#i would like to see someone who looks like me more often

[storm-and-starlight]

okay I really love this take on it, and I'd like to add in two more possible factorsI could see as influencing this: 1.) the modern increase in popularity of fandom/fanfic and former fic authors and 2.) Sturgeon's law.

The first one is bc fanfic is very often directly based off of a visual property -- if, for example, I'm writing Doctor Who fic featuring the Tenth Doctor, then I'll probably do my best to directly convey David Tennant's particular physicality because it's such an integral part of the character, which in prose often translates to detailed descriptions of how he's moving in every instant, and that carries over to other characters in other fandoms. If you transfer from fandom/fic-reading/fic-writing to original fiction, it makes sense to me that that habit would also transfer (eg: the problem I have with trying to convey emotion and thought by describing where the characters are looking in every single paragraph bc I'm so used to thinking about How This Actor Conveys This Emotion, and gaze is big in acting but not so much in prose), and generate that same focus on character actions without describing their interiority, as well as that over-description of every little movement.

The second one is "90% of everything is crud". Out of every category in existence, for every really good example you're gonna get a bunch of bad ones -- unless you have some kind of gatekeeping process in place. (To be clear: gatekeeping = bad) This was the reason I was once given for why fanfiction was seen as "low quality" for so long: trad publishing had the publishing house screening through submissions and pulling out the ones they thought were bad, so only the 10% got actually published. Since the barrier for posting and sharing is so much lower on the internet and there's no one going around rejecting fanfic for "not being good enough", you didn't just get the 10%, you got all of it, from the incredibly crazy good stuff to the bottom of the barrel. I bring this up bc lately, it seems like self-publishing is becoming more and more popular (to be clear: THIS IS GOOD), which means that you're getting less of the screening publishing houses used to do, so just. more of the crud slips through. There have always been absolutely terribly written-books (pretty sure "crucifix nail nipples" (if you don't know what that is the story is on thebibliosphere 's blog) predates this trend and. uh. well.), we're just seeing more of them lately because it's getting easier and easier to share you're writing without someone else deciding if it's "good enough".

A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

fascinated by this article, "Turning Off the TV in Your Mind," about the influences of visual narratives on writing prose narratives. i def notice the two things i excerpted above in fanfic, which i guess makes even more sense as most of the fic i read is for tv and film. i will also be thinking about its discussion of time in prose - i think that's something i often struggle with and i will try to be more conscious of the differences between screen and page next time i'm writing.

[authorpanda15]

PROXIMITY

↳ katsuki bakugō x reader

a/n: this was just supposed to be a small blurb, but it turned into a whole ass fic halfway through!!! wtf!!!

imagine forced proximity with katsuki bakugō...

-> katsuki didn’t like you, and you didn’t like him; his abrasive attitude clashed with your personality. and yet, you were a recurring presence in each other’s lives...

-> the two of you often found yourselves butting heads whenever you had to work together. he wished he didn’t have to look at your face so often, but your agencies kept pairing you two together. “you work well together,” they said. katsuki didn’t miss his agent whispering that you’re “the only person who can reign him in.”

-> as he's wrapping up his shift, katsuki receives a text from eijirō— affectionately saved as “shitty hair” on his phone— inviting him out to drinks and food with the group and for once, he accepts. after the day he had, he could use a drink, or two. but as he steps into the restaurant and finds his friends extras, he thinks that he’ll need more drinks than that when he sees you sitting at the booth.

so not only do you two have to work together, you also have mutual friends. great.

the once lively atmosphere at the table had slowly simmered, with a terrifying tension taking its place. mina, denki, eijirō and hanta would have to be completely tone-deaf to not notice the way you and katsuki stared daggers at each other.

eijirō, always amicable, was the first to speak up. “so... I take it you and bakugō know each other?”

you confirmed with a small nod, making the conscious effort to keep your eyes trained on the redhead. “our agencies thought it would be a good idea to work together.”

“ooh, that must be fun,” denki added, glancing at you and katsuki, the latter scoffing at his enthusiasm.

“if by ‘fun,’ you mean ‘I need to take pain relievers at the end of every shift because a certain someone has never heard of an inside voice before’,” your eyes flickered towards the certain someone in question; he’s already glaring at you. “...then, yes; I’ve been having a swell time!”

“the only reason I yell is because you don’t listen to me,” katsuki said, pointing an accusatory finger at you. “I swear, it’s like you’re deaf.”

“hearing loss is often caused by loud noises— now, who’s fault would that be?”

“yours, because the second you get off shift, you shove your earbuds in and turn your music volume all the way to the max!”

“music is the only thing that soothes me after working a shift with you! maybe if you had something to calm you down after a day’s work, you wouldn’t have a stick up your ass.”

eijirō attempts to interject. “guys—!”

“what’d you say to me?”

“hey, I think the food’s coming!” hanta suddenly announces to the table, which turns everyone’s attention to the waiter coming their way, balancing multiple orders on a serving tray.

you and katsuki simultaneously slump back into your seats without another word, prompting the rest of the table to breathe a sigh of relief as the waiter starts placing down plates of food.

the rest of dinner was uneventful compared to earlier. thankfully, denki and eijirō managed to bring the mood up— bless their hearts. drinks were shared and stories from the past were recalled, all the while you and katsuki remained mostly silent.

once dinner came to a close, you followed the group out of the restaurant as they discussed each other’s schedules— possibly planning when they can all hang out again.

you can’t help but wonder if they’ll invite you next time. you’ve no doubt made a fool out of yourself, acting so hostile and vulgar at the dinner table. but it’s not your fault! it’s his... isn’t it...?

you feel a sudden weight on your shoulder.

“what’s up? you look bummed,” denki said, titling his head to the side as he leaned against you.

“I, uh, I didn’t mean to start shouting back there, it’s just...” bakugō gets me so riled up... is what you almost said, but you decided to hold your tongue after a second thought. “...nevermind. I just, I hope I didn’t make dinner uncomfortable for the rest of you.”

denki patted your back and offered his signature grin. “don’t be so uptight! it’s all good!”

you exhaled, relieved he didn’t cause you to make a fool out of yourself, when denki suddenly leaned in close and whispered in your ear, “between you and me, I also think kacchan is a bit of a prick...”

“you say somethin’, dunce face?” as if he sensed he was being talked about and materialized behind you, katsuki’s presence suddenly towered over your’s.

denki yelped and cowered behind you, partially hiding his face in your shoulder. “protect me...!”

you tilt your head upwards to look at the blond not currently clinging to you. “you’re paranoid. we were just talking about dinner, that’s all.”

katsuki rolled his eyes at your reply, but didn’t argue.

for once.

later that night, after you made it to the comforts of your home, you received a message.

[puckinghischier]

i’m having soft quinn thoughts today and i have to shout them from the rooftops so everyone else can suffer with me.

but i absolutely cannot stop thinking about how quinn would always want to spend time with you, but feel guilty for how occupied he is during the season. every second of downtime he has is spent watching game film in your living room, studying tactics and plays. not that you ever complain. you’re content simply being in the same room as him, not taking for granted any amount of time you can be in his presence.

quinn’s attention is always half on you, no matter how hard he tries to focus. he steals more glances at you than he cares to admit, worried that one day you’ll get sick of sitting in silence while hockey occupies the space between you. but you never do. you keep yourself busy scrolling through your phone or reading the most recent book he bought you, never uttering a complaint. he’s tuned in to every fidget or movement you make, not wanting you to remove your always cold feet from under his warm legs to occupy yourself with something—or rather someone—better.

it surprises him that you never do. you never utter a word, not wanting to disrupt his work. every so often he’ll catch you looking back at him during one of his ‘quick’ glances, absorbing the warm smile you give him. sometimes you’ll quietly ask him if he wants anything from the kitchen when you stand to go fill up your water cup, but seem content to simply sit there with him as he mumbles to himself, jotting down notes as he watches.

tonight, he can’t help but notice—during his million and one glances at you—that your eyes are glued to the tv. your phone is laying, locked, in your lap, eyes following the puck as it’s shuffled across both screens from player to player. your body’s subtle reactions to the game aren’t lost on him either. the twitch of your foot anytime someone shoots the puck, the raise of your brow when a player on either team scores, the hitch in your breath anytime the two teams start to fight.

you can feel his eyes on you more than usual tonight, his (not so) subtle glances lingering longer than normal. you turn your head to meet his gaze, brows furrowed and a puzzled look on his face.

“what?” you whisper, flitting your eyes between his own and the tv, not wanting to miss any important moments.

“are you watching the game?” he looks at you like you have three heads.

you giggle in response, amused at his expression and surprised tone of his voice. “yeah, kinda. don’t really know what’s happening, though, if i’m honest.”

there was never a home game of quinn’s you missed. you went to support him every time you could, and loved seeing him in his element. but you can’t even pretend to understand the sport past each player wanting to get the puck into the opposing net. you didn’t understand the positions, the penalties, or anything surrounding the ins and outs of professional hockey. you never watched it growing up, and probably still wouldn’t watch it if you weren’t dating the captain of your new city’s team.

you had moved to vancouver for work, and knew nothing of the prominent hockey culture before you arrived. the sports presence buzzed all around you as you figured out the ins and outs of your new home, but it had no place in your daily routine. that is, until you hit it off with this insanely attractive stranger that seemed to frequent the same coffee shop as you. you accidentally cut him in line one day, offering to pay for his coffee to make up for it, but he paid for yours instead. a ‘pay it forward’ war was started between the two of you until he was stood waiting at the door with your usual order one morning, requesting more than just a name and the fact you drank a large, vanilla iced coffee with chocolate syrup lining the cup every morning.

when he realized you were likely the only person in the city he now calls home that doesn’t know who he is, it only piqued his interest in the pretty coffee shop stranger further. the morning meetings at the shop turned into an exchange of numbers, which developed into him meeting you for lunch on your break when he was in town, that then escalated into dinner dates and spontaneous outings, and now it’s found its permanence in you moving in with him a few months ago.

you were…indifferent, when he revealed to you who he was and what all his career entailed, uttering out a simple “oh! that’s cool! makes sense why you’re always at the gym, now” later explaining that you thought he was just really into fitness and maybe worked as a personal trainer or some equivalent. when he first invited you to games he tried to tell you a little bit about the rules, but assumed you’d catch on as you watched (hopefully) more and more of his sport. you always told him how much you enjoyed watching him in his element, but never asked many questions past if the other team was supposed to be good or not. he assumed you understood enough to keep up, knowing how intelligent and observant you are, but he tried to refrain from talking about work too much with you. when he’s with you, he wants to be present with you, not hockey.

which is why he feels so guilty at times like this, watching film while you’re sitting next to him. it feels like you’re two people who happen to be in the same room, completely in your own worlds. until tonight.

“you…never watch the games with me. you always have a book or something,” he reaches over to pause the game, still a little shocked.

you shrug at him. “didn’t feel like reading tonight. not really anything new on my socials, either. so i figured i’d just watch with you for once.”

“and you weren’t gonna say anything?”

this earns a real laugh out of you, not understanding why this is such a big shock for him. it’s not like you’ve ever told him you don’t like hockey. you just have never really cared to watch it if isn’t the one playing. but you’ve been wanting to learn more about it recently, tired of not being able to participate in the games like the other women do when they’re watching their husband or boyfriend play.

“why would i? you’re trying to work, i’m just trying to learn a little bit,” you reply, the hint of a laugh on each word as you say it.

quinn just blinks at you, trying not to get his hopes up at your expression, not knowing just how far you want to go with your quest for knowledge.

“since when do you want to learn about hockey? why now?” he questions, trying not to sound accusatory or snarky, but genuinely curious as to what you’ll answer.

“i’ve always wanted to learn, ever since that first game i went to, but you don’t seem to like to talk about it outside of the rink, so i don’t really ask much. me and google have become very good friends as of late,” you shrug out another answer for him. “plus, when you’re watching games at night like this, i don’t want to keep talking and asking a million questions while you’re trying to work, so i force myself not to watch to keep from distracting you.”

quinn sits a little straighter, now worried he’s made it seem like hockey is this forbidden subject between the two of you.

“sweetheart, i don’t like talking about hockey outside of the rink because i don’t ever want you to think that’s all we ever talk about, not because we can’t talk about it,” he tries to defend himself, even though there’s no accusation. “if you want to learn about the game, please, ask me questions. i- god, i’d love nothing more than to teach you about it. i hate sitting here in silence every night i’m home, worried you’re going to eventually get pissed at me because all i do during the season is watch old games.”

you grin at his slight panic, endeared by how worried he was about your feelings this whole time, appreciating his intention with the unspoken rule.

“q, i never asked about it because i didn’t want you to be upset because i kept bringing up work when you’re away from it all,” your smile only grows at the fact you were both worried about upsetting the other for no reason at all.

the slight tension in his shoulders fades at your words, relieved that you’re not upset or feel like he made it seem like you had no place in that part of his life.

“alright, well, fire away, then,” he gives you the floor, pressing play so the players on the tv screens move once again, now glancing at you every few seconds to catch any looks of confusion or interest in any particular play or action.

the rest of the night is spent playing and pausing the game over and over again, question after question flying out of your mouth. anything from why the faceoff is from a certain spot on the ice to what a particular penalty looks like is spoken the second the thought enters your brain. quinn takes his time explaining every answer to you, even rewinding and pulling up other examples to make sure you understand what he’s telling you.

at the end of the night he realizes just how much more he caught of the game while answering your questions. there’s several times you picked up on things he never has before. like why one player seems to always place his stick so close to another player’s skates while he’s chasing him. or why a certain goalie seems to lean left everytime instead of right, no matter where the puck is coming from.

he’s been able to add several tells about players in his notes, ready to take them to practice the next morning and change his game to accommodate his opponents habits. and when they win their game a few days later, thanks to your observations during the impromptu hockey 101 class in your living room, he revels in the fact that even though you know so little about his sport and his job, you ended up being one of the biggest parts of their success.

from then on, the nights of sitting in silence while he studies film are nonexistent. every time he brings work home with him, you’re right there next to him, enthralled in whatever opponent’s game they’re facing that week. he loves that you’re so observant, paying attention to the smallest of details someone who’s been playing for years becomes blind to. and he really loves turning you into a bottomless pit of hockey information, seeing how you absorb each ‘lesson’ from day to day.

when they break through their slump, a big part of that accredited to your nights spent questioning quinn, and he sees you start really participating in his games, he can’t help but fall that much deeper in love with you. watching you scream and complain about bad calls with the rest of the fans in rogers arena, and reading your texts to him about your thoughts on his away games you watch on tv, swells his heart in a way he never thought to be possible.

plus, he always knew it was only a matter of time before you fell victim to the hockey atmosphere of the city. no one can really resist the pull of vancouver hockey, especially not when it’s captain has anything to do with it.

[yuikomorii]

Shu-Yuma because their friendship is the most engaging in the series, yet idk if it still counts as mere friendship, given that in DF and LE it was sort of implied that Shu feels something more for Yuma.

I saw this interesting point you made, I’ve played both games repeatedly over the years and have honestly never thought of it as anything much what’s presented surface level. I’m intrigued by your comment and would love to see what points in routes could be used to back up such an interpretation? :)

p.s you converted me into ayato stan ;P

// Hello there, fellow aNYAto stan! >:3

In my opinion, Shu seems to have feelings for Yuma because he is overly obsessed with him and his well-being, to the extent that he does things for Yuma that he doesn’t even do for us, the players.

Of course, he does feel guilty, but even Shu admits that feeling such remorse is unusual for him, and he's right.

We know Shu is a sadist who enjoys torturing his prey in grotesque ways, so why doesn’t he regret what he did to the previous sacrificial brides? Why doesn’t he regret hurting his own brothers? He sometimes doesn’t even feel remorse when he’s hurting you/Yui. But when it comes to Yuma… Shu would sacrifice ANYONE for him.

This guy must have some kind of built-in Yuma radar, since there’s no other way to explain how he always manages to find him. He willingly goes out of his way to save him and doesn’t even care if he looks pathetic, as long as Yuma is safe, even in routes that aren’t his own, where he’s supposed to be a lazy and apathetic loser.

Not only that, but Rejet had to make him commit sui€ide and then say the “I hope we will get along in another life 🥺” part. What makes it even crazier is that he’s reincarnated as a fetus from the Tree that Yuma later decides to adopt. Basically, his wish to be on good terms with Yuma was so strong that it literally came true. When Shu dies in his own endings, he never says anything as emotional or profound, which is a bit… questionable.

Last but not least, you know how the apple is supposed to symbolize Edgar? It almost feels like Shu was trying to hint something, but when Yuma didn’t catch on, Shu was just like “Yeah… nevermind.”

All translations belong to dialovers-translations

While I understand that he might consider him a "best friend," it feels obvious that, deep down, Yuma holds a more significant place in his heart than anyone else. The way he fixates on Yuma makes it seem like their bond goes beyond mere friendship, with Yuma being someone irreplaceable and central to his world.

I know that BL themes would likely never be included in Diabolik Lovers, given the backlash such elements often receive in otome games. As a result, everything is left open to anyone’s interpretation! :3

[piccola-sola-e-triste]

this is true and QPRs are awesome, but I also think this should be true for romantic relationships. That's a very toxic thought. Romance would greatly improve too if people stopped seeing it as something you need but rather something you choose. Looking for someone to fill the void in your soul like they're some kind of craftsperson who can and should complete you is so problematic. I wouldn't want to get in a relationship with someone I need, but rather someone I want, because with the first one I will always end up in codependency.

I still personally think QPRs are way better because the dating pool still goes for people who want someone to complete them, someone they need and that needs them. Whilst queer platonic dynamics often work around the idea that the most important feelings inside the relationship are platonic.

Just like love languages, you need more than one to feel loved, the same goes for the types of love. But (typical) romantic relationships mainly focus on romance, oftentimes excluding platonic love from the equation, and to me that's a toxic component of it. My relationship with my family greatly improved when I realised they could be my friends, it made it so much easier to try and build something that wasn't entirely familial (it also made me realise some family isn't worth your trust or time). And every romantic relationship I had or wanted to have I also looked for a friend in that person.

This is what I think is great about QPRs. All of those things are their foundation.

I think this community as a whole needs to realize that QPRs as a concept get a million times better when you stop seeing them as something you need as an alternative or substitute to romance and instead as something you choose when you meet someone you genuinely really like. They are optional and you gotta stop seeing it as romance-lite when it's really friendship-premium

[ishaslife]

Love and Deepspace:

Caleb Trailer Breakdown

Okay, so, I was confused on the trailer for a while and honestly a little put off at the whole "villain" vibes I got from it. But... I feel like there's something deeper going on here. Just hear me out:

"23rd Neural Control Experiment"

Pay close attention to the word, "Neural," to do with the brain and the nerves, as well as "control." Then, we see him struggling.

He's moaning and groaning, almost as if he's trying to fight against it. He looks like he's pain and then suddenly,

He's fine, he's IN control. His whole demeanour changes momentarily and all the lights around him come to life, it's not chaotic anymore. Until,

He wakes up, as if from a dream, absolutely terrified. He's sweating and scared, he's almost relieved to realise that it was a dream. But... What if it wasn't? I have always bought into the theory that Caleb and MC were brought together as a part of a bigger experiment by Ever, to test their evols and how they would get along.

Caleb has always been experimented on to better suit the needs and purposes that Ever plans to achieve with him and MC. He is being mind controlled by Ever, it's a "Neural Experiment" after all, Ever is trying to gain control of his thoughts and feelings, to make him detach himself from the MC to be able to use his telekenisis/gravity manipulation evol more effectively. Caleb seems unaware of this, he thinks that all of this is a dream when it's likely not. It's a result of all the poking and prodding Ever did in his brain since he's been a child. And Caleb's feelings for the MC are so strong that he's always able to fight against it, even if he is aware of it.

Ever blew up their house, likely because they thought that if MC knew that Caleb is definitely dead, they'd be able to keep her away from Caleb and keep Caleb away from her, making it easier for them to manipulate his brain to their liking.

Caleb is a sweet guy. The moment I saw him in the game, he was instantly the "protective-older-oppa-niichan" archetype. And this sudden shift in him in the trailer made me feel... Strange to say the least. It was absolutely jarring. I don't think he's evil, I think he's being made to think he is evil.

The still from the trailer below; it shows what is likely his apartment and everything is boxed up, it's almost as though this is from the day he moved to skyhaven or a few days after.

(side note: it's kinda cute that the only thing he unpacked is that photo of, what I assume is, him and the MC on the left.)

This is most definitely the past because,

He still has the necklace and he seems as soft as we know him to be, he caresses the necklace with care and in memory, almost as if he's consoling the MC like, "I'll never hurt you, don't worry." (And well, also just because he misses us and wishes she was with him.)

And then, this beautiful dream-like scene, almost from a memory changes into something far darker.

It's as though he's not himself anyone, he's someone who has been twisted. Ever has succeeded and it's up to us to make him remember again.

To add: the apple symbolism. His art and his motifs are often littered with apples and snakes, snakes are often seen as symbols of seduction, betrayal and most importantly: duality in most world mythologies and the apple, it's quite literally the seduction and fall of Eve/mankind. Even the snake, the devil takes the form of a snake when trying to seduce Eve to eat from the tree.

Perhaps the snakes at meant to represent his duality, and Ever as they are the reason for his duality in the first place. Meanwhile, the apples: his fall orchestrated by Ever. Ever is the devil and Caleb fell for their trap, unknowingly just as Eve did.

[mysoftboybensolo]

Things I Don't Understand of Audiences Reaction of Nosferatu 2024

Complaints of how this is a ripoff of Dracula, and I am like, of course it is! The original 1922 film is the most famous ripoff in the history of cinema, but it is also one of the best ripoffs ever. Maybe know your history just a bit.

Why are people saying that Ellen dying was stupid or unnecessary? Firstly, that has been the ending in the 1922 and the 1979 film, this wasn't just anything Eggers pulled from nowhere. Secondly, people don't seem to understand that the Gothic genre never not one that allows it's characters to walk away unscathed, whether it is physical damage or mental damage. Blood is demanded, and hardly a truly happy ending is found, at best a bittersweet ending or at worst an ending where everyone is unhappy. I think not only is it true to the films this one is based on, but also the only satisfying ending. Ellen wouldn't have been truly happy if she had survived, because she still will be a seer, she will still have darkness looming inside, and Thomas is either incapable or unwilling to accept it. He's belief that killing Orlok will bring a reset to everything, even bringing Ellen back to how she was before, but the Ellen she was before was still suffered. He brushes aside her nightmares without comfort, he doesn't take into account how she views their marriage (when she insists that she doesn't need material things but he acts as if he knows better), and when she tries to express her suffering, he would prefer her to suppress it. She would never be truly free, but to die doing a good thing, to have control over her death the way she didn't in life, it's an empowering end, if bittersweet.

People complaining about the pace of the film, saying it starts off fine but then drags in the middle? I think the film flowed wonderfully, there was never a moment when I was thinking how much longer to the end or felt it rushed in the story. I personally cannot wait until we get the extended version, but I am happy with how it came out.

Where are people getting "Orlok groomed Ellen" from? Grooming is when someone goes after a minor and gets them to be emotionally attached to them for a long period of time in order to achieve some sort of goal (often times sex). People have been saying Ellen was a "literal child", but we don't know that for certain. Yes, Ellen described herself as a child, but it seems that the term child is used more as a synonym of "inexperienced" or "young". Also, we are not sure how old any of these characters are. If we were to go by actors ages as guidelines, Lily-Rose Depp was 24 when filming this, and all we get in between the first scene to the present day is merely "years later". That can mean two years or ten, we cannot be sure. And while Lil-Rose Depp can look younger than her age, no one better try and say she was playing a 12 year old or whatever in that first scene, because there is no way you can convince me she is as young as that. Also, Ellen hadn't been emotionally attached to Orlok between the years to make it grooming. I can make a better argument of grooming in another famous Gothic movie the 2004 "Phantom of the Opera" then I could with "Nosferatu".

Listen, this movie won't be for everyone, that is fine, but what I have an issue with is saying people are dumb or evil for thinking Ellen x Orlok is interesting/has romantic elements to it. One person commented on another's post about saying that the cast are dumb for seeing this as a love triangle, especially Lily-Rose Depp for not seeing Ellen as a victim. The director, who also wrote it, wanted this version to play up the Death and the Maiden themes, that was their vision, and I don't think it's right or fair to say they are dumb because the original movie wasn't a love triangle. If we were to be really anal about it, so many pieces of media we have we wouldn't be able to enjoy because it's origins are not the same. Sorry Disney's Hunchback fans, you can't enjoy the happy ending because the original was a downer. Sorry Wicked fans, it's nothing like "The Wonderful Wizard of Oz", so it shouldn't be enjoyed. See how ridiculous it sounds? You can debate if whether or not they managed to achieve their goal, but you can't deny that was the intention and say people are dumb for picking up what they had intended.

I also feel that it's quite hypocritical of people to say that the relationship between Orlok and Ellen is evil and creepy, but then go off and say that the scenes where Friedrich has sex with Anna's corpse as "romantic" and Thomas' couch scene as "hot", when both deal with dubious/no consent at all. Just admit it, you are fine with dubious stuff so long as it's a hot guy doing it. The couch scene was quite uncomfortable for me, Ellen is clearly not in her right mind, even if not by some kind of possession, but emotionally, and it didn't sit right what Thomas did. I am not saying he raped her, but she wasn't in the right mind space to have this be a passionate moment. And he wasn't doing because of love or passion, he was doing it because he didn't like hearing Ellen say how he couldn't please her like the Count could. We had seen what they are like when they are in a good head space and the feeling mutual, as we saw in the den of the Harding's home. I feel like this scene wasn't meant to be a hot and sexy moment, but a incredibly distressing moment when two individuals are acting at their worst.

I don't understand how people feel that this film isn't a feminist film. I've seen people claim that the movie shames Ellen and that her not finding out how to stop Orlok is robbing her of her agency. Here's the thing, yes, many characters shame her for what she feels, but the narrative doesn't. As the audience, we feel sorry for her, feel bad for everything she is going through, and given the time period, of course there would be many people (mainly men) who will shame her passions or deny her darkness in favor for a more "womanly behavior". We are meant to see how the human world would never understand Ellen the way Orlok would understand her, why she would have called out a force that is inhuman, because humanity has turned her away. What's fascinating is that Ellen has control of Orlok, being able to call him, speak to him as an equal, and get him, a powerful centuries old being, to admit that she is his affliction, his weakness, and in the end, it's proven right. This mortal woman is able to defeat a supernatural being, all the while him loving her, how is that not awesome and feminist?

In regards to her finding the cure; true, in both the '22 and '79 film, Ellen figure out on her own what needs to be done to stop Orlok, but that doesn't mean '24 Ellen isn't smart or in charge of her own actions. We've seen Ellen say what the future holds multiple times, so it isn't crazy to believe that she would have seen what her fate would have been as it drew closer, and her need to talk to Von Franz read to me as her knowing the cure. When Ellen walks Von Franz to his home, she says that she knows what must be done, and they work together to make this happen, with him promising to keep Thomas away. Out of all the men, Von Franz had been the only one to take her feelings and thoughts seriously, and he does so here, including her in the plan (where Thomas had refused her to help), even giving her the chance to be stop Orlok without interruption. He isn't denying her agency, he's keeping others at bay so she can be the hero.

I like the moustache, just like a Romanian nobleman would have had, exactly what the director wanted. After leaving the theatre, my friend and I were discussing the film, and of course the design of Orlok was brought up, and she said "I liked it, especially the moustache, very Vlad the Impaler". She isn't a massive Dracula fan but she understood what was the inspiration behind it. Y'all are just uncultured swine.

In the end, I love this film, and wanted to just share my two cents.

[fear-is-truth]

i don't know if you've already done this (if you have, i haven't seen it), but, how would the evans do with a girlfriend with a high sex drive? how many times a week, how many rounds, etc. i don't know if some of them could keep up-

-🫐

⋆𐙚 ₊ the evans x nympho!gf .ᐟ | nsfw. mdni

ft. tate langdon ‧ kit walker ‧ kyle spencer ‧ jimmy darling ‧ james patrick march‧ kai anderson

i love this idea sm anon, kissing ur brain rn mwah

⟢ 𝐓𝐀𝐓𝐄 𝐋𝐀𝐍𝐆𝐃𝐎𝐍.

tate wouldn’t exactly be keeping a tally, but he’d totally match your libido. it’s like he’d been waiting his whole (after)life for someone like you, so he’s not complaining. three times a day? no problem. repeat the same routine every day of the week? sign him up. he’s got nothing but time.

he’d thrive on the attention. tate’s got a lot of insecurities, and having someone who genuinely wants him that much? it’s a massive confidence boost, even if he doesn’t admit it. he’d also loves that it’s your idea most of the time—takes the pressure off him and makes him feel wanted.

verdict: several times a day, so it’s honestly hard to account for.

rounds/stamina: probably 2 rounds per session when he was alive, very clingy afterwards. as a ghost he can’t physically burn out, and he’s just as clingy so you’re in luck.

notes: tate wouldn’t just indulge your high libido—he’d love it and go along it.

⟢ 𝐊𝐈𝐓 𝐖𝐀𝐋𝐊𝐄𝐑.

kit walker is 100% a giver—like, he’s all about making you happy. if you’re a nympho, he’d try his best to keep up. (plus he’s a horny mf too..)

sure, he might get tired after a long day at work, but if you look at him a certain way or tug him towards the bedroom, he’s done for. he might jokingly tease, “darlin’, you’re tryin’ to kill me,” but he’d always be down to fuck, no questions asked.

he’s so husband about it. he wouldn’t just go along with your needs—he’d cater to it. need him to be sweet and slow? check. want things a little more kinky? he’s on board. he’s the type of man to always check in with a soft, “this okay for you, baby?” and genuinely mean it.

he’s probably in awe of your energy. he might be embarrassed the first time he realises how…enthusiastic you are, but once he gets used to it, he’s all in. he’d see it as a sign of how much you love and trust him, which melts his heart every time.

if an “oops” happens, he’d take full responsibility and raise the baby with you lol.

while he’d try to keep up with you, there might be nights when he’s genuinely exhausted from work or parenting duties. in those cases, he’d pull you into his arms and offer a compromise: “how ‘bout i cuddle you tonight, and tomorrow, i’m all yours?” he’d always want to make you feel loved, even if he’s too tired to fully match your energy.

overall, kit would be so sweet and attentive, completely willing to cater to your needs while cherishing how much love and (spiritual + physical) connection you bring into his life.

verdict: he’d love to indulge you as often as you want, but realistically, it would average 6-7 times a week. kit is a family man who wants to make you happy, but he also has a job to manage.

rounds/stamina: 2–3 rounds per session. kit is physically fit and has great stamina but wouldn’t push himself to exhaustion. his priority is making sure you’re satisfied first and foremost.

notes: kit is all about making you feel loved and satisfied, but he’s also very attuned to your comfort. you guys might unintentionally add a new member to your family if you’re not careful—just saying lol (just hope you don’t get snatched by aliens)

⟢ pre death .ᐟ 𝐊𝐘𝐋𝐄 𝐒𝐏𝐄𝐍𝐂𝐄𝐑.

kyle spencer is the definition the golden retriever boyfriend—sweet, attentive, and always eager to make sure you’re happy (in every sense of the word).

as a frat boy who’s physically active (probably from intramural sports, he’s not a gym bro but still works out), kyle’s got the energy and endurance to keep up with you. if you’re in the mood, he’s down. and he’s definitely very thorough about making sure you’re satisfied—he lives for the gold-star boyfriend role.

there are definitely times when he’s more focused on studying or finishing up a project for class. during those moments, he’ll be sweet about letting you know: “babe, i have to hand in this paper tonight. rain check?”

he’s the kind of guy who’ll compromise, though. he might take a quick break from studying to give you some attention (a quickie or blowjob, depending on time), then dive back into his books after.

post-study reward ! if he’s been putting you off all day, he’ll make it up to you later with extra enthusiasm. kyle’s not the type to do things halfway, so when he does finally focus on you, it’s all about you.

verdict: 4–5 times a week. kyle is sweet and eager to please, so he’d do his best to keep up, even if it means sacrificing some of his study time.

rounds/stamina: 3–5 rounds per session.

⟢ 𝐉𝐈𝐌𝐌𝐘 𝐃𝐀𝐑𝐋𝐈𝐍𝐆.

jimmy has a naturally high sex drive and would match your energy without much hesitation. growing up in the freak show, he’s not exactly a stranger to their… unconventional lifestyles, so he’d embrace your enthusiasm wholeheartedly. “you wanna go again, doll? yeah, i can do that.”

despite his willingness, jimmy would draw a hard line when it comes to anyone else at the freak show getting involved, especially knowing how open and uninhibited the other performers can be about their sexual escapades. while he doesn’t judge them for their choices (cuz he low-key used to be like that), he makes it crystal clear that you’re his and only his.

as for elsa mars, jimmy knows how manipulative she can be and how far she’s willing to go for her ambitions. he’d be paranoid about her trying to use you in one of her schemes, especially after what happened with penny. he’d warn you about her, telling you to steer clear of any “favors” or “opportunities” she might offer.

he’d prioritize your needs above his own, even if it left him worn out. he’d take your super high sex drive as a challenge, always wanting to prove himself capable of keeping up with you. and he’d probably brag about it just a little.

verdict: 8–10 times a week. easy, no problem.

rounds/stamina: could keep up for least 2-3 rounds in a single session, especially when he’s well-rested. however, if he’s had a long day or is emotionally drained, one round might be all he has in him.

⟢ 𝐉𝐀𝐌𝐄𝐒 𝐏𝐀𝐓𝐑𝐈𝐂𝐊 𝐌𝐀𝐑𝐂𝐇.

james patrick march is the definition of indulgence and excess, but he’s also a man of particular tastes and high standards—so an energetic, nympho of a partner would definitely be met with mixed feelings.

he’s indulgent, but not always approving: james would absolutely adore the attention and relish in how much you crave him—it would feed into his ego and his possessive streak.

however, he’s also a man of control, and your frequent advances might make him pause. “my darling, while i am most flattered by your… boundless enthusiasm, even i must draw the line somewhere.” (sometimes a man just wants to murder his hotel guests. let the man indulge in his hobby)

he’d appreciate your eagerness, but he’d always make it clear that he sets the terms. if he’s in the mood, he’ll more than rise to the occasion and keep you thoroughly occupied.

oh, when he decides it’s time, he’ll absolutely make you regret pestering him earlier. james is nothing if not thorough, and he’d turn your enthusiasm into a marathon session (picture that scene with the countess… yeah). “now, my darling, this is what happens when you beg a man of my caliber for attention.”

verdict: depends. i’d say at least 10 times a week if he’s really obsessed with you.

rounds/stamina: unlimited, technically. he’s a ghost and doesn’t have the physical limitations of the living. however, he might limit himself for your sake.

notes: james would enjoy your enthusiasm and entertain your requests pretty often. however, he’d insist on keeping things “in moderation” and not letting it interfere with his other pursuits (murder)

⟢ cult leader .ᐟ 𝐊𝐀𝐈 𝐀𝐍𝐃𝐄𝐑𝐒𝐎𝐍.

okay, let’s be real—kai absolutely has the stamina to keep up with a nympho gf. dude’s wired on adderall and his own ego, so when he’s into it, he’s really into it. could probably go all night if he’s in the mood.

here’s the thing: kai’s got a lot on his plate—councilman duties, plotting world domination, a cult to run. so if you really pushed him, interrupted his plans one too many times, or just kept teasing him when he was trying to focus? he’d make you pay for it later—like, to the point where you can’t walk straight for days.

smug as hell about it too, tossing out things like, “maybe next time you’ll think twice before being such a needy little bitch, huh?”

but if he’s in a petty mood—or just wants to watch you suffer—he’d force you to hump his thigh while he’s not lifting a finger to help. or even outright forbid you to even touch yourself…and the bastard would enjoy every second of it.

but he’s not completely heartless, not when it benefits him. when he’s too busy to fully cater to you, he’ll let you sit on his lap and cockwarm him while he’s working at his desk. it’s his way of keeping you close while staying focused on his agenda.

if kai has a rare moment of downtime, you’re all he’s thinking about. he’d probably find your enthusiasm flattering (in an “of course you can’t resist me” kind of way) and give in with a casual, “alright, i’ll let you tire yourself out on my dick.”

verdict: 3–5 times a week. sometimes more. he’d only indulge your high sex drive when he has time and isn’t busy scheming or running his cult.

rounds/stamina: 3–4 rounds on average, but on rare occasions, he might go 5–6 rounds in one night just to prove a point.

notes: he’d alternate between indulging you until you’re begging for mercy and withholding just to torture you. a shitty boyfriend but the sex is bomb.

[rekino2114]

Makima’s (and really anyone else you could see this ask working for) reaction to her finding her Male S/o sad after he was told by someone (I dunno who, you could decide) that she doesn’t truly love him, and that she’s just using him for her own gain, and that when she’s done with him, she’ll just discard him, and him believing what they told him.

Makima comforting you

Makima loved you. She knew that for sure. After all, you were the person who made her feel love and emotions. You changed her completely from an emotionless and cruel devil to.....a person, her love was the least she could give you to repay you for that.

She would gladly tell you how much she loved you every time you wanted, and she already did so very often, while cuddling, watching movies, and just when you were alone in her office. The words "I love you" just spilled naturally from her mouth whenever you were close to her because it was the pure unfiltered truth. She loved you with all of her newfound heart.

And you thought the same, you thought she loved you just like you loved her, even after telling you her true identity you still loved her, you knew you changed her, you saw her cry and smile for you, just like she said you changed her and made her a person. You loved her and you believed her.

But even you can't fully control your emotions, and so even if you didn't know it, a seed of doubt had already started to grow in your heart. Was she just using you? Manipulating you like everyone else? Maybe she was even using her powers without you realizing it. You didn't think those questions often, just when she was what makima was truly capable of, usually against someone who hurt you. In those moments, you remembered that she was still a devil, someone who could and would kill without hesitation. Sure, she basically only did it for you now. But you couldn't help but wonder if that was just her lying to you so you would stay loyal.

But you still loved her and all of the moments spent with her, those moments when you could feel the pure love coming from her words and touch, far outweighed those thoughts, so you decided to believe her and to continue loving her as you always did.

That was until a conversation you had with kishibe. You didn't know him that well, but you knew he was an incredibly strong devil hunter and that he knew of makima's identity. You two didn't talk much (mostly because makima didn't like him too much), but you had occasional conversations when she had to talk with him and brought you with her.

During one of these conversations, makima had gone away to take care of something, and you stayed with kishibe while he got drunk and started talking to you. It was more like a one-way conversation since you stayed silent because of the awkwardness but you still heard everything.

He called her a devil, a monster, and said that she was just using you for whatever plan she had now. Just like every other person in her life, he said you were nothing more than a dog for her, maybe one cuter than others, but still just someone she'll kill once she's done playing with.

You knew that it wasn't true, it couldn't have been, makima loved you, and you wanted to say that, but inside of you, the doubt grew larger. You knew that no matter how much you didn't want it to be true, there was still a possibility it was. And the mere thought destroyed you

"Is everything alright, darling?"

You looked up to see makima looking at you. Her eyes made you stutter a bit, but you still answered

"Y-yes don't worry"

She stared at you again and paused the movie you were watching

"Are you sure? You don't seem ok"

She got closer and grabbed your hand, making you flinch, which made her even more worried

"You never flinch when I touch you.....please tell me love, what's wrong?"

You avoided her gaze as a bit of sweat feel on your cheek. You were scared, and makima could see that

"Please y/n, you're my boyfriend, I love you, please tell me what's wrong"

Your silence and growing worry made her eyes widen and her grip on your hand tighten

"Was it someone? Do you need me to.....take care of someone?"

That last sentence pushed you over your limits, and you looked down and started crying, taking your hand off of makima's and putting it over your face

"Y-y/n!"

The control devil quickly went near you to hug you, but you pulled back and continued crying

"W-what's wrong y/n? Why are you crying? I-i-"

Looking at you crying and denying her help filled makima with despair. She hated this sight, but most of all, she hated how you kept pushing her hugs and attempts to help away.

".......y/n.....please....tell me"

Her voice wavered....something you had rarely seen before. You moved your hands out of the way of your face and saw her staring at you again but this time you noticed something that not even makima herself noticed. Her yellow eyes were tearing up

"...................makima?"

She immediately perked up at hearing you speak

"Yes, darling?"

"Do you.....love me"

"Of course I do, you're the most important person in my life"

".......Really?"

"....where is this coming from?"

"I......I've just been thinking"

"About what?"

"You I guess"

"Hm?"

"You told me you used to manipulate people to get what you wanted right?"

"Yes but that was before-"

"How do I know you're not doing the same with me?"

"........."

"I know you love me, you have to. I refuse to believe that you don't......but I'm scared of being controlled and blinded by my love for you........please be honest......do you love me?"

Makima wiped her tears a bit and sighed heavily

"To be brief....yes....but it's a lot more than that"

She looked at the ceiling and continued talking

"I don't think I started living as a person until I met you. You gave me a soul a heart and made me feel love, the love I feel for you is far greater than anything I could describe, it's a need, to continue living I need to love you and I want to love you, you're a wonderful and amazing man, you made a devil like me feel emotions so you have to be. I hate my previous self, and for me to never become that again, I need to love you. Y/n you made me a human, and I will always be grateful for that, I will repay you with my eternal love. I will never ever abandon you or let anyone hurt you. Because I love you, that is the truth"

When makima looked back down and opened her eyes, you immediately hugged her, she was a bit surprised but wrapped her own arms around you and pulled you closer to her chest

"I knew it.....I knew it was true, I love you too makima, so so much"

".......thank you"

"No....thank you....you cried...that made me understand you could feel emotions...and love...thank you for clearing up this doubts inside me"

"........I cried?.......I didn't realize it"

"Oh?"

"Sorry I must have been distracted by you.....but I think I know why I cried"

"Why?"

"Because you cried.....and pushed me away... I hated that.....being unable to comfort you...and not being with you it's horrible.......I can't live without you"

".....sorry"

"No it's alright You had doubts and that's understandable, especially because it's me... it's alright if you doubt me again but know I will always love you no matter what"

"Don't worry, I'm 100% sure you love me now after that, I....want to be with you forever too"

"...that will happen y/n I'm sure of it"

You two got closer to each other and kissed, makima smiled at you and pulled back before kissing you again multiple times

"Thank you, my love, I'm glad for your existence and your love"

[stinkysam]

Choi Subong “Thanos” - No winner.

Warning : drug and blood mention, talking about dying, stress

Genre : fluff / angst

Synopsis : You get anxious after the mingle game and Thanos tries to comfort you in his own way.

Reader : male (you/yours)

A/N : bold is in English. // I said (to y’all in my head) I wouldn’t write for squid game or Thanos but this fic came to me as I tried to sleep. Not as great as how I imagined it but it’s because I had to wait a day to write it. Don’t expect more fics for this fandom, this was an exception.

You knew Subong since you were kids, before you even got to school and even before his interest in rap. But despite this, you always had an on and off friendship over the years. Constantly arguing and separating only to come back to one another after some time.

His extravagant personality could often clash with your introverted one, and things got even more unstable between you two when he started his rap career and it got only worse with drugs.

He never asked you for money though, even after he lost everything, knowing you too had money troubles.

You didn’t expect to see him here, you knew he had lost all his money because of that YouTuber, but you didn’t think that man would’ve gone after your friend. You felt a bit relieved to see someone you knew, though the last time you saw him, you two had a fight. It was your fault. You said, a bit too tactless, that ‘it was stupid in the first place to listen to some random guy on the internet and trust him with all your money.’

He had only appeared for a few seconds on the giant screen, putting his vape in his mouth, before it showed someone else. You looked around you, trying to make yourself a path to find him amongst the hundreds of people in the room. You spotted his purple hair and called him, as he turned around and saw you, his eyes widened.

“My man !” He exclaimed, raising his hands in the air, walking toward you. “What are you doing here ?!” He asked, grabbing you by the shoulders, shaking you and then hugging you.

You weren’t really surprised, you’d often argue and leave mad only to see each other the next day and act as if nothing happened.

Since then, two days had passed, and by the third you were at your limit. The mingle game was over, Namgyu and some other player walked out of their room while you and Thanos walked out of yours.

“Welcome back, my friends.” Thanos said loudly, and Namgyu followed with a “Skrrt.” as he joined you two.

You sighed as you looked at all the blood splattered on the floor, you noticed a few players slipping on the puddles, making you sick to the stomach.

You all walked back to the lobby as they announced the imminence of the next vote.

While you waited, Thanos was sitting next to you, talking animatedly with Namgyu who acted just as energetic as him, you could tell the pills they had both taken were still doing their magic and the more you heard them talk about what the next games could be, the more you zoned out, spiraling.

There were three games left, and so many people were alive. Sure, a lot of them would die, but it won't be enough, right ? They surely won’t let a large group of people out of this place, so the games will probably be deadlier, and you know you won’t survive three more games.

You were the only one on the side of the room who had voted X, it was on your chest since the first vote. You looked at Minsu who eyed player 380, you knew he wanted to vote X like you, but he seemed too scared of Namgyu and Thanos to do so. Minsu seemed to look up to her, maybe he she voted X he would too ? But how could you make her vote X ?

So many people have voted O and all of them were dead set to keep on voting the same thing.

You felt even more trapped than you already were. Your heartbeat was increasing as you frantically tried to find a way out of here, to win, to escape somehow, looking around at whoever. Would he vote X ? And her ? And them ? No, maybe him ?

Namgyu saw you looking everywhere and gestured to Thanos who placed a hand on the back of your neck, stopping your thoughts.

“What’s going on my brother ?” He asked loudly, voice devoid of any stress or worry.

All eyes slowly turned to you. You looked at Thanos, the blue O on his chest. He never got mad at you for voting X, knowing you wouldn’t change your mind, you were as stubborn as him.

‘We’re all gonna die’. You wanted to say, but nothing came out. Instead your breathing got louder as everyone’s focus remained on you. Fuck, fuck, fuck, fuck. You’re never gonna get out of here alive.

“Bro ?” Thanos called, his other hand going to your cheeks, squeezing them in hope for a reaction. “You there ?” He leaned closer, his eyes scanning yours but instead of giving him a reaction you just stood up and left, walking and climbing to your bed before hiding under the thin blanket.

Thanos looked at the others, they were as surprised as him but said nothing, they had already caught on what was going on.

“The fuck ?”

After a few minutes you heard someone approaching, climbing on your bed and laying next to you. You already knew who it was ; Thanos.

“What’s wrong, man ?” He asked, shaking you slightly. “Sleeping your anxiety away ? You’re still doing that ?” He laughed, remembering the time you admitted why you took so many naps.

You don’t respond.

“Come on, what’s going on ?" He nudged you again and with the lack of response he wrapped an arm around you, pulling you closer just to annoy you, he knew you wanted space, but he wasn’t going to give it to you.

“What’s bothering you ?” He held you tightly as you shifted, trying to pull away.

Finally, you gave up and poked your head out from the sheet, looking at him with a glare.

“Subong, we’re gonna die.”

He raised an eyebrow.

“Woah, full government name.” He chuckled.

“It’s not, and I’m serious. It’s logical, so many people are still here, 001 kicked your ass in a second and he’s still alive with his group, with two marines, we can’t all survive, why would they allow that, only a handful if not just one is gonna survive and it’s not gonna be-”

“I’ll protect you. Don’t worry.” He said with a smile, confident in himself as he patted your head.

“You really think you can win.”

“It’s the rules, if we survive, we’re free. And debt free.”

“What if the rules say we have to make teams of two ?”

“I’ll help you win. I went with you in the mingle game, remember ?”

“But then we have to play against one another and the loser of the two dies.”

He stared at you before smiling and replying.

“Well, I guess you die.” He wiggled his eyebrows and booped your nose with his finger.

You rolled your eyes, unamused and turned away.

“I told you, I’ll protect you.” He added, snuggling closer to you. “We’ll survive, you’ll see.” He closed his eyes, relaxing with a smile.

“Can you let go of me ?”

“No.”

You rolled your eyes, moving your foot to kick him, only for him to kick you back.

“Shhh, accept the affection of the great legend Thanos.”

“Yucks.” You replied with a chuckle.

[aesethewitch]

Loopholes

Thinking about general versus specific spells and loopholes in magic today…

I find that general spells are often less effective than spells that are really specific. Or, at least, a general spell’s effects are more difficult to measure than a spell with specific instructions and expectations.

Leaving spells general also leaves room for loopholes. Now, depending on the paradigm you’re operating from, loopholes may not be an issue. But they can cause unexpected and sometimes unwanted side effects, or cause the primary desired outcome to manifest in a way that isn’t ideal.

For another example, consider if you cast a spell for someone to take a romantic interest in you with no specifications on the type of person you’re looking for. That coworker you don’t particularly like but who already thinks you’re neat is likelier to form romantic feelings for you than, say, the unattainable hot guy whose name you don’t know and with whom your only conversation is “Would you like that small, medium, or large?”

This, in my paradigm, is because those connections either already exist or they’re stronger. You know that coworker better, they know you better, and you have more ties than the hot barista you see once every three weeks.

If you want the barista’s attention and not the coworker’s, it’s important to specify that — to close the loophole.

I always think about connections working against me, too, when I’m doing magic. If a person who hates me is the primary interviewer at a company I’m interested in, I have to account for their rancid opinion if I want to get that job. I have to do extra work to either get around, rewrite, or disconnect the existing connection in order to increase the likelihood of a favorable outcome.

My partner and I are currently looking at buying a house (yay!). Our area is pretty expensive, and very affordable homes tend to be… well, to put it kindly… shitholes.

Those conditions (those connections) are strongly ingrained into the environment. I can’t single-handedly change the economy, though I wish I could. And I can’t force a house to spontaneously appear between two existing houses, even though that neighborhood is absolutely perfect and I desperately want to live there. There isn’t room, and that isn’t physically possible.

Well, alright, I suppose I could do a spell to convince both owners to chop up their parcels into smaller pieces for sale, do another spell to make the parcels affordable, and then another spell for someone to build an affordable house on the land. But that’d be a teeny little house and yard! It might work better in a location with bigger parcels and more space between houses, but this is a cute little rural-type suburb, not the country roads further out of town. As it is in this location we’re looking at, to make it viable for our wants and needs would be physically impossible; we’d be compromising too much one way or another, and it wouldn’t be worthwhile!

But I can do spells for houses with specific qualities to come onto the market, and I can include my particular price range! I can do magic to encourage the bank to give us a better deal on our pre-approval! I can do a spell to urge sellers to drop their prices or accept an offer that’s under their asking price but within our budget!

It’s a matter of identifying what I want and what might stand in the way. It’s also about considering the things I’m leaving unsaid, or that could be taken in multiple ways. Like, if I say I want a basement, and we find a house that’s perfect, fitting all our desired qualities!

…except that basement floods several times a year, and that’s why it’s unfinished, so it’s wasted space that requires expensive yearly upkeep or a massive, pricey overhaul to prevent for the future. That would be a hell of a loophole to discover. Closing as many loopholes as possible can help a spell produce a result that’s exactly (or close to exactly) what I expect it to be with as few unpleasant side effects as possible.

Another method I’ve seen, which I think comes from @windvexer, is the “if/then” method of creating conditions within a spell. I find it’s really useful for closing loopholes, since it keeps a spell from deviating from your instructions or fizzling out when it can’t fulfill its purpose as written.

The method looks like this in practice:

“This spell is a money spell. Its purpose is to bring $500 in tarot commissions to me by the end of April.

“If April is not possible, then by the end of June.

“If $500 is not possible, then no less than $300.

“If not by tarot commissions, then this money will come to me via tips and subscriptions.

“If not by tips and subscriptions, then this money will come to me via other types of contract work.

“If any final condition (end of June, no less than $300, contract work) is not possible, I will receive a sign in the form of three cardinals sitting on the hood of my car, and the spell will end.”

Thus, the loopholes I’m worried about are closed, and I have a condition set to end the spell and send me a sign if it isn’t possible. It’s a simple but very effective method that I’ve found really useful for getting super specific in my spellwork!

Anyways, point is, loopholes matter because connections matter and therefore the space between those connections matter. If one of my spells fails or produces an unexpected result, loopholes are the first things I look for. What happened, and could I have prevented it? How so? Then note it down, and do the next spell.

[genderqueerdykes]

How to deal w a longtime friend that at some point became a radfem? I was bad at recognising it back then when there were clear signs and didnt know how to argue, so i stayed passive and argeeable, esp since im a nonbinary guy n shes a (sorta questioning) cis girl.

When i showed discomfort with her doing the "i hate all men" type stuff she's said "omg you're not one of those 'not all men' types" and bc i didnt know at the time i backed off, n she also mentioned how she sees/treats both trans men n cis men the same

I mean ive always felt like she's treated me that way, or that i felt like i needed to stay silent or had more priviledge when around her, despite being pre-everything and pr much closeted in my everyday life, or felt more like i was a binary man around her when im not

She has also been sorta weirdly sex/kink negative or made fun of it, for some time i figured that it was just a bit bc of her being sex repulsed n her being immature, but i still felt sorta more ashamed regarding my kinkiness/sexuality around her when not (were both on the aroace spectrum, though i figured out more recently)

Also parroting radfem rhetoric about "well the sex industry is harmful" (..every capitalistic industry is harmful) and when mentioning kinks/fetishes for some reason often brought up "but what about those kinks where people get off to women starving themselves/having problems w their weight" which is like?? Yea okay if they are doing that to real people thats bad but like what kink/fetish spaces do you hang out in where that would be the first thing you'd bring up??

I also once remember her mentioning that she felt weird about her own connection to masculinity, which i sussed and esp now sus might be due to her being this man-hating

She's told me "you don't have an issue w the 'man vs bear' thing since you're a guy right?" but i didnt feel like arguing at that time so i just agreed and quickly moved onto another subject

Looking back at older texts, she's also said before that im "one of the few men she actually respects"

I've realised how harmful and bull radfem rhetoric is now, n i want to keep a distance from her, but idk how to deal w it bc ive always been the more agreeable and peace-keeping one between us

i'm so sorry you had to go through this. radfems are possessive of the identities of everyone around them to the point of coming up with the most asinine bullshit to make other people feel insecure and question themselves and just go along with whatever the hell they're saying. it's toxic and abusive.

whenever i talk about transmasculine and trans male issues, i get those "oh you're one of those not all men types" as well. it's such a useless thing to say. like if the thing you're opposing is people making blanket statements about women and being treated like a monolith, why are you doing it to someone else? that's the example you're setting, but yet you expect different treatment? double standard.

the sex & kink negativity in radfeminism is exhausting, too. it's not progressive. a lot of people choose to go into sex work and enjoy it. some don't mind it. some are okay with that being their job. a lot of people are exploited, but not everyone is. like you said, it's the capitalist corruption of these industry that causes problems. like you said, people instantly jump to the worst possible conclusion when the subject of kink comes up

the normal song and dance is "men who are into BDSM are only straight guys who are misogynistic and want to beat women. women who are into BDSM are scared and confused and being taken advantage of and are enabling abusive men." they have very few arguments and they're all so far out of left field that it's not relevant to the type of conversation you're having in that moment. making blanket statements about all kinky people being abusive in some way... that's profiling.

at this point its your choice if you continue to interact with her. if you do, you are allowed to stand your ground and tell her that those kinds of things make you very uncomfortable and that it's just not okay. if she can't handle that, then it's not your job to try to change her mind. if she cares about you, she'll treat you with respect. i hope that's the case, but you don't owe time or energy to people who treat you like garbage. good luck, stay safe

[haru-dipthong]

Fansub Release + Notes on the translation process for Utena ep 17

We're back! Apologies for the hiatus, Christmas and Oshōgatsu had me too busy with family stuff to stick to my usual rate of translation.

This time, instead of general translation notes, I'd like to show my working! Where do I start with a tough line, and how to I end up on the translations I settle on?

いつも私を守ってくれた

For example, this is an interesting line, and the final translation is a bit out there if you look at it without seeing the thought process. The key word here is 守る, which is often translated as “protect”, so the lowest-hanging fruit for this line would be:

She always protected me.

But it sounds weird and conspicuously like “anime-english” which I always try desperately to avoid. So I tried this instead:

She always took care of me.

This translation gets the literal meaning across better, but it has a fatal flaw. The word 守る has strong connotations with masculinity in general and throughout the series, yet “taking care of” someone makes it sound too feminine. In this line, it’s important that Juri’s masculinity is emphasised and contrasted against Shiori’s femininity. So then I thought, maybe this:

She was always protective of me.

But this is no good either. The くれた in 守ってくれた makes it clear that Shiori views the care/protection that Juri provided as a positive thing, yet this translation comes across as slightly bitter. In English I think “being protective of someone” has the nuance of restricting one's freedom, like an overbearing parent.

I felt like there were no good options for this line! Then it struck me like lightning:

She was my rock. (no orange because I didn't use an equivalent word at all)

“Being someone’s rock” is such a masculine thing! It also carries these patriarchal notions of stability (masc) vs instability (fem), which I think the series tries quite hard to weave into the story as criticisms of patriarchal gender. Juri at least in part represents women who seek success not through liberation for all women, but by becoming a patriarchal dominator herself.

Not to mention, 守る is often depicted in RGU as being something that a man does to their female lover. The “my rock” translation also carries romantic connotations, which is obviously important for how the Shiori/Juri relationship is portrayed through the dialogue.

This translation departs from the literal meaning quite heavily, but it preserves the subtextual meaning much better, which I think is more important in this case.

あの動き、まるで先輩の剣だ。

The way she moves... it's exactly like Juri. (my initial translation, which I didn’t use in the end)

The word 剣 means (literally) sword, but it can also be used metaphorically to refer to someone’s sword technique. Take this panel from Ranking of Kings:

それは王の剣じゃない！

That’s no way for a king to fight!

That’s not the “sword” of a king!

So the question is — how do you translate this when the swords are both literal AND metaphorical? When Utena says 剣 in this line, they’re talking about the technique (剣 as a metaphor). But the writers want us to make the connection that it is also literally Juri’s sword, pulled out of her heart, which in turn is a metaphor for her anger, insecurities, and angst. It's a metaphor for swordsmanship, which is meant to be interpreted as literal through dramatic irony, which literal meaning is meant to be reinterpreted as a deeper metaphor. I love Utena.

If the swordfights can be interpreted as philosophical debates, the swords can be considered the worldview that each character wields. Since the Black Rose duellists don’t use their own swords, they could be said to be tapping into, stealing, and exploiting the worldviews/swords of their respective victims, represented by their literal ripping the sword out of the victim’s 心 (heart/mind).

With no word in English that can capture the metaphorical triple meaning of 剣, I had to settle for something else:

Those moves… it’s like she stole them from Juri. (no red because I didn't use an equivalent word at all)

I think this phrasing gets across a similar feel that 剣 does. The base reading, and the one that the uninformed and naive Utena intends, is that Shiori is just imitating, “stealing”, Juri’s moves. The next level up is that she literally did steal something from Juri — the sword from her heart. Then the final level is that what she stole was not just a physical sword; she literally stole the metaphorical moves by stealing the sword, because the moves are the sword, the sword is the angst, the angst is the worldview!

Thank you to @dontbe-lasanya for your amazing edits as always!

Follow the blog if you'd like to keep up to date with new episode releases. For all episodes released so far, go here:

Rose divider taken from this post

[anukkuna]

Day 13: Cleverest detail

I'm not sure whether this counts as a 'clever' detail or just as 'interesting symbolism' or whatever... also, I'm just speculating here, so maybe, nothing of what I'm about to say was ever intended by the director and welp...- anyway, here's my two thoughts:

The scene in which Adam has to undergo the strip search for prison and its related scenes:

The scene is presented in snippets. We cut between the office scene with Leo and Pia and, later, a longer flashback scene with Roland. It’s in this flashback that the stick and Roland’s method of suicide - intended to frame Adam as the murderer - are revealed.

In the office, we see Leo and Pia piecing together the bank robberies committed by Boris Barns and Roland Schürk (because Adam handed Leo the photo and related evidence at the lake). They come to realize that what happened back then is still very much connected to Adam’s current situation.

Meanwhile, Adam is being subjected to a thorough examination by the prison physician. (The only way it could be more literal is if they actually x-rayed him!)

We also see him lie effortlessly - for example, when asked whether he smokes. (And, of course, this is where we get his iconic line: "Alles klar. Mir scheißegal.") As a viewer, this was another moment in which thought: 'Wow, he’s really good at this. At lying... huh.'

What I really want to focus on here, though, is the theme of being caged in this scene. First of all, the way it’s shot: from outside the windows with these metal grids inside. We’re watching Adam, visibly uncomfortable, undress in a cage created by:

1. His own colleagues, whom we just saw in the previous scenes (with Leo, his partner, being the one who had to put the handcuffs on him); and -

2. His manipulative and abusive father, as shown in the following scene.

This is also the scene where Adam’s large snake tattoo is revealed, likely altering the viewer’s perspective on the title Das Herz der Schlange. (At least, that’s what happened for me.) You might think: Ohhh... the heart the snake is protecting is Adam’s heart! So, in a way, the episode could literally be called Adams Herz (Though, to be fair, one could have drawn this conclusion earlier, when Roland paralleled himself with the frog and Adam with the snake in the terrarium.)

And then there’s the way Adam briefly looks almost(!) directly at the camera - like a trapped, caged animal that would much rather fight or flee but isn’t allowed to.

There is, of course, a deeper and more sinister layer of symbolism to this.

Within the fandom, there has already been discussion about the association of snakes with negative traits - particularly due to their role in biblical contexts.

One major theme, I believe, is the idea that evil is inherent in the snake’s nature, tied to its association with temptation and sin.

This is another clever detail I’d like to highlight (if it was intended that way! Also, apologies if someone else has already written about this and I’m unaware.) So…

In the flashback, we cut to Roland, Adam’s father. In German (and, I believe, in English as well), there’s a saying:

"Der Apfel fällt nicht weit vom Stamm" - "The apple doesn't fall far from the tree."

So, is Adam tempted to discover how far he has fallen - from the metaphorical, biblical tree (and the real one we see later)?

How much of his family’s criminal tendencies and energy has Adam inherited? Are deception and lying things that come naturally to him? Is there, deep within the heart of the snake, some lingering trace of evil? Even if Adam were never intentionally criminal, are there still aspects of his 'nature' he can’t control (and which would that be)?

Esther seems to suspect as much. She believes Adam tried to kill his father before. Even after learning that it was Leo (and Adam) acting in self-defense, she continues to distrust Adam in Ep. 4. On the rooftop, she openly says to him, “I don’t trust you.”

Snakes are often associated with being cunning, deceitful, and unpredictable - silent predators that suddenly strike. Are we, as viewers, meant to draw these parallels to Adam? Or is this meant to make us question these stereotypes?

Later, when Roland utters his last words, I was wondering the same thing... wondering if this is what they're getting at.

"Adam... meine Krone."

- Roland Schürk, Das Herz der Schlange

I feel this refers both to the crown of a tree and the crown of a king, (which is traditionally passed down to his heir, of course). (It’s worth noting that the crown, as a symbol, has been scratched into the bark of the tree where the money is buried. R+A - Roland and Adam. A place where they likely went before... maybe when Adam was much younger?)

But make no mistake. Telling Adam where the money is in his final moment is not meant as a kind gesture at all.

Roland correctly suspects that once Adam knows where the money is - whether or not Adam really finds or takes it - other gangsters will come after him. Adam is even tortured by Boris in prison over it. This becomes Roland’s final attempt to torment Adam, presenting him with criminals, who will come after him, as well as a difficult moral choice: Should Adam return the money, which he could use as compensation? (After all, the bank likely didn’t go bankrupt from the robbery, so it might even be morally justifiable for him to keep it.) Or should he keep the money - and risk both his job and his relationship with Leo in the process?

Adam is caged, in more than one way. How will he escape?

[beartitled]

Found your art through the STP Reddit and now I have a new TSPUD artist to enjoy!!! Your style is gorgeous :)

Reddit 🤨❔

I don’t have reddit

*sounds of paws tapping on the keyboard*

Aha repost with no permission I see? 🔍🐻‍❄️👓

This ask actually send me on a mini research lmao

I didn’t expect to see like 4 posts on Reddit with ppl posting my comics/sending a screenshot from ?Pinterest? and asking who the author is

That made me chuckle :'D

To be clear, I don’t really mind reposts if a person credits me

Always appreciate ppl askin permission 👍

For the reference: Reblog - a button that looks like this 🔄, shares a post on your page while showing the original author; Repost - when you screenshot/save someone’s art and post it on your page (ideally with credit, but if you’re a meanie you will just post images with no word about og author); Credit - a reference to the author «this art was made by [@author] on [this social media]». Sometimes see ppl mixing up terms 🫡

(Most of the time creators dislike reposts, bc it often leads to art theft)

Since we’re on the topic, specifically what I do have a problem with:

- Don’t use my art for AI training or for NFTs

- Don’t profit off my art (no merch is allowed without my approval, if you want to use my art for commercial purposes, this must be discussed with me in advance)

- Don't pass off my work as your own (here does reposting my art without credit, creating blogs/accounts impersonating me and so on)

- Don’t use my personal projects (this applies to my ocs, any original IPs/content I create: picture books, comics, artbooks, megadrawings etc. At some point in the future I may register a legal copyright for them btw.)

I’m more flexible and forgiving with fandom art, but still would appreciate ppl communicating with me. Fandom comic dubs - are welcomed, just be sure to credit me (tag me and share the final dub too man, I’m always interested). Fandom comic translations - ask permission first please.

This list is a pretty standard for any artist really, if you’re doubting something - feel free to ask 👍

If you see somebody breaking those/potentially breaking those - feel free to notify me 👍

I considered creating “blog rules” or “list of boundaries”, but I’m not sure if it’ll work on my blog 🤔 My header is pretty oversaturated as it is - portfolio, tags, navigation and so on; if I add rules to the pile, something tells me ppl won’t even look at it 💥 + I didn’t have specific issues with anyone yet (as far as I’m aware), I might create a list if something happens, but stayin hopeful for now

There’s certain things that do make me very uncomfortable/are triggering to me. But again didn’t have any specific issues where it was a huge problem + those stuff are highly personal to me to just put publicly. For now, I prefer to resolve issues personally, there wasn’t anything I couldn’t handle at this point 🫡 Mayhaps in the future it may change, we’ll see

Also some might have noticed that I don’t use any watermarks/signatures on my art, again considered that, but never ended up implementing that 🐻‍❄️ Some part of me just likes lookin at pictures in full HD quality with no watermark 😭 (I have an art signature, but I mostly use it in my mega drawings or if someone specifically asked for a commission lmao)

Sorry for a wall of text on such a sweet ask 💥 Just saw an opportunity to talk and took it lmao

Thank you, I really appreciate your words ❤️💕

Made a doödle of the narrator bois for the old time sake :D

Surprisingly there is a bunch of reposts of my art, with is a bit wild to me (you guys actually like my comics? 🤨 what? 🤨)

Especially never imagined my voices x princesses would get so popular 💥

Oh I see you went under read-more

Come closer

Closer

Just a smol step more

I forgot to draw Smitten’s brows in this specific frame

Now you will never unsee it 😈😈😈

*tiny mischievous bear giggling*

[startanewdream]

Why would I think you're weak? Everyone gets nightmares."

For hinny, preferably Ginny is the one with the nightmare

Please and thank you

hope you enjoy this sort-of missing moment that could have been:

*******

Harry walked absently to the Room of Requirement. It was still early, but he enjoyed arranging the room ahead of the D.A. lesson; for today, their first real class about the Patronus Charm, he had the idea of filling the room with mirrors so people could look at themselves while they worked the spell. As he reached the usual entrance to the Room, however, he realized he wasn’t the only one who had started early.

The door was already there, even before he asked for it.

He entered carefully, just in case someone had inadvertently found out about Dumbledore’s Army. The room seemed empty — until he noticed a figure in the farthest corner. For a moment, his stomach dropped, remembering the last time he had been there alone with someone — he and Cho weren’t really speaking these days, avoiding each other’s gaze after the disastrous Valentine’s Day date —, but the sight of vivid red hair told him it was someone else.

Ginny hadn’t seen him. She was facing the warm fireplace that was always lit, mumbling to herself. Her eyes narrowed in a fierce expression as she moved her wand; nothing happened, and she sighed unhappily, stooping her feet and looking up to the ceiling—now enchanted, like the Great Hall, to reveal the day sky above. 

Harry caught himself staring at her; it wasn’t the first time he’d done so, not with him teaching the D.A. Ginny’s spellwork had always impressed him; he remembered George once telling him that size was no guarantee of power when talking about Ginny, and though Harry hadn’t witnessed her famous Bat Bogey Hex yet, he could see what George had meant. Ginny had a strong raw power; even though she was still in her Fourth Year, she’d had no problem mastering any OWL-level spell Harry had shown the class. He would often compare her with her boyfriend, her usual duelling partner, and more than once Harry had thought she deserved someone better—he hadn’t said it out loud, but Michael Corner had looked quite bland—

“Ow!”

Ginny’s voice startled Harry. For a crazy moment, he’d thought she’d read his mind and was mad at him—then he realised she looked sheepish. 

“Sorry, I thought I was alone.”

Harry shook his head. “You were, I just came in. Are you practising?”

Ginny flushed as she nodded; it suddenly occurred to Harry that it had been a while since he’d seen that. It was weird seeing her looking flustered when she had been nothing but bright around him.

“You know, I appreciate the effort, but I cannot give you house points.”

As he had a feeling she would, Ginny chuckled.

“Prat,” she called without any malice. “Sorry, I meant Professor Prat.”

Harry smiled. “Much better.” Then he tilted his head. “What were you doing? You didn’t have any problem with the Shield Spell last class.”

“Ah.” She bit her lip. Harry had a sudden urge to ask her to stop it before she drew blood. “The Patronus Charm.”

That made him blink, suddenly aware he had been looking at her mouth.

“Patronus?” He repeated, startled. “We are just getting started.”

“Yeah, but…” Ginny took a deep breath. “It annoyed me that I couldn’t cast it.”

“It was just our first lesson—I mean, not even a lesson, it was just a lecture.” 

It had been the final part of the last D.A. lesson, last week. Satisfied that everyone seemed to have mastered the Shield Spell, Harry had started the Patronus Charm, the one spell everyone was excited about. He hadn’t much time, so he’d decided to explain the theory behind the charm — the first time he’d talked more than show any spell, and rather than seem annoyed, everyone had eagerly listened to him. He had given everyone some sort of homework — to think about their happiest memory — and, in the last five minutes of the lesson, he’d let everyone try the Patronus Charm for the first time.

A few people had managed a silvery wisp, nothing resembling any shape or that lasted more than two seconds. 

“Every time I try, nothing happens.”

“I don’t think anyone can cast it in their first attempt,” Harry said. When Ginny raised her eyebrows, he added, “I didn’t.”

“How many lessons did it take you?”

“A lot,” he answered truthfully. 

Her expression didn’t change. “You were thirteen when you first learnt it.”

“And I had Professor Lupin giving me private lessons. All you got… is me.”

She rolled her eyes. “You are an amazing teacher.”

“I think you are comparing me to Umbridge, so—”

“Stop it.” She patted his arm playfully; her hand was warm. “You know you are a decent teacher, come on.”

“I noticed the downgrade from amazing to decent.”

A grin appeared in her lips as if she couldn’t help herself; Harry smiled in answer. He enjoyed her reaction.

“See, that’s better—you cannot try the Patronus Charm if you are all gloomy.”

“I wasn’t gloomy.”

“You were stomping your feet.”

“Maybe I had an itch.”

“Did you?”

“No,” Ginny admitted, and then she threw herself on one big bean couch that had just appeared behind her. “I’m really frustrated.”

Harry gave her a bracing smile as he sank on the couch next to her. “It was just your first try.”

“I got every other spell. Maybe it wasn’t perfect, but something happened.” She waved her wand absently, not seeming to notice the sparkling dust that she was casting. “Now I could yell Expecto Patronum until I lost my voice and this wand wouldn’t be more useful than a random stick.”

“I get it,” he said bracingly. “I was disappointed with myself when it didn’t improve the way I wanted—but there is no secret, you just need to keep trying.”

“It is as if I can’t get it right—every spell I try, even when I don’t cast it, I can feel it, the connection between me and my wand. But the Patronus just eludes me.”

“What memory are you using?” Harry asked before he could think it through. He smiled awkwardly. “Sorry, I know it’s personal.”

“No, it’s fine. It’s not working anyway, so—” Ginny shrugged. “I thought about when I got my Hogwarts letter. I dreamed of it since I was two—” She caught sight of Harry’s face. “What?”

“That’s what I remembered the first time I managed something. It was just this silver shadow, but—”

“But it was a start.” Ginny sighed. “I’m not even hoping for a full corporeal Patronus, just one that gets the dementors far away from me.”

She shivered, her face whitening so much that Harry felt he could count the freckles on her cheek. 

For a moment that distracted him, until a long-distant memory resurfaced. He was thirteen and recovering after meeting a dementor for the first time; he’d just fainted, but the worst part had been hearing a woman’s scream. He hadn’t been in the best condition, so he hadn’t really noticed the small girl quietly sobbing in the corner of the train, looking just as pale as now—he’d never asked what Ginny had heard, but now he got a good idea…

“You had forgotten.” He blinked. Ginny was grimacing. “You are not the only one who hears You-Know-Who when dementors are around.”

“That was not what… I never considered what you would remember.” He bit his lip. “Sorry.”

“What are you sorry for? You saved me. I was the one stupid enough to get involved with a Dark Lord.”

“You were not involved, I mean—you didn’t know who he was.” He met her gaze. “And I am sorry for forgetting what you went through. I guess it was just easier to think everything was all right.”

Harry remembered the final days of that term, when he had watched Ginny closer; after a moment’s struggle, she had looked happy, a bright version of the girl that had slowly shrinked that year. Even her brothers were visibly relieved that Ginny seemed to move on. At some point, Harry had just stopped looking for any distress sign.

Ginny sighed. “I know. That’s how I wanted you to perceive me. Not as the weak girl who couldn’t sleep at night because of her nightmares.”

“You are not weak. Why would I—why would anyone think so?”

“I still dream—”

“Everyone gets nightmares.” He thought about a graveyard, a cruel laugh, and a boy’s dead eyes. “It’s just a reminder that we survived. You survived.”

“Only because you—”

“Because you fought Riddle long enough to give me time to get there. You were eleven.”

“Saying like this makes me look stronger than I was.”

“You were strong. You are strong.” He took a deep breath. “I’m not saying this to excuse myself, but I forgot about you and Voldemort because I can’t see it when I look at you. You went through one of the worst things that any human could experience—I know how I felt just by thinking I was possessed—and yet you are here now, casting every spell, destroying those Death Eater dummies, and getting a reputation for that Bat Bogey Hex that I have yet to witness.”

He felt suddenly self-conscious of his speech, but Ginny was smiling softly now, and Harry just reminded himself that he was the teacher, he could be motivating even if it involved personal stuff. In any case, even her eyes were shining now, warmer; Ginny’s eyes were a nice shade of brown, like treacle tart.

“Let’s find Umbridge,” she suggested at last. “Then you can witness my Bat Bogey Hex, it will be epic.”

Harry chuckled. “I don’t doubt it, but I don’t think you’d want to be expelled.”

“I’d only be if I got caught,” she noted, winking at him. Then Ginny jumped, leaving a soft trace of flowers on the couch. “I’m going to get this.”

She closed her eyes, her expression confident. Harry couldn’t know what she was remembering, but a breeze filled the room, coming out of nowhere, and made Ginny’s hair move as if she was flying. Then Ginny opened her eyes —they were blazing—, flourished her wand and whispered, “Expecto Patronum!”

A silver shadow flew from her wand, dashing around the room before disappearing. It wasn’t shaped yet, but Harry could swear he saw a long snout and a floating mane.

“Yes!” She cried happily, beaming at Harry; for a moment, he thought she was going to hug him — he even opened his arms — but Ginny didn’t move. “It was something!”

“It was a perfect start,” he told her, jumping to his feet. Ginny looked bright now, and he didn’t think it was just an act. “What do you think it will be? Your patronus?”

“No idea. I think it had hooves.” She smirked. “It won’t be a stag, though, I’m hoping to be original here.”

Harry just smiled. “It’s my father. I mean, the stag represents my father. It’s a long story, I’ll tell you later.”

“Ok.” She nodded, watching him, her expression sober now. “I remembered the first time I took flight on a broomstick.”

“That’s also one of the memories I tried that first time learning the Patronus Charm,” he noted, amused. “I’m glad it worked better for you.”

“Flying made me feel free—and powerful. I think I’m done with Riddle’s voice in my mind.” Ginny paused for a moment, watching Harry, before taking a deep breath. “I was afraid that if I couldn’t cast the Patronus, it meant that, in some way, I wanted to hear him.”

“I get it,” Harry mumbled, not quite meeting her eyes now. “The reason why I got so bad around dementors was because I could hear my parents’ voices, when they were… in their last minutes. And it was the only memory I had, so for a while I hung on to them.” He risked a glance at her. Ginny didn’t look pitiful, so he felt safe enough to give her a small smile.

She shook her head.

“I think you are very generous to compare you missing your parents with my unhealthy relationship with the diary that almost killed me, Harry, but that’s just you.”

“Well, what made me cast the Patronus Charm was that I could not risk us losing another Quidditch match.”

“Priorities.”

“I can tell all the effort paid off in the end.”

“Isn’t it true that you managed to fight off a hundred dementors to save Sirius?”

“Yeah.” He grinned. “But I was thinking that Gryffindor won the Quidditch Cup that year after all.”

She grinned back. Ginny had dimples when she smiled; she could be as bright as a Patronus, Harry thought suddenly. She’d manage to cast one soon, he just knew.

He was about to tell her this when the door of the room opened. Ginny glanced at the door before taking a step back, her face only slightly flushed as she asked him, as if continuing a different conversation, “How can I help you?”

“Huh?” Harry said, confused. The group of Ravenclaws had just entered, and while they were greeting him, Cho had given him a smile, though somewhat avoiding his gaze.

“The Room,” said Ginny patiently. “You like to get the Room ready before the lesson, and I thought I could be useful—hi, Michael.”

She waved at her boyfriend, and for a moment, it crossed Harry’s mind that there was as much enthusiasm in her voice as in Cho’s smile to him. 

He shook his head. “Mirrors, it might be helpful.”

“I’m on, Professor Potter.”

“Not prat anymore? I see the improvement now.”

“Like I said, you are kind of decent, Harry.” She winked at him, clearly amused, and turned around; as mirrors appeared on the corners of the room, her boyfriend joined her, hands hanging on the inside of the pockets of his robes and just watching her.

I didn’t like him, Ron had said it once, and though Harry didn’t think he’d share this thought with anyone, he couldn't help but agree with Ron.