#i was so confused what this was in reference to but then i was like ooooh right ok lol

[rafecameronssl4t]

I bet on losing dogs || Rafe Cameron x fem!reader

Summary: The complications of reader's first pregnancy

Warnings: this fic deals with a miscarriage please read at your own risk, mention of blood, angst

Word count: 1,55

A/n: This is what readers mother was referring to in foreign feelings if you are confused with the timeline of anything, feel free to ask but this occurs after first pregnancy and before reader finds out she is pregnant again with Leo (a fic I haven't written yet)

divider by @h-aewo

You hear Rafe let out a loud sigh as he settles under the covers, his usual tension evident even as he prepares for bed. You glance over at him, noting the way he turns his back to you. With a soft exhale, you make your way to the bathroom, the familiar fluorescent lights flickering on as you begin your nightly skincare routine.

It’s a soothing ritual, one of the few moments you feel entirely in control, a brief escape from the complexities of your life with him. You open the drawer, carefully pulling out your favourite cleanser, the cool feel of it against your skin offering comfort as you massage it in slow, circular motions. Through the mirror, your eyes flicker back to Rafe’s figure, now still under the blankets.

His chest rises and falls in a steady rhythm, the soft rise of his breath somehow grounding yet distant. You wonder, for a brief moment, what’s on his mind, but you shake the thought away, knowing that such questions are often met with cold indifference or irritation. As you close the lid of your moisturiser, you pause, your hand freezing mid-motion as a sharp pain suddenly radiates through your stomach.

A wince escapes your lips, the pain so sudden and intense it takes your breath away. You grip the counter, steadying yourself, eyes squeezed shut as you try to will it away. The silence of the room feels heavier now, and you glance again at Rafe, who remains motionless. Despite the growing ache in your body, you resist the urge to wake him, knowing that any sign of weakness would only widen the rift between you two.

Forcing yourself to breathe through the pain, you push past it, trying to maintain your calm. But the sensation of liquid rolling down your thigh causes a wave of panic to seize your chest. Slowly, with trembling hands, you reach beneath your nightgown. Your breath hitches in terror as your fingertips come away slick with blood. “Rafe…” your voice is barely above a whisper, fragile and trembling as your eyes lock onto the crimson stain spreading across your once pristine white nightgown.

“Oh my god…” you choke out, your heart racing as the blood pools beneath your feet, a deep, horrifying red against the cold bathroom tiles. "Rafe!" Your voice cracks, louder this time, filled with raw panic as the sobs come uncontrollably. Rafe jolts awake, startled by the sound of his name. Groggy and confused, he turns toward the bathroom, squinting against the light as he tries to focus.

The sight of you, slumped and trembling, blood staining your gown, pulls him from the haze of sleep in an instant. “Rafe, the baby. Is the baby okay? Why’s there so much blood!” Your words come out in a terrified rush, your sobs making it difficult to breathe as you clutch your stomach. Rafe’s eyes widen in horror, his expression rapidly shifting from confusion to alarm.

“Holy shit,” he mutters under his breath, his voice tense, almost as if he can’t quite believe what he’s seeing. He stumbles out of the bed, rushing toward you, but before he can reach you, you collapse to your knees, cradling yourself, the blood continuing to seep into the floor beneath you. Rafe stands by the door, eyes wide. “Fuck… Anita!” Rafe yells, his voice desperate as he runs toward the door, his panic bubbling over.

He shouts for Anita again, his voice echoing through the house, but the seconds stretch on, feeling like an eternity as you sit there, your body trembling violently with sobs. You hold yourself tighter, rocking slightly as the tears fall, the world around you closing in. Rafe comes rushing back in, his face pale and frantic as he stares at you, at the blood. He stumbles, clearly unsure of what to do as panic claws at him too.

For once, the cold mask he usually wears in moments of crisis has shattered. He kneels beside you, reaching out but hesitating, his hands shaking as he hovers over you. “I—shit, we need to get you to a hospital.” His voice wavers, no longer the confident Rafe you’re used to seeing. “No-no. My parents will hear about it, I haven’t told them yet remember?” you murmur through shaky breaths, your voice fragile and barely audible.

Rafe stares at you, his usual coldness softened as he gently brushes the stray strands of hair from your tear-streaked face. “Okay, okay—uh—I’ll call James,” he replies, swallowing hard as if to steady himself. You give a weak nod, trying to focus on your breathing, though every second feels like agony. He stands up, glancing at you one last time before quickly leaving the room. Within minutes, another sharp pain grips your abdomen.

A choked sob escapes your lips, and you bite down on the back of your hand, tears spilling freely as the pain intensifies. "Hey, hey. Let's get you in the bathtub," Rafe’s voice, uncharacteristically gentle, reaches you through the haze of your suffering. He kneels beside you, carefully helping you to your feet. The warmth of his touch feels distant, like a lifeline you’re too afraid to grasp.

Rafe moves quickly, turning on the water before easing you into the tub. You draw your knees up to your chest, curling into yourself as the sobs wrack your body. The sound of the water fills the room, mingling with the raw, broken cries you try to muffle. Rafe watches you from the side, his heart constricting at the sight of you so vulnerable, so broken. His mind flashes back to when you first told him about the pregnancy, the disbelief and apprehension that had shadowed his reaction.

Now, all of it feels so distant, as if the fragile hope of that moment has been ripped away. “Good lord,” Anita’s voice breaks through the quiet tension, her shock evident as she takes in the blood-stained floor, her steps faltering at the doorway. James follows closely behind her, his face grim, prepared for the worst. Anita rushes to your side, and Rafe stands, backing away to give her space as she kneels by the tub.

Anita wraps you in her arms, her presence grounding you in a way that only she could. Her hand strokes your back in soothing circles, her words soft and gentle. “It’s okay, shh, just let it out. I’m here, my love.” “T-There was so much blood, Anita. So much,” you gasp between sobs, your voice trembling with terror. “I know, I know, just try and calm down,” Anita murmurs, her voice unwavering, though her eyes glisten with unshed tears.

Meanwhile, James exchanges a somber look with Rafe before stepping forward. “You’ll still bleed for a little while, Y/n. I’ll give you something to calm down, but right now, your body needs to process what’s happening.” His voice is calm, measured, though the sorrow in his eyes is unmistakable. “I am so terribly sorry for your loss.”

You lift your gaze, and through tear-blurred vision, you see Rafe standing by the bathroom counter, his hands tangled in his hair, his expression dark and haunted. “I’m sorry,” you whisper, your voice cracking as the weight of everything presses down on you. The grief, the guilt—it’s suffocating. Rafe’s head snaps up, and the room falls silent as everyone’s attention shifts to you. “For what?” Rafe’s voice cuts through the quiet, and he pushes himself off the counter, stepping toward you.

“For losing the baby—” you begin, your voice small and broken, but Rafe interrupts, his tone sharp, almost impatient. “Don’t be sorry. You’ll have plenty more chances of being pregnant again,” he mutters, his voice tinged with frustration, as if your sorrow is misplaced. It’s the coldness in his tone that stings the most, as though the loss is nothing more than a setback, something that can be fixed or replaced.

You fall silent, staring down at your feet, the water lapping softly against the tub. The ache in your chest deepens, not just from the physical pain but from the emotional distance between you and Rafe. You feel the weight of his indifference like a stone pressing down on your already fragile heart. “But what if I’m not meant to carry a child?” The words spill out before you can stop them, the doubt and fear you’ve been holding inside for so long finally breaking free.

“Don’t say such a thing,” Anita’s voice is firm, her hand tightening on your shoulder. “You’re a perfectly healthy woman who was unfortunate to have a miscarriage. This isn’t your fault.” Her voice is soothing, but you can’t help the gnawing sense of inadequacy that grips you. Rafe stands quietly, his gaze hardening, as if he can’t quite understand your grief—or perhaps, refuses to.

He’s always been practical, focused on the future, but in this moment, all you want is for him to see you, to acknowledge the depth of what you’ve lost. Instead, you’re left feeling more alone than ever, despite the people surrounding you.

[yukioos]

show me how — simon riley x reader (0.8k)

summary: simon comes home to you and your daughters when him and the team need to hide out. however, they never knew he has a whole life outside the military.

warnings: allusion to sex, not proofread

authors note: first ghost writing :3 sorry if this is inaccurate, i haven’t played the games! hope u enjoy reading, a logan post will come out soon too.

“‘re we there yet?” johnny asks, leaning his head against his fist, “didn't even tell us where we’re goin’!”

but simon doesn’t respond, keeping his gloved hands on the wheel as he drives down a long driveway, a house is seen in the distance. trees pass by the car and surround the cream house, a white picket fence protects it. he parks the car next to a cute, pink car that makes johnny turn his head towards simon. his eyebrow raises as the masked man continues to stare at the house before opening the door and closing it, walking toward the house.

the scot turns his head towards the two men in the backseat, just as confused as one is. kyle shrugs and opens the door, causing the captain to smile and open the door as well. they all follow after simon, who opens the picket fence door so carefully, as if he would break it if he applied just a little more pressure.

he follows a concrete path that leads up to the porch, and heavy, fast footsteps are heard from inside the house. quick figures speed past the windows, and the door opens in less than a second. the blonde takes his mask off and tucks it deep in his pocket as he hears giggling from inside the house.

“daddy!” two little girls scream out, running out of the house in their stay-in clothes, both with open arms. he bends down and scoops them both up with his arms, seemingly with no effort. the smiles on their faces are wide as they giggle and hug their father, his smile mirroring theirs.

the sergeants’ behind them have shocked expressions, never remembering simon mentioning a family or children. they never even thought he’d have a family he made on his own, because of his past.

simon looks up from his daughters to see you walking down the porch in your white socks and loose, comfortable, white shorts you love wearing at home. but what tops it off is your tight, pink tank top he loves to see on your body. he feels like he’s fallen in love again, and his heart melts at the sight of your messy but cute hair. although you look tired, he still thinks you’re as beautiful as the day he first met you.

his body heats up when you send a sweet smile his way, softly walking toward your husband, who you haven’t seen for months. he gently places his daughters down on the concrete path, pressing small, soft kisses on their foreheads. as you walk closer to him, you wrap your arms around his large chest, all the way to his back.

he encases your body with his strong arms, wrapped carefully around your waist. his large hands rub your back with so much care and love, as if you’re the only two people in the world. he mumbles sweet words to you, kissing your cheek as he tells you how much he’s missed you.

but when you look up at his tired, dark, brown eyes, you kiss him with passion and affection. as his lips move against yours, you place your hand on simon’s chest, softly whining at not feeling closer to him.

“should take all this off, si,” you mumble, referring to his gear and layers of clothing.

“eager, aren’t ya?” he teases, kissing your neck as you giggle.

your daughters continue to hide from the strangers behind simon, grasping onto his and your leg in comfort. one of them, mary, looks up with her dark but sweet eyes, a man with a thick beard and a bucket hat catches her eyes. he stares back at her with wonder, causing her to smile and press her cheek into her father's leg, shyly smiling at the stranger.

he chuckles and waves back, and you and simon unwrap your arms from each other, making you feel so far from one another.

he rubs circles on your back, apologizing, “‘m sorry i didn’t get to warn you that we were comin’. just need a place to lay low for a bit, is that okay?”

you don’t even need to think for a second before nodding, adding, “we should probably explain this to the girls, i don’t think they know what’s going on.”

he nods and turns around, ushering his teammates into his house, not before you and your daughters, of course. johnny’s almost the last one to walk in when he clasps him on the shoulder, “y’ never told us about the missus,” with his eyebrows raised, a grin on his face, “or the kids.”

“can’t expect me to not keep her all to myself, johnny,” he sends his friend a smile he rarely sees, enjoying seeing the lieutenant outside the military. the way johnny saw his friend smile at his daughters, his wife, his girls, made his own heart melt. the cold, violent, man-killing ghost wasn’t all those things when he was around his family.

[r0se1111]

just found your page and you’re so talented! I love me some Stanford Pines.

I’m in the mood for some angst and fluff so how about reader getting courage to confess to Ford, but he rejects reader because he’s scared and reader tries to move on, and Ford ends up regretting rejecting reader and after much convincing, Dipper, Mabel, and Stan help ford win reader back with a grand gesture and they get together?

Thank you so much! S/o to the ppl who get the title reference :P

Too Sweet

Stanford Pines x Reader

You take a deep breath through your nose, feeling the cold air flow to the back of your mouth, down, down, down, until it settles in the warzone that is your fluttering stomach, bolstering your nerves into a full-fledged shaky-handed, sweaty-palmed fit.

The hot cup of coffee jostles in your grip as you stood before the door of the Mystery Shack. You fix an intense stare on it as if you could telepathically keep the warm liquid from spilling. This is it. You chew your bottom lip and climb the stairs to the front door. I'm gonna tell him.

You knock a few times before the door swung open, revealing a familiar brown mop of hair and niche handmade sweater.

"Y/N!" Mabel beams. You swore you saw a little rainbow arch above her head for a second with the amount of joy she put into your name. You smile back warmly.

"Hey kid. Would your Uncle Ford happen to be home?"

A whip of her head and a call of his name down the hall confirmed that the man of the hour was home and decidedly not currently occupied. Soon enough his oh so comfy looking sweater, crooked glasses, and friendly smile were in your view.

"Y/N! What brings you here?"

You give a quick sidelong glance to where Mabel was standing beside the doorframe, watching the two of you with bright eyes and a bitten back smile. As much as you love her, having an audience to what you were about to do wasn't exactly ideal. You take another steadying breath before thrusting the coffee forward.

"This is for you."

Ford blinks and amusement pulls his mouth into a close-lipped but genuine smile. He takes the cup from your hands, fingers brushing yours. His touch was so warm that when you withdrew your own hand, you glanced down to look at where your skin had met, convinced there must be some sort of mark signaling that electric shock he gave you.

"Thank you!" He pries off the lid to blow some of the heat away and smell the deep, earthy aroma. "I'm never one to complain about free coffee, but what's the occasion?"

"Well!" You start a lot louder than you meant to, slapping your palms down onto the sides of your thighs in a fit of nervous energy. Shit. Start over. "Well," You repeat in a quieter tone. "I wanted to see you and ask you if you would possibly be interested in. Well. In a date?"

You try to overlook the squeal you hear from Mabel as you watch Ford's expression. His face goes a little slack with shock, and he tilts his head in an achingly endearing manner in what looks like thoughtful confusion.

"With me!" You clarify. "A date with me."

"Oh."

You wince at the word, then watch in anticipation as Ford does that thing he always does when he feels stuck with a problem. Rolling around the idea in his head as he tries to look at it from every angle. His mouth opened and shut a few times, and every time he opened as if to reply your body tensed. Finally, he seemed to settle on his response.

"Y/N," He spoke in a gentle tone. "I'm really flattered, but I'm not one for relationships. And I-" He paused and his eyes flitted to the top of the doorframe as if he was searching for some script there, some guide to turning down half-assed attempts at confessing long-held feelings. "I value our friendship as it is too much to jeopardize ruining it because of my own...er... situation. Feelings." He clarified with some vague hand motions you'll definitely read too much into at a later time.

You reminded yourself to blink and bit out a polite chuckle, pressing your nails into the palms of your hands and nodding as you forced yourself to keep eye contact with him. "Right! Of course, I understand. I really value our friendship too so this is... this is good probably. Just us staying friends. Good friends."

You could feel the blood rising to color your cheeks, and the embarrassment of rejection arriving to clench at your heart. As Ford furrowed his brows and started to speak again, you abruptly interrupted, unwilling to endure any other placating excuse he could give you. "I should actually get going. Lots of errands to run. But you- you enjoy your coffee!" You wave and back down off the porch. "Bye Mabel!"

As you walk away you can't help the frown from decorating your face, and the weight of disappointment from weighing down your shoulders until they slumped forward. All the slow-kindled courage you had summoned to ask Ford out had escaped your body like helium from a sad balloon, descending to the ground at a meandering, melancholy pace. He has a point though. I'd rather have him as a friend than nothing at all.

Shaking your hair back from where it had dropped into your line of sight, you shove your shoulders back and initiate the grim process familiar to many a rejected lover, the dreaded moving on phase. I can do this. I can do this.

Back at the open front door of the Mystery Shack, Ford stands in gaping wonder at your disappearing form. You wanted to go on a date with him? A weird old man with six fingers and an obsession with fantasy-math-based board games?

"What the heck was that?" Mabel's borderline shriek of horror interrupted his brief bout of self-doubt.

"What... was what?"

"The girl of your dreams asks you on a date and you say no? How am I supposed to be the flower girl at your future wedding if you can't even say yes to one date!"

Ford stutters and stares at the girl before composing himself to reply. "Mabel, this is much more complicated than that. Y/N is a close friend of mine and someone I admire and care about greatly. I can't just go on a date with her. Not when so much could do wrong!"

"All I'm hearing are excuses getting in the way of true love! What could go so wrong?"

What couldn't go wrong, Ford considered the possibilities grimly. "Well, I could scare her off with my immense knowledge of interdimensional travel, or we could be on the date and get attacked by some half-man-half-car-half-horse for all I know, or she could want to hold hands and our hands would fit together weird and she'll realize she's much too good for me and deserves someone else-" He's cut off by the sad look on his niece's face.

"You know you're a good person, right Great Uncle Ford?"

"Um, well, yes. Yes I suppose I try to be."

"And don't you think good people deserve to be happy?"

"I suppose so."

"And go on dates with pretty ladies who are so totally into them?"

Ford smiled crookedly. "I think I know where this is going." Out of fear of the surprisingly stern look on Mabel's face, and out of love for his niece who he never wanted to cause unhappiness for, he sighed. "Yes, they do deserve that."

"Aha! So you admit that you deserve to give dating Y/N a shot?"

The man flusters. "Admitting that doesn't change the fact that I said no. Why would she give me the time of day now?"

The look on Mabel's face looks eerily similar to Stan when he's come up with a new way to scam tourists, a vaguely threatening sort of manically joyous ambition. "Because you've got me, my brother, and your brother to help you come up with the best apology-slash-confession ever!"

A few days into your abstention from thinking about Ford under the threat of tears and self-pity, you hear a knock on the door and open it to reveal none other than his twin brother, Stanley. He had his hands shoved into his pockets as he leans against your doorframe and stretches his leg across to kick at the other side in casual indifference. "Hey kid. You busy?"

"... no?"

"Well I need a favor done for me back at the Shack. Think you could help me out?"

You pause and take him in. Something about this seems fishy. "You want me to help? Don't you have Soos for that?"

"It's his day off."

"What about the kids?"

Stan shrugs and waves his hand dismissively. "The kids are bein' kids. They don't wanna help their poor old Grunkle out. Spoiled, really."

"What about-"

Stan crosses his arms and looks at you pointedly. "Look, I wouldn't have stopped by if I didn't need your help specifically for an undisclosed reason back at the Shack. You coming or not?"

Maybe it'll be good for me to do something. Get me out of my funk. You think. The devil on your shoulder whispers back, but what if you run into Ford? Frowning, you ponder for a bit as Stan drums his fingers on your door obnoxiously. You're a big girl. You can handle it!

You sigh and move past Stan to close the door behind you. "Alright. What's the damage?"

When you make it to the Mystery Shack everything looks pretty normal. You peek around at the generator and inside the gift shop as Stan leads you, searching for whatever he could possibly need your assistance for. Suddenly, two pairs of hands grab your own and tug you around excitedly.

"Y/N! Why don't we all walk into the kitchen together for a totally mundane and normal reason!" Dipper's voice cracks a bit and you narrow your eyes in suspicion. You look over to Mabel for clarification, but are only met with a giggle and the glimmer of the sparkly heart patches on her newest sweater as she ushers you forward.

"You Pines are up to something." You eye Stan, who simply holds his hands in front of him in an act of faux innocence which you might have believed if you didn't know the guy.

Your investigation of this new strange behavior which has gripped the Pines clan is cut short as you are pushed into the kitchen and abruptly stumble to a stop.

"Ford?" Any residual embarrassment you might have felt was overshadowed by the sight in front of you. Ford, standing in the middle of the kitchen holding a mug of hot coffee. In his other hand, he holds what looks to be a handmade poster proclaiming the words "I'm sorry" in glittery gel pen. Little cupids and swirly heart doodles frame the phrase, and you're charmed to notice that Mabel obviously helped make it.

"Y/N." He breathes your name out like he'd been punched in the gut. He stares at you for a beat before shaking himself out of whatever trance he'd been in. "I wanted to say I'm sorry. About the way I acted when you asked me on... a date the other day."

Ah. There's the embarrassment. You flush at his mention of your failed flirting. "Ford, it's really fine. You don't feel the same, you don't need to apologize for that." The words sting your throat a little, but you desperately want him to understand you'd forgive anything for him, just to be with him at all.

"No it's not fine." His voice starts to verge into the passionate tone he gets when explaining his newest discoveries. "I can tell I hurt you, and you don't deserve that. Also..." He clears his throat, suddenly looking a little shy. "I never said I didn't feel the same."

You swear your heart freezes in its quick motions within your chest. "Oh?" Your voice squeaks out as a near whisper.

Ford nods as he continues. "I do... feel the same. For you, that is." He clears his throat and sets the poster to the side before moving forward with his mug of coffee. "I was a fool to try to hide it. I was blinded by my own self-doubt, and worried about things I had no real way of knowing for sure. But I can see now that us being just friends isn't the best solution to my problem."

Holding out the mug, he smiles and your breath gets stuck in your throat. "I would love to go on that date with you, if the offer still stands."

You reach forward to grasp the mug with two hands, fingers overlapping Ford's on the warm ceramic. You hold them there for a moment, his confession enough to embolden you to savor the shimmering feeling of his skin under yours. Slowly, he works his fingers out from under yours, with purposeful and slow movements where he traces your hands and presses them closer to the mug, as if urging you towards the comforting heat.

Once his hands have retreated to gather together in front of his chest, you bring the mug to your lips and sip at the coffee. Of course it's perfect. Of course he knows exactly how I like it. You pull the drink up to your chest, basking in the warmth you feel not just from the drink itself bleeding through your top and into the skin over your heart, but also in the sincerity of the gesture, and the confession that had breached Ford's lips.

You nod and smile, a small, coy thing. "The offer still stands."

Ford visibly relaxes and you almost giggle at the fact that he'd felt just as nervous and tense as you. "Thank you-I mean- that's great! I know a wonderful cafe downtown where they make the best coffee. Of course, I am of the belief that my recipe is superior, but they are a close second. In fact..."

As you work on downing your own mug, you watch Ford in pure adoring pleasure. Your mirth and affection only grow as you see Stan, Dipper, and Mabel exchanging high-fives from the corner of your eye. Those sneaky Pines.

[jasongracesenthusiast]

PRINCESS OF THE GODS !

PARING(s), percy jackson x daughter of HERA reader

WARNING(s), basically just marriage

AUTHOR’S NOTE, yeah i listened to juno while doing this, what about it

౨ৎ percy met you a little while after he arrived at camp. you were the only demigod child of hera, the queen of the gods. he was surprised at the thought that zeus would even allow you to live, but in fairness, he wasn’t dead yet either

౨ৎ you two didn’t actually consider yourselves friends until after ttc, when you were kidnapped (yes you’re taking annie’s place IM SORRYYY)

౨ৎ after the events of all that, percy found himself…drifting towards you, in a way

౨ৎ like, before everything happened, even if you weren’t necessarily friends, he did know you, like your existence mattered so much to him, he just didn’t know why at the time

౨ৎ but you, on the other hand, somehow did

౨ৎ when you were saved by percy and friends, you were very optimistic that it was him saving you and not somebody else, cause that just wouldn’t be as fun

౨ৎ anyways from the moment you met him, you were like “oh yeah that’s my future boyfriend right there”

౨ৎ and yeah calm down just a little bit, but you also just knew, and you thanked your mother everyday for giving you this knowledge

౨ৎ but you were also pissed because holy shit, it took percy a while to come to terms with how he felt about you, even after saving you and becoming friends

౨ৎ but when i tell you how many times you made a move until he realized

౨ৎ you were very clear about your feelings, like you genuinely had nothing to hide

౨ৎ percy was extremely confused about the fact that you never dated anybody at all

౨ৎ and loads of people at camp clearly find you attractive and percy does, too, so when you were like “oh yeah i’ve never had a boyfriend before” he was as shocked as possible

౨ৎ because like, it’s you

౨ৎ and you’d think that would make it click that he had feelings for you

౨ৎ unfortunately. it did the opposite.

౨ৎ and that was kind of your last straw. you literally sat him down and explained your feelings to him and how you liked him ever since he saved you

౨ৎ THAT’S when he fully realized it

౨ৎ and it’s not cause he’s stupid (mischaracterized percy jackson they could never make me like you), it’s because it’s YOU. the pretty daughter of hera who a lot of people crushed on

౨ৎ you were practically a princess and percy took that so seriously, he found it so hard to believe that you liked him

౨ৎ after insisting that you really did like him, yippie that’s when y’all started dating !!

౨ৎ and when i tell you how much of a power couple you are. you two just radiate that kind of energy, even if someone didn’t know you were together

౨ৎ like you didn’t even need to tell anyone, everybody just. knew, and percy was stunned and he was like, they knew??? did you tell everyone???

౨ৎ and you were like no that’s just the power couple energy

౨ৎ when i tell you he worships the very ground you walk on I FUCKING MEAN IT. you know that one thing where a girl is singing on stage and her boyfriend is sobbing? that’s you two

౨ৎ if i or anyone else had to describe your relationship, it would be that

౨ৎ since your mother is the goddess of marriage, you were very clear about the fact that percy was the man you were to marry, and everybody just like. accepted it

౨ৎ even people who had current or previous crushes on you accepted that, mostly because you often referred to him as your husband like it was a regular thing

౨ৎ percy lets you do it every time and never corrects you, even calling you his wife sometimes.

౨ৎ listen you had your entire future with him planned. from the proposal (if he didn’t do it by age 22, you fucking would), to the wedding, to having kids, all that. he knew he could not stop you like he knew you were prepared

౨ৎ but percy still loved every minute of it, because the thought of marrying you, the love of his life, was just astonishing. he loves you just as much as he loves the thought of making you his wife, because it was you he would be marrying.

[fallenneziah]

hello!!! Sorry to bother or bother you, but I was wondering if you could tell me Tmnt Bayverser's reaction to a reader doing parkour? like they are very good at it, but as no one is perfect sometimes they end up with some marks on their bodyfor example, the reader reaches out to greet Bumblebee and the Optimus eyes fixate on the purple bruise on the reader's skin

Optimus: You're running again, aren't you?

reader: yes!!! I broke my record!!

At first I was a tiny bit confused since you seemed to reference Ninja Turtles but then you brought up transformers... So I'm assuming you want Transformers. Thanks for the asks anon, I apologize for this being stuck in my drafts for so long. 😓

Transformers x Reader who does Parkour.

I'd like to think that they aren't that new to the concept. Thri seeking, tricks, jumping around on things and still doing it even after getting hurt.

I'm sure other than the very extreme gladiator pit and other training arenas that they had things like that on Cybertron.

Although you are different from them, so Optimus doesn't totally understand why you would do something that would cause you pain.

When he saw your bruises and callouses when meeting you he was curious.

He bent down, looking at you, scanning you. Then he introduced himself. "My name is Optimus Prime," you do your best to shake his hand, holding onto his finger. That's when he noticed a bruise on your bicep.

He hummed thoughtfully. "You're injured." You looked down and chuckle. "No, I'm not, I'm actually just a sporty person. The bruises are normal."

"Do you need medical examination?"

"Nah, I'll be alright." You smile at him, and Optimus nods.

Overtime of your friendship with the team they come to understand more of what you do. Bumblebee will drive with you to the outdoor climbing park so he can watch you from some feet away as you do your thing.

He used to be something of a parkour artist on Cybertron as well I would think. But they did become much more concerned for you.

You returned to base early, huffing and puffing, covered in sweat when you saw Optimus, his attention stolen by your state. "Y/n, I'd wondered if you'd disappeared. Are you alright??"

You nodded, bending down and settling your hands on your knees. "I'm good, big guy- phew- oh man that was fun."

Optimus raised an optic ridge and approached, kneeling down to you again. "You've been running again then?" You nod, leaning against his hand that he offers so you can relax. When you grab on he notices a few setting bruises.

"Seems you've been busy."

"I had to break my record." You pant, looking up at him with an electrifying smile.

Optimus firmly nods, hearing the sound of bumblebee coming over, noticing you. His radio going off with a "Hallelujah everybody!"

You chuckle breathlessly and smile. "Hey 'Bee! I broke my record!!"

Bumblebee revs his engine and bends down next to Optimus, who leans you back up and steps back for some space.

"Oh yeah 'Bee." You showed him your watch, which had recorded your time. "Look at that 😄"

Bumblebee whirred loudly, giving you a fist bump.

He noticed the bruises, whining softly, checking them. "Oh they aren't too bad 'Bee. I'm just a little banged up."

Your way of explaining bruises to the team had been it's essentially buffering, the dent stays for a bit until your body buffers it out.

'Bee nodded, gently patting your head.

Now, If Ratchet ever saw your injuries you know he's be ready to lecture you. Telling you how humans are inherently stupid for getting themselves hurt all the time. Unless you point out how they fight and get hurt all the time... Then he'll shut up and just look you over.

He doesn't dislike you, he cares for you and your fragile human body very much.

Overtime they get used to you coming back with minor injuries like bruises. Bumblebee even gets into how big can the bruise get?? And you entertain the idea while the others just... Watch in disbelief of you two.

And then one day you come back with a little more than a bruise. Bumblebee came to pick you up, whirring when he saw the wrist guard you were wearing.

"It's ok 'Bee, just a sprain."

'Bee whirred his engine. and on the way back to their little hideout you told him what a sprain was.

Yeah, don't even get me started on what happened when Optimus saw that. Sauntering into base without a fully functioning hand!? Off to Ratchet!

"Y/n, you need to be more careful." Optimus said while leading you to Ratchet.

"I know, but we've got medical tools to help me heal Optimus, it's not like I'm dying." You teased.

He shot you a look, a brief note of frustration, before resting his expression again. "I am still going to let Ratchet look at you."

You gulped. Aw man...

When Optimus brought you in, Ratchet reacted how you can expect. He crossed his arms and took a look at your hand. "You aren't being careful." He said firmly.

"I am-"

"No more running, even after you heal." He said firmly.

"Yeah, well you can't ban me." You also crossed your arms.

Optimus sighed softly, giving his old friend a look. They didn't understand, but hey, if you wanted to do it, they couldn't stop you. They just worried when you got hurt.

[yuvany]

PAINT ME LIKE MONA LISA

𝐄𝐍𝐇𝐘𝐏𝐄𝐍 with an artist!reader

OT7 ENHYPEN x fem!reader . . . CONTENT / WARNING(S) : fluff + est relationship + not proofread . . WORD COUNT : 812 . CHECK MARK !!

( REBLOGS + FEEDBACK APPRECIATED !! )

𝗟𝗘𝗘 𝗛𝗘𝗘𝗦𝗘𝗨𝗡𝗚

"Hee, don't move." You suddenly warn, your pencil balancing in between your fingers as you hold your palm up. "Please don't tell me a bomb is gonna detonate, babe." he jokes, and you chuckle, the sound of your pencil stratching the paper fills the room. "Are you drawing something?" He asks, and you hum. "Yup, wanna take a guess what i'm drawing?" You try to do this quickly while Heeseung is standing as still as he can. "Not sure. Care to tell me, pretty girl?" Heeseung itches his nose quickly, which goes unnoticed by you. "Obviously Mr.Handsome is my muse today."

𝗣𝗔𝗥𝗞 𝗝𝗢𝗡𝗚𝗦𝗘𝗢𝗡𝗚

Saw you placing a bowl of fruit on the table, adjusting it and looking at it from all angles. Jay starts getting interested in what you're doing, so he gets closer to you from his hiding spot behind a corner. You hum delighted and return to your seat, but see Jay standing there. "Hello?" You ask with a chuckle. "Hey, sweetness. What's going on here?" Jay asked. "Nothing much, just an art project for school, they want us to do realism." You go on and explain the assignment. "So, like in the movies?" He asks, referring to how most movies use a bowl of fruits. You nod your head, and Jay gives you a kiss on the cheek for good luck.

𝗦𝗜𝗠 𝗝𝗔𝗘𝗬𝗨𝗡

Jake walks into your room and sees the painting resting on the floor, the paint still looking moist. It's like the canvas is whispering for him to come closer, because he does, his eyes observing each detail. Without noticing, Jake's finger gets closer to the canvas, brushing against the edge softly. "Aye! Don't touch!" You exclaimed upon entering your room and seeing him hunched on the floor. "sorry babe, but this is absolutely gorgous!" He says, a wide smile presenting itself on his lips. "Thank you, but you gotta be careful, babe." You laugh awkwardly, hunching down beside him to admire your art with him.

𝙋𝘼𝙍𝙆 𝙎𝙐𝙉𝙂𝙃𝙊𝙊𝙉

He sees you pull out a sketch book and a pen, his eyes glued to the movement of your wrist. "Are you drawing me?" He asks with a smirk as he poses jokingly. "You wish." You chuckle and turn the block around so that he can get a view of it. Sunghoon takes a while to look over the rough sketch, and you start to wonder if he's actually observing it, or just zoning-out. You raise and eyebrow, and he says, "You know, I am a much better view than a simple window." He glides his arm around your waist and pulls you in. "I'm sure you are." You say, pressing you lips to the corner of his mouth.

𝗞𝗜𝗠 𝗦𝗨𝗡𝗢𝗢

You and him went to an art museum, his hands holding yours while you take your time to watch each exhibition before either taking a picture, which Sunoo knoows you'll use later as reference, or pulling out a small piece of paper form your bag and a pencil as you sketch the art while explaining the history behind the artworks. "That's really interesting." He says, and follows you around while you repeat the pattern of taking a photo, sketching and explaining. "Imagine if they one day put up your art, angel." he says in awe, and you reply, "then I'll tell them that the history of it is my love for you."

𝗬𝗔𝗡𝗚 𝗝𝗨𝗡𝗚𝗪𝗢𝗡

He sees you curled up in bed with your art block on the bed as you sketch on it lazily while laying down, waiting for inspiration to flow into your head. Jungwon sees you through the door when he walks by, and walks back to make sure of what he saw. Naturally he walks in, catching your attention. You hum at the sight of him and he plops onto the floor after grabbing a pencil from your desk causing yiu to stop drawing and look at him confused. So far, you've only drawn sunflowers and fishes very sloppily. Jungwon sees them and tries to copy the best he could, but let's just say he did his best. "That's a cute one." You giggle, seeing his attempt.

𝗡𝗜𝗦𝗛𝗜𝗠𝗨𝗥𝗔 𝗥𝗜𝗞𝗜

Your first date with him was an artistic and creative one. He took you to an art cafe and challanged you to a paiting conset, but he underestimated you and drew a nice sunset instead, confident that he'd win the bet easily. "Times up!" He says with a smirk, and you smile brightly and let go off the brush. "Do you wanna go first?" You ask, and Riki shrugs. "Alright, but be prepared to be blown away." You clap the sight of his scenery, and he urges you to show yours. As you turn the canvas to him, his jaw drops and you chuckle. "So what do I win?" you ask after he was done gaping. "How about a kiss?" He asks, and delivers.

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for (he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc). And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, etc. but I won't get into diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[sirfrogsworth]

Grampa's Antique Fan (2015 vs 2024 Edit)

As a young man, after coming home from the Second World War, my grampa got a job as an electrician for Emerson Electric. He didn't work on the actual electrical products. He just maintained the electrical systems that power the tools to make electrical components.

It was a "I heard you need electricity for your electricity" type deals.

The company was founded in 1890 in nearby Ferguson, Missouri by John Wesley Emerson. He was a Union commander in the Civil War and a lawyer and then a judge and then an author and then a historian... so he was clearly qualified to run one of the first electronics companies. (This is currently referred to as the "Law of Elon".)

Emerson (the company, not the dude) specialized in electric motors and was the first to stick their motors in a fan and sell them.

As you can see by the 4 protective fan guard loopies, these were very safe for kids to be around.

I mean, the biggest thing you could shove in there is a baby arm, which is the least important part of a baby. No baby heads were chopped off—which was the bar for consumer safety during that era.

Fans are rated by the volume of air they can push over a period of time and your average box fan can push about 1400 cubic feet per minute or "CFM". When this Emerson (the fan, not the dude) was produced they actually used "CCH" or cubic cubits per hour. Emerson (the dude) loved using odd standards of measurement much to the chagrin of his engineers.

Due to the small surface area, weak angle of attack, and heavy metal blades, this electronic beast could only push a baker's dozen cubic cubits per baker's hour—which was a confusing metric of time because people were very superstitious and they refused to put the 13 on the baker's clocks. They just left a mysterious blank void after the 12 and apparently several people had existential crises during the baker's hour. Some were institutionalized for a rare condition called Time Delirium.

Thankfully Emerson Electric was able to provide the electroshock therapy devices that cured several patients. This was achieved by erasing the memory of the traumatic time delirium events along with a few other unimportant details like what they did last Tuesday and their mother's name and one engineering degree that the guy wasn't even using.

My dad actually got the fan working and let me tell you... that bad boy could really work up a gentle breeze...

...if you stood behind it and blew.

And that fine American-made electric fan motor was just as quiet as a leaf blower on Saturday morning.

Over the last century, Emerson was bought and sold and bought and sold.

And bought and sold and bought and sold.

Was that 7?

Eh, close enough. We'll call it a baker's 7.

They changed their product line countless times over their 130+ years of existence. After fans they pivoted and made electric meat grinders. To this day, no one know what inspired that decision.

Currently, they make radar avionics and are majority-owned by the private equity firm, Blackstone. Which is a totally non-evil sounding name they chose for their company-eating empire. Please ignore that the CEO was one of Trump's policy strategists. This is a non-evil company with a non-evil name run by non-evil people, okay?

Despite Emerson Electric having to settle a baker's gross of lawsuits involving a few lightly scalp'd babies, they maintain a Fortune 500 status and are still headquartered in Ferguson.

They occupy one of the most boring ass buildings ever constructed.

Just rectangles all the way down.

That architect told every angle to get rect.

Of course, I forgot all of this cool history and sold this fan in the estate auction. I suppose it is a good thing I got a nice photograph to help assuage my current feelings of guilt. I mean, it is not baby scalping, time delirium guilt—but I would feel better if I knew my gramp-gramp's fan was in a good home with 0 babies.

[allzelemonz]

Image: Dutch Van der Linde X Male Reader

Pronouns: he/him, Reader referred to as ‘boy’ Physical Sex: AMAB Rating: T/Violence Warnings: period typical homophobia, internalized homophobia, d/s undertones, reader implied to be younger, age gap, bruises Summary: You mess up and show a little affection in public, Dutch is set off.

You weren’t thinking. It’s been so long since the gang had gone out to a saloon with all this running back West and you’d gotten so used to getting to do what you want affection wise. Dutch, however, did not forget. He was, and always is, thinking so very deeply about everything imaginable. So when you leaned over and brushed your hand against his, he noticed. He noticed like that voice itching the back of his brain said everyone else did.

So he grabbed your arm, fingers bruising at your bicep, and hauled you out and into the alley. A somewhat confused Arthur and Hosea following after and lingering just off the street as Dutch pulls you into shadow.

“The hell are you thinkin’, boy?” Dutch huffs, squeezing harshly at your arm.

“I didn’t--”

“Folks in this state get killed for that and we don’t need the goddamn heat.” His eyebrows fall downward into an angry crinkle. “Do you understand?”

You watch the twitch of his eyes, the way they scan over your face like a man that’s never seen you before. And seeing Dutch so irate with nerves makes words catch in your throat, so you settle for nodding.

“Go get on the damn horse, boy.” Dutch huffs, shoving you towards the awaiting Hosea and Arthur.

You stumble, but do as you’re told. Arthur joins you as Hosea talks to Dutch, both waving the two of you off.

Arthur turns his horse towards the south road. “You can stay in my tent tonight.” He mutters. “‘Less you wanna have Dutch yelling all night.”

So you do. You lie down on your spare bedroll under the same tent as Arthur, who snores louder than a train, utterly and completely restless without Dutch holding you. All because you forgot you can’t be such an invert outside of camp. That’s what echoes in your head until you fall asleep late into the night.

The morning isn’t much better. Grimshaw comes by, kicks your leg to wake you up and shouts at Arthur as she rattles off chores for the day. You try to lose yourself in cutting wood that morning. Hosea’s usual Dutch Damage Control, patent pending, keeps the rest of the gang from asking questions. Even Uncle keeps away while you have an axe in hand, not daring to ask for money while you’re in this state.

It isn’t until your arms ache that someone finally stops you, a hand landing on your shoulder and squeezing. You freeze, knowing it’s Dutch from the familiar rough rings digging into your skin.

“You’re overdoing it.” He mutters.

“I’m fine.”

His hand squeezes harshly, enough to make you want to squirm but Dutch trained you out of that a long time ago. “Tent, boy. Now.”

When his hand leaves your shoulder, you drop the axe without another word. The walk to his tent is silent. The whole camp is on edge as Dutch drops the flaps of his tent. You wait in the middle of the wooden platform of a floor, knowing he’ll tell you where to sit. He does, gestures to the cot.

As you sit, he stares for a moment. His eyes look over you and he adjusts his rings before he speaks. “Hosea said I was too harsh with you.”

“It was fine.”

“Shirt.”

You look up at him for a moment before taking it off. His hand comes to your arm the second it’s gone, fingers brushing the bruises that formed from his grip.

“Just needed you to understand what’s at stake.” He sighs. “I’m sorry, darlin’.”

“You’ve done worse.”

“Only when asked.” Dutch shakes his head, moving his hand to tilt your head up. “I never get carried away like that. I… I was simply worried, my dear.”

“You don’t have to explain.” You turn your head away from his hand. “Just Hosea’s words anyway…”

“Stop that.” He snaps. “You’re my boy, aren’t you?”

You take a breath, staring off into nothing for a moment before nodding lightly.

“Then believe me when I say I’m sorry.” Dutch sighs as he sits beside you, his arm wrapping around your shoulders and pulling you to lean against him. “If I’m gonna run cons in town, I need to seem respectable. That’s all.”

“I know.” You mutter.

“I’ll take you out this week, a dinner away from camp… nice hotel.” He chuckles. “But if anyone asks, you’re my nephew.”

“You don’t have to make it up to me, Dutch, just don’t go crazy like that…” You speak softly, leaning further into him until he puts his arms around you.

“Did I scare my boy?”

“Not that much of a pansy.” You mutter.

He sighs, running a hand through your hair. “I missed you last night.”

“Could take a nap.”

He hums, kissing the top of your head. “Wonderful idea, my boy.”

[rpg-elf-girl]

I have a lot of thoughts right now about the latest episode (14)

Here's your warning to watch the episode before reading the post:

Okay okay okay

So I went back and watched the sequence of the whole Ace body discovery to try and see if there's anything there after the whole tape debacle this episode.

Here's a little recap of what happened for reference (episode 6 ~ timestamp: 18:36-21:55) :

-Teruko and Eden go to the workout room and see Nico over Ace, They run off

The tape is clearly by Aces feet here and remains there for some time

-The girls have a talk about the situation, Eden freaking out, and Teruko suspects Nico

-Teruko starts investigating, & Eden says she needs to process what just happened, Teruko tells her to sit down and not to touch stuff

-Teruko does her investigation she points out the tape here

-Eden comes over and offers to help after a little bit of this

-Teruko starts to investigate Aces body

-Ace gets up screaming and knocks Eden down

(it's about here the tape dissappeard)

-Eden gets up, surprisee Ace is alive

-after some more screaming Ace bolts out of the room and after Nico

-MonoTV promptly kicks everyone out

Okay, so I have some thoughts about all this. Character and story wise I have a hard time believing Eden did this but I don't think it's possible for Ace to have stolen the tape or mimicked the crime.

I can get behind him killing motive wise, but not with the method presented here.

The mans been scared to death since the start, got even more paranoid after the first case, literally everyone shits on him, he overheard Teruko saying he'd probably die, theres Veronikas whole disection of him in the cafeteria fight scene, and now he's nearly been murdered. So him getting paranoid and desperate isn't too far off. Also, him having nothing to do with Arei would be a good cover for him, so I don'treally count that as a defense of him.

That being said according to Nico, he woke up mid murder and fell unconscious again. How much of the method could Ace have possibly seen? Also, something that strikes me as odd is something in this image:

Ace's hands are covered in blood, so even if he theoretically grabbed the tape, wouldn't there also be blood on it? How would he hide it when using it for Arei's Murder?

Also the minute he woke up he was the center of attention, so I highly doubt he would even have time to properly hide the tape from both Teruko and Eden, or that he'd even be thinking of that the second he wakes up from nearly dying.

So because of all that, I don't think it's possible for him to be the killer here.

Opportunity wise, Eden has the most chance at staying undetected, seeing as she was on the floor around when the tape disappeared. She also had the opportunity when she was resting to observe the crime scene so she could more easily figure out and mimic the murder method.

That being said, Eden as a killer confuses me so freaking much, I feel there has to be some curveball here????? Like she'd have to have a pretty clear head directly after seeing a whole ass body so?????

I get Arei said she's likely not as innocent as she appears, but this feels like a bit much. Unless she's being blackmailed leading to some traitor reveal? It's really hard to say.

Anyway, that's my two cents here.

The two people I thought would least likely be the killer are the two main suspects, and now my brain is soup.

[seeminglyseph]

Every now and then I'll see a critique like "they sure just shout their feelings at each other"

And it's like... a shounen fight anime for teenagers.

Which is not to say that the genre is not *capable* of subtly but like. Also, sometimes, when your target audience is teenage boys who are specifically looking for punches, like... sometimes, you put the text in the text on purpose. Sometimes, you consciously choose to have the hero geadbutt the power of friendship into a guy, and they talk about loneliness and fun and leadership.

And also sometimes. Characters don't have the vocabulary to describe their emotions in a way that sounds "valid." Sometimes that's characterization in itself, the lack of vocabulary to describe emotions and motivation. Honestly, it's wild how often people will just take characters at their word when they describe their feelings in a shallow way when like... all the imagery is like... clearly depicting something else. Like, say.... Sometimes, a character just says their bored, but like... literally, all the imagery involved clearly depicts a pretty deep depression or personal crisis. But that character has no words or frame of reference for how to discuss those feelings, so he just says he's bored and lashes out in increasingly erratic ways?

Yeah I might be talking about Wind Breaker again Tomiyama Choji gets done so fucking dirty by people what the fuck is up with so many videos I have seen just fucking going "what he did all this because he was bored???"

Like. No. Did you pay attention??? He lost his purpose, and he lost his way, and none of his friends were willing to stand up to him or stand with him, so even though he was the leader and he had a gang, he was entirely alone. But he didn't have the ability to find what he was missing, or name what he was feeling. So he didn't know how to ask for help.

He's as much a feral child as Sakura and so works as a first arc foil for him, a character who seeks power and leadership without any goals or intentions behind it besides "Freedom." Especially since Choji is shown not fully knowing for himself what freedom is or would represent. But for the types of people who end up in feral street gangs? And for a character that is a foil to Sakura and is also... very speed based in his fighting style. Freedom makes sense for something that Choji would want.

But it seems like a promise he was given without much intention of him receiving it. I don't really think he was supposed to overthrow the boss of his gang and become the leader... though that's some rampant speculation.

I dunno man. I know part of it is like. O ly one season is out, so everyone is still not sure what to think about it. And that's fair. I'm still like... confused about multiple angles of the series. I've read... a decent chunk of the manga, and I'm still like. Pretty curious about how the universe works, honestly. Maybe the fact that I clocked how Choji held his chopsticks and like. Multiple puzzle pieces fell into place because I have been loving the weird little details Wind Breaker will throw in. Either this series tells a very intense story through background details and character designs, or one day, I will be made a very large fool of.

None of this is an organised enough thought to be worth anything but like. I know this is probably not controversial among Wind Breaker *fans*, but like. I keep like... seeing people with this opinion in videos and stuff talking about Wind Breaker that seemed to have not connected and not understood.

Which does make me feel a little like a "you just don't *understand* man." But like. If you really felt like Choji acted the way he acted because he was bored and wanted to have more fun you like... *didn't get it* or were being purposefully disingenuous because you personally disliked the portrayal.

[ryssbelle]

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

[blueteller]

Classic Clown-To-Clown Communication

[art-is-kayos]

A Hypothetical.

[spacebubblehomebase]

Not art this time but...

Headcanon: Lucifer visits Earth every decade or so as a part of his job as the ruler of Hell. He does it to learn about new sins as "subtly" as he could.

Lucifer: What is ray-sings-sims? Raising-sims? Raisins? Rain-Race-sin? R-Racisms? YES! That! Is it the one where people hate on the opposite sex for absolutely no reason even though humans were all made of the same cosmic dust?

Black woman: (Looking amused at the most stereotypical rich white guy she's ever met asking about sexism and racism.)

Lucifer: Yeah. This cocaine thing is doing absolutely nothing for me. I don't really get it, but this is a sin too. So marking that off the list! Thanks for letting me have a go at this, uh, Mr. Dealer? That's your last name, right? Oh man. I'm really bad at remembering names, but have this as a token of my appreciation. (Gives him a thousand dollars which is basically worth even more at the time.)

Drug dealer: (Gobsmacked the guy was still able to keep walking after practically inhaling every drug in existence back then in one go.)

Lucifer: So this, um, cult thing? How did it get assigned to our department again? It sounds just like what Heaven does to me. Huh. Ah well. I guess I'll just roll with it like everyone else here. (Shrugs.) Yay, cult! Sooo do I get to keep the robe? It's kinda comfy- Aw wait there's murder? One died a-and another... Oh... OH... Ooooh boy. Oof. Yikes... So this means I can DEFINITELY keep the robe, right?

Lucifer: Ah yes. Burning the witch. Time to list down all the sorry souls who threw their life into the flame by believing in the occult arts. (Lists down everyone in the crowd who burned said "witch.") And as for Ms. Agnes The Witch here... Hmm. Well, that's for Heaven to worry about! Toodles~! Or, uh, Tickety-Boo!

(Needless to say, dear Luci has been an accidental charmer back on Earth. ^v^ Specially to sinners and people who were just unjustly treated during those times. He just had to see what every sin was for himself and try them out from time to time, but he didn't know he's been perceived as acting with the manners and traditions he gathered from the LAST decade he was on Earth so to everyone who's long gone pass those times, he comes off as a polite old-school rich white man. Naive yet surprisingly non-judgemental.)

-Bubbly💙

[izel-scribbles]

just finished malevolent relisten. needless to say the obsession has been rekindled tenfold its previous magnitude