#i wanted to go more into depth but i could write an essay on this so i gotta stop here

[fillinforlater]

SULLied MINd

Male Reader x Kim Minju, Seol Yonna (Sullyoon)

Length: 10.228 words

Tags: art-project all nighter turns threesome, secret crushes, softly making out, stripping, striptease, shy to bold, double blowjob, worshiping cock and balls, cunnilingus, fingering, clit play, facial, cumsluts, virginity taken, missionary, sweat, stocking kink, riding, rimming, stand and carry, cum drinking, lots of perverted thoughts, lucky!you

TW: I barely finished this in time, so the editing is not that in depth lol

Inspiration: Minju and Sullyoon just go together very well, dunno if @sinswithpleasure was the first to give this idea, but the pairing definitely comes from The Bunker... the rest is my own craziness

(A/N: HAPPY BIRTHDAY TO MY FAVORITE GIRL! Happy Minju day to everyone, I hope you enjoy this fic which was supposed to be like around 4-5k...)

“No, you gotta put it in here, not in there!”

“I-I can’t, my hand is too big for the hole.”

“Then try using your fingers, that should work.”

“Eh, okay, but you need to hold onto the legs, otherwise it’ll fall over.”

“Let me get in between the—ah, Minju, watch out! Now my hand is all white.”

“Oops, Sorry.”

The struggle behind you is real, the struggle in front of you—the unfinished essay due tomorrow that is—is real too, but those spoken words cannot be real. You know exactly what Minju and Sullyoon are referring to when talking about white stuff and holes and size. After all, they are working hard to wrap up the project all of you have procrastinated on for so long and it’s bound to be a mess.

You start to trip over your own unspoken words. The lewdness in your mind is unfathomable, a mess can be a mess without mess being the wild, chaotic, imaginary sex that seems to creep into your brain more and more.

No, focus. It’s just a mess because Sullyoon and Minju still don’t know how to put together the human-sized post-modern sculpture of a robot made from cardboard, newspapers and glue—white glue, that drips from Sullyoon’s hand as she tries to shove a painted cardboard cylinder into—

You did it again. Your thoughts are betraying you.

“What are you looking at?” Sullyoon nags, when she spots your dreamy gaze on her hand. Wait, are you drooling? What the fuck is happening?

“N-nothing, nothing,” you quickly turn around and look at the pathetic pile of words that neither make sense nor reach the required minimum amount to pass. “It’s just that—you two are too loud, I can’t concentrate.”

Minju throws you a concerned look, while Sullyoon aggressively wipes her hands on a paper towel and hits you over the head with a piece of cardboard. Now there’s some stickiness in your hair

“Oh yeah? You’re still the furthest behind—I’ll do the writing, I can’t build for shit—that’s what you said and you are still not finished.”

“Sully, please, don’t scream,” Minju groans and gets on her knees in between the sculptures legs, her head on level with what could be its crotch. “Let’s just focus, okay? Can you give me the, uhm, white stuff? I need to fix the butt.”

And now Minju is spreading glue all over the—it’s better you look away and focus on the task ahead. The essay should go over all the different periods of, uhm. Or maybe the various stages during, some-thing? Perhaps the teacher wants a concise summary of how you came up with the idea and created the illusion of Sullyoon sticking her fingers in Minju’s pussy and making her face contort into—

“You’re drooling!” Sullyoon shouts and hits you again.

“Sully, please!” Minju tries to calm the situation down.

“What? Can I not be angry that this lazy ass is just daydreaming—”

“Sully, language! And stop screaming!”

“You’re both screaming and shouting, how should I concentrate?”

“You—”

Sullyoon is about to throw hands. Though they both might give off a similar reserved, kind, beauty vibe to the unsuspecting outsider, Sullyoon and Minju are quite different. It shows now more than ever, when Sullyoon slams her fist on the desk next to you and stares you down into the chair, while Minju sits on her bed, one leg crossed over the other, head lowered in defeat and annoyance.

“Stand up,” Sullyoon orders, her grip on your biceps harsh, as if she tried to scar you with her nails. “I’ll do it, save the project while you can fuck off.”

“The fuck?” you shout back, face angry. Sullyoon’s hand is slapped away and you’re about to fight more if she doesn’t back off. “You won’t do anything, and don’t curse at me. Who do you think you are?”

“Guys—”

“Oh my God, you’re unbelievable!” Sullyoon interrupts Minju and opens her adorable eyes wide in rage. “You’re gonna fail us with that—pathetic excuse of a text.”

“It would be better if you could keep your mouth shut, Sullyoon, and let me finish this in peace. Also, the robot is still not upright. If he falls over, Miss Kwon will rip our heads off.” You can barely hold yourself together. The only positive thoughts for Sullyoon, if you can call them that, are the lewd ones, those imagining her naked, her navel exposed, her pussy bare.

“Guys, I—!”

“Oh and that’s my fault? I bet your drool will make it unstable. I swear if you turn around one more time—”

“Then what? You’ll beat me, assault me? I think Miss Kwon won’t give you a better grade then—”

An ear-shattering boom. The door is shut, the door to Minju’s room—Minju, who is not with you anymore. For such a kind and bubbly girl, this fight must have killed her. She was the one suggesting that you all do the project at her place, with her parents out of town. She made cookies beforehand and had something planned for dinner too.

“I-I think we overdid it,” Sullyoon sums it up with an usually soft whisper and you nod in shame. Minju has been nothing short of an excellent host for the two of you.

Suddenly, Sullyoon’s phone rings. She doesn’t get time to answer it however, as the caller seems to end the call within a moment's notice.

“I’ll be out, gimme a second,” Sullyoon says and runs to the door.

“Sure.” She didn’t even hear that, that’s how quiet your voice was. Outside, you hear Sullyoon hurrying down the stairs. There is turmoil in your head about what you ought to do. Should you just sit here and wait for them to come back? Is it better if you go downstairs as well, apologize to Minju, so the three of you can continue with the project? Should you continue alone, perhaps?

You decide on option four: sneak towards the door, carefully open it and then lay low while trying to pick up what they are talking about. They surely aren’t fighting anymore, but their voices are loud enough for you to clearly hear every word.

“It was stupid of me, okay? Can we go back upstairs and finish our sculpture?” Sullyoon asks with loving care.

“I-I don’t know if I can,” Minju sniffles. “This was embarrassing.”

“What do you mean? You weren’t embarrassing, we were. This fight was—”

“No, you don’t get it, Sully!”

Now things seem to get heated. You can hear Minju jumping up from a chair, while Sullyoon gasps.

“Then explain it to me, Minju!”

“Okay, screw it.

“I like him, okay? Two years, I have waited two years for us to finally be in a project—and now you two are fighting! You are ruining my chances with him!”

The silence is deafening. If you weren’t lying prone on the floor already, your knees would have collapsed and you would���ve landed in the same spot anyways. What a revelation! For the first time in your life, you believe that either your ears are deceiving you or that you’re in the most lucid dream imaginable. Never before has a girl had feelings for you—

“This can’t be real,” Sullyoon suddenly laughs out loud. “You like this guy?”

“Wha-what do you mean?” Minju hisses back, whiny, like she’s about to cry. “He is very-very handsome a-and I’ve seen his abs. He is also smart, have you heard him talk about history? It’s so attractive.”

“Yeah, of course I have, he is like talking non-stop in history class.” Sullyoon’s tone has shifted from shocked and dismissive to a bit dreamy, almost like she is admiring you. “And the way he pronounces all these foreign words, or how he gives it his all in PE—”

“Wait a minute,” Minju interjects and you can hear the grin as it forms on her face. “You like him too, Sully!”

“Not anymore, not after his lazy ass didn’t do a damn thing during our project.” Another second of silence, then both of them start laughing hysterically, one is stomping on the floor, the other tries to cover her mouth to muffle the loudness.

You’ve heard enough. No, seriously. At this point, you could die happily. Two of the prettiest girls in the entire school like you and both of them are in your project group which will surely last until the next morning at your current pace. What else could you want more? Countless guys would kill to have such an opportunity.

But you want more.

“Crazy, we have the same crush. Oh, have you seen the pictures of his abs?” Minju asks excitedly after the two have finished their laughing fit.

“No, but I was about to ask: how did you get those?” Sullyoon gasps again and then giggles while both start to whisper. The whispers are too quiet, you can barely pick up any syllables. This marks the perfect moment to get back in front of the PC so they won’t catch you eavesdropping when they come back up. It also gives you time to think about what you want to do.

The image of them and their crush on you hasn’t fully settled yet, however, you’re already planning how this night might continue, what might happen, what you should say. Unlike during exams, you don’t feel pressure or tension that’s about to crush you—there is just excitement and a feeling of being loved.

“Hey, we-we are back,” Minju says a few minutes later, her face all red when she enters her room. Sullyoon follows after her, her hair a bit messier than before. Unlike Minju, she is able to hide her feelings for you quite well, now that you know.

“Hey,” you respond with a soft voice. “Look, Minju, I’m so sorry about earlier. I should’ve done my job. I won’t let you guys down this time, I promise. Sullyoon, if you want to, you can write the text. Sorry that I was so rude earlier.”

“I-it’s fine.” Both their voices seem to break when you stand up and give each an apologetic bow. With your new knowledge, you assume that this is a good sign, like selecting the correct dialogue option in a video game.

“Are you sure you want to switch, though?” Sullyoon asks and you nod.

“It’s settled then.” Minju grabs a wrist from you and a wrist from Sullyoon and has this adorable, bright smile on her beaming face. “Let’s not fight anymore and finish this dang project!”

“You are absolutely right, Minju!” you gleefully say. “You two are pretty awesome, so I’ll give it my all.”

Both their breaths pick up in pace; who would have thought that you could make the hearts of girls flutter with just a bright, sunshine smile. Sullyoon and Minju quickly dive back into work, ears still red, and you pretend to be completely unaware. Unaware of their feelings, unaware of their hopes, unaware of their—potentially sullied thoughts.

But could those two angelic looking girls really have the same impurities in their minds as you do? Can it match your fantasies of one of them admitting their love to you tonight, you kissing, cuddling and fucking secretly in the bathroom, while the other continues to work on the project? Maybe they have similar thought, but did they ever consider—

“Can you, uhm, hand me the, eh—” Minju stutters and taps her temple in thought. She looks adorable doing so.

“Do you need the model? Some cardboard? Scissors?” you ask back but Minju shakes her head, a bit abashed that she lacks the focus to say which item she needs. Thinking of scissors, your fantasy does not stop at some one-on–one lovemaking. You’d want the other to join, all three of your tongues in a make out session while your hand is in the back of their panties. You want to fondle their butts and hear them moan before they would scissor, their wet pussies rubbing up and down your manhood until you explode.

“I need the… white stuff.”

“You need the white stuff—from me?”

A quiet whisper, Sullyoon could not have picked it up. Minju halts for a second, then her face turns beet red and she hides it behind her palms, while her eyes keep looking at your awfully-well played innocent expression. Worriedly, you reach for her face and Minju gasps. What does she expect? Certainly not what follows.

“Oh, there is some glue in your hair, Minju. Guess we should wash out the white stuff~”

With that said, you grab her hand and pull her out of her bedroom. To the surprise of Sullyoon, whose questions go unheard, you and Minju enter the upper floor bathroom. There you immediately find a wet towel and start to rub Minju’s hair, and with every second that you dishevel her hair, you also seem to dishevel her mind.

Minju is perplexed, trembling, unable to react to you, especially when you inch closer and really focus on that annoying spot. The two of you forgot to turn on the bathroom lights, so there is only the dim moonlight to reveal to you the absolute dream that are Minju’s eyes: full of love, uncertainty and want.

“I think I got it out,” you finally whisper and drop the towel. “Sorry for messing up your hair.”

Minju smiles softly: “N-no, thank you. You might have saved it, a-actually.”

“Minju—” A moment of silence, full of purpose, of tension, but you bask in it. You can hear Minju’s heart racing and if you’re honest, the muscle in your chest is pumping like crazy as well. “You, you are very beautiful, one of the prettiest girls on this planet.”

“Re-really!?”

“Yes. I wish I could

“Kiss your lips; they look so soft.”

They are so soft, no doubt about it, especially when they accept you so willingly at first and then won’t let go when you try to pull back a little. Minju is on cloud nine and she wants to stay. Her adorable hands hold onto your sleeves, while you hold the back of her head securely in the palm of your hand. There is no tongue movement, there is no tongue movement needed, because it all comes together for her—

A fairy tale moment, out of nowhere, for the girl with her crush.

But your play isn’t over. After a short while, you regretfully remove yourself from her lips and continue to hold her close, hand on the small of her back. When you look down you are greeted by a look—this look of mesmerized love, with teary eyes of joy and panting lips of desire on Minju’s flawless features. How could you want more?

This is how mankind moves forward: by wanting what they don’t yet have.

“Minju,” you take a deep breath and close your eyes. “I—before we continue, and I really do want to—I have to tell you something.”

“Y-yes?”

“I like you, I really, really like you.

“But you know how multiple people can have the same crush? I, my heart, has this issue that—I, I like multiple people! I can never escape it, there is nothing I can do. That doesn’t mean that my love isn’t real—I just want to be honest with you.”

Minju, in the midst of all these surprises and twists and turns for her, looks surprisingly calm and nods carelessly. Of course she is a bit dazed, after all, your lips were just on hers and she can take them back just by getting on her toes, but this should still be a bit weird for her. At least, that is what you assumed.

“I-I don’t care,” she suddenly blurts out and her arms wrap around you tightly. “Why should I judge you? There are probably so many pretty girls out there. I-I’m just happy that you… noticed me.”

“Are you for real?” In a sudden surge of happiness, you lift Minju up and spin her around. “You are so wonderful, I know why I fell in love with you.”

This should wrap up your Oscar performance—well, it’s already beyond that. At this point the feelings for Minju feel more than just acted. How could they not? She is gorgeous, light, her lips are tender, her character adorable and you cannot escape what your heart is telling you: love her, because she loves you.

There is however still—

“Pl-please! Please love me too!”

A loud scream, and Sullyoon bursts into the room. You may not be able to see the correct colors of her face, but you know she is either pale because Minju ‘stole’ you from her or she is red all over because she thinks there is a chance, a tiny chance that you also like her. Nonetheless, all these thoughts become irrelevant, because Minju almost collapses from shock. You catch her before she is able to hit her head on the sink.

The bathroom door still rattles, but the three of you just stare at one another, eyes wide open. The situation is so absurd, you must be dreaming, dead or in heaven—all at the same time, Minju’s entire existence is in your arms and Sullyoon seems willing to join her. She is close, her hands folded as if she is begging for your love. Her breath is hot, right in your face and so unsteady.

“Sullyoon.” Minju’s voice is faint, not even a whisper, but it’s loud. It’s both a statement and a question, a question directed at you. Is this what you were talking about earlier? Could it really be that the two who have a crush on you, would not have to fight? To put it very simply: Do you love Sullyoon too?

At least tonight, you do.

“I—

“I do, actually.” Those few words have you out of breath, before you can continue, Sullyoon has taken a spot in your arms next to Minju. The speed with which your dreams come true is mind boggling, but you play it cool and hold both of them close, an arm around each of their waists.

“You mean it?” Sullyoon has never sounded this cute, not in class, not during breaks and definitely not tonight. Who can resist her with those pouty lips that adorn silky smooth, perfectly symmetrical features? “You really like me?”

“Yes, I do, I like you both. This, this has to be a dream.”

“What, uhm,” Minju stutters and looks at you, similar expression to Sullyoon, her eyes also beaming, her chin tilted towards you—their similarities become uncanny in this dimly lit bathroom. “What are we going to do now?”

“I don’t know,” you whisper and smile.

“We still have a project to finish,” Sullyoon sighs and puts her head against your chest, which does not make for a good pillow with its constant up and down movement and Minju right next to her.

“I never thought I’d say this, but I think we should finish it. Let’s focus and then maybe our thoughts are a bit more… sorted.” Both girls nod, but it takes some more convincing before they let you go. The fear that they could lose you to the other makes them stay a bit longer until you have to push through them. It’s a playful struggle, which is only resolved when the three of you go back to Minju’s room.

All is quiet for a good, productive thirty minutes. The cardboard sculpture is finally painted and read to dry, the text only needs a few more tweaks, the project is in its final stage. All you can think about, however, are your groupmates, especially when your sight drifts away from the task ahead to their faces, their hands, their hips.

“Minju, can you help me?” Sullyoon groans. “I need to finish, this bottom part is so hard!”

“Of course, let me just—put this here and this into that—do you think it fits now?”

“It still looks too big, don’t you think? Maybe we should stretch it—”

“Or we could share it? I think if we both do it, it will be better.”

Hit yourself on your forehead, because the brain behind it once again can only think of the lewd. Minju and Sullyoon are trying their best to format this text and split it into fair portions for the presentation—yet all you think about is how they admire your big cock, share it in between their parted lips and then, Minju helps Sullyoon to go down on it with her throat.

After you are all covered in her spit, Sullyoon would grab your base and put it on Minju’s folds, ease you into her and all kinds of moans would fill the room and alert all neighbors who are still awake.

“I think this is good,” Minju ultimately concludes and turns to you. “Do you want to take a look too?”

You shake your head. “Uhm, no, I’m sure it’s excellent. Wow, looks like we really finished it.”

“Okay, so.” Sullyoon spins around in her chair, hands hidden in between her thighs and everything vibrates. “Are we going to talk now about… our situation?”

“I think we are all adults, we can talk about it.” Minju fidgets a bit and looks at you. They are both waiting for you to say something, but you just smirk without a worry in the world and lay down on Minju’s bed.

“Sure, we can talk. Let’s be honest, be free. Don’t care what the rest things, just

“Tell me what you feel.”

Sullyoon pushes the chair closer to you with her feet and Minju sits down on her bed, less bold than Sullyoon, because her eyes are fixed on the other end of the mattress. You get her attention when you fingers lock with hers, but the first to speak up is Sullyoon.

“I think I have a crush on you. Two years ago it started and I can’t explain why, but—you grew very handsome during that time a-and you’re pretty smart, so—”

“I feel the same!” Minju suddenly shouts and her fingers squeeze yours tightly. “And sorry, I-I once took a picture of your, uhm, abs when you changed your shirt. It was stupid, I’ll delete it right now—”

You laugh and pull Minju on top of you. Now her gaze cannot escape yours anymore and she has to see the true awe in your eyes. A natural awe for her beauty, her kindness and the way her honesty reveals all those secret feelings.

“Delete them if you like,” you hum and place the palm of Minju’s hand on your abdomen while flexing your muscles. “But you can take some more high quality pictures, if you want to.”

Jealousy overtakes a formerly hesitant Sullyoon and she pounces onto the bed next to you. Her hands are still hidden in between her thighs, but you can see that she wants to touch what Minju is already groping.

Sullyoon doesn’t even have to ask. You grab her wrist and slowly guide it under your sweatshirt. Though she tries to act shocked and abashed, you can feel her digits roaming all over your abs greedily as she visibly drools. Minju had most of your attention until now. Now it’s Sullyoon’s turn to feel your love in the form of a wet kiss pressed right onto her already wet lips. Unlike Minju, she tries to go all in on the first go, but you quickly pull away with a chuckle and watch her eager tongue searching for your mouth.

“Sully, open your eyes,” you softly laugh at her and drag a finger over her flushed, tender cheek as she does so. “Don’t be scared, I’m not going anywhere. If you are okay with it, I can love you both with all my heart.”

“I want to share you,” she says with determination and immediately contradicts her statement by lunging at you and starting a torrential kiss that has Minju hiding her face behind her long, cascading hair. It’s all faux, because in the meantime, she has rolled up your sweatshirt to your chest. Gently she pokes your pecs and you giggle into the kiss with Sullyoon.

“Good to know we are all on the same page,” you finally voice your own feelings when Sullyoon backs off to catch her breath. “I think I could cuddle you both for the rest of the night and forget every worry, every task, every stupid responsibility ahead of us.”

Funny how your dreams come true, again. An arm around each of their waists, you pull Minju and Sullyoon deeper into the softness of pillows and blankets generously spread on Minju’s mattress. Both your cheeks are quickly peppered with kisses, cute, hesitant ones from Minju, from chin to ear and wild, playful ones from Sullyoon, from the edge of your collarbone to your lips. She seals them again and this time you can hear Minju become jealous with a loud huff.

This back and forth of envy, you see no way to disrupt it anytime soon. Come to think of it, maybe you don’t want to. This dynamic pushes them further to reveal more of their love, so give them what they want. You are theirs to love and play with—but you will play with them too.

“Minju,” you say, your voice purposefully low and more serious than before. “You have such amazing hips. They are wide and look so perfect on you.”

You turn towards her and reach for the top of her skirt. Insert a couple fingers into it and let them glide along the waistband until you reach the outermost point of her hips. Minju tenses up when you begin to grab her hips, the skin of your palms right on her underwear, slipped into her skirt. You pull her even closer and she is back to holding onto your sleeves.

“Such nice hips.” Rub them, and Minju starts to rub herself on you, face on your bare chest and crotch on your thigh. Speaking of thighs, Sullyoon might have felt neglected for a second, so you find her mouth with ease and bully her tongue with yours while putting a hand on her inner thigh. Sullyoon shrieks the more you touch her jeans-clad legs, no matter if you go down to where her calves begin or if you go up to where her pussy is aching.

“Wow, Sully, your legs, your thighs are fantastic. I bet they are very soft.”

“T-touch them more, please,” Sullyoon softly whimpers and you nod. Minju is too enamored with her own thighs around yours, she does not realize her friend popping open her jeans and sliding them down. Your hesitation, your careful planning gets thrown out of the window when you slide your hand over her soft skin and go to bite her lips.

“They are the softest, damn, I could knead them all day long.” Your hot breath mixes with Sullyoon when you go from some basic thigh stimulation to cupping her sex and pressing your palm on her covered clit. “Your panties are cute too~”

No time to focus on Sullyoon’s embarrassed face, because Minju’s takes your entire view. You try to kiss her mouth but she backs off, even climbs off the bed and stands next to it. Both her hands firmly grasps the hem of her skirt, her knuckles turn white—that’s how hard she grabs it while her voice sounds absolutely love drunk:

“I-I have cute panties too,” she complains and lifts her skirt up, higher than you thought she would dare to. Not only you, her crush, that can see this most private part, but her friend can as well. Your eyes are glued to the small, pink garment with its tiny wet spot at the front, very cute indeed, maybe even cuter than Sullyoon’s baby blue panties which at this point become ruined on your hand.

“They are really cute, Minju.” You smile, she cracks a small smile. “I did not know you two had such lewd minds and wild fantasies.”

“Can we see y-your underwear now?” Sullyoon avoids your statement with a pout while simultaneously confirming it. Minju joins her nods, skirt still held high, her panties just a bit wetter at the thought of you. “Yes, please, we-we want to see it, it’s only fair!”

“Hm, how about a deal then, my two lewd girlfriends: I’m all yours, you can undress me and play with me until you are satisfied, but first you give me a show. I want you two undressing each other slowly. Sounds like a deal?”

At this point, everything is so out of control, you might as well ask for a favor that usually would get you kicked out. After all, this isn’t porn, not every girl is into girls and into threesomes, but Minju and Sullyoon have shown to be so needy for you, their libido will take over all reasoning. To no surprise, both only hesitate for a second.

“I’m okay with that,” Sullyoon whispers. “You too, Minju?” She leaves the spot in your arm and walks behind her friend. “Are you okay with me touching you?”

“S-sure.” They both get into it quickly. Minju drops her arms and lets them dangle while her needy face is directed at you. Sullyoon makes sure you can see her fingers play with the waistband of Minju’s skirt, just like you did, and she teases you by only pulling down one side, then the other. It’s only when you groan in disapproval that she moves upwards and pulls Minju’s sweatshirt over her head.

You totally expected a bra behind this comfy, cotton barrier, but no: Minju is wearing a white shirt underneath and the tease just continues. Sullyoon finds the lowest button first and works her way up, sending chills down Minju’s spine.

An amazing midriff, toned abs around a cute little navel; you can’t help but ogle when Sullyoon presses her fingers into them and gasps in surprise. No words need to be spoken—that’s probably how Minju likes it more as well. She struggles to relax, especially when the final button pops and her shirt opens like curtains to reveal her bra, the same color as her panties, erect nipples visible through the thin garment.

“May I?” Sullyoon asks, basically blowing the question into Minju’s ear as her hands already fiddle with the clasp of the bra. The sound of silence is nothing but hot breaths and the faint creaking of Minju’s bed as you adjust yourself to get closer with her still-covered breasts.

Still covered.

Still covered.

“O-okay,” Minju whispers, whines, it doesn’t matter, you finally get to see her upper body in all its glory, and you find glory to be an understatement: her breasts are perfectly symmetrical, not saggy but quite perky and a bit smaller than your hands. You could cover them up and knead them without much effort; it takes effort however to not look absolutely overwhelmed as your dreamy eyes focus on erect nipples and round arolae.

“What do you think?” Sullyoon asks the question with an answer that is obvious but hard to put into words.

“Minju, your body looks…

“... very, very hot. I-I’ve never seen something so flawless.”

“And you haven’t even seen what’s behind this~” Sullyoon’s voice is sultry as she taps Minju’s skirt. She once again teases you, her smooth hand under the skirt and once you hear Minju shriek, you know what she is about to do.

Sullyoon removes those stained panties, while Minju still wears her skirt. The miniscule petite underwear wraps around her ankles while her dainty digits wrap around the hem of her skirt. At this point, your drool cannot be held back. You need to see her most private place.

“Let, let me do it!” Minju says with confidence and as if she’s as impatient as you are, pulls the skirt up and shuts her eyes. Sullyoon chuckles lightly and gets a hold of Minju’s hips, while you are about to dive into those wet folds, small and pink and definitely untouched. You notice a small strip of hair above her clit which looks like it should twitch at any moment. Minju’s visible arousal becomes your visible arousal and before you can end the teasing session and start a new session, Sullyoon interrupts you:

“Shouldn’t Minju undress me now?”

“Wha—oh… yeah, sure,” you respond and hold your horny horses. Minju looks a bit dazed when she drops the skirt and opens her eyes again. You help her gain focus by reaching for her hands and holding them. “Nothing to be ashamed of, Minju, you are perfect down there as well.”

“Re-really?”

“Yes, I’d never lie to the girls I love.

“Now, why don’t you help Sullyoon get out of those… tight jeans?”

Sullyoon smirks. Without you noticing it, she pulled her pants back up and made sure that they showed the outline of her shapely butt. She is a tease like no one before or after; fortunately, Minju seems to not get what teasing is about: with you still right beside her, she puts all her strength at pulling the denim down—the denim and Sullyoon’s panties.

“Eh, what are you—Minju!” Sullyoon complains loudly.

“So-sorry, did I do it wrong?”

“You, you were too fast!” The shyness returns to Sullyoon’s face as she buries it in the crook of her arm.

“No reason to fight,” you ease the flames of conflict burning before you. “I think Minju did a great job and your butt is great, Sullyoon.”

“No, don’t say that, it’s too big!”

“I’m gonna say it again.” You emphasize your words with a good squeeze on both her cheeks while Minju’s wide eyes are on the dumpy before her. “You have a fantastic butt, not too big, definitely not too small, perfect.”

Your kneading hands leave Sullyoon a mewling mess, speechless, even as Minju goes and undresses her further. It’s all a lot quicker, the top is removed easily, the bra falls with a simple click and Sullyoon is the first to be fully nude. She stops your continued handsy attacks on her ass with a spin around. Unlike Minju, her pussy is freshly shaven and her entire body looks like it was made just for this moment.

“Someone is prepared,” you say with a smile and drag a finger up her midriff to her tits which are nice handfuls of their own, similar in size and shape to Minju’s.

“You are mean,” Sullyoon pouts and suddenly starts to embrace you. You gasp. Her body is almost scorching hot. “I waited so long for this.”

“I bet you couldn’t look better. No dream, no imagination can make your body look any sexier.”

“Thank you, I’m glad you like it.”

The sound of someone crawling onto the bed gets your attention. Minju lays next to you, her skirt finally kicked away and she stretches her arms forward in search of your embrace. That poor girl is desperate, however, you don't make it to her before Sullyoon unzips your pants.

“It’s only fair if we get to see you too, right, Minju?” Sullyoon asks, her tone making it clear that the answer cannot differ from her needs.

“Should I strip for you too?” you say with a witty smile, but Minju comes to Sullyoon’s aid.

“Enough teases, I—I can barely think!”

The striptease must have set something in motion within Minju: her shyness is only apparent on her fully red cheeks, her hands have already taken a different path. Boldly, they yank down both your pants and briefs in strong pulls, past your erection, which comes back swinging at her. Minju dodges it, because she can’t stop looking at Sullyoon behind you, arms resting on your shoulder, lips suckling at your neck.

“So big!” Minju can’t hold back her shock and awe at the shape, the bend, the size.

“Yeah,” Sullyoon dreamily adds. “We really have to share him from now on.”

Things are out of control. Every further plan of slowly getting to your dream threesome scenario are useless, laughable, when both your new lovers shove you down into the mattress and somehow find space on and in between your legs to intently stare at and past your phallus. Minju and Sullyoon are often not on the same page, sometimes polar opposites in class, but tonight they are more than united.

While Minju is in awe at how you throb and seemingly still grow into the air, Sullyoon eagerly spits into her hand and slowly spreads her saliva on your shaft. The thoughtfulness, carefulness and softness of her fingers make every pump of hers fade into absurdity. Right from the get go, Sullyoon’s handjob is already on the level of jerking yourself off.

“Have you ever done this, Minju?”

“N-no, never. Not even close.”

“I—only have with not real dicks.” The two blush, but there is no need to intervene. Unlike in most classes, they are eager to study for themselves, learn new tricks and test them on you.

“How about you start down at his… sac, while I go from the top?” Sullyoon suggests and Minju nods. However, you still see hesitance in her eyes, probably because she is afraid of screwing things up or making it awkward.

“They are full for you, Minju,” you softly coo and brush her hair as she almost puts her lips on them. Okay, maybe she needs the tiniest of pushing to finally— “Put your lips on them, give them a kiss. Nothing to be afraid of.”

Sullyoon is definitely not afraid. She wraps her mouth around your cockhead and begins to twirl her tongue around it. The taste of your precum must have urged her on, because she hums happily and sucks loudly. It’s like your cock is the straw in her favorite drink, that's how aggressively she sucks and her eyes roll into the back of her head. Meanwhile Minju sneakily tries to find the best spot to wrap her lips around your crown jewels, her adorable expression unpurified when she decides to go for it.

“Oh fuck!” you groan and your body arches involuntarily. More of your manhood is pressed onto their faces, into their eagerly drooling holes; it makes you wonder if you even need their pussies if this already feels so heavenly. The eagerness and playfulness of Sullyoon paired with the gentleness and sweetness of Minju makes for a double blowjob that could drain you embarrassingly fast.

Something inside your stomach tells you to just release it. Let them suck, let them play, until you just release it all over them without worry in deep bliss. Before that happens, you have to get back at them. It would be quite the disappointing night if this was your only load and they wouldn’t have any stimulation until then. You have to come up with a plan, while Sullyoon pops you from her mouth with a deep moan.

“Minju, let’s switch,” she suggests. “He tastes really good, you have to try it. Don’t worry about the size, I couldn’t take it either.”

“Oh, okay, his, his balls are quite hard. Does this mean they are full?”

“Fuck, yes,” you interrupt their horny conversation, ready to announce your plan. A plan that will surely distract you and them to the point all of you will have the best of fun. “After you’ve switched, how about you turn your butts towards me? You’re doing a fantastic job, I want to return the favor.”

They lock eyes, then look at you and nod. Sullyoon has this grin on her lips, as if she can’t wait for your fingers and tongue on her labia. Minju, again, might look quite abashed, but she is quicker than Sullyoon when it comes to showing you her behind. The sight of her bare ass, tiny pink pussy and thighs spilling out of black stockings has you drooling, almost neglecting Sullyoon’s equally remarkable offer.

Sadly, you only have one tongue and so you dive into Minju’s cunt first. In what has to be the most mind-melting moment in her life, the beautiful girl sucks in your addictive taste while for the first time, someone touches her virgin sex. Minju moans around your length while you lick all the way from her clit to her asshole in long quick swipes. You watch her body tremble and decide to put an arm around it so she doesn’t sway away from your mouth, which digs into her sensitive folds.

Speaking of sensitive folds, your other hand has found more of those. Sullyoon’s innie, beautifully smooth, spills wetness forth and guides you to the well-lubricated entrance. You don’t even have to see anything to slip your middle finger inside her. Sullyoon gasps and nuzzles her soft cheek against your balls, while a little bit higher, Minju has lost all shame.

“Yummy, yummy,” she babbles every half second when your cock leaves her mouth. The two of you seem to share the same thought: These perverted fluids are delicious, I better get as much as I can.

In your mutual delight, Sullyoon momentarily rips you out of it, just to make things even better. She bunches up Minju’s hair in a hand and starts to put her lips on Minju’s. Their tongues battle, luckily your tip is there to separate them, though it does not want peace: it wants all out war.

For this brilliant idea, you decide to switch and bury your face in Sullyoon’s ass then quickly move to her cunt and pierce it open with your wet muscle, the same muscle Minju’s twitching hole misses. She has to finish on your hand, so you decide to twirl her exposed clit in between your fingers.

The greatest trio in the world's most renowned orchestra could not compare to the harmonies your different moans produce. They are unfiltered, not played for a camera, not exaggerated—but still so loud, booming, climactic, when Sullyoon shutters. Her juices gush into your mouth, more when she leans back and presses her pussy on your face.

Minju follows quickly, almost sitting on and riding your hand as it lays there, fingers tapping upwards, against her nub. Her orgasm is not as wet, but you feel the bed shake when she cums and seemingly goes to another reality. You’re glad she physically stays, her tongue still eager at your slit—and Sullyoon is on the other side, making out with her and your cockhead.

You're incredibly hard, an iron-like rod, a tip that is purple and sensitive yet absolutely numb and only begging for what might as well be the best and final release. The thought of this ever happening again does not cross your mind, a void of nothing but pleasure. You have to give it your all now and so you buckle upwards in between their sandwiching lips and explode without warning.

“Fuuuck,” Sullyoon groans. Minju yelps, a high pitch as she still rides out her own orgasm on your palm. Your first is bombastic, a shot up in the air that rains down on their faces while the rest is equally distributed on their tender cheeks, silky lips, hot tongues. No need to mention that a lot ends up in places where the clean up will be more annoying: hair, bedsheets, even clothes have stains of white on them.

Who cares, really? Not Minju, who still laps up what leaks out of your aching, overstimulated cock. Not Sullyoon, who is out of breath and uses your thigh as a pillow. Certainly not you who literally passed out for a second and only returns because Minju sucks too strongly.

“Ouch, fuck, Min-Minju it hurts—”

“You tasht sho good, I want more.”

“Then, ahhh, get it from Sullyoon’s face, I-I don’t have anything anymore.”

Minju listens and obidies, unable to remember her shy nature when she sucks on Sullyoon’s skin to get all of your spunk off of her. Sullyoon is unfazed, mewling a bit before finding your gaze. She smirks and suddenly, the tip of her index finger touches your balls.

“You're lying,” she whispers. “You have at least one more in you.”

“I-I don’t think so.” Shake your head to emphasize your words, but Sullyoon emphasizes her belief more thoroughly by pumping from your base up. Slow strokes to keep the pressure in it, she makes sure to keep her mouth a literal breath away, a hot breath that takes your breath away. Your eyelids shutter.

“Are you sure he can keep going?” Minju cutely asks, the final remnants of cum she collected from Sullyoon’s forehead on her finger which she promptly puts in her mouth and cleans thoroughly. “I could really go for another.”

“Don’t you want him to take your virginity?” Sullyoon’s question somehow has the blush return to Minju’s ears, she turns around abashed. It’s unbelievable: a second ago, she was the biggest cumslut, now she is afraid of what feels like a logical next step if it weren’t for…

“We can’t, Sully,” you say and reach for both their heads and pat them. “Not going to do it if we don’t have condoms, and maybe we should take some time? This is all a bit—”

“Crazy?” Sullyoon climbs off the bed and searches through her backpack, to the confusion of both you and Minju. It takes her a while to find what she is looking for, so you enjoy seeing her ass in the squatting position. “Is it crazy that I have these?”

She throws you a pack of condoms. You blink.

“Is it crazy that I want you to take my virginity tonight?” Sullyoon sneaks back like a predator, adorable looking, dangerously feeling up your thigh to your once again hard length. You don’t let her have her way, grab her wrists and look at Minju.

“You are crazy. Look in whose bed we are! Minju, what do—”

“I-I’m fine with it!” Minju cups her cheeks and her gaze can’t fix on either your or Sullyoon’s face. “I can give you privacy, if you want.”

“Don’t be ridiculous,” Sullyoon laughs. “You should join us. I’d let you go first, if you want.” She licks her lips and even with her arms being held down by you, she gets her flat tummy to rub on your manhood, close to her heat which you can no longer resist.

“I’ll get some water, you… do you.” Minju’s words are hastily spoken, her sentence finished when she is already out of the door. This settles it for you. You’re going to fuck Sullyoon; her first time is yours and the way she rips open the wrapping of the first condom leaves no doubt in your mind:

This girl loves you and wants you now.

“How do you want it?” you ask and roll the thin, barely-there rubber down your cock.

“I want you to push in me, push my body into the bed, slowly at first. Be careful until I tell you to go faster. Fuck me, hug me, do it so good and hard that I forget that there was ever a time where you didn’t love me.”

“Sounds—

Let go of her wrists and Sullyoon lets her amazing body fall into the cushions. Her lewd expression shifts; nervousness, only a little, seriousness, a little more—thrill, endless amounts of thrill. The same counts for you.

“—good. Spread your legs for me, Sullyoon. Breathe and relax.”

Those wonderful legs not only spread for you, they actually wrap around you, their smoothness suddenly suffocating and now it’s you who needs to breathe. Your cock slips into her so easily, your tip parts her, enters and if it weren’t for her wince you would’ve gone hilt deep right away. Sullyoon’s eagerness momentarily comes to a halt as she realizes that you are a bit different from her toys.

“Wow,” she mumbles mindlessly. “You’re so wide and hard and warm—nothing like a… a…”

“Like a dildo?” you tease her and gradually drag your tip along her walls and then out of the blissful heat. Her legs make sure to push you back in and now she is even tighter. Sullyoon wants you to stay, you can’t leave without your permission. “Tell me when it hurts.”

“Actually—”

Her digits find your nape and pull you down to where her lips pucker.

“—I want you to hammer your cock into me now. Mold my pussy in its shape. Hold back only if I say stop.”

“Got it.” Kiss her lips. “I love you, Sully.”

Sometimes, you need to let go and let the reckless abandon of lust take over your body. Your hips become a tool for pleasure, as they gyrate, then move back and forth to bury your length deeper in Sullyoon’s cunt. Then you copy and paste their movements and repeatedly do them with your tongue as well to the point your new girlfriend desperately clings to you. It’s not only the sweat that sticks to you; her entire being keeps you glued down.

You pump, pump, pump into Sullyoon until you notice her eyes rolling back into her head whenever you hit that spot. The sweet spot that will eventually make her cum. Good thing that you already blew a load and that all your sensitivity has subsided—it gives you the power that makes you feel like a superhero, a superhuman. You will not stop at anything, you want to make her cum with just your dick and so you have to fuck harder.

“Oh God, you’re so big, so fucking big and perfect,” Sullyoon moans. As a thank you, you place a hickey somewhere on her neck. In hindsight, a bad idea. All your classmates will see it, unless she wears turtlenecks from now on. “Don’t stop, don’t stop, you’re so good.”

“Your pussy, Sully, it’s, it’s so tight. You’re choking me.”

“Spread me open more then, fuck, fuck, I want you to make me full.”

Hidden from the world, you place a hand on Sullyoon’s abdomen. Not to touch that tummy that alone can make boys fall instantly, though it feels nice to rub your fingers across it—no, your goal is further down, right above where your cock pounds into that wet cunt. Talk about wet, Sullyoon’s juices have spread everywhere, Minju will smell her friend in this room for days to come.

And talk about Minju: she has just returned, a huge bottle of water in her hand and eyes wide open. There is no shock at the sight of Sullyoon moaning and bending under the never ending attack of your hands, tongue and of course cock. Minju is more fascinated than anything else, you know she could watch for hours if only you didn’t notice her.

“Oh, hey,” you gasp in between groans, but your greeting is cut short by Sullyoon’s deafening scream.

“Minju, Minju, oh fuck, you have to try this. He is so good~

“Yes! My clit, right there! Oh my God, I’m going to cum, you make me c-cum!”

Sullyoon pulsates throughout her pussy, her arms, her fingers. Those pointy nails of hers dig painful bruises in your back while your blurry gaze tries to make out her face in haze, but all you see is the shape of her mouth being agape. She’s suddenly so quiet, except for her pussy, which tries to start your own orgasm. You won’t give it to her, not when Minju stands there, her stocking-clad thighs rubbing together, visibly stained with her nectar.

“You guys…” she whispers and watches closely as you pull out of Sullyoon and wipe away some beads of sweat that have formed on your temple. You’re not a construction worker, but your work was hard and it paid off: Sullyoon could not be closer to heaven above the clouds, no skyscraper or airplane can take her there.

“Can I have some of that?” you weakly ask and point at the water bottle. You’re quick to squeeze out a huge portion when Minju hands you the plastic container. From the corner of your eye you see Sullyoon, back from her crazy trip and you offer her some of the water. She rejects and suddenly, full of energy, jumps up and behind Minju.

“Minju, you have to try it.” Minju shrieks when Sullyoon places her hands on the hourglass body. “He feels amazing, I know you will love it.” All her fingers carelessly drift down to where Minju’s full thighs spill out of hr black thigh-highs.

“B-but didn’t he, like, fi-finish in you? He must be exhausted.” Minju’s excuse is met with a scoff from Sullyoon.

“Look at that thing.” Sullyoon points in between your legs. That’s right, you’re still solid and throbbing, aching to go for more. “He is a stud, he can go forever. He will make you cum on your first time, Minju~”

“I-I don’t know.”

“You don’t have to listen to her,” you tell Minju and take another sip from the bottle. “We can do something else if you don’t feel ready yet.”

Your words might be honest, but Minju does not get a fair chance to consider this other option. In front of her sits her crush, a guy with a big, super tasty cock. Behind her is a friend, mind controlled by lust, eager to share this big, super tasty cock. The sight of you teases her, Sullyoon’s hands on her hips, butt, crotch tease her. Can she really go for it now? Make this crazy night become nothing but madness, a story worth telling but no one will ever hear it?

“I want… you inside of me.”

“Perf—”

“I want you to cum inside of me!”

You gulp, thoughts tripping over each other. Even Sullyoon is perplexed and frozen. “R-really?” you both ask the still-virgin girl.

“No, like, in-in a condom of course! I just want to know… that my pussy felt good for you, that I can make you cum. I don’t want to get pregnant yet of course—oh God, did you think that?”

“Well…”

“Doesn’t matter!” Sullyoon suddenly laughs this chaotic misunderstanding off and pushes Minju on your lap. “Here, Minju, put a new condom on his cock. We don’t do creampies, but I totally get what you want.”

“I’m so sorry, that was a stupid thing to say,” Minju apologizes awkwardly, but you quickly forget about it when she expertly puts the rubber on your tip and has your entire phallus covered in no time. Her dainty fingers feel fantastic on your base, which she holds steady, awaiting you to do something with it. You can’t make up your mind however: should you pick her up and throw her into the sheets to fuck her like Sullyoon? Maybe spin her around and fuck her doggy, ass up, that beautiful face buried in pillows as you burry yourself inside her for the first time?

Sullyoon helps you come up with a third solution. She grabs your wrists and firmly puts them on Minju’s tiny waist and instinctively, you lift her up and over your cock. Minju looks down at your manhood and mewls, ready yet not ready to take it. Her starlit eyes, a few centimeters away, look down into yours and you swear you don’t want to hurt. You have to do everything to make this the best thing for her.

Give Minju a firm kiss on her trembling lips as both you and Sullyoon gently place her entrance on your spear. At first, she is scared, her body tensing up, but with your warmth radiating on her warm folds, she suddenly seems eager. More and more inches disappear into her and you leave her lips to hear her ultimate moan when her virginity disappears.

“Ouh, so big, so much, ahhh!”

“Does it hurt?” you ask her.

“A-a bit, but it’s fine—Sullyoon, what are you doing!? Don’t look at it!”

Sullyoon kneels between your legs. When she breathes out through her nose, your balls feel her hot and horny breath. She completely ignores Minju’s words and stares at how you leave and re-enter Minju’s pussy. “Minju, this… this is the best sight! Trust me, it feels good when he goes faster. Your pussy will feel so good.”

“This is embarrassing,” Minju mewls again, her hips firmly pushed down on your lap, almost the entirety of your cock inside her. You might not feel powerless in this position, not at all in fact, but you want this absolute beauty of a woman to do how she likes it. If she just wants to sit on you and slowly move her lower body in circles, that’s fine, if she wants to ride you with heavy thrusts, that would be to die for—

But Minju unexpectedly picks a third option. Seriously, these girls are full of surprises. She puts her hands on your shoulders while yours instinctively hover down to her hips and then she tightens around your cock again before moving up and down, up and down, up and down with perfect body control, at the same pace.

Minju rides you, fucks you, like she has done it a thousand times. You can hardly believe she never had a toy inside her. Every breath becomes more chaotic, her features disheveled, her tongue numb. It hangs out of her mouth, a perfectly ripe weak spot for you to attack. You suck on it, bully it in your mouth and Minju grabs your throat, accidentally choking you. No, no, she has to keep doing that. She has to suffocate you, with her pussy, with her fingers, with her stunning visuals as she fucks herself silly.

“Sullyoon, fuck,” you both simultaneously curse when the forgotten girl starts to lick all the way from your perineum over to your cock and Minju’s folds to Minju’s butthole, then back down, as if it were the longest, tastiest lollipop. She is not irritated by all the sweat, the lewd juices and Minju’s ass bouncing on your dick—Sullyoon laps it all up and even giggles when she hears both of you struggle with the added pleasure.

Minju gradually loses speed, which is of course not bad, after all, her cunt still tries to suck your Sullyoon-kissed balls dry, but you notice how completely out of breath and overstimulated she seems. With unfocused puppy eyes she tries to apologize for her lack of stamina, but instead of lamenting, you find a quick solution—a solution that sends Minju straight into her first ever crazy orgasm.

Hock your arms underneath her legs, securely hold her and stand up. Sullyoon gasps in surprise, her tongue still in Minju’s ass, which suddenly shakes when you start to fuck. Minju screams in bliss, covers your crotch in girl cum as you lose your grip on reality but never your grip on her hips. Minju can barely hold onto your nape as you pound her and send orgasm after orgasm into her.

“Ahhh, oh my God, it’s, it’s coming again!”

She deserves so many more so you steady your feet and thrust upwards harder, faster, gape her cunt wide open, all for Sullyoon to see. She remembers that you speared her open in a similar way, your cock hard and reckless. She starts to touch herself while sucking on whatever part of your base isn’t currently inside Minju. In the meantime, Minju’s stockings burn themselves in your memory. She always has to wear them, they look so hot, seductive, like they were made to cover her legs.

“So big, too much, too much, I—”

Minju explodes again. This time her ability to speak is replaced by mindless moans, which sound a bit silly through her constantly cracking voice. You look down and admire the ripple of her thighs, the way her small tits bounce up and down. Her hot cunt feels ready for a load, a load it will not directly receive unfortunately.

Unfortunately? No, it’s good! You can’t risk getting Minju pregnant, that would be insane.

“Fuck, I’m so close,” you groan.

“Let me help you~” Sullyoon’s lewd voice and even lewder lips push you over the edge as she puts your balls in her mouth and sucks on them loudly. The added pressure makes you unload into the condom, testing its durability. Luckily it passes the test and Minju still gets to have that feeling of hotness inside her.

She smiles weakly, but cannot really react. Her body goes limp in your arms as you slip out of her wide open hole. You carefully drop her onto the bed, a bed that you definitely need too now. Soft sheets to finally rest in after this night of projects and���other projects so to say.

“Fuck that was insane. What’s going to happen now?” you ask no one in particular. Minju is already gone, deep in a dream.

“What do you think?” Sullyoon suddenly says and lays next to you in bed, her fingers pulling away the condom. When she sees the ridiculous amount of cum still covering your dick, she is quick to clean it up with her tongue. It seems that she is just as addicted to your taste as Minju.

“Fuck, Sully—”

“We have to do this every week.”

“Wh-what?”

“Aren’t we your girlfriends now? Don’t you want this—

“To happen again~?”

Yes, they are your girlfriends now—and yes: you have fallen for them.

Who could blame you?

[trans-axolotl]

content note: this post talks about eugenics, incarceration and institutionalization, and violent ableism

tangent from that post because i didn't want to start writing an essay on someone else's post and this is about a conversation i had irl this month, not intended as a reply to that post. but i actually feel very complicated about the idea of whether or not we should be pushing for more "accessibility" in jails and prisons and psych wards and institutions. i put that word in quotes because i don't think there is ever a way that being incarcerated is actually accessible to our bodies and minds; it is a disabling experience on so many levels. i'm not going to list out all the reasons why on this post; i've made so many posts talking explicitly about the harms of institutionalization before and i don't want to do that again right now. Talila Lewis has given several interviews about ableism, incarceration, and disability that are really worth reading and go more in depth into what that violence looks like. Liat Ben Moshe has also given another interview about disability and incarceration that goes over many of the same topics. given that these places are intense sites of violence towards disabled people, it feels difficult for me to claim that they could ever truly be accessible in any meaningful sense of the word.

what's also true right now is that institutions and prisons are incredibly inaccessible for physically disabled people in particular. i've been arrested with a wheelchair, i've been institutionalized with a feeding tube on top of that as well, i've been held on medical floors for psych treatment before, and i know very well exactly how bad it is. i've watched myself and so many other physically disabled people almost die in these places because of sheer neglect. i have physically disabled neighbors who were killed in these places. it is so dangerous for physically disabled people who are locked up in these places, yet at the same time, often psych wards are so inaccessible that physically disabled people just can't even be admitted because wards refuse to take people with mobility aids, medical devices, specific types of medication or care needs, if you have some kinds of terminal illness, and on and on and on.

what's also true is that when these places are so inaccessible that many physically disabled people are excluded and unable to even access them in the first place, it doesn't mean that we then somehow access other types of care instead. it just means that we're also discarded and left to die. this also is a really similar dynamic for a ton of other marginalized groups that get excluded from psych care--many of my comrades who are people of color have also experienced this same type of denial of care. initially i think that can seem like a confusing contradiction--how is it that psych wards are locking up some people up against their will but refusing to take in other people? but when you start thinking about the underlying logic at the core of these systems, it makes sense.

psych wards operate under this idea that madness must be cured by any means possible, up to and including eradication. institutions are a way of disappearing madness from the world--hiding us away so that we don't disturb a sane society, and not letting us free again until we either die in there or are able to appear like we've sufficiently eradicated madness from our mind. preventing physically disabled people from accessing inpatient treatment is operating under the same assumptions--except that this particularly violent convergence of ableism is happy to just let us die, both because it eradicates madness from the world and because they view our lives as unworthy of living in the first place. eugenics is still alive and well in the united states and it's still fucking killing us; both inside institutions and outside of them.

i would never tell someone that they're privileged for getting institutionalized--i think that would be a cruel thing to say to someone who has just survived a lot of violent ableism. and at the same time, our current systems of mental health care are set up in a way where not being able to access inpatient care can be a deadly logistical nightmare. there are some partial hospitalization programs that have such a long waiting list that you can only really get in if you just got an urgent referral because you're getting discharged from inpatient care--how the fuck are physically disabled people supposed to access those programs? if you need meal support for your eating disorder 6 times a day and the only places that offer that are residential treatment in a house with stairs, what the fuck are you supposed to do? if noncarceral outpatient forms of treatment like therapy, support groups, PHP programs, peer support funding, etc etc etc are often prioritizing people who have recently been discharged from inpatient care, how are you supposed to access any type of mental health care at all? (to be clear i know that not all forms of outpatient care operate in this way, but a lot of state run/low cost programs that accept Medicaid/Medicare operate in that way, and i've seen it cause enough barriers that i know this is a very real problem.)

so when i think about what it would take to actually ensure that physically disabled people can access mental healthcare, there's a lot that comes up for me. on one hand, so much of my work is about tearing down institutions and ensuring that no one is forced into these places to face that type of violence. on the other hand, so many physically disabled people need care right now, and we have to figure out some way of making that happen given the current systems we have in place. i will never be okay with just discarding physically disabled people as collateral damage, and any world that we're building needs to be one that embraces disability from the beginning.

i keep thinking about the concept of non-reformist reforms that gets talked about a lot in the prison abolition movement. the idea behind non-reformist reforms is that usually, reforms work to reinforce the status quo. they're usually talked about in liberal language of "improvement" and "human rights", but when it comes down to it, they're still giving more power to harmful institutions and reinforcing state power. an example of a reformist reform is building a new jail that is bigger and has "nicer" services. or when the cops in my city tried to get funding for more wheelchair accessible cop vans. these are reformist reforms because when it comes down to it, it's still giving more money and legitimacy to the prison system and increasing the capacity to keep people locked up--even when people talk about it using language about welfare for prisoners, that's not actually what's happening. having more wheelchair accessible cop vans would be dangerous for the disabled people in my city--it's helped us out a LOT that it's so difficult for the cops to arrest multiple wheelchair users at once.

non-reformist reforms are the opposite of that--they're reforms that work to dismantle systems, redistribute power, and set the stage for more even more dramatic transformations. They're sort of an answer to the question of "what do we do right now if we can't go out and burn down all the prisons overnight?" Examples of a nonreformist reform are defunding prisons, getting rid of paid administrative leave for cops, shutting down old prisons and not building new ones, etc. they're steps we can take right now that don't fully abolish prisons, but still work to dismantle them, rather than making it easier for the system to keep going.

so, when we apply this to the psych system, what are some nonreformist reforms that could help make sure that all disabled people are having their needs met right now? Some ideas I'm having include fixing the problem of PHP/outpatient care requiring referrals from inpatient, increasing the amount of Medicaid/Medicare funding for outpatient mental health care, building physically accessible peer respites that allow caregivers to stay with you if needed, increasing SSI/SSDI to an actually liveable rate, creating more disability specific mental health resources, support groups, care webs, and a million other things we'd probably need to actually get our needs met. non-reformist reforms for people in psych wards right now might look like ensuring everyone has 24/7 access to phones and internet, ensuring that disabled people have access to mobility aids in these spaces, making sure that there's accessible nutrition for people with dietary restrictions and/or feeding tubes, and more.

when i see people saying that we need to ensure that psych wards or prisons are made accessible it makes me feel nervous. i worry that the changes required to do that wouldn't actually provide care to disabled people, i worry it would just make it easier for increasing numbers of disabled people to get locked up and harmed all while people claimed it was a success story of "inclusion." i worry that it would just continue to cement carceral treatment as the only option for existing as a disabled person, and that it would make it harder for us to live in our communities, with the services and adaptations we need. when i think about abolition, i'm always thinking about what can we do right now, what do disabled people who are incarcerated and institutionalized need right now, what can we do right now to ensure that everyone is surviving and getting their needs met. i'm not willing to ignore or discard my incarcerated disabled comrades in the moment because of my dreams for an abolitionist future, i'm always going to support our organizing in these places as we try to survive them.

overall i guess what i'm saying is that i think making inpatient psych care accessible would require dismantling and fundamentally destroying the whole system. I can't imagine a way of doing that within the current system that wouldn't just continue to harm disabled people. and that as a psych abolitionist i think that means we have a responsibility to each other right now to fight for that, to understand that physically disabled people not being able to access mental health care is an incredibly urgent need. I refuse to treat my MadDisabled comrades as disposable: our lives are valuable and worth fighting for.

i'm also going to link to the HEARD organization on this post. They're one of the few abolitionist organizations that does direct advocacy and support for deaf and disabled people in prisons. if you or one of your disabled community members ever gets incarcerated in jail/prison, they have a lot of resources. donate to support their work if you can.

[kelstey]

the smiths

mattheo riddle x reader

warnings: none

❃゜・。. ・°゜✼ ゜°・ . 。・゜❃

you were in hogsmeade, in a small little coffee shop tucked away from the crowded village. exam season was absolutely beating your ass and you loathed it but knew you had to revise.

you were about 2 essays deep - yet you wouldn't be able to tell anyone what was in them if they asked. all your 'revision' was going in one ear and out the other into a drain.

you threw your head back in frustration, unable to concentrate on a singular thing. all you were writing was rubbish and were sure that once you read them back would be utter gibberish.

you got up form the window seat, walking over to the counter to order your fourth coffee of the day. it was also only iam.

your day was meant to be motivational - but you were struggling to even stay awake let alone concentrated. you heard the bell from the door opening ding, not even having an ounce of energy to turn around.

you waited for your iced coffee, oblivious to mattheo riddle stood next to you. "the coffee's here must be good," your head turned to the voice.

"sorry?" you were confused.

he pointed to your lone 'study' area, three mugs of empty coffee scattered around. "how are you not bouncing off the walls?".

your eyes met back with his warm brown ones,"exams are killing me. i need any ounce of caffeine i can get."

"mind if i join your little study session? maybe a study buddy might help," a cute smile was present on his face.

"i suppose," you smiled back. you paid for yet another coffee and headed back to your seat, waiting for mattheo.

the two of you had never really spoke much - maybe a couple words had been exchanged but no where enough to call him a 'friend'. you couldn't deny though, he was absolutely dreamy.

but you were sure the countless of girls he had wrapped around his finger told him everyday. you were too far deep in your thoughts to notice he had made his way over to you.

"nice hand writing," he complimented the countless piles of parchment over the small table.

you nodded, unsure how to reply. "anything in particular you want to study?" you asked.

"could do with some help with astrology, it absolutely kills me," he chuckled.

"oh i love astrology, one of the very few subjects i actually enjoy," you started to go into depth about astrology.

mattheo wanted to listen to you - but he was truly entranced on your gorgeous looks and the way you were so passionate about astrology. the way your hair looked effortlessly done, your eyes twinkling when you got super into a particular

subject.

"mattheo? you there?" you giggled. mattheo was snapped out of his thoughts with the way his name rolled off of your tongue so perfectly.

"i'd be lying if i said i wasn't admiring you," he smiled and you could feel your stomach going flips.

"how many of your little girlfriends do you also say that to?" you teased him.

"just you," he shot you a wink.

"sure," you gave him an unsure look. "i better get going, i told luna i'd go over some potions stuff with her."

mattheo was disappointed to see you leave, truly savouring every moment he had with you. "will i be seeing you again soon?".

"hopefully, maybe next time you'll maybe be focused on the work," you joked about his clear un-amusement in studying, more so studying you instead.

"i'll wish on a shooting star," he shot you a killer smile. you waved him off, putting your earphones in as you played the smiths.

the music was blasted in your ears, mattheo's ears perking up at the familiar song. you left the cafe, makine vour way to luna's dorm.

you were too absorbed in the smith's, oblivious to the brunette boy chasing up to you. you felt a tap in your shoulder, you turned around and took an earphone out.

"back so soon?" you giggled at his flushed cheeks.

"i love the smiths," he said.

"sorry?" you were slightly disorientated.

"i said i love the smiths."

❃゜・。. ・°゜✼ ゜°・ . 。・゜❃

[barblaz-arts]

Stephanie Beatrice had played my 3 favorite characters (Rosa Mirabel and Vaggie) and since I watched Encanto and B99 I have my head canon that Vaggie have both Rosa and Mirabel personalities.

Any way, I just want to know what is your head canon or theory about her? ( specifically about Lute calling her weak and why the other exorcist hate her)

Since she is your girl, I would love to read your essay about her.(I’m joking you don’t have to write that much I just like to read your post)

Thank you

"My girl"... Am I just "that one artist who's the biggest Vaggie stan" to you guys? (I won't mind it!)

Oh man! I do have some ideas! A lot of my headcanons were already kinda sorta mentioned in my fic/art tho, so sorry if you're not getting a lot of new info

- I have this headcanon that Vaggie's always been "softer" than the other Exorcists, which is what I assume Lute meant when she said she "always knew [Vaggie] was weak". I know it probably has more to do with how little time each episode has, but what if Lute was so ready, already behind Vaggie when she let that kid go, because she knew this wasn't the first time Vaggie spared a sinner? Maybe that was just the first time Lute actually caught her. Maybe she's always had her suspicions, when Vaggie's kill count would lower every year, and she'd sometimes find Vaggie saying a sinner got away somehow despite cornering that demon moments ago.

- although she's gotten used enough to her lack of depth perception when it comes to her hand eye coordination, especially when fighting, i like to think her reading ability could never truly go back to the way it used to be, so she has trouble reading/ writing/texting (if you notice, i always showed instances of this in my fic ;> )But because she's the hotel manager she still has to deal with them because of paperwork and shit, so she has prescription glasses that help. I'd wanted to include a scene in the First Guest where Vaggie almost cries after seeing Charlie thru the glasses for the first time, because she didn't think Charlie could be any more beautiful, but i scrapped the idea because I couldn't expand the concept enough to an actual scene that could be relevant to the overall fic. I probably should have just mentioned it in a paragraph or something, but by the time i remembered id already posted the chapter I intended to add it in. Maybe I'll use it for another fic.

- she prefers femme clothing so she doesn't really have a reason to do this, but she learned how to do all kinds of ties so that she could do Charlie's whenever

- she grew her hair to compensate for her lost wings

- she wasn't exactly a great cook before she Fell, but she was pretty capable when she lived alone in Heaven. Cooking for Charlie tho gave her the motivation to get better and actually enjoy it

- an angel trait that she could never truly abandon is being a stickler for rules. She's very strict on everyone and herself with these things, within reason. So even when she and Charlie started dating, she insisted that they can't sleep together until they've had their third date. When they're on the clock, they have to be professional and avoid flirtatious advances in front of staff and guests. Charlie didn't mind because she prefers privacy too.

- Vaggie's physical appearance slightly changed gradually the longer she stayed in hell. As an angel, her sclera was paler, her incisors duller, and her skin grayer. But as time passed, her sclera got more and more peach/pink, fangs sharper, and skin more purple toned

- i still like to think that Vaggie's old backstory back when only the pilot was out (having died in 2014 in her early twenties who worked as a sex worker in El Salvador) was still true. Maybe it's just because I've liked Chaggie since pilot, and I've grown really attached to that backstory. I also just really don't want Vaggie to be Heavenborn for some reason. Among the cast she just seems the most grounded to reality to me, so having her revealed to have never been human and born "divine" just doesn't seem right to me. I also just think it'd be cute and funny if it turns out she's chronologically the youngest in the hotel even tho she's basically everyone's strict not-mom.

- idgaf what Adam says, I wanna think that "Vaggie" is short for "Evangeline". I used to have these 2 coworkers in their late 50's to 60's who had Evangeline as their government name, but one of them goes by "Vanj" and the other "Vajee". Being older Filipino women who aren't really too fluent in English, they never thought there was anything wrong with that when they grew up with their nicknames. I like to think that the case was the same if Vaggie used to be human. I'm not sure how common English is in El Salvador, but I'm willing to bet it's possible she could have been given that nickname as a kid by an older family member who didn't know a lot of English. Also Evangeline makes more sense to have been the name of an angel cmon now...

[oshygoshy]

6:37 pm

word count - 907 words

warnings - kuroo is a loser also shitty writing, not proof read much

a/n - happy bday kuroo this is ass lowkey but i'm sorry i'm trying my best. i hate university i'm so busy and stressed but at least my suitemate got a kitty and she's so soft and warm and cute slay

anyways yeah kuroos a loser with no rizz...sorry. he's kicking his feet and giggling over 1 (one) interaction

there was a man. in your spot. at the library.

it was (unfortunately) finals week, meaning you were one more quiz away from a certified crash out, and one more discussion post away from taking a swan dive off the closest bridge. your left eye was twitching, you were running on less than the healthy 8 hours of sleep, and you were drinking your second energy drink of the day.

you were supposed to go to the library on campus to Your Spot, the one you have reigned supreme over for the past few months. it was quiet, on the 4th floor, away from everybody working on group projects below. it was secluded, off in the corner. it had a nice charging block with multiple outlets available, and it had a pretty view of some trees that sunlight could warm you as day faded into night.

it was perfect. it was beautiful.

and it was currently being taken by some guy.

your eye twitched again. you debated shoving him out of your chair, or pouring your drink over his computer, or maybe just glaring at him and biting his shoulder like a rabid animal (the aforementioned crash out from above), but you recognize that starting and escalating an altercation is not productive, and also that a homicide charge won't add anything to your gpa.

so you sighed, resigned, before making your way to the empty table a few feet from Your Spot. but you decided to do some investigative research (read: spying) to figure out what could possibly be so important for this man to study that he needed to take Your Spot. you quickly peek over his shoulder, scanning for his notes and computer.

“net profit…statistical probability…essay for…”

your eye twitches again. statistical probability? net profit? no fucking way Your Spot was taken by a business major?? a finance bro? an absolute buffoon?? did they even have finals, other than a coloring page? 

fuck you, mysterious business guy. fuck you. 

you were just about to leave when your eyes left his desk-

-and locked eyes with him. 

he...he caught you staring!!

wait. no. you caught him stealing your spot, and then you decided to snoop a bit, rightfully so! he's in the wrong here!!

"um, do you need something?" he asked, an easy smile on his lips. 

his eyes were hazel with golden depths, and though his hair was messy and his eyes tired, you could still see the gleam of a piercing (and honestly, kind of hot) look to them. 

"...no," you say. 

"you can have this table, if you want," he said, beginning to pack up. "i'm almost done here anyway." 

"oh no, you don't have to-"

"but don't you sit here everyday to study?" he whispered, standing up. you realized just then how tall he was. 

you catch his words after a second (you were not distracted by the height difference!), and stare at him hard. "what are you, a stalker? how do you know where i sit?"

he shrugged, zipping up his bag and hoisting it onto his shoulder. "well you sit in the same spot on the same floor like clockwork every night, so it's kind of hard not to not notice."

you rack your brain, trying to remember if you ever saw a guy like him sitting nearby you in the library. it would be hard to forget someone who looked like him (respectfully, and because he is tall and for jo other reason!!!), but for some reason, you couldn't remember seeing him at all. maybe he really was a stalker?? "well why did you decide to take my spot then anyway, stalker?" you huff, annoyed. 

he had started leaving by now, and brushed your shoulder on the way out. he looked over his shoulder with a smile full of charm. 

"because i wanted an excuse to talk to someone pretty like you, of course," he said with a grin. "see you next week."

he left his crush standing jaw open as he nonchalantly scurried away. jesus christ, he never realized just how hard his heart would beat when he spoke to you.

he liked how focused you looked when you worked on your assignments, or how your finger tapped restlessly against your pencil when you came across something difficult. it was just a little school crush, really, and he shouldn't be looking too much into it. but when he got to the library today and saw someone had stolen his spot a few tables away, meaning that he could sit in yours and get an excuse to talk to you...well, he was just a little bit giddy.

he opened the old groupchat from his high school days. a lot of his friends from nekoma were busy with their own lives, but they still kept in touch to this day.

kuroo: guess who go to talk to their crush todayyyy yaku: you finally gained the guts? wow, how impressive. i'm sure they're head over heels for you now. kai: congratulations on saying hi!! kenma: stalker kuroo: i hate all of you.

he couldn't contain his little giggle. maybe next time, he would have the confidence to ask to sit next to you.

[frenchgremlim1808]

Why Midori is such a breath of fresh air or how to actually write a Villain.

So the awaited essay, the winner of the FrenchGremlin polls of laziness finally has come! It took some time but it’s finally over. If your choice didn’t get chosen that’s okay! I’ll repost a new poll with old and newer options. Please reblog this one i put a lot of time in it, it's like, five pages long over a silly goose. Also sorry for the grammar i sucks and i'm not native. So let’s begin:

(also here is the link to the video format)

So first let’s make things clear, What IS a villain?

“A villain is a character whose evil actions or motives are important to the plot.” That is why I do want to make a difference between a villain and an antagonist, an antagonist is a character who are a plot devices that creates obstruction to the protagonist. That means that a villain is forced to be an antagonist while an antagonist is not forced to be a villain. For example shin is an antagonist but not a villain, he is driven by selfish desires which are themselves fueled by fear anger and loss, he is the protagonist of his own story and is a sympathetic character despite it all, and Midori is just a bitch. Midori falls under multiple stereotypes of villains. Such as “the mastermind”, “evil incarnate” (lmao),”related to the protagonist” etc. Midori is evil, there is no denying in this, he is purely evil, and he doesn’t have a sad weepy backstory, he doesn’t feel empathy towards other, he is a despicable piece of shit who ruined so many lives. I won’t list everything but here is a list of his crimes, murder, assault, domestic abuse, grooming, verbal abuse, and torture, crimes against humanity lmao, stalking, violent crimes, and participation in a cult. And his worst crime is being a pussy bitch of course. So now that we have put the bases up let’s really begin.

Hollywood has a hate boner against villains and I hate them for that.

Recently Hollywood decided that pure evil bad guys is actually a bad thing, so now they decided to do stupid side story with them, to give them ”””depth””” since I guess how could we like those villains since they are bad. A great example of this is the Disney remakes which I loathe so much oh god I hate them. So first they did a maleficient it was okay honestly, then they did a freaking cruella movie where her mom gets killed by Dalmatians, that’s not a joke, in the peter and wendy movie that nobody saw they decided to have made the captain hook be a lost boy who was abandoned by the lost boys and peter, oh also they decided that PETER CUT HIS HANDS OFF AND LEFT HIM TO DIE BECAUSE HOOK WANTED TO SEE HIS FAMILY. They are going to do a freaking mufasa movie, in no time I can’t wait to have a Ursula movie where it’s discovered that ariel killed all of her family in cold blood or something’s. So you might say what’s the problem? I mean isn’t that supposed to make the story more interesting. No, no it doesn’t, because first they take all of the character personality traits and throw them in the bin, second they are supposed to be the vilain in a musical animated movies, I am not against complex villain, I love them, but by doing this, the original character doesn’t exist anymore. Just create original content with new interesting characters instead of doing stuff like this. Also it’s kind of funny than in all of those interpretation they take all the fun and sucks it out, what do I mean by fun, the gayness, Disney vilain are fun because they are camp, they are fabulous extravagant extra in all the ways possible, and that’s the reason we liked them. Not every character needs something super deep, like “my family was burned down at the stake and my dog was eaten by my ex”, sometimes we just like bad fun people, they are the story, and Hollywood hating them so bad just bothers me a lot. Also now the new thing is to not have a villain at all which can works in some narrative but not all of them, it gets boring after a while. In the past people were angry that villains are bland, but now I kind of miss it. While I will critique villains who have no purpose outside of being evil that’s dumb, like for example Voldemort is bland like white bread because his only motivation is being evil, but evil people do exist compared to what some Hollywood writers think, they should know. So that’s why I will put a difference between evil villains and villains whose only purpose is being evil; we loved Disney villains but they still had motivations, goals, reasons that to them a least were worth everything. World domination isn’t enough, why do you want world domination, what is the true reason deep in your heart, is it an inferiority complex, is it a savior complex fuelled by xenophobic beliefs.

That is how to write a pure evil villain, evil people exist all over the world, but I have never seen one who doesn’t have they own reasons to be so bad, it doesn’t excuse their actions nor really explains them. We do not want justifications we want explanations. If you are justifying evil behavior then do it, but don’t claim that it is a pure evil character. A pure evil character can be fun, can be interesting, he can be deep, it’s all about balancing all of their traits to truly make them greats. Which is why midori succeeds while current villains fail. Current stupid remake/spin off try to justify the behavior because they feel like this is what the audience wants, but it’s not what we need. So I will defend to the grave evil villains.

Creating an evil villain doesn’t make them boring guys.

Why the heck does big budget movies have either the blandest protagonist or the blandest villains sometimes both, like I said evil people do exist but comically evil character only works in satire not in a serious multiple millions of dollar movie. Example that boring ass avatar movie, the one with blue people, none of the characters are interesting the villain is one note. The lords of the rings also suffers from that, but I don’t care because the protagonist are so awesome that sauron being personality less doesn’t matter. Also sauron is more of a force of nature villains so it’s not the same. The recent kingsman movie has a bland one note villain, there is nothing entertaining, funny, about him he’s just evil, borrrrring. Every Disney remakes depiction of the characters are boring. I just feel bored out of my mind. Atla one of my favorite shows of all time has a main villain that’s kinda one note, Ozai, but he is actually intimidating guy, azula is the superior character, but I wouldn’t consider her a villain she is an antagonist though. I honestly don’t get why Hollywood thinks that just creating a character with no personality and whose only goals is to be evil is good.

So back to midori for a second, here is my question, when midori was on screen did you ever feel bored? Never right! Because despite midori being an evil character he has an actual personality, he’s fun, you want to punch him in the balls. Because midori has other personality traits than evil, midori is petty, childish, extremely intelligent, controlling, a natural manipulator, he is a trickster, he doesn’t seem to get some social norms, he is narcissistic, easily angry, and fears death etc See how I counted a lot of traits, traits that in other character would works, midori has positive traits, and I think that is the best thing nankidai could have ever done, midori has traits that a regular person could have. Which is why if I put midori in any settings his character would work.

Example, instead of a death game the cast is under the sea to discover the insane wildlife and supernatural stuff happening, what would midori do in this situation? Well he would very passionate about finding all of what’s happening, he’ll do anything to find out, even sometime sacrificing others, not only will he try to find what’s happening, but he is also going to try to find a way to make this discovery favour him in the end. Or let’s imagine it’s a vampire situation, where a vampire attacks  the city, midori would try to stop it, not because he cares, but to experiment on them to get their biology and finds the real secret of immortality since he fears death.

Here is my second advice, after creating your character try to imagine them in another completely different situation, like normal life, or a fantasy world, ask yourself the question what would they do in that environment? If you can find a real complete explanation of their actions then yes your character has multiples dimensions if not try thinking about it again. Some example of questions I do want to point out are some like “if my character had all the power in the world what would they do first or”, “if my character had only a day left to live what would they do”

Why is Current media incapable of creating good threats like bruhhhh.

Okay so first of all let’s talk about stakes in a story, let’s say you are watching a slasher movie, slowly the cast gets slimmed down and people die in horrible ways, that should set stakes right ? Well if the villain is an absolute buffoon who makes the stupidest actions and decisions in the world, you wouldn’t feel intimidated at all because despite what the filmmaker might try to say the plot armor will NEVER make a character intimidating. It’s just like a detective character who just seems to know everything without a thought, well you won’t really fear the character failing. Worse is the the final girl, who is for some reason always escaping the slasher guy by pure luck every time, she is shown as incompetent but still she survives, which make the villain seem completely incapable so now you feel nothing.

To avoid this filmmaker often use techniques such has unpredictability, I mean good I mean good ones, for example instead of immediately seeing whose going to survive because the black guys always dies first and the virgin white woman is the last survivor, change the status quo, make us think that this character is obviously safe while they actually aren’t at all. Or actually make them menacing by SHOWING to the audience how horrible dangerous they can be. Which is why SHOW DON’T TELL is so important, telling us how dangerous someone can be only to see them get beaten to death at the end of the movie makes us feel nothing.

Midori felt like a impossible person to beat, he is smart, had twenty plans in advance, even in situation where the cast felt like they might have a chance he was always armed, just like the gun he promised to use or the rocket punch. When they felt like they were finally advancing, he put obstacle in their ways, such as the collar game or the moment he put the collar on explode mode for  ranmaru. The entire point in the murder game was to make time pass, it took a long time for the cast top realize that this whole time they were losing precious time not realizing that the dummies were the real problem. The characters that made you feel the most hopeless were the dummies, if you won by killing midori they would die, but if you lost you might lose people you love (keiji or gin). It felt hopeless because they were no solutions in the end. That creates tension so that creates stakes. If we were told how dangerous unpredictable sou was then it wouldn’t hit the same, we are shown that he is that terrible. There is a scene ingame where bbg shin ai tells us that midori tortured and like to destroy people. That’s exposition so TELL, but do you why it works, because we are SHOWN before his behavior. Midori felt unbeatable, so the fact that we were shown his weakness such has his petty behavior, hatred of minors, and fear of death, for the first time it feels like there is a chance that we might survive this. And still after he isn’t shown has an incompetent buffoon, he is one, but the narrative doesn’t show us that he is.

What is also consider is good to make the audience feel actual stakes is to first really develop well the main characters, how can we feel worry for a character if we don’t know them, the audience need to feels emotional connection to the main cast to actually care. You can use things such has moments where there is nothing special happening just character talking getting to know them. Make us feel why we need to care about them possibly losing, instead of being indifferent. Or I don’t know maybe make an entire spin off game where we get to have the cast talk to each other and seeing dynamics between character that died early to get them a chance to shine and make their death even more tragic, or even make mini episodes of characters who only got a single chapter to show off their characteristic, to get us to know them better? But that’s just a silly idea of course, wink, and wink.

My favorite thing about Midori is that he is actually pathetic, like really pathetic, but weirdly realistic?

Midori is the most pathetic character in the cast, yes more than shin, shin is leagues less pathetic. No I’m not saying that midori is not intimidating or scary, I would piss myself if I saw him. He’s a scary guy. But if you look at him more closely you can see that he is a baby brat in a big boy suit.

So let’s start by something clear, Sou Hiyori clearly displays antisocial behavior, or in common terms he is a psychopath/sociopath, this illness is very badly seen in medias, I am not saying that people who lacks empathy like him are inherently bad, he is, a lot of people with antisocial behavior actually suffers a lot and have a difficult life. Sou real issues is not his antisocial behavior, it’s his narcissism and god complex. Sou feels the need to HAVE CONTROL over others, he like the feeling of being in power, he sees the rest of the world has beneath him, toys for his pleasure. He says that he “really like humans” because despite it all he seems to put himself in a different categories than regular people, they are beneath him. When he loses control his calm and cool behavior disappears and we see his true face, a grown man who has throws a tantrum like a baby. One of the best representation of this is midori views on the cast:

Midori hates kanna, like no jokes he has beef with her, a fourteen years old, actually he has beef with a lot of people in the cast. Midori views emotional people has weak, people who are loving optimistic as beneath him and useless. He preferred when sara was cruel and horrible, that’s what he loved about her, he liked seeing her scary emotionless side. But Kanna, kanna is everything he hates. A crybaby who not only puts the group in harmony, is a source of hope in general, is the reason he near got to have closure with shin (killing him), he views kanna as “not fun shin”. We have many proofs for this, if you type the word kanna kizuchi he says this: “Poor Kanna'd weep! I think a more worthless name would be better for someone like me” He mocks her, but also himself (I’lll come back on this later), he calls her worthless. Also in the electric charge minigame, when he can choose who to shocks he chooses two people in particular, kanna who he hates and hinako who ruined his fun by giving the cast a chance in saving ranmaru. But he does also says mean spirited stuff to other people, qtaro and gin. He also says some sarcastic comments about nao and joe, saying that it’s such a shame that they died so young. But you might say why kanna especially? Because he is a petty baby who is jealous of kanna, Yes jealous, of kanna, a fourteen years old. Because he feels like she stole his hubby wubby shin away from him…. God I hate him. And you know what that make him a pathetic idiot, after the scene where kanna beats his ass, he’s all mad and like “uhh I’m going to pout I wanted you to cry like a lot, now I’m gonna cry”. An that’s actually god, because it humanize him, he wants need thoughts, he isn’t one note, and that’s the most important!

Sou is a villain but before that he is a character, a fully developed character, and THAT’S WHAT MAKE HIM GREAT, Sou works because he works realistically, I mean if you forget the robot part, it’s easy to imagine a narcissist man child who needs to feel in power towards other, so his main prey are young vulnerable people.Which leads me to my next point:

Sou is a failure like really, and we aren’t sad for him.

Sou failed everything he worked on, he failed to get the paper from alice, he failed whith shin since he had to leave earlier than he thought he would leave, because of his mistake he lost his position in the death game, then he failed to kill gin or keiji, and then he died like an idiot losing his cool and acting like a toddler. And he knows it that why he is a bit self-hating (he should be). And yet none of us feel any sympathy towards him, why? Because sou is one of the most despicable guy in existence. He is a disgusting pervert, sadistic asshole, and abusive narcissistic cunt who thinks he is better than everyone. From the bottom of my heart I hate him sooooo much he is literally the character I hate the most in existence. He abused shin, ruined keiji’s life, traumatized the entire cast, literally assaulted sara like he physically assaulted her. He mocked nao and joe and kugie life as useless. He is an obsessive jerk AND I HATE HIM. And you know what…… It’s good. Like I actually feel a lot of emotions when I think about him, he fuels me with anger and disgust, and if your characters can make me feel that much rage then you did it, you created an actual perfect character. Hiyori is such a shit person that I think about him a lot, writers shouldn’t be scared to make a character such hittable assholes, example bojack horseman in bojack horseman is the vilest man on earth and I love it, because I genuinely hate him. Just like I genuinely love kanna, like really I really love her, I in the same time despise midori so bad. We hate him because he is horrible to good people that WE KNOW AND CARE ABOUT, not random npcs. There is a lot of… disgusting implications in his story with shin that I will not talk about it makes me really uncomfortable right now. SO HERE IS A VERY TACKY TRANSITION TO TALK ABOUT WHY I HATE JUNKO FROM DANGANRONPA.

Junko is boring, that’s it, she is boring, not funny not interesting, she is a fetish, she is the biggest Mary sue on earth, she is a gross character made to make fun of people with disabilities and queer people. Her only traits is being crazy, that’s it. I wouldn’t call midori that crazy actually, he’s methodical calculated, and precise. Crazyness is a term for people who aren’t in control of their actions and delusional about reality, sou is not crazy, he knows what he is doing, he is in full control, while characters like shin should actually be consider crazy, like shin is actually crazy but sou isn’t.

Conclusion:

Sou is a breath of fresh air, because nankidai had the balls to write an actually interesting deep and threatening character AND make him a villain. He didn’t fall into the trap of making him have a sad backstory or good motives, sou is just selfish, that’s all he is. He make him a fun entertaining guy who you absolutely hates, he made him threatening and at the same time a complete doofus. He made him humane and pathetic.

But the thing that make me love nankidai the most is this

The fact that he actually killed him that takes courage as a writer to just end a character THAT WAY, which is why midori will never come back alive he is forever dead. And that take a lot of talents as a writer to just take one of the most important characters and just get him drilled to death in the anus, like dammn nankidai you are a savage. That fact alone makes him one of the best characters in game, I hate him as a person, but has a character he is a masterpiece.

Though Kanna could solo him

this was posted as a video on my blog this is mainly so people who don't want to stay there reading a 24 minute video of my stuttering can have a bit of quiet

[supersoakerfullofblood]

Why You Shouldn't Care About Theme (as a writer)

"Theme" is another word like "worldbuilding" and "plot hole" that writers put way too much stock into without clear definition. It's often thought to be one of the most important things in your story, one of the defining traits of creative writing, but it can be hard to pin down, and some pervasive definitions are actively harmful to the writing process. Let's talk about that.

A common misconception about theme is that it's the story's "message." Under this definition, a theme of The Great Gatsby would be that generation wealth is a hollow substitute for genuine human enrichment, love, etc. A theme of Hamlet would be to not kill yourself. But this idea of a book's message misses the point of why we read at all. Reading is a relationship between the author and the reader; to interpret text, the author puts their experiences in writing, and you bring your experiences to its reading. In other words, you as the reader create meaning from a story. You give the story its messages. The author's only purpose is to transcribe their worldview and experiences, and the best authors can sway the empathy of the reader towards those experiences. Anything greater than this, any book that moralizes, preaches, dictates, is gaudy, emotional propaganda. Imagine a novel where throughout the book, the author is telling you about the toxic environmental effects of unwalkable cities. While true, narrative fiction is a realm of characters and story, not essays. Readers pull meaning from a novel because they think and feel about a character's struggle and relate it to their own. So a message about The Great Gatsby is that generation wealth is hollow because we as readers live in an age of unprecedented wealth disparity; a message about Hamlet is to not kill yourself because we as readers have felt pretty down in the dumps sometimes and have maybe thought about suicide. But our experiences could be different: if we're generationally wealthy, we might read Gatsby as a celebration; if we have an awful stepfather, we might read Hamlet first as a story of revenge than of introspection. Strong authors make you sympathize with the experiences they've gone through--Fitzgerald himself was a wealthy, popular man and saw firsthand the effects of wealth, and Shakespeare probably felt rough around the emotional edges at times--but ultimately, deciding a text's "messages" is up to the reader.

So if we can't control the messages of our writing, what is theme? I like to think of it as "whatever a text is about," and that about word carries some ambiguity. Is Gatsby about money? Yes, but there's more to that. You can think right now about a plot element your WIP is about, but as authors, we want to find that greater depth. That's what we call theme.

Common writing advice tells you to plot out your theme, that greater depth, before drafting the novel. Figure out that Gatsby is a story about generational wealth being a hollow substitute for romance before anything else. But when you think about it, this is crazy advice. Themes like this can only come from our characters and how they interact with the world, and how our characters act is always going to stray in some way away from our plans for them. Writing that deeper theme, then, is impossible to plan (unless you're the most extreme plotter and have found success like that, then keep doing what you're doing. But you reading this almost certainly are not in that camp, let's be honest). So how do we get there?

Before you start drafting, think about the surface-level "abouts." Don't go deep yet. Just think about what's pressing on your mind. If you want to take a very slight moralistic bent here, do so, but be sure not to go into specifics (that's for the characters to do). For my first novel, I wanted to write about friendship responsibilities, family responsibilities, and friendship; for my second novel, church camp, romance, and evangelical culture; for my current novel, the role of story in culture, honor, familial trauma, and cultural perceptions of gender. Some of these took on moral detail--evangelical culture is bad--but most didn't. As you're writing, your characters will discover that deeper meaning. Again, your characters have to and will by nature of being part of the narrative. Your readers interact with the story, not with you.

In my first novel, I came to the thematic conclusion that too many responsibilities degrade individual identity, but too few leave someone empty; in the second novel, I concluded that evangelical culture places restrictive boxes on what romance looks like, and on how to interact with and resolve traumatic events. But I didn't come up with these--my characters did, and I learned from them in the exact same way any reader would. Similarly, a reader might interact with my characters and come to completely different conclusions. This is normal, okay, and encouraged.

You may also find other themes popping up as you write. In my second novel, popularity and social capital became a huge cog in the machine. Let these fresh themes surprise you, and run with them.

Ultimately, you can't control what your readers take away from your story. Your goal as a writer is to create characters so rich and deep and intimate (not in the romantic sense, unless you're into that) that the reader can bring their experiences to the text and find meaning. We cannot worry about this before starting a writing project, because we can't control it, and thinking too much about it will muddy the waters of what actually matters, what we can affect. And when you start to sense those deeper meanings emerging in your story, run with them, flesh them out, and embody them in the struggles of characters.

[potions-of-dark-devotion]

Gotta Get This off my Chest

Severus Snape & HBO Series

Alright first off, I know you are generally expecting well thought out essays from me but here I’m going to Ramble Freeform. You’ve been warned.

I don’t know how I feel at all about another actor attempting to play Severus Snape. JK Rowling is the main producer and honestly this worries me a lot considering the amount of hatred she has for LGBTQ people and the amount of hatred Severus has gotten in the last years. This space is bad sometimes but generally we have a fantastic community of people in this snapedom who love the character as he is written positives and negatives. I for one liked Snape from the first book I read and the first movie I watched.

I’ll be the first to admit that my image of him is very much wrapped up in Alan Rickman, and tho I greatly respect other peoples images of snape and I love the fan art they make, the thing that made Alan such an amazing character actor for the part was the unabashed love he had for the character. Look at any interview of him about Severus and you will see that he went to bat for him at every turn. What if we we are given someone who sees Snape through the eyes of the marauders fandom? What if they erase all of Snapes goodness or heaven forbid write extra scenes of cruelty to Lily that didn’t exist, or have him creep over her, or physically attack her, or characterize him as the aggressor with James when we all know it was the other way around? These kinds of fears keep me from being excited about the new series and instead leave me anxious.

For one thing, I wish they had focused more on a different period of wizard history, or a different part of the 1st wizarding war or even marauders/young Severus era, because there is so much to explore. I would have liked to explore story lines that really could use more fleshing out, and if JK Rowling is going to be a part of this she could have easily written new passages or short stories to suit this new narrative. I also worry about the fact that yet again because she is a producer there will certainly be no LGBTQ characters in the narrative and that’s a waste to me. We already have a fantastic interpretation of the books, and if they are doing a redo why not cast people of color or trans or any LGBT characters in the mix? It will be the same story just perhaps fleshed out more? I’m not sure what this series will bring to the table that the movies did not unless they radically change some things.

Yet, with this interpretation we may see many thing in the series that we don’t see in the books. Severus has two big scenes at the end of POA and GOF that were totally left out of the movies, and if this was left in and the “prank” was explored more in depth we could get to see an even more complex narrative than Alan was allowed to portray in the movies (largely due to directorial choices).

Severus as we all know is a complex character that can be different or difficult to understand without a trauma informed lense and the last thing I want is for them to shove him into a gross stereotype, or give him attributes that don’t exist in the books in order to cater to certain fandoms. I’m genuinely worried about the prospect of this. I also don’t want our fandom safe spaces that we’ve spent years curating to be over run with Snape hate again just because of the series. I could be being pessimistic. It’s just been on my mind lately.

No hard feelings it’s just…Severus Snape is my comfort character and I don’t want the idea of it ruined by people who don’t really understand him or who wouldn’t bat for him the way Alan did. Please understand me. Does anyone else have mixed feelings this way?

[meefy]

Diverse Autistic Characters in Akagami no Shirayukihime

I could go on for hours about my dislike of how autism is, for the most part, portrayed in popular media - the butt of a cruel joke; autism representation by a non-Autistic actor; or centered around the plot of the story itself, where it boils down to the Autistic person "overcoming" their autism or some outside force "fixing" it (or, semi related, an Autistic character being shoehorned in as a token minority).

I think that's one of the reason I love Akagami no Shirayukihime so much. While none of the characters are confirmed as Autistic, the ones that are quite blatantly Autistic-coded are so diverse and so welcomed by the cast that it's both sweet and refreshing to see.

I have talked at length about Ryuu and why I love his character so much, so I don't want to get into it too much here because I've said most of what I want to say. He is, at first glance, the "typical" popular culture depiction of autism: the male child savant who has no friends, can't socialize, and has the niche restricted interests in science that seem to characterize every big Autistic character in media. But it doesn't take long to see he is so much more than that! His interests in poisons has granted him a field of study and work where he thrives and does what he loves day in and day out. His mentor, Garak, supports him and treats him as an equal, and looks for opportunities for him to grow - as does everyone around him, including Shirayuki.

Ryuu's time in Lilias was so beautifully depicted. The years he spends studying and working there are not him masking his Autistic traits or "beating" them; they are years of him feeling safe and supported enough to test his comfort levels and branch out because he knows he won't be mocked or scorned for it. He has found an environment where he thrives because of his Autistic traits, not in spite of them. And so, as of most recently, we see that he wants to remain in Lilias to continue his studies there because of this. His growth is not reduced to finally acting neurotypical; Ryuu being Autistic has not changed. But he has found others who share his passions, who support him, and who encourage him without changing who he is.

I also want to touch on Kirito specifically, because he is one of the few people Ryuu's own age who interacts with him. Kirito is too young to hold back his questions about Ryuu's behaviour. Why is he running away from a crowd of people? Why has he never had a snowball fight? But Kirito doesn't dwell on Ryuu's quirks; he accepts them, moves on, and focuses on what the two have in common - which is what I would hope for any Autistic person, myself included.

What is particularly special to me about how Autistic characters are depicted in AnS is the diversity. Too often I see Autistic characters depicted in the same way, like the author read a WebMD checklist and created a character around said list. Autism is a spectrum, and with that comes two ends of the spectrum.

Which brings me to Lata.

Although I haven't explicitly mentioned at length Lata + autism the same way I've discussed it about Ryuu (and although I could write a whole essay on it), I do want to go in a bit more depth because his overlap and contrast with Ryuu is exactly the kind of Autistic representation I live for. Ryuu actively wants to work to help people; Lata seeks to work in solitude. Ryuu is open and generally friendly with others, Lata is blunt and evasive. Ryuu's expressions are generally flat (and his voice monotone in the anime); Lata is quite expressive (even if he doesn't smile often, and neither does Ryuu). Yet we see certain similarities between the two; for instance, both have their own niche hyperfixations that they absolutely live for, and neither is totally at ease in crowds.

But leaving Ryuu out of the equation, one of my favourite things about Lata's character is that none of the Lyrias crew seemed genuinely bothered by how he acts. Like, even Obi's teasing is, by and large, in good faith. They're just like "Oh, that’s just how Lata is..." and move past it. Most recently in Chapter 133, Shirayuki is visibly happy to see him. And related to that, the other scholars always go out of their way to include and invite him to their outings - to their banquet celebrating the successful germination of the phostyrias, or to see them blooming in their lab. Even if he always declines, and they probably know he will always decline, they ask. Speaking on a personal note, I am like Lata and really, really hate parties or any large gathering; so people (understandably) stopped inviting me. And that hurt; even if I knew I'd say no, and wouldn't go, people actually thinking of me meant a lot more than they likely realized.

So, seeing representation of people actively trying to invite and include their Autistic comrade means so much to me.

Lastly, I want to talk about Shirayuki. It's not terribly often that Autistic representation in media is a female character, let alone the lead character. I know I am not alone in thinking Shirayuki is Autistic, but I do love its subtlety unless you know what to look for. The long running theory that there is a "girl" autism (versus the stereotypical "male" autism that is most commonly diagnosed and seen in popular culture) is absurd; autism is a spectrum, and just where some Autistics are reclusive, have a flat affect, and exhibit quirky behaviours and interests, there are plenty that are the complete opposite, or somewhere else along the spectrum. In many respects, this describes Shirayuki; she seems to have no trouble making friends, attending parties, or showing emotion.

And yet, she has the intense focus in herbalism and pharmacology that mirrors Ryuu's in many respects; she just does not express that interest in the same, "typical" Autistic way. She reads her textbooks to relax and spends time in a garden (the latter of which is, stereotypically, a perfectly expected behaviour for someone of her gender). It's easy to forget that, much like how Ryuu ran away from the crowd on his first day in Lyrias (a depiction of an Autistic shutdown), Shirayuki ran away from Zen when her feelings for him became too overwhelming. She asks Zen for a comfort object of his when she leaves for Tanbarun, much like how many Autistic people have a particular tangible object that gives them comfort. Shirayuki is also blunt; she tells Prince Raji to act more like a leader she can be proud of, and rebuffs the knight who insults Ryuu at the beginning of the story - her low rank does not deter her. Autistic people are sometimes known for apparently "not understanding" power dynamics and rules (which I doubt, as do most Autistic people - I think it's more likely that the rules and dynamics are simply unfair, and created and upheld by neurotypical people) - Shirayuki's behaviour certainly seems to fit this. She is not rude by any means...but where it might intimidate many others, a person's title does not keep her from speaking her mind. In many respects she reminds me of myself!

I could go on and on about this topic - and how different Autistic traits are present in different characters - but I'm comfortable stopping at Ryuu, Lata, and Shirayuki (at least for now), and reiterating that media like AnS proves that diverse Autistic characters can exist without being a punchline, can grow throughout the story without shedding their Autistic traits, and can be accepted, supported, and loved by others for who they are. This series is dear to my heart, and this is but one (albeit huge) reason why!

[eastwindmlk]

A @jilymicrofics for the prompt Retire, Jan 14th

Word count: 838

It was strange, after more than half a century, to be cleaning up her office for the final time. To carefully wrap her trusty tea set in yesterday’s Prophet, sift through the boxes of paperwork in search of what to archive, what to keep and what to finally bin. 

As she sorted through an assortment of old assignments and Christmas cards from a bygone age, Minerva finds herself reminiscing. Once familiar faces and voices curled from the depths of her mind, a fond smile on her face. 

The corners of her lips trembled like her aged hands when her fingers brushed along a script that gave her pause. Because even after all these years, all these hundreds of students, she could still tell whose penmanship this was. 

The large letters crammed onto the parchment, like he knew he was going to run out of space for his sweeping t’s and large loops. The words slanting upwards as if wanting to escape from the paper. 

She did not doubt that, at the time, that was precisely what he’d had on his mind, while stuck doing a detention assignment for her. It was supposed to be an essay, but in true James Potter fashion, he’d ignored the explicit instruction and instead composed a letter. 

Dearest Minerva, 

As we sit across from each other in your office, a pot of lapsang souchong between us, I am aware you are pretending to be cross with me. For the sake of posterity, I will pretend with you. Though we both know that they deserved every miserable second. 

In the future, however, I will strive for a more creative solution. Even if I think turning their belts into snakes was quite a nifty piece of transfiguration. I will let you be the judge of that. Being the expert and all that. 

Speaking of the future, I am supposed to write an essay about where I see myself next year. Which I could have answered effortlessly a fortnight ago. But things changed. Every paper is full of it now. And I refuse to sit idle just because I happened to have been born into a family that fits into their narrow view of our world. 

One year from now, I will be as restless as ever. Using the privilege that comes with my name to help those who cannot help themselves. However, unlike before, I will not humour myself with the delusion that this can be achieved by mere words. 

I will gladly put my wand with my conviction and face whatever is in store beyond the safety of these walls. Together with my friends, we will make a difference. 

My friends and I are talking about getting a place together, somewhere nice and lively. We were hoping to travel, see some of the world. Those plans are on hold, at least for now. Though none of us will say it aloud, we hope that the four of us will be around for it.

So, we spend evenings talking about this trip, imagining places to go and things to do in the hopes that the four of us will get to go.

Hopefully, I will be dating Lily Evans. (Please don’t tell her I said that.) I think she is finally coming round to me. She no longer glares in my direction, though I can still feel her eyes on me sometimes.

Maybe I am crazy, but I can tell it is her just from the way it feels. Her watching me is special somehow. Often I itch to turn to her, to catch her looking. To catch a glimpse of her smile or her fluster. Just the fraction of a moment where I can believe she might actually feel the same way. 

Or maybe not the same way. I would not wish this complete and utter agony on her. If she does come to fall for me, I hope she falls softer. I hope that I am not too blind to see and catch her before the rough landing. 

That is only if I will ever be lucky enough to be enough for her. To have grown into a person, she can depend on rather than the childish prick (I am so sorry, did not mean to curse.) I used to be. 

I am afraid I am running out of space. I could fill several more rolls of parchment (Which is not me asking for more) with hopes and wishes for the year ahead. Some more achievable (Pass my N.E.W.T. s) and some more hopeful (Snog Lily Evans. Again, please don’t tell her I wrote any of this.)

Your favourite student, 

James Potter 

Her fingers crumpled the paper where she gripped it tight, a lump rising in her throat. Her eyes scanned the content of the letter once more before pressing it briefly to her heart before placing it atop her pile of keepsakes. 

Minerva pushed herself to her feet, in dire need of a break and craving a cup of lapsang souchong. 

[sherwood-scribblings]

HUNGER GAMES (SUNRISE ON THE REAPING) THEORIES: the "sunrise" over the reaping is maysilee

I have been going so absolutely bats off the wall ever since the SOTR announcement that I spent a whole day formulating my theories into in-depth essays and backing them up with canon... here ya go.

So, after some analysis of everything we know about the saga, chapter 14 of Catching Fire, and how Collins writes so far...

I present my theory on the new hunger games book: that the "sunrise" over the reaping is symbolic of Maysilee Donner, the former owner of the mockingjay pin.

I think Maysilee is going to be a symbol of the goodness, kindness, light, etc, of humanity, in the face of the reaping, in the face of violence and war. Aka the theme of the entire series. Aka a symbol of defiance just like Lucy Gray and her kindness. I mean, losing all his metaphorical light is what causes Haymitch to become a drunk... And likely to become so protective over Katniss and Peeta.

I also think the cover is going to have a mockingjay and a sunrise. Cause, Suzanne Collins is VERY intentional about her titles. The themes she uses. The imagery. The covers. It's all part of the story.

HOW COLLINS HAS USED THEME BEFORE

TBOSAS was called "songbird and snakes" which was symbolic of the nature of good vs. evil.

There's essays everywhere about how the songbird represents good (in Lucy Gray) and how the snake represents evil (in Coriolanus Snow), how they are symbolically shown to have both natures by using both snakes and songbirds as weapons, but one nature ultimately prevails. TBOSAS is about the struggle between humanity's two natures, and how we can ultimately prevail in one or the other. The crest of the mockingjay and the snake, is symbolic of said theme. 

Songbirds represent everything Lucy Gray is—free, wild, untamed, kind, colorful, a singer, a performer, honest and moral and true and good.

Snakes represent everything Coriolanus Snow is—deceptive, cunning, ruthless, adaptable, charming, determined to survive, everything sly and wicked and game playing.

And yet, they are shown to have the inverse as well. Lucy Gray is also cunning, and deceptive, and determined to survive. Coryo is also caring (about certain people), honest (he's bad at lying, and in THG he agrees to never lie to Katniss), and enjoys the idea of freedom.

They wield both natures and this struggle is portrayed throughout the story. Hence: A Ballad of Songbirds and Snakes. Hence: a snake and a bird on the cover.

Suzanne Collins is also no stranger to complimentary characters.

Lucy Gray and Snow are inverses of each other, both similar and wildly different. They work well... Until the difference in their nature tears them apart. 

She makes use of complimentary characters to emphasize theme throughout her books, constantly. We see with Katniss and Peeta, how Katniss is war-torn, distrusting, afraid, how easily she could become like Snow, how her motivations for security could become corrupted into a ruthlessness to survive just like Snow was driven by his fear. She is difficult, jaded, and tormented, but underneath that she does have a heart of gold and wants goodness to prevail.

Peeta is her dandelion in the spring, her hope, representative of the goodness left in humanity, he seems soft but he is a lot stronger than his peers would think or give him credit for. She clings to him because in a world of darkness he serves as light, as a reminder that not everyone is selfish, that kindness and morality do exist even if she's inclined to think people just are out for themselves.

He is full of light and her darkness falls for that because she needs light and goodness to heal, to believe, to fight for.

He is her compliment, where she is afraid, a survivor and a fighter, and sometimes rude or selfish seeming, and struggles to show her emotions and how much she cares, more like Haymitch—

Peeta is kind, brave, soft, and charming, has a way with people's hearts, and yet also strong in his own ways and in his morals, determined not to let the capitol force him to lose his humanity. 

This nature of humanity, of goodness, of light, is reflected in other characters.

Prim is that role to Katniss as well. She is a soft girl, innocent, sensitive, tender hearted, kind, a healer, which is part of why Katniss loves her so much.

Prim is a reminder of humanity, which Katniss needs, and it's why Katniss chooses Peeta over Gale. Prim is also contrasted against Katniss. Rue likewise, is similar, she's a symbol of hope and kindness set against Katniss.

We see this utilization of complimentary characters all over— Haymitch and Effie, one being a crude yet intelligent and snarky arrogant tormented and drunken victor from District 12, the other being a prim and proper rich Capitol girl, airheaded, brainwashed, sheltered, yet endearing and caring all the same. They're polar opposites, but they work so well together, both as teammates and as friends. There's a reason the fandom ships them and sees them as the beer uncle and wine aunt of THG, as parental roles to Katniss and Peeta.

Suzanne Collins knows what she's doing. She knows how to write characters that compliment or parallel each other and how to weaponize symbolism and imagery for a powerful theme. (Katniss and Peeta, Lucy Gray and Snow, Haymitch and Effie, Katniss and Prim, Prim and Rue, Katniss and Snow, Rue and the mockingjay, Snow and Coin)

HOW THIS APPLIES TO SUNRISE ON THE REAPING

If she describes young Haymitch as arrogant, snarky, nonchalant, dangerous, smart, capable, etc... Maysilee is likely gonna be his compliment: kind, moral, gentle, soft, willing to call his more selfish means out.

She's the one who saves him and had the idea for the alliance. She's the one who split because she didn't want it to come down to killing each other.

I am convinced the reason Haymitch sets up Peeta and Katniss to work together as teammates from district 12, is because he did that with Maysilee.

He's doing what him and Maysilee failed to do. They agreed to break off the alliance, and look what happened. She died. Why do you think he's so insistent on Katniss and Peeta working together? That Peeta is keeping her alive, that she doesn't deserve him, that she should be more grateful?

Because he sees Maysilee in Peeta, and himself in Katniss. Haysilee (regardless of if they're a ship or platonic) is a gender reversed parallel to Everlark. Perhaps he's harder on Katniss because he sees himself in her, and kinder to Peeta because he sees Maysilee in him. For all we know, Haysilee could have even incited their own rebellion that the capitol snuffed out (suzanne said the main theme of SOTR was essentially propaganda and lies, covering up the truth for the masses).

MAYSILEE IS SOFT LIKE MADGE & PRIM

Further on why I think Maysilee will be a soft sunshine girl—because her niece, MADGE, is exactly that. Golden haired, kind, softened. Selfless. Everything the capitol tries to destroy. Everything the capitol sees as rebellion.

Madge likely got her soft nature from her mom or her aunt (Maysilee), who are twins. They also all have sunshine golden hair.

It's essentially implied Madge is like her aunt.

And guess what? Prim is a blond soft girl and it's implied she's like HER mom, who was close friends with Maysilee.

Katniss' mom was also a soft girl before the trauma shut her down. Clearly Prim gets her own sunshine healer nature from her mother, because Katniss is more is rugged and protective like her father. She fills in for protecting them when he dies, and even notes her mom is too soft and fragile to deal with certain hardships the way Katniss does.

If Katniss' mother is friends with Maysilee, not to mention their daughter and niece are both soft healer kind sunshine girls who seem to take after the rest of their family.... It's likely that Maysilee is like Prim and Madge. Birds of a feather flock together and all. Of course they would bond.

MAYSILEE IS A SYMBOL OF LIGHT

Here's more on why I think the sunrise is Maysilee. 

Madge gave the mockingjay pin to Katniss, from Maysilee. SHE WAS THE FORMER OWNER OF THE MOCKINGJAY PIN. THE WHOLE REASON THE REVOLUTION STARTED.

Maysilee is another form the mockingjay takes. Just like Lucy Gray, just like Rue—a symbol of hope and resistance. A tribute from District 12, so determined not to let the capitol change her true nature, to take her humanity and morals, that it lights the spark to create a fire.

Do you think Haymitch looks at Katniss, and sees Maysilee's pin? Do you think he sees the mockingjay prevail in the face of the reapings, and all he can see is her?

"Sunrise on the reaping" is a symbolic title. This is Suzanne Collins. This is how she writes. 

"A ballad of songbirds and snakes" summarizes the themes of that book, the nature of good vs evil. Lucy Gray is the songbird, Snow the snake.

"Sunrise on the reaping" translates to light, hope, new beginnings, in the middle of war and violence. 

Collins said this book was going to focus on propaganda, how the media LIES to people, puts them in the dark for easy submission, to not see the truth.

You know what you need to illuminate the darkness of a lie? To see anything at all, including the truth?

Light. You need the sun. A sunrise.

Real or not real? How do you see what's real if you don't have the light to see it by?

Sunrise ON the reaping. Not over. ON. 

A sunrise casts light ON the reaping. On the violence of the capitol.

Kindness and hope casts light on the bleak violence and darkness of the capitol. Our humanity is the one true form of resistance. It's the main theme of the series.

This book is going to be about casting light on lies and darkness. On the capitol. The book will be about light prevailing over darkness.

About kindness and hope being the truth that acts as defiance against violent propaganda. Against Snow's beliefs that "there is no hope for humanity, we are all dark and twisted."

This book will be the inverse of Snow and Gaul, of TBOSAS. If Ballad is about how humanity can fall into darkness and evil, Reaping is its compliment, it's about how humanity can be light and good.

All darkness -> light exists -> fire sparks

(Ballad)              (Reaping)        (Catching Fire)

(@ aurynauthor on Instagram summarized that for me<3)

Maysilee is the sun, the warmth to start a FIRE... Her niece gives Katniss, the girl on fire... Her mockingjay pin. 

Maysilee, perhaps, is the true mockingjay.

Katniss compares her death to Rue's, when she watches Haymitch's games. We thought Rue was the mockingjay, but... What if the mockingjay isn't just one person? What if the mockingjay is a symbol, something larger than life, something anyone with the kindness and heart and resistance to stand against evil can be? Like how Katniss and Peeta publicly honor and mourn their fallen tributes when they ought to be entertained alongside the capitol, who is aghast by such displays of emotion.

Maybe that light is some of what the capitol is covering up with propaganda in this book, but it escaped in the form of the pin and Haymitch's survival.

The mockingjay is everyone. Lucy Gray, Rue, Katniss... Maysilee.

Perhaps when Haymitch sees that pin on Katniss, he remembers. When the mockingjay becomes a symbol of resistance, when Maysilee's sunlight sparks the heat for a flame... Perhaps then Haymitch can understand why Maysilee saved him. Why he was the one to survive, and she was the martyr.

How her legacy and her pin lived on even after she faded from history, just like the mockingjay bird itself—small and insignificant, survived against all odds, becoming something stronger.

Maybe, even after her death, even when he forgets the good she taught him and he gets drunk to block out the memories of what happened afterwards, when he has to train up a girl with a mouth of fire and a mockingjay pin, and a boy with a heart of gold and the wits to survive, District 12 tributes, teammates, children he sees someone else in...

Even after the truth of what really happened on the 50th Hunger Games is lost to history and propaganda. Even after all the death and violence.

After all the darkness, the lies Snow preaches, that humanity will always fall into selfishness and survival and cruelty, that nothing and no one can prevail or be different.

Maybe Maysilee and her kindness was the sunrise on his reaping.

[tavyliasin]

Villain-Fucker Angst Hours

Good timezone, darlings~ Are you ready to get all up in your feelings? No? Me neither, loves, but here we are regardless so the words are going to flow as they usually do... This is focused on Raphael from Baldur's Gate 3 and his fandom, but the latter section can easily apply to any villain fandom.

Self-Analysis of Devil-Fuckery, Or Why Do I Adore Raphael When He Is Very Obviously Evil: A Short Essay by TavyliaSin (Who Still Cannot Name Anything With Less Than A Full Paragraph) ((NSFW)) (((Game Spoilers)))

The following may discuss heavier topics, but without specifics, so whilst it should be safe for most to read without triggering any difficult memories please be aware of Raphael's entire vibes, the content and context of his story, and I'd also like to mention that this isn't a "woe be us for we are terrible people" piece, it's actually more about:

"There is an inherent kindness and warmth to much of the Raphael fandom, and I think there could be some common threads behind that, pulling us all in closer in a comforting blanket that we wrap around each other to keep out the cold of the world."

So, what in the nine hells am I on about? Well. Raphael-fandom is a wild and wonderful place to be. The rest is in sections, so feel free to skip through to what you feel is relevant to your interests. I am so prone to waffle I should open a restaurant~

Who Are Fans Of Raphael? What Do They Want?

We are feral, unhinged, all sheets to the wind "I want that devil man, carnally, and there is no force in all the planes that could stop me". There's the vanilla to the extreme and every level in between, tops, bottoms, versatiles, Doms, subs, and switches - there are a whole lot of people who would love to get their hands on either (or both) of Raphael's forms, for a simple smooch or something far more spicy~ [edited in] To add on to this, not all of us even desire him in a sexual way, for many it is romantic, soft, or even just the rather pleasant thought of spending an evening with drinks by the hellfire because he would be fascinating company. Aces, Aros, and AroAces may all find themselves well within the devilish corners of fandom too~ which is a whole other essay~ [end edit] So, I see you. I'm one of you. Extremely loud and utterly hingeless in my fan appreciation for Raphael. He's one of my favourites to write about, I seek art of him, and the same goes for his mirrored other half, Haarlep, who I arguably love more despite there being far less content of them in the game.

And the Fandom? The Vibe?

From my experience in the Raphael Fandom areas, we have a very deep and abiding understanding of consent, respect, and treating each other with an absolute and uncompromising kindness. We've had talks about keeping each other safe in fandom, exchanged details of people we have encountered who need to be avoided, even shared details between moderators of different fandom servers to pre-ban people proven to be creeps and/or art thieves. We've also discussed consent, including the issues with it in the game, and how areas of the story can only really be considered dubious at best and could easily be triggering for people. And these discussions have been open, honest, fair, and with the acknowledgement that most of us love these scenes anyway. So there's a sense of care that runs through everything, behind the horny-posting and fan content, behind the endless thirsting after our favourite fictional characters. We have a depth of kindness that warms my sinners soul every time I see it.

What Does This Have To Do With Self-Reflection, Raphael, or Villainy In General?

Well let's look at Raphael. He's a villain, obviously. He's manipulative, devious, and inherently evil by his very nature. He keeps Hope chained in his basement, constantly subjected to endless torture. There's also mention of how Gortash was sold into his service at a young age, clearly not an enjoyable experience given the other details and how things turn out (particularly as Raphael would need Gortash's own plans to fail entirely in order for him to succeed in his own and get that crown). And as fans, we accept that. We don't sit making excuses, or trying to say "well actually Gortash is a little shit and Hope probably deserve it", and we don't shy away from or conveniently ignore those darker sides of him with malicious intent to enable more evil to flourish. What I noticed, when I allowed the thoughts to continue, is that there is a theme here.

If Evil Can Be Loved Then So Can I

That's the core. Of course, darlings, I am not claiming to be a heinous monster. I certainly do not have a laundry list of crimes that would make the devil himself say "Uh, that's a bit much." But I sure as fuck treat myself like I do sometimes. You see, I think a lot of us have that tendency, to judge ourselves far more harshly than anyone else. Our patience, understanding, and forgiveness for others runs deeper than the Mariana Trench, but when it comes to our own flaws? One minor mistake and we think ourselves to be the worst beings ever to disgrace the earth. Thus, the villainy we see reflects how we are treating ourselves. So by loving and accepting all of those things that should be terrible, hated, we are actually learning that no matter how poorly we think of ourselves that we can be worthy of that same love and acceptance. We are extending the affection we are unable to show ourselves to someone we see the worst parts of ourselves amplified within. And that's why villains attract the people with the most kindness. The most forgiveness. Because it takes someone with a truly huge amount of empathy to find love for the embodiment of evil.

Or, IDK, maybe villains are just hot and we're too far down to care.

But wait, before you go!

THERE'S SOMETHING WE NEED TO TALK ABOUT.

All of this is about FICTION. We should never be accepting of the kinds of evil we see in the game irl. We do not owe anyone kindness if they do not show it to us.

What is hot in fiction is not always OK IRL.

Look after yourselves out there, remember that consent is key in all things, and please do try to learn to love yourselves, darlings, you are worthy of it and you should judge yourself by the same standard you judge others. If you are in doubt, if you are worried, if you feel afraid - reach out, talk to someone. There are many who will listen.

Treat yourself as you would treat a friend. You deserve that much.

Oh, and all Raphael fans who understand kindness are welcome around me, any hour of the day, I adore our little fandom circles and would gladly collect all of us together. I'm following a lot of you as soon as I find you, like hunting shiny pokemon~

See you in Avernus, my darling Little Mice, may we all find joy in the Cambion's Embrace~

[hatredmadeofgold]

So, Raiden has DID, right. This is a fact.

What do you think about his system? I know you write fanfic about him, do you think there are any other elaborated parts other than Raiden and The Ripper? (I'm not a fan of "evil murder alter," but I feel like naming would be pretty ambiguous. :)

Hey anon, I am sorry in advance but this answer is 2263 words long lmao Go sit back with a beverage of your choice (I recommend water) and enjoy the ride.

[Not sure if you’ve read my little attempt at an essay from July 2022 about him having DID (it’s here), but I do consider it outdated now and would love to update it (same as the one on him having ASPD) at some point when I got the energy for that.]

This is a fact made me laugh a bit, ngl.

I am not a fan of the “evil murderer alter” thing either (I watched Split once and while I give my kudos to the actor’s portrayal of various alters, the story itself sucks ass and I also found it boring as hell to be honest) — if anything, Raiden’s entire system consists of “evil murderer alters”, or none of such at all. We’re speaking about a character who admits to enjoying murder, and that wasn’t The Ripper speaking back then in MGS2 either — Raiden isn’t left in the dark of his violent nature, but he’s left in the dark about the details.

I don’t want to give too many spoilers for my fanfiction series @mgsr-sing-to-me away, since the story goes in-depth about my concept of his DID system, how it was created and what each alter roughly represents, but I’ll try to give you a quick rundown:

Something I think most MGS fans can all agree on is that Raiden in all three games in which he appears feels somewhat different, to the point of ‘inconsistency’ even, and this has created my interpretation and headcanon for him to have DID in the first place, and Raiden having suffered from amnesia is a well-known canon fact.

To me, however, it’s not MGR Raiden who feels strongly different in terms of personality — it’s MGS4 Raiden who feels like an inconsistency.

I consider the Raiden we see in MGS4 actually a different alter being in control of the body than the one who is in control during MGS2. During MGR, it feels like a mix of both of those alters but let me get to that later.

‘Jack the Ripper’ is an obvious alter, not an ‘alter ego’, and when I played MGR in Japanese, the cutscene after the Monsoon boss battle in which Raiden touches the wound on his abdomen made me realise — hold on, he suffered amnesia right there.

Something that I strongly dislike about the English Dub of MGR is that Quinton Flynn isn’t really good at the portrayal of Jack. Throughout the Japanese dub, however, Ken’yuu Horiuchi uses his voice to show the literal switching between at least three alters present in Raiden throughout the game. Unfortunately, this isn’t evident in the English dub much at all, aside from the Jack the Ripper Awakens cutscene.

For easier understanding’s sake, I will give those alters some nicknames (also to prevent spoilers for my fanfiction):

The Raiden of Denial, as we see him both in the first half of MGR and MGS2

The Raiden of Dissociality, as we see in the later half of MGR and on and off during MGS2 (especially during {optional} Codecs with Rose)

Jack the Ripper

The Raiden of Sorrow, as we see him during MGS4

I took these 4 observed alters from the canon as my pillars to roughly create my concept for his DID system, which boils down to an approximate number of 16 or more alters in total.

I say ’16 or more’ because Raiden has never received adequate therapy for his mental health issues during canon, and it’s hard to determine an exact number of alters in general due to the covert nature of the disorder.

I decided to keep the exact number ambiguous but clear and simple enough to not get overwhelmed because technically someone with such severe trauma as his could result in poly-fragmented DID (aka 100 or more alters), but that’s not even set in stone.

Let me get into the specifics a bit.

—

Raiden of Denial alters are parts of him that are, what the (flawed) model of structural dissociation would probably call “apparently normal parts” (short: ANP). I take this model with a grain of salt because DID isn’t as neatly structured as this model suggests (in my experience), but to keep it simple, these alters are less aware of the full extent of their traumas and are therefore ‘functional’ in everyday life as well as interpersonal relationships, however, they feel less ‘fleshed out’ or ‘mask-like’ in his case sometimes.

All Raiden of Denial alters tend to run away from their past, hence I label them with the word “denial”. All of these alters are adults, and the apparent Host alter {at the time}, present in the first half of MGS2 until the nanomachines suppressing a part of his memory (aka suppressing the majority of the system) are deactivated by Solidus Snake, is one of such.

—

Throughout MGR, we can see two alters intruding on each other’s consciousness with thoughts, feelings and memories. One of them is like the one we see in MGS2 and the prologue of MGR, one in denial. Then there’s one we see sometimes in MGS2 and more and more prominently during MGR, a dissocial one.

We see an indirect switch right at the beginning of Chapter 1, where a dissocial type takes over. This shift is also picked up by Kevin, mentioning Raiden’s callousness that Raiden does not respond to.

These two alters are in so much conflict with each other throughout the game that Jack the Ripper decides that he’s had enough of that shit from the other two because neither of them is capable of handling being consistently confronted with triggers and reminders of “who they all really are on the inside”, and shoves them both out of the frame and takes on full control.

This comes with strong amnesia about what happens during his takeover. It’s not total blackout amnesia, but rather that it feels like watching himself act in the third person perspective, and the memory feels like Raiden is watching a YouTube video on a bad internet connection in 360p resolution.

—

Now Jack the Ripper is a persecutor-type of alter — an alter that has a protective role for the system, however, a persecutor’s methods are causing harm to the system overall.

I don’t want to give too much away from my fic as I said, but I’ll give you the hint that Jack the Ripper that we see during MGR is both an adult and a child at the same time.

A child who is trying to protect himself by lashing out at everyone and everything around him. It is obvious given the context of what we are told from the games that Jack the Ripper was born from the horrible things he was forced to witness and forced to do himself when he was a child soldier in Liberia, hence his age-ambiguity. And even The Ripper is split into several variants, making The Ripper his own category of alters.

The variants of The Ripper handle various parts of the horrible things that he had to endure as a child soldier, and they vary in ‘age’ and what triggers them out but they all behave roughly the same.

Despite being different alters of the same category, unlike the other alters within the same category, Ripper variants all consider themselves to be one and the same, perhaps unable to understand the barriers between them as well as gaps in memory.

Also one part of these alters is a child alter who has none of these violent and hostile traits at all, but is still a part of this category. This alter is protected by the rest of The Ripper, and contains all of these emotions that he was not allowed to openly show to guarantee his survival back in Liberia, like fear, sorrow, and pain but also empathy.

There are multiple of these child alters in the system, but they are hard to distinguish without giving them names, some have memories of their trauma, and some are completely oblivious.

—

The Sorrow type of alters are what we exclusively see in MGS4 and are what I associate with self-hatred, recklessness, suicidal ideation (internal homicide), self-harm and substance abuse.  

Sorrow types are either adults or teenagers. They exclusively have a detailed awareness of Raiden’s addiction issues, which is another headcanon I have and is also listed in the content warnings for Sing to Me (ARC 2: Parasite Eve will handle this topic the most; and it may or may not be rather graphic, it depends on what I decide in the end what I will decide to publish).

—

Now I have listed 4 types of alters but I did not say anywhere that each category of them equates a set amount of alters to get to the number of 16 known alters in the system.

Because there’s another category to throw into the mix: Introjects.

So far, I have 4 introjects in mind that are part of Raiden’s system, but due to Sing to Me spoilers I cannot share them all.

Introjects are alters based on another person, be that a person in the system’s life, a celebrity they look up to, or even a fictional character. They exist in all DID systems in real life (and some sources confirm fiction-based introjects aka fictives since the 1980s) and their existence has a link to the psychology of child development.

One introject Raiden possesses is based on Solidus Snake/George Sears. Said alter is also a persecutor type and could be overlapping somewhat with the Ripper category, but is not a direct part of them. This persecutor introject of Solidus causes the entire system a major hit to their self-esteem, as he enacts the very same punishment onto the system, as the real Solidus Snake did on Raiden when he was a child soldier under his control, and also sabotages a lot of Raiden’s relationships by ‘protecting’ him from perceived threats that he sees in others.

—

Another I have in mind is perhaps based on Solid Snake/David and could have formed way before they’ve actually met. This makes sense because Raiden had gone through 2 years of VR training for the Big Shell mission, which put him into Snake’s role when he was on a solo infiltration mission on Shadow Moses Island in Alaska. This David introject is very loosely based on the actual person and is more of a fragment of what Raiden had been made to believe during those times. After their meeting, this introject might take the role of a ‘caretaker’ type of protector. Caretaker in this context must not be understood as to be something like a mother or father figure! However, this alter is counteracting the Solidus introject as well as the Ripper variants, by trying to get himself back on track.

—

Then there’s a fictive I feel like I can share about, and it’s the only female alter in the system: Ripley. And with that one I mean the actual Ellen Ripley from the first 4 movies of the Alien franchise.

Given that MGS2 mentions Raiden and Rose having met over arguing over King Kong, I came to think of what other types of fiction Raiden would enjoy and wrote myself a (still unfinished) list of movies and books.

The Alien franchise started in 1979 with the first movie, so it even matches timeline-wise that Raiden possibly saw those movies in his late teens, perhaps on TV or borrowed them from a local video rental store. Kaijū movies seem to be his thing, and although the Alien franchise is not considered one, it does overlap in some aspects of the genre.

Ripley as an alter might have formed when Raiden was moved into a foster family’s home, and to cope with his terrible nightmares that felt far too real, his psyche latched onto the fictional character to dissociate himself further from his past.

What I imagine is that he saw his nightmares, the flashbacks, and what he went through as something as undefeatable and unkillable as the xenomorph as described in the first movie, “the perfect survivor, without a conscience, guilt or remorse, nor moral code”.

Now Ripley was able to survive the xenomorph, and also kill it — by shooting it into space. Something that Raiden always wished to do with his past, just to erase it, as we learn in MGS2. At the time this alter takes its shape, he was maybe 15 or 16 years old. Ripley is also a protector, to protect the child in him additionally from pain. This alter then also takes a motherly role for the system inside Raiden’s Inner World, something that cannot be seen by an outsider.

—

The last introject I cannot say anything about it, since that one would give a too-harsh spoiler for my story plans with Sing to Me. I’d LOVE to talk about this alter and the absolute mindfuck he will create once he surfaces and interacts with other characters in the story, but my hands are tied. It sadly takes me so much time to work on the story due to the lack of energy I have overall, but it’s on my mind every single day. Even writing this answer took me two nights T_T

And considering that I’ve written over 2200 words to answer this ask already, I will make a cut here. Because honestly, I could write an entire book about Raiden (and Sam).

Which… I am actually doing, sort of, with my fic, due to its sheer estimated length of around 100 chapters for just the main story.

[halowishes]

october favs!

what i recommend this month.

(my reviews are getting longer… i will not apologize T-T)

burden of blame

e. 91.2k. violence. yakuza au.

i’ve finally read the iconic fic. the writing for this and atsumu’s character deserves more praise than i can do. his fears, motivations, dreams, and hopes are so gripping and emotional. i just love long fics so much. you learn so much about the characters and there’s so much DEPTH. i always feel so lucky to read them.

the MSBY black jackals guide to self care

t. 4.5k. canon compliant.

it’s sakusa with a religious self care routine versus 6 in 1 shower wash. such a sweet fic of sakusa learning a new routine, befriending the jackals, and getting praise (as he should!). and i love a sakusa pov <3

insert coin to play

e. 178k. cyberpunk/ bounty hunters au. violence.

finally was brave enough to read this and it did not disappoint :’). this dynamic of loudmouth but extremely competent atsumu x observant and stealthy but full of sass kiyoomi is SO fun. not to mention them being absolutely obsessed with each other (and not realizing it). this fic is so creative, beautifully written, and embodies every possibility in fanfic. they mean so much to me and i could write essays on how good this fic is. fairycake has never let me down.

fan behavior (series)

t/ e. 41.3k total. 4 works. canon compliant.

there’s something cosmically right about teenage kiyo being a fanboy and an atsumu apologist. the premise of the jackals trying to differentiate the miya twins fit sooo well😭 this series had me giggling into my pillow.

strawberry

t. 8.5k. american college au.

i was expecting a silly college fic but it ended up being so much more. i have complex feelings about the asian american experience and college (im graduating soon), so this fic spoke to a few different parts of me. highly recommend if you have a weird relationship with your culture, ethnicity, your parents, or have a crush on your friend :P

crash course

e. 6.0k. all-japan youth camp.

ah yes, horny high schoolers at a sleep away camp. teen kiyoomi wants to lose his virginity and sets motoya on a mission to find the best choice. enter miya atsumu: five star reputation, good at volleyball, hot, and willing. perfect candidate for kiyo’s big moment!

it drives you crazy getting old

m. 45.9k. 13 going on 30 skts!

atsumu being an asshole to kiyoomi at the all-japan youth camp only for them to wake up at 32 years old, MARRIED, in their osaka home! both are horrified as they realize they’re stuck together in a future they don’t know! this fic made me look forward to getting older, facing changes, and finding people who love my quirks <3

your best american boy

t. 23.3k. asian american high school au.

this fic left me speechless. it’s filled to the brim with emotion, experience, raw and open wounds, and such beautiful prose. learning your culture, appreciating your family, talking to your parents, forgiving your parents, being seventeen, feeling wrong in your skin. it’s a love letter to coming-of-age and asian american-ness (however you choose to define that). it changed how i think about family & identity.

constellations we call home

e. 53.5k. end of the world au.

i LOVE apocalypse aus and this one did not disappoint: the dread, the hope, the wonder, the magic of having no future!! pro volleyball player atsumu finds his cog in the corporate machine neighbor at the end of the world. what does it mean if your life begins with three weeks left to live?

do i dare disturb the universe?

t. 14.9k. parallel universe au.

corporate machine kiyoomi (again!) wakes up in a parallel universe next to the man he dumped 10 years ago— so why does he seem so happy in this life? this fic is gentle and emotional and introspective. i love these kinds of fics bc life is sooo fast and confusing. we never know if we’re making the right decisions and sometimes it’s hard to listen to your heart, but your life is still in your hands. let yourself feel!

nowhere man

e. 40.5k. college band au.

nonlinear storyline of famous atsumu and restaurant owner kiyoomi and their 3 meetings. i’m a sucker for “right person, maybe next time” because if they’re the right person you WILL find a next time. internetpistol’s fics are always emotionally charged and liberating. although sad at points, it’s also very genuine.

again, like this

e. 55.7k. mid-time skip fwb.

(ao3 exclusive)

none of you understand how in love with this fic i am. fwb whose feelings become too much to ignore. it was one of the first skts fics i read, i go back to it probably every week, and the characterization fits SO perfectly. i could read this again and again (heh get it?) and i’d fall in love every single time. my ultimate emotional support fic.

miya atsumu, adored by all (loved by some)

t. 41.1k. canon compliant.

atsumu just wants to be liked, so everyone lets him know they like him (and some love him). my heart really ached for this one. we’ve all had moments of self doubt where we don’t feel like good people, so this fic feels like a warm hug on days like that. find the person you share stardust with <3 you’re all very lovable.

brain fish - bokuaka

(surprise! i read other ships sometimes!)

t. 12k. pre canon(??)/ high school.

this was the SILLIEST and CUTEST little fic ever. bokuto texts the wrong number about the fish he desperately wants. akaashi just keeps texting back. this fic was so reminiscent of all the awkwardness that comes with high school crushes. texting way too late, sounding a little different than real life, and that meeting after all the texts. so adorable.

[slavic-roots-western-mind]

How to actually sit down and study📚💻🖨☕️📖📓

You've got the textbook and notebook open, the highlighter uncapped, the coffee steaming and laptop switched on.

Now what? Do I just highlight random keywords and write out key concepts whilst repeating important sounding phrases out loud?

While this may have worked in middle school or maybe even highschool, most college and university courses are an entirely different breed. Weekly pop quizzes and an in depth recap each class?

Highly unlikely, at least in my experience.

Uni very much leaves students to fend for themselves, with studying and learning the material taught in class as your own responsibility.

So what's a student to do? As someone who had to get her act together when starting the IB program, and then tackling university, here's my advice on how to actually study productively.

Create a study plan by breaking down the workload

Break down the workload:

Say you have a French vocab set to learn, an English paper due and an econ group project.

Study and write out your vocab, and then meet with your study group for practice.

Plan your paper research: what is the thesis, find relevant literary sources and highlight pontential useful concepts, do an outline of the points you want to cover, and then plan the dates and time that you'll actually sit down and write it out.

Go over the main econ project points, do your bit and then schedule a meeting with your coursemates to do the whole thing.

3. Create and maintain your study space.

If your space is messy and full of distractions, then your study sessions are probably not going to be as productive as they could be. Eliminate any distractions or at least try to minimize them

4. Join or create study groups!

They can be really useful when you actually study instead of hanging out (i'm guilty as charged unfortunately).

Divide concepts and have each member create a cheat-sheet or a short but detailed guide to share, so that you can cover more ground.

5. Use practise and past papers

You need to know how to actually approach the exam questions so that you can make the best use of your exam time, so familiarize yourself with the paper structure and the type of questions e.g. essay-based, scenario questions, numerical.

6. Take breaks!

Studying is important, but so is your well-being.

Schedule 10-15 min breaks for a quick snack and a stroll, but also 1hr-1.5 hr breaks for a proper meal, to catch up wth friends or to watch a show.

Overall, a study plan and a study group can go a long way in helping you get the most out of your study sessions, so do what's best for you!

[lesbianpraetor]

Extra Extra Initial thoughts about Furiosa now in bullet point format Summary the movie made me want to write several essays about George Miller's brain, but also I wish somebody had rained him in just a little bit. Spoilers Ahead!

-It was super obvious that George Miller was trying to expand images that he couldn't show in the first (fourth?) movie. Speciallyyyyyyyyy the History Men, Miss Giddy in Fury Road was a character by herself, but now the archetype is well and truly established with a very specific cosplaying Saruman in the desert with tattoos vibe. Also showing in detail the other two citadels, showing the green place, showing the absolutely vile way that the wretched live, going in depth with the war boys million other things as well. I personally loved it and the picaresque sense it gave the movie.

-The citadel looked soooooo similar to Fury Road it was eerie, since everything else looked so different. But I think it made an important point about stagnation and how the men at the top will keep killing the world for as long as they possibly can only even changing their methods when forced to.

-There's a whole extra movie in the vault about how exactly the wives that were there ended up disappearing. how the politics of it changed from women desperately trying to stay there to have the high life to five women deeply committed to their own liberation (with little Cheedo being the only detractor in retrospect when she is spooked by the wider world). I feel like there is a whole lit fic novel in there about them reaching a breaking point. Maybe a situation where Joe throws out all of them and only keeps the very very best because I counted a whole 11 woman in that vault, maybe the Wives from Fury Road are kidnapped all since wretched woman would not be able to give birth without any deformities? Is Angharad that inspiring? I don't think it's the first one because the fact that woman that chose to be there then decided they didn't want to live as things is much more powerful

-the other extra movie is how exactly Furiosa befriended the wives since she actually didn't spend that much time in the vault itself. I did feel it weakened my favourite reading of Fury Road a little bit, but oh well that always happens with new instalments.

-Talking about Furiosa I'm actually so deeply sad that they casted Anya Taylor Joy for this, not even because she did a bad job, although I think Young Furiosa did a much better job, but because I have watched Queens Gambit so many times that her mere presence made me think about the movie in Doylist terms. She also just seems too Holywood? I don't know there was something about her face that made me think that she was CGIed it was too smooth. Did she even shave her head? I felt Furiosa would not have let it grow out in between escaping the vault and joining the war rig crew, and don't tell me she couldn't, everyone else had short hair Praetor Jack had a nice salon haircut. But the acting itself was good! I actually think it was an effects and direction issue.

-Since we are talking about casting Chris Hemsworth did work for me and I'm questioning if I'm having internalized misogyny about him working better than Taylor. Maybe it was the copious amounts of beard, or that he wasn't the main character but I could really inmerse myself in his character and his parallels to not Furiosa, he was a fucking lying piece of shit about that, but to Immortan Joe. Can't quite articulate waht it was exactly but I think it hit whatever Miller was trying to hit with him. Although my favourite casting was the people I didn't know from anywhere, specially Mary Jo Bassa and the Biker Crew. Burn down the media establishment where we even see actors outside of their characters, it ruins the movies.

-Most viscerally hated character from that movie was the organic mechanic though, instant visceral disgust coupled with professional disdain at this point. You are trying to tell me you couldn't even try to steam the bleeding of the man's throat? you are trying to tell me you are giving birth on the floor like a fucking amateur? he probably didn't even know the anatomy necessary to start trying to close a neck wound. And it's cannon now that he didn't create either Immortan Joe's or Rictus breathing apparatus, because they already had them before the prisoner exchange. Absolute charlatan, no this has nothing to do with me still being pissed as hell as to how he treated Angharad what are you talking about? There's one man in the movie that instantly made me think in Watsonian terms I hate his guts so much.

-And in general I felt the hypocrisy of even the men trying to be kind to Furiosa much more keenly in this movie, which is to say that I did like Praetorian Jack as the pinnacle of the archetypical road warrior and parallels to Max are very interesting and I adored how it created even more parallels to Furiosa and Max's character development in the two movies. But, I don't know, there's something about how he carried himself with Furiosa that rubs me the wrong way I just can't quite place how, might need a rewatch. Anyway Furiosa's crush on him that honestly seemed pretty unrequited from his part was fun, although I hope people don't make it the most important part of the movie (it honestly reminding me of Cheedo and the Dag, they even had a similar was it a stolen kiss moment? but I digress, the parallels between him and Max were much more interesting)

-Back to the topic of the wives there was a moment in the beggining when Mary Jobasa didn't kill the woman who claimed to be a mother and then she betrayed her, which both shows the kind nature of the green place, how it really doesn't work like that in the wasteland and how exactly the vuvalini might have been so diminished in numbers. But my favourite part about this scene was when she said "I'm not to blame" that had to be on purpose because I wanted to shout at the screen " THEN WHO KILLED THE WORLD?" so bad. The fate of the world really hinges on the simplest choices since without that little bit of snitching they just get to go home.

-Honestly just Mary Jo Bassa appreciation, she died on the third day but damn what impressive three days. If I write fic it's going to be about her and Furiosa's other mother, who made the movie pass my personal Bechdel Test with the true purpose of the original Bechdel test, to woman talk to each other in a way that let's you see the Lesbianism in their eyes.

-The scenery of the green place definitely deserves a mention as well, it felt so tiny! it felt so different from everything else of course, they didn't linger to preserve both the runtime and the feeling of it being a place almost from Furiosas's dreams. But from space it felt tiny! the space shot of the outback with the most minuscle amount of green made it feel so deeply vulnerable, and the presence of the crows everywhere made me genuinely emotional. It did clearly have enough of everything to survive and for people to thrive and be super healthy, but it seemed like every millimeter was planned to the last detail to be of the best use.

-Honestly I think the relationship between Furiosa and her mother was the beating heart of the movie, I definitely liked the first third more than anything, it felt the most like something new and fully immersed not only in the setting of Fury road but honestly more of Road Warrior in way?, I don't know closest I got to crying was at Mary's death and her little good girl when furiosa killed a man to protect their home was the cutest most uwu part of the movie. Not to mention revenge of her death is the entire point of the final confrontation.

-Also I have to mention Mr. Norton. Mr. Norton I'm free on saturday for tying up to a motorcycle, I'm sure everything you did was totally justified and also super hot, thank you for your dirty rabid woman duties it was fucking awesome how you shot a man and the quartered your former boss.

-Last comment before I forget, that scene where Jack was killed had impressive Hector vibes. Tied to the back of the chariot while hounds eat you and disfigure your corpse? More to add fuel to the fire of George Miller adoring archetypical images, and I do too no complaints, it was gut-wrenching when I realized what was going to happen. The Horde in general had a mixture of Greek Charioteers and Mongol horde I really loved it.

-Also their first fight scene together where they work seamlessly together and then Furiosa threatens his life? classic crazy wasteland, you and Max really were identical. It also cements my idea that the movie is Fury Road backwards, since Max threatened Furiosa's life first and then they seamlessly worked together. I'll have to find where all the beats parallel and how they fit together, to see if I'm right.

In Conclusion honestly excellent movie, I didn't leave with the deep emotions Fury Road made but how much it's making me think about it is deeply appreciated.