a new song listing all the tasks she’s now responsible for. During this, Rhodes is seen in the background and witnesses when Cinder (presumably) first uses her semblance by heating up the brush and chucking it at the sisters, creating a massive cloud of steam.

It’s that moment which “earns” her a shock session with her necklace and I’m staring at the screen, a little open-mouthed. I mean, that’s the second child torture we’ve seen this volume (with Cinder being ten here). Again, I’m not making a specific accusation, just going, “Really?”

Also, note the anti-faunus sign. Nothing like continually showing us racist establishments rather than actually writing a story that deals with the racism needless put into the story world. I’d like to remind everyone of my previous comments this Volume about how the story works hard to paint Mantle as sympathetic, but refuses to show anything that does the same for Atlas citizens, people who are in just as much danger with Salem as an equalizer. A whole city is not actually made up of shallow racists, the show is just showing us only those people to create a simplistic “They’re all bad” reading that encourages us to reject Atlas and, by extension, Ironwood. Weiss is walking proof that Atlas citizens are both complex individuals and capable of bettering themselves. If we can come to adore the Schnee heiress, we should be questioning why nearly every other citizen is painted as an abuser, too wealthy to care, or has conveniently left the story (Rhodes dead, Klein gone, Whitley rejected, etc.).

As Cinder is being tortured, we see that she’s forced to say, “Without you, I am nothing.” Now see, this is excellent... in theory. This is the kind of line we needed to hear with some consistency over the last seven years (if RWBY still insisted on waiting that long for a backstory), setting up that this line is clearly engrained in Cinder and she repeats it on instinct. Instead—to my recollection, anyway—we only get it this Volume, in two episodes. If it appeared before then it wasn’t notable enough to remember. I commented on this before, but it wasn’t a, “Ah, this line must be important” reaction, it was a “Lol why is RWBY using the same line twice? That’s weird.” By only giving it to us twice before the backstory and in such a short timeframe, the impact of this reveal is lost. We’re only now realizing that the line is important, rather than coming to realize why.

Our writers know just enough to recognize what techniques work, but not enough to have figured out what makes them tick. They get that providing a RWBY-vised version of Cinderella is cool, but not how to adapt that 100% successfully. They know that repeated lines have power, but not how to create good setup for the reveal. They know the camera should use closeups, but not what moments are important enough to warrant that. RWBY, eight years on, still feels like a newbie writer copying what the great stories are doing without yet understanding why those aspects work and, thus, how to recreate them.

I mean, Cinder’s backstory appearing now attests to that most obviously. I waved at the Cinder fans before, but the reality is that most viewers don’t care, either because Cinder herself is so bland, and/or because the story waited too long to make her a little more interesting. This entire flashback was handled badly simply by virtue of it arriving over seven years past the character’s introduction.

So after this torture session Cinder steals Rhode’s sword. We hear some dialogue in the background of him getting pissed that it’s missing and the sisters promising to find it, implying that Cinder will have this tool at her disposal for a while. Instead, seconds later he’s found her hideout and confronts her. I don’t know if I’m impressed with Rhode’s skills, or rolling my eyes at how contrived this all is. Chuck in the question of whether Cinder was talented enough to steal the sword out from under him, or if Rhodes was stupid enough to leave it lying around, and I’m edging towards the eye rolling.

He dodges Cinder’s attack, rolls her more weapons to prove he’s not here to hurt her, and acknowledges that she’s not getting “the most fair treatment.” Okay, here’s where things start to get complicated. Rhodes tells Cinder she shouldn’t run away because then she’ll be running her whole life (don’t really agree with that). He likewise (rightly imo) tells her not to straight up murder them because look, no matter how much of a shit stain someone is, I can’t condone slamming a sword through their chest on an individual’s say-so (especially when two of those people are also kids growing up under an abuser, like Whitely). So what’s left? Rhodes says Cinder can train to become a huntress. At ten years old, she has seven years to prepare for the exam.

But she has to stay with her abusive family until then.

My problem is far less with the claim that this “has” to happen and far more with the writing’s failure to tell us why. Cinder could have begged to come with Rhodes and he says she can’t because… idk. Make up a reason. He doesn’t make enough to feed the both of them. It would be too dangerous out on missions without training and he doesn’t have a permanent place to stay (hence using the hotel all the time). He could even go the “They’re your legal guardians” route with more explanation because it’s arguable that Rhodes had no idea about the collar. Doesn’t mean Cinder’s treatment isn’t “that bad” in his eyes, just that he might not have known the extent and thus thought it was preferable for Cinder to put up with “just” being insulted and overworked until she’s 17. That this life that he only has a partial picture of is preferable to the life she’d have at his side. Something to explain the stakes here, the risks, and why he took this stance.

And/or give us a reason why Cinder doesn’t try to run, a suggestion I make very cautiously because it’s not my intention to put the responsibility solely on her. This isn’t meant to be a “Just save yourself! It’s easy!” claim. Rather, it’s an acknowledgement that young, barely trained kids go out into the world all the time in this show—Ruby, Oscar—and it’s an acknowledgement that Cinder tugged off her collar easy-peasy. The point is, practically speaking, Cinder could have left and braved the streets like Emerald did… so give us a reason why she decided to stay. Maybe she’s scared of living on the streets, acknowledging that a little food and a place to sleep is better than nothing. Maybe she’s scared that if she doesn’t have a direct connection to the hotel (convenience), Rhodes won’t train her anymore. Maybe, as an abuse victim, she can’t articulate why she won’t leave, she just can’t. Something to acknowledge these gaps because, right now, we just have the fandom going, “See? This is why the huntsmen are all evil cops. Rhodes took the lawful route and look where it got Cinder! He’s the responsible adult in this situation, so it’s all his fault.” Problem is, this take ignores:

The fact that our heroes are also huntsmen and were pretending to be huntsmen before they had those lawful licenses. So what does that make them? We can’t continually criticize these professional roles without criticizing our heroes’ use of them as well. Ruby just ensured the world would take her message seriously by introducing herself as a huntress. We can’t condemn these laws and privileges while likewise letting Ruby continue to use them however she please. It’s okay if she’s a part of the system, because Ruby is inherently good! That’s not how this works. I’ve just described every American cop show that tumblr is currently turning against: The system is corrupt and needs to be overhauled, but our protagonists are different.

The story fails to tell us why Rhodes won’t do more outside of a single line about Cinder being of legal age. That just acknowledges that age has some bearing on his decision, not whether it outweighs other considerations (can Cinder survive if she leaves?), or whether Rhodes even has a full picture of what’s happening to her (the collar). The takeaway is that we don’t know what his though process was because RWBY didn’t show it to us, not that his thought process is automatically awful.

Rhodes, as a literal stranger entering her life, is not 100% responsible for what happens to Cinder. I know people don’t want to acknowledge that because leaving a child in that situation is absolutely horrific, but if RWBY wants to be ~realistic~ (and it does) then we need to acknowledge that reality too. If you saw a child employee getting yelled at in a hotel and then found her with your sword, would you rip the collar off her neck and be like, “Congratulations, you’re my child now”? Nice as that trope is, probably not! Or hell, maybe a lot of you would upend your life and risk legal action to whisk them away, but a lot of other people wouldn’t... and they're not the devil for doing what they can within the bounds of the law. The idea that because Rhodes unexpectedly had one (1) encounter with Cinder means he’s now responsible for her life and outcome is, well, crazy. “But, Clyde, you can’t just see that kind of horror and not do something about it.” You’re right. You know what you do? Tell the authorities. But does Remnant have the equivalent of social workers? We don’t know! Which means we can’t assume that Rhodes didn’t call them just because he’s a bad person. Or maybe they exist and the fandom considers them too corrupt to be useful, like so many other authorities in this show. So… what else is there for him to do? There doesn’t seem to be anyone above Rhodes that he can turn to, he doesn’t (for whatever reason) want to essentially kidnap Cinder and start a new life with her, so what’s left? Try to give Cinder a healthy relationship and a way to escape in the long run, which is precisely what Rhodes did.

Honestly, I’m kind of salty that this guy went out of his way to help her, he saw what everyone else saw and was the only one who would help her, but because he didn’t do more—because he didn’t entirely upend his life and/or risk arrest to take her away to this hypothetically better situation—the fandom is acting like it’s his fault Cinder killed her abusers. It’s not. Cinder made that choice.

At the end of the day, blaming Rhodes reveals the expectation that it’s his responsibility to solve this massive problem purely because he had the bad luck to be the one Cinder stole from. That’s like telling a teacher who learns about abuse from a paper that following the lawful channels and going out of his way to assist the child in other ways is responsible when the kid murders their family one day. “Why didn’t you just barge into the house and take the kid?!” Because there are a hundred reasons why that would go incredibly badly? Rhodes can’t help Cinder if he’s in jail. Rhodes can’t help Cinder if she ends up dead on a mission while following him. Rhodes can’t help Cinder if their attempt at escape fails and she bears the punishment.

The only thing I think Rhodes did absolutely wrong was giving Cinder the sword while she was still under the owner’s thumb. Stupid, but not cruel. And again, stupid does not equal blanket responsibility. I’m likewise seeing, “Rhodes gave her the sword and thus it’s his fault that Cinder got in trouble. It’s his fault they died. What was Cinder supposed to do, not defend herself?” Are people forgetting that Cinder stole the sword herself in the beginning and then readily accepted it again? She had agency in obtaining weaponry and what she wanted it for. Are people forgetting that, in accepting it, she likewise accepted the risk of keeping it hidden in the hotel? Are people forgetting that the time skip shows this happening years later and that Rhodes clearly thought Cinder was past her murderous streak? Are people forgetting that Cinder killed the owner by snapping her neck and resisting the shock collar, no sword required? She could have killed them any time she pleased based on the crime scene, whether Rhodes had given her a weapon or not. The weapon was just the catalyst that, truthfully, could have been caused by anything else. Cinder snaps when they find the sword and she’s tortured. Cinder snaps when she drops another tray and she’s tortured. She had planned to kill her abusers and never completely let go of that.

Honestly, I’m just annoyed that we have another good hearted, takes action, does his best and makes some mistakes character getting blamed for everything another character chose to do, erasing their agency in the process. Rhodes did not abuse Cinder. Rhodes did not force her to kill her actual abusers. And Rhodes is certainly not responsible for what Cinder later becomes. Could Rhodes have done more? Of course, but every character could always do more.

The tl;dr is that this complex situation needed far better setup in the show and the fandom needs to stop using that lack of setup as “proof” that characters are horrible people when they fail to magically fix said complicated, badly explained problems. Cinder chose to murder three people. Whether that was justified in the face of her abuse is up to you to decide, but it was still her choice. Please stop blaming the adult male characters for the choices the teenage girls in this show make. RWBY is too convoluted and attempting to tackle too many complex issues to reduce that to, “Every man here is the evil, responsible party and ever girl is a #queen. Even when they go on to murder Pyrrha ^_^” As a woman who would very much like to be rooting for the mostly-woman cast more than I now do, this isn’t the feminist take people want it to be.

But I’ve jumped waaaay ahead. Let’s backtrack a bit.

That first interaction between Rhodes and Cinder is super weird because the camera keeps covering Rhodes’ face and I don’t know why.

We segue into that montage of him training her for presumably years (Cinder’s hair changes) until we see him giving her the sword in what’s meant to be a moment of pride and trust. Soon after, Rhodes (randomly) comes back to the hotel when everyone else is asleep and hears noises in the back. Moving to check them out, he discovers that Cinder has murdered the two sisters and is in the process of murdering the owner, throwing back the line, “Without you, I am nothing, but because of you, I am everything.” Again, much more impactful if this had been a line we’ve associated with Cinder for years now, not a couple of episodes.

After she breaks the owner’s neck (damn, strong hand!) she tells Rhodes she doesn’t have to run anymore. Cinder clearly expects him to be happy for her and is shocked when he takes out his weapons.

I’m sorry, this is not a “betrayal.” Could Rhodes have just let Cinder go? Sure. Should he have? Given what she becomes, that’s very debatable! Rhodes clearly thought he’d helped her grow into someone who was not inclined towards murder (giving her the sword) and thus is probably going to be a little rattled when he walks in to find her killing three people. Again, there are obvious differences given the level of abuse Cinder seems to have suffered in comparison, but imagine that Glynda, after teaching Weiss for years, walked in on her killing Jacques and Whitley in revenge. Is she supposed to just ignore that? Shrug her shoulders and wish her well? I know a lot of people consider that the “fair” outcome given the inclusion of abuse, but that’s because we’ve had an omniscient view of Cinder’s history and insight into her emotional state. Rhodes doesn’t have that. All he has is his oath as a huntsmen to prevent things like, you know, murder sprees. I’m not going to delve into the overall ethics of a judicial system, either in RWBY or the real world, and thus I’m not going to make any naive claims about it being fair—it’s fucking not—but I don’t think the answer to these systematic problems is, “Why wouldn’t you just let the teenager murder three bad people and then go on her way? She totally deserved it!” Rhodes is not in a position to decide that, which is the entire point of having a judicial system in the first place.

So Rhodes wants to bring Cinder in. Kind of like how Clover wanted to bring Qrow in once he had an arrest warrant. I can’t emphasize enough that wanting to start a legal process rather than letting clearly guilty/potentially guilty people go because they WANT to is not a “betrayal.” Regardless of what teen dramas may have taught us, you don’t have to potentially throw your own freedom and your morals away because you found out a friend is wanted by the authorities. Or you walk in on them currently snapping someone’s neck. There are options other than, “Believe your friend is right without question and help them hide the bodies” (looking at you, Maria, Pietro). Whitely is not insane for going, “Hey, can you not make me an accomplice to a crime by forcing your way in here with a bunch of fugitives?” I’m constantly surprised by the number of fans who can, in one breath, condemn characters for not throwing a middle finger up at the law and in the next praise Jacques’ arrest. Do we want to benefit from this system or not? If yes, that means you have to weigh which laws can be broken (such as in a protest), which should be obeyed (bring murderers and wanted men in), all while working to change the laws that are prejudice and aren’t working.

Anyway, they fight. It’s short and sweet, backdropped by the large clock striking midnight, hence our title. I’m incredibly suspicious of Cinder breaking Rhode’s aura first, given that she’s still the student in training, but here we can more persuasively say he wasn’t fighting seriously, given that he then stupidly rushes towards her without a weapon. Still, that would be the second time now that RWBY has relied on elite fighters “holding back” to explain how the kids in training beat them, the first instance, of course, being with the Ace Ops.

Rhodes does rush Cinder though when she hits the wall and breaks her own aura, clearly concerned. She uses the moment to stab him with both swords. He uses his last breaths to put a hand on her head, conveying that he doesn’t blame her for how this all turned out.

Then Cinder pulls off her collar with a single snap and looks up at the broken moon, crying her single tear.

I’m dragging the flashback for multiple reasons, but I want to emphasize that I think this episode is leagues better from what we got last week. Absolute night and day. It’s just that, as always, improvements are incredibly comparative in RWBY. It’s not really good for numerous reasons… it’s just better than what we’ve gotten before. It’s “great” provided you go in with standards buried in the ground.

We then return to the present as Cinder wakes up in Salem’s whale. This scene gives us a great shot of her grimm arm, so cosplayers take note!

Emerald arrives soon after and immediately rushes to her side, expressing how worried she was. She grabs Cinder’s grimm hand without hesitation. Honestly, I don’t care much about either character… but this single frame activated some sort of ship button in my brain.

Not fully because I’m personally not drawn to toxic relationships in fiction (which, as I’m about to explain, would absolutely be the case here), but just the tinniest bit. Because I’m a sucker for monstrous people being loved despite their monstrous nature, so having Emerald take that hand over the other is like a ship speed run for me.

I’m predictable, folks.

But we need to talk about less happy things for a moment. I mentioned above Cinder becoming an abuser herself. I hope I don’t need to lay out the laundry list of murders, attempted murders, sabotage, and general taking-over-the-world-ness she’s engaged in since Episode One. Don’t let a sad backstory erase all that. Hell, for all we know the hotel owner had a horrific backstory too! Doesn’t justify how she treated Cinder. The point though is beyond her clear status as a villain, we now know that Cinder treats Emerald just like the owner once treated her.

Cinder was “rescued” from her life on the farm by the owner. Emerald is “rescued” from her life on the streets by Cinder.

Both realize over time that the situation they’re now in is actually worse.

Both reiterate that they “owe” the other “everything,” with Cinder having that shocked into her and Emerald seeming to willingly believe it.

The owner treats Cinder as a slave. Cinder treats Emerald as a slave. “Both of you, get out. I’ll let you know when you’re needed.” The only difference is that Cinder’s orders were things like “Scrub floors” and Emerald’s are “Convince an audience this girl attacked our ally.”

Both use threats to keep the other in line: the owner with her shock collar and Cinder with her Maiden powers. Cinder doesn’t need to resort to violence (yet) because Emerald adores her, but the threat is always there.

There are even visual similarities this episode, such as kneeling and gem necklaces, though I acknowledge fully that those are just interesting details as opposed to anything like persuasive proof.

The point is that Cinder became exactly what she hated, she just turned the dial up to eleven by going after the whole world instead of a single child. “But Cinder never had a chance to be anything else.” Sure she did. Blake and Weiss are proof of that. Even if we believe that Cinder was doomed to be a villain due to the extent of her abuse, what does that say about the hotel’s owner? We don’t know anything about her history, so what if she was abused too? Does that mean she was always “doomed” to treat Cinder that way? Does that excuse everything she did to her because she supposedly never stood a chance of becoming anything else? Of course not.

Though very iffily done, this is a commentary on the cycle of abuse. Each case is horrific, but it doesn’t excuse what comes later. Every abuser was once an innocent child and every innocent child has the capability of becoming the next abuser. Cinder’s life up until now was beyond awful and yes, she lacked a lot of privileges that others had to help them head down a better path, like Weiss’ wealth. On the other hand, she lacks other difficulties that would make that path harder for others, like Blake’s status as a faunus. Everyone has a choice to make: Will you treat others the way you were treated because that’s “fair,” or will you decide to treat others better than what you were dealt? There are lots of aspects that factor into the likelihood of someone choosing the latter—which is why I really like Rhode’s hand on Cinder’s head, acknowledging his understanding that she’s an abused kid taking the only path she thinks is available to her—but individual agency is by no means removed from the equation. Cinder escaped her situation and decided she’d never be powerless again. What does that mean to her, perhaps becoming a community member who works to prevent abuse like the kind she suffered? No, it means grinding the entire world under her heel until she’s the only one with power left.

This GIF continues to be the only one I need.

(No, the fact that it comes from a cop show and I’m using it for such an anti-law, anti-establishment story/fandom isn’t lost on me.)

(Also, if anyone is curious, this is why I love Ozpin. Out of everyone in this cast, HE has suffered the most, tenfold, and yet he still chooses to be kinder to those than they’ve been to him.)

Anyway, I should really stick to the plot lol. Cinder realizes that her waking up means that they’ve lost, which I still think is BS. Cinder needed a win to come across as a formidable villain again and the likes of Neo, Emerald, and a Maiden with years of practice under her belt should have wiped the floor with a scientist, retirement grandma, and a girl who got the powers an hour ago. But I again digress.

Mercury reveals that he will no longer be following Cinder’s orders because Salem has a special job for him. They’ve all been told to meet on the bridge.

Then we cut to Ozpin and Oscar.

My poor boy is a mess and Ozpin is in the process of begging Oscar to take a “break.” “I would like to express again that this is my burden to bear, not yours.” Take note, fandom. In a few moments Hazel will accuse Ozpin of being a “coward” because “All this time, it could have been you, but you let him suffer.” I just know a bunch of people will be going, “Yeah! Ozpin just let a kid get tortured instead of him. WTF??” Okay 1. We should always be suspicious of agreeing with the takes villains have and 2. Oscar just refused to let Ozpin do that. It is—again—his choice because he thinks that Hazel is “holding back” with him. Oscar is being a brave and logical dude trying to make the best of this situation for both of them. Don’t take that away from him just to make Ozpin look bad. What would we even want him to do? Take control back? The fandom has been yelling at Ozpin for that since Volume 5.

So they’re going back and forth when Oscar suddenly announces that they “can’t leave yet. This is our chance.”

Ozpin even says he thinks Oscar must have taken one too many hits because… yeah. What? Long story short, Oscar recognizes that they’ll never be this close to Salem’s subordinates again and that they should try to undermine her from the inside out, just like she’s done with the world since she knows she can’t take on everyone at once. I love Oscar taking charge here, I love them speaking in unison, I even love the hope of achieving something epic while in captivity despite my own belief that Oscar should break and reveal the Lamp’s password. What I don’t love is:

Another messy, unexpected belief that Salem made her choices because she “knows” she can’t win any other way. Except that—like Ruby’s line in the recording—Salem’s current attack blows that idea out of the water. She IS taking on the whole world. Granted, Ozpin and Oscar presumably don’t know that the whole world literally knows of her existence now, or that Salem was smiling about it, but they do know that she’s attacking Atlas head on. What else is that except a declaration of war with all of Remnant?

The idea of undermining Salem from the inside via Hazel. For anyone who reads my other metas, I just said that this idea wouldn’t work because Emerald isn’t the one torturing him, the one character who has consistently demonstrated hesitation (or, now, Neo). Hazel despises Ozpin so much that he would never listen to him. He despises him so much he doesn’t even see Oscar as his own person… at least he didn’t before. That’s been retconned now with Hazel going “easy” Oscar and having an actual conversation with Ozpin. Whereas before, he was slamming Oscar into walls and screaming about how he’s going to kill the “murderer” of his sister. They basically softened his character to make this plan possible.

The fact that this scene came about without Oscar and Ozpin ever getting to reconcile their problems. Last we saw them, Oscar was saying how he hated that Ozpin came back and refusing to acknowledge their merge. Now, they’re working together like they’ve always been solid allies. I get that the danger they’re in helps to put it all into perspective, but why can’t we get a few lines of them hashing this out? Or at least putting things aside until they’re out of Salem’s clutches? If you don’t need to re-write Hazel’s character with “he’s going easy on me” lines, you can use that space to deal with the conflict we’ve already established. Especially given the strange choice to have Oscar refuse to give up control and be the one coming up with this plan... but then Ozpin does take control and (maybe, see below) enacts it? I feel like we’ve missed huge chunks of this story. As it is, I wonder if RWBY will bother coming back to this. The questions of if/how Oscar will accept Ozpin and if/how he’ll reveal this secret to the group feels like they’re being swept under the rug and it will likely go unnoticed by a lot of viewers simply due to how intense the kidnapping plot is.

So things are a little messy, but otherwise enjoyable, and they’re about to get downright confusing. For me, anyway. See, Hazel reveals that he follows Salem because she can’t be beaten (cue my continued worry about Ruby telling the whole WORLD). She “can’t be stopped. She’s a force of nature,” and Ozpin is fighting a “cause with no victory, no end.” He yells back that “Someone has to try!”—bless this man—and then looks down at the ground going, “Salem can be fought. Unless… she brings the Relics together, if that happens…” and mentions summoning the Gods.

So here’s my confusion. The scene makes it feel like Ozpin is planting some sort of seed in Hazel’s head. He and Oscar JUST got done agreeing to try and undermine her from the inside out, then we get this line that feels like him “accidentally” dropping a secret that will turn Hazel against her. Except… Ozpin doesn’t lie here? The line isn’t useful to them as far as I can tell. They are screwed if Salem gets the Relics. …Right? Because if not, why the hell have the heroes been working so hard to keep them out of her hands? So I can’t decide if:

A) This scene is just written badly and none of this is part of the plan to undermine Salem.

B) Ozpin is going, “NO. Don’t collect the RELICS. That would be the WORST THING EVER /s” in an attempt to trick Hazel into doing it anyway and this is somehow supposed to hurt Salem, despite being presented since Volume 5 as the worst outcome for our heroes?

C) Ozpin specifically wants Salem to make the mistake of summoning the Gods because he thinks he’s completed his task? Or something? But what in the world would make him think that—especially without seeing Ruby’s message (not to mention the lack of unity that mess should cause)—or what makes him think the Gods would just destroy Salem regardless of what he’s achieved? If summoning the Gods was ever a defeat Salem option, why hasn’t he done it before?

I’m leaning towards A just because it makes the most sense by far, but that would also mean we had Ozpin and Oscar decide on this plan, have a chance to start this plan… and then didn’t actually do anything. Yelling at Hazel for following Salem isn’t a new strategy, they were doing that before, so what’s new? Or has the new strategy not been revealed yet? Idk, as happy as I am to see them being BAMF together, I’m slightly unsure about how it all hangs together. I’d much rather have an internally consistent and clear outcome that’s predictable (Oscar breaks or just holds out until rescue) rather than what appears like a super cool, badass, unexpected plot on the surface… but crumbles once you poke at the foundation a bit.

So whether Oscar and Ozpin started this plan or not, they’re dragged into the throne room where they’re forced to kneel before Salem. Yikes. She sits on her throne with the Hound, who I’m only now realizing could be read as a messed up Toto

We learn that Tyrian heard from Watts about his incarceration and hacking Penny. What? Okay, I took the time to go back through “Amity” just to find this screenshot.

That’s not a working Scroll! Idk what I thought Watts might do with it at the end of last week, but it wasn’t send a full, uninterrupted message to Salem that updates her on everything that’s gone down in Atlas. This thing is toast! Moments like this make me question how much communication there really is between the writers and the animators, despite last Volume’s disaster with Oscar telegraphing his punch like whoa. Are we still getting that level of miscommunication?

Salem then punishes Cinder for disobeying her by hurting her grimm arm. See, this here (for me, anyway) is the mark of a newbie writer. When the moment first started I went, “Oh nice. Just like the shock collar!” Then the scene made that abundantly clear by cutting to flashbacks of Cinder in her collar. That’s too heavy-handed. We already got the parallel, but then the show went, “Do you get it??” It shows that the writers are too scared that the viewers won’t get it, that their nuance will be lost, so they scramble to make it as obvious as possible, rather than trusting in their own writing.

And if you’re like, “So you want RWBY to be more clear and also… less clear?” the answer is, sadly, yes lol. The things that are already confusing due to retconning and inconsistent themes need to be made explicit, whereas the details that are already strong don’t need an in-your-face, “Okay, but did you really get the parallel here? We’re just making sure.” It’s like launching into explaining why a joke is funny when it’s already landed vs. telling a nonsensical joke and then waiting for the laugh that will never come. RWBY struggles in both areas.

Salem delves into this speech about how this is actually all her fault and she should let Cinder spread her wings or something. AKA, go free Watts and track down Penny. Then you can have your precious Maiden powers.

There’s a massive earthquake across Mantle and we watch a + medical symbol go out. Again, heavy-handed. We don’t need that in order to understand that the whole city shaking while the grimm look happily up to the sky is a bad thing.

We cut to Winter listening to the Ace Ops complain about Penny. She tells them to act like the elite they are, likely because she hates how they refer to Penny as “junk.” Still being set up to betray Ironwood, I bet. During this scene we learn that they have “confirmed visual of her leaving Amity. She appeared to be malfunctioning.” So Penny is alive? Also, they have eyes on Amity Tower and were able to see Penny leaving, but didn’t see any of our trio coming to launch it in the first place? Did Ironwood want it to launch? Did they see Cinder? I just don’t know.

Before they can get there though a message from Jaune comes through. Serious kudos to Team JNY for asking that “anyone” respond/taking the personal risk of calling for help in the first place. They’re finally putting—as Harriet says—they’re own selfishness aside in favor of the greater good. Yang obviously hates that it’s “you guys” they ended up with, but she’s not outright attacking the Ace Ops or anything. I’m like,

Excellent job, Yang.

Jaune is a little harsh in his panic. He said in his message that a “large mass of grimm” is heading towards Mantle and then when Harriet leads with asking about Penny, wants to know what’s wrong with her. Why are you asking about Penny when lives are in danger and “it’s” (the grimm) are “right there”? Except he, uh… points at nothing. There’s the chasm with (I presume) the weird grimm goo down it? Not sure based on the shot, but the Ace Ops expected a “mass of grimm” and then land to see no grimm anywhere nearby. So yeah, they’re more focused on the missing Maiden than the seemingly imaginary enemy Jaune is freaking out about.

They only get on board when the river launches itself at Atlas.

So the goo is, like, sentient before it becomes individual grimm? Or Salem is controlling it from her whale? Either way it’s BAD.

I want to briefly gripe about how the hell everyone is watching this. What, is there a camera conveniently trained on this one random part of Atlas’ underside and everyone’s scrolls tuned into that the second the attack started? It seems far-fetched, to put it mildly. In RWBY’s favor though, I want to acknowledge that we finally have appropriate expressions for the situation! This is good!!

I’m going to level with you all. My notifications have known no peace since I made the mistake of criticizing the adored trio that is Ruby, Weiss, and Blake. I thought supporting Ironwood would get me heat. Nope. Not supporting the main girls is what did it and honestly? I shouldn’t have been surprised. Last week I pointed out that having them smile and, in Ruby’s case, coo during a moment of horror is not good animation and implies some pretty uncomfortable things about their overall sympathy level. The image in question:

It doesn’t set a good tone, especially when we add in what we’ve gotten for Ruby’s group across the rest of this volume. The counters of, “They need and deserve a break. Why won’t you let them be happy?” fall flat when we ignore that this group has been animated as consistently goofing off post-premiere. Sneaking into the guarded military base of a former friend? Tube shenanigans! Need to find your way around? Funny Penny moment! Semblance reveal? Cutesy chibi explanation! Need to do more sneaking? Silly coffee plan! Nora gets electrocuted? Joke about how awesome that was! Even Wiess telling Whitley to go to his room reads as funny to the audience.

Ruby in particular has been a problem, given that she’s our main character and the others’ leader. We take our emotional cues primarily from her. Alongside being a part of all these fun and games, her animation during more serious moments has been less than stellar. This is Penny when Nora goes down.

This is Ruby, Weiss, and Blake. No worry, just focused on the fight.

This is Penny when the fight is over.

This is Ruby, Weiss, and Blake. No worry, just chatting about suspicious activity.

This is Penny in the airship, worrying about Nora and the situation they’re in. This is also Ruby in the airship, apparently not worried at all.

This is Ruby when she learns her uncle is in jail. Is there shock? Fear? Horror that he might be in serious trouble? No, she just maintains the same emotion she had before: fury at Harriet.

So when we reach them watching the recording and they look like this:

No, I’m not convinced that this trio is taking the situation seriously, or that they really care about the people involved. I know they’re supposed to care, they all obviously care from a meta perspective, but the “obviousness” of that only exists in our personal understanding of the characters if we don’t see it on screen. I completely believe that Penny is worried about Nora because she’s animated expressing that worry. I completely believe that JRY are in the middle of a warzone because they’re (mostly) animated as fearful and angry. The rest of Ruby’s team has a scared line from Blake and Weiss holding Nora’s hand, whereas the majority of the emotion across this adventure has been indifference or playfulness. That’s a problem given how horrible the events of this Volume have been, most of which the group is aware of.

All of which is an incredibly long-winded way of saying that this

finally feels appropriate. Well done, RWBY.

Alright, this recap is already over 7k long so I want to return to our plot with the summarized: IRONWOOD WAS RIGHT. He said they couldn’t withstand a head on attack by Salem and he was right. It literally took seconds for her grimm to burrow into Atlas, knock out a tower, and disable the shield. Everyone still claiming that leaving is useless because it’s oh so obvious Salem’s grimm could fly however high it wants (when did we learn that?) are ignoring that leaving was at least a plan with some kind of hope attached to it. And, given her focus on the Staff, may have saved Mantle by drawing Salem’s attention away from the city. The point is we don’t know. All we do know is that Ironwood tried to do something in the face of hopeless odds, Ruby’s team stopped him, and now look, everything is awful. No one could have possibly seen that coming.

Salem: “It’s time.”

I’m very pleased that Salem is finally using the tools at her disposal. Upon reflection, I still don’t buy why she had to wait. “Well, she was waiting for the grimm goo.” She couldn’t have used flying grimm to take out the tower? Take a burrowing grimm and give it wings? She couldn’t have used the goo that was apparently inside her whale the whole time?

It’s all very convenient. In the sense that we’re drawing out the volume by having the villain inexplicably hang back, despite not having a good reason to. In the sense that—unless Ruby’s message comes back to bite her—the villain’s passivity also conveniently let the heroes accomplish the one goal they were desperate to achieve. All of that’s still not good, but at least the Volume seems to be moving out of the “not good” category and into the “slightly better” territory.

Although, as I just acknowledged to a friend, RWBY seems to alternate for me. Every time I have an episode where I think, “Okay, there are still massive problems here, but I can see a glimmer of hope” the next episode is inevitably the pits.

Still, grabbing onto that hope with both hands: Atlas should be decimated, folks! Grimm are swarming, our idiot heroes herded everyone directly under the city, the world should be panicking, and the cold should still be killing people if the story remembers that it exists. At this point my only question is wtf our heroes are supposed to do next, but regardless of what the plot gives us, it’s going to be wild. You all know what’s coming. Next week is our final episode before a two month hiatus, which means we’re going to witness all kinds of awful and then end on a six week cliffhanger. It’s inevitable, so best to emotionally prep for that now lol.

I don’t believe we have any Bingo updates, with the exception of edging towards a few: “Winter betrays Ironwood,” “Army of grimm conveniently doesn’t kill any civilians,” “Atlas somehow survives,” and “Ironwood dies” being the most notable. We’ll have to see what, if anything, gets checked off next Saturday.

As always, thank you so much for reading (I feel like I don’t say that enough :D) and I’ll see you next week! 💜

[Ko-Fi]

#rwby #rwby spoilers #rwby volume 8 #rwby recaps #rwby midnight #mymetas

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murdereraisuha · 4 years ago

Text

Final Chapter 5 Reflection

This will have my personal opinion/thoughts on:

The VDC outcome, Rook’s actions, and what could’ve made it better

The Rook reveal and Neige

Kalim, Jamil, and Epel’s development

The Grim scene

Total word count: 2134 words

--- 1 ---

So, RSA won the VDC. My feelings on this are mixed.

Looking at it in relation to the whole plot of TWST, it makes sense. It moves the chance for NRC to finally beat RSA to the upcoming magift tournament, which gives NRC’s potential victory a large amount of excitement/importance which it wouldn’t get from this middle of the year championship.

Furthermore, Rook’s actions do make sense based on his personality. If Vil really didn’t believe that he himself was beautiful, Rook of course would vote for the team that exhibited pure joy in their performance and therefore exhibited a heartfelt beauty. It would be a lie to vote for NRC, and it would disgrace both Rook and Vil. Rook’s actions plot wise also lead to the discussion about Vil valuing himself vs seeking value from others, which I think is a crucial thing for Vil to remember. While trying to gain recognition for hard work is good, and Vil certainly does deserve recognition, it’s much more important to maintain a good perception of yourself even when things happen or people wrongfully say things that might tear down your self-esteem

However, I still have issues with how this played out in relation to the plot of chapter 5. It’s unrealistic for all of Vil’s misgivings about himself to get fixed through the power of friendship and beating each other up. But, still, the team went through a lot in order to get to the championship united and ready to perform. It feels like a slap in the face for them to lose after all that. Especially the scene with Kalim and Epel crying while Ya Hoo cheerfully plays in the background, it's so comically dissonant. Though we already got an explanation from Vil about how Neige’s performance appeals to viewers, I was still shocked. At least it was a close competition rather than a crushing defeat.

Also, while Rook’s message was sound, the timing was rather bad. Vil and the rest of the team just had a massive battle and then went through a whole song & dance performance without major blunders while still injured. Focusing on Vil’s self-esteem there makes it seem like Rook is just brushing all that determination and effort away. Though Vil doesn’t seem to truly hold it against Rook since he offers the handkerchief back to Rook when he cries, the situation still feels off.

In conclusion, I think that the plot events made sense. However, the execution of them could have been improved. As is, it’s hard to understand Rook’s motivations in this part due to the ridiculousness of RSA’s kid’s song winning. To fix that without just completely overhauling the plot, I believe that the admirable qualities of Neige and the dwarves should have been shown more clearly. For example, while the Pomefiore CM shows a glimpse of their bond, that’s nonexistent in the game. I think that incorporating that into the game (ex. a short scene of Neige reassuring the dwarves that their performance will go well before they step on stage) would help people understand Rook’s point of view better by showing instead of just telling us about the belief Neige has in his friends..

Moreover, alongside better reasons for why Rook choose RSA, I think it should be clearer why he did not choose NRC. It seems an attempt at warning of the “betrayal” was done with Vil menacingly saying he’ll win the VDC during the voting, followed by the shot of Rook just going “........”. To make this less sudden, I think I would change episode 66. Though that episode has Vil saying that he’s ugly, because the team contradicts him and keeps him as the leader it makes it seem like the problem is solved there. Therefore, to better lead to Rook’s speech, I would change episode 66 to have Vil show more hesitation and signs that he still doesn’t believe in himself.

--- 2 ---

Anyway, on to the reveal about Rook. I wasn’t sure what to think about the name slip up during the previous part, but I just guessed that maybe they’d met before and that meeting is related to RSA and Rook having light magic. Nope, we get Neige simp Rook. I think this reveal was really surprising, but more in a funny way than a “ruins Rook’s character” way. It’s nice to see Rook seriously caught off guard by Neige just nonchalantly exposing him in front of everyone, and everyone’s reactions were extremely funny.

I think that the chapter did a decent job of making it clear that Rook’s relationship with Neige as a fan of him is vastly different from Rook’s calm admiration of and friendship with Vil. I’m kind of curious now about how and when Rook became a fan though. Him being the 2nd member of the fan club implies that Rook found Neige when Neige still hadn’t gotten much fame yet.

I loved everyone’s Ya Hoo too. Ace and Jamil having level 0 enthusiam, Kalim and Rook having level 1000 enthusiasm, Deuce being startled but slowly getting into it but still being kind of eh, Epel just keeping that wide-eyed confused expression the whole time. ボーテ、１００点. For Vil, I understand that he was probably faking his big smile for the benefit of the audience. However, I still hope his opinion of Neige has improved somewhat or will improve. Neige telling Vil that he’s still number one in the eyes of the people who voted for him was really sweet and their interactions with each other are pretty cute/funny when Vil isn’t trying to murder him.

Unlike other minor characters like Chenya and Farena who either weren’t involved in the plot or were only involved as backstory, Neige is Vil’s present rival and motivation for doing the stuff he does and over blotting. With such a large presence that continued all throughout the chapter and the Rook reveal, it would seem strange for Neige to suddenly drop out of existence come chapter 6.

Therefore, assuming that the Grim situation doesn’t derail the current patterns we’ve seen in the story, I think that Neige will be included as part of the Pomefiore involvement in chapter 6. Of course, it could be something small like getting called in for a favor near the end or just mentions of Rook continuing to write him fan letters. However, I’m hoping it’s something larger. From my analysis of the previous part:

Vil’s team’s performance had a lot of cohesion and rehearsal put into it, but it was very competitive focused. On the other hand, Neige and the dwarves obviously had a lot of fun with their performance. However, it was clumsy and they were ill prepared. Therefore, Vil could teach Neige more discipline and planning while Neige could teach Vil about how to not lose sight of finding joy in your work.

Now that we have confirmation that Neige is a genuinely nice guy, I really want Vil & Neige friendship to happen, or for them to at least be on good terms with each other. It might just be my personal love for relationships where one person tries to be all rival-y but then the other is like “nope, I’m going to friend you whether you like it or not,” but I think this sort of development in the story of TWST would be really enjoyable to watch.

--- 3 ---

For the performance of Absolutely Beautiful, I love that Jamil got to be in the center for a bit. However, that also just makes me more disappointed that we didn’t get more Scarabia or anything about how their families are watching this. With the stuff in 5-30 and 5-34 focusing on Kalim’s perspective on things and his relationship with Jamil, I thought that at some point we would get a final scene focusing on them and how they’ve developed since chapter 4. What we got with Jamil swooping in to the rescue with the magic carpet then talking about how he could sense that Kalim was about to do something stupid was better than nothing, but idk. I just love the writing and complexity these two have gotten and I wanted that to continue to the end. I still have hope though! If we can get a thing about Leona noticing the traces of magic in the arena, then we can get future appearances from the Scarabia boys too!... please...

Now, for Epel, I also have mixed feelings about his development throughout the chapter. I absolutely loved the beach scene with Deuce and Epel, it was so cute and I liked Epel realizing the power of beauty because of the apple juice Magicam post. However, I think the narrative missed something important. Though Epel’s views had a lot of improvement to be made, Vil’s treatment of him was also terrible and should have been addressed. I believe Vil saying that “throwing a tantrum and taking it out on others was terrible of him” in episode 66 implies that he’s realized that all his actions, not just the overblot, were wrong. However, it’s not clear enough that that was the intention. Vil does not apologize specifically for how he attempted to force Epel to conform to his own beliefs. Though there’s always chapter 6, it still doesn’t seem like the story will ever really address this issue, which is a shame to say the least.

Furthermore, in this final part, Epel offering to take the center position was really good and showed how much he’s grown since the beginning of the chapter. However, it still didn’t bring the whole “poison apple” thing to fruition. Absolutely no one made any comment on his cuteness or how it might rival Neige’s cuteness. Did they plan something with that but scraped it? Like, this is way too little pay off for such a focus on Vil shaping Epel into a way to best Neige. My disappointment with this ending might have to do with these past 3 main story updates being the only ones I’ve been in this fandom for, but ¯\_(ツ)_/¯ Whatever the cause of my disappointment may be, my disappointment still does exist.

--- 4 ---

To top off this roller coaster of a chapter and end this reflection with a more neutral analysis, we have the stuff with Mickey and Grim. Mickey seems really nice, I’m glad that Yuu seems to have made an ally in him. We certainly need one after whatever the hell just happened with Grim. I really have to give props for how unsettling both Grim’s appearance and the sounds during that scene were.

Though we’re obviously getting close to the endgame, the Ignihyde sneak peak that we got seems pretty normal and related to their personal problems rather than the plot. Though it would be interesting for a big change to happen like Yuu being out of commission for the chapter, I think it’s more likely that Yuu will be rescued, Grim just goes missing, then we don’t get much more info on that whole thing until the end of chapter 6 leading into chapter 7.

Anyway, for the scene itself I understand if it just because silent protagonist, don’t want to make them talk/do too much, but it feels kind of weird that there wasn’t really any indication of a struggle? Just standing there, staring at Grim, getting clawed, then black out. Nothing to indicate trying to step back. There was some weird clopping??? sound after he attacked but since the camera didn’t move that wasn’t Yuu collapsing.

Also, it might just be supposed to be “Grim’s laugh but creepy,” but his ケヒッ、ケヒヒッ laughter sounds unusually distinctive? Idk, I just had the thought that it could be in reference to some other disney character with a similar laugh but idk who that would be since I’m not big into disney movies.

Right before he attacks, Grim also shouts “this is my stone!!!” Firstly, assuming that this stone is the same small size as the others, shouldn’t he already be done eating it? Yuu’s not exactly gonna stick their hand down his throat to retrieve it. So what stone is he talking about?

Well, we know that the magic crystal on the magic pens is supposed to collect blot so that it doesn’t built up inside someone, right? Blot accumulated from outright eating it instead of blot accumulated from casting magic is probably different, but what if some of the blot from the black stones did get gathered up by Grim’s crystal on his collar? We know how crazed he has been getting about the black stones. Is it so much of a stretch to think that he might be trying for more? That he might be trying to create instead of just find?

How would a black magic crystal taste?

#twst #twisted wonderland #twst spoilers #vil schoenheit #rook hunt #neige leblanche #twst theories #twst grim #update screaming

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