#i will go through every single post in a blog to find a specific one

[trulyradicalactivist]

My name is Act. I use She/They/It/Neo pronouns. I have been a radqueer since the original coming, and a part of the pro-para and proship communities before that. This is not a usual pinned post. This is a letter to my community. This blog is designed to support, uplift, and announce all forms of activism for our community and encourage each one of you to begin the revolution. For our identities, for our pride, and for our loved ones.

My call to action is under the cut. I ask you to take the time to read it. Thank you.

For too long, we’ve lived in the shadows of a world that dismisses, marginalizes, and oppresses us. Many wouldn't say oppression. Many downplay what we go through, saying that we’re just trolls taking up minimal space in the digital era. But we have been oppressed. In our own spaces, we’ve had civil wars, fighting over one thing or another, specifically designed to divide us! In spaces beyond our community, we’ve faced not only hostility, but outright discrimination. Told to kill ourselves by cowards who hide behind anonymity, many people who simply desired to be themselves, driven to suicide. Are you not angry? Are you not driven to the brink by what these people have done to us, justified by hatred and misinformation? I'm angry!

We’ve carried the weight of a world that refuses to see us for who we are, and we’ve endured the pain of invisibility and injustice. I refuse to accept that the identities in this community will endure that pain any longer. No more.

This is a call to every single one of you. Whether you’ve been part of this community for years or you’re just now finding your voice, know this: you are not alone. Our strength lies in our connection, our shared experiences, and our collective will to change the minds of people who hate us, to educate, to bring a new era of peace where radqueer is the norm. Everyone thinks the future is radqueer, and I agree, but to make it that way, it takes a community willing to change the present.

We need community and we need action. Not later, not tomorrow, not yesterday, the time hasn't passed and it isn't coming towards us. The time is now.

In the digital age, our voices can and do echo across the world. Activism is not just a tool; it’s a lifeline. It’s where we educate, organize, and amplify. Share your stories, challenge injustice, and build networks of solidarity. Every post, every comment, every shared resource matters. Together, we can flood people’s minds with truth and resistance. We can make a new tomorrow.

But I also recognize the power of individual action, even in isolation. Real life protest does not always mean marching in the streets; it can mean standing firm in your truth, no matter where you are. Writing “radqueer is the future” on a desk, on a bathroom wall. Scattering posters, flyers, stickers in the streets, putting them on benches in parks or sticking them into lamp posts.

Resistance is not a singular act—it’s a lifestyle. It’s choosing, every day, to reject the narratives that tell us we’re less than. It’s refusing to be silent in the face of oppression. It’s demanding change, even when the odds seem insurmountable, and believe me, they certainly seem impossible, but I promise you. They aren't. We have done this before, we will do it again, and again, and again, until we need not fight anymore.

Let’s not forget why we fight. We fight for the right to exist as we are. We fight for those who cannot fight for themselves. We fight for future generations, so they won’t have to endure what we have. And most importantly, we fight because we believe in a world where justice and equality are not ideals but realities.

So, here’s what I ask of you. A few actions, if nothing else.

Be loud. Use your platform, no matter how small, to speak out. Share resources or even create them, talk about your stories, and call others to action. Scream from the rooftops who you are, what you live for, what you fight for.

Be relentless. Don’t let apathy or exhaustion silence you. Take breaks when you need them, but never lose sight of the goal. I know. I know people who hate us break you down, try to make you tired, ruin your mental health. Take breaks. Always take that time for yourself. But a fight waits for nobody, so feel in your heart, even while you aren't fighting, we are. We’re fighting for you.

Be united. This community has shown itself to be a magnet for division, but do you expect to fight while shooting at those fighting with you? Differences in belief aside, differences in opinion on the future, what should be, what shouldn't be, who shouldn't and who should, put them away. We can come back to discuss those when the future isn't against us, when the enemy has laid to rest and we have made a life with them, where they do not want us dead or wish harm upon us. But for now, they do. Together, we are stronger than any force that seeks to divide us, so put away your issues with the person beside you and find that two make a better fight than one ever could.

Be bold. Challenge the status quo, whether it’s online, in your workplace, or in your personal relationships. Change starts with discomfort, and progress begins when we confront what’s wrong. A picrew says radqueer’s aren't allowed to use it? Use it. Make it your profile picture. Do it with flags. Identities. Terms. Pictures. Anything that says you, because of your identity and your beliefs, aren't allowed to use it. Anything that wants to oppress you. Do not accept it.

This is our moment. This is our fight. And we will not stop until the world hears us, sees us, and respects us. I will fight. I will fight for you, for this community, for all of us with identities we cannot share for fear of our income, our lives, our safety.

Justice is what I fight for. What do you fight for? Your family, your friends, the people you love? The right and ability to be yourself? To express yourself the way you desire to? To have the right to change your race, age, gender, species, anything at all, in the court of law? Do you fight for anarchy, for revolution, to tear down the status quo? Then fight.

The revolution begins with us—and it begins now.

[idrawprettyboys]

Advice for Aspiring Commissions Artists

I recently had someone ask for advice on how to sell art commissions, so I thought it would be nice to compile a list for others aspiring to do so, as well as to remind myself of some important things to keep in mind.

1. Have one tumblr blog strictly for art. People will follow it specifically because they like your art, and it will be easy for them to find your artwork without having to scroll through a jumble of other stuff.

2. Draw and post just about every day! Most people will say to draw every single day, but please let yourself rest. You will end up being miserable if you force yourself to draw when you aren’t feeling well. The more you draw, the more your art will improve, and the more followers you will naturally accumulate over time.

3. Post fan art to bring in fans. You don’t have to strictly draw fan art, of course. But people are more likely to interact if they’re familiar with the character already. A lot of people will follow you for fan art initially, and some of them will grow to love your original art as well.

4. Develop your own unique style. This will occur naturally over time. Learn from artists you love, and over time, your art will evolve into a mix of art styles you like into something uniquely yours!

5. It takes time to find supporters who are willing to spend money on your art. Building an art business is a slow process, and it takes patience and perseverance. Only a small percentage of social media followers will pay for commissions or Patreon support, but those few are precious.

6. Use every platform and website you can to share your art and have links between platforms, so your fans can find you in multiple places. Examples of places to share your art are social media sites like Twitter, Instagram, BlueSky, and Pillowfort, as well as art sites like Cara and Pixiv.

7. Get a Patreon and Ko-Fi account and be sure to provide links to these means of financial support on your art posts (especially the art pieces you’re proud of).

8. Make use of as many means of making money with art as you can. Sell prints on inprnt, sell stickers on Redbubble. Youtube videos can eventually give you ad revenue. If you make comics, Tapas is another option to make a little bit of ad revenue. You can use Etsy to sell originals, prints, or even commissions! Some people may feel more comfortable buying commissions through an official store like Etsy rather than on social media, so it’s good to have that as a back-up in addition to selling through other sites.

9. Use a secure payment method that you’re comfortable with! I recommend using PayPal with invoices, so that you have proof of their purchase in case anything goes wrong. A lot of artists use Ko-Fi as well.

10. Post your commission guidelines on all the sites where you post your art! Don’t be afraid to reblog/repost your commission price list multiple times!

11. Art commissions are not a steady job. You might get nonstop commissions for a couple months and then not get any for a few months. There are some times of year when people are less willing to spend money. I’ve noticed this happening towards the end of the year. At times when you aren’t getting commissions, I recommend doing a limited time sale!

12. Price yourself appropriately for the amount of effort it takes for you to get the work done! Don’t overprice or underprice! Ask your friends for advice on what you should charge. You’ll probably want to start low and slowly increase your prices as your work gets higher demand.

13. Make your commission price list legible! Check out other people’s sheets for guidance!

14. Have patience and perseverance! It may take years after you start posting before you get a commission, but the more you put yourself out there, the more you’ll get noticed!

15. Draw what you enjoy! Maybe cater to your audience once in a while, but your own happiness is important to give yourself the drive to keep on going!

16. Don’t be afraid to reblog your own art at various times of day, for maximum visibility! Not all of your followers will be online at the time that you initially posted it.

@artist-kreating-stuff

[tommycorriander]

Hazbin Hotel, Helluva Boss, And Disability

I am disabled. This is something I've talked about a handful of times on this blog and on my Twitter, and anyone who knows me knows I am a disabled man. As a result, while I do enjoy dissecting media and politics, the need to be an advocate for disability issues would have fallen on me to some extent regardless. Disabled folks are often left out of conversations regarding diversity in media, in a continued oversight from able bodied peers.

What does this have to do with the Hellaverse?

Both shows contain at least some small amount of disability representation; specifically, they both have characters that are physically disabled. In Hazbin Hotel this is Vaggie, as she is missing an eye and prior to the finale had lost her wings. In Helluva Boss, the characters would be Fizzarolli, a quad amputee, and the unnamed deaf child in the special. The only character I ever see talked about in regards to their disability by the wider fanbase is the unnamed child, and on a smaller scale in critical spaces I occasionally see remarks on Fizzarolli's disability.

This is a problem.

For as much as fans of one or both shows would love to claim diversity in their shows, the lack of disability representation and the lackluster portrayal of the minimal representation is poor. And I haven't seen any of my fellow critics discuss this, which I feel is an oversight, though I don't fault them for this as there are many problems with both shows and they tend to have their hands full. However, this angle of viewing the shows has been overlooked, which is why I wish to discuss it today.

Firstly, I'd like to specify what I mean when I discuss disability. While the conversation regarding the Hellaverse is primarily centered around physical disability as this is the only form of disability portrayed in the shows, coded or otherwise, disability comes in many different forms. Intellectual disabilities and mental disabilities are just as important for representation in the media as physical disabilities. Among physical disabilities, there's also a difference in visible and invisible disabilities, the latter of which is hardly ever shown in media compared to the former. Ideally all forms of disability would be portrayed equally and with respect, but unfortunately this isn't the case. I also don't expect every show to tackle every demographic at once; this isn't a reasonable request, and to be very clear, my issue with the representation in HH/HB does not come from every single unique experience with disability not being covered, but rather with the narrative the creatives behind the show and the show's fans continue to push: that both shows are diverse and are, in some way, more progressive than other shows.

This isn't the case for many reasons. Fellow critics have gone into depth about the show's lack of representation of women in nuanced roles, the lack of queer women, the racist ways in which the very few characters of colour are presented, the lack of trans representation, and even the way sex and sexuality is presented being rather conservative at times. That isn't the focus of this essay, but I would implore anyone who is reading this who is somehow unaware of the previous issues to seek out essays that talk about those points; Cassidy Whiskey on YouTube has a three-part series that covers a multitude of topics, not just issues of representation, and I would have recommended helluvareceipts on Twitter, but her account has sadly been deactivated. I'm sure there are others, but I'll lose focus if I try to name every single person to go to. If you're willing to trawl through general pettiness in the critical tag (which, let's be real, that is probably how you found this post) you'll find well-worded critiques as well.

Back to the topic at hand. The lack of representation of people with disabilities is already frustrating, but there isn't a complete drought: Vaggie, Fizzarolli, and the unnamed imp child do exist, after all. However, their representation is not just flawed, but even exploitative in some ways.

First we have Vaggie. Aside from the visual of her missing eye and seeing the incident in which she lost that eye, nothing comes of it. She never has to contend with the difficulties that come with impaired sight, and it's never brought up by other characters. In the training scene between her and Carmilla, it's not a factor: instead, her greater flaw in the physical realm when it comes to combat is having longer hair. This is an extreme oversight, which I believe shows that Vivienne and the various writers for the show never actually take into consideration what should be a major element of a character, that being her impaired vision. Furthermore, the loss of her wings isn't even considered at all, with her somehow gaining them back at the end of her training montage with Carmilla. This could have been an excellent vector to discuss physical disability in a coded form, with her wings being a stand in for more traditional forms of limb loss. Still not ideal, as I believe it's better to have forthright depictions of disability over metaphors, but it would have been something. Instead, it's never a factor, and worse, it's effectively cured. As far as representation goes, Vaggie might as well not even count.

That's all that exists for Hazbin Hotel. In Helluva Boss, we have two characters, and I will save the unnamed child for last, because that is where the real issue with the representation is on full display.

So, Fizzarolli. He is a quad amputee and potentially hearing impaired, though the latter is speculated on due to a single scene which I discuss later. Since that scene is the only time it ever comes up, I will focus on his amputee status. He lost his limbs in a fire, something we see on screen. I will disagree with some of my fellow critics in that this scene should have been more detailed; I feel that had the scene shown more of the damage dealt to Fizz's body it would have come across in poor taste, and focusing on the tragic aspect of disability usually ends up feeling like trauma porn in the hands of poor writers, which Vivienne most certainly is. I do not trust her to handle a more detailed scene with grace, especially given her track record (more on that later). It is ultimately for the best that the scene is mostly brushed over, even if it would have been better in the hands of someone with the maturity and sensitivity to cover such a topic for more to be shown in regards to his injuries.

Otherwise, Fizzarolli is mostly fine. He's shown not just surviving but thriving, he has a loving partner (criticisms of the portrayal of said relationship not withstanding) and generally sees success in his life while still having to grapple with the realities of his disability when it comes to his prosthetics being prone to damage and potentially shutting down. I would, in the hands of anyone else, like to see more of this character and what his daily routine looks like as a disabled man.

Unfortunately all the good will built with Fizz comes crashing down when we get to the unnamed imp child in the Fizzarolli special episode. This child is the poster child for virtue signalling. Frankly, it's disgusting how a majority of the fandom seemed to ignore how fetishistic this portrayal was. This is where the real meat of the essay comes in to play.

This unnamed child is given a single scene, and is then promptly forgotten about and never mentioned again. They are introduced as being a fan of Fizz here to view the competition, there is a brief exchange between the two, and then we all move on. And yet this scene was championed as somehow revolutionary or a sign of the top-tier diversity and progressiveness in Helluva, when in reality this type of scene has been done to death. This is tokenism.

One major stumbling block many of the people championing this scene seem to get tripped up on is a very simple question: why was this child a child to begin with? Really, this seems like a simple question, it shouldn't have much thought. Sometimes characters are kids. But within the episode it's clearly shown through multiple different avenues that this is an adult show. The performances are dripping with sexuality, several of the fans of Fizzarolli are there because Mammon sells sex robots of the guy, there is no mistaking that this is something no child should be at, let alone by themselves.

So why was this child a child? Simple: brownie points.

It's a lot more difficult for people to share clips of a wholesome moment from your show if the person Fizz was interacting with was an adult. People are ableist, this is pretty par for the course; as a disabled person I find it generally safer to assume people are ableist before proven otherwise. I can guarantee if this scene were to be between Fizzarolli and a deaf adult fan as opposed to a young child, it would not have been championed as this amazing representation by mostly able bodied fans. And that is by design: if Vivienne genuinely cared about representation, if she truly wanted to show something meaningful to her adult fans in her adult show, she would have had the interaction be with an adult. But that doesn't get her clip shared around on social media. That doesn't get her brownie points for inclusion. It's safe, it's palatable, it's sickeningly wholesome, and it's insulting for that. This is a show for adults, something Vivienne and company is adamant on, and yet they treat their audience like children. As a fan, you should be insulted to have this key-jingling one minute clip presented to you. You should demand more, demand better.

Unfortunately I do not see ever getting better from Vivienne. She has made it very clear she truly does not care about creating art, she really only stumbled into being championed as a paragon for animation because her majority white and able bodied fans saw the inclusion of primarily gay men and thought that was good enough. She does not give a damn about disabled people, and she never will. To expect good disabled representation from her is like expecting good queer representation from a Marvel movie; she is in it for the money, and it just so happens that the inclusion of that scene makes money.

Addendum thoughts that were too long to put into the tags: I would like to make it clear that disability, because it presents very differently, is experienced very differently by many different people. If you felt seen or represented by the disability representation in either show, that's fine, and I don't want you to feel bad for feeling seen. Ultimately disabled people are largely given scraps; I have not once seen someone with my particular physical disability portrayed in media. Sometimes we latch onto things that are subpar or lacking; my criticism of reception to this scene is targeted primarily at able bodied audience members who may be lacking in this perspective and to also champion fellow disabled people to rightfully demand and expect better. Thank you for your time.

[cherrycrvsh]

biiiiiig sigh. ,,,, hi. this feels terribly awkward for me, so bare with me.

some of you might’ve known me as @/spcherryygirl or viridiana. i hadn’t quite intended to return so soon—or at least, not publicly—but it seems a few anons (plural? singular? lol i’m not sure) have been going around telling people that i'm back. i’m not angry,,,,, exactly, but i can’t pretend i’m not a little upset. not at anyone in particular. just this. it’s not that i don’t want to be moots again or that i’m hiding from people i genuinely care about. it’s just that i had hoped to keep things quiet for a bit.,, like baby steps( that's a horrible example, but pretend it isn't. ) but now that the 'asks' were sent, there is nothing i can do about it. oh, and to clear things up( bc i think it'll cause some confusion ): the reason i deactivated wasn’t because of my parents or because someone forced me to delete all of my socials. it was because of the anons. specifically, the ones who kept sending awful things to my inbox. i know others go through similar things, and my heart goes out to them. but that doesn’t mean i didn’t feel unsafe. i mean, would you feel okay when someone tells you that you should get ____ because that happened to a character with your name?

i’m sure some of you saw the post on my old blog about the asks. how the asks were so,,, yikes.( will show one ask under the cut. tw: ew-ie nonnies ) i don’t even like to name it. but god, it was disgusting. it started last month, it was kept going. three, five times a day. every single day( like, dude, how many accounts do you have? ). it got to the point where just opening tumblr made me feel sick. so i deactivated without goodbyes. which, i know, wasn’t fair to both my moots and followers. especially because i promised a 1k event. and i’m sorry for that. i had planned to return( publicly )when things felt okay again. i was always going to find my way back to my moots, just not like this. really, i was. especially because all of you are such sweethearts. patient and understanding enough even though i lied about my reason of leaving.

but i cannot undo what has been done. so, hi. bye.

tagging a few of my moots since i didn’t tell them about this post directly. i just want to say thank you for being understanding, for not being upset with me when i left,,, and for supporting my decision to step away. xoxo ♡.

@yeoniverseee , @bloodwrittenletters , @petalbcrnes , @rainforcsts , @jjsblueberry , @simpingmyassoff , @yintous , @xoxorory , @gibsluv , @laufeysgoddess

[numberonetacostan]

Do you have any more autism Taco headcanons? I know theres only so many "she doesn't like loud noises" but maybe through like specific scenarios or something? I find the idea really interesting, theres just already so much on this blog

Hi there!!^^ Welcome, and thank you for sending in your request!! :] I am down for autistic Taco anytime my dear it is a lovely excuse for me to project onto her.

Ask and you shall receive, more autistic Taco headcanons!

A little nervous stim I like to headcanon for her is her bumping her fists together in front of her. We see her do it once when she's talking to Pickle, and I have taken it and made it her little stim for when she's anxious or scared. I like to think Mic would eventually pick up on it and use it to help gauge Taco's mood.

I think Taco would be pretty rigid when it comes to her schedule, which could end up being a problem once she's start living with the others again. No she can't help with construction right now, are you insane, it's noon which means it's time for her second cup of tea for the day, she'll get to whatever you need after and that's that. It'd probably be annoying to the others first, but at some point they'd see her get nervous and upset if she can't have her scheduled tea times and such, and just let her go about her business when she needs to.

Despite Taco wanting to and being happy that she gets to join the group again, I honestly don't see her branching out too much. She likes her alone time quite a lot, yeah? I think she'd get frustrated trying to do things with others pretty easily. I think she'd just do what we've seen her doing so far- making a few friends and just following them around. She follows Mic around. She follows Goo around. She's not purposefully cold to anyone, but she isn't dying to be part of every single activity, yeah?

Sleep disturbances!! A higher percentage of autistic people experience sleep issues/circadian rhythm abnormalities and Taco has lived alone in the woods for years. Her circadian rhythm is incredibly messed up!! It would take ages for her to get on a semi-normal sleep cycle, and even then she'd probably decide to nap sometimes because she is tired and The Sun Is Not The Boss Of Her! I like to think she'd stay up longer than normal and sleep for long than normal, solely because that's my issue. I am projecting.

I've spoken about Taco being low-empathy before, but I like to think post-finale she gets so conscious about not trying to be mean/harsh/blunt etc. (which I am right about anyway since we just saw that in the tour promo) and would more or less give up on masking in that aspect. If she sees that someone's expression has changed she'll just ask why. It would probably get people in the habit of explaining their feeling to her automatically, which would be quite helpful for her. I can imagine Mic wincing after she casually says something that makes her look bad (ex: explaining how she could have burned down the hotel very easily because it's layout and building materials were a recipe for disaster [she has this plan because she schemes to help her fall asleep but no one knows that]) and she just asks Mic, like, "Mic, you're making a Taco-did-something-wrong face. What happened? What did I do?"

[talenlee]

4e: The Pinball Wizard

Back in the heydays of the 4th edition community being a community that all met on a single forum and shared a common lexicon and all that, there were phrases, truisms, slang and tropes we recognised and used to speed our way through conversations. This was true of 3rd edition too, since the community was actually, broadly speaking, the same thing, but that community kind of uprooted itself and moved on to other places, while the 4th edition remnant seems to have not really coalesced in a subsequent form. We don’t really have a 1d4chan or Brilliant Gameologists or deeply intimidating Pathfinder Subreddit as places to scare people off, and instead it’s stuff like…

Well, this blog post might get shared on the subreddit. Hi reddit! I like you even if we don’t agree about Blackguards!

Anyway, thing is, there are things that now have no meaning except their place in 4th edition conversations, and are functionally un-googleable because they’re very generic ways of just using words, or maybe, were named after something else. Back in City of Heroes there was a powerful supergroup known as the Green Machine, that was entirely team-buffing healers that refused to heal, and that’s not a term you can search for meaningfully. Another group that existed and that shares its title with today’s subject was a group of kinetics, where everyone could use powers to make everyone else fire off at super speed, showing you don’t need good powers if you can fire off your best powers every second.

They called themselves the Pinball Wizards, and now, if you go look for what that means in 4th edition D&D you kinda find nothing.

Here’s the story of one of the more distinct power level errata of D&D 4th edition, where in 2011, a single sweeping change to the way the rules worked destroyed a strategy and in the process brought something ridiculous down to merely really good.

This build was a combination of two basic parts, which were well and strictly defined under 4th edition rules. The first is zones. A zone is an effect, made by a power with the ‘zone’ keyword so you knew where to look for it, that looks at that area for some reason. Some zones are used for things like a healing aura, or a space that a character can move around in freely, but very commonly, a zone is used to represent an effect that’s bad that lasts. This can be a bunch of falling shards of glass, a cloud of toxic venom that hovers in a space, or a ground teeming with sharp, jagged vines on thorns.

Zones are extremely cool, make no mistake, and they tend to fall into the toolkit of the Controller. Controllers want to deprive enemies of actions, and zones are a great way to give enemies a bad choice: Stay in an area to do something they want to do, or spend actions getting out of it. Since zones do a good job of representing effects like rings of fire, or clouds of poison, or raining ice, it’s stuff that hits the wizardy feeling of editions past.

The other part of this is forced movement. 4th edition had a family of these effects known by their more specific names of push pull slide, but these are ways to change where enemies are positioned and everyone who complains about fighters in 4th edition is usually complaining about these and they are cowards. These effects show up everywhere, but undeniably, if you’re looking at the people who will do the most of them, you want controllers.

The build that worked out of this was known as the Pinball Wizard. You played a Wizard who used one of a number of long-lasting powers that created a zone that did something dangerous when someone entered it. Then you used your other powers to slide something in and out of that zone over and over again. Wizards got more than a few powers that did slides, and they got access to items and feats that improved their slides. You could use a slide effect to turn two squares of slide movement (and we’re talking like, 4-8 squares for builds that are trying) into like, 40 damage.

At level 2, when tanks are happy to have 40 hit points.

Anyway, you might be thinking the sensible solution is to make it so that these zone powers are limited in how often they can have their effect – and it kinda makes sense, narratively, in the context of the world, right? Like, an enemy or person isn’t going to breathe more if they run back and forth through a poison cloud.

In 2011, Wizards released an update to the compendium that added that rules information to every single damaging zone power in the game, with a note of the when, and an article explaining why they did it. It was a perfectly reasonable rules update made through a digital system they had and realistically speaking, the only thing to mourn is that there’s now no good reason to ever let a player get away with this use of these powers together, because it’s pretty silly.

The system that was left after this change was obviously a better system. It had a clear, specific template that it could use thereafter and while it did lose some edge cases, it was implemented thoroughly and comprehensively in a way 3rd edition almost never managed to execute. This was because of a central control system, the compendium, but it also spoke to a problem that a game normally about disconnecting and engaging with a very material play space was going to have to confront head-on.

Basically: This kind of errata existed in the rules, sure, and if you download a rules compendium, every power that can be changed mentions the 2011 change. But the books don’t. The books still have the rules change and to learn how the game works, you have to know it. Or you have to use a digital compendium, which presents a new problem for a game that is meant to work with paper and dice.

These were inevitable evolutions of technology and they interest me because they kinda present problems and solutions at scale. The actual problem of a wizard stacking a bunch of redundant effects together to kick an enemy through the boundary of their zones as a single incident was not a meaningful problem to a table. If it’s a problem, it’s a problem that has an administrative option to work with – the Dungeonmaster can look at it, and decide it’s too good and talk to the players about it. That problem is solvable almost instantly if everyone in the group and game has a good relationship and respects the DM.

But if you made the game, you don’t have a problem that can be solved on the spot. You have a problem of all the players, in a communal space, who bring it up and ask if it makes sense and consult with one another and now you have the problem that looks like at scale your product has a flaw and you need to address it to make that flaw not look like you don’t know what you’re talking about. Oh, what makes a good game is important here, it isn’t not important.

It is neither a good thing nor a bad thing.

It is a thing that few games get, not really, unless they’re very big, and trying to do a lot. It’s barely something that even the next tier down of games need to care about. Errata happens, people care about making the books better. But most people don’t have a comprehensive central database where they can update all the powers that use a particular wording.

Check it out on PRESS.exe to see it with images and links!

[tridentkickflipper123]

share ur bonus interesting night music video findings/rambles/analysis NOW!!!!!!!!!!!(please and also thank u:])

HIII JAGGY o/ honestly I could probably ramble about Night forever so... :} works out for me!

a lot of this are going to be things I've already mentioned on this blog, but they're pretty scrambled around so I might just make this a big post for all of it... consider this a 'nearly beat for beat Night analysis plus some other things and details' masterpost. not much of a lyrical analysis though because I'm not good at it lol. (also putting this all under the cut. thumbs up)

so, for starters... well, I'm not starting off with Night! nope! we're starting off with Spring and a Storm (now imagine a big arrow pointing towards me that says 'person that can't stop mentioning SaaS/StaaS at any given opportunity')

and the reason I'm bringing up Spring and a Storm first is due to the ending lines, which lead up to Night:

now, I'm aware that Spring and a Storm was the very first Tally Hall cover that Chonny made, and thus was made waaay before there was an overarching story planned for it. but ☝️ I do think CJ placing it right before Night in the final album (and assigning it to Soul, of all three... four? of them) is immensely relevant. in SaaS we get shown Soul's outright optimism/idealism despite his circumstances, and, while this is my own interpretation (which could very well be wrong!), I do think these lines are meant to be directed towards Heart and Mind specifically

and, this has never been confirmed since once again, this cover was made way before there was a story, but the final lines do sound an awful lot like Heart and Mind, don't they?

personally I think this is why CJ placed SaaS right before Night – it truly is the perfect lead-up to it. Heart and Mind singing the final lines almost feels like a call and response to Soul's beginning lines. they tried to sing once, about spring and a storm...

but we know how it goes.

[here's where I actually talk about Night lol]

now Night... it honestly may be my favorite CCCC MV out of all of them. I said so in that other post, but there's so much detail in every single scene. you can really tell that just about everything was planned out.

the MV itself starts off with Soul/potentially Whole arriving at the scene. it's interesting, actually – if we assume the silhouette is the same silhouette as the one that's in the latter half of Night, then that's definitely Whole, which would make sense as we properly see Heart, Mind and Soul arriving to the scene later. yet, all his lines are transcribed as Soul's, so... eh? I'll leave that in the air

I do interpret this beginning section as Soul guiding Heart into harmonizing with Mind. Heart's line, 'open the window, look out and see me' fades into Mind's voice, at this point, when he sings 'slow, I am coming a long way to be' the environment turns into a bright white.

I like both of these shots a lot. here we see that Mind and Heart are already feeling their respective pains (headache and heartache). but another detail is that Mind's holding up his left hand while Heart is holding up his right – which correspond to Soul's own nail color (black on the left, white on the right)

as Soul sings 'such as I am mother's only son', we see what seems to be an ultrasound scan overlaid on top of Soul / Whole. honestly, it's so hard to see that I'm still not 99% sure that's what it is even with the brightness turned up + more contrast, but I don't really know what else it could be. it's only present through this specific line too.

(this is such a typical 'blink and you miss it' CCCC detail that I can't help but love it. there's a few more like these scattered throughout some of the other MVs and each one makes me go like WHAT!!! HUH!!!)

now comes another detail that's honestly so hard to see in the video itself, but it feels really really important, and that is the fact that Heart does not have a blindfold on in this scene

(Ever is the light on.) [Is the light on ever meant to run?]

right after we see a door starting to open, in a bright environment. afterwards we see Heart puts on his blindfold

we go back to the shot with the door, except the environment is now dark. the door keeps opening, revealing Mind at the other side. worth mentioning that the only bright spot on the screen is right where Mind appears

[Cold, but I’m outside and waiting to see] (a glow in the snow, coming closer to me.)

this whole imagery with the door is important, due to both the incoming lines and another reason I'll bring up later, so remember this detail. after the chorus, we get a section with only Soul.

{Better when the light comes in the night-time, opening the door. Hoping to be right, it’s open every night, so what’cha waiting for?}

Soul is inviting Heart and Mind to harmonize, guiding them and giving them the space to connect with eachother. however. as we saw, they don't want to see eye to eye with eachother. or rather, they can't – not at this point of the cycle, at least. there's a tension there that's still unresolved, made evident by Heart's avoidance of Mind

and then comes the tines line:

I've explained in my other post what I think the line means, so I won't repeat it here. (also because I'm lazy lol). but I do think this shot itself is interesting. we see Soul alone throughout this entire verse, only going back to Heart and Mind during this line. and they're both clearly in pain; Mind with his constant headache and Heart with his chest pain. they're also not looking at eachother, with a clear split between them, Mind's environment being brighter and Heart's environment being darker. it's clear they're not on equal grounds here

here we get the second chorus again, but there's a clear difference. Heart and Soul start this line off singing together, but at the very end it's just Soul singing

{I want to see your) eyes, looking back and out through mine.}

here, Soul takes a pause right before the last word, there's a just barely audible sigh, and then sings 'mine,' alone. to me, this is the moment that Soul realizes that this isn't going to be possible, at least not in the state that things are in.

(Something is real.) {Maybe not.} {(Something is gone.)} (Something is here.) [Only thought.] {(What do you want?)}

I won't say much about these lyrics, as they're admittedly hard to parse for me as to what they mean exactly. (though it does feel like this is the point where Soul's given up on his initial task). I do think that it's notable how this is the only instance I can think of where Soul directly talks towards only Mind.

the continuing line is this:

{([Everything else will fade away.])}

as this line plays, we see Soul, Heart, Mind*, and we see Whole, and then… the video reverses, and keeps reversing up until the point where the door is closed again, Heart puts on the blindfold.

to me, what this means is that all of the progress made through the song, the attempt made by the three to see eachother's point of view, to harmonize, is now undone. they're now back at square one.

*one little detail about this part is that both Soul and Heart are looking downwards, while Mind is looking straight-ahead at the camera... which could mean nothing /ref

as the final chorus plays, there's a different, darker static filter over their shared screen. they're all singing together until the very end, where only Soul remains singing. the lyrics change too, from 'looking back and out through mine', to 'looking back and into mine'

... and then we fade into Ruler of Everything. *stock sfx of children cheering*

considering how both Spring and a Storm and Ruler of Everything were covered before there was a story planned, the fact that CJ chose Night to bridge them together works perfectly IMO. we go from 'some semblance of peace' to 'an attempt an harmony' to 'nevermind shit has hit the fan'

I could in theory talk about Light as well, but I don't have a whole lot to say about it compared to Night, as it doesn't have as many minute details that Night does (none that I've noticed, at least). I imagine it's due to the lyrics being far more straight forward to the CCCC lore, since Night is more of a 'faithful' cover compared to Light (which was very much intentional, IIRC)

so yeah. that's my Night analysis, kind of 👍 I didn't proof-read this post as much as I did the other so I may edit this post later if I notice a glaring issue later on or want to reword anything or something. little carbonation and I'll see you next time, later /ref

[actual-changeling]

Hi! I'm doing a rewatch of the x files and this is the first time I got so invested in MSR and I was wondering if you had some fic recs? there are so so many online I have no idea how to find the best ones lol I'm okay with explicit content btw thanks in advance!

Give me a few days and I'll make a more comprehensive masterpost but I can give you some good starting points!

Self-promo first, you can find me on ao3 and any tumblr-only ficlets under the tag #alex writes x files. My bookmarks are public and I save every single fic I read on there, so you can have a look through those if you want.

@today-in-fic this is the account to follow to get fresh fics on your dash. they simply reblog any TXF fanfics they get tagged in, so they're somewhat of an archive in by itself.

Writers plus general amazing TXF accounts

@msrafterdark if you don't mind smut then this one is a must!

@bakedbakermom // @sisterspooky1013 // @thursdayinspace

@randomfoggytiger (an absolute goldmine concerning everything MSR and TXF, especially when it comes to meta posts)

@television-overload // @baronessblixen // @thescullyphile

@deathsbestgirl // @scullysexual // @numinousmysteries

@fine-nephrit // @scullysflannel // @fossilizedhearts

@not-aliens // @julmunne

More Additions by @unremarkablehouse

@phillippadgettwrites (smut warning!)

@tatooedlaura-blog // @agent-troi // @katy-kt-katie

@thatfragilecapricorn30 // @slippinmickeys // @skelavender

@freckleslikestars // @gaycrouton // @cassiopeia462

@lotsoforangesoutside // @spookydarlablack

(Live) Episode Reaction & Rewatches

@enigmaticxbee @mulders-too-large-shirt

Other Specializations

Dana Scully Lookbook Project The X-Files Script Archive

AO3 author & fic recs

Sareki (author)

Thirty Five Hundred Miles And A Lifetime To Go

Long hours on the road and in the skies, how will Dana Scully and Fox Mulder fill the silence? What silence?  A collection of road trip oneshots through their years together and the games they play..

The Modern Gateway Motel

After a traumatic experience, Mulder fabricated an X-file as a way to help Scully escape reality. Over the years, they returned to “investigate” that special place and take advantage of all it had to offer, exploring aspects of their relationship that they attempted to ignore in the real world. As time passed, it grew harder to confine the relationship they shared to that specific time and place.

Gradients

He didn’t want Scully in his bed so much as he wanted that last barrier gone. Sex seemed to be the demarcation for her, as she’d apparently decided that once that hurdle had been cleared, it would signal her complete surrender to him. As if she hadn’t already done that. As if he hadn’t with her a long time ago.

PLEASE feel free to leave your own additions (self promo explicitly welcomed) and I'll add them.

[sansundertale14x1]

why NauseAxe_404 loves your writing so much…

based on this silly tweet, I’m gonna use ‘Nick’ for this- for ease of writing (and for my poor poor hands.)

no pronouns but ‘you’- little post cuz I haven’t written in a while.- use of the in-game website: "Dumblr", no it's not a typo;-; Proshippers DNI

word count: 878

content warning: brief explanations of canon violence, creepy stalker-ish behavior (NOTHING SEXUAL ATTACHED), Nick being a weirdo honestly.

vvv that isn't my art, and this entire writing is a fanfic for a game " Monster x Mediator" made by HeadLocker! I really recommend playing the game or watching the gameplay, cuz it's really fantastic!

Story under cut :3

Nick’s in love with your writing…(if you already couldn’t tell), but it’s difficult for you to understand why.

Usually, when you'd open up your laptop, it was after a tough shift at your crap job and you just wanted to do something to fill in the time after dinner and before bed. It was always on the shorter side, 100 words each, and was normally just a quick and crappy self-insert fic to satisfy your creative urges from doing a boring-ass job all day. You never really thought your tiny one-shots would attract any attention, but the man you've been staying with proves otherwise.

"NauseAxe_404" is what he called himself, but you've just been calling him 'Nick' for now. He had been reading your old Dumblr blog for who knows how long, and he's taken a major interest in your little shitposts...So much, so that he had taken the time to print out every single one of your posts and personal information pinned to his room's walls. It's extremely creepy...but also sort of charming?

For the last few days or so, you've been held in Nick's hotel room, practically glued to a desk with a typewriter...slowly making your way through a 100-paged fic that he specifically requested of you. Though you technically could stand up and leave...you'd really prefer for your skull to stay in one piece...and not have a bullet put through your temple.

Nick has been staring at you almost the entire time...which only certified in your mind that he is not human. Every time you turn to see if he's still there...like an unmoving fortress, he always is. It's been a solid 8+ hours of you sitting there and writing...and your stomach starts to emit loud sounds of hunger. You pray he didn't hear that, and continue to type away at the dated machine. However, to your dismay, his deep voice chimes in.

"...What page are you on...?"

Nick asks, seemingly trying to speak quietly for you, but his naturally booming voice isn't giving you any favors.

"...uhm..."

You take a moment to review what you have done...it doesn't look like much but it feels like it took AGES to write out...

"About...10? It's not a-"

"That's wonderful, Superstar!"

He cuts you off just as you begin to speak.

Of course, he's going to be ecstatic. You can't fathom why he seems to be so hopelessly in love with whatever you slap on the paper. You're curious..so you begin to speak.

"...uhm...Nick...why do you..take interest in my writing?"

You softly speak, trying to be careful with your words...you can't afford to overstimulate this man.

For a chatty guy...Nick was oddly silent at the ask of this question…or at least for a few seconds.

“I was trying to find a way to ease the boredom and loneliness of this fucking hotel, so…huff…I joined Dumblr and started to search for writing…that was…huff….purposeful…and that could fix me..”

No way in hell your crackfics could change this man...He must've come out of the womb like that. (or...however the hell he was made..)

"...I came across your first post years ago..huff...and fell in love with the way you wrote your love interest....huff...I knew you were talking about me when I wrote all those comments~"

You never looked at comments due to embarrassment...and you honestly didn't think anyone would even care to comment in the first place.

"....you weren't responding to me...huff...so I might've found everything about you in the meantime...huff...just so I could notice you in a crowd...I always will~"

Okay, now it's getting creepy. You hope that by just turning back around and continuing to write maybe he'd shut up...You guess it's sorta your fault for striking up a conversation with the creep.

"All the other writers don't know shit about writing...huff...1k word counts...huff...long and complicated stories that don't make any fucking sense..."

There goes the rambles. You stop typing for a moment to process what the hell he just said. He either is really balls-deep into this fantasy of you being a perfect human...or he's just trying to fluff you up so you'll continue writing for him. He's really delusional, that's it. It's seriously hard to believe your crap was life-changing for Nick.

“Simplicity is the most important part…huff…not describing some stupid walk sequence for 3 sentences…huff…it’s a waste of space..”

"....maybe you just like simpler writing...?"

You softly reply, yet again praying that you didn't accidentally strike a chord with this guy. He stares you down, and even if you aren't looking back at him, you can still feel the burning of his eyes on the back of your head.

"That's possible."

Oh, it's highly probable. He gets so emotional over the tiniest bit of anything, so...He just doesn't need too many words to evoke a reaction...It checks out because you also like to write a straight-to-the-point sorta piece.

"but don't let your mind wander for...huff...too long...my superstar...you've got at least 90+ pages to go~"

Shit, he was right...time to get back to work.

[black-salt-cage]

so remember when I made a post not too long ago stating that no requests pertaining to AI related content will be fulfilled? I'm gonna get much more specific with my feelings on this because a friend went down the rabbithole that is the pro-ai side of tumblr and I noticed people within it are following us. And YES, I know I said that I'm not super strict about my dni. but I find this to be a morally reprehensible stance to take so I'm gonna make my opinions on ai abundantly clear before I go and block these people. Unfortunately some of you have been longtime supporters of this blog, but them's the breaks ain't it?

AI is not, can not, and will never be a means to create true and genuine art. Art can only come from true and authentic humanity and that can come from ANY human, regardless of their perceived skill level

Defending AI as a tool for "disabled people" is in of itself ableist. Disabled individuals create art all the time through their own means and to act as if they cannot create true and genuine art BECAUSE of their disability is nothing more than ableism

I do not support ANY form of generative AI. Do not come at me with the "I bet you use chatgpt or character.ai" shit because I don't. I've been drawing and writing since I was a child and I do not need a machine to horribly emulate humanity for me

Comparing being anti-ai to ACTUAL FACISM is uhm. beyond tone deaf. which is about as nicely as I can put it. And to put it rudely and quite correctly: you're one stupid motherfucker and you're lucky I can't chuck a brick at your head to factory reset your sense of logic.

Generative AI is killing our planet. YES we should focus on the billionaires contributing to the pollution of the planet but that does not give you a free pass. You do not get to stab your neighbor because jason voorhees got to stab a whole bunch of people for several movies. You hiding behind this pathetic excuse is indicative of the fact that not only are you an asshole, but you're also a coward too

Your oc being made purely through ai looks bad and you should feel bad. pick up the damn pencil and stop whining

YOU ARE NOT ENTITLED TO EVERY SINGLE THING YOU WANT. AI steals from artists, steals from our planet, and is being used to rob artists of jobs in order to sustain their own livelihoods. If you refuse to learn how to develop the skill it takes to get the kind of art you want or refuse to pay an artist in order to get that art then you. do. not. deserve. it.

Saying that AI makes art accessible to poor people is WRONG and poor people are not entitled just because of their monetary situations. I am ALSO a poor artist and I learned to draw with dollar store markers, school pencils, and the ol' "stick and dirt on ground" method.

If you rely on AI you will never be an artist and you will never be a writer. If that makes you feel bad then good, you should feel bad for it

I will not budge on any of these opinions and this post is not an invitation for discussion. This is me stating my mind and telling you that if you have a problem with me after this then maybe you should reconsider following this blog.

AI bros can eat shit and cry about having tiny genitals

Apologies for this being a very unusual post for this blog but I couldn't let that slide after realizing that some of these people followed this acc. I'm not intending for this to be reblogged but go crazy if you want. Just know I ain't gonna fight with yappers on this, I'll just block.

[azurem]

Hi, creator of the chiaro fanfic here!! I did not expect to be mentioned in an ask of yours, much less by people thinking you were the one to write the fic—that's such high praise, oh my gosh—but I guess that's also my sign to just send you some words of appreciation for all the inspiration you've brought me so far??

It's pretty much blatantly obvious that I made that one shot collection after going through your posts time and time again, mainly because every time they crossed my feed they just forcefully drew me back into my inkmare brainrot (evil stuff) from all the way back when, so yeah, thank you for that xD

Really, I just felt like saying that I go through your blog almost every time I make a new one shot due to how cool every single idea you have is, and I've got a few more chapters planned from a couple posts you've dropped which, uhh, I hope is okay? lol

And, that's pretty much it! You're amazing, and I love your posts to the point of creation so, if you ever feel like requesting a specific one shot or something, then I'm more than happy to write it!

Sorry for the repeated ask btw xD The last one had some minor mistakes and I'm a perfectionist

Hello, creatooor!!! SJJSJSKSKS It's so funny how you mention how obvious it is, I kind of had a vague "hm" feeling when I was reading it, which I assumed was uhhh coincidental? JSJDJSJ

I'm very happy you found inspiration in my posts for your inkmare content!!! Jsjdjsjdj. It's very. Uhm. Dreamy, in a way???? Very flattering!!!! The thought that you find my ideas cool and all is very. Good feeling!!!!!! Of course it's okay if you want to write more with my posts in mind, I'm a real fan of your work by now!!! It'd be pretty cool and awesome I think!!!

Jdkdjdkd. Thank you lots!!!! Mayhaps I'll consider it, thank you thank you for the offer!!!! Dw bout being a perfectionist, infinite hearts for you<3

[esperchallenge]

Hi, I'm Dan! One of my biggest hobbies is Magic: the Gathering, and the main format I play is Commander. I love building deck lists for decks I'll never put together in paper, and I wanted to channel that drive into a specific project, rather than just hopping from random deck idea to random deck idea. So, I'm doing what I'm calling...

The Esper Challenge

Feel free to follow to check out my brews and make fun of my deckbuilding choices! You can also find me at my main, @somethingtothatextent, or my Pokemon blog, @pokemon-with-hats.

Challenge details are after the cut:

The Basics

The goal of this challenge is to build new decklists for every single Esper commander over the course of this next year. The pace I hope to hit is one list a day, but don't hold me to it. I was inspired to do this by a friend who is in the process of doing a similar challenge, but with all the Bant commanders instead.

The Specifics

There are currently, as of time of posting, 42 cards in the Esper (white-blue-black) color combination that are legal to be your commander. I will be going through them in EDHRec ranking order - I'll be starting with the most popular commander, and working my way down the list.

The decklists I post will be newly constructed - I may have built a list for a specific commander in the past, but this is a deck building challenge, not a challenge to post old lists I have lying around.

I do not plan on having any of the commanders show up in the 99 of the other decks - I'm trying to build decks that focus on the commander, and I feel that would take away from it.

What About Partners?

I have something planned for partners! I'm obviously not going to do every single partner pairing, that would take forever and not add anything meaningful to the challenge, but I didn't want to ignore them completely.

There are currently no Esper colored partner-with pairs, so that's easy. Similarly, there's only one Friends Forever pair, so I'll do that one no problem.

For partner pairs, the only way to reach Esper is to use one of four 2 color partner commanders: Ravos, Silas Renn, Tymna, and Ishai. I plan on making one list for each of them, pairing them with a mono color partner that I feel would make an interesting deck.

And finally, there are 6 Azorius Time Lord Doctors. Unfortunately, there's only two Doctor's Companions with a black color identity, so we'll be seeing Clara and Vislor multiple times.

[lesmisshippingshowdown]

CALL FOR SUBMISSIONS!!!

Hello everybody! I just wanted to say a massive thank you for the love for, and enthusiastic participation in, the Les Mis Shipping Showdown so far. It's been incredible to see so many people get on board with my silly little gag and I'm so excited for the tournament to continue playing out

HOWEVER - currently we are lacking in two very important things that only you guys out on the frontlines (on the barricade???) can help with.

1) PROPAGANDA

In 2009, Cheryl Cole dropped her debut solo single and changed lives by reminding us all that we've gotta fight, fight, fight, fight, fight for this love. I need you all to be more like Cheryl. Don't be discouraged if your OTP is currently losing - and don't become complacent if they're currently winning by a landslide. We're not even halfway through the round of 32 yet, and you - yes YOU 🫵 - can help turn the tides of battle by telling the world, in an easily shareable format, why your preferred Les Amis pair the spare combo deserves to take victory in this noble contest.

Examples of things you could submit as propaganda include: fanart, fanfiction, AMVs, clips or gifs from your favourite screen adaptation or grainy bootleg that prove your blorbos' love, well-researched meta with supporting quotations from the Brick, completely unresearched rants based entirely on vibes, etc.

Ways you can share your propaganda with the world include: appending it in a comment reblog (not whispering in the tags!) of the relevant poll, sending asks to this blog, submitting posts to this blog, or making an original post and tagging it #les mis shipping showdown. (<- please use this specific tag. we're not checking any others. if you just put it in the generic les mis tag or ship tag with no reference to the poll we won't know it's for us)

2) FANART AND/OR EDITS

As much as I loved trawling through Tumblr tags and Google Images (and editing a few really stupid stock photo memes) to find visual references for every ship in the Round of 32, this was a) very time consuming and b) not as collaborative a process as I'd like for a fandom wide enrichment activity, especially for a bracket that's SO chock full of fanon-based shipping.

So, in preparation for future rounds, we would LOVE to receive submissions of fanart and edits for your favourite ship(s) to be used - with credit, of course - in polls.

We are looking for submissions for ANY AND ALL SHIPS INCLUDED IN THE BRACKET, regardless of their popularity, the amount of canonical visual content (like screencaps and production photos), or how likely you think your ship is to make the round of 16. As I've already said, we're only partway through this round and anything can change, plus I have a little surprise planned for the eliminated ships anyway that could still use your artistic contributions ;)

Here's a reminder of the current bracket so that you know which ships we're looking for artwork for:

As a bonus, if you send your art to this blog or tag it as #les mis shipping showdown, it also counts as free propaganda for your ship!

FURTHER RULES FOR FANART & EDITS:

No AI-generated content. Not going to get into the discourse on this one, I just don't want to see it.

No NSFW art, including artistic nudity. This is a theoretically all-ages contest, plus random polls getting flagged as mature will just make sharing that specific match up a complete mare.

Please ensure any art/edits are formatted so that they can be added to the poll as one single photo.

If you prefer to be credited by a different pseudonym to the URL you're using to submit your artwork, please make this clear to us at the time of submission!

Again, if you're posting art with the specific intention of having us use it, make sure you specify that either in the caption or by tagging it #les mis shipping showdown. We won't know it's for us if it just appears with no comment in the general tags!

To keep it simple & avoid any suggestions of favouritism etc., fanart, as long as it abides by the other rules, will be used on a "first seen by mods, first served" basis. We'll make an effort to reshare all art that isn't able to be used in a poll proper either because you got there too late or because your ship got eliminated before we could get round to using it.

Thanks in advance and happy propaganda-ing! 💋

[olderthannetfic]

Obvious Disclaimer that this is not about any specific anon in particular, not about OTNF themself, but that my following rant might *slightly* punch down on people who ARE, well, older than net fics are.

But my honest opinion is that I really don’t like it when us old heads tend to sorta…talk down to? “Adultsplain”, if that’s even a thing? To The Gen Zs, by being like “damn kids! back in my day we never used our real name or posted selfies or posted about our personal life at all!” Don’t get me wrong, I’m one of those people who never posted the real me — but not because I was anonymous and cared about online safety, because I was a liar 😂 That being said, there ARE older people who definitely over-shared or “doxxed” themselves and still do, and there’s younger people who don’t!

I also feel like being “ha, these stupid KIDS who post about their FANDOM LIFE on TIK TOCK under their REAL NAME AND FACE where IRLS CAN SEE THEM, how STUPID” is not doing anyone any favors. Is that, technically, a smart thing for kids to do? No. Has it become normalized? Yes. And does that suck for people who might be bullied or outed or whatever cuz they genuinely are dumb and don’t know better and then someone they don’t like sees their stuff? Yes.

We all talk about how there’s no more kids spaces on the internet and how that’s a shame, but then five seconds later we’ll reblog that one “At any time I’m at risk of seeing a 14 year olds opinion and that’s why I hate it here” post. There’s really so few kid spaces on the net now, that’s true. We should extend empathy and let the teens be obnoxious and pretentious in peace, rather than making it a point to “ratio” or “roast them.” Idk personally I’d be completely unbothered if some 14 year old insulted my fic or my ship or whatever. I’d just block and move on, no need to try to argue with them.

And also, not all kids are even pretentious or obnoxious! I’m not saying we all need to take the kids under our wings, but we should be careful about not hating them just for being in their teens years, you know?

Also… telling a teenager to not post PII or not get into discourse or not have social media or whatever will NOT work the way you want it to 😭 kids are by default a little bit oppositionally defiant so telling some rando teen to Get Off Your Lawn (blog) rather than just blocking them, will encourage said teen to Stay On Your Lawn.

I just hate how it’s become normal for adults to talk down to teens online. I was harassed by adults online as a kid, then years and years and years later i went through my own “Older Than You™️”phase where I myself was a shit to teenagers, and I truly regret that so much. To this day I still need to make an effort to be careful. I saw on Twitter where an adult posted a DM from a 13 year old, mocking them. The DM said “I’m 14 next year, can I follow you? Please don’t groom me.” And the adult OP was laughing at how stupid the dm was. A few years ago, I would’ve been one of the people retweeting that and rolling my eyes at the child. Now im disgusted by the people who WERE laughing at them.

And again I’m obviously not saying we should be “nice” to the teenagers who mock us for our ships or who virtue signal too hard. But we also don’t need to make fun of their CARRDS or call them Puri-teens or rag on them just for being 17 or younger, yk?

--

Teens aren't 'puriteens' just for being young, dude. They have to also be puritanical bullies.

I find the stuff about real names hilarious because, actually, if you're really Internet Old™, then you probably did use your real name... it was right there in your university e-mail address! Or your random early ISP address if your stepdad got it for you and thought the university format was the default. Thanks, stepdad.

I've done every single dumb thing from going to meet my internet pen pal at an Alice Cooper concert to flying to Ireland from Japan to stay with a fandom friend I'd never met without telling anyone where I was going and without a credit card or enough cash to flee if I had to. I remember sitting on the plane thinking "Man, this is such a CSI episode topic".

The really funny part was that despite what she'd said before I visited, we ran into each of her parents at different times and ended up going to a play courtesy of her uncle, and all of them were like "So how do you know each other?" and "But you'd met before, right? RIGHT?!"

The level of panopticon is horrifying now. Teens have my sympathy. That part really is worse, and I think it's driving an entire generation nuts and we're going to see even more shit about people wanting to run away and live in a cabin in the woods with no internet. But in general, I don't think we're so different.

[burntheedges-updates]

over again, chapter 1

This is my updates-only blog! Follow me at @burntheedges

Joel Miller x f!reader

summary: you fell in love with Joel Miller in Austin, Texas, in 2001, but you thought you lost him and your whole family in 2003 when the world turned upside down. now it's 2024, and you find the surprise of your life waiting for you in Jackson, Wyoming. or, five times you and Joel fell deeper in love, on both sides of the apocalypse (and one time you did something about it)18+ minors DNI chapter tags/warnings: fluff, flirting, light angst, cursing, no use of y/n, no description of reader (see note below), smallish age difference (reader is 26, Joel is 32/almost 33 when they meet in 2000) (small for this fandom, anyway) (the smut comes later, y'all, we're just getting started here) a/n: Well, here we go! This is part 1. This fic is completely finished. It’s a 5+1 and for some of the 5 parts I’ll post them together (on Sundays) and for some I’ll post them separately (on Sundays and Wednesdays) just due to length. Obviously I'm posting this one early (lol). I’ll tell you whatever the schedule is for the different parts. I've paid a lot of attention to the reader's description in this fic. I've avoided skin color, hair type, body shape/size descriptions, and even clothing (except for one or two spots where you are specifically wearing jeans and boots). You are vaguely shorter than Joel. He does not run his fingers through your hair, and you feel the blood rush to your face or your face heat, but you don't turn red or pink. Please tell me if you notice anything I missed - I want this to be as inclusive as possible. word count: 1724 (for this part) series main post & chapter list | series playlist (w/ plot-related mix) ao3 | chapter 2

Chapter 1: Meet Cute

Jackson, Early Winter, 2023

You’ve been heading northwest from somewhere in Kansas, thinking you’ve never bothered going out this way, even Before, so why not? It’s been months since you saw another person. You’re not even sure the last time you spoke out loud. 

You blame the lengthy isolation for how easily they get the jump on you. 

It's just after dawn when you're rudely awakened - at first, you’re not sure why, but a second kick to your hip sends you scrambling to sit up in your sleeping bag, which is tangled around your legs. Looking around as you struggle, you realize you’re surrounded by people on foot and on horseback. Every single one of them is pointing a gun at you. You glance to the side and realize your backpack along with anything possibly useful inside of it has been kicked away from you. The woman who kicked you has a steely look in her eye that reminds you, in your half awake state, of the last boss you had Before. 

“State your business.” As she speaks you notice the two men closest to her start to fan out a bit, but you don’t dare look away from her.

“I’m just passing through, I’ve been looking for a good place to spend the winter.”

Or, that’s what you would have said, if not for the voice from your past shouting your name in shock just as you open your mouth. “No goddamn way, is that really you?”

You think you must be hallucinating, because everyone you knew Before is dead, but then Tommy fucking Miller pushes his way in front of the woman who spoke. For a moment you can’t do more than stare at each other — him with his gun hanging limply in his right hand, you with your legs still tangled in your godforsaken sleeping bag. Then you launch into motion and start to kick it away as you find your voice. It comes out shaky. Or maybe you’re shaking all over.

“Tommy? But — you’re alive? Where the hell have you been? Wait, are Joel and—“

Tommy cuts you off as he pulls you to your feet and into a tight hug. “Holy shit, we thought you were dead. Holy fucking shit.”

“We? Tommy wait, are they—“

Tommy pulls back, keeping hold of your shoulders as he looks you in the eye. He’s grinning, his eyes wandering all over your face. “He’s alive, sunshine. Or he was when he came through here about a month ago. We’re expecting them back in the spring.”

You can feel your heart racing and your whole body feels hot and tingly. You’re overwhelmed. You didn’t think you could still feel hope like this. It’s terrifying, but you have to know. “He’s- Them? They’re both alive? Sarah?”

You know the answer before he even says anything. Tommy’s face falls, his eyes drop from yours, and you feel it like a sucker punch, as bad as it was the first time around. Your knees give out even though this is what you’ve known, or tried to convince yourself must be true, for 20 years. Tommy falls gently with you to the ground.

Your baby girl. “Oh god, Sarah. And Joel, he must have been—“

“Yeah, sunshine. He thought he lost you both. It wasn’t… well. It wasn’t good.” 

You’re starting to feel numb. You have no idea what your face is doing right now, but judging by Tommy’s, it isn’t pretty. 10 minutes ago you were alone in the apocalypse, and suddenly you’re face-to-face with your almost-brother-in-law and you know, without a doubt, that your fiancé hasn’t been dead this whole time. Is this shock? It’s been 20 years since you felt a shock like this. Since you felt anything like this. 

“Tommy, I… I need to sit down.”

“Well, you are sitting down, sunshine. But get up, gather your stuff. You can come to town with us. Stay as long as you’d like.” You nod, unsteady, and Tommy guides you carefully towards what must be his horse. 

The day passes in a daze. You think you might actually be hallucinating, or still back in your sleeping bag, dreaming, because a whole, functional town? A commune, and a house they’re just going to let you have as your own? A real community? With your only remaining family, miraculously alive? It’s impossible. You float through the rest of the day and find yourself sitting on a bed in a house with indoor plumbing that somehow belongs to you, having just eaten real food in the company of the family you thought you lost 20 years ago.

You give up and go to sleep. (What else are you going to do?)

...

As you settle into life in Jackson, the knowledge that you might see Joel — your Joel, any day now — never leaves your thoughts. It’s like a drum beat at the back of your mind that only repeats his name, marking time every hour of every day. You don’t know how you’ll prepare yourself for it. How could you? You haven’t seen him in 20 years. Anything could be different. You can so easily picture him with a daughter, but it’s Sarah in your mind, not Ellie, who Tommy has told you a bit about. Every time you open those old wounds that you’ve done your best to bury it hurts like the first time. Would he still want you? Still know you? Do you still know him? Would Ellie like you? You can’t imagine not knowing Joel, or Joel not knowing you, but it’s been 20 years and people change. You’ve changed, after all. Some days you barely recognize yourself. 

You express these fears to Tommy once, but he only laughs and says his brother may be stupid but he’s not stupid enough not to want you. It’s reassuring and rude, so, exactly like Tommy. At least some things never change.

The day Joel Miller walks back into Jackson you happen to be standing on the road near the gates, talking to Tommy, and you swear he spots you in less than 5 seconds. It’s like you can’t help but look to each other first, even when you don’t know the other is alive, even when you haven’t seen each other in 20 years. You’d know the shape of him anywhere and your eyes have never stopped looking for it, never stopped catching on a set of shoulders, a cocked hip, a tilted head, only to be disappointed when it faded like a mirage. When the person in front of you didn’t fit the hole he left behind. It hurt every time. Maybe it’s been the same for him. 

Joel looks like he’s seen a ghost, and you have no idea what expression is on your face, but the moment you lock eyes all you see is the moment you first met, almost 24 years ago, like a film negative laid on top of what’s really in front of you. He’s older, of course, but so are you, and he’s still the most handsome man you’ve ever seen.

He steps towards you and whispers your name like a prayer.

Joel fucking Miller. 

Austin, Summer 2000

It was a Saturday morning in late summer, so not yet the hottest part of the day, but not comfortable, either. Your belongings were steadily moving from the truck to your new rental house under your somewhat careful supervision when movement from the house next door caught your eye. You looked up just as one of the guys from the moving company almost dropped your nightstand off the back of the truck, distracting you from the sight of a young girl, maybe about 10, rocketing out of the house next door and down her front steps. She was wearing a bright green soccer uniform.

By the time your nightstand had been righted and you looked back towards your neighbors’ house, she’d made her way to the bushes between your driveways, standing on her tiptoes and taking in all of the commotion. She met your eye and grinned. You grinned back as she called, “Hi, new neighbor!” 

You walked over, stopping on the other side of the bush to introduce yourself. “Hi there, neighbor.” 

It didn’t seem possible, but she grinned even wider. “I’m Sarah, that’s my dad.”

You looked up, realizing there was a man coming down their steps towards the two of you — the most attractive man you’d ever seen in your life. He was tall, with broad shoulders and the look of a man who spent a lot of time in the sun, tan lines peeking out of his shirt sleeves. His brown curls were a bit messy and his shoulders and strong arms drew your eye like a magnet. You caught yourself giving him a quick once over and felt your face start to warm, embarrassed, but when you met his eyes again you caught him doing the same to you. You realized you were both caught and you smiled, introducing yourself. 

“Nice to meet you, darlin’. Joel Miller, and I think you’ve met Sarah.” You felt your face turn hot at the endearment but you knew he probably didn’t mean anything by it. Southern hospitality and all. “Welcome to the neighborhood.”

You’d opened your mouth to respond when you were rudely interrupted by a crashing noise from the moving truck behind you, and you whirled around to see a box on its side on the ground that definitely should not have been. You glanced back at your neighbors as you excused yourself. “It’s great to meet you! Sorry, I need to see what that was.”

They shooed you along before you could even finish your sentence, reassuring you that they understood. “Let me know if anything broke, darlin,’ I’m pretty handy, could probably fix it. It’d be my pleasure.” He smiled at you a bit, just on one side, edging towards a smirk, and you did your best not to stare at his mouth. “Deal,” you agreed, grinning. Both you and Joel seemed unable to draw your eyes away from each other. You were stuck, pinned in place under his gaze until Sarah tugged on his arm and dragged him towards their truck. “Dad, we’re gonna be late!”

The view from the back was just as nice as the front. 

...

a/n: ch 2 is up!

taglist: @morgaussy

[opbackgrounds]

Hello! I like the way you write analyses so I thought I'll ask you a few things.

If you could change one piece in a way that makes the story better for specifically you, what would you change?

What is a cover story/light novel/any other not strictly manga content would you like to see animated?

I found an ancient post where you talk about how you like koala. Can you give me all of your thought on her please? Cause I never see anyone talk about her in a way different than sabo's nami and that's kinda sad even though it is pretty true in terms of how the story's written.

And finally: why do you not tag your posts with the names of characters? It would be way easier to find them, not only for people to discover your blog in general but also for trying to find something on you blog (you know how it is with tumbles search function lol) and it also just seems very intuitive to me i guess, is there any reason?

I'd tone down Sanji's gross pervy behavior quite a bit and edit down most of the post time skip arcs

I think all the cover stories should be animated since they involve people who come back into the story, but the anime would have benefited from Ace's in particular, since it established a few of his important character traits

I am hopelessly endeared to the FI flashback in general, and since Koala is one of the few decent characters who came out of it not dead I can't help but love her. The story of this tiny little girl going from slave to Revolutionary is great, and the foil work between her and Nami hits me hard. What can I say, it's just good writing, and in a just world she would be Dragon's right hand woman instead of Sabo

I tag characters when the post is about them, but I'm not going to tag evey single person who shows up in a panel every time. It's tedious for me and I imagine obnoxious for the people actually looking through the character tags wanting to find analysis on their favorite characters. For example, yesterday's post about the foreshadowing of Sabaody had nothing to do with Luffy even though he was the one talking, so I'm not going to tag him. For the people actually searching through my blog, I tag chapter number