#i will make an actual zeus design.. someday

[glossc1]

ganymede doodles ft. zeus(?) 🍎 🦅

more ganymede

[grandhotelabyss]

Pure self-indulgence but as a prelude to my new essay on the Odyssey please enjoy above a poem I wrote about Penelope when I was 18 in the year 2000 and published in my high school literary and art magazine. (And I do mean I published it, because I was the editor.) Painfully influenced by a nauseating mélange of T. S. Eliot and Neil Gaiman, yet still oddly readable. Maybe someday I’ll post the other good poem I wrote in that period, “and Aphasia and,” written in a daze the day after Columbine and within an hour of first reading “When Lilacs Last in the Dooryard Bloom’d.” In general, I think youth can write good poetry; fiction, on the other hand, probably requires more experience. I wrote novels and novellas from my teen years on, but no good ones until I was around 30.

Anyway, my essay on the Odyssey, also the topic of a forthcoming Grand Podcast Abyss, all in the lead-up to the great Ulysses re-read of 2022. I can’t write these days about Homer without thinking about the question that persists from Plato’s Republic to the wokelord classicists of Twitter: should these violent representations be the aesthetic fount of our civilization? As a bad person (almost typed “bard person”), I’m not actually that vexed about the subject. The world’s brutal, why shouldn’t the poetry be brutal? But the case is worth making carefully, and, as in last year’s essay on the Iliad, I gave it my best effort:

In Book 1, in medias res, a now-mature Telemachus and his long-suffering mother Penelope are tormented by the presumed widow’s many suitors, eating them out of house and home as they make their own bid for the throne of Ithaca. In one moment, the household bard strikes up a song about the Trojan War, and Penelope gets what we might now call “triggered” by the aesthetic reminder of the conflict that took her husband away from her 20 years before. She chides the bard for his insensitivity, only to be rounded on by her son:

“Bards are not to blame— Zeus is to blame. He deals to each and every laborer on this earth whatever doom he pleases. Why fault the bard if he sings the Argives’ harsh fate? It’s always the latest song, the one that echoes last in the listeners’ ears, that people praise the most.”

Some 25 centuries later, this will be Théophile Gautier’s reasoning in one of the first modern defenses of art-for-art’s-sake against moralizing, politicizing, and otherwise censorious critics: that the artist just represents what goes on in the world, and if you don’t like all the sex and violence, you had better reform nature and society instead of misdirecting your anger at the artist’s truthful representations of them.

One more tale out of high school. I edited the annual lit/art mag for three years with my friend Dan—I was the writer, he was the artist. Early in our tenure, I devised a three-year plan for the cover designs allegorizing the growth of the artist’s talent, which Dan drew beautifully.

Cover #1: in the artist’s tender youth, execution bursts forth from vision, the hand exploding out of the eye as the artist hastens to record perception. Cover #2: as the artist grows to maturity, execution begins to shape vision, the sense of artistic vocation beginning to influence what is perceived, the hand now directing the eye. Cover #3: for the mature artist, vision and execution, hand and eye, are at one, indivisible. 

My God, were we ever serious in the year 1998! For more on that, please try my novel, The Class of 2000.

[c-is-for-circinate]

Ok, Hades gameplay reaction time!

(Because I have been terrible this quarantine year about posting thoughts about stories I've been invested in, and I'm really enjoying this game, and I'm playing basically blind and I have theories, and what is tumblr for if not recording those things to look back on later.)

I love this specific kind of fantasy/speculative fiction, that straddles the line between 'allegory clearly designed to explore a real-world issue' and 'the themes of this reflect real-world issues but also everything is times one million for drama and setting's sake'. I love it so much. Because, look, this is a story about a teenager/young adult trying to gather up the skills and resources and help he needs to escape his controlling, possessive, emotionally abusive father's house. That's it. Strip away all of the trappings, and that's what the story is about. By comparison, I think about Star Wars. (I love Star Wars too.) That's also a story about a dysfunctional fucked-up family dynamic. But that family is fucked up because dad went on a magic-corruption-induced killing spree, and his twin children were separated at birth to be raised in seclusion with the intention of someday taking him down, and look, that's cool, but it's definitely not how people actually are. All of the dysfunction in that family is an outgrowth of the fantastical setting, which means it is fantastical dysfunction. It can occasionally mirror or remind us of real-life interactions, but it's a fantasy. Which is great and fun to watch and very comforting and so on, but I don't necessarily want that in every story, and I love Hades because it is not that, at all. When you extend out the basic 'kid trying to escape his toxic home environment', Hades is the story of Zagreus trying to get out with the help of his dad's estranged, complicated, wealthy and powerful family, who are absolutely part of the reason why dad is Like That in the first place, and may not be any more reliable in the long run but who he needs right now. And his stepmom and teacher, who love him enough to help him leave, unconditionally and supportively (ask me how many feelings I have about 'look, Hades can't hurt me for helping you, don't worry about me, I am going to take care of you and that means helping you get out of this house' coming from an adult authority figure, ask me). And his dad's employees, who like him but also have to fear the old man's wrath, and walk that line in different places the best they can. And stepmom's long-estranged parent, because this is a story about families and how they split apart and come back together. And all of that is so real, so grounded in actual, concrete, this-is-how-humans-work family dynamics. But it's also individual. The story works so well because Hades isn't just a silhouette of the controlling asshole father; he is clearly The Way He Is for reasons, complicated ones, good and bad alike. The Way He Is has details, particularities, paperwork, a dog he pretends not to love and rely on. He is specific. Nyx and Achilles are specific, not just generic kind stepmom here to be a trope inversion and cardboard cutout teacher. Nyx has backstory and personality of her own, Achilles has a complex history, opinions, a missing lover, and they BOTH have very particular relationships with Hades that aren't just boilerplate script. Yes, there's abstraction there, you meet these characters in brief visual novel-esque three-line conversations over the course of dozens of escape runs, of course there's abstraction--but there's the very real sense that all of these people have nuance, have good and bad days, that they've made choices to be who they are, even if we don't know what those choices are yet. And, like Star Wars, some of the ways in which this story is so specific rely entirely on the fact of the otherworldly setting! I've seen stories that go the other way, that try to use their setting entirely as window dressing, and they end up feeling so flat I can't even remember them right now because they don't let the environment lend complexity and nuance to their characters at all. The environment these characters live in matters. The absolute control Hades exerts over his surroundings is a divine power. The fact that everyone Zag runs into, for or against him, is either immortal or immortally dead, changes how the react to

one another and to the situation at hand. The shape of his attempted escapes (gauntlet combat with a variety of legendary weapons) might be an allegorical construct of the genre, true, but it doesn't work in any sort of real-world setting where there exists the possibility of authority figures above or aside from Hades and his extended fucked-up family. That's part of why the family is so fucked-up in the first place. But these changes still fit well within the realm of, 'yeah, if you took this extremely real-life dynamic and added these factors to it, I can envision people doing this thing'. I can envision these specific people doing this thing. They add to the specificity of these characters. Letting them be influenced by their unreal surroundings makes them more real. So hell yes for good storytelling!!!!

I'm still relatively early in the game (by which I mean I'm like thirty runs in but only just got past Meg for the third time, because I am not good at this game, although in my defense it's only the seventh video game and second button-mashing game I have ever played in my life so there's that), but I'm starting to develop suspicions about Persephone. Because, look, outside of Persephone's absence from the underworld, this story knows its Greek mythology, uses it, revels in it. And there is some kind of mystery still shrouding Persephone leaving in the first place. She left a goodbye to Cerberus in her letter but not to her own son. Nyx has warned Zagreus multiple times not to let the Olympians know she's his mother. He literally never even knew she existed. That's complicated! Add to that, Persephone left--the exact thing we are trying and failing to do again and again and again. She left with one note, which means either she managed a one-shot speedrun out of the entire realm or she had some other way to leave, because if she'd washed up in the Styx pool to plod back to her room and try again, she wouldn't've needed to leave the note in the first place. And, you know, she's Persephone. Really quite famous for leaving the Underworld! Also quite famous for being forced back. So. I'm wondering if Zagreus, so conspicuously absent from her goodbye, has something to do with it after all. Six pomegranate seeds condemned Persephone to six months, half a year, half her life. I wonder if a child that's half of her her constitutes a fitting trade instead. Which, of course Hades would be even more resentful and dismissive and cruel to the kid he got in place of the wife he loved (who he chased away by being cold in the first place). Of course Persephone would have difficulty saying goodbye to her son in those circumstances. It would make sense. The tricky thing here is how the Olympians fit into it, because I also suspect the rift between Hades and Zeus sprang from Persephone's departure. And yet, if the Olympians never knew Zagreus existed, let alone that he's Persephone's son--how can he count as payment into the deal in their eyes? So in that case, what does Zeus think is the justification for Persephone leaving, after the pomegranate thing? Or are we just not doing the pomegranate thing at all? It would be a shame to lose it entirely, out of a story that really seems to enjoy the myths it's playing with. And there should be something complex here, something more than simply 'mom fucked off and left because dad sucked and now I'm following her because same'. It feels more complex than that. 'Mom and dad had a baby to try and save their marriage, it didn't work, but when mom left she had to leave me behind because otherwise dad would have gotten the cops and her extended family involved' feels more right, while still just as grounded in reality as the story has been so far.

I sort of want to write some meta about how each of the six legendary weapons corresponds to their original divine wielder, but I haven't unlocked all of their codex entries yet (look I am very bad with ranged weapons in this game ok, I am working on it), and I still need to think about the details. Aside from, of course, fuck yes of course Hestia's the one with the railgun. Leave drama and elegance and traditional weaponry to her brothers and sister (Demeter, who knows how to get her hands dirty, gets a pass). Hestia is out here to get shit done. With a grenade launcher.

[sparklermun]

Hi and hello everyone! Welcome to night two of the third annual Wreck-it Ralph Pin Post Month!

Tonight’s pin is the limited edition, DSSH, Alphabet Series #7, wreck-it ralph, X is for Felix, LE 300.

This pin was actually a complete surprise in the Alphabet series, as originally Felix had not been chosen for the letter X. The original character meant to represent the letter X in the series was one that couldn’t easily be identified, which may have lead to the change. Another unique thing about this pin is that it is one of only three pins in the series to display a partial or full body design of the character that is meant to represent the letter. This difference actually makes these pins stand out from all the others in the series, though Felix is definately the most unique of the three as his pin is the only one that represents a single letter, putting it the middle of the series instead of the ends. Like the Cheshire Cat, who represented ABC, and Zeus, who represented XYZ.

To be honest I kinda wish the entire series had been done in this way. I rather enjoy seeing Felix standing and smiling in front of his letter, where all the other letters are just decorated with features of the Disney character representing them. There is no doubt that there will be another alphabet series in the future, so perhaps there may be as series like that someday.

[potterblogs-blog]

ok y'all have been sorting pjo characters into hogwarts houses which would be nice if you were doing it right

it’s great that you’re trying and all but the thing is, I find a lot of them following the same pattern:

All the demigods are automatically in Gryffindor, because they’re super brave. Octavian and Ethan Nakamura and Clarisse and all sorts of people the fandom doesn’t like are obviously in Slytherin because, you know, Slytherin is hella evil. Then we’ve got the stuck-ups in Ravenclaw and the background characters in Hufflepuff, ‘cause apparently it’s the potato House.

Since all this is hella stereotypical and not at all correct, I was like, well, what would I do? Well hERE IS THE ANSWER ASSHATS

*bill nye voice* please...cOnSiDeR tHe FoLLoWiNg

Percy is a hella Hufflepuff, no denying it, not one bit. He doesn’t care about a position or nothing, he is just a pure Hufflepuff inside and out.

Let’s talk about some major Hufflepuff qualities here:

• Dedication (yo my boy percy is pretty dedicated to the camp and to staying alive am i right i mean he was literally not at all tempted to join kronos’ army like ever soo yeah. also. consider a thing. have u even read the books. if they are a smol bean and he has met them at least 15 mins ago u bet ur lil ass he’s dedicated)

• Patience (percy has not decapitated a SINGLE god on purpose and they all keep coming back, i mean it’s bound to happen someday but CMON YOU GOTTA ADMIRE HIM FOR THAT. literally so patient. even by ADHD standards and its ok u can ask me i have ADHD but that’s beside the point back to percy now)

• Loyalty (it’s his freaking fatal flaw wtf else do you want from him??? to jump into tartarus out of loyalty to his girlfriend??? you do one wrong thing to percy’s friend and he will mESS UP YOUR SHIT LIKE A TRUE HUFFLEPUFF DON’T EVEN PRETEND HE WON’T. remember nancy? I THOUGHT SO. FIRST FEW PAGES OF THE SERIES. AND IT ONLY GETS BETTER)

THAT BEING SAID: ALL THESE THINGS ARE DEF PRETTY IMPORTANT TO PERCY OKAY

Conclusion: HELGA HUFFLEPUFF IS HAPPY THAT SHE HAS SUCH A HELLA HUFFLEPUFF IN HER HOUSE WHERE HE BELONGS.

Don’t try to tell me my girl Annabeth is a Ravenclaw because she ain’t no Ravenclaw get outta my face and let me lay down some FACTS here

LOOK AT THESE SLYTHERIN/ANNABAE TRAITS

• Cunning (we all know what this means so lemme just throw down some hella rad SYNONYMS because those are just the bOMB DIGGITY: we got crafting, scheming, designing, and calculating rn. YOU KNOW WHO IS ALL OF THOSE THINGS? MY GIRL ANNIE. FIGHT ME. I GOT ANNABETH ON MY TEAM AND SHE WILL SLAY YOU WITH HER CLEVERNESS AND DECEIT BEFORE SHE EVEN TAKES OUT HER DAGGER. SHE TRICKED ARACHNE INTO WEAVING HER OWN DEATH TRAP FOR ZEUS’ SAKE)

• Resourcefulness (lil bby annabeth ran away from home in SAN FRANCISCO when she was SEVEN and met luke and thalia in RICHMOND which is in VIRGINIA. SHE WAS SEVEN AND SOMEHOW WENT FROM THE WEST COAST TO THE EAST COAST. GOTTA BE RESOURCEFUL FOR THAT. also remember that time when she broke her ankle, scolded it, then made a cast out of bUBBLE WRAP? BECAUSE I DO. AND THEN THE WHOLE WEAVING A BRIDGE THING. DANG GIRL.)

• Ambition (don’t deny it this girl’s fatal flaw is pride and those two things are connected aS SHIT. SHE’S SO INTENT ON BEING AN ARCHITECT THAT SHE GOT THE GODS TO GIVE HER A JOB REDESIGNING MOUNT OLYMPUS AND THATS A BIG ASS THING IF I DO SAY SO MYSELF. reminder that this girl had the chance to get away from a sphinx but she challenged it instead because it was sorta insulting?? who else do we know is like this?? oh yeah fUCKIGN SLYTHERINS)

ANNABETH BAMF CHASE HAS ALL THESE QUALITIES AND SHE KNOWS IT. THAT’S WHY SHE USES THEM TO HER ADVANTAGE SO OFTEN.

Conclusion: SALAZAR SLYTHERIN SAYS ANNABETH CHASE CAN SLAY HIS BASILISK ANYTIME THAT’S HOW PERFECT SHE IS FOR THIS HOUSE.

LEMME TALK TO YOU ABOUT A THING HERE. A BIG THING. AN IMPORTANT THING. JASON IS A RAD LIL RAVENCLAW BOOGER AND HERE’S WHY. THERE ARE A WHOLE LOTTA RAVENCLAW TRAITS BUT IMMA GIVE YOU 3.

• Wisdom (yeah annabeth’s mom may be the goddess of wisdom but if jason wasn’t wise then how the heckity heck would he have survived long enough to be made a freaking PRAETOR. also you know what fight me. jason is the equivalent of a giant dog that is a floofer and goes boof and loves small children but that has nothing to do with wisdom anyway he is one of the smartest out of the seven)

• Individuality (yeah that’s a thing go ask my girl JK. if jason isn’t so Original™ then explain to me please how he restored the Fifth Cohort to awesomeness?? he was a total badass who didn’t take any shit and turned it around for the whole cohort that’s how. this lil boi is an individual yis. one might ask how can one be a badass but also be a fluffball? well jason did it so stop asking ok)

• Acceptance (we are talking about the official mom friend and the founder of the nico di angelo protection squad what else do you want him to do, hug mother earth??? he wrote the song you’ve got a friend in me because he loves everyone)

SEE HERE: JASON IS A TOTAL DORK NERD WHO POKES PIPER AND GOES “PIPER. PIPER LISTEN TO THIS THING I FOUND OUT TODAY. PIPER ISN’T IT AWESOME”

Conclusion: NOWHERE ELSE IS WHERE JASON GOES. HE WEARS THE RAVENCLAW DIADEM TO ALL OF HIS CLASSES. FIGHT ME. ALSO THE GREY LADY BC HE MAKES HER COOKIES AND SHE LOVES IT EVEN THOUGH SHE’S DEAD AND CAN’T EAT THEM.

Consider yourself a thing. Consider all of the Gryffindor Piper things. JUST CONSIDER THEM.

• Recklessness (subtle reminder that Piper used her charmspeak to fuckign steal stuff even though she knew she would get caught. also consider yourself some other things. remember when she anNIHILATED A FRICKIN GODDESS WITH HER IMPULSIVENESS BECAUSE YES. remember when she and anniebell had to do the thing with the stuff that was all about feelings and shit but lil orphan annie over there was totally lost and all like “this is hella illogical” and pipes was just all “we just gotta dO THE THING ANNABETH” and it was total badassery bc it’s the reason i live)

• Bravery (this girl went on her first quest like a week after she found out she was a demigod and would probably die a painful death bUT DID SHE STUTTER?? nah. REMEMBER WHEN SHE SCREAMED AT A CROWD OF ANGRY ROMAN CHILDREN WHO WANTED MURDER BECAUSE JASON GOT HIT IN THE HEAD WITH A BRICK AND SHE HAD TO PROTECT HIM??? BRAVE. went on her first quest knowing that her dad was probably gonna die and did all the things to make the giants angry and plan a rescue??? BRAVE AF.)

• Chivalry (HELLA amazing friend because she’s just sO GENUINE AND KIND and you know that if someone hurts you she will CUT THEM WITH HER SUPER BADASS KNIFE THAT GIVES PEOPLE NIGHTMARES. stands by jason ALL THE TIME especially when he needs her and actually everyone can count on her for all of the things.)

SO: IF YOU DON’T THINK PIPER IS HELLA BRAVE THEN YOU ARE VERY WRONG MY DEAR FRIEND.

Conclusion: Piper would have defeated Voldemort by year 2 but sadly she was not the chosen one. GODRIC GRYFFINDOR SAYS HER FACE SHOULD BE PERMANENTLY ENGRAVED ON HIS SWORD SO THAT THE LAST THING THEIR ENEMIES SEE IS THE CUTE AND UNFORGIVING FACE OF PIPER MCLEAN.

On the subject of Leo: This child is a Ravenclaw through and through no evidence needed but jUST IN CASE I WILL TALK TO YOU ABOUT THE STUFF.

• Creativity (we are talking about a smol bean who makes tiny helicopters and stuff that actually works WHEN HE IS NOT EVEN LOOKING AT WHAT HE IS DOING OR PAYING ANY ATTENTION TO IT. remember how this child saw a terrifying bronze dragon that everyone had tried and failed to tame and just went “sweet, imma grab that so we can ride off into the Canadian sunset”??? yeahp. remember when apollo needed a thing so he just casually freaking iNVENTED A BRAND NEW INSTRUMENT LIKE IT WAS NBD??? I DO. BADASS)

• Originality (leo practically becomes famous for his abilities to come up with plans that are so ridiculously original that nobody figures out what’s happening before it’s too late and if that’s not good enough for you then idk what is. allow me to raise you the cyclops incident, right next to the robot eidolons thing plus that whole fiasco where he fuckign died, also did i mention the valdezinator or the fact that he was the only person to ever figure out how to return to ogygia?? this kid is a mechanical engineer already and he’s 16 im pretty sure baby eight year old leo sat through calculus classes at a local college and got the best grades tbh)

• Wit (leo is the master of comebacks and rash two-minute ideas that actually end up working like damn son this is a purebred Ravenclaw right here lemme just appreciate this. also hey remember that time where he got launched off of a flying ship and was hurtling downwards at a very alarming rate because you know that’s what happens when you fall and he literally actually built himself a working helicopter so that he wouldn’t die all while free falling from probably at least a few thousand feet in the air like damn son)

AS A FOOTNOTE: LEO CAN RIVAL ANNABETH IN KNOWLEDGE I MEAN HE IS A MECHANICAL ENGINEER WHAT MORE DO YOU ASK FOR

Conclusion: Leo and Jason share the diadem. Leo gets it on mondays, wednesdays and fridays and Jason gets to wear it on tuesdays, thursdays and saturdays and on sundays they surrender it to the marble bust of Rowena Ravenclaw in the Ravenclaw Tower who says that LEO DESERVES TO BE IN RAVENCLAW EVEN MORE SO THAN YOUR AVERAGE STUDENT COME AT ME BRO

ok well hazel is somehow both my child and my mom so I’m not exactly sure how that works but anyway hERE ARE ALL THE REASONS THAT HAZEL IS A BEAUTIFUL, BADASS SLYTHERIN.

• Cunning (hey y'all remember that time with the cliff and the turtle and the feet?? terrifying huh?? yeah girl slay!! hazel will trick you and manipulate you and you won’t have any idea it’s happening until you’re being gobbled up by your own gargantuan pet sea turtle. Slytherins are also known for achieving their ends in any and all ways and all i could think of was how my child actually literally fuckign died so that she could stop the rise of acelonywhatever and the whole time she was 13 and staring death and gaea right in the frickin face and she didn’t give any shits at all)

• Resourcefulness (let’s talk about that time when hazel was “captured” by the amazons and basically had nothing so she did the only logical thing which was drown them in massive piles of jewelry from the warehouse and make them beg for mercy, also there was this horse thing that nobody could touch and she just casually goes “oh just a sec lemme summon a giant gold nugget that was probably at least a mile into the dirt because how else would it be this big” and he loves her and she rides him into victory. did i mention that hazel is my mom?? this is just one (1) of the sUPER RAD RESOURCEFUL THINGS that hazel manages to pull off)

• Ambition (hazel both believes and knows for a fact that she can literally do all of the things and she never once doubts herself like at all because she is AMAZEBALLS LIKE THAT. SHE WAS 13 AND THE AMAZONS WERE ALL LIKE “DANG GIRL WE WANT YOU ON OUR TEAM” and she was like “i got this huge to-do list but nbd i’ll get her done” like she is pURE CONFIDENCE AND. YES)

Also: SHE’S TOTALLY SUPER COOL WITH ALL THE THINGS AND IS NEVER FAZED. THAT IS MY GIRL.

Conclusion: HAZEL LEVESQUE IS SLYTHERIN AF AND WILL ALWAYS ACHIEVE HER ENDS NO MATTER HOW MANY GIANT SEA TURTLES SHE HAS TO FEED YOU TO. SALAZAR SLYTHERIN FRICKIN APPROVES AND THINKS THAT SHE IS JUST AS TERRIFYING AS ANNABETH.

Not gonna deny that my lil noob Frankie's a tRUE PURE-HEARTED GRYFFINDOR. THIS IS WHY YOU SHOULD AGREE WITH ME.

• Chivalry (WE’RE TALKING ABOUT A CHILD WHO WILL TRIP OVER HIS OWN FEET AND PUNCH HIMSELF IN THE FACE IF IT MEANS HE’S SHOWING RESPECT TO YOU. my dude doesn’t care who you are, he will literally always show you respect until he’s given a reason not to. everything he eVER DOES is because he’s PROTECTING SOMEONE or he’s GETTING A LIL BIT OF PAYBACK and if that’s noT A GRYFFINDOR THING THEN DAMN SON YOU SHOULD REALLY SORT OUT YOUR PRIORITIES)

• Bravery (if you’re going to come into mY HOUSE and tell me that FRANK ZHANG ISN’T BRAVE then feel free to hit yourself in the face with a hammer because guess what losers?? this kid loses his mom and then his gma just goes “oh by the way you’re half god and you have a gift that you need to figure out for yourself and also here’s this piece of wood, don’t burn it or else you will actually die, now go with this pack of fuckign wolves to camp so that monsters won’t attack you and you won’t die, plus when you get there you have to beg forgiveness for this thing that your great grandfather did or else they might literally murder you. have fun” and frankie just rOLLS WITH IT AND KICKS ASS WHILE BEING A CUTE LIL CHUBBY BUNNY. LET’S NOT FORGET ABOUT HOW HE COMPLETELY OBLITERATED A WHOLE CITY’S WORTH OF MONSTERS to appease a stupid ass god and save nico and hazel from being forever plants and he gets back and trippy is absolutely terrified of him because omg he’s glowing red and he actually did the thing and oh also he kind of scared me so much that i sort of forgot i was a god and had power over him)

• Nerve (let me repeat how FRANK ENOUGH NERVE TO THREATEN A GOD WITHOUT EVEN THINKING OF THE CONSEQUENCES. I’M SO DONE WITH THIS. THIS IS MY SHIT THANKS. PLS APPRECIATE FRANKIE YOURE ALL BREAKING MY HEART. Also remember how he entrusted his real actual lifeline to somebody who wasn’t him like daaang boi that is so pure)

Additionally: FRANK ZHANG IS THE REASON I AM ALIVE AND WELL. ALSO REMEMBER HOW HE BECAME PRAETOR?? I DO BELIEVE THAT IS THE MOST BADASS WAY ANYONE HAS EVER BECOME PRAETOR PLEASE AND THANKS

Conclusion: GODRIC GRYFFINDOR CRIED WHEN FRANK WAS SORTED INTO HIS HOUSE. GODRIC DOESN’T THINK HE EVEN DESERVES FRANK. FRANK CAN HAVE 4 OF HIS SWORDS.

THIS HAS BEEN A THING. A THING WITH HOUSES AND PJO. I HOPE THIS WAS ENTERTAINING AT LEAST. THANK YOU KINDLY.