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thechekhov · 4 years ago

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Hi Chekhov! Really enjoying your white diamond au! I had a quick art question: How do you start comissions? I've been improving my drawing skills and thinking about drawing for others after having fun in artfight, but I don't know where to start? How much to charge, how to get paid, etc. Do you have any tips? Hope you're doing well! :)

Alright, since a few people have asked, I’ve decided to put together a few things about how to get started on commissions - what you need, what you should make, and how to keep things organized.

This will get a little long, so I’ll divide it into 4 main sections:

1) Draw Art - Getting started

2) Get Commissioned - Making a commission sheet, Advertising

3) ??? - Communicating, Setting Limits, Running the Business

4) Profit - Pricing Yourself and Getting Paid

* Disclaimer: I’m an artist, so this How-To will be illustration-focused. I’m sure many of these tips can apply to ANY types of commissions, but I will be focusing on the type I know best. If you are proficient in other types of commissions for other types of art - music commissions, photography, etc - feel free to chime in and leave a comment or make your own tutorial!

1) Draw Art

I think this is probably the most obvious part, but it needs to be said:

Before you start making art for other people, you must first be comfortable making art in general.

I’m not saying your art has to be Disney-quality, or industry-level! Not at all.

BUT! You must be comfortable creating what you sell. If you try to sell something you have little confidence in, you will stress yourself out and possibly end up losing time AND money.

Don’t shoot for the moon if you haven’t landed on it even once. Sell what you know you’re good at. Your commissions don’t HAVE to include full-body illustrations if you don’t know how to draw feet/solid stances. Limit yourself to what you can do.

Things you need to should probably have before starting commissions:

1. Access to art materials or a fully downloaded art program

DO NOT - Use a free tutorial version that will expire in a month and leave you without a way to draw! If you are having trouble finding a program, try free ones like MediBang Paint Pro.

2. Free time to complete the amount of commissions you want to take.

DO NOT - Take on or offer commissions if you KNOW you’re going to be overwhelmed with school or personal life for the next 2+ months. Pace yourself, otherwise you’ll burn out, get stressed, and get discouraged.

3. A reliable way to communicate with your customers like a commissions-only email

DO NOT - Use your friend/family/college email. It’s hard to keep track of things as it is, and creating new emails is easy and free. And keep it professional if you can! Not many people will reach out to dong-wiggles20434 to ask for a design. Ideally, your email should be close to your brand - however you want to brand yourself. Usernames are fine!)

DO NOT - Use Instagram/Twitter/Tumblr to collect commission info unless you are ready to do the organizing yourself. Some people make it work, but in my experience, if you use these SNS sites to communicate with friends and network... you’re going to be losing commission inquiries right and left and accidentally ignoring people. Email is much easier to organize and sort into folders.

4. A portfolio or at least 2-3 pieces of each type of art you’re planning to sell.

DO NOT - Advertise commissions without having any examples of the art you plan to sell. People will find it difficult to trust you if you can’t even give them a vague idea of what sort of drawing they’ll be getting.

Disclaimer: These are not hard ‘do not’s. If you have had a different experience, I respect that. I’m simplifying for the sake of streamlining this advice.

2) Get Commissioned

So - you have your art, you have your art program, and you’ve got all the time in the world. That means.... that’s right! It’s time to let the world know you’re taking commissions.

One of the most common ways artists signal to their audience that they can do commissions is by creating a commissions sheet. There are MANY ways to make this - and they range from simple and doodly ones to VERY complex designs. For example, here’s mine!

There are many ways to organize a commission sheet. At its core, a commission sheet should display the types of art you WANT to be commissioned to make. Let’s go over a few ways they can be done!

#1.... Body Portion Dividers!

This sheet is most common with those who want to capitalize on drawing people and characters. If you want to draw lots of characters, this is a great way to offer several tiers of pricing based on how much of their character your customers want to see.

#2... Complexity Scale

If you’re open to drawing many things but want to base your pricing off of how complex something is, you can split your tiers into done-ness. This type of commission is popular with those that draw characters AND animals, furries, etc.

#3.... Style and Type

If you’re more on the design side of things, or if you have various niche art styles that you can’t quite lump together, display a variety of your skills alongside each other! It helps if all the ones you have can be organized under a common customer - like those looking to advance their own business and get logos, websites, or mascots made for them!

3) ???

You got your first commission... what happens now???

Well, ideally you have the time, tools and motivation to make things happen! Now all you have to do is... sit down and... draw.......

I’m going to say something that may be a little controversial:

Commissions aren’t fun.

No, no, hear me out: I have fun doing commissions! I genuinely enjoy drawing characters and coming up with designs. But even with all that said, commissions are, first and foremost: WORK

I’m not saying this to discourage you, I’m saying this to keep things realistic. When I first began commissions, I thought it would be just like any other type of drawing. I would sit down, imagine a thing, draw it... it would be fun!

But then I realized that I couldn’t just draw what I wanted - another person had an idea in mind and had asked me to do it. I stressed over getting the design correct from descriptions. I stressed over not having the right reference for the pose the commissioner wanted. I stressed over not being able to draw the leg right in the way I had promised I would do. I stressed about billing. I stressed about digital money transfers. It was difficult, and time-consuming, and I did not enjoy it. At all.

And a part of that is definitely on the commissioner - we, as artists, NEED to demand proper references or descriptions. We, as artists, NEED to limit the amount of changes we’re going to make at the flick of a finger. We NEED to demand clear instructions and set boundaries. That’s also super important.

But also - don’t be discouraged if you find yourself exhausted drawing your first commission. MANY artists go through this. Adjust your rules, fix up your limits, practice putting your foot down on finicky commissioners who expect you to read their mind! It does get easier, but you have to communicate and put in the effort and act as your own manager AND your own customer service AND your own accountant. That’s what you’re looking at.

Good limits and boundaries to set:

Limit the amount of changes a person can ask to make. “I want blue hair.” Next email: “No wait, yeah, make it red.” Next email: “Actually I changed my mind, can I get the blue but like, lighter?” Next email: “No, not that light.” ... At some point, we have to stop. I personally allow 2-3 changes on the final stages of a commission before I start refusing or start asking for extra money.

Demand clear instructions and/or references. If something isn’t described, you have to take artistic liberty and design it, but that’s difficult! And if the customer is not happy with it but can’t tell you more? That’s not your problem - the burden of reference is on THEM. You cannot read their mind, and that’s not your fault.

Get at least half the payment up front! This is a good balance between the ‘pay before art’ and the ‘pay after art’ conundrum that will limit the amount of woes between artist and customer. (I’ll touch upon this a little more in the Profit section.)

Organization:

Where possible, create good habits! Tag your emails and organize your folders. I have a tag on my emails for active and finished commissions. I also keep my emails on Unread until I have time to sit down and properly look at/reply to them.

My Commissions in the folder are also organized chronologically and I mark down which ones are paid and which ones are not.

(I understand not everyone can do this, but if you want to give it a try, it does make things easier in the long run. Again, this advice is just what I have found personally helps.)

One last thing - I do not want to shame ANYONE for taking their time with commissions! Commissions are complex, and they take time and work. You can draw in 8 hours, but some things take research, materials, etc. Some illustrations realistically take up to half a year, or, depending on what’s involved, several years!!

THAT BEING SAID - it’s good manners to be upfront with your customers about how long you expect the commission to take. If you think you’re busy, just say that! Explain that you have a lot going on, and you will probably take (insert time period here).

And if your commissioners are worried, work out a system to keep them updated! I send my commissioners updates when I finish the lineart/flat colors/etc and I try to be clear about how long everything will take. I try to estimate with a +3-5 days buffer to give myself extra time... and recently I’ve been using it. Always say a bigger number than you think you’ll need.

If someone wants a rushed commission... make them pay more. If ANYONE wants a commission done ‘by the end of the week’ - that’s an automatic rush-job for me because I’m juggling an irl job and several commissions at once. I WILL charge a rush fee and I won’t feel bad about it.

If someone wants a commission within 24 hours...... Well, they better be paying you 3x your normal amount, or more. And remember - you CAN refuse! It’s perfectly reasonable to say ‘No, sorry, that sort of turnaround time is not realistic for me.’

Food For Thought - Invoicing

Many artists I’ve commissioned in the past have not used Invoicing, but I’ve recently begun to fill out invoices and file them in my Commissions folder just to keep track of things. It’s not necessary until you start getting into the Small Business side of Freelancing, but it’s not a bad idea to get into the habit early in case you might need to do it later for tax purposes.

Here’s what my Invoice looks like, for example.

I’ve optimized it to help me remember who, what, and how much is involved! It also contains important info for my customers like where to send the money.

Which brings us to...

4) Profit

One of the hardest things for artists is pricing themselves. I’m not going to tell you which way is BEST - there is no BEST way, only the best way for YOU.

One of the options available to you is pricing by the hour. It includes averaging out how long it takes you to draw a specific type of art (whatever you’re offering as a commission) and multiplying that by an hourly wage you’ve decided on.

When you do this, I stress - do NOT price yourself below minimum wage if you can help it. When you first start out, aim for the $15/hour mark and adjust accordingly.

Other ways to price your art:

- Per complexity: Portraits vs full body should be scaled based on how difficult you find one vs. the other. You can also easily decide on a price for a sketch and double it for lineart, triple it for full color, etc.

- Per type: Look up for industry prices for website design and logo design. They may surprise you! You don’t have to charge that much, but it helps to keep things in perspective.

It’s okay to change your prices! Keep your commission sheet image handy so you can update the amounts as you grow. :)

Payment up front or after completion?

Some artist take full payment up front. Some only demand payment after they’ve finished and sent out the piece. I personally think these are both risky for everyone involved.

I recommend doing at least HALF of the payment BEFORE you start the commission. Calculate your full price and ask for half before you start working on it in earnest, to make sure the person can actually pay you. Then, when they receive the full piece and are satisfied, they can complete the payment.

I personally work in this structure:

> Someone emails me with their idea/reference

> I send back a rough draft sketch that shows the idea/pose (only takes me 10-20 minutes so not a huge loss if they ghost) and quote them a price

> They can pay the full thing upfront OR pay half

> I finish the commission and send updates when I do the lineart/colors to double check anything so they have multiple chances to spot any errors

> If the person paid only half on completion, I send them a low-res version of the finished thing, they finish up their payment and THEN I send them the full-res version plus any other filetypes/CYMK proofs, etc.

Many of the people who commission me pay me up front even though I offer they pay half - and I’m really flattered that they trust me that much! Because of that, I feel encouraged to update them frequently and ask for their input as I work, so they have the peace of mind knowing I’m actually doing their commission.

Great, but how do I get PAID????

There are NUMEROUS ways - these days money is relatively easy to transfer over digital means, and you have a few options.

Paypal is perhaps one of the oldest digital wallets and is geared towards businesses. By setting up a PayPal and connecting it to your debit card of bank account, you can tunnel a pathway from your online business directly into your hands in a matter of days.

Paypal also offers Invoicing - you make an invoice, price it and send it to the person’s email and they can pay whatever way they need! (It also allows partial payments.)

Pros: transfers from PayPal to bank account are free, and take a couple of business days. It also has no upper limit to the amount of money you can move in/out each month. It can force refunds due to the nature of its business-oriented payment system.

Cons: Because it’s used by businesses for larger transactions, PayPal may demand a more rigorous proof of your identity. It may also take longer to set up and be harder to get used to. I’ve also heard that they can be a hassle when it comes to closing your account.

Venmo is another type of digital wallet that acts much like paypal, except for a few key differences - it is NOT made for businesses (so depending on whether you’re officially registered as a freelancer, you may not be able to use it). I personally don’t use venmo, so I cannot speak to its usefulness, but I know a few people that use it for casual transactions. It’s easy and quick! :)

Keep in mind that you cannot force a refund over venmo! The transactions are final.

There’s also CashApp, GooglePay (which could load gift cards but also allows peer-to-peer transactions) and I’ve heard good things about Due, though I’ve never personally used it.

Other ways to pay: I’ve had people pay me over Patreon by upping their pledge, and I’ve had people pay me over Ko-Fi by donating a specific amount.

Many people even use Etsy - the website specialized for independent small businesses selling art - by listing their commission sheet and offering up several ‘slots’ of commissions, which allows you to track taxes AND allows your clients to pay using whatever they feel comfortable with.

If you’re in Canada, you can even pay by emailing money directly from bank account to bank account - check whether your country offers this type of service! There’s no shortage of ways to move money in the digital world.

Just like everything else, there’s no singular ‘Best’ way. It just depends on what works for you.

I think that just about wraps it up! I can’t quite think of what else to put here - but I’m sure other artists will chime in with their own advice. :) I’m very sorry this became so long but I hope it was helpful!

Obligatory Disclaimer: I’m not qualified to give legal or accounting counsel. Please double-check the laws in your own country/state in regards to taxation of freelancing work and do your own research. If you are underage, DEFINITELY get an adult’s permission before you start doing commissions, and have the adult help you through the process.

. . . . . . . . . . . .

OTHER POSTS YOU MAY FIND USEFUL:

An Extended Post on Pricing Yourself for Commissions

Dealing with Imposter Syndrome/Feeling ‘Not Good Enough’

Growing Your Audience

Advice for Starting Digital Art

#Anonymous #long post #commissions #how to #infograph #how to do commissions #arting #art tutorial

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chronicbatfictioner · 3 years ago

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Exchanges and Compromises - Chapter 17

Jason was having the time of his life.

Dick was sure of it. He might grump and sulk a lot more than before, but Dick was sure that he was having fun. Sure, guarding Damian might be a little more than tasking, after a while - especially since Damian was so certain that he could face Bane alone if it comes down to it, conveniently ignoring the fact that: a. he's ten and practically one-tenth of Bane's size; b. the Waynes most likely would detest having to clear intestines off the marble floor if Damian were to be let near a katana and/or Bane, and c. Alfred definitely would detest cleaning intestines or parts of Damian off the floor or walls.

And d. Bruce Wayne seemed to actually enjoy having Damian around and has no qualm in talking to Damian as if he was twice his age. Bruce's age, that is. Not Damian's. Dick suspected that Bruce has spent a lot of time talking to 60-year-olds.

But there were numerous forms of excitement that were offered by the Wayne Manor. First and foremost were the cars. Dick has never learned to drive - being a Talon kind of impeded the learning process of 'common human things'. Jason, however, was an excellent driver. He had mentioned something about being a getaway driver in warzones, and Dick couldn't be sure if he was telling the truth or joking. Either way, he rather enjoyed it whenever he and Jason had to take Damian somewhere in town.

Except for today, as somebody seemed to have tampered with the car.

It wouldn't brake, and they were cruising really, really fast.

Hence Dick's belief that Jason was having fun. He did not look perturbed at the slightest as he controlled the car, swerving crazily over the backroads, making sharp u-turns instead of going into the city roads and went back where they came from. Within a mile from the Drake House's gate, Jason finally managed to cut down the speed to the point where the car's engines died and it rolled to a stop. On the Drake House's gate.

"Seriously, people," Tim remarked dryly as they walked in - leaving the car at the gate and settling their respective adrenaline back down. "I've heard of visiting the neighbors, but must you be like, dying and/or damaging people's property before you come here to say hi?"

"The car was tampered with," Damian reported. "Must be the brute. And I shall replace your gate, Drake."

"I think I'm down to like, eight lives. No-- seven." Dick admitted, "my heart's still beating a hundred miles per minute. Good thing, though, at least that way I know I'm quite alive."

"Dick, you're a bird. Not a cat." Tim deadpanned. His eyes never leaving Jason, who had lit up a cigarette as he walked through the house. "Since when do you smoke?"

"Since I was eleven," Jason replied. "And since I walked into a house that has laser triggers that were set up by a lunatic. Smoke worked to reveal them all."

"I'm... partially scowling because smoking kills. But I suppose laser triggers would kill faster..." Tim replied.

"The lasers are used to trigger booby traps just about Damian's height. If he were to be a common kid and run around the house, he'd be decapitated within the first few days." Jason continued bitterly. "What the fuck is wrong with that giant lump of steroids, anyway? He was ready to kill a child!"

"The nutshell version is that the child would prevent his usurping the Waynes' wealth." Tim pointed out. "The long version is that I don't think he's really the child of Dr Wayne, the Waynes know of it, and they're literally being held hostage in their own home. Also, you people are being watched, too, by drones. I've asked Harper to kill those drones for entering my property."

Tim then explained Bruce's visit and the USB. "Oracle has contacted him and told him we... the Birds, that is - are investigating the evidence."

"How long until we can punch the asshole out of the house for good?" Jason demanded, accepting a bottle of water Tim handed him. Slowly and gently. Making sure his fingers brushed Tim's. And Dick had to swallow a grin.

"That, unfortunately, would be up to the GCPD. Did you guys saw the news? Vicky Vale's article on Damian?" Tim... preened a little, waving his hair as he walked away from Jason. Dick's lips itched, he wondered if Barbara or the other girls -- if Selina or Dinah have noticed this. The two were definitely flirting.

"I have seen it. It had good pictures of my mother and grandfather, and quite... adequate descriptions of both of them." Damian replied. "Evidently father has made a comment to the writer about me looking like him when he was my age."

"Well, you kind of do look like him, except for the green eyes." Dick pointed out. Bruce's eyes were blue - like both his parents. But from the photos of little Brucie around the house, Dick could see a little of Martha Wayne in Damian's still-round face. "When did Bruce make the comment?"

"Oh, Vale called him." Tim snickered. "She still has his personal number, and she commented something about hearing a - quote: 'constipated buffalo sounds in the background' - unquote. She was also wondering if Bruce was in a bullfighting ring somewhere."

"Seriously?" Dick laughed.

"Seriously. Even Barbara couldn't stop laughing hearing that." Tim assured him. Jason rolled his eyes but looking amused, anyway.

"Sooo... a possible off-road accident for the apparent heir is in the books?" Jason suggested.

"I won't put it past Bane. Damian...?" Tim started. But Damian already nodded in acknowledgment.

"I shan't eat anything that is not presented by Todd or Grayson, nor will I frolic the manor on my own. This shall be more to bear witness to your insinuation of my 'child-like' behavior than to take care of me, Drake, as I am quite capable of sustaining my own life." Damian scoffed.

Tim paused visibly for a good two seconds, before nodding, "of course. Furthermore, I can assure you that Alfred is safe, mainly because as a butler, his focal interest would be the actual Waynes. That's in his training - unless an offspring is publicly announced, they are not to be cared for by the Butler. In Wayne Manor, the proverbial child would solely be Bruce - for obvious reasons, and Damian, whom Bruce has publicly acknowledged." Tim explained.

"He was in MI6," Jason remarked. "Alfred, that is. Not Bane. It would be safe to say he's loyal. He told me of the booby traps and that Bane has a daily dose of injection of the steroid-like substance. But I-- we shall prepare you emergency rations - just in case, anyway."

"You guys can always drop by here. And don't think that Damian would be Bane's only target." Tim reminded. "If I was him, I'd take out the big guns - that is you two - first; and then Bruce, because he'll want to be protective of his son; and then Dr and Mrs Wayne last."

"Then I'm afraid you are forgetting one of the members of the household that is most dangerous, Master Tim," a voice spoke; Jason pulled out his gun, Damian automatically hid behind him while pulling out a small dagger.

Dick wanted to lunge right toward the source of the voice until he realized that it was Alfred Pennyworth, both hands raised up to show that he was unarmed.

"How...?" Jason growled, "I didn't hear the front door open."

"Apologies, gentlemen. I should have informed you that there is an underground passageway between the two houses that were once used frequently, but now has all been forgotten." Alfred explained. "You were right that I was in MI6, Jason; as you were right that my focus will and forever shall remain the true Wayne blood, Master Tim. Not ones who claimed as such and refused to provide irrefutable evidence."

"Does Bane know of this passageway?" Tim asked.

"It is located in the staff's wing, and as he is not permitted to be there, I sincerely doubt it," Alfred replied. "I have my own... booby traps and surveillance that should tell me if anyone has been there." he smiled. "I am aware that both of you have prowled the entire house at one point or the other in the past few weeks." he nodded toward Jason and Dick. "You were stealthy, indeed."

"But not stealthy enough?" Dick quipped. "I gotta go back to training... Anyway, why are you here?"

"I saw your vehicle's mishap and its stop here. If anything, Bane is not... stealthy enough." Alfred pulled out a small memory card. "To get to the garage, one must pass the servants' hall. And the garage is my province."

Tim accepted the memory card, plugged it into his cellphone; and then projected its content to a wall. "Huh... this should be enough evidence of tampering..." Tim commented. The memory card showed a clear date stamp - that morning, a few hours before Bane and the Waynes left the house. It also showed Bane himself, jacking the car that was now resting with a dented bumper at Tim's gate, while holding a plier.

"Anyone watching our car now?" Dick commented. "Won't be cool to have it suddenly fixed, will it?"

"Harper should be. Plus, y'all are on my property. If he trespasses, I'll have his ass arrested." Tim huffed. "So... if anyone has ideas--" Jason and Damian's eyes lit up; Tim glared at them and continued "--that do not include sharp and/or exploding objects of how to remove Bane from the Manor..."

"I'm fresh out," Jason replied mournfully. "No sharp objects, no exploding objects... what do you expect me to do? Poison him?"

"But Todd, did my mother not teach you the arts of food as medicine?" Damian piped up.

The sudden silence as all eyes landed on Alfred was quite ominous.

"I will not conduct a crime, young masters," Alfred remarked dryly.

"Oh nooo... not a crime," Jason grinned mischievously. "It's just... you know that Damian was born in the Middle East, yeah?"

"I may have quite a culinary skill, but I fear that my Middle Eastern cuisine knowledge is rather limited," Alfred said demurely.

"Well, mine isn't." Jason grinned. "Besides, what else should one do to celebrate one's entrance into such a distinguished family; but hold a family dinner?"

"You're going to poison him." Dick groaned.

"Not to death!" Jason protested. Dick gave him an unimpressed glare. "Just... to the point where he would realize that he and I have opposing objectives."

"Do let me know of the ingredients you require, Jason." Alfred intoned. "Or perhaps you prefer to shop on your own? I shall fetch a new, un-tampered-with vehicle."

"Oh, please do, Alfred. I doubt we can make a single trip. But they will be fun." Jason replied, grinning.

Dick knew that the sense of foreboding was not in him only. Tim looked like he was contemplating moving away to Alaska.

"For the records, I don't know anything about cooking," Dick said defensively.

"I'm... truly and fully reconsidering my life choices," Tim admitted.

"Oh, don't worry, Drake. Todd was trained by the best," Damian grinned mischievously. "I pity the fools who think him as a brute. I pity the brute who think that small equals weak."

#Batless!AU #JayTim #Dick Grayson #Tim Drake #Jason Todd #Damian Wayne #Alfred Pennyworth #stray!tim #RedGhost!Jason #Talon!Dick

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jovalencia · 4 years ago

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we all knew this was coming and I’m a sentimental bitch. I just wanted to write all my mutuals some little messages about how much I love you. you guys have changed my life and I am so grateful for each and every one of you!!!💕💞💓💗💖💘 anygays have fun searching for yourself in this mess and I’m sorry for any typos, I’m illiterate (and if i forgot you it’s because i lost my brain in 1912)

@cr1spyy fernanda, my first ever mutual. who would have thought that your 5th wave posts would have brought one of the most amazing people in my life to me. your posts always make me laugh and your dedication to the good morning asks is admirable (fr I could never have that much consistency) you’re so kind to everybody and you’re absolutely beautiful and incredible and I fucking love you so much. I honestly don’t even want to think about what my life would be like if I had never met you, MWAH💕🤍

@sundaymorninghangover I remember you being my first ever note!! you liked this post I made that was a reblog of a “uquiz” that was actually a rickroll lmao. you didn’t even follow me back then but whatever. Then I remember waking up one day to see that you had tagged me in a bingo ask game and I was like “ummm tf is an ask game” but I do still have a bingo card for it that I never used ekenksjs. anygays, you have good opinions on everything and you’re absolutely fucking hilarious. If you told me back in may that I would be friends with you I wouldn’t believe it bc you intimidated me but regardless I’m glad to be an arson gang member with you. your memes are god tier and so is your music taste. I love you whore!!!!!🖤💜

@sound-and-colors ma’am you’re so nice and for what??? the aesthetic stuff that you reblog is *chef’s kiss* and nobody else is out there doing it like you. we’ve never talked but I just know that you are absolutely incredible mwah❤️💛

@embeddedinmybrain tasfia you are the nicest person on his hellsite and you know it (I hope). It was so much fun being your secret admirer anon while it lasted, like fr I loved it. Your art is beautiful just like your heart and i honestly don’t know what I did to deserve such a kind soul like you in my life. You’re always there to hype me up and ily (also just cut your own hair already I believe in you)🤍💙

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@lieverobbe ah yes, the girl with the impeccable music taste. that’s what I know you as, oh well. you are more talented and kind than you could ever believe and your edits are amazing!!! whenever I see you on my dash I get all happy bc I’m like “em’s here!!!” I love all your lil posts and I am so glad that you are my mutual ilyyyyy💙🤍

@ironymane you’ve watched limitless which automatically makes you amazing. you’re an absolutely incredible and amazing person and even tho you aren’t on here as much anymore, I still love youre lil posts. And one time you kept me entertained on a 6hr car ride so you deserve some kind of award for that. ly🧡💛

@kingarthurpendragons okay the obvious thing to talk about here is your incredible talent when it comes to gif making. Like how in the hell- but you are also so kind and loving and it doesn’t go unnoticed. You don’t have to send nice asks but you do and ily for it mwah!!❤️💗

@engelkeijsers the skam nl stan that we all deserve to have in our lives. you are so fucking hilarious and relatable and all around amazing and for what? your posts always put a smile on my face and it is so much fun to clown with you. ilyyyy💚💛

@happiness-isin-you let’s ignore the fact that it took me forever to realize that this was your main lmao. your art is some of the most beautiful shit I’ve ever seen. like your style is so cool???? I could literally go on about this for hours don’t test me. the cute animal pictures are the absolute best and you’re always there for emotional support. Ilyyyyyyy💛❤️

@isakyaqi fiz you are so kind and talented and cool and I really do mean all that. You reblog always the best of content so I know I can trust it. you always put nice tags in the things you reblog things and it’s fun to read what you write because it’s almost always you hyping up the creator or the thing itself. you are awesome jdjdjdndjjd mwah🖤🤎

@cash-queens sam oh sam. Idek where to start with how much ily. You’re my famous mutual which is very iconic of you and you put up with my cat pictures and my silly antics and my riverdale posts. You’re so kind to me and everybody and whenever I make a post when I’m having a mental breakdown you’re always there to make sure that I’m doing okay. That def doesn’t go unappreciated. You’re legitimately one of the kindest and most amazing people I’ve ever known and I love you so much, more than you could ever know💛🤍

@welcometo-saturn çağrı you’re so cool. end of statement. that’s all I have to say about it. your gifs are so beautiful and you don’t take shit from anybody. you’re so down to earth that it makes it seem like you’re somebody who I’ve just always known (even tho we’ve never talked sjdjdjdjdj) so yeah anyway, you’re are a really awesome person with really good opinions and I am so glad that we are mutuals🧡❤️

@amifeelingokay it’s difficult not to start with your url bc it’s amazing and I love it. your skam posts are always so nice and cute and positive (just like you!!) and I love them. the content you reblog is always aesthetic or a nice text post and I just love your blog okay. ily💜🖤

@isthatelpome you’re so nice that I’m willing to overlook your opinion on salt and vinegar chips (they’re not good I’ll fight you on that) your dani icon is beautiful just as you are, mwahhhh🧡❤️

@earthling-isa babe you are so cute with your lil edits and your clowning. the near constant black and white aesthetic is very iconic and i love it. you’re a suus stan so I have no choice but to love you for it. i absolutely adore your gifs, especially the ones with the lil squares in the middle fygzbgut. you are absolutely beautiful and incredible and kind and I love you MWAHHHH🖤💙

@grey-mist-exist okay we’ve never talked but you seem like such a rad person. not cool but like rad (there are are subtle differences) your art is beautiful even tho idk the quotes (go off smarty pants) and overall you are just really rad, idk how else to say it mwah!!!🤍🖤<pretend it’s a grey heart

@fatoudixon hey look it’s one of the most talented people here!!! You’ve always been so kind and supportive of me and I really really do appreciate it. you have good opinions on everything and did I mention that you’re talented?? cause you are, very. Your reaction videos are amazing and not to mention iconic, just like your hair. anyway, ily and I am so glad that I have somebody as amazing as you as my mutual💙💛

@sander-klaas you are so kind and and you have so much passion. I can always trust you reblog only the best of wtfock and sobbe content which I am very grateful for. you literally just started making gifs and they are so beautiful (okay it was like months ago but whatever dkdjdjjdjdj) anyway, thank you so much for being my mutual mwah❤️💛

@jusdekiwi okay we’ve never talked but you genuinely seem like such a sweet person??? I love the stuff you reblog, it’s always the best gif sets. idk I can just tell you have good taste. I hope to get to know you better in the future, but for now I am very grateful to have you💚💙

@kritiquer my twin!!! you and I have a lot in common so ofc I love you. I’m joking obviously.... anygays you are always so supportive of everybody and you are so sweet. I love all of your personal posts, it always makes me really happy to see what you’re up to and how you’re feeling. I also like the aesthetic stuff you reblog, I have bad taste in all that, clearly you don’t. I am so glad that we started talking and I hope that we continue! ily kit!!!!💜🤍

@bleachblondebitches you aren’t on here that much, but whenever you are I get so happy! Your gifs are beautiful and I think about your sobbe and booksmart parallels gifset every day. you have amazing taste in movies and I love you!💜💙

@lesbeanfatou clara!!! bitch!!!! You already know how much I love you but I guess I’ll reiterate. I honestly don’t know what I did before I knew you. I always remember looking at the no idea blog with the Nora icons like “who is this?” Little did I know back then that you would be one of my closest friends. your support of me means the world and I am so grateful for you. I’m so glad that I have somebody in my life like you to talk to and be friends with. you are one of the funniest people in and I just love you so much I could burst mwah❤️🧡

@gucciboner okay hiii ypu are literally so fucking kind and funny, i admire your sense of humor sm. your art is so beautiful and you are so goddamn talented, it never ceases to amaze me. I also love all the little funny posts you make and reblog!! ily💙💗

@helmtaryn even though you put supernatural on my dash, I am willing to forgive you bc I love you so much. your gifs are so beautiful like ma’am didn’t you just start?? icon shit. your hate for photoshop is iconic and you are awesome. you’re always sending me asks and responding to my posts and you’re so nice and it makes my heart go whooosh. anygays you’re cool and ily💙🧡

@starmansander nina when I tell you that you give off the best vibes- okay sorry I had to start with that. I love how you are so nice and supportive of me, it really means a lot. I really like the stuff you reblog like,,, cool art? pretty women? those hopeful little posts? iconic. also youre a noor stan which is a sign of good taste. love you🤎❤️

@ijzermanora daniiiiiii madam you are so epic and iconic and I really could go on about that forever. you are so kind and you’re following all my joke sideblogs (even the ch*cken l*ttle hate blog??? why???) which is very brave of you. I love reading all of your lil wholesome posts and hearing about school and how much you hate chemistry (even tho you like sushi???) anygays we were already sending memes 10 hours into our mutualship so I think we were soulmates from the very beginning. I love you so much and I have no idea what I did before i knew you💜💗

@alwaysin-myhead okay, you give off cool person vibes and I had to acknowledge that. your art is so beautiful and you are so incredibly talented!!! I hope to get to know you in the future🧡💛

@alexiaugustin here she is!!! the queen of good opinions!!! you are such a smart cookie and you use that power to make long paragraph posts that I can actually read without falling asleep. which is impressive honestly. never has a person been so kind and funny and genius in such a well rounded way (that makes no sense) I’m so happy that I have you in my life ilyyy💚💗

@ijntba hihi you’re such a sweet person and I literally love your skam blog sm. I am so honored that you’re using one of my icons you have no idea. even though I’m confused when you post about anime, I still appreciate your passion lmao. mwah💛🧡

@hidden-joy liz!! you are such a kind soul and I absolutely love looking at the things you reblog and reading all the nice things that you put in the tags, it’s always so sweet and supportive!!! we’re relatively new mutuals, but I do hope to get to know you better in the future!!!💚💛

okay sorry to group y’all together but @fudgetunblr and @alexiswoke I like just became mutuals with y’all but I do love you and I’m glad you’re here and I hope 2021 treats you well and that i get to know you better!!❤️❤️

aaand one last final message for max and sarah, i know yall wont see this but ily🧡 💜

okay yeah I know I already said this but I really do love each and every one of you so much and I am so lucky to have so many amazing people in my life💕💕💓💕💖💖💕💘💕💗💞💓💕💖💖💘💕💓

#MWAH💕#my mutuals are pretty fuckin rad #also don’t tell anyone but the hearts at the end are the colors I associate you with #or they’re as close as I could get #*makes this post*#*goes back to sleep*

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punksarahreese · 4 years ago

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night for rehearsal pls 🥺💗

Night | Rehearsal

Theatre!AU; a look into a normal night in the drama club

Prompt: Night

Word count: 1668

***

“Robin!” her name echoed across the auditorium as a familiar blonde bounced over, damp hair escaping from its haphazardly tied scrunchy. She was still in her swim suit too, the spandex peeking out from her open sweater and tucked into her school sweats. She had obviously been in a hurry to leave, which made sense when Robin looked behind her.

“Hey, Sam,” she nodded at the boy who was trailing after her, looking amusing, “Connor, you’re late.”

“So is Sam,” he furrowed his eyebrows at the teasing remark, “It's not my fault I had to drive down to the pool to pick someone up because she missed the bus.”

“I had practice!” Sam argued as she dropped her gym bag on the stage, it's familiar cross-stitch motifs making Robin smile. She had gotten her best friend a new duffel bag for Christmas that year, since her old one was falling apart from years of damp swimsuits and piles of theatre costumes. She had taken the time to stitch little things into the black fabric, including little bees and flowers that she thought would make Sam smile. It had and it never ceased to make Robin happy too when she saw how practical yet meaningful her gift had turned out to be.

“Still,” Robin nudged Connor’s shoulder, “Now we know why I’m the president of the club and you two aren’t.”

“We are literally co-presidents, Ro,” Connor’s reminder made her laugh; as if he would ever let her forget that. They had helped rebuild the dying drama club in their first year of high school, bringing in more students and assisting their teacher with planning and fundraisers. Sam joined along the way, quickly becoming their friend with her headstrong disposition and bold ideas. It had always been the three of them, for years, and now that they were in senior year everything had started to feel a bit bittersweet.

Robin tried to not let it get to her, though, because graduation wouldn’t tear them apart. Her and Connor had the same dream, Broadway, and they had made a pact years ago to hold each other to it. Every audition, every show, and even every mess up and meltdown was done with the other there to support and help. Even when things got hard they were in it together, no way would one bad audition or anything ruin their chances at the best schools or roles.

Sam was there for fun, mostly. She was a good actress, easily immersed into any role she was given and ready to take the lead in activities. She was an athlete first and foremost, though, and that hadn’t changed much. She had her dreams set on olympic coaching since the beginning, yet joined the drama club because their counselor thought it would help her with team building. It did, for sure, and while Sam never changed her mind on her dream profession, she had made a lot of friends and found a certain love for musicals along the way.

“What’s the plan for tonight?” Sam asked once they all settled down a little, taking a seat beside her on the stage. Robin glanced at the clock across the room, noting that it was almost half-past six. She had stayed after school to run lines by herself and get a head start on some set design. The second semester had just begun and that meant the spring arts showcase was fast approaching, which meant the drama club was scrambling to start preparations for a show. Auditions had taken place only the week prior, which had Robin practicing painstakingly so she could secure the main role. It was, after all, her last year in the club; she ought to make a lasting impact.

“Rehearsal, on book still,” she replied, fidgeting with the worn corner of her script book. She had a lot of nervous energy fizzling beneath her confident exterior and unfortunately she wasn’t all too good at hiding it. Not from her friends, anyway, because Connor’s hand reached out to cease her worrying of the book’s fragile pages almost as quickly as they started.

“It’s only the second week,” he reminded her, “Of course we’re still on book. We’ll have it memorized soon enough, Robin, be patient.”

“I know.”

“We’re already ahead of schedule with costuming and props,” the blonde across from them added cheerfully, “Plus we can come in during lunch hour and get things done if we really wanted. I’m sure I could rope some of the freshman into helping paint and stuff.”

“And by that you mean bribe the kids into doing the grunt work.”

Faking a gasp, Sam glared at Connor a little, “How dare you accuse me of such manipulation.”

“Dramatic,” he stage-whispered to Robin, who was shaking her head at the whole thing. The two never stopped bickering but it was how they showed affection, even if they did butt heads sometimes. Between the three of them there was a lot of attitude and maybe a little too much ego in the room, if Robin was to be honest, so this was commonplace. It was all in good fun, though, and they had never actually had a proper falling out despite the lighthearted arguing.

“That’s kind of the point, Rhodes.”

Before any more non-club related dramatics could be had, their teacher walked into the auditorium. Tanya Hanes was a rather eccentric woman, with a never ending supply of anecdotes and interesting fashion choices, though Robin assumed that kind of came with the job description. What was a little odd, though, was the girl trailing behind Ms. Hanes.

She was only vaguely familiar to Robin, probably from one of her AP classes if she had to guess. The girl had her dark blonde hair in a meticulous half ponytail, leaving her sharp features unshadowed. She didn’t make eye contact with anyone, instead looking around the auditorium as if she was searching for anything to keep her occupied. Her beat-up red converse squeaked against the ugly tile floor as she stumbled a little over an extension cord, muttering something as she regained her balance.

“Everyone,” Ms. Hanes’ voice echoed through the large room, bringing everyone’s attention to her down near the front of the stage. She waited a few moments for the younger students to calm down from whatever they were messing with in the props area, waving them over until she deemed it quiet enough to continue.

“We have a new student joining us for this semester,” Ms. Hanes explained as she gestured to the blonde behind her, “She will be here to assist with any technical or set related work, as well as line prompting and costuming.”

There was a chorus of welcomes and hellos, Robin noticing the way the girl relaxed a bit at that. She was glad the drama club were relatively friendly people, since the comforting atmosphere managed to make new kids feel at ease.

“Care to introduce yourself, dear?”

“Uh… yeah. Ava Bekker,” her voice was lower than expected, laced with a pretty accent that seemed to catch everyone’s interest, “Nice to meet you all, I guess.”

“Robin, Connor, since you two are our presidents would you mind helping Ava become acquainted and set up with some jobs?”

“Hey! Don’t forget me,” Sam put on a little pout, obviously in the mood to joke around. She never wanted a leadership position in the club, since she already had that in her sports and didn’t want to take away from her best friends’ thing. Still, she liked to be included, though it was just assumed she would do whatever Robin and Connor did anyway.

“Of course, Samantha,” the teacher laughed, “But don’t terrorize her, now.”

Scrunching her nose at the use of her full name, Sam just nodded, “Wouldn’t dream of it.”

After letting people know they would start practice as soon as their presidents got things sorted, Ms. Hanes went off to talk to some students. Taking that as their cue to go properly greet the new girl, Sam was the first to hop off the stage to meet Ava near the stairs. The blonde looked a little startled at her energy but offered her a polite smile regardless, holding out her hand to shake.

“Call me Sam,” she said happily, “Welcome to Hell.”

“Sammy,” Robin sighed and lightly hit her shoulder as she came up behind her, “Don’t do that.”

“I’m only teasing, Ro,” Sam replied coolly, “Newbie, meet the Queen of Hell herself.”

“Please,” Robin’s incredulous look only made her laugh, which had her best friend sighing yet again. She turned her attention to Ava, relieved to see that the other girl only looked amused at the antics.

“I’m Robin,” she said with a smile she hoped was reassuring, “I promise Sam will calm down once she stops showing off.”

“I don’t mind, at least one of us has the energy,” Ava replied, though her tone was a little guarded. She was nervous, that was obvious, and the other girl just hoped she would become more comfortable once she got acquainted with everyone. She still offered Robin a handshake too, which was an amusingly formal gesture for students around there.

“Well, I can show you backstage and get you set up with a script and some jobs to do, if you’d like.”

“Uh, yeah, sure,” Ava nodded and the smile she gave Robin just about melted her heart. It was the first genuine look the blonde had had since coming into the auditorium and it was sweeter than that ridiculous starbucks drink Connor was always carrying around. She was just as pretty as her smile, that was glaringly obvious, and Robin would be a fool to say otherwise. Not one to be shy very often, she recovered quickly and had no qualms about offering her hand to Ava, a smile of her own settling on her face when the other girl took it cautiously.

“C’mon then, Ava,” Robin replied as she tried to ignore Sam’s pointed look she saw in her peripheral, “I’ll introduce you to some people first.”

#this went in a completely different direction than intended #Ava is still Bitter about this whole situation #but she’s also nervous 🥺#and Robin just wants people to be comfy!#what happens when she learns why Ava is really there though? 👀🤭#ava bekker #robin charles #chekker #sam zanetti #connor rhodes #rehearsal #theatre!au #my aus #asks #mutuals #Nova tag #cj add this to your fic masterpost

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bywordofaphrodite · 4 years ago

Text

Book Reviews 7&8: Pride and Prejudice by Jane Austen & Anne of Green Gables by L.M Montgomery

This review’s theme is female-led romantic classics ! Audience age: roughly age 10+

This review is about two of my all-time favourite female-led classics! Pride and Prejudice is one of the only classics I can truthfully say I enjoy, sorry to lovers of classics I just cannot bring myself to love many of them. Elizabeth Bennet is a timeless heroine, and her story is an easy, comfortable read. Anne of Green Gables, likewise, echoes the same sentiments, albeit with considerably more hijinks added into the mix- and with the heroines’ age gaps and very different circumstances, this is to be expected!

Nostalgic review

Rating: ★★★★★

These novels are, if I didn’t already make clear, comfort stories in the best sense of the word. It’s been several years since I last read either of them in full, but there is a special ease about them at all times; even in the midst of disaster, you know there is hope just around the corner.

In the case of Pride and Prejudice, I’ll admit that as much as I love Lizzy, it is the entirety of the story that draws me in more than just her character. I love the general vibe of the novel, the drama and gossip in the town and all the fuss that comes about with each new ball the Bennet sisters must attend for social reasons. The surprising scandals are all very alluring, and really, Jane Austen’s stories walked so Gossip Girl could run!

On the flip side, Anne as a character- she is one of my absolute most favourite characters ever written. I’m no orphan and I’ve never had to struggle in the way she did, but I grew up the odd one out in a small town, with a hot temper and a huge imagination that always managed to get me into trouble. Everything about Anne is relatable to me- right down to the infamous scene where she attempts to dye the red hair she hates and it goes green instead (I tried to bleach mine and it went orange, so I didn’t fare much better).

While it has been a long time since I last read these books, I am expecting more positive surprises than negative ones, now that I’m older with a bit more perspective!

Pride and Prejudice Review

Post-read: ★★★★★

Synopsis: Elizabeth Bennet, the second daughter of a middle-class family desperate to marry off their five daughters, navigates her way through matters of marriage, estate, love and temperament in an attempt to make a match that ensures her own happiness in a time where love was not always a priority.

Set in Regency England, the middle-class family the Bennets begin to fear their ruin as Mr Bennet grows older. See, Mr Bennet’s estate and fortune detailed in his will can only go to a male heir upon his death, thus ruling out his five daughters without their marriages taking place. As luck would have it, two eligible rich men arrive in town, and Mrs Bennet becomes obsessed with setting up her daughters with them. Amidst numerous balls and trips to the rich families’ residence of Netherfield, Jane Bennet catches the eye of sweet Charles Bingley, while Elizabeth begins a cold war with Bingley’s best friend Fitzwilliam Darcy, after he slights her upon their first meeting, to Mrs Bennet’s fury.

Over time, Mr Darcy becomes increasingly attracted to intelligent and witty Elizabeth, but so do other, less appealing characters to the likes of Elizabeth’s pretentious and stupid cousin, the clergyman Mr Collins, and the handsome militia officer Wickham, who tells Elizabeth that he has lost his fortune because Darcy stole it from him. When Elizabeth’s fifteen year-old sister runs away with Wickham in the middle of the night, Elizabeth is forced to hear our Mr Darcy’s side of the story and put aside her prejudice toward him. He, in turn, overcomes his pride, and by the end of the novel the two are able to freely admit their love without pride or prejudice standing in the way.

For such an old book, it really does stand the test of time. The lessons Austen teaches in this story are forever applicable to relationships in any timeline, though we have to make do without the fancy dresses and balls (and the gender norms and sexism, so it’s still a win for us, I suppose). I enjoy her writing and love how humorous it is; Austen perfected the art of polite mockery. Elizabeth is a good role model, and her character development over the course of the novel is wonderful.

Characters who aged well: first and foremost, Elizabeth Bennet of course. She’s headstrong and real, and satisfyingly selfish when necessary (nobody should be selfless when presented with a proposal from Mr Collins, and I will not hear otherwise). Mr Darcy remains an eternal heartthrob- I do sometimes wonder how someone less determined to see the bad side in Darcy would have viewed him from the get-go (my guess that had Jane been the perspective offered, Darcy might have been cut a bit of slack earlier. But where would be the fun in that?). I won’t comment on all the characters, but I will mention that I appreciated Jane much more as an adult. As often happened with sweeter female characters, internalised misogyny used to get the best of me on occasion and I would resent them for being ‘boring’. Now I just think she’s lovely.

For a villain, Mr Wickham aged so well. I once saw a Tumblr post declaring him the 1800s equivalent of a modern-day fuckboy and it’s stuck in my mind ever since because yes, that’s exactly what he is.

Characters who aged badly: Everybody hates Mr Collins, but I don’t know if I’m entirely correct in listing him here, given he wasn’t well liked back in 1813 either. As an antagonist, he technically aged well, but I’m going to keep him here anyway because I felt like ranting about him. The same goes for nauseating Mrs Bennet and Mary… they aged as intended, but I will remain frustrated with them anyway.

Favourite scene/quote: ‘An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents. Your mother will never see you again if you do not marry Mr Collins… And I will never see you again if you do.’

This line never fails to make me laugh, whether on paper or onscreen. He does delight in vexing his over-excitable and irritating wife, and in this case it was all the more pleasing: he saw his wife trying to force his favourite daughter into marrying perhaps his least favourite person on the planet and supported Elizabeth’s decision to reject the man wholeheartedly, as well as reinforces the bond between father and daughter in a humorous way.

Scenes I particularly enjoyed are the ones surrounding Wickham’s secrets and shocking fake elopement with Lydia, partially because Lizzy and Darcy become close, but mostly because all the detective work unravelling the drama is so entertaining. It’s pleasing to see Darcy come out the undisputed hero after all Wickham’s deceit and attempts to ruin many girls’ reputations in attempts to get their fortunes.

Anne of Green Gables Review

Post-read: ★★★★★

Synopsis: red-headed orphan Anne Shirley is adopted by unmarried siblings Matthew and Marilla Cuthbert by accident. After a trial period, they agree to keep Anne, and the misunderstanding brings the greatest joy to their small farmhouse in the town of Avonlea.

This book! Everything about it!

As I anticipated, time did not change any of my love nor expectations for this book, but rather made me fall in love with it all over again.

Starting at the beginning, Anne’s introduction to the Cuthberts starts off with her first asking him to call her by a name she chose herself, and then settling with keeping her own name as long as they remember to spell it with an ‘e’. This alone is already something I relate strongly to- I can’t bear when people forget the second ‘e’ in my name… it looks so empty.

Moving on from the names!

Anne is enrolled in school, a place she is successful in due to her intelligence, yet many adults in the town, including her teacher, refuse to treat her very well. Anne’s temper gets her into trouble of numerous occasions with adults and classmates alike, the most memorable instance being when the handsome popular boy Gilbert Blythe calls her ‘carrots’ and tugs her plaits to get Anne to notice him- and she does, but likely not in the way he hoped: she smashes her writing slate over his head. Utterly iconic move.

The friendship between Anne and her neighbour Diana is a high point of the book, too. Anne is always on the lookout for ‘kindred spirits’ or ‘bosom friends’, terms she applies not only to Diana, but also to Matthew and her second teacher, the amazing Miss Stacy who represents that one literature teacher every writer child connects with.

Navigating dozens of scrapes and accidents, Anne manages to graduate school and attend an academy where- with Miss Stacy’s encouragement- she obtains her teaching license in one year instead of two, and ties first place with Gilbert Blythe, whom she has ignored to the best of her ability since the ‘carrots’ incident, though he has tried many times to obtain her forgiveness. Toward the end of the novel, Matthew has a heart attack that shatters both Anne and Marilla, and she gives up the scholarship she won in favour of teaching close to home in order to stop Green Gables from being sold. Gilbert Blythe passes on his teaching position at Avonlea school to Anne so she won’t have to struggle, and Anne finally accepts that she has lot more love for Gilbert than anything else.

Though they do not get together in this book, the following sequels end with their marriage, and their developing romance is a special part of this first novel too.

Characters who aged well: Anne Shirley, best girl! I think I’ve already listed enough examples to showcase what I think of her, but I also think she has aged very well as an interesting character and feminist role model, all the way back in 1908. Gilbert, too, is a wonderful example of how a man should be, and his character growth is every bit as good as Anne’s. The supporting characters are wonderful too.

Characters who aged badly: Mr Phillips, Anne’s first teacher who treated her terribly and tried to marry a student in the same classroom. Predator teachers exist now too, of course, but this man simply did not cop the jail time he deserved (yes, times were different then, I don’t care).

Favourite scene/quote: ‘I’m not a bit changed- not really. I’m only just pruned down and branched out. The real ME- back here—is just the same.’

This is the essence of Anne’s story, and I like to think for many people. Most people like to think they’ve changed while growing up, but the truth is that most people remain the same, they just grow into their ideas and find new dreams to follow; change doesn’t have to signify loss, just growth.

There are many great scenes in Anne of Green Gables, and narrowing down favourites is quite hard. As a romantic, I loved any scene with Gilbert, even though Anne herself was desperately trying to ignore him. All of Anne’s scrapes are hilarious, too, but if I had to choose, it’s when Matthew picks Anne up from the station the day they meet, and the quiet man- whose only interactions are with his sister- immediately takes a liking to the poor orphan girl no other adult has ever been kind to. Their ride home together signifies a beautiful change in both their lives, and their instant bond is heart-warming.

Overall verdict: I’ve read both of these novels more times than I care to count, so there was never really any strong doubt that I wouldn’t continue to love them a fair amount. It may seem a ridiculous thing to say that I still find them both to be well-written, but as someone who finds many ‘classics’ incredibly boring and too wordy to properly enjoy (looking at Charles Dickens, by the way), I’m making a note of my contentment with Austen and Montgomery’s writing styles. I do generally prefer female authors in the first place (and not just because most men can’t seem to write good female characters to save their lives) so I’m not entirely surprised by this, though I think it necessary to mention after my shock over the stunted sentences in Enid Blyton’s works and Nancy Drew and the Mystery at Lilac Inn.

While rereading these books I also felt compelled to re-watch the televised versions and show them to my younger sister too (she loves them!). I do have personal favourite versions, and this is due not only to the actors in the cast, but to which I deem the most accurate and faithful in comparison to the original written source material. For Pride and Prejudice, contrary to the popular version amongst most people who reference it, my favourite is not the Kiera Knightley movie. I greatly prefer the BBC show, finding the casting, setting and costuming far more accurately detailed. I don’t hate the movie, just to be clear! But if you want accuracy watch the television show, especially because the episodes had a chance to explore more of the script than the movie did, so there was no need to cut things out or rush certain developments.

As for Anne of Green Gables, there are a few different movies and series. My forever-favourite is the Megan Follows and Jonathon Crombie led film series, with the first movie released in 1985. The casting was perfect, I adored the settings and costuming, and Megan as Anne captured everything about the character in the most perfect way imaginable. As for the newer Netflix series Anne with an E, I have only seen a few episodes but I think that was really well done too; the casting of the leads was also very faithful to Montgomery’s novels. It’s a shame that Netflix chose to cancel a show that so many young people really enjoyed, but I hope maybe some of them will watch the movies or pick up the books!

The true importance of these books for me as a child was my connection to the characters, which hasn’t changed at all. Though I do identify in part with Elizabeth, it is Anne who is so much like me, and while I haven’t reviewed past the first book here, I can confirm that my personality has evolved in the same way hers does in the sequels. Something interesting I noticed when mentioning either of these series to people unfamiliar with them is that they are surprised I like these books. The reason? Owing to how old the novels are, people expect the characters to be boring and grounded in sexist tropes. While I cannot deny there are plenty of books out there that are full of these issues, the characters of Elizabeth and Anne are very much feminist in the best way possible. They fight against the expectations for their gender and forge their own paths. Their relationships with the male leads take a long time to develop- Anne and Gilbert do not get together until proper adulthood- because they want everything to be done on their terms, within their own certainty. Neither lead suffers from ‘not like other girls’ syndrome, both cherishing their friendships with the women around them, and Anne especially is a celebration of the best parts of femininity.

Ultimately I find both Pride and Prejudice and Anne of Green Gables to be comfort novels. There is conflict and angst, humour and love, and the reassuring knowledge that by the end of it everyone will get their happy ending.

#Pride and Prejudice #anne of green gables #anne with an e #feminism #feminist literature #university project #romance #classics #female leads #character development #book review #book rating

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the-busy-ghost · 4 years ago

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Hi! I hope you're well - I was just wondering if you had any recommendations for interesting & engaging "introductory" texts about Scottish history (particularly between 500 and 1500 AD, although I know that's really broad!) No worries if you don't have any ideas or don't feel like answering such a vague question though! Have a lovely day :)

Hi!

Apologies for the delayed response on this, I have no real excuse except being anxious that I wouldn’t be able to answer it perfectly. So I’ve decided to bite the bullet and answer somewhat imperfectly. This answer also depends on just exactly how much knowledge you already have of Scottish history, so if I’m being patronising and assuming too much ignorance, or alternatively if I’m not being clear enough, please let me know.

The first thing I would always recommend before diving into serious literature is having a basic framework in the back of your mind. It may be an inaccurate framework but given that mediaeval Scottish history really isn’t taught or known to the same extent as say mediaeval English history, it is essential that you know where you are on a basic level, so you can both enjoy and learn from the texts that go into more detail. This basic background can come from almost anything- Braveheart and blatantly inaccurate novels aside.

This is quite freeing because basically reading almost ANYTHING can be useful at first, and also first and foremost if you’re going to devote a considerable amount of time to something, you should work out how to make it fun and understandable.

I always had some idea of Scottish history since I was a kid but I got more into it in my late teens and I’ll be honest, though I probably don’t agree with anything in it pages now, one of the first books I picked up at the age of about sixteen was Neil Oliver’s ‘History of Scotland’ (released alongside the documentary series). Any basic ‘History of Scotland’ of that type (if it looks reasonably reputable) should give you a basic framework that you can build on- in the same way some people learn the kings and queens of England. Wikipedia could also work this way, though it may be more patchy. Other, slightly more reputable and in-depth but not really textbook, works of this kind include Stewart Ross’ “The Stewart Dynasty”; Alistair Moffat’s ‘The Borders’; popular (if coloured) biographies of people like Robert the Bruce, William Wallace, and Mary Queen of Scots (she’s post-medieval but still a relevant example); and even some of the older Victorian histories of people like Tytler (watch out though, they get weirdly ‘ethnic’ in their interpretations of some historical events and processes- some were convinced that there was a centuries-long feud between the “Celt” and the “Teuton”/”Saxon”). Even novels and songs- though sometimes highly inaccurate- can help with this, even if they’re Walter Scott.

So I’m not going to be a purist and get snobby about Neil Oliver or Walter Scott even if I would never set store by any of the above works in an academic context (or even just a drunken argument). The first step in my view is literally to get a basic feel for what we *think* our history is (and enjoy learning about the different regions and cultures a bit!), and then you can set about dismantling all these stereotypes and misconceptions with better books.

If you DO want a reasonably trustworthy general overview though, I believe that Fiona Watson has written one called “Scotland: From Prehistory to Present” and there must be a few others written by academics, it’s just been so long since I’ve read completely general histories I can’t really comment on this accurately.

Assuming you’re already aware of the above though and have a pretty good idea of what you’re dealing with then there are two next steps I would recommend.

The first are the series of texbooks/overviews that are often published by universities. Obviously since these are textbooks they are more introductory and general, but they do often cite academic articles and books that are more detailed. I have found a couple of series particularly useful and outlined the main titles below:

- The “New History of Scotland” series. This is a good series as most of the books were initially A5 sized or slightly bigger (so quick to read and easy to carry). Sadly this means that they do not employ footnotes/citations to any great extent, usually only providing a ‘Further Reading’ section at the end of the book. You can usually find old copies of these online for a reasonable price. This series includes, among others:

- “Warlords and Holy Men: Scotland, 80-1000”, by Alfred P Smyth

- “Kingship and Unity: Scotland, 1000-1306″, by G.W.S. Barrow

- “Independence and Nationhood: Scotland, 1306-1469″, by Alexander Grant. (This one has a particularly good basic overview of diet, trade, e.t.c.)

- “Court, Kirk, and Community: Scotland, 1470-1625″, by Jenny Wormald

- “Power and Propaganda: Scotland, 1306-1488″, by Katie Stevenson (note- the previous titles listed were written in the 1980s and 90s, but this one was added to the series in 2014, so it’s more up to date in some ways though it’s up to you whether you think it’s more persuasive).

- The “New Edinburgh History of Scotland” series. These are bigger books than the previous series and are complete with on page citations and bibliography. They tend to all come in matching blue jackets, and I thought that secondhand copies of these would be slightly more expensive than the above but a quick search on amazon has surprised me, since a copy of Oram’s “Domination and Lordship” is several pounds cheaper than Grant’s “Independence and Nationhood”. Anyway these are slightly more in-depth than the above series, but work very well in tandem with those shorter books. The series includes:

- “From Pictland to Alba: 789-1070″, by Alex Woolf (it is a very long time since I read this, so I have to admit I have very little memory of its contents but I put it here for balance)

- “Domination and Lordship: Scotland, 1070-1230″, by Richard Oram (good used along with Kingship and Unity)

- “The Wars of Scotland, 1214-1371″, by Michael Brown

- “The First Stewart Dynasty In Scotland, 1371-1488″, by Stephen Boardman (full disclosure I have not read this one yet, but I have read some of Boardman’s other books).

- “Scotland Reformed, 1488-1587″, by Jane E.A. Dawson

- The “History of Everyday Life” series. These books are collections of essays on some selected aspects of day to day life in medieval Scotland and can provide some interesting reading and insights. Only one of the books in this series is relevant to our time period, but it may be worth checking out the other three since some customs and behavioural patterns from more recent times are worth comparing with the past. The volume covering the medieval period is “A History of Everyday Life in Medieval Scotland, 1000-1600″, edited by Edward Cowan and Lizanne Henderson.

- The “Northern World” series. This is not a series I’m particularly familiar with outside of some light reading while at university (mostly because these books can be really expensive compared to the previous ones mentioned). HOWEVER not only do they range across northern Europe (not just Scotland) but a couple of them help to balance out the Lowland focus which sometimes predominates in the above general overviews. There are quite a few interesting books in this series (identifiable usually by their purple jackets) but some that I know of include:

- “Kinship and Clientage: Highland Clanship, 1451-1609″ by Alison Cathcart.

- “The Lordship of the Isles”, edited by Richard Oram (this is a collection of essays)

There was also an older “Edinburgh History of Scotland” series published in the 1970s- some of the authors were better than others and they’re a bit dated now but they’re still a useful starting point. The series includes:

- “Scotland, the Making of the Kingdom”, by A.A.M. Duncan

- “Scotland: The Later Middle Ages”, by Ranald Nicholson

There are lots of other book series out there- the St Andrews Studies in Scottish History or the publications of old literature by the Scottish Text Society for example but I think I’ve listed enough to be getting on with. There are also a few books that I think make good general overviews (or are collections of interesting essays) that aren’t in a particular series:

- “Women in Scotland, 1100-1750”, edited by Elizabeth Ewan and Maureen M Meikle (this is a collection of essays rather than an overview of women’s history but it’s a good starter, and great if you only have fifteen minutes to spare)

- “Glory and Honour: The Renaissance in Scotland”, by Andrea Thomas (a beautiful coffee table book with lots of pictures of art and architecture). It starts in 1424.

- “The Kingdom of the Isles: Scotland’s Western Seaboard, c.1100-c.1336″, by R. Andrew MacDonald

- “The Black Douglases”, Michael Brown

- “Robert the Bruce’s Rivals: The Comyns, 1212-1314″, by Alan Young

- “The Northern Earldoms: Orkney and Caithness, 870-1470″, by Barbara E. Crawford

- “Scottish Independence and the Idea of Britain: From the Picts to Alexander III”, by Dauvit Broun

- “Virgins and Viragos: A History of Women in Scotland From 1080 to 1980″, by Rosalind K Marshall (Marshall has also written some good introductory overviews on Scottish queens, on Mary of Guise, and on the women around Mary, Queen of Scots, though these last two are sixteenth century).

- Any of Alexander Fenton’s books on agricultural history- they don’t deal exclusively (or even mainly) with the medieval period, and they’re not the most up to date but they are still useful handbooks.

There are also lots of shorter academic articles on JSTOR and elsewhere, as well as online networks for things like Scottish Women’s History and Environmental History.

The second step I would recommend is using biographies- biography is not always the most useful form of historical writing, but they do have their own benefits. For this time period most of the full book-length biographies of individuals are royal figures (though lots of other people are covered in academic articles).

For some figures it’s wise to have several biographies on hand since they’re well-known or controversial- for example, for Robert Bruce, you could start with an older bio like G.W.S. Barrows “Robert Bruce and the Community of the Realm of Scotland” and then supplement it with a more modern biography like that written by Michael Penman or by Colm McNamee. In other cases, a historical figure may not be quite so well known so jumping straight into an academic biography of them, which hops around and analyses expenditure and parliaments, may be a bit confusing- for example, for King James IV, it may be useful to start with R.L. Mackie’s (admittedly dated and a bit romantic) biography to get an idea of the structure of the king’s reign before diving into Norman MacDougall’s more scholarly biography.

Other biographies/overview of royal reigns include Richard Oram’s works on David I and Alexander II; D.D.R. Owen’s bio of William the Lion (this is an interesting one, since it’s written by a French professor rather than a straightforward historian so there’s a big focus on the importance of literature); Andrew Fisher’s bio of William Wallace; Stephen Boardman’s survey of the reigns of Robert II and Robert III; the two biographies of James I written by E.W.M. Balfour-Melville and Michael Brown; Christine McGladdery’s ‘James II’ and Norman McDougall’s ‘James III’; and Annie Dunlop’s biography of Bishop Kennedy.

Lastly once you feel you’ve got a bit of a grip on some secondary source material (or really, as soon as you like) I do recommend checking out some of the primary source material as soon as possible. A LOT of primary sources of medieval Scottish history were printed during the Victorian and Edwardian periods and now thanks to digitisation projects many of them are available online- from chronicles like those of Melrose, John of Fordun and Andrew Wyntoun (and useful English chronicles like Lanercost and Scalachronica); to acts of parliament and accounts of royal expenditure (Treasurer’s Accounts; Exchequer Rolls); to letters of the nobility and poetry. Personally, I find that you learn as much from working directly with the words of historical figures themselves, even if you’re untrained in source handling, as you would from a whole host of textbooks (also it lets you get used to the languages- Scots is straightforward enough to pick up even if you don’t have Latin or Gaelic). If you ever have trouble finding these let me know and I might be able to point you in the right direction.

It is also worth bearing in mind that sixteenth century sources may shed a lot of light on earlier periods.

Anyway hopefully this helped but if you have any other questions please let me know and I will endeavour to reply quicker this time!

*One last disclaimer, the above list of texts is based purely on my own experiences and what my brain could remember quickly- it is not to reflect a bias or to promote these texts above the works of other historians. It is also not an exhaustive or comprehensive list (and some dearly beloved books are not included- but I tried to stick to simple overviews/textbooks and a few other interesting surveys).

And people are very welcome to add to this since there’s lots I’ve missed!

Lastly try to have a bit of fun with it. Some of these books are very informative but can drag at times- on those occasions I highly recommend taking a break and trying to get outside to a hill or a castle, or if you can’t do that try putting an old ballad on on youtube, and physically look at or listen to the thing you’re studying.

#Scottish history #British history #sources #books #reading #Yes now everyone can come and laugh at 16 year old me who got her childhood love of history back from flipping Neil Oliver #And the Corries though they're more respectable if less accurate

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maraudererasmut · 5 years ago

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what kinds of things did you do when you were first practicing digital drawing? did you use reference images? where did you find them? anything you would recommend to a baby drawer with a short attention span for instructions?

Well, first and foremost, I’m gonna take a moment to do a little fangirl wiggle, because I’m a huge fan of your work! Thank you for messaging me!

I’m gonna include a lot of info here, so bear with me! I’ll try to break it down so that it’s easy to understand, but if anyone ha any questions, feel free to ask!

The absolute most important thing for starting out drawing is practice.

You’re going to hear it from everyone, everywhere, but it’s so very true. When I first started digital drawing, I made sure to use my tablet every single day. Now, that doesn’t mean I spend three hours each day trying to do something amazing; some days I only had a few minutes here and there, but I’d try to sketch something rough, something loose, maybe just a doodle. Maybe it’s a face one day, maybe it’s just a bunch of swirls and stars the next. It doesn’t matter what you draw, as long as you are developing the habit of drawing! No matter what it is you are doing, you’re learning! Playing with brushes to see how they feel on your new drawing program? Learning! Trying to see if one way of colouring is better than another? Learning! Drawing the same nose over and over and over again until you like what you see? Also learning!

Another key step to learning to draw is to identify what you like!

What does that mean? Well, look at other artists who inspire you! Why does their work appeal to you? What is it about their drawings that you LOVE? Once you realize what it is that makes something beautiful to you, you know what to practice and how to learn to adopt that into your own style!

@burdge is an excellent example for illustrating this. They are a fandom artist that has been around for so long, nearly every fandom artist I know has been inspired by them in one way or another!

So what is it about Burdge’s art that I love? I love the closeness that’s portrayed, and the softness. But those are very arbitrary things that are difficult to identify and even more challenging to implement. I love the noses. I love the proportions. I love the hairlines! I love the body movement! Those are things that are a bit easier to pick out and start practicing!

This leads so well into my next point:

It is okay to copy someone else’s work if it’s for practice!

Let’s break this one down, just to ensure that nobody accidentally misinterprets what I’m saying: It is okay to copy someone else’s work if it’s for practice. It is NOT okay to copy someone else’s work and post it, claiming it as your own! If you use a reference picture, generally speaking, most artists will post which reference they use, but I know that I often forget to do that as well! But using a reference picture is different than copying.

When you copy someone’s work, what you’re really doing is working on identifying what you love about it. You’re practicing drawing in their style! And that’s totally fine! When you’re first starting out, it’s actually really helpful to be able to use someone else’ expertise and practice to guide you to draw something you love! A lot of people have it in their heads that copying = bad. And sometimes it does. But I think it’s important for new artists to get rid of that notion in their heads. Practice is practice. When you practice cooking, you copy other people’s recipes! You’re not going to post those recipes online and say you created them, but you CAN feed them to your friends and you CAN eat them yourself! And if you do post pictures of your food? You can say whose recipe you used and thank them for a great meal!

We were all starting at one point, and every artist I know started by copying something.

Use reference pictures! Use them liberally! References are helpful!

Yes, some artists are so good that they do not need reference pictures. That’s fine. Good for them! I’m very proud of them!

When you’re first starting out, you don’t have to worry about that! Don’t get into your own head and tell yourself “Real artists do XYZ, blah blah blah, etc.” None of that is helpful. Use whatever is available to help you improve!

Now the question is what actually makes good reference pictures? Well, everyone uses something a little different. Some people use faces of famous actors, some people use stock photos, some people use other people’s drawings that are specifically made for references!

What do I do? I save every single photo I come across that inspires me into a folder. I have tons of folders labeled “Reference: Pose” or “Reference: Remus” or “Reference: Gay”. (That one is smut references. :3 )

I use blogs like @posereference and @fantasyartistreference, which I follow on here! I’ve gone through their content and saved photos that I think will inspire me in the future. Sometimes I don’t do anything with them. Sometimes I use them!

I also take advantage of stock photos. That includes ones that adobe puts onto the internet as well as ones that other artists put! Senshi Stock on Deviant art is an excellent resource that has made a TON of photos available to artists to use for FREE!

Google is also my friend! I like to google terms like “Couple Pose Reference” or “Couple Kissing”. If you include search terms like “pose reference” you often find that you get things specifically created for artists to use to help with poses!

Look at all the helpful poses!

Now, this leads us to my next point:

How to use reference images

Everyone does this part differently, too! I’m going to show a few different examples. Let’s use this amazing reference sheet by @kibbi as our example!

Some people like to have their reference photo beside their drawing space, to use for them to look at, simply as a guide:

Some people like to have their pose reference in a layer beneath their actual drawing on a lower opacity so that they can trace right over it:

Often times, what you end up doing is using your traced sketch as your base for your drawing, with your actual drawing over top of it. Essentially, you’re using this time to identify what you DO like about the reference pose and what you DON’T like about it, and changing it!

See how different it’s looking already? I put my own style over top of it, but I used the pose as a reference because I really liked it!

((EDIT: I JUST REALIZED THAT I GAVE SIRIUS THREE ARMS. I AM SO SORRY, GUYS!!!!))

Side by side comparison for the curious:

Eventually, a time will come where you can do simple poses like this without the use of a reference. That’s amazing! You will be so proud of yourself! But if you still need to use references for complicated poses or foreshortening, remember not to beat yourself up about it. It is OKAY to use reference poses, and it is OKAY to take advantage of resources that are available to you! Just try to remember to cite your sources, just like we all did in school! :P

Practice Anatomy

Try doing things like figure drawing! Use sites like Quick Poses to give yourself a timed figure drawing session, if you’re up for it! The more you practice bodies and anatomy, the better you will get at drawing them! Don’t focus too much on anything being perfect; remember to say loose and just aim for general shapes and general proportions.

This isn’t the greatest example, because I didn’t do any dynamic poses, but here are some rough figure sketches:

See how loose I was? See how little I cared about it looking nice? That’s the best way to start a sketch! Just with loose scribbles!

The same thing can apply to faces:

Learn the rules, and then learn when to break them!

Just like writing, where you have “rules” for writing an essay, in drawing, you have rules for anatomy! But… I don’t always love to follow those rules. It’s important to understand human anatomy (if you plan to draw humans), and then figure out where you want things to be exaggerated in order to create your own style! Here’s an example:

The same rules apply to musculature! It’s important to understand what muscles go where and how they move in order to properly draw them consistently! However! That is something a bit more complicated that we can go into another time! I don’t think that would be included in my simple break-down of drawing!

And… last but not least…

Have fun!

You’d think this one would go without saying, but I’m going to specify it anyway. If you are NO LONGER enjoying drawing what you’re drawing, STOP. Don’t just draw humans because I told you to practice anatomy! If you’re not having fun, you’re going to grow to resent it, and we don’t want that! Draw whatever it is that you want! If you want to draw the same two men hugging over and over and over and over and over (Case in point: my entire blog), you do that! Ignore everything I said about knowing anatomy and about reference pictures and about anything! Just do exactly what makes you happy, nothing more and nothing less. Practicing should be fun, and the moment it’s no longer fun, you’ll begin to lose your passion. So… move on to something else that’s fun! Tired of drawing Wolfstar? (Pfff, that’s impossible, but okay). Move on to Drarry! Or to Linny! Or to a different fandom! Or to flowers! Or to still life! Or to whatever you think will bring back that spark!

Because that’s what drawing is all about. It’s just another form of expression and another way to have fun!

ANYWAY! I know this was SUPER long! I hope it was at least somewhat helpful! I’m not an expert, not by any means, but I enjoy doing this, and I am still working on improving! If anyone has any more questions, shoot me a message!

#ask me things #ask me stuff #ask maraudererasmut #drawing guide #drawing tutorial #basic drawing tutorial #not even really a tutorial #Just... drawing stuff #my art #art how-to

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metalempire · 5 years ago

Text

Fire Emblem Three Houses Review: A Great Game Crippled By Squandered Potential

Now that the clickbait title has grabbed ur dick and engaged the hate boner it’s time to sit down and take a look at the newly released Fire Emblem game everyone loves (including me, to an extent, despite what the title says.)

I’ll put the whole thing under a readmore to safeguard from spoilers, save dashboards and for anyone who doesn’t give a shit to just stop reading now at a convenient point. As for mobile users, fuck you, I’m a phone hating old man. Read this on an Apple Refrigerator or die.

The TL:DR version is: Game good overall, but not enough variety and near lazy repetition makes both gameplay and story feel a bit disappointing overall once you play all the routes.

Also you can’t fuck Rodrigue so 0/10 worst game in the series.

Right now I’ll address the good points about the game since I do in fact have heaps of praises to sing it’s just easier to clickbait with negativity of which I do have but the positive bits come first cos I said so.

The gameplay is good Fire Emblem, unlike SoV which was ass don’t @ me, as the kids say. Aside from fog of war and a very occasional desert map there’s not too much unpleasant shit and there’s not really any spam which is great since the past few games were getting guilty of that. The maps are a bit plain in layout but they’re not bad either and the enemy placements, choices, map features and terrain are all nicely put together to make a fairly pleasant experience with each one. There are no desert fort maps surrounded by 5 range archers on all sides. There are no cantors spamming infinite terrors or infinitely spawning faceless reinforcements. The weapon triangle might be absent but the breaker skills have been retooled and brought back to allow you to choose if you feel like opting into it or not on your own end. It allows alot of units and weapons to shine and combined with the class freedom the game gives to allow you the wiggle room to make your own playstyle, so if an entire army of Wyvern Lords if your thing then the game is nothing short of an enabler there. Combat Arts are back and nicely well balanced and feel more useful than in SoV, not to mention gambits being a natural expansion on them, Battalions being a positive this game brings to up the scale of warfare rather than it just being Anime Teens VS The World and adds another combat art not tied to a weapon and nice stat boosts and effects to change how you interact with enemies, such as using Assembly to drag a boss off a heal tile, and so forth. The more options the better, and the game is full of freedoms for you to play around with.

Garreg Mach Monastery is where most of the game takes place and where a good chunk of hours are spent. Being able to train weapon and movement type ranks outside of battle is also great and adds more micromanaging onto a series about alot of micromanaging and helps units keep up with each other, as well as letting you farm your own resources, bond with the gang and do little activities to give you some reprieve between fights. You can tell Koei Tecmo did alot of work on the development of Three Houses since this section of the game reminds me of Dynasty Warriors when you go back to your base and sort things out there and wander around. It also breathes some life into the setting and gives a good sense of permanence to the world and its’ characters.

The world of Fodlan is also a major strong point, there’s lore, backstory, history, politics, a culture and even clashes and divides. It’s the most well realised world in a Fire Emblem game since Jugdral which it clearly has drawn inspiration from and I cannot praise Fodlan enough for being as well realised as a setting as it is, since the characters and exposition really give you a proper impression of how this world functions on social and political levels. The school setting of Garreg Mach is one I was initially iffy about but it fits surprisingly well and definitely grows on you over time since the game does a good job of immersing you in the role of a teacher.

Tying into the world is also Crests, which, when combined with the Ability system, is great, making you pay attention to your characters crests, what they do, how they can benefit you, how you could use them, and to pay attention to enemy bosses and minibosses to see what crests they have, and in turn, pay attention to abilities some more too, to both create your ideal units, and keep an eye out for the same on the enemy team. It’s quite well balanced overall and is a sneaky hint of a possible Genealogy remake on the way someday.

The characters are also wonderful, often three dimensional with their own political views, own social perspectives, quirks, oddities, backstories, character conflicts, relationships, and of course, boatloads of trauma. Watching them all interact with each other and reacting to the story events and getting to know them was an excellent experience in proper character writing and interactions that the series has been starved of thanks to the very hit or miss (mostly miss) characterisation from Fates. The main lords are also incredible, from Edelgard and her dark as fuck backstory and her powerful resolve and willingness to do whatever it takes to achieve her wider scale goals, to Dimitri and his intensely personal conflicts and emotional baggage and his journey of highs and lows, to Claude and his boundless charisma and similarly his own ambitions and dreams all wrapped together in a charming package. The characters are all great and I can’t really find myself with any grievances about them that don’t boil down to wanking off over nitpicks over Hubert’s left testicle being out of place in a cutscene or something daft like that.

The soundtrack is good. Not my favourite one but as always with Fire Emblem it’s good and makes the maps more fun since you can listen to a nice tune while thinking about how to murk the pair of armour knights. My only gripe really is the normal versions of songs all sound better than the in-battle variations they get. I also like that a boss theme or miniboss theme will continue to keep playing on the map itself until you beat that character, so you dont have to dip and dive into chip damaging Lyon to hear The Prince’s Despair anymore.

The overall story is fairly decent, not as bad as Fates’ writing, or the fairly bland writing of some of the past games like Awakening that play it too safe. It’s willing to go in dark directions and focus in worldbuilding with its’ plot. However I do have alot of negatives to say about it by contrast but know that the overall story of the game and its’ many routes is one that I don’t hate, but I certainly feel wasn’t as well handled, especially in the second part of the game, as it should be. On an individual level, each route is decently well paced, aside from Edelgard’s route which is mysteriously 4 chapters shorter than the rest for no discernable reason at present until developer interviews shed light on that. The plot is for the most part decently well executed on an individual level.

Now I’m going to insert a very important opinion of mine. I think a game can have a bad story, or no story at all, and still be great, so long as the gameplay is good, because gameplay is what makes a video game a video game, rather than just a dvd with an interactive menu. A game can have a great story, but if the gameplay is shit, the game suffers as a result, and it needs to play its’ focuses very well in order to redeem that. I try not to put as much important on story if I can’t help it, since I’m playing games for the game part first and foremost.

I bring that up because unlike Fates, where you can ignore the plot and have a good time with it, Three Houses isn’t so merciful, due to how much raw time is spent in cutscenes before, during and after battles, as well as engaging with the story at the monastery too, alot of time in Three Houses is not spent in the gameplay portion, but interacting with the story instead, so I have to place importance on the story because the game is, so I have to put more focus than I usually do on it because the game does by necessity of raw amount of time. Otherwise I honestly wouldn’t mind either way if the story was bad or good.

This is to transition over to the negatives.

For the bits where I’m not tying the gameplay and story together for reasons seen in a bit, understand that I was wary about the removal of the weapon triangle. While I don’t mind how it’s been handled, I still think the game is missing something for not having it since the beginning, and it’s definitely a core aspect I enjoy about the series, since now you can forgo unit variety and planning weapon level ups and just use whatever to win, and that level of freedom can hamper strategy in thinking on a more necessity based level, which in turn has subtle but noticeable effects on difficulty.

The amount of time you spend not doing maps is honestly still jarring. Most of the time in these games if you’re ever spending lots of time between maps, it’s usually to get through a mountain of supports you forgot about, rather than spending alot of your time in cutscenes and doing stuff in a monastery. While I don’t hate it, I find alot of my time is spent not doing the Fire Emblem parts of the Fire Emblem game I’m playing and considering the fact that each route is 18-22 chapters long, compared to most FE games which go more than that typically, and you come to realise that the other stuff is sort of padding to distract from the low chapter count overall.

Now this is where I tie gameplay and story together in terms of the more major flaws to the game and what really held it back for me.

Three Houses has 4 routes, all of which I’ve played; Edelgard’s route, Dimitri’s route, Claude’s route, and the Church route. The big problem here in both story and gameplay is the raw amount of repetition and lack of variation the game has with this. Unlike Fates, where the three routes all featured both unique maps, variations on maps, or if they did share maps, usually put them at different stages in the game, Three Houses doesn’t do that at all. Map variety is something this game is weak in, since paralogues just reuse story maps, and so far, only 2 or 3 maps seem exclusive to paralogues, and even then can be repeated by other paralogues. Worse still, earlier paralogues, like Ingrid and Dorothea’s, can spoil maps later on, and don’t even make sense when you get the context for that location. In every other past FE game, the paralogues all got their own maps. Repeating maps in a single run is already a risky business, but then there’s overall repetition. The first part of the game is exactly the same on all routes, it follows the same story and overall beats, an the only variation is chapter 12, if you’re playing Edelgard’s route, if not, it’s the same for the other 3. And for context, I did Edelgard first, Dimitri second, Claude third and Church last. In hindsight, that was a terrible order, since I basically ended up repeating myself 3 times in a row thinking I was getting something different. When the timeskip hits you expect each route to get different, but only Edelgard’s does. the other 3 routes are all about fighting the Adrestian Empire to save Rhea. That’s it. Dimitri, Claude and the Church routes all follow the same story, and by extension, maps, making you do them all in the same order as each other, with a minor variation here or there like Dimiri getting a chapter to retake Fhirdiad then resuming the static map path. The only difference is in the plot contrivances that don’t come up on the other routes despite following the exact same events to steer you towards a different final boss. Those Who Slither In the Dark are a great example of this. They destroy Fort Merceus only in Claude’s route, and for no reason are barely involved in the fights of the other routes and are never dealt with. They themselves are also wasted villains, with Kronya and Solon shown off once, then killed off in their second appearances, then Thales barely being in the game only to die in Claude’s route. The game sort of forgets about them in the other routes, and, insultingly, they’re fought by Edlegard in her route, but only in the epilogue, rather than having her missing 4 chapters cover that conflict.

Really, the only point to playing a route is to get a different final boss, and to get some different lore in the final chapter. You only learn about Nemesis right at the end of Claude’s route, you only learn Byleth’s origin story at the end of the Church route. Outside of things like that, you’re just playing the same game, same maps, and same story but with different playable characters over and over again with no real variety until right at the very end, which is highly hollow. Edelgard’s route offers the most variation on all this, and yet it’s 4 chapters shorter than the other routes, so you’re either condemned to play the same shit over again, or you barely get any time with the one that’s a bit different. It really sucks since the map variety really is nonexistent. You play the exact same game for 12 chapters, think you’re getting some variety, then just get the same shit as the last run, or, only get a few maps and then you’re done. Either way, the sheer lack of variety in maps and accompanying story really makes the hyped up timeskip feel like a colossal disappointment in hindsight, and when Fates, a 3DS game, has more map and story variety (yes even if that story was awful) than a home console game, then something is deeply flawed about this game.

The pacing is also fairly bad if not close to terrible. At most the game is 22-23 chapters at the most, 18 at the least, and it spends 12 of these on the Academy phase of the game. The game drags its’ feet with the story for the first half, slow burning its’ way along, feeding you hints of lore to come and setting things up and, to be honest, doing a good job at worldbuilding. Then the timeskip happens and the war phase just rushes by at one hell of a fast pace. The maps being the same across them doesn’t help, but pacing can also damage the routes. For example, Verdant Wind builds up to fighting the Agarthans, it builds up to them but only with hints and setup while you’re busy fighting Edelgard, and then once’s that’s done, you have two chapters left, one of which has you fight the Agarthans in one map, beat them, and then have the final battle with Nemesis, which, while the map itself is arguably the best of the 4 and really feels like a final battle, story-wise comes out of fuckin nowhere just to have a cool end to the game. And then there’s Crimson flower, which steamrolls through the game and is definitely missing chapters, with key events like the battle at Gronder just not being there at all. In general the story pacing is just too wonky and every route really needed more chapters to flesh out the conflicts rather than rushing along the most engaging bits of the game.

Also the graphics are kind of weird looking for a 2019 game and some of the cutscenes are animated so stiffly it’s strange to watch. Honestly the visual presentation in Fire Emblem has never really been very good outside of fully rendered cutscenes in previous games like Awakening or Radiant Dawn, but it’s a shame the Switch’s capabilities weren’t fully utilised, especially with some textures, although Warriors with its’ JPEG stone floor in Hoshido Castle is no doubt to blame as well for that influence. That said, it’s not all that big of an issue for this series, and you really don’t notice it as much, just felt the need to address it since it is there and the Switch launched with Breath of the Wild which looks wonderful and then there’s Three Houses looking like it just got out of bed by comparison.

My main issues with the game stem mostly from the larger segment above, the constant repetition of maps in almost perfect order after each other, the exact same story playing out for the majority of what should be different routes, and the school phase being the most repetitive as well really dragging the game down. The first time I played the game I loved it, no doubt, but the subsequent runs made me realise that alot less overall variety was put into the game than I thought would be, and that hurts the quality for me, to know that 3/4 options have me doing 95% the same thing but with different units, and the other option is just a bit too short to be able to fully enjoy what it has to offer. Fire Emblem is a bigger name now than it used to be, and Three Houses honestly deserved to be a bit better than this overall.

Also you can’t fuck Felix’s dad so what’s even the point of it all, really.

I have no doubts though that people will still love this game, and rightfully so, it’s a great entry in the series, just not the best. I’m sure people who’ve only done one or two routes will think it’s fantastic, but once you do all four of them, I think the honeymoon period will pass by, and the initial spark of excitement of a new game will wear off, and just like how everyone tore into Fates a year after release, I think Three Houses might end up suffering a slightly similar fate as well once people realise that the game really doesn’t offer as much variety as it seemed to be offering. Maybe there are people who don’t mind all the repetition and the sameyness of it all, but for me, it held the game back from being truly great. The Lords are what really carry their respective routes, due to their character strengths, and a certain route definitely suffers for only having Byleth (and Seteth of all people) as the main driving force of that route.

All that said, I really recommend any Fire Emblem fan or even any Switch owner to play Three Houses. It’s not perfect, and it certainly loses it’s magic over time and really needs some reworking in places and major injections of variety, or a really good DLC, but it’s still definitely got plenty of good quality to enjoy and the bits that are good are really good and worth sticking through each route to be able to play with.

The score this game gets is a

Forever Pissed I Can’t Marry Rodrigue/10

#Fire Emblem Three Houses #Fire Emblem #FE3H #long post

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nickelkeep · 6 years ago

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Queer Representation in MtG

So, after my glorious nerdgasm over Kyniaos and Tiro popping up on my dash the other day (you can find that post here), I had someone message me (the awesome @hyperazraphael) and ask me about other queer representation in MtG. As I mentioned, Wizards still has a long way to go, but I went ahead and looked up all the characters that are Queer, believed to be Queer, and in one case, there is a fuckton of Queerbaiting.

As a friendly reminder, the couple who started it all off:

Kynaios and Tiro

(Art by Will Murai)

Goddess, I cannot get enough of these two beautiful men. The lore behind them, the fact that the Story Lore is that their actual History is forgotten, and people thought them enemies when they were lovers. The new art (above) showing the statues below being built? Ugh. So beautiful.

(Art by Magali Villenuvue)

But my previous post was about them, so let’s move on to the next.

Alesha

(Art by Anastasia Ovchinnikova) Alesha, Who Smiles at Death caused such an uproar when she was printed. She is the first official Transgender character in MtG lore. Her story is very simple. Born male, when she earned the right to name herself, she picked Alesha, and it was accepted by the Khan of her tribe, no questions asked. She even rises to power to lead the Mardu tribe. Her story is beautiful and can be read here: The Truth of Names.

Hallar

(Art by Bram Sels)

Sorry, wish I had more lore on this awesome character. Their card is fun to play though.

Ashiok

(Art by Karla Ortiz) Let me tell you about my Homeslice Ashiok. First and foremost, “Every nightmare is a caged bird that yearns to be set free.” Holy shit, you may think me insane, but that line is beautiful. As is this agender/non-binary character. While the art portrays them as somewhat masculine (I’ll forgive it), in lore Ashiok has been described as extremely androgynous. People who were attacked by Ashiok could not determine their gender. They do fall into the trope of the Villainous Queer, at least that seems where WotC is going with them, but I love them so much!

Yahenni, Gonti and the Aetherborn Race

(Yahenni, Art by Lius Lasahido)

(Gonti, Art by Daarken)

This race literally has no gender. Confirmed. Just listing the two heavy hitters for you here.

Oviya

(Art by Magali Villaneuve)

One of the saddest stories of the plane of Kaladesh. Oviya Pashiri was a revered Lifecrafter. She lost her wife, and “stopped working.” And by stopping her work, we mean she started working in secret to overthrow the goddamned Consulate, cause they’re fucking assholes. Seriously. They make the Empire look like saints. Also, boo to killing Lesbians. Bad Wizards. Bad.

Xantcha

(Art by Mark Winters)

Xantcha has been around forever, first appearing as a Vanguard. She’s Phyrexian, which means at birth, she is born genderless. She’s also unlike other Phyrexians in which she can think against the hivemindish thing they have. Some people think that she should get the title as the first Transgender character, as she went from having no gender to being female, but I will leave that up to the masses.

Lazav (and - fight me - other Shapeshifters)

(Art by David Rapoza)

Meet this regal looking badass. They’re the Guild Master of House Dimir. And Non-Binary. Lazav has pretty much been confirmed as such, so I’m also going to go out on a limb and say that all Shapeshifters are Enbies. They can take on the form of any person, regardless of gender, race, sexuality... Fight me.

Hal and Alena

This is an MtG example in which I don’t have an art or a card, but a story. Under the Silver Moon

While it’s not 100% confirmed, it’s along the lines of Destiel. Read between the damn lines.

Warning on the next one. This is the one that I read as Queerbaiting.

Chandra and Nissa

(Card: Deadlock Trap, Art: Jason Rainville)

As a reminder, Queerbaiting is the practice of hinting at, but then not actually depicting, a same-sex romantic relationship between characters in a work of fiction, mainly in film or television. The potential romance may be ignored, explicitly rejected or made fun of. Really, I don’t want to get into this one. This one is not Canon. I honestly don’t even think there is enough support. If you read stories starting in the Kaladesh storyline, they imply that Chandra has unexplained feelings and attraction or something growing between these two ladies. But it’s never confirmed. And Nissa, who has been Miss “I hate every other race that isn’t elves” is starting to see Chandra as someone she can talk to, but maybe something more too if you squint and cross your eyes.

Look, I’m cool if you ship these two. And if WotC does actually put them in a relationship together, awesome, there’s more LGBT visibility. But we don’t know if they’re Lesbians or bi or pan or demi or whatever. Their sexualities have never even been discussed. But we get fed this:

Chandra shifted awkwardly. "So . . . friendship?"

Nissa blinked. Chandra worked very hard not to stare.

"Yes," Nissa smiled.

Nissa closed her eyes, and took another deep breath, her headache receding. It felt good to confess insecurities. She smiled and looked Chandra in the eye.

"I am thankful for your companionship. You have taught me much about what it means to be a friend, Chandra. It means much to me."

"Right. Yeah." A soft smile returned to Chandra's face. "I want to be a good friend to you."

(From The Writing on the Wall by Alison Luhr)

That’s from an official MtG Story. How do you read that? Serious question. Do you need more context? Nissa asked Chandra and only Chandra to go on a walk through Naktamun with her. And Chandra is having the weird fluffy feelings again. Now how does that read? Any different?

Again, if WotC wants them to go Canon, awesome. Let’s hope they both survive War of Spark.

#not spn #i did make a tiny spn reference though #MtG #mtgcommunity #mtgjudge #mtg art #mtg lore #mtg lgbt #lgbt #lgbt+#lgbtq #lgbtpeople #lgbtpride #wotc #wizards of the coast #Magic the Gathering #we still need more representation #more diversity please

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arofili · 4 years ago

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Innumerable Stars 2020 Letter :)

Hello lovely creator, thanks for writing for me in Innumerable Stars 2020! I’m very excited and grateful for whatever you create for me <3

This letter will restate my DNWs, list my likes, give you a brief rundown of my canon preferences, and then dive into specific prompts for each of my requests. I’ll warn you upfront that I tend to ramble, so feel free to skip prompts that don’t interest you and/or use ctrl+F to search for whatever it is you want to write for. I’ve named each of my requests based on the basic idea within it, so hopefully that will be helpful for you!

~~~

Housekeeping:

DNWs:

Non-con

Unrequested dub-con

Abusive/Neglectful parenting (especially wrt Fëanor)

Sibling incest, parent-child incest (cousin pairings are fine)

Unhappy/Unhopeful endings (unless otherwise specified)

Jealousy/Possessiveness

Cheating

Character or ship bashing

Hanahaki/any scenario where unrequited love is physically damaging

Soulmates, especially soulmate AUs (soul bonds are OK, if there is choice involved)

Porn without plot (Porn with plot is fine!) - the exceptions to this are Russingon and Finrod ships

Food involved in sex

Unrequested Modern AU

Non-trans mpreg

If you’re writing a slash ship where the characters are/were married to/involved with someone outside the ship, please don’t have the character(s) hate their spouse or not have been actually in love with them (the one exception is, again, Finrod; I’m fine with him and Amarië not having been actually in love, but please don’t do this for anyone else, especially not Fëanor)

Hobbit/LOTR-specific DNWs:

The concept of a dwarven “One”

Any Fíli pairing

Alfrid

Legolas or Gimli paired with anyone other than each other

no smut for these fandoms, please

Silm-specific DNWs:

Evil/irredeemable/incel Maeglin

Elwing bashing

Fëanorian bashing

Over the top Fëanorian apologism (they did bad stuff; it was at least partially their fault. you don’t have to address that, necessarily, but don’t rewrite the story to claim they were blameless)

Fingon with a wife

Fingon or Maedhros ships that don’t take Russingon into account (polyamory, an open relationship, Mae with someone after Finno dies or vice versa for an AU, them with other people while they’re separated on the Ice/in Angband - all of these scenarios are fine, but in the end I need them to be with each other first and foremost)

Dark!Maedhros

Elvish re-embodiment after death being an actual, literal rebirth that requires the characters to have a second childhood; I much prefer them being granted a new hröa in their prime (feel free to explore what “in their prime” means, though, especially wrt scarred and disabled elves)

~~~

Likes:

Gen fic

Found family

Family dynamics

Loving families, even when things get complicated

Friendship, intense/important platonic relationships

Relationships that defy categorization

Queerplatonic relationships

Polyamory

Queer headcanons (especially aromantic-spectrum headcanons)

Trans/nonbinary headcanons (genderbending is also fine, but I prefer trans/nb hcs)

Angst with a happy ending

Gray morality

Explorations of magic

Most tropes

Fanon and fandom tropes

Deconstruction/Inversion of fanon and fandom tropes

Interspecies relationships

Peredhil

Secret relationships

Secret relationships coming to light

Secret kids (especially secret peredhil!)

Giving ships OC kids

OCs interacting with canon characters (please no OCs without any canon characters around)

Confessions of love

First times

Hurt/comfort

Redemption, forgiveness, mercy

Ironic foreshadowing

Canon divergence AUs/X Lives AUs

Fairy tale AUs

Politics and scheming

Resolving conflicting canonical details

Historical/Narrative bias affecting what is and isn’t “canon” (to an extent; changing motivations, consequences, etc is great, but please don’t ignore canon entirely)

Elrond & Elros having complicated relationships with both their bio and adoptive parents

Names fitting the time period (Quenya names in Valinor, please; if this is difficult for you, that’s okay, no pressure, but I do strongly prefer it)

Names having a lot of thought put behind them (does the character go back to their original Quenya name upon rebirth? or do they keep their Sindarin name? or come up with something else entirely? do they hate their new Sindarin name and resent having to use it, or do they embrace it? As long as you put some thought into it, I’m sure I’ll like whatever you decide!)

Author’s notes where you explain your thought process, if you want; I love hearing how the story took shape!

~~~

Preferences re: Canon:

LaCE compliance is always completely optional. If you do want to include it, that’s great, but if you just want the characters to fuck without having that be an issue, go for it. I love explorations of LaCE that take into account the exceptions, boundaries, definitions, etc; I also love takes that emphasize that they are Laws and Customs, not biological imperatives.

I’m not picky about my Amrod deaths. He can die at either Losgar or Sirion (or, hell, some other time/place if you make it interesting enough!), whatever works best for the story. I do like Lightly Toasted Amrod, aka he almost burns to death at Losgar but survives/gets rescued at the last minute.

Gil-galad theories are all very fun. Please don’t make him the son of Fingon and a wife; if he’s Fingon’s son, I want Maedhros to be involved at least a little bit (adoption or trans mpreg are both fine in this scenario). Otherwise, I don’t have a particular preference, though if it’s not really relevant I usually default to the son of Orodreth (who is in turn the son of Angrod).

Honestly, when it comes to theories and headcanons, my rule of thumb is “convince me”! I’m down for whatever, for the most part, as long as you can justify it :)

~~~

Prompts:

“The Russingon Request”

For all of the characters and relationships in this request, I would really love to have Russingon involved in some way, though it doesn’t necessarily have to be the focus.

Fingon/Maedhros: I just love them a lot!! They’re probably my favorite pairing, and I adore both plot-heavy explorations of their characters and relationship and more slice-of-life fluff/angst/porn stuff without any particular story behind it. If I need comfort fic this pairing is my go-to, and I’d love to have more of that to come back to. This is a ship where PWP would be welcome; plot is also excellent and I’m sure to enjoy that too. I’m always a sucker for falling in love / confessions of love / first times, but ESPECIALLY for Russingon; the beginning of their love story is something I’ll never get tired of. Established relationship, reunions (after the Ice/Angband or after time spent apart in Hithlum/Himring or after leaving the Halls or another scenario) are also amazing. The secret relationship aspect of this ship is very fun, both keeping things secret and having their secret come to light. If you wanted to invert that trope, though, I would definitely enjoy that; I wrote a fake dating AU for them that was SO fun, and things like that or an arranged marriage AU or something are very very fun ideas! I like scenarios where they’re married, and I like scenarios where they’re not married, whichever floats your boat will be excellent. Honestly, I’m likely to enjoy almost any Russingon content you write; I just... *clenches fist* love them... If you wanted to explore a queerplatonic interpretation of them that would be really cool, but I do love love love romantic/sexual Russingon and would be overjoyed to have any content about them!

Fingon: I adore Fingon on his own - he’s brave and valiant and good-hearted and deserved better ;-; If you wanted to write a Fingon-focused story that touches on his time as a prince or a king or adjusting to re-embodied life in Valinor or his relationships with people other than Maedhros, I am sure to love that.

Maedhros: Maedhros is probably my favorite character in the Silm. I love his character arc, the fire symbolism, his trauma and recovery, his relationship with his brothers and his cousins, his time helping Maglor care for Elrond and Elros - really all of his story. For this exchange I’d rather not receive a fic focused on his time in Angband or his death; I can enjoy fics about that, but I’m looking for something a bit happier here. Art of Maedhros in those situations would be okay.

Fëanor & Maedhros, Fingon & Fingolfin: Stories about these two with their fathers would be lovely. I’d prefer something that shows them as both part of loving families, even when things get difficult; this could be Fingon struggling with wanting to tell his father about his boyfriend, or Maedhros trying to talk some sense into his dad after his latest outburst, but I need there to be genuine love and respect all around even if the situation remains unresolved. Put another way: angst is fine as long as there’s a happy/hopeful ending!

Fingolfin & Maedhros: There’s a lot of fic about Maedhros and Fingolfin during his recovery period and the decision to cede the crown, but I’d love to see them in some other context! Fingolfin helping his nephew adjust to Finwë’s court? Fëanor grudgingly approving of the kind way Fingolfin deals with a young Maedhros? Maedhros trying to intercede with Fingolfin on his father’s behalf? Or in Beleriand: a meeting at the Mereth Aderthad, or some other reunion? Fighting together on the battlefield? Fingolfin coming to Maedhros for advice, or vice versa? Fingolfin cornering Maedhros about his relationship with Fingon? Epistolary fic where they’re talking about politics? I think they had a lot of respect for each other, even if the relationship wasn’t always very friendly or easy, and I’d love to see that explored.

Fingon & Turgon: Turgon is my problematic fav! I see him as having a very complicated relationship with Fingon, especially if/when he finds out about Russingon. My headcanon is that Turgon loves and admires his older brother, but they’re very different people, and he absolutely disapproves of his boyfriend, especially after the Ice where he blames the Fëanorians for Elenwë’s death. Some angst between these two on those subjects (on the Ice, in Beleriand before/after the Rescue, shortly before Turgon leaves for Gondolin, their last reunion at the Nírnaeth, a reunion in or after the Halls) would be amazing - though again, I’d like a happy/hopeful resolution.

Maedhros/Turgon: Speaking of Turgon... Okay, this is a weird one, I’m aware, but stay with me. In my mind, Turgon hates the Fëanorians and blames them for his wife’s death and all the awful things that have happened to him and his family, and since Fëanor himself is dead he shifts all that blame onto Maedhros (and there’s the added resentment that Maedhros is fucking Turgon’s brother). Of course he also blames himself but he doesn’t want to admit that. Maedhros on the other hand (which he only has one of) doesn’t like Turgon but he also blames himself for a lot of the bad things that have happened and basically this all comes to a head after Fingon’s death where they’re both grieving and angry with each other and themselves. This ship would probably require some sort of canon divergence that lets Turgon leave Gondolin for at least a bit, or it could take place immediately after Fingon’s death, before he’s returned to his hidden city. It’s really all about the hatefucking! Fealty - Mae already had a fealty kink from Fingon’s time as king, and now he’s swearing loyalty to Turgon as the new High King... Maybe this is the immediate aftermath of the Nírnaeth and everything is super raw, or maybe it’s some sort of AU where Turgon gets off his ass and tries to unite the Noldor against Morgoth when Ulmo warns him about Gondolin’s fall and he has to confront his least favorite half-cousin. Comparisons between Fingon and Turgon’s physical appearances would be great, Maedhros almost letting himself forget that Fingon is dead for maximum angst, but then Fingon was short and Turgon is almost as tall as Mae is so the illusion is shattered and also Turgon just REALLY hates that Maedhros was genuinely in love with his brother because it would be easier to despise Mae if that was all manipulation. Mae not taking care of himself and purposefully pissing Turgon off and letting himself be manhandled. Turgon who hates how much this is all turning him on. Just a lot of resentment and angst!! For this specific ship, angst all the way through / no happy ending is fine; I can’t really imagine a happy resolution here, lmao.

Fingon/Finrod/Maedhros: This is combining my two exceptions to the “no PWP” rule; a non-smutty fic with them is also welcome but most of my ideas are decidedly smutty, lmao. Look, Maedhros and Fingon are ridiculously in love, and Finrod is a bit of a hoe, and I can’t believe there wasn’t at least one time they had a threesome. Finrod getting fucked by both of them at once would be excellent. Finrod is canonically friendly with the Fëanorians in Beleriand and goes hunting with Maglor and Maedhros, maybe this is a time where it’s Fingon instead of Maglor and they fuck in the woods, or Maedhros and Fingon visit Nargothrond, or Maedhros and Finrod visit Barad Eithel, or Fingon and Finrod visit Himring. Is this a planned encounter? Something spontaneous? Is Finrod seducing them both, or are they inviting him in? Did Maedhros and Finrod have a fling in Valinor, or did Finrod and Fingon find comfort together on the Ice, or both? I’d love to see where you take this!

Worldbuilding tags: These are of course completely optional, but if you wanted to explore these topics in your Russingon fic I would be very happy! Post-reembodiment fic where Mae and Finno get to be happy and soft are a balm to my troubled soul, especially if there’s some kind of leftover angst and desperation around worrying they’ll wake up alone; really lean into the hurt/comfort here! I mentioned the fealty kink thing earlier, but that’s an incredibly juicy aspect of their relationship in Beleriand that I’d love to see explored. If you decide to have them married, exploring marriage bonds/soul sex/telepathic communication would be really cool; in my DNW I mentioned that I don’t like the concept of soulmates (for Aro Reasons) so please steer clear of that, but having Mae and Finno choose each other over and over again and that affecting their soul bond/mental connection might just bring me to tears ;-; I’m also interested in explorations of the Halls of Mandos: for example, a reunion there helping Maedhros heal, or them being kept apart and finally getting to reunite after their rebirth, or how that healing process affects the forgiveness and redemption required for Fingon to come to terms with what Maedhros did after he died.

The bottom line for Russingon is that I Love Them and they love each other, and for this request I’d love PWP, fluff, hurt/comfort, falling in love, getting together, reunion, established relationship - really almost anything with them would absolutely make my day!

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“The Turgoldo Request”

Turgon: Like I said before, Turgon is my problematic fav. I’m fascinated by his anger, bitterness, and hypocrisy; it breaks my heart how he loses everyone close to him but Idril; I don’t really approve of his isolationist politics but I’m interested in exploring what shaped him to get there. To me Turgon is “lawful neutral,” though in his mind he’s “lawful good” - he has a strict moral code that doesn’t always take into account all of his personal failings or other people’s differing life experiences. He is staunchly resentful of the Fëanorians, especially Maedhros and Fëanor himself; he blames them for the majority of his problems. He’s got anxiety, he’s traumatized by the Helcaraxë, he’s an overprotective father, he doesn’t have a lot of communication skills. I could go on - but here’s a link to a post where I talk about my headcanons for Turgon and his relationships. So: Turgon-focused fic that emphasizes his angst, loneliness, stiff-necked morality, etc would be great. Feel free to lean into the melancholy aspect; a fic about him doesn’t necessarily have to have a happy ending, though I’d prefer something not outright tragic.

Maeglin & Turgon: The miscommunication here is just...painful and so very very fun. I really do think Turgon loved his nephew, but he’s SO bad at expressing it, and Maeglin has trouble believing any affection he receives is genuine. But some happy moments between them would be great; maybe post-reembodiment reconciliation where Turgon assures Maeglin that he doesn’t hate him? Or an AU where Maeglin confesses to Turgon what happened to him when he was captured? Going along with my Turgoldo request, maybe some extremely awkward conversation about being in love with your cheerful blond cousin...? There’s lots of opportunity for angst and hurt/comfort, and I’d love to see some of that here, though again please make sure to have a happy/hopeful ending, at least of whatever snippet you end up writing.

Finrod/Turgon: This is my rarepair to end all rarepairs tbh. I honestly don’t know why these two are not shipped more! I am desperate for any and all content with them, I am not picky at all, I just love them.

Fun times in Aman before things get dark and serious would be lovely, I think in that context their relationship would be more casual (or at least they’re trying to make it casual and that leads to hurt feelings). I’d rather not focus on their relationships with their canon love interests, mostly because I’m not a fan of stories about jealousy (also because I see both Finrod and Amarië as gay and together mostly for convenience’s sake), but I do ship Elenwë/Amarië so those two having some sort of arrangement with Finrod and Turgon could be fun. But feel free to just ignore any of that and depict Finrod and Turgon together without their respective ladies!

If you go into Beleriand times, I like: Turgon grieving Elenwë and finding solace with Finrod; whatever went down that night by the river they never wanted to talk about again; helping each other build their hidden kingdoms; Finrod sneaking into Gondolin maybe??; repressed Turgon being angsty about discovering his bisexuality and Finrod either helping him or making things more complicated; Finrod missing Turgon and trying to distract himself in Nargothrond (maybe in combination with another Finrod ship? honestly I ship Finrod with any dude that moves, feel free to put your own spin on his relationships, though I would prefer a focus on Turgon/Finrod for this request).

Post-reembodiment scenarios would also be great. I think that whatever the situation between Amarië and Finrod was, she’s moved on from him by the time he’s reborn; maybe she’s with Elenwë now, which would make Turgon’s life a bit easier. Or maybe Turgon can make room for both Elenwë and Finrod.

Or maybe you want to do an AU with them! Supernatural creatures? Some other fantasy setting? A space opera? Honestly the only AU I wouldn’t be interested in is a modern AU, I’m very picky with my Silm Modern AUs. Honestly like I said earlier, I would love ANY content with Finrod and Turgon, you’d make me very happy if you depicted them together!! Feel free to ignore any of the stuff I said if you’ve got a better idea!!

Glorfindel/Ecthelion: Okay this one isn’t really that related to the other ships and characters in this request, but I do really love this ship and if you wanted to write something about them I would absolutely enjoy it. I don’t have a ton of ideas about them (maybe they’re husbands? a comedy of errors that ends with them getting together? mutual pining for an absurdly long time, maybe even that they’re aware of but don’t act on for years?) but they’re very sweet and I love them. If you wanted to include them in the background of a Gondolin-era fic, that would be great; or maybe some sort of compare/contrast fic with Finrod and Turgon, another blond/dark haired ship :P Or just write some fluff centered on them, that would be welcome too!!!

Worldbuilding tags: Military strategy and tactics around the Hidden Kingdoms seems like a good topic to build a fic around for Turgon and Finrod, especially considering their strategies are so different from those of Fingolfin and Maedhros, who did more to fight the Enemy but whose realms fell long before Nargothrond and Gondolin. Or you could explore what it’s like to live in isolated, insular Gondolin, and the mixed Sindar and Noldor cultures there, what prejudices might be found among high society, etc...go crazy with headcanons and worldbuilding!

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“The Túrin Request”

I didn’t put down ships here that include Túrin/Beleg, but I do take that as basically canon, so some angst about Beleg’s death and Túrin’s love for him would probably come up in any of these situations. Or feel free to keep Beleg alive and throw him into the mix if you feel like it!

Finduilas/Gwindor/Túrin: I JUST THINK THEY COULD HAVE MADE IT WORK, YOU KNOW? There’s some juicy Túrin/Gwindor lines in COH, Túrin has a thing for blonds so I can see him developing feelings for Finduilas even if he didn’t necessarily have them in canon, Gwindor and Finduilas’ doomed romance just breaks me and I want to FIX it!! If they had been better at communicating, maybe…idk, this could be a fix it or not, but they’re all drama queens and they’re all in love with each other and what if Túrin had managed to save Gwindor and Finduilas and they all went to Brethil together, or something?? Who knows I just need them all together! The Finduilas is Gil-galad worldbuilding tag would be a great option here for a fix-it :)

Maeglin/Túrin: I feel like I’m the only person sailing this ship but I will go down with it. So WHAT that they never met in canon?? They have MATCHING SWORDS and they’re both doomed by family curses and I think it would be incredibly sexy of Túrin to go to Gondolin. Or maybe Maeglin and Aredhel escaped to Nargothrond (perhaps with Celegorm and Curufin?) and that’s where they meet? What if their curses cancel each other out and they help each other avoid their dooms! What if Maeglin tries to duel Túrin for the right to wield Anglachel! What if Túrin also has a thing for Idril (again…he’s got a thing for blonds, especially blond elves) and they bond over being jealous of Tuor and then fall in love! What if they refuse to acknowledge the insane amount of sexual tension between them until some incredibly inopportune moment like Idril and Tuor’s wedding! So many possibilities and I just adore the concept of this ship!!

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Celebrimbor/Maeglin/Túrin: I like to call this ship “Doomed Disaster Boyfriends.” I think this works best in that Maeglin in Nargothrond AU; Celegorm and Curufin have been exiled but Celebrimbor and Maeglin and Aredhel stayed behind in Nargothrond when they left, or maybe Aredhel went with them but Maeglin didn’t, or maybe Aredhel fought in the Nírnaeth and didn’t make it through the battle or something. Although if you wanted to take the Gondolin route instead, where Tyelpë makes his way to Gondolin after the Nírnaeth and Túrin joins up with Tuor instead of heading to Brethil, that would be neat too. Or if you want to go a super dark route: Tyelpë was taken captive to Angband after the Nírnaeth, and Beleg didn’t manage to rescue Túrin so he’s in Angband too, and Maeglin gets kidnapped himself, so they all try and break out together…

Anyway: whatever the situation, they’re all horribly doomed, they all have family curses, Tyelpë and Maeglin is a great ship because they’re both smiths and everyone hates their dads, Maeglin and Túrin is a great ship because they have matching swords and they’re both super dramatically emo, Túrin and Celebrimbor is a great ship because honestly of course it was Tyelpë who reforged Anglachel into Gurthang and they were both kind of outsiders in Nargothrond - anyway just. Throw them all together into one screaming angsty mess that probably ends up even worse than in canon, I would LOVE that. And Tyelpë outlives both his boyfriends and eventually falls for Annatar who unbeknownst to him had a hand in both their awful demises... Though again I’d prefer a happy ending for a fic here.

“The Kidnap Dads Request”

Elrond & Gil-galad: I have two scenarios in mind for this - either Gil-galad is taking Elrond (& Elros?) under his wing during the War of Wrath and having to reassess his feelings about Maedhros and Maglor, OR Gil-galad is the son of Fingon and Maedhros and therefore considers E(&E) his brothers because they’re also the son(s) of Maedhros.

Maedhros & Maglor & Elrond & Elros: Kidnap Dads!!! I love Kidnap Dads!!! Please make sure to include Maedhros in this - his dynamic with the twins can be different than Maglor’s, but I want him to be involved in their care and upbringing too. Anything from fluff to hurt/comfort would be amazing; you can write E&E learning to trust M&M, or after they’ve come to love each other, or some time in the future where Elrond and/or Elros looks back fondly on their foster parents. Please, please no bashing Elwing and Eärendil. However - their bio parents interacting with their foster parents in awkward/humorous situations would be great. I think the twins have a very complicated relationship with all their parents, and diving into that would be really interesting - or you can just lean into the fluffy found family, which I would also love.

Some possible scenarios: an official adoption ceremony, cultural differences, M&M giving E&E some more names / teaching them Quenya, Maglor showing up to Elrond and/or Elros’ wedding(s), Maglor in Rivendell, sharing traditions, Maedhros teaching the twins some skill (cooking? swordfighting? embroidery?), the twins being Weird (either because they’re part human or part Maia) and M&M learning to deal with that, Elrond reuniting with Maedhros in Valinor, Elrond getting adopted by M&M’s spouses (Maglor’s wife and/or Fingon), AU where Maedhros lives and is around for E&E’s later lives, Maglor teaching Elrond magical/musical healing

Worldbuilding tags: How did being raised with M&M affect E&E’s decisions when it came to their Choices of kindred? Were there any Men in the remnants of the Fëanorian host, and did that affect their Choices? Where did Elrond’s skill as a healer come from; is it connected at all to the Music, and if so, did Maglor teach him that? How do E&E reflect on their time among Kinslayers, and what is it that helps them come to love their captors/foster parents? Do M&M redeem themselves through raising E&E? As the First Age rolls over into the Second and M&M leave the picture while E&E come to the forefront, what lessons do they take from their foster parents? How do people, especially the other leaders of Elves and Men, react to the obvious Fëanorian influence on E&E? What happens to the remnant of the Fëanorian host after M&M are gone? How do E&E feel about their cousin Celebrimbor and vice versa? These are all just things to think about - feel free to ignore or cherry-pick as you see fit!

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“The Círwen Request”

Círdan/Lalwen: This is a completely unsupported rare pair that I nonetheless really love. In my mind, Lalwen is a political diplomat to the Falas in the early First Age, representing her brother to the Sindar. What happens next is up to you! Círdan and Lalwen as forbidden lovers? Círdan and Lalwen as an arranged marriage? Círdan and Lalwen as the parents of Gil-galad? Círdan and Lalwen in a queerplatonic relationship rather than a romantic one? Any of these would be great to read about! Bonus points if Lalwen gets a sword!

Lalwen & Fingolfin: Why did Lalwen follow Fingolfin to Beleriand when Findis did not, and Arafinwë turned back? If we’re going with my Lalwen the diplomat headcanon, why did Fingolfin choose her as his representative? How does he feel about her relationship with Círdan? Or you can focus on some other aspect of their relationship, maybe mirroring the Turgon & Aredhel relationship or the Fingon & Aredhel relationship.

Gelmir: This tag doesn’t specify which Gelmir we’re talking about, but I’d like to request something with Gelmir who was Círdan’s messenger, who went with Arminas to Nargothrond and warned Orodreth about taking down the bridge. He could be a supporting character and a friend of Círdan, or you could have him missing his original lands (Dorthonion) and lord (Angrod). My headcanon is that he and Arminas are in a queerplatonic relationship; if you’re going with qp!Círwen, maybe they could serve as a model for Círdan and Lalwen as they’re figuring out their relationship.

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“The Halenthir Request”

Haleth/Caranthir: This ship dynamic is fascinating to me. Why did Haleth refuse Caranthir’s offer of aid? Was it the result of a falling out between them, or did he have to pursue her all the way to Brethil to explain his feelings? I absolutely love stories that give Haleth and Caranthir a peredhel child or two, especially when that’s a surprise to Caranthir. Maybe Haleth doesn’t even tell Caranthir they have a kid right away, or at all... If we’re exploring LaCE, does Caranthir consider himself married to Haleth because they’ve had sex, even though that’s not part of Mannish culture? How do the Haladin take their Chieftain’s relationship with this weird elf guy? Do Caranthir’s brothers know about his mortal girlfriend? This is another ship where a queerplatonic take would be excellent; I see both Haleth and Caranthir as being on the aromantic-spectrum, and exploring that weird gray space of their relationship would be wonderful. I also love interspecies relationships in general, so digging into the cultural differences and issues that come along with an elf and a mortal being together would be great (also. height differences!!) Additionally: Caranthir is kind of depicted as the grumpy rich bitch of Beleriand, so exploring trade as an excuse for him to visit Haleth and/or historical and narrative biases that depict him and Haleth at odds with each other when they “actually weren’t” are two interesting ways to take this.

Aegnor/Andreth: So, this request is called “The Halenthir Request,” but I also love Aegnor and Andreth. If you could give them some sort of happy ending, or at least a happy middle, I would love that. What really got me to put them here alongside Halenthir is the concept of Aegnor and Andreth having a child that interacts with a child of Haleth and Caranthir! Go crazy with OCs; they can be romantically involved or good friends or bitter rivals or whatever scenario you can dream up :)

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“The Finwëan Drama Request”

So for this request I’m really down for any and all Finwëan relationships! But here are a couple from the tagset that caught my eye :)

Aredhel & Galadriel & Amras & Amrod: The babies of the family! (not counting Arakáno, or you could replace Aredhel with him, or have him be a much later bonus baby, or just have him not exist in this verse) I can imagine all sorts of shenanigans they got up to as kids :)

Amrod & Amras: Would love an exploration of a “twin bond” between these two, similarish to the marriage bond concept.

Celebrimbor & Orodreth: They were both fourth-gen Finwëans, if we go with the Orodreth son of Angrod version; did they grow up as friends? Did they not really know each other until Beleriand? Orodreth was reluctant to follow his family to Beleriand, and Celebrimbor could easily have been dragged along without having much say; maybe they bond over wishing they were still in Valinor? Why did Celebrimbor decide to stay in Nargothrond when his father and uncle left, and why did Orodreth welcome him there?

Celebrimbor/Maeglin: As my friend May said, “maeglin/celebrimbor is really just the inherent eroticism of the man who gave up information under torture loving the man who did not.” I don’t personally subscribe to the Celebrimbor in Gondolin version of events, so I imagine any relationship between them would be post-reembodiment.

Curufin & Celebrimbor: I’m especially interested in post-reembodiment scenarios between them, too. Do they try and reconnect? Does Celebrimbor forgive his father? I can only imagine how difficult it must have been for Curufin to watch Tyelpë’s demise in Vairë’s tapestries in the Halls; how does that affect their father-son relationship?

Curufin & Maeglin: Curufin (& Celegorm) were friends with Maeglin’s mother; does he feel protective of Maeglin? If Celebrimbor is now involved with Maeglin, is this Curufin trying to get to know his son’s boyfriend?

Celegorm/Aredhel: I see Aredhel as aromantic, and I sometimes see Celegorm that way too; a queerplatonic interpretation or a friends with benefits situation would both be something I’d enjoy reading, at any point in their timelines.

Curufin & Aredhel: I imagine that in a Celegorm/Aredhel situation Curufin would be third wheeling them a lot; or maybe not! Maybe they spend time together on their own, or they gang up to prank Tyelko, or something.

Curufin & Finrod & Celegorm: Were they friends before C&C came to Nargothrond? How did that friendship turn toxic and manipulative? Can they become friends again after they’re reembodied? I’d also be down for a threesome situation with them, though this is a gen relationship tag and I’d love that too.

Eärwen & Anairë, Eärwen/Anairë: These two were canonically dear friends, and I love exploring how that came to be - did they know each other before they met their husbands? Do they meet and fall in love after they’re already married and have mixed feelings about that? What is their life together like after the Darkening and the Kinslaying? This is a ship I really love queerplatonic interpretations of, though purely platonic and romantic/sexual takes on them are both excellent, too.

Fëanor & Findis & Fingolfin & Lalwen & Finarfin: Fëanor and his half-siblings...so much potential for drama! Was there a time where Fëanor didn’t resent them so much? If so, how did that anger grow? Was his feud specifically with Fingolfin, or with all the children of Indis? What were family reunions like, especially once they start having kids who befriend one another? After the Flight of the Noldor, how do Findis and Finarfin deal with the loss of their siblings - especially when those siblings start to die in far-off Beleriand?

Fëanor & Fingolfin: I would LOVE a fic that shows some extremely grudging affectionate moments between these two :) Fëanor being like “no, I’M the only one who gets to pick on my half-brother!” or Fingolfin idolizing his older brother or a Fëanor Lives AU where they they get to have the fistfight they sorely needed to have and then settle into a more subdued rivalry or a reunion/apology in the Halls - or literally anything that shows some amount of hope for their brotherly relationship.

Nerdanel & Eärwen & Anairë & Findis & Lalwen: Give it up for the Finwëan Ladies! Four out of the five of them remained in Aman; how do they grieve Lalwen’s departure? Are they all friends, or are there some rivalries in their midst? My headcanon is that Findis is Glorfindel’s mother, but Lalwen didn’t have kids (until Beleriand?) - does Lalwen feel left out among all these mothers? How do these women pick up the pieces of the mess left by their husbands and brothers in the wake of the Flight of the Noldor? I would love depictions of them as politicians trying to mend bridges with the Teleri and the Valar.

Fëanor/Nerdanel: You cannot tell me that this extremely fiery, passionate man who had SEVEN CHILDREN with his wife did not absolutely adore her! Give me some early-relationship or early-marriage spiciness, or them as new parents (for the first time...or not), or them making things for each other - really, anything that shows how much they love each other, before (or even after) it all went wrong.

Sons of Fëanor: Look I just love the Fëanorians. I’m especially a sucker for Big Brother Maedhros, so having him interact with his younger siblings would be amazing, but really any sibling dynamics between Fëanor’s kids is something I’m bound to enjoy, as long as you show their love for one another even when they’re fighting amongst themselves.

Elemmírë/Findis: Vanyarin lesbians!! I see Elemmírë as a woman (specifically a trans woman, though if you don’t want to get into the details of her gender that’s fine), and a major reason in why Findis stuck around in Aman instead of leaving with her siblings. I like the theory that Glorfindel is Findis’ son, which would make Elemmírë his other mother. But if you’d rather depict them as not together at the time of the Darkening, that would be fine too; maybe Elemmírë is upset at the thought of Findis leaving but Findis stays because she’s realized she’s in love with Elemmírë, or something like that. Elemmírë wrote a song about the Darkening, so I think focusing on that time of fear and uncertainty and having them find comfort in one another would be very interesting.

I’ve kind of sprinkled references to the worldbuilding tags throughout these prompts, but I’d also love to see the “queer elves and their communities” tag explored with the Finwëans. I have lots of queer headcanons (feel free to ask me about specific hcs; I have anon messages on!) but I’d also love to see your takes on these characters’ identities! Do homophobia and amatonormativity exist in your version of Aman and Beleriand? How does that affect the queer community; is it underground and secretive or just another sort of community someone can interact with? If there’s not a focus on queerness being “wrong,” what does that mean for queer folks who want to find other people like them? Do things change in Beleriand - are the Sindar more or less accepting; do the Noldorin realms establish themselves differently than Tirion or Valmar did? I’m very curious to see your take on this!

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“The Gigolas Request”

Gimli/Legolas: All Gigolas is good Gigolas, and you can quote me on that - but I do have a soft spot for queerplatonic Gigolas, and I might die of happiness if you wrote me some :) I love elf/dwarf relationships, and cultural differences leading to miscommunication is one of my favorite tropes for this ship.

Legolas/Gimli & ...: I put a bunch of these for this request. For “& Thranduil” and “& Glóin” I’d love to see some “telling the family” scenarios, with Thranduil and Glóin coming to terms with their sons’ relationship. For “& Aragorn” and “& Boromir” I was imagining a Three (or Four!) Hunters situation with Aragorn third wheeling them, and/or a Boromir Lives AU where he and Aragorn commiserate how stupid their friends are about their feelings.

Fourth Age Ithilien Elves: Legolas’ new home in Ithilien is really interesting to me (as is Gimli’s new home in Aglarond, but that group did not get nominated) and I’d love to see an outside POV of Gigolas, what their friends and subordinates think of this odd couple. Or you could dive into what the founding of Ithilien was like, and Legolas’ relationship with Faramir and Éowyn.

Worldbuilding tags: I also love Fourth Age Valinor fics! What was it like for Legolas to give into sea-longing and sail West, and how did he and Gimli come to the decision to bring Gimli along too? What is everyone’s reaction to the dwarf in Valinor? (LOOK I just think people like Finrod, Celebrimbor, Curufin, Maeglin, Aulë, etc would LOVE Gimli!) Or we can backtrack to the late Third Age and look at the trade relationship between Erebor and Rivendell, and between Rivendell and Mirkwood, and how that affects Gimli’s initial perception of Legolas / Legolas’ expectations upon joining the Fellowship.

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“The Durins Request”

For my Hobbit requests, assume I want an Everyone Survives BOTFA AU unless I specify otherwise.

Fíli: I just REALLY love my boy!! (as you can probably see from my url, lol) Any fic that’s Fíli-centric would make me happy, focusing on his familial relationships, political expectations, learning to fight, friends from Ered Luin, reuniting with them after reclaiming Erebor...all that would be great. Please do not write me any Fíli pairings; as you can also see from my url, I headcanon Fíli as aromantic, and this is not a headcanon I am flexible with. Write me a story about Fíli that shows how rich and fulfilling and challenging his life is without any romantic aspect!

Dís & Frerin & Thorin: I’d love to see something about these siblings; maybe Dís reminiscing on her childhood and comparing Fíli and Kíli to Frerin and Thorin?

Dís/Spouse: I do love that this is not “Dís/Husband” - so take that as permission to give Dís a wife and/or a trans/nonbinary spouse! I headcanon that Dís’ spouse is not a Longbeard dwarf, which leads me to...

Dwarves of Ered Luin: How do the Broadbeams and Firebeards of the Blue Mountains feel about the arrival of the Longbeard exiles? What do they think about the Longbeard princess marrying one of their people?

Fíli & Kíli & Gimli: What if Gimli came on the Quest, or Fíli and Kíli stayed behind? Or, how did Gimli feel about being left out? Was he excited to reunite with his cousins, or still jealous and a bit resentful? Or if we go the canon route, did he feel horrible that he parted with them on not the best terms and never got to see them again? I’d also love some compare/contrast Kiliel and Gigolas parallels :)

Ravens of Erebor: I just think the ravens are REALLY COOL. When did they settle there, and how did their relationship with the Line of Durin come to be? What are raven politics like??

Worldbuilding tags: These seem pretty self-explanatory for the most part, but I’d love to see some post-BOTFA politics both internally within the Longbeard dwarves as they return to Erebor and externally with Mirkwood and Dale. The Smaug’s corpse tag could be some source of contention there; maybe some men want to re-establish Laketown amidst his remains, or they want to relocate him so they can resettle Esgaroth, or the the dwarves want to harvest his corpse for resources (he’s probably got gold and jewels stuck in his scales, and dragon-skin/scales is probably a good raw material for crafting things).

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“The Tauriel Request”

Kíli/Tauriel: As you can probably see from my AO3 profile pic and username (derived from the “she walks in starlight” quote in DOS), I LOVE Tauriel! I don’t so much anymore, but I used to write a lot of Kiliel fic, and I am still very soft for them <3 I’d love almost any sort of AU for them (even a modern AU would be fine!) or a canon-verse everyone lives AU where they get to be happy and domestic :)

Tauriel & Legolas: I love platonic or sibling-esque relationships for these two! I would especially enjoy them growing up together, or Legolas taking Tauriel under his wing when she joins the Guard, or Legolas teasing Tauriel for her crush on a dwarf only for the tables to be turned when he falls for Gimli :D

Tauriel & Thranduil: This is a really complicated relationship - I don’t think Thranduil sees her as a daughter, necessarily, but he definitely feels protective of her and is frustrated when she doesn’t listen to him. I’d love to see the origins of that dynamic, and Tauriel’s side of things as she goes from being fond of her friend’s dad to distancing herself from her king whose politics she disagrees with, or Tauriel returning to Mirkwood after the battle (in an everyone lives AU where she’s just visiting, or in canon where she wanders for a bit but eventually comes home) and them reconciling.

Sigrid/Tauriel: Let’s give it up for our non-canon gals! Okay, I love Tauriel and this ship is so cute. If you’d like to include Kíli/Tauriel in the background (Kíli supporting Tauriel's relationship with Sigrid, for example) that would be great, but a story based in canon where Kíli dies would also be fine; however I'd like it if you acknowledged Tauriel’s feelings for Kíli in some way. Sigrid being all blushy and embarrassed around the hot elf girl who’s hanging around Dale helping to rebuild is kind of what I have in mind, but feel free to take this in any direction you'd like!

Tauriel/Mirkwood Guard OFC: A fling from Tauriel’s youth? A girlfriend she feels torn about leaving for Kíli? A friend she’s always crushed on but never said anything about? Any of these situations would be fun! Like with Sigriel, I’d like it if you acknowledged her feelings for Kíli (if the story takes place in that time period) but otherwise go crazy with this prompt!

Worldbuilding tags: Again, I think these are mostly self-explanatory and they could all definitely relate to Tauriel. How does she become Captain of the Guard - is it because she comes up with some new innovative strategy to fight the spiders? Is Mirkwood very patriarchal, and is that appointment something she faced opposition or competition for? Her healing of Kíli in DOS isn’t ever really explained, so maybe exploring the magic and/or medicine involved there and how she came to learn that. (In my own headcanons, her foster family are healers, which is how she learned those skills even though she’s primarily a warrior - but feel free to take it in whatever direction you’d like!)

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Alright, that’s the end of my prompts/requests! Thanks for reading this far, and whatever you end up writing for me I am super excited to read it!! And if you have questions or ideas or something, my askbox is open and I have anon messages on, I’d love to talk! Thank you again for creating for me, you are the best! <3

#tmi anna #innumerable stars #exchange letter #is20

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