#i will talk abt anything.

[hinamie]

spiraling

[sapsolace]

obsessed w these boneheads as of late :]

[cthulhum]

does anyone realize how crazy it is to have the actor of a mostly headcanoned queer ship say the fans were never crazy and they were right all along after 10+ years of everyone just absolutely going nuts over the said queerbaited ship

[forecast0ctopus]

these guys am i right

[toxooz]

Ollie dress Remastered but make it sluttier bc the old version was getting itchyyyyy ft. Kari getting her 👀s in 🍹

[naomistares]

once i remember how to draw everybody the real fanart starts

[puppyeared]

act 4 :(

@chipper-smol and i came to a realization

[jaradraws]

playing bg3 and uhmmm. zevlor

❗NOTICE: this user has NOT completed the game. do NOT spoil this for them ❗

[dunmesh]

i was genuinely killed by the fact kabru's real name being "unknown" is due to him not being able to remember how his mother used to call him. and now i can't stop thinking about this child trying so hard to remember his loved ones only to have the most grotesque images come to mind. as we read the manga the only glimpses of his life in utaya we get to see are those tragic moments when he lost everything, and i find it interesting that the first time us readers get to know of his past at all is through him being triggered by food.

but then we get to chapters 61-62 and for the first time during the story, he mentions the memory of something other than the horrors- and in direct parallel to earlier in the manga, it's a dish his mother used to cook. the guy who is shown to have a hard time taking care of himself in his pursuit of his goals is forced to focus on someone else's wellbeing which also results in him making more effort for his own sake as well, and so in an attempt to care for and comfort someone else he ends up trying to recreate one of the few fond memories he has left. and it's so simple; the memory of a child and mother sharing a meal together. it's so incredibly sad but also comforting, hopeful in a way- her voice, her touch, her face, they're all out of reach now. he may never remember his mother lovingly calling his name. but there is one thing he can surely still feel even all these years later: the taste of the food she worked so hard to make and put on the table. and it's not just him. through senshi and marcille as well as other characters, we see it time and time again. how among many other things, food is also a way to preserve your home. to preserve your love.

[poppy-metal]

MARRIAGE COUNSELING W ART PLEASEEEEEEEE GOD THE DEVASTATION THAT TAKES PLACE ON THAT COUCH

i think about it alot. tashi staying with patrick, her injury never happening. your arts college girlfriend and now you're married and it feels fucking stagnant, your relationship. but neither of you wants to give up. neither of you wants to reveal to the other true feelings.

under the cut because this got long and i have a whole au in my hear around this concept

you're only in counseling because of tashi. because shes still in your lives, her and patrick. and she recommended it to art when they were having one of their 'friend' lunches. and now here you are, because of course art took her advice.

he hasn't said anything, though. despite pleading for this. saying he wanted to save your marriage, that he wanted to love you how you should be loved but he didn't know how.

so here you are, on opposite ends of the couch, with the counselor staring at the empty space between you like that in itself is very telling. you suppose it is, in a way. couples who want to stay together should be unified, shouldn't they? you imagine how it would feel, if art had sat next to you. put an arm around you. squeezed you to his side. would you even be able to relax into him? its been so long since you touched eachother that way.

"so im picking up on some distance here," your therapist says. shes a small woman. almost swallowed by her chair. her glasses are perched on her nose as she gazes imperiously at empty space separating you and art. "not just physical either, though thats rather obviously there. but emotional distance. do either of you wanna comment on that?"

you cut a glance at art, expecting him to speak up since this was his idea - well. tashi's. but he just looks down at his lap, quiet. spins his wedding band around his finger.

you feel an anger so intense it pricks your eyes with tears.

"well, i guess you could start with the fact that coming here wasn't even either of our idea. it was his friends."

and now. here art speaks. his head jerks up and she shoots you an annoyed look. "you don't have to say it like that. you always say it like that. her name is tashi and she is my friend. and it was her suggestion, yeah, but it was a good one."

you look at the therapist - janet. raise your eyebrows in arts direction like, get a load of this guy. your legs cross and you start picking at a stray string from the couch.

"first words of the session and its to talk about another woman."

arts inhale is sharp and you can feel his eyes on you but you dont look at him. you can't. you wont. you're right, anyway. he can try to deny it all he wants but you know - you know what you are to him. you know where all your problems stem. you dont need to be here to make any grand discoveries over a fact you've resigned yourself too.

"i see." janet says. "and art having a relationship with this other woman upsets you."

"everything upsets her." art cuts in, sounding tired. his elbow is braced on the arm of the couch and hes chewing on his thumb in one of his nervous gestures. he always did that, as long as you've known him. he was a nail biter, he'd chew his lips raw, he'd nibble on straws, the ends of his pens. he was either lost in thought or agitated. your guess was the latter. "nothing i do makes her happy."

"is this true? are you unhappy with art?"

your skin feels hot. you shift around in your seat. the attention is all on you, and it feels like you've done something wrong, even though you know its literally janets job to ask questions.

"more like i know I'm not what he wants and that makes me...... really fucking sad."

art knees almost knock against yours as he turns his body to face you, giving you his full attention the first time today. you cant meet his eyes still, so you look at the faded spot on his jeans. light blue, like his eyes. you wonder how hes looking at you. cant make yourself look up to see.

"what." he stops. seems to gather some thoughts. tries again, with a steadier tone. "what are you talking about."

you try not to roll your eyes. your arm flings out limply.

"just that this whole thing is a joke, art." and you let out an exasperated laugh, even though nothing is funny. nothing has been funny or light between you two in a long time. "we're only here because the girl you really wanted to marry, told you to get your fucking shit together. you didn't ask us to come here because you wanted to mend something, you're here to please tashi. because if playing a good husband is a role she wants for you - well, you want to play it right, dont you?"

its quiet after that. in the silence you cant help but think about those early days. when you'd been full of love and light and art seemed to be really happy with you. you'd go on dates to the movies, walk through the park together with your hands swinging between you. laugh together and steal kisses whenever you could. you felt high back then.

it didn't even matter that art had a crush on tashi, because hell, you had one too, at the time. but she'd started dating patrick, and they seemed to mesh well together. they were both so intense and passionate. back then, you'd been alot closer to tashi yourself. patrick too. you remember the way she'd rant about how much she fucking hated him, pacing around your room and calling him every name under the sun. and you'd sit there with eager curiosity, and ask her why she didn't end it then. if he makes you so angry, why stay?

and she'd get this faraway look in her eyes. kind of wistful. kind of sad. kind of happy.

"because he makes me feel fucking alive. hes like a - like a drug or something. i cant quit. its addictive, you know?"

that stuck with you. it still sticks with you. you remember being envious of that kind of passion. youe relationship with art had always been so easy. you dont think you'd ever fought by that point. you loved art. you felt safe with art. but were you addicted to him? if you broke up - would you feel withdrawal symptoms?

sometimes you layed awake at night and thought about starting a fight - breaking up for no reason. just to see if he'd fight for you back, if the missing of eachother would be so intense one of you would cave.

but somehow you knew that wouldn't be the case. thats just not how you and art operated. if you got angry, he wouldn't rise to meet you, he'd back down. if you ended things, he wouldn't chase you, he'd let you go.

patrick and tashi were fire and brimstone and you and art was ice and you were....... dirt. solid. walked upon. dependable and not at all exciting.

when art had proposed to you after college graduation it wasn't spur of the moment as it had been with patrick when he'd swept tashi up with a ring and a elopement to vegas. it was talked about and agreed upon and you knew it was coming.

you still said yes.

"you think," and arts voice has a barely concealed tremble to it that makes you look up, finally. you're shocked to see he looks wounded. so many of his expressions you can count on one hand - and this - this wasn't one of them. his eyes are dark, stormy. "you think i dont care about our marriage beyond what someone else has to say about it? you really think that?"

you hate the sliver of guilt you feel, because its not a crazy thing to feel.

"yeah, i really do."

because well, that's the truth of the matter isn't it? you and your husband stare at eachother. and it feels like you're looking at a stranger. not the man who's freckles you used to kiss. who's fears you knew. who's hands you know every callous of, every divot and fingerprint.

"it seems you two have very different views of how the other views this marriage." janet cuts in, sounding curious. she taps her pen against the open notepad on her lap. "art, would you like to chime in on why you wanted to come here? even at the suggestion of someone else?"

art stares at you for a long moment. his face is unreadable to you. his jaw works before his chest expands on an exhale and he looks away.

"i guess i - i just didn't realize how..... stagnant things had gotten until it was pointed out to me. harshly." he winces, and you wonder exactly what tashi had to say to him. you haven't talked to the other woman for some time. contact fizzling out after your marriage to art. he flicks a glance to you, then away again. "im not the best at being aware of shit going on around me." his hand comes up to rub nervously at his neck. "i guess you could say im good at brushing things under the rug. going through the motions. that sort of thing."

janet nods like this makes sense to her. well, great, you think. you know my husband more than i do.

"you're not a fan of confrontation, are you?"

art actually laughs. a genuine one. one that brings a dimple to his cheek and flashes his teeth. you stare at it, like its an exotic animal, and you wont see it again. quickly you catalog the expression in your memory, so you dont forget what he looks like when hes happy.

"yeah, no." he shakes his head. "but I think thats part of the problem. I've obviously let too much shit get put under the rug and now its so full other people are noticing."

you look down at your hands, lips pressed together. your face burns at the knowledge that tashi and by extension - patrick - know your marriage is in shambles. how embarrassing, to be caught lacking in such a momentous way. to come up short and have your husbands friends know about it. you wonder - does he talk about all the ways you make him miserable with them? does patrick shake his head, say, "she's sucking the life out of you, man." does tashi look at him with pity? like hes some poor abused cat that needs to be let in from the rain?

the rain of your marriage.

the rain of you.

you're the storm. you're the problem. you're not enough. art needs fire. you're not even dirt, you're glass. and you can feel yourself breaking.

"that clearly hit a nerve, my dear." janets voice is soft. soothing. she hands you a tissue and you realize you'd begun to cry. "do you want to explain what you're feeling about what art said?"

"i...."

you dab dab dab at your eyes. sniffle. look around the room, trying to collect your thoughts. they feel like flyaway dandelions. you dont know which of them to grasp.

a warm hand settles over yours in your lap and you startle. its arts hand. warm and calloused and tan, covering yours. the gold glint of his wedding ring winks at you, the engraved words etched into them, "my soft epilogue". a shortened version of your favorite qoute i think we deserve a soft epilogue, my love.

at the time, that's what art was to you. your life before him hadn't been easy. being with art had felt like coming home from a long day and falling into a soft bed. it had felt like being able to land after weeks of being made to fly.

you turned your palm up, so he could slide his fingers between yours. he squeezed your hand.

"i think, i. i think i just think - I'm a failure." your bottom lip wobbles. you look at your enterwoven fingers and it makes you so sad that you haven't done the simple gesture of holding your husbands hand in months. "the two most important people in your life are. are so passionate and loud. and i see. i see how happy they make you - and i cant - i cant b-be that for you. we aren't - im not - you dont need me. im not a limb for you how they are. you could extract yourself from me and be. be happier."

your breath shudders out of you.

"you don't need me." you echo.

you wait for him to pull his hand away. this is more than you thought you'd share. some of it you weren't even aware of till the words were spilling from your lips. but they ring true.

without patrick and tashi art would drown. without you..... he'd float just fine.

"and that's important to you." janet says. a statement not a question. "you want to feel needed by art, and you feel as though you aren't. that his needs are met better with his friends than with you."

you nod slowly.

"baby." the word sends a shock through you. not the word itself but how its said. art calls you baby all the time, in a monotonous kind of way. routine. now he says it softly. with feeling. he lets go of your hand in favor of cupping your cheek, still damp with tears, turning your face to his. he looks pained. "of course i need you. i know i haven't been good at showing it. i just - you shut down - after we got married. you've been like a fucking ghost. like you dont want me to touch you. like i could dissappear for all you care and you'd just carry on. i don't know. but i need you, okay? i. need. you."

both hands cup your face, he makes you stare right into him. the conviction in his voice takes your breath away. theres a fire burning there you've thought long put out.

"obviously we have shit to sort out, and we will. but you've got to. you've got to know that. tashi only pushed me to do this because she how - how desperate i was. that's all."

you inhale deeply. exhale. swallow hard. tears cling to your lashes. you reach a hand up to clutch at one of arts wrists. eyes fluttering automatically when you do. you feel grounded again. less like you might float away.

"okay."

"yeah?"

"yeah...." and you smile. it trembles across your lips. but its there. "we'll sort our shit."

art lets out a relieved breath. kisses your forehead, lingering there. the gesture so tender you get emotional again. you want to crawl into his lap, have him wrap you in his arms. you want to feel held by him, like you used to.

"our time is up." janet sets her pen down. smiles. "but i think that was a wonderful first session. i can see the love between you hasn't faded, and that's more i can say for alot of couples who come to see me. keep your chin up."

[soadscrawl]

i was saying this to my best friend the other day but why are voltron aus making keith either rich or like a prince or something. why must you take his poor kid sparkle. that man knows a 7/11 slurpee he knows a walmart brand bottle of soda. he deserves to know the simple pleasure of an inflatable backyard pool. I know he got those fuckass black jeggings from a thrift store. and that fuckass mullet is from great clips. is keith kogane truly keith kogane if hes not taking his change to the coinstar at the grocery store. dont take this from my man!!!!!!

[skunkes]

[whoviandoodler]

been thinking about pok a lot again and that moment when riz told him sklonda was dating gorthalax (in some capacity or another) and pok just went quiet for a bit before he wished her well and like. he's riz's father to such a degree that it hurts. he died young, got to paradise and then said, ok time to go back to work, chop chop. and he does take breaks to listen to riz at his grave and he works in a beautiful meadow when he's not down in hell and -literally speaking- he does sit down but metaphorically he keeps on going and going.

and i'm just imagining that- obviously he knows that he's dead, right? but the human* brain is weird in that way where you'll know things, and you might even sit with them and think you've processed them, but then something will hit you out of left field and you'll realize there are so many aspects of the situation you hadn't internalized yet, and i think that one of those aspects for pok was sklonda, or rather all the dimensions in which her life branched off after he died. because with riz he'd always been painfully aware that his kid was growing up and changing, but with sklonda it's a bit more complicated, it's a bit easier to process the grief of being apart from her, purely on an unconscious level, as being away for work. he's working, she's working, she probably tells him about her work and about riz and riz includes his mom in his stories and it's like, oh this is horribly painful, that i can't be there, but in a way he and sklonda share a lot of what they used to when he was working abroad, no matter how far apart- they're always connected by their love for each other and the quiet but omnipresent nuptial tie and the state of being riz's parents.

and then he's suddenly hit with the reality of an area of sklonda's life that hadn't been on his mind before, considering they were happily and monogamously married. truly just a matter of like, this is not a space you occupy anymore, you're fucking dead, until death do us part and all that, and she might still love you but she loves you like a dead husband like a source of grief like the man she once knew not a living partner. and it's neither of their faults, it's purely a tragedy, and he genuinely wishes her the best because he loves her, he doesn't want her to be alone nor does he expect her to be faithful past reason and the vow they made to each other. but the grief of it still really fucking stings, doesn't it?

[wheelchairtetris]

Every disabled person deserves several million dollars to build or renovate their perfectly accessible ideal home I am not even joking. I would dismantle the us military in a heartbeat and give millions of dollars to every disabled and/or unhoused person so that they can have a home they love.

[vebokki]

a conversation that was long overdue, part one

[raining-its-pouring]

A little tired of people saying Moon can’t stand up for herself. Like yeah I think one of the flaws she has is she is too lenient and forgiving, but also in her situation it’s VERY HARD not to be. And it’s very situational, usually manifesting with Five Pebbles.

She stops talking to you if you annoy her enough, and only starts again if you win her back over. You have to put in the work. She isn’t “rolling over” and letting things happen to her, despite the fact that she is in absolutely no position to bargain. As stated by her, her kindness and her words are the ONLY thing she has. So her taking those away from you, the player, is absolutely her standing up for herself.

Everyone brings up how she handles Five Pebbles (esp the comms thing) and it is incredible to me just how many people lay this entirely at her feet when the game states over and over again that even despite Moon’s intentional feather-light influence over him, he still resents her for being his superior. He seeks out a mentor who is her opposite.

He wants to be something more than what he is, wants to be detached from her, and she can’t do anything about that but do the best she can to exert as little influence over him as possible.

She is stuck between a rock and a hard place here, and was betting on her kindness to have fostered enough mutual respect that she wouldn’t have to resort to forced communications. She was wrong. He was driven by fierce desperation, something that she wasn’t privy to. And she paid for it.

Yes, this is a flaw of hers. But it’s not a universal one. (the rest of the iterators look to her for help- she’s the group senior for gods sake- and people act like she can’t take a stand) I genuinely doubt Moon would’ve waited so long to used forced comms if it were happening to anyone else. If it were being committed by anyone else. And that just makes the tragedy even sweeter.