#i wrote the music though
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I think ur art tastes like strawberry cheesecake at a sunny afternoon like when the sky is purple and pink, luv u pooks
Omg that is the cutest (and tastiest) description ever, thank you so much, I'm IN LOVE with your art style and you're so so kind!!! 🥹🫶✨
It's very old, but take this drawing of one the first concepts I had for Ctimene and Penelope's designs!
Must have been from 4 months ago :'D
#I wrote a test today and now that is over my energy is drained but I just wanna draw#Their current designs are basically the same though#Only menes hair and robe changed and a lil bit of Penelopes face I think#And Penelope has pointed ears now!!#epic the musical#epic the musical fanart#ctimene#penelope#epic ctimene#epic penelope#desert asks#my art
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I think he would ramble about random stuff to Arti if given the chance
#rain world#rain world downpour#five pebbles#ms paint#rw artificer#dude has no idea#i wrote actual text trying to be in character to 5p but it feels just embarrassing#oh well i tried though#if you bother reading it all cool. now you know of my embarrassing music taste#slugcat#rw downpour
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'When', not 'if'
("I'm not a romantic" I cry and scream before dropping the most sickening thing i've written to date. Blame @stunie because i did tell her i would write the most ume thing ever and maybe this is it. The title in my docs for it is 'Fucking disgusting' but i figured i better not title it that here because I'd be seeing it in my notifs lmaoo)
SFW/no cw unless you hate fluff
When you wake up from your nap, one of your slippers is gone, and there's a blanket on you that wasn't there prior. Looking at the clock, it's been about an hour since everyone had left your apartment once your birthday party ended. The day as a whole had been chaotic, your boyfriend shoving you out the door with a note to go see Kotoha.
The note took you farther than that, though, as it seemed Umemiya created a whole scavenger hunt for your birthday that had you running into all of your friends, having dessert at your favorite cafe, and eventually ending up at your shared apartment to find that all that time spent around town was a distraction so that he could set up the space for your party. After it had ended, you were banished to the couch because princesses aren't allowed to help clean up their own birthday parties, which had you huffing and falling face down into the chicken shaped pillow affectionately called Mr.Clucky.
It was a product of your boyfriend's endless cycle of hobbies when he took up sewing. A little lopsided and overfilled with stuffing, you complained to and into Mr.Clucky with your face pressed into him. Apparently, he was soft enough to fall asleep on because before you knew it, you had been drooling on him the entire hour. Prying yourself off the couch took more effort than was almost worth it before your eyes fell on the reason you were so tired to begin with.
Hajime smiles and hums looking at your bleary eyes. "Good morning sunshine, I was just about to take you to bed," he says, folding a dish towel over a chair. You toss off the blanket and grab on the slipper that fell under the living room table before padding up to him. Dipping your hands under both of his arms to lock them together behind him, now your face is in his chest instead of the chicken, which is entirely preferred.
"Don't wanna go to bed just yet," you muffle, sinking even deeper into him when both of his arms wrap around you in support. He smells like dish soap and birthday cake, and you turn your head to hear the heartbeat in his chest.
"What do you wanna do lovey? You know I'd give you the world if you asked," you can hear the rumble of his voice in his chest with your pressed ear. He's cheesy, but half asleep, you feel just as much, if not cheesier.
"I have the world if I have you, they're one in the same. So just you is more than fine." Your eyes are closed, but you feel him shiver a little. "I wanna dance with you, though," you say, voice still soft and kinda raspy from sleep.
"Dunno if I can top what you just said even when I propose," he chokes out a laugh, or at least you think it's one. He shifts his hold a bit and starts leading you both in a lazy sway that starts near the toaster and ends next to the potted plant at the back door before starting over.
"When? Not if?" You tease him, a hand going to scratch the nape of his neck lightly.
"I'll never meet another you, so I'm pretty set on When."
"I'll say yes." Because you will. You can't imagine a life where you wouldn't.
"And I'll still cry when you do." You can tell he's crying now because it comes out shaky and his hold tightens a bit, before you lean back, stopping your impromptu waltz. Both of your hands come up to cup his face and look at his teary grey eyes before cooing at him.
"You big baby! Save those tears for When please. You'll be congested and sniffley all night if you don't stop." You start cleaning off his face with your sleeve, but he stops one of your hands and starts peppering your palm and wrist with small kisses. "I think I'm ready for bed now. Princess's orders," you say, dragging him towards your bedroom. You'll have to figure out tomorrow just how soon When is going to be, but for now you can hear the slow thumps of Hajime's steps as he follows behind you, squeezing your connected hand. It's not pressing in the least, you think, because it feels like there will be plenty of tomorrows too.
-----
When you wake up in the morning, it takes you an hour to realize Hajime had put the ring on your finger while you were asleep.
It takes you five minutes to run through town in your pajamas, barefoot to find and full on tackle him in front of the place he was about to get your breakfast in.
And it takes about two minutes of unintelligible blubbering on both your parts before anyone understands what is going on.
No one timed it, but if they did, it would've taken less than ten minutes for the whole town to find out via texts, calls, and yells down the streets and through windows that you're engaged.
#umemiya hajime x reader#umemiya hajime#mari writes#also em this is because of YOUR sweet ume fic as well YOU'RE my inspo#the most romantic thing /i/ can think of is slow dancing even when theres no music its always been that way#though the song i gave to this one is one summer night by the danleers just like...thats what should play when reading the dancing part#also i watch too many turner classic movies so its like....watching an old old romance movie#i couldnt reread it more than twice sorry if the grammars bad i was cringing the entire time because while i think this is good#im allergic to emotions and i made myself cry during it#one day id like to write something small on the scavenger hunt he sent us on cause i think it'd be cute#he might do something similar when he proposes but shhh#i want him to drop the ring off on my finger when im sleeping like the tooth FAIRY OH MY GOD I COULDVE ENDED IT LIKE THAT FUCK ME#WAIT I CAN WRITE IT AS A QUICK SIDE#ok im back i wrote it
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Good Memories
(a @semisolidmind Twice as Bad Au Fic)
Ok I wrote another one. This one I focused more on Wukongs perspective ! A happier memory, a happier moment- even in this twisted and messed up bad ending. Because there has to be some sweet moments … right ?
Inspired by this ask!
The noise of the stone corridor was quiet. The silence was a peaceful breath of welcome here where Peaches hardly got a moment of true peace. The roar of the waterfall drowned much conversation here so the foot traffic of the mountains subjects was lessened. Except for the patrols of troops, the top ranking officials and guards, the eyes here were light.
A chance to escape had come. Of course escape wasn’t to leave the mountain. Peaches had learned that long ago. To attempt to get down the mountain- to get to the sea that kissed the beaches below- was foolhardy. She had tired once. Once in that far away time when the trauma of abduction has been fresh, when the desire to be anywhere but here drover her to staying awake at night and planning.
Now, years later, the escape was not to leave Flower Fruit Mountain. Though she desperately longed to do such a thing. Hope though was a hard bird to kill even when caged and clipped. So, to circumvent the need to escape- to release some of the pent up agitation- she had found another way to escape.
The patrol passed the alcove Peaches had huddled herself into without a look. She waited. One. Two. Three. Once they rounded the bend she made her move. Peaches snuck out of one of the many side entrances of Water Curtain Cave. She slunked from shadow to tree, avoiding the eyes as best she could. Once beyond the courtyard, beyond the orchards she felt her spirit take wing. It was the bubble of freedom that she had to take as medicine for the true longing she couldn’t - wouldn’t- ever feel.
Not as long as she had her husbands about.
Like a horse turned to pasture, Peaches kicked up her own heels and ran. She ran for the joy of it and for the enjoyment of it. She let herself believe that she was back in the village. That she was back in her home, beneath its peach trees and with its terribly creaking timbers. That this was only a jaunt out to the woods to enjoy the day foraging and finding morsels.
It was a delusion but it was like a balm to her soul. Too much time inside the mountain and among the talks of conquests and bloodshed dampened her. Her husbands never demanded that she attend councils between other Immortals or Demons but Peaches knew when she attended there was far less work for the servants to do. For one, there was less blood to be cleaned from the stone floors. Of course it would take some of her own energy to be apart of these conversations.
Peaches would dress in the courtly and lordly garments bestowed upon her by The Monkey King and The Six Eared Macaque. Gifts they called them. Blood gifts, Peaches knew. Dressing the part as Queen always put the two demonic monkeys into better moods. Of course, whenever she was present it also became a game of keeping.
This game all depended upon the placement of the two heads of Flower Fruit Mountain. They always were placed in strategic spots- to better intimidate or to better please whatever guest they were entertaining. If there was a demon of hungry standing there was always roasted meat and wine a plenty to drink upon. These times, Sun Wukong would be seated closest to the doors. If she entered the room he would catch her wrists, her hand, her waist. Those claws would grip and tug, and she would be in his lap. Wukong would keep her there. If the King was in the middle of a conversation he would simply stop and lavish compliments upon her. Wukong was more of a earnest love then his darker counterpart. She would be forced to stay in his lap, feeling his hands and the soft admonishments if she tried to move, as the conversation continued.
Peaches wished she could have said it was always unpleasant. In the years of captivity, in the moments of stuck between hope and despair, she had come to find a balance of some sort. After so long being molded and worn down by their attentions, Peaches had begun to tolerate the attention. Wukongs attentions helped establish her as something of importance and a person not to be touched. It helped when those demons had an inclination for human flesh.
Too many times she had been told not to touch the food, the meat, when it was presented on the council table.
If the sworn brothers were entertaining an immortal being with no bloodlust for humans the positioning was different. More lax in some ways but no less imposing. Sometimes Peaches would be able to actually sit in a seat beside or between the monkeys. Other times, Wukong would claim her to his lap and tug and tease at her, a game to turn her to blushing of what things he would whisper into her ear. And, in those moments when Wukong did not claim her it was Macaque who stole her into his seat. He was more touching, less outwardly loud praise. But still enough to burn her cheeks, to make her wish to dissolve.
Water Curtain Cave fell behind her as Peaches rushed forward into the woods and away from her husbands. Macaque was away, on some errand or other again. Wukong would be occupied until late into the evening. A conglomerate of would be allies wished to pledge themselves to the King today, and it would take much of her rowdy husbands time and energy to entertain. It would also boost his ego and, with no worry of bloodshed (unless someone was foolish enough to insult) Peaches had taken her leave.
She rarely got moments alone and she laughed, some of the tension sloughing off like snow in a spring melt.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Sun Wukong rarely had patience with beings that held incompetence. He was seated in his spot in the council room, upon his golden gilded throne. The warlord was in full regalia, armour polished to a blinding sheen and staff set beside him. However all the splendour about Wukong couldn’t distract from the loathsome thing huddled at the foot of his dais, blubbering and sniffling like a slug.
The demonic monkey felt his teeth grind and clip in his mouth as the weakling worm of a dragon sniffled and bowed its head in a kowtow. Disgusting. This beast had come asking him to slay his brothers and sisters in the western sea so he could be appointed heir. Wukong raked his eyes over the diminutive fellow, taking stock.
Scales as thin as moonbeams. Teeth as square as a cows. Mane bedraggled and unclean. How filthy. This little worm couldn’t even clean himself before grovelling for my help.
A poor ally if he choose to anger dragons in an ocean a world away. Weak of claw and fang.
“It’s obvious you cannot even keep yourself fit let alone keep a kingdom if I gave it to you.”Wukong waved his hand, bored. “Leave my sight. Maybe once you’ve actually wet your muzzle and had a scrap or two I’ll consider. Get out.”
“But -“
Was this Dragon also weak of hearing? Was it slow of wit? He had dismissed the stupid beast. His eyes flashed.
“Get. Out.”
The thing moved now, scattering loose scales in its speed to escape. They fell like toenail clippings and Wukong hissed in disgust. He rubbed at the bridge of his nose and felt the patience in his body diminish. The king raised a bell and gave it a ring, summoning several servants - not monkeys these creatures were those foolish demons that had imposed themselves in the paths of Flower Fruit Mountains conquests- to clean up the mess of scales.
Wukong had a full itinerary for the day. He had already met with his southern vassals and those positioned in the East. They were reporting movement from a would be upstart exorcist, one that deemed himself a demon slayer. A blood hungry pup. If it was blood he craved then Wukong would deliver it to him. He had set Macaque to the East, tasking him with bringing the man to heel. He had given his brother free reign. If the six eared demon wanted, Wukong wouldn’t stop him from making the exorcist into a gift - of flesh. Maybe I should have sent this whining worm to the East. Macaque would have shown him the ropes of turning an enemy into a boon.
“Foolish idiots.” Wukong grumbled, irritated. The other appointments had been his people which he took gladly. His own residents of the mountain were precious to him. They only asked for the numbers to help in the forest grove harvest. It was apple harvesting time and some of the trees were showing signs of damage from the deer and other beasts. The other group had been some now turned immortals begging for teaching in the east of shape changing. Wukong had dispatched them with ease, tossing their heads to the sea. He would send their corpses off to the visiting Swallow Heart- an upstart creature with a good three hundred beastly birds- as a peace offering.
His mood would have been better if his Wife had attended his talks. Wukong had kept glancing to the side, looking to the opulent doors and hoping they would open. Or her scent would waft in from the corridor, announcing her approach. Wukong felt his mouth salivate a bit at the thought of her. Oh he was lucky. His little Peach. Wukong and Macaques of course. Not just his morsel. Though today… with Macaque away. ..
She was all his to adore and hold and to make squirm with his praises and his demands.
“Trouble my King?”
An attendant asked of him, waking him from his daydreams. The monkey was by his side, face curled in worry. Wukong let the thinly held patience fall away as he gave into rubbing his head. Too much courtly affairs. He usually didn’t mind the task. In fact, he enjoyed pitting his mind against that of the estate he ran, the duty he held. Wukong had an iron will for ruling. He enjoyed the fruits of that labour, the rewards of conquest. One of the best rewards was here in the caves, walking the halls all alone …
“Trouble that can be easily cast off.”
Thoughts of his Peaches, and the irritation of his last meeting, decided it for him. Wukong rose out of his throne and stretched. Though he was a monkey originally of stone it didn’t mean he didn’t get sore in his throne. Popping his back, Wukong motioned to the door. “Walk with me.”
“Yes my King.” The servant walked beside Wukong as he stalked down the Halls. His people dipped and bowed. The servants who had been brought to the mountain and had been forced to serve kept their eyes downcast. Wukong paid them no heed. He had one goal.
“Peaches!” Wukong sang through the palace. He looked in her usual haunts. She had a tendency to stick to habit and Wukong made it his goal to know all of his little sweets habits and places of hiding. The kitchens, the scroll rooms, the bedroom and other such places deep beneath the mountains stone.
“Peaches?” Wukong now questioned. Usually she was so near he could hear and track her just from knowledge of her habitual motions. But there was a lack of her today in Water Curtain Cave.
“Where has my wife gotten to?” He mused aloud. Wukong would have been more worried in the early days of her life on the mountain. Peaches had a tendency back then to plot and scheme and attempt every sort of trickery to escape the brothers. She had tried tricking (Macaque had been present for that one where he had kept her trapped in a riddle game for hours), sneaking (again a foolish thing due to the number of ears between her husbands numbered eight), drugging (Wukong had thought it cute to see her try and ply him with so much wine he became inebriated. That had led to … other things however.) and finally just running.
Running had led to chasing. Wukong had tried to terrorize her just a small bit to discourage the action. Having her run off while he was in the middle of meeting and for him to rise and say “Excuse me gentlemen” and then rush off had first been an inconvenience. He would never punish his Peaches. No, never. When he talked of the terror it had been more to scare her of what could snatch her up. Tigers, leopards, wolves and their ilk. Taking her back to their rooms and tucking her in and locking the door was the most he did. If he had time, if he could ignore the work of the day he would wear her out in other ways. It would either be both or one and the other who would keep her attention. Wukong was a King but he wasn’t a tyrant.
This didn’t deter his little wife. She seemed … more determined, however, to attempt it. Peaches had learned over the years that running away was useless but that didn’t stop her from taking to flights of fancy. Which lead to a different kind of chasing. A pursuit that called to the raging hunger inside him, to that predator. Peaches had given him and Macaque a new game- a game he craved almost as much as he craved her scent in his nose and her body in his arms.
After opening their closet and seeing the small little nest she kept in there empty as well, Wukong felt his tail give an excited lash. The fur on his spine began to rise up in anticipation. It practically shook through his blood. Made his mouth grin and his body begin to buzz as if drunk upon fruit wine.
“A game is afoot. A game all for myself~” Usually these games of hide and seek with their wife became a race between him and his sworn brother. Macaque would enjoy the competition as he had a unfair disadvantage. His keen hearing compounded on his shadow ability let him take a lead that Wukong wouldn’t be able to close normally. But with his brother away from the mountain… Wukong laughed to himself, beginning to shed his courtly attire.
“Do you require anything, my king?” The servant asked from his shoulder. Wukong passed the servant his crown and those few glittery vestments he bore to impress the lesser demons who came to grovel for his power.
“Clear the rest of my meetings for the evening.” Wukong commanded. Where could my sweet have gone off to? To the grove? The stream? Did she perchance head to the woods? The thought of the hunt was already consuming his mind.
“My King that would mean dismissing the Swallow Heart Demon and his Entourage.” The servant set the items delicately on Peaches armoire, being careful to not tip any of the bottles, brushes or powders there. Macaque had sent for that armoire for their Wife. It had cost a pretty penny to have it brought in with the paints and brushes.
It was a warm memory in Wukongs mind, seeing the pure delight in her eyes. That night had been filled with the boys teaching her how to use the more expensive bits of makeup and had led to her learning to paint war paint upon their faces. The warm memory set a second shiver up his spine. When he caught Peaches he wouldn’t let her go- he would let her know how much he cherished her. The happy memories of her face were becoming more numerous now. It set his tail to swaying like a cat who had caught a canary.
“They are birds yes? Tell them to find another place to roost for the evening.” Wukong stretched his legs one at a time. He waved one hand to the servant, trying to rush the discussion along. He had a wife to find.
“I will meet them in the morning when my mood returns to better and more … harmonious thoughts.” All he could see in his head was her. Her skin shining in the light, her hair in his hands so soft. The rush of feeling hit him low in the gut. Was it love ? Was it possessiveness ? Was it possession? He didn’t know but it had his heart thundering. To think a mortal women could bring such a change through him so rapidly…
“I will see it done sir.” The servant bowed.
“Good.” Wukong stretched his arms, pulled his back straight. He had removed all but the trousers he wore. The glory of Sun Wukong had been set aside. Armour wouldn’t slow him- he was the Sage that had rebelled against Heaven. Had almost won. Armour was little hinderance in his silence or his ability to move. It would however limit him to capturing his intended target. Peaches was soft, pliable and would not like a tackle from her husband if he was wrapped all in his battle regalia.
He bounced on his heels. The excited energy wanted to be unleashed, to be set free. Wukong left the servant in their rooms, swiftly walking to the entrance of Water Curtain Cave. His generals saw him and bowed, continuing their rounds. Smaller monkeys, the children of his people came and clambered for his attention. He smiled at them and turned them back to their mothers promising attention later.
The waterfall came into sight and Wukong grinned. Just like he had when he first had been crowned King, the monkey lord bent low a palm pressed to the floor and launched himself through the torrent of water. He was out on the other side in a spray of water. Once on the ground again he looked, listened, smelled.
Wukong was an expert tracker. He could read the signs of his mountainous home. He knew every blade of grass every bend of the leaf in the trees above. Wukong looked for the signs, the telltale notes his wife would leave so lovingly in nature for him to find. There ,beneath the shadow of a tree. Wukong moved swiftly and lightly, faster then the long spotted cats to the far west. The press of foot too large to be a monkey, to heavy to be a cat.
I got you~
Wukong followed her path, enjoying the exertion and the feel of the sun on his fur.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Peaches had found herself a nice little patch in the wood, a small trickle of a stream ran through a copse of tightly packed willows. It had a few gooseberry bushes in its shade and she plucked them eagerly.
She had brought her small bit of knitting, a book, and a change of clothing if she wanted to take a dip in the water. The gooseberry’s were a plus, having been ripened and their red flesh sweet. Peaches didn’t have a snack- running into the kitchens would have alerted the staff she was going out and she did not want a retinue of guards on her tail. It was nice and pleasant to be alone. Hearing the soft babble of the water over the stones, the wind sighing in the leaves. It was peaceful. She could fall asleep. In fact a nap didn’t sound bad—
Snap.
Her head snapped up, eyes widening. That had been too loud to be a simple little bird or just the sound of a branch falling from the wind. She felt her calm wash away in a rush of icy fear. Though Flower Fruit Mountain was possibly the safest place in the world, it did still have the occasional predator. Bear or tiger were the largest creatures to have been spotted on the mountain. Wukong and Macaque assured that the worst of those beasts kept to the lower plains of the mountain.
But what if— what if I went too low?
Her ears strained, her eyes blown wide to see. Nothing revealed itself from the emerald green foliage or the berry bushes. Her hair stood on end as something shuffled in the undergrowth. Behind her. Peaches spun, holding a knitting needle out—
To air.
Another brushing sound, like that of claws across wood. Peaches took a step back, away from the sound. Her heart was in her throat and all the peace of the day was gone in the rush of animal instinct that screamed in her mind.
Freeze of Fly?
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Sun Wukong followed her trail easily to the copse of trees. His Peaches had much to learn if she wished to our pace him in his tracking ability. The path she took was such a massive trail he could see it from miles away. The demonic monkey crouched low, keeping close to the earth.
She was sitting next to the little stream at the foot of a great willow. His Peaches. Her fingers were red with gooseberry juice, her hair down in the heat. She was the picture of peaceful, the very image of serenity. Wukong felt a desire to grab her to hold her close, to take the juice of the berries off her fingers and hear her laughter and voice.
Gods he craved her.
He held off leaping, held off and observed. Magic would make it easier to drop in on her but he liked the challenge of keeping his current shape. So Wukong lay low, watching. The brothers had a practice of watching their Peaches when she thought she was alone. It was in those moments they learned the most about their mortal heart. How she would sigh, how she always got itchy if she wore too much of the powder upon her face. It was how Wukong learned Peaches preferred bangles over rings. How Macaque gleaned that her favourite foods involved a doughy treat called cinnamon rolls. Little things. Silly things. Treasured things that the brothers would go over and strategize on how to make their precious fruit the most comfortable. To win her favour. Her love. Her attention.
Sometimes she would cry in these moments and the game would have to be put on hold as they made themselves known beyond her field of vision. Wukong hated when she was upset. He knew, somewhere in his twisted heart, that he had caused these tears. That he was to blame for the sorrow that weighed heavy on her.
I can make her happy. No one else saw her sparkle like we did. She’s ours. Forever if I have my way.
But right now he had a game he was in the middle of. The immortal peach he was keeping for her would have to wait. Wukong stalked forward, through the brush. Peaches had laid herself back, body flat to earth and completely relaxed.
Wukong took a branch in his hands and snapped it.
His Peaches lifted herself up and whipped her head in the direction. Wukong had already moved, speed on his side as he circled beyond and behind her. The terror on her face made something stir in him, a protective urge. He would sooth her worry when he caught her. He would pet her hair, hold her close and tell her how foolish she was to leave his safe embrace. She had nothing to fear from him. Only his little sweet fruit didn’t know it was him. Not yet at least.
Wukong let his tail tussle the dead leaves beside him then darted off. He raked his claws over a bit of bark and then zagged back to a new hiding spot. Peaches turned like a doe, alert and eyes wide. Her face was full of fear, full of such open prey-like terror that Wukong couldn’t resist anymore. He rumbled, mimicking the sound of a big cat. Sweet Peaches stared right at the spot he was hiding.
Run little wife, he urged. Come on. Run for me.
At his second snarl, she obliged him. She spun her back to him and took several vain attempts to run. Wukong smirked. And leapt.
He caught her in several bounds barreling full into her body and taking her off her feet. His hand had her by the back of the neck, the other about her middle. They rolled in the air but Wukong angled himself, curling her into him and taking most of the fall. Peaches cry rang in the trees and sent the birds flying. Wukongs laughter was loud and shook through his body as he landed with her. The demon caged her in, setting her hips between his legs so he straddled her. One hand had both her wrists held above her head. The other angled her face to him, the eyes firmly shut.
“Caught you~” He purred.
“WUKONG!” Peaches gasped, opening her eyes to stare right into his face. Wukong felt his heart give a squeeze as the fear melted into ease. Ease with him. It sent a trill of joy up his spine. “You gave me a heart attack. I thought you were some tiger.”
“No love.” Wukong mentally took note of her. No scrapes from their tumble, no bruises. A perfect capture. “A tiger wouldn’t have toyed with you like I did.” Here he stretched his free hand, claws on display.
Peaches laughed. A laugh for him. His tail was swaying, his face inching closer to hers. “I’m glad I’m not getting devoured then.” She said, breath still catching up with her shock.
“Oh my Peaches, I may not be a tiger but I’m going to devour you all the same~” he let the words sink into her, enjoying the blush that coloured her face before he bent down and kissed her. She tasted of gooseberries, of laughter and the earth and ever of peaches. Her lips were soft against his. Wukong moved away from her mouth, wanting to taste her throat, her cheeks, her nose. Kisses he planted along her most ticklish spot on her neck, eliciting giggles and cries of mercy.
The Monkey King felt like he was drinking wine, head getting lighter and lighter while his body relaxed over hers. Only with Peaches had he felt so at peace, so blissful. It’s why he could never let her go. To rob himself of this? Never. She was his and he was hers and that was it.
Peaches pressed a kiss to his nose and he swooped back down to capture her lips. How could someone so soft and small consume me so? He felt starved. He felt parched. Here Peaches was, a bountiful feast and and overflowing cup. He couldn’t get enough of her.
Wukong nipped her neck, tugging her into his teeth to elicit a squeal. She laughed and tried to worm her way out of his grip. “Wukong please! Let me up, let me up!”
“Only when you tell me how well I caught you. Lavish praises on me.” He grumbled. He didn’t want to let her out of his arms. If he could he would keep her here and live in this bubble of joy forever. Peaches blew hair out of her face.
“You’ve got to be kidding me…”
“I assure you I’m not. So tell me.”
“Wukong your pride is insufferable.”
“And your beauty is unconquerable.” He countered and was rewarded with a scarlet Peach. “Now tell me.”
“Ugh. You caught me. You startled me so badly I thought I had gone too low on the mountain.” That had Wukong grinning wide as he now rolled over taking her onto his chest.
“Go on~”
A snort. Peaches was open in only the brief times when his and Macaques earnest attentions had worn down her barriers and aversions to nothing. Here was his adoring and adorable wife. One he wanted to bring treasures and conquer worlds for. I would burn this whole place to the ground to please you.
They spent a time there, the two of them in that grove of trees. Wukong kissed the gooseberry juice from her fingers and Peaches tried to see the good in this moment. Wukong was, a murderer. He was a monster who had taken her from her village. He had killed the villagers. Laying on his arm, feeling his voice and laughter in her body, seeing the tender way he held and touched her…
His love was hard to deny. To match up to the truth she knew so well. He was a murder. The soft glow as his eyes alighted when a butterfly landed on his hand. Wukong would kill again. He set the butterfly on her hand and they both marveled at the changing colors.
Peaches felt a bit more of her resolve break. Wukong and Macaques love was an ocean slamming into her. It was eroding the coastal cliffs she had within her. It had been a constant, driving force these years. She didn’t … she couldn’t remain so indifferent in the wake of such attention. Of such open love. She would never fully be at peace here. However … she was finding a balance.
Maybe that was the closest she would be to the love she originally had showered them both in. Or maybe she would fall head first into that roaring surface and loose herself in their love.
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Wukong tugged the brush through Peaches hair, listening to her sing softly in the night air of their bedroom.
Suddenly- the ground became black and Peaches squealed as she disappeared into the earth—
—and popped up in Macaques arms.
“Save some of her for me, Wukong.” Macaque drawled, hands wrapped around her middle in a possessive gesture. They were back in their room, the night air wafting cool tonight. Wukong and Peaches had spent the rest of the day in that copse of trees and upon the mountain. They had walked hand in hand, visited the monkeys and the new babies that had been born to the family’s farthest from the caves.
It had been a day of sweet gestures and, whenever Peaches had turned eyes inward or far off, he had pressed her with tender affection. Drawing her back to the present. If Wukong had learned anything over the decade it was to keep his Peaches in the present, to keep her away from the drifting worry of the past.
They had returned home only when the first stars had begun to spark in the dark sky. Wukong had carried his tired wife all the way back to Water Curtain Cave. He whispered how he would make a necklace of the stars and give them to her and teased out of her sleepy laughs.
Maybe tomorrow will be full of hardships. Maybe she will hate me for what I did. This though- I would kill a thousand villages if I could get a single day of joy like this.
Macaque had returned shortly after dinner, coming into their room to Wukong holding Peaches in his arms and biting more of her neck between brushes. Of course Mac had wanted a bit of her to himself after being gone for a day. Wukong obliged, not bothered one bit.
His brother in arms was still dressed in armour meaning he had probably just arrived back from the East. Not a speck of blood was on his clothing. Wukong would ask him later about how the trip went, when Peaches was asleep. This moment was meant to be a memory of joy. He would not drag kingly duties into this moment.
“I caught her fair and square.” Wukong sniffed, growing a bit jealous at Macaque. He had stolen his prize from beneath his nose- right when he was getting to Peaches too, in her sleepy state. Macaque blinked then stared between the two, his purple eyes flashing.
“You played the game without me?” Wukong heard the bit of hurt and, though he was sure part of it was drummed up for sympathy, felt a bit of guilt. Only a splinter of it. He didn’t regret acting on his own. The game was his to play when he was away. However it had the desired effect on their Wife.
“Oh Mac- no I didn’t know Wukong would be coming after me.” Peaches was so easily guilt tripped. She kissed the darker demons cheek. The sudden flash of confusion and delight passed over Macaque features. His eyes stole towards Wukong, questioning.
Is she happy? Is she giving without teasing? Wukong nodded, the smile on his face like the soft warm dawn. Peaches was happy and that’s all that mattered. She was happy and would give to them.
“He did have a full schedule of meetings.” She bemused. “What.. happened to them?”
“I cleared my evening.”
“Of course you did.” Macaque snorted, half heartedly irritated. His fingers were already brushing through Peaches hair, grooming.
“Nothing was getting done beyond my latest meeting.” At the raised eyebrow of his six eared brother, Wukong waved a hand. “I’ll tell you later but for now- why don’t we have another game of tag.”
“A-another one?” Peaches sat up a bit, looking outside to the dark and moonlight beyond.
“Well you owe Macaque a chance to catch you. And I want to compete again. We will give you … thirty minutes.” Wukong grinned. “No going outside. Just find one of your hidey holes in the Palace, Love.”
“What if I’m too tired for this game?” She pouted and Wukong smirked. Seeing her pout brought the urge to tug her close and erase that pout from her lips all the stronger. He had been hoping she would say it. It’s why he had one of his chefs cooking a very special sweet treat.
“If you play you’ll get a reward~” Wukong crooned.
“That sounds ominous.”
“It’s innocent. I have some delicious sweets being made as a treat. Just a few short rounds and all of them can be yours.”
“Are they …. Cinnamon rolls?”
The Monkey King felt like he had caught her all over again. “Yes”
“… two games. Then no more. I’m tired..”
Macaque kissed her temple and set her free. “Go on darling. When I find you first I will tell you of the sights I saw.”
“You have to get to her first brother.” Wukong challenged. When he got to Peaches he would make her laugh again, demand kisses and more.
“And I will!” The six eared demon grinned eyes flashing. Peaches stood a bit uncertainly until Macaque leaned forward and gave a kiss to her temple.
“Go Peaches. And don’t stop running till you are in one or both of our arms.”
Peaches ran.
#hcwrites#writing stuff#hcfanfics#twice as bad au#fanfic for semisolid#OK THIS ONES A BIT HAPPIER#I Hope i still captured the boys.#I wanted to write something more of a happy memory- even though in this bad end I don’t think there’s too many#did I make Peaches like cinnamon rolls ? yes#also I use peaches because it is nicer then using y/n. it just feels better#jttw au#jttw fanfic#jttw x reader#six eared macaque#this is the only SEM I let slide past me that I like#the other ones I know (stares at Kiri and Kaiju) are bastards#not saying this Macaque can’t be - but like. at least he has a redeeming quality.#wrote this with music yes. lord Huron love like ghosts was for the end but.#for the first part it was Rule27 drunk on pride by Fish in a Bird Cage#the best helped keep the tempo for what I wanted to convey#semi if I didn’t get it right tell me I will LEGIT FIX IT#I just have been meaning to write for you again but I got bogged down with stuff#good luck with college btw#yes this one’s more Wukong centric#sorry you Macaque lovers#it would have been too long to write if I included both of them#maybe I do a seperate one for y’all#jttw tag#bad end wukong#jttw sun wukong
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I am genuinely really enjoying seeing people who have clearly never read the Odyssey before reacting to EPIC's Ithaca saga. I haven't listened to EPIC myself (yet) but people keep saying stuff like "Odyseeus built their palace around an olive tree he carved into his and Penelope's marriage bed that's so symbolic" and "He really just murdered all the suitors wouldn't that piss off their parents?" Which are observations and questions that the Odyssey makes incredibly blatantly clear as to the symbolism or the answer because it's a really old poem and subtlety wasn't really Homer's strong suit.
There's something really endearing about seeing people interact with the Odyssey through the same way the Ancient Greeks did - a bard singing the story of Odyseus' nostos.
(I gather the details have changed a little, but that's what happens with oral storytelling, and that's how the Odyssey got created in the first place)
Also as congratulations have my favourite ancient depiction of Odysseus surfing with two amphemorae having stolen Poseidon's trident, being sped along by Boreas, stark naked except for a cloak he's holding onto.
#epic the musical#epic the ithaca saga#in answer to the question “what about the suitors parents being pissed” what happens is they all storm the palace gates#odysseus and laertes go out to meet them#and athena appears and goes#“no. my boy has suffered enough to get here. go home and have new#better sons who arent creepy dicks#also re: oral storytelling#its facinating actually because the odyssey wasnt written by Homer he was just the guy who wrote it down#the story existed since at least 1450 BCE#(fall of troy)#and because we know the very basic rundown of what was happening at a) the Bronze Age collapse and Mycenaean Greece#(when the story is set and it first began circulating)#b) the Greek Dark Ages which werent all that dark they just forgot writing for a bit but did a lot of cultural shifting#and c) the Archaic period which is when Homer wrote it down#we can (roughly) figure out what parts of the Odyssey are probably the oldest#what may have been introduced during the Dark Ages to reflect that cultural shift away from Mycenaean civilisation and towards Archaic#and what was introduced in the Archaic period when Homer got ahold of it#which i think is amazing and facinating#and is (very loosely) what is happening with EPIC#(its not the same because modern people are not the cultural inheritors of a story of our relatively recent ancestors' war and returns)#but the changes being made to reflect the modern audience and fit our time better are#kinda#if it was like the changes made in Ancient Greece it would be like the mentioned places to have their modern names#and the monsters changed slightly to relfect current cultural anxieties which i dont think has happened with EPIC#fel free to corect me though because like i said i havent listened to it yet#the odyssey#homeric epics#tagamemnon#technically
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“Seven Birds / Crystal Kingdom”
A TAZ:Balance song / cover I “wrote” back in (i want to say) 2018
I say “wrote” because the lyrics are the prophecy and then the second half is simply a cover of the Crystal Kingdom verses + a final one I added
#doctorsiren#the adventure zone#taz balance#not art#ukulele#music#video#crystal kingdom#when I go home for Christmas I am 1000% looking for the piece of paper that I wrote my Jheselbraum song on back in 2019#*2018 not 2019#it’s crazy though because I literally only remember the first two lines of that Jhes song 😭#but I remember being proud of it and liking it#hoping and praying that I wrote the chords down on that paper too GUIDHIDH#I had a big habit of not doing so lmao
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The best thing about those queer visibility days/weeks is when people of that identity start going, "now that you're aware of us: run."
I don't care that there are a billion of those posts when there's a visibility day or week, it's a classic.
#queer#lgbt#lgbtq#yes i'm aware of you#what if i don't run though. what if i hug you. what if i wrote music about you.
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Why did the stage musical adaptation make Jack Kelly an artist?
Well, you can thank or blame Harvey Fierstein.
When tasked with re-writing Newsies for the stage, Fierstein decided that he "wanted to make at least one cogent argument defending print media." The object of argument that he landed on? The political cartoon.
I'll let him speak for himself:
Throughout history the political cartoon has kept the record of our follies and triumphs. They have leveled the mighty and motivated the seemingly powerless... Art has the power to transform, to illuminate, to educate, inspire and motivate. (...) Here was the argument I could put forth in a family musical about the newsboy strike of 1899. I turned the hero of Newsies into an untrained artist who chronicles his world with sketches, and those sketches become the rallying cry for political and social change. - Harvey Fierstein, Reimagining the Story of Newsies, 2012.
From the above article, the change from cowboy to artist had nothing at all to do with Jack Kelly himself, or even about polishing the plot of Newsies. The change was made in an attempt to convey a new message to a new audience. I suppose this message is articulated by Pulitzer in the final five minutes of the second act:
Newsies stage musical script, page 46.
Was this addition of the political cartoon necessary? I'd say it wasn't. Was it effective in what it set out to do? I guess that depends on the impression that it's left on its audience.
Either way, I'd encourage y'all to give Harvey Fierstein's full confession/argument/defense/explanation a read.
---
@old-timmy - I found the source for you! :)
#newsies#newsies 1992#92sies#newsies the musical#newsies broadway#jack kelly#<- my beloved#harvey fierstein#<- my arch-nemesis#personally I feel like he was trying to answer a question/solve a problem that just didn't exist in the first place#plus if he wanted to add a statement on political cartoons why did it have to be jack?#he literally created an entirely new character#consider for a moment if katherine was the artist#what if she illustrated the new york sun as well as wrote for it?#or what if she was a cartoonist working with bryan denton?#also the inclusion of the political cartoon in the newsies strike is yet another departure from historical fact#political cartoons were not used to win over pulitzer and hearst and the refuge was not shut down because of cartoons either#just a though mr. fierstein
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where is the justice full lyrical analysis GO GO GO
TL;DR i'm of the opinion that many people give light a Lot more credit for being a Paragon of The People than he really deserves in this song, so i'd like to take a closer look at the (english) lyrics here-- not only to understand some of the deeper (highly questionable) ideas light is establishing/implying, but also why it may be especially easy to skip over those more dubious implications, unlike in other DN adaptations. see full analysis below the cut, this is Long.
[Light] Where is the justice When the guilty all go free? Why don’t we lock them up And throw away the key?
direct meaning: light begins this song questioning the effectiveness of the justice system. from these lines, it is clear he is questioning the fact that "the guilty" have the ability to "all go free," though it is unclear if he is criticizing the fact that some guilty parties are able to get away with their crimes or the simple fact that prisoners are free to return to society after serving their sentence.
while the first meaning seems potentially easier to assume, the next two lines perhaps point towards the second, implying that "the guilty," should be locked up forever-- typically, you don't throw away a key just to get it back later.
questionable implications: a couple things here. first, light has an underlying claim here that the meaning of "justice" is purely to punish the guilty, to quarantine them away from the rest of Good society. note that he is making this assumption without any clarification about who these "guilty" parties are, what crimes they have committed or otherwise. second, he is also setting up a kind of false dichotomy, saying that the guilty currently are free but the correct course of action is that they are instead locked away. again, no rehabilitation is possible under this view, and no nuance either.
[Light's Teacher] I see a young man’s anger Burning in your eyes;
direct meaning: light's teacher is pointing out light's naïveté ("young man"), though this criticism is softened somewhat by the fact that he also points out his passion for the subject. note that the light in light's eyes here is "anger," and the connotations associated with that emotion-- action, violence, a lack of clear logical thinking. light burns, quick and powerful, but with little discretion for the details.
implications: by describing light in this way, he is establishing light as a very emotionally-driven character, but also as one who has perhaps not had the time nor experience to fully think through his ideals. light's justice is a naïve retribution.
[Light] What you see is my impatience With your noble compromise;
direct meaning: light pushes back against his teacher's criticism, clarifying that his "anger" is more like "impatience," an annoyance with "your noble compromise." light is not stupid, according to himself, he understands the ways in which the legal system (which he sees his teacher as fully ascribing to) is supposed to work, but questions its effectiveness regardless.
to light, this legal system as it currents stands is a "noble compromise," something that people feel they Must stick to for the sake of upholding their noble character, but ends up leading to a questionable execution of justice, which compromises final judgements. i'm assuming this connects back to this page:
questionable implications: light's primary push in this song is towards a fully black and white justice system, wherein The Guilty are Punished and The Good receive Justice (the ability to see the guilty get punished). he is not willing to concede any gray morality here, no "compromise" ever. he is also very quick to write off the idea that he might be getting too caught up in his own emotions about injustice, ironically a bit of an emotional move.
[Light] Show me what’s right about the wrongs that we allow Real people need to feel protected here and now; This whole damn system’s broken way beyond repair It’s just law Not law and order; Not much good and seldom fair;
direct meaning: light continues to question why the legal system allows for what he sees to be compromises in the execution of justice, arguing that "real people," The Good, have the right to feel protected by such a system. he states his points overtly here: the legal system is broken, it is unordered, it is unfair. nothing good comes of it.
questionable implications: a few points. first, light is once again Very vague about what exactly these "wrongs," are that the legal system is allowing, which guilty are actually going free under which circumstances. second, light is assuming that "real people," which is itself quite frankly an incredibly loaded term when it comes to how dehumanized his view of The Guilty is, do not feel protected by the legal system, that The Good live in fear under a system that fails to guard them against evil.
i think people often get stuck on the line, "This whole damn system's broken way beyond repair," since it has the potential to greatly emotionally resonate, what with its underlying pessimism and cynical view about the world. even in my own views, there are plenty of systems that i think are plenty broken. where this line becomes questionable is again in how vague it is, allowing for many interpretations of exactly how the (legal) system is broken. take note of this not only in the context of how people interpret this song, but also for the next few lines in-context.
[Light's Classmate #1] Laws were made for everyone We’re treated all the same;
direct meaning: a classmate enters the conversation, stating a somewhat basic fact-- that the laws were created for everybody, and that everybody is all treated the same.
EDIT: actually, listening to this again, i genuinely can't tell if this is a classmate or light's teacher again?? regardless, i think my points still stand, just push the part about the other students being convinced by light to a bit later in the song.
(questionable) implications: a third party is now introduced with light's classmate here. this conversation between light and his teacher is not one-to-one-- there are other parties listening in the room who may be convinced one way or another depending on how the arguments go. thus, while this is a somewhat obvious statement on the surface, it is being stated in response to light to get him to expand on his claims.
i'd also like to bring up one point that i think may be relevant moving forward: the difference between normative and descriptive claims. in ethics, we typically use this to describe the difference between claims about how things should be versus how things already are.
light makes a lot of claims in this song that are presented as descriptive, implying that this is simply How The World/Legal System Already Is, that we are approaching a system that is already broken. he also makes a lot of claims about how the world should be, that justice should be this kind of starkly black and white Passing of Judgement-- these are the ones that he is less direct about, and that should be more closely questioned imo. don't mix em' up. anyways,
[Light] Till a lawyer’s tricks can fix the blame; What about the victims Waiting for some justice? How can we turn away And say that's just the way things are? What about the families Hiding in their houses All of them afraid to walk the street at night With all their doors locked tight Tell me where is the justice If there's any justice
direct meaning: light responds to his classmate's previous comment, arguing that the system is equal, but that stops once a lawyer can trick the system into allowing their client to go free. he continues, asking-- "What about the victims / Waiting for some justice?" once again painting The Good as pure, innocent victims, afraid to even walk along at night or leave their houses, living in Fear of evil that the legal system has so cruelly allowed to go free.
a very good couple lines in this section: "How can we turn away / And say that's just the way things are?" light wants change. he sees the system as "broken beyond repair," something that must be fully taken down and rebuilt into something better, to help people.
questionable implications: again, light is making the assumption that people already live in fear of Evil that lurks the streets, Good Families that need to be protected by the justice system. there is a non-zero number of universes where light fails to get the death note and ends up being a vigilante superhero, istg. he is also making the (descriptive) claim that victims do not receive the justice they deserve, presumably since The Guilty are Freed.
an interesting point there, actually-- justice for light is about the victims of crimes, not the perpetrators of them (who, as we already established, he doesn't actually see as "real people," not the "families" that need to be protected).
the one sympathetic point in all this that i find myself drifting back to is that big about actually wanting to change. he makes quite a good point about not assuming that this is how the world Must be-- i just find it unfortunate that his Ideal World is so horrendously flat.
[Light's Teacher] Your simple arguments have all been made before The world's not black and white The choice not either, or
direct meaning: light's teacher once again criticizes light's arguments for being surface level and overly black and white. i also think his point about light's arguments having, "all been made before," can connect to his previous point about light being naïve, that he simply hasn't had the experience to recognize that his supposedly New, Improved ideas for how the system can be fixed have already been presented and argued against.
[Light] Perhaps it's time we drain the color from within Till we're back to seeing black and white And wrong and right again
direct meaning: light argues back, saying that his teacher's push to see the nuance is pushing the compromise too far, that we are losing sight of some kind of true morality, "wrong and right," by taking such an approach.
questionable implications: not just questionable tbh, these lines are the most terrifying thing light says in the entire song. it's not even an implication either, really, he just says it outright here-- light wants a black and white justice system. he thinks the only way in which true law and order can be established is by giving up on nuance entirely.
i'm reminded a bit of han feizi's approach to crafting ideal legal systems a bit here, like the extremes of Two Options: Punishment (Death) or Reward (Everything You Could Possibly Dream Of/Desire). wonder if light's a fan...
[Light's Teacher] Overwrought pronouncements won't improve the paradigm [Light] Till lawyers cutting deals becomes a crime;
direct meaning: another back and forth between light and his teacher, with light's teacher once again calling light out on his "overwrought pronouncements," his strong, but overly emotionally-driven claims while light points again back to his strawman of the Corrupt Lawyer cutting deals to let The Evil Guilty go free.
implications: it interests me that light's teacher doesn't really argue against light's claims here by saying this image of this Lawyer doesn't exist, but instead keeps pointing to light's emotional state, how he's pushing for this so passionately but not really thinking through any of the greater implications of his claims. you could maybe see this as what makes the teacher's rebuttals less strong, that he doesn't seem to be matching light's passion with the same Excitement to meaningfully combat any of his underlying points, but i actually think this is quite a measured and good response. light isn't thinking very deeply about this, he's pushing from anger and trying to get the class on his side. it's a bit reminiscent of far right strategies-- hitting emotional buttons, getting the Crowd on your side, giving people hard hitting lines with little substance but no time to think it through. light really would benefit from trying to understand his emotions but but, i mean. what else is new LOL
[Light and Ensemble] Let the corporations make the regulations And all go unaccountable when everything goes wrong; Let the rich and famous get away with murder; Every time a high-priced mouth piece starts to talk His client gets to walk; Tell me where is the justice? If there’s any justice;
direct meaning: the ensemble is officially on light's side now, singing behind him as he throws out his criticisms of "the corporations," of, "the rich and famous," who can apparently get away with murder. notably, light is making a Money point here-- it's the rich, the corporate, who are able to get away with crimes.
questionable implications: uhh source?? is light trying to say that O.J. getting away with it means that the legal system has to kill all criminals for justice to be served? (#joke, i know, i know, he's japanese.)
this is where the normative vs. descriptive claims thing becomes really relevant to me. light, on the surface, is making descriptive claims about how the world Is-- that corporations decide what is and isn't justice, that anybody rich enough can do whatever they want, so long as they have enough to pay off a lawyer. and he may not be entirely off about all of these claims!! the problem here is instead to be found in his underlying normative claims, that the way to fix this is through a purely black and white legal system.
light presents this argument like he only has to sell you on the first part, on the fact that the System Is Broken and people can get away with horrible acts if they have enough money. at least in this section, he does not clarify What his justice is, or any of the horrible implications his ideal system to "fix" all of this might have, though he bounds those two points up in such a way that it feels natural to accept both.
this is where i think some people get the idea that light is a Comrade fighting Capitalism or some shit. it's quite easy to see and get on board with his descriptive claims about how broken the world is (feels), but lose sight of his underlying normative claims about how this Should be fixed. light doesn't think the problem is capitalism here, that's something You have to bring to the table-- but he keeps his arguments vague enough here that it's really easy to do so.
[Light] Where is the justice [Students] Tell me where? [Light] For all the victims? [Students] Tell me where? [Light] Where is the justice? What good is law that can’t punish those who break it?
direct meaning: similar points from before. again, light describes justice as something that must be found and given to "the victims" (of what?), calling the law useless for its inability to enact (his view) of justice (or what light thinks justice should be).
[Light's Classmate #2] Politicians make their speeches all day long; While judges pushing pencils mostly get it wrong; [Ensemble] Mostly get it wrong!
direct meaning: same thing, but he adds politicians to the list of those corrupt. the only thing i wanna add here is that the bit about "pushing pencils," is quite a nice bit of foreshadowing. anyway,
[Light's Classmate #3] Instead of loopholes for the laws to fall between; Let some good old fashioned payback Grease the wheels of the machine; [Ensemble] Grease the wheels of the machine
direct meaning: another classmate again arguing in favor of light's ideas, saying that we should drop the loopholes and morally gray areas to get some "good old fashioned payback," instead.
questionable implications: the class is really getting on board with light by this point in the song. note the shift also in the ideas they're presenting-- while classmates #1 and #2 were still mostly focusing on descriptive claims earlier, here classmate #3 points more towards light's normative claims about how the legal system should be. "good old fashioned payback," indeed.
also interesting that the claim they reiterate here is light's point about how the Only way a "victim" of [crime] could ever be fully satisfied or happy again is through this kind of state-mandated Revenge, that The Guilty must suffer/die/be locked away forever in order for The Good to live well. there's a lot of arguments against capital punishment to bring up against this point, but considering the length of this post as is, i don't think i really have the space for that =3=" regardless, i think this says a lot about light's worldview as is.
ANYWAYS. the rest of the song is basically just reiterations of the exact same lines light said before, notably including the lines about "families in their houses," and lots and lots of questioning about where that goddamn justice is. so, to end this off, i suppose i'll interrogate those more general points just a little-- both the title of the song itself, and its core themes in the context of the full story.
"Where Is The Justice?" is such a fascinating way of kicking off this musical, particularly in how it characterizes Justice itself as this lost thing that must be Found, setting up the idea that light himself playing the role of KIRA manages to Become Justice (or, his view of it, anyway). it is also interesting in how it show's light's relationship with the people around him, not only in terms of how he gets the rest of the class on his side by the end of the song, but also how his teacher critiques him earlier on. it's kind of a minor point, but i think that back-and-forth alone really does a lot to set up the space that L's character will inevitably fill later in the story, how he matches light's underlying Passion and Temperament (and lack of any care for deeper morals) in such a way that would lead to their mutual demise.
for all my frustrations with how this song is often interpreted, i actually think this is a pretty decent depiction of pre-KIRA light, at least within this format. my main critique is that i think it may perhaps be truer to believe that light never really comes to these kinds of conclusions until after he gets the notebook, but, hey. you can only have so many songs, and you've gotta start somewhere.
that being said... why do so many people so easily accept this song as a Real and Good critique of the justice system, even going so far as to say that musical light is somehow more morally good or righteous than any other depiction? (a point that i certainly Do Not agree with, if this post has somehow not already made that clear).
i suppose, to me, it all comes back to that normative vs. descriptive claims distinction. people emotionally resonate with the problems that light brings up, the evil that he sees in the world, and in particular his pessimism about the structures around us and questions about whether or not they actually do what they should.
what they fail to see, and what he somehow manages to get away through how carefully his arguments are crafted here, is the deeper implications of his solution-- the dehumanization of The Guilty, his dubious claims about the necessity of such a violent and stark Revenge to make the Good, Pure Victims feel truly safe or satiated, and all the many greater harms that come from such a complete lack of any nuance.
i believe it was @moonlarked who also brought up the fact that, unlike most other adaptations, we don't hear light's internal monologue here, meaning that we're not privy to the same kinds of snark or casual cruelty that light has the sense not to say out loud. in that sense, perhaps this song is actually one of the better depictions to show how light Can actually be quite a charismatic and convincing speaker, so long as you don't think too hard about what he's not saying out loud. (maybe that's why L got so insane about him? lol)
#death note#astronaut rambles#a somewhat desperate attempt to combat some of the surface level takes about this song that drive me crazyyy#which will almost inevitably keep happening but. y'know#i want some arguments/analysis set up regardless#this was actually kinda fun though i love analyzing shit like this. a very high school english class post here#long post#under a cut but still LMFAO#wrote this all in one sitting on a whim lets gooooo we're so fuckin' back#only very lightly proofread rn but whatever i'll fix any major errors later#light yagami#where is the justice#death note musical
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"The Boy With The Thorn in His Side"(x) - The Smiths × 2023 Strollonso moments + pundits' reactions
#baby's first web weave please be kind#frankly i could make a giant masterpost on my opinions on which Smiths songs fit which drivers/ships#i like their music a very healthy amount and I don't spend countless hours daydreaming to it...no....#but this particular song has been haunting me bcs i think it fits them super well!!#with their relationship dynamics and then the way everyone doubts their relationship#though its been hilarious watching the f1tv commentators kind of resign themselves to 'ah well ig this is what AMR/Fernando is like now'#went from being confused and shocked at their on track comradery to just accepting it for what it is#now theyre like 'ah yes lance dutifully lets fernando pass' compared to the previous ouright disbelief and denial#yeah thats right...theyre in love...what are you gonna do about it...#i think one day itd be fun to make a vid comp of all the times the commentators were ?????? at strollonso's lovey doveyness it is fun TO ME#it was really funny to look through shitty articles for negative comments#but the funniest part is that istg all of the articles just quote this one singular man who is hellbent on being a hater#i am in your walls peter windsor.#i think its silly when they bring in 'f1 experts' for their opinions ona drivers motivations and mindset#they act like such armchair psychologists like bruh your degree is probably engineering or journalism calm down!!#hehehe anyways happy with this!! i wrote it out on paper like a whole ass essay draft to brainstorm what to put#and then i scrolled thru the draft while listening to the song and im just EEEEEEE IT FITSSSSSSS#f1#formula 1#formula one#we do a little bit of f1#lance stroll#fernando alonso#fa14#ls18#1418#1814#strollonso#alonstroll#normal posts that catie normally makes in a normal fashion
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some very very quick costume shorthands!
#&juliet#had the absolute luck of watching this live the other night and it was. truly amazing!!! aaah#rough character designs for the younger leads (excluding like the Grown adult duos..) because?? idk#this is how it always starts. once the character designs start getting simplified like this that's when it all begins#which is hmmm timing but i really can't shut up about this musical it was so so fun. absolute vibes and energy#made me laugh and cry and was such an Experience. i adore them all but may specifically made me sob at some parts dfjkldfh#lots of thoughts! but one of the favs is how they wrote it so the existing songs and actions fit so well.#like in a rhyming bit they had frankie accept a drink and then the song was like ''drink in hand'' and i was all !!!!!!#also maybe it's local censorship? but there wasn't the kisses.. they replaced it w kissing hands and then holding hands#which is like a cute nod to the ''hand to hand holy palmers kiss' or smth but also maybe two guys doing that would not have made it past :/#oh my god i. the way rnj parallels the shakespeare duo... whdskjfhgh. may + not being a Girl kdjhgf. frankie and may. aaagh.#angelique being so so badass. i . the speech about Gender by anne and the Proposal by angelique both made the whole theatre cheer love that#also rotating stage lives in my mind rent free i ADORE the set holy moly.. also also the actors were so good. also the Projections.#also the music and costumes and special effects and aerial moments. and the ensemble. and the choreo#also the cast is so talented. and pretty. and the whole confidence part vs the vulnerability of some bits... whshjfgjkl. hhh#im just listing stuff now but it was so vibes. what an experience ever. it's also shot me directly into 14-years-old again so#spent the morning alone vibing to the soundtrack intensely... i just... sometimes things hold special places in your heart idk!!!#i don't know what to do with these designs though... like the show is such a lovely Spectacle but also idk where to branch out by myself no#there's so much to Absorb again and again. i get the feeling any true work from this i would do in a form of an animatic though.. oops#tldr? 1. &juliet very good just as itself 2. we have History 3. i got to see it live which always propels me into bonkers over musicals!#so so rough but i needed to get smth out and . whatever. an art blog is an art blog. back to hiatus now i think#<reminder to myself: this is essentially an artchive.. there's no quality control if you don't want it! have fun!! ily>
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hi hi hello i have been gone forever due to various reasons such as “work” and “mental illness” and “having developed a kpop hyperfixation that has been occupying most of my attention recently” but i need everyone to know that i saw off book live twice last week (in philly with a friend and then in nyc with my girlfriend) and it was truly so everything. i didn’t get many pictures but i did get a few and none of them are very good but one of them is of jess’ amazing stool balancing act and that’s all i need really
#flow of the rings a volcano story i love you forever and ever#tryin’ the musical i love you also#also i asked a question during the talkback at the philly show :]#if it gets released as an episode and you hear someone named will asking about the hedgefrog logo that’s me <3#i want to be active on here more i miss it#i’m thoroughly enjoying being a little unhinged about kpop with my friend bee (the one i saw the philly show with actually)#but it does make a little sad that i haven’t been as fixated on zach and jess lately#they are still everything to me though don’t get it twisted#it’s very much a Special Interest TM so i will probably have other z&j phases#but regardless i do enjoy this silly little corner of tumblr#and i love that pibe has like Actual Fan Content now it’s beautiful#and i AM going to finish and post my malpal fic i PROMISE i just. don’t know when 😭#accidentally wrote an essay in the tags whoops#anyway i can’t promise i won’t disappear again but i’m gonna try to be more active#mine#off book#play it by ear#pibe#zach reino#jess mckenna
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ive discovered so much music looking for inspo for this fic that i might just man up and make a whole playlist for it LMAO
#personal#canary continuity#i dont have a spotify/yt under this alias though#maybe ill just post a list on tumblr?#anyways so... goodbye my danish sweetheart by mitski....#pools by glass animals....#CANARY IN A COAL MINE BY THE CRANE WIVES I JUST DISCOVERED IT#all caged lungs inspo#also probably hadestown music i havent actually listened to it yet#because i kind of sort of maybe accidentally wrote an orpheus/eurydice metaphor for leo and donnie in the follow up oneshot#platonically obviously. i platonic beam love songs i platonic beam greek myths nobody can stop me#and im pretty sure they have canaries as a metaphor for eurydice there....#its perfect. a trek in the dark where orpheus will ALWAYS turn back and eurydice will ALWAYS die#and they do it anyways because they love each other#hi. yeah. this is painfully fitting
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#degrassiedit#zaya#otp: of course i love you#zig novak#maya matlin#my edit#my edits#my screencaps#degrassi#degrassi the next generation#I loved this performance but it makes me sad that despite being in a band together we never got to see them sing a duet#Maya and Cam did#Maya and Miles did and that was a song about killing someone for fucks sake#Maya and Jonah did and they weren’t even dating and it was a song Maya wrote about Zig#but Zig’s musical talents are forgotten after this season even though as seen in Captain Who he was a great singer#Anyway I’m done lol
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everyome scream at me to finish my short paper for my lit class
#writing papers for this class always makes me scared because i want to impress the prof so bad#my last paper suuuuuuucked so i want this one to be good#unfortunately i am considerably more depressed now than i was when i wrote that one#i can do it though…..im gonna make myself 1 million cups of tea and have good music and nice lighting
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So.... as if Tom Riddle wasn't hot enough...
His actor, Christian Coulson, was part of the UK's National Youth Music Theatre????
Which means that Tom Riddle can also sing on top of everything else....
Which means I am unwell.
#I speak#Mara speaks#Tom Riddle#Christian Coulson#Harry Potter#Harry Potter fandom#seriously though#Christian Coulson has an impressive resume#he graduated from Cambridge in 2002 with a first class degree#he wrote the lyrics AND book for a rock musical#it's called “The Fallen” and was performed at Bedford Modern School in 1998#which means Christian was like...19 when he did it? At the oldest?#no wonder he was cast as Tom#even though he was out of the age bracket#I was reminded recently how attractive Tom Riddle was#I'm in a spiral
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