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ineedjesusverymuch · 3 months ago

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Diabolik lovers headcanons pt. 3 (even more stuff)

Hi, it's been a while, no? Even though I feel a bit like I'm screaming into an empty void, I do enjoy writing my thoughts down.

The Diabolik Lovers fandom gets smaller and smaller and since just a few blogs are active, I wanted to post more! I know that without Rejet producing more content (that is canon and not "just" new merchlines, even though I deeply love the art), the dl fandom is bound to shrink. But: now, there are a lot of very respectful blogs, which I do enjoy! The toxicity just shrinks a lot on smaller fandoms. And I really love that no slander of Yui is happening!

Now, lets get into the headcanons after my short ramble.

I won't write anything nsfw this time, just a quick psa.

⚠ I'll try to mark anything that could be triggering with this: ❗trigger warning ❗

⚠This post will briefly discuss topics like: parental trauma and childhood trauma.⚠

The topics in this post will be mostly happy or cute (?), asks are always appreciated!

As always, I'll try to be at least a bit true to canon. But... Well.

this time I did not just ramble about Kanato, I think I talked about Laito quite a bit though...

Headcanons under the cut ⬇

First of all: Shu.

Genuinely loves dogs (remember the scene with Yuma? The little puppy? Yes.)

All fluffy dogs are loved, just as all other dogs.

Loveslovesloves Golden retrievers and sheperd dogs. Likes big dogs a bit more than small dogs, more to hug.

Deeply hates toads. Not frogs, toads. He thinks they're quite ugly and hates how big they can get

Shu is Not dumb but being a little fuck by not-obeying-karlheinz's-orders-like-being-good-in-school

Has only socks with terrible obnoxious patterns, like the weirdest psychedelic shit? I'm talking about rainbow colored mushrooms on sunyellow backdrop and comical faces. (Ngl, it's a vibe)

Huuuuge crush on Yuma. He likes his long hair and the fact that Yuma doesn't try to lie to him. Shu likes honest people and Yuma with his blunt approach is amazing for him. Also, he is convinced that Yuma is very simple to understand, nit at all complicated like some other people.

Next in Line is Reiji! What a surprise.

Has a huge collection of Hand cream and lotion. He has those long, slim fingers and his nails are manicured so impeccable that they don't even look real anymore.

Wears only black socks. Its a hassle to sort them since some of them have different lengths or fabrics

Has pet rats. Definitely pet rats.

They're cute and all but he's named ever single one outrageous names like Berthold and Brunhilde, the typical old german names you'd read in very old books.

Reiji Is able to speak not only german, japanese and the demon language but can also speak latin (even though shu is on a much higher level), a bit of French and russian.

Would be the type to do things simply out of sprite. Shu once mentioned not liking blue curtains and now all curtains are blue.

Has an academic rivalry with Ruki. All the other students (including Ruki) think they're flirting, only Reiji is oblivious.

Next: our boy Ayato!

Hates bees with a passion.

Kanato once "gifted" him a box of bees out of spite (the little shit put the whole bee hive in that box), ever since then Ayato runs as soon as humming from a bee can be heard in a ten mile ratio. (Being outside is very exhausting for everyone, himself included)

Very much enjoys shows like Brigderton and say yes to the dress. Loves the drama and the intrigue.

Ayato actually? Doesn't hate his brothers??? He likes to bicker with them, especially his other triplets, but genuinely cares about them. He's just a bit too emotionally stunted on that front (thank you cordelia).

Likes not only takoyaki but also any type of japanese festival food. I'm talking about mochi, dango and tayaki, etc.

the type to have lactose intolerance and ignore it completely to seem "cool"

went on an ice cream date with Yui once and spent the entire night in the bathroom because he was too proud to say no

Actually wears makeup? I'm not talking about full-on glam but a bit concealer and eyeliner. Ayato has red mascara and omfg he looks so good with it???

Laito and he enjoy playing those multiplayer games for nintendo

He has an entire village on animal crossing that is managed by him and Laito together

Next in line: Kanato!

I have made quite long posts about him in the past so I wont elaborate on some things that I already wrote down.

Very skilled at makeup. Like top-level skill. Wears eyeliner, liptint or gloss and glitter under and on his eyes. Light blush is a must-have!

Can crochet and knit but is often too impatient to make bigger projects

Will hyperfocus on things like historical fashion and garments for weeks at a time.

Once was so focused on the black plague that he didn't drink blood for like five weeks and passed out until he was fed some blood

Gremlin.

Has a friendship with Yuma? They plant plants together and since Kanato (canonically) likes apples, Yuma will bring him some after plucking.

Kanato enjoys tea time with Reiji

Kanato also likes to gossip with Laito. Or more like: Laito gossips and Kanato sits next to him and munches on some sweets.

Huge crush on Azusa. (I went into more detail on that in earlier posts but I'll answer any questions on that matter! Feel free to send me asks or prompts!)

He and Ayato have both the same interest for old fairy tales and will read them together on those nights were everything just comes up again

❗Laito will comfort him when Kanato has nightmares and Kanato will be there for Laito, since they went through a bit if the same things even though Laito's was much more intense

Cuddle time with Shu

Quiet time with Subaru

Now Laito!

Can speak a fuckton of languages.

I don't care if its canon but Laito is like B2 Level of French. Is able to discuss theological matters is perfect french.

Can also speak italian like all the triplets but he's also able to speak a bit german, polish and romanian

Friends with Kou! ❗They're really good ffriends and can understand what the other went though. Laito stays often over night at Kou's and they spend the night watching funny movies (Deadpool is Laitos current favourite)

Laito enjoys comics. He likes Marvel and DC a lot!

We know that Laito likes crossword puzzles but like. He's so good at them it's almost frightening. Is able to not only do japanese ones but also french.

So intelligent???

Not only booksmart but also "people smart". He notices the smallest things on people around him, constantly analizes everyone. Knows a lot about medicine and psychology.

Loves learning new things.

Has immense knowledge about the universe, is able to name every single star sign on the sky.

in the games we often see Laito wear casual clothing. My headcanon is that he likes the sort of style skaters usually wear.

Really likes cargo pants since everything fits in all of the pockets

Wears oversized hoodies and shirts

Has those two piercings on his left earlobe but also has a lip piercing on the right lower lip and a septum that he got when he was bored

As soon as he's alone, he let's the perverted fassade fall down. He doesn't smile a lot actually, more along the lines of a serious face most of the time.

It took a bit for him to be able to drop that fake face of his in front of Kou and his other triplets but after some time he got used to not fake being friendly and perverted.

Dropped the infamous "bitch-chan" after some time, now uses Yui's actual name. The -chan stayed though.

Last but not least: Subaru!

has very soft plushies in his coffin

Loves those tiny fluffy bunnies. Lionheads especially!

Very gentle with animals.

Animals love him (#disneyprincesssubaru)

once tried to color his hair, it went horrible and his hair was a patchy muddy color for eight weeks

Wears eyeliner. The black, brush-tip ones

Long eyelashes. They genuinely look fake.

So pretty

Is naturally more fair and frail-looking than some other vampires so he tries to roughen himself up

❗Bruises his knuckles and bites his lips to look more dangerous. Even though the scowl he usually wears is more than enough to ward off anyone who wants to pick a fight...

Also friends with Kou (Kou really collects Sakamakis like pokemons)

Wears black nail polish but it chips off pretty fast due to the gardening Subaru does

Bonding time with Kanato is applying nail polish together

Enjoys playing pool and darts with Shu when his older brother has enough motivation

Knows he is fucked up from all the stuff with his mother and wouldn't be opposed to therapy (at least after some sweet talk from Yui... And a whole lot of promises for new seeds for his garden and a new set of black clothes)

Has a motor bike and it's his entire pride

Polishes it every week and has a lot of clothes for biking

Takes trips to somewhere when he's bored and/or annoyed by his other brothers

does not realize that Kou flirts with him every time they do something together (obliviousness lies in the family)

So! That's it? I guess? Sometime in the future I'll write about the Mukamis too, I promise!

If there's anything you'd like me to write about, just send me an ask.

And to whoever reads this: I appreciate the time you took to read my post and I hope you have an amazing day/night !

you are truly appreciated!

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katabay · 1 year ago

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THE SHERIFF AND GUY OF GISBORNE

uh. try to stay with me for a second. so incest motifs are a huge part of medieval lit. you see it in arthuriana cycles, you see it in romances, it's a whole thing.

Incest and the Medieval Imagination, Elizabeth Archibald

so robin hood. both adaptions and the text itself, tend to get interesting with guy of gisborne. and I will say that while I found the media being discussed in this text absolutely fucking insufferable to watch, the discussion on it was delicious, impeccable, show stopping

Mouvance, Greenwood, and Gender in The Adventures of Robin Hood and Robin Hood: Prince of Thieves, Brian J Levy and Lesley Coote

and with regards to discussions on the origin text (which I love and adore forever)

Horseplay: Robin Hood, Guy of Gisborne, and the Neg(oti)ation of the Bestial, Stuart Kane

we're. getting to the point, I promise. guy of gisborne and the sheriff in my own "adaption" are not cousins, but brothers in law (fucked up brothers in law are my thing over on my other blog. brutus and cassius? I'm there. caligula and lepidus? all over that, baby!) because I'm aiming for an adjacent transgression.

on the topic of adjacent transgressions and guy's comment in this comic about cannibalism: there's an overlap in various genres of literature, predominantly in branches of horror and tragedy: between cannibalism and incest. (additionally! a lot of texts will take on christian subtexts and allusions, so there's a bonus homoerotic cannibalism discussion happening wrt communion that I'll get into in the future) it's about. chomping. the teeth, you know.

Managing Monsters, Marina Warner

Statius and Virgil: The Thebaid and the Reinterpretation of the Aeneid, Randall T. Ganiban

there's a 100% chance I will revise the sheriff's design at some point, but I wanted to draw the flowers exploding out of the spine so bad

AND FINALLY, the neck focus on guy is half due to his fate in his origin tale (beheaded) and half my own invention: I girl-with-a-green-ribboned him. a little narrative necromancy, if you will.

#long post #outlaws in the woods tag #im sorry for how long this is and also bc its 2am but also i am not sorry. i love medieval literature and horror #the sheriff wants to crawl inside guy's ribcage and eat his lungs #he is. interestingly enough. horrified at what everyone else does to guy's body #its about possession. obsession. who else has the right to eat you etc #im going to go folk catholicism forced sainthood on guy and every second of it is going to be awful for him #i will do narrative necromancy but i will adhere to the rules of the setting and the setting is TERRIBLE #i love it! sorry guy of gisborne.#anyway you guys ever watch showtime's borgias. favorite show. so. so uh. you know that one scene. the---

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meredithgran · 3 months ago

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Things to discuss

I'm staring down the barrel of a year of game marketing, and that means being more active and chatty online in ways that are (hopefully) not just nakedly self-promotional. I'm looking for some topics I can comfortably - if not authoritatively - blog about in the coming weeks & months.

So this is a call for asks! I'm happy to talk about my own work, or games, comics, writing and/or animation more broadly. And hopefully it'll mean posting here a bit more, in ways people might like.

Fire away with your burning Q's!

#perfect tides #octopus pie #comics #game development #indie games #webcomics #meredith gran

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ask-the-pioneer · 3 months ago

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How did you start the story? Obviously you had a start from the lore but the rest of it is all you. I'm just trying to start stories for my own characters and wondering if you have any advice.

Hey anon! I will answer this in OOC manner.

I'm fairly new to Rain World fandom, I drew my first fan art in March this year. Before that, I've been watching a lot of walkthroughs, lore discussion videos, and browsed rain world tag on tumblr daily (I still do).

I like all slugcats, but the one that specifically caught my attention was Artificer. There's countless interpretations of this character, but the one aspect of them that I latched onto is that they're a mentally unstable parent. By the time I bought the game, I'd already seen a few AU comics where Arti's pups survive, but they always left me wishing that the parent-child dynamic had been fleshed out more. And thus this ask-blog was created.

One piece of advice I can give is to decide what you want to say through your story. My AU will focus on a handful of themes that make up its core: generational trauma, mental illness of a parent affecting the child's wellbeing, blood feuds, shame and guilt ...but it'll also have some light-hearted humor, and intense fight scenes (my favourite). I've not seen many people explore these topics (at least in the RW fandom), and because I feel strongly about them I want to see more of them. It helps with motivation, too! A big undertaking like this should be both fun and educational, if that makes sense. I feel satisfied when I read a story and learn something new from it.

Hope this helps!

-- Kali

#rain world #rain world au #ooc

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fatsamsgrandslamspeakeasy · 3 months ago

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Some warnings before you venture further - - -

1) This is your first, last, and only warning about content on my page. If you do not like conservative views or are a liberal, you have been warned and I accept no responsibility for your interpretations, right or wrong, about items I post because frankly, IDGAF. This includes my views on abortion, LGBTQ, Christianity, Donald Trump, Biden and his administration, gun control, or anything else you find that offends your senses. Grow up buttercup, the world does not care about your feelings, and that goes double for MOI...!!

2) If you are a minor, come back when your are over the age of majority in your locality. If I catch you on here, I will block you for all eternity from access to my page!!

3) My views are somewhat controversial on some topics, so if you come across something that offends your fine sensibilities, just keep scrolling because I really do not care about liberal comments and you will not get a rise out of me because guess what – I DO NOT CARE ABOUT YOUR PRECIOUS FEELINGS!! I would also respectfully remind you to simply ignore my offending posts the way you have ignored the obvious corruption in our government under Biden's watch.

4) If you want to make a keen observation with a conservative viewpoint and/or would like to have an adult discussion about a post without resorting to name calling, please feel free to message me. Otherwise, just shut your yap and keep scrolling. I like to have discussions that are respectful and bring out points without being called names. However, if you insist on being an asshole, please know that I can be 100X the asshole you can be. You will find out very quickly that it's a hell of a lot easier to jump on, than it is to jump off!

5) If you try to hit me up for donations for the Palestinian cause, you are so wasting your time. These will be deleted post-haste! Why, you ask??? Simple: I remember only too clearly when the news came back on on September 12, 2001, the live footage of the Palestinians in Gaza, and muslims in Libya, Lebanon and other nations in the Mid-East proudly burning the American flag and openly celebrating the destruction of the WTC Twin Towers and the deaths of thousands of American citizens. YOU made the choice then to have me as your eternal enemy and so you and your cause can go take a flying fucking leap into the void......

6) I am an older man (early 60’s) and happily married to my wife. I’m not here for hookups. I had to put this out there, believe it or not, because there is a whole brand of females out there that are attracted to older men. And if you are a scammer, using a pretty face to try to solicit $$$ from me, WOW!! did you choose the wrong blog. I ain't no love-starved kid looking to get laid. You won't get a red cent so move along....nothing to see here!

7) I am a HUGE fan of JAWS, PAUL WILLIAMS, DARK SHADOWS, UNIVERSAL MONSTERS, BONANZA, ABBOTT & COSTELLO, LAUREL & HARDY, THE 3 STOOGES, VINTAGE MARVEL & DC COMICS, and ANIMALS (especially DOGS) so there will be more than a fair smattering of posts on those topics.

8) I DO NOT FOLLOW EMPTY BLOGS. If you like my stuff and want me to follow you, you need to have some content.

9) Have a nice day and stay cool out there!! 😎

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nekropsii · 5 months ago

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Atomic Ask Bomb 4!!

This is a bunch of lighthearted haterism! Well... "Lighthearted" as in it's just a bunch of quippy bitching, not "lighthearted" in its subject matter. Same shit as always!

Content Warning: Long, Discussions of Abuse, Transmisogyny, Ableism, Pedophilia, Mentions of Incest, Bestiality.

True. At least I don't have to start doing unironic Freudian analysis just to feel like I've said something new and interesting about my specialty cast.

It's weird, because there really is a lot that isn't said about the Main Cast - a lot of which is really interesting - but... People would rather die than put serious, grounded thoughts into these characters, it feels. Especially if the topic is even vaguely uncomfortable. So, you get some nonsense on how there should have been menstruation in Homestuck, or that Eridan was never intended to die, instead of putting any serious analytical thought on Dave's abuse, or Jake's relationship with gender.

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In some places, they're even worse. Not because anything has changed, but because some issues have been made more visible by the change of landscape on Tumblr.

Like, people have way more points of entry to be Transmisogynistic, for example. The Homestuck fandom has always been Transmisogynistic, of course - March Eridan... Certainly exists - but now we've got more people talking about Roxy, about Dave, about Jake, about Calliope, about June... And while the level of Transmisogyny hasn't really changed, per se, it's hard to deny that it isn't more commonplace, in a way, purely because the amount of discussions surrounding Transfemininity has increased.

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CroTuna fans need to pick a fucking struggle that isn't that lame ass hill they've chosen to die on. Can you do something else, instead? Can you think liking Bluey is praxis or something? Literally anything is better, because literally anything else is funnier.

I'm not really super into AraSol or anything, but how can you be down to clown with CroTuna and not fuck with AraSol. Do you just want to crank your meat to abuse? What? Lmao.

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No one's normal about Personality Disorders. Cluster B Disorders especially get the shit end of the stick. It's unsurprising that the Homestuck fandom isn't normal about Personality Disorders when literally no one else is, for some reason.

It's just crazy watching people try to have you take them seriously and not look at them like they're fucking insane when they talk about their analysis that Cronus has NPD because he's terrible and abuses people. Like, what are you saying? Do you hear the words coming out of your mouth?

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Dave generally keeps all of his most intimate relationships pretty private, it's why it's kinda hard to keep up with his love life in canon. He grew up under the lens of countless cameras for the pleasure of prying adult eyes. Voyeurism is a huge part of his story, as it is a strong aspect of the abuse he faced growing up. Particularly, said Voyeurism was a key part of the sexual abuse he was subject to.

The fandom's handling of DaveKat feels like Voyeurism because so much of the fandom is dedicated to showing them in intimate scenarios that just feel... Wrong to see. Like, you just know for a fact if this was happening in the comic, we wouldn't be seeing it. Some even have whole blogs dedicated to those kinds of private moments they'd have behind closed doors. The fandom eats it up and calls for seconds, thirds, fourths, fifths - with a nigh fetishistic fervor. Sometimes, it's really hard to not feel like they're in Bro's sleazy live chats, asking to see more of the cute young one.

Even PostCanon frames the rabid consumption of DaveKat content as Voyeuristic. It's not a difficult or out of pocket read, I don't think.

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I think the secrecy of it all is fitting, personally. The hints we did get of the dynamic certainly don't sound very pleasant, though, much to the fandom's chagrin. On screen Kurloz & Mituna interaction would likely just be more Mituna Abuse Simulator.

And, no, I don't think she would be able to do that.

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The issue is that Cannibalism is largely something used not as an expression of Control Issues, but as an expression of Consumption.

Consumption is a really interesting theme to me in fiction. It can mean a lot of things and be shown in a lot of different ways - possessive love, caves, abuse, codependency, capitalism, so on and so forth - but... It's just... Honestly completely nonexistent in Dirk and Jake's relationship. That's why it feels forced to me. I just genuinely don't know where people are picking up the theme of Consumption, especially hard enough to start talking about Cannibalism as a natural extension of it.

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That's the Heterosexual Incest Exception, babey. It's the Spiders Georg. It doesn't count. People are always gonna have the Heterosexual Incest Exception, because they physically cannot help themselves but jerk it to little girls getting molested by their dad or something. It's awful, but it is unfortunately true.

That said, if anyone pulls that kind of shit with Sovereignstuck, I am personally banning you.

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See, Vriska fans aren't in denial - they know she blows, that's the appeal. They're just tired of people acting like it's the end of the fucking world, or like she's the worst person in the comic when Cronus exists. Who is, ironically, exactly who you're talking about, lmao.

You know that meme that goes "You guys would fuck a fence if it was white"? That, but it reads "You guys would forgive anything if a white man did it". If you're a skinny white man in a piece of fiction, you apparently just have a free pass to do and say literally fucking anything. It's actually genuinely insane. People will gaslight themselves so hard into thinking that skinny white man is hot and did nothing wrong, even when the whole function of his existence is that he totally and completely sucks and is entirely irredeemable and has never been sorry for anything he's ever done in his life and never will be, and is 100% aware of the fact that what he's doing is abusive and simply doesn't care. It's nuts. It's so nuts. What are you guys TALKING about.

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[Writing in notebook] Modern AU Cronus... Is Jeffree Star... Got it!

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Look, man. I've seen some shit. You have to understand how much I could fully see that happening. I flinched because it's realistic. Do you know how much Bec/Jade content there is? Help me.

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"Indirectly".

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Kankri even takes part in being Ableist to Mituna. It's crazy. They're fucking tag teaming to make Mituna's life as miserable as possible.

Really funny that people still take him as the good and correct guy when he's an Ableist Stalker that doesn't think Misogyny is real. This is the guy whose hill you're willing to die on? Get real!

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He's a great source for conflict. Excellent torture device to have primed in the toolbox of narrative crafting.

Completely intolerable as a person. He should actually genuinely go to jail. That's not a joke. He's literally a repeat sex criminal.

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It is so fucking funny watching people act like they would've been any better than her. Like, no, I can assure you that if you were walked on and ignored to the degree that she was, for the amount of time that she was, you'd start smashing planets together, too. No one here is better than Aranea. Aranea handled that shit better than a saint would.

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Can you believe people act like the past was better? Lmfao.

We've made at least some decent strides in making sure the fandom is at least a little safer. Don't know why people are looking at a sordid past littered with terrible behavior and and an intense amount of porn of children and unironically parroting that cute little fascist "Reject Modernity, Embrace Tradition!" meme. What the fuck are you on about?

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We can't fucking win. Either we have to sit in a little pool of the same 15 guys and never really get anything fresh on the table, or we can bait new people in and suddenly have to deal with a million people calling WV "The Mayor" and condescendingly calling everyone whiny bitches when you correct them or literally defending segregation in your notes or something.

That last one isn't a joke. I've literally had people defending segregation in my notes because I pointed out that it's weird as fuck that the Racial Kingdoms exist in PostCanon. They started going on about how it's okay because they all "have different needs" (so do humans?) and "Carapacians can't talk anyway" (yes they can??) and "Consorts are biologically stupider" (WHAT). Like. Holy shit. You should get hit by a car.

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Your honor, he never even did all that shit!! Get your facts straight!! Stop getting all your info from 23rd-hand sources!! Think for yourself!! AAAAAA!!!!

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miraculouslbcnreactions · 6 months ago

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So, controversial topic. taking in count that in a month, the webcomic "scarlet lady" is gonna end ¿what are your feelings about it?

I know that there's people out there that don't like it for the chloe salt, but i have to admit that the damnation that chloe went through, at least for me, gave her more agency than canon, for the fact that it wasn't manipulated by outside forces like canon did, it gave her the right to choose to be better or worse.

Another great element is that it does what canon refused to do: five back Adrian his agency by letting him vent his frustrations AND let him realize that his father is a bastard.

If you don't agree, that's more than excellent, i want to know your take in this topic, that being positive or negative 😄👍

My friend, you are talking to a big Scarlet Lady fan, so I'm happy to give my thoughts! Get ready for some gushing and in-depth discussion of the adaptation process. That's really what all fanfiction is, but Scarlet Lady is more of an adaptation than most since it's a true canon rewrite that often requires you to know canon to fully appreciate its jokes and meta commentary.

Before we get into it, I want to give a link to the comic for those who haven't read it. The artist/writer is @zoe-oneesama and this is page one of the comic. I'd follow the comic link if you haven't read it as the comic is nearing its end, so going straight to Zoe's page will spoil you on elements of ending.

General Thoughts on Adaptation

Adaptation is an art, not a science. There are things that are objective elements of a story. Things you really cannot change if you want people to feel like you're telling an adaptation of a given tale. But there are also plenty of elements that are more subjective. Things some people might consider vital, but that aren't truly necessary to stay true to the story's core. (Yes, the character core thing applies to stories too!)

For example, to be a Cinderella adaptation, you need to have some sort of big reveal moment where "the prince" finds Cinderella, but that moment doesn't need to involve a slipper and the prince doesn't need to be an actual prince. My favorite modern Cinderella adaptation is A Cinderella Story: Once Upon a Song and it twists both of those elements while keeping the major story beats in place, making it fully deserving of the Cinderella label while also being its own unique story that isn't a straight retelling, it's an adaptation.

I bring all this up because, as readers of this blog may have already guessed, Scarlet Lady does a lot of things that I personally would not do when adapting Miraculous. A big one being that I prefer a more complex take on Gabriel, but that's simply a matter of preference. A complex Gabriel is not a requirement for adapting Miraculous. Complex Gabriel vs comedic villain Gabriel is just a choice you have to make when it comes to adapting canon because canon is such a mess that both options have straight up backing in the source text. Even if they didn't, Gabriel's core role - villain - is one that leaves you a lot of room for interpretation based on other factors that we'll talk about in a second.

I'll close off this section with this: having read all of Scarlet Lady, I'll be so bold as to say that Zoe and I almost perfectly align when it comes to identifying the flaws in Miraculous because I've agreed with pretty much every change she's made. She did a fantastic job staying true to the core of canon while also telling the story she wanted to tell. It's not the way I'd redo canon, but it doesn't need to be for me to call it a fantastic story. Plus a lot of the different choices I'd make come down to narrative style and tone.

Narrative Style and Tone

I'm a novelist at heart, which means that I favor serialized storytelling. For those who don't know that word, it means stories that are one coherent whole just broken into chunks. Stories where the order matters. You can't start watching at a random episode, you have to start at the beginning. And skipping an episode usually means that you'll have no idea what's going on.

Miraculous is not a serialized show. It's primarily an episodic show, a word that means that episode order doesn't matter. Every installment stands alone.

Obviously Miraculous isn't completely episodic, but that's fine. Purely episodic narratives are rare these days. Most stories have at least minor serialized elements even if those elements are often ignored for multiple episodes at a time. This is where both Miraculous and Scarlet Lady fall. They're mostly episodic stories with serialized elements popping up every now and then.

Miraculous does this element poorly because it acts like it's a purely episodic show and then takes that to an absurd extreme. Rules, characters, and lore can never be counted on to stay the same from episode to episode even though that's not actually how episodic stories work. Scarlet Lady doesn't make this mistake. It understands that episodic narratives should have STORIES that stand alone, but that the WORLD the stories take place in must stay consistent.

Now that we've gone over the basic format stuff, let's talk about tone.

Generally speaking, tone is the vibe of your story. It can be serious, silly, dramatic, and so on. One of Miraculous' biggest flaws is that its tone is all over the place. It's a silly romcom that brings in serious topics in serious ways and then handles them with all the grace of a hippo performing ballet in a china shop because of course it does! Those topics are horribly suited to the show's overall tone so it has no way to properly address them.

This is one of the many things I love about Scarlet Lady. It takes the show's absurdist tone and honors it. That's why Zoe's version of Gabriel works so well! He's a silly cartoony villain in a silly cartoony comic as he should be. It's also why my versions of Gabriel tend to be more complex. More serious serialized narratives are where more serious complex villains thrive. Neither option is better than the other, it all comes down to how you're adapting the original work. Zoe's choices are perfect for her version's style and tone. If mine are even close to that good for my preferred style and tone, then I'll be a happy author.

Narrative Weight & The Chloe Thing

This is getting long, so I'll end with a note on Chloe since you brought her up as it's another great example of the fact that there are very few choices that are inherently right or wrong when it comes to adaptation.

I don't know if I'd say that I'm a Chloe fan, but I certainly don't hate her. I also love what Zoe did with the character! It's a prime example of a thing that I've talked about before: the issue with Chloe is not a lack of redemption. The issue is that Chloe was given too much narrative weight to be what canon made her.

Quick definition: narrative weight is the importance a narrative places on a person, event, thing, etc. The more time you dedicate to an element of your narrative, the more weight that element has in the eyes of your audience. The more they expect the element to matter. The way that you develop the element will also shape audience expectations.

In the context of canon, Chloe has more development than almost any other side character. We know more about her family, her childhood, her personality, and so on. This was an absurd choice for canon to make because Chloe is not actually important to the story they told. You could pull her out of canon and almost nothing would change. Gabriel can make akumas do whatever he wants so, lore wise, he didn't need Miracle Queen. In fact, he arguably shouldn't have made Miracle Queen. He could have just taken the miracle box and jumped right into the plot of season five. Similarly, Chloe being mayor was an absurd one-note moment that's easily replaced with something more logical.

Because of this, there are a lot of things you can do when adapting Chloe. Everything from turning her back into a one-dimensional mean girl to redeeming her to what Zoe did: take Chloe's narrative weight and petty brat behavior and lean into both to make Chloe a main antagonist while also acknowledging the fact that Chloe is a messed up teenage girl who needs some serious help. I'm super excited to see the end of Chloe's arc in Scarlet Lady as I think it's going to be one of my favorites in the fandom. That is admittedly not a high bar as I'm very picky when it comes to Chloe content. I think most of it falls flat because most of it fails to let Chloe hit some sort of rock bottom when she absolutely needs to if you want to do anything interesting with her. She's not the kind of person who will easily change or see the error of her ways.

Conclusion

Scarlet Lady is a fantastic adaption of Miraculous and Zoe is a fantastic and funny adapter. The comic might not be to your tastes - and that's fine, nothing has universal appeal - but it's still a great example of how to honor source material while doing your own thing with it, which is a true skill. One of the problems with many modern retellings and reboots is that the people running the show don't understand how to adapt a narrative. They take far too much creative freedom and end up with something that doesn't feel anything like the source.

If I found out that Zoe somehow got hired to adapt something I love, then I wouldn't have any concerns. I'd have no idea what she'd do with it, but I'd be confident that it wouldn't spit in the face of the thing I love. I'd personally read a hundred Miraculous re-imaginings with her at the helm.

#scarlet lady comic #Scarlet lady praise #I have really specific changes in mind for how I would redo miraculous #which probably leads me to make statements that have people thinking I want certain elements in ANY redo #This is very much not the case #I'm almost always talking about personal preference #Especially when it comes to the villain characters like Chloe Gabriel and Nathalie #You can pretty much always assume I'm stating a mere preference when I say stuff about how to fix a certain character or plot point #When it comes to reading redos I'm super open to alternate takes #I'm only super picky when it comes to what I will personally write

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arkus-rhapsode · 7 months ago

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Are We Returning To 2000s Era Shonen Anime/Manga (A Discussion)

So this is going to be way more of a thinkpiece than I usually do for this blog, but recent trends in the space and niche that I devote a lot of time to, Anime/Manga, have been showing themselves that got me thinking. This is not meant to be a serious sociology case study taken as fact, it's going to be more a theory based on observations of the community that I, like many others, devote a lot of time into than a full on claim, but I do want to ask, is the anime and manga community is experiencing a resurgence in 2000s era shonen manga?

Background

Now let me get this out of the way, there is bias in these observations as I am a western anime fan, but also a North American anime fan. Meaning my gateway and gauges of pop culture are mostly determined by the history of my area of the world’s relationship with anime. From the OVAs of 80s hyper violent and hyper sexual sci fi that you had to purchase from the backs of video rental stores, to the Toonami era of 90s and early 00s programming block the centred around action anime and cartoons, the 4kids era of mass market japanese animated kids shows that were really just giant commercials with some of the earliest memetics in western sphere, and the explosion of shonen battle series in the western sphere in the mid to late 2000s marked by the rise of the colloquially named “Big 3” of shonen jump. I understand that continents like South America or Europe may have undergone a different exposure to the Japanese medium, but as I am going in with some bias in this observation, I would like to make it clear on where the formula is coming from. I also would like to lay down a certain clarification before making this, when discussing the topic of nostalgia I think a lot of people have forgotten what it actually means. If we go by the Cambridge dictionary definition, Nostalgia is “a feeling of pleasure and also slight sadness when you think about things that happened in the past.” This is often invoked when talking about pop culture because people from say 20 years ago don’t seem to enjoy or relate to the interests of today. The belief is that nostalgia is generational ergo if you grew up in the 80s you’re likely wishing to recapture the feelings of childhood that you associate with those trends from 20 years ago. In fact, most revaluation in media has often been catalyzed by a difference of those who grew up in an era rebuffing the opinions of those who didn’t.

There is the well known “20 Year Rule” regarding pop culture nostalgia. That every decade it longs for what was popular 20 years ago. Probably no better example than “That 70s show” being popular in the late 90s, the return of many beloved 80s-90s franchises like “Ghostbusters” returning in the 2010s as well as series like “Stranger Things” that wrapped itself up in 80s aesthetics. DC's New 52 relaunch that seemed to bring back trends from 90s era comics.

Now it goes without saying that the 20 year rule isn’t a “real” rule, rather an observation that certain trends make a return to popularity because the ones who grew up with a certain media will be the ones who add to the discourse when they come of age and will be the ones having a chance to create consumable art for the masses and that may just be revivals of once popular IP. This isn’t necessarily wrong in regards to nostalgia, but I do believe that one doesn’t need to have been born in a certain era to be nostalgic for something when we discuss pop culture. Pop culture is really just trends and preferences that become en vogue and people can acquire a taste at any given time. Sometimes it can be due to those who grew up with something now having the chance to create and drawing upon their own childhoods, sometimes it's just due to not being exposed, other times it can be a certain feeling of disillusionment of the now, and seeking something that peaks your interest, and even sometimes it can be major corporations or networks looking for things with existing audiences to draw upon that actually expand the audience. In fact one of the most prominent Netflix adaptations of the 2020s has been live Action Avatar the Last Airbender and One Piece, both shows that got their start on American televisions in 2004 and 2005. One of the biggest animated shows right now is Invincible, based on a comic book from 2003

So I want to stress this is not necessarily about how if you grew up with the original Mobile Suit Gundam show you are being replaced by the kids who were watching GetBackers. And or if you are a fan of shows that came out in the 2000s you yourself were born in the 2000s.

But what was the landscape of the English speaking anime community like back in the 2000s? Well let me paint a portrait for you.

What was the 2000s like for anime fans?

The term I used, “shonen boom period”, is somewhat mythologized in the western anime sphere. There was a glut of high profile shonen anime running around the same time that most people identified with this time period and was arguably when we saw the most influx of people getting into the hobby. One Piece, Naruto, and Bleach served as big series known for their massively large casts, MCs with a level of attitude, some of the most hype centric power supernatural/extraordinary power systems, and certain brand of “Japanese-y” humor. We can’t deny that it wasn’t just these series however, as series like Fullmetal Alchemist became many people’s introduction to more narratively intricate series interspersed with a somewhat gothic action style. The gothic and somewhat edgy Death Note became many fans' first ever “battle series that’s not a battle series” that also incorporated many biblical and gothic horror elements into its presentation. And things like Code Geass also incorporated this combination of hyper stylized cat and mouse with ornate and gothic aesthetics and fighting robots.

Series like Ouran Highschool Host Club and and Haruhi Suzumiya were basically gateways to the more hyper extraordinary slice of life series that didn’t shy away from fanservice and loud comedy. With ecchi like Rosario + Vampire taking it to an even greater extreme. For people willing to go even deeper, series like Fairy Tail began to pop up and share a distinct similar flavor to series like One Piece and Naruto which arguably started the popular conception of it coming from the same magazine as the latter. That’s not also discounting the amount of holdovers from the 90s like Dragon Ball z, Trigun, and Yu Yu Hakusho, which also had an edge towards fantastical combat and comedic oriented series.

All of this is to generally illustrate the media diet of what an average anime fan was expected to have some level of access to. As this was far before the eras of Funimation or Hulu having online services. Not a homogenized spread by any means, and im certain plenty of readers could name more underground or smaller series like Mushishi or Elphen Lied, but generally the popular mainstream you could tell that there was a consistent theme of long form media with a very loud, very flashy, and very action oriented type of series. Which I think is fair to say had skewed some people’s perception. And while I cannot claim with utter certainty that Japan was the same in this regard, you can look at magazines like Shonen Jump and notice a somewhat synchronistic trend. With series like Hitman Reborn, Gintama, D. Gray Man, Eyeshield 21, Bobobobo, etc.making a clear marcation of what was commercially successful at the time. Even series not inside the magazine but had smaller nicher, Tokyo-pop-esque series like Rave Master, Flame of Recca, Air Gear, History’s Strongest Disciple Kenichi, Soul Eater, etc all had a similarity to the shonen jump magazine. To the point it was not uncommon to see so many jump characters in a collage and one from shonen sunday or shonen magazine in there as if this was all coming from the same place.

Changing Landscape

Now with the advantages of the modern internet, we have the ability to actually keep up with the jump magazine in real time as opposed to the common practice of relying on scanlation site and fansubs that were often devoted to the most popular works. But with simultaneous publication and services like Crunchyroll, being able to access a wider variety of shows and series that we may or may not have access to. I believe that the 2010s in the english speaking fanbase was the decade we saw a somewhat expansionism of what people perceived as anime. Anime could be One Piece and Naruto, but it could also be Erased, it could be the Promised Neverland, Attack on Titan, K-On, Haikuu, and Durarara. With the representatives of the 90s no longer being holdovers in syndication like dragon ball but rather full on revivals of the likes of Jojo’s Bizarre Adventure and Hunter x Hunter.

All of these could be "shonen" but also other genres like Seinin, Josei, and Shojo all had their own varying layers of what they could be in their demographic

The mood of what was popular was also changing, not just in the fact that more flavors of anime and manga were becoming mainstream, but new works from shonen jump showed a rise in almost subversive series like My Hero Academia and Demon Slayer that seemed to consciously deviate or place new spins from traditional tropes of the 2000s characters, and we saw works that were derivative of previous serious like Black Clover drawing upon Naruto the same way it was known that Naruto had drawn upon Dragon Ball before them. Series like The Promised Neverland and Doctor Stone offered up more dramatic series that still infused a certain energy of the shonen genre.

And of course the series like Attack Titan whose much more darker and gorey storytelling seemed to have become one of if not the biggest hit of the generation with a well regarded adaptation, but something that had felt so removed from what were once contemporaries like the then ending Bleach or Naruto. We can also note that the late 2010s saw the rise of series like Chainsaw Man and Jujutsu Kaisen that began a trend of popular urban fantasy stories. Where fantastical concepts were now in contemporary Japan and the stories that focused on concepts like self identity and the harshness of maturing were juxtaposed to the real world inhabited by monsters.

It seemed many tropes of the previous decade were still alive in the rise of Isekai anime. Which was particularly the only popular outlet for fantasy stories with an action orientation. But these almost felt disconnected from the wider world of manga as things like heavy harem action series had actually decreased in mags like shonen jump. There was also new tropes being established in this subgenre that became unique popularizations of tropes all on their own, such as the overpowered protagonist whose power everyone believes is weak. But many of these were based on light novels, a form of media that only in the last few years western readers are having official access to and not simply scans found on the internet.

We in North America truly have gone from anime being a niche that was primarily accessible through dedicated TV blocks like Toonami, to a full blown cultural relevance shift.

We also need to talk about this era in its perception of the past also shifted. The 90s and the early 00s often blend together as classics of the anime community. Somewhat encased in amber. However, there is no denying that “feels like a 2000s series” had become a bit of a shorthand for very goofy, Very horny, very action heavy series. Series like Fire Force and and Undead Unluck had their show what more problematic elements be equated to the problematic trends of the past that people just accepted as “a part of the medium.” But lets keep in mind, this is not really describing a time, more a trend. Superficial elements that invoke similar feelings of the past.

Speaking of anime fans…

Fan Culture

So while I wanted to paint a picture of creatively the landscape has changed, there’s no denying that in the age of internet accessibility, the anime fan community has also changed. It is much much easier now to get in contact with people who are anime fans now than it was to rely on word of mouth like it was back in the day. I can still distinctly remember my anime club which wasn’t even really a club devoted to anime but rather other geek stuff like D&D and TCGs. Our hobbies just happened to have similar overlap.

Now though, anime fan culture is much more relevant and thriving. Going from just posting weekly reviews, to long retrospectives, comedy videos, abridged series, clickbait articles, fan theories, and podcasts. However, I think a defining feature of fans of the 2000s era of anime that were at their most prominent was hype culture.

Due to many of the biggest anime series at the time being released weekly and focusing on action, many many many discussion boards and videos were often about staying in this cycle of wanting to see what happens next and the action made people very excited to see just how characters were going to win fights or even if they’d have fights at all.

I want to make it clear that this type of activity doesn’t belong to a certain era, but you can see it shaped by the 2000s era. Especially when discussing “what is the next big 3.” As if it were a true position and title, rather than a moment in time where there were just three very distinct shonen series in the fanbase.This doesn’t necessarily have a “negative” effect on the discussion of anime/manga but you can see that certain genres lend themselves to hyping fans up more and more.

Someone isn’t reading the most recent chapter of a romance like Blue Box with the same level of anticipation of who will face who like it was One Piece. But there have certainly been series that try.

The Present

Now we reach the 2020s and this decade is still young, so it is hard to say what the future will hold for certainty, but we can look at the last four years and notice some significant waves being made recently in Shonen Jump alone. I already spoke of Undead Unluck, a series that almost wears it would now be considered retro inspirations on its sleeve. With an opening chapter that establishes an MC that seems motivated by a sexual joke, A power system follows a verbal naming gimmick, and a loose enough world that allows for characters of varying aesthetics and to be incorporated into groups. With groups of these powerful characters splitting up to face each other and use their ridiculous power to the extreme. Even in the series' own meta arc about creating manga, the in-universe analogy for Undead Unluck’s manga is commented on as feeling retro. There is no doubt the biggest viral hit of the decade so far has gone to Kagurabachi, a manga about sword fighting and magical crime lords that seems almost indulgent in its stylistic slicing and or dicing of baddies. Its memetic success was primarily due to a somewhat sincere and somewhat ironic belief that it would be the “next big thing” as it promised to be a stylized action series. Another surprise viral success has been the manga Nue’s Exorcist which sees another supernatural swordfighter boy harness the powers of his sexy spirit lady while getting into harem shenanigans that echo a particular form of ecchi of anime’s past that had actually been somewhat absent in the past decade in jump. Both of these series have a somewhat noticeable similarities to Bleach, a long running shonen action series that has seen its own revival in the last few years of writing this with the long awaited adaptation of the final arc of the bleach anime.

While the other members of the “big 3” never truly went away and became almost inter-generational, Bleach truly did feel like a “come back” as it was absent for so long. And unlike Hunter x Hunter and Jojo which were never really popular in the west and even their older anime are more regarded as anime deep lore. Bleach was one of the most popular series in the west at the time to never receive a conclusion animated.

Speaking of anime of the 2000s Trigun Stampede was a reimagining of the original late 90s show. This errs a bit similar to Hunter x Hunter’s style of revival, but also seems uniquely its own in actually trying to find a balance between the original series but adding in things cut from its original late 90s early 2000s counterpart.

And now we must examine other shonen magazines. Series like Gachiakuta created by a former assistant of Okubo, the creator of Soul Eater, carries with it much of the similar energies of that series. Its also noticeable as being a truly dark fantasy series. Not an urban fantasy, but rather a completely new world that had a very grunge and dirty world building. And then there is Daemons of the Shadow Realm, a series by Fullmetal Alchemist creator Hiromu Arakawa. This series is also set in modern day japan with supernatural elements, however Arakawa’s style of writing is practically unchanged from her time on FMA. With an emphasis on action, intricate mysteries, and character building comedy with her trademark over exaggerated blocky style. There is of course Hiro Mashima who has started another new series, Dead Rock, and his style has also not changed that much. Then there is just flat out sequels to 2000s series like Gamaran Shura.

This to me shows that we are seeing a bit of a combination of people who are now entering the workforce inspired by creators of the past, but also that creators of the past still exist 20 years later and are still making content that hasn’t really undergone significant change.

Of course, we can’t also forget the implementation of the Manga Plus/J plus service which has opened up a very interesting ground for creators to have some of the most creatively out there series than what you may have expected from the shonen jump brand. I genuinely don’t think series like Make the Exorcist Fall in Love or Fire Punch would’ve ever been acceptable in the pages of a weekly shonen series. However one series in particular does feel like it could've and boy its been quite the success. Kaiju no 8.

Kaiju no 8 almost feels as though it is the AoT of a new generation with the amount of anticipation this one series has as well as the similarities between the series superficial elements. However, I'd say the key distinction between the two has been the tone. AoT took a dark and practically dour tone on its titan infested world. With an MC declaring war on all of his enemies. The pain was realistic, with human bodies being brittle and vulnerable. And the belief that just because you were a good person you weren't going to make it out alive. Kaiju no 8 instead opts for a more action oriented tone. Down playing the bleak realism for more "Hell yeah!" moments. With super science weapons that feel more akin to a tokusatsu show and fights and battles between humans an kanji the feel like the Dragon Ball style wrestling matches of old.

And of course, that’s not to say Jump hasn’t continued with series that feel more modern like the realistic and mellow romance of Blue Box or the dramatic coming of age story of Akane-Banashi.

But the presence of these series has caused somewhat of a friction with the popular conception of the magazine. Its safe to say that while “shonen” tends to think of action male oriented series, it can really just mean works aimed more at adolescents. But I think many tend to associate this familiar feeling of “what is shonen” with their popular introduction of the magazine. With a saturation of action and brash comedy series. This is further complicated by the fact many action series in jump are actually ending over the last decade. With new ones not popping up to replace them as frequently and series like One Piece and MHA and Black Clover basically stretching out across an entire decade or longer. In fact, I don’t think it's unreasonable to believe that the hype for something like Kagurabachi was in part a belief that it signaled a return of a type of familiar series and genre that had been missing. Or at the very least, looked to fill an inevitable gap the magazine was obviously going to be facing. Followed by the other commercial success of Nue’s Exorcist, we are likely to see these series last for a long time. At the time of this writing, Tokyo Revenger’s author Ken Wakui has released Astro Royale, a series that feels very similar to his previous work yet infused with this almost GetBackers flavor.

So that leaves us with the question at the start, are we seeing a rise in 2000s nostalgia in anime and manga?

Conclusion

So I'm sorry if I disappoint, but the best I can say is, I’m not certain. I do believe that from my observation I think it is reasonable to say that we are seeing a rise in creators in the shonen space being ones inspired by series from 20 years ago. However, I think we are also seeing creators who are from that time period also returning to write how they have always written.

On the consumer side, I think we can see that fans of anime and manga have changed in the sense their tastes can now be shaped by a much larger catalog of series at their disposal. But in the case of shonen, I think we are simply seeing those who likely got their start in anime at around the 2000s resonating with newer series drawing upon those series, but also with younger fans now likely to grow up with the tail end of what was popular in the 2010s now being influenced by the 2020s. I also believe that one of the defining features of the anime community in the last decade is hype culture. And currently we are seeing a rise in series that actually feel more catered to hype, be it a revival of a series they liked or predicting what will be the next success.

All and all, this piece was trying to tunnel on the shonen demographic in general, which is more likely than not going to have similar traits relative to itself. I do see us as a community endorsing trends of the past and there’s an excitement for these things to “come back” even if they may or may not have left. If you liked this please drop a like or reblog because I may do more of these think pieces in the future.

#anime #manga #think piece #discussion #shonen #shonen jump #kagurabachi #gachiakuta #nue's exorcist #undead unluck #kaiju no. 8 #bleach #one piece #naruto #yomi no tsugai #attack on titan

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wolf-and-raven-dreaming · 4 months ago

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pls don’t tag your comic with gaiman’s name. that tag is being used to discuss his sexual assault of five women

I understand that. Believe me, I do. But I am not tagging his name specifically. It is still something linked to him in some way due to it being Sandman related. That is how I have been tagging this fan comic since 2022, so I am sorry if it's not to your liking. If anything, I will try to find another way to link it, but it’s probably still not going to be to your liking.

I have stated that I will not discuss this matter on this blog. I don't have the energy to keep changing things when this situation is going on right now.

#send asks #i will not discuss this topic on my blog for this comic #sorry but that is how some people can find this story #i am busy with other things and changing something that has been kinda established for some time is not high on my list

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casualartisanninja · 7 months ago

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This was a long time coming.

So, first of all I’m sorry that this took me so long to make, but there was a lot of information to sift through. I’m not planning on coming back to Tumblr in any capacity beyond this but the truth needs to be out there. (And if you're curious about the profile picture/description/etc, I had to dress this blog up a bit so it didn't look like a bot and trigger any algorithms.)

Content warnings for this post:

Heavily discusses kinks and has screenshots of fetish art

References grooming/pedophilia accusations

References transphobia/harassment accusations

This is going to be an EXTREMELY long post with lots of screenshots, so the rest is under a cut.

Edit: Here is the end of the post so you can read it all at once. https://www.tumblr.com/casualartisanninja/747977941832613888/loose-ends

The incident in Hobqueer’s server

I think a good place to start would be the spark that set off this whole chain reaction.

I’m not sure how long I’d been in that server for when the NSFW in general incident happened. But one thing’s for sure - I didn’t start the conversation about NSFW topics. Like I mentioned on the Reddit post where someone had found me and started accusing me under my comment on the Janitor.AI post, I saw the people there discussing mpreg and oviposition. I looked at it and thought “wow the rules are a lot more lax than I initially thought!”. Yes, I know, looking back, that should’ve been a huge red flag. I also know that, looking back, I should never talk about NSFW in the general chat- even if everyone else is doing it. “If so-and-so jumped off a cliff” and all. I’m really sorry that I did that, and it was definitely a lesson for me. But I really wasn’t thinking about that at the time. It wasn’t my intention to hurt anyone, and I especially wouldn’t have done it if I knew minors would be there. I know it wasn’t an 18+ server, and it was just a frankly idiotic move on my part. I just saw “Sniper pregnant” and pictures of the mercs with big bellies, and let my better judgment and reasoning get clouded. However, the way that they’re portraying this incident is extremely intellectually dishonest. Gabriel failed to mention in his callout post that those minors were looking at and sharing fetish art of the mercs, leaving out most of the context for those. Thankfully one of my friends from Chipspeech (who I’ll leave anonymous) joined the server to check and see if the fetish art was still there. It was. Hobqueer and the moderators never deleted any of the discussion, and worst of all they left the fetish pictures up in full view of everybody. One person, who later admitted to being a minor in a dm, even gave a pretty graphic description of a tentacle hentai/mpreg comic. Be warned, this contains NSFW content. I blurred the names of anybody who isn't mentioned in this post.

I've run out of room for images, so I have to add the rest in another reblog. This will be a very long thread with a lot of images, so please bear with me.

#mavisposting #xxcherenkov-gremlinxx #allegations #accusations #explanation #debunking #tf2 fandom #chipspeech fandom

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genericpuff · 8 months ago

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Big steps are scary, but not moving forward is scarier u.u

So I've been sitting on this post for a little while now, I had planned to post it a few days ago but then I crashed for a nap and woke up to the news of LO ending so wound up using that as another excuse LOL

The last few months have been, to put it lightly, brutal. It's not that anything has happened, it's more like nothing is happening - the usual slow season in tattooing has been especially long, with especially less clients coming through the door, so while it's given me loads of free time to prepare for my conventions and work on other projects, it also means I'm not making as much as I'd usually make. And what I usually make is typically what supports everything I do here.

This has basically been me for the last half a year:

(riding it out, just riiiding it out, whoof)

I'm very fortunate to have a job that satisfies my dream of making a living off art, controlling my own schedule, and making money doing it to boot - but the caveat to it all is that it's a luxury service that relies on the economy around me doing well, and the economy around me right now is very much NOT doing well. I'm also very fortunate that my savings are capable of supporting me, but that's all they are, savings - if I'm not making anything, they'll burn up eventually. I'm not sure how physically capable I would be of going back into retail / food service, and it's honestly just not something I want to do after coming this far as a tattoo artist.

I've also learned how valuable and necessary collaboration is during projects like these. Not just to supplement the quality of the work itself, but to supplement the working experience as a whole. Working with an assistant has been an eye-opening experience in that regard.

When I set out to make this account, it was for the purpose of LO shitposting, edits, essays, and nothing much more than that. I wanted to keep it separate for the sake of my mental health and for the sake of my separate audiences, because when I started here, it just... wasn't a popular opinion in the slightest to have opinions about LO and comics like it outside of the positive norm. I had a lot of fear for a long time built up in my head over it, but as time has gone on, I've fortunately had mostly positive experiences and even when they aren't positive... I've proven to myself that I'm capable of moving forward through it all with my head held high and that these scary experiences aren't as scary as they tend to seem in my head. That's really just the funny thing about fear over any sort of 'risky' endeavor.

That said, I've also branched out a lot more from this blog's original purpose. I've talked about the process of making webcomics, Webtoons as a platform, offered alternatives to creators seeking refuge from the more corporate platforms, given out writing and art advice, discussed topics concerning Greek myth, shared my own original works, and basically just naturally progressed into talking about and doing other things because LO will end eventually and I don't want to restrict myself to talking about the same comic forever LOL

This is a crossroads that I've been at for a few months now. And I know nothing will change unless I take a step forward. It might wind up not being in the right direction in the end, but it's forward, and that's all that really matters to me, because staying in the same place forever isn't good for anyone.

So, I guess I'm gonna stop yapping and just show y'all what I've been working on! I brought this up in a Twitch stream the other day and people in the chat were all very supportive and optimistic, so I'm hoping those of you who follow me here will be too ╭( ･ㅂ･)و (and if not, well, you can kick my ass in my inbox later LOL)

I've applied for my genericpuff account on Twitch to become an Affiliate channel and am just waiting on the approval process. Assuming everything goes through well enough, y'all will be able to subscribe to my channel or support it with bits. If I do get approved I'll be doing a rehaul of the channel design and offering some fun lil' goodies for the chat, and I'll be trying to stream at least twice a week.

So please go follow my Twitch account if you haven't yet! It's the best way to get early sneak peeks of Rekindled, as I'm usually working on new episodes, but we're usually also chatting about LO, webtoons related stuff, and other fun topics ٩(｡•ω•｡)و

twitch_live

But now for the biggest new addition - I've started a Patreon account specifically for my genericpuff stuff ! Normally I would redirect anyone who asked to my main Patreon, but it's not as active nowadays simply due to my original projects being on hiatus. And it's not exactly the best space to share any bonus goodies related to my genericpuff account.

That said, I want to make it clear that I will still be putting limitations on what I offer on this page. Anything related to early access sneak peeks will still be free for all. This will be a glorified tip jar first and foremost, most of what I will be offering as bonus goodies and incentives will be stuff like time lapses of pages, art tutorials, original character designs, critique requests, early access adoptables, deleted scenes, etc.

Basically it'll be stuff that I'm already making (or want to make) but will be exclusive to patrons that won't be tied exclusively to the reading experience of Rekindled. The comic will always be free to read, not just because of the legal stipulations of it being a fan project, but because I want it to be.

Alternatively, if you want to access the stuff I have planned for my original work that I will be posting as early access to my Patreon once it rolls out, you can support that Patreon here!

From the bottom of my heart, thank you all so much for supporting what I do here, in all of its niche craziness. Building this little community over the past year has been life-changing, and I don't say that lightly. I've worked very hard to maintain what I'm doing here, and I'm going to continue doing so - it's a privilege to write and draw for you all week after week, and I appreciate any and all support you can give so I can keep managing what I do.

And if you can't, that's okay! The best way you can support my work is to read it, share it, and engage with it! Remember that reblogs will always be more beneficial than likes, and please don't ever be afraid to pop in to our streams or into our Discord to say hello! It would be a joy to have you ( ´ ∀ `)ノ～ ♡

Thank you all so much. This has been a big barrier to overcome on a mental level, my anxiety is through the ROOF right now, but I'm so grateful and glad I have such a wonderful circle of readers, community members, and friends who have offered their reassurance through this slow season and process of seeking support. Whether or not this is a step in the right direction, it's at least forward <3 And whatever comes of it, we'll see. But I'll be riding it out all the same ~

#lore rekindled #lore rekindled announcement #lore rekindled comic #ama #ask me anything #anon ama #anon ask me anything #announcement post #patreon #twitch

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orionsangel86 · 1 year ago

Text

I have been doing this meta analysis thing for a long time now and one thing that I have always tried to make clear in meta analysis is that for it to be taken seriously you must keep your personal biases out of it. You must come at it as objective as possible.

Rant under the cut

Its not always easy to do when you are dealing with difficult topics, or shining unfavourable lights on characters you love, or coming to conclusions that you werent expecting (recent meta discussions about Morpheus in the Sandman comics would fall into these categories).

What meta analysis should never be used for is to back up ship wars or specifically to shame fandoms for liking certain characters. If the meta isnt providing valid evidence to support the interpretations, and instead has fallen into name calling and mockery of fandom, its no longer valid meta.

I got this ALL the time in SPN fandom. Destiel was a huge fandom but as meta writers we stuck with what we were given by the source material and interpreted it with valid evidence. We understood that multiple interpretations were possible but we made sure that whatever we were analysing made sense and had some source backing. This wasnt always the case because meta writers are not a monolith, but the bigger blogs who wrote meta frequently at least understood this and would not be stretching to support their own claims if canon didnt back it up. Now no one is perfect of course, but the point is, proper meta writers understand that where they make a claim or interpretation of the source material, they have to site examples and evidence to back up their claims and also take into consideration any evidence to the contrary.

The people who hated destiel and made that their entire personalities didnt do that so much. I read a lot of their meta out of curiosity and every time I was baffled by where they were getting their claims. 'Destiel is necrophilia" was a big one which canon disproved almost straight away in season 5. "Destiel is rape" was another because Cas was using Jimmy as a vessel and yet canon confirmed Jimmy died at the end of season 4. Cas' body was remade by God in season 5 and has remained his own ever since. These are just two of the ridiculous examples supposed "meta writers" among the destiel hater communities would come up with and still use today.

I find it extremely infuriating when I see character/ship hate loosely disguised as meta analysis. I can give people the benefit of the doubt a lot of the time, as fandoms are usually highly emotional spaces, but when there is zero canon evidence to support the claims, when connections are being made on the absolute thinnest of threads, and when far more obvious interpretations are being clearly ignored to support certain viewpoints in such a stunningly obvious case of confirmation bias I have to throw in the towel and stop taking said meta seriously.

One thing I have loved about Sandman fandom so far is the meta. It's such a rich text to analyse, and the show adds an entirely new level to it which makes it all the more enjoyable. I've made no secret of my support for Dreamling and I wrote a very long meta series on Dreamling and how the show in particular uses certain tropes, symbolism, visual storytelling cues, and music, to name a few, to overload a 25 minute sequence with queer coding. It is completely understandable to me why anyone going into the show even without thinking about shipping, would feel like Dreamling hit them like a brick to the face. The creators weren't subtle with it.

Its also totally valid to find romantic interpretations of other pairings within the Sandman. I personally think Morpheus x Johanna was laid on pretty thickly. Morpheus x Lucienne is equally an interesting ship to analyse. But heres the thing, if you ship these other ships and are frustrated that Dreamling has "taken over" thats valid. I get it. I would like more focus on the other characters too. I would particularly like to talk about Lucienne x Gault and have a meta piece in progress about them.

Whats not okay however is for other shippers and people frustrated with Dreamling to go the way of the Destiel antis. Dont make shit up that has no basis in canon just because you need some moral high ground to shit all over the ship you hate. Don't call fans that see Dreamling "deluded" for seeing it. They aren't deluded. It's right there in the subtext. Dont resort to name calling and "gotchas" and use inflammatory language to bait people. And please, I'm begging you, stop claiming that people who ship Dreamling are somehow all overly fragile white racists. You're wrong.

The racism discussions about Hob's past have their place, but these things ARE being discussed, if anything I feel this fandom has done a far better job of handling the issues of slavery than another popular fandom has (looking at you OFMD). No one is forgiving Hob for his slaver past. But you have to acknowledge that the entire point of the story in The Sandman is about change, and growth, and how we can become better people. As another excellent short meta post stated recently "we are more than the sum of our transgressions". The Sandman is all about the shades of grey. No one is morally righteous, but most characters are not completely morally bankrupt either.

Hob Gadling is a controversial character who is often misunderstood by fandom but anyone with proper critical thinking skills and a decent understanding of what meta analysis is, should understand that Hob is a metaphor for humanity first and foremost. He is the average everyman from the perspective of an Englishman and therefore above all else to understand Hob you have to look to England, to Englands history, and to its current status in the world. A lot of blood on its hands yes, but also at least a century of trying to make up for it, a leader in the world in human rights and trying to do better. I have to believe that about this country, so I believe it about Hob too. Whilst I'm not interesting in getting into huge geopolitical debates about England, I hope that we can all agree that the average Englishman today is not a blood thirsty evil slaver/rapist/murderer or whatever else ive seen people accuse Hob of being even in his modern era.

We can argue the faults of the show downplaying slavery for sure. Its a valid criticsm. We can argue that not enough time was given in the show to show that Hob had changed and regretted his former actions. We can critique these things based on what the show has and has not told us, and also pepper in information provided in the comics and what we know about future Hob panels as well.

But when it comes to the blank spaces in between frames, in between cut screens, we can do whatever we like. Because that is where meta analysis ends and fanfiction begins. You wanna write about Hob joining the abolitionist movement and fighting hard to end slavery? You can. You wanna write about him ignoring Dreams advice and continuing to be a brutal slaver right up until slavery was ended in England sure, you go for it. But don't call either of these "headcanons" meta analysis.

Dont use meta analysis as a cover to shit on fandom. The minute you resort to name calling and mockery its no longer meta. No matter how frustrated or upset you are with the current fandom situation. There is always space to criticise fandom. But ask yourself what your end goal is here? What are you trying to achieve? Is it truly because you are on a righteous path to end fandom racism? Or do you just really hate a popular ship and want people to stop shipping it? If it's the former, then focus on that, ask what solutions we can put in place? Where we can truly tackle it on a larger scale, raising awareness of things that people may not realise are racist but are common tropes in fandom (like how making female characters all mothers or sassy gay best friends is misogynistic or how certain stereotypes in fantasy creatures are anti semitic) but if its the latter, then its disingenuous to use racism in fandom as a shield to hide your ship hate. It reduces an important topic to something shallow and irrelevant.

In ending this rant I will just say this. I'm not interested in engaging further on this topic. I'm legit gonna start blocking if anyone attempts to twist my words here. The civil discussions on this matter ended when people started name calling and flinging around accusations without basis. I am more than happy to engage separately in ways to improve fandom spaces for poc, because thats important, but ship hating has no place in that discussion. Drop that aspect, and there'll be less resistance in these topics.

#rant #fandom discourse #the hob gadling matter

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