#i wouldn't say this is a QUALITY post

[cogentranting]

The Hunger Games succeeds (and more so achieves sort of mythic effect) because it approaches dystopia through the timeless-- it (and Ballad) brings these universal ideas to a very personal lens and asks questions like "how do we begin to excuse evil in our lives" or "how do you hold on to goodness in the midst of oppression". And because it is so invested in the transcendent it lends itself to very powerful symbols, which give it that mythic feel.

Orwell's books (Animal Farm and 1984) both succeed through a very different approach to dystopia (Animal Farm isn't really a dystopia in the traditional sense but it has a lot of the elements). Orwell succeeds through real perceptive insight into the inner mechanisms of the subjects of his critiques. Orwell has vision that can cut deep into the way that things like propaganda or 'controlling the narrative' work and then, having dissected them, hold those tactics up for all to see.

And I think a lot of dystopias fall short because they get tangled up in the Idea of their story. The "what if" they've created. Either focused too much on the Issue-- too narrowly to be universal, too broadly to be revealing-- or too disconnected from anything genuine. And because they get stuck at that particular point they don't have much more to offer than "wouldn't this be bad?" And if you get a pretty good writer they can make that feel insightful but really it doesn't have much more to offer than whatever absurd YA book comes to mind first when you hear "bad dystopian novel".

[spookythesillyfella]

"This crying voice of mine is so annoying // I suppress the emotion // Break the egg, make it a mess // Fry it, roll it // Look, I've stopped crying"

★ alt verzionz under cut :

★ song : "For you An Empty Shell" – Dobu no Awa

[beastsovrevelation]

I like that Yellowjackets went the "actually, the supposed mental patient is, in fact, a prophet" route.

It's the true horror for Lottie, the Wilderness being real. It's something inside, yes, but it's also a mystical force. It's everywhere. It's the true God (well, Goddess). It's so poetic, I love it. I could write a litany about it. The show executes the "actually, insanity would have been a comfort" trope so well.

I think, the Wilderness is a Lovecraft-level eldritch primordial entity, but folktale instead of sci-fi.

[aroaceleovaldez]

I really dislike the inherent main plots of TSATS and Chalice of the Gods as they’re being explained to us currently, mostly just cause I feel like they take away from already established lore of the series and other plot points.

There is no way TSATS can go that doesn’t make either Tartarus feel cheap and/or the entire book just feel like Percabeth In Mark Of Athena: 2 Electric Boogaloo. Unless the twist is that they don’t go to Tartarus it is physically impossible. Because either they go to Tartarus and breeze through it, which makes Tartarus as a setting feel cheap and ruins all prior instances of it being used as a landscape of suffering, or they suffer Lots and Lots and it just feels like we’re rehashing the same exact plot over again purely for the sake of treating solangelo the same as percabeth, which doesn’t work because they’re vastly different character dynamics and putting them in the same situation has nowhere near the same emotional weights. Also it makes Nico’s original foray into Tartarus feel null because it makes it feel like his trauma doesn’t have any actual meaning, because why would he jump right back into it? Even with Nico’s character being extremely self-sacrificial, we’re at a point where we’re being told he’s improving on that and this is possibly the one circumstance he would think twice about. AND it makes Tartarus feel overused - Nico surviving Tartarus once? Okay, makes sense, he’s the son of Hades, and it’s cool that he’s the first mortal to ever survive it. Percabeth too? Getting iffy (especially since we see their trip in detail and that inherently means it’s lost a lot of potential oomph, because when you’re going for horrifying a lot of the time less is more) but okay, sure, Nico probably gave Percy some Tartarus Tips after being rescued and they had a literal dues ex machina or two helping them out, and they fell in accidentally so it’s not like how Nico waltzed in there. Third time? And it being Nico AGAIN and Will Solace (who as far as we know has little to no quest experience and most of his experience is being a battlefield medic) and then purposefully going there? Nope. It’s just a poor set-up. Plus “the major gay couple goes on vacation to superhell” is a... questionable plot set-up to begin with, especially when it’s been heavily implied it will be traumatizing for them, and we have already been told explicitly that references are being made to things like Call Me By Your Name so there is a self-awareness about the themes there (also that alone raises questions about how we’re going to be taking the tone of things - again, there’s two ways it can go and both would be extremely difficult to get right). If Mark Oshiro were not co-authoring this I’d be a little horrified. I’m very glad Mark Oshiro is co-authoring this. I don’t believe it can’t be done tastefully, and yeah it’s a situation ripe for symbolism, but it is definitely the kind of subject that would be difficult for a non-queer author to handle appropriately.

As for Chalice of the Gods, we know two things: A.) It takes place prior to TOA, and B.) The chalice Percy has to retrieve has the power to make anyone who drinks from it immortal. ..... so basically, without the book even being out, we are told “If Percy had waited like 20 minutes, all of TOA would be null.” Admittedly, this does give justification for Percy specifically to be doing this quest outside of “college” reasons, and in my opinion, “The gods asked Percy specifically because they have verified he adamantly does NOT want to be immortal” is hilarious. However, adding yet another universe mechanic to the repertoire that nullifies death is annoying as hell, because death as a consequence in the series has been completely ruined since HoO. The more avoiding death options there are, the more every death scene feels completely pointless and avoidable.

[namisweatheria]

I LOOOOVED how they adapted this from the manga. For now I get to pretend she killed him after this.

[fiveamandawake]

sigh

[firendgold]

Harry and Lily's motivations and thought patterns can be said to be similar, though, even with how cruelly they were separated.

Harry did not have the chance to be raised by Lily, true. Personality is not solely shaped by genetics: also true. But Harry still shares Lily's stubbornness, cutting tongue, and her strong sense of justice. He shares her belief in the value of sacrifice, even when that sacrifice is personal, final, and has no guarantee of leading to the most ideal outcome. Like both Lily and James, like Sirius and Remus, Harry has no fear of sacrificing himself for friends and family—no fear of dying for what he believes in. He believes in doing things for the benefit of the many, even at his own expense.

This isn't because he's been "groomed" to be that way. It is an innate part of his character from the moment we first meet him in chapter 2 of book 1. It is a part of his character that is clear to characters like Albus, Sirius, Remus, and Severus without Harry ever having to express it in words. It's not an aspect of his character many people like that much, much less accept, but it is a distinct tie between Lily's character and Harry's.

The wizarding world has only a vague idea of who Harry is, and Harry is only infrequently bothered by their opinions of him. His strongest rejection of any role they might put him in is during year 5, when the general public's denial of Voldemort's return is literally threatening his life. But the Ministry and the general public don't have the slightest idea of who Harry is and what he's motivated by—ironically, very similar to many members of Harry's own fandom.

As for Lily's home life, we know that her parents adored her and she had a strong friendship with Severus. But we also know that all was not rosy (no pun intended) in her early life before she grew up and joined the fight against Voldemort. She and Petunia had a rocky relationship which only worsened the more Lily leaned into her identity as a witch. Her first best friend splintered off at some early point during their school years, splitting his time between her and a group of people who thought she was sub-human and a thief of magic. Of the other close friends she may have had, none seem to have outlived her, and she spent at least some of her last days on earth getting news of their deaths.

Lily does not get the screen time she deserves, and much of her behavior is left only to our speculation as fans. But Lily's words and choices in light of the few things we do know about her speak to a deep strength of character, an inflexible sense of right and wrong. Lily Potter is an altruistic woman who is able to empathize with others even without suffering a quarter of the harm that her son comes to experience once she is gone.

Harry was most certainly abused: neglected, treated as less than his cousin, left alone to handle problems no child should have to handle. But I'd argue that these things did not take away his sense of identity, or prevent him from having one; and that it's a common fanon misconception that Harry is either a beaten-down butterfly or a blank-slate everyman.

One of the thing many fans miss about Harry (despite how much his mistreatment is discussed) is that even with the way the Dursleys treat him, Harry does not bend or break before them. A different child might have been submissive, shy, obedient. They might have taken on some of the same ugly beliefs as their 'caretakers'. At eleven years old, Harry is and does none of those things. He is defiant. He is snarky. He is strong-willed, and extremely opinionated, and loyal—though he doesn't fall in line behind the first person with power or wealth or even a winning smile. As he matures throughout the series, these core traits mature with him.

The Harry who sends his friends away for help and decides to face Voldemort at eleven, knowing he will likely die, is the same Harry who goes in secret to face Voldemort at seventeen, knowing he will most certainly die. And he shares this choice, and the belief system it's based on, with the woman who threw herself in front of her killer, her son's would-be killer, and said please not Harry. Have mercy.

Harry Potter wasn't raised to be a soldier or a self-sacrificial lamb. Harry experienced criminal neglect in his early years and realized that no one was going to swoop in and save him when he needed help. He took that to mean that if he wanted something done, if he wanted to help others, he needed to do it himself. By the time he met with adults who did want to help him, and could have helped him, their hands were tied by murderous half-dead men and bureaucratic conservatist systems and discrimination and their own misconceptions of him and a million other things—and that cemented the part of Harry's personality that insisted he must handle things by himself.

And that, acting where others don't or won't, is a choice he makes on his own throughout the series. Harry has plenty of chances to run away from his issues, and a host of people who might have been glad to let him do it. But he doesn't, because he never wants to be a bystander. He never wants to be the type of person who turns his back on the suffering of others—like Wormtail, like the Death Eaters, like the Ministry of Magic. It is a trait he shares with his mother, who could have just as easily packed up and moved clear across the world when Voldemort started terrorizing Britain—but didn't.

Whether they are loved or hated by others, villainized or lionized, both Harry and Lily choose to make personal sacrifices to fight for what's right.

All this to say—I agree with the OP. Harry Potter is not James Potter and he is not Lily Evans Potter either. But I also believe Harry does have some of his parents' less obvious traits, traits which shine through in some of his most perilous moments and give him the strength to overcome his opponents. Still, Harry should NOT be written or interpreted as a carbon copy of either of his parents, because it was Harry James Potter alone who had the personality, the strength, the wisdom, and the selflessness necessary to destroy Voldemort.

Harry Potter is an extremely complex character who deserves actual deep analysis of his choices and character that aren't tied to what his parents said or did or how fans feel about his sacrificial tendencies.

harry potter is NOT james potter.

I love parallels. I love people reminding others of those they've lost along the way.

But Harry Potter is not James . And that is so vital to his entire character.

When people see Harry, they see James. They see a James who sees the world through Lily's eyes. When they see Harry, they don't see Harry.

And that is so vital to his entire being. It's vital to how people see Harry. The people that didn't know James, see the Boy-Who-Lived.

The people who did, who were close to Harry, to James, to Lily. They see James and Lily Potter. They see the people who died, people they were close to, people they miss every day but will never see again.

Remus, Sirius, Snape, McGonagall.

At first, they see James and Lily. And then when they meet him - apart from Snape- they quickly realise he is anything but.

Harry is not arrogant, rich, spoilt. He doesn't have an ego, he doesn't play pranks, he isn't a chaser, he doesn't pick fights.

Harry isn't exceptionally bright at everything he does, he isn't inconceivably forgiving for those who don't deserve it.

He is not Lily and James.

When peole write Harry as a golden retriever, as effortlessly good at everything, they aren't writing about Harry.

Harry who grew up not wanted. Harry who grew up believing something was wrong with him. Harry who was forced into the wizarding world with no knowledge. Harry who is as stubborn as a mule,. Harry who is loyal to a fault, who forgives those he loves, Harry who isn't his parents.

He has traits of them, their anger, their ability to love, and much much more.

BUT Harry Potter isn't them. He isn't the 'best of them both' he isn't James or Lily or Sirius or Regulus.

Harry Potter is Harry. Just Harry.

And that is why he doesn't get along ith Snape. That's why McGonagall believes Harry dragged Neville out for a joke in first year.

When people see Harry, they don't see Harry. And by writing Harry as somebody else, or as 'so-and-so's child' you're not doing the character justice.

'I want a complex character with complex relationships'

'i want an angry character'

'i want to read a book that makes me think'

you couldn't even handle Harry Potter.

[unproduciblesmackdown]

barely alternate version of that billions 4x12 scene

[appleblueberry-pie]

Explaining your First Love to the Yandere's

A/N: "The Yandere's", meaning as many yandere's i think I can characterize as yandere's as perfectly as possible without burning myself out. Also, are the pictures too much?????? Also, I couldn't find a good pic for Sugu without picking the one where he's literally going insane LMAOOO. Love how my semi-debut for my yandere characterization for him is shown w a not so pleasant picture of him(they're all perfect). Anyways, this is probably gonna be my most chaotic, yet organized, post about jjk ever. I have a solid plan and will go through with it. It's friday and this is me "letting loose" before the weekend. Also, the first love story will be pulled from my own experience. With multiple twists to it to make it sound as interesting as possible.

SCENARIO:

"Mmmm. I remember my first love." You hum in a pleasant tone as you start to reminisce events of who you first gave your heart to. "I loved him so much, it was insane. Because....we grew up with each other. We used to be like this." You twist your fingers together, smiling at him as you explain. "He was an embodiment of me, as I was of him. I don't remember a time we weren't friends. I think it helps to mention that our mom's were friends and they were neighbors. So....we've always known each other. He's a year older than me."

You two were out in the park on the grass. He suggested a little picnic together, hoping to bring you two closer so he could possibly make more moves to be more than a friend. But you were so oblivious to it, even going as far as talking of your first love as if you still missed this stupid asshole.

"I still miss him." You go silent for a few seconds and stare down at the checkered blanket, smiling. He gapes a little and resists the urge to scoff. "We both loved playing video games, we watched the same tv shows, went to the same elementary school....a lot of things happened between us. He didn't like me back, though. I confessed to him when I was 9 and he said no." You laugh. "But even then, I still loved him. I still feel it, too. For some reason, my love for others doesn't really go away. Just sits at the bottom of my heart to make more room for others."

You sigh and continue talking about the guy. "He just grew more and more....attractive as I grew up. I am pretty sure he's why I have my type that I have in men currently. He's very tall....a deep voice." You sigh, closing your eyes to remember. "Relaxed, closed off.....I heard him on the phone when our moms were talking a month ago. He sounds....so different. I don't even know what I'd do with myself if I saw him again." In real time, he watched you unravel slowly to show how.....inf*tuated you were with this guy. You were so focused on naming his qualities. As if you could picture him perfectly in your mind.

"I'm so glad we don't talk to each other anymore. I ruined our relationship. Said a few inappropriate things I shouldn't have said at the wrong time. I haven't spoken to him in....6 years. And I'd rather it stay that way, honestly. Because he's a rather boring person outside of his physical attributes. But I have attachment issues." You pick up one of the snacks laid out between the two of you. "Yeah. I'm done talking about him. I would rather not think of him anymore."

YANDERE REACTIONS:

Sukuna:

Sukuna was baffled. Anger, frustration, fear, and even jealousy kept his tongue from moving. He thought this moment wouldn't ever happen in his life. He thought this wasn't a possibility. Your extreme disloyalty to him was what made him clench his hands in anger. But if he rationally thought about this, you don't know. You don't know how much he loves you. How much the Ryomen Sukuna loves you. You were supposed to be his in all lifetimes. He felt like he absolutely knew you were pure. You smelled pure and your energy felt pure when he first met you. So why were you fixing your mouth to say such disgusting and unfaithful words to him as if he wasn't right there?

He wanted to ask you if you've been trying to give yourself to him like a whore, but he knew that was just him overreacting. He wouldn't ever say such things to you, anyways. He wanted to change for you and was trying, starting with these stupid little date settings he knew you loved. A fucking park. And here he was being stabbed in the chest multiple times without your knowledge of it. It was all your doing.

He might be human in this lifetime. He might be nothing but a mere human for you to toy with freely, and he would let you do it to him. But he would never allow a puny roach get in the way of getting what he deserves. He deserves you and he will have you, one way or another. And if that means cutting a small piece of your heart out just to keep the rest, then so be it. He can't have any piece of you in him. Just thinking about him makes another vessel pop in his body somewhere. He will kill this thing.

Kento:

Maybe he was overbearing. He really just couldn't help but feel insecure. There should be no real reason for you to bring up a man from the past. Someone that should clearly be out of your mind. Was he boring? What did that fool have that he didn't? And why did you mention it while you two were on this date??(It wasn't a date, but it felt like it to him) Maybe he was too plain. Men like him were just smokers and loners, of course you'd bring up someone else that can satiate your desire for real love. It's all because he couldn't. Not in the way you want to be loved.

But he knew, he knew that he was enough. He knew he was your type as well, so, what did you mean by he was the type you have in men?? What does that mean for him? Will you use him and throw him away? He doesn't want to be used and tossed out like trash. He wanted to be yours forever. He wanted to be your man. Your man. He wanted to be your lover, your obsesser and the one you obsess over, not that imbecile. He wanted to be skin to skin, he wanted to be under your skin, he wanted to make his mark on you and for you to do the same to him. He deserves your love. But here you are expressing it for another man you haven't even spoken to in over 6 years. He deserves that type of commitment, there's nothing he's done to deserve it this late.

"I love you." The words slip out like oil on water. And it makes his heart oh, so much lighter.

Suguru:

"Heavens. I'm glad you aren't talking with him now." Suguru chuckles and shakes his head, peeling off more strawberry leaves for you. "This is why." He points with the strawberry at the people walking past and then gives you the strawberry. "This is why I don't want you talking with them. They do this to hold you in their clutches, I've seen it." Suguru sighs as he recalls your story in his mind. Jesus, was it trying to hypnotize you? If so, it was working. No worries, it won't be around to mess with your mind much longer.

"They actively lie, they laze around, let their emotions control them, and then try to manipulate you to stay with them to be their stepping stool." He brushes your hair back neatly, and you scrunch your eyebrows at his words. "But I know you're better than him. Better than all of them." He calls out your name and stares into your eyes with a look that makes you flustered. What is his problem?

"You are the light. You are one of the most strongest and intelligent sorcerers I have seen of this time. You hold up your potential and continue to blow my mind with how beautiful your soul is. I am constantly drawn to you and your energy, I never get enough of it. I don't ever want to hinder you and I don't want anyone else to hinder your energy. That's why I will kill that filthy animal that tried to touch you." It's scary, the way he maintains eye contact with you and spits the nastiest insult about the man you once loved with your whole heart.

"I can't wait to get to know you better. You've been teaching me so much. Maybe you can tell me about your favorite nature spots and we can relax there whenever you're free. And sometime later, I could also take you to meet my family. You'll love my two daughters." He laughs lightly, knowing Nanako and Mimiko would adore finally having a real mother worth of raising them. Together, you and him would be unstoppable.

Choso:

Choso was finished with peeling the mandarin for you. You kind of were confused about how he went about doing this, though. Because all over his lap were the smallest bits of mandarin peels you've ever seen. But the mandarin looked perfect. He obviously took his time. He handed it to you softly, smiling. You accept it happily and begin peeling.

He was surprised he didn't rip the thing apart then and there. Maybe be should peel things more often. The way you so freely spoke about your love for another man when your soulmate was sitting right next to you, peeling fruit open for you was preposterous. He needed a hug. A lemonade, had to kill someone, something. But he stopped killing people for you(secretly), so he has to resort to acting like he's peeling off that devil's skin. Starting from where the shiny skin first shows. The first piece is always the hardest to pick off and it's hard to choose where to begin. But soon enough, the color underneath began to show. He slowly picked off every. Little. Piece. He heard a yelp of pain and cries of "sorry's" in his head for every piece.

Every single little piece made the air smell more and more sweet and tangy. The more you spoke, the faster he picked. The stronger the smell was. So citrus-y and delicious. It made him smile. He loved peeling this mandarin. Then picking off white strips connected to the mandarin itself, so that it was smoother and you had no access peel. Like veins, they came off one by one. He simply stared at it when he was done. Smooth, perfect. Scattered remains laying everywhere on his lap.

He's never felt this way before. What were you doing to him? What is this twisting feeling in his gut that makes him want to puke? Why can't he breathe? Why does he want to kill the kids and mothers at the playground not too far away? He needs you to calm him down.

He hates this park.

"Here you go, angel." He hands it to you, smiling. You looked a little confused at first, but then took it from him, opening it to take a slice. "Oh, this looks real nice, Cho. ......Why are you smiling like that?" He shrugs, picking up one of the strawberries you brought from your place. "Like what...?"

Toji:

Toji was silent. The awkward silence he was creating between the two of you made you nervous. He was sitting close to you, leaning over to you, his arm supporting his weight behind your back with your shoulder touching his chest. He was just staring down at the bowl of strawberries. ".....Toji?" Your soft voice made him sigh.

No, he couldn't do it. Killing you won't kill the pain and anger in his chest. This was probably the angriest he's ever been. He wanted to shout at you to apologize for how you were making him feel. But what he really wanted was to feel your lips on his and for you to shut the fuck up. For some reason, every time you open your mouth, it always ends with him degrading further and further off the side of sanity and just going completely ballistic.

You saw his hand on his hip. The hip that wasn't actually his hip, but was his gun he was resting his hand on. He would feel so much better if those shrieking rats would shut up. Fucking rodents running around you two freely like he wasn't about to ruin everyone's day.

He wouldn't say he was often traumatized, but he could've went his whole life without hearing that story. Now he has to find a random man and kill him for stealing your heart. I mean, the least the bastard could've done was reciprocate his feelings and not leave you feeling helpless. "I could treat you better than that dick." You flinch at his words before smiling, averting your gaze as well. "Oh....." He leans in closer to your face. "Where does he live, huh? Is it the prick with the glasses?" "No?" "The one you work with?" "I-I told you I haven't-" "Eh, whatever. I'll find him and kill him." He smiles at your bashfulness and grabs a few strawberries from the patch.

Sometimes he forgets you don't care much for how he says things. If the right message gets across, you usually don't mind how he says it. But he just blatantly threatened to kill him. You grab the leafless strawberries from his hands and begin eating. Nah. You were his, for sure. He sighs and lays down on the blanket, staring up at the blue sky.

Satoru:

Satoru nodded along with your words, his hands trembling. When you smiled, he did. When you sighed, he would, too. And when you finished your story, he had to swallow the thick bile in his throat. You were just....recalling old memories, that's all. Nothing else. He tried to focus on the grass blades he felt through the blanket. He tried to focus on the sounds of the kids running around squealing.

He watched you eat some of the cold grapes he brought you. They were big, and you praised him lightly for finding such a great batch. He nods quietly and stares down at his lap. Everything was fine. You were fine, and so was he. "Satoru...?" Honey dripping naturally in your voice makes his head turn automatically. The worry etched on your face made the strings holding his mind together break one by one. "Are you alright..? You're sweating."

Nothing was fine. He can't believe you just said that to him. Why would you..? Why did...? Why?.....wait, why?? Why??? Why why why why why why WHY would you do that? Why would you say that to him? He sacrificed so much for you. He killed all of the assassins that went after you when the higher ups found out about you and him getting closer. He paid off your parent's debt secretly. He paid your rent. He woke up early in the mornings to talk to you because he knows you like to wake up to see the sunset. He memorized all of your schedules when you have special weeks, special breaks, he memorized all days that you memorized, he knows what mattress you like to sleep on, he knows how you like certain foods to be seasoned, he knows your favorite weather and season, he didn't fucking learn all of this about you for nothing!! WHY don't you ever appreciate everything he's ever done for you? Why don't you notice him? Why don't you love him? He stalks you every day to understand the type of man you would want to live under your roof and be under your covers and that wasn't enough.

He's been so alone all of his fucking life. No one understood him like you do. He couldn't help but open his ribcage, breaking them off of his body to one by one to let you touch his hot beating heart with your cold fingers. He wants you inside of his heart forever and never let you go, can't you understand that? He hasn't slept in three days, predetermining what he was going to say to you during this picnic, and you tell him that?? Just fucking kill him. Kill him, kick his face, spit on him, ruin him like you're doing now. He clearly doesn't matter.

"Satoru??"

He's supposed to be the one you compare playing video games with, he is supposed to be the one you watch the same tv shows with, he was supposed to go to the same school as you!! His skin is on fire, he can't breathe, his mind hurts, the grass blades are irritating his skin and the children are making his migraine worse. Are you saying something? He can't hear you. His ears are ringing.

He wants to be him. He wants to rip open the skin and spine of the man who lived in your soul since the dawn of time and crawl into his body to experience what he experienced. He wants to do all of those things with you as kids and live with you, grow with you, let him be your infatuation. He wants to rewind time. He wants to die. He wants both of you to die and be reborn to be given a second chance he can never ever have.

"Satoru!"

Your face is twisted into heavy concern and slight fear. Satoru sat in front of you, staring at you. He hasn't moved in three entire minutes. His face was covered in bucket loads of sweat, his lips twisted into a tight smile that threatened to break into a million pieces. The corners of his lips wobbled as if he was going to cry, but his eyes were wide open and dry. His legs, arms, and back stiff as he sits in such an uncomfortable position, it had to hurt. You were scared for him.

Can he hear you? You slowly raise on of your hands to touch his cheek and he flinches under your touch, finally blinking. "Yes?" You purse your lips and bring out a cold water bottle from your basket. "Here, maybe you should drink some water." He takes the water bottle you dropped into his hand. "Thank you." He whispers and sighs, twisting open the cap. You watch him guzzle the whole thing in 5 seconds. "......maybe we should go indoors." He nods, closing the now empty water bottle. "Yeah. The sun is hurting my eyes."

No part 2's. Because I don't like continuing old plot and I love seeing people go crazy for me not continuing good content.

[hyperions-light]

Varric's Second: Defining Rook's Narrative Role

"That's why you're my second in command."

Is one of the first things Varric says to Rook in the entire story, and it seems innocuous, on its face; a piece of exposition, nothing more. However, it will define Rook's narrative role far more than may be initially obvious, and tells us some key facts about Rook immediately.

A second, especially in a situation where one may get in a fight (i.e., a duel) is someone who stands for one of the primary participants. They negotiate on their behalf, organize the details, and, in some cases, take over for them should they be unable to continue. They must be someone that the primary has absolute confidence in to represent them.

Now, you know Varric. Liar, Author, Handsomest Dwarf in Thedas. You know what kind of person he is, what he values. What kind of person do you think he'd choose to represent him directly?

There have been many complaints about how nice Rook is, but I submit to you that by placing Rook as Varric's second at the beginning of this story, Veilguard is giving you prerequisites for the sort of person they are.

Bioware has always done this; no matter what else they are, the Warden has to be someone who will accept the responsibility of ending the Blight. Hawke must be someone who tries to take care of their family. The Inquisitor must be someone who, when thrust into a position of power against their will, will step up and take the reins. These qualities are immutable; it maybe that Hawke, the Warden, and the Inquisitor are the kind of people who can save the world relatively alone. Veilguard is telling you Rook is not that kind of person.

On an external level, the reason for this is that if you are going to invest heavily into making the companions lifelike and narratively significant, you have to justify the expense. As many people as possible have to see that content, or the studio is going to call it a waste of resources. If Rook can dismiss them they cannot have major plot arcs, because that's a waste of money.

But diagetically, this problem is solved by Varric's introduction. Does anyone seriously believe that Varric would choose someone to DIRECTLY represent him-- stand in for him morally, physically, and philosophically-- that would abandon their friends? VARRIC TETHRAS, the man who bribed the Templars to stay away from Anders' clinic for years, the man who supports Merrill in her quest to summon a demon, the man who stands by Hawke no matter what-- does anyone think THAT MAN would pick someone to stand in for him who doesn't care about their companions? I think implying he would would have been a gross mischaracterization.

Rook is not the kind of character that would want to save the world alone, even if they could, because Varric wouldn't choose that. They are Varric's second, and that one assertion tells you an enormous amount about them.

This feels like a good place to end for now, and makes this post relatively spoiler-free. I want to talk about Varric vs Solas throughout the narrative in future, so watch this space for links to that.

[alatismeni-theitsa]

"Women only started working very recently so a woman's place is the house-" shut up and feast your eyes at old photos of women from around the world doing physical labor only for them to return home and solely care for 5-10 children and the elderly parents of their husband.

Greek women represent:

These photos show Greek women doing the type of physical labor they would perform more often than not. At the luckiest working conditions for rural women (aka most of the country) they would start working the fields as children and when they got older they would work the same fields with their own babies on their backs.

On the way home from the fields, sometimes the women would carry the wood and the mule would carry the man so he could rest.

Of course, we can talk about the manual labor that is rubbing cloth and metal for hours on end, chopping and carrying wood to light a fire for a large cauldron your size, and stirring it for hours.

But we can also talk about how it wasn't for them to break and carry rocks in baskets for the making of new roads. They would gather salt, olives, and grapes and carry them on large baskets filled to the brim. For salt they carried thirty kilos each trip, doing fifty trips each, stepping shoeless on the grains of salt.

Carrying water was also their job, often moving large barrels with all the water a house of 10 needed upon hills that horses and mules had trouble ascending.

(more photos for salt mining and carrying here)

It's no hyperbole to say these women carried their incomes and households on their backs. "The good she-housekeeper is a slave and a lady" the old Greek saying goes. A "good woman" was a woman who could be strong and work at home and in the field, often described with the qualities of a mule. Men took their wives out in the fields so much that some who were a bit more educated had to make their husbands sign that they wouldn't ask them to work alongside them in the fields! (source in Greek)

Some of these photos are also from 1970. I'm missing a photo from Leukada showing women carrying baskets of the stones they broke, and I'll add it here when I find it.

Basically, women were out of the house forever. A woman who got to stay home and never perform any labor had some type of privilege (wealth, status etc). Same as the many privileged men around the world who didn't perform any labor at all.

===================================

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[beejunos]

UNKNOWN TO ME AND YOU | Alastor x reader

Summary: As Alastor's shadow starts to act strangely, hidden feelings are brought to light.

This wonderful story was written from @lustylita's wonderful idea! The story is completely theirs; I just had the pleasure of putting it into words. Their original post can be found here.

Tags: Alastor x gn.reader, hidden feelings, angst

The last couple of weeks have been very strange to you. 

Well, stranger than the hotel usually was. 

Over the past few weeks, you have helped your best friend, Charlie, with her little passion project. The Hazbin Hotel - your only chance at redemption! 

While you couldn't say that you inherently believed in her dream, you would have been a poor friend if you hadn't tried to help her—emphasis on tried. Growing up within Hell's elite, where someone always handed you everything on gold platters, didn't foster any usable skills that could help run a severely understaffed hotel. The very thought of having to clean your own room had almost immobilised you.

Did you really need to vacuum the walls and the ceilings every week? How did the cleaning staff back at your parents' manor even do it? The manor was huge! 

Thankfully, you had not been forced to clean for long because shortly after Charlie had opened the hotel for business, an unwanted guest had come knocking at the door. Alastor and his somewhat reluctant companies, except for Niffty, who seemed to thrive in the chaos, quickly made themselves at home in the hotel. 

The same night they arrived, you and Vaggie had sat Charlie down in their room and begged the princess not to let the radio demon stay. After all, the tales of his deeds had even reached your family's manor in the Envy ring of Hell. But Charlie had been persistent, saying that maybe by staying in the hotel, she could change his ways. You loved your friend; you really did, but sometimes you wanted to shake some sense into her violently. 

There was nothing you could do about the radio demon and how he just took over many of the work duties you had at the hotel. Waltzing in as if he owned the hotel, he had taken one look at your work and deemed it unsatisfactory. 

"No, no, let me do it, doll!" he would say condescendingly, making rage lick up your spine, "We would want this to be done well for Charlie, now, wouldn't we?" 

You had lost count of all the times you fantasised about grabbing a chair and introducing it to his face. 

He made you feel incompetent, and worst of all, he was right. Most of the work you had done that he had redone was of better quality, more detailed, and better planned. If you had been a weaker demon, you would have given up, apologised to Charlie and gone home to your parents, but so, if the heavens would be your witnesses, you were going to crush that smug little bastard of a sinner! 

And so began your imaginary battle with Alastor about who could be the best executive producer. If you had asked Alastor, he would not have had any clues about what you were doing, only that it finally seemed like you were taking your job seriously. That said, he still did not like you. You were a spoiled little demon brat who had never worked a hard day in your life, and worst of all, you were sloppy with your work. 

But time kept ticking. The days passed, the hotel was filled with new residents, and somehow, you and Alastor were able to work together. Nevertheless, you only managed to do it by never being near each other, which worked wonderfully for you because the man could actually be quite okay when he was silent and on the other side of the room.  

You could have continued to live like this for as long as Alastor decided to live in the hotel. There was just this teeny tiny thing that perplexed you. 

Alastor's shadow liked to be around you. 

It had begun quite innocently with the shadow coming over to you one night when you were sitting in one of the armchairs by the fireplace with yesterday's newspaper in your lap since you had started to do the crossword puzzle on the back of the paper. You had been staring at the same clue for what felt like an hour, and you just couldn't figure it out. Out of nowhere, a shadowy finger had tapped on the clue to get your attention, and when you looked up, two empty holes for eyes had looked back at you with the biggest twisted grin full of teeth you had ever seen. 

"Fuck! Don't do that!" you whispered forcefully, not wanting to disturb the peace and quiet that finally had fallen over the hotel lobby. "What do you want?" 

Prepared to be bothered any second now by the radio demon, you got even more confused when the shadow started doing pantomimes. Why in the seven Hells was it swimming across the wall?

You looked on as the shadow began to swim back to you, tapped on the clue and started to swim again.

"Swimming? But it has nothing to do with activities! It is something about effort," you said as the shadow returned to you. Since it could not speak, the shadow just started to nod its head and tapped on the clue again. 

"Is it a word derived from the word swimming?" you asked hesitantly as the shadow continued to nod. 

You turned back to the clue before you—a word for no effort needed and swimming.

"Swimmingly?" you asked the shadow, who gave you an even bigger sinister smile and nodded again before it disappeared up the stairs. Again, you were left in the lobby with only the crackling fire as a company, looking over at the stairs after the strange entity that was Alastor's shadow.

The next couple of weeks just grew more and more strange with every day. Out of nowhere, Alastor's shadow started to just interact with you. It began as innocent waves to you behind Alastors back, and at first, you wouldn't wave back, but when you saw how sad the shadow got if you didn't return its greeting, you started to wave back to it. On a few occasions, Alastor had caught you in the act, which quickly prompted you to swat the air around you as if you were trying to get rid of a fly.

When the waves weren't enough for the shadow, it started to appear around you, helping you in various ways. Once, it even helped you find some important paper you needed for your job that you were convinced Alastor had hidden from you. 

It turned out that Alastor's shadow was much more pleasant company than its physical part, and you often welcomed the shadow's help with your crosswords during the evenings.

However, you were again thrown for a loop when the shadowed behaviour started to change. It began to interact with you even more, seeking you out during the day and staying for long periods at a time, just hanging around you or observing what you were doing. 

One day, it had even brought you a blueberry muffin from the bakery you liked across town. You had no idea how it had even done that. For all you knew, shadows were not physical things and could not interact with the physical world. However, you were promptly proven wrong when Alastor's shadow took your own shadow's hand and pulled you down the hallway to show you the roses that had started to bloom outside of the hotel. 

It was a paradox, a mystery that intrigued you. Alastor's shadow, a creature of darkness, was surprisingly sweet, charming, and, at times, downright romantic. How could such a lovely thing be attached to such a vile being?

It had been like any other day. Alastor's shadow had found you in your office early in the morning, going through all the paperwork that needed to get done that day. In its shadowy hand, it held one blueberry muffin and your favourite coffee mug with a sleepy bear on it, along with the text Bearly Awaken written underneath. 

The coffee had been divine because, somewhere, the shadow had learned to make a cup of coffee exactly how you wanted it.

You continued with your day in the presence of Alastor's shadow, walking together down the corridor, through the lobby, and out the front door as you chatted with the shadow. You had gotten quite good at interpreting its pantomimes and overexaggerated emotions and often found yourself laughing at any antics the shadow pulled. 

It followed you all day as you walked around the city, picking up the materials Charlie needed for her next exercise with the hotel residents. The shadow even helped you pick out the colours for the ribbons and paints. 

At one point, the shadow's long finger had brushed against yours. It had been a cold sensation, almost like being touched by mist, but that had not mattered to you as you blushed before looking away. Missing how the shadow practically folded in on itself when it saw your reaction. 

Was it possible to date a shadow and not the being it was attached to? 

The sun was setting when you and Alastor's shadow got back to the hotel. The lobby was almost empty except for Husk, who was polishing martini glasses by the bar. As soon as he saw the two of you enter the hotel, Husk leapt over the bar and rushed over to you. 

"I don't know where the fuck the two of you have been, but you need to leave now before he finds out that your back," Husk whispered to you as he gripped your arm to turn you around towards the door. 

"And you!" he said towards the shadow, "What the fuck do you think you're doing?"  

The shadow made a high-pitched whine as it stepped closer to you. You were about to ask Husk what he had meant when a loud voice boomed inside the hotel.

"Where are you?"

Husk's hand tightened around your arm as he started to pull you towards the door. You followed after him, paralysed by action, as a stone of fear got stuck in your throat. The shadow looked at you, then back at the stairs and then back at you again with anxious eyes. 

Loud steps could be heard from the hallway above the staircase, and Alastor's shadow began to be dragged towards the stairs as if by an invincible force. It desperately dug its claws into the ground, and the shadow let out a wailing scream as it looked at you with big, pleading eyes. 

Alastor was calling his shadow back to him. 

The shadow continued to fight the force of its master's call, leaving deep claw marks on the floor, and, as if a gunshot had been fired at the room, the force wholly let go of the shadow. The shadow rushed back to you, where it clung to your body like a second skin. 

"Get back here, you disgraceful thing!" Alastor could be heard shouting as a massive hand gripped the hallway doorframe and pulled itself forward. It was the hand of Alastor's most demonic form. 

Beside you, Husk had begun to shake as his claws dug into your skin.

"You need to run. Now!" he tried to push you towards the door, but it was too late. From around the corner, Alastor stepped from the dark into the light, but as he stepped forward, he shrank in size. Still, he looked terrifying. 

His eyes were a deep red with volume controllers as irises, hiding any emotions he may have had. His antlers had grown in size, sharp and imposing, making the sinner look almost regal as he sauntered down the stairs. 

"Thank you, Husker." he said, his voice dripping in venom, "I can take over now." 

Husk was about to protest loudly when he disappeared in a puff of red smoke, and you were left alone with the enraged sinner. 

"What do you think you are doing?" Alastor snarled as you started to shake where you were standing. A small whine could be heard beside your neck as the shadow clung closer to you.  

"I don't know..."

"I'm not talking to you!" Alastor's look silenced you but confused you for a second before you saw his eyes drop down to your neck, where the shadow hid. 

"Come back here and stop resisting," Alastor snarled again and stepped towards you. The shadow gave away a low whine as it clung closer to your body, and you realised it didn't want to return. In a fit of temporary insanity, you placed a protective hand over the arms of the shadow around you and stepped away from the sinner.

"No!"  

"What do you mean no? It's my shadow," asked Alastor as he looked back at you in confused rage.

"He doesn't want to be with you anymore," you snapped and turned your nose up. You stepped to the side to walk around the sinner, effectively walking away with his shadow, but as you walked past Alastor, his hand shot out, and he tried to grab your arm. But you were faster; with your other hand, you slept Alastors hand away from you and the shadow.

"Will you stop it! Don't you understand that we want nothing to do with you, so just leave us alone!" 

With determined steps, you started walking over to the staircase to get as far away from the deer demon as possible. However, you didn't get far until you felt the shadow clung even more to you as it let out a pitiful sob. Its head had fallen over your shoulder as it looked up at you with longing eyes—a gaze it shouldn't be giving you since you had just saved it from its cruel master.

"What's the matter?" you asked it as you tried to caress its cheek, and out of the corner of your eye, you saw something that you never thought you would see. 

Without a smile and ears hanging low against his head, Alastor looked at you with the same miserable longing that the shadow looked at you with. And that's when you remember something your mother used to say to you when you were a child, a long time ago. 

Our deepest desires, our most precious wishes and longings, hide in our shadows. Everything we want follows us within our shadows as the weights of our souls.  

You wanted to kick yourself for being so foolish, for not understanding until now. Maybe a small part of you had always known, but it had been easy to ignore in your imaginary rivalry with the sinner. But a shadow never lies. Even the ones who can think and act on their own. They will always mirror their owner's heart's wishes and act upon them when the host won't take charge of getting what they desire. 

"You're in love with me," you whispered. It was not a question but a statement—a statement that seemed to hang in the air for an eternity but not long enough. 

“How? What? When?” you asked, desperate for answers.

Alastor walked hesitantly towards you, looked you deep into your eyes and did something you never thought he would do. He kissed your cheek. 

Your breath hitched in your throat as his warm lips softly touched your cheek, and when he pulled away, you could still feel their presence against your skin. As if you were branded by their sweet touch. 

"Come now," was the last thing he said to his shadow as he walked around you and back up the stairs. Alastor's shadow made a melancholic chirping noise before it let go of you and followed its master.

You were left alone in the big hotel lobby. Wishing that it was your lips Alastor had kissed and not your cheek.

PART 2.

I really hope it lived up to the expectations, but I loved writing it! It got a lot more angsty than I first intended...

[acid-ixx]

Ohhhhhhhmisggashoosghhh

I love everything about "before the bell rings"

Such masterpiece such peakness oh my goodkdasssdffrddf. Couldnt stop thinking abt it couldnt stop rereading it its ltrly currently 3:11 am rn i wasnt aware of the time all i know was that i was obsessively drawing this man with your story in my mind my god i couldnt stop giggling and blushing n i had to take few breaks n paces in my room to cool off

HOPE U ARENT TOO WEIRDED OUT

— related post ! (tw: a bit nsfw, non-con kissing)

OHMYGOD. OHMYGOD!!! user luffyadolover you are the gift that keeps on giving because WHAT THE HELL??? more than five sketches of this feral, horny man and HE'S SO HANDSOME ILYSM FOR THIS!!! i'm actually so down bad i had to stare at the last image for a few minutes because YOU DREW THE ENTIRE SCENE SO WELL.

i love the first image, you drew him so well, the slick-back hair and everything!?!? with him looking all so proud of himself when he chooses something for his spouse that they actually really like, as if he didn't just planned to ignore you or to simply hastily choose whichever looks the fanciest; that was the plan until his brain haywires just witnessing the absolute joy on your face every time he picks something right; imprinting the memory of your smile in his brain to the point he sees it every time he blinks— so now it's become his daily mission after falling for you to traverse each and every shopping site and malls in his batcave to ensure you only get the highest quality of gifts. mind you, he is a very dedicated man, bruce wayne doesn't give up so easily.

AND THE SECOND AND THIRD IMAGES TOO !!! with his mask on, you couldn't really tell just how obsessed he is, due to the blunt face he always has to wear, but the comparison of him without; with the stare that speaks of a million promises all dedicated to honoring and cherishing his beloved spouse. he doesn't need wedding vows when his eyes (always almost unexpressive, unable to fully show the full range of his emotions; vulnerable in the midst of worshipping his sleeping, little deity) already presents what your future life would like with him.

it doesn't matter if you're drooling, or butt-fuck naked. if i say he's remembering every small, incoherent detail about how you sleep, what position you sleep in, even the position you bury your head in the pillow, let that devotion cement in the very crevices of his mind and in every corner of his heart. it wouldn't matter anyways that you're sleeping alone, hugging a pillow (that should've been him) now, because soon, you'd be quickly migrated in his bed, in his arms, and you won't be getting out. he'd be too invested in the smell of your hair, the feel of the pudge in your stomach, and the seams of your clothing rubbing against his thighs to even allow you to let go.

AND GOD, THE SKETCH WHERE HE'S JUST LICKING THE SPIT AND ALL?!? my brain is malfunctioning, i'm going insane. this is my favorite fanart of yours so far, i'm so grateful for your existence because you've graced me 😭 i'm absolutely not going to deny the future accusations of me writing for debauched and absolutely feral and/or horny bruce wayne!!! trust me when i'm telling you that he's not only memorizing exterior parts of you, but bruce promises (it's actually just him justifying his actions) himself that he has to remember what the inside of your mouth feels like to fully and properly kiss you before your wedding date arrives, just to establish how much of an absolutely perfect husband he will be for you.

to make up for all his past mistakes of absolutely ignoring you, to ensure you that it's not you who's the problem— it's him and he has to fix it all. he has to guarantee that you won't even dare look at another man; even if it means watching you every night disguised as the bat, then coming home to the manor (your shared home, soon) by the time the sun breaks out of its sleepy stupor, just to dream about what it'd feel like pinning you willingly and taking you all for himself after your honeymoon— how could a man like him stop dreaming about his beloved spouse? how could he control his hands to stop lingering beneath his utility belt just to touch and pleasure his body the same way he wishes to worship yours?

the answer is: you don't. or rather, you couldn't.

so if you ever feel your lips becoming more and more sore every other night, and notice the trinkets from your desk and even undergarments from your closet now missing... well, you'll soon know who the culprit is...

a/n: no, i do not tolerate this behavior irl. once again, pls be aware guys that this is a yandere blog (and i've been writing content like this for years) and i'm bound to write more extreme concepts compared to this. the only element that never disappears from this is that i'm writing under the sub-"category" of soft yandere. that doesn't mean it doesn't stray away from the eventual dub-con/non-con.

once again, thank u so much for the dedication to send me so many good fanarts @luffyadolover 😭🥹, although i may not always reply quickly, i appreciate you and all the other fanartists who spend their time drawing inspired by my content. it's truly an honor, and in all my years of writing, you guys are one of the reason why i still continue to write <333

[charlietheepicwriter7]

Ẁ̴̧̼̟͕̱̜̞͈̩̱̤̺̖̗̌̌̓͒̓͂̇ͅò̸̟̯͂̍̀̈́̂̚ͅǘ̷̢̧͈̦͙̖̼̟̮̯̝͎̒̈́͜ͅļ̴̮̲͈̤̲̣̊̈́̎̃͆̈͆̔͆̑̇̅̋d̷̢̛͈̲̳͕̮̟͍̬͍̪͖̈̄̓̇n̵̳̫̹̥̼̄̊̽͜'̶̢̛̳̘̗͔̯̖̥̝̙̥̲͍̩̝̍̒̎̃̑̅͊̂͊͝t̷̨̧͉̫̠̻͚̣͉͖͐̊̊̀̈́ ̵̦̬̫͐͐͊͑̆̓͆̏̄͆̇́̚͘͠Y̷̨̢̡̱͚̼͚̰̠̱̤̖͍̑͊̉̽́ͅơ̶̡̦̫̬̪̯͎̹̈̍̊̇͛̅̚̚ü̷̜̞͇̳̯̯̺͎̦̠͈͕͕͎̑͒̍̌̅͛́͌̅̃̽̕͝ ̶̡̝͙̟͖̠̯̹̤͖̣̎̋̄͐̂̚͠L̸̠̞͕̳͖̥̩͙̬̰͈̱̩̳̍i̸̫͙̍́̏̎̓͊̌͑ͅk̶̩̞͈̖͔̓̏͘ẻ̶͈̱͇̪̺̬̑̈̂̑̾̐͐̿̌͜?̷̧̭̖̺̻͖̣̖̺̻͂͝

Original Post Storm

The water was slow to rise.

That didn't mean that it wasn't a threat, but it was a slow one. The rain was much worse. Burning upon contact with skin, the rain poured down on Gotham, and left Damian and Grayson isolated from the rest of the family. Civilians scattered like rats under the burning rain, hiding under awnings that were already starting to dissolve and in buildings if they were lucky.

Grayson had taken the initiative to steal a few umbrellas that they used to jump from roof overhang to overhang, the flimsy fabric barely protecting them in the moments under open sky.

Damian tried both his coms again, then his phone. Only static remained. "There's still no signal. Richard, we need to hurry back to the Manor; if Father is in danger--"

"We wouldn't be able to make it," Grayson said, eyeing the streets. Lazarus water bubbled from the storm drains, flooding the roads. They hurried on. "Our tires would melt before we could get halfway to Bristole. There's a safehouse nearby where we can regroup--"

"Richard!" It was hard to see through the glowing rain, but just beyond the building they were hiding under was- "There's a break in the rain in Robinson Park." While the flood was lapping at the grass, not a speck of water fell over the park.

Richard frowned. "That's suspicious."

Damian and Richard, speckled with burns, made their way through the eerie silence that had settled over Robinson Park. Not a sound could be heard inside the park, like the world had gone silent. No other people had made it here yet, and there were no animals around, Damian noticed with a pang of guilt.

Then... a laugh.

His hands quickly found the knives tucked away on his body. "Who's there!?" Damian demanded despite Richard's protests that it could be a civilian. It laughed again with that same distorted quality that Danyal's voice gained in the Pit. "Show yourself."

"I must say! I didn't think you'd make it this far." Behind them floated... a woman. A girl, younger than Damian, yet she looked just like the monster pretending to be Danyal. She smirked. "You're very stubborn."

"Who are you?" Why does she look like-

"Just a friend!" She quickly reassured. "You could say I'm... invested in the continued survival of Gotham."

"So, you know what's happening?"

"I know what's happening, why it's happening, and what you can do to stop it." She floated onto her back, the picture of faked relaxation. "Though, at the moment, I'm not particularly inclined to spill. Sorry."

Damian's grip tightened on his knives. "If you know how to stop this, then tell us," he demanded, his voice laced with frustration and urgency.

The girl—this eerie mimic of Danyal—rolled her eyes playfully, kicking her feet as she floated in the air. "Impatient, aren't we? But where’s the fun in just handing over all the answers? You’re on the right track, though. Keep going, and maybe you’ll figure it out."

"Enough games!" Richard snapped, stepping forward, his fists clenched. "This city is drowning—people are going to die! If you can help, then help us!"

The girl’s smile didn’t waver, but something in her eyes hardened. "Oh, I am helping. You just don’t realize it yet." She flipped upright, hovering just above the ground now, her gaze locking onto Damian's. "You see, big brother, this isn’t just about you or me. This is about Danyal—he’s lost, confused. And unless you do something, he’ll destroy everything."

Damian stiffened at the word "brother," his mind racing. "You’re lying. Danyal is—"

"More than the Danyal you knew," she finished for him, her voice softening with something like sympathy. "He’s changed. Did your mummy ever tell you that she put him in the Lazarus Pit your grandfather has?" Damian could feel Richard's questioning gaze. "No, she probably didn't. Not after he never resurfaced."

"Then... that's the real Danyal?" Damian asked quietly.

She shrugged. "As real as he can be. But he's not the one you knew. Older. Younger. The Pit did something to him, something that made him… different. More powerful, more dangerous."

Richard exchanged a wary glance with Damian. "If that’s true, then why are you here? What do you want from us?"

The girl chuckled, floating closer. "I’m here to make sure you survive this. After all, if you die too soon, the story ends, and we can’t have that, can we?" She circled around them, her movements languid, almost lazy. "The city will return to normal once Danyal gets what he wants. And what he wants, dear friend, is you." She reached out to poke his nose, but Damian slapped her hand away.

Damian’s eyes narrowed. "Why are you helping us? What do you gain?"

She paused, considering the question, before shrugging lightly. "Let’s just say I have a vested interest in keeping the balance. I’m not your enemy, Damian. I’m just… an observer. A guide, if you will."

The rain continued to pour just beyond the borders of the park, the glowing drops hissing as they hit the ground. Damian could feel the heat from the Lazarus Waters creeping closer, the edge of the park growing dim and distorted.

"You said you know how to stop this," Damian pressed. "What do we need to do?"

The girl smiled, a wicked gleam in her eye. "First, you’ll need to survive. The Lazarus Waters will burn you alive if you don’t take precautions. Deeper in the park, you’ll find Blood Blossoms. They are an extinct plant that has power over the undead... and will prevent the water from hurting you. Eat them—they’ll protect you from the worst of it."

Richard frowned. "Why should we trust you."

She shrugged again. "Trust me, mistrust me. It's up to you. But the longer you stand here arguing, the closer those waters get, and the sooner you’ll be dead." She pointed toward the heart of the park. "The Blood Blossoms grow there. Hurry, before it’s too late."

Damian hesitated; all of his training screamed at him not to trust her. But she was right. They really didn't have a choice. With a curt nod to Richard, they turned and sprinted deeper into the park, the eerie silence swallowing their footsteps.

As they disappeared into the shadows, the girl—Dani—hovered in place, watching them go. Her playful demeanor faded, replaced by something darker, more serious.

"Danny," she whispered to herself, a hint of sadness in her voice. "I hope you know what you're doing, Damian Al Ghul. I hope you know what you need to do to save him."

With a final glance at the retreating figures, she dissolved into the night, her form flickering out of existence as the rain continued to pour down on the drowning city.

[uno-san]

Bill Cipher Vs. Self-Hatred

Howdy y'all! Today I just wanted to go over some thoughts I had over everybody's favorite triangle that may or may not have occurred to some of you already. Naturally this will contain Book of Bill Spoilers.

To start off our little essay I thought it would be important to first sum up my thoughts on one of Bill's more complicated relationships: Stanford

Now we've all seen his dynamic with Stanford plenty of times in the show but with recent information coming from both the Book of Bill and thisisnotawebsitedotcom.com more light has been shed on the subject from both Bill's perspective and Ford's.

There's more than meets the eye when it comes to dissecting Bill's interactions and thoughts on Stanford, with the ever enlightening "EVEN HIS LIES ARE LIES" making theorists scratch their heads. Within the Book of Bill are these codes and their meanings: hbh grfwru ri d gliihuhqw nlqg/ zkr zdqw wr pdnh klv sdwlhqw eolqg

eye doctor of a different kind/ who wants to make his patient blind

Qeb alzqlo pxvp/ qeobb pfmp x axv/ tfii jxhb qeb sfpflkp/ dl xtxv

The doctor says/ three sips a day/ will make the visions/ go away

Ixvvb hdwhu/ edeb eloob/ zrxogq'w gulqn/ xqohvv lwv vloob

Fussy eater/ baby billy/ wouldn't drink/ unless its silly

As well as:

Finding out that both Stanford and Bill have a genetic mutation that made them Black Sheep suggests the possibility that Bill saw a kinship within Stanford. After all, he did make the offer for Stanford to join him. No doubt being able to sympathize with Stanford's situation yet misreading his motivations, causing the rift in their once savable relationship once Bill's lies were uncovered.

Now I'll admit it was others who came up with this theory in particular, especially when drawing comparisons of how Stanford was treated and how Bill allegedly was for having a strange eye. Stanford, in some form of other, might represent how Bill was before he saw the destruction of his world by his hands. A mere outcast looking for his place in the world. To be believed rather than ridiculed or "fixed".

Self-Hatred

And now we get to the Bill we all know today:

The chaos loving and nightmare inducing three-sided maniac, who may be hiding more insecurities than he ever let on in the show, thanks to the Theraprism.

Someone far more traumatized

Who's had to convince himself to fully be the bastard he is today

But if the theory that Bill had a type of kinship with Stanford thanks to their mutations was true, then wouldn't it be possible that his relationship with someone else might represent the inner struggle with himself?

For you see, the original title of this post was...

Bill Cipher Vs. Stanley Pines

As my own theory is that Stanley Pines is what Bill decided to project his self-hatred on. Nobody can doubt that the two have similar qualities, yet as I read the Book of Bill and thisisnotawebsitedotcom I couldn't help but notice the absolute malice that Bill has for Stanley whenever he's mentioned.

There have been many opponents before that have strived to take Bill down. Whether that was the Shaman, the Anti-Cipher Society, or Time Baby, none of his interactions with them have appeared as vitriol as compared to Stanley.

Not even Stanford has this same reaction, who, by really no contest, was the closest to ever defeating Cipher by himself. Both with the gun that he near successfully killed Bill with and the secret of the barrier of Gravity Falls he refused to give up. Bill didn't even have a real interaction with Stanley until the last episode.

Yet it isn't Stanford that causes Bill to break while he's in the Theraprism. It's Stanley.

"-A resume-inflating, cheap trick loving, past-denying overgrown child protected from failure only by a force field of DENIAL AND shamelessness!"

"Self-pitying"

"Stupid"

"Smug"

"Hack Jokes"

"UNWORTHY"

Now it could be just me, but those are a lot of specific insults to fling somebody's way that you've barely interacted with. Especially if Bill credits the Twin Swap to Stanford entirely as opposed to allowing Stanley the credit.

"STEP RIGHT UP, it's time to play my FAVORITE GAME!! BOOTLEG SIXER over HERE spent a LIFETIME trying to hide his humiliations, BUT I'VE BEEN INSIDE HIS MIND, so NOW they’re ALL YOURS for the low low price of BEING MY NEW PAL! ITS SHOWTIME FOLKS, AND THE ONLY WAY TO LOSE IS TO BE NAMED STANLEY PINES!"

“SHAME:TM - IT'S THE ONE FRIEND WHO NEVER LEAVES!”

This out-of-character hatred doesn't come from the fact that Bill thought Stanley wasn't worthy, it comes from the fact that Bill sees himself in Stan. Who by all means is a lying and conniving screw up. Somebody who let his family down.

This could possibly be proven by the poem Bill had wrote about Stanley:

The whole poem suits my point but I decided to highlight the sections that caught my eye specifically. That when you put into consideration Bill's clear trauma and regret about the Euclidian Massacre, his own words can clearly be flipped back on him.

That he sees himself as a curse and a mistake. A self-made monster. Someone who's left the past behind when the loss of his home is still on his mind.

And what truly gets under Bill's skin about Stanley Pines?

"He got his life and family back.

His big break, it finally came,

Redemption from a life of shame"

Stanley got back what Bill can't.

[minus-plus-zer0]

Tattoos

♡ Genre: Fluff ♡ Pairing: Bakugou x Reader ♡ Tags: Established relationships, aged up

Many Japanese establishments didn't look too kindly to those who publicly wore tattoos, so Bakugou never thought of getting one. He's always surprisingly straight-edge like that. But you often wondered to yourself what Bakugou would look like with tattoos running across his biceps and forearms, or even against his back. It wouldn't hurt. He'd look great leaning more into his 'bad boy' aesthetic.

One day, when you two were at home together, you pulled out a sharpie and snuck up on him while he sat on the couch. Naturally, he eyed you with great suspicion.

"What the fuck are you doing?" he said, immediately on guard.

"Nothing," you said, sitting down next to him and pulling off the cap.

"You're fucking doing something!" he cried. "You're definitely doing something."

Bakugou got defensive, ready for any kind of horrible assault you could unleash upon his pure, innocent self.

"Relax, Katsuki. I just wanna see your arms."

"Perv." He perked up with a smirk. "'Course you wanna see my arms. You always wanna see my arms."

You pinched his cheek and he wriggled out of your grasp. "Could it kill you to be humble for once? I'm not a pervert, I just thought it'd be super cute if you got some new tattoos!"

"Hold it!" He grabbed both of your wrists. "What the fuck are you gonna draw on me?"

"Oh honey, I didn't think that far ahead yet. But trust me, it will be very pretty and very, very you!" You nuzzled his nose.

He glowered at you, unmoving after your nose assaulted his. But he couldn't say no to you after that eskimo kiss, it was so cute it could've been illegal. You knew this and weaponized your cuteness regularly.

"Fucking fine," he said, freeing your wrists from his iron grip. "But only the arms. And I'll be watching you." His eyes narrowed into slits.

"Who me?" You looked at him innocently and totally oblivious to whatever could've made him suspicious of you. "Don't worry Katsuki, I'll be gentle..."

"Sure you will."

You soon got to work, your ideas soon taking form. Bakugou adored how the artsy side of your brain worked on his body. Regardless of the quality, he enjoyed seeing you could decorate his arms with your vision. Without you pranking him or drawing anything absurd, this felt a little intimate.

Your hands moved quickly, sharpie running across the hard sculptures of his bicep and forearms. Your black designs accentuated his muscles, and your non-drawing hand loved feeling up his arms as you curled up on the couch beside your man.

Bakugou just watched you. Less like a hawk, and more lovingly. You looked so pretty with your head tilted down, focused and deep in thought. He kissed the crown of your head just to distract you. You ignored him and persevered.

"All done!"

Your design was simple yet long, curly in all the right places. It really emphasized all the right contours of his muscles. Bakugou flexed his arm and turned it around, checking it out.

"Not fucking bad," he said. "Seriously thought you were gonna prank me again."

"I couldn't pass up seeing you with some tattoos," you said. "You'd look hot with tattoos all over."

"Perv." He poked you on the nose, giving you another lopsided-grin. He cocked his head. "You just wanna draw all over me, is that it?"

"Aw come on, can you blame me? I'm a little artist."

"No, I think you got the right idea. Gimme the sharpie, I wanna draw something myself..."

(I'm in a writing rut so I haven't been posting a lot lately but I will post more fics within the upcoming days!)