#i will also legally change my name at the end of this year | Explore Tumblr posts and blogs

thankskenpenders · 6 months ago

Text

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

6K notes · View notes

vexwerewolf · 3 months ago

Note

Should I read homestuck

tl;dr: no

actual answer: yes, but with some extremely important caveats.

Firstly, because Adobe shitcanned Flash, you can now no longer experience Homestuck in the form it was intended upon release... unless you download the Unofficial Homestuck Collection. This act of unbelievable, nay, saintly generosity by Homestuck's most dedicated fans allows you to experience Homestuck as it was intended - as close as is humanly possible.

"As close as is humanly possible" is the key phrase here. One indelible part of the original Homestuck experience was UPDATE! Homestuck would sometimes go weeks or even months (and later, years) between updates. I wasn't on Tumblr back in the day, but at the peak of Homestuck, even if you knew nothing else about it, you'd know when an update dropped because Tumblr's net traffic would increase something like three to fourfold. People would go apeshit bananas about whatever new revelations the Huss would drop on us.

You also need to realise that Homestuck is a product of its time and while its takes on sexuality and gender identity was pretty progressive (for its time), Huss did use the r-slur a bunch.

While we're on the subject of the author, Andrew Hussie (of whom my current understanding is that they have not changed name but go by they/them nowadays) is, in the most diplomatic possible terms, a very unique person. They are, at times, a visionary storyteller with genuinely fascinating ideas. At other times, they come off as kinda spiteful towards their readers.

Without meaning to dip into spoilers, some story beats seem (in my opinion) almost intentionally calculated to upset, irritate or mock certain fans. It never rises to the sheer vicious contempt that Steven Moffat had towards Sherlock's fanbase, but it does leave a bad taste in my mouth whenever I go back.

Additionally, and this is where a sort of birds-eye-view spoiler is unavoidable, the story suffers from the Game of Thrones pitfall of repeatedly increasing its own complexity by adding new plot threads without resolving existing ones, eventually leading to fatigue on the part of both the reader and the author. The arcs of a lot of characters just straight up get abandoned, while a couple of characters take an unnecessarily large amount of screen time.

There's one character in particular that the author openly states within the narrative (the author exists within the world of the story. It's... a whole thing) that they favour, and whose behaviour the story is warped to accommodate. You'll know exactly who I'm talking about almost the moment they show up.

Another reason I say that it's not really possible to read Homestuck as it was originally intended is because a lot of the shit that happens in it fits into the zeitgeist of the internet at the time any individual update was written. There's a whole section in the late middle third that is inextricably and very specifically tied to how it was like to use Tumblr in 2012.

Additionally, a lot of things have soured with time. There was the whole Hiveswap debacle (it was first announced in 2012. We got the first act in 2017. We got the second act in 2020. We do not even know if the third act will ever come out.). There were the legal threats. There were the Epilogues and Homestuck 2, which were... how do I put this? Not universally liked. There's been nearly a decade of discourse since Homestuck ended, and a lot of things haven't grown better with age.

All of that being said.

You should read it.

I cannot express to you just how big an impact Homestuck has had on internet culture. Even people who claim to hate Homestuck unconsciously use slang that it invented. Its unique ideas on storytelling, character design and narrative chronology have, in both subtle and unsubtle ways, changed the way millennials and Gen Z tell stories.

A lot of people were inspired to tell stories because of Homestuck - one example I always give to Lancer players is that Kill Six Billion Demons started as a comic on the MSPA forums (before it was homestuck.com, it was MS Paint Adventures), so Homestuck is in an indirect but demonstrable way responsible for the existence of Lancer. The sunglasses that Gideon Nav from the Locked Tomb wears have been explicitly stated by Tamsyn Muir to be Dave Strider's. Toby Fox made music for Homestuck, and worked on large parts of Undertale while living in Andrew Hussie's basement.

We also know someone in the Bluey creative team is a Homestuck, because...

There are subtle but direct references in Bojack Horseman, Hazbin Hotel, Steven Universe, Adventure Time - and those are just the ones that it's easy to prove! In a more general sense, I think there's a lot of cartoon series, movies, games, etc. that would either be very different or wouldn't exist if Homestuck hadn't happened.

It's certainly influenced my work.

I think, being very cautious to manage your expectations, that you should read Homestuck. At the very least, a lot of things people say on Tumblr will start to make, if not sense, a different kind of nonsense.

#homestuck #vex asks

741 notes · View notes

socialistexan · 1 year ago

Text

Hey, y'all, this is a reminder for anyone that has student loans that they are defaulted on or in collections for:

Apply for Fresh Start NOW if you haven't already done so. Like right now. Do it right this very second do not put it off any longer.

If you don't know, applying for Fresh Start will move your loan status from "Default" to "Current," you will no longer have to deal with collections calls! You won't have your wages garnished or your tax refunds taken by the Education Department! The default gets removed from your credit and you become eligible for federal mortgage programs! You become eligible for Income Driven Repayment (IDR) programs that can reduce your monthly payment in a huge way (from $400/month to $50/month for me!) and you get IDR credit for the three years you were in default during the pandemic freeze!

It only has upsides!

I mean it, it can make a huge difference! You can even submit both Fresh Start and an IDR application at the same time. It takes literal seconds. I had my name legally changed and I'm still eligible! I clicked like 3 buttons, checked a couple boxes, and boom. I sent off the application August 22nd and I got the letter yesterday (Sept 20th), but that letter was dated Sept 1st and was only to inform me that my loan was no longer in default would be transferred to a new loan servicer by the end of the month. It took a week and a half to process.

I also became eligible and received a refund check for money taken from me during the starting stages of the pandemic.

The best time to do it is now. Period.

Do. It. Right. Now.

5K notes · View notes

snapscube · 2 years ago

Text

so i don't know if this is a post i'm gonna keep up cause, like i said, i don't really like talking candidly about aspects of my personal identity often these days, and lord knows i especially hate talking about legal identity and all the dissonance that entails. but this week was a pretty big one for me and i can't shake the desire to share my enthusiasm for even just a fleeting moment.

my name has been a sticking point in my mind for a long time. i've adopted many different ones. first, middle, last, you name it. i've been searching most of my life for a moniker that represented my true self socially, and a surname to distance myself from someone in my life who hurt me very badly and never really learned how to stop.

obviously for a long time now I've been Penny Parker to 98% of people who know me, and for the past couple that number has been bumped up to a solid 99% with a few stragglers. it's a name that is so mundane and assumed at this point that tbh I've even come to resent certain aspects of it. which to me is actually beautiful. i find that mundanity, that nuance, extremely telling of how it encapsulates my life. it's a fully three-dimensional reflection, smudges and sparkles and everything in between.

of course, i only just moved out on my own 3 years ago. and unfortunately that had to be the starting point to make this social and personal progress i've been sitting on for half a decade at least now official, tangible, legal. i've been playing a game of catch-up i didn't sign up for, but it's one that does have a silver lining in that i feel more in resonance with who i am and who i want to be than i ever did before being granted this independence.

and as of this week, i have the pleasure of entering an era of my life where the dissonance between who i am in speech and who i am in contract is nonexistent. my name is Penny Olivia Parker. i'm the same as i've always been, but getting better every day at it. soon i'll even have a license to match!

sometimes more of an Olivia Parker in brief moments nowadays tbh but i haven't worked out the details yet. nothin you need to stress over, ill take care of it. the full set is just fine and legally recognized, which is all i've wanted for as long as i can remember.

this isn't the end of my journey, both excitingly and unfortunately haha, but this is yet another huge milestone for me and in certain respects it's one of the biggest i've managed. i'm so happy to still be here. if you're reading this, thank you for being here too.

also those of you who watched my direct reactions the other day might have a little more insight as to why i was so emotional that the day after a judge signed my legal name change a new game by the Sonic Mania devs was announced called "Penny's Big Breakaway" LOL, it was a lot to handle for me but i wasn't sure how much i wanted to say just yet.

5K notes · View notes

lemurchick · 1 month ago

Text

Another 'wonderful news' from Russia for your consideration! This week, the BRICS forum on traditional values took place in Moscow. And it was fucking insane.

In short, the opening meeting was BRICS countries representatives verbally jerking off on how well they oppress or plan to oppress their people especially women. The only person who bothered to contradict this narrative was Egyptian female writer Doha Mustafa Assy.

I will translate some quotes from the russian article. https://www.kommersant.ru/doc/7311174

Russia: "At some point the roles for women have begun to change towards independence and self-sufficiency. We, of course, love and respect our women very much, but we want them to pay more attention to their families, men and children. We do not want them to strive for business, politics, economics, power, or culture. <...> The main traditional value is the preservation of natural purpose, where a woman continues the family line and a man inspires her to give birth to children."

Pakistan: "Any traditional religion upholds and promotes social values and traditions. No father would want to harm his family. No mother would want to break up or disintegrate her family. This <rejection of family values> is deliberately imposed on us and promoted by some power circles”

Ethiopia: "In our country it is traditionally women who do the cooking, teaching children and other family duties. So the man's role is not as big as the woman's, and this tradition gives the man the freedom to behave like a child." (?????)

Uganda: [This country experience is “extremely important to the discussion of legislative protection of religious values,” emphasized russian politician Dmitry Kuznetsov, referring to the fact that in Uganda same-sex relations are prohibited, and in some cases violators face life imprisonment or even the death penalty.] “We did this to make sure that the country would be preserved. I would encourage countries to behave in such a way that the culture that exists in each country is not imposed on others.” btw Brazil and South Africa representatives didn't say a word here even though their countries legalized same-sex mafrriage years ago.

Brazil: "Marriage in no longer a goal for our citizens and the country has the highest divorce rate in history. Meanwhile, children are most often left with their mothers, with fathers unwilling to take part in their upbringing. As a result, many Brazilian boys are growing up without a father figure and 9% of male inmates in prisons don't even know their father's name. Shifting the balance in favor of women leads to the fact that the position of feminism is growing, and the number of people who identify as LGBT people is growing.” At the end of his speech, he marveled, “This is my first time in Russia, and I didn't know you guys were so conservative. I'm so happy, it's so impressive!” He also admitted that “the people of Brazil know nothing about Russia,” and Dmitry Kuznetsov promised: “We will come to you and tell you all about our saving conservatism.”

Egypt: As I mentioned in the beginning the only person who actively argued against this trend was Doha Mustafa Assy. She said: "We on the contrary has a struggle against patriarchy. Tradition and religion are not on women's side, they help men. A lot of women in Egypt ask for divorce only because they feel like slaves at home. He (the husband) has the right not to let her leave the house according to tradition. BRICS is India, it's China, it's Russia, it's Egypt. We are very different. And maybe what you are trying to do in Russia has already became a problem for us”.

To be honest I don't know what will come out of this forum. Maybe it's just empty posturing, maybe BRICS countries just sent people who had free time on their hand here as a formality. But I despair reading these quotes; twenty years ago we sent a singing duet posing as lesbians to Eurovision; ten years ago I was watching lesbian drama Blue Is the Warmest Colour in a full theater. Soviet Union gave women some attempt in an equal rights in fucking 1917 and we were the first country to send a woman in space. What happened? How has it turned this way? We are now friends with some of the most patriarchal countries in the world and with fucking North Korea. They are planning to remove the Taliban's terrorist status.

What the hell.

#russia #radblr #feminism #россия #феминизм

260 notes · View notes

soov · 1 month ago

Text

IF YOU ARE AN ENHABLR WRITER, PLEASE READ THIS.

tw : very brief mentions of pedophilia, grooming, homophobia and sexual harassment.

hi! i’m rei and i’ve been writing for enhypen since 2022 (this is my second account revamp), but i’ve been lurking around enhablr since 2021. i’ve noticed some misguided words, especially from new enhypen writers due to recent events, and decided to make this post, so please make sure to read thoroughly.

first of all, i want to painfully break it to the ones who started their accounts in 2024, who thought that enhablr was a safe space, and tell you that it is not one. it has NEVER been one.

now, i’m not saying that to make you disappointed and want to quit, but simply to tell you the truth behind it all. i think there was an illusion created around this community, behind the pretty themes and fluff works, that blinded the people who weren’t actively a part of enhablr, and had just joined us.

in 2021 we had blatant pedophilia with the 02z, brief moments after they debuted, when they were just 18. the community was still a bit messy since enha was a rookie group and fresh out of i-land.

in late 2021, and especially 2022, we began seeing enhablr take some form, but with it, we got a terrible like to reblog ratio and some plagiarism. late 2022 had more pedophilia again, now with sunoo, who had just turned 19, and had adults posting nsfw works for him on the day of his birthday. plagiarism began getting strength and many writers had both their works and banners / layouts copied.

in 2023, during the very start of the year, we had more pedophilia cases. this time, with writers. a grown man with an account named mintchocolatesunoox verbally harassed many minors with sexual asks and threats. we also had a 30yo writer named luna interacting constantly with minors and treating them in a way that crossed boundaries.

we had cases of homophobia with writers avoiding and blocking other lgbtqiap+ writers and reasoning it with their religion. not only that, but we also had another adult jumping into conclusions when a minor blocked them for being uncomfortable, saying the hate anons she was getting were from the minor, when it wasn’t. plagiarism got even worse at this time.

there were also more grown adults writing smut for jungwon when he turned 19, and at the end of the year, their target was ni-ki when the korean law changed the legal age from 19 to 18 years.

this year we had islamophobia, people refusing to acknowledge and share about the ongoing massacres and genocides around the world, more plagiarism, writers using AI to write their works with no shame, and minors consuming smut.

these are only some of the countless problems surrounding enhablr, not including the intern problems that weren’t outed.

many of these situations got worse as the conflicts began leaving tumblr and started going to other apps and group chats. i’m not saying the issue is on making friends and keeping contact outside tumblr (because i even encouraged it creating servers and such). the biggest problem is how so many people aren’t holding their friends and the ones who do these types of things accountable.

it’s not about doing it and apologizing, it’s about apologizing, changing, and holding yourself and others accountable. the memory of some people seems like one of a goldfish, completely ignoring the behavior of those who didn’t even apologize, and moving on.

enhablr was never safe, because we, writers, didn’t make it safe. the ones without morals are finding space to act like this because we are giving them space. if we do want to keep these people at bay and make enhablr a truly nice community we have to start really calling out and educating the ones who are doing and saying horrible things.

start by doing it privately, trying to educate them. if it doesn't work, call them out, no matter who they are. don’t condone their wrong actions and hold them accountable if they don’t post a pronouncement or change their behavior.

don’t let things slide and don’t think mutuals or friends shouldn’t be educated too. we are all still human and commit mistakes, but keeping practice of them is not and will never be normal.

so if you think something is off, say it, talk it out, post it. don’t let it keep happening. the change always starts from inside out.

#IMPORTANT.#enhypen x reader #enhypen

211 notes · View notes

ladykailitha · 2 months ago

Text

The Au Pair Boy Part 1

Surprise!!! I have six chapters of this and really need to start getting it out, so I figured with Act 1 ending last week and my backlog on this and Of Butterflies and Backstrokes (Olympic Swimmer) being so low thanks to me trying to the Halloween themed sequel to Icarus (Metal Band) that I would put this out until I build that back up and lower the amount of backlog this one has.

Summary: Eddie Munson is a in bind, set to go on a three month reunion tour, he is in need of nanny for his twin girls Janice and Joan since his partner, Ethan blew up their lives a year ago. Enter nanny extraordinaire, Steve Harrington. Both men struggle with treading the line between boss/nanny and their strong attraction to each other. Will Eddie learn to trust again? Will Steve realize that he was always meant to be right there by Eddie's side?

Eddie hung up the phone with a sigh. He wanted to do the tour, because of course he did. But he also had two very rambunctious little girls now. Eddie was a good dad, but he wasn’t the nurturing kind the way Ethan was. But sometime in the last year, Ethan had changed.

He had grown distant and cold, going as far as yelling at the girls which he never used to do. So Eddie quit producing music to give Ethan some much needed time for himself. Fat lot of good that did.

Because apparently Ethan was banging...well, just about everyone but Eddie’s friends. The pool boy, the guy who delivered their food, the cleaning lady, their personal trainer, hell even the barely legal dog walker got more of his husband’s dick than Eddie did.

Which he didn’t find out, by the way. Ethan had told him after handing him divorce papers and legally renouncing parental rights to Joan and Janice. He threw it in Eddie’s face the numerous affairs he had. The one thing he wouldn’t tell him was why.

Why was Ethan so unhappy when Eddie had done everything right?

He buried his head in hands. Janice and Joan were only four and they had been adopted at birth. They never met the mother and were only told that she didn’t want them and never wanted to see them ever again.

So how could Ethan look at those two little angels and decide the same?

Eddie was heartbroken and not ready to move on. So he had agreed to the tour as a way to cope with the sudden explosion of his life. His friends knew Ethan had left, but they didn’t know the extent of his ex’s destruction.

He thought about taking the girls with him, but they were too little. They wouldn’t have fun and would be more terrified then thrilled. So live-in nanny it was.

Thankfully he had a month to find someone who would cook and clean and watch the girls. Especially after having to fire all of his help in the wake of Ethan’s destruction.

He had this.

Eddie did not in fact have this. He only had three more days until he left and he was at his wit’s end. He had rejected candidate after candidate for a myriad of reasons. One only wanted part-time despite the ad before a live in nanny. Another said she was strict disciplinarian and thought spanking was the only way to teach a child. And even another just gave off weird vibes.

So he called the agency one more time.

“You’ve gone through all of our female nannies,” the woman huffed on the other end of the line. “We only have male nannies left, surly you don’t–”

“Just send the best male nanny you’ve got!” Eddie barked. “I don’t care about gender for fuck’s sake.”

“I’m not sure–” the woman protested but Eddie hung up on her.

He didn’t have time to listen to whatever excuse she was going to come up with. He was running out of time before the tour and needed someone. Anyone.

He got a call back five minutes later from another woman telling him that they would be sending over their best male nanny at 2pm if that was acceptable.

He sighed with relief. “Yes, that will be perfect. The girls will be down for their nap then.”

“That’s wonderful, Mr. Munson,” she said cheerfully. “The gentleman we are sending over, his name is Steve Harrington, and I sincerely hope he will be a good fit for you.”

“You and me both,” Eddie sighed again. “You and me both.”

When Steve got to the house, he would have liked to have said that he wasn’t impressed because he had seen dozens of large houses and even larger sprawling mansions in his time as a full time nanny, but he was. Very much so.

It wasn’t a gaudy modern monstrosity for starters. It liked a Victorian era manor that had been modernized for living in today. It gave off a spooky vibe, but in a fun way and not a horror movie way. Like the Addams family or the Munsters kind of vibe.

He really dug it.

He went up and knocked on the door. It swung open almost immediately to reveal a pretty, petite woman with sparkling green eyes and strawberry blonde hair. She had a sweet smile.

He knew this wasn’t the mother, the file said that it was a single father of twin girls. A rockstar of some sort, though Steve didn’t recognize the name. This must be some kind of servant or PA or something.

“Hi, I’m Steven Harrington,” he greeted putting out his hand for her to shake. “I have a two o’clock appointment with Eddie Munson about the nanny position.”

Her smile widened, dimpling her cheeks. “Hi, I’m Chrissy Cunningham, I’m Corroded Coffin’s manager. Come on in, he’s waiting for you.”

Steve followed her through the house. It was just as impressive as the outside. It was beautifully decorated in dark browns, reds, and black. God, he hoped he got the job. He could really see himself living here.

She opened the door to the office allowed him to walk through, closing it behind him. Which normally wouldn’t have been a problem for Steve but now he was in a room with the hottest guy he had ever seen in his life and he really didn’t need an erection at a job interview.

Eddie looked up, and yup. Steve was done for. He had the biggest brown eyes he had ever seen outside of a Disney cartoon.

“Mr. Munson?” he said, reaching out for a handshake, mustering up every ounce of professionalism he had. “Steven Harrington, how do you do? You can call me Steve.”

Eddie grinned back. “Hey, Steve. Thanks for coming at such a short notice. I understand you’ve been brought up to speed on everything I’ll be needed you to do?”

Steve crossed his legs and put his hands on his lap. Shit, even his voice was sexy as fuck.

“Yes, I’ll be watching the children twenty-four/seven,” Steve recited dutifully, “with doing all of the cooking and some of the cleaning.”

“That’s right,” Eddie said. “That normally wouldn’t be the case, but I’ve had to recently fire all of my staff. In fact, if you are hired on, you’ll be working with Chrissy over the next couple of months to help bring staff back on. I would be putting a lot of trust in you not to fuck me over.”

Steve nodded. It was a bit like Robin’s period dramas. He would be running the household while Eddie was away.

“Wouldn’t Chrissy be needed on tour with you?” he asked, not sure what her role actually was.

Eddie shook his head. “She usually does, but I need her here to help to get this house running again. It was hard enough trying to explain to the girls why everyone had to leave. Especially their other dad. She just has her own place and a very demanding job. And the other people I trust with my kids are going on tour with me, so...”

“Yeah, I can see that,” Steve said huffing out a chuckle. “I’m willing and able to take the job. There is just one more thing we have to do first.”

Eddie cocked his head to the side. “I don’t think I offered you the job yet.”

Steve burst out laughing. “No, I don’t suppose you did. But you really should. I’m really good with kids, I’m great cook, my references are impeccable, I have a degree in early child development, and you’re desperately out of time.”

“I noticed that all your previous families had older kids,” Eddie said picking up Steve’s resume. “Can you explain that?”

“Yes,” Steve said with a sigh. “Unfortunately, despite being practically perfect in every way,” Eddie huffed out a small laugh, “if I was a woman I would be the most sought after nanny in the whole god damned state. Even more so if I was older fifty. But because I’m a young man not even thirty yet and all they see is a predator.”

Eddie winced. He held up a finger. He picked up his phone and called the agency. “Hello? Hi Nancy, this is Eddie Munson. Yes, I will be taking Steve Harrington on as my nanny. Thank you so much for sending him over. Can you tell me who it was the first person I spoke to this morning? Yes, yes that’s the one. Kindly inform her that pushing harmful stereotypes only makes you look stupid. Mhmm. Yes. Yes. I want her fired. Thank you. Goodbye.”

Steve looked at him in awe. “Oh wow.”

Eddie grinned at him but before he could open his mouth to say something more, Chrissy poked her head in. “Sorry to disturb you but guess who woke up?”

“Janice?” Eddie replied with a fond smile.

“And guess who woke up her sister because she wanted someone to play with?” Chrissy said.

“Also Janice.” He sighed and turned to Steve. “You want to meet my little monsters?”

Steve smiled and stood up. “That was the one thing I was going to suggest we do before you hire me, is meet the girls. But having met their dad, I can already tell they’re going to be a handful.”

“Hey!” Eddie protested. But Chrissy laughed.

“Come on,” he said grumpily, “let’s go see the munchkins.”

Chrissy opened the door all of the way and Eddie and Steve followed her out. They reached the kitchen and there seating at a table were two of the cutest kids Steve had ever worked for. They both had light, curly brown hair and deep brown eyes, but that was where their similarities ended.

The one of the right had her hair pulled back in a messy ponytail with a denim overalls over a pink shirt. The overalls had a cute pink kangaroo on the pocket on the front. The girl on the left had her hair carefully braided and wore light blue shirt and a black pleated skirt. They were both munching on peanut butter and jelly sandwiches.

“Meet Janice and Joan,” Eddie said brightly. “Janice is the one on the right and the other is Joan. Janice is the oldest by seven minutes and she never lets Joan forget it.”

Joan stuck her tongue out at her dad around her sandwich and then went back to munching on it. Janice looked over at Steve and cocked her head to the side.

“Who’s that, Daddy?” she asked. And suddenly Steve was struck by how much the little girl acted like her dad.

“Girls,” Eddie said sternly, “do you remember when I said that Daddy was going to be gone for three months and you were going to be looked after by a new friend?”

Joan scrunched her nose and Steve was endeared. “Is he like one of those nannies that were so mean to us?”

“No, of course not, Joanie,” Eddie said, “not a nanny...” He looked to Steve for help.

“I’m what’s called an au pair,” he said brightly. “I’m here to watch over you and do a little of the cooking and cleaning, too. A nanny wouldn’t do that right?”

Joan and Janice shared a glance. And Steve was struck for the first time that they were really were twins. They acted so differently that he had already put them in separate boxes. But they moved in unison as they both shrugged.

“I guess not,” Janice huffed. “Are you going to be fun like Chrissy or strict like Daddy?”

The adults laughed as Steve walked over to the table. “My hope is to be somewhere in the middle. But I guess we’ll just have to see.”

He turned to Eddie and Chrissy. “If it’s all right, I’d like to get started now, give the girls time to get use to my presence while you’re still here, Eddie. That way we can smooth out any real problems before you go.”

Chrissy and Eddie shared a glance.

“Yeah,” Eddie said, “that’ll be fine. Great even. I’ll give you a couple of hours to get your things and come back here. Would you be okay making us dinner?”

Steve beamed at him. “Sure, give me an idea of what you guys like and I’ll find something to make you. Let’s consider it part of the interview.”

Eddie smiled back. “Well I think you have yourself a deal.”

Steve and Eddie shook hands.

This was either going to the best decision of Eddie’s life or his worst. Currently the jury and his brain were still out on that one.

Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9

Tag List: CLOSED

1-@mira-jadeamethyst @rozzieroos @itsall-taken @redfreckledwolf @zerokrox-blog

2- @gregre369 @a-little-unsteddie @chaosgremlinmunson @messrs-weasley @cryptid-system

3- @maya-custodios-dionach @goodolefashionedloverboi @val-from-lawrence @carlyv @wonderland-girl143-blog

4- @justforthedead89 @irregular-child @bookbinderbitch @bookworm0690 @forgottenkanji

5- @anne-bennett-cosplayer @yikes-a-bee @awkwardgravity1 @littlewildflowerkitten @genderless-spoon

6- @dragonmama76 @ellietheasexylibrarian @thedragonsaunt @useless-nb-bisexual @disrespectedgoatman

7- @counting-dollars-counting-stars @tinyplanet95 @ravenfrog @swimmingbirdrunningrock @lingeringmirth

8- @gutterflower77 @a-lovely-craziness @just-a-tiny-void @w1ll0wtr33 @beelze-the-bubkiss

#my writing #stranger things #steddie #ladykailtiha writes #nanny au #rockstar eddie munson #nanny steve harrington

240 notes · View notes

sirfrogsworth · 2 months ago

Text

Early voting to beat the lines... the best-laid schemes of mice and men often go awry.

So... yesterday was quite the day.

After being stuck in bed for the past 6 weeks with some mystery slump, I was finally feeling better. So I decided I would try to cram as many errands into my day as possible. That works better for me when I drive out into the world because I end up only having to do one big recovery instead of a bunch of little recoveries.

My to-do list...

Go to the doctor

Vote early

Return oxygen machine to FedEx store for scammy eBay guy

Return Amazon package to the UPS store

Get gasoline for my whip

Go to Discount Tire to get my tires filled for free

Drop a check off for my lawn guy

Mail a secret package to Katrina at the US Post Office

It would have been nice if I could have gone to just one shipping place instead of all three, but the universe has a sense of humor and likes to do shit like that to me on a regular basis.

So, I get my checkup, it goes quick, no long wait, I'm feeling good.

As I get in my car, it starts to rain. It was an ugly day and it actually has not stopped raining to this very moment a day later. Just gray, windy, chilly, and wet. I look up the voting place and start the GPS.

Wipers and music on full blast, it's time to get my vote on.

When I reach my destination, I realize early voting is at some kind of private golf club. And at the center is a recreation center—which is a public building.

So it's like this private/public turducken situation.

I was expecting this errand to take 20 minutes. Because early voting always seemed like a way to get in before the crowds of election day for a more convenient voting experience.

But the parking lot was packed and I feared my expectations were about to be subverted.

As I walk through the parking lot I see a bunch of signs in the ground.

And a particular one caught my eye.

This is bullshit.

Like, just a straight up lie. No truth to it whatsoever.

Amendment 3 in Missouri basically restores abortion rights in the state. And Republicans have taken issue with the following language...

"The Government shall not deny or infringe upon a person's fundamental right to reproductive freedom, which is the right to make and carry out decisions about all matters relating to reproductive health care, including but not limited to prenatal care, childbirth, postpartum care, birth control, abortion care, miscarriage care, and respectful birthing conditions."

They claim the phrasing "but not limited to" means you can give an 8-year-old kid "sex change surgery."

This is how their online flyer puts it...

It could also include a free puppy.

Or a zillion bucks.

Or a clown will come to your house after the abortion and honk your nose.

It's ridiculous and desperate. I honestly don't know how it is legal for them to put a lie like that outside of a polling location, but here we are.

The organization "Missouri Stands with Women" is run by... a man.

It was set up by a lawyer named "Edward Greim" on behalf of the Federalist Society.

His law firm has a lovely biography about him. And a bunch of publicly available contact information. I say that for no reason whatsoever.

The Federalist Society funds all kinds of shit like this. Their main thing is installing conservative judges all over the country who will reinterpret or negate legislation. And they do it all to "stand with women" by taking away their reproductive rights.

Here is the board of directors of the Federalist Society.

Ya know, before I looked this up, I said to myself, "I bet it's going to be a sausage fest." I am psychic.

I think it would be more accurate to say they stand with A woman.

Just one.

And she sucks.

Nicole is a law professor at Notre Dame. She chose her Catholicism over her right to choose. The Catholic Church will fuck your rights and your children and Nicole will help them do it.

Anyway... back to my quick and easy voting experience...

So as I'm walking in to vote I keep passing a ton of these awful signs. I notice an older woman standing next to the aforementioned "child sex change" sign and she says, "Can I talk to you about Amendment 3?"

At this point, I'm pretty angry. I look her dead in the eyes and say with my most assholish tone, "NO." as I walk past her.

And then she finishes her sentence...

"...to protect the reproductive rights of women."

Ah, dammit.

I thought she was an old Karen but she was cool as heck. Standing out in the rain telling people the sign is bullshit. I wanted to turn around and apologize but I was stuck in full social anxiety mode so I just kept walking.

If that old lady happens to have a Tumblr and follows me and is willing to read this giant story... I just want to say I am sorry. I thought you were awful and I should have let you finish your sentence. You're super cool and I'm happy there are folks like you fighting for what is right.

I get inside and a young woman greets me. She tells me the line is in the next room and points. I still wasn't quite sure what the situation was. The parking lot being full gave me pause, but I was still hopeful I could have a swift early voting experience.

But I walk through the doors and into a huge gymnasium and my heart sinks.

It's hard to represent in pictures how long this line is.

It goes all the way to the end of the gym, loops around, and comes back. At first I was not too discouraged, because there was a nice gentle ramp at the start of the line.

But then I notice several sets of stairs at different stages of the line. And I'm just thinking how hard it would be to stand in this line and then also having to go up and down several sets of stairs.

So I go back to the young woman working there and ask what their accessible voting options are. And she told me I could do curbside voting and points outside. I then notice a line of cars wrapped around the parking lot. I don't know how I didn't see them walking in, but I guess I was too busy being a jerk to elderly progressive women.

My biggest concern was time.

The longer this takes, the more energy I use up, the longer my eventual recovery will be.

They tell me the car option is the slowest. And I could be in line for 2 to 3 hours. And then an old man who seemed to be in charge walks over and tells me the fastest option is to stand in line.

So I walk back out to my car and grab my cane and decide to try the long serpentine gynasium line.

I start walking up the ramp and some of the other folks see how slow and labored I'm walking and they start encouraging me. "You can do it! You got this!" Which I suppose was meant to be a positive helpful thing. But I found it to be embarrassing.

I get to the end of the line and notice most of the line has bleachers directly next to it. So I decide to sit down and rest and figure out how I am going to survive this experience.

It took me a while to recover from the long walk to this spot. I watched a bunch of people pass me by and the line was actually getting much longer as I rested. I was not really sure what to do. I was trying to problem-solve this situation but the answer that kept popping up in my mind was just... "go home."

But I felt this was too important and that wasn't really an option.

My best idea was to ask someone if they would hold my spot in line. Perhaps I could just sit in the bleachers and follow them around in the line, staying as close to them as I could. But my social anxiety was set to maximum and I was not finding the courage to ask someone.

After about 10 minutes of sitting, resting, and thinking, I basically say, "Fuck it, I'll try to stand in line."

I get up and start walking to the end of the line.

Then I hear a voice yell out to me.

"Hey, man! Come over here! This is your spot!"

A young man was waving at me. He was accompanied by his wife. Both of them were dressed in black and they had a sort of goth skater aesthetic going on. He had a competitively bushy beard, but with less gray. And she had very vivid purple hair.

I was a little confused and still processing what was happening. Then they both started waving at me to join them in line. They remembered I got there just before and told me I should be in front of them. I walk over and thank them. Then he suggests...

"Hey, why don't you just sit in the bleachers and follow us around the line."

He suggested my idea!

Without me asking!

I felt like he read my mind or something.

Can bearded people read each others' minds? Was this some beard skill I was unaware of?

"I got you, man. You just sit and we'll keep your place."

And his violet hair'd significant other agreed. "Yeah, we got you."

The kindness of strangers was more accessible than my polling place and I was just so thankful in that moment.

So I sat in the bleachers and watched them traverse the line. In the middle of the gym there were some teenagers playing basketball. And so I just rested and watched them play.

That young man in the red pants was like a goddamn Harlem Globetrotter. He was just embarrassing the others. He was bouncing the ball behind his back and through his legs and then he just danced around his opponents like a figure skater. It was such an unbalanced matchup. He might as well have been playing 4th graders. Not only was he significantly faster and more maneuverable, but he was consistently hitting 3-pointers.

And then during a break, he ran towards the hoop, jumped from the free throw line, flew all the way to the net, grabbed onto the rim, and proceeded to do several pull ups as if they were the easiest thing in the world. I don't think I've seen anyone jump that far and that high in real life and it was just a bonkers display of athleticism.

I spent the entire wait watching him humiliate the others—hoping he would get a full ride scholarship to some prestigious university.

And I hoped the other boys paid attention in school and got straight As, because basketball was not going to work out for them.

As my new goth skater friends progressed through the line, I would make sure to keep sight of them. Every once in a while I'd give them a head nod to acknowledge we were in this together. After an hour and a half they were at the final segment of the line, so I sat next to the wheelchair folks.

I probably could have argued to sit with them in the first place. But I really did not feel like making the case that I was just as disabled as them and needed that level of consideration. The old man running things seemed quite stressed and was putting out 8 fires at once. And my anxiety wasn't really cooperating enough to be assertive in my needs.

But it worked out in the end, so I'm not going to dwell on the lack of accommodation for people who weren't *visually* disabled.

My new bearded friend neared the end and waved me over. I thanked him and his wife profusely.

I joked, "Thank you for adopting a voter."

They seemed confused by my joke.

"No problem, man. Happy to help."

I told him and his wife they truly saved me. "I honestly don't think I would have made it through the line." And then I looked back...

I said, "As crazy as this is, I do find this kind of turnout encouraging." His wife agreed and said, "We were saying the same thing!" And then I thought, "Can the wives of bearded people absorb the mind reading ability? I hope she can't read my mind right now. Although, I'm mostly thinking that her hair is a really cool shade of purple, so she'd probably find that complimentary."

As I waited to get my ballot I could hear the happy couple behind me. They were very cute. They were making fun of each other in a very lovey-dovey fashion. I had high hopes they were going to grow old and gray and purple together based on their chemistry. And I was just so thankful they were able to recognize that I needed help without me asking. Because I probably would have just caved to my anxiety and not asked for help otherwise.

I got my ballot and sat down to fill in all of the appropriate squares. Thankfully I had prepared a cheat sheet on my phone.

It was an exact replica so I was able to copy it and finish quite rapidly.

Then I fed my votes into the vote-eating monster and they gave me a sticker.

My quick 20 minute adventure to vote early only took 2.5 hours!

And because I didn't want to buck tradition, I stood outside in the wind and the rain and took a voting selfie.

Yep, that seems about right.

Ah, crap... that was only the second thing on my to-do list.

Let's speedrun the rest of this story, shall we?

I drove to FedEx. I hauled a 40 pound box inside. I plopped it on the counter and said, "Man, this thing is heavy!" as I tried to catch my breath. The 20 year old working there then lifted it like it was a feather and I felt great about that.

I drove to the gas station because I was nearly on empty—that is both a metaphor and not a metaphor. I filled my ride with go juice.

I noticed I was a mile from the tire store and they fill up tires for free. So I did that and the guy was super nice and complimented my tires. I felt both weird and proud about having my tires complimented. Like, I had nothing to do with my tires being nice. But I accepted the praise on their behalf.

I drove to the UPS store. The last time I was there I made a scene. They refused to box up a return and I got upset and wasn't feeling well and they had to find a chair for me to sit in because I was going to faint. So I was hoping the same woman wasn't there, but she was. She didn't recognize me, so it was fine.

I drove to my lawn guy's house. He wasn't home. I dropped a check in his mailbox. My checks have corgis on them. My checks are cute.

I drove to the post office. I sent a secret package to my bestie, Katrina. I'd tell you what is in it, but it is an inside joke and you wouldn't get it. The woman noticed my voting sticker and I couldn't help thinking about what I just accomplished to get that sticker.

On my way out I noticed a miracle.

2 of the 4 doors were fixed!

I mean, I don't know why they couldn't fix all 4, but now the employees won't freeze in the winter. So I take that as a win. It only took a year and a half to accomplish and I'm sure all of my phone calls and emails did not help at all. But I'm going to pretend I saved the day regardless.

And then... I drove home.

5 hours of errands.

I was so fucking tired. My back was on fire with pain. I immediately collapsed into my bed. I passed out. And I slept for 14 hours.

The End

#long post

359 notes · View notes