#i wanted to try and keep it as accurate as i could but i honestly had no idea

[reasonsforhope]

Kamala Harris just announced that her vice president will be Minnesota governor Tim Walz. Based on the coverage so far I'm really reassured by this decision.

The Washington Post did an obviously great job of making a prepared article for each option, considering how long an article they had up 7 minutes after the announcement.

((Okay technically it's not an official announcement yet it's "according to three people familiar with the pick, who spoke on the condition of anonymity to discuss a decision that is not yet public." But listen. I am 99% sure this is a weather balloon. (Meaning: a deliberate leak to gauge reaction.) Because the sheer weakness or incompetence on the part of the Harris campaign that it would take for three people to all confirm that within a few hours hours of each other and the planned announcement it is massive.))

-via The Washington Post, August 6, 2024

Honestly this decision, from everything I've read and can tell, looks like it's brilliant politics.

Important Context: The vice president(ial candidates)'s job in an election is not to be similar to the president. The vice president's job on the ballot is very, very much specifically to be different from the president. Why? So they can cover each others' weaknesses. Especially regionally.

(Sidenote: I feel a bit ridiculous saying this. But genuinely if you want to get a stronger understanding of how US elections really work. Go watch seasons 6 and 7 of The West Wing. Genuinely, a lot of politicians have said - especially back in its day - that that was the most accurate depiction of an election they'd ever seen. Also specifically features an entire arc about a contested Democratic primary convention, so also very good if you're interested in understanding weird nominating convention shenanigans.)

From the article:

"Harris’s choice for a running mate was among the most closely watched decisions of her fledgling campaign, as she sought to bolster the ticket’s prospects for victory in November and rapidly find someone who could be a governing partner. In picking Walz, she has selected a seasoned politician with executive governing experience and signaled the importance of Midwestern battleground states such as Wisconsin and Michigan.

Walz’s foray into politics came later in life: He spent more than two decades as a public school teacher and football coach, and as a member of the Army National Guard, before running for Congress in his 40s. In 2006, he defeated a Republican to win Minnesota’s 1st Congressional District--a rural, conservative area--and won reelection five times before leaving Congress to run for governor.

Walz was first elected governor in 2018 and handily won reelection in 2022. Though little-known outside his state, Walz emerged publicly as one of the earliest names mentioned as a possible running mate for Harris, and in the ensuing days he made the rounds on television as an outspoken surrogate for the vice president...

“These are weird people on the other side. They want to take books away, they want to be in your exam room. … They are bad on foreign policy, they are bad on the environment, they certainly have no health care plan, and they keep talking about the middle-class,” Walz told MSNBC in July. “As I said, a robber baron real estate guy and a venture capitalist trying to tell us they understand who we are? They don’t know who we are.”

Walz also has faced criticism from Republicans that his policies as governor were too liberal, including legalizing recreational marijuana for adults, protecting abortion rights, expanding LGBTQ protections, implementing tuition-free college for low-income Minnesotans and providing free breakfast and lunch for schoolchildren in the state.

But many of those initiatives are broadly popular. Walz also signed an executive order removing the college-degree requirement for 75 percent of Minnesota’s state jobs, a move that garnered bipartisan support and that several other states have also adopted.

“What a monster. Kids are eating and having full bellies, so they can go learn, and women are making their own health-care decisions,” Walz said sarcastically in a July 28 interview with CNN when questioned whether such policies would be fodder for conservative attacks, later adding: “If that’s where they want to label me, I’m more than happy to take the [liberal] label.”

Walz also spoke at a kickoff event in St. Paul for a Democratic canvassing effort, casting Trump as a “bully.”

“Don’t lift these guys up like they’re some kind of heroes. Everybody in this room knows--I know it as a teacher--a bully has no self-confidence. A bully has no strength. They have nothing,” Walz said at the event, sporting a camouflage hunting hat and T-shirt.

Walz has explained that he felt some Democrats’ practice of calling Trump an existential threat to democracy was giving him too much credit, which prompted his decision to denounce the GOP nominee instead as being “weird.”

“I do believe all those things are a real possibility, but it gives him way too much power," Walz said on CNN’s “State of the Union” regarding the Democrats’ rhetoric. “Listen to the guy. He’s talking about Hannibal Lecter, shocking sharks, and just whatever crazy thing pops into his mind.”

If Walz is elected vice president, under state law, Minnesota Lt. Gov. Peggy Flanagan (D) would assume the governorship for the rest of his term. Minnesota Senate president Bobby Joe Champion, a Democrat, would become lieutenant governor."

-via The Washington Post, August 6, 2024

--

This guy. Sounds like. fucking Moderate swing-state/rural/Midwestern/southern/"heartland"/working class white voter catnip. He sounds like he's also a very smart politician and strong campaigner. And he's apparently genuinely a good guy with a good record, too.

He sounds like he's going to do a really good job of appealing to voters in several of the big deal swing states without being from any of them specifically. Which means it doesn't feel like pandering to one of the states involved (and thereby spurning the others), which is also great.

(Also he was the one who started "weird" @ conservatives and I think we should take that seriously as a very good political instinct/move. Judging in large part by how it has so clearly hit an actual nerve with conservatives like so little else. Also hugely relevant: that post going around about how part of why conservatives are so upset about "weird" is because in the Midwest, "weird" specifically also implies anti-social or harmful behavior.)

Officially feeling more optimistic about Trump not winning in November

[parfaitblogs]

risk ❀ s. reid x reader

in which you have the sweetest regular, and it’s probably too soon to tell him you love him!

pairing: spencer reid x barista!reader genre: fluff tags: s1 spencer. who rambles. biblically accurate career!reader sorry if some of the coffee talk makes no sense to you. reader makes all the first moves. y'all kiss (aww). written in timeskip sorta it's not crazy (like maybe a month). not proofread sorryyy (im not). word count: 2.2k a/n: first instalment of my spencer reid eras tour🙂‍↕️ season 1 spencer reid i freaking adore you. he's so cute. gif!! i thought gifs in this series could be cute lol. envisioned 1x10 spencer bc of his nightmares if that means anything. enjoyyy ily im off to work 🏃 

series masterlist

There are many reasons you come to work each morning. The money (an obvious one), your coworkers who usually make each day a little bit more bearable. And Spencer. A regular who had become a little notorious for having an odd coffee order, that most of the store workers hated making. 

Except for you. 

It wasn't especially odd. But in a store that thrived on making the perfect cup of coffee, sometimes it meant remaking it three or four times because the shots didn't pour at the right amount of time, and recalibrating the machine was a hassle you all didn't want to deal with in the middle of the morning rush he usually came during. 

You had taken note of him the first few times he came in — always keeping to himself, flashing the most awkward smile you think you've ever seen on a human being, and ordering his old order (a large latte with as much sugar as you could fit in the cup). It was by the seventh time that had you thinking of him a little more often than just while you were at work. 

He looked a lot more exhausted than usual. His usually tame hair now loose and hanging over his face as he took a weary step towards the counter, fingers brushing strands away and tucking them behind his ears. 

"The latte, right?" you had asked him, and he had frozen, and you stood in fear of this not being the Spencer you thought he was, and you had just asked a total stranger about a coffee they've never ordered. 

But then he let out a nervous laugh, shaking his head. "Uh, no. Not today. Um—do you guys have a limit on how much coffee I can have?"

Your eyebrows furrowed. "No... we don't. I wouldn't recommend any more than like five shots in our largest size, though. It'd probably taste gross. But we can add as much as you need."

"Five's good. Yeah," he nodded his head, fingers wrapped tightly around the leather strap of his messenger bag. 

"Just... a five shot latte?" you clarified, and he froze again, shaking his head once more. 

"Do you recommend anything else? I—uh, I want it to be sweet enough still."

"I can do you a mocha?" you offered. "White chocolate mocha if you're looking for it to be even sweeter."

"I'll try that," he nodded his head, and out came his awkward smile, which had you smiling back just as awkwardly. 

Which was how he got to his current usual. It honestly became a test to ensure your coffee machines were actually running well, considering pulling five well-done espresso shots at once was no easy feat. And, again, most of your coworkers hated making his drink. 

Which was why it was palmed off to you. Every single morning without fail. And maybe in another universe you would join them in the hatred for this man's frustrating drink order. But then, in that universe, you wouldn't get to talk to him every morning (and slowly break him out of whatever shell he had locked himself up in). 

"I never asked," you began, staring at him over the top of the coffee machine while putting white chocolate fudge into the bottom of the cup. "Why did you change your order randomly?"

He parted his lips and his eyebrows creased together for a few seconds, as if he was deciding whether or not to tell you. You were kind of grateful he concluded on trusting you. 

"I wasn't really sleeping. When I asked about changing my order," he explained, hands letting go of the bag strap so he could talk with them. "Then I guess I just liked the taste of it? And it kept me awake. Which is a bonus."

"I can imagine it would," you nodded your head in agreement, flashing him a small smile, which he returned, bashfully. "Why weren't you sleeping?"

He went silent, and you almost cursed yourself for asking. Maybe you had gone too far. It was why, when you had begun to busy yourself with making his drink a little faster, you jumped when he spoke up again.

"I was getting these nightmares," he said, and your head lifted from the milk you were steaming. "Because of what I do for work."

"Law, right?" you asked, and he let out a small laugh, tucking hair behind his ear. 

"Sort of. I'm with the FBI."

"Oh, that's right," you replied, nodding your head in recognition. He had said that to you at some point in the earlier days when he first started coming in, because you had asked where he works so close by to be coming in as often as he did. "Can you tell me what part? Or is that confidential?"

"No, no, I can. I'm with the Behavioural Analysis Unit," when your face twisted into confusion, he added, "We use psychology to analyse serial killers and catch them. Well, not just serial killers, actually. But that's what we focus on."

"And it works?" you asked, eyebrows rising as you placed a lid atop his coffee, sliding it out on the pick-up section where he was standing by. His face fell slightly, and so you were quick to add, "Not—I didn't mean it like that. I just mean I'm shocked. That psychology is all you really need to catch a serial killer."

"It's not all we need. There's a lot of other elements that go into finding one. But our primary focus is how their brain works and we use behavioural science to figure that out. Actually, we used to be called the Behavioural Science Unit when it was first created."

He was too busy talking animatedly with his hands for him to have picked up his coffee, and you were too busy watching him with a smile to remind him it was ready. 

When he did reach for it, you could feel the familiar pang of disappointment that had started shooting through you every time he was picking up his coffee and leaving. A weird sensation that left you clawing at the walls of your brain to come up with something to say to keep him there. 

It was probably why you blurted out, "Are you seeing anyone?" Which was followed by stunned silence from him, and regretful silence from yourself. What a question. 

Slowly, he began to shake his head, his lips twitching into a confused frown. "No. I'm—I'm not." 

It shocked you a little. He wasn't jaw dropping, per se. But he was attractive. You had said it a few times to your coworkers whenever they asked why you talked to him so much — there was a running joke that you were already secretly dating him behind their backs. Not funny.

"I was just wondering if you wanted to..." you hesitated. "Go out for dinner? Maybe? I'm so sorry if I'm totally overstepping. In fact, I encourage you to say no, because this is a little weird. I'm so sorry," you rambled when you were met with only silence from him, wondering if you had weirded him out of the ability to talk. 

"With me?" he pushed out, his voice a little higher pitched than usual, and you nodded your head, because maybe he wasn't weirded out. Maybe you had just flustered him. You hoped so, at least.

"Yeah," you said. "Is that weird? Or is it okay? To ask that?"

"It's okay. Yeah. Yes. I would love—like to. I mean, that would be nice. Yeah," he stammered, and you smiled. 

"Here," you held your hand out and gestured for his coffee, taking it back and picking up a Sharpie to write your number atop the lid, before you slid it back to him. "I get off work at one. Call me?"

"I will," he nodded, eyes fixated on the number for a few seconds more, before he returned his eyes to you. "I will. Um—bye!" he took a step back, and you let out a loud laugh when he stumbled into a chair behind him. 

He was sheepish as he waved to you, bidding you another goodbye, the sound of the bell above the door ringing once, and then again when it fell shut. 

And you had, somehow, secured a date with Spencer.

Which turned into two dates. Then three. And then, with some weird stroke of luck and twist of fate, you were spending every evening you could at his apartment, and him at yours. 

But you were yet to kiss. 

Not by any particular reason. Really, nothing either of you did ever really called for a kiss. Which was as frustrating as it was understandable. Frustrating, because you felt like you were simply friends, who sometimes went out for dinner, and had feelings for each other. But he had told you very early on he'd never been with anyone before, let alone ever been on a date. Hence; understandable. 

But frustration was more overwhelming than you had thought, because you were on his couch, blanket draped over both of your bodies, as he read you a book — The Chameleon. A short story by Anton Chekhov (an author whom you were only barely familiar with). And yet, all you could think about was kissing him. 

In your defence, he was very kissable, as you stared at his lips while he spoke, your heart stuttering quite uncomfortably in your chest. You weren't sure what it was precisely about him that made him like that. Maybe it was the natural pout of his lips, or how they twitched in humour at the little jokes Chekhov had written into the book that only made sense in Russian, despite him attempting to translate it for you. 

Whatever it was, it was overriding your senses, and in true Spencer fashion, he hadn't noticed you weren't intently listening to his reading until he glanced down to catch a reaction to something he said. You caught as he closed the book and placed it off to the side, jostling you from your haze. 

"You don't like the book, do you?" he asked, and you were quick to shake your head. 

"No, I do," which was true. The parts you were actively listening to you enjoyed. "Sorry, I'm distracted."

"By what?" he shifted on the couch to face you.

You fell silent at that, the answer hanging on the tip of your tongue, unsure whether or not saying it could ruin things. You didn't think it would. "You."

"I'm distracting?" he asked, eyebrows creasing together and a confused frown pulling his lips down. 

Which confused you. "Yes?"

"I don't think I'm meant to be sorry for that," he said. "But I am."

"You shouldn't be," you breathed out with a small laugh. 

"Right," he nodded his head, laughing too, awkwardly. "How am I distracting?"

You studied his face for a few moments, which ended up being a pathetic excuse for a lip study, because you were fixated on them again, and you decided Spencer probably didn't even realise that that was what you were doing. 

"We haven't kissed yet," you told him, instead. 

"No. We haven't," he agreed. 

"Do you just not want to kiss me?" you asked.

He did that thing he does when he's thinking — furrowed eyebrows and parted lips, eyes blinking a few times, before he comes up with his response. 

"I just don't want you to be disappointed. I've never kissed anyone before."

"I concluded that," you answered. "I won't be disappointed."

"You might be," he mumbled, and his gaze averted from your own, which had another smile stretching across your lips. 

"Only one way to find out, right?"

He hesitated before nodding his head, lifting his eyes back up to look at you. It was then that you learned that, like everything else, you might have to make the first move on him. Again.

The thought made you laugh, and though he wanted to, he didn't get a chance to question why you were laughing, because your hands were on his face and you were pulling him into you, lips meeting his in a gentle kiss that elicited a surprised squeak from him. 

"You've gotta kiss me back," you murmured against his lips, and his response was a quiet 'oh'. 

But he was a fast learner, because soon after he was. Objectively, it wasn't the best kiss you've ever had in your life. But it got better by the second, and he was doing enough to make your heart stutter in your chest, his hands reaching up to cup your own face, palms and fingers covering the mass of your cheeks. 

His hands there provided him the ability to keep you there, and you had to pry them off your face so you were able to pull back for air, breaths coming out in short pants. Only for a short second, because he was chasing your lips again, and you laughed, before letting him kiss you again. And again. And again. 

Until both of you were out of air, and he was glassy-eyed and pink-lipped. Though, you were probably his mirror image of that.

And he smiled at you, crookedly. And you wondered if it was too soon to say you loved him. 

your reblogs and replies are always appreciated dearly ♡

[genshin-obsessed]

Helloooo~!! Could I request the men in honkai star rail with an s/o who makes various different plushies for themselves and the men?

Just imagine Dan Heng getting a chonky dragon plushie version of himself.

✩ ‒ You guys have the most creative ideas sometimes lmao I would’ve never thought of this and it is such a cute idea!!

✩ ‒ I wasn't going to do everyone but they came out really short so I made it up by adding more characters ^w^

✩ ‒ Characters: Caelus, Dan Heng, Welt, Gepard, Sampo, Luocha, Jing Yuan, Blade

✩ ‒ Caelus

He’s not the biggest plushie guy out there, but come on. You made it so cute and all.

He keeps it safe in his room and does a pretty good job at keeping it clean. Like dust free and all.

Caelus isn’t ashamed of it by any means, everyone knows about it. He just doesn’t want to end up tearing it or something which is why it's always in his room.

Big fan. You made a couple of yourself and he keeps them together. They're together like the two of you are. He’s debating on getting a dedicated shelf.

✩ ‒ Dan Heng

He originally received two. One of his normal self and then his Vidyadhara half. It’s so accurate, too. He definitely spent a few hours analyzing them both.

He wasn’t sure at first but the longer he had it, the more he began to like it. He kinda sleeps with it now. I mean... they're just on his bed and that's where he sleeps...

You’re welcome to make more but he doesn’t have room to place them. Besides… how many could you possibly make?

He actually likes the little dragon one. It’s so cute, the details are well done, and you seem to really like it too.

✩ ‒ Welt

Aww, a plushie for him? It was so cute! It even had his lil cane and all. Honestly, Welt loves it.

He keeps it with him all the time. When you often go off on missions, he likes to hold it for comfort.

When you made one of yourself, he decided the plushies could never be separated- much like you two. So, basically now he carries two plushies with him at all times.

Pom Pom and Himeko gush over the cuteness of the plushie. You’re really talented, why not start a business at this point? You'll definitely get March or Stelle asking for one too.

✩ ‒ Gepard

He was confused at first. Why did you make a plushie of him? But he really liked it. You even got the shield right.

He prefers it to stay at home where his fellow guards can’t see it because it’s a little embarrassing. He’s a grown man and all.

Ok, but it’s so cute. The little hair, the outfit- the shield! Come on? How is he supposed to remain composed? He will stare at it sadly when he has to go to work.

He had to admit, when you made one of yourself it felt complete. The plushies are always sitting together on his bed. Sometimes, he'll even put a blanket over them to keep them warm.

✩ ‒ Sampo

Omg once he gets one, it's on his person permanently. He loves seeing you work on them, too. It gives him a perspective on how much work you put into them

He’ll give suggestions all the time and you do make most of them. You often make yourself as well and it leads to lots of matching plushies.

Sampo did try to make one himself but it looked horrendous. He tried to throw it away but you wouldn’t let him!

That thing haunts his dreams but you like it for whatever reason. Honestly, Sampo takes that thing everywhere and even learned how to wash it properly.

✩ ‒ Luocha

The accuracy. His hair, eyes, outfit, the coffin- it even opens! Like, the effort that went into that was phenomenal.

Luocha is a big fan and does keep the plushie with him during his travels but keeps it hidden. It's something that reminds him of you (ironic since it looks like him).

He’s rather protective of the plushie. Someone once tried to take it and well… he almost stuffed them in the coffin. Lmao jk.

… ok, he did it once and never again, you can’t judge him, that’s his plushie. You gave it to him, not that rando. And no, it wasn't a kid! Why do people keep asking him that?

✩ ‒ Jing Yuan

Mind blown. Seriously, the talent that took was incredible! You even made a Lightning Lord plushie which attaches to the Jing Yuan one.

He keeps them on his desk at work and no one is allowed to touch them. He's worried others might damage them, but he wants to show them off at the same time.

He keeps the one you made of yourself with him though. It’s his good luck charm. Much like you.

Secretly hates tearing apart the plushie version of you and him. Heartbreaking when they have to see each other go. Sniff.

✩ ‒ Blade

Ok, listen. This is Blade we’re talking about. He can’t just be seen carrying a plushie- and of himself, no less. It’s embarrassing.

Is what he thought until he saw how sad you got when you found out he left it in a drawer. On the pain in his heart…

Now he keeps it on his person all the time. He even learned how to wash it because it’ll get dirty sometimes. No blood gets on it though, don't worry. Just some minor dirt or something.

For tougher missions, he puts the plushie in a plastic bag to keep it safe. It’s like a good luck charm of his. He lost it once and he almost had a heart attack.

[solsays]

Lifers x Crane Wives

I saw someone comment on a life series TikTok or something to try and pair all of the lifers to a crane wives song, without repeating songs. so obviously I spent an hour doing it

Grian—Tongues & Teeth (self explanatory if you’ve EVER heard this song)

Scar—Steady, Steady (this whole song is about how their partner is walking out but they still want to be “wild and free” which is just SO Scar coded)

Tango—Ancient History (he keeps teaming up with Skizz and I feel like this song vibes with that, it also just feels very Tango)

Skizz—Icarus (this man always gives himself up for his teammates I swear, and he fuels them to keep going. It also says “oh brother, brother” which feels like Skizz talking to any of his teammates to me)

Impulse—Allies or Enemies (Impulse has been very iffy on a lot of his alliances throughout the seasons, especially in third life and with the amount of playing all sides that man has done this songs feels right)

Cleo—The Glacier House (this. this is literally just her leaving Fairy Fort. The song is talking to/about her from probably Lizzie’s perspective, but like the last line is 100% as if Cleo was speaking)

Bdubs—Unraveling (Bdubs relies so heavily on his teammates, and when he doesn’t have that stability *cough* Etho *cough* he just kinda doesn’t know what to do so this song fits)

Mumbo—Keep You Safe (this man is by no means an aggressive/reckless player [see: Joel or Martyn] and he feels like he’s just here for the vibes and honestly? Love that for him. This song is about fear not keeping you safe and watching your friends run high risks, which just is very accurate to how Mumbo plays this series. I also feel like he could fit Rockslide when he goes red cause he goes from standstill to “drop dead sprint” in terms of aggression)

Lizzie—Shallow River/New Colors (Lizzie is the only one I put as two because both of these songs are just so fitting. Shallow river—“wasted all for the title, wasted all for the crown” reminds me of Lizzie trying to kill Scott and ending up dying herself instead. I also feel like parts of it could be dead Lizzie talking to Joel, the only person who is really mourning her. New Colors—“don't tell me that I can't, I need this“ and “I give up my air, to breathe” also feel very accurate with how she is trying so hard and just keeps failing )

Jimmy—Canary in a Coal Mine (no further context needed, we all know Timmy)

Scott—Little Soldiers (this is very flower husbands, but also just feels like Scott looking back on the last seasons including Pearl, Jimmy, Martyn, all his reluctant exes. Also this man is the watchers’ like least favorite person ever and this gives that vibe)

Pearl—Ribs (i changed this from New Discovery because Ribs is entirely about somewhat angrily protecting and helping yourself because nobody else would, and it really strikes me as Pearl with the some things having been good (Gaslight Gatekeep Girlboss) and some being bad (divorce quartet))

BigB—Not the Ghost (this man is so incredibly odd, he just constantly feels like he is being haunted by the watchers and just going about his life, he is the human personification of gaslight and we love that for him)

Martyn—The Hand That Feeds (he HATES the watchers with every ounce of his being, and with Ren gone I think this guy’s only purpose is just to spite them)

Joel—Sleeping Giants (go listen to it. That’s all there is to it, it just feels very Joel-ish, this lad is absolutely fucking mental)

Ren—Once & for All (this song feels like war and being betrayed, and Ren has been betrayed so much so it just fits. I mean come on “my blood’s forever on your hands” tell me that isn’t 100% something Ren would say)

Gem—Show Your Fangs (Girlboss moment, we love Geminislay. This woman is not someone to be underestimated and this song very clearly says that so it’s very Gem in my head. She doesn’t have enough lore yet to make it angsty but ONE DAY)

Etho—Never Love An Anchor (I can’t explain it, this song just has Etho vibes. I mean “It’s a secret I keep tucked inside my chest” just seems very him, I can’t really tell you why)

[thedivinetarot]

Talk to me in songs and poems

10 facts and more about your fs

☆ How to chose the perfect pile for you?

- Close your eyes and take a deep breathe. Ask the question I your head, open your eyes and the picture that you can't look away from is your pile.

☆ Note:

- This is a general reading, use your own discernment when judging the accuracy.

- This is a short mini reading. I may do an extended one or pt. 2 later.

- This is a future spouse reading which means that it is not applicable for crushes or someone you are briefly dating and if you want to do it on your long term partner feel free but I don't guarantee that it will be 100% accurate.

- Can be applied on a future lover too.

Pile 1 - The corpse bride

1. This person is very active. He could move a lot, work out a lot, or he could be an athlete. I see a constant movement from this person. Also he could walk fast, faster than normal.

2. This person get overwhelmed so quickly and the funny part is they cannot focus on more than one task and get distracted easily. He gives me an ADHD vibe. So, they may have ADHD.

3. This person is indecisive, it take them forever to make a decision which can be good or bad because they overthink everything. And because they see the good and bad in every option.

4. Your person is unbalanced when it comes to giving and receiving affection/ emotions/ gifts/ and other stuff. They either give too much or doesn't give at all.

5. They are tall and scary. They might have anger issues or get angry very easily. I see that this person is a catalyst of change or they might have changed a lot physically or mentally throughout their life.

6. This person is very emotional honestly, I see someone who is kind, sweet and caring towards others but they doesn't know how to show it in a balanced way.

7. This person have a big family or he came from a very strong/ rich or wealthy family. I see also that their family are very respected from people in the country they live in.

8. They are very successful but they kinda show it off and brag about their success in arrogant way. They could be arrogant too.

9. This person is pessimistic. They doesn't know how to be optimistic at all. It is like they have a different point of view than the people around them and because they overthink it, they doesn't feel good about it. There's a lot of emphasis on "what ifs" in their mind.

10. This person is family oriented. They are the perfect husband/wife material. They dream of having a family on their own and they are so excited about it.

Bonus: they lives far away from you and they travel to work or to their home. Could be in travel (from state to state) or out travel (from country to country).

Pile 2 - Blue moon

1. Lives near you. Or in the same state. Could be your neighbor too. I see that he tried to travel for work but it didn't last at all and he got homesick and returned.

2. Very diplomatic and 'demure'. He doesn't like conflicts and always try to avoid them.

3. Is very emotional. Idk why I keep picturing a blonde, white, and an overweight man in my mind eye. This person is cute or look cute and cuddly too.

4. They are very nurturing, if they are identified as masculine; he doesn't feel ashamed of taking care of others. And if they are identified as feminine; then they are very in their feminine energy.

5. This person is intuitive too, I'm picking up on the mbti INFP, ISFP, INFJ, ENFJ, ENFP, ISFJ too.

6. This person is very spiritual, I'm sensing major pisces placements. This person could be a wizard or a witch. They could read tarot and practice divination too. If not then they may be interested in those things (even if they are not a practioners of it).

7. This person have a very interesting point of view. I see that they see things from a different angle which cause others to misunderstand them and their intentions.

8. Despite this person's sweet personality or look. They have a dark side that they keep to themselves. I see that they might have been a drug addict, alcohol addict or other some type of addiction that I couldn't put my finger on. Could even be sex? Or masturbation? Maybe.

9. This person is very vital, they could blush quickly or their face get red easily. I see also that their voice can be rough and loud in an annoying way.

10. This person is active too like pile one. They may walk fast, talk fast or work out to keep fit even if they are obese or overweight.

Bonus: They were dating someone but they broke up with them. This incident was close in time like 2 to 4 months ago. I'm not seeing something deep at all. Could be a fling or a hookup.

Pile 3 - Blue butterfly

1. This person is an extrovert. I see someone who party a lot but from time to time this gives them anxiety so they isolate themselves from time to time.

2. This person is a huge believer in twin flame, they might be manifesting their twin into their life.

3. This person is spiritual too. I see that they are into psychology, inner child healing.

4. This person could mirror you a lot. Could be good or bad, so if you want them in your life you need to be better yourself in order for this to last.

5. Your future spouse is you twin flame, this came again while I'm channeling the facts about them.

6. They are very childish and innocent. And if not they can impulsive and carefree of the consequences of their own actions.

7. They are really a hard worker. Could be a workaholic too. I see that they are working on their finances so when they meet you they can wife you up.

8. This person is a busy bee. They are constantly working and juggling things. Could be a great multi-tasker too.

9. Their family traditions are very important to them. And they get very defensive when someone point out anything wrong with their family traditions.

10. This person is defensive. And also argumentative. They only want to prove that their opinion is the only right one.

Bonus: They are on their healing journey towards you. I see that also they can be a slow/smooth talker or walker. I see also that they do not hesitate to walk away when things are not working the way they want. They abandon their projects easily too. They could breathe loudly, or make a loud voice when they inhale.

Pile 4 - White swan

1. This person is an atheist. Or if not they might not have a religion or not into spirituality or doesn't believe in that "crab".

2. They are that one hot sexy fucker that fuck around with no commitment. And if not then they used to be like that before meeting you.

3. This person is very blunt, harsh with words and even abusive, be careful of their rage. They have a nasty energy. I smell something not pleasant at all. They could be clueless about hygiene.

4. This person is broke. Financial and in other areas in their life. They could also use their attractiveness to their advantages to use women's money. Again be careful, you don't have to keep up with that.

5. This person got disappointed and if not so they disappointed a lot of people in their life. Especially their family. I feel like when you get to know them, they will complain a lot about how unsupported they are.

6. I see that they always daydream about being successful, independent, and the boss but they do nothing about it honestly. Like there is no serious steps to be like that.

7. They have daddy issues, even if they are a male. Their father; might have left them which caused them to be heartbroken.

8. This person is a player. I see that they use people around them to their advantage.

9. I see also that at some point they learned from their past mistakes. They want to be a better person. I see that they might travel to another country to work on themselves.

10. This person when you meet them they will be in a better place. The previous facts might be from their past and they feel so ashamed of what they have done.

Bonus: He could be in a poly relationship or like poly relationships, or they date two or three people at the same time. Major womanizer vibe. Even if they change; they still are attracted to the opposite sex like crazy.

29th of sep/2024- Sun

* Feedback is appreciated

[yurinaa-world]

"𝓎𝑜𝓊 𝒽𝒶𝓋𝑒 𝒶 𝓂𝒾𝓃𝒾 𝓂𝑒?!"

𝒞𝒽𝒶𝓇𝒶���𝓉𝑒𝓇𝓈: Dr. Ratio, Aventurine, & Sunday x Gender-neutral reader

𝒲𝒶𝓇𝓃𝒾𝓃𝑔𝓈: Fluff, & Spelling mistakes

𝒱𝑒𝓇𝒾𝓉𝒶𝓈 𝑅𝒶𝓉𝒾𝑜 "𝑀𝑒𝓂𝒷𝑒𝓇 𝑜𝒻 𝓉𝒽𝑒 𝐼𝓃𝓉𝑒𝓁𝓁𝒾𝑔𝑒𝓃𝓉𝓈𝒾𝒶 𝒢𝓊𝒾𝓁𝒹"

Doll of him 

“What is this nonsense?”

“It’s loveable, isn’t it? You’re pretty famous that people made little plushies of you.” You just have that stupid grin while looking at that plushie, honestly how childish. 

“Looks nothing like me, it doesn’t have any charm to its design.” 

“I think it’s pretty accurate,” it had every detail yet its face was what was bothering Veritas the most, its angry frown. He’s more charming than what this plushie is portraying, And dare you say it looks like him.

You pinch his cheeks and pull his cheek obvious frown, staring back at the plushie and him, “Yep exactly alike, almost perfect copy.” he immediately pulls your hand off; steals the plushie from you.

“Hey—”

“I'm confiscating it from your hands, who knows what you might do. Disgraceful thing, whoever made this should be ashamed.” 

𝒜𝓋𝑒𝓃𝓉𝓊𝓇𝒾𝓃𝑒 "𝒯𝒽𝑒 𝒮𝑒𝓃𝒾𝑜𝓇 𝑀𝒶𝓃𝒶𝑔𝑒𝓇 𝑜𝒻 𝐼𝒫𝒞 𝒮𝓉𝓇𝒶𝓉𝑒𝑔𝒾𝒸 𝐼𝓃𝓋𝑒𝓈𝓉𝓂𝑒𝓃𝓉 𝒟𝑒𝓅𝒶𝓇𝓉𝓂𝑒𝓃𝓉"

A doll of you 

“What is that?” Staring at the little mini plushie form of yourself in Aventurine's hand, playing with it as if he was a kid with a Barbie doll. “cute little thing right? ‘I’m (Name) and I just love aventurine, so so much <3’” 

he talks in a high-pitched voice to “imitate” you while shaking the little doll as if it’s talking “I don’t sound like that.”

 you try to take the little doll from his hands, yet end up with him putting it up high. “really? you should hear your voice. ‘will you marry me aventurine?.’ of course I will.” 

his one free hand goes to your cheek to pinch and pull it while grinning at your flustered expression. He just loves this look on your face. “You both look exactly alike, like twins.” putting the little plushie right by your face as if to spot the difference between you and it.

“Hmm, which one is which? I can’t tell?”

He just leans to kiss that little plushy's face, yet you snatched it from his hands before he could “kiss” it, “if you’re going to cheat at least don’t do it in front of me.”

“Is that Jealousy I hear, over a little plushie?” 

“So what if I’m.” You throw the doll behind you, your hands cup his cheeks, fingers brushing his skin, lips gentle peck on the lips. 

𝒮𝓊𝓃𝒹𝒶𝓎 "𝒯𝒽𝑒 𝐻𝑒𝒶𝒹 𝑜𝒻 𝓉𝒽𝑒 𝒪𝒶𝓀 𝐹𝒶𝓂𝒾𝓁𝓎"

Doll of him

“Look Sunday! Isn’t it just cute?” 

You hold the little plushie right to his face while he looks at you taken aback by this off-brand doll in your hands and acting all amazed.

“They even got your wings right.” You touch the little wings on the plushie, gently pulling on it, he seemed to dislike this little thing you’ve spent a lot of time adorning. Honestly, he’s right there in front of you, so why bother with this knockout piece?

You feel his aura just go completely dark even with that smile on his face. ‘It looks nothing like my wings, he just can’t help but grit his teeth at how you marvel at this trash is.

“I might just keep it for myself whenever you’re not here.” You giggle a little, still oblivious to his feelings. 

He just grabs the plushie from your hands, staring it down. “I disagree with you dear, it looks nothing like me, so you shouldn’t waste your time on this ‘thing’”

Ah…he’s jealous of a plushie, He’s jealous of a plushie! That looks like him, and you are gushing over the cuteness! 

You just begin laughing loudly at this revelation, gasping for air as you catch your breath. “Sunday…Are you jealous over a plushie?” You grinned, ear to ear, “This cheap and worthless plushie doesn’t need attention or any type of approval from you.” 

“Hmm, pity, what will I do when I’m alone without you, the plushie made me feel less alone.”

You just want to mess with him, just a little. Your words just tick him off. Throwing away the plushie, arm wrapping around your waist; pressing against you. 

“What a waste of your time on that, I’ll work harder and finish things faster if you yearn for my company so desperately.”

if you liked this, consider tipping me on ko-fi! it'd mean a lot!

[cxtori]

Satoru Gojo ✭ Kiss Me Back

wc: basically 5k… it wasn’t meant to be lmao

summary: based off of this thought i posted a while ago

genre: angst, fluff, drunk “confession” but it gets misunderstood, friends to lovers, silly drunk Gojo

warnings: n/a

tori’s note: I finished this fic after having it in my drafts for almost a year. I kinda strayed from how my original prompt went lol. Idk how I feel about the second half of this, I’m not a huge fan of it but y’know, it be what it be. Hope you enjoy it nonetheless!

Gojo doesn’t drink often. In fact, it’s more accurate to say he never drinks. He hates alcohol. The way it tastes, the way it burns, and especially how quickly it affects his system.

He’s always been a lightweight, it only taking a few shots before he was intoxicated. But for some reason, Shoko’s teasing pressure to get him to drink got to him a lot more tonight than usual. 

It was supposed to be only one shot, then just one more. But now, here he is, a couple hours later and 6 shots down, drunk and stumbling, leaning against you for support.

You grunt as you struggle to keep the tall man vertical and walk him down the street to your car. 

“You are amazing, Y/n,” Gojo slurs, wrapping his arm tighter around your neck. You huff and roll your eyes.

“Yeah, yeah, you’ve said that 3 times already,” you laugh lightly. Gojo trips over his own foot, causing you to stumble and almost fall. Thankfully, you catch yourself and keep the two of you from crashing into the concrete. 

“Jeez, Toru! Are you serious?” You ask, unbelieving that he was so intoxicated that he really couldn’t walk straight. Gojo only moans miserably in response. “We’re almost there,” you sigh.

You knew how much he hated the repercussions of drinking and tried to stop him before it was too late. But he seemed to be feeling a little self-destructive tonight, so your warnings fell on deaf ears, much to your annoyance. Even so, you still felt empathetic enough to take him home yourself, turning down Nanami’s kind offer to do so.

After another block of walking and stumbling, you finally make it to your car, opening the passenger side and awkwardly shuffling around as you try to help Gojo into the seat. It felt like he was purposefully doing everything he could to make this simple task as complicated as possible. Which, honestly, you wouldn’t put past him. 

You eventually get him and his lanky limbs into the vehicle and hold back a laugh when he groans and dramatically drapes himself over your center console, arms spilling into the driver’s seat. You walk around to the other side of the car, moving his arms carefully before sitting down and pushing him to lean against the window. 

“Okay, tough guy. You still have the water Nanami gave you?” You ask. Gojo clumsily reaches into his pants pocket and pulls out the water bottle he somehow managed to fit in there. Damn men’s pocket sizes.

“Good, I want it empty by the time I make it to your place,” you state, turning on the car and pulling into the street.

“The whole thing?” Gojo whines. You laugh breathily, finding amusement in his drunk demeanor.

“Yes, the whole thing. Gotta stay hydrated so drink up!” You encourage. 

The white-haired man mutters a complaint as he cracks open the bottle, and you watch dumbfounded as he drains it in seconds. 

“I didn’t mean drink it all at once…” you say. Gojo shrugs and sinks further into his seat. 

You drive in silence for a few minutes, the pale, orange street lights whizzing by and the soft, white noise of the tires rolling on the pavement making the ride a peaceful, comforting experience. At least it would be if Gojo wasn’t staring holes into the side of your face. 

In his drunkenness, he’d somehow managed to misplace his glasses and blindfold, much to your dismay. You adore those brilliant blue eyes, but damn, if they weren’t intimidating as hell when they were staring you down. You do your best to ignore it, keeping your eyes focused on the road ahead of you. 

You feel your heart skip a beat when a cold, calloused finger presses gently against your temple before tracing your hairline, sweeping your hair behind your ear.

“You’re so pretty,” Gojo whispers, his words barely audible. Your breath catches in your throat, caught off guard by the sudden compliment. 

“O-oh, umm… I- th-thank you,” you stutter horribly. Gojo hums softly as though he’s satisfied with your reaction before laughing lightly. His hand leaves your quickly heating face as he turns back to the window, slumping against the cool glass. 

After what couldn’t have possibly even been a minute, you hear the faintest snore come from the man. You poke his arm, expecting some kind of reaction. But nope, he’s out.

You take a deep breath and start blasting the AC. It suddenly feels really stuffy in here.

You soon reach his house and pull into the driveway before parking the car and climbing out. You open the passenger door, being careful to not let Gojo dump out onto the ground. You shake his shoulders, whispering to him that he was home and needed to wake up. After some gentle-turned-vigorous shaking, the man wakes up bleary eyed and a bit confused. 

“Have a nice nap, sleeping beauty?” You tease, taking his arm and attempting to pull him to his feet. He grunts, reluctantly swinging his feet out of the car and onto the ground. The moment he stands, he leans back against the car, his eyes squeezed shut in discomfort. 

“Shhhhit, why did I do that?” He slurs, the alcohol still screwing with his brain. At least he’s more coherent than 30 minutes ago. 

“Not to be like that, but I did try to stop you,” you joke.

“Shut up,” he groans. His eyes open and meet with yours, but instead of holding the annoyed glare you were expecting, they were soft, appreciative. His typically pale complexion was still dusted pink, though not nearly as flushed as earlier, and there’s the faintest hint of a smile to accompany it. 

He leans against you, his arms snaking around your waist in a loose hug, and his head resting heavily on your shoulder as he sighs. “Thank you, Y/n.”

“Why don’t you thank me when I’ve gotten you inside!” You laugh awkwardly, pushing the large man off of you. 

Gojo pouts, his soft, pink lips protruding in a way that could only be described as borderline sensual. You tear your eyes away from him and link your arm in his to walk him into the house with much less stumbling this time.

You make it inside, Gojo dragging down the hall to his room while you dig in his kitchen cabinets in search of ibuprofen. Once you’ve found what you’re looking for, you grab a glass and fill it with water before making your way to Gojo’s room.

You knock on the door, the sound echoing through the cold, empty hallway. A muffled “come in” reaches your ears and you open the door. 

You step in and your eyes land on a half-naked Gojo sitting on his bed, stopping you in your tracks. He did say to come in, didn’t he?

He looks at you, a questioning expression written on his face. With everything he’s done this evening, it’s beginning to be hard to believe he’s not purposefully trying to fluster you.

You draw in a breath and walk over to him, refusing to give him the satisfaction of seeing you nervous.

“Here, for the potential hangover,” you say, handing him the pills and water. He takes it gratefully, downing the meds and water quickly. He sets the glass on the nightstand with a soft thunk, and an odd silence follows after. 

“Well, I’m gonna head home now. G’night, Toru,” you say, turning on your heels and heading to the door. Your hand barely touches the doorknob when Gojo says your name.

“Y/n,” he calls quietly. You stop and turn to him with a questioning hum, but he doesn’t give any response back other than a waving hand, signaling for you to come back to him. You shuffle awkwardly to stand in front of him, confused about what he wants. 

He stands up, his chest almost bumping against yours as he does so. You begin to take a step back, but before you can, his hands are on your waist, holding you in place. You look up at him to ask what he’s doing, but the words get stuck in your throat the moment your eyes meet his.

Those bright, cerulean eyes that were so often hidden from the world, were looking at you with such care and fondness that it made your chest tighten. 

Before you’re even aware of what’s happening, his warm, soft lips are pressing tenderly against yours. 

Your tense muscles relax and eyes flutter shut as your lips push back against his. His hands grip your waist as he pulls you closer to him before one lifts the back of your shirt, fingers dragging slowly over your skin. 

You sigh into him, your own hands traveling up his arms, to his neck, eventually finding home in his silky hair. His other hand moves from your hip to your face, cupping your cheek as he deepens the kiss. 

His tongue darts out and sweeps across your lips and the faintest lingering taste of bitter alcohol bites your tastebuds, snapping you back to reality. It’s only then that you remember who you’re kissing, where you are, and how you got there. 

Your eyes fly open and hands move to his chest, pushing him away from you harshly. Gojo loses his balance, landing back into a sitting position on his bed, his once peaceful expression now shocked and confused. 

Your hand covers your mouth, surprised by your own actions. It’s only a second or two that you stay there, staring at each other before you decide that you should definitely leave.

“I’m sorry, I need to go,” you say, wasting no time in leaving his room and ignoring his calls for you. You jump into your car and start the engine before your door is even closed.

What were you thinking? He’s the drunkest he’s been in ages, how could you let that happen? You curse yourself as you drive home, frustrated that you allowed such a thing when your friend was in such a vulnerable state.

 You make it home and park in the driveway, but you don’t leave. You sit in your car and stare blankly at the steering wheel as the full weight of regret begins to sink in. 

You’ve desperately wanted that man to kiss you for years now. But not like this! Not when he was intoxicated and most likely not thinking straight. You wanted a genuine kiss; one he gave you because he truly wanted to. Not because his drunk-self just wanted attention.

How are you supposed to keep your feelings for him under wraps after this?

You’ll just have to lie. You’ll tell him that it was just a slip up, that you were caught off guard. That he kissed you and- dammit, you kissed him back! And not only that, you were wrapping your arms around him. You can’t play off your feelings for him when you kissed him like that!

You groan painfully as you open your door and force yourself into your house, trudging your way to your room. You change your clothes and crawl into bed before plugging your phone in. The screen lights up with the red battery, which disappears quickly, revealing a missed call and several texts from Gojo.

I’m sorry Y/n. Can we please talk?

It wasn’t what you think

Y/n?

Hello?

He almost never texts you, let alone several times in a row. But you can’t find it in you to respond. You turn off your phone and stare at your ceiling for what feels like an eternity, the moment replaying in your mind on repeat. 

It wasn’t what you think? What is he assuming you think?

You raise a finger to your mouth, remembering how it felt to have his lips on yours as you trace over them. 

It was so warm, so sweet. The way he held you close to him, so strong yet gentle. The way his thumb stroked over your face so tenderly. Maybe… it was real.

No. You can’t allow yourself to believe it was genuine and get your hopes up, you can’t.

You roll over onto your side just as your screen lights up once more. You take a glance at it and find another text from Gojo. 

I’ll talk to you tomorrow. Please let me explain.

A new wave of anxiety washes over you when you realize you’ll have to see him tomorrow. You do work at the same school after all. You don’t have a few days to process this or even find a way to respond. 

You wrap tighter into yourself and painful tears fill your eyes, not taking long before they’re streaming down your face and soaking into your pillow. You just want the earth to open and swallow you. 

Your only comfort is in the slim possibility that he was still drunk enough to have a chance of not having clear memories the next day. Maybe he’d wake up, see the messages he’d sent you and not even remember what it was about. 

You know it’s a foolish hope. He wasn’t drunk enough during that kiss to have no recollection of it. Even so, it’s the only thought that calms you down enough to fall asleep. 

Okay, all you have to do is file a couple reports, meet with Ijichi and Nitta, and check in with Shoko on a new corpse. You don’t even have to be on campus the whole day, just do your few tasks and leave. 

You were not going to talk to Gojo today. You’re not sure your heart can handle it right now. You’ve barely even processed what happened last night. It’s like your mind is trying to convince you it was a dream. But the unanswered texts still sitting in your inbox say otherwise. 

You decided you would do your best to avoid the inevitable conversation. You’re sure that when he sees you, he’ll likely confront you about it. But, if you were with others, you knew he’d keep his mouth shut. You can’t hide from him, but you make damn sure he can’t catch you alone.

You know you’ll have to talk about it eventually, just not today. And maybe not tomorrow. Or the day after that.

You take a deep breath as you walk into the school and head for Yaga’s office. You’re not too worried about bumping into Gojo here as he usually avoids this part of the school simply because he’s afraid of running into Yaga and being asked to do something he doesn’t want to. 

You make it there without incident and knock on Yaga’s door before entering. Thankfully, your meeting doesn’t last long as you just have to turn in your reports and give him a quick rundown of your past week’s assignments.

Next was finding Ijichi and Nitta. Which meant going to the more common areas of the school. Which meant risking running into Gojo.

At this point, you were just hoping he decided to go MIA today as he typically did. Or maybe he’d be too hung over to even bother getting out of bed. Whatever the case may be, you just hoped he wouldn’t be behind the door to which you are about to enter.

You turn the doorknob quietly and poke your head in, finding no one but Ijichi sitting at a desk looking over a stack of papers, and you feel relieved. You step inside and Ijichi looks up, a small smile appearing once he sees it’s you.

“Ahh, Y/n. You’re a bit early,” he greets kindly. 

“Haha, yeah. My meeting with Yaga didn’t take as long as expected,” you laugh softly as you walk over to the desk and take a seat across from the man. “Where’s Nitta?”

“She’s currently out with the first years. They were sent to investigate the disturbance you reported a few days ago. Turns out it was just a few Grade 3 curses roaming around.” Ijichi replies.

He shuffles the papers spread out on the desk into a few separate piles before picking up each one, shaking them into neat stacks and paper clipping them together.

“Oh, that’s good to know,” you say with a smile. “So, you said you and Nitta needed something?”

“Oh, yes. We wanted your opinion on-”

“Gooood morning!” A familiar voice calls happily as the door swings open. You hunch over in your chair and glue your eyes to the papers in front of you, not daring to look at the man. You didn’t think you would run into him this soon.

“Oh, goodmorning, Gojo,” Ijichi says.

“Ijichi,” Gojo greets and nods to his co-worker.

He turns to you, your eyes still studying the reports laying in front of you. It was obvious you weren’t reading them though, considering they were upside down to you. “Y/n,” he says quietly.

You still refuse to look at him, mumbling a barely audible “good morning” in return.

Ijichi, sensing some tension, clears his throat and returns to the matter that brought you here in the first place. He only had a few questions, wanting your opinion on which recent cases should be assigned to which students. It wasn’t long before you had fulfilled your need and could leave.

You say your goodbyes, stand from the desk and make your way to the door, still having not spared Gojo, who was leaning against one of the couches, even a glance.

Despite hiding his eyes behind that dark blindfold of his, you could tell he’d been staring at you the whole time. You could practically feel his gaze burning holes into your skin. But, just as you expected, he didn’t dare bring up anything about the previous night with Ijichi in the room.

You walk out the door, thankfully leaving Gojo behind it. But you weren’t sure how long he’d stay there. You make your way quickly through the halls as you head towards the morgue. You open the door and step inside, the cold air making your body shake with a chill. 

You walk through, but find no sign of Shoko. Deciding that she must be in the office, you turn and start making your way over, it being just a couple doors down the hall. 

You step outside of the morgue and about jump out of your skin when you’re met with blinding white hair. Gojo. Of course. You should’ve known he would catch up to you. 

You stand there for a moment, him standing in the doorway and therefore blocking your exit. You still can’t bring yourself to look at him, not really, only giving him quick glances. It must be so easy for him to make “eye contact” when he doesn’t really have to.

“Can we talk?” He says, his voice taking on an unusually shaky and serious tone, and you suppress a sigh. Any hope you had of him not remembering last night shattered with those three words.

“There’s nothing to talk about,” you say quietly, desperately wanting to avoid the impending conversation. 

“Y/n,” he says, his large hand reaching carefully for your arm. You move quickly, avoiding his grasp.

“I don’t want to talk,” you say and push past him, making it through the doorway. You speed walk down the hallway to the morgue office, thankful that it’s just a few doors down. Gojo begins to say something but before he can, you’re knocking on the door, shutting him up quickly.

Shoko opens the door only a moment after you’ve knocked, silently stepping aside to let you in once she sees it’s you. Her neutral expression breaks a bit when she sees who’s behind you.

“Gojo, wasn’t expecting to see you today,” she says, referring to the rough condition he was in last night.

“I’m full of surprises, aren’t I?” He chuckles. He looks at you as he says this and you feel your face grow warm. Shoko walks over to her desk and shuffles through the various items in search of something.

“How are you feeling? You haven’t had that many drinks in a long time,” She asks curiously.

“I feel great actually. Y/n is a pretty good caretaker,” he says, once again looking over at you. “She’s the reason I’m not hungover.”

Yep, you certainly were. Maybe you should’ve skipped the water and ibuprofen. But that was before what happened. Past you had no idea that future you would be cursing that decision.

“He wasn’t too much trouble was he? Gojo’s always annoying when he’s drunk.” Like he’s not annoying when he isn’t drunk.

“He was fine,” you say plainly, wanting to move on from the topic.

“Fine is one way to put it,” Gojo says, an obnoxiously flirty smirk on his face. What happened to the serious and borderline nervous Gojo you had just a moment ago? Bring him back please.

“Maybe I should’ve let Nanami take you when he’d offered,” you mutter. Shoko turns back around to you, confused by the comments being made.

“Is that really what you would’ve wanted?” Gojo asks. 

“If it means we wouldn’t be having this conversation right now, then yes.”

Shoko looks between the two of you, reading the looks on your faces and expertly deciphering that this was not a conversation she needed (or wanted) to be a part of.

“I’m not getting involved in this,” Shoko mutters as she collects her things and quickly leaves the room, abandoning you in this anxiety-inducing situation. “We can meet later, Y/n.”

“Ah! Wait, Shoko!” You call, but she ignores you and walks out the door. Well, this certainly isn’t what you wanted to happen. Now you had no excuse to leave and apparently didn’t have anyone to have your back. You knew Shoko saw your plea for help in your eyes and she actively ignored it. But, it is Shoko. She always avoids getting involved in things that don’t concern her.

The silence that follows Shoko’s leaving is so incredibly deafening and you hope the ground will open up beneath you. You debate leaving, but you know that Gojo will just follow you. There was no escaping it now. Dammit, and you were so close to getting out without speaking to him.

You cross your arms over your chest and lean against the desk, your eyes glued to the floor.

“Y/n,” Gojo speaks softly. You refuse to look at him. You can’t. You don’t know what will happen if you do. “Y/n.” He steps closer to you and you sink further into yourself, feeling your throat tighten. “Let me explai-”

“What did you mean?” You close your eyes, finding yourself talking before you can even comprehend the words leaving your mouth.

“What?” Gojo says, confused. You sigh, annoyed with yourself now for having said anything.

“Your text. You said it wasn’t what I thought it was. What did you mean?” Gojo looks at you. Well, you assume he’s looking at you. He could be looking at the wall behind you for all you knew.

“I…” Gojo starts but doesn’t finish. He sighs quietly and leans against the chair in front of you. He doesn’t attempt to speak again for a long moment and you begin to wonder if he even plans to. And you’re right, he doesn’t speak. But instead, his hand reaches for the dark blindfold hiding his eyes, and he pulls it down around his neck, his snow white hair falling into his face.

You tear your eyes away as soon as he does, not able to bear even the thought of looking at him directly in those blue irises. Luckily, you’re not tempted to as he keeps his head down, his hair shielding his eyes from your view.

“I remember everything from last night,” the man says finally. You feel your heart sink. You knew he remembered, but for some reason, hearing him say so only made your anxiety worsen. “You didn’t give me a chance to say goodbye last night,” he says with a mild, teasing tone, though it was made with minimal effort, the tension in the room making it hard to joke playfully.

Your arms tighten around you and your throat burns, your eyes remaining focused on everything but him. 

“Yeah, well, I didn’t expect to be leaving in such a hurry either,” you say, risking your voice breaking into tears. Gojo chuckles.

“I thought you’d stay for a bit longer after the way you were kissing me,” He jokes, and this time it has his usual lightheartedness to it. Despite that, you feel your blood run hot through your body and for a moment you forget that you’re avoiding looking at him. Your eyes whip over to see him already looking at you, a smirk on his lips.

“Wha- you kissed me!” You whisper yell, afraid that someone outside may hear you. You can’t believe him. HE made a move on YOU, and yet he wants to talk about the way you were kissing HIM?

“Buuut, you kissed me back!” He says accusingly but airily. You close your mouth at this. He’s right, you did. And this is just what you were afraid of, him realizing that you kissing him back meant you actually enjoyed it if only a little. You couldn’t hide it.

“And I shouldn’t have, I’m sorry,” you say quietly. You turn your gaze away just in time to miss the way Gojo’s face twitches and his smile drops. Before you can’t stop yourself, you continue to speak, the coil in your throat snapping and the tears beginning to well in your eyes.

“I shouldn’t have kissed you back. I shouldn’t have let you kiss me to begin with. But please, I don’t want to hear what you have to say about it. I know you were drunk and it was a mistake just… Please, don’t tell me that.” 

The silence that follows your statement is so quiet that you can hear Gojo’s uneven breaths alongside your own. You feel the urge to run, to walk out the doors and never turn back. To find a hole somewhere to bury yourself in, never to resurface.

“You think I made a mistake?” Gojo’s words barely reach your ears, his voice so soft you almost have to strain to hear it. He looks at you, completely dejected. “Even if I did feel that way, do you think I’d come here to mock you for it? Do you think I’d be that cruel?” The hurt in his voice is so obvious that you can feel it yourself.

“I… I don’t know.” Truthfully, you did know. You knew he wouldn’t do something like that. He may be annoying, but he’s not cruel. It was out of your own fear of the outcome that you were avoiding this conversation. But then, two words in his statement stand out to you. 

Even if. 

Meaning even if it was a mistake. Meaning he didn’t think it was?

The tears welling in your eyes begin to fall when you dare to look up at him, his own already on you. But you don’t look away this time.

“Would you have kissed me if you were sober?” You ask quietly. Gojo’s shoulders slump and his face grows longer at your words. He takes a cautious step towards you, testing to see if you’ll back away. And you don’t.

“Y/n, I didn’t kiss you because I was drunk,” he replies, his voice smooth as silk. He takes another step forward, this time reaching out a hand to place on your arm, and you don’t pull away.

“That’s what I meant when I said it wasn’t what you thought. I knew you figured it was an alcohol-influenced choice. And while the alcohol admittedly may have had something to do with it, that wasn’t why I did it.” Your vision blurs as you begin to cry, your tears feeling like rivers of fire as they flow down your cheeks.

“I did it because I wanted to, Y/n,” he admits. He lifts a hand to your face, wiping your tears as he strokes your cheek with his knuckles.  “It wasn’t a mistake. It was a choice. And one I don’t regret.”

You close your eyes, not being able to see with them open anyway. His other hand moves from your arm to swipe at your tears, both hands now cupping your face tenderly.

“I don’t know what to say,” you mumble. You raise your hands to wrap your fingers around his wrists, your thumbs stroking over the back of his hands. You open your eyes, your vision clear enough to see him looking at you fondly, a genuine smile tugging at the corners of his lips. His soft lips that, in the back of your mind, you’ve been thinking about all morning.

Your gaze must have lingered on his mouth for a moment too long as his smile widens. He comes closer to you, his head towering over yours and his hands guide your face to continue looking at him.

“You don’t have to say anything right now. But.” He leans his face to yours, his warm breath against your lips. “I would like to kiss you again. And I hope you won’t run away this time.” His voice lilts in that familiar, teasing tone and your heart twists.

“I won’t,” you say with a breathless laugh. 

His large hands continue to hold your head as he moves forward, wasting no time in putting his lips against yours in a passionate but tender kiss.

And this time, you let yourself kiss him back.

©Cxtori 2024 please do not copy, plagiarize, repost or translate. reblogs appreciated

[sunshine-on-marz]

The brightest

Aaron Hotchner x Sunshine!Reader

In which Hotch’s grumpy reputation may be on the line

Dedicated to my pookie bestie boo @st4rgzer

The Aaron Hotchner had smiled 6 times in 2 days. Spencer counted. It also just so happened that you joined the BAU 2 days ago. You’d transferred from a different unit, where you only worked for a few weeks before they suggested you move to the behavioral analyst unit, namely because you kept profiling, very accurately, and completely on accident. Well it wasn’t exactly an accident, but you had no clue you could make reading people a job, it was always just something you did. It was honestly insanely impressive. What might be more impressive is just how much you lit up the bureau from the moment you walked in. Your smile far brighter than the painfully fluorescent lights, and from the moment Hotch greeted you he knew he was in trouble

Something about your everything has him absolutely enthralled. The way you absentmindedly fidgeted with your shirt, your smile, your laugh, the small comments and jokes you make during conversations, all the small favors you do for the team, all of it had him head over heels.

The rest of the team was starting to get weirded out. In this very moment Emily was trying her best to explain to you that no, Hotch isn’t ‘nice’. He’s caring and fatherly but he’s not ‘nice’. “Honestly it’s really really insane that you’re calling him nice and it’s even more insane that you’re not wrong, I’ve literally never seen him be this nice for this long” she explains, Derek walking up behind her “we talkin about Hotch’s crush on the new kid?” He asks, leaning on the back of Emily’s chair before looking up at you “hey sugar” he says, you wave at him through your laughter. “Guys I highly doubt he has a crush on me” you explain “maybe he just likes me.. as a person” you explain. “Y/n he practically has heart eyes when he talks to you” JJ butts in, Spencer lifting his hand with a thumbs up. Just then Rossi walks in “are any of you working?” He asks, Emily answers “we’re working on convincing y/n that Hotch is in love with them”, Rossi just laughs. Which says a lot more then his words ever could. “See?!” Derek shouts, gesturing to Rossi who’s still laughing to himself.

“See what?” Hotch’s voice rang through the bullpen from where he stood at the balcony infront of his office. “Nothing!” Everyone said in unison, other than you, you just sat with a confused, but amused look on your face. “Y/N, my office” Hotch said, Emily and Derek having to cover their mouths to keep from laughing. You, albeit nervously, walk upstairs and to Hotch’s office. “Sir” you say softly as you walk into his office, he follows behind you. “You’re not in trouble” he says, chuckling softly as he watches your shoulders relax. “That’s good- no actually that’s the best thing I’ve heard all day” you say, exasperated and relieved. “I wanted to make sure you were settling in well” he says, you smile “oh yea it’s been great!” you smile “everyone’s been absolutely lovely! You weren’t lying when you said it’s a family here”, he smiles softly “it’s good to know you’re feeling included” he says, he slides you over a peice of paper. “The higher ups want us to start getting written statements from the new hires, to make sure everything’s running smoothly, would you mind filling this out for me?” He asks, you nod, he starts again “well excuse me for a second” he says as he walks out of his office, closing the door behind him and starring at his team who were all standing as close to the wall as possible without being in the window. “Will you all mind your own business?” He says, a sea of small agreement and apologizing spilling from the team as they walk off, only Rossi staying behind. “Yes?” Hotch says, raising an eyebrow as he waits for Rossi’s inevitable, and probably sarcastic, remark. “Let them get through the first week before you ask them out” Rossi says, laughing to himself as he walks away, Hotch just smiles, once again reminded of the downside of working with profilers.

I genuinely didn’t know how to end this sorrrrrrryyyyyyyyyy!!!!

I love you guys so so so much!

Remember to reblog and tell me what you thought of the fic!! Reblogs and feedback make the world keep spinning!!

[pure-smut]

iron wall.

featuring: Takanobu Aone x f!reader

contains: some angst to fluff to smut, happy ending!!, tattoo artist!Aone, social anxiety!reader, thigh riding, fingering(ish), missionary, NOT an accurate representation of getting a tattoo (call it creative liberties)

word count: 3.7k

note: all characters are aged up to 21+!

MDNI | 18+ content

Masterlist

a/n: I'm sorry, I love Aone so much, he's so babygirl!! I'm a sucker for a gentle giant so I needed to get this story down I love him

You’re so excited for your first tattoo. So excited you could throw up, in fact. Oh wait, no, you’re terrified.

The tattoo studio does nothing to soothe your nerves. It’s a small space, seeming all the more cramped for artwork covering every inch of wall and shelf space. You try your hardest not to shrink into yourself.

And then your tattoo artist steps out and a year of social aversion therapy dwindles into nothing.

Takanobu Aone is one of the best artists in the country and you’ve been so, so lucky to get a spot with him. You researched hard, not trusting your first tattoo in the hands of anyone less than perfect. When you saw Aone’s portfolio online, you knew he was the one. Beautiful linework and sweeping designs that seemed to mould to the person’s body. You fell in love with his art.

But his portfolio didn’t have any pictures of him. So when he steps out and greets you with a silent nod, you nearly shrivel up on the spot.

Aone is scary. He’s tall, broad, and – unsurprisingly – coated in tattoos. A seemingly permanent frown is etched on his face, his ice blonde hair cut short. But it’s his eyes – it’s like he’s glaring at you.

“Sorry,” you squeak out before internally scolding yourself.

Sorry?? What are you apologising for? No one’s said anything yet!

If Aone’s confused, he doesn’t show it. He only gestures to an intimidating-looking chair, fitted with an overhead lamp.

Your hands shake so you clench them into fists. You can do this, you tell yourself. This was the whole point of your tattoo. On wobbly legs, you make your way over to the chair and sit down.

Aone looks down at you. You look back up at him. When neither of you says anything, he twirls his finger in the air.

“Oh!”

Idiot, you think to yourself. It’s a back tattoo – he needs to see my back.

You turn around, your chest pressed against the back of the chair, as Aone sits behind you. Even without seeing him, his presence is so large that you feel it. You take a shuddering breath as you hear the buzz of the needle and squeeze your eyes shut.

The tattoo hurts, like a relentless, stinging scratch against your skin. But honestly? You thought it would be worse. Still, the nerves haven’t dissipated yet, and nausea swirls in your stomach. Especially when you feel Aone’s hands on your skin, resting against your back as he works.

“You’re doing well.”

Aone’s voice is so sudden and unexpected that you nearly jump. It takes a second for you to register what he’s said but when you do, warmth rushes to your cheeks.

“Th-thanks,” you stammer out.

“Will music help you to relax?”

His voice is deep and smooth. You’re glad you’re facing away from him because you don’t want him to see the blush in your cheeks just from listening to him speak.

You tell him your favourite songs and he sets up a playlist. By the time he starts up the tattoo again, you are feeling more relaxed. It helps that you don’t need to look him in the face, that you don’t need to mould your reactions to what you think is right. Every so often, Aone will let you know how well you’re sitting for him and each time, it makes your body feel like it’s on fire.

By the time he’s finished, you’re nearly dizzy.

Aone must notice because he offers his hand to help you stand. You take it, gratefully, but keep your eyes averted, too embarrassed to look him in the face.

“First tattoos are hard,” he says solemnly and you’re glad he thinks it’s the tattoo that’s had an effect on you and not him.

Aone hands you his card as you pay up. It has a list of tattoo care instructions as well as his phone number and socials.

“Any problems, contact me,” he says.

You finally look up at him. What you had thought had been a glare before now looks completely different. Aone’s eyes are sharp but they’re kind, his face serious but concerned. Under the intensity of his gaze, you find it suddenly hard to breathe.

You want to thank him, to tell him you’ll be happy to contact him if anything comes up. To say anything normal at all.

But an iron wall wraps around your chest. You don’t want to say anything stupid or embarrassing. So you give a short nod and leave without saying anything at all.

*

It’s only a few days before your tattoo starts to itch. You diligently cream it as Aone’s card instructed you but the position of the tattoo means you can’t reach all of it. There’s a patch in the middle that’s neglected and so, so goddamn itchy.

After all the research, effort and money spent, you desperately don’t want your new tattoo to heal badly. But you have no one to ask for help. It’s your own fault, you know. You’ve spent the years since you left home for college isolating yourself from everyone. Too worried about saying the wrong thing or doing something embarrassing. Too concerned over whether people are laughing at you instead of with you.

And now you’re stuck with an itchy tattoo that you can’t fully reach.

Aone’s card sits innocently on your desk, almost taunting you. It takes another two days before you gather up the courage to tap out a message to Aone.

He responds within minutes with instructions to come to the studio.

That’s how you end up back in the chair, your favourite songs playing again, too embarrassed to look behind you at Aone.

“The itch is worse than the pain,” he says, rubbing cool, soothing cream gently over your tattoo.

Despite yourself, you smile. Maybe it’s your favourite music in the background, maybe it’s the fact you don’t need to look at him. Maybe it’s the feel of his gloved fingers being so gentle on your skin. For once, you don’t overthink before you speak.

“The pain wasn’t so bad after a while,” you say quietly. “But the itching goes on forever.”

Aone chuckles. It catches you off guard – you wonder what he looks like when he’s smiling.

You sit in comfortable silence for a while.

“This is so embarrassing…” you mumble to yourself.

“What is?”

You startle, not realising he heard you. Your cheeks burn.

“O-oh… just… y’know, all of this,” you say clumsily.

“All of what?”

“I-” A lump appears in your throat. You realise how stupid you sound. “I can’t reach my tattoo.”

A puff of air escapes Aone’s nose.

“Not embarrassing,” he says. “I fainted during my first tattoo. That is embarrassing.”

The image of Aone – broad, muscled, serious-faced Aone – fainting during a tattoo is so unexpected you snort with laughter.

“You didn’t!”

“I did,” he says gravely. “I was too nervous to eat breakfast so my blood sugar was low.”

Aone withdraws his hands to lean in close. You can feel the warmth radiating off him on the back of your neck and shoulder. When he speaks, his breath tickles your cheek.

“They had to give me a lollipop.”

You burst out laughing, clapping a hand over your mouth. Aone chuckles and stands, snapping his gloves off. You rise with him, still giggling, and get a glimpse of his smile for the first time.

It’s small, just an uptick at the corner of his mouth, but you can’t stop looking.

“Next time you feel embarrassed, remember the lollipop,” Aone says with a firm nod.

You grin, meeting his eyes. Inside you, a small chip skitters down the iron wall.

A crack.

*

Aone tells you to come back every day at the same time for a week, until your tattoo heals. You find yourself looking forward to it and you end up chatting long after he’s finishing creaming your back. You wonder if this is it – you’ve beaten the insecure demon inside your head.

Until one day you don’t.

It’s the last day you’re scheduled to visit Aone’s studio. Maybe that’s the reason why a stab of icy fear lodges itself in your heart every time you try and open the door to leave.

You stand at your front door, key in the lock, but your hand is frozen. Your breathing turns ragged and your vision swims. You can’t turn the key. You can’t leave your home. Your sanctuary. The only safe space you know.

Except Aone’s studio.

Except Aone.

You know you’re going to be late but still, you can’t bring yourself to leave. With shaking hands, you message Aone, apologising and saying you won’t make it. He messages back instantly.

Are you okay?

You don’t know what prompts you to respond honestly. Maybe it’s the exhaustion from fighting the anxiety in your head. Maybe it’s because Aone has always been sincere with you. Maybe it’s because you don’t have to look at him when you respond.

Maybe the iron wall is breaking.

No, you type back.

He asks for your address, saying he’ll come to you. After chewing your thumbnail down to the quick, you give it and throw your phone onto the other side of the bed.

You barely have the energy to drag yourself from your bed when the doorbell rings. You know you should feel embarrassed opening the door in your pyjamas, hair unbrushed and eyes puffy with no sleep. But when Aone steps in, face serious, and pulls out a lollipop, the only thing you feel is relief.

You burst into tears as Aone pulls you into his arms, pressing you against his chest. He’s firm and warm and holds you tight. He doesn’t say anything. He lets you soak the front of his shirt with your tears.

When you’ve cried yourself dry, your sobs dwindling into sniffles, Aone pulls back to peer down at you.

“Food?”

You spend the day with takeout, watching movies together on your laptop in bed. You sneak glances at him every so often, admiring his profile, and have to quickly look away every time he notices. It should be embarrassing… but you know he’s looking at you too. You can feel his intense gaze when you’re watching the movie, can feel him watching you when you get up to go to the bathroom.

When you return, instead of lying side-by-side, you turn your back to him, pulling the laptop in front of you. Aone turns to spoon you, wrapping one large arm around your stomach. You melt into him, immediately relaxed.

It reminds you of being in his chair, faced away from him but knowing he’s there.

“I’m sorry,” you say quietly, your voice nearly drowned out by the movie. “I know I get too nervous and say weird stuff.”

“What weird stuff?” You can’t see him but you can hear the frown in his voice.

“Like…” You swallow past the lump in your throat. “Like when I first met you, I didn’t even say hi. I said sorry, for some weird reason.”

Your mouth goes dry as you recall your first embarrassing memory with Aone. The one that still keeps you up at night as you replay it, thinking about how awkward you looked and how weird he must think you are.

“That wasn’t weird,” Aone says, breaking you out of your thoughts. “People think I’m scary. They don’t sit next to me on the train and they apologise when they meet me.”

You blink at the laptop, twisting slightly so you can look at Aone. He looks back at you.

“They do?”

He nods.

“You’re not weird. You’re normal.”

Aone says it with absolute sincerity. You think on this for a moment before fully turning, facing him. Aone settles his hand on your waist, his sharp eyes locked on yours.

You’re normal.

A rush of relief floods through you and your eyes water, nearly bursting into tears again. Aone notices because he tightens his grip on you, his hand on standby to brush away any tears.

“I’m okay,” you reassure him. “I’m okay.”

And it’s true. It’s the most okay you’ve felt in a long time. A flood of affection clouds your mind and you look up at him to smile.

“Thank you for rescuing me today,” you tell him.

“Always,” Aone says seriously.

It’s only one word but it steals your breath. You feel like you’re falling. You grip onto the front of his shirt, anchoring yourself.

One word and your iron wall crumbles.

You tilt your head up until Aone’s face is only inches from yours. You’re offering yourself up, offering your heart on a platter, open and vulnerable. You close your eyes and wait, blood rushing in your ears.

Aone moves his hand up from your waist to cup your face. His skin is hot against yours and you can feel his heart beating through his chest.

“Always,” he whispers once more before he closes the gap between you.

Aone presses his lips softly against yours. Your hands snake around his torso, feeling the hard muscle of his back. His lips part yours gently, cautiously, wary not to pressure you too much. You let him, meeting his tongue with your own and melting into him.

Aone uses one arm to wrap around your back, pulling your body flush to him as his other hand grips your thigh. He tugs your leg over his, nestling his thick thigh between your legs, and pressing against your mound. You gasp lightly into his mouth.

Aone pulls back, eyes opening.

“Is this okay?” he asks, searching your face for any sign you’re uncomfortable.

“Yeah,” you breathe. “It’s… it feels good.”

You try hard not to grind against his thigh but when he leans down to kiss you again, you find your hips moving on their own. His firm muscle pressed against your clothed pussy makes your clit throb with need. You haven’t felt this turned on by anyone in a long time, your sex drive long since evaporated. But Aone is awakening something inside you, a heat in your stomach unfurling.

You hold onto his shoulder, solid as a rock, and grind against his thigh.

Aone trails his hand down to your hip, his grip gentle but firm.

“Are you sure?” he murmurs against your lips, reluctant to break the kiss.

“Mhmm.” You catch his bottom lip lightly between your teeth. “I’m sure.”

Aone hardens his grip on your hip, guiding you as you rub your clothed pussy against his thigh. The friction is delicious, sending little sparks up through your body and soaking the crotch of your panties and pyjama shorts. You’re forced to break the kiss to bury your face in his chest, whimpering.

He’s bringing you close to the edge, so, so close. But it’s not enough.

“More,” you practically beg him. “I need more. Please.”

Aone grunts and rolls you onto your back, slotting himself between your legs. He’s large enough that you’re spread lewdly beneath him, thighs open. It would normally make you flustered – embarrassed – but it doesn’t.

Because it’s okay. It’s Aone.

He looks at your with stars in his eyes as his hand reaches down, sliding under the waistband of your shorts and panties. Your hips buck as his fingers find your swollen clit, slippery with your arousal. He traces small, featherlight touches around your sensitive bud. Aone knows his own strength and he’s always cautious of being too rough. He watches your face carefully to see your reaction, applying slightly more pressure until your nails sink into his biceps.

“There!” you gasp. “Fuck, right there. I’m so close.”

Aone listens, his cock straining against his jeans. You would normally feel your cheeks burn under the intensity of anyone’s gaze, let alone Aone’s, but you’re too caught up in the pleasure he’s giving you to care. His fingers are relentless, keeping up a steady pace, no faster or slower than exactly what you need.

When your back arches and your mouth falls open, Aone dips his head to swallow your moan, kissing you deeply through your orgasm, his fingers never stopping. It’s only when you pull away, too sensitive to continue, that he withdraws his hand.

But he can’t stop kissing you. Your soft lips and the taste of the lollipop he brought you still on your tongue. Aone knows you’ve opened yourself to him, he knows you’ve summoned every ounce of courage you have. He feels like he has a baby bird in his hands and he’s scared to hold you too tight. To crush the precious thing you’ve given him.

So when you come down from your high, he makes to roll off you, not thinking of himself or his throbbing cock.

You stop him, hands on his biceps and wrapping your legs around his hips.

“I want you,” you whisper, voice hoarse from moaning. “All of you.”

Aone searches your face for any uncertainty. He only sees your eyes alight, holding his gaze firmly. He thinks back to your first arrival in his studio, when he couldn’t even tell what your face really looked like, you kept your eyes so averted. The corner of his mouth upticks with pride.

You reach up to wrap one hand around the nape of his neck, carding your fingers through his short, white-blonde hair as your other hand reaches down to his jeans. He helps you unbutton them, tugging them down along with his boxers and throwing them both off the side of the bed. Aone straightens to pull his shirt over his head, tossing it to the side.

Your eyes widen at the sight of him. Tattoos decorate his thick torso, artwork following the curves and dips of his body. You sink your teeth into your bottom lip, not even hiding how absolutely, completely attracted to him you are.

Aone’s expression doesn’t change much but his eyes glint and you know he’s pleased by your reaction. He reaches down, hooking his thumbs under the hem of your pyjama top and tugging it off. He gazes down at you, face soft, his eyes tracing over your body.

You’d normally be fighting the urge to cover yourself but you don’t feel the need to do that with Aone. You want him to look at you.

Aone leans down to pepper soft kisses down your neck, to your breasts. One large hand massages your tit, tweaking the nipple between his thumb and forefinger. It’s like your nipple is directly connected to your clit, making it throb with every touch. Aone sucks your other nipple, mouth hot against your skin as his teeth lightly graze you. It’s electrifying. You can feel yourself getting wetter, a scorching heat between your legs.

You need him inside you.

You tug on the roots of his hair gently, pulling his face back up to yours. Aone kisses you deep and slow, one hand reaching down to line his cock up with your entrance. You can feel the fat mushroom tip nudging between your folds. You pull your knees up, wrapping your legs around his hips to give him better access.

Aone pulls back from the kiss. You chase his lips with your own but he cups your cheek, holding you away.

“I want to see your face,” he says.

 He locks eyes with you and pushes himself inside.

Your mouth falls open and your brows scrunch in the middle as Aone slides his cock into your tight hole. You’re more than wet enough for him but his cock is as thick as the rest of him, stretching you with a burn that’s half pleasure, half pain. You whimper, eyes squeezing shut as Aone shallowly pumps himself inside you, going a little deeper each time. Each stroke of his cock sets your nerves on fire, sparks running through your whole body to the tips of your fingers and toes.

“Holy shit,” you grit out. “You’re – ah! – You’re so b-big.”

“Are you okay?” Aone stops still. “Are you in pain?”

You shake your head, wrapping your legs tighter around him.

“Don’t stop,” you beg him.

He gives a short nod and keeps going, slowly working himself deeper until he’s bottomed out. Aone waits there for a while, letting you adjust to the size of him. You’re desperate for more friction, your pussy clenching him tight.

“You…” He collapses onto his forearms, burying his face in your neck.

His hand tangles in your hair at the back of your head, holding you to him.

“You feel so fucking good,” he breathes. “You’re doing so well.”

Aone’s praise sends a thrill up your spine, so reminiscent of the first time you met. He presses his mouth against the shell of your ear.

“I’m going to move, okay?” His voice is hoarse.

You nod and he starts to pull back, keeping his body pressed against yours. It should feel smothering, his large body covering yours, but instead it feels safe. Secure.

Aone keeps a steady pace, not pulling out all the way before thrusting back into you. Your greedy pussy pulling him back in every time, your plush walls squeezing him, not wanting to let him go. His cock rubs against the sensitive spot inside you, the trimmed hair at the base stroking delicious friction against your clit. The combination is indescribable. It doesn’t take long for your eyes to roll back again, your orgasm building faster than you can register.

Aone can feel it. The way your tight pussy gets even tighter, the whimpers you make from the back of your throat, the way your thighs squeeze his hips. He can’t get enough of it. He wants to last as long as possible so he can stay here forever. Stay with you, like this, forever. But the way you’re gripping him, milking his cock, makes it impossible.

“I’m gonna cum, angel,” he groans. “Cum with me.”

His words are enough to tip you over the edge. Stars burst behind your eyes. You cry out his name as your thighs tremble and your toes curl, creaming on his cock. Aone grunts, half-moaning, as buries his cock inside you, thick ropes of cum coating your walls.

You hold him close, not wanting him to leave even as his cock softens inside you. Aone stays where he is, wanting to prolong this moment as long as he can. He presses gentle kisses against your neck, hugging you close to him.

“You’re perfect,” he mumbles in between kisses. “Thank you.”

You smile and catch his lips with your own.

“Always,” you whisper back.

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[dcxdpdabbles]

Hi!

If you’re still doing these asks, do you mind maybe adding a part 5 to Passion for Fashion?

I would love to see how Danny and Red Robin’s impromptu date goes and Constantine’s reaction to all this.

And poor Killer Croc is so confused and uncomfortable around the twins, oh and not to forget Dan’s inner turmoil over losing a love interest because his body no longer matches his mental and spiritual age😂

I’d also love to see the reactions of the rest of the Batfam to Tim going on a date and their reaction to Dan’s flirting with Croc.

Your request came in after I had already written most of Part 5, but I hope I can include most of what you asked for in it and make it up with another Part of the Au for you.

Danny strutted down the runway, fighting to keep his gaze straight ahead as various flashes from cameras went off.

He mentally went through his checklist of proper catwalk tips that he watched the other day—or, more accurately, Dan forced him to watch from some free video website—ensuring his hands were relaxed, long strides were made, and his shoulders were firm but not stiff.

This was the contest's second round, with Tim Drake proposing the "Gotham Aesthetic" as the theme and challenge. Apparently, the teenage CEO spent most of his childhood taking photos of the city and wanted others to appreciate the architecture of the aged town.

There was no kidnapping attempt this time, and the contest was back on schedule. However, there was a delay because some of the models had dropped out after they were nearly sold (Dan called them cowards, but Danny personally thought they were wise to do so). Hence, fashion designers had to scramble for someone new or forfeit their position in the contest, allowing some eliminated to take their place.

It took nearly four weeks to confirm that the same designers were staying but would need to remake or adjust their outfits. Thankfully, Wayne Amature Fashion Show was more than willing to offer them time.

Dan had already made Danny's outfit but figured he would remake it anyway. Once completed, new designs were crafted, adjusted, and flung into an idea box. He created so many it was as if Dan were a man possessed (Pun intended).

Danny needed to figure out how much fabric he was going through, but sometimes, he had to remind the other to sleep, eat, and shower. It seemed the other kept forgetting he was human now and needed to do these things for his health and Danny's poor nose.

Dan also seemed obsessed with exploring new parts of Gotham just to take pictures of buildings to get "inspiration." Danny went with him as he had nothing better to do, and the pair made an unlikely duo.

Both got stares in the streets—Danny for strutting around Gotham wearing some of Dan's regretted challenge outfits in an effort to learn to catwalk in them and Dan for dressing as close to the homeless as he could. For all that Dan could make amazing pieces of fashion, the man only filled his own closet with mismatched joggers and pajamas.

Danny had to force him back to change at one point since Dan had intended to walk around in a bathrobe- with shorts and stained short sleeves underneath it. He drew the line on bathrobes.

It was so embarrassing to be gawked at all the time that Danny could not help but wish Dan would try just a little. This was somewhat worse than when he was alone because at least then he knew it was just how stupid and awkward he looked in the outfits.

Now, he just felt subconscious about trying too hard compared to Dan.

"Relax, kid," The other scoffed, snapping a picture of the Brown Bridge. "By the time you're my age, you honestly stop caring about what other people think, so long as you like how you look."

"Can't you at least comb your hair?"

"I forgot how to do that."

Danny snaps his head in his direction, blinking owlishly "What?"

Dan shrugs. "My hair was fire for a literal decade, brat. How was I supposed to comb it?"

"Oh," Danny supposes, that makes sense. After all, Dan was more ghost than human at that point, driven mad by his grief and a colossal monster. He sort of forgot that. "Do you want me to show you how?"

"Ew. No. Too much work. Humans are so high maintenance." Dan rolled his eyes and shifted his tone into a mocking one. Comb your hair, change your clothes, take a bath."

"You smell like shit, Dan."

"You look like shit!"

"We have the same face!"

"It's better on me!"

Their public arguments also attract lots of stares. Danny would feel embarrassed by them if he wasn't so busy bickering with Dan as they moved about.

Ultimately, Dan had made his outfits formal steampunk during the break. Danny wished he had stayed with the Dark Academia idea because he felt he was walking around in a costume instead of clothes.

Dan told him that it felt too basic to go with Dark Academia since, now that he saw more of Gotham, he thought it better represent the city as a whole instead of the elites of Gotham. Danny debated with him until he agreed to make two of the four outfits- meant to represent all four seasons of Gotham's beauty or something stupid like that- to be dark academia.

Danny nears the end of the runway, stopping right before the judges to strike his pose. His eyes never leave the center decorative flower in the far back, but he makes sure to slowly turn his head as if he is gazing at the crowd.

There are gasps as he pulls off his tophat in a twirl to hide the way he presses the button on his hip. At once, his pants and sleeves light up in the gentle glow of the Brown Bridge's famous historic lampost show. It's no brighter than his ghost glow, but it makes him look like a vision, especially when he puts the hat back on with a mysterious curl of his lips.

Danny practiced that move for weeks—even when it made him cringe—and he is happy to have pulled it off successfully as he twists around and struts away. The Brown Bridge only lights its lanterns in the winter, so this hits a true Gotham native here for the seasonal challenge portion.

With his superhearing, he manages to catch Tim Drake-Wayne's dreamy sigh. Danny fights the urge to fist bump. If they impressed the special judge so much, then they just guaranteed their spot in the next round.

Each round meant they were closer to completing the mission. Since it's been practically impossible to find Batman—even when the man was running around dressed like a giant bat—this was their best bet.

Once he's backstage, he rushes to Dan's area, already ripping off most of his outfit for the last piece. Spring dark academia vaguely reminded him of rich school uniforms, but at least they didn't have ridiculous amounts of belts and metal on them.

Dan already has the outfit set out and quickly helps him change. He adjusts the vest and collar for Danny, glancing angrily at the model walking up the line. "Come on, we only have a few minutes before the last two models finish their walk for the Winter portion."

Danny nods, throwing on the gargoyle ear cuffs, only to pause when he sees a strange card on Dan's station. He pushes aside the black rings to grab a tiny green card with a giant question mark. "What's this?"

"Some guy saw my work and wanted to commission him a suit. Apparently, he was tired of how no one could style the question marks." Dan answered, distracted while reapplying some powder to Danny's face.

"A question mark? Why?"

"It's his gimmick or something. I didn't bother to ask for too many details. He will be going to our house soon to get his measurements done," Dan says, twisting Danny's face with his chin to make sure everything looks good. Danny lets him, blindly slipping on his rings and bracelets. "Thought it be a fun little side project."

"How did he hear about you?"

"You remember how you took those boxes of clothes to the job search office to give to people? Apparently, one of his employees' younger brothers borrowed a suit for his prom, and he thought the photos were nice." Dan shrugs. Then he glances in alarm at the stage hand who signals for them. "Never mind that. It's almost our turn again. Get out there!"

Danny scurries away, but not before he sees a beautiful redhead woman in green- was that leaves and vines???- stride over to Dan as the clone puts away his makeup.

She gestures with a business card, and Dan blinks as she talks once before he eagerly takes out his design journal. She must be a performer asking Dan for a new forest design or something.

Danny wonders why Gotham has so many people with oddly specific gimmicks.

He turns his head away to stride back into the catwalk, head held high as he does so. Danny makes the mistake of locking eyes with one of the judges- Tim Drake-Wayne is gawking at him like the people of the street do- and he snaps his gaze away, fighting to keep his composure.

He thinks he does well since Team Fenton snatches first place in this round. Drake-Wayne catches him at the after-party, praising his final outfit so much that Danny offers to give it to him, knowing Dan wouldn't mind.

Drake-Wayne goes red, early agreeing, but since they are so different in size—the CEO's waist is slightly leaner but with far more muscular forearms—Danny tells him to come by his house that weekend to have Dan resize it for him.

It should be fine since the Question Mark man and Leaf Lady will also be there that day for their own measurements.

[davosmymaster]

No Time To Die

TAGS AND WARNINGS - +18, Minors DNI, no explicit smut but sexual themes, whump, a lot of angst, blood, graphic wounds and procedures (?) probably not medically accurate, could be almost gore if you squint, hurt/comfort, two dorks in love, canon-typical violence, near-death experiences. Not based on the game, I don’t know anything about the game and I don’t want spoilers please.

PAIRINGS - Joel Miller x fem!reader

WORD COUNT -  9.6k.

SUMMARY - The main difficulty of being Joel’s closest friend is not falling in love with him, but you still do. Those feelings are buried until you join him on a mission to trade supplies with Bill and Frank. With your life now hanging by a thread, Joel is determined to get you to safety, but the clock is ticking faster than he can run.

A/N - I honestly don’t know what this is. I tried to look for angsty and whumpy fics and couldn’t find any that hit the spot just right; so I wrote my own. This story is set in some time between 2010 and 2020, or so. Bill and Frank are still very much alive. The only warning apart the amount of blood in this, it’s my own knowledge of the English language.

'Breathe'

 With a shiver, you try to comply with your own command. The action itself confuses you, and you don't know where exactly in your mind that thought came from; or why. All you know is that a moment ago you were nothing, absolutely nothing, not even human. You forgot your own existence in a still ocean made of black thick ink. The ink is now backtracking, though, but the remnants of it stay in your foggy mind, clouding it as your consciousness comes back in waves.

 Waking up from a dream is easy, you just come back into yourself from a nice trip to your own imagination. Regaining consciousness, however, is a little more difficult. Instead of going somewhere, you go inwards into yourself. Your overworked mind, already tired and busy with keeping you alive, doesn't care much about bringing you to any other place so you can die peacefully. No. And the awakening is not as it should be either.

Coming back into yourself is your body crawling its way to the land of the living, with your flesh drenched in tears, blood and sweat; and nails digging firmly into the dirt. At least that's how it feels as you go back and forth between the two worlds, rocked violently by the waves threatening to drown you in its heavy never-ending dream.

 You wake up tired, and cold. The first sense that returns is touch; and with it, a pulsing pain radiates from under the right side of your collarbone and all the way down to your chest and back. The —obvious— wound is warmer than the rest of your body. It's like you've grown a second heart right at the borders of the wound; it throbs relentlessly. The second is taste. Your mouth tastes like salt and melted butter; despite not having eaten either in at least three days. Around the dryness of your tongue you feel a sticky liquid swirling around in your mouth, plastered to your gums.

 Whatever it is, you cough it out of your mouth. The old blackened blood splatters on the wooden planks below your mouth. Then, a second later, you feel a sprawled hand on your back; and the rest of your consciousness returns with it.

 He calls your name. And he, whose presence you'd have recognized even blindfolded, even miles away from there, doesn't appear in your mind for a few seconds. But even half-conscious and at death's gates, his name leaves your mouth with a sigh of relief.

 Joel.

 "I'm here," he says, his palm now pressing a bit harder into your back, trying to comfort you somehow. If you had been fully aware, you'd have been embarrassed at the relieved groan that had escaped your lips while saying his name. "How are you feeling?"

 His voice sounds less muffled now, but the pulsing pain intensifies the closer you are to the surface. A second groan escapes your mouth as the warmth under your collarbone becomes impossible to ignore.

 "I know, I know" he says.

 Your eyes flutter open. From your point of view there's not much to see except torn wallpaper, your blood stains, and the shadow of a window. You're on the floor, your cheek pressed against the dusty carpet, your body very still laying on them, and Joel rubbing your back.

 The room is dark. His fingers enter your field of vision, they dip on the wet blood stains and turn around so Joel can see the sticky fluid staining his fingers. He takes a breath, a gasp, really.

 "Goddamnit," he mutters under his breath. His hand stops rubbing your back, and as black stains crawl from the corners of your vision, trying to take you under the waves again, he talks to you:

 "I need to turn you around..." he says with a gentle voice. It's like the icing on top of a sour and burnt cake; he's trying to sound caring, but that doesn't change the fact that it's going to hurt like a bitch. "You hear me?" he says, and his voice breaks for a second. Your ears ring, the next thing he says your brain doesn't process it, your vision has been clouded by darkness again...

 A scream tores your throat as a shooting pain lights your body on fire. It feels like lightning going through your backbone. Suddenly, the waves are very far away and you're feeling way too conscious for your liking. Despite your pain, Joel is still as careful as he can as he lays you on the floor, now facing the ceiling instead.

 The throbbing pain continues, and you blink to get rid of the tears that distort Joel's face. His hand wipes the tears from your face.

 "I know," he says. He has a crease between his seemingly angry eyebrows that you had never seen before.

 Both hands are roaming your ribs now, before you can even say anything. His warm hands give you shivers as he touches your naked skin. The pain is so unbearable that all you can do to mitigate it is hold your breath. If you could move, you'd be right now curled on the floor like a pretzel. You are not crying anymore, but you'd be lying if you said you weren't close.

 "Can you breathe?" he asks then, when he doesn't find any cracks in your ribs by touch alone. You don't respond because you can't find your own voice, and he sounds desperate at this point. "You coughed blood, I need to know if any of your lungs are collapsing."

 "It-it hurts..." you wheeze, your eyes tightly shut. For a split second, you wish you were back to being nothing. Being nothing sounds way better than having a gunshot wound in your chest. The bandages, tight over your bones and shoulder, don't mitigate the pain either. If anything, they worsen it. It feels like a tight sock over a painful pustule on your heel.

 Worst part is you know all this pain is for nothing; you know you won't make it. If you go back to the QZ, you will be executed. If not, there's nobody to help you except Joel. But even if there were doctors or hospitals, you highly doubted you could find the necessary tools to extract a bullet and stitch the wound. That is, if you manage not to die of blood loss.

 "Where?" Joel asks. Even beyond all this concern and well-hidden panic, he seems to cling to an ounce of hope. "Tell me where it hurts."

 Your fingers gently trace your skin until they reach the area under your collarbone, and you sign to your back too. There's a bandage there, but nothing else, and that's when you notice you don't have a shirt on, just your blood-soaked bra.

 "Is it bad?"

 "Not that bad. The bullet went through," he said. That explains the pain on both sides of your body; you have a literal hole in your chest. "And it clotted soon enough to stop the bleeding, but you lost too much blood anyway... Anywhere else?"

 Your whole body hurts and this abandoned house suddenly feels like penance, but you don't want to scare him further, so you shake your head no very slowly.

 "Alright," he mumbles. Joel nods once, and it looks like he is reassuring himself. His eyes betray him, he looks like he is very far away from here, very buried under all the scenes playing on his mind; but despite his stillness, his lower lip quivers.

 You can't move your right arm at all, but with the other hand, your fingers lightly touch his knuckles still resting on your stomach. He winces, and your fingers are wet with his blood too. He must have beaten to death whoever shot you, that you are certain about.

 Your voice, little more than a weak breath, whispers:

 "I-I want you to do it."

 The crease between his eyebrows deepens. He seems confused rather than angry; the reaction you were hoping for. You take a breath to repeat your own words, but he squeezes your hand.

 "Don't," he says.

 "Joel..."

 "Don't even think about it," he snarls. "You are perfectly fine, don't be dramatic."

 You don't know what hurts more; his pain or yours, but his denial makes your eyes wet with tears again. This is already hard, but he is making it even harder. All he will achieve by trying to keep you alive is either prolonging his pain or getting himself killed. You both know this is no world for the injured and the sick, not out of the QZ, at least. And in most cases, not inside either.

 All you ask of him is to not leave you for the infected to find. Is that too much to ask?

 You want to insist, but you know he won't have it. Joel has lost so much already that the thought of losing what little left he has is not even going to cross his mind. Not until it's too late, at least. Also, you don't want your last moments with him to be a fight. You are tired of fighting, of swimming against the current. You just want to let go for once, give in to the external forces, close your eyes and peacefully breathe.

 What's more, you should have already known that he wouldn't do you that favor. He is too selfish for that.

 He pats your cheeks gently with his large hands, and your eyes, already rolling back into your skull, get focused on him again with a few blinks. You breathe slowly, trying to focus on him, on the world around you slowly twisting and turning.

 "...that's it," he says, it doesn't sound like his first sentence, so you guess he's been talking to you before. When you look back at him, his breathing is shallow, and you know he is trying to take a hold of himself too, trying not to give in to panic. "Good girl, that's it. Keep your eyes on me."

 Exhausted and hurting as you are, keeping your eyes open it's like asking you not to drop a weight that you cannot, in fact, handle; but you try nonetheless. It's your fault, really, for letting yourself go, for trying to give up on your fight earlier than you should. Joel is here trying to keep you alive, mending all your broken ends and stitching them together —he has always been good at that— while you're just trying to give up on him —you are really good at that too—.

 Giving up on Joel has been one of the hardest things you've ever had to do; and now you're letting him go for the last time. Part of you is glad you don't have to keep watching how he chooses Theresa over and over again. You are even relieved that fate —or whatever there is out there— is forcing you out of the equation. After all, you would never have given up fully on him.

 He refuses to kill you, what he doesn't know is that you've been dead for a long while now. Him being your executioner would be the kindest act he could have with you, the most intimate thing you'd ever share; your last moments. You want it to be him, you want him to free you from this torment.

 He refuses, though; and it feels like a punch to the pit of your stomach. You shiver.

 He gets up from his place on the floor, where you are lying just over the carpet. You follow him with your eyes and see a fire cracking up in a fucked-up chimney. He stokes the fire, throws some more wood on it and then comes back to you, covering you with his jacket, the very same jacket you had on before he turned you around. It's warm, his, and you have to stop yourself from sinking your nose into the collar.

 "I had to take off your shirt to patch you up," he says, but he doesn't say sorry. Ever. So you guess it's his way of apologizing.

 You simply nod, aware that you had wished for this very moment to happen many times before. You had dreamt of his rough hands over your naked flesh, caressing the sides of your body. You had dreamt of him watching you with those chocolate eyes as you took your shirt off, deep black pupils spreading over the brown as he watched the lace fall like a helpless witness.

 But now the bra was covered in blood and he was watching you anywhere but the lace. He had a frightened and concerned look on his face, rather than aroused. A look that would have made you feel guilty and ashamed if it had happened in the other scenario. And instead of undressing you, he was covering your body with his jacket as if you were his child.

 "What's wrong?" he is asking now, instead of whispering 'I want you' and it hurts all the same to know he's not ever going to say it, and that Tess now will have all those words for however long their lives are.

 You guess they were made for each other. And it makes all the sense, really, no one like Joel would ever look at you twice. You were grateful that he even allowed you to be his friend.

 "Nothing," you respond.

 It's always 'nothing' when it comes to Joel. It's always that nothing whenever he notices you are under the weather. It's always nothing when you are hurt, when someone tries to rob you and they leave an angry black eye on your face. It's always nothing; and he never believes you.

 "I don't make promises, you know that," he says, taking your left hand in his. "but you will be fine, I swear."

 You don't know what to say, how to explain that you are not scared of death, that you are just scared of not seeing him again. But you can't, so you say nothing and just nod.

 Does he want to hurt himself? Okay. You can't do much while lying on the floor anyway.

 After that, both of you stay silent. Joel seems to be avoiding looking at you. His eyes are stuck in the fire creaking in the chimney, but they are too restless to be present and conscious of the yellow and orange haze.

 Your palm lands on his thigh, your fingers gently brushing the denim. You want to comfort him somehow, but, at the same time, you are scared he will reject your touch and reassurance. That's all you can do for him: no words, no further touching, just a featherlight touch that indicates you are still present. There, with him.

 "I thought we couldn't make a fire."

 "Don't be dumb. The windows are all broken, it's winter and you are in shock. How else would you heat up?"

 "Got it. You're not in a talking mood," you huff. "Alright."

 Silence settles between both of you. However, one of his big, rough hands travels to where your fingertips are gently brushing his thigh. At the touch, even if you don't want to let go, your fingers begin to back off. He's not in a good mood, and you seem to be pushing his boundaries a little too much. Except that, instead of letting you go, he catches your hand in his and puts it back over his jean. This time, it's him who brushes his thumb over your knuckles.

 For a minute, the only sound in the living room are both your breathing patterns, the flames licking the air and the wind rushing through the broken windows.

 "I'm sorry..." you start. And immediately, his brown eyes are all over you again. Your voice sounds exhausted, more than you'd have liked. "...I fucked up the mission. I know-"

 "You haven't fucked up anything," he interrupts. That's Joel, all stoic, swallowing his feelings and denying everything that it is not up to his standards. "Would you mind to just rest-"

 Your eyes well with tears.

 "Joel, for once... Just for once, don't lecture me, don't ignore what I'm trying to say just because you don't want to hear it," you tell him. Then, he thankfully presses his lips together in a pained grimace, but stays silent nonetheless. "I fucked up the mission getting injured. I know it isn't my fault, but it doesn't matter whose fault it is. If you wanna go on without me, I won't blame you."

 His fingers are now squeezing yours, but you know he is not even conscious of that. He leans in a little, his cheeks now reddened in anger. He looks like he is about to spit on your face.

 "I'm not leaving you anywhere," he says. He looks offended that you even thought he was capable of that. "You and I are gonna get to Lincoln, either if you like it or not. There, Bill and Frank will help you. We have traded all kinds of things with them, and I know they are very well supplied."

 "Why would they help me?"

 "They are not just people we trade with," he says. His fingertips brush a strand of hair out of your face. "I know they will."

 "What if they changed their minds?"

 His pupils lock into your own, his jawline swells as he grits his teeth.

 "I'm persistent."

 The mission was supposed to be an easy one. Walk out of the QZ undetected, walk fifteen miles to the town of Lincoln, just outside Boston, get our things and come back. Our cargo were the two last spools of aluminum that Joel had promised to trade with them and two packets of seeds. Theirs? Two pounds of rolling tobacco and a gun. Tess couldn't make it, she had appointments with other smugglers, probably the ones who snuck the drugs in; which was more than half of their business. If it wasn't that important, she wouldn't have stayed in the QZ for anything in the world. But Bill and Frank were also important, and Joel couldn't go alone.

 The two of you should be home by now, and you wondered if Tess was regretting her decision of asking you to go with him. Last night you had both snuck out of the Boston QZ; and it usually didn't take more than six hours to get to Lincoln. But just outside the city you had bumped into raiders; and a stray bullet had hit you. Now you were stranded in a small cabin lost in the woods, about seven miles away from Lincoln; and unable to walk a single step.

 And to top it all off, Joel was enraged and neurotic.

 Still with the same expression, he takes your wrist and squeezes two fingers into it. Even if you had preferred him not to, knowing that your heartbeat got wild whenever he was around. You let him check on you, hoping that if your symptoms got better he would let you have a quick nap. Your nervousness, however, doesn't improve despite your efforts of trying to calm yourself down.

 "Since when are you a doctor?"

 He lets your wrist go, then gets back on his feet and gets his rifle.

 "You should rest. You'lll need it," he says, now heading to the entrance. He's gonna be standing on guard all night, you are sure of that. "We're leaving tomorrow morning."

 That is when you lose it. You can't believe he is that blind, that caught up in his own world.

 "I know in your perfect fantasy this is just a scratch, but I truly can't move, Joel. Even laying here awake is hard. How am I supposed to follow...? Joel!"

 But he's out of the house before you even finish the sentence.

  [***]

  Joel doesn't keep his word.

 A few hours later, not even near dawn yet, you get pulled back from a dream. Your eyes take a few minutes to register your surroundings; again. And the memories gallop back to your mind in a rush; accompanied by the burning and piercing pain on the upper right side of your chest. Your eyes shut tight, and you inhale a shallow breath. Even breathing hurts.

 "We need to go," Joel whispers. His voice sounds muffled, especially over the sound of your beating heart. "C'mon, wake up."

 He is once again rocking you rather than shaking you awake. Just to be able to fall asleep you had rolled back into your chest, cheek once again firmly pressed against that twenty-year-old dusty carpet. When he came back from checking the perimeter, not even five minutes after your argument, he placed his backpack right under your stomach so your right side was elevated. You wouldn't have been able to fall asleep if it wasn't for that. The pain was maddening, atrociously painful. Joel had found you gritting your teeth even in your sleep.

 He had said you'd leave the next day, but you felt like not even minutes had passed.

 "Morning," you complained, half a grunt accompanying your words. Joel shook you gently again when he saw you relax a second time, and your voice came back. "Y-you said...mor-"

 "I know what I said but we can't wait any longer," he answered. "I'm gonna sit you up."

 Fear pumped enough adrenaline into your system to wake you up. The ache from before rushed back into your mind, and your 'please' and 'wait' left your mouth like a prayer.

 "I can do it," you said, but it sounded more like begging than an affirmation.

 "I know you can," he lied. As your eyes opened and you saw his expression —eyes focused on you, trembling hands, half of his face hidden in the shadows, the other half gently licked by the orange-like haze of the dying fire— you understood that you had to be in a really bad condition for him to look at you that way, and feel the need to lie to make you feel better. But then, a second right after that, his shoulders relaxed, his eyes fluttered between your face and the surface of his jacket over your shoulders. His stoic mask was back on. "I'm just gonna help you, okay? But you do it."

 He did not, in fact, let you do it.

 You had managed to lift yourself barely an inch over the carpet, using all the strength left in your healthy arm, when both his hands curled around your side and pulled you up to his chest. Clenching your jaw, you allowed him to drag you a few feet back and into a seating position against the wall; your whole weight over the left side of your body.

 "Don't lean on the other side, your shoulder blade is broken."

 "Oh..." you almost chuckled. "Great."

 For a second, Joel looks at you as if you were completely insane. He reaches for his backpack, crouching on the place where you were lying just seconds prior. Then takes his flask and doubts when passing it on.

 "I'm not that desperate for water," you respond, reaching for the flask and drinking a gulp of the liquid. You swallow despite the soreness in your throat. "Next thing you'll do is spit food into my mouth."

 "Not even getting shot shuts your fucking mouth, does it?" he says, grossed out at your comment. However, a smile tugs at the corners of his lips. Relaxing him has a calming effect on you too.

 You try to pass him the flask again, but he refuses.

 "No," he says. "Drink it all. You'll need it."

 You look at him with narrowed eyes, confused. It's hard to keep a single thought in your head other than the throbbing pain in your chest and back, but you still try. Rather than asking him how you are supposed to walk seven miles, with the aluminum and his pack, you try to approach the matter another way.

 "What's the plan?"

 He takes a deep breath.

 "You're not gonna like it," he says, his deep voice almost slurring the words. It's barely a whisper. He looks into your eyes, then. "I'm gonna carry you."

 "What?"

 "You heard me."

 There's not an ounce of doubt in his eyes. Joel has that look of determination, the one you only really see when he has his eyes set on something really fucking important for him; most times that includes his own brother or not talking about the times before the outbreak. And with that look on his face, you know there's nothing you could possibly say or do to make him reconsider his own words. He's stubborn like that.

 You still try.

 "It's seven miles, Joel..." you tell him on a thready voice, a whisper. And Joel sighs through his nose —as if he had forgotten. "And we have to carry..."

 "We leave everything here," he says. "Come back for it later."

 "They won't let us in empty-handed."

 "You don't know them."

 For Joel to be so certain about it, certain enough as to put both your life and his on the hands of strangers; you understand that their relationship goes beyond trading. Joel had told you about them, about their situation and the first time Tess and him had shared dinner with Bill and Frank. Still, you were suspicious of them, and you thought that he was too; up until now, at least.

 "It's still seven miles," you tell him, and you know him, you know he's about to stop talking to you and leave the room if you don't, at least, partly give in to his reasoning. "...are you sure you wanna do it?"

 His pleading brown eyes engulf you, then, with an emotion he had never showed before. His gaze diverts for a second to your wound, to the bandages that, as you look at them, you find they are once again covered in blood. They are soaked in it, the skin surrounding it has a large black bruise —internal bleeding, you guess. And when you try to take a full deep breath, you find yourself unable to, at least not at full capacity.

 The understanding hits you, then. You don't have much time left.

 "I don't have any other choice," Joel says, but what he means is 'I don't want to lose you'.

 "Okay."

 Not even a full second has passed from your reluctant acceptance, but he is already on his feet. Joel walks to the only table in the room, takes your gun and puts it in his hip, right inside the jean. The only other thing he takes apart from ammo is another set of bandages —and he silently thanks whatever it is out there that he put those there a month ago—. He doesn't have anything to clean the wound, though; and one of his biggest fears is that it might already be infected. Even bandaged it looks bad.

 He approaches you, crouches down so he is facing the wound.

 "I'm going to tighten the bandage, and I have to keep the pressure," he says, loosening the knot. His fingers are once again stained with you blood, and he has to fight the images of him pressing on your wound from a few hours ago, when he had found you and, with trembling hands, had tried to stop the bleeding coming out in waves. He looks at you, trying to forget the awful picture of your eyes closed, your body limp on the ground. "Bite something."

 You reach for the sleeve of his jacket, the one hanging from your shoulders; and put the padded cuff of his jacket into your mouth.

 Joel doesn't give you a warning; and you're not sure if that's a good or bad thing, either. He presses the heel of his hand right over the covered hole in your chest, with such strength that you wonder if he will end up breaking your clavicle in half. As he presses your body against the wall, you can almost feel the cracked bones in your back smashing against each other.

 Needless to say, the pain is blinding. The view of the room, the feeling of his heat around you, the scent of him under your nose... all gone in a matter of seconds. Your vision turns white, all your senses stop functioning. Over the scream that falls from your lips, muffled by the jacket, you hear him say:

 "I'm sorry, I'm sorry, I'm sorry."

 He lets go, and your vision immediately darkens, the shadows flowing from the corners of the room quick to reach you. With your last grip on reality you feel yourself melting against the wall, slowly slipping to the side. Joel catches you before you hit the floor.

 Cold water is what brings you back. Your breathing quickens at the coldness of it, and the next thing you feel are his wet hands palming your cheeks, throwing water from his flask all over your face.

 "C'mon," he mumbles. "I need you awake."

 Your eyes flutter open, your whole body relaxed now that he's not applying pressure; but alert enough that your unfocused eyes make a single shape out of him.

 While coming back into yourself, Joel does not have any time to lose. He takes his jacket over your shoulders and slips your left arm inside the sleeve, the other, where the wound is, he decides to leave it as it is; and buttons it over your chest so you're not exposed.

 "You good?"

 In any other situation you'd have said some joke, or just something to piss him off. But as of right now, nothing comes to your clouded mind; and even if something did come, you're too exhausted to even do the mental effort to say it. So you just nod.

 "Okay," he nods too, talking to himself inside his head, then takes your face in his hands and looks into your eyes. "You're fine, you hear me? I'm gonna carry you and you're gonna be on my back; so I need you talking all the damn time, alright?

 You nod again.

 "Starting now."

 "Y-yes... okay."

 "Good," he says. His hand crawls to the back of your neck, and he joins both your foreheads. He takes quick breaths. He's terrified when he whispers. "You're doing so good. I'm so proud of you."

 "Y-you... are?"

 "Mm-hmm," he says. And as his words settle into your brain, you feel your chest warm. When you open your eyes and he separates, there's a tear on his cheek, but he's quick to wipe it off. "I'm gonna open the front door."

 It's just an excuse, you both know it, but neither dares to say anything. None of you wants to talk about the elephant in the room, the fact that your chances are slim even if this works.

 Joel returns quickly, with his lashes wet and reddened eyes. It makes you speechless, to know that all this effort and tears are for you. You'd have never, in a million years, thought you'd ever see Joel Miller cry; let alone for you. He had always been so quiet, so detached from everyone, even from Tess.

 Without a word, his hands get hooked on the underside of your thighs. He lifts you up, seemingly effortlessly, and your inner thighs surround his hips. You take a deep breath, again —or at least try to— as you try not to blush and show those feelings you buried long ago. This is not the time, nor the place; so you allow your head to follow his range of motion; forwards. Soon, your nose is pressed against the lapels of his denim shirt. With your good arm, you grab one of his broad shoulders. The other falls limp, and even that little movement hurts like hell.

 He freezes, his shoulders now stiff under your hand. His beard grazes your jaw as he tries to look at you, so still in his arms.

 "You okay?"

 "Yeah..."

 Better than okay, you want to respond. Better than I've been in a long time. But you don't.

 He leaves you on the table, on the edge, with your legs dangling.  His eyes waver for a second as he leaves you there, his hands squeeze your knees in such a brief movement that you wonder if he was even conscious of that. He looks like he wants to say something, but he can't think of what, so he turns around and bends his knees a little to get you to a good height.

 "I need you to push yourself up with your good arm," he instructs. "and keep the other still, okay?"

 "Okay," you respond, fighting the urge to just nod instead.

 Not even following his instructions to a t saves you from the pain. The effort, even with your arm limp in the air, makes your body shudder and an agonizing stab runs through your whole spine. The scream that tores from the depths of your throat is so intense that Joel hesitates to put you back on the table, his back trembles for a second as his body shivers in distress. But, in the end, he has you in the air with a good hold.

 He waits, but doesn't hear anything except shallow breaths, doesn't feel anything but the weight of your head over his shoulder.

 "You with me?" he asks. He is seconds away from aborting the mission.

 "Y-yeah..."

 Your arm surrounds his neck loosely. Your fist is closed tightly, grabbing the other shoulder, and he wishes he could touch you, give you some kind of comfort, but he can't let go from his grip under your knees.

 Joel does not have the privilege of time, every second is precious, so not even giving it a try, he starts walking as if you weighted nothing. He crosses the front door and the freezing cold wind of the East Coast cuts your cheeks. If he notices —and you know that he has, wearing just his shirt in the middle of the night— he doesn't react.

 "Remember what I told you?" he asks.

 In less than a minute he has crossed the space from the cabin to the highway, where you were surprised by raiders. You look around, see the bodies of five men sprawled on the floor; lifeless, drowning in a pool of their own blood. One of them has his face mauled to nothing. The sight is so sickening —or maybe you are getting so ill— that a sudden dizziness takes hold of your shivering body.

 "Hey..."

 "I'm sorry..." you start, teeth chattering from the cold. "I'm sorry I screamed into your ear earlier."

 A sound, half a relieved sigh and half a chuckle, leaves his mouth.

 "I'm half deaf from that ear anyway."

 A light chuckle falls from your lips too. Joel keeps walking west through the highway, and you keep yourself desperately clinging to him for dear life. The moon is your only other companion; without her, you both would be completely blind in the darkness of the night.

  [***]

  Joel probably hadn't thought about the possibility of taking breaks along the way. That's why, fourty-five minutes later, and under a beautiful sunrise of orange tones, he's struggling to keep going. His knees are screaming for him to stop, his biceps and hands tired of walking with a person's weight over his shoulders. And for the first time in years he remembers the times before the outbreak, when he was capable of lifting and moving huge pieces of furniture; often times on his own, other times with just Tommy.

 He might have overestimated his own strength, assuming he was as strong as before. But it seems that not only his mental health has deteriorated after Sarah's death, no. All of him has become older and darker and more broken since then. He hardly recognizes himself in the mirror anymore.

 "Joel?"

 "Yeah..." he gasps, out of air. "Sorry, I got distracted. You were saying...?"

 It is in moments like this that he hates not to be that same person he was before. He wonders if he is, finally, paying for his past sins, for all the people, infected or not, that he has killed.

It is unfair, the fact that you're paying for his piper.

 "You should stop for a while," you tell him, your voice low like a whisper. The warm air from your mouth slithers across his skin, up his neck, over his ear, and almost sends a shiver down his spine.

 "No."

 "Joel..." you huff. Before speaking again, you take a big gulp of air. "We are not getting anywhere if you don't take breaks. You'll just wear yourself off before we reach the halfway mark."

 His mind refuses to agree, but it's as if his body takes a relieved breath when he hears the words. Little by little, his body starts to listen to you before his mind does. His thighs are screaming, sore from the pain of exertion; and before he acknowledges, even, his body has stopped moving.

 "Okay," he gasps, quick tired breaths quickly entering and leaving his lungs. "...but just a minute, we don't have time for this bullshit."

 "Okay," you say, in the same tone he used earlier with you; when he lied and said he knew you could sit up on your own. "Just a minute."

 He pulls to the side of the road, and with the last of his strength he kneels down and tries to lay you on the ground as carefully as possible. You fall on your ass on the wet ground, but at least you don't hurt yourself on the spot. He asks you for the millionth time in the last twenty-four hours if you are okay.

 "I think I'm doing better than you," you respond, but your voice is so exhausted that Joel would love to just lay next to you and lull you to sleep.

 He turns around, his whole weight sitting on the grass as he takes gulps of oxygen. His eyes shut tightly, he wipes off a tear of sweat from his temple and looks at you.

 Wide-open eyes stare back at you, but just for a split second. He gets closer, his thumb brushing the shoulder of the brown jacket, his brown jacket. His eyes pierce yours.

 "Are you sure?"

 "That bad do I look?"

 Joel doesn't look at you, not at your face getting paler by the second or the dark circles under your eyes, or your hair now dishevelled. He sees you on his memories and can barely recognize you; your skin and eyes always glowing under the sun, your hair always perfectly done. Your job was often to act as an HR for their clients, and very rarely took actual FEDRA jobs that stained your hands; you weren't like Joel, you didn't care about rations or money or whatever.

 Expert fingers gently tug at the buttons, unbuttoning them so he could take a look to the wound. He had barely a glimpse of it when your fingers stopped his hands. Joel looks at you with those puppy eyes, as if you were about to faint in the next second.

 "If you wanted to see me naked you didn't have to wait until I got shot, you know?"

 You had said it in a playful manner, kidding, as a joke; but he saw beyond that. Part of you had only expected him to laugh, the other was dying —not pun intended— for him to kiss you. You'd have never said it if you weren't in this position, you'd have never gotten in between Joel and Tess.

 However, he didn't laugh, didn't make any funny remark. The way he looked at you, from under his eyebrows, lit a spark of hope somewhere inside you. Deep, deeper than your conscious mind would have ever reached. Joel didn't say anything, not even chuckled. His eyes came back to the wound, and uncovered the full sight of it.

 He had to fight a shocked gasp. His eyes fluttered, while holding his breath, between your own face and the wound. The bandage was still soaked in blood, that he had expected, but not the large bruise growing into your neck; or your right hand slightly paler than the other. He lifted, with trembling fingers, a corner of the bandage, and his action caused a trickle of dark blood to gush out, as if he had crushed a piece of watermelon between his fingers and it was now running down his arm. He looked below, inside his jacket, and saw a trail of blood that landed right into your navel.

 This time, it was impossible for him not to react. Not only his face, but also his body. He tried to get back on his two feet again, but before he finished the action, your fist closed around his wrist.

 "Joel..." he heard you call.

 "We need to go, now."

 Pressing your lips in a sad smile, you pulled him to the ground and he sat, mesmerised on that face he had only yet seen once; that time when he got too drunk on a Friday night and told you about Sarah at three in the morning. He felt his pulse quicken, his heart beating at the ends of his fingertips.

 "It's okay," you told him. Your gentle touch brushed his palm, danced around over his tan skin. "You can rest."

 Joel felt like he was in a fever dream. The setting certainly felt like it. You hadn't left the Boston QZ in a long while, and he had never pictured you out of those big silver walls either. He had not agreed to Tess' idea either, the dangers beyond the walls were almost impossible to escape. Still, Tess and him knew the city, they could get out fairly easily, had done that for a couple years to share stories over dinner with Bill and Frank. And Joel had loved the idea of seeing you sitting at that dinner table next to him, surrounded by a garden full of flowers, going through the dresses in the boutique that Tess had sworn you'd love.

 He had not signed up for this.

 "We need to go, please..." he tried a second time, but you just shook your head. He understood, somehow, what you meant.

 "A minute won't make a difference," you told him. In reality, you wanted to tell him that you'd be dead when he got the both of you to Lincoln, anyway. "If you are tired we will never get there."

 Useless and powerless as he felt, his only option was waiting. He took your hand, intertwined his fingers with yours and took a deep breath. You had never seen him so upset.

 "What are you so scared of?"

 At your words, his lower lip quivered slightly; it would almost have gone unnoticed if it wasn't because you had been watching him attentively for so many years. He looked at you, eyes barely half open, from under his eyelashes.

 "You're very important to me," he said. His tongue felt heavy in his mouth, he seemed to be even more breathless than he was before. Joel had a hard time admitting his feelings, even to himself. "I don't know if you understand to what extent you're important to me."

 "I know..." you answered, nodding, your hand squeezed his for a second, trying to give him strength. "But you have Tess home, and your brother loves you... It will hurt for a while..."

 "Shut. Up."

 His eyes were tightly shut when he said it. It was a metaphor, almost, the way his eyes were closed not just to the physical world, but to the whole situation too that he couldn't escape from.

 The tip of your tongue wetted your lips.

 "What I'm trying to say is... it will pass..."

 His chest heaved, his gaps the only sound that filled the space between the two of you. And you continued:

 "People die all the time, Joel; and most times we can't do anything about it."

 His body rushed at you, his hands locked perfectly on both your cheeks, like two pieces of a jigsaw puzzle finally in place.

 "Not you, you hear me? Not you," he almost growled, his face a mixture of anger, determination, and grief. "Never you. You're not allowed to leave me. I will never forgive you."

 There was something hidden between the lines, something Joel wasn't saying. It was something you had denied yourself for a long time, for years, something you had insisted on not seeing because you didn't want to see it. Because, deep down, you were afraid that Joel would never love you back, that he would break your heart, that the only good man you'd ever known inside the walls of the Boston QZ would also be the one to abandon you to your luck.

 Joel had been your family for so long, and you had unconsciously protected yourself from seeing him as something else. But now there it was, clearly, latent in his confession. Your punishment for years of silence was now time, or rather, the lack of it.

 "I'm not giving up," he said. "and I need you not to give up either."

 He's close. His hot breath smells sweet -so instinctively Joel- and it's all around your face. His flesh is warm over the freezing skin of your cheeks. His body around you is shelter, is home.

 Joel is soon leaning in. He's all erratic breathing, rapid heartbeat and trembling hands; and as you close your eyes to allow his presence to swallow you like a black hole, he closes his eyes too.

 He doesn't let go, not just yet. He breathes in into your quick breaths the same way you revel in his.

 "I need an answer," he whispers over your mouth.

 "I won't, either."

 At first it's like a collision. He kisses you angrily for a split second, demanding and impatient; then, once he knows this is really happening, once he does understand that this is —finally— not a dream, he relaxes into your touch, your fingers delineating his jawline, caressing the beard there.

 He's quick, quicker than you'd have expected him to be; definitely quicker then he would have liked. He separates, then; and looks down at his jacket and the drops of blood staining the insides of it. It's not enough blood to send you into shock again, but it means part of the wound is ripping. You need stitches, not just a couple of bandages.

 "Enough resting then," he says.

   [***]

 Seven miles is usually nothing for Joel. In the first few months trading with Bill and Frank, Tess and him usually walked the fifteen miles that separated the city and the town at least twice a month. But this is all the more difficult, not just carrying you there, but knowing that he is running out of time.

 And you seem hellbent on making the journey even more difficult.

 "So...Tess?"

 "Pass."

 You huff, and the warm air sends a shiver down his spine; but he says nothing.

 "Okay."

 Your voice sounds so disappointed that he feels a pang of guilt. You know him better than to insist, and he knows that too. The guilt increases, though; and now he's inhaling a big gulp of air while still walking as fast as he possibly can without hurting his own knees.

 "We fucked a few times, before," he says. "but that doesn't mean anything. She's my colleague. That's all."

 If he was better with words, and feelings, he could say that he didn't feel anything for her. He could say that their hookups were nothing, just a fun thing they used to do before, before he realized that the one who he really wanted was you. A few months back he had realized that it never actually satisfied him, that those moments with Tess weren't as fun and innocent as they seemed to be before. They had talked about it, of course. He didn't want to play with her feelings, and that had been the end of it. She was just as fine without him, anyway.

 "I thought you two were dating."

 "If selling drugs for a living is what you call dating, then yes."

 Without even looking at you, he knew you were smiling, he could almost feel your lips stretching over his shirt.

 "I..." you said, then he heard you take another deep breath before talking again. "I'm sorry I asked you," another breath. "I... ran out of things to say."

 His brow furrowed in confusion.

 "You can say anything," he says. "Anything you really like, even a story."

 Anything just to know you're there...

 "Well..." you started. Then, a wheezing noise filled the air, followed by a gasp. "I... liked rock music-" silence. "...back in the day."

 "You okay?"

 Your fist tightened around his shoulder, your forehead pressing against his trapezius. He heard that wheezing sound again, followed by a pant. His hands squeezed harder the tender flesh under her knees.

 Joel tried to look at her, but all he could see from his peripheral vision was the top of her head and one eye tightly closed. His throat turned into knots.

 "Baby..." that was the most gentle tone you had ever heard coming from his mouth. "C'mon baby. Hold on, we're almost there."

 His whole body felt paralyzed, and he had to force himself to keep walking.

 What he didn't know was that your lungs were burning. They felt like a pair of balloons squeezing against your ribs, trying to expand beyond its cage. And it made all the pain in your back, from the shot, double as painful. The air you tried to swallow so bad, sounded like a whistle, like the breeze through an almost closed window. You were suffocating.

 "Talk to me, c'mon."

 With a painful drag of air, you complied.

 "I can't..." your fist tightened around the fabric of his shirt. "I can't."

 "Goddamnit..." he was panicking now. "Okay, that's okay baby. Just hold on to me, don't let go."

 Unable to do anything else, you just nodded as best you could and kept on holding on to him. His eyes desperately looked for signs of the town, and far away, in the distance, the row of trees ended; and he walked faster, hoping that Bill had already seen the both of you through the cameras.

 "J-Joel"

 You struggled to find air, and, therefore, the words.

 "Easy, easy" he said. "Just a bit more. You can do it, I know you can."

 His words lingered in the air, unanswered, not even him fully believed them. Joel was starting to feel his own shirt wet with blood from your wound. The feeling made him sick, his own imagination as he pictured what Bill was watching through the cameras, made it all a hundred times worse.

 He kept hearing the panting, the wheezing, becoming more desperate by the second. He realized, with horror, that you were suffocating righ there, on his back; from a collapsing lung, he guessed.

 He shouted Bill's name as he saw the fence that separated them from the town. Joel wasn't sure if he could hear him, but tried anyway.

 He felt your grip on his shirt hesitate, and he had to fight the instinct to squeeze your hand; if he had done it, you'd have fallen from his own grip. He heard you try and say his name.

 "Save it," he responded, even if it came out not as reassuring as he would have liked. "Don't try to talk."

 Before he reached the fence, it was already opening. Bill came out running, yelling something that he was too distracted to distinguish, Frank came behind him. Joel felt his knees wobble once through the gate. And now kneeling on the floor, he called your name, tried to turn his head to take a glimpse of you.

 "You did it. We're here."

 He noticed, then, that everything seemed all too silent. Everything that happened after that, happened very quickly. The hand that had been gripping his shirt slipped, limp over his shoulder.

 His mind disconnected, completely unaware of the other two people approaching. He released you with all the care that a person could have had, and his arms immediately caught you in an embrace. The sight of your closed eyes made him panic, and not having even checked your pulse, he buried his face into your neck and sobbed.

 Trails of blood ran through his forearms, and he threw up all the words that passed through his mind; a string of 'please stay' and 'I'm sorry'.

 "Joel," Frank struggled with him, fingers digging into his shoulder. "Joel you have to let go. Let us help her."

 He was too far gone, so much so that once your body hit the floor, Frank didn't allow him to touch you again. He sobbed, and, for a second, Bill saw himself in him. He would have never thought he would see Joel in this state, but yet there he was. He kept pressure on the wound, and saw himself in Joel, and Frank in you; and promised he would never let this happen to the two of them.

 Never.

  [***]

  The sun comes out the next morning. As it always does, as it always has. Orange light and blue skies illuminate the room, the clouds shine a different color; and Joel blinks; absolutely exhausted, devastated.

 His body is heavy, even if he's not holding any of his weight. He's sitting on the cold tiles, on the floor, his sore knees and thighs in the space under the bed, his head lying on the mattress, his whole body is bent over and it feels like jelly. His eyes are the only thing moving, they look at the window and see the night sky turn into daylight.

 Joel couldn't possibly say that he slept in that position; because he didn't actually sleep. He hasn't had a second of sleep since you got shot two days ago. Lying on the bed, is you, dormant; and his thumb draws circles on the back of you hand even if he's not paying attention to it. It comforts him to a degree, at least.

 Suddenly, pretty much everything has lost its meaning. Frank opens the door an hour later, almost tripping with the tray of food and water that he left the night before for Joel. He hasn't touched any of it. In fact, he forgot about it, but if it bothers him, Frank doesn't say anything. He takes it in his hands so he can take it to the kitchen downstairs.

 "We played 'I will survive' in the radio" he whispers before leaving. "It's a 70s song, but Tess will get the meaning."

 "Thank you," he mutters, his mouth pasty from barely speaking in the last twenty-four hours. Funnily enough, the only word he's said to them is 'thank you'.

 "You're welcome, Joel," he says. After a few seconds, waiting, he makes a dissatisfied sound. Frank approaches Joel, his palm squeezing his shoulder. "You should eat something, at least. Is there anything you want?"

 Joel looks at him, lifting his cheek from the mattress for the first time. His eyes are blood-shot and black circles adorn his eyes.

 "Coffee."

 "Not coffee, you need sleep."

 He huffs, his eyes lost in the window again. Frank, knowing he won't get anything from him again, vanishes behind the door and into the kitchen. He will bring him warm food later, hoping the smell will make him eat something despite his unwillingness to listen to any signal of hunger from his own body.

 A few moments later, your hand slips from his. As he loses your touch, a pang hits the pit of his stomach. But then, as he lifts from the mattress again, your fingertips lightly touch his chin, your thumb lovingly brushing his beard.

 "Baby?"

 Maybe he lost his sense of time, because he didn't expect you to wake up yet. In any case, when he sees your eyes open he practically pounces on the bed. He sits on the edge, and swallows the image of you looking at him.

 "Morning."

 He smiles at your words, feels his strength coming back into his body.

 "You're here," he says.

 Even beaten up as you look, he thinks you are gorgeous. Your face has regained its usual color, the bruising is coming down, changing colors little by little, the wound is stitched and bandaged, and the blood flow seems to reach your fingertips normally once again. Joel has no idea how Bill fixed the collapsing lung, he had said something about medical knowledge being necessary in the field too, but he hadn't paid attention. He doesn't care about the details, though. He just cares that you're safe and sound, and despite the close call, that has seemed to be the end result to this whole dilemma.

 There's no blood in sight, not even in the bandages. Frank had washed the blood from your hair the day before, and Joel had helped with the rest. He wished he could have you like this everyday: happy, clean, safe...

 In the last few hours Joel had discovered he was jealous. He wished he had a town like Lincoln all to himself, just so he could see you picking flowers in the front garden.

 "I'm here," you told him. The words felt like strawberries in his mouth. "and I'm not giving up on you."

 He released a breath he didn't know he was holding, leaned in for both your foreheads to meet, and kissed you.

[not-neverland06]

How About a Nuke?

Part VIII / Part IX

(Completed) Series Masterlist

Cooper Howard x fem!reader, The ghoul x fem!reader A/N: PLEASE READ, we have reached the end of their journey and I am so sad/happy/excited about it. I don’t even know how to feel honestly. I just want to thank everyone who has commented, messaged or reblogged this story. Your kind words and funny little depressed memes have been really uplifting for me. I was actually considering just giving up on this blog when I posted the first chapter. I haven’t had much inspiration lately or interaction I feel like, and you all have helped reignite that spark within me. Summary: There’s something keeping you tied to Cooper Howard, an invisible string wrapped around you both. You’ve fought against it as long as you could but he’s not gonna let you fight for much longer.

It’s been a month and the bounty on her head gets bigger everyday. Normally the compound hires privately, they don’t like going through the agencies. He figures with Sylvie dead they’re struggling to find a new leader and they’re falling apart. Or they’re just desperate for her head on a stick. 

He sees her face everywhere, crudely drawn images of her varying in their accuracy. In some she has a hat like his on, in others her nose is the wrong shape, or her eyes are all wrong. No one seems to have a good grasp on who she is. Out of curiosity and a strange need to know she’s still alive, he’s asked around. 

There are different rumors as to where she’s hiding out. Some think she’s taken to hiding out in the caves near Filly. Anyone with half a brain knows that the area’s overrun by irradiated bears and other mutated freaks. 

There are those that say they’ve seen her wandering through the sands. Following that lead had led him nowhere. He doesn’t know where she is and it’s driving him insane. She’s like a constant itch in the back of his mind that he just can’t scratch. Days and nights are spent thinking about her and he hates it. 

He’s not sure what he’d do when he does find her. Whether he’d shoot her to repay the favor or just tie her up to keep her from leaving again. He’s conflicted on how he feels about her. He’s bothered that he feels anything towards her at all. And he knows that when she shot him, she was shooting to kill. 

She had no way of knowing that he would heal from that bullet. She’d watched him bleed out on the ground and left him for dead. He was impressed, as much as he wanted to be mad, he was almost proud in a way. 

Throughout their tumultuous lives and times together she’d always had to be guided by him. He’d shown her the ways of whatever world they were living in. She’d relied on him and he enjoyed it. The time had to come when eventually she wouldn’t need him anymore. 

It’s outside of Filly that he finds the most accurate poster of her so far. She looks like she did in their first movie together. A proper outlaw, wanted all across the Wastelands for her crimes against a bunch of sick fucks. If he could kill Sylvie again, he would. He’d kill all of them. 

Not that he’s condemning them because of what the compound’s doing. He’s dabbled in organ trade before, eaten people, he’s done a lot of fucked up shit. But he draws the line at trying to hurt her. He’s the only one who should be allowed to fuck with her.

He takes the poster down and whistles softly at the price under her name. It’s enough to keep him happy for a longtime. If he never wanted to take on another bounty he wouldn’t have to. Course, he was never in this for the money. A man’s gotta have something to entertain himself with at the end of the world. 

He wonders if she’s even still alive. Maybe a Deathclaw got her a day after she left him behind. He could have walked past her corpse and never even known it. He folds the poster up and slips it in his bag. He doesn’t know why he bothers keeping it. Possibly because it’s the closest thing to her that he’s got, but he doesn’t feel like lingering on that thought for long. 

He tugs his hat lower on his head and heads through the tunnel leading to Filly. He’s caused a lot of issues here over the years. Usually he kills most of the people who could identify him as an instigator, but he doesn’t feel like pushing his luck today. He needs more supplies and he knows Ma June won’t sell to him if he causes a fight beforehand. 

It’s louder than normal today, more people rushing around. They’re all congregating around something in the center of the marketplace. He turns to the left, heading up the stairs to try and get a better look at what’s got everyone so excited. 

“They found her!” A boy shouts, fidgeting in his spot next to him. He glances at him from under his hat and the boy pales before scurrying away from him. His lips turn up in a cruel grin and he finally gets a good look at what’s happening. 

She’s kneeling in the middle of the marketplace, two Knights on either side of her. He’s more surprised by the fact that she actually has picked up a hat in her time away from him. 

She seems to be playing into the outlaw routine more than he thought she would. 

You’re embarrassed, honestly, that you let these two idiots capture you. Them and their useless little squires. 

You’ve found odd jobs through the Brotherhood when they need assistance looking for relics of the old world. Though, you’re really not sure how much use a toaster oven can be to them, but they pay good money for it. 

Once your bounty was posted and they figured out who you were, though, that stopped being useful. You can’t even hunt bounties because the agencies would just grab you and turn you over to the compound.

They clearly didn’t give a shit about women, you don’t get why they’re making this whole Sylvie situation such a big deal. 

You had to bribe Ma June by buying some of her junk, but eventually she’d helped you find some work in Filly. The people here are stupid enough that they don’t recognize you when they see you. Most of them are high or drunk so the only thing you have to worry about is wandering hands and not stepping in the middle of their brawls. 

From the patrons of the bar you hear stories about yourself. How you slaughtered the entire compound, even the children, which is so far from the truth you can’t help but scoff. Or how you apparently slept with a ghoul and you're carrying his mutant baby. 

You don’t even know where they got that one from. 

They also seem to think you wander through the sands, shooting anyone who gets in your way. It’s a comfort that no one seems to have caught onto you yet. But it’s also disheartening to know that all that’s left of civilization is a bunch of psychopathic idiots. 

What happened to natural selection?

You know your stint in Filly is up when two Knights walk in, their squires struggling to carry their bags behind them. You pull your hat further over your head and duck behind the bar. You try to keep your back to them and let the old man, Marley, who runs the bar deal with them. 

His shaky voice is cautious as he greets them, “What are Knights doing so far out here?”

One of their distorted voices rings out through the, now quiet, bar. “We got bored. Wanted to shoot some shit.”

You roll your eyes and focus on cleaning the cup in front of you. You spit into it, not enough water to properly clean it, and scrub at it with a stained towel. Marley hums, clearly displeased with the answer. You can hear his tottering steps approaching you and wince, praying he’s not going to do what you think he is. 

He tugs on your shirt with a shaky hand and you slump forward in defeat. “Deal with these jackasses,” he mutters, taking drinks over to a different table. 

You pour the only alcohol the bar has into two cups and keep your head down as you approach. “Heard that a woman took over for Knight Damien.”

One of them scoffs and shakes his armored head, “What the fuck is this world coming to?” You don’t know how they’re planning on drinking their liquor with the helmets on but you’re not going to ask stupid questions. You drop the cups in front of them, but your hand slips and one of them tips over into a Knight’s lap. 

“I’ve got it, sire.” Their squire lunges forward and begins vigorously scrubbing their armor. Your face curls up in distaste and you’re about to walk away when a metal hand grips your wrist. 

“Holy shit, it’s her!” Oh, you’re so screwed. 

They’ve got a fucking leash on you, it’s humiliating. The scarred and dirt-covered faces of the citizens of Filly surround you. They’re all leering, shouting at you and begging the Knight’s to share in the bounty. But the Knight’s aren’t listening, they’re just congratulating each other. 

“What do you think they’ll give us?”

One of them shoves their squire and he goes toppling into his large bag, feet flailing in the air. “Hopefully better fucking squires. I’m getting sick of this one’s stupid face.” 

The squire kneels down and shouts in a shaking voice, “I’m sorry if I’ve disappointed you, sire!” God, you really hate these people. You wished they would just shoot you. Having to sit here and listen to them talk was making your brain go numb. 

The Knight’s distorted laugh rings out through his helmet. The other one glances over at you, “What do you think she did? I’ve never seen the compound this pissed off.”

“I dunno. Hey!” You know he’s talking to you, that they want an answer, you really don’t care to give them one. “What’d you do?” They stare at you for a moment and then he sighs when you don’t respond. He shoves his squire towards you and the kid goes stumbling over his feet. “Make her talk.”

He nods rapidly, head bobbing up and down. “Of course, sire.” Your hands twitch to your side and you give him a wicked grin as he approaches. 

He’s debating going down there and trying to help her when the first shot goes off. He doesn’t even see it happen, he just watches as one of the squires drops to the ground. 

Those who don’t want to get caught in the crossfire are quick to move away from the area, hiding in their shops or shoving past him to get through the tunnel. He heads down the stairs, taking his time and trying to figure out where the shot came from. 

The second squire moves towards her and his head flies back, a hole between his eyes and his brains splattering across the ground. One Knight shoves the other one and points at their dead squire’s, “Did you not take her fucking gun?”

He’s been in those suits. He remembers how it felt, the power you get from being in them. How they make you feel like a big man. He also remembers how fucking slow they could be. She’s on her feet and running for cover before they can even start to grab her. 

She dives behind a stall and tugs a knife out of her boot, sawing at the ropes around her wrists. He can’t reach her before the fighting starts. Someone in the remaining crowd shouts, “Grab her! Get the bounty!” And all hell breaks loose. 

Someone runs at him and he shoots them before they can grab him. Shots start going off, the Knight’s mowing down anyone who tries to swoop in on their bounty. Everyone else is shooting blindly, just trying to get rid of the competition so they can claim her bounty as their own. 

He ducks under the hail fire and slides next to her as she’s reloading her gun. She glances over at him and frowns, “Didn’t I kill you?”

He hears a shout and watches as some half-feral woman charges at them. She shoots her dead and turns back to him. He gives her a wry smile, “You want to do this now, sweetheart?”

She peers over her cover and surveys the chaos going on around them. She sighs and glances back at him, “Why aren’t you dead?” 

He tugs one of his specially made bullets out of his bag and loads it into his gun. He lifts himself to his knees and aims at the weak spot on the Knight’s chest plate. They both watch as blood explodes out of the neck of the power armor, the Knight’s friend cussing as he watches him die. 

“Next time,” she turns to look at him, “aim for the head,” he instructs. She glares at him before making her way to Ma June’s shop. He follows, not willing to let her out of his sight again, and she ducks behind the barrels of supplies in front of the shop. 

“Clearly,” she winces as the Knight’s gun starts firing off again, “I’m not making it out of here on my own.” They dive to the side as bullets rip through the barrels they’re leaning against. They’re not gonna have cover for much longer.

He grins at her, “Sounds like you’re asking me for a favor, darling.”

The sounds of screams and bodies dropping is nearly deafening. A few feet away a bullet catches a man in the throat and he drops to the ground. They watch as he chokes on his blood and tries to claw his way to safety. Steps rapidly approach them and she turns to shoot a different man, his body dropping an inch away from them. 

He turns back to her and his lips turn down, “After you tried to kill me? You want my help,” he laughs at her and she glares. 

Before she can speak a voice rings out above them, “I got her!” He shoots at the woman on the upper level above them, half of her leg gets blown off and she tumbles over the railing, narrowly missing the pair. 

He turns back to her, “You’re asking a lot, darling.”

“You’ve fucking shot me, twice. I’m not asking you for anything.” Her lips turn down in a sneer and she looks at him like the very sight of him disgusts her. “I don't need your help. I don't need you.” She glances back over her shoulder, surveying the gore and the bullets flying around them. She checks her gun and he sees just how little ammo she has left. “I’ll handle this myself.” She snaps the chamber of her gun closed and moves to get up. He grabs her wrist and yanks her back down, ignoring the angry expression on her face. 

“Look, you might not want my help, but you need it, sweetheart. Just stay here.” 

You watch as Cooper runs off, his guns firing before he’s even fully standing. You only wait a second before you’re running into Ma June’s and out her back door. She shouts at you as you barrel through her shop, knocking over her displays and shelves, but you can’t waste any time getting the hell out of dodge. 

You’re surprised Cooper was stupid enough to think you would actually wait for him. The Knight’s had called for an air evac out of Filly and if you stay there any longer you’ll be back in the compound before you can blink. 

You’ve spent a month evading them, you’re not about to let yourself get caught because of Cooper. 

You can’t believe he’s not dead. It’s not like you’ve been losing sleep over killing him, but it’s been hard to cope with the fact that you killed the man that was once the love of your life. Seeing him again, though, you wished you had shot him in his smug face. 

You’d forgotten, in the time apart, just how condescending he could be. He seemed to think you needed him to survive. You didn’t. 

At best, he provided the comfort of company. Poorly. 

Despite how much he undervalued you, you were perfectly capable of taking care of yourself. You didn’t need him to save you. You would have figured your way out of there on your own, eventually. You’ve handled yourself a month in the Wastelands without him. You learned how to carve an existence for yourself out here and you did it without help. 

You race into the woods beyond Filly, putting as much distance between you and the sounds of fighting as quickly as you can. The trees around you begin to shake, the ground vibrating and a swirl of dirt and leaves rises into the air and whips you in the face. 

You look up and begin pushing yourself faster. One of the Brotherhood’s Vertibird’s is circling Filly. “This is not a hostile landing! Please remain calm!” You blame your distraction on the announcement. 

You would have heard him coming up behind you if you hadn’t been listening to whatever the Brotherhood was saying. Rope loops around your arms and you’re yanked backwards. Your head thumps painfully hard against the forest floor, rocks scraping you as you’re dragged across the ground. 

Cooper’s face appears over yours, a cruel smile on his lips. “Now, this seems awfully familiar.” He walks around you, boots straddling your waist and grabs you by the front of your shirt, yanking you back to your feet. “I thought I told you to stay put, sweetheart.”

You frown at him, shoving your leg up between his. He groans, doubling over while you shimmy out of the loose rope. “Honestly, after all the shit that’s happened you think I’m gonna listen to anything you say?” You step back from him, brushing the dirt off your clothes as best you can. 

You sigh in frustration when you realize that when the Knight’s had grabbed you, you’d lost your supplies. Cooper looks up at you and scoffs, “Missing something?” You eye his bag on the ground and start to go for it. He pulls the hammer of his gun back and you glance towards him. You’d forgotten what a quick draw he could be.

He’s fully recovered now, eyes narrowed in on you and gun pointed right at your chest. “See, a bullet to the chest might not kill me, but I reckon it’ll do a hell of a lot of damage to you. Why don’t you back up for me, sweetheart?”

You let go of his bag and slowly back away from him. He keeps his gun trained on you and stoops down, throwing his bag back over his shoulder. Your eyes dart to the hat on his head and your lips curl up when you spot the hole you’d put in it. 

Two hundred years and he’s kept that hat nearly pristine, you take no small amount of pride in being the one to ruin it. 

“The Brotherhood will be swarming these woods in a few minutes. They’re not gonna be too happy about one of their Knight’s being dead. Come with me, I can help you out.”

You scoff, “Like I’ll ever trust you again. You’ve shot me, sold me, and left me for dead, Cooper.”

He huffs, eyes narrowing and lips curled in a sardonic grin. You can tell he’s getting pissed off. “The choice is yours,” he tucks his gun back in his holster and turns on his heels. You watch in surprise as he stalks away from you. You had fully expected him to put up more of a fight, it almost hurts that he left so easily again. 

Then you hear the sounds of orders being shouted behind you. Metal creaking and stomping through the underbrush and you realize he hadn’t left but forced you between a rock and a hard place. You could follow him or let yourself get captured by the Brotherhood. 

“Fuck,” you mutter under your breath. You risk a glance over your shoulder and spot a rapidly approaching party of squires. You run in the direction Cooper went and find him leaning casually against a tree, a satisfied look on his face when he spots you. “Don’t say a word,” you warn, shoving past him. 

He glances at her from across the fire and finds himself feeling almost at ease for the first time in a month. It’s been a while since he’s looked up to actually find her staring back at him. She might look like she wants to kill him, but she’s here. 

“You have to admit, we make a pretty good team, darling.”

She gives him an unimpressed look, “Yeah, Cooper, we’re so great at murdering people.” She looks over to the dead bodies of the raiders they’d stolen this camp from and shakes her head. “I forgot how much death you surround yourself with.”

“I surround myself with? Might I remind you, you fired the first shot, sweetheart.” Granted, he had shoved her out of her hiding spot and given her no choice about it. 

Her head shoots up and she glares at him, “You made me!” She opens her mouth and he grins. He enjoys provoking her like this. Even if the last time he had she’d shot him because of it, but it’s fun to rile her up. She always gets so pissed off, it entertains him to no end. 

To his disappointment, she closes her mouth and shakes her head, choosing not to engage with him. He sighs and rips off a piece of jerky. “When did you turn into such a wet fucking blanket?”

Her eyes flare with anger, despite that, he can hear how hurt she really is. “Maybe when you sold me!”

He tilts his head and runs his tongue over his teeth, “You ever gonna let that go? I told you it was a mistake. How was I supposed to know they were gonna breed you like a prize pig?”

She scoffs, the noise high pitched and shocked. She shakes her head and stares at him with wide eyes, “You are unbelievable.” He shrugs and takes a swig from the flask he’d stolen off one of the raiders. He’s not sure how they make their alcohol, or if they trade for it, but it’s fucking disgusting. He frowns at the flask and drains the rest of it before tossing it into the woods behind him. 

She sighs and runs a hand over her face, her voice tired as she asks, “What’s the plan here, Cooper?” 

He picks at his teeth and shakes his head, “With what?”

She leans against the log behind her and gestures at herself. “With me. What, are you going to wait for me to pass out so you can tie me up and send me back to the compound? I’ve seen the price on my head. I know how valuable I am to everyone in the Wastelands.”

He doesn’t know why what she’s saying bothers him so much but it does. “You really think I’d send you back there?”

Her face is devoid of anything as she responds, “Why wouldn’t you?”

It’s the bluntness with which she asks that, that bugs him. Like there’s no other possibility but him betraying her. Taking advantage of her while she was vulnerable and weak and then handing her over to the people who want her dead. He wouldn’t do that to her. 

He didn’t go through all this fucking trouble to find her just to lose her again. He wants to tell her as much but she’s on her feet and grabbing her bag before he can. “Look, I appreciate the help today, but I’m not interested in starting this partnership back up again. I think it’s better if we just part ways.”

He whips his gun out before he can think about what he’s doing. She freezes, still bent over and eyes his gun warily. “I’m afraid that’s not an option, darling.” He can’t let her leave again. And maybe this isn’t the best way to go about it, but he doesn’t know how else to stop her. 

“You gonna shoot me, Cooper?” She whispers, her own hand twitching for the revolver at her side. He stands up and grabs her wrists, ignoring the way she struggles against him. He binds her hands with his rope and he sits back down, 

“I’m not gonna turn you in and I’m not gonna shoot you. But you’re not getting out of here that easy, sweetheart.”

Her eyes narrow in on his, her fists clenched tightly in anger. “I killed two men with my hands bound today. What’s stopping me from killing you?”

He shrugs, “Nothing. There’s nothing stopping you, just like there’s nothing stopping me. But I’m not killing you, am I? See,” he leans forward, “I’ve fought too hard and spent too much time looking after you to just let you go now. We’re in this together, whether you want it or not.”

Her lips split in a sneer and she throws herself down on the log. “You’re all the fucking same. You treat me like a goddamn dog that needs to be beat into submission. I’m not some misbehaving pet, Cooper!” Her eyes well up and her voice breaks, “You don’t get to just leash me and expect me to be okay with it.”

“I’m under no illusions that you’re happy here, sweetheart.” He runs a hand down his face and she shakes her head in disbelief. 

“Then just let me go,” she’s bordering on begging now and his chest squeezes the longer she stares at him with those pleading eyes of hers. It’s not something he’s familiar with, this feeling, this longing for her to just shut the fuck up and stop making this so damn difficult for him. 

“I can’t,” he mutters, wanting her to just drop it. 

“Why not?” She snaps, dropping any pretenses of trying to get him to sympathize with her.

He surges forward and grabs her by the jaw. Her eyes widen in shock and he smashes their lips together, teeth clashing painfully. There’s nothing gentle or sweet about this kiss. Her teeth are ripping into his scarred lips until the taste of copper is spreading on his tongue. He groans, digging his fingers into her cheeks until her lips part. 

His tongue probes against hers, the taste of his blood spreading into her mouth as well. She whimpers, the noise stirring something in him he’d forgotten about. There’s an old desire bubbling in him that’s making him blind to the rest of the world. He wants her, more than he ever wants to admit. 

He’s wanted her for a long time before this and they both know it. How hard he’s fought against it, against moments like these. He didn’t think he was still capable of this feeling, this desire for her. But it’s consuming. She’s ruining him, running him in circles until he thinks he’s going insane. 

But it’s not the same gentle passion it once was. It’s as twisted as he’s become. The desire to possess, consume, covet until she’s his and only his to do with what he wants. His teeth dig into her, letting her blood overcome the taste of his own. He groans, his free hand grabbing her waist and yanking her closer. 

She tastes so much sweeter than he does, he wants to rip a chunk of her off and eat her whole. He’s so distracted he doesn't even notice her pulling out her gun until he’s shooting back from her. He lands roughly on the forest floor and groans, hands clutched over the bleeding hole in his gut. Pain radiates through his abdomen and he rolls onto his side.

He looks up at her in shock. She’s spitting their blood onto the ground, her bound hands wiping at her lips. “Asshole,” she mutters. She tucks her gun back in her holster and looks over at him. 

His eyes are wide in disbelief as he struggles to sit back up. The movement causes another wave of pain and he hisses through gritted teeth, “You shot me!”

She rolls her eyes and gives him a blank look, “You’ll live.” He limps back to his own seat and lifts his shirt, watching as the hole closes over slowly and the blood stops leaking. She watches as he heals and sighs, “Unfortunately.” He tugs it back down and sighs at the state of his shirt. 

“My shirt won’t.” He digs a finger into the hole and tugs on it, watching as it rips wider. Two hundred years he’s kept these clothes, she ruins them in a month. Un-fucking-believable. 

“Sew it,” she gripes, still wiping at her mouth. “I can’t believe you just fucking kissed me,” she frowns and spits again, bits of crimson lingering on her lips. 

He sighs and leans back against the tree. “Felt right in the moment.” It did, he wants to do it again. They’re even now, they’ve both shot each other twice. No reason for her to shoot again. 

He wants to feel the way she shivers against him and moans into his mouth. She can be pissed all she wants but she kissed back, she can’t deny that. He’s sure if she wasn’t tied up she’d be a bit more receptive to him. Or maybe she just needs time to cool off after the whole compound incident, a month seems like a reasonable amount of time. Then again, women are so damn unreasonable. 

She tugs a knife out of her boot and positions it between her knees. She places it between her wrists and saws at the rope until it falls free. She slides the knife back in her boot and tosses the ruined rope at him. 

He catches it with a sigh and glances up at her. “Why didn’t you do that earlier?”

Her eyes are alight with a challenge, “I wanted to see if you would let me go yourself.” Well, clearly, he had failed her little test. “I wanted to see if there was even a possibility I could ever trust you again.”

He gives her an unimpressed look, slightly pissed off about his shirt. He never should have taught her how to shoot. If he’d known it would come back to bite him in the ass he wouldn’t have. “And?”

She gives him a disbelieving look and shakes her head. “And instead of letting me go, you kissed me.“ She throws her hands up in astonishment and glares at him. “Why the hell would you think that was a good idea?”

He smirks and revels in the way she shivers at the sight. “Well, darling, I’ve always been better with actions not words.”

“Yeah,” her voice is a challenge, eyes hard and jaw clenched tightly in frustration. He loves the sight of her all riled up. He loves it even more knowing he’s the one getting her like this. “What were you trying to tell me with that little display?”

He doesn’t answer her question, not wanting to just yet. “You liked it, didn’t you?” Her mouth snaps shut and she looks away from him. He laughs, leaning back and giving her a smug look. “You can be pissed off at me as much as you want, sweetheart,” the nickname rolls off his tongue like a taunt and she sneers at him. “But you want me just the same as you used to.”

“Do you like hurting me? Is that why you keep me around? You’ve been alone for two hundred years, Cooper. And for the majority of them you’ve harbored this hatred for me because you thought I had abandoned you just like everyone else.” 

Her words strike a place deep inside him that has him on edge. She knows what she’s doing. He’s forgotten, in his time with her, that in the same way he can get under her skin, she can do it too. She knows him just as well, she’s just always been the better half of their duo. She never feels the need to stoop to the level he does. But she’s doing it now and it feels like a kick in the teeth. 

“And I’m the only one that’s actually stuck by you.” She laughs, but there’s an underlying pain to it. She looks away from him and wipes at her cheeks and his fists clench within his gloves. “Is this your revenge? You think by torturing me you get back at everyone whose ever fucked you over. I’m sick of it, Cooper. I’m not gonna let you use me anymore.”

“I feel for you,” he forces the words out. He doesn’t want to tell her this. He shouldn’t have to tell her this. She should just stick with him, it’s what they’d always done, it’s how it always should be. Them, together. But she’s fighting against that, against him, so much that he doesn’t have a choice. 

She’s backed him into a corner he doesn’t know how to get out of. “In a way I haven’t in a very long time. I can’t let you go. Don’t you get that, sweetheart? We’re in this together.”

She shakes her head and he sighs. “No,” she looks at him and just shakes her head again. “No, you don’t love me, Cooper, or you don’t want me at least. I’m not the same girl I was, that’s what you’re after. That idea in your head, of us together, that’s who I was. You were right, the Wastelands changes you. I can’t be her for you and I don’t want to be.”

He chuckles and she shrinks away from the sound in suspicion. “Newsflash, darling, I’m not the same man. I loved you a long time ago, sweetheart, but I’m not capable of that anymore. Not for the girl you were, anyway.”

She nodded, her arms wrapped around herself. She looked like she accepted the answer, but he could see beyond that, could see that she thought he was rejecting her. It hurt, she could hate him as much as she wanted, but that still hurt her. “Good,” she muttered, “she’s gone.”

“Well, good.” She shrank further into herself and he grinned.  “You. You as you are now. That’s what I want. I don’t give a shit about who we were, the only person I’ve wanted since I’ve been out here has been you. You’re the only person I’ve met who can actually keep up with me. I don’t give a shit if anyone in this godforsaken Wasteland lives or dies, but I give a shit about you. You’re also the only one who can knock me on my ass.”

Her eyes darted to the hole in his shirt and a small grin came over her lips. “Haven’t been shot a lot, have you, cowboy?”

“No,” he chuckles again and grins at her, “I haven’t. Though, I am still pretty pissed about the hole in my hat.”

Her tone loses a bit of her playfulness and she glares at him, “You more than earned that.”

He acquiesces and holds up his hands in surrender, “Maybe.” She scoffs at that and rolls her eyes. “But I think we’re even now.”

“Barely,” she mutters, rubbing at the bruises on her wrists. She glances up at him and sighs, a surrender in her eyes. “But, it’s close enough now.”

He stands up and she eyes him warily as he throws himself down on the log next to her. He holds out a hand, “What do you say, darling, partners?”

She sighs and stares at his hand for a long time. He doesn’t mind, he leaves it there, hovering between them. He knows she’ll take it. “Deny it as much as you want but this is how it’s meant to be. You can keep fighting it or save us both some time.”

She reaches forward and tentatively wraps a hand around his, she uses it to yank him forward, their faces separated by an inch. “Shoot me again,” she whispers, “and I won’t miss the next time I knock you on your ass.”

“Oh shit,” you jump at the kickback on the rifle and nearly drop it to the ground. Cooper laughs and reaches around you, taking it from you. 

“Maybe I should have started you off with something with a little less kick to it.” He props the rifle against the tree and glances over to the cans you’d been shooting at. Well, you’d gotten one out of five at least. 

In all fairness this was the first time you’d ever handled a gun, you’re sure you’re doing fine for a beginner. He sucks on his teeth and looks at your targets. The serious look on his face cracks and he’s clearly trying to fight off laughing. 

You shove at his shoulder, smiling, “Shut up. I’ve never used one of these things before.”

He picks the rifle back up and starts laughing now, “You mean a gun?” 

You throw your arms in the air in defeat and slump into the patio chairs he’s dragged to the back of the cabin. “This is pointless, anyway.” He cocks the rifle and lifts it up to aim properly. In quick succession he knocks the remaining four cans off the fence. You roll your eyes at him, “Show off.”

He smiles and takes a seat next to you. You remain silent for a while, gazing across the yard and to the towering mountains across from his cabin. You appreciate him inviting you here. When you’d told him how overwhelmed you’d been feeling with all the new publicity you hadn’t expected him to drag you all the way out to his mountain home. 

You wouldn’t have accepted if you’d known it was just going to be you and him. You’d thought he was bringing his wife and kid, too. Spending a long weekend playing house with Cooper wasn’t going to do anything in getting rid of your crush. It was just getting worse the longer you were around him.

Waking up everyday and having him be the first person to greet you was going to send you into an early grave. You swear your heart’s never beat this fast around anyone else. He seems to be the only man who's ever had you feeling this head over heels. 

“I think it’s important you learn.”

You glance over at him, surprised at how serious he sounds. He’s still staring out at the mountains, but his gaze is distant. His mind is some place else. “Why?” You ask, voice quiet, afraid to spoil the moment.

He finally blinks, gaze darting down to his hands and the rifle still in them. “It’s easy for people to dismiss the war nowadays. They weren’t there, they didn’t watch as hundreds of good men and women died for them.” You frown, sometimes it’s easy to forget that he’d been fighting on the frontlines. He’s so good at being a socialite, you feel guilty that even you sometimes forget he was a soldier before he was Cooper Howard. 

His voice is heavy, the tension thick around the both of you. “They seem to think the war is over. I know it’s not, it’s just going to get worse. People can bury their heads in the sand as long as they want, but when the fighting is at their front door, what are they going to do?”

You reach out, hand covering his own. He finally looks up at you and you smile. “I appreciate it, Cooper.”

His eyes quickly look at your hand before looking back at you. “For what?”

You shrug, moving closer to him and lacing your fingers with his. You shouldn’t indulge yourself like this, but you can’t help it. He seems so sad and you only want to make him feel better. You just want to take care of him, the way he takes care of you. 

“For always looking out for me. You’re always there, I appreciate it. I appreciate you.”

The sad cast over his face finally breaks and he smiles at you. His hand squeezes yours once, then again and he looks back out at the mountains without saying anything else. You don’t think he needs to, that either of you needs to. Sometimes you understand each other better without words. 

You’ll always be there for one another.

You eye him warily and he holds the jerky out further. “Aren’t you a little curious?” He taunts, waving the jerky around in front of your face. You know he thinks you won’t take it. That he’s just screwing with you. He’s been doing this ever since you agreed to tag along with him. Teasing you at every given opportunity. 

You snatch it from his hands and rip a piece of it off. It kind of tastes like beef, if not a little sweeter. There’s also that metallic radiated tang to it. You chew it slowly, savoring the slightly caught off guard look on his face. You swallow it down, forcing your face to stay straight and not give away how disgusted you feel right now. 

He chuckles, leaning back and looking at you with something that seems like appreciation. “I hope you know that was ass jerky.”

You gag now, glaring at him and tossing the rest of the jerky at his smug face. “You’re such a dick.” You take a swig from your canteen and swirl the water around your mouth. It gets rid of the taste well enough but you’re never going to get over the fact that you swallowed a part of someone’s ass. 

He suddenly gets serious, swatting at your arm and motioning to the front of the store. You crouch beside him, watching as a raider walks out of the front doors. You don’t get why they chose an old movie store for their hideout, but Cooper had it on good authority that they had a decent cache of supplies inside. 

The last time you’d followed him into one of these things, you’d nearly died, and then he’d sold you. You’re still not fully trusting of him. The only reason you’re with him now is because you need extra security from bounty hunters after getting booted out of Filly. 

If he wasn’t such a good shot, you would have never given him a second glance. Despite how much he insists the compound was an honest mistake, you find the trust slow to come. You’ll let him take the lead on this one, you’re not confident in him having your back if things take a turn. 

He moves forward and you hang back, keeping watch while he slits the guard’s throat. He lowers the body quietly to the ground and you creep behind him, following him through the doors of the store. 

This group is smaller than the last one you dealt with. Only five of them with no extra guards outside. Cooper ducks behind a dust covered shelf before they can spot either of you. You go to the other side of the store, moving slowly along the edge until you have a good shot. 

You take out one man and Cooper manages to hit two more before they start firing off their own guns. You dart back behind the shelf, willing to let Cooper handle the last two. But one of them dives behind the shelf and grabs at you. 

Another shot goes off and his friend’s body hits the ground while he rounds the corner with you. He’s got an arm wrapped around your throat and the barrel of his gun pushing so hard into your skull you can feel an indent forming. 

It wouldn’t be hard to shoot this guy, you still have your gun in your hand. Cooper seems to realize that, too, from the questioning look he gives you. You drop your gun to the floor, you want to see what he’ll do. 

Maybe you’re stupid, gambling with your life like this. But you don’t feel any fear, not from the guy holding you hostage at least. You just keep your eyes locked on Cooper’s. They’re so familiar to you, yet so distant. Like a stranger you’ve known all your life. 

He slowly rises from the floor, hands raised in the air in surrender. “Alright, let’s just see if we can’t talk this out like gentlemen.”

The guy holding you jerks you roughly, gun banging painfully against your temple. You wince but remain quiet. “Stay back or I’ll blow her goddamn brains out!”

Cooper’s eyes dart from your face to the guy. He huffs, frowning and pursing his lips like he’s trying to think of a way to talk himself out of this. He could leave, he’s got enough time to make it through the door before he fires at him. 

Or he could help you. 

It’s the only reason you let yourself get caught. If he wants your trust he’s going to have to prove it. Cooper looks at you and a grin splits across his face. It’s like he’s read your mind, from the knowing look on his face you think he might’ve. 

Then again, you never really needed words to talk to each other. 

With a speed that never fails to catch you off guard his hand darts under his jacket and he draws his gun. He’s shooting the man before you even get a chance to brace yourself. Your body gets dragged back slightly by the dead weight but Cooper moves forward and wraps a hand around your shirt, tugging you into him. 

Your hands shoot out, bracing yourself against his chest. He peers at you from under his hat and grins, “You didn’t really think I was gonna let you go that easy did you, darling?” Your eyes dart down to his lips, you feel like you can still taste him. 

The timing of his kiss might not have been appropriate, but he certainly hadn’t made it forgettable. Nothing about him was forgettable. As much as you wished he could be. You hated yourself for still letting yourself fall into his trap. 

Hollywood might have once labeled you as the most seductive actress of your generation, but Cooper had you beat. He kept you coming back even when you knew you shouldn’t. He had you wrapped around him and all you wanted to do was squeeze until he let you go. 

You push off of him, ignoring how much you want to pull him closer. You move towards their pile of supplies, “Let’s see what we’ve got.”

There are a few different posters set up in the old movie store that intrigue him. But the one that’s caught his attention the most is set up directly behind her. Her back is to it, so she hasn’t gotten a chance to see it yet, but it’s all he can focus on. 

The Outlaw and The Sheriff

Their first movie together. 

He looks at her and huffs out a laugh, she glances up at him for a moment before she begins rifling through her bag again. She looks like she walked right off the fucking poster, hat and all. She’s the spitting image of herself, but she seems so different. 

Maybe it’s the eyes. The light there has changed, dimmed slightly from how it used to be. She used to seem so naive to the world, like a little lamb that just needed some guidance. Now, he wonders just how much of the world she’d seen before he found her. If maybe she had never been as innocent to it’s cruelties as he’d once assumed. 

She stepped into this new role of hers just as quickly as he had. You didn’t just change that quickly without knowing already just how awful people could be. 

“Sweetheart,” she looks up and he points behind her. She turns around and looks up to the poster.

She scoffs, moving to stand beside him, “I always hated how I looked in that.”

He glances over at her and shakes his head, “Probably shouldn’t show you a mirror anytime soon, then.” Her hands reach up to fiddle with the brim of her hat and she smiles, a real smile for once. 

“No, I suppose not.” Her hands trace over her lips, he glances back at the poster. At that old signature of hers. She always had to have those red lips. “It’s so different,” she whispers and he knows she didn’t mean for him to hear. Her eyes glisten and he frowns. 

He shouldn’t have shown her. It’s not like he enjoyed seeing those fucking Vault-Boy posters, he sure as hell hated seeing clips of himself. Why would she enjoy seeing who she used to be? Who they used to be?

Things used to be so simple. He loved her, she loved him. Now he’d fucked up so much he wasn’t sure she could ever look at him the way she used to. He didn’t want who she was before, he couldn’t handle that. This new her, well, he didn’t give her near enough credit. 

But he wouldn’t hate seeing someone look at him like that again. Endless adoration and unflinching loyalty. He knew he would follow her anywhere, he’d realized that a while ago. He didn’t have anything in the Wastelands, nothing but hate and spite to keep him going all this time.

Now, he had her. He just needed her to realize that she had him just the same. She had him wrapped around her and he hated it and loved it at the same time. Hated her and loved her for it all the same. 

He tugs his glove off before he reaches for her. He cups her cheek, thumb tracing over her lips before she turns towards him. His eyes meet hers and he smiles slightly at the familiarity and mystery to them. So much of her he recognizes and then there are these new parts he’s yet to discover. 

He wants to discover all of her. Learn everything he can about her all over again, feed his desire to consume her entirely. 

She pulls him in this time, her lips chapped and cracked. Her arms wind around his neck, yanking him closer and he tugs at her. She tastes as sweet as he remembers and it only makes him crave more. More of her, more of anything she’ll let him have. 

She pulls back from him, pressing her hand against his chest, slowly backing him against the wall. He lets her ease him to the floor and she throws a leg over his lap. She settles herself above him, both her hands tightly grasping his neck, crushing their bodies together, eyes gazing intently into his own. He doesn’t know what she’s looking for in him but she seems to find it when she leans in once more. 

She isn’t giving him a chance at control, she’s got a leash on him, pulling back anytime he tries to lead. He relents, following her as she slowly explores him. 

He’s not sure how long this peace between them will last before one of them inevitably fucks up. But they’re stuck together now. It doesn’t matter what happens, he’s not letting her get away from him again. 

She’s his, always has been, always will be. It’s been that way since before the fallout. He’s led her, guided her.

He had loved her as a different man. History always seems to repeat itself with them. As twisted as the world is, as twisted as they’ve become, they always seem to drift back together. No matter how much the both of them fight against it. 

He’s giving in now, giving into her. 

end. — I do not own the characters or the game/show Fallout, but this writing is my own all rights reserved �� not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[tearsucry]

I love it! Like EVERYTHING!

Can I request angst? I love Agatha

— °˖ ⊹ ꒰ 🌑 ꒱ we wave goodbye at moons shine. — agatha harkness

content warning;          angst content mdni, young! agatha harkness, kissing, agatha is saying goodbye but reader doesn't realize, established relationship, hinted time accurate homophobia | 1.07k words

a/n.                                       okay this might be lame as angst, but honestly, THIS KIDN OF THING HURTS ME THE MOST, LEAVING STUFF. so i hope it's good, nice and acceptable for you nice readers <3 thank you for reading

the moon hung low in teh sky, casting long shadows across the village outskirts as agatha made her way to the old fishing cottage next to the pond, not far from the village. her heart was a heavy stone in her chest, each step weighing more than the last. she couldn't let her falter.

not tonight.

you were waiting, just as agatha had known you would be. you kneeled on the plank pier, beneath the towering branches of an old oak tree, your soft silhouette bathed in silver light, as if the moon itself grieved for what neither of you knew was coming.

you didn't know, but agatha did- this was the last time the two of you would see each other. her mother and coven probably figured it out by now that she was reading into books she wasn't supposed to, that she had dabbled in dark magic despite her coven's rules not to. it was only a matter of time before they would capture her and put her on a real trial.

agatha paused for a moment, watching you, etching this scene into her memory. she would need to carry it with her when she left- something to hold onto when the loneliness crept in.

"agatha," you called softly, your voice a balm to agatha's wounded soul. she stepped closer, a soft smile tugging at the corner of her mouth, but there was a question in her eyes. "I have missed you."

agatha swallowed hard and forced a smile in return. "I'm here now."

she wanted to say more. she wanted to pour her heart out, to tell you that she had missed you too, that she had spent every waking moment these past few days wrestling with what she had to do.

but she couldn't.

there were no secrets between the two of you, a poor human like you who was foolishly and madly in love with a witch would never tattle on her, and agatha also trusted you enough to not keep such a part of her hidden, despite her coven's instructions. but not this, the truth would have to stay buried, like so many other secrets that had kept you both safe in this cursed village.

you stepped closer, your hand reaching out, brushing against agatha's. "you have been distant lately. is something wrong?"

agatha shook her head. she couldn't let you see her fear, couldn't let you guess at the storm brewing just beyond the village's borders. if you knew- if you even suspected- everything would unravel and you'd be in danger of being prosecuted.

"i have had this headache," agatha started, her voice steady, though it felt like a lie. "there's been a lot on my mind."

you frowned, unconvinced. you stepped even closer now, so close that agatha could feel the warmth of your breath in the cool night air. "whatever it is," you smiled, tucking a strand of hair behind her ear and simultaneously pulling the hood of her cloak down. "I'm here to listen to all your trouble."

the young witch's chest tightened. she wanted so desperately to tell you, to share this unbearable burden. but if she told you the truth, she would only be placing you in danger and she also couldn't risk you wanting to follow her, afraid of what might the coven do if they ever found out about someone who could affirm their suspicion about her use of the darkest of magic.

agatha shook her head, trying to keep her voice steady. "there is nothing to worry about," she lied. "I just needed to see you."

she couldn't keep risking losing her composure, and without thinking, agatha leaned in, pressing her lips to yours. it was soft at first, tentative, but it deepened as the unspoken words between the two of you surged to the surface. agatha kissed you as if this moment was all she had left- as if, through the kiss, she could somehow tell you everything she was forbidden to say.

her love.

her fear.

her goodbye.

you responded in kind, your hands slipping around agatha's waist, pulling her closer. the kiss was full of longing, a silent promise, though neither of you spoke a word.

when you finally broke apart, agatha kept her forehead resting against yours, her eyes closed as she tried to hold back the tears threatening to spill. this was goodbye, even if you didn't know it.

"i should go," agatha whispered, her voice barely audible in the quiet night.

your grip tightened around her waist, unwilling to let go just yet. "stay a little longer," you pleaded softly, your breath warm against agatha's lips.

agatha's heart ached at the request. she wanted to stay, to hold you and pretend you had all the time in the world. but every moment she lingered made it harder to leave, harder to walk away for the slim hope of seeing you ever again.

"the burning should be over by now," she whispers, pulling back slightly, her hand brushing over your cheek. "but we'll see each other soon."

you smiled faintly, though there was sadness in your eyes- no matter how much time the two of you spent together, it always felt like just a few minutes. "promise?"

agatha nodded, lying through her teeth and smile. "promise."

the two of you kiss once again, but this one is much slower and longer. it lasts until your fingers are cold, until your lungs burn for air, until the stars shine brighter above you, shining just as brightly as you shone below. agatha pulls away, her hand still lingering on the curve of your jaw. she has to tear herself away. she can't stay any longer.

and so she took a step back, feeling the cold rush in between you where warmth had once been. you stood still, your arms slowly falling to your sides, the space between you now more than just physical.

with one last glance, agatha turned and began walking away, but not without waving you goodbye like she always did, her steps slow, deliberate. after that, she couldn't look back, because if she did, she knew she might never find the strength to leave.

in the clearing, the young witch's goodbye lingered, carried by the wind to you and though you didn't know it yet, your last kiss was already a memory.

[ma1dita]

crazy little thing

a ‘partners in crime’ installment - luke castellan x dionysus!reader

words: 3.4k

summary: (pre-established relationship) The one where he spends all his drachmas to make you smile. Sometimes, the Apollo kids are better matchmakers than Aphrodite herself. Everyone’s tired of you two dancing around each other. Luke Castellan x fem!Dionysus!reader

a/n: lil valentines day special though im working on more est. relationship fluff after this!! happy season 2 renewal babies

(posted 2/9/24 unbetaed)

—

“Come on, you gotta admit—it’s kinda funny!” 

Luke is met with blank stares at the camp store after he places a few drachmas onto the folding table in front of the Apollo kids. They’re not sure if he’s trying to convince them, or himself.

Because yeah, that’s the excuse he goes for, wanting to spend his savings on having them sing to a certain head counselor instead of admitting his blatantly obvious feelings, so if you ask Lee Fletcher and his half-siblings, it’s kind of pathetic.

“What do we look like, a traveling mariachi band, Castellan?” he deadpans, watching the usually confident boy scratch the back of his neck with his face red like someone who’s been sitting out in the sun for too long. 

“I’m not saying to follow her around all day or whatever, just pick a random time to sing a song and catch her off-guard,” he insists, before meeting the judgmental look of one of Lee’s younger siblings.

Lee chuckles, ruffling his sister’s hair before looking at Luke quite seriously, “She’s a good friend. You’re gonna have to pay us more than that. Special song for a special lady after all.”

The son of Hermes knows he’s gonna regret this sooner or later, but proceeds to throw the rest of his meager earnings onto the table. He has other ways of being resourceful anyway, the box of chocolates he nicked from behind the store counter feeling heavy in his jacket pocket.

“Right… she’s just a friend.”

Luke’s hands fidget at his sides as he stands there, feeling a little stupid.

Lee’s little sister scoops up the coins from the table, her raised eyebrows and light aura mirroring that of her older brother. 

“What song were you thinking?” she asks, “Gotta make sure I know it if I’m singing it to your…friend.”

The 18-year-old boy tugs at his dark curls, getting more embarrassed and wanting to retreat with every minute that passes, but he’s never been one to back down from anything–swordfights, monsters, capture the flag, but this—trying to impress you...is a whole different story somehow.

Why are feelings so damn complicated? 

It feels like being at the butt of a joke, or more accurately—at the sharp edge of a sword, and Luke never lets his fights end in a draw.

“You guys got it covered. Just…surprise me too, I guess,” he sighs, walking off without finishing his sentence. He wishes he could pray a little harder to his dad for luck, even if he’s unsure of what exactly he’s wishing for (or if his dad will even listen).

“Castellan’s hopeless. You think he knows it yet?” the girl asks her brother, to which Lee laughs.

“I don’t think she does either, even though everyone else can see right through them. The new bets are on who’s gonna break first. Chiron’s been keeping track, but don’t tell Mr. D.”

If Luke wants a show, they’ll make sure he’ll get his money’s worth—and hopefully, it’ll push you two along faster. Lee bet on you two getting together before the summer after all, and he’ll be damned if he loses to Clarisse.

—

Valentine’s Day might be the day of love, but for you, someone who’s single (not by choice), and heavily busy with making sure people aren’t so…enamored in public (you’ve lost count of the reports you’ve written out due to indecent behavior this morning alone)---this just feels like another Wednesday, except with more hormonal teenagers with uncontrollable urges than usual. 

Oh, the joys of being the daughter of the camp director, also known as everyone’s favorite narc.

Honestly, love can suck it. With this much love in the air, you can feel it suffocating you like a plastic bag over your head. 

That’s an uncontrollable urge. Too much?

Maybe Silena was right, you do need to open yourself up more to romantic opportunities. But if you have to watch another person swap spit and get pawed at like they’re the last dinner roll at the table…. You might commit arson and set this place ablaze.

You just didn’t understand why people had to go all out today of all days. Shouldn’t love be shown year-round? Though you were a person of theatrics and enjoy a good show, it is amazing how much grandiose displays of affection make you cringe. It felt very performative, instead of genuine, and you would know, you’re the best actress at camp. You’ve acted out stories before, knowing all of the greatest romances and tragedies by heart. And you pride yourself on being a decent teacher to the campers, but for some of them, love still translates to a bad rendition of a ballad they heard on the radio.

Nothing gets past you at this point.

But that sucks too sometimes, you know?

Multiple failed flings and a heartbreak or two weigh down on you on days like this one, as you’re stuck being a bystander to outlandish displays put on by the Aphrodite kids being put to work. Love is their domain anyway, and yours…makes you feel a little less undesirable. Each demigod has their own strengths and weaknesses, but perhaps in the name of love, some of them don’t know how to take a hint. Several forgettable prose readings, a Sparknotes version of Eros and Psyche, and too many red roses to count have you reeling from exhaustion and a bit of disgust—-and it’s only lunchtime. 

So yeah, maybe you’re a little jealous; they could call you Nemesis at this point.

The only flowers you got today were from the little kids from along the path to the strawberry orchard, and though it’s sweet—the human side of you misses affection. 

Devotion. 

To be a daughter of Dionysus meant to deal in extremes, obsession or nothing, and there are very few people who can handle that. Always being too much to handle, or uninterested as a defense mechanism. Perhaps that’s what scares admirers away. 

That, or the fact that Luke Castellan is always attached to your hip. To be honest, you’ve always preferred it that way—the both of you working as a pair always gets things done faster around camp and he brightens your mood, whether you admit it or not. 

But you two are just friends. 

Really good friends who look for each other in crowded rooms, hands constantly brushing against the other for comfort, and able to pick up where the other one leaves off. Usually he’s the first person you see in the morning, and the last person you say goodnight to. You know how he likes his coffee and he cuts your apples for you as you two sit together in your unassigned seats in the dining pavilion. You watch each other’s workshops and if one of you is missing, everyone knows to ask the other to get an answer.

Right? That’s totally normal coworker/friend behavior.

If you were ever given immortality, perhaps they’d make you the goddess of denial.

You’re sweeping up confetti from the dining hall floor after an uncoordinated excuse of a flash mob was performed for one of the Demeter kids… and not to sound like a heinous bitch, but maybe next time they should use something biodegradable… or less messy. Sighing deeply, you feel someone’s eyes on you, and when you look up, Luke’s standing there with two full plates of food.

“Take a break, Trouble. No one’s paying you overtime,” he jokes, and you roll your eyes as you put the broom aside.

“No one’s paying me at all…” you groan, before taking the plate out of his hands and knocking your head against his shoulder in thanks. He snickers as his hand brushes the small of your back, tickling your spine as he leads you to sit at a table.

“Just another holiday. You know how it is.”

“It’d be nice to have a night off though. Sometimes I regret taking up the position,” you mumble through spoonfuls of soup. He throws his large hand over your shoulder, kneading some tension from your trapezius. Head jerking along with the movements, you giggle as soup dribbles off your spoon, which makes his lips quirk into a small smile. Being around you felt so thoughtless and easy that if you told him to jump off a bridge he’d do it without question, which should be more concerning—the hold you have on him is irrevocable. Feelings are way too difficult for his teenage brain to comprehend at this stage. It’s easier to wash dishes with lava or fight off a dragon (bad example, he knows, but there’s something about you that already makes him feel like he’s losing before anything’s even happened).

Luke is someone who fights until the end, a soldier who’s always trained and so ready for anything that sometimes it makes you wonder what war he’s preparing for. Infatuation, or the scarier, four-letter word was not something he was ever briefed on.

“No, you don’t. You’re a control freak,” he says with a grin. 

Luke watches you play with the pendant on your necklace, the dragon scale he fashioned into your favorite accessory glinting in your hand. Running your fingers back and forth over the smooth surface, your other hand puts the spoon down and you place your head on his shoulder. He thinks if he had to describe the four-letter word on the tip of his tongue, he’d tell whoever’s asking about the way you kissed his healing cheek after you both left the Garden of Hesperides. More than a year later, Luke is still unable to find the right words even if the weakness has made a home in his heart with your name written all over it.

“I swear if I have to hear another person croak out a lovesong I might just drown myself in the Long Island Sound,” you scoff as his fingers trace circles onto your waist.

There’s a low strum of a guitar that reaches your ears and your forehead meets the cool surface of the table as you shut your eyes and grumble. It’s Lee and his half-siblings, beginning to walk through the hall seconds away from singing until they see Luke shaking his head and dragging his finger across his throat to please, gods, stop. The Apollo kids swivel and 180, walking out of the hall as the music stops dissonantly, rolling their eyes and dragging their feet.

“That was quick,” you say inquisitively as your head pops up from the table to see Luke looking off in the distance.

“Heh… I think they were just practicing or something…”

He then had to run off and pay them more drachmas for the inconvenience. 

Fucking hustlers.

—

The sun sets quickly on Camp Half-Blood since it’s mid-February, and Luke finds you trying to calm your nerves as you look at the mess of glitter and paper mache that covers the arts and crafts hall from floor to ceiling.

“I can’t believe this!” you say in disbelief as you look at Luke, and he takes the can of Redbull out of your shaking hand.  

“There’s just no fucking way everyone decided to use glitter. It’s everywhere! I’m—CONNOR, PUT THE SCISSORS DOWN!”

Luke sighs as he holds his hand out for his younger brother to give up the craft scissors, which he relinquishes with a mischievous grin. 

“Guys, go find trouble somewhere else,” Luke mutters, pushing his head away, and where Connor goes, Travis quickly follows, tossing a canister of glitter back at him and not knowing it was still open.

“Oops.” 

Immediately, the both of you are showered in iridescent particles, floating over your heads and stuck in your hair as the older Stoll brother looks at the two of you wide-eyed.

“You've already got Trouble anyway,” he says teasingly, and this asshole winks at Luke before bolting out the door.

The room is silent now, and you pinch the bridge of your nose, before speaking, “I don’t care if he’s your brother, Luke. I might just fucking kill him.” You'd say more but your eyes are shut as you try not to breathe in glitter, and then the sound of the doorknob rattling catches your attention. Luke is standing there, finally faced with a door he can’t open, his eyebrows furrowed in annoyance–but the effect isn’t as menacing as it should be when he’s covered in red and pink sparkles.

“Not if I get to him first, the little bastard.”

“Just open the door,” you say panicked, running over and forcing his hands off the doorknob.

“I can’t if you won’t let me do it!” He grits, elbowing you and trying to unlock the door with both his inherited gift and brute strength.

“What kind of demigod even are you? Lockpicking is supposed to be your thing!”

“Well OBVIOUSLY, but it’s not working, now is it, Trouble?”

Luke finishes off the rest of your energy drink before throwing the can over his shoulder and he swears he can hear you cuss at him under your breath as you berate him about the mess, so he chooses to focus on busting the door down instead of looking at the glitter stuck in your eyelashes and thinking about how the idea of being stuck in a room with you makes him feel weak at the knees.

Through the window, his eyes meet the group of Apollo kids staring at the predicament you two are in (and the barricade of chairs the Stolls put in front of the door). He sighs, and Lee’s little sister flips him off as they start to walk away again, instruments in tow.

“You gonna charge him again?”

A tiny Will Solace looks at his elders for guidance as they walk along the path. As one of the youngest in the bunch, he especially idolizes anything his half-siblings do, going along with whatever they see fit.

“No, but we’re close enough to the archery range that I might just shoot them through their hearts myself. Eros and Aphrodite themselves are pretty much begging us to,” Lee grumbles.

“Why are we doing this again?” Will babbles, and his half-sister grabs his hand to help him walk faster.

“A crazy little thing called love. You’ll understand it better someday, kid.”

—

Thankfully, it all starts winding down after dinner. Luke finds you leaning against a tree flipping through your clipboard during the camp sing-along, so he tugs at your elbow to get your attention.

“Wanna get out of here?”

You look at him, slotting your pen behind your ear as you notice faint glitter particles still dotted along his cheeks. As your lips pull into a small smile, you say, "I still have a few things to do after this, don't you?"

"Cleared your schedule for the night," he mumbles, and whether it's the glow of the bonfire or he's actually blushing, a teasing expression crosses your face as you step closer and cross your arms at him.

"You cleared my schedule for the night. How on earth did you do that?"

Instead of a proper reply, he grabs your hand, tugging you out to the docks near the lake.

"Don't worry about it."

He's not going to tell you that he owes Chris and Annie a few favors before the end of the month to make up for the night shift they ended up taking. Instead, you both sit cross-legged at the edge of the dock, a gentle breeze brushing at your clothes and for the first time today, you're able to just exist.

"I hate Valentine's Day," you suddenly say, looking up at the night sky, and he's watching you closely as the gentle shine of the moon casts a cool glow on your face. Luke cringes at your statement, thinking he's already thrown away his shot.

"Why's that?"

"Tell me something Luke, am I unlikable? Like, is there anything wrong with me?"

He looks at you like you've told him you’re secretly a cyclops.

“The fuck? How many times do I have to tell you that everyone thinks you’re great?"

You don't even give him a chance to finish his sentence before you blurt, "I don’t want to be great, I want to be loved!" Reeling back a little, you lean back on your hands to create some distance.

 “Sorry... that was a lot, and I’m just...wanting to be noticed. It's nice to have people's attention sometimes, you know?”

You’ve got all of mine, he thinks, realizing he never stood a chance at fighting it—this four-letter feeling you give him is the first and only battle he’ll back down from, and you're the only person he’ll wholeheartedly surrender to.

In short, he’s fucked.

"I always notice you." He pulls out a dented box of chocolates from his jacket pocket, opening it up for the both of you to share, and the look of amusement on your face makes him glad that at least one thing somewhat went to plan today, even if the chocolate truffles are a bit smushed. You’re popping one into your mouth and his dark eyes follow the trail of your fingers to your mouth, feeling his heart beat a bit faster.

But then you both hear the soft strum of a guitar from near the trees, and the two of you turn to hear some of the Apollo kids singing beautifully along the coastline.

I'll be seeing you, in all the old, familiar places... That this heart of mine embraces...

You gasp, grabbing Luke’s arm to push yourself up so that the both of you can turn and face a small group of your closest Apollo friends singing to the both of you. Luke’s eyes soften further when he feels you grab his hand and squeeze, leaning against his shoulder as you listen.

“Did you do this?” you mumble, still entranced by the performance.

“Only if it makes you laugh.”

And you do, in the way that he loves—a bit crazy and too loud, and it’s perfect.

I’ll always think of you that way… I’ll find you in the morning sun….

Whether it’s fireflies or Will bouncing light off the water to look like small, glowing candles, Luke can’t tell—he’s too busy watching your lips pull into a smile so confectionery his sweet tooth starts to ache. The little kid was never good at archery like his other half-siblings, but as your eyes shimmer under the ambient lights, you think his added romantic gesture shot you straight through the heart.

“You know, sometimes I really do hate you, Luke Castellan,” you whisper, and it couldn’t be more far from the truth.

“No, you don’t.”

His eyes flicker to you again, but you’re already looking back at him.

“I don’t.”

And when the night is new, I’ll be looking at the moon… but I’ll be seeing you…

It’s quiet now, and you’re unsure of where the Apollonian ensemble disappeared to but instead of worrying about if they’ll make it back before curfew, you stand there in front of Luke with your guard down.

Getting a little closer than he expected, your noses brush before you pull the slightly crushed wildflowers from your jean pocket, the only physical reminder you’ve kept from today, and tuck them into his jacket pocket, sitting right above his heart. 

“Thank you.”

Luke doesn’t realize he’s holding his breath until he feels your lips gently kiss the marred skin on his right cheek, the blemish having an uncanny resemblance to a stroke of lightning; it serves as a reminder of his weakness. The lines blur as his eyes close to savor it and he doesn’t know if weakness is your kisses or his scar—but he is vulnerable to it all the same, realizing there’s a crack in the otherwise perfect persona that he’s worked so hard on.

When his eyes open again, his Achilles’ heel has taken human form.

—

“This has got to be cheating,” Clarisse grumbles as she watches from the distance, hidden behind the trees.

“It’s not cheating if I’m winning. Silena’s gonna get a kick out of this,” Lee chuckles, ushering everyone back towards the cabins. It’s a bit harder to do this in the dark as they try to be quiet and not interrupt whatever will happen next between their favorite counselors.

“Well lucky for you, your gifts are cute and romantic, what am I supposed to do? They fight enough!”

“That’s what got them into this mess in the first place. Come on, curfew’s in 10. We’ll find out which of us wins the bet soon enough,” Chris mutters, pushing them along back onto the main path.

“Easy for you to say, Rodriguez, you live with Luke!”

“Would I ever lie to you, La Rue?” he says with a mischievous grin, and the Apollo kids giggle at the irony.

—

“My body ages,

my anger burns into a seam.

I am so annoyed by love

and still it comes.”

-Kate Baer

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[the-s1lly-corner]

AAAAA

TDAC X PUPPET!READER

Hear me out

Reader is like puppet from fnaf, their character being very similar to puppet, them having the same voice and powers? Yknow Puppet flies fast as HELL and etc, Reader most of the time stays in the music box, and just gets out when really wanted or needed, for example: when theres an IHA or when someone needs them for something.

TADC x puppet!reader !

ashamed to admit this but i have not touched fnaf outside of security breach, recently at least. the last time i was fully invested in the fnaf lore was when fnaf 4 had just dropped, so im quite literally relying off of your description like its a life line because i know how insane fnaf lore has gotten think imma answer this request then take another short break since my lower back is starting to get sore from sitting all day; gotta go stretch my legs too

CAINE:

you do have your own room, of course, but you tend to usually stay in your music box; of which you came with when you first entered the digital world... which was a little odd, but hey its not the strangest thing that anyone here has seen! i like to think that sometimes caine comes to your box at night and tries to will you out so he can get to know you more. leave it to the ai to fall for the mysterious circus member who rarely leaves their box... i think sometimes he would hum and sing along to the music your box makes

POMNI:

the first time you rush out of your music box it takes her off guard, almost making her fall off her feet when you dash right by her to do... whatever was required of you at that moment in time. if she were being honest, she didnt think you were a real person, she had always assumed that you were an npc; it wasnt unheard of that caine would have npcs stationed about for in house adventures, or to man the carnival..! though i dont think she would interact much with you, considering you rarely interact with the others; what use would it be to pester you?

JAX:

honestly before realizing you literally live and sleep and mostly exist in the music box, he probably puts stuff on top of your box... accidentally trapping you inside it. well, actually trapping wouldnt be accurate because you ended up brute forcing your way out, literally sending everything that was on top of the box flying; scaring just about everyone in the room. imagine trying to find out whos faster; you or jax.. i mean, have you seen how fast jax bolted when they found out koufmo abstracted?

RAGATHA:

always tries to ask you if you want to join in on the in house adventure, she doesnt want you to feel left out or unwelcome; even though most times you willingly back out of the activity. though, she feels relieved and even smiles when you spring out of your box to join in on the action... at least she knows you havent abstracted... brain stimulation is important, you know!

KINGER:

he finds some comfort in the music, slowly but surely as the days pass he moves his pillow fort closer and closer to your box before eventually hes right next to you. sometimes even naps, leaning against it. though he does immediately scamper off when you suddenly lunge out to race towards whoever is calling for you. at least he can count on you to have his back in moments of danger or fear!

ZOOBLE:

usually stays in their own lane, but for one reason or another they need help during an IHA, and their yelps and incoherent speech was enough to catch your attention. be it gloink or otherwise, you obliterate the problem; effectively haunting zooble for the rest of their life by your actions... but hey, it feels... nice, having someone you can rely on

GANGLE:

character who is soft spoken and shy meets character that rarely leaves their box when its not needed or necessary; how could a relationship, romantic or otherwise, be fostered in conditions such as this? oddly enough, the silence between you two brings you together, the music keeping the silence from becoming overwhelming. i like to think that sometimes gangle leaves you little notes, choosing to write rather than verbally speak... best not to ruin that special quiet the two of you have learned to share

[shytastemakerthing]

How do you think Azul would deal with a ditzy, creative reader without any motivation for future goals (he is goal oriented) with their head in the clouds reader who he is trying to contract cuz they have the accurate ability to tell the future, they keep escaping him and his twins? Like first time he tries to do a contract when he notices them at the monstro lounge for first time. He met them in class before which is how he knows their power. In the middle of their discussion at the lounge, reader just gets up and walks out the door and is gone in the middle of Azul’s sentence. they grabbed some cake, paid and dipped. Didn’t even get the contract word out. ?

A/N: Hello and thank you for your request! I'm sorry this is taking me a while to get these out. Been dealing with health issues that just completely drained me and then twisted a nerve in my wrist, yeah, fun times XD. Anyways, I do hope that you enjoy!

Prompt: Azul Ashengrotto with a ditzy and creative reader

Tw: None

You have quite literally become the bane of his entire existence in the time span of only a couple of hours

Before discovering this little gift of yours, he had only seen you around here and there every once and a while. You just always seemed to be in your own world, oblivious to everything around you. Just... ditzy

But seeing that creative part come out is what drew him in just a little more, keen on observing what else may lie beneath the surface

He is no stranger to keeping things hidden if you don't want anyone to know of something

He was practically a master at it

So, when he saw this little ability of yours, accurately able to predict what is to happen in the future? Azul was already brewing the perfect ploy to get you into a contract

That was an ability that he absolutely needed

Which is what led to him sticking the twins on you

They honestly thought it was rather amusing, given they haven't seen Azul this determined for a contract in quite some time, if at all

He wanted to warm you up first, a complementary meal from the Lounge should be just the thing

Which is what led to the certain scenario, one that had Floyd cackling and Jade giving an amused chuckle

It would seem you had known of this little ploy all along. All while Azul was basically buttering you up, you already had a choice dessert in hand, madol on the counter, and you were gone by the time he turned back to face you

Jade had been the one to let Azul know. Honestly, how could Azul not see this coming? You had the ability to see the future

Did he not think about the fact that you could also see what his plan was all along?

You may have slipped through his fingers this time, but he would certainly be patient. After all, he certainly had his connections. He would get a contract one way or another

..........if he doesn't fall for you first

Thank you for requesting! Have a wonderful day/night!