#i wanted the game too but man

[yume-fanfare]

its a shame that the ichu english release botchered the game so much it could have been so peak

[chloesimaginationthings]

FNAF Pizza sim’s plot is just the Afton’s fighting

[lilybug-02]

Pain is a great motivator…

Part 26 || First || Previous || Next

—Full Series—

Meanwhile Toriel:

(Loud noises don't wake her up usually.)

Artist note: I’m so proud of this :))) I know it’s a lot of dialogue and reading, but dialogue is grueling work for me. I’m glad with the art and for the amount of pages I made in such a relatively short time span -w- page 5 was super fun to work on. A lot of blood, sweat, and hours here... :) The backgrounds were a big bore tbh, but I finished them! Yippie!

[choccy-milky]

MC doing what we all wished we could do (aka napping on the floor with ominis )😴💕

[lucabyte]

heres your highly requested fluff you fucking animals

[swampybogg]

[kenchann]

hmhmhm i want to see hermes with his full on overworld sprite again,,, maybe on olympus? 👀👀👀

oh dear i forgot melis moon thing asdfhjkll ill fix that later...

[illiaccrest]

I was thinking about "real head" Dante yesterday and about the fact that we don't know basically anything about them...

When I first started Limbus I thought it was odd to keep Dante's gender hidden. Look at him! He's obviously a guy right? 🤔

But actually PM is really respectful in how they draw their female characters. In their uniforms especially they don't show off their "feminine curves" nearly at all. Even beautiful Rodion isn't showing anything off and Outis looks the same as the men if you hide her face.

So yeah, I reconsidered!! Dante could totally turn out to be a woman if they wanted!!! Here's a self indulgent fem presenting Dante design!

[huitunkuutti]

"Help me with this!"

My brain decided that we actually feel gender envy towards this lil man from Thank Goodness You're Here!

[otome-dissection]

nah cuz say what you will about the new yakuza live action but this shit is fucking gay

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[idk-bruh-20]

Irondad fic ideas #151

There is a LOT of Iron Man merch out there. One day, Stark Industries comes out with a line of Iron Man themed night lights that look like arc reactors. The marketing? "For kids who are scared of the dark: Iron Man will protect you."

In completely unrelated news, a whole bunch of child abusers across the country have recently been arrested as a result of  anonymous tips to local authorities.

Bonus:

It's an open secret at some point. Teens who are being abused start buying the night lights. Hell, adults start buying them. Charities pop up to cover the cost for anyone who needs it. Kids who are newly safe often send their night lights on to others ("I'm not scared of the dark anymore," they say).

Even with all of this, nobody snitches to the media or government. They all know grown-ups tend to complicate and ruin precious things.

It helps that the night lights clearly can distinguish between different types of situations. Kids whose parents need mental health or addiction support suddenly find they're being contacted by free services that actually help. If ICE is a concern, the people knocking on the door are not cops but immigrant rights activists. Kids who are hungry get food. Families who need housing support coincidentally find it.

"Iron Man will protect you," indeed.

This fic idea was inspired by this post from @fotibrit!!

[chloesimaginationthings]

Michael teaches Gregory the old FNAF technique

[lunarharp]

..polly pocket au.. (<- a type of doll.)

[creativitysloyalservant]

i have decided to break my lack of original posting on this blog to bring you my Thoughts on Rot in Paradise. because i played it as soon as i got up this morning and i have scoured for some opinions after finishing it, and now i have my own!!

(and also i posted this on twitter but twitter has such a Shit wordcount that i'm also posting my things here with More Detail)

so! spoilers under the cut, please go and play the game if you haven't. it takes literally an hour (it only took nearly 2 hours for me because i like voice acting by myself and exploring every nook and cranny) and it's also free. so maybe come back into the tag once you're done.

okay, so i noticed quite a number of people being confused and disappointed on the lack of an explanation for the monster. it's brought up in the story as the central thing driving the plot, but it's never explained on what "she" is, why she's compelling people to eat a ton of fish-related food or hell, metal, and why this doesn't impact June at all.

but you know what I think?

i think that that's the point. the focus of rot in paradise isn't supposed to be on the monster.

yeah, it's the thing that pushes the plot along besides June and the gang going on vacation in this island. it's what's causing that uneasiness from the moment that guy grabs June's arm at the drinks, to the sheer unnerving feeling of witnessing people going to the ocean to get Raptured basically. i know i personally felt a chill when i saw that one dude literally eating chains and the other hauling an anchor, as if they're trying to make themselves heavier so they get taken by whatever She is.

but that's not the main point! the main conflict is about June and her friends.

as people have pointed out, this game is about toxic friendships and relationships! it's foreshadowed in the conversation that June has with the gang about her cousin (which i will also get into), and it carries it through the way her friends are horribly warped by this ocean Creature. June goes on a silly little vacation trip with her friends only for them to become so so different from themselves that they lash out at her and even hit her in McCoy's case.

but she still sticks it out with them. through the whole game, even despite their verbal abuse, despite being slapped, despite them being people that she can hardly recognise. she stays with them for the whole game, up until the point where you are given the two options at the very end. and she could still stay with them.

because they're still her friends. she cares about them even if they still hurt her. from the way June still tells Carmen to tell June if she needs anything after Carmen literally tells her to shut up and leave, the way June worries about Vonnie eating seafood even though she continues to stuff herself despite being implied to either hate or make an active choice to not eat seafood, to the way June still trudges out to sea screaming for McCoy to come back to the shore as he wades further in even after he slapped her until her nose bled.

it mirrors the conversation about her cousin, the reason for why June was looking forward to the vacation. that while she did comfort her cousin through all of it, June clearly says that "they were dickheads, and she should have ditched them a long time ago".

but it's funny, isn't it? that June, an outsider to her cousin's friend group, easily sees the pain that her cousin's friends are causing her, and immediately calls it as it is. that her cousin should have left the second they hurt her.

and yet now, when her friends hurt her, even though this was a quick and sudden change that happened in a span of three days, June still sticks around. her friends are dickheads right now, and we can see that in the way they interact with June, but she still stays.

because they're her friends. and how could she just leave them like this if it's something that's causing them to be this way?

so no, i don't think the monster is supposed to be the main picture. we don't need to know what it looks like, or why it needs to do this to the islanders, or how it's even doing it in the first place. it adds to the scariness of the game, as per the Spooktober Game Jam, sure, but that's not the point. might be a bit disappointing to some, but that's not the point.

the point is about June, and the choice that she needs to make at the end of the game.

it's a choice on whether she chooses to be pulled deeper into the tides and be with the friends who hurt her and will continue to hurt her in this way,

or to leave them to their fates, whether deserved or not, and resurface to a world where she's alone without her friends.

and even though the first choice hurts much more in the long run, doesn't the second hurt even more in the moment? knowing that you're alone at the end of all of this?

even if it is the right choice, i'm sure the pain must be unbearable in the moment.

[lesbiamano]

something something the yoshizawa sisters resemble rumi but youve already heard that