#i was going to actually draw it but i didnt like how the sketch was coming out

[shortkinglogan]

This just in!

Thank you @assorted-thoughts-and-feelings for the idea 💛

Based on this post

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[good-beansdraws]

In echoes, witches are made by sacrificing someone to the Mad God, and one of the final bosses involves a character we've seen turned into a unique fire-elemental witch. Her fight is more sad than scary, since she's just a silent, soulless echo of the kind woman we saw before.

I really liked combining this idea with the witch-hunt vibes in Bring it On. In my fantasy au, Fuuta wrongfully leads his band of knights against a village girl, resulting in the townspeople burning her before all the facts were laid out. She was using magic, which is what Fuuta called her out for, but she wasn't using it for any malicious or witchy purposes. When she dies, the bit of magic in her flares up with her emotion and she returns as this type of fire spirit. As well as Fuuta's abstract haunting guilt, he now has a silent, destruction-bringing ghost haunting him each time he tries to run away from what he did.

[buttercatrho]

There are some spoilers for crosscode down here ok forge forge dont look

an IRL Lea (hornless beast) my buddy cikie (cikrovat on tumblr) gave me the idea for this and also talked about it with me and helped me develop ideas if you dont know them are you insane theyre cracked please stare at their art but yea fun irl au, idk all the details exactly yet (i keep automatically thinking of it as like current day au but idk if i want that or i want it in the same time period as the game is set). There's a couple more art ideas I have for it but idk if ill ever get around to making them. idk exactly what to do with her parents because i know she gains a lot LOT more freedom at some point which i really doubt they'd just allow with this image ive made of them, so they might be dead rip sorry lea

[skitskatdacat63]

I drew all of my historical AU Sebs!!!!

In order they are(with relevant links to lore info if you are curious!!): Napoleonic Hussar Seb(x), Renaissance Muse Seb(x) and Boy King/Emperor Seb(x)

Let me know which you like best!!!

[todayisafridaynight]

sequel to this cause Uh Oh !!!!!!!

[peachfruitcake]

POISON 🦄🦋💝🖤

[opens-up-4-nobody]

...

[soularsss]

Drawing Likeness: with Tem!

okaay since a few people actually showed interest in me sharing a bit of what I've been doing to figure out how to really capture likeness, specifically Temuera Morrison, I figured id do my best to write it out

I am also going to entice you with some of my recent clone art! (oooh some of it is unreleaaasedd)

I am putting the whole thing under the cut because I have a feeling its going to be long:

Read more!!!

a couple disclaimers before we start

-This is not some definite post about how everyone should be drawing clones, nor is it in any way claiming that this is the right way. This is just my musings as I stare at a mans face for way too long and try to replicate it

-I am inexperienced. As kind as you all are to me, drawing real people is relatively new to me, capturing a persons identity through their features is difficult for anybody, and I am no different. I have watched many a video on likeness and had my share of classes, but If im being honest, i rarely put it into practice successfully. So there'll probably be errors in this post or things i will come back to in a few months and wish I had said/done differently

ANYWAYs you guys get my vibe im just here to ramble and today we are rambling about mr copy paste. I am doing this for Law, my clone boy, because I plan on delving further into oc fanart and I want to put effort into representing him correctly!

SO LETS BEGIN

Before even deciding what specific pose of a person I want to draw, I tend to grab a bunch of references and compile them like so

(all of these can be found on my pinterest)

Why so many? Well, we are about to delve into facial features, so when we are dealing with photos we have to take into account that there are an abundance of circumstances that will influence how a persons face will appear, some of these include:

focal length: All of these are taken on different devices, and focal length can play a big part in distorting faces

age will play a part, your face changes a bunch throughout your life!

lighting, while not as major, can muddy the waters and make it difficult to interpret facial planes and features

SO, to make sure we get a proper grasp of what's really going on, I like to make sure we have lots of options to compare and contrast with.

Next up! What I like to do is block out the main facial features with colour on different layers, the features I block out usually are the general face shape, eyebrows, eyes, nose and lips. But what you are looking for is the defining features of a person, so that could include other things! Maybe a scar, or some particularly prominent cheekbones.

I dont have any rhyme or reason when it comes to picking my colours, all that matters is you can see all the shapes clearly.

Now I may be biased, because Ive been staring at these for 4 hours, but notice how it still looks like Tem? :D

Anyways, now we can break these parts down, and you'll see what I mean about compare and contrast:

We'll start with isolating the facial shape, putting all these next to eachother you'll notice they arent exactly the same (partly because of my shoddy work) But the distinguishing features run through each shape! Namely the very soft rectangular shape I sketched out in the bottom right there. Along with his soft, wide jaw structure.

I did the same for the rest of his features!

You'll notice I highlight the prominent shapes and ratios,

When drawing anything, it is important to start from the very base shapes and build up.

When drawing something you want to look like someone, those shapes relative to other shapes is what makes it look like them.

I didnt use the same technique with his eyes and lips, but I wrote out some helpful info for them! More importantly for his eyes.

When drawing eyes, I find the most important part is where exactly I draw the creases, (along with the overall shape of the eye itself) it is important to understand where those will present themselves with hooded eyes.

NOW, with an understanding of his facial features in place, lets take a detour to colours:

before I start, a couple things to note:

-Temuera morrison versus the clone troopers in the animated shows:

While I love the animated shows they don't exactly stay close to their source material. Im going to link here to an excellent post discussing whitewashing specifically in relation to the clones.

Temuera is Māori, of Te Arawa (Ngāti Whakaue) and Tainui (Ngāti Maniapoto, Ngāti Rarua) whakapapa, and also has Scottish and Irish ancestry.

The Māori people are the indigenous Polynesian people of mainland New Zealand (Aotearoa). Māori originated with settlers from East Polynesia. Māori people often vary in skin tone, Skin colour doesn't determine ethnicity. There's often a correlation but it's not a requirement.

But that is a tangent! What we are aiming for is to stay true to Temuera.

Bringing back my reference photos from before, Ive colour picked a buncha values and theyre all over the place. Why doesnt this work?

Similarly to earlier, you have to take into account the photos themselves. Many things like lighting, colour grading (when it comes to filmography) and makeup, can alter how a skin colour presents in photo.

You can attempt to get true to life by swatching from certain places on the face. Here I've tried to pick some photos with good lighting, and I've also tried to avoid overly lit/shaded areas.

Tem has a very warm, tan skin tone, Instead of colour picking I tend to try and replicate it myself, but I do often bring in references to make sure Im staying true to the source!

a brief intermission to talk about colour theory, something I myself struggle with alot. Often, when putting in flat colours without a background, I will forget to make sure the colours i intend to use will work with the skin tone i have picked! (something that is apparent in older works of mine, not just in relation to clones, but in general, the colours I end up with stray largely from their original sources and it is something I am doing my best to keep in mind and improve in! Although I don't think i am nearly experienced enough in the topic to say I have succeeded yet lol.)

anyways back to Tem :))

Now we can put all of that into practice! Things to keep in mind when drawing out a piece next to a reference like this:

the distance between the eyebrows? how far down his face does his nose go? Basically just, in relation to eachother, where do all those shapes we found earlier, sit?

The screenshot above is from before I did it myself, but instead of directly tracing from the reference, a handy trick I use it to complete your sketch first, and then overlay a traced version to see where your inconsistencies are! Alternatively, you could move your sketch over the image, but I didnt do it that way so!! uh!! im sure it works exactly the same!!!!

When it comes to a final illustration, or any sketch that isnt a direct study, of course you can push and pull and stylise! You'll see below that I'm not exactly 1:1 to my reference photo either.

The important thing with stylisation, or at least my own personal understanding of stylisation is that you need to thoroughly understand the thing you are stylizing! "You need to know the rules to break them" and all that. While shapes, lines and rendering can change, when it comes to drawing someone, and making it look like them, you have to make sure to keep their core features true to source. Caricature can capture a persons vibe whilst drastically exaggerating features, but it will only look like them if you KEEP THOSE FEATURES!!!! SHAPES!!! AHHH!!

But that is just my perspective on the discussion of style versus realism, please dont take is as Law, I dont know what Im on about half the time!!

anyways, after fixing your sketch, add local colours!

I rexified him because why tf not! But this is where you can go crazy with that clone personalization!

And then here is a very very barely rendered version (if you guys want me to explain how i RENDER that would need to be a completely different post, and I havent had anyone ask about it yet so who knows! maybe one day) But I digress, hopefully you learnt something new through my ramblings! It has certainly helped me organize my thoughts and I have also found some areas I would like to focus more on in the future to improve my own art!

TLDR: In order to understand an object, be it a face or a building or literally anything, you have to break it down to its simplest forms, understanding LARGER shapes will help you immensely in the long run

If you guys like this sorta content do let me know! I'd be down to do similar things for armor/anything really, I am very anti gatekeep so really anything at all you want to know! Send me an ask :))

also if you see a spelling mistake.. i don’t know how that got there

[drawcupidsbow]

happy birthday isat :)

this took me Wayyyy longer than i thought it would so thats why its a bit late.. ehheh.... i really like how it turned out though !! extra stuff under the cut

okay. okay im gonna get a bit sappy here. bear (🐻) with me

isat has very quickly become my favorite game of all time which is not an exaggeration. never have i played a game that felt so real in its dialogue, characterization, and character interactions. it makes it so easy to relate to them all and so difficult to pick just One favorite. it cured my art block watered my crops fed my family etc etc. i had originally bought it nearly a year ago now. on christmas day to be specific! and for some reason i didnt actually Finish the damn thing until may. and whew did it consume my every waking thought. i havent had this much fun theorizing and being part of a fandom in general in so so long. thank you adrienne for making such a wonderful game and thank you isat fandom for being so kind and friendly! i actually feel like i can make an effort to have a presence here more than anywhere else and i hope i can become closer with all my mutuals and anyone else who wants to talk about isat with me for one million years

okay enough Heres the art you came here for

first time in like. actual years i did sketch then lineart instead of just cleaning up the sketch a bunch LOL so here is the sketch for this one

the dreaded lineart. this took the longest time and i never want to draw again (joke)

self explanatory. i had an idea to add loop but do Not have the energy to execute it currently. oh well!

if you read my big big paragraph of rambling thank you :3c That is all. Im gonna go take a break from drawing for a day or two and lay on the floor

[flamboyant-king]

I have a lot of penny sleeves for pokemon cards so I got the idea to use them as packaging!

Also I don't have a good printer, so instead you get doodles wheeeee.

The backing postcard thing for the pokemon energies I made with posca markers. Maybe I'll have to print em onto cardstock, but that's just a prototype! I'm thinking "ooh what if they were different pokeball, but that would be too much, no?

My hole puncher can't reach the middle so I taped the fairy energy to the paper instead haha

Look guys! I'm making buttons again (and injuring myself again because I work too hard.)

But I've successfully acquired myself over 200 fairy cards from shuffle through dozens of card shops bulk cards. They're hard to find, man.

I'll open my Etsy shop once I get my tablet and am able to draw digitally again heeho! But it's gonna be stickers and buttons until I get the confidence to get charms made. So keep an eye out!

[the-s1lly-corner]

Ej, Lj, Masky, Hoodie, Masky, Ticci Toby and Bloody Painter x reader who draws them

Prize 5/5 for @reivelmin !! I hope you've enjoyed all of your prizes WOOHOO!! I had a blast writing them, hardly ever get the excuse to write for some of these characters EHEHEHEHE

EYELESS JACK

I've always headcanoned that Jack was always a bit of an artist himself, although the most he does it sketch every now and then to keep his kind busy. He points out some techniques he recognizes and asks you about it. It.. actually takes him a moment to realize that all of the drawings are him. You can practically hear the gears turning in his head before he tries to move on. This opens the window for the two of you to draw together every now and then.. though jack is always a little embarrassed.. flustered.. with the knowledge that you have so much of him in your book

LAUGHING JACK

Very loud when saying he loves it. Hes flipping through the pages before pausing, looking you dead in the eye. He makes a comment about how you must be soooooo obsessed with him. Hes teasing you, of course! He offers to draw you in return.. though dont expect anything crazy, Jack's not.. the best artist- and hes okay with that! Loves looking through your art whenever you offer it. Would kick his feet in the air while looking through the pages. Sometimes you give him sketches to color, to keep him busy while you have to go do something

MASKY

He already knew what you were drawing him before you ever have the chance to show him. The man is silent and is constantly keeping an eye on you.. he does NOT know how to be a normal roommate!! You probably dont get the chance to show him yourself, because he points at a stray pencil marking that you forgot to erase. Worst jumpscare of your life, if you werent already aware of his presence in the room... he.. actually gives a thumbs up. Which doesnt seem like much but considering that he doesnt really emote, that's a huge thing... now does he think it's a little odd that you have a bunch of sketches where hes the reference? A little, but he does offer some good poses and lighting due to him tending to lurk in the shadows

HOODIE

Very similar to Masky but at least he pretends to not know. You walk up to him with your sketchbook and hes so obviously playing dumb but its.. sweet that hes pretending. He takes his time looking through all of the art, where some of the others get too excited and flip through it all. He doesnt talk, but he does communicate that he thinks it all looks great via sign.. oh he would definitely start leaving sticky notes with doodles around for you to find

TICCI TOBY

I think Toby would be a little overwhelmed, he didnt think anyone would be interested in him enough to want to fill an entire sketchbook with him. He tries to cover up his shock by lightly making fun of the situation. Though every tease he tries to draw out falls flat, as everytime he goes to poke fun of something about the art he trails off. Besides, he couldn't bring himself to actually make fun of the stuff you make.. if it's a gift, you offer to take it back but he quickly shuts that down. Its like the Bob's burger friendship bracelet audio, "no fuck off its mine"

BLOODY PAINTER

As an artist himself, he asks you about what materials you used as well as the techniques you used! Unlike EJ, Helen is more thorough in his questioning and knows a lot more fancy terms.. he points out the good parts of your pieces, and catches himself before giving his criticisms.. he at least makes sure that the criticism is wanted before just unloading (and even then hes constructive! Hes well aware that just dunking on someone does nothing to help them grow). It actually strikes his ego a lot that you would dedicate so much time and material to just him, and it inspires him to make something for you in return. If he didnt know you were an artist prior to this, he offers to paint with you.. whether as a collab or just simply working parallel to one another! Just please pay no mind to him staring at you more intently while hes at his canvas...!

[holy-reference-in-a-username]

if you have paid any attention to my ramblings on my process, you know that i tend to rethink my comics and toss out a lot of work if im not satisfied with how it turned out. so i thought id share some previews of comics that have gone unseen, and why they havent been posted (yet?) in order of how likely i am to finish and/or post them :)

(under cut bc long post)

Be nice to each other: Main 4. Tomtord/Polyworld, angst. 4 pages. Matt confronts Tom and Tord on how have been acting, accidentally compelling them into saying how they really feel.

Status: abandoned.

I drew this one quite a while ago and i still really like the dialogue and character interactions i wrote for it! vampire hypnosis is a super cool concept and im definitely going to use it in the future, but this ultimately didnt pan out how i wanted it to.

Why it's not posted: while the buildup and climax are really good, this would be a huge mess to clean up. this would require some serious work both between the four of them and on my part for writing and drawing all of that!! plus, it would totally change the relationship dynamic between Tom and Tord, possibly ending it altogether (and i still have so much i want to do with them!!!)

Ed and Edd: Eduardo, Edd, Eduardo's mother. No pairings, angst. 3 pages. Eduardo can't wait to introduce himself at school, but he's got competition for the name he chose.

Status: abandoned.

Trans Eduardo is such a good concept. imagine figuring out who you are only to find out someone else already is that. of course you're going to hate them.

Why it's not posted: two main reasons. one is that i couldn't figure out how to end the comic (a recurring theme lol), but another is that i'm still not super confident with writing Eduardo yet. ...or writing children. so kid Eduardo is a challenge.

Can't tell where you're looking: Tommatt, fluff. 3 pages. Tom isn't as sneaky as he thinks he is.

Status: on my list!

Tommatt fans, i have heard your pleas i have received your asks. it's on my list.

Why it's not posted: i had a great idea, drew several pages, thought about it, and decided it sucked, actually. it can be reworked, but my motivation did not get out unscathed.

Bad (?) Dream: Tomtord, uh.... yeah thats just smut huh. 2 pages. A bad dream for one and a good dream for the other.

Status: ???

I'm not saying SHIT.

Why it's not posted: originally, it was because i didn't want to post suggestive stuff on this blog. now, it's because i found better ways to cover the concepts in this comic. Y'all will simply have to wait and see ;)

Matt figures it out: Matt, Tom. could be Tommatt. hurt/comfort. a collection of random sketches. Matt figures out how to turn into a bat! It sucks!

Status: on my list!

I've been wanting to talk about this SOOOO BAD!!! because why would you transform in a second via a poof of smoke when it could be an hour-long painful disturbing process?! honestly could be described as hurt/comfort/hurt.

Why it isn't posted: well for one it barely counts as a comic, just random sketches and a general idea. to be fair thats how most of my comics start, but... you know. i havent worked on it in a while mainly because the characters need to solve some personal problems first.

Not tonight: Tordmatt. fluff/suggestive. 2 pages. Matt's got pointy ears again, and Tord knows what that means!

Status: on my list!

TORDMATT FANS I HAVE ALSO HEARD YOUR PLEAS! Also, yippee i get to infodump about my headcanons via a comic

Why it's not posted: unfinished, and i hit a bit of a road block. usually its in writing, but this time its in the art half! so i have no idea how to get around it yet!!!

Puberty sucks fr. imagine losing an eye: Tom, Tom's mother. no pairings. angst. 3 pages. When did Tom's eyes change?

Status: on my list!

You all remember the soul-crushing existential grief that started at the same time as puberty, right? No, just me? Huh.

Why it isn't posted: layout isn't quite what im looking for :/ also, a half-naked child on tumblr, even in a completely non-sexual context, is something i am slightly apprehensive about!

Something's wrong: Main 4. Polyworld, angst/suggestive. 20+ pages. Tom doesn't feel well. Edd, Matt, and Tord try to help.

Status: actively working on it

Oh, you guys remember that poll? Haha thats funny. Yeah i'm still working on this one.

Why it isn't posted: uh its not done yet. and also i am unsure of whether or not it will be allowed on tumblr. or whether or not i want people to speculate on my entire deal.

...and while i'm here:

Communication comic part 6: IN PROGRESS!! these idiots need to establish boundaries. all of them. i believe <3

Zombie Tord part 4: ON MY LIST! i want to get through the communication comic first :3

thank u for reading all my ramblings :D! i am so fucking excited to continue working on all of my dumb shit and i am so happy that ppl like said dumb shit

[corpsedork]

hello !

some sketches because i really want to share them beforei drop the actual proper pieces (i didnt start them) this happened because i made a drawing, drew them both from memory and then looked up the refs and allat and now im like hey lets make this a piece sometime (im so tired)

THE DRAGON BEING!! BELONGS TO @lucid-daydreaming-art

ugly KETTLE HELMET FREAK BELONGS TO @unoriginal-and-dumb

ive been meaning to just. DRAW lucid. because. COME ON DUDE. come on look. look. dragon. i needed to also figure out how to draw lucid before moving on to the art where i colour (thats going to be so fun actually) i fucked up the hair though my bad................... byebyebyebyebyebyebyebyebyebye!!

[goomyloid]

What was your process for making the Noelle amv, if you don't mind sharing?

hii! im not sure how eloquently or clearly ill be able to explain it but i definitely have some pictures you can look at!

(the video)

i actually got the idea while i was away on a trip with very limited wifi -- it wasn't Trust Me that i got an AMV idea for first, but instead it was one of 4syu's other songs, There's Nobody. for such a happy sounding song it really made me so sad, to the point where if i tried to sing it to myself id get choked up by the chorus LMAO. it was baddd

but basically i was rapidly trying to find both songs on spotify so i could listen to them offline, and it only took me a few loops of Trust Me and thinking about the original MV to make me go "ohhhh. how can i make this about noelle." And so i did .

i was thinking about doing a storyboard, but in the past, i've found that doing storyboards for animations/AMVs lowkey... kills my motivation altogether... SAD... but i saw the whole video so clearly in my head, and i didnt want to make the same mistake i made before... so i went right to doing quick sketches (while still on my trip...) just so i could get the ideas out of my head

i was torn on what to do with my style at the time, whether i wanted to make it more similar to the original video, or to her canon appearance, or to MY style and how i draw her. i think it kind of ended up as an amalgamation of all three...? at the very least, her light world color palette definitely was more bland and desaturated, like i purposefully wasn't trying to do anything special with her colors.

after that point, and getting maybe a few of the actual drawings done, my motivation crashed again, and i left it all to marinate for nearly a week. it was baking, guys, it wasn't abandoned, listen to me, why are you throwing tomatoes at me,

i had up to about the "I dreamed about that again" animation done and stopped, and it wasn't until i decided to sit down and start editing it anyway that i really got in my groove again. i got all my little assets into a workable state so i could really try to sit down and make the video come to life and all

the really fun part was honestly working on the desktop backgrounds. i really wanted to limit colorpicking from the original video as much as possible, but i decided that making look as similar as possible to the original could help with the contrast i wanted to add later.

i drew these two backgrounds first. i was hoping i could somehow fit the bunker into the second one, but decided to do something different anyway. the second one's ui didn't actually change until later in the editing process.

drawing THESE were fun especially, and im happy with how they came out. i think the dark world icons are really cute still. one thing i really did know i wanted to do from the beginning was to turn the soul/undertale icon into the deltarune one.

i was worried if the shift from the Windows Field Background to the dark world would be too sudden, like you would just blink and suddenly it was all different, but i think it ended up all right...?

the not so fun part was drawing all the different boxes, lmao. it go really tedious by the end, so i tried to reuse as many of the same ones as i could.

a lot of copy-pasting and tracing rectangles for sure.

i also had to make sure the animations didnt Suck. i brute forced those things and used every last braincell i had in order to make those pictures move bros

fun fact. ive never animated hair like this before. or in any complex manner really. i had to use sooo much brain here... heres how it started vs. how it ended up

had my animator gf hype me up thru the whole thing... i was having a great time based on the filenames alone

aaaand then ummmm i edited it. i learned after effects like 1 month ago. never touched it before. i learned it for internship purposes and then used my newfound powers for evil it seems

i split the whole thing up into multiple compositions of course, but i probably could have split things up more... im sorry for having 84 layers on comp 3 its not my fault

editing a video in 12 fps was a fun change though -- very easy for my brain to go frame-by-frame, and yet still some of the timing ended up being off... tis the goomy way

like i said before, i started editing when i barely had half the drawings done, but seeing it all start to be in motion really pushed me to finish it up. and i mean Really. like i finished the whole thing maybe 48 hours after i first started editing.

and...i think that's it? i do a lot of discord art streaming to friends lately but i kinda kept this one more under wraps compared to usual, i think i just wanted to surprise everyone... look guys i remembered how to make a video! and it's three minutes! waow

sorry if this is way more than you asked for LMAO

also, the AMV hit 5k views on youtube today! ive never had a video do well like that so quickly! thank you!!

[decafbat]

i really like how much depth your art has, do you think you could show how you break down bodies when sketching if that makes sense? it’s something i struggle with a lot in my art! ｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡

ok apologies in advance, this is probably going to be a really long and tangential rant about art that may or may not actually help you in learning how to construct bodies. im just gonna put it under a cut to save everyone from seeing this huge text wall.

i dont think its gonna be possible for you to replicate my methods here, because theyre mostly just really specific shortcuts for finding certain proportions and reference points for anatomy, which i'm fairly versed in, but not as much as i'd like to be. the shortcuts you'll need will be different from mine. im glad you think my art has depth, that is something i am trying to seek very intentionally right now, and i dont think im even close to the depth of form i am actually aiming for. so like. this makes making a tutorial kind of inherently hard. nevertheless, i threw this quick sketch together after like 3 failed attempts. (i was doing those attempts digitally, ended up giving up on that and going back to traditional because its what im most comfortable with rn)

i didnt get all the steps i took to get here because scanning that much would be cumbersome but ill try to explain how i got here. i start with the head almost every time.

i use a lot of symbolic/graphic shapes when drawing heads and dont stick to using forms very often besides the circle at the center of the head, which i use as the base to form these graphic shapes around. think of it like "wrapping" the ball in various textures and masses. the eyes are usually "textured" onto the head, notice how the her left eye looks narrower then her right. of course i try to make sure her bangs sit along the curve of the sphere and her ears look like they sit on opposite sides of the head. its easy to forget that part, making the head look unsymmetrical. the particular masses of leica's head would be her snout, which is just a curve extended slightly outside the diameter of the ball, and her hair, which are two strange organic shapes that are quite hard to draw, two hair sprig anime antennae things (forgive me, i forgot the word for them,) and the back of the head, which i usually need to extend slightly. its a little too extended here, needs more on the top, i fix this in the final pass. this was a quick sketch, so i didnt focus too hard on the forms of the head beyond the most essential ones for her design, but i sometimes highlight the form of cheeks with curved hatching, or try to make the eyes appear more sunken-in as they are on human faces. i dont know how to proportion the neck and torso correctly until i draw the head, so i always do it first. next, i did the torso.

so heres why i said that you probably wont be able to replicate this approach. you do kind of just have to practice anatomy, i cant just make it make sense because im not very good at explaining this stuff, but ill try to go through what i did here. so, i generally use simplified bone shapes to find proportions and reference points, as well as more complicated shapes like those of elbows and knees. i try to study fairly often because im not satisfied with here im at with this stuff yet. of course, i dont think i'll ever be. so i'll usually start with the ribcage, add a shoulderblade out the back to find the shoulder, the armbones come out of that, the bone in the upper arm connects to the ulna with a sort of three-pronged attachment, one big knurl in the middle, which forms the thrust of the elbow, two little ones on the side. i think those are part of the ulna but i dont remember. see, you dont really have to know what exactly they do as long as you know what they look like. the ulna does some goofy rotation shit i dont understand, connects to the wrist, and then we have a hand, which, i mean, im not good enough at hands to even be telling you how to do it, but i just have a big squarish mass and some little hotdog fingers coming out of that. you can see on her left hand that ill have a big circle forming the the area on the hand where the thumb attaches... theres more depth to the hands, i think you can easily find better tutorials then i could offer. anyway, under the ribcage theres the pelvis, represented with a box. ill get into that when i talk about the legs. i wanna briefly talk about the way i add the flesh and fat to the bones.

so, i really can't give a comprehensive crash course on anatomy, but i can point you towards the morpho series, which is where i get most of this stuff from. you can get very far with the volumes Simplified Forms, Fat and Skin, and Skeleton and Bone Reference Points. moving on, i just kind of have a feel for where the masses attach by now. the important thing to remember when drawing fat characters like this is that the fat should "hang" from the bones and flesh, drooping down slightly. leicas fat hangs substantially, so she's not very wide despite her weight. this is important to her character design i feel. i almost always draw characters naked first when doing serious drawings because it will come in handy knowing where the forms of the body are when i add the clothing. by focusing on the way her body looks naked, i can modify the impression of those forms when adding clothes, and when i add them later on in this drawing, leica will take on the distinctive boxy look i try to draw her with.

if you look at the arm, youll see that the place the line of bone sits is very high compared to the whole mass of the arm, the flesh and fat of the arm "hang" from the bone, and then the upper arm squishes against the bent forearm too. even if the anatomy in the arm is indistinct, it can still look convincing when the forms act realistically against one another. the elbow has much less fat connected to it, so its more bony then the rest. this isnt actually consistent on all people so like, think about that kind of thing when designing characters, like i was talking about before, fat can sit in infinite different ways. maybe if i was doing a more objective anatomy lesson i'd draw cath, because i do have a sort of vague understanding of muscle placement that doesnt come through here, but probably would if i was drawing a scrawnier character. let me know if you want that.

a word on the breasts too: they hang a bit lower then you'd expect, keep that in mind. the attachment point is also angled, as the line shows. the line starts roughly in the middle of the torso and ends around the armpit, but the form of the breast can go underneath the armpit or even connect around the fold of fat in the back. many things to think about. i love boob shapes. ok lets finally get on with it and talk about the legs.

so, the really specific shape of the pelvis doesnt matter that much unless youre drawing a really thin character, so its just a box here. out from the sides of the pelvis, extending out more then you'd expect, is the femur, which ends in a similar joint to the arm. this shape helps me figure out the form of the knee. two masses on each side with a bunch of complex and weirdly shaped bones forming the kneecap, which i have omitted because i dont yet know shit enough to include them. i am learning though. so, obviously the feet are just scribbles here because im just gonna put her feet in socks anyway. you really dont have to do more then you have to. a few tips i can offer here, the butt should hang a bit too when drawing fat characters, i think the butt is supposed to start just below the pelvis if i remember, but take that with a grain of salt. i also didnt really do that here but its hard to tell because she's facing mostly forward. again, i dont think i can really communicate what's going on here. morpho has a lot of great drawings explaining the shapes and muscles of the legs, all things i might focus on more when drawing a scrawnier character. for this case, i regrettably don't go too hard on the legs. also i should note that legs would usually be much longer, leica is really short so ive exaggerated the proportions to communicate that. i may change my mind on that front in the future and give her more grounded proportions. the important thing to remember with legs is just getting a nice hierarchy of forms going. bigger thigh going into smaller calf going into smaller foot. it mostly comes automatically now.

i added the clothing, shaped up her head a bit, added a bit of fur. i put her in her classic outfit, just a sweater and jeans. i enjoy the big thick folds that come out of these clothes, and big areas of white space too. its nice. i try my best to form all the folds around the forms of the body i drew earlier. thats one case where i really really have no idea what im doing and could never explain it in words. its just some fun intuitive play with loops and lines. this is at around the stage for a sketch where i'd do inks, or if it was going to be a finished pencil drawing i'd erase out parts piece by piece and replace them with nicer and more defined lines and tones.

i guess that's all i can offer , i hope that halped.