#i was also thinking about keeping the veil for it but i didnt in the end ���😭

[dizzybizz]

mingling memeing for today 🥰

[aria0fgold]

Got distracted and I ended up working on my drawing But then I realized a major mistake on it when I thought I was done with the star veil (yes, again. I changed up the stars at the tips of it, this veil is kicking my ass) and I was erasing stuff already so when I realized I'm like: FUCK-- undo undo undo undo und o un do u n d o. And now I gotta... move All those new lil designs at the tip, Again, so I'm like: Okay... alright... I'll do that Later. I'll write now cuz god Forbid I do anything in that design, it's all mistakes!

[queenrizzardnthelizardscissored]

now that the veilguard dust has settled im kinda just left feeling a bit... sad. like idk how to explain it. its like all the love i had for this series and the world was kinda shattered by it. like. i can either view it as a mid fantasy game on its own, or some kinda dragon-age-themed themepark ride, or i can make it canon and this is really what everything was building up to.

it just feels like everything i loved abt the series was sanitized and removed, and i cant even really get angry abt it bc it feels so sterile. like the thing about mages and how apparently they just are normal people now. as someone who struggles w/ mental health, including issues that make me hyperfocus and make a lot of stuff, or make me compulsive about weird random things, and then make me lethargic or annoying to everyone else, the way that mages worked in these games was so. idk. brutal but also relatable. it didnt feel like they sugarcoated the mental health issues, but it also didnt feel like they dehumanized these characters. they're all so human and we can see that they dont deserve agony or suffering or to have their minds destroyed and live w/o emotion (this in particular was affecting to me given my journey w/ psychiatric medication) but also that they need support networks, they need people to help them and hold them up and also say no sometimes and keep them from being their worst selves. but the core horror of that, of these people marginalized everywhere which just worsens their mental health issues, of these people tormented all the time by dreams they cannot control who have just accepted it, that there's nothing they can do to get better, of these people whose greatest strength is also their weakness, the core horror is just gone from DAV. it doesnt even care about it.

it also doesnt care about the injustice of the world. the thing that is so poignant about these games is that the world is not simple and that there is never a big bad. the 'big bads' that exist are there not as conventional villains you're meant to hate (nobody thought the darkspawn was a compelling villain, nor, really, demons? DA2 doesn't have a villain, really, just a bunch of sad people pushed to their limits who do horrible, horrible things bc they believe it's right), but as things that disrupt society, confront existing systems and exploit their weaknesses and demand change, or everyone will be annihilated. but in DAV, these societal weaknesses either aren't there or are distilled down to one or two bad guys from whom the whole 'evil' descends. it has villains that are gods that were worshipped for so long, and now turn out to be kinda insane and evil. this is, in my opinion, NOT the direction dragon age should go (i wish that DAI hadn't done the Solas thing, the veil should've remained intact and we should focus more on politics, on how the world rebuilds after the mage-templar war, what the qunari are doing, on small scale people's lives), but. it is what was done, and there's still a lot of potential there. Solas is a great character in DAI even if I think they should've gone in another direction. he challenges the worldviews of literally every character. so does the existence of these gods.

but the thing is that they end up not challenging anyone. the venatori, who, reminder, are human supremacist nationalists that hate the elvhen people and are extremely revanchist, side instantly with the gods the elvhen worshipped, for seemingly no reason, other than that they're Both Evil. The elvhen instantly recognize the gods are Evil and side against them. Solas is now One Guy rather than a thing that tests the boundaries of society. I'm not sure if this was because the game is rushed, or, and this is more what i suspect, the devs didnt want the players to have to confront the obvious and extremely difficult choice of potentially siding with the slavers and racists for what is, in universe, the 'greater good', even though that would be a fucking fascinating place for the game to go, especially if your Rook was elvhen. rather than examining these hate groups, or the structure of a society that builds itself on hatred and systemic injustice, the game just goes the easy route by turning their evil from something real and thus frightning due to the fact it exists in real life, can be seen in flags and posters on the roadside if you're in some parts of America, to some absolute unimpeachable evil that cannot be analyzed nor reasoned with. Imagine if they, for instance, explored Tevinter politics. a super crude version of this, which sucks and i have put little thought into, is to examine the way in which fascism and slavery upholds the social order. by positioning the elvhen below even human slaves and non mages, there's always someone lower for them to target and jeer at, and so they ignore the fact that they themselves are being fucked over by both the overarching structures at play and the people perpetrating them. instead, the game did none of these things, and did not even make the canon slavers in the canon slave country, (whose buisness of slave-trading and capture is tacitly accepted by rulers of Southern countries because even there, the elvhen are seen as second class), OWN SLAVES. We see none of this, none of the broad-scale social evils of inequality or the horrors of slavery and systemic racism, and so beyond avoiding the difficulty of having the player maybe have to temporarily side with and/or attempt to end slavery and the systems in it, *even when it affects their own people*, we just remove it all together. the relatable, realistic, *banal* evils are replaced with cackling villain laughter and dramatic designs.

the fact that we've torn apart and destroyed actual evil for the sake of replacing it with a caricature necessarily means the characters are less complex, which is fucking sad because there's so much genius on display with these character concepts. Harding's journey in particular could've been great, with her anger at the way her people have been fucked over present and past, and her either controlling it or embracing it. If you wanted to tie it back to the main story (which companion quests always sort of should thematically), you could have her realizing that the elvhen were just as fucked over by the evanuris as she and her people. Taash's quest about discovering their gender and the way that things are lost in cultural translation could've been great, if it leveraged the way the qunari work. the qunari have a very different system of gender than humans or elvhen or dwarves, though, importantly, just as restrictive. their journey could've dealt with actually integrating and synthesizing these cultures, and with breaking down both models of gender and how they fail to account for and capture the actual lived experienced of people, instead imposing a false dichotomy on them. In human countries, gender shapes work, in the qunari, work shapes one's gender. How could these equally repressive things be integrated or dealt with? Think about how cool this would've been to do ! there's so much cultural worldbuilding potential as well as the actual journey of these characters. but instead, we import a phrase from the real world that is characteristic of our present moment. historical cultures have had all sorts of different understandings of gender than our current system, not necessarily more or less restrictive (well, more restrictive if we consider the recent past in the West) but different. the identity of nonbinary is meaningfully different from that of "similar" positions in other cultures. in fact, dragon age already kind of already began to deal with this, albeit in a very-2014 way. It's just so dissapointing from both a queer perspective and a worldbuilding perspective. every quest is like this, a genius little kernel of an idea that instead of being expanded on and reshaped through the lens of the world we're in, is destroyed and made into the simplest, worst version of itself.

while we're at it, let's talk about souls. it's one thing that the enavuris exist. fine. i don't think that they needed to do that, but there were a lot of cool things that could be done with it, and i get why they made that decision, even if they didn't expand on it. but the whole thing about the enavuris is that they ARENT GODS! there are no confirmed gods in Dragon Age, and no confirmed afterlife. Remember Justinia in Inquisition and how it was a spirit that copied the imprint of her mind and personality on the fade? remember the same thing with Cole? Remember how Leilana can die and come back as a spirit that really, genuinely believes it is Leilana, but is, by the most physical of definition, 'not'? (insert metaphysics and debates about consciousness here).

The reason the fade and spirits are so damn good is because they are not as simple as an afterlife. what they are, as is clearly communicated, are impressions of reality and information. to put it another way, the fade reflects the perceptions and shapes and information about reality. the spirits that exist are not 100% truthful, and not because they're lying, but because their very existence is shaped by others beliefs. information gleaned from the fade is not 100% reliable, because how the fade looks and what happens in it can be manipulated not just by demons but by belief. There's a great bit with Solas from early in Inquisition where he talks about a battlefield that changes shape, changes events, based on whether the spirit he's talking to is closer to the losing or winning side. How damn great is that? the spirits aren't literal ghosts, but OUR CULTURAL MEMORY. the way they exist is so damn good, the way they carry on cultural traumas and beliefs. While we're at it, think about how this ties in to mages, who are tormented by spirits. They are literally tormented by cultural trauma and pain that persists even after the original victims and original perpetrators are long gone. God that's so great. What dying does is unclear, just like real life. What persists after death is your 'legacy,' warped by what other people thing of you. this ambiguity is great because whether or not an afterlife exists is unclear, but also, the 'soul' supposedly passes through the fade before dying. This system of magic, where spirits are not malevolent nor kind nor truthful, but formed by density of information and strong belief and cultural memory, is very unique. The closest thing to it is the spheres in the Witcher, and even that's different. In veilguard, souls exist and they are literally echoes of people and are 100% accurate.

The themes of Dragon Age, up to DAV, have been about cultural memory, about how beliefs impact actions impact beliefs, about (to borrow a really good comment on an early post) the truth of what religion makes us do rather than the 'truth' of what religion is. Think of how this magic system of spirits that are influenced by belief and cultural memory and raw strength of emotion that persists and impacts others even when the original person to feel those emotions is dead ties in to these themes. It's so beautiful, genuinely, even if the game does not explicitly explore it. Now think about how this all is lost when we make it so that souls explicitly exist and can be reserructed and spoken to.

Even aside from the broader themes, think about the potential that was there for the Mortalitasi. Rather than just being straightforward necromancers, if we applied old Dragon Age rules, the spirits they would summon from the corpses of people were not actually those people, but what their living relatives think of those people. How brutal and awesome and sad is that? That there is no true way to speak to the dead, only to speak to your conception of the dead. It's so beautiful, and sad, and honestly hurts my chest a bit to think about. Not only is that gone, but the concept it made way for - the existence of liches - falls way short and is in fact made actively worse by this change. So, liches are souls of mages possessing/controlling their own corpses, if I understand it right. Imagine if the 'souls' were not truly the original person, but a spriit imitating them. Not only does this make the whole thing bittersweet - it means that a person is sacrificing their life to cement a sort of constant legacy, because they are too afraid of dying without an impact of the world - but it means that a person who becomes a lich is taking this risk. Imagine if everyone hates that person, and so the new spirit that is now 'them' is an asshole. They have become, literally, the person everyone thinks they are. That's such a poignant and genius idea that is stripped away for, what? Literally just generic fantasy DND liches? It's. just. the loss is so sad. Especially since the theme of the character who has the option to turn into a lich is that of fear of death. What better way to show that fear of death ruins the way they LIVE than by making the new person not literally be them? By exchanging their life and happiness therein for a legacy? It's so beautiful and yet. gone.

the game, despite being on its own a really pretty but ultimately mediocre action RPG, feels like such an overwhelming loss because it not only destroys the world in which it is meant to be set but also because it seems to ignore the potential inherent in its own story. I am not a dragon age writer, and thank god for that, because I suck at writing, but if I was, i would've made the game more small-scale and poltiical and focus on ideology and fear and radicalism and acceptance rather than gods. TO be clear - I'm not mad that they didn't do that alternate game. I'm sad that they did this different idea, about the gods coming back, and then didn't do it well or even commit to their own idea.

and beyond that is the fact that it wants so badly to simultaneously distance itself from the previous games while also calling back all the time. the issue is that that could never be done, because the game is, inextricably, a sequel to a 2014 game that ended with a clear setup for a sequel this game expands upon. The game brings back this character from the previous game as a main villain, but because it also wants so badly to distance itself from the previous games, it makes him flatter, unreactive to the decisions and contexts of the previous games. The Solas of DAV is like the Solas of DAI immediately after waking up. The game brings back Varric despite him being in two previous games, and then proceeds to make him NOT Varric for most of the game. It brings back a companion from DA2 only to have her dress up in the worst outfit ever and not reference anything or be changed by her experiences, and then she fucks off. It has a plot inextricably tied to religion, but barely mentions Andraste or the Maker once, even in conversation among a group of casual believers, even as an exclamation. At the same time, the game is set in a nation completely different to the one of previous games, but it doesn't actually exploit that for any purpose. Rather, it destroys everything from the previous games. It makes it so the South is torn asunder, and yet our characters don't seem to care. Everyone from the previous games is implied to be dead, Hawke, maybe Cassandra, the HoF, Sera, Fenris (which is not in this game because they realized that having him here would expose the fact this game has ignored slavery entirely), Merrill, Josephine, Blackwall, Vivienne, everyone. At the same time they bring back a character from DAI who should've known these people for years, and she somehow goes on camping trips while the 6th and 7th blight destroys her home and everyone she's ever known. The game does not want to actually interact with the previous media, or the worldbuidling therein, but at the same time it must somehow remind you it is, in fact, a dragon age game, and so it must bring back and puppet around these characters and ideas just to show you they exist.

It's just so sad, but also kind of inevitable, and any solution would be terrible, because this game comes out 10 years after the previous entry. If they made it a direct sequel, where you play as Inky again, which would be the most logical thing to do, new players wouldn't get it, because why the fuck would they? They'd have to play a whole other 10 y/o game just to start this one. If they had you play as a small-scale character doing a side-ish story that ties into the main plot, a la DA2, with an inquisitor that chooses what to do w/o your input based on DAI choices, which would've been my preferred option, since it meant your character could be new and interesting without feeling out of place, everyone would've rightfully been mad that all the big world ending stuff is happening to someone else (which I think would actually be really cool for a narrative, to feel so helpless, tossed about by the world while you struggle to survive, but I can also see why they didnt want to do that.) If they did a time-skip, say, to the next Age, and had Solas defeated offscreen, which I think would actually be the best as far as creating a new series with divergence while also maintaining the lore and theming w/o having to account for player choices, well, this I think would've been the best game of the lot, but everyone, including the writers, would've been fucking pissed to not see an end to their story, to just have them live their lives and defeat Solas off-screen. So in the end, they're left with a sort of weird hybrid, where we play as a new character but also it's a direct sequel but also we're the one doing world-changing events but also there's a time skip during which nothing happened somehow, but everyone is still around just older. Even if this was well-done, and had artistic integrity and no interference due to market decisions, this would be a very hard balance to strike. But that's not what was done. Instead, the game started as a single player campaign, then was redone to make an MMO, then a raid game, then co-op action, then live service, then back to single-player again, and then rushed to recoup costs. With that in mind, it's really not *awful*. And then, of course, there was the bullshit "wokeism!!111!" assholes, as if the first game didn't have both gay and lesbian relationships, the second didn't have the same, the third didn't have both of those and also a canon trans character. It's just sad that it ended like this, with everything, including, somehow, my retroactive enjoyment of the series, being destroyed. I know it's stupid to not like old things because of the new thing, but. idk. it's this weird involuntary reflex. Ah well. I loved this world and its characters so much and now it just kinda feels hollow. :(

[j0nika]

this is my homura design for an alternate universe i'm making, and it's a lot of fun! (*´-`)

spoilers for madoka magica ★

this is based on the ending of rebellion, where homura hopes to give madoka a normal life, free of her celestial duties. she finds that the colliding energy of both the "devil" and "god" is what causes madoka to remember her god form. so, homura runs away to the end of the world she created, and forces herself to be as far from madoka as possible...for her own sake.

however, madoka still dreams of her. she dreams of every timeline that homura went through, since once she became god, she was able to see them all. she gets curious about this girl, but there is no new student named homura akemi. just her and her endless dreams.

eventually, she finds homura. but oddly enough, homura says this:

"I am god, and I've created this world for you."

she wants to hide the fact that madoka is god while simultaneously granting herself the gratitude she so selfishly, but desperately, wants.

homura cut her hair short to be even more unrecognizable. she also keeps madoka's red ribbon, so madoka wears yellow in this universe.

she also has many elements from madokami, such as the sleeves, but clearly homura-fied. her outfit also includes the white part that is missing on madokami's chest, and many of madokami's gems wrapped around her waist.

I'm really proud of this design, but it may need some changing in the future. for example the veil, you could see i wasnt too sure about it as i didnt use it in the second drawing, but it was a good try

the short hair definitely isn't changing though, i love that (^-^)/

im sorry if you didnt think it was very accurate, but please dont tell me haha. im having fun in my own little world ~~~

i'll definitely keep posting more about this, or atleast some drawings that i make as i develop it. thank you so much for reading!

[chromunist]

Long POSITIVE rant/analysis about Veilgards plot regarding Solas for me and anyone else bummed out by everyone saying the writing is bad!

SPOILERS

All that I wanted going into this game was to get to know solas as the dread wolf and get my big solavellan moment. The game delivered. This game is very much, by design, the dread wolf’s where inquisition is solas’. In inquisition he is hiding and allowed to be himself as a result, by the end of it you don't change his mind, but you make it so he no longer wants to tear down the veil, not on a personal level. Solas is sensitive, kind and wise. The dread wolf is cut throat, pragmatic and prideful. To save him you need to tap into the person from inquisition, not the god from veilgard.

The thing about solas’ mission is that on a pragmatic level he is right. Rip off the bandaid of these short mortal lives and generate a utopia of immortals. That's why pragmatism doesn’t save him. He needs to accept that on an emotional level, as a person, he doesn’t want to destroy this world, he doesn’t want to fight anymore, and he can never truly make his sacrifices mean something, he can never make any of it worth it because it will never feel worth it to him. He needs to choose to stop as a person not a god of rebellion or spirit of wisdom. Because no matter how much he didnt want to be a god, he acted like one and he can never be at peace while doing so. And no matter how much he wishes he was still a spirit, he’s not. Veilgard at the end of the day was about accepting that you will make choices you will regret, there will be uncomfortable consequences to your actions and there won't always be meaning in those consequences. You can choose to punish yourself forever (solas) or accept the uncomfortable truth that you can't punish yourself into peace and forgive yourself (rook).

The reason why one of you companions must die is so that you cannot be placed above solas. This is also why you must pick minrathous or treviso. You must walk a path like his, fight the war he fought and make the sacrifices he made. You cannot defeat solas or change him on the pretense of being better than him, of not being willing to make sacrifices like him, You MUST make sacrifices, You must put people who follow you into situations where you know they might die and when, not if, they do, you must live with the regret that comes with it.

Solas knew that eventually someone would die under your command and he waited for that moment because you would be faced with the same kind of regret as him and then you would be able to take his place. You don't get to act like you are better than him because you never abandoned anyone, you don't get to act like you are better than him because you never ordered someone to their likely demise. Because you did. You cant get solas to stop by making the claim that he is wrong and you are right, because he isn't. You’re the same. Rook is a foil to solas

The dinanshiral for him is continuing to walk the path that only makes him hate himself more. that he doesn’t feel good about or want to do. He wants to stop but he can no longer see the line between his pride and wisdom. He wants to keep walking it because he can't let go of the fight and accept that this is what all his sacrifices will amount to. He knows he will only hate himself more at the end of the journey but he thinks he deserves to feel all that guilt and shame if it means bringing about the utopia he imagines. He sees the regret and pain of making this ideal world as a burden only he can bear and therefore has a responsibility to take on. He fails if he doesn’t he is selfish if he doesn’t because the sacrifices hes made and the elves of now (in his eyes deluded by idealism) deserve the world he is trying to create

It’s not that solas can't accept he did bad things. He’s great at that actually. He can't accept that he did bad things and those things might never matter. He took risks and lost and there is no reward that can make him feel like it was worth it, but he's trying to make it feel worth it by continuing his plans. He cant accept that he acted like a god, created this deeply flawed world, and cant fix it. He sees himself as the only one who can save his people and cant accept the reality that he failed at preserving one thing he always wanted to preserve. After millennia of fighting and sacrificing for it, how does he just stop? Just because he wants to? That’s selfish. He can take the pain, he deserves it even. So why not keep going? He has to do it, someone else might get it wrong (haha).

Rook is freed because they listen to the people who love them, accept forgiveness from those they hurt, and the reality of their guilt. But choose not to hate themselves anyways.

You show him it's okay to stop. He's not failing. You make him accept his pain and his mistake. You mythal and the inquisitor give him the permission to end, to be forgiven so he can finally give himself the release from that ancient duty. The acceptance of the grim reality he wrought as real and permanent and he doesn’t need to honor those sacrifices because doing so will still never change the reality of how they make him feel. He finally gets to live as a hurt and flawed man, not a savior with the weight of the world on his shoulders. I think thats a beautiful and perfect ending for him, and the whole plot of veilgard is to build rook up into this dichotomy with him.

Solas pretty much says he made you into him, but he didn’t anticipate you’d be able to forgive yourself. Because forgiveness is something he cant imagine granting himself until the end, when he is met with genuine compassion and understanding by those he hurt.

[heademptie]

Thinking about Ghoap x Comms!Reader

(This is unedited ramblings at 10pm, this may end up being something, it may not)

(Also don't know if this is an actual job, but it makes sense to me that it would exist. But this is fanfiction so who cares)

Reader works for the military as well but their job is to monitor and transcribe communications during ops. Maybe they tried to be a soldier but got denied for some reason, maybe injury, maybe because they couldn't cope with directly taking lives or loosing them.

And readers been at it for a while, is good at thier job, keeps their head down, keeps what they hear to themself.

Reader is loyal, so they get a bit of leeway with their work. Gets assigned to monitor some of the 141's comms and becomes a detatched form of familiar with the team. They don't know who reader is, that they even exist, that most of their radio chatter is being heard by one person at a desk in a government building so far away.

Typically reader just zones out when working, purposefully trying to forget the confidential things they hear once they leave the building. But the 141 is... entertaining. The way they speak to each other with such familiarity and how they can make jokes without loosing sight of the mission, and how at the drop of the hat they hone in and get serious. They start to look forward to 'Price's paternal exasperation, 'Gaz's quick wit, 'Ghost's dry dad jokes, and 'Soap's cheeky comments. Occasionally they're graced with 'Laswell's easy verbal volleys with each member of the team. (Thinking about including Roach too)

And its obvious to reader, absurdly obvious, that Ghost and Soap are together. The thinly veiled, and the very not thinly veiled, flirting between the two is a giveaway. But what really sends it home is the panic. Reader was the one to transcribe the recoding from Las Almas. Right at the beginning, when Ghosts voice called out to Soap, he was calm in that call. But then Soap didnt answer. And reader heard the concealed panic when Ghost called out again, and they heard the relief when he did.

So reader figures out that they're together. Assumes as much. And takes a bit of joy from it. Takes some joy that people in such a brutal line of work have someone who understands and cares for them.

Maybe circumstances lead to reader needing to be saved. Or maybe they end up on base at the same time the 141 is there. And they run into the team some way. Readers smart, so they keep thier mouth shut about being privvy to their comms. Keeps to well known facts about the 141, the stuff soldiers outside of the team would know through reputation and minimal meetings.

Maybe they go out drinking, or maybe reader ends up bonding with the team some. They're all chilling somewhere together, and someone starts hitting on Soap and reader brushes it off. He's an attractive guy, charming too, its understandable. But Soap doesnt turn them down and reader looks over to Ghost who's watching the interaction too. And reader, without thinking says something about an open relationship. Ghost whips around on them in carefully concealed shock and asks them to repeat. Reader explains slowly, not yet realsing their error.

Its not until later, when Soap has left with the pretty thing who hit on him and Ghost had left quickly after readers comment, when Price is chuckling over his drink after reader has explained what they said, that they learn.

Ghost and Soap are not in fact in an open relationship. They are not even in any kind of relationship, romantic or sexual. And reader is shocked, if not a little disappointed, maybe even hurt. It's their own fault, really, they built up this false relationship between real people in their head only for it to remain in their head.

Later on, reader finds Ghost. Wanting to apologise for, stepping over the line? making the unsolicited comment? they're not entirely sure but they feel they should apologise anyway.

This is kinda where my thoughts end. I do have some I haven't mentioned but I don't know where to put them. Nor do I know exactly where this is going. Just some brain rot I've had.

[tiravi]

WIP WEDNESDAY

Tagged by @woundedsoul12 ty for always think of me! (づ￣ ³￣)づ❤ If anyone would like to share some WIPs take this as me tagging you! 🫵 do it!

oooohhh boooooyy got a few things cooking and of course its Rook Roost AU-centered because its is both my stress and my obsession rn xD

First up art-wise: Beach Tira and Reto. Tira is further along and I'm debating if I should even keep rendering further. Reto crop top agenda is still on the sketch stage. I'm lil sad his cunty lil mesh arm look didnt win out because i personally LOVE it xD but maybe that's me being a lil freaky.

And last is Tira and Reto Rook Pride Parade. Just Tira for now because Reto is on the VERY rough "figuring out a pose" sketch stage. just noticed I forgot her anklets.

Writing-wise: Between everything I've been developing a few other characters. First is Nives, my enby Shadow Dragon I made awhile back but wasn't happy with. BUT, with the RRAU, I can pull them out of the ✨Rook Narrative✨ and have a lot more freedom with their character and backstory and I'm having so much more fun thinking about and developing them. Probably gonna make a separate post with all my new notes on them later. 🥰 A couple of screenshots and old art of them for you all.

look at how pretty they are pls 😭

The others are Feng, a Qunari Lord of Fortune, and Ena, a Veil Jumper. Wanted to stick them in the RRAU as sort of NPCs to help facilitate the goings on the Lighthouse now that it has an actual army to take care of. Ppl can utilize them in stories or rps :> They don't have as much written out as Nives yet so they're gonna cook for a lil while longer.

Look at my little disaster tsuntsun lesbian and her dorito earring 🥰 Now I need a Warden and Crow to complete my set 🤣I have nebulous ideas about them floating around in my head which I want to sketch/flesh out but I'm feeling overloaded at this points so lol...not yet :'y

I'm also trying to do the Appearance Template for Tira and Reto but that is on the back burner for now. I tired.

[kiawren]

Heyy it's been a while I went off tumblr to focus on studying (although I barely am) but I was still plagued with kiawren thoughts..

Ugh I should have slept instead of writing this but I've been listening to pierce the veil and this AU is on my mind. I have like one post here tagged #suneater!kiawren for it but here's what it is basically: kiawe and wren as ace and yamato from one piece respectively. Wren has the Tiangou devil fruit and kiawe obviously has the flame flame fruit. Which for non one piece ppl means they have those powers. And if you've got a zoan fruit you're a furry basically (For mythical zoans like the Tiangou (a tiangou fruit is not in canon btw, but yamato has a similar mythical dog fruit) honestly have whatever the fuck powers you could just go ham with the lore to give them some op in universe power (idk this is from I've watched so far) so Wren can turn into a dog and also eat the sun or whatever I don't car I'm just writing that for kiawren don't care about the meta

Anyway so wren falls in love with kiawe in this AU. And in one piece I think yamato and ace only actually spent one night together? I think they loved each other though, maybe not necessarily romantic. And maybe it was more yamato. And I relate to that one sided desire to be near someone. Anywayyy Yamato is chained to an island and trapped, I didnt specify that wren is similarly chained but he also has certain ambitions he can't reach yet. And kiawe reminds him of those ambitions. And how it may be possible to reach them. And he wants to go with him. Obviously also reflecting irl me LOL ok. One piece spoilers here...

Ace dies so maybe kiawe does too iddk? I don't want him to die but just remove him from wren's life it's vague what happened to him but anyway that dog is gonna be so sad he's gone. And his hope and ambitions are crushed. And keep the vivre card scene (your vivre card burning means you're dying) I can be trusted to be normal about this scene and its composition and colours dont worryy also cuz burning. Is a motif here.

OKAY HERE'S THE WRITING I GOTTS SHUT UO

—————

When you first saw him, his form ablaze among those tiger-vermilion fires, did you not think it surreal, like seeing the sun, right in front of you. How alluring it was, how intimate. Merely recalling it feels like trying to remember a dream. Like trying to reach a sun, that taunts you with every sunset. You cannot reach what you want. All the colour in the world, and what are you? But he turned to you then. The flames grew gentler. He smiled. And it struck you. Less like a lightning bolt, more like sunlight after stepping out of shade. It made you lightheaded. In front of you was someone who could embody fire. But not in unbridled rage, or blind passion. He had all the strength of a sun's heat, but also a heart. He was not pure heat. He was warmth. And it drugged you. And you would spend the rest of your days chasing it, to bask in it. Not in it's whole. Just a sliver. You were just a like a dog. Dizzy, desperate. 

You are still a dog. It didn't take a fruit to make you a self-fulfilling prophecy. You were already a creature, but a smaller body housed grief perfectly next to pride. You would have done anything to see that sun again. That sweet, sweet fruit and its enlightenment. You could climb and climb. You could finally reach those skies, their blood red and bruise purple a naked mirror of your dying ambition. So you could only do one thing. Climb higher. Feel the heat. Is it just like an embrace? ...I've missed you so much. Higher still. It starts to burns. It only feeds a high. You start to cry. Higher, You're close. It's blinding. You see white. That's not death. It's life. You're right in front of it. Here you are. This is it. Widen your jaws. Wider. More. The flames kiss your mouth. It burns and bleeds. It almost feels like a communion. It will feel holy. Now place your mouth around it. This will be it.

It does not feel that big now that you have it. Where are you? Anguish boils like bile from your gut in your mouth. You close your jaws. You hope it brings catharsis. You hope he finds you. He doesn't. And there's no relief. It just stings. It just burns. That ugly grief you had culminates. You have him. So where is he. You have the sun in your mouth, and it burns. YOU HAVE THE SUN IN YOUR MOUTH AND. IT BURNS. WAS THIS THE RAPTURE YOU WANTED? IT BURNS. YOU HAVE THE SUN IN YOUR MOUTH AND YOU TASTE DEATH. THE TISSUE BLEEDS AND DRIPS RED, BLACK. IT ALL BURNS. WHERE IS HE, WHERE IS HE. EVERY SCAR BLISTERS LIKE LAVA AND YOUR LIPS DRIP LIKE BLOODY RAIN. YOUR MOUTH MELTS AND TEARS APART. 

THIS WAS NOT THE SUN YOU LOVED, YOU BLIND, DYING DOG.

[russsiangirl]

riff x tony headcanons. ( w.s.s 2021! )

you're my coney island baby.. ♡

these two are so the type to go to coney island and just fuck around together the whole day

and win each other prizes of course.. as 'friends' of course..

riff moved in with tony, whose family was reluctant about it at first until they saw how worried their son was, they slept in the same room for years

riff is the one who is more flirty, he's smoother with his words than tony

riff also told tony that his last name ( wyzek ) reminded him of 'wiseass' so that's his nickname for him

"y'know, tony.." riff spoke up, breaking the light veil of silence that hung over the two boys as he blew out a puff of smoke. his usual smirk plastered on his face. "your last name, it reminds of something." now this intrigued tony. what connection could riff make with tony's very polish last name to the english language. "yeah and? spit it out riff, i aint got all day" the pair did have all day or else they wouldn't be here, in some random ass alleyway smoking. riff was two things, witty and impulsive. "reminds me of the word wiseass. anton wiseass sounds pretty nice doesn't it?" tony only scoffed and rolled his eyes, how did riff think of these things? this was the same guy who skipped class to go smoke ad copied off of tony. "sure does, buddy boy."

tony doesn't let anybody else call him that.

they get matching superman and batman necklaces

they keep each other's clothes and have forgotten who's is whos ( it's easy to tell by the sizes )

riff always has at least one bandaid on, he's never not hurt

tony forces him to at least put a bandaid on

i feel like they would give some gallavich energy,, just a lil yk

riff who gets sick from the most random things and tony who takes care of him to make sure it doesn't get too bad

these two would have the most random nicknames for each other & its mainly insults ( love by bullying <3 )

riff and tony who practiced dancing with each other muahahaha.

"you know i didnt mean you wasnt there, you was always there.."

riff who runs his mouth to no avail and tony who has to step in and make sure that he doesn't 'accidentally' start another rumble

tony who has to remind riff to take care of himself bc he forgets

riff and tony who fall asleep curled into each other bc they love skin-to-skin

ok i think thats all!! but im actually so done with the like of wss stuff that ive seen especially riff x tony bc wtf! i do NOT condone the actions of the character nor do i support them, i just wanted to write something for this ship.

[inquiscissors]

about the import save for Veilguard

I think it's a decent idea to leave the Keep, as it had some issues (notably apparently being down for weeks at a time, according to Split the Veil on yt), and the level of detail on it while also missing thing like an option for marking your Warden Commander (from Awakening) as different from the HoF made it seem pretty obscure what details matteredand which didnt, which made it feel mostly like a way to just keep track of your world states than a staple of the game going forward

I also think it'll be WAY more accessible for new players, as you'll be able to just cook up an interesting world state for Veilguard on the go, rather than doing it in the Keel (or even playing through the entirety of Origins just to get a cameo from Zevran referencing romancing the Warden - which often had to be modded in anyway)

But just for me personally, I do hope it's pretty detailed and not just a quick mages/templars, keep/dismantle the inquisition🙏

[echo-sigh]

Hello, Echo. I’m sending this as Im fend up with my friends treatment by k9 and his staff. Im sending this myself as I do not wish for my very close friend to be sent death treats by k9s awful dickriding community. Yes I said it but its true and they was trying to be civil and respectful to him and his staff team by talking about their concerns but was brushed off and banned cause k9 cant handle accountability. They were a person who has been directly impacted by k9s horrible attitude and personality.

I have thorough evidence of the whole conversation within the ticket and how they was treated along with a message that they were typing up that they didnt even get to send cause i was banned.

See message below along with screen recordings of everything talked about on my account in a post as videos cant be sent in asks:

“I quite frankly think I need to be blunt to get my point across as honestly as possible, so I apologise in advance for the tone moving forward, because this genuinely concerns me as a fan of your artwork. I need to honestly express my frustration about how things have been handled today especially as a minor myself. Instead of addressing the issues head-on, it seems like there’s a pattern of enabling behavior that ultimately reflects poorly on all of us. This isn’t just about you k9; it’s about fostering accountability and growth, and right now, that’s not happening.

Moreover, the way this has been approached has made me feel undervalued and disrespected. I’m here trying to support and advocate for what’s best, but instead, I’m being met with defensiveness and disregard. It’s disheartening, and I believe we all need to be on the same page if we want to create a positive environment.

The way you and your staff team are handling your mistakes is not just hurtful to your reputation and community but also wildly ineffective. All it is doing is making this more incriminating. By enabling the notion to avoid hard conversations just because they are *hard* to deal with isn't okay and all you are doing is subconsciously teaching yourself and your fan base that it's okay to hide from reality just because it's uncomfortable and not at all how to real world works.

I have noticed many instances and have given proof of them where these mistakes were brushed aside or excused cause it was uncomfortable to face the truth. Putting a metaphorical veil over your errors and pretending they don’t exist may seem in the moment the best thing to do but this is actually a genuine disservice. It’s time to own up and recognize that making mistakes isnt a disease and is a part of life just like discomfort is as we are only human. If you keep shielding yourself from discomfort you are setting yourself up for a harsh reality check in the future and from experience it wont be pretty.

The reality is that life is full of challenges and if you don’t teach yourself to face them now you’ll struggle even more down the line. You as someone who has a platform, a large one at that should be promoting resilience, critical thinking, self awareness, and ownership of your actions.

Im not only saying this cause i myself am upset but because i genuinely care about this community and its future and believe its time you start being more honest and changing your approach to these kinds of tickets and it starts with the uncomfortable and unavoidable trusts. lets focus on faces our own actions head on rather than suffocating and coddling them. Making mistake are normal and i wasnt trying to make you out to be a bad person for it.”

See videos reblogged before this for context.

[campfam4lyfe]

So good to meet another Brookji/Kenlynn fan! What do you think that will happen between them in JWCT season 2 (or later seasons)?

YESSS ANOTHER BROOKENJI!!!!!

okay so, honestly, i have like. zero clue. of what i think will actually happen, because there could be so many different roads for them to take. i know what i want though, and that is a kenlynn endgame. i understand why they broke up, i do. but to see their faces as it happened. the devastation--neither of them wanted it. but kenji had to do it, and i dont blame him.

but guys! brooklynn loves the camp fam--she keeps their picture up on her mystery board. she kept it as her lockscreen. she loves them. i also have to say, that brooklynn loves kenji. as a boyfriend, as a lover--as her person. darius says she was real broken up about the breakup, and she clearly had regrets. she told darius about how and where it happened. she kept that video with the "brokwie bear" and "kenji wenji." she has that video because she couldn't help but film him bc she thought he was being cute. it was one of the first things they saw when they decided to look through her phone! she loves him!

and kenji loves her--his grief over her death, his anger at the people he suspected of being involved in her death--the constant "where were you's" to darius--he needed to know why he wasnt there. that bit where he says "be honest with me. if you loved brooklynn, and mean, really loved her, why werent you there?" broke me, absolutely, cause goddamn ouch. like. he loves her, so he couldnt imagine not showing up if she called him. to the extent where he needs to know why darius wasnt and its like. does he, somehow, blame himself a lot? is that a veiled, *i* could have been there, why didnt she want me there?? devastating stuff.

but. thats all s1 stuff. youre asking about season 2 and onwards! so. what i think will happen--okay, so, you remember how in the end of s1 cc they showed ben was alive? and then we got a ben&bumpy episode that spanned the near-month he was alone. im wondering if they'll do that with brooklynn at some point. truly, i dont know. its possible, but maybe there going to reveal it in pieces, like flashbacks.

i want to know how brooklynn survived. the extent of her realtionship with ronnie, and about all the stuff she'd uncovered abt the dino smugglers since she started till now.

but also, i want a reunion so so bad, and since CT was handling everything else so well, i think theyll do a reunion justice too. and that means i think they will give some of the characters space to be angry. obviously i think there will be relief--who wouldnt be, to find out your friend is alive? but then i think there might also be betrayal, or anger or both.

and maybe also a little horror. brooklynn lost her HAND. and those moments leading up to it must have been terrifying.

i want the fact that she has lost a hand to be addressed. for instance, she can't drive her motorcycle anymore, at least not without a proper prosthesis. and its clearly something she liked doing--her helmets! one for her and one for kenji. just. AHHHHHH you know???

i want kenji to be wooed, let brooklynn woo kenji CT writers, let them woo each other.

i realize i keep meandering and never properly answering your question. im so sorry! okay--i think things will be tense, probably, with relief mixed in, but also a lot of hurt, and some anger. i think brooklynn will have her reasons, its a matter of whether or not the camp fam can accept those reasons or not, after all, we cannot force anyone to accept our apologies. i think they will however, though it may be at different stages for different characters. i think kenlynn will be able to reconcile, and im hoping for a "i knew youd come around/dont ruin it" call back. (my biggest hope is for that ghost line callback tho) but i also think brooklynn will have to show kenji that she does value his time and being with him, and just, him. which, i think its clear she does, but she got a little too consumed with her mystery for a hot sec.

[sleepynegress]

HELLO! I'm sorry you've been getting idiotic anonymous people being rude about Uhura. I saw your lovely post about her and it made me happy to see that people appreciate her! She is so much more than lots of fandom pretends. Also I high-key agree that Karl Urban absolutely nailed his performance of Bones. It was so dead on!!! Zoe's Uhura was lovely too but as you say, sharper around the edges, and personally I felt her relationship with Spock was very sweet but difficult initially for me because I really get stressed when one person doesn't get the emotional needs of another. So their really gentle scenes made me SO happy when they finally happened. The warmth and gentleness shone through and won me over entirely. Zoe played sharp with just enough warmth. But I still love Nichelle's too. Uhura is great! Anyway didnt have a huge point here just happy that you also love her and call people out LOL

The main issue is the misogynoir and perhaps TERF leanings against the most recent player in the part, Celia Rose Gooding. She is non-binary and goes by she/they pronouns. She also has a short close-cropped style which beautifully frames her face. The troll is hyper-fixated on attacking that, disparaging her presentation of femininity using coded language to imply aggression or masculinity. This is extra backward because, of the three players who took on Uhura, she has the darkest skin tone, has the fullest lips and a wide nose bridge, and her hair is the only one not in a straightened or processed style (which is fine for an option BTW). All of these things together are rare aesthetics for a Black woman, and appropriate, especially for an sub-Saharan African woman's character presentation, especially in a futuristic sci-fi mainstream iconic franchise, like Star Trek and so important for young people to see as normalized femininity. I think of Lupita Nyong'o talking about the effect Alek Wek had on her...just being there as this South Sudanese supermodel, with very dark skin and short natural hair...

Celia Rose is the particular target this troll has framed as their "fanhood", with thinly veiled insults and backhanded "compliments" that keep dogwhistling in their posts with various account names.

As for Zoe's Uhura, that professionalism and sharpness, when it came to her abilities and focus on her studies was an obvious intentional writing choice to stave off the very criticisms *she still got* because of the misogynoir of that era...

People were accusing her of coercing Spock into her ship assignment and even assaulting him(!).

That mess never makes sense, but hating Black women for existing or having what we are perceived as not "deserving" is sadly an old tradition (see those who make a hobby out of hating Megan Markle). And now, I see people praising the OG Uhura, Nichelle, for aspects of her character that were actually forms of limitations on her because of production bigotry...i.e. the forced interracial kiss, that people constantly cite as some forward thing w/o the context that it was forced because the implication was that no one in her crew would willingly kiss a Black person. IOW, aliens assaulting them for their entertainment was the lesser evil and more palatable to white audiences than someone choosing to love on Uhura (and I would add *especially* someone white, because even showing Black affection and love in that time was a rare thing, and her episode showing some yearning towards an old love showed no physical affection between them either). Anyway, all that to bring it right back around to ALL the Uhuras are great. And the weird microaggressions, macroaggressions, hatred, and attempts to shove them into a particular box are misogynoir; a microcosm of the kind of bullshit too many Black women go through on the regular just for existing.

Celia is a Rose and I hope she shines, gets loved on, has friends (including some Black ones) who are genuinely concerned for her well-being and actually help her when she's in need.

P.S. I missed this reading way too fast before but this bit is sus IMO Zoe's Uhura was lovely too but as you say, sharper around the edges, and personally I felt her relationship with Spock was very sweet but difficult initially for me because I really get stressed when one person doesn't get the emotional needs of another. If you meant Spock not reading Uhura? Then yeah, I agree. If you mean Uhura not reading Spock?? I can't walk with you there because Spock literally almost hindered Uhura's career and got her on an exploded ship(!) because of his emotional bias and almost killed Kirk on the bridge because he was not managing his emotions well. Meanwhile Uhura read him well enough to provide some comfort after the loss of his mother.

[glassprism]

This may be an odd question, but do you think the Phantom is as “powerful” as he really claims or is it more psychological? Like physical do you think Raoul is as strong as he is? For example if he actually dod keep his hands at the level of his eyes and avoiding the lasso, Do you see him being able to (to put it bluntly) knock the phantom out or subdue him to escape or get him arrested? I like to think if the Phantom didnt “turn nice” and let them go they could have still won somehow..

P.S. I may have asked this on a couple pages to get different opinions I hope that is ok

I think there are a bunch of related but also separate questions, so I'll just tackle each one.

First, is the Phantom as powerful as he claims? Well, in my memory, I don't think the Phantom actually claims to really be that powerful at all. He claims to be the Opera Ghost, the Phantom of the Opera, the Angel of Music, all of that, and at specific moments he will make a threat, albeit a nebulous one ("...a disaster beyond your imagination will occur!" "Remember, there are worse things than a shattered chandelier!"). But the occasions where he does make some powerful claims are pretty limited, in my opinion, and usually happen only when he's around Christine.

And that makes sense when you think about what he is: he is just a man, though a very intelligent and manipulative one, hiding within an opera house. Much of his power relies on using subterfuge and trickery and veiled threats - so yes, psychological, not physical. His power lies in his mystery and people not knowing what to expect from him. Because at the end of the day, no, he isn't as powerful as to take on an entire opera house; were they to realize this and turn on him, he has nothing against sheer numbers. And in fact we see this at the end: once his spell has broken and the mob is in his home, his only choice is to flee; he cannot fight all of them - though he still relies on one last trick to do so.

I suppose that also answers your second question: is he as strong as Raoul? Again, we don't really know, except perhaps in non-replicas or restagings where the two engage in fist or sword fights, but in those, and I'd argue in the replica as well, I'd say the answer is no; the Phantom is pretty soundly defeated in them. And yeah, part of that feels like plot armor - Raoul basically can't be defeated because he's needed in the final scenes - but I would also argue that the Phantom is well aware of this, which again, is why he relies on tricks like the fireball - or sneaking up on Raoul and trapping him in the lasso (or a cage if you're Vegas).

And that leads to your last statement. I know it's not a question, but I want to address it as one: could Raoul and / or Christine have escaped if the Phantom hadn't redeemed himself? I wanted to talk about it mainly because the statement implies that if the Phantom did not resort to physical strength or psychological tricks, the pair could figure out a way to get away from him, but I think that discounts one last but very important factor: the Phantom's emotional hold on Christine, which then extends to Raoul. Because I think the show makes it very clear that Christine holds very conflicting feelings on the Phantom, going from fear to pity to compassion, and a great deal of her journey is resolving all of those.

So I think the question of whether the two could escape is very up in the air (and thus ripe for fanfic fuel). Christine might resist the Phantom all the way, in which case she and Raoul might "win" over the Phantom. But what if that doesn't happen? What if she resists initially but starts to succumb to her sympathetic feelings for him? What if she strikes a deal and goes along with the Phantom out of a combination of wanting to save Raoul and feeling sorry for the Phantom? What if she genuinely starts to fall for the Phantom? Because if any the latter options occur, this potentially puts Raoul in a bind, because doing anything to the Phantom could lead to hurting Christine in some shape or form. It might not even be what she wants anymore, escaping the Phantom.

So yeah, that's my thoughts on the whole thing.

[inumkii]

wait can u elaborate on what music sero listens to

EEEEEE thank you for this.

i was literally just thinking about what type of music mha characters would listen to. keep in mind this is solely based on whats already on my playlists so these headcanons are just me projecting

idk what genre this is. but when i listen to them i can totally picture sero and denki being the type of guy who listens to this type of music. maybe denki more so

but i was reallyy thinking about it and i also think he would like the marias. i want him to listen to the strokes personally (reptilia). and im getting a little too self indulgent if i say pierce the veil…….

this is me straying farrrrrr away but i have this stupid headcanon that denki went through a fake emo phase where he tried to get into patd or mcr but it didnt really work and he’ll try to act like he was really into it for street cred. but sero secretly did go through the exact phase and doesnt say shit about it.

i just think the thought of jirou asking them what their favorite mcr song is and denki hesitates, trying to think of one but sero doesn’t miss a beat and is like sunsets over monroeville. and theyre like holy shit how do you know that song.

[theosconfessions]

You are super cool and awesome and neat, yay! Also do you want to share more about growing up in a haunted house? ;)

omg you are the sweetest!! i was just putting in some drafts for the week coming up and i seen this and was like I SURE DO. now my mom has more stories than i do. BUT one that i still have reoccuring dreams about to this dayyyyyyy and im in my 30s.. is the apartment we grew up in when we first moved out here with my mum [ my dad was there too at the time but not really so literally just my mum in this]. so heres the thing. me and my twin never discussed this with my mum and she never discussed it with us until a few years ago . so its like we all validated out own stories and it made sense to her why she kept having experiences in that place. so. when we first moved there me and my sister were super young.and to help paint a picture of the place there was an adjoining closet that connected both rooms. our bedroom and our mums bedroom. this had a wall seperating them but it was technically the same closet. the first night we spent there she told us she woke up to a man in the closet... with a fucked up neck if you get what im saying. i dont want tumblr to get me haha. she told him he wasnt welcome here and to leave [she is a nurse and she was used to seeing shit . especially working night shift so this really didnt make her flinch here] now cut to us dumb ass little girls in our bedroom .. i remember one day seeing a boy come to us. we invited him to play barbies with us. and we named him andrew. and we remember there was something wrong with his neck. even as we grew up and we stopped seeing him physically we sensed shit in that closet and also..there was weekly occurances of what we called 'the radio men' which really sounded like a muffled group of guys talking from the living room. like they were on the radio but really really low. needless to say we spent a good bit of nights in our mums bedroom growing up. i still have dreams either trying to get out of that place or get to it for some reason. and i actually live like a five minute walk from there and often wonder how the people who are there now are doing. i like to think that my grandparents keep me protected from whatever that was now. but it still is pretty strange that now in my 30s im still dreaming about that place. likei said though my mom has stories for DAYS. this is just one. also a super short one... this isnt a ghost story per say because hes not a ghost but we were always close to our grandparents.and at the time we were in middle school they lived in south carolina. we live in pennsylvania. so its a bit of a way. i remember we went to see my grandpa in the hospital about a month before he passed and on our birthday week [me my sister and my grandpa all shared the same bday within like 4 days. his wa son the 11th ours is on the 15th] he seemed GREAT for what he was going through and i see now its because we were there.when i say this man set a prescendence in how a man should treat anyone i mean it. i still hold what he says in me to this day. fr. dont accept any less. so back to the story we were TIGHT with him. ride or die . the day he passed away we had a volleyball game we had no idea he died. i remember looking over my shoulder and seeing him in the stands. i thought hmm.thats weird. hes in south carolina [and also had cancer ] my mum came and got us and when we got home she told us that he passed away. but clear as DAY. i remember seeing my poppop in those stands. the veils always been kinda thin on this end of things. i think i get it from my mom haha. but thats just some of them~ lemme know if you have any!