#i wish i was rich so i could have my very own movie theatre and slushie machine and popcorn machine and pick n mix
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heartz4shauna · 5 months ago
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need movie theatre popcorn
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god-mouths · 1 year ago
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Scott pilgrim is a modern retelling of Dante’s Inferno, and I want to talk about it
Hi . Brought this up very briefly a while ago but i rewatched spto with friends last night and got my gears turning. I don’t usually make posts like this but It’s been on my mind and I want to share. Here we goooo. Under read more becwuse I wish not to disturb my beloved friends with a long post
First off, let’s start with theeeee obvious.
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Say hello to our Dante and Beatrice.
I don’t think I need to go into this first one much, but Scott and Dante are of course the heroes(term used lightly. Scott is not a good person and honestly neither was fuckinh Dante of all people) of their respective tales, going through hell and back to win over this ethereal, “too good to be true” heavenly dream girl. Scott even dies to get her in the end, like Dante venturing down into the depths of hell, dying and then ascending to get to Beatrice. If I wanted to really stretch it I could say the dreamscape is a sort of purgatory but I don’t think there’s enough evidence for that one.
Next,
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Our Virgil. What’s up, Wallace.
In the comics Wallace acts as a sort of guide to Scott. We end up seeing him less as the comic progresses, which I find lines up with Virgil having to part ways with Dante before he enters heaven. Not much to say otherwise admittedly. Love you though buddy
Now for the symbolism of hell. Since there are nine circles of hell, it obviously can’t match up one to one with the exes unless we add some of scott’s relationships to the mix, which both doesn’t make sense, causes this analysis to get stupider than it already is, and leaves some characters left over that already don’t fit in to these parallels.
Luckily, however, there are The Seven Deadly Sins. Going to be going in sin order rather than ex order here
Firstly,
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MATTHEW PATEL - PRIDE
- the first boyfriend and the first sin very conveniently line up, which threw me off track because I thought the exes would go in the order of the sins. Enyways
- in the movies, comics, and shows, he is insanely flashy with how he presents himself. It’s the entrance, the dances, the expressive clothing (“that guy’s dressed as a pirate” “pirates are in this year!”, modifying Gideon’s suit to fit his color palette, the outfit he wore while kicking gideon’s ass). The theatre kid in him essentially
- taking the lead in the musical Knives and Stephen presented him with— they knew how to cater to him, because he views himself as the coolest bitch on the planet. Which honestly he kind of is but don’t tell him this
- so headstrong in his pride that he fucks up. Repeatedly. First to get killed, too cocky, spends all of gideons money “I’ve lost billions!”
- believes he’s entitled to Ramona as soon as he wins the fight against Scott
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GIDEON- GREED
- I don’t feel like I have to explain this one but I will because I enjoy him greatly
- CEO, billionaire. Money money money mr rich
- literally “owns” or tries to excersize ownership Ramona in the comics and movie as if she belongs to him— with the glow, or with the chip implanted into her neck with his logo on it.
- has all of his past girlfriends cryogenically frozen. All for him none for anyone else. They should only love meeeeee.
- wants everything for himself in excess. Women, fame, money. Almost considered pride for him also but greed is more fitting
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KEN AND KYLE- ENVY AND LUST
- holy shit this image has five pixels so sorry about that I’m on my phone and Google images sucks
- anyways of course they’re sharing sins
- not much to say here as they don’t show up much, and it’s easy to make the argument of envy or lust for ANY of the seven exes. These two were the hardest to figure out. Not as sure on Envy, but can definetly advocate for lust— playing around with women, thinking they were playing around with Ramona.
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TODD- GLUTTONY
- this one was the easiest one for me. Like come on
- breaks vegan edge in the comics, movie, (vegan police), and show (Wallace breakup event 2 dead 5 injured)
- his whole persona revolves around food. Of course gluttony doesn’t always mean food but here it most definetly equates. Even when he’s vegan he always makes it a talking point of how superior he is to others because of this fact, only for it to blow up in his face when his enjoyment of non vegan food catches up to him.
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ROXY- WRATH
- a very angry girl to be sure. Takes her emotions out using violence, attacking Ramona the first time she sees her, even though she is going out of the order of the league and supposed to be attacking Scott (although I guess that point is moot because they all think he’s dead at that point)
- “I’m bi-furious” line from the movie deserves a shout out here I think
- (completely justified) Unending rage against Ramona in the show, and scott in the comics and movies. She is PISSED.
Lastly,
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LUCAS LEE- SLOTH
- also one of the easiest ones. Could have made an argument for pride (tries to prove he can land a sick ollie so hard that he dies) or greed (movie star who lives in huge mansion), but sloth ultimately fit the bill the best.
- even before we get into his reoccurring theme of “whatever” in the show, it’s pretty evident in the comics and movie that he doesn’t care enough to extend effort. He tells Scott he’ll leave him alone and say his ass got kicked if Scott gave him a twenty dollar bill, sends his stunt doubles to fight Scott in his stead.
- onto the show, he lets his stardom slip out of his fingers with his attitude, not even caring to read or memorize the script anymore (“is that why half the lines in your last film were ‘Let’s Party’?” “I uhh, read the title.” Etc). Just spends all his time messing around and skateboarding. The title of his episode is literally “Whatever”. He doesn’t give enough of a shit to care. Which. Respect I guess
Extra; the exes ARE referred to as “the seven deadly chumps” in the show.
In conclusion;
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multimetaverse · 3 years ago
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HSMTMTS 2x08 Review
Most Likely To was the best ep of S2 so far and ended one ship while launching another. Let’s dig in!
Gaston was super fun, a very nice showcase for both Larry and Matt. This is the kind of energy that early S2 was lacking. Also feels like the first ep where East High might actually have a shot at beating North High. Covid restrictions played a role but we really needed to see more rehearsal scenes and scenes of the wildcats just being theatre kids. This also may be one of the last times we see EJ perform as a student in the musical so I’m glad we got this.  
EJ has been criminally underused for most of S2, he’s marketed as part of the big 4 along with Nini, Ricky, and Gina and Matt Cornett’s name is listed 3rd in the credits but in the early eps of S2 you’d think he was guest star. Lately he’s started to become more important and tonight was an excellent showcase of why he’s such an interesting character. I’m not gonna check but this feels like it’s the most EJ screen time in a single ep that we’ve gotten all season long. 
Of course, the main reason for EJ’s increased screen time is because of Portwell. I’ve been neutral on them but tonight they really won me over’ their scenes were so sweet that they warmed even my cold black heart. Matt and Sofia are good friends irl and that shines through in their easy rapport and great chemistry. Gina snorting at EJ’s joke was cute and I loved the shot of Gina accidentally walking into the shot for EJ’s confessional. As an aside, they’ve been doing some fun stuff with the confessionals lately which helps add a bit of the metaness that helped make S1 so great.
The real big Portwell scene tonight was EJ and Gina talking on the couch at Ashlyn’s. Lot’s to love there. Gina’s speech to EJ about what she sees when she thinks of him was sweet and her saying that EJ tried to do the right thing and often failed but kept trying echoes what she said of herself during her confession to Ricky. Also when EJ asked Gina if she understood the feeling of having her life mapped out she replied, ‘’not really’’ which is almost certainly the inspiration for Gina asking a question to EJ and him responding ‘’not really’’ in their pre S2 face time call on the hsmtmts instagram. 
EJ is still wracked with guilt for the guy he used to be but Gina reminds him that he’s grown and is a good guy which leads to her slip up about her seeing him that way vs the rest of the gang hinting that she’s beginning to catch feelings for EJ. Which leads to EJ complimenting her and them having a moment that could well have led to a kiss if Ashlyn hadn’t come home. And they cap it off with Gina falling asleep and EJ covering her with his Duke sweater. 
It’s been nice not seeing Gina upset over Ricky these past two eps and it’s a damning indictment of the poor writing and pacing of S2 that her story in the first 6 eps can be summed up as Gina being upset over something Ricky said or did. Not only has Portwell allowed EJ to rise in prominence but also it’s allowed Gina to escape the rut her character was stuck in pining for Ricky. 
I hope after S2 is over that we get an interview where Tim explains how the Portwell plot came to be. The S1 finale set up some possible interest between them as did the pre S2 face time call but nothing came of it during the first 4 eps, they stood next to each other a lot but barely interacted otherwise. Notably in 2x01, which Tim himself wrote, EJ tries to grow a beard and tells Ashlyn that he says her as so young which is extremely jarring now that we know that EJ is crushing on Gina who is Ashlyn’s age. 
Was Tim not set on doing Portwell until he realized he needed to give Gina something else to do other than hopelessly pine for Ricky? Narratively, it made sense after Rini got together in S1 to put the other two Big 4 characters together in S2 but did Tim not want it to seem so obvious to the audience so he deliberately kept Portwell apart until 2x05 where EJ’s feelings make for a nice plot twist? Was he just reluctant to plug EJ back into the love square due to how much more complicated it would make things but later felt he had no other options? Or was it just plain old bad pacing and writing?
Of course, I wish that there wasn’t such a large age gap between Sofia and Matt but there are no Gina ships that avoid that problem, there’s also an age gap between Sofia and Joshua, just as there was between Olivia and Joshua and Matt in S1. Depending on when they film S3 there’s a good chance that most of it will be finished before Sofia even turns 18 which is deeply unfortunate. There’s a broader issue of teen girls being cast in mostly age appropriate roles while their male love interests are older adults and in particular it often affects female characters of colour. Netflix has a really bad track record with those kind of age gaps but Disney has problems too as we’ve seen on HSMTMTS and on GMW where by the end of S3 they had 18 year old Peyton Meyer as the boyfriend of 14 year old Rowan Blanchard’s character (not to mention canon Joshaya which didn’t have such a bad age gap between the actors but was problematic regarding the ages of the characters themselves).
A knock I’ve seen on Portwell is that EJ is just gonna leave for university next year but that was never gonna happen, Matt’s under the same 4 season contract as all the other mains and he’ll be sticking around in some capacity much like Sharpay ended up doing in the movies. It is true that EJ will probably have to move on at the end of S4 while Gina still has her senior year left but that will also happen with her and Ricky since he’ll be graduating at the end of S4. It was a big mistake to make EJ a senior but it also may end up being a big mistake to make Gina a sophomore. It would have been too messy to retcon EJ to be a junior but Tim probably should have taken the chance to retcon Gina into being a junior in S2.
That Rini breakup was so sad (missed opportunity for gotta go my own way). They managed to get in a Troyella reference with the treehouse. This was inevitable they just have not been communicating well though now that we know that Ricky thought Nini left YAC for him some of his desperation to spend as much time together as possible makes more sense. I think Rini is endgame if the series has 4 seasons but it wouldn't shock me if we never seem them dating again and they only get back together in the series finale. It also wouldn’t surprise me if Nini never dates anyone else for the remainder of the series or at least not seriously. 
We’re not even halfway through the series so it’s way too early to permanently slam the door on Rini though this time apart will probably help Joshua and Olivia move on from their own bitter break up before it bleeds too much into their performances. I do wonder if Tim really has a clue what he's gonna do with them for the remaining 24-28 eps of the series, assuming S3 and S4 have 10-12 eps each. 
Roman Banks killed If I Can’t Love Her and the montage of all the couples or ex couples was great.
It was nice to finally meets some parents other than the Bowen’s and Salazar-Roberts’. Kourtney’s mom was played by Dara’s actual mother and their dynamic was great as expected. It seems from their conversation that Kourtney's father is dead which I don’t believe has been mentioned before. Cash Caswell.... well it gets what the character is about across. He really looks and sounds like a rich Utah republican, I bet he knows Mitt Romney personally. I liked EJ going to tell his father that he’s not going to Duke and recognizing that he wants to build his own life on his own merits. 
We saw a bit of that S1 Miss Jenn energy tonight which was fun though I didn't like how curt she was with Seb nor did I like how rude Carlos was to Seb although we know that blows up in 2x10. 
Jazzara rising! I really liked how Jazzara and Portwell are sort of mirroring each other and since Mazzara knows about EJ’s feelings for Gina it wouldn’t shock me if helping EJ out is part of him showing a softer side in 2x12.
Of course Ashlyn is VP of the Nostradamus society. It's clear her family has some kooky new age beliefs (her parents are probably members of some naturopathic medicine group on Facebook that doubles as a gateway into Qanon)
It was nice to see Big Red being such a good friend to Ricky and the return of Ricky’s infamous pillow hugs. Lmao at Ashlyn just chilling while Big Red is comforting Ricky
Also Miss Jenn saying sexy and Big Red referring to pillow talk, the writers are adding a bit of spice when cooking up these scripts.
Looking Ahead: 
Looks like Gina may be wearing EJ's duke sweater next ep according to some posts I saw. Jack presumably is there to somehow help Gina decide what she wants with Ricky and EJ though him having wanderlust might also feed into Gina’s thoughts on settling down in SLC or moving with her mom around the country.
Let's see what mom of the year, Lynne Bowen, has up her sleeves. Ricky’s bedroom at her place in Chicago looks much nicer than the apartment Mike Bowen has so perhaps she makes a lot more money than he does. 
Not looking forward to the Zoom portions of the ep but I guess it was inevitable. 
There’s only two paths for Gina’s story to go in the remainder of this season; either she decides to move on from Ricky and give EJ a chance or she decides that Ricky is worth trying again and squelches her budding feelings for EJ. The former looks much more likely after tonight’s ep but either way it needs to be handled with care. Inevitably Gina and Ricky need to talk about what happened between them but if Tim really wants Ricky to continue being a viable love interest or even a good friend to Gina then he needs to really have Ricky apologize and show a thoughtful, kinder side of him that’s largely been missing this season. 
What I think Tim is doing is setting up Portwell getting together in 2x12 but Ricky pining over Gina until Portwell break up late S3 and Rina get together in the S3 finale before they break up later in S4 and Ricky gets back with Nini near the end of the series. If I had Tim’s ear I would tell him that he should pick which ship he wants to do, Rina or Portwell, but don’t do both. He wants canon Rina? Great then end Portwell before it starts and have Rina happen in S3 and introduce other obstacles to them getting together rather than having to damage EJ’s character and make him lose another girl he likes to Ricky. He wants canon Portwell? Great then have Gina and Ricky’s conversation be closure for the both of them and have Gina and EJ get together and break them up without Ricky being a cause of it or waiting in the wings to get with Gina soon afterwards. Doing both will be a disaster and I truly hope that Tim Federle carefully thinks over his mistakes in S2 and really plans out the remaining 2 seasons of the series while there’s still time to prevent things from going really off the rails like GMW and AM did thanks to the bad decisions of Michael Jacobs and Terri Minsky. 
Until next week wildcats. 
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tcm · 4 years ago
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In Memory of Brian, Fred and Jerry by Susan King
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I mourn the loss of Hollywood legends, especially those I have interviewed over the years. I broke into tears when Debbie Reynolds died four years ago, recalling our last chat together in 2016 when we did a duet of “Moses Supposes.” And I still haven’t watched TO KILL A MOCKINGBIRD (’62) since Gregory Peck died in 2003. I had the opportunity to interview the handsome Oscar-winner at his now torn down home in 1997 and 1999. He was everything you’d hope he would be – sweet, intelligent and funny. He also loved Bob Dylan. His last words to me as he walked me to my car were: “You are a most interesting young lady.”
In 2020 alone, I lost over 20 former interviewees including Kirk Douglas, whom I interviewed eight times between 1986-2017, and my beloved Olivia de Havilland, who I found to be delightful and a bit ribald in the two interviews I did with her. I got more than a little misty when Brian Dennehy, Fred Willard and Jerry Stiller died this year. They were supremely talented and made our lives a little brighter with their performances. And, they all were great guys and fun interviews.
Brian Dennehy
I interviewed Brian Dennehy, who died in April at the age of 81, several times in the early 1990s when I was at the L.A. Times. The former U.S. Marine and football player was intimidating at first sight. He was tall, burly and barrel-chested. He had a no-nonsense quality about him, and he spoke his mind. But he also was funny.
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In 1991, discussing how hard it was for some actors to land parts after starring in a TV series, he noted “coming off a TV series is a tough deal, and you go into limbo land for a while, if not forever. Most actors go immediately to the ‘Island of Lost Actors’ and stay there. Troy Donahue is the mayor.” Dennehy never went to that island. Not with the complex and often memorable performances he gave in such films as FIRST BLOOD (’82), SILVERADO (’85), COCOON (’85), PRESUMED INNOCENT (’90) and as Big Tom in the comedy TOMMY BOY (’95).
He was nominated for five Emmys, including one for his chilling turn as serial killer John Wayne Gacy in the miniseries To Catch a Killer (’92).
I had one of the most extraordinary evenings at the theater in 2000 when Dennehy reprised his Tony Award-winning role as the tragic Willy Loman at the Ahmanson Theatre in Los Angeles in the lauded revival of Arthur Miller’s masterpiece Death of a Salesman. It was a gut-wrenching performance that left me emotionally exhausted. He earned another Tony in 2003 as James Tyrone in the revival of Eugene O’Neill’s superb Long Day’s Journey into Night. And he never stopped working.
Shortly after his death, the drama DRIVEWAYS (2020) was released on streaming platforms. And it could be Dennehy’s greatest performance. He plays Del, an elderly widower and Korean War vet who sparks a warm friendship with Cody, the young boy next door. The reviews for the film (it’s at 100% fresh on Rotten Tomatoes) and Dennehy have been glowing. The L.A. Times’ Justin Chang wrote that Dennehy’s Del is as “forceful and tender a creation as any in this great actor’s body of work.” And Jeannette Catsoulis of The New York Times stated: “What we might remember most, perhaps appropriately, are Dennehy’s warm, weary features and rich line readings. In a lovely final monologue, Del advises Cody to avoid rushing past the experiences in life that matter, as they pass so quickly on their own. Much like the careers of beloved actors.”
Fred Willard
I first encountered Fred Willard as the clueless sidekick of sleazy talk show host Barth Gimble (Martin Mull) in the late 1970s on the syndicated comedy series Fernwood Tonight and its continuation America 2-Night. I quickly became a fan, and that admiration grew when he became a member of Christopher Guest’s stock company of zanies in such comedies as WAITING FOR GUFFMAN (’96) and BEST IN SHOW (2000). In the latter, he played the equally clueless dog show announcer Buck Laughlin who quipped in his color commentary, “And to think that in some counties these dogs are eaten.”
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Willard told me in a 2012 L.A. Times interview that he didn’t think he was funny until he was an adult. “I always loved comedy growing up – Bob Hope, Red Skelton and Danny Kaye,” said Willard, who died in May at the age of 86.
Willard got a serious part in Tennessee Williams’ one-act in a summer theater group when he was in his 20s. “I was getting laughs on all the lines,” he noted. “The director got upset because the audiences were always laughing. I didn’t try to do it deliberately. Then I realized I would say things around people, and they would laugh. I didn’t mean to be funny. I have always been relaxed around comedy.”
Just as Dennehy, Willard kept working. In fact, he received an Emmy nomination posthumously for his hilarious turn as Ty Burrell’s goofball dad on ABC’s Modern Family. He told me he wished he could try to do more dramatic fare like in Clint Eastwood’s World War II drama Flags of Our Fathers (2006). Willard even called his agent to see if he could get a role in the movie. “Clint Eastwood’s people called back and said, ‘We love Fred, but we are afraid if he appeared on the screen, they might start to laugh.’’’
Jerry Stiller
Jerry Stiller was a real sweetie and also very thoughtful. He sent me a lovely thank you note when I interviewed him and his wife, Anne Meara, in the early 1990s. When I talked to him for his son Ben Stiller’s remake of THE HEARTBREAK KID (2007), Stiller sent me a lovely bouquet of flowers. Ditto in 2010 when I interviewed the couple for a Yahoo! Web series Stiller & Meara: A Show About Everything. I also received Christmas cards until Meara died in 2015.
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Baby boomers remember Stiller, who died at 92 in May, and Meara for their smart and sophisticated comedy act, in which the majority of the humor came from the fact that he was Jewish and she was born Irish Catholic. They recorded albums, were popular on the nightclub circuit and did The Ed Sullivan Show three dozen times. They split up their act when musical variety series went away.
Both were terrific dramatic actors. In fact, I saw Stiller in the 1984 Broadway production of Hurlyburly, David Rabe’s scathing look at Hollywood, and he did a 1997 production of Chekhov’s The Three Sisters. Of course, Stiller garnered even more success in his Emmy-nominated role as Frank Costanza, the caustic father of George (Jason Alexander) on NBC’s Seinfeld (1993-98) and was the best reason to watch CBS’ sitcom The King of Queens (1998-2007) as Kevin James’ acerbic father-in-law
But I most remember that 2010 interview where Stiller and Meara bantered back and forth much to my enjoyment. Here they talk about Ed Sullivan:
Anne: I never liked him.
Jerry: You are out of your mind. You never liked him?
Anne: He scared stuff out of me. I am talking about Mr. Sullivan himself. I wasn’t the only one. There were international favorites throwing up in the wings—singers and tenors and guys who spin plates. It was live. We were scared.
Jerry: Ed Sullivan brought us up to the level that we knew we never could get to – him standing there on the right side of the wings laughing, tears coming out of his eyes and then calling us over and saying, ‘You know, we got a lot of mail on that last show you did.’ I said, ‘From Catholic or Jewish people?’ He said, ‘The Lutherans.’”
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grigori77 · 4 years ago
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2020 in Movies - My Top 30 Fave Movies (Part 3)
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10.  WOLFWALKERS – eleven years ago, Irish director Tomm Moore exploded onto the animated cinema scene with The Secret of Kells, a spellbinding feature debut which captivated audiences the world over and even garnered an Oscar nomination.  Admittedly I didn’t actually even know about it until I discovered his work through his astonishing follow-up, Song of the Sea (another Academy Award nominee), in 2015, so when I finally caught it I was already a fan of Moore’s work.  It’s been a similarly long wait for his third feature, but he’s genuinely pulled off a hat-trick, delivering a third flawless film in a row which OF COURSE means that his latest feature is, beyond a shadow of a doubt, my top animated feature of 2020.  I could even be tempted to say it’s his best work to date … this is an ASTONISHING film, a work of such breath-taking, spell-binding beauty that I spent its entire hour and three-quarters glued to the screen, simple mesmerised by the wonder and majesty of this latest iteration of the characteristically stylised “Cartoon Saloon” look.  It’s also liberally steeped in Moore’s trademark Celtic vibe and atmosphere, once again delving deep into his homeland’s rich and evocative cultural history and mythology while also bringing us something far more original and personal – this time the titular supernatural beings are magical near-human beings whose own subconscious can assume the form of very real wolves.  Set in a particularly dark time in Irish history – namely 1650, when Oliver Cromwell was Lord Protector – the story follows Robyn (Honor Kneafsey, probably best known for the Christmas Prince films), the impetuous and spirited young daughter of English hunter Bill Goodfellowe (Sean Bean), brought in by the Protectorate to rid the city of Kilkenny of the wolves plaguing the area.  One day fate intervenes and Robyn meets Mebh Og MacTire (The Girl at the End of the Garden‘s Eve Whittaker), a wild girl living in the woods, whose accidental bite gives her strange dreams in which she becomes a wolf – turns out Mebh is a wolfwalker, and now so is Robyn … every aspect of this film is an utter triumph for Moore and co, who have crafted a work of living, breathing cinematic art that’s easily the equal to (if not even better than) the best that Disney, Dreamworks or any of the other animation studios could create.  Then there’s the excellent voice cast – Bean brings fatherly warmth and compassion to the role that belies his character’s intimidating size, while Kneafsey and Whittaker make for a sweet and sassy pair as they bond in spite of powerful cultural differences, and the masterful Simon McBurney (Harry Potter, Mission: Impossible – Rogue Nation, Tinker Tailor Soldier Spy) brings cool, understated menace to the role of Cromwell himself.  This is a film with plenty of emotional heft to go with its marvels, and once again displays the welcome dark side which added particular spice to Moore’s previous films, but ultimately this is still a gentle and heartfelt work of wonder that makes for equally suitable viewing for children as for those who are still kids at heart – ultimately, then, this is another triumph for one of the most singularly original filmmakers working in animation today, and if Wolfwalkers doesn’t make it third time lucky come Oscars-time then there’s no justice in the world …
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9.  WONDER WOMAN 1984 – probably the biggest change for 2020 compared to pretty much all of the past decade is how different the fortunes of superhero cinema turned out to be.  A year earlier the Marvel Cinematic Universe had dominated all, but the DC Extended Universe still got a good hit in with big surprise hit Shazam!  Fast-forward to now and things are VERY different – DC suddenly came out in the lead, but only because Marvel’s intended heavy-hitters (two MCU movies, the first Venom sequel and potential hot-shit new franchise starter Morbius: the Living Vampire) found themselves continuously pushed back thanks to (back then) unforeseen circumstances which continue to shit all over our theatre-going slate for the immediate future.  In the end DC’s only SERIOUS competition turned out to be NETFLIX … never mind, at least we got ONE big established superhero blockbuster into the cinemas before the end of the year that the whole family could enjoy, and who better to headline it than DC’s “newest” big screen megastar, Diana Prince? Back in 2017 Monster’s Ball director Patty Jenkins’ monumental DCEU standalone spectacularly realigned the trajectory of a cinematic franchise that was visibly flagging, redesigning the template for the series’ future which has since led to some (mostly) consistently impressive subsequent offerings.  Needless to say it was a damn tough act to follow, but Jenkins and co-writers Geoff Johns (Arrow and The Flash) and David Callaham (The Expendables, Zombieland: Double Tap, future MCU entry Shang-Chi & the Legend of the Ten Rings) have risen to the challenge in fine style, delivering something which pretty much equals that spectacular franchise debut … as has Gal Gadot, who’s now OFFICIALLY made the role her own thanks to yet another showstopping and definitive performance as the unstoppable Amazonian goddess living amongst us.  She’s older and wiser than in the first film, but still hasn’t lost that forthright honesty and wonderfully pure heart we’ve come to love ever since her introduction in Zack Snyder’s troublesome but ultimately underrated Batman V Superman: Dawn of Justice (yes, that’s right, I said it!), and Gadot’s clear, overwhelming commitment to the role continues to pay off magnificently as she once again proves that Diana is THE VERY BEST superhero in the DCEU cinematic pantheon.  Although it takes place several decades after its predecessor, WW84 is, obviously, still very much a period piece, Jenkins and co this time perfectly capturing the sheer opulent and over-the-top tastelessness of the 1980s in all its big-haired, bad-suited, oversized shoulder-padded glory while telling a story that encapsulates the greedy excessiveness of the Reagan era, perfectly embodied in the film’s nominal villain, Max Lord (The Mandalorian himself, Pedro Pascal), a wishy-washy wannabe oil tycoon conman who chances upon a supercharged wish-rock and unleashes a devastating supernatural “monkey’s paw” upon the world. To say any more would give away a whole raft of spectacular twists and turns that deserve to be enjoyed good and cold, although they did spoil one major surprise in the trailer when they teased the return of Diana’s first love, Steve Trevor (Chris Pine) … needless to say this is another big blockbuster bursting with big characters, big action and BIG IDEAS, just what we’ve come to expect after Wonder Woman’s first triumphant big screen adventure.  Interestingly, the film starts out feeling like it’s going to be a bubbly, light, frothy affair – after a particularly stunning all-action opening flashback to Diana’s childhood on Themyscira, the film proper kicks off with a bright and breezy atmosphere that feels a bit like the kind of Saturday morning cartoon action the consistently impressive set-pieces take such unfettered joy in parodying, but as the stakes are raised the tone grows darker and more emotionally potent, the storm clouds gathering for a spectacularly epic climax that, for once, doesn’t feel too overblown or weighed down by its visual effects, while the intelligent script has unfathomable hidden depths to it, making us think far more than these kinds of blockbusters usually do.  It’s really great to see Chris Pine return since he was one of the best things about the first movie, and his lovably childlike wide-eyed wonder at this brave new world perfectly echoes Diana’s own last time round; Kristen Wiig, meanwhile, is pretty phenomenal throughout as Dr Barbara Minerva, the initially geeky and timid nerd who discovers an impressive inner strength but ultimately turns into a superpowered apex predator as she becomes one of Wonder Woman’s most infamous foes, the Cheetah; Pascal, of course, is clearly having the time of his life hamming it up to the hilt as Lord, playing gloriously against his effortlessly cool, charismatic action hero image to deliver a compellingly troubling examination of the monstrous corrupting influence of absolute power.  Once again, though, the film truly belongs to Gadot – she looks amazing, acts her socks off magnificently, and totally rules the movie.  After this, a second sequel is a no-brainer, because Wonder Woman remains the one DC superhero who’s truly capable of bearing the weight of this particular cinematic franchise on her powerful shoulders – needless to say, it’s already been greenlit, and with both Jenkins and Gadot onboard, I’m happy to sign up for more too …
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8.  LOVE & MONSTERS – with the cinemas continuing their frustrating habit of opening for a little while and then closing while the pandemic ebbed and flowed in the months after the summer season, it was starting to look like there might not have been ANY big budget blockbusters to enjoy before year’s end as heavyweights like Black Widow, No Time To Die and Dune pulled back to potentially more certain release slots into 2021 (with only WW84 remaining stubbornly in place for Christmas).  Then Paramount decided to throw us a bone, opting to release this post-apocalyptic horror comedy on-demand in October instead, thus giving me the perfect little present to tie me over during the darkening days of autumn. The end result was a stone-cold gem that came out of nowhere to completely blow critics away, a spectacular sleeper hit that ultimately proved one of the year’s biggest and most brilliant surprises.  Director Michael Matthews may only have had South African indie thriller Five Fingers for Marseilles under his belt prior to this, but he proves he’s definitely a solid talent to watch in the future, crafting a fun and effective thrill-ride that, like all the best horror comedies, is consistently as funny as it is scary, sharing much of the same DNA as this particular mash-up genre’s classics like Tremors and Zombieland and standing up impressively well to such comparisons.  The story, penned by rising star Brian Duffield (who has TWO other entries on this list, Underwater and Spontaneous) and Matthew Robinson (The Invention of Lying, Dora & the Lost City of Gold), is also pretty ingenious and surprisingly original – a meteorite strike has unleashed weird mutagenic pathogens that warp various creepy crawly critters into gigantic monstrosities that have slaughter most of the world’s human population, leaving only a beleaguered, dwindling few to eke out a precarious living in underground colonies. Living in one such makeshift community is Joel Dawson (The Maze Runner’s Dylan O’Brien), a smart and likeable geek who really isn’t very adventurous, is extremely awkward and uncoordinated, and has a problem with freezing if threatened … which makes it all the more inexplicable when he decides, entirely against the advice of everyone he knows, to venture onto the surface so he can make the incredibly dangerous week-long trek to the neighbouring colony where his girlfriend Aimee (Iron Fist’s Jessica Henwick) has ended up.  Joel is, without a doubt, the best role that O’Brien has EVER had, a total dork who’s completely unsuited to this kind of adventure and, in the real world, sure to be eaten alive in the first five minutes, but he’s also such a fantastically believable, fallible everyman that every one of us desperate, pathetic omega-males and females can instantly put ourselves in his place, making it elementarily easy to root for him.  He’s also hilariously funny, his winningly self-deprecating sass and pitch perfect talent for physical comedy making it all the more rewarding watching each gloriously anarchic life-and-death encounter mould him into the year’s most unlikely action hero.  Henwick, meanwhile, once again impresses in a well-written role where she’s able to make a big impression despite her decidedly short screen time, as do the legendary Michael Rooker and brilliant newcomer Ariana Greenblatt as Clyde and Minnow, the adorably jaded, seen-it-all-before pair of “professional survivors” Joel meets en-route, who teach him to survive on the surface.  The action is fast, frenetic and potently visceral, the impressively realistic digital creature effects bringing a motley crew of bloodthirsty beasties to suitably blood-curdling life for the film’s consistently terrifying set-pieces, while the world-building is intricately thought-out and skilfully executed.  Altogether, this was an absolute joy from start to finish, and a film I enthusiastically endorsed to everyone I knew was looking for something fun to enjoy during the frustrating lockdown nights-in.  One of the cinematic year’s best kept secrets then, and a compelling sign of things to come for its up-and-coming director.
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7.  PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all.  It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering deeply troubling answers.  Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s good luck charm, Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two pennies together, until they’re presented with an intriguing opportunity.  Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun). Soon the rest of the Kims are getting in on the act, the kids contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically.  But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon.  This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head to stunning effect.  The cast are all thoroughly astounding, Song once again dominating the film with a turn at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon.  This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away.  Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with, and looks set to go down as one of the true cinematic greats of this new decade.  Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …
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6.  THE OLD GUARD – Netflix’ undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular series with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping great ultraviolent action thriller, ushering in a thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered.  Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), who’s working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan.  The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here.  Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’.  They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story.  Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large.  After this, a sequel is not only inevitable, it’s ESSENTIAL …
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5.  MANK – it’s always nice when David Fincher, one of my TOP FIVE ALL TIME FAVOURITE DIRECTORS, drops a new movie, because it can be GUARANTEED to place good and high in my rundown for that year.  The man is a frickin’ GENIUS, a true master of the craft, genuinely one of the auteur’s auteurs.  I’ve NEVER seen him deliver a bad film – even a misfiring Fincher (see The Curious Case of Benjamin Button or Alien 3) is still capable of creating GREAT CINEMA.  How? Why?  It’s because he genuinely LOVES the art form, it’s been his obsession all his life, and he’s spent every day of it becoming the best possible filmmaker he can be.  Who better to tell the story of the creation of one of the ULTIMATE cinematic masterpieces, then?  Benjamin Ross’ acclaimed biopic RKO 281 covered similar ground, presenting a compelling look into the making Citizen Kane, the timeless masterpiece of Hollywood’s ULTIMATE auteur, Orson Welles, but Fincher’s film is more interested in the original inspiration for the story, how it was written and, most importantly, the man who wrote it – Herman J. Mankiewicz, known to his friends as Mank. One of my favourite actors of all time, Gary Oldman, delivers yet another of his career best performances in the lead role, once a man of vision and incredible storytelling skill whose talents have largely been squandered through professional difficulties and personal vices, a burned out one-time great fallen on hard times whom Welles picks up out of the trash, dusts off and offers a chance to create something truly great again.  The only catch?  The subject of their film (albeit dressed up in the guise of fictional newspaper magnate Charles Foster Kane) is to be real-life publisher, politico and tycoon William Randolph Hurst (Charles Dance), once Mank’s friend and patron before they had a very public and messy falling out which partly led to his current circumstances.  As he toils away in seclusion on what is destined to become his true masterwork, flashbacks reveal to us the fascinating, moving and ultimately tragic tale of his rise and fall from grace in the movie business, set against the backdrop of one of the most tumultuous periods in American history.  Shooting a script that his own journalist and screenwriter father, Jack, crafted and then failed to bring to the screen himself before his death in 2003, Fincher has been working for almost a quarter century to make this film, and all that passion and drive is writ large on the screen – this is a glorious film ABOUT film, the art of it, the creation of it, and all the dirty little secrets of what the industry itself has always really been like, especially in that most glamorous and illusory of times.  The fact that Fincher shot in black and white and intentionally made it look like it was made in the early 1940s (the “golden age of the Silver Screen”, if you will) may seem like a gimmick, but instead it’s a very shrewd choice that expertly captures the gloss and moodiness of the age, almost looking like a contemporary companion piece to Kane itself, and it’s the perfect way to frame all the sharp-witted observation, subtly subversive character development and murky behind-the-scenes machinations that tell the story.  Oldman is in every way the star here, holding the screen with all the consummate skill and flair we’ve come to expect from him, but there’s no denying the uniformly excellent supporting cast are equal to the task here – Dance is at his regal, charismatic best as Hearst, while Amanda Seyfried is icily classy on the surface but mischievous and lovably grounded underneath as Hearst’s mistress, Marion Davies, who formed the basis for Kane’s most controversial character, Arliss Howard (Full Metal Jacket, The Lost World: Jurassic Park, Moneyball) brings nuance and complexity to the role of MGM founder Louis B. Mayer, Tom Pelphrey (Banshee, Ozark) is understated but compelling as Mank’s younger screenwriter brother Joseph, and Lily Collins and Tuppence Middleton exude class and long-suffering stubbornness as the two main women in Mank’s life (his secretary and platonic muse, Rita Alexander, and his wife, Sara), while The Musketeers’ Tom Burke’s periodic but potent appearances as Orson Welles help to drive the story in the “present”.  Another Netflix release which I was (thankfully) able to catch on the big screen during one of the brief lulls between British lockdowns, this was a decidedly meta cinematic experience that perfectly encapsulated not only what is truly required for the creation of a screen epic, but also the latest pinnacle in the career of one of the greatest filmmakers working in the business today, powerful, stirring, intriguing and surprising in equal measure. Certainly it’s one of the most important films ABOUT so far film this century, but is it as good as Citizen Kane?  Boy, that’s a tough one …
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4.  ENOLA HOLMES – ultimately, my top film for the autumn/winter movie season was also the film which finally topped my Netflix Original features list, as well as beating all other streaming offerings for the entire year (which is saying something, as you should know by now).  Had things been different, this would have been one of Warner Bros’ BIGGEST releases for the year in the cinema, of that I have no doubt, a surprise sleeper hit which would have taken the world by storm – as it is it’s STILL become a sensation, albeit in a much more mid-pandemic, lockdown home-viewing kind of way.  Before you start crying oh God no, not another Sherlock Holmes adaptation, this is a very different beast from either the Guy Ritchie take or the modernized BBC show, instead side-lining the great literary sleuth in favour of a delicious new AU version, based on The Case of the Missing Marquess, the first novel in the Enola Holmes Mysteries literary series from American YA author Nancy Springer.  Positing that Sherlock Holmes (Henry Cavill) and his elder brother Mycroft (Sam Claflin) had an equally ingenious and precocious baby sister, the film introduces us to Enola (Stranger Things’ Millie Bobby Brown), who’s been raised at home by their strong-willed mother Eudoria (Helena Bonham Carter) to be just as intelligent, well-read and intellectually skilled as her far more advantageously masculine elder siblings.  Then, on the morning of her sixteenth birthday, Enola awakens to find her mother has vanished, putting her in a pretty pickle since this leaves her a ward of Mycroft, a self-absorbed social peacock who finds her to be wilfully free-spirited and completely ill equipped to face the world, concluding that the only solution is sending her to boarding school where she’ll learn to become a proper lady.  Needless to say she’s horrified by the prospect, deciding to run away and search for her mother instead … this is about as perfect a family adventure film as you could wish for, following a vital, capable and compelling teen detective-in-the-making as she embarks on her very first investigation, as well as winding up tangled in a second to boot involving a young runaway noble, Viscount Tewkesbury, the Marquess of Basilwether (Medici’s Louis Partridge), and the film is a breezy, swift-paced and rewardingly entertaining romp that feels like a welcome breath of fresh air for a literary property which, beloved as it may be, has been adapted to death over the years.  Enola Holmes a brilliant young hero who’s perfectly crafted to carry the franchise forward in fresh new directions, and Brown brings her to life with effervescent charm, boisterous energy and mischievous irreverence that are entirely irresistible; Cavill and Claflin, meanwhile, are perfectly cast as the two very different brothers – this Sherlock is much less louche and world-weary than most previous versions, still razor sharp and intellectually restless but with a comfortable ease and a youthful spring in his step that perfectly suits the actor, while Mycroft is as superior and arrogant as ever, a preening arse we derive huge enjoyment watching Enola consistently get the best of; Bonham Carter doesn’t get a lot of screen-time but as we’d expect she does a lot with what she has to make the practical, eccentric and unapologetically modern Eudoria thoroughly memorable, while Partridge is carefree and likeable as the naïve but irresistible Tewkesbury, and there are strong supporting turns from Frances de la Tour as his stately grandmother, the Dowager, Susie Wokoma (Crazyhead, Truth Seekers) as Emily, a feisty suffragette who runs a jujitsu studio, Burn Gorman as dastardly thug-for-hire Linthorn, and Four Lions’ Adeel Akhtar as a particularly scuzzy Inspector Lestrade.  Seasoned TV director Harry Bradbeer (Fleabag, Killing Eve) makes his feature debut with an impressive splash, unfolding the action at a brisk pace while keeping the narrative firmly focused on an intricate mystery plot that throws in plenty of ingenious twists and turns before a suitably atmospheric climax and pleasing denouement which nonetheless artfully sets up more to come in the future, while screenwriter Jack Thorne (His Dark Materials, The Scouting Book for Boys, Wonder) delivers strong character work and liberally peppers the dialogue with a veritable cavalcade of witty zingers.  Boisterous, compelling, amusing, affecting and exciting in equal measure, this is a spirited and appealing slice of cinematic escapism that flatters its viewers and never talks down to them, a perfect little period adventure for a cosy Sunday afternoon.  Obviously there’s plenty of potential for more, and with further books to adapt there’s more than enough material for a pile of sequels – Neflix would be barmy indeed to turn their nose up at this opportunity …
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3.  1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed.  Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed.  The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of film, a mesmerising journey of emotion and imagination in a shockingly real environment that’s impossible to tear your eyes away from.  Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league.  It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is True History of the Kelly Gang’s George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack).  They’re a likeable pair, very human and relatable throughout, brave and true but never so overtly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos.  That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DOP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is utterly immersive and simply STUNNING.  I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same.  Either way, this was the most incredible, exhausting, truly AWESOME experience I had at the cinema all year – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …
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2.  BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number two is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen.  It was been the biggest pleasure of my cinematic year getting to see my top DC superheroines brought to life on the big screen, and it was done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than the Wonder Woman movies).  It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one talented psychiatrist.  Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley TRUE justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to.  Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the assumed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about.  Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what had to be 2020’s most exciting cast – Helena Bertinelli, the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action hero potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain.  Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discover her warrior origins when the DCEU finally gets around to introducing her mum, Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy.  My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT.  Altogether they’re a fantastic bunch of badass ladies, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz.  This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster ever made – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms.  It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!).  It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists.  Altogether, then, this is the VERY BEST the DCEU has to offer to date, and VERY NEARLY my absolute FAVOURITE film of 2020.  Give it all the love you can, it sure as hell deserves it.
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1.  TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly saved our cinematic summer, but I’m still IMMEASURABLY glad that my ultimate top-spot winner FOR THE WHOLE YEAR was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August and ultimately taking the bite at the box office because of the still shaky atmosphere), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with.  I mean, okay, in the end it WASN’T the FIRST new movie I saw after the first reopening, that honour went to Unhinged, but THIS was my first real Saturday night-out big screen EXPERIENCE since March.  Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT.  Still with us?  Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who was ALMOST the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s Himesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine.  The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even if that amazing new teaser trailer wasn’t making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic.  As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual triumph and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some absolutely mesmerising visuals.  Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he had good reason, since he was working on his dream project at the time, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his collaborations with Ryan Coogler Fruitvale Station, Creed and Black Panther, as well as career-best work on The Mandalorian) is a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence this film is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven.  As a work of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that proved truly unbeatable in 2020 …
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invisibleicewands · 3 years ago
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His beard bloomed and his hair sprang forth, like a riot of corkscrews, during lockdown. Now Michael Sheen sweeps on to the National Theatre’s Olivier stage in the manner of an Old Testament prophet descending from Mount Snowdon – or must we call it Yr Wyddfa?
Sheen is best known as a great mimic who played Chris Tarrant in last year’s TV series about the Who Wants To Be A Millionaire coughing scandal, Quiz, and Tony Blair in the 2006 film The Queen opposite Helen Mirren – plus David Frost in Peter Morgan’s play and film Frost/Nixon and Brian Clough in the The Damned United movie.
Here though he takes on the role of the narrator in Lyndsey Turner’s bittersweet revival of Dylan Thomas’s verse drama written for radio in 1954 – re-imagined here in a care home. [...]
Looking pallid and paunchy in his creased shirt and saggy trousers, Sheen takes the role of the story’s narrator, made famous by Richard Burton. Only here, Sheen relates the tale not to the audience but to his father, whose memories have been robbed by Alzheimer’s.Inebriated by the whisky he keeps hidden in his jacket, Sheen stumbles eagerly through the verse as if making it up as he goes along – painting pictures of people (and their dreams) in the Carmarthenshire port that lies ‘fast, and slow, asleep’. [...] The care home setting does feel cheerless at first, but it’s a clever way of focusing the rambling yarn. And furniture on casters – including a shop counter, steaming stove and kitchen table, set with multiple cloths to denote different homes – add a sense of magic and playfulness.Nor could you wish for a more loquacious, richer narrator than hirsute, woody-voiced Sheen, who looks like he’s been training outside an off-licence. I just wish it had been bookended with silence rather than someone else’s words. DailyMail
[...] On the circular stage of the reconfigured, socially distanced Olivier auditorium, Brown’s character patiently sets about starting up the day’s routine with the residents drifting in to sit and talk and stare into space. But the temperature climbs with the unexpected arrival of Mr. Jenkins’ son Owain (Michael Sheen), whose short-fuse exasperation turns swiftly to anger when his father cannot or will not communicate with him. Calmed by the staff, he and his father begin looking at an old family photograph album and Thomas’s original text takes over, now presented as a portrait of the village of Mr. Jenkins’ not-quite-forgotten past. [...] Whenever it is staged — it was last seen at the National 25 years ago — the chief problem is the lack of momentum. Characters’ (in)actions lack consequences, which makes it hard to engage with them except on a momentary basis. Owen and Turner’s new frame seeks to address that directly by making Sheen’s character not an inert, impartial observer but a man desperate to tell the story to and with his father in order to connect, to awaken his father’s distracted mind. Previously neutral descriptions are thus charged up, which intermittently animates proceedings. [...] The ultimate moment of connection between father and son is affecting but the production’s dangerous proximity to unearned sentimentality is also visible. And in the foregoing hour and three-quarter running time (with no interval), the sustained inertia grows wearing. There’s welcome tenderness aplenty but, when it comes to storytelling, there’s too much telling and, alas, too little story. Variety
                                                                                                                             Michael Sheen is terrific in Dylan Thomas’s linguistic tour de force, which remains undimmed by the years [...] The whole home thing is a nice enough idea that ambles on agreeably… but it’s a thrill when the play proper starts: it feels like the air suddenly fizzes and crackles when Sheen’s narrator introduces us to Llareggub on one ‘starless and Bible-black’ night. Ultimately, the care home business feels minor and diversionary, a framework to (kind of) explain why the poem is being performed. But it doesn’t really have a payoff or purpose beyond the performance of the poem itself. I'm not sure anyone really needs my opinion on I ‘Under Milk Wood’ as Thomas wrote it. But for what it’s worth I think it’s brilliant – time hasn’t dimmed it, his language remains bracingly wild, elemental and weird. And this is a very good, detailed performance of it – Sheen is impassioned and urgent, like he’s electrified by the surging flanguage; the cast of mostly older actors tend to get more playful roles, and seem to be having terrific fun. [...] You bought your tickets to see Michael Sheen doing ‘Under Milk Wood’ and you’ve got Michael Sheen doing ‘Under Milk Wood’ – nobody’s going to feel disappointed. Time Out
[...] Sheen – shaggy, bearded and full of humanity – leads as the narrator but this is really an ensemble show, animated with amusing turns by Siân Phillips, Cleo Sylvestre and Ifan Huw Dafydd among others. It comes with an inventive framing device (additional material is written by Siân Owen) in which Sheen plays the son of Richard Jenkins (Karl Johnson), who is losing his bearings when he is visited by Jenkins Junior in his nursing home. [...] While this is a charming production that bewitches, it begs the question of why a drama that is so consciously retreating into the past is revived now, and how it speaks to our pandemic landscape. Thomas draws a picture of a place steeped in stasis and saturated in nostalgia. Time has stood still here, as Thomas makes clear in the symbolism of the village clock’s frozen hands, and it arguably represents his yearning for a bygone world after the second world war. This production seems entirely conscious of its retreat into the past and it resembles a lost world that is both comforting and jarring after the horrors of the pandemic. The Guardian
To hear Michael Sheen deliver Under Milk Wood feels akin to witnessing Gielgud's Hamlet or Rylance's Rooster Byron. It is nothing short of theatrically seminal.As hoped, the poetry is magnificent. He orchestrates Dylan Thomas's posthumously performed masterpiece as a maestro conductor, all waving hands and syncopated rhythm. There are times when his words seem to literally hang in the air, leaving the socially distanced Olivier audience hypnotised. I could listen to him say "Now behind the eyes and secrets of the dreamers in the streets rocked to sleep by the sea…" on loop forever. [...] The concept doesn't always feel completely cohesive - it seems strange that everyone so willingly joins the performance when Sheen's character is so cold and skittish with them initially - but Lyndsey Turner's beautifully choreographed in-the-round production is convincing enough to override such niggles.The metanarrative also has the noticeable effect of causing Sheen to speak as if he is conjuring Dylan's words on the spot. This lends both an immediacy to the language and also a purpose to its rich imagery - after all, here is a man desperately trying to paint pictures in his father's addled imagination. Under Milk Wood is in some sense a victim of its own familiarity, and Turner's staging lends a much-needed freshness over reverence. [...] Whatsonstage
A charismatic Michael Sheen is part showman, part shaman in this staging of Dylan Thomas’s 1954 radio play, conjuring a Welsh town into lyrical, beguiling life with mostly older actors on a bare stage. Lyndsey Turner’s production marks a triumphant reopening for the National’s Olivier Theatre, where the audience now sits on all sides, a configuration that lends itself to simple production values and a deeper communion between actors and onlookers.It begins oddly, though, in the middle-distant past with Sheen as an angry, wild-bearded writer visiting his demented father (Karl Johnson, heartbreaking) in a care home. Thomas’s poetry is the only way to reach the old man, and his fellow residents are duly summoned to incarnate the townsfolk of the author’s fictional Llareggub (“bugger all” backwards). It’s an awkward framing device with a serious point: to stress the importance of community and memory, and salute the talents and rich lives of elder generations. But what a lovely, bittersweet spell this show casts. Sheen, like Richard Burton and Anthony Hopkins, grew up in Port Talbot, an hour from Laugharne where Thomas lived and partially wrote the play. He has the contours of the language and the landscape in his head, and an orator’s relish for Thomas’s evocative phrasing. We first see Llareggub asleep, “starless and bible black” and meet its inhabitants in their dreams. [...] Eveningstandard
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allkinds-oftrash · 3 years ago
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Ya girl is watching the latest HSM series ep and Imma live blog it hshshs and will add my reactions under the cut so it doesn't end up a long post. Anyways, let's goo:
AHHHH THE MORNING SHOW WITH GINA AND EJ WE LOVE TO SEE IT
They really said we're gonna let life imitate art with Nini and Olivia huh
Ricky was SUPPORTIVE??? Damnn I really thought we gonna get a classic Ricky tantrum....
But also wow sir that sounds salty and should definitely talk to someone abt how you're feeling...A therapist maybe 👀
I know we needed to contextualise how Ricky felt abt the song but I really wanted to see Nini's interview in full!!
Sebby you're so cute I do wanna see yall do DEH
Shjshshs not the rights not being available for another 5 years 😭😭
I dunno how they're in great shape and closer to the Menkies Gold after not having a single proper rehearsal, but go off Miss Jenn
Omg honestly Kourt's costumes are always amazing and on point Imma excited to see it
Kourt is such a simp we love to see it
Carlos is so pissy this episode we love to see it shshhs
Also love the way Seb calms him down and keeps him nice it's such a funny dynamic
"We had 20 people make our Belle dress over 50 hours" Okay North High shut the fuck up
I'm calling it now the reason North High knows so much is cos Howie is the leak and Kourt has been unwittingly telling him. The way her phone keeps going off as they discuss how North High knows everything is really good foreshadowing if my prediction is right
Also like her phone went off just as Carlos said "How did they know that?" THAT'S PEAK FORESHADOWING
If Howie ain't in North High, I dunno what Tim is doing
GSJAGSHAH KOURTNEY MAKING ABS FOR EJ I CANNOT
"I have abs" We know sweetie
"I PADDED THE THUSH FOR YOU" "AWW THANKS KOURT I NEEDED THAT" THIS INTERACTION IS EVERYTHING THAT WAS SO FUNNY!! I love that it is now canon that EJ has abs but no butt love that for him
Okay but like damn these costumes are great!! North High can fuck right off with its high end ones I just wanna see lowkey homemade costumes by students; I'd watch a Broadway show if I wanted to see professional costumes okay
Damn Carlos has killer eyesight clocking in that mask in the trunk
GINA BBY DON'T SAY THAT AND HAHSGSH NINI NUDGING HER WAS SO FUNNY
Nini's little look over at Gina was like "Omg you guys my girlfriend is so cute and dumb" GINI STANS HOW WE FEELING?
Miss Jenn don't be that naive, your boyfriend probably put them up to it
That Insta page is prophetic with their timing tbh; all the info is a leak obviously looking at your Howie but like the timing of it all. Those kiddos don't know that they are discussing the stolen mask at this exact moment (Kourt has put down her phone after Carlos snapped at her so Howie doesn't know they are talking abt it rn)
"We don't dance with the enemy" *cuts to her dancing with Zackey later*
SEBBY WEARING THE TEACUP COSTUME OMG HE'S GOING MAKE SUCH A CUTE CHIP (yes I am still mad Seb/Joe was robbed but Imma fangirl over the costume anyway)
Wtf why does North High look so expensive - they are literally in the same district as East High right??? How did they get this much funding
North High is a very artsy and rich for a public school; they should have had Nini go here instead of YAC tbh (like this campus feels like what YAC should have been) NOW THAT WOULD HAVE BEEN AN INTERESTING STORYLINE
Seblos' dynamic IS ON POINT THIS EP I really love my bois so much and their back and forth is hilarious
Shhshs DIANE who loves volleyball and North High okay I totally believe it
WHY ARE RED AND ASHLYN SO KINKY EVERY DAMN EPISODE TIM THESE ARE UNDERAGED CHARACTERS STOP IT
Shshsh we love Gina knowing herself and practicing self control by volunteering to be the lookout
Omg yall listen to Carlos and stfu they are so lucky no one saw or heard them yelling Wildcats
Oh no no no no no Miss Jenn you gonna get sucked in; this is gonna be so messy
Omg I saw someone post about this scene before I watched the ep YALL ARE RIGHT THAT BOI HITTING ON GINA IS SO FINE Babes go for that one, not EJ
NOT THEM FAKE DATING UGH E W TIM STOP MAKING ROMANTIC PORTWELL A T H I N G I honestly do not understand how some of yall can ship it romantically knowing Sofia is a whole underaged babey and Matty is a whole ass grown man - like I get the appeal of the Wonderstudies getting together and they do have chemistry but the irl age gap is creepy and outweighs the appeal of shipping them romantically
As I always say; Portwell/Wonderstudies should be a BROTP not an OTP
Ugh Brotp Portwell would have clocked Lily right away; romantic Portwell making googly eyes at each other isn't helping anyone
Living for Nini getting the recognition she deserves - I really like her solo arc this season she's so much more interesting without Ricky tbh
Aww Kourt you simp I love her and I'm so happy she's happy I wanna be wrong about Howie being a North High kid
Where is the mask??
OHMYGOD THESE KIDS COMING IN LIKE A HORROR MOVIE
Lily really wishes she was Jesse St. James huh; you could never Lily so stop
Andrew Barth Feldman and his cute little French accent I love him so much
Hnng Miss Jenn gonna get manipulated by this hoe. Omg wowow Zackey really is a hoe, making out with another girl before the show THE AUDACITY OF HIM SAYING MISS JENN WASN'T GOOD ENOUGH I WILL THROW HANDS WITH THIS MOFO
Wait the kids didn't steal it BUT WHAT IF ZACKEY DID
Ssjsgfajhdfg I CANNOT WITH ANDREW'S ACCENT but I can't tell if its really bad or really good but I'm also confused why didn't they just cast a French person as Antonie shshhs Antoine is adorableee and a little shit the best type of character
Lily is so annoying b y e sis bye and Olivia Keegan is talented I just wish they didn't make her character such a cartoony villain type
"How about if we bop to the top" SEBBY I LOVE YOU AND NEVER STOP BEING SO CUTE I SWEAR and Awww Carlos called him Honey I am s o f t
Hnng why do these fools are really gonna give into North High calling them chickens
OHHH NO SHE DIDN'T JUST SAY THAT ABOUT ASHLYN FUCK A DANCE OFF I AM ABOUT TO THROW HANDS WITH A 16 YEAR OLD
"She told us not to dance with the enemy. She's better than this" No Sebby, she's not *cuts to her dancing with Zackey* AND OMG THE WAY I SAW THIS EDIT COMING BEFORE IT CAME
Ooooh I like this song wayyy more whatever the mess The Mob Song became (when I first heard it drop on Spotify yesterday) Around You is such a great song musically and lyrically very relevant to these two and gosh I love their voices together
They have so much chemistry damn, go home Mike (well he technically has oop) and Mr. Mazzara
YES YOU DO MISS JENN YOU ALWAYS HAD IT
Oh god this is the scene from the trailer; she's gonna make a move on Ricky isn't she?? Leave him alone Lily he doesn't need a 3rd girl to be confused about he needs a therapist
Lily shut the fuck up with quasi; STOP TRYING TO MAKE QUASI HAPPEN
"I love Nini's song" Sure, Jan.
...Okay yes you should have called him out but don't bait him LIKE THAT oop there's the scene from the trailer
Ohmygod is Andrew Barth Feldman gonna hit on Ashlyn
Okay this is so cute but also I am VERY annoyed with the way this show handles its characters like they aren't relevant or important unless they get into a relationship or a love triangle?? That's such a shitty way to give out screentime and arcs to characters. Is it not enough to develop the characters on their own and strengthen their friendship???
HUH TIM why you so obsessed with compulsory heterosexuality??(well also homosexuality for Seblos but they are the only ones I'm not annoyed with their relationship cos its a hella big step for Disney to have a gay couple and their relationship isn't in our faces or overshadows the plot and its just spinkles of cuteness every time they interact - they are honestly who Rini wishes they were; besties in love. They are a couple that Tim should be taking notes from; leave the relationship drama in the background, focus on the theatre and friendship aspect of everything)
My mini rant aside; this is a very adorable interaction between Ashlyn and Antoine.
"TOM HOLLAND ON STILTS" GET THE FUCK OUT OF HERE WITH THAT COMPARISON I AM SCREAMING ANTOINE THAT'S SO FUNNY
This is so funny he keeps picking out the hottest guys of the group; as if he himself isn't the French version of Big Red they look super alike ngl shshsh
WHY YOU RUIN IT WITH THAT ANTOINE I WAS ROOTING FOR YOU
Drama between Antoine and Red is already spicing up shshsh I cannot
Why are you so dramatic with the shuffle Lily gtfo of here...also this doesn't make sense?? She wasn't even on a BATB playlist; what if a non BATB song came on ahahah
Good to know they aren't big fans of The Mob Song like I am Awww EJ you cutie, okay I will appreciate the OG Mob Song just for you
OH WAIT HE PROLLY LIKES IT COS ITS A GASTON LED SONG TIM GIMME THE EJ SOLO I DESERVE IN THIS NUMBER
I'm being robbed of Gaston for the last 7 eps I at least deserve an EJ solo for compensation
The way the set looks straight out of Broadway but also like omg the blue lighting and fancy stage gave me intense flashbacks to that Glee episode where Vocal Adrenaline sang Bohemian Rhapsody
RICKY STOP BEING SALTY AND ACTUALLY COMMUNICATE WITH YOUR GIRLFRIEND LIKE A NORMAL PERSON
OMG THE SUBTITLES SAID ITS HOWIE SINGING AS THE BEAST I FUCKING CALLED IT
Howie you hoe you gonna break my girl Kourtney's heart
Yeah...still not a fan of Antoine's Dance Remix
Yall know Gina would kill the dance number if she wasn't wearing that fit
Okay but it's Gaston led song WHY DOES EVERYONE BUT EJ HAVE A SOLO IN THIS SONG??
First the Beasts led it (Howie sounded better than Ricky ngl), then the Lumieres (their voices worked hella well together; I always forget what a talented singer Frankie is THEY NEED TO GIVE HIM A SOLO SONG) and now the Belles are going at it (Ashlyn's voice is superior)
BIG RED BEING JEALOUS AND SALTY IS SO FUNNY ITS LIKE A PUPPY BEING ANGRY I CRI
...Did anyone really win, Lily??? STFU
CARLOS IS RIGHT AND HE SHOULD SAY IT
Oooh I did see someone talk about this when the Rose Song dropped last week, apparently its illegal to add songs to a musical you're doing for a school play; I really thought the show would brush past that irl rule but I guess they are playing into it
THE WAY EVERYONE TURNED TO EJ FOR THE SPORTS METAPHOR I AM D Y I N G AND HIS FACE WAS GOLDEN! ITS LIKE THAT LISA SIMPSON MEME SHHSHSH
Okay Nini is being a little pissy about leaving her song out of the show and its a little selfish to wanna keep it at the risk of being disqualified but I also understand why she's hurt
Everyone is dog piling on her right now being against her idea and it feels like they are being against her song and her herself instead of them not wanting to be disqualified. Also like she poured her heart and soul into the song after Miss Jenn lowkey rushed her to write it. So I can see why this feels like a rejection of her and her song and why she's so hurt rather than her seeing the big picture right now
It doesn't help that Ricky said the final blow causing her to walk off
Okay maybe Zackey gets some rights for being chill and wanting the kids to be peers
THIS MOTHERFUCKER I KNEW HE WAS SHADY Also the way I gasped even though I predicted he stole the mask halfway through this ep shshsh
Stab him Miss Jenn STAB HIM
Bitch why you so threatened by East High if yall have such a Broadway-esque show planned??? They honestly should have stuck to the Little Mermaid; I really wanted to see the aquarium
"It's just a song Ricky" "A song can mean everything" Do you get deja vu? Anyone else getting intense flashbacks to Jan when DL first dropped and all the drama happened 👀
YES PLEASE STAY CO ANCHORS Gosh I love them so much esp once you take the romantic connotations out of their interactions
ROUGE GRAND I'M SCREAMING
I love this long take of checking in with everyone's relationship status (still hate how romantically focused this show has become but still a cool shot)
I K N E W IT I WAS RIGHT
Okay but like looking at Kourtney's face I have never wanted to be wrong so bad GOD I HATE IT HERE I really think he likes her and I hope they work it out
Nini setting up her own music acc feels like when Olivia rebranded her whole IG to be just for her music stuff - love this for both of them
AHHHHH SHE'S NINA NOW YALL
I know everyone loves her as Nini but like I have always loved the name Nina and it really suits her to be honest also shows how she's growing up now and kind of leans into the lyric "I won't be confined to your point of view" from The Rose Song because Nini is the nickname Ricky gave her so it shows that she's outgrowing him too and I love that for her!
Overall thoughts; they really crammed all the North High drama into one ep huh. Personally would have liked it if all of this was spread out throughout the last few episodes; like different hijinks for every episode. I'm just a big fan of properly setting up the overall arc over the season instead of patching it together closer to the climax/end of the show. Cos now it lowkey feels like two different seasons - 2A felt like The Rini/Rina Show esp with YAC storyline and whatever was going on with Rina and now 2B is finally feeling like what this season should have been all this time
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iplaymatchmaker · 3 years ago
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hello and good day! i would like a matchup for a3! and ikerev, please! she/her pronouns. you can call me juice, though! hm i think a good description of me personality wise would be im usually cheerful, friendly, childish but i tend to hide a lot of my negative feelings and overthink quite a lot. towards others i'm always curious about the littlest details of someone's hobbies or interest and sometimes i talk more than i listen. love literature and things like fashion or games (1)
Hello, thanks for requesting juice! Sorry for the long wait but I hope you enjoy it! I was pretty excited to write a match up for a3! since it’s been living rent free in my head for the last few weeks. I got a little carried away with the last prompt cause it was so fun to write, but I hope you like it! Also, the ikerev one might take some time but I’ll try to not take too long. Have fun!
I match you with
Tsuzuru!
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The two of you first meet after you watch one of their plays, “A Clockwork Heart.” When you realize that the lead and writer is a classmate of yours from college you can’t help but approach him a few days later to discuss the play further.
He seems self conscious at first but quickly opens up as the two of you discuss his script and before you know it one conversation has turned into an in-depth discussion over lunch.
After that first encounter, both of you start talking more often, quickly growing closer. Tsuzuru appreciates your cheerful attitude, making it easy for him to be comfortable around you.
Considering your love for literature, you often help him brainstorm for new ideas, always looking forward to seeing how he brings it to life on stage.
It is easy for you to fit in with the rest of the boys from Mankai, despite their constant prying on your relationship with Tsuzuru. After all the time the two of you spend together, it is no surprise when none of the boys (except Azami) bat an eyelash when you make it official, after a lot of back and forth between friendship and romance.
Prompt: Bonding
“The reason S was created in the first place was because Luke needed a companion. It’s tragic that he was the one who left him in the end.”
“Well, yes, but he also taught him to open up to people, insuring that he wouldn’t be alone when he was gone.”
You and Tsuzuru had been discussing the end of his latest play “A Clockwork Heart” for a while, arguing over whether or not the ending was tragic. When you approached him to offer your praise for his work earlier that day you hadn’t been expecting him to engage in your opinions on a play he wrote, but he was actually deeply invested in the conversation, despite the matter at hand being trivial to the actual substance of the story.
“He couldn’t have known though. He also put his own wishes aside to protect him. That alone makes the ending tragic.” You vividly remembered the tears you had shed when the show reached its climax, a result of both his script and his acting.
“It depends on your idea of what the ending was. S was a machine, so as long as Luke was alive they could meet again, when it was safe for the both of them. That makes the ending-“
Ring Ring
You almost chucked at the generic sound his phone made as it vibrated.
“Give me a sec.” he moved away from the bench before answering. It wasn’t long before he returned, a flush expression on his face.
“Sorry, I didn’t realize I had kept you for so long. I actually need to get going.” He ran a hand through his hair, smiling shyly. It was only then that you noticed what time it was.
“I’m so sorry! I didn’t mean to bother you for that long!” Now you were both flushed, the realization dawning on you that you had spent two hours talking.
“I-it’s fine. Um, we can continue this tomorrow, if you’d like?” you were surprised he actually wanted to talk again, a smile spreading over your face.
“Definitely. “
“Okay. See you then!” he waved as he ran off while simultaneously trying to dial someone, resulting in him almost falling on his face. You looked forward to tomorrow.
After that first encounter, you continued to meet during lunch to talk about other works, quickly realizing you had a similar taste in books and movies. It was an easy transition, going from acquaintances to friends.
“How’s the summer troupe’s play coming along?” It was easy to tell that he had been losing sleep again from the – almost – comical black circle under his eyes, but you asked anyway, hoping that you could offer some help.
“I know what I want to write, the words are just refusing to form and settle themselves on the page.” The frustration was evident on his face as he tried to put the pieces flying around his head in order. You tried to think of a way to help him but you knew that he needed to figure this out on his own.
“Come on.” You forcefully pulled him out of his chair, carefully shutting his laptop.
“W-wait. Where are we going?” you pushed him along, despite his protesting.
“Trust me.” You flashed him your biggest smile before setting of, only mildly aware that your hand was still around his wrist.
“The movies?” he seemed confused over what your objective was but you were confident it would help him out of his slump.
“Yes. Come on, I’ll even get us popcorn!” you were beaming as you led him inside.
“What are we watching?” Tsuzuru, finally resigned to his fate, flipped through the leaflet, looking at the moves currently playing.
“Your choice, I’m fine with whatever.” You hurried to the bar to pick up snacks, leaving him at the ticket booth.
“Look at those effects.”
“The acting is top notch.”
Tsuzuru had been so immersed in the movie he seemed to have forgotten all about his tiredness. When you exited the theatre you could practically see the gears turning in his head.”
“It’s a very different take on pirates than the summer troupe’s play, but if I exaggerate the characters even more then there would be great opportunity for comedy.” You couldn’t help the laugh that escaped you as you observed him, completely lost in his own mind.
“So I take it the creative juices are flowing again?” he looked back at you, as if seeing you clearly for the first time in days.
“Yes! Thank you!” He put his arms around you, too far lost in his excitement to feel any awkwardness.
“I-I have to go write! I’ll see you tomorrow.” He continued shouting thank you over his shoulder as he run off with newfound energy. You expected you wouldn’t see him the next day, considering he’d probably be passed out by then, but you smiled anyway.
“See you later!”
Prompt : Cinderella:
“So, you’re thinking of doing Cinderella for the next play?” You and Tsuzuru were hanging out in his room, taking full advantage of Masumi’s absence that weekend.
“Yeah… I’m not sure how to go about it though. Everyone in the Spring Troupe agreed that I should be lead this time around but I just don’t see myself in the shoes of a prince… Itaru would probably be a better fit for the role.” You couldn’t help throwing a pillow his way.
“Hey! What was that for?” You sat up a little straighter, tempted to glare at him until he picked up on your annoyance.
“I can definitely picture you in the role of the prince.” You cleared your throat before switching to your best narrator voice.
A long, long time ago there lived a boy and a girl. They were the best of friends when they were children. The boy would often sneak out to meet with her and they would play for hours. But their happiness would not last long.
You see, the girl grew up to be the maid of one of the less-fortunate royal families in the kingdom. She had been forced into that position by her father’s latest wedding. It would also turn out to be his last, for he died a few years later, leaving her in the care of a wicked stepmother.
One the other hand, the boy grew up to be the most charming prince in the land. The women fawned over him and he always had everything his heart could desire.”
“I’m literally none of those things.”
“Fine then.”
The prince was an idiot who didn’t know how to take care of himself and never asked for help. He constantly worried his friends over his health but they loved him anyway.
“That’s not any better…”
“Shh, let me continue the story.”
Their difference in class ripped the two friends apart, putting an end to their relationship. While they weren’t allowed to meet again, they promised to never forget about each other. To keep that promise, the made matching bracelets and agreed to never take them off until they could meet again.
“Friendship bracelets? Who does that?”
“They were kids! Would you have preferred rings?”
“Wouldn’t those basically be promise rings?”
“I’m coming up with this on the spot, give me a break!”
That bracelet was what gave the girl the strength to continue living, despite her struggles.
When news of a ball arrived at the estate, her step-sisters were quick to start preparations, eager to have a chance at the prince’s hand in marriage. The girl was simply happy at the prospect of seeing her friend again.
When her family found out she was planning to attend the ball, they locked her in the cellar, not willing to risk any competition. The girl wept and wept, until suddenly a kind seeming lady appeared in front of her.
“Isn’t this just the movie?”
“Give it a second!”
The lady promised she would help her get to the ball if that was what she wished. Despite her suspicions, the girl earnestly declared that all she wanted was to see her friend again. And so the kind woman flicked her wrist and the rags the girl had been wearing were replace by a rich ball gown, paired with a glass slippers. The girl thanked her again and again before heading off in search of her lost friend.
“She doesn’t warn her about the time limit?”
“There’s no curfew here, it’s a stupid conflict anyway.”
You couldn’t contain the excitement and adrenaline that flowed through you as you went up the steps of the grand palace. You hadn’t been here since you were a child, when the king’s father still allowed you to visit, and childhood memories flooded your mind. It was difficult to keep your nerves at a reasonable level as you approached the guards at the front gate. By the time you had arrived at the palace, most of the guests were already inside, so you were completely alone when you handed the invitation, hoping the witch had done her work well.
“Enjoy your evening.” They smiled before urging you to step inside. A sense of awe filled you as you walked through the somewhat familiar halls, remembering all the places you and Tsuzuru would hide from the servants, before his title meant anything to you.
You weren’t sure you remembered the way to the main hall, so you followed the noise, hoping you could make your way there.
When you finally stood outside what seemed to be the entrance, you took a few deep breaths before walking forward, determined to see your friend again. When you stepped though the door you quickly realized that the door wasn’t the room’s main entrance, but the top of the grand staircase. Dread filled you as everyone’s eyes fell on you. If it wasn’t for the railing you thought you have fainted right then and there. You breathed in, allowing you hand to wrap around the bracelet the two of you had made so long ago, letting the warm feelings it carried spread through you.
You bowed once before making your way down the stairs, hoping you wouldn’t trip on your dress and make a fool of yourself before the night even started.
The moment you were off the last step, your eyes fell on your step-mother, eyeing you with absolute envy and disgust. You hoped the mask would be enough to conceal your identity.
You walked around the room for a bit, keeping to the less populated areas, hoping to catch a glimpse of Tsuzuru, disappointed to find that he was nowhere to be found.
“Please let this not be for nothing…”
You were about to make your way to the balcony, but a swarm of guests was suddenly in your path, dancing to the waltz the band had just started playing. You frantically looked around, searching for a way out when two arms wrapped around you, pulling you along with the rest of the dancers.
“I guess you’re my partner?” the face of the man that stood before you made your jaw drop. You had thought of so many things to say, but now that Tsuzuru was standing before you, the words seemed to catch in your throat.
“So, uh, are you having fun?” he was as awkward as you remembered. Something about the familiarity filled you with a sense of calm. I found him.
“I am now.” It was hard to contain the smile quickly spreading around your face.
“Actually I was-“that was when it was time to switch partners. When you felt his hand slip from yours, panic flooded through you. No… I didn’t have the chance to tell him.
As he pulled his hand away, his fingers brushed the bracelet on your wrist, eyes widening as he was whisked away by another partygoer, realization evident in his features. You tried to get closer, but were quickly taken away by another guest. Your eyes landed on Tsuzuru a few times but the hall was too crowded. It was almost suffocating. You took the first chance to slip out on the balcony, eager to get away from the crowds.
You stood at the railing, letting the air cool down your heated face. He had seen you, but you weren’t sure he would care enough to search. Negative thoughts occupied your mind as you gazed at the land beyond. Maybe this was foolish… He probably barely remembers me… He’s a prince after all. He was more important matter to attend to than a peasant he used to spend his free time with. You felt tears gathering at the corners of your eyes, your own loneliness catching up with you.
“Please don’t cry!” You were shocked to find Tsuzuru standing a few feet away from you, his face flushed and his knees bent. He must’ve been running.
“You’re the girl from back then, aren’t you?” he glanced down at your wrist, pulling up his own sleeve to reveal a bracelet identical to yours.
“Y-you kept it.” Your voice cracked, barely audible in the midst of the ongoing celebrations.
“Of course I did! It meant a lot to me.” The words seemed to call to something inside you and so you let the tears fall.
“W-what did I do? Please don’t cry!” he took a step closer, still unsure of what boundaries existed between you.
“I-I can’t help it. I’m just so happy!” you wrapped your arms around him, not caring who saw you. All that mattered in that moment was that the two of you were reunited at last.
“I missed you.” You couldn’t see his face, but you could tell he was crying too, by the way his heart beat against your, the way his hands shook, still wrapped around you in a tight embrace. Year’s worth of loneliness and regret spilled out of the both of you in a single moment.
You stayed like that for quite some time, allowing the relief to wash over you. When you looked at each other again, you couldn’t help but laugh at your state. You knew the scene must look ridiculous to any outside spectators, but none of them mattered. It felt like you were alone in the world, no barriers between you. Your class didn’t matter. You were just a boy and a girl who had been reunited.
“ The king was skeptical at first, knowing a commoner queen wouldn’t create any new alliances, but he could see the love his son had for the girl. And so they married. It’s said that the pair practically run down the stairs of the palace after their wedding, eager to get to their honeymoon, their laughter echoing through the streets.”
“That’s an ending befitting a prince Muku reads about in manga… I still don’t see where I fit into this… ”
“Fine. As they descended the staircase, the prince fell on his ass, causing even more laughter from the girl. A moment she would never let him forget.” You couldn’t help but laugh at the earnest look on Tsuzuru’s face. He may be clumsy, but he has always been kind.
“It will need a lot modifications, especially considering the fact that none of us can exactly pull off female roles, but it could work.” At some point through the story Tsuzuru seemed to have pulled out a notebook, in which he was now scribbling away.
“Are you seriously taking notes?” he was still focused on the story, not letting the inspiration go to waste.
“Of course I am. You’re brilliant!” he pulled you in for a kiss, taking you completely by surprise.
“You’re the best.” He turned back to his note taking, leaving you with flushed cheeks and a bright smile.
“You too.”
And they lived happily ever after.
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mikkock · 4 years ago
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Hey hi your murder mystery art is super totally cool and amazing and I'd like to Extra! Extra! hear all about it *rattles bells*
haha wow i cant believe ud ask me THIS! unbelievable! now im gonna have to make a long post!
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all info under the cut cause im kind like that ♥
For reasons I felt like making a Fancy Ass murder mystery story, with you know, hella complex secret storylines and everyone having drama and shit, and one person died but the more the story goes the less people care about who did the murder and the more they want tHE JUICY DETAILs. X and Y had an afFAIR you say!!! well that’s thousands time more interesting than that murder that happened, who cares about the culprit its not like any of us are going anywhere anyway! tell me more about the marital issues!
The ultimate Vibes are Clue (the game, ya kno, it had a movie too, and that movie was shot with three different endings -fun fact- so that movie theatres could play one alternatively that way people wouldnt get spoiled or even if they did they would not get the ending they were spoiled or even if all three were spoiled you couldnt know which ending you were getting anyway, big dick move, cause its an old movie and film is expensive, also that movie stupid and campy, ALSO I ONLY LEARNED MAKING THIS AU THAT IN ENGLISH THE GAME’S CALLED “CLUE” wE CALL IT CLUEDO therefore my wip playlist is called cluedo. because. fuck it.)(i just have an emotional attachment to that game i even had a cd rom video game version and it was the spookiest shit for a 6 years old, trust me, i played it so much tho i didnt even understand the rULES i was just making scenarios like gathering the characters in rooms n making conversations outloud cause honestly the banter is the best part of a murder mystery) ANYWAY that sure is a whole paragraph of tangent. 
BUT YE the inspo from the Clue game. you can tell it from the Colours obviously, everyone’s colour codded.(even everyone’s name is colours as well you’ll see it’s real dang fancy! im just remaking that game but with 2932020 characters and more behind the scenes drama and also for gay people.)
So BASIC PLOT!
Sir Belyy, the dude in white, is The Rich Powerful Respected Fancy Boss, and he throws a Fancy Reception Party with his closest friends and associates to celebrate the opening of a new branch of his business. All the lads gather in his wonderful little very isolated mansion in the middle of nowhere, like ok he got a death wish or something or he’s very trusting of his business partners, but not a good move, cause in the middle of the reception, as A Phat Storm Starts (for plot convenience, we going with a campy vibe if you couldnt tell), his body is found, it’s awful, there’s a killer on the loose! All the guests gather, and attempt to maybe contact the authorities, to not avail, since The Storm ya know, phone lines are Broken my dude. Its clear that the culprit is among them, since no one could have entered the house, or left it (cuz once again, ThE sTORm). And then it’s all about interrogating each other, distrust, alliances and betrayal, revealing one’s deepest secrets when they form an alibi and revealing someone else’s deepest secret for they could be a motive! Meanwhile there’s a dead body in the mansion just chillin there. 
.
So as I mentioned, I changed everyone’s name to be colour related (or ya know, food or flowers of that colour cause sometimes a colour in a language would not work as a name given the way names work in that culture all that jazz) which is the trippiest thing cause tHATS NOT YALLS USUAL NAMES but its fun (also changed so many ages hgfhs it was a trip)(still no one’s really old i guess i got boomerphobia). The “Cast” is clearly the most important part, and if ur a True “My OCs” Connaisseur (hdfghd the most useful skill to have, knowing *MY* Charactersdshgd) you may have recognised some faces and can already read some vibes and predict who will be progressing the plot and who will be yelling at people throwing accusations ghdfgd.
(god i wish i hadnt slacked off making the portraits of everyone in that AU i only have 3 tho that’s so sad so ill just make little sketches just cause <3 only text??? i got too many hoes with no attention span for that)
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Sir BELYY (the one who dIEs lmao)
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(bust shot missing the fact that this man is the tallest beefiest lad around)
Intimidating, powerful, composed, wealthy, carries the name of a family who has generations of control to it’s reputation, he’s The Man that hoes who believe in the economy wishes they were. As in, the “self made” man who only just happened to benefit from having a wealthy background to uplift his plans. In his youth, he wanted to prove his worth, seperated himself from his father, started a business, that business became big, then got attached to the family’s business, bam back to square one but with Reputation now. There seemed to be VERY big tension between him and The Father, some speculate it had to do with his unknown mother, and some family drama there, and it never got resolved as old man Belyy died quite young (the jUICY speculations are that current sir Belyy mURDEREd old man sir Belyy, fucked up if true!). People love him though in general, as he has that reputation of “Cold Lad With a Gold Heart” aka he takes people under his wings, donates, doesnt treat his employees like the absolute worst garbage etc... you know, he’s rich and a half decent person, so obviously he’s an angel on earth. But does it matter though, he’s dead! that’s the concept of the story!  
Mr.GRAY (the grey guest)(who could have guessed from the name)
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He’s one of Sir Belyy’s oldest employees, and benefits from a high rank in the company. But, sadly for him, he’s been stagnating lately, as newer, youngest employees seem to have Belyy’s favours, and are his prefered associates for important tasks and positions. Therefore he has Some Bitterness, Some Salt, Some Distaste, some unbriddled but professionally muted hatred for Specific people in the company. He can be an antagonistic figure, but the amount of time he spent in Belyy’s circle grants him an immense quantity of information about the man, but mostly, about his business. Anything about the company’s history, dealings, operations, he’s aware of, either having been told of them, or having snooped around to obtain, immune to being questioned due to his legitimacy in the company.
Mr.LIM (the green guest)
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Remember when it was said that Gray had beef with some employees cause they were younger and rose to high ranks faster than him and became Belyy’s favourite over him? Yeah well here comes the one he hates the most for that (ofc he’s belyys fave cuz he’s Mine <3) Our lad caught Belyy’s attention for his Exploits in like, em fancy high school tournaments of smart people, it’s a thing its ridiculous, making kids compete on Smart stuff for the pride of their schools n shit, well homie Lim got clout when doing that, and Belyy was extremely interested cause that kid’s main thing was how “this young lad got mad strategic skills tf are u a war general or smth how fancy”, and that’s a coveted skill for ruthless business. So as soon as the kid is an adult, bam, join the company my dude. And because he’s just that Cool n Sexy ofc he met the expectations Belyy had, and old man Belyy got attached cuz it do be such a young lad, a kid, mentally i am adopting. That’s how you get a youngas employee becoming the right hand man of one the phatest CEO in a few years, and even make your way into being a Good Lad on top of a business partner. And that’s how you get Gray to hate your ass too. Now though, fine lad with mad strategic skills, rising to power that fast, and even infiltrating Belyy’s private life? If I were Gray I’d call suspicion there’s surely some shady stuff going no way we’re just dealing with a nice fella who just happens to work good and be friendly to the boss right?
Herra MUSTA (the black “guest”)
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Belyy’s newest butler, assistant, house keeper, he multitasks. His family has been tied to Belyy’s for generations, fullfilling roles of help, but also of confidents. He’s been the head butler since only a short time, after his mother passed, and as such is still “in training” you could say, despite having served the family his whole life. There are rumours going around that the contract tying his family to the Belyys may end on his generation and need to be resigned. He known the manor by heart, and carries all keys to any locked room (and mostly, The Master Key, cause in an old house, some doors may be locked beyond all still existing keys). He also knows secrets of the family that no one else knows, but good luck getting em out of him, he’s under contract not to divulge em bro.
Mr. HASSEL (the brown guest)
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Belyy’s childhood friend. They grew up together, pictured their dreams together, sworn to flourish together, worked together when starting the company, and then Hassel felt he should create his own thing instead of depending on his friend’s existing wealth, and while Belyy’s business went wild, his never took off. They still stayed very close, despite the massive difference in wealth. Belyy considers him his closest friend, the one person he can trust (fucked if hassel did the murder lemme tell u). So of course, he’s still always invited to the Prestigious meet ups where’s he’s free to feel uncomfortably out of place amongst all the rich and powerful people that he could have been a part of had he had a tiny bit of luck and a small loan from a wealthy relative...People LOVE saying he’s still hanging out with Belyy so much to leech off his wealth, cause of course they do! His bestie status means he has a whole different brand of information of Belyy than his butler does, the Most Intimate Stuff, the Childhood Stuff. The Juicy stuff ya kno...But Bro Code, its all secrets...
Sir RUZH (the red “guest”)
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Deep dive into Belyy’s personnal history, the man has many employees working at his house keeping it working, clean, ya know the vibe. They live on the premice, one has a kid who’s just a Joy to be around, all the employees just vibe with that lad, he’s just a born socialite you know? Belyy gets to meet the kid, and also hella vibes with him. And because human are influenced by their feelings, he gives the kid’s mum a bit of a preferencial treatment, in the tasks she fullfils and all, til he gives her an important-as mission, and then there’s an accident n mama dies, and now Belyy got guilt and there’s this kid who just Vibes. So naturally the move is to take the kid in, and play on how his vibes are just so clean, and raise him to be the Perfect Entertainer for guests, bam, its soft power propaganda, if everyone loves your now son’s vibes, they associate them with you too. And also that’s kind of a clean rep, the selfless man who adopted his employee’s son to not have him fall to the streets, how heartwarming. Not at all traumatising for the kid too I bet! But anyway now the lad is just the most charming young adult, mission accomplished. He’s always present at any reception, ready to work his people-pleasing magic, and then going back to a gigantic empty manor to wait for the next and curate the perfect vibes to meet the expectations of dad. On the plus side, he knows everyone, and those who don’t know him cannot wAIT to, he’s just got that aura ya know. People skills for miles, and the insider knowledge that comes with being the son of the CEO, all this hidden behind the personna of the fresh innocent bashful party lad. 
Dr.FEN (the pink guest)
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Do not get mistaken by the title, he’s no doc, he will not diagnose you with anything, he just studied long enough to get the sexy title. Study in what? Haha. Nothing shady. Just toxicology. He’s a world reknown poison expert basically, that’s his main thing. Oh but don’t worry, of course studying substances that may kill people is only for finding out how to cure them from it of course. What brings him in this circle? Simple, Belyy may or may not have started to suffer some weird illness that no doctor has been able to find the source, let alone cure, of. Him and Dr.Fen had met previously on some event, cause some rich man also love flexing how smart they are and attending sciencey shit, and he was contacted as sort of a shot in the dark. The lad does know how to treat some things, maybe he can treat The Mysterious Unwellness, since no traditional doctor was able to. He knows science, he’s trustworthy, bam, you’re hired to work on My Case Exclusively. Thanks to this, Dr.Fen has access to the whole health history of Belyy and his family, to many mANY dangerous substances, and also has The Respect of the hoes at the party. He HAS a doctorate after all. Epitome of knowledge. And he’s a kind to people and he wears pink like dang how can you nOT pour your wHOLE trust in him. 
Sir MOREVITCH (the blue guest)
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Youngest son of an affluent family, who used to be close the the Belyys. The two families fell slightly appart after the death of the previous head of the family on the Belyy side, as they do nOT vibe with the current one (well current, til the first night of the story ig). But, unbeknownst to all, one strong link had been kept, between the youngest of the Morevitch, who dislikes his family and wishes to emancipate himself from them while also assuring his depart will not throw him basically in the streets, and our beloved Sir Belyy, who also dislikes the Morevitches but loves to see the rebellious energy of the young one (and ya know, my enemy’s enemy’s my friend or however you say that). So Belyy’s basically offering tips and helping Morevitch plant himself safely out of his family’s grasp, but it’s all taking quite some time isn’t it, slow and steady is fine until your parents try to arrange a wedding to secure more political power, and suddenly it is all quite urgent that you escape that situation because No Thank You Parents I Do Not Want A Wife I’m Too Young And Also Huh <3 Stuff You Won’t Like Hearing For Sure <3. The people who know they’re working together also know that it’s a big point of argument between them, the difference in vision between “you have to go slow and steady to be safe” and “I have very limited time to get to that safety anyway so I gotta risk it” “hell no you cant i can’t follow through if we’re going that quick that’ll put me at risk and you’re family’s gonna send gunmen to take me down”. A mess, it’d be much quicker to just obtain a few million bucks out of nowhere and bolt for sure...
Mr.GANG (the orange guest)
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Morevitch’s trusted assistant. He hears the concerns, he helps the secret businesses, he lies to the parents about the whereabouts, and mostly, he’s basically a budget spy. The lad got that talent where people just don’t notice him popping behind them and catching all their dirty laundry as they confess it to someone they trust, and he always manages to break into places, get the intel he was looking for, and escape, putting everything back into place as if no one was ever there (wonder where he got all those skills from damn!). But what he’s even better at is being sneaky not only to benefit his boss, but himself as well <3. If he can catch all the info in the world, go any places, nothing’s stopping him from playing double agent and also going behind Morevitch’s back. After all the assistant life isn’t the most glamourous and rewarding, who can blame him from going and using his talents to build his own little exit route, right? Everybody sort of knows he cannot be trusted, but also no one managed to really incriminate or stop him, and as much as he has tea on many people, no has it on him, but bet once found that would be heeeella juicy.
M.MOUTARDE (the yellow guest)(this one is straight up the name of the yellow player in the french edition of clue too when i say its my main vibe)
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Moutarde was an influential celebrity. He had a big break acting in a movie that the whole country stanned so hard they basically turned the script into their national anthem (they would have if it was a true democracy where the people really decide), he was so handsome and elegant, everyone’s dream husband. And then the fame fiddled out because it’s how fame is, one moment you’re the sexiest dish on the table and the next someone brings in dessert and baam, its all about that fresh cake, and no one pays any mind to your delightful aroma anymore, you’ve gone cold, they had a bite, their interest is somewhere else. Belyy really admires his work though, and mostly finds his image fits with the brand of his company, therefore the two are working on a collaboration to make Moutarde a representative. This WOULD boost Moutarde’s reputation, for his ads would be displayed on every imaginable surface of the country, and it would also benefit the company cause being represented by thAT sexy motherfucker? clearly that’s a deal. The freshness of the partnership means Moutarde is a newcomer in the guests, a fresh face, with no reputation, no relationships, no unfair biases against him. He’s just the new handsome charismatic lad with a squeaky clean image. Emphasis on “image”. After all, no one really knows anything of his background, right?
Kun.LAWENDER (the purple guest)
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Private investigator, very useful to be around at a party it’s almost like it was expected there’d be a body to investigate, he’s a very close associate of Belyy, as there’s nothing more important to business than investigating the rivals and finding dirt on them to make them fall through infamy. He’s not exactly the PI who goes look for justice to be served, he’s just here for cash bro. He’s got intel on everyone, and will only let it out if offered the right thing in return (money, or sometimes other pieces of very secret intel, trade is good). Wouldn’t advise letting him and Gang team up tbh but they probably wouldnt, as Lawender is really more of a lone wolf player, going on his own for himself. The one thing that negates his usefulness as a PI on an accidental crime of scene is that even if he knew the whole truth of the event he would not spit it out unless he benefitted from saying it. He sure is a polarising lad, but at the same time, an untouchable one, he’s too knowledgeable to be taken down. Rather than sneaky, he’s extremely observant, noticing the tiniest details and engraving them in his memory, ready to be linked up to other details to deduct the big picture. He’s the upfront tea gathered basically (as opposed to Gang’s shadow tea gathering if you will, they are similar forces but using opposite methods)(also one of em got a licence n the other does not hAH).
~~~~
Now the secrets, all of em have them. One of em at least got the secret of having KILLED Belyy that’s that. But that’s to be kept for later (for if i ever use this story for more than daydream material gfhjgh) bet you can imagine what some of em may be just out of Knowing what i do, from having seen the characters in other contexts, or just because you’re a genius and reading the character profiles immediatly lit up the bulbs in your head forming the perfect theory, props to you, mad genius.
Honestly my thoughts are just how lit of a game that would be, you get to pick one hoe (maybe sum are locked til u find their secrets for juicy purposes) and you do your invetigation using your character’s perks and disadvantages, and maybe there could even be Multiple scenarios and outcomes, to spice it up, give replay value, i just think it’d be a game id spend hours on. tryin to get the spicy details of everyone’s life. walking around n digging through a rich man’s stuff, witnessing the drAMA of people fighting cause they’re locked in with a murderer and that’s stressful ngl. That or a long ass show @ netflix wanna give me a show maybe? give me hella budget we’re making it animated cause im too cultured for live action. 
whatever i make of it though, i hope i can make this story Flourish, just so that i can lay down all those secret backstories i’ve written. i want the satisfaction of throwing out the craziest secret drama between character n seeing peeps loose their minds, it just is a tasty experience.
also i gotta say, i plug the hell out of Clue for an inspo but when i was building the basics of the story my mind immediatly went “oH MY GOD THE VIBES,, THE BACKSTABBING AND tEAMING UP and all,,, its The Genius, that one tv show where peeps have to do the wildest games that require strategy n they’re in that fancy set that looks like a rich ppl mansion oh god the vibes” so yeah, i rewatched the whole first two seasons cause they’re my faves and that had an impact if only minimal in the aesthetic.
Anyway hope that quick presentation gave you a lil taste of the story, and maybe,,,, got you curious,,, craving to learn more like you never did before (im exaggerating the only real question we all got is just “so who’s fuckin with whom then how many of yall secretly dating” this the real deal)
#doodlin every lad's face at one rly be like 'welcome to the cheekbone festival'#they got antti AND said at once like the cheekbonage is out of this world!#that's musta n gang btw#also every single time i draw cream (blue lad) im like 'i havent drawn u in ages' n it isnt#that i dont draw him much anymore#but that ive drawn only this bitch for months back in the days#him bein in this without his lover....criminal#cuz his boo wouldnt fit a murder mystery au like#hoes would find the corpse he'd just be like 'welp on that imma go to bed aight bye'#anyway u can tell which of my ocs i simp for v easely#like fr#they the ones i spend the longest drawfigfdj cuz i draw em n then go 'not hot enough do it again'#a struggle!#anyway the secret is that i prepares a motive AND an alibi for all of em#so that i can pick who murdered belyy at the last moment <3#its all abt the contextual clues on the scene of crime <3#none of the drama tells u anything its all for the treat of gossip <3#sad part of this project is how much ive planned n written yet i can barely tell anythin if i want to make it#n ive drawn nothingbhd#i hav a dari n a weiwei in their coloured clothes lookin handsome cuz ofc i do#im predictable i have faves#ask if they're in love in this one too take a fuckin guess#u rly think hoe going to his boss's house so much to see the ceo ???? HAH#the real question isnt if theyre smooshin we all kno that answer the question is if dad white suit knows thATs whats important#are yall secret lovers or is green boy climbing the ladder of the company cuz he's smashing the boss's son#who knows#i do i aint telling pay me
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moonbeambucky · 6 years ago
Text
Spills and Drills
Pairing: Dentist!Bucky Barnes x Reader [AU] Word Count: 4862 Warnings: fluff
Summary: Although you love sleeping in you learn that sometimes good things come to those who wake up early.
A/N: This is my submission for @teamcap4bucky Teamcap4bucky’s 2k Celebration Writing Challenge! My prompt was “Why are you staring at me?” Thank you as always to Sam @buckyofthemyscira for beta reading, I love you 3000! 💕 gif not mine
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Hushed are the voices around you as the movie theatre lights dim to make way for the bright screen illuminating the upcoming releases. You’re comfortable in the red leather seat, with your hand digging into the bag of popcorn in your lap. The melted butter makes the salt stick to your fingers but you don’t mind at all, sucking them clean into your mouth after each handful.
Your name is called, no, shouted over the heavy thwong of the music in the movie trailer. You nearly jumped in your seat wondering why Shuri is practically screaming your name. As you turn to face her everything seems wrong. She’s wearing the same white dress she wore for her sixteenth birthday party, the white one with the fishnet collar her mother thought was a little too casual for the celebration. Shuri would always be her little princess even if she didn’t dress like one.
“What are you doing?” you questioned as she continued to shout your name. “Stop. No. Shuri, stop it!”
With a gasping breath you’re jolted awake, squinting one eye open to see Shuri standing above you, her palms are still pushing against your shoulders.
“Y/N wake up!”
Oh, it was just a dream. The tension in your body relaxes as you nuzzle your face back into the softness of your pillow. “Shuri stop, lemme sleep, it’s Saturday,” you groaned.
“I know it is, I was sleeping too until your alarm woke me up. That thing has been going off for twenty minutes. Don’t you have an appointment to go to?”
Your eyes shot open. “Shit!”
You get up, throwing the blankets off yourself as fast as possible to get out of bed. Why you decided to make your appointment at 8am you’ll never truly understand. If I get up early I’ll have the whole day to be productive, you mock yourself in your head.
With a wide yawn Shuri leaves your room, saying she’s headed back to bed. Your own bed looks so inviting, it’s calling out for you to come back. It was very tempting to cancel the appointment and go back to sleep but you wouldn’t.
Your dentist is a really nice man who worked with you a few years ago during an emergency visit when you didn’t have insurance. He reduced his fees to the bare minimum and even then let you pay him off over the course of a few months. He had a small practice in Brooklyn he ran with his wife and in the world of cheap deals on Groupon you knew he was struggling a bit.
In less than a minute you were dressed and rushing in to the bathroom to wash the sleep from your face and give a thorough brushing to your teeth. Morning breath was still heavy on your tongue so you made sure to scrape that well too. Checking your phone for the time you realized you might be cutting it close to your appointment, so you grabbed what you needed and headed out.
The subway ride was quick but you still had a few blocks to walk once you got out. The street was a lot busier than you expected especially for so early in the morning but that was mainly due to a new popular cafe that recently opened. The lines were crazy long and as much as you wanted to try their Instagrammable treats you figured you’d wait a little bit for the hype to die down.
Checking your phone once more you realized you had one minute to go and two long blocks to still walk. You picked up the pace and turned the corner at the cafe, looking down to secure your phone back in your bag and not paying attention to the person coming out of the door.
You collided with a solid frame, getting knocked back a bit but thankfully not falling. A dentist appointment is enough, you certainly didn’t need a visit to the emergency room. Something did fall however, the two cups of coffee the man was holding.
“I’m so sorry!” you blurted out, looking down at the mess on the ground, with coffee spilling out from the overturned cups.
Glancing up you saw the man standing there, still holding the now empty coffee tray in his hand, with his mouth gaping open in shock. Your own mouth dropped open while staring at what was possibly the most handsome man you’ve ever seen.
Tall and well built, looking unfairly good in a sharp black suit with a simple white button down, casually left open at the top. His rich brown hair was cropped short with perfectly groomed stubble covering his jawline.
Realizing you were gawking at him you shook yourself free from his handsome aura and prompted yourself to actually speak.
“I’m so sorry, please let me pay you for them,” you offered, digging your hand into your bag to pull out some money.
“No need, it was my fault,” he replied, with the words falling from his perfectly pink lips like silk. “Did I spill any on you?”
You were definitely sure this was your fault but the sincerity of his tone combined with the sweetest look those incredible blue eyes were giving you would make you believe anything he said. In response to his question you shook your head, not knowing if you were even telling the truth since you couldn’t bother to pull your gaze away from him again.
“I’m glad to hear that. Could I buy you a coffee for your trouble? Although it might take a while with this line,” he chuckled.
Yes is what you wanted to say. You would have waited in a month long line if it meant you’d be with this incredibly handsome man but you were definitely late to your appointment by now and you simply wouldn’t cancel on your dentist like that.
“I’m sorry I have to go,” you quickly trailed off as your feet began to carry you in the direction you needed to be. “Again, I’m so sorry about the coffee!”
You really wished you had woken up earlier, maybe then you would have had a spare moment to actually talk to the hot guy and try your luck at getting his number. He did offer to buy you a coffee so that seemed promising but then you remembered the two cups spilled on the ground. Two cups of coffee for one person didn’t seem completely unlikely but a guy as hot as that is definitely in a relationship. Oh well.
By the time you reached the office you were slightly out of breath after deciding that you should speed walk the rest of the way there to make up for lost time. It didn’t help that you picked the wrong jacket to wear on the awfully sunny morning.
It took a moment to steady your breathing before you rang the bell and were buzzed in.
“Dr. Barnes!” you exclaimed, not expecting to see him behind the reception desk where his wife usually is. “I’m sorry I’m late.”
“That’s alright Y/N, it’s a just a few minutes,” he confirmed, checking the watch on his wrist.
You followed Dr. Barnes down the hallway whose walls were lined with posters of people smiling, showing off bright white teeth that advertised all kinds of dental products and procedures.
“My next appointment actually cancelled,” he said, turning his head back a bit as he continued to take you to the examination room. “Turns out they didn’t want to get up this early on a Saturday.”
“I can’t imagine anyone that would,” you remarked with light sarcasm while sharing a smile.
The exam room had recently been redecorated with beigey-grey wood running throughout the floor. The former textured blue wall paper was gone, replaced by a fresh coat of light grey paint on all but one wall that was a deep teal blue. Dr. Barnes’ old desk and bulky computer were replaced by a modern floating desk and a monitor that was clearly a touch screen, though a wireless keyboard and mouse were on top of the polished surface.
You knew Dr. Barnes wasn’t comfortable with new technology. His flip phone made you laugh every time you saw it but it only added to his endearing charm. His wife Winnie adapted faster to her new phone though she has asked you the occasional question or two.
“The room looks great,” you said, hanging up your jacket on the small hook on the wall. “Did Winnie do this?”
His lips were pulled into a smile as he shook his head, “No, my son actually.”
You sat in the dental chair getting yourself comfortable as Dr. Barnes pressed a button for the automatic cup filler beside you as he continued, “He’s been back for a while now.”
Dr. Barnes would often talk about his children as he made small talk during the exam. His son James had gone to college in Indiana and also studied dentistry. Dr. Barnes had hoped James would eventually work at the family practice.
“…If only he learned to be on time,” Dr. Barnes sighed.
He glanced over at the frame on his desk, an picture of his family from over a decade ago when the kids were younger. From your angle you could see bright happy faces and James smiling with mouth full of metal. The poor kid ticked off all the boxes that made up an awkward teen, braces, acne and a lanky body with long stringy hair that looked like it needed a good wash. Rebecca, his daughter, thankfully didn’t look like she had any of the problems her brother did, and Winnie looked as radiant then as she did now.
“Where is Winnie anyway?” you wondered.
Dr. Barnes smiled at the mention of his wife’s name and you found it endearing to see how clearly in love they were. “Sleeping in this morning. Rebecca’s asked her to come along later while she looks for a wedding dress. Knowing my daughter, Win’s gonna need as much rest as possible!”
His fingers slowly clacked away at the keyboard, making you smile as he used both index fingers to slowly type out your name.”
“With Becca engaged I keep telling James he needs to catch up.”
“I’m sure he appreciates it,” you chuckled.
Dr. Barnes pressed the backspace key a few times, clearly unable to have a conversation while he was concentrating on typing. He let his hands rest in his lap for a moment, running his thumb along the gold band that has long since settled in the groove it created on his finger all those years ago.
“I just want to see him settle down with someone nice,” he said, pressing his lips together to form a tight smile.
You know he meant well and having had similar conversations with your own parents you can only assume the conversations are just as awkward for James as they are for you. A few times you’ve tried to explain to your parents how dating is much different today from their time but they don’t always understand. The conversation about why “nice guys” on the internet don’t actually exist seemed to have gone over their heads so you definitely understand James’ suffering.
“If it makes you feel better my parents say the same thing.”
Dr. Barnes’ sparkling blue eyes lit up at you words, as a smile slowly spread across his face. “Well, can I interest you in my son? He’s much better looking than I am and not a single cavity!”
“No cavities you say? That’s the first thing I look for in a man.”
The crinkles surrounding his eyes were prominent as Dr. Barnes gave a bellowing laugh. After finally pulling up your chart he briefly went over your medical history before taking x-rays. He placed the lead vest on your body and positioned the arm of the machine in place so he could begin. The sound of an ancient ringtone stopped his actions and Dr. Barnes excused himself to take the call in another room.
The weighted vest was comforting against your still sleepy form easing your eyes to gently shut. It would have been very easy to fall asleep but the dentist’s office was not the place for a nap. Instead you forced your eyes open, with a gasp caught in your throat as your jaw dropped in shock at what you saw.
Standing in the hallway in front your exam room was the man you bumped into outside the cafe, holding another tray with two cups of coffee. All thoughts about his looks went away because no matter how blue those eyes were or how chiseled that jawline was he was clearly a crazy stalker.
“Dude, are you kidding me?” Your mouth hung open in shock as you continued to stare at him. “I asked if you wanted me to pay for the coffees and you said no so now you’re following me?!” What a psycho!
He stood there silently, gazing at you with a crazed look in his eyes.
“Why are you staring at me? You need to leave.”
The man did nothing but continue to stand there, his mouth hanging open in what you perceived as happy recognition. Who knows how many buildings he went to before finding the one you entered, and now that he was here what was he planning on doing to you?
Without thinking of the ramifications you shoved the lead vest off and grabbed the nearest dental tool on the tray. You wished it was the drill but instead it was one with a curved end. You’re not sure what it’s called but you know it’s sharp and you hoped it would do some damage to this lunatic if he tried to come closer.
The stranger’s mouth pulled into a wide smile as he dipped his head forward and let out a chuckle. His actions only made you more nervous so you gripped the tool even tighter and pointed it towards him in the most threatening way you could be with an instrument that scrapes tooth plaque.
“If you don’t leave right now I’m gonna call the cops!”  
You knew it was a stupid thing to say, since technically if you did call 911 it would take some time before any police arrived, and realistically you should have called for Dr. Barnes instead.
“I– ” he begins before he turns his head to the side seeing a figure walking towards him.
“James!” Dr. Barnes proclaimed from the hallway.
James? As in pimple-face braces James? As in George’s son James? Oh no.
A metallic clang rang out through the exam room as you dropped the dental tool back onto the tray and jumped back into the chair. Your heart was pounding furiously in your chest as you quickly pulled up the lead vest and replaced it across your body, trying not to look like you just threatened your dentist’s son with a pseudo weapon.
“Hi Dad,” James responded in that beautifully smooth voice you heard not long ago.
Dr. Barnes came into your line of sight and seeing the two together made you want to kick yourself for not realizing it earlier. Their eyes were identical as was the little dimple on their chins though James stood taller than his father, and where Dr. Barnes was lean James was obviously muscular. The integrity of that shirt was put to the test the moment he got dressed and you found yourself growing hot at the thought of the younger Barnes in a state where his body would not be covered with clothing.
Dr. Barnes folded his arms across his chest, frowning as he huffed, “You’re late.”
“Sorry, I was bringing you coffee and then…” James stopped to share a knowing look in your direction, your own eyes flared with panicked anticipation wondering what he was going to say.
“... I bumped into someone and knocked them right out of my hand, totally my fault. Had to wait back in line again.”
Dr. Barnes swiped his hand down his face as he let out an expected sigh, “My son, the klutz.” He turned his head towards you, seeing the small curve your lips were pulled into. “See Y/N, this is why he’s single,” he joked.
James turned a few shades pinker with embarrassment at his father’s comment, especially when he locked eyes with you, seeing your own crinkling with unspoken laughter.
“Well it was kind of you to bring coffee but I’d rather you show up on time,” Dr. Barnes remarked.
James followed his father into your exam room as Dr. Barnes officially introduced his son. “Y/N, this is my son, Dr. James Barnes.”
“Bucky,” he said, extending his hand towards you.
“N-nice to meet you,” you replied, unable to contain the nerves in your voice.
Once again Dr. Barnes shook his head at his son’s actions, mumbling under his breath about how “Bucky” is not a professional name. It was all in good fun however as you could see the love they had for each other.
Turning his attention towards you again Dr. Barnes asked if you would feel comfortable with James finishing the exam and cleaning. “That call was from Winnie. She locked her keys in the car. So much for sleeping in.”
Your veins carried fear throughout your body as panic rooted itself deep into your bones. It’s not that you didn’t trust James or whatever he wanted to be called, in doing his job and Dr. Barnes would never steer you wrong but the fact that you would be alone with the hottest guy you’ve ever seen as his fingers probed your mouth made you feel more than awkward.
“Yeah, it’s fine,” you lied through your ready to be examined teeth.
George smiled as he said goodbye, joking that he was going to call you later so you could let him know the truth about how James did during the exam.
The younger Barnes followed his father out of the room, telling you he would just need a minute to get ready, leaving you time to mentally prepare yourself.
You can do this Y/N. He’s just a hot guy. There are plenty of hot people out there. He’s just a normal guy with extraordinarily good looks. Don’t stare at him like he’s got a metal arm or something. Be cool.
Shrugging your shoulders you tried to physically shake off any lingering awkwardness, well as best as you could while still wearing the lead vest. With the morning you had you were glad you remembered to put on deodorant, especially now as you’re sweating in the chair, hoping the sweat stains under your arms that were definitely starting to form were not visible.
Footsteps echoed closer on the new wood flooring alerting you to sit up a bit more as you anticipated James’ arrival once more. He looked even better somehow, forgoing the suit jacket for a white lab coat.
“Time to get you out of that vest,” he said, scrunching his face up adorably as he corrected his words, “I mean, time to take the x-rays t-then you won’t need to wear the vest, heh.”
Responding with an awkward chuckle you felt slightly comforted by the fact that you weren’t the only one feeling nervous with the situation. You focused your eyes on the teal wall ahead, ignoring the way his deft fingers assembled the piece for the x-ray that would go in your mouth, holding a tense breath as he asked you to open your mouth and bite down.
Your mind was not helping you keep cool as it imagined his simple request in a more seductive scenario, hearing that smooth voice giving commands was not something you were turned off by.
You managed to make it through the rest of the x-rays with minimal squirming in your seat, as you combated visions of ripping his clothes off with thoughts of Shuri and her obsession with watching pimple popping videos. That girl may be a genius but there is definitely something wrong with her.
James’ fingers brushed against your arm as he finally took off the lead vest. “You’re hot,” he said causing your eyes to widen. “I mean from the vest,” he quickly mumbled.
Bucky was thankful his back was towards you as he hung the vest back up on the wall, rolling his eyes with embarrassment by his poor choice of words. It’s true, your body was feeling warm when his fingers gently skimmed across your skin but Bucky thought you were hot the moment you ran into each other outside the cafe.
He kicked himself for choosing to stand in line for coffee again instead of trying to talk with you before you left to give you his number. It took all the strength in the world not to drop the tray of coffee again when he saw you in the exam room. He’s truly never been happier to have been at work before.
Though Bucky had been practicing dentistry for quite a few years now being around you made him feel as nervous as he was during his first day of clinicals. He attempted to make small talk with you as he began the exam, an onerous task on your behalf as you could only communicate with a few sounds as your mouth hung open.
It was difficult not to look at James as he checked and cleaned your teeth. The bottom half of his handsome face was blocked by a mask but through his safety glasses you could still see those beautiful blue eyes, as clear as the ocean surrounding a tropical island.
Apparently you were lost in dreamy thought, unaware your tongue had strayed from where it was supposed to be during the cleaning.
“Stick your tongue out further,” he asked and you complied, focusing on the ceiling tiles above instead as he continued. “Okay, you can sit up and rinse now.”
Bringing the small cup to your lips you swished the water around your mouth and spit out a mess of saliva and blood.
“I never know what to do with my tongue,” you said, referencing your earlier action although hearing the words out of context you’re not sure if he knows what you mean. “D-during the exam!” you quickly added. “I know what to do with it.”
You heard a chuckle from behind, realizing your extra comment made things worse and you should probably never speak again.
Your mouth still felt unclean, though you couldn’t tell if it was leftover residue from the exam or the stupidity of your words. As you pressed the button to refill the cup you focused on the fact that in a few moments you would be getting your new toothbrush, paying the bill and leaving forever.
James spoke just as you began to pick up the cup, “Well, I’m happy to say your oral is good.”
The shock of his words caused your fingers to let go of the delicate cup, spilling water all over the floor.
“Health!” he shouted, catching his mistake. “Oral health!”
Bucky’s cheeks burned hotter than the sun and he didn’t need a mirror to know he was currently a deep crimson shade to match the level of embarrassment he felt. He wanted to disappear, magically teleport himself back to Indiana where he was not a bumbling idiot.
A gasp pulled his attention towards you as your hands simultaneously covered your gaping mouth while apologies spilled from your lips faster than the water.
“No, it’s okay, it’s my fault,” he apologized.
Bucky left the room, internally chastising himself for the ridiculous thing he said. He was thankful his father was not here to watch his descent into complete incompetence. There was something about you that made him act like a fool. He wondered if he could blame it on laughing gas, claim there was a leak in the nitrous oxide tank.
He opened the supply closet letting his shoulders slump as he exhaled a deep sigh. There was no way he could come back from this.
James returned with a large roll of paper towels in hand. Getting up from the chair you offered to help clean the spill but he insisted you didn’t have to. Instead you stood to the side, and despite how tempting it was to look at him bending over as he cleaned the floor you shut your eyes, pinched the bridge of your nose and wished you were still dreaming, hoping Shuri would wake you up from this nightmare.
His foot stepped on the pedal of the garbage as he dumped the saturated paper towels, pulling off his gloves to dump them as well. You still stood silently, inching your way out of the room, knowing you’ll have to find a new dentist because you could never face James or Dr. Barnes ever again.
Bucky rummaged through a drawer before turning towards you, “Do you want green or blue...or…. uhh, I’ve got orange,” he spoke of the toothbrushes.
“Doesn’t matter.” Get the toothbrush, pay the bill, leave forever.
James handed you a blue toothbrush and you wondered if it was a conscious choice, a reminder about his eyes even though this basic color falls short in comparison to the beauty of those sparkling sapphires.
Following him to the front you nodded quickly when he spoke about scheduling another appointment in six months. It didn’t matter, you would be cancelling it as the time neared. With the bill paid you gave him an awkward goodbye with a stupid wave that was immediately added to the long list of regrets for the day, and quickly ran out of the door.
A few hours later you were feeling better. You told Shuri everything the moment you got back to your apartment and even though reliving the disaster that was your morning made you feel embarrassed all over again, when she rolled off the bed from laughing so hard it allowed you to let go of everything and laugh along with her.
The buzzing of your phone on the table woke you from a nap you didn’t know you had taken. Seeing Dr. Barnes’ office number you remembered he said he would be calling you to check how things went.
“Hi, Dr. Barnes,” you said cheerily.
“Hi Y/N, this is Dr. Barnes. Not that Dr. Barnes though, it’s Bucky.”
“Oh, hi.” All of the nerves came rushing back as your heart raced with fear, wondering why he was calling you. “Is everything okay?”
“Yeah, it’s just you left your jacket in the office.”
You completely forgot about your jacket until you were nearly home and a gust of wind caused goosebumps to erupt all over your bare arms reminding you about the poor jacket you abandoned in the office. It was too late, the jacket was a lost cause, an innocent victim as a result of your awkwardness, now homeless because you were not going back for it.
“Oh… yeah,” you responded, trying to sound casual.
“That’s not the only reason I called.”
Bucky cleared his throat, forcing himself to say the apologies he’s been repeating in his head all day but this time to the person who needed to hear it.
“I wanted to apologize for today. I’m normally not…” He ruminated on his words, trying to think of something professional before settling on the truth “… a mess.”
You couldn’t help but laugh at his admission and the sound eased some of the tension he felt immediately. If Bucky was being honest you thought you should do the same.
“Me too. I’d like to think I’m a lot more chill than I was today.”
“So threatening people with a sickle probe isn’t a normal part of your dental experience?” he joked, pulling more laughter from you. “In all seriousness, I’d like to return your jacket and maybe I could buy you that cup of coffee?”
Bucky’s voice went higher with uncertainty as he silently hoped you would say yes to his offer. The momentary silence was deafening as he waited for your answer.
“I’m not sure it’s a good idea…”
Bucky’s heart sunk to the floor. He was wrong to think you felt the same about him. Clearly you wanted to keep things professional, something he was clearly incapable of.
“…I heard coffee stains your teeth.”
Relief washed over him quickly, helping to slow the rapid beat of his anxious heart. His lips stretched wide across his face as he said, “Maybe it’s another excuse to see you again.”
Heat rushed to your cheeks and you chewed on your bottom lip to help contain the smile that threatened to spread all the way to Brooklyn. You decided to meet at a coffee shop in the middle, leaving you just enough time to get changed and attempt to look presentable again.
“I’ll see you soon Bucky,” you said, getting up and eyeing your closet for something to wear. “And I promise I won’t knock it over.”
“I hope not because it was definitely your fault this morning!”
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2o2o-kit · 4 years ago
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O’s Movie Commentary: Fiddler on the Roof (1971)
Hi it’s O, and I decided to do a new thing where I will post my thoughts/commentary while watching movies. I will keep on updating this post as I watch the movie, well until it’s over then I’ll post a review (PS, let me know if I should more of these)
While I’m patiently waiting for Hamilton, I decided to do another movie musical, so ‘Fiddler on the Roof’ just came on Netflix and I have only heard like one or two songs from it so I decided to give it a try and post my thoughts here: *Slight Spolier Warning*
Holy What? This thing is 3 hours long!?! I thought it was only two, well I’m staying up late tonight
What a pretty sunrise, I love the shadows of the building
Ope there’s the fiddler on the roof
I didn’t realize it was that dangerous to play a fiddle on the roof
I kind of like the breaking the 4th wall
I don’t know if I like this whole ‘tradition’ thing, I bet the musical is about people changing tradition
I’m sorry matchmaker, but having no husband is better than having the worst husband, just look at Anne of Cleves
That tailor boy, Motel, is such dork, I love him 😍
I love the humor in this
Lazar Wolf is a cool name
Girls you don’t need a husband yet or at all
“Matchmaker, Matchmaker,” I’m starting to sing along to this 🎶🎵
I love these girls, they are my new theatre femme trio
These girls are so pretty, they don’t need a dowry 😍
Oh wait now the actress are all like 60, I forgot that
It’s time for: IF I WERE A RICH MAN 🎵
I have to stop myself from singing so I don’t wake my family
YUBBY DIBBY DIBBY DIBBY DIBBY DIBBY DIBBY DUM!!!🎶🎵
Okay that’s all the songs I know before viewing the musical
Perchik seems awesome he will fit in great with today’s modern society
Is Perchik going to get with one of the daughters, because we all know Motel is going to end up with the oldest, Tzeitel
Perchik is related to Bernie Sanders’, I’m calling it
Wait Lazar is waaaay to old to be marrying Tzeitel. He is like Tevye’s age. Also he seems nice but not cool enough to be named Lazar Wolf
This musical is hilarious
Say no Tevye, Tzeitel needs to be with Motel
I’m going to punch you Tevye
Yep Tevye, you will be Lazar’s daddy
Having a future son in law older than you is not funny Tevye, it’s gross 🤢🤮🤢
Ooooohhh, Perchik knows about Hodel’s crush on the rabbi’s son
Sparks are flying like someone getting electrocuted ⚡️🔌
I knew it
Tevye is so hungover
LET MOTEL SPEAK TO YOU, TEVYE
I love these progressive boys
They had a marriage pact?
Tevye, let them get married gosh darn it
Yes Motel, tell him
No, no, Tevye your holding the wrong fingers up for yelling TRADITION, you need to do the middle ones
EEEEEEKKKKKKK, Fiddler OTP #1 ✅, Tzeitel and Motel deserve happiness
Aww, I’m so happy 😀, I want that in my life
Leave Chava alone you Mazel Tov frat boys
Who dat? A potential mate for Chava
It is a potential mate, and German (I think)
Can’t choose which couple is my favorite in this
Okay Tevye’s dream is freaking me out
I don’t know how I feel about the entire village coming out to my wedding
I’m about to cry at this wedding, so incredibly sweet 🥺
That dancing though has me shookith
No, Perchik is being a radical, *gasp*, and he is dancing with Hodel, at a wedding, **double gasp**
This is amazing
I’m smiling so much right now, oh crap never mind
Aww Hodel is making sure Perchik is okay, that scream she did ☺️
Everything is getting all sad and stuff... this means act two has started
*bathroom break*
I love how it gives me an intermission, you don’t see that in movies anymore
Noooo don’t leave Perchik
Yes! He’s asking about Marriage
Everything is political™️
Eeeeeekkk, I’m very very happy 😆
Ugh Tevye, this crap again
Damn, that was an Okay Boomer moment
Screw your tradition Tevye
Tevye legit has his own invisible shoulder devil/angel
Do we get to see this whole thing again with Chava?
I don’t trust that soup
Golde, ‘ANSWER THE QUESTION DAMN YOUR EYES’
This makes me feel good on the inside, I’m so alone
Oh darn those Russian soilders
Yes Hodel making her own choices, even though it’s for a man, I still love her
Motel and Tzeital have a new arrival... oh that’s it, some how even better
Oh there is a baby!!! I think
Here go again, this time it’s Chava’s turn 🤦‍♀️
No Tyeve, let the world change
Okay Chava you are a little young to be married, but still
Those eyes on the mosaic are freaking me out and I don’t like it
Wow Golde is going into a church
Chava is not dead to you guys
This reminds me of Jessica from Merchant of Venice but more like able
This dancing sequence, I’m gettin chills
Guess who’s back, back again
F*** you Tyeve
Okay these girls are too young to have a visit from the matchmaker
What? Why? They can’t leave their town
I’m about to cry again
You tell him Tyeve
This song is so bittersweet
Don’t cry O, don’t cry
I need to go look for Lazer’s grave in Illinois
Aww don’t leave the animals
I knew Chava was alright, and Tzeital still loves her
God be with you
Where are Tzeital and Motel going too?
This is such a sad ending and this background music makes it sadder, I mean they all love each other but still, so unfair
The end
Okay, dang that was such a good musical! Some of the songs were a bit slow, but most of them were great. I do wish the musical had a bit more songs because with its’ 3 hour run time there were only 14 songs. I really enjoyed the emotion the musical had, the humor was amazing but I would also cry during it. The characters are great and have depth, and even though there are times when you really wish you could punch a character, you also understand their reasoning. As for I’m a sucker for love stories and this musical did not disappoint. Even Tyeve and Golde had their own sort of love story. As for me I would totally recommend this musical for anyone to see, and Fiddler is now in my top ten favorite musicals. 9.25/10
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jadelotusflower · 4 years ago
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August 2020 roundup
The end of another month - this year is truly going by at the speed of light. I hope everyone is coping okay - the state borders are still closed here and (for now) covid is under control, so I am grateful for that and feel for those who are not so lucky. 
Writing wise, I’ve not been as productive as I would like, but I did update Against the Dying of the Light, and it was an absolutely mammoth chapter with action/battle scenes which I always find difficult, so was fairly proud of the result.
I haven’t read much fanfic lately, my to-read list is a mile long, but I’ll get to it.
I have been reading more actual books, and finished The History of the Kings of Britain by Geoffrey Monmouth, which I found interesting as an faux-historical and early Arthurian reference, if not particularly enthralling.
I’m about two-thirds of the way through The Sunne in Splendour by Sharon Kay Penman which has long been on my to-read list. I am not as well versed in  the Wars of the Roses period as I am with the Tudor period, but knew this book was rather well regarded (particularly compared to the Gregory novels, which I find frustrating). Of course it’s unapologetically pro-Richard III, but I don’t mind the perspective and at least so far it doesn’t veer to far into canonising the character - the treatment of Elizabeth Woodville is slightly harsh but then I don’t think his dislike is ever painted as anything but classist, and therefore flawed.
I tend not to take a “side” in this period of history - I can understand the argument of both the Lancaster and York factions, and am generally sympathetic to most characters (except Warwick and Clarence). I do find it interesting that very little of the book is from Richard’s pov - instead his characterisation is mostly how he is seen through the (mostly friendly) eyes of others - Anne, Francis Lovell, Edward, etc. But I’m really enjoying this choice and the variance of pov to give a fuller picture of the time and events.
While not writing, I’ve have watched a lot of film/tv - theatres have reopened here and I saw The Personal History of David Copperfield (dir. Armando Iannucci) which I just loved. I’ve not read the book (although it’s on the list) so don’t know how it fares as an adaptation, but found it so enjoyable and highly recommend. It’s undoubtedly a light hearted take on the source material, but there’s still an emotional depth despite (I imagine) a great deal being cut from the novel - particularly the way in which we write (and re-write) our own stories. There’s a particularly good scene near the end (spoilers I guess) between Copperfield and his fiancé Dora, where he writes her into a scene for which she was not present, and she’s the one who tells him to write her out because she “doesn’t fit” and it’s so succinct and restrained yet so cleverly written. I gather this is a significant change from the novel, yet gives Dora more agency in the story than her original role (which was, as I’ve looked up, to get sick and die).
Dev Patel is of course wonderful (and gorgeous) in the title role, backed by a stellar cast - Hugh Laurie, Tilda Swinton, Nikki Amuka-Bird (she is fantastic - I finally got around to watching Avenue 5 and I love her so much), Peter Capaldi - even Gwendoline Christie in a tiny role. Rosalind Eleazar as Agnes is also one to watch.    
I also highly recommend Little Fires Everywhere -  I heard Reese Witherspoon on Jameela Jamil’s podcast a while ago and it was so interesting to hear her discuss the challenges she’s faced as a woman in Hollywood (while acknowledging that others, particularly women of colour, are up against greater prejudice) - taking her career into her own hands, obtaining and producing female-driven content that might otherwise be overlooked. Little Fires Everywhere (adapted from the novel by Celeste Ng) is one such project - produced in equal partnership with Kerry Washington, and both sharing top billing as the show’s leads. What could be yet another story of Rich White Women Problems actually becomes a nuanced take on motherhood, race, class, family, art - with no conciliation that any of the characters have to be “nice”. In fact both Elena (Witherspoon) and Mia (Washington) can be at times downright unlikeable, and you can see both sides of the main conflict - on the primetimer forums there were commentators frustrated that they weren’t sure who they were meant to be “rooting for” but that’s the point - even if the ending is slightly unsatisfying, this is a messy story about messy people and there are no right answers.
Both women are incredible but Witherspoon has the flashier role, and is really a tour de force of white female privilege - the microaggressions, the slow unravelling, the obsession with perfection. I don’t want to spoil anything because it’s worth watching without expectations - I will also just give a shout out to Joshua Jackson who is sort of wasted in the husband role, but turnabout’s fair play I guess!
Hollywood. I...find Ryan Murphy projects very hit and miss. I enjoyed this for the most part, it’s obvious Murphy loves old Hollywood, both the glamour and the seedy underbelly, and both are on display here. I will also give him credit for good intentions in diversity, both in race and gender as well as age (both Patti Lupone and Holland Taylor have great roles), but I found the ending somewhat soured the entire thing for me. 
(Spoilers) While I understand that this was an alternate history wish fulfilment, it just felt rather cheap to have this movie sweep the Oscars and then suddenly bam, Hollywood is no longer racist or homophobic. The idea that if only someone had had the guts and taken the chance to make a movie like Meg with a black leading actress, written by a black gay screenwriter who holds hands with his boyfriend at the Oscars, it would break box office records, be almost universally embraced, and sweep the awards (except for the white guy), felt a bit...disingenuous? Of course, yes it would have been great if someone had taken those chances, I just feel it would have been almost more uplifting for the film to be a modest success, prove that such films/talent could be embraced, maybe win an Oscar or two, and set Hollywood down a more inclusive path, rather than immediate fairyland fantasy. For me, there just still needs to be internal consistency in your alternate history, otherwise it doesn’t resonate.
That said, there was a lot to like about the show, the actors were excellent across the board, the costumes were incredible, and there was a lot of interesting/heartbreaking real Hollywood stories (I never knew about Anna May Wong for example). 
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bensakindofmagic · 5 years ago
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Cafe Girl
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Okay so I’ve been working in a cafe all summer and this is where my brain goes when I’m bored (which is constantly). I wrote it in my lunch breaks while silently wishing it would really happen 
Thursday, 1st August 
“I hope that fit guy comes in again,” Jenny called from the coffee machine. 
You teetered in from the kitchen with a tray full of clean cups and started restocking the shelves. “What fit guy?” 
“Of course, you weren’t in yesterday. This really cute guy came in for a coffee.” 
“Is that it?” you scoffed. “You made it sound like something happened.”
“No, you don’t understand,” Sophie interjected. “He was gorgeous.”
“Right up your street actually,” Jenny nodded to you. 
Sophie rolled her eyes, “So you’re going to get all courteous now, just ‘cause you were blatantly flirting at him and he didn’t bat an eye.” 
“What girl isn’t going to try their luck with him? He was beautiful.” 
“Yeah, you mentioned,” you laughed, shaking your head. 
You didn’t have to wait long to find out if they were exaggerating or not. You were merrily folding napkins to keep yourself occupied when Jenny nudged your arm and whispered, “It’s him.” 
You looked to the door that he had just walked through. They were right, he was something else. You’d never seen anyone pull off jeans and a t-shirt that well. His shirt was just a little too tight on his arms, making his biceps bulge out of it. You imagined that he’d bought the shirt before he’d started bulking, but liked the way it accentuated his muscles. He looked as though he had that subtle arrogance of a man with confidence and a path laid out before him; not that you minded, it was wildly sexy. His hair, bright blonde, fell in obnoxiously effortless waves over his forehead. A light tan made his skin glow. 
Jenny nudged you to the till, and you rolled your eyes at her. 
“Hi, what can I get you?” you said, putting on your customer voice. You were a little startled to see his eyes were bright, piercing green. Flecks of blue and grey and gold gave them such kaleidoscopic depth that you feared you could stare into them forever and never see them fully. 
“Uh, just a flat white please.” 
“Right,” you quickly hid your flustered moment, “to take away?” 
“Please.” 
You smiled — only to be polite, of course — but he smiled back and your heart fluttered. His cheeks popped into cherries and you saw his tongue hover behind slightly parted teeth, the most subtle indication of his urge to wet his lips. 
You made him his coffee. Much to your embarrassment you made a heart in the foam, quite without thinking. Thank god you covered it up with the lid. 
“Here you go,” you handed it over to him. 
He mumbled, “Cheers,” not quite meeting your eye as he took his drink and left. 
“I think he likes you,” Jenny smirked. 
“Oh piss off,” you laughed, shaking your head. 
Friday, 2nd August
“Remember that guy that came in on Wednesday? He was in again yesterday and Y/N flirted with him,” Jenny told James, another coworker, animatedly. 
“We did not flirt,” you asserted. 
“What was that smile then?” 
“I smile at every customer, it’s called being friendly.”
Despite your thinly veiled condescension and dismissal of Jenny’s excitement, you caught yourself thinking about him far too often. That blonde god that had come in filled your idle thoughts against your will. You found yourself torn between wishing he’d come back, wanting to see him again, and silently praying that he wouldn’t. 
But within the hour he was back. Again he ordered his flat white and while he waited you contemplated who he might be. He was in on a weekday, when most people were at work, but wasn’t in a suit. He wore comfortable clothes, usually dark colours, quite plain. So not in the offices or shops along the street. You wondered if he worked in the theatre down the road. You got a lot of actors and tech crew coming in on their way to rehearsals. They’d come in everyday, or every few days, for a couple of months and then they’d disappear again once the run of the show was over.  You imagined him on a dark stage, lit in a single spotlight, reciting some melodramatic monologue, pouring his heart out to an enraptured audience... 
“Cheers,” he said, taking his coffee. 
“Have a nice day,” you smiled. 
Monday, 5th August 
You had to wait until after the weekend to see the handsome stranger again, confirming to you that he was coming on his way to — or while at — work. 
“Flat white?” you smiled as he walked up to the till. 
“Am I so predictable?” he laughed. It was deep, a rich rumbling sound like churning of the ocean.
“You’ll be a regular soon if you’re not careful.” You almost winked, but stopped yourself. That would be a step too far. 
“Maybe we’ll start getting to know each other better then.”
With that he turned away, walking to a quiet corner to wait for his coffee. He leaned nonchalantly against the wall, his body rolling in languidity, and you tried to ignore his staring.
Tuesday, 6th August
When he came in again you smiled widely. This handsome stranger was a becoming part of your daily routine. You lit up when you saw him, and he made each day a little brighter. You looked forward to seeing him each day, even if you only exchanged a few words. Occasionally you caught yourself thinking about him, wondering what it would feel like to run your fingers through his hair or have his arms wrapped around you, and felt like an idiot. You’d known him for less than a week — hell, you didn’t even know him! While his comment about getting to know you better gave you some modicum of hope, you berated yourself and tried to keep your wondering thoughts to a minimum. But still your heart seemed to flutter whenever he walked in. 
“The usual please,” he grinned. 
“If you’ve got a usual then you’re definitely a regular,” you said, putting his order through and looking at him through your lashes. 
“You say that but I’m new to the area, I barely know my way around. I’m supposed to be taking someone for dinner tonight but I have no idea where to go.”
“Is it a date?” you asked, perhaps a little too fast and quickly backtracked, “‘Cause there’s this really romantic Italian place just round the corner.”
“Not a date, I suppose it’s a business meeting.” 
“Well, the Thai over the road is really good. A bit rough and ready but the food is incredible. Or there’s a curry house a few streets over — proper fancy.”
“Oh great, thanks.”
You latched on to the scraps of information he gave you about his life, and hungry for more, the question slipped from your lips before you had a chance to second guess yourself, “Do you work in the theatre down the road?”  
He cocked his head, “How did you know?”
“We get a few actors and such coming through here, you look like the type,” you shrugged.
He laughed, “Is that an insult or a compliment?” 
You bit your lip, “Whichever you like.” 
When he took is coffee from you your fingers met briefly. His skin felt rougher than yours but warm and electric. You seemed to burn where he had touched you. 
“That was definitely flirting,” Jenny whispered to you as you both watched him walk away. 
Thursday, 8th August
“A guy came in yesterday asking for you,” your manager said with faux nonchalance, but you saw the glistening of intrigue in her eyes. 
“Oh really?” you replied as indifferently as you could. Quite against your will your heartbeat started to speed up a little
“Mm, he didn’t know your name but he described you. Seemed disappointed that you weren’t here.” 
You made no reply, but busied yourself loading the dishwasher. 
“Y/N, can you grab the till please,” Sophie called into the kitchen.
You walked out to see him standing there, hand thrust deep into his pockets, but his face lifted when he spotted you. 
“You could have got the till,” you breathed to Sophie as you walked past. 
“I’m busy,” she lied, biting back a laugh. 
“How did your dinner go?” you asked your handsome stranger (who didn’t feel so much like a stranger now), putting his order through without having to ask. 
“Yeah really good. I think I might have the part,” he beamed. It was written all over his face how much it meant to him, how proud he was of himself. You couldn’t help but smile, and you certainly couldn’t help the way your heart fluttered like a juvenile butterfly. “Congratulations.”
He held the cup up to you in a silent cheers when Sophie gave him his coffee. Just as he turned to walk away you blurted out, “My name’s Y/N, for next time you come in asking for me.” 
He blushed, the pink blossoming up his neck and onto his cheeks, “I’m Ben.”
Friday, 9th August
“Y/N, are you wearing makeup?” Sophie goaded. 
“A little, so what?”
“You never wear makeup to work.” You shrugged without a word and she grinned, “It’s that guy, isn’t it? You like him.” 
“Shut up,” you grumbled. 
Tuesday, 13th August 
Ben had come in everyday you were there, the girls even calling you back from your break once to see him, and very slowly you had started to learn more about him. He talked a bit about the play he was in and the part in the big blockbuster movie he really wanted (but he couldn’t tell you the film). You told him how you were saving up for art college, how you found working in the cafe soul destroying. He saw a customer complain to you once, being very rude about things that weren’t your fault, and saw how you bit your tongue and smiled as sweetly as you could muster until they left in a huff. 
“Jesus, I don’t know how you didn’t blow up at her,” he had said. 
“It never helps, you learn to just let them rant and look apologetic,” you mumbled back, disinterested. 
“Does that happen a lot? People being rude.” 
You nodded, “Customers tend to forget you’re human as soon as you put the apron on. You’re a robot whose only function is to serve them coffee.” You laughed bitterly. 
He had shaken his head and promised to never complain to a server again. 
“You’re early,” you smiled as Ben walked in, looking perfectly dishevelled, his hair still a little wet from his shower. Your mind wandered, quite of it’s own accord, to the image of him standing under the hot water, naked, wet... 
“Got in trouble yesterday for being late. Chatting to you for too long, clearly,” he chuckled. 
“I won’t keep you then.” 
“What do you think I came in early for?”
He leaned against the counter as you made his coffee, looking casually out into the distance. He thrust his hands into his pockets. When he licked his lips your nearly burnt yourself on the coffee machine. 
“I’m thinking about getting a dog.” 
“Oh really?” you giggled. Of course he was a dog man. “What breed?” 
“Well that’s the problem, I wanted a foxhound but they’re not great for the city I don’t think. Don’t like apartment living.” 
“What about a beagle then?” you offered. “Similar breed, still a hunting dog but smaller. Don’t need quite so much exercise.” 
“A beagle, you say?” he said, ponderous. 
“Or border terriers have a good temperament, or a westie. Or a dachshund if you wanted a hound over a terrier.” 
“You know a lot about dogs, huh?” 
“God blessed us with dogs when he realised what arseholes cats were. They’re more than we deserve.” 
“No strong feelings then.” 
“None at all.” You handed him his coffee with a songful laugh. 
Thursday, 15th August 
Ben gave you the biggest smile when he walked in that morning. 
“Finally it’s Thursday. I hate Wednesdays.” 
“What’s wrong with Wednesdays? Hump day, it’s my day off,” you simpered. 
“Exactly, I don’t get to see you.” 
You blushed an impressive shade of fuchsia. 
Friday, 16th August 
You were rushed off your feet when Ben came in the next day. You were on the coffee machine, frantically making order after order. Latte after cappuccino after flat white after macchiato, dealing with every variant of syrup, number of shots, type of milk, wet or dry, iced or otherwise, that the world could throw at you. You were desperately trying to keep up when a familiar voice wafted over to you; your shoulders seemed to relax and your heartbeat seemed to slow, “I guess I won’t be getting my morning chat today, you look a little busy.” 
“Just a little,” you laughed through a grimace, sending someone off to run an order. Instead of starting on the next one in the queue you set about making a flat white. 
“Why’s it so full?” he queried. 
“Cafe down the road is closed for the day, we’ve got all their customers.” 
“Good for business.”
You scoffed, “Not good for my stress levels. Here,” you said, handing his drink over to him. 
“But I’m not in the queue yet.” 
“Wouldn’t want to make you late for work,” you smirked. 
“I haven’t paid.” 
“This one’s on me.” 
Saturday, 17th August 
You were wiping tables once it had gone quiet again in the afternoon, after the weekend lunchtime rush. The weekends had seemed to become a little more dull without Ben to put a smile on your face. You were quietly singing to yourself in a small effort to make the time go faster. You were vaguely aware of the door opening behind you but ignored it; someone else could get the till. 
“I don’t care if Monday’s blue, Tuesday’s grey and Wednesday too” you hummed along to The Cure.
“So she can sing as well,” came a voice behind you. You whipped round, startled, to see Ben grinning at you. “Hey,” he said softly, barely more than a whisper, eyes glistening. 
“Hi,” you mumbled. It was the first time you’d seen him up close, without a counter between you. You inspected the lines that formed around his mouth when he smiled, you noticed the flecks of hazel in his eyes. 
“You have a beautiful voice.” 
You laughed through your nose, “You’re being generous, I can just about hold a tune.”
His eyes narrowed slightly, examining you, his head cocked just a little. There was such intensity in that innocent gaze that you felt yourself being drawn towards him. You so nearly leaned in. He licked his lips. 
There was a clatter as someone dropped a knife and you came to your senses. 
“So what can I get you? The usual?” 
“Actually, I’ll have it to drink in if you don’t mind.” 
“Breaking boundaries there Ben,” you joked. His name still felt alien on your tongue. 
“I could use some company too.” 
Your chest inflated, lungs full, “I’ll see what I can do.” 
Ben sat down at a quiet table in the corner while you went to put his order through. You pled with your boss for a break, even though you’d already had your full hour for the day. She smiled, glancing over at Ben, shook her head with a small laugh, and said you had 20 minutes. You had to stop yourself from skipping over to him, and placed two cups on the table before sitting down. 
“You should have let me get that, I owe you one from yesterday,” he said, motioning to your cup of tea. 
“No you don’t, anyway I get it for free,” you demurred with a closed-lip smile. 
Twenty minutes felt like seconds with Ben. Conversation was easy despite your nervous energy and all too soon you were lamenting that you had to get back to work. 
“I suppose I’ll see you on Monday,” you winked, but as you turned to walk away you felt a hand on yours, strong and warm. 
“I’d like to see you again, not here I mean. Maybe we could go out for coffee or something.”
“Absolutely not.” Ben’s face fell but you laughed, “I spend far too much time in coffee shops, you can take me out for lunch.” 
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hobiwonder · 6 years ago
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A vase of flowers | (m)
Genre: Smut, enemies to lovers.
Pairing: Wealthy art student!taehyung x art student!reader
Warnings: slight angst. language. foreplay, descriptions of unprotected sex, dirty talk. it’s pretty tame otherwise.
Words: 10k
Summary: Art prodigy Taehyung comes to your art store out of desperation   when he doesn’t have enough paint to finish his latest piece. That wouldn’t be a problem if you didn’t hate his elitist ass. 
a/n: this was just to get back in to writing. Its not edited and probably doesn't flow the best. But it did get me writing so here u go!! feedback is much appreciated :)
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(he’s a work of art himself!!1!!!1!)
The hustle and bustle of students – females in particular – in the hall outside the lecture theatre was more infuriating than you had anticipated. What else did you expect though? The one day you don’t come late to the lecture is the day Kim Taehyung had decided to show up to class so the hallways outside the room being cramped like a chicken farm was inevitable. Even Minnie sitting beside you was craning her neck forward to catch a glimpse of the artistic prodigy – never mind his out of the ordinary good looks – before the class started. He was very much a superstar at your university but you will never understand why people were so obsessed with people who were not actually that great if you just looked past the good looks and the talent. Talent didn’t automatically make someone a good person and everyone’s obsession with the teal haired artist really pissed you off.
“Ugh, when will these bimbos shut up. He’s not a god!” Your words are muffled against your sweater clad forearm as you try and rest your head before class started. Having the closing shift the night before was one of the few things you despised when you had a class this early in the next morning. But you still showed up to every one of them. Unlike someone else.
“Well it doesn’t help that he looks like one.” Minnie is just shrugging while she continues to lean over her chair to watch the girls twirl their hair, throw back their heads in laughter whenever Kim Taehyung says something ‘funny’, nudging his shoulder with their own to show their frankness when really – none of these girls probably knew him past his bedroom since he rarely showed up to class. But news of him being a womanizer was common although slightly more hushed than that of the football team captain and co-caption Jeon Jungkook and Min Yoongi. Those boys were a headache for another day.
Kim Taehyung wasn’t anything special. In fact – he rarely showed up to class, was given special privileges you were sure of it because he was always in the top three students despite showing his face once in a blue moon, had every professor whipped for his pert ass because of how well connected he was in the industry as well as his family being one of the founding fathers of your current university.
Sure, someone like that is bound to be more popular than your regular high achiever or talented artist but the fact that he had everyone absolutely nuts about him was infuriating. On top of th-
“Are you done with your inner monologue? You’re blocking my way.” The unmistakably deep voice belongs to none other than the boy who you wanted to punch so very much. But that wouldn’t be wise given that most of the class was watching. His annoyingly attractive smirk was always there. Like it was just how his mouth was shaped but you knew that he always made the look a bit more condescending when speaking to you. Not that he would let anyone else know though. Bastard knew how to keep his persona up and you just wanted to smack him even more!
“Oh sorry. Forgot your name was on that seat since you barely come to class. I’ll remember for the next time when you make your monthly appearance.” Minnie is nudging you with her elbow no doubt to shut you up and it’s not the first time this exact scenario had taken place. But you wanted to keep yourself in check since no doubt the rest of your comrades would give Minnie a hard time since they didn’t have the balls to annoy you because of your obvious dislike of Kim Taehyung.
“Missed me, did you?” Your little victory smile is slipping off your face when his smirk deepens and you have to physically grab your desk and grit your teeth from snapping at him again while you move your feet out of the way so his smug ass can get to his stupid seat. Thankfully his seat was towards the end of the row so you didn’t have to catch glimpses of his pretentious face.
“You wish trust fund baby.” Alas, he isn’t affected. Not even a bit as he winks your way while walking to ‘his’ seat.
“Leave the pet names for people who actually get to be with me.” That’s it. Youj will break his stupid obnoxious snobby face!
“Calm down y/n. Everyone is watching.” She holding on to your arm while your eyeballs glare at Taehyung’s direction without even blinking.
“All the more satisfying when I kiss him with my fist! Minnie let me go you knob.” While you’re trying to wrestle your arm free; your professor has walked in looking pleasantly surprised with the semi-full lecture theatre. His gaze almost instantly goes directly to Taehyung because even he knows that most of these new faces that show up once in a while as well are because of Taehyung. They nod at each other before he starts the class and your mouth is agape that no one even questions the favouritism in this class. A bunch of ass kissers!
“Are you seeing this? His daddy probably plays golf with the prof. Jung Soo!”
“So what, y/n? You’re forgetting the rest of them also have parents who play golf with Taehyung’s dad. Most of these rats are rich as fuck. Not everyone comes from humbler beginnings.” Minnie is smiling hopefully as she watches you pout but her response only makes you snort.
“Are you forgetting you’re one of these ‘rats’?”
“Don’t remind me.” She falls back in her seat while hiding her face at the mention of her filthy rich parents being business partners with Kim Taehyung’s. When you’d first found out how well off your best friend was it only made you more enraged. If she could be a decent human being and not get any special treatment – despite being extremely talented as well – then why stupid Kim Taehyung? Minnie had a banging body and a face to match not that it should matter but you were so sick of the double standards. Your best friend also deserved special treatment dammit!
“Why? You shouldn’t be ashamed of being rich, hot AND a decent human being. I would so be one of those girls drooling after that canvas demon if I was gay.”
“Bitch I’m almost convinced you aregay but the way you’re ready to drop your panties for Min Yoongi tells me otherwise.” You only try to muffle your laughter while smacking Minnie’s knee, mumbling a ‘shut up’ before you both opt to pay attention to what your professor is going on about. Not before you catch Taehyung watching you like he was about to grade your upcoming assessment. You just send him another glare and try to ignore his overtly attractive physical presence. How could someone just sittingseem attractive, you will never get it. God really favoured some people more than others huh?
“Thanks for coming. Have a nice day!” The chime of the register as it slid closed was a sound you were starting to hate. The smile on your face was tired and probably was becoming very obviously fake. But that was just a typical day at the arts and crafts store – the only one in the near vicinity of the university hence the more than average traffic even close to 7pm at night on a weekday. Since the store was employed with almost entirely all students, it was able to stay open longer than the regular hours to allow the students with day classes to work during the night shifts. You were an exception though. Being on the lower end of the income spectrum among your peers, you needed as much work as you could get. Doing a bachelors in fine arts helped too as you used the tools that the store sold, on a regular basis. It definitely came in handy when assisting first years and some mature aged students who needed extra help in finding the right type of brushes or paints needed for their canvases.
“You good? You can take off for the rest of the night you know?” You know that Sungwoon is trying to sound helpful but you knew his real intentions. Scoffing in his direction you just grab your blue water bottle to take a good swig and wake you up.
“So you can steal my shift and work instead? Not today satan.”
“You’re literally so dramatic.” He says while heaving the biggest breath out like he was any better. “Maybe I genuinely just want you to rest and not have your face turn in to one of those creepy smiling masks from that one movie.” He’s clicking his fingers s if that’ll help him recall the name of the film any faster. Lucky for him, you knew what he was talking about.
“The Purge?”
“That’s it! See, you knew exactly what I was referring to. You need sleep.” Sungwoon is nodding while looking at you like you stank or something. Ugh screw boys.
“If I did, you’re the first person I’ll get rid off.” You deadpan and you can almost pinpoint when he starts to realise you may not be joking. But you were of course. He was a little shit but all in good fun.
“Well,” he’s picking up his bag and making sure to clock out from the app the store used to make sure everyone was getting to work on time, “I’ll be going then. Have fun scaring off rest of the customers and drowning the revenue for today.”
His squealing laughter is the last thing you hear before he’s scuttling out when you try and smack him across his bicep. Sungwoon was probably one of the few boys you could stand and were actually close enough with for them to joke around like that with you because apart from Minnie, there weren’t many people who really liked talking to you. That much was clear when you’d moved near the campus from your town when you’d been accepted to the rather elite Art University.
Coming from a small town – you’d think you were more friendly but that wasn’t the case with you. You’d grown up with a strict father that made sure to discipline you if you ever messed up your tasks at his workshop. Ever since you could remember how to read and write, you had been helping him out with the business as he could not. His own father – your grandfather – had been even more strict on him according to your mother so there was no changing him. You had never really minded in doing the book-keeping for him or making sure the small town client paid on time after having their cars tended to. That’s until you had started your Junior year in high school and had the choice of choosing between subjects now that you were to apply for universities after. Or that’s what the plan was for most children. You had taken Art as a spare since it was the easiest class at the time and you really didn’t need any complicated subjects to study for because you were having to work at the workshop with your dad even more as you were getting older.
Being an only child also meant that all the expectations your parents had fell upon you to see them through. It also meant that the only time you interacted with your fellow classmates was during class. Not even after because as soon as school would finish – you’d have to rush to the workshop to help your dad sign out cars from the shop to the owners on time. He specifically made appointments towards the end of your school day just so you could be there and help him make sure the checks he was given by the more wealthier customers – only a few – were not for an amount less than he’d quoted them with. Believe it or not, it had happened and every time it did you had to stop yourself from smacking the bastards who had tried to take advantage of your father just because he couldn’t read. Ant to make the matter even more ridiculous, most of the people who tried to scam your father had been those who could actually afford his services. Not Joe who had a farm and sold eggs locally as his main source of living, not Jihoon’s father who was a delivery man and needed his vehicle to keep working and provide for him family and certainly not the old lady who had her truck serviced by your father so she could get to her appointments to the doctor, on time despite her only income being what her son sent from the city where he worked as a chef and had his own family to feed.
The world was filled with unkind people and most of them were those who could afford most things but still tried to take the less fortunate’s share too. Your father was a calm man but all his frustrations were usually taken out on you whenever you would rightfully insult those who tried to seek discounts despite knowing that your father wouldn’t be able to afford the tools he needed to do a fair job on the vehicles if he didn’t get paid the amount he had set on the pricelist which was dismal compared the mechanics you have seen in the city.
But of course, he wouldn’t say much to those low-lives because at least he was getting business. And that was better than nothing. When you’d finally let him know at the end of your senior year that you’d applied to an arts university rather than the business school he had hoped you would go to – things had not gone well, to say the least. Of course all his anger would be directed at you that day from the shop as well as finding out that his only child was not interested in business at all. You had done it as much as you could for the sake of helping out and honestly? Just not knowing what was out there for you to study and do with your life. But If there was anything that working with your father had taught you was that if you didn’t take a chance sooner than later – you’d end up having to rely on someone else for the rest of your life. Just like your father relied on you for so long because he just never got around to even finish school because of doing exactly what you had been – helping out your granddad.
The day you had left for university had been hard and was the second time you had cried. Your father hadn’t even looked at you but your mother had clutched on to you until you had to physically pull her away when your taxi had arrived. Even after making sure there was someone to help out your father at the shop, there was still apprehension present in your gut. It had all felt wrong somehow even as you had been unpacking your stuff in your flat the next night. Thankfully, all the hesitancy, all the fights and the sleepless nights had been worth it when you’d gone in to your first class the next day. You’d been excited to meet new people, make friends, make memories you didn’t even knew you had the option to make. But what do you know, getting accepted in to an elite university meant there were more of the same people you had fought off and defended your father from.
Meeting Minnie was almost a miracle. She had been the only one to come up to you being desperate to find a buddy to get lost around the campus with and not like the rest who had taken one look at your jeans and plaid shirt and moved on to find others with the same clothing or designer bags. People were so materialistic in the city it was almost unbelievable. In your town you had been able to find others who were more so on your social and economic status and feel comfortable. But in the city you were outnumbered. Maybe that’s why people like Kim Taehyung got on your nerves even more than usual. You’d noticed his elitist behaviour when invitations had been sent to attend the commencing party at his house in the first week you’d been attending the university and instantly you knew you would never be able to stand him or people like him. Only a certain number and certain looking people – girls to be exact – had been invited to the famous Kim estate. You’d only found out when Minnie had asked what you were going to wear to the party. The look on your face had probably given away your lie that you weren’t actually invited when you’d made up some excuse of not wanting to go. Minnie being the good sport and the only decent person you had known, had made some excuse about not ‘feeling it’ and stayed in that night and watched all of Harry Potter series with you. With you watching them for the first time.
“Bugger.” Your thoughts are interrupted when you almost trip over the bucket of sale items Sungwoon forgot to move. Taking a deep breath, you pick up the relatively heavy bucket that contained tubes of oil paint in colours such as black, white and red that were bought the most and move it to the stock room so it can be displayed again the next morning. Your shift was going to end in another 2 hours so now most of the work included moving display stock to the back room and print out labels for the discounts that were going up tomorrow morning. This is probably why you didn’t completely hate night shifts because other than a few customers – it mostly involved you working silently and most times even able to use headphones without having to worry about missing anyone at the till waiting for you.
“Hello? You guys still open?” You’d just finished putting away the tubes and the paint brushes when the front door had opened – as signalled by the bell atop it – meaning there was a customer.
“Coming!” Quickly getting down from the ladder where you’d been putting the paint in their designated boxes, you rush outside. “Hi, how can I- Oh. It’s just you.”
Taehyung is scoffing towards you when you roll your eyes seeing as it’s not a real customer. It was true. The last few time she’d come in – he’d browsed for all of 5 minutes before making a weird face and leaving. Probably going to buy his pretentious paints from his pretentious shop. It was as if he only came to the store to make fun of all the products most students living on campus – or not filthy rich like him – used.
“Isn’t that against some customer service code? To have this sort of attitude?” His bright hair has somehow made the place look a little less mundane, you hate to admit it. His very clear skin and the various rings he wore didn’t help either in making you feel less than. You hated how much he actually affected your mood.
“For actual customers? Probably yeah.” This time, it’s him who’s rolling his eyes while his hands comes up to have a feel of a synthetic brush that was hanging in front of him.
“What makes you think I’m not a customer?”
“You really want me to answer that?”
“I actually am here to buy something this time.” His response only makes you smirk as you hum.
“So you do admit that you only come here to flaunt your wealth. That’s a good sign Taehyung.” But for some reason, the teasing that would usually make you feel better doesn’t feel as satisfying when Taehyung is just looking around like he’s in a pickle rather than through an insult back at you.
“Look, I need some paint and maybe a few natural hair brushes. I would go to-”
“Your overpriced and pretentious art store?”
“-my regular spot but I need to finish this painting tonight.” He completely ignores you when you cut in with a smirk and almost sounds like he is pleading. Wait. He was. The new found info perks you up more than you’d anticipated and it’s almost exciting knowing Kim Taehyung’s fate lies in yhour hands. Okay, maybe an exaggeration but still exviting. So you do what anyhone else in your position would – milk out the entire debacle.
“Well, well, well.” Leaning on your elbows on the counter, you can’t help but feel sort of like an evil villain finally with the perfect opportunity to strike. Except, you weren’t the villain really. You were the good guy!
“For fuck’s sake.” Taehyung mumbles lowly under his breath but you could hear him loud and clear. “How long are you going to make me wait?”
You wanted to be cruel, you really did. You wanted to tell him you had ran out of the supplies but you were too tired and honestly, he was probably going to buya  bunch of stuff and if you made a sale above 50,000 won in one transaction then you would make some sweet commission. So whatever.
“Luckily for you, I’m a decent human being so,” stepping out from behind the register, you just deadpan at him, “right this way.”
He seems surprised and so are you. At yourself. Because you’re not sure why you’re being this nice to him when he’s made fun of you on more than one occasion.
“I’m slightly scared you’re leading me somewhere quieter so you can murder me.” His voice is slightly meek and you’re thankful that he can’t see your face because you’re trying to hold in ugly laughter that Kim Taehyung is actually scared of you when alone despite acting like hot shit when surrounded by a herd of girls.
“A good, educated guess. But not today.”
“…. So there is a chance for that to happen another day?” Spinning around to face him abruptly – damn okay maybe you should major in acting because Taehyung flinches but tries to play it off by shrugging his broad shoulders.
“Maybe.” You’re slightly too close to him because you have to crane your neck up to meet his gaze. Just when his own slips down to your lips, you quickly gesture towards the aisle you’ve just stopped in front of. “Here you’ll find what you need. Brushes and paints.”
“Thanks.” You just shrug before turning around to go back to the cash register. That plan doesn’t go too well because a warm grip on your wrist stops you in your tracks and almost on instinct, you’re ripping out your hand from the grasp as soon as you feel it.
“Woah, sorry! I didn’t mean to-” You just cut him off to move past the subject before he even brings it up.
“What do you want now?” Taehyung pauses for a few seconds as if not ready to let your jumpy reaction go just yet but thankfully decides to drop it.
“Look, I wouldn’t be here if I wasn’t desperate and rally needed the sup-”
“Taehyung, I’m not interested in hearing how you would never set foot in a place where peasants like us – or normal people really – shop so just get to it.”
He however is just biting on the inside of his cheeks as if to burry a smile before it breaks through. “You’re not very patient are you?”
“I haven’t been put in many situations that really require it, so.” You just shrug in his direction but the flash that goes through his eyes that resembled molten dark chocolate sends an involuntary shiver down your spine and thankfully the air con is on and you could blame your odd reaction on to that if he noticed. Why was he looking at you like that?
“That’s too bad. Sometimes the rewards for waiting are quite fulfilling at the end.” And somehow, you’re not sure if he just means that in general or…
His heavy gaze travelling down the length of your body only makes you more eager to move on before you lose all the good comebacks you had at the tip of your tongue just because his looks were making you weak in the knees.
“Whatever.” You turn to leave once again and again, Taehyung reaches out to grab your wrist but pulls himself back before he can. Thankfully, you have already seen him this time so you just cross your hands under your chest, tapping your foot while you wait for him to spit it out.
“Just help me okay? I’m not familiar with these… brands.”
“That’s because none of them are Gucci.” He just rolls his eyes but follows you down the asile anyway.
“You do know that Gucci doesn’t make paint right? If they did it would be amazing though. Maybe I should write to them about this. Hm.” He’s started talking to himself but you start pointing out the different types you had available because you don’t have time to have causal chats with him like you two were friends. Despite his weird behaviour before.
“If you’re looking for oil paints, these ones are smoother and the colour payoff is better than others and if you want buildable colours then go for… this.” You’re about to say they are cheaper than the first brand you had pointed out but then realise that he most likely doesn’t care about the price. Though he doesn’t seem to be looking at you at the moment but only paying attention to the paints just like he paid attention the content in the few lectures you’d seen him at.
“Do they not say the ingredient at the back? That’s peculiar.”
“What’s peculiar is you using the word ‘peculiar’.” You mumble while still watching him inspect the different tubes as if he was going to drink them or something.
“May I get the list of ingredients for these ones here? And the lightfastness rating please.”
“It’s literally at the bottom of the tube.” His eyebrows furrow as he looks back at the tube and looks at the bottom again.
“Oh. Isn’t there like a booklet or something that comes with this so I can check?”
You just continue to stare at him.
“Taehyung, this is a campus arts store and our most expensive paint is 55,000 won. So no, we don’t have fancy brands that make ‘booklets’ for every paint. But if you must know,” You sigh, rolling your eyes at how high maintenance he was with his paints, “I can have a look at the delivery boxed for the ingredients. I know that all of these paints of this brand have a lightfastness rating of II at least.”
“Excellent! And yes that would be great, y/n. I just prefer my oils to be made from pure Linseed is all.” He has a bright smile on his face while he shrugs like that’s just the way it is. But of course, you want to punch him once more for making your job harder than it needs to. He was a college student. What did he need such high quality paints for? Ugh.
So you grit your teeth and walk back to the storage room and fish for the delivery boxes of the brand that Taehyung was interested in. “Stupid rich boy. Used to always getting what he wants.” The mumbling continues on your part while you try to locate the box as quickly as possible so he can go away and stop making your shift harder than it needs to be at almost 8:30 PM at night.
“Aha!” You have finally spotted the boxes that were stacked way at the bottom. Quickly reading through the large ingredient list, you confirm that the paints are unfortunately not made purely from Linseed oil.
“I have some bad news.” When you walk back out to where Taehyung is testing a few brushes, you can see his face drop because you’re sure he can guess what you’re about to say. “The binder used for these paints is a mixture of Linseed and walnut oil as well as a few others.” You shrug but Taehyung seems to be losing it.
“God fucking damnit. I’m screwed.” He’s started to pace around the aisle, looking like his life has just ended and his dog has died. Did he have a dog? You loved dogs.
“Why are you freaking out so badly?” He looks at you like you’re the one who’s acting weird.
“Because I have an auction in three weeks and it usually takes me that long to even finish a painting.” Of course he had an auction. It was common knowledge around campus that he sold his paintings for quite a sum at a few well known auctions. But you couldn’t remember another one happening anytime soon though.
“What auction? There isn’t one scheduled for at least 3 months.” Taehyung is hesitating when you question him. He looks like he would rather not mention it but in the end, sighs and tells you anyway.
“It’s more of an exhibition. Just for my paintings.”
“Oh wow.” Your eyes have widened at the mention of his solo exhibition. He was rich enough to afford to hold one so it shouldn’t be that surprising. But it still was a big deal even for a privileged student like him because you need to have enough credibility and a loyal customer base to attract enough people to an exhibition that is solely filled with your own artwork and not a collection of artists. “ I didn’t know you had your own exhibitions.”
He scratches the back of his head as he shrugs nonchalantly but you see the nerves showing through with how his hands shake slightly. “It’s the first one.”
“Oh.”
“Whatever I’ll just look somewhere else.”
“I use a medium of stand oil, linseed and turpentine, a little wax and add a small amount of cobalt drier to control drying time for my paintings.” You have blurted out your little trick before you could stop yourself. In your defence, he just looked so pitiful. You had to help. He also seems just as surprised at you suggestion and even more surprised when you walk around gathering the supplies you’ve just mentioned.
“Oh… thanks for the tip. I never really thought about that since I never really needed to…”
He silently follows you to the register where you place all the items and scan them so he can pay. Whatever. Maybe you helping him will bring some good karma and give your career a break too and your painting will finally be displayed at the Montero Art Gallery. It was a local gallery but a lot of successful artists you admire had started out from there and you were hoping that your work could be good enough one day to be displayed there too.
“How did you go through all your paints by the way? Should you have a ton of them because you’re supposedly always painting.”
“Supposedly?” Taehyung is smirking while his eyebrows are raised in mock disbelief at your suspicion. “Well, I used up most of them when I had sex on a canvas with Jihyo. Made for a good painting though. Maybe I’ll display that one too.” He’s grinning from ear to ear and you’ve just halted while he pays on the eftpos machine. Okay you definitely regret telling him your trick when he put himself in this position by being a horndog.
“You’re literally so gross.”
“Hey, abstract art is also a thing you know?” He looks serious enough that if he hadn’t said ‘abstract art’ you would think you had actually offended him. You obviously hadn’t when he just winks in your direction while he gathers his items and leaves.
“Asshole.”
It’s been a week since you first saw The Kim Taehyung pop by the little arts store that had previously been too beneath him to even consider buying his supplies there. Though ever since you’d told him about your little trick, he’d been bugging you non-stop on writing tips and you’re almost sure he’s doing it to… well, bug you. It’s as if he isn’t even aware that he’s an artistic prodigy because you’ve seen his paintings yourself and they were hyped up for a reason. Even a bitter person like you could admit that.
So when you get a special request by your boss one Friday evening, you’re surprised to say the least when you figure why you’re even asked to deliver supplies in the first place.
“Are you serious?” Your boss being the sweet old lady she is, is just pushing up her glasses as she nods vigorously at you.
“Of course dear! Must be some poor student who really is in need of help. He sounded quite desperate on the phone.” The old woman was way too nice for her own good. And while you appreciated her big heart, if she says yes to one person that the supplies can be delivered to his house then then word will get around and sooner than later, you’ll have a flood of students ordering their supplies over the phone and wanting them to be delivered. If that was going to be the case then you’ll have to quit since you can’t deliver because you don’t have a car. You relied on public transport damnit!
“Or he’s just lazy Ma.” Yes. Everyone called her ma upon her request. Short for Marion. Not that you minded because she was sweet as honey and really did remind you of your own mother. And she treated you like one too. Especially right now when she just scowls at you and asks you to stop being lazy yourself and deliver the package she’s prepared.
“Ugh fine.” You whine until the very end and she’s just wishing you a safe journey. Thankfully she’d leant you her car for today – it was her idea after all – so you wouldn’t need to spend an hour trying to find the place. It seemed to be quite close to the shop surprisingly. And unsurprisingly, the apartment is in a trendy but expensive neighbourhood. Most kids who went to your school probably lived in these buildings. The one you were supposed to go at though was on the top floor and you’re already angry that this buttcrack insisted on delivery and manipulated poor Marion into having his stuff delivered to his door rather than being at the front reception so the exchange could be faster.
When you reach the top floor, you pull out the receipt to hand it to him first thing as he opens the door and don’t have to spend more time than necessary in this place that you felt so out-of-place in. You’ve already rung the doorbell while you read the receipt and that’s mistake number one that night. It dawns on you who this person must be when you’re reading the names of the exact items Taehyung had bought from you last week. You could turn around and go really. Only if you hadn’t already rang the doorbell and he hadn’t opened it right as you’re setting the heavy bag down.
“Well hello there.” His deep voice is an anchor itself as you stop your movements right then and look up at his smirking face that looking down at you. Ugh. Like always.
“Hi.” Slowly, you straighten yourself up, the bag still near your feet as you step away, trying not to gawk at his perfectly toned skin that is showing way too much from between his unbuttoned shirt. “Here’s your stuff. Goodbye.”
“Oh good. You can set it inside in the kitchen.” You’re gritting your teeth in order to stop yourself from slapping his cheery voice right out of his throat with a punch. Okay maybe that’ll be too much. Maybe. You won’t know until you try though.
“Come on.” He’s gesturing inside his expensive apartment that shinier and cleaner than any place you’ve ever seen. He probably has it professionally cleaned.
“I’m not coming inside you weirdo.”
“Don’t worry, you’re not my type.” Somehow that makes you even more mad and you hate that it does. Fuck him honestly. You knew you weren’t his ‘type’. His type included skinny, rich and bad artists. Just so he could get off on a power-control dynamic you’re guessing.
You just pick up the heavy package without breaking eye contact and step inside, walking straight to the kitchen and placing the materials on the counter. The inside décor is surprising when you take in the various canvases strewn about in the living room on different easels. But what really takes your breath away is the familiar artwork that you’d looked at time and time again when you’d been lacking inspiration. When you’d been in a rut and everything had been too much and all you would want to do is quit. But looking at the work that evoked emotions from a place inside that even you hadn’t still made sense of it was the only thing that had kept you going many times throughout the years you’d been at university.
But how was Taehyung interested in such underrated art? You’d never heard him mention Vincent Van Gogh before. And yet most of his paintings covered the walls of his apartment.
“You like Van Gogh?” Taehyung has gone back to his pallet as he mixes the various shades of reds and oranges together.
“Who doesn’t?”
“Like, all of our school?”
“Nah. They pretend that better artists exist.” His answer surprises you. You’d never pegged him as someone who appreciated the more sombre period of art. His paintings usually were a lot more cheery and sometimes rather complicated.
You’re kind of lost in the long hallway covered with several paintings. The tall ceilings and the dim lighting only making you more excited to take in such beautiful art in silence with the only sound being the bristles of Taehyung’s brushes across the canvas.
“You like his work too I assume?”
“Mhm.” You’re too lost in the various paintings to really properly answer him. You’ve almost forgotten where you are until Taehyung speaks again. But this time, from somewhere far closer as you can smell the musky scent that always accompanied him.
“This one is my favourite.” His voice startles you a little when he appears just behind you, slightly to the side so you can look to the side and watch his long neck fall back when he looks up at the painting.
“I like it too.” Your voice is quieter than before. Like neither of you want to disturb the air surrounding you. It’s probably the first time you haven’t felt instantly annoyed by Taehyung’s presence. When you look besides you again, you don’t realise it’s the second mistake you’ve made that night. Because Taehyung is staring right back at you and this time he doesn’t stop. Your breath hitches in your throat when you catch his dimly lit face staring intensely at you. Or maybe it was the lighting that amplified every look. Every gesture. Whatever it was, in that moment, you’d never felt more attracted to Kim Taehyung.
“I lied.” His whisper floats across your skin and the light breeze that comes with the breath from his words has your eyes closing for just a few seconds longer when they blink.
“A-About what?” Taehyung has somehow moved even closer because you could feel the heat from his chest seeping through your own shirt. It also didn’t help that his shirt was fully unbuttoned and the smooth expanse of his chest was absolutely bare for your traitorous eyes to feast on.
He brings up a hand, slowly as if not to startle you like he had last week, and tucked the stray strand of hair behind your ear. “About you not being my type.”
The only thing your body seems to be able to do at the moment is turn your face back towards the painting, heart thudding in your chest as you feel his hands move all of the hair from your neck out of the way to the other side. Exposing the sensitive flesh to the cool air inside his apartment. “You’re exactly my type and better.”
This time the words are whispered s close to your ear that you have to physically clutch tightly on to yourself so you don’t flinch from his breath tickling the flesh of your neck. You’re biting your lip, trying not make any sudden movements or noise because honestly, you didn’t trust yourself to not jump his bones. How was he this sexy and annoying at the same time?
“I kn-know.” You’re hoping that teasing is evident in your voice but that plan has gone down the gutter as soon as Taehyung presses his luscious lips in to an open mouthed kiss against the side of your throat. So instead, your response comes out way too breathy and you can’t stop the moan escaping you in the end.
“You’re just always looking for trouble aren’t you, y/n?” How is his voice perfectly steady? He doesn’t even sound remotely affected as he brings his arms around you from behind, fully moving behind you as well while he continues to undo the strings of control you had tied tightly around your brain. Because seems like you’re only thinking with your vagina at the moment.
His hand have slipped beneath your shirt after playing with the hem for a few seconds and testing the waters. When you don’t push his hands away – you could barely breath at the moment – he slips them inside your thin shirt, tracing circles across your torso and up until his warm, large – so fucking huge – hands are taking handfuls of your breasts before he’s gently squeezing the mounds.
“Oh.” You feel like you’re going boneless by the second as your head lolls back and on to his shoulder and you’re just praying that your brain shuts up and lets you enjoy these sensations without the red alarm bells going off in your head that you hated him!
You hit mute on said alarms as soon as you feel his index finger and thumbs rolling your puffy nipples through the fabric of your bra into hardened pointy tips and you’ve finally lost the filter on your mouth. “F-Fuck. Taehyung, ungh.”
“Look at you. Thought you hated me, huh?”
“I still, mh f-fuck, d-do.” Being a slave to your stubborn ways, you’re retaliating with your words before you can even keep yourself in check. Taehyung doesn’t seem to be bothered though. He’s just chuckling at your pathetic attempts at trying to hold on to some autonomy even if your body is betraying the fuck out of you. The constant squeezing, rolling and pinching of your nipples has you almost mindless, you’re not sure you can survive much more than this.
“Sure. At least your body doesn’t lie though.” He’s squeezing the mounds firmly this time before he’s slipping one of his hands downwards again. You’re aching and wet and aroused beyond words but finally you’re up to the point where you can easily ignore the rational side of your brain and let your body take control.
Breathing loudly, you’re almost panting with every inch that Taehyung’s hand moves closer to your underwear. You’re so soaked that you can feel your panties sticking to the contours of your pussy lewdly and knowing that Taehyung was about to touch you there had you dripping in more. You can’t remember the last time you were this horny from just foreplay.
Taehyung closes his lips around your pulse point before he sucks a punishing bruise in that patch of skin. “Spread your legs y/n. That’s it.”
He’s cooing at you when you instantly comply, whimpering his name when he presses his entire palm on your clit, rubbing the hard nub in gentle circles while you’re about to cum just from his words alone.
“Look at you. So wet and soaking. Have you always been this wet when you’ve been giving me nasty looks baby? Hm? Tell me.” His pace is increasing and the audible sound of your arousal coming through the layers of clothing makes you want to hide your face from the sheer embarrassment.
“T-Tae. Please.” You’re pleading sounds like you’re on the verge of tears and it’s not too far off from the truth. Your legs are spread but not enough for you to completely enjoy the feel of his hands. Not that he seems to be in any rush though.
“Please what y/n? Please use your pussy as your apology? Are you going to be a mouthy slut or let me use your cunt to milk my cock? It’s the least I deserve after the way you’ve treated me in every lecture.”
He’s pouting in mock hurt as he leans his head forward to look in to your eyes as if you’re not being destroyed by the fast paced circling of your clit under his palm. Your eyebrows are furrowed, eyes half shut as the mind blowing orgasm looms around the corner. You’re about to cry from happiness and relief when he slips your underwear to the side, sliding his middle and index finger in without a warning and without remorse. The force with which he’s pumped his long, thick digits inside jerking back against him. Which only makes matters worse when you can feel the evidence of his own arousal pressing against your back. You’re slightly terrified from the sheer bulk of his erection too because it sits hot and heavy behind you. You just know he isn’t the average size you’re used to and that excite and scares you at the same time.
“Would you listen to that? Your cunt is singing for me babe.” You’d smack him across his chest for being so dramatic and cheesy but the sounds of your excessive wetness just has you hiding your face in his neck. But Taehyung is having none of it when he’s harshly tugging back your head as he weaves his hand in your hair.
“I said listen. You slutty pussy is leaking for me y/n. And you pretend to not even be able to stand my existence.” His words are harsh and said from between his gritted teeth. The sounds of the inside of his palm slapping against your clit with every thrust is obscene and rude. Yet, you can’t seem to care. Only moaning loudly and in a higher pitch with every smack against your heated flesh. Arousal drips steadily around his fingers while your symphony of ‘ahs’ and ‘ohs’ continues – almost sounding like you were in pain.
His grip around your hair is harsh and his pace inside your pussy relentless. It’s like he’s angry. Angry that you’re this wet. Angry that you’re ready to cum around his fingers just like this. That makes the two of you.
“Come on baby. Cum around my fingers. I’ll need it to prep myself before I enter this pussy, hm? You’re too tight for me to just impale you on my cock right now like you want me to. Don’t you?” You’re nodding enthusiastically as your breath hitches with your orgasm ripping through you like a wildfire,
“Taehyung! Fuck I-I’m cumming. Oh god…” You’re heaving and hiccupping as his rigid fingers continue to brush against your sensitive insides until you’re jerking back with each thrust.
“There you go. Easy… easy, baby.” You’re panting like you’ve run a marathon and your neck aches from being bent that way while Taehyung had your head captive.
He doesn’t give you much time to recover as he’s turning you around to pick you up and take you back to the living room, dropping your body down on to the fuzzy carpeted floor. He makes quick work of his shirt and his pants, ridding himself of every item of clothing – not that he was wearing much – before he takes his soiled fingers and wraps them around his extremely intimidating girth. He doesn’t seem nearly as nervous as you but you still don’t stop him. “Take off your clothes for me baby. I want to see you.”
Your body is moving instantly like it was programmed to listen to Taehyung’s every command. Soon, you’re laying back down on the ground, watching him stroke his incredibly hard cock that stood rigid against his toned stomach. He looks like a wolf that’s about to devour you as his pokes out from between the corner of his lips, eyes neve wavering from your own. You’re biting your own lips and squirming on the soft carpet when he just keeps looking and makes no move.
“Spread your legs again baby. Let me see you pussy.” He hisses as soon as your legs fall open, your red, slightly swollen pussy coming in to full view as he finally kneels down to his knees, grabbing your thighs to pull you closer until you were flush against his cock. His hands gently massage the area between your thighs and pussy, needing the rosy flesh and effectively making you drip even more when he looks directly down at his hands that work your labia softly – keeping in mind how sensitive you were.
“Look at you. So puffy. So wet. So fucking beautiful.” He leans forward to look in to your eyes and you’re holding on to your breath when you finally see his face so up close for the first time this evening.
“Can I make you feel good, honey? Will you let my cock make you feel good?” There is no hesitancy in your reply because you’re fisting the soft rug besides you and arching your body in to his.
“Fuck,” it’s the first time you can hear Taehyung’s voice shake as he adjusts his hips and rubs he blunt head of his blood fattened cock against your swollen labia. “I’ve wanted you for so long, y/n. I can’t believe you’re here. Are you sure baby? Because I won’t be able to stop or go gentle once I s-start. Oh fuck.”
You can see how desperate he is for you to say yes but nonetheless, your heart still warms at his concern and even though you were slightly scared of his above average length – and girth – you were mostly excited as the anticipation had built steadily. So you give him the green light, nodding for him to continue.
He seems to be surprised too for some reason and you’re caught off gard when his mouth crashed down to your own. His kiss is ferocious and passionate, tilting his head every which way to capture every noise you make, tongue playing with your own. You’re just enjoying the out of the blue kiss until it all makes sense. Because when you break apart from the kiss to shout out your surprise, you can feel all of his hot length pressing the deepest corners inside your pussy. The kiss had been a perfect distraction and you hadn’t even felt the pain when he’d pushed in.
In fact, the slight burn that was present as he let you adjust around him was more arousing than anything. “T-Tae ungh. You’re s-so big. Oh god.”
He’s watching every facial expression you make and he doesn’t miss the almost drunk expression on your pretty face when he drags his length out slowly, only to slam back inside. Your breasts bounce with every thrust that pushes you further up the carpeted floor. It feels better than good. Better than amazing. You’d never thought you’d enjoy penetrative sex this much after having several mediocre experiences but at this moment, all you wanted to do was egg Taehyung on to go as fast as he could. So you do.
“Fuck y/n.” The seat of his lap slaps against your damp skin as he pounds his leaking cock in to you unremittingly. “You’re so t-tight. The tightest cunt I’ve ever been inside. You like it baby? Hm?”
Taehyung was definitely a dirty talker. All throughout this encounter. He hadn’t stayed quiet for longer than a minute. Always wanting to say what he was feeling, wanted to do to you or was going to do to you. And until today, you never realised how much of a sucker you were for verbal stimulation.
“Y-eh-ess. I lo-uh-ve it.” Your words bounce and hiccup out of you with the same rhythm as Taehyung’s dragging of his cock inside you. It’s like he’d grown even larger and you could cry from how good he felt inside. In fact, you were sure you probably were crying with how blurry your vision was getting.
Taehyung had fully covered your body with his own, pulling one of your legs over his shoulder now to split you open even more before he increased his pace until you felt like he was actually splitting you open.
“Tae! I’m going t-to c-cum again. Oh god.” He was breathing hard, sweat dripping down his temples as his gaze never left your face. You were actually crying now; clawing at his back as you held on while he parted you open every time he pushed the entire girth of his cock until the base so that with every thrust, his balls slapped against your ass obscenely.
“Let go baby. Cum all over my cock.” He could already see the white, translucid creaminess forming around the base of his cock as it continued to slam inside you, signalling how close he himself was with his cock leaking pre-cum profusely. “Fuck, you look so delectable darling. Look at how your pussy gapes around my cock every time, hm? Your pussy was made to fit around my cock. You’re m-mine now. Made j-just for my cock.”
You could tell how close he was since he’d seemed to lost all and every filter on his mouth. Pounding in to you while you clutch on to him for deer life and finally release around his cock that shows no sign of relenting until he reaches his own release. Thankfully, he’s not too far behind as he grabs your legs for the final round, pushing his hips in to the hilt before he’s shouting out his release. You can feel the warmth of his cum explode inside the walls of your pussy, filling you up to the brim until you could feel his spunk leak around you thoroughly abused lips. Taehyung lays his head in to the crook of your neck very much like how you had at the start.
It's peacefully silent as you both catch your breath, your fingers lazily massaging his scalp without even realising. You’re finally gathering your bearings and coming to terms with the fact that you just fucked each other’s brains out when you could barely stand each other before. And you absolutely do not know how to proceed from here. Not when his cock was still inside you. Thankfully, you don’t have to worry about that decision for too long because Taehyung is pulling back his face to stare in your eyes deeply as if he’s also at a loss for words.
You search his face for any disgust or any realisation that will make him pull away from you and you don’t know why you’re this nervous and worried about his reaction. You didn’t care before so why now? Why was your heart beating so fast that you felt like it was going to come out of your mouth?
“Y/N,” Taehyung post-sex, sexy voice breaks you out of your downward spiral as he brings his hand up to caress your cheek damp from the tears earlier. “I’m going to kiss you now.”
You watch him for a few seconds before nodding slowly and that’s all the confirmation Taehyung needs before taking your lips between his once again. And just like that, he kisses you lazily, tangling his hot, sweet tongue with your own for who knows how long. You two stay just like that for a long time, kissing ecahother with so much passion that it scares you how much the thought of breaking away from his lips gives you anxiety. It seems to be the same case for Taehyung because when you break apart to breathe in much needed air, he pulls you back in – mouth open and tongue seeking your own.
Sometime during the night, he’s started to harden inside you once again and rather than breaking away, he fucks you exactly the opposite way he had earlier. This time, it’s slow, even more sensual and the space between your body is almost non-existent. By the time your phone rings and breaks you both out of the haze that had you both intoxicated in the apartment, it’s sometime around midnight. Though Taehyung doesn’t stop even for a second until he’s made you cum once again and spilled himself inside you as well.
The night had definitely taken a turn as you both talk – for once without the intention of insulting each other – and fuck. Mostly fuck actually. Turns out Taehyung made you insatiable and his eagerness and fondness for cumming inside you didn’t exactly help. After replying to Minnie and sending Marion a message of apology, you’re both dozing off on the soft floor.
_________________________________________________________________________
“Come to my art exhibition with me? I want you by my side.” He asks you in the morning, slightly breathless as he grinds his erection – seriously, how often did this boy get hard? – against your damp, soiled pussy, awaking you from your sleep.
“O-Okay.” You can only moan in reply as he takes a nipple between his lips, sucking gently as he coaxes out another orgasm from you before carrying you off to the shower.
“You’re such a horn dog.” Splashing water at his face, you’re laughing as he attacks your sides, tickling you in revenge.
“A horn dog you slept like, a thousand times with.” Your mouth is falling open in mock disbelief but he just kisses your frown away.
“It will be zero times if I see that sex painting at your show!” Taehyung is giggling at your pout and the frown that creases your brows as he kisses it away, promising you that you can burn his ‘sex painting’ before the show.
Maybe he wasn’t so bad.
a/n: thoughts? :ooo
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littleeyesofpallas · 4 years ago
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The other day i had a kinda drunken rant I went on with a friend that I had wished I could’ve written down.  But today I read an article about the shift in hollywood marketing from star power to IP and character driven power instead: the idea being that an original movie used be able to draw crowds with the basic idea of “your favorite star as <insert role>” but we’ve moved more towards the appeal of familiar franchise names like “from the creator of XYZ.”  But I think this is an interesting place to draw the line because it does go back to that drunken rant.  So, here I go again... this is gonna be lo~ng and boring (and this is the shortest possible version) and without pictures, but god knows i have no idea what i would put to accompany this super tangent-filled tirade, so I guess just buckle up...
(I apologize now for all the weird side subjects that I’m going to name drop but just not take the time here to go in depth with.)
I don’t even remember where my drunken rant with my friend the other night started so my first obstacle is finding a place to even begin with this because it has so many entry points and none of them are any closer to where this all ends than any other so like.... whatever...  Shakespeare.
It’s a super complicated thing but in the first era of professional english theatre  that Shakespeare ushered in (from the mid-late 1500s to early-mid 1600s) there were strong strong associations with theatre and prostitution.  Maybe it was exactly what it sounded like, maybe it was elitist slander against the revolutionary accessibility of the arts to the poor as self debasing, maybe it was the church being really angry about literally everything all the time, maybe it was a little of all of that...  But either way the persisting notion was that a theatre, established or travelling, was a place one could ostensibly go to pay for sex with the troupe’s actors.  of course at the time women weren’t a part of that profession, and while they may have been as much a part of the theater going demographic as anyone else it’s hard to pinpoint how much of the already vaguely defined theatre sex trade they patronized --Point being when we talk about theatres prostituting their actors we’re talking about male theatre goers paying to have sex with male actors, and predominantly those young boys playing female roles.  In most classic academic circles this is either wholly ignored, brushed aside/glossed over, or sloppily chalked up to “homosexuality.”  But there’s a lot more nuance to that... which is part of the big mess of stuff I’m just not getting into here...
But this is where I draw my line of connection to Kabuki theatre.  Kabuki somewhat infamously had similar practices as all-male theatre and as duel industry for theatre and prostitution.  And as a parallel development it seems to make sense... In England and Japan alike, you have a group of people who by nature of their jobs charm people and constantly move from town to town.  Even if a community or government thinks what they’re doing is wrong, by the time they can take notice or do anything to stop them: they charm, they fuck, they leave.  But unlike Shakespearean theatre, kabuki has a slightly more convoluted history of development.
See, Kabuki started with Izumi-no-Okumo, a shinto shrine maid (ironically also in the 1500-1600s cusp, same as shakespeare) and although a lot of her personal history is lost to time you can imagine the basic development here: a shrine maid tells the myths, she tells the myths dramatically and with with character voice, then all that but with props, and costume, and then dividing roles into separate actors, and collecting donations for the shrine as regular practice anyway but hey look people donate more when they’ve come for a story they enjoy... and then oops you’ve invented theatre.  Also on account of this being started with shinto shrine maids, the form naturally took an all female slant.
Whether it started with Okumo herself or not, as theatre became an established form, and a lucrative one at that, non shinto affiliated women quickly seized the chance to make a living outside the bounds of common peasantry, and with the growth of travelling theatre as an industry that same side venture of prostitution developed.  But here’s where it gets interesting...
Due to things that, again I won’t dive into here, the untaxed revenues of prostitution painted a target on the backs of kabuki actresses, and women were eventually outlawed from theatre.  The art form was of course immensely popular however so to keep the gravy train rolling the theatre form continued but now with all young-male casts, to retain the feminine aesthetics of female kabuki.  This did absolutely nothing to stop the rate of prostitution however, so they outlawed it again and replaced the young boys with grown men.  This still didn’t stop the prostitution but there was other stuff going on in Japan at that point and legislative attentions were pulled elsewhere.
And here’s my weird little take away from this...  it’s not like Kabuki theatre suddenly went from being popular with horny straight men to horny gay men in a seemless and perfectly balanced transition. (and granted japan at the time was a lot more open about their grasp of sexuality compared to now and to the west in general) so presumably a lot of these thirsty theatre goers were just overwhelmingly indiscriminate in their tastes in fucking actors...  But stick a pin in that, we’ve got a tangent to go on!
So around this same time Japan was having kind of a second rennaissance: japan’s high arts culture had first really risen to prominence in the heian period right before the long long descent into the civilwar we all know and lover for all its flashy samurai drama.  When that 400-ish year civil war finally ended and then stabilized under the Tokugawa shogunate in the Edo period, the art scene finally had some room to breathe again, and among many other things ukiyo-e wood block prints saw a huge explosion in popularity.  And part of this tied into Kabuki theatre, as an extremely popular genre of prints were actor portraits and theatre scenes.  Actor portraits in particular are kind of culturally fascinating, because they weren’t simply prints of character illustration, they were frequently labeled with both the character played, the story they featured in, and the name of the actor playing them.  moreover, despite the reverence of classical art historians now, these weren’t fine art at the time; they were mass produced, affordable and disposable.  In major cities, everyone went to see theatre, and everyone bought, kept, and even collected actor portraits.  As theatre seasons and troupes came and went actor portraits came to occupy and kind of cultural value space a lot like American baseball cards in how prestige, rarity, and trading became an entire subculture in and of itself within the sports/theatre community.
Now we see how Japan had created this thriving popular/mass culture, and celebrity culture for itself.  And while the notion of a “parasocial relationship” wouldn’t be formulated and explored until the 1950s-60s in the wake of things like Elvis fever and Beetles mania, that brand of one-sided relationship where you as an audience member form a “relationship” with a celebrity that involves collecting information about their heavily curated persona is exactly what japan stumbled into some 300 years earlier.  And in fact Japanese pop culture would maintain a lineage of parasocial relationships during the intervening years (in a way the deification and worship of the emperor as a god-king was a kind of parasocial relationship in the way a secular monarch doesn’t quite achieve) So it’s no surprise that when Takarazuka Revue opened in the 1910s as a new modern all-female theatre form, it attracted a familiar old brand of horny theatre audience --one that maintained a very nebulous relationship with the now much more stringent notions of gender and its relation to sexuality.
taking this tangent a little further, Japanese pop culture has always shown this interesting, self-aware approach to the parasocial relationship dynamic that western cultures seems to lack.  I remember that when the 1990s put boy bands briefly into the spotlight, the thing that sunk them in the American eye seemed to be this weird sense of betrayal that the boys werent some garage band rags to riches story, and they didnt write their own music, or make their own dance moves, or even sing live at their own concerts.  America seemed to be repulsed by this notion of a manufactured pop hit.  Japan however (and Korea soon to follow) seemed to thrive in this instead; there was no pretense that J-pop idols weren’t manufactured, and in fact they took pride in the rigors of having been hand picked and raised to stardom --of course they were scouted and trained, because the idol could’ve been any of millions but it was them who got picked, it was them who sang the best, performed the best, climbed the charts, and fought to stay there.  Stardom wasn’t an art form, it was a contest, and they were WINNING.
And the manufactured nature of that J-pop idol business model is what gave rise to Hatsune Miku (in fact there were multiple attempts in the 1980s to design and market a wholly fictional pop idol, but if anything they were too ahead of their time and lacked the technology to really sell the idea in its best form) because when your entire product is about making and curating your performers’ public persona, to the extreme level at which them having their own lives actually starts to contradict their stage persona and hurt their marketability... why bother projecting the persona onto a real person?  Why not just cut the human component out all together and just market the persona for what it is?  And for Japan I think that kind of relationship was one that they were culturally always just a few steps away from being ready to accept anyway, so it just took a little persistence.
Then came the anime waifu thing...  Dating sims, and body pillow marriages, etc... and I think the pretty unanimous impulse to turn this into a enormous joke (and lets be real who could blame anyone for that) overlooks what actually happened here: paraosocial relationships in the purest form, with the fleshy middleman removed and with it the lie, not less false but somehow now false yet honest.  A bizarre paradox to be sure...
But now lets back this up...  Kabuki theatre.  Prostitution.  The change from women to young boys to men, and the almost hilarious unflappably bisexual audience who embraced it.  I don’t think it was a component of sexuality as any historians who have looked at that time period bothered to conceive of it.   Because even in an early japanese mass culture scene, the relationship was between the audience and the persona, and not the audience and the actors; The audience was always in love with the characters in their collectible trading prints, with their 15th century waifus, and they paid to have sex with those personas regardless of the bodies or real people involved.
...
okay, so, I typed all that out weeks ago and then just left it in my drafts, not even really intending to come back to it.  And now that I’m here, I don’t know that I had a point to this when i went on my drunk rant.  But i guess if there was any kind of a take away from this, it’s that I find that people have a lot of trouble separating personal identity from gender, from performance, from social dynamics... and in western culture, especially within recent history/memory, that’s kind of understandably hard to untangle. But historically people’s sexuality and sense of attraction have basically always been based implicitly on attraction to an idea made manifest in a persona first, and a body to match it only secondarily to that;
Society’s abiding dedication to forcing you into a gendered box, and to box gender into a narrow range of performance, is equitable to screeching fans being “in love” with celebrities they’ve never met and convinced that the steady feed of curated marketed personality traits constitute “knowing” those celebrity strangers.  The idea that the person and the persona are the same is a lie told to sell product.  Gender is just the brand.  You’re the rockstar.  Fuck marketing.
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tcm · 5 years ago
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Tall, Dark, Handsome...and Very Talented By Theresa Brown
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The very first time I saw an Oscar telecast was in 1964. I remember, because I watched Sidney Poitier accept his Academy Award for Best Performance by an Actor for LILIES OF THE FIELD (‘63). Here is his win. Our family saw that movie when it came out and that was the first time I saw Poitier. Oh, I’m pretty sure I saw his movies on that 15-inch black-and-white tv set my sister and I shared. But to actually go to the movie theater and see him up there on the silver screen was quite a different thing indeed. He was tall, dark and handsome. He was articulate, moved gracefully. Did I mention handsome? He was the whole enchilada...a dreamboat. What thoughts for a 12-year-old.
How can I explain to you what it was like to be a little kid seeing someone who looks like you...up there...bigger than life...in Hollywood no less! A MOVIE STAR!! It was amazing to see a Black man / Caribbean / Person of Color having adventures; hell, having a bonafide STORY to tell and not just carry trays, be a porter or not know which end was up to use a telephone. Do you have to be Black / African-American / Caribbean / a Person of Color (take your pick) to appreciate Sidney Poitier? Naaaaah. You just have to like movies...and the tall, dashing guy who played the hero.
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For this 21-film salute to actor Sidney Poitier, TCM has pretty much covered the depth and breadth of his career. Of the films they’re airing this September, I’ve seen five of them in the theatre at the time of their original release. (I’m that old!) I have distinct movie-going memories of LILIES OF THE FIELD, TO SIR, WITH LOVE (’67)—which always made me feel it was giving Sidney a taste of the medicine he dished out in BLACKBOARD JUNGLE (‘55)— GUESS WHO’S COMING TO DINNER (’67) —Tracy’s and Hepburn’s swan song as a screen team—and A WARM DECEMBER (’73). Oooh, how I wish TCM had included in their schedule two other films I saw as a kid: FOR LOVE OF IVY (’68) and one of my favorite Westerns, DUEL AT DIABLO (’66) – also seen when it was released. When I saw this movie back then, I had never even seen or heard of a Black cowboy (sorry Bill Picket). As I watched DUEL AT DIABLO, I incredulously proclaimed, “how could he even BE a cowboy?” I’ve since learned that lesson! This Western had intersecting stories that weaved its way to a good ol’ fashioned battle between ‘cowboys and Indians.’ The fifth movie I saw in theatres, and one that I heartily recommend, is THE LONG SHIPS (’64).
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Poitier (Aly Mansuh): “We sail tomorrow and may Allah send us a fair wind and a calm sea.” 
Richard Widmark (Rolfe): “And may Thor do the same, my lord.”
This movie would make a fun evening for a big audience. It’s action and adventure all the way. THE LONG SHIPS revolves around Vikings and Moors working together to find “The Mother of All Voices” – a great large bell made of pure gold. Is it real, is it a tale told by a cunning schemer? They’re about to find out. These two cultures clash but they need each other for the common good: TREASURE! Richard Widmark and Poitier made a total of three movies together; the others being the searing racial drama NO WAY OUT (’50) and the Naval tale THE BEDFORD INCIDENT (’65). That film sort of puts me to mind of Denzel Washington’s and Gene Hackman’s submarine drama CRIMSON TIDE (’95).
In THE LONG SHIPS the sea-faring Vikings go toe-to-toe with the masters of the Desert. Widmark is engaging as the glib liar who weaves tales out of whole cloth and gets his men into scrapes his boasting can’t get them out of. Don’t be thrown by Poitier’s Elvis pompadour; he is the stoic and regal ruler of a Moorish kingdom and the King and master of all he surveys. He can command–as he does–any soldier to die and it’s considered an honor. < Gulp!! > The Mare of Steel has to be seen to be believed. That’s embedded in my memory. Poitier’s the villain this time and I’ll bet he relished it. He’s played a lot of noble heroic characters up until then. It must’ve been fun to cut loose. Seeing the movie now at my life-experienced 12-plus-plus-plus years, he might not seem as villainous as he did when I was a kid, nor the Moors that bad.
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Widmark and Poitier were friends and enjoyed joining up again, shooting in an exotic location, playing dress up and having beautiful women around. If you want to get slightly into the racial subtext, it’s interesting to see how each man acts around the other’s woman. Widmark (as prisoner of the Moors) has a lot more leeway to seductively come on to the dark-haired beauty of the Moorish Queen played by Rosanna Schiaffino, than Poitier’s King has with the comely young blonde played by Beba Loncar. Poitier is so hungry for the riches of the bell, he even ignores his own wife’s advances. How’s that for avoiding America’s sticky racial peccadilloes.
If you like action, adventure, tenuous explosive partnerships, a stirring musical score by Dusan Radic that Steiner and Korngold would be proud of and which still gives me goosebumps...you can’t go wrong with THE LONG SHIPS. It’s the one to DVR or catch on Watch TCM.
Doctor, teacher, juvenile delinquent, dock worker, wayward son, Moor, cowboy, detective and more, it’s great to have Sidney Poitier as TCM’s Star of the Month. In all his incarnations there was a code of honor at his core. Before him was actor James Edwards and before that, the great Juano Hernandez. They didn’t quite capture the audience or studio backing in a big leading man way. Sidney Poitier came at just the right time. I think America was finally ready.
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