#i won't be listened to

[mollyjimbly]

i don't want to be perceived as "old" or "young" i just want to be perceived as me!

is that too much to ask for? ☹️

[lazylittledragon]

can't believe we're all adults being forced into the club penguin level of censorship in 2024

[meziniart]

Ruthlessness is mercy upon ourselves

[verysadlesbian]

Sky practically called Viktor a fruitcake and then faded away. That is queen behaviour.

[cypjj]

[babacontainsmultitudes]

He's a used car salesman. He has a heart of gold. He can't parallel park. He has two gay witch italian dads. He chops the wood. He has a magical talking cat mom. He's an assassin. He isn't an assassin. He's actually the cat from earlier. He's trans (female cat to male human). He's been shot through the heart. He was in Dewar. He was not in the war. He was in Dewar. He's on his last of nine lives. He just had a marble shoved down his throat. He's even bisexual. I didn't say his name, but he popped into your head, didn't he?

[redcallisto]

Kieran my baby boy. someone take him to a therapist please

[ravencromwell]

Rereading Dickens Christmas Carol for the first time in a long time. And the more I reread, the more it strikes me how seamlessly a queer reading could slip within these pages. Not an especially twee reading, wherein all Scrooge's troubles start and end with grief over Jacob Marley's death. For we know that Scrooge was a "Tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous, old sinner!" And we know that he and Marley were "two kindred spirits"

And perhaps that very fact makes the similarities to queer life, unintended as they most likely were by Mr. Dickens, achingly poignant to me. Scrooge is, we're told, "secret and self-contained and solitary as an oyster." How much that resonates, for so many of us who shield our innermost selves but from a select group of friends. And we know that Scrooge and Marley were, at the very least, certainly that for one another. Scrooge is Marley's sole mourner; his sole executor and beneficiary; and even Dickens notes, "friend." How reminiscent is that of queer couples across history, estranged from their families?

Scrooge lives in a set of chambers that once belonged to Marley—clearly Dickens wanted us to believe Scrooge gave up his own dwellings after Marley's death to economize. But with only a flicker of change, those chambers become _their chambers, rented by Marley as the senior member of the couple. The place is so desolate Dickens notes "one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again." The perfect abode for two queer misers who wanted no one prying into their business.

Marley's name is still above the door of Scrooge's counting-house: a mark by which, no doubt, Dickens meant to convey Scrooge such a penny-pincher he couldn't bother to have it changed. But a thing can be both! mark of frugality to ludicrous excess and! mark of mourning. "sometimes," Dickens opines, "People new to the

business called Scrooge Scrooge, and sometimes Marley, but he answered to both names. It was all the same to him."

This is why "death of the author" matters so much, in expanding our interpretations of texts. It is vastly far from the lens Dickens would have intended. But, the idea of a ghost of queerness, so taboo in the society it could barely be glanced at sidewise in this tale that is all about the inexplicable and yet that lingers over everything becomes an astonishing lens through which to read this book. Thinking of Scrooge as a queer man, his "melancholy dinner at his usual melancholy tavern" becomes a eerie prefiguring of the hollowness of days spent by Isherwood's A Single Man. In this universe, little wonder Scrooge doubly hates mention of time with family, marriage, etc. when the precise nature of his grief is both unacknowledged and unacknowledgable.

And readings like this are vital, because the uncomfortable truth is, discrimination doesn't "discriminate between sinners and saints", to borrow a Miranda phrase. It is easy, in my liberal circles, to fight for queer people who hold "the good sorts of politics". But what about men like Michael Hess, culpable for supporting Reagan even as his contemptuous homophobia let the aids epidemic run rampant? How much harder is it to remember Michael had a partner? That he deserves empathy and compassion for being practically tarred and feathered out of the party upon his own aids diagnosis?

Expanding our imaginative universes to include queerness, not as redemptive panacea, but merely as one aspect of identity, personality, often in vicious conflict with others. Even! as we consider those stories equally worthy of being told feels vital if we're ever to truly express the complexity of what queer humanity looks like.

[elbiotipo]

Firefox should also come with a tamagotchi like extension where you take care of your own little Firefox, it's the best way to make it popular

[emchant3d]

It’s the fourth time this week Eddie’s been late without a phone call.

Sure, his job has him working weird hours - Steve gets it. But he also knows his schedule and he knows the days Eddie works at the bar til close and he knows the days he’s supposed to be home before dark, and he hasn’t had a closing shift once this week. 

Yet he came home near ten tonight, and Steve had been worried and nervous and yes, sure, a little - a lot - insecure about it, and maybe he’d lashed out first, or maybe Eddie had, Steve doesn’t know, but he knows they’re standing in the living room shouting at one another and it’s all coming to a head and he can’t stop himself, can’t keep from getting loud and angry and–

"Do you even want to fucking be here?" he yells.

"Not when you're acting like this!" Eddie says, and Steve's throat goes tight like there's a fist wrapped around it. 

Not when he's acting like this, he thinks. Not when he's being too needy. Too pushy. Too demanding.

Something in his brain feels like it rewires. Their relationship flips on its head, and suddenly fear is coiling in Steve's stomach, not anger. 

He'll lose Eddie if he keeps pushing like this. If he demands too much of his time, pulls him away from what he'd rather be doing, makes himself too much work, he'll lose him. Eddie always said he wasn't going anywhere. That he loves Steve, wants to be with him, will never get tired of him. Steve was a fucking idiot to take that at face value.

He feels sick to his stomach. He wants to apologize, wants to tell Eddie to forget all about what he said, wants to show how sorry he is, but between one moment and the next he's feeling like a guest in his own home, and he's very familiar with how it feels to be unwelcome.

So instead he shakes his head. Eddie wants to be left alone, probably. Doesn't want to see Steve when he's mad at him. Doesn't want to deal with him. He'll make himself scarce.

"I'm staying in the guest room tonight," he says stiffly, and turns away, only faltering a little when Eddie mumbles 'what the fuck ever' behind him. He flinches when Eddie slams the front door and closes the spare room so quietly it barely even clicks.

– Eddie gets home late.

Like, late-late. Steve hears the front door open as he's staring at the clock on the bedside table, the bright red numbers burning into his vision. Why did they even put a fucking clock in here, he thinks. It's the guest room. Why did he insist on furnishing this room like someone might live in it? Like this was a home people would be in and out of, like their family would come and stay with them long enough to need an alarm clock on the bedside table?

Desperate, a voice in his head hisses at him, desperate and needy and full of wishful thinking that someone would want to stay around sad little Steve Harrington long enough to need anything--

Eddie's coming down the hallway. He's trying to be quiet, but he forgot to take his shoes off at the door and his Reeboks squeak a little against the hardwood. It's a familiar sound. Comforting, usually. It's how he knows his honey's made it home safe when he's out late, that tell-tale squeak and the little stumbles when he's tipsy and making his way through their home after a long gig.

There was no gig tonight, though, and Eddie's footsteps are steady and even despite the soft sound of rubber on wood. He isn't drunk, Steve doesn't think - and is that better or worse? That he left after a fight and didn't even go somewhere to drink it off. Where has he been, if not their usual bar to think about what they'd spat at one another, trying to think of solutions, of apologies?

And is Steve really owed an apology? He was overbearing. He was pushy. He was demanding and authoritative and too fucking much all over again, and Eddie lashed out in response, and does Steve deserve an apology after all that? He's been going around in circles with himself all evening about it, arguing in his own head, saying yes I deserve one because my feelings were hurt and no I don't deserve one because I lashed out first and how does he answer this for himself? He doesn't know.

He knows he'd do just about anything to make the empty feeling in his chest go away, though. Knows that he'd shove his hurt away and eat his words and apologize to Eddie and never, ever push again if it meant he knew where they stood. If it meant Eddie would forgive him and never storm out like that again, if it meant Steve knew he wouldn't be left alone like this to wonder if Eddie was coming back.

And he feels so dramatic - he can hear Robin's voice already, telling him it was just a fight, that there's no reason to get this worked up about it, but Steve can't help it. Slammed doors and loneliness are the soundtrack to his childhood and he can't help the panic he feels when someone he loves leaves.

"Do you want to be here?" he'd asked, like a fucking idiot, and Eddie hadn't said yes. Steve swallows around the lump that's taken up permanent residence in his throat. Reaches to swipe a hand over his face, rubbed raw, eyes burning with tears he won't let fall because what right does he have to cry? He brought this on himself. He always brings it on himself.

Eddie's feet are still squeaking their way slowly down the hallway, he's trying not to wake Steve - or is he just trying not to be noticed? Impossible, if Eddie Munson is in a room Steve is going to notice, how can he not? He's been yanked into that gravitational pull and there's no escape for him, not anymore, he's a moon circling around the solar system and Eddie is the sun, burning bright and pulling focus and what is Steve to do in the face of that?

He keeps his eyes fixed on the clock. Watches the display change when a minute's passed. Feels his heartbeat stutter when Eddie's shuffling, squeaking steps pause outside the guest room.

They keep a hall light on at night. It's on a dimmer, turned down way low, but neither of them do well with complete darkness. Too many nightmares, too many shadows haunting and hunting the both of them. Steve can see the muted glow of it from beneath the door.

He can also see when Eddie comes to a stop because his feet block that light. Two shadows in the doorframe, obscuring the soft haze of warm orange that creeps in a half-moon over the carpet, and Steve stops breathing. There's a soft shifting noise, fabric over wood, a gentle thunk when Eddie leans against the guest room door, and Steve almost calls out to him. Almost says I'm sorry, I didn't mean it, please don't leave again, please don't leave me, but the words stick in his throat. Ball's in Eddie's court, as it should be when Steve fucked up so bad, when he tried to ruin it all, when he made Eddie so mad that he left when he promised Steve he would never do that. Eddie's a good man. Keeps his word. Steve's the problem, Steve is always the goddamn problem, always will be, ruins and stains everything he fucking touches–

The shadow disappears. Steve squeezes his eyes shut so tight he sees lights popping behind his lids. Those shuffling squeaking steps continue their way down the hall. Steve feels like he's going to throw up but he didn't have dinner so there's nothing in his belly but bile and nothing comes up even though his throat is tight and his stomach is fucking rolling.

The bedroom door - their bedroom door - creaks on its hinges. Steve keeps meaning to put some WD-40 on it but he kind of likes that it makes a noise, that when he's asleep it's just loud enough to wake him halfway and tell him to anticipate the warm wash of tobacco and sandalwood that will cloud him when Eddie slips beneath the covers. Lets him know he's about to be grabbed and groped a little bit, sweet little kisses pressed to his shoulder and neck and jawline until he's got a face tucked into the curve of his throat, until he's giving a sleepy smile and winding his arms around a trim waist and dragging Eddie in close, sputtering and laughing tiredly as wild hair gets in his face and mouth before he falls asleep again, wrapped tight around the love of his life.

None of that tonight, apparently - and he doesn't blame him. No, he hears the bedroom door creak and it feels like a punishment that he deserves and his eyes burn and burn and burn and his face is wet now, he can't help it, and he wipes at it again angrily, takes the soft blanket to his face and why is it so soft why does Steve try so hard when he knows he won't get anything back why does he try to build a home when he's never had one and never will and is going to lose the one he's clawed onto so desperately and tried so hard to keep–

The door creaks again. Steve takes a stuttering breath. Eddie's steps are soft now as they come down the hallway, bare feet on the floor, almost silent as he creeps his way closer. Steve clenches his teeth so hard his jaw aches, anything to hold back the sounds he wants to make - he can't let Eddie hear him. He can't let Eddie know he's crying. That's manipulative, isn't it? Crying in front of the person he hurt? He won't do it, won't be that selfish, but that shadow appears at the base of the door again. Steve can't help the shaky inhale he takes, and it sounds so fucking loud in the quiet of the guest room, choked and echoing. 

"Baby?" Eddie says, voice low and quiet, rapping so gently against the door with one knuckle. "You in there, Stevie?" 

Just the sound of him is enough to send his heart crashing around in his ribcage, fluttering and jumping and making Steve tense. He wants to answer but he can’t get the words to form, his throat feels sealed shut, and he wonders if he should answer even if he were able because what could Eddie possibly have to say right now? It can’t be anything good and Steve doesn’t know if he can take it right now, in this room that makes him feel like a guest in his own home - but isn’t he always a guest? Isn’t that what he’s made to be, a temporary stop in everyone else’s story?

But he’s not ready for Eddie to move past him yet. Not tonight. Let it happen in the morning if it has to happen, let him put this off just a little longer. Just please, not tonight. Not yet.

But Eddie’s never been known for his patience, and the click of the latch has Steve slamming his eyes closed. Too late to roll over and hide his face, but he’s got enough time to duck down and tuck most of his features into a pillow. He tries to let his body relax, to let the tense lines of his muscles uncoil and his shoulders drop and his fists unclench, but he can’t tell if he’s managed it and the ache in his palms from his blunt nails tells him maybe he did, but it won’t help much.

Eddie makes his way across the carpet in silent steps, and the mattress dips with his weight as he sits on the edge of it. Steve’s fingers twitch to reach for him, but he just curls them into the sheets instead and hopes the motion looks absent enough to have happened in his sleep. 

He smells sandalwood and tobacco and feels the warmth from Eddie being so near but it feels like there’s a wall between them, one he can’t cross even if he tries, one he’s barred from so much as touching. 

He works hard to keep his breathing even but it’s hitching now and then despite his best efforts, shaky and too loud in the silent room, but he keeps up the charade even though the end of it all is perched right in front of him. And it’s Eddie who puts an end to it. It was always Eddie who was going to put an end to it.

“I know you’re awake,” he says, and Steve squeezes his eyes tighter like that’ll make it untrue, like he can just drift off in a second if he wills it hard enough. Eddie shifts on the mattress, and Steve curls tighter into himself. “Let’s just hash this out, huh? Get it over with.” Steve bites his tongue so hard he thinks he might taste blood. It’s that simple for Eddie - but it’s always simple, isn’t it? Cut and dry, plain as day, Steve is the only one who can never see it coming, it’s written on the goddamn walls for everyone else.

He risks peeking through his lashes but Eddie’s got his back to him so it doesn’t even matter, not really. Eddie isn’t looking at him and so Steve allows himself to look, takes in the hunch of Eddie’s shoulders, the curve of his spine beneath his thin pajama shirt - he’d changed, when he’d made his way through their creaky bedroom door, took off his clothes and put his pajamas on and kicked off those tennis shoes, they’re probably in a pile at the foot of the bed for Steve to trip over and he will miss tripping over them, he’ll miss it terribly.

He wonders if he’ll need to move. If he’ll have to find a new place and separate out all of their things into his things, if SteveAndEddie’sStuff will become Steve’s stuff and Eddie’s stuff. Or maybe he’ll just start staying in this guest room, maybe that’s why he furnished this room so completely, because somehow he knew he’d end up alone in it.

“I’m sorry,” Eddie says, and Steve inhales sharply.

“Don’t,” he says, and somehow he keeps his voice steady.

“So you are awake,” Eddie says, and he tries to sound teasing, sound playful, but it drops like a stone in this space between them. No room for levity in the dark cloud Steve’s filled this room with. He wishes he could be easygoing and let go gently, but it’s Eddie - in what world could he take losing him graciously?

“Yeah,” he says, and he stares at Eddie’s back as the other raises his head, but he still doesn’t turn to look at Steve, and he wishes he could at least look him in the face when he rips his heart out of his chest.

part 2

[ramenrescue]

mithrun making biang biang noodles (amongst other things)

[twinksakusa]

every haikyuu pairing is just

🤪 x 😐

[nanihirunkits]

#STOOOPPPPPPP THEY ARE SO CUTE 🤏🏻

[dummyminded]

Okay, so if this is their first date (Because it is no I won't hear otherwise)...DOES THAT MEAN LOKI ASKED MOBIUS OUT FIRST?!

[braceletofteeth]

#masterchef roleplay (that might turn into a crime scene)

[heart-of-the-morningstar]

Don't look at my photo roll, please and thx :)