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nereidprinc3ss · 5 months ago

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weber's law

in which spencer reid comforts fem!reader when she's having a panic attack at the rossi mansion

fluff warnings/tags: panic attack lol, spencer is really cute and sweet my little perfect cutie pie angel baby, classic spencer info dumps bc they're pretty much his love language, established relationship, cheesy and sweet at the end a/n: this one is for my queens with panic disorders who are triggered by literally nothing and everything i see you have this ilysm

When Spencer had invited you to a small get-together at Rossi’s, you’d imagined a small get-together at Rossi’s.

And maybe that makes you a complete idiot.

Or maybe Spencer is just so used to FBI work functions that to him, this really is small.

But now you’re sitting on an expensive couch in a very nice house, and you’re surrounded by FBI agents who are all milling around and talking and laughing, and you’re worried maybe your outfit doesn’t look as nice on you as you’d thought it did, and you keep having very vivid visions of spilling your drink all over a furry throw rug that probably costs more than your rent does.

Music that could reasonably be considered relaxing or at the very least not objectionable plays over the sound system throughout the whole house and thus is inescapable—not that you’d get up from the couch even if you could, because Spencer is sitting to your right and he has his hand on your thigh and it’s the only thing that has until this point been keeping you from a full blown panic attack.

Maybe that makes you a complete idiot, too.

Regardless, you try to focus on nothing but the weight of his hand as it travels slowly up and down from knee to hip over the jeans you’re not so sure about, and the feeling of your breath coming and going, as slow as you can possibly summon it without passing out.

Spencer is laughing at something JJ is saying as she stands next to the couch with Will and you really like JJ but her voice seems so loud right now, and nothing is going particularly wrong but everything feels so, so wrong it’s scary.

All the buzzing tension in your body telling you to run away because you’re unsafe and at the same time locking you into place builds until you have to express it somehow. So you revert to an old habit��bouncing your leg rapidly like a rabbit thumping its foot. It’s not entirely conscious, but it feels better than being completely still. That is, until Spencer’s hand strays inward and cups just above your inner knee, where he begins fanning his thumb back and forth over the fabric.

“What’s this?” he murmurs, head angled toward you and voice low enough to not draw attention. You force yourself to plant your heel to the ground even though it worsens the feeling of gears crunching in your chest.

“Nothing. Sorry.”

That gets his attention.

Because of course it does. He’s always telling you to stop saying sorry so often.

His tone solidifies, still quiet but committed to this conversation now and no longer the whispery apparition of a quick aside.

“Why are you sorry?”

“I don’t know, it wasn’t—it’s nothing.”

You barely avoid apologizing again.

For a moment he doesn’t speak, just watches you—and you make the mistake of raising your gaze to meet his. He has that curious, analytical look about him, concern tightening his eyes and knitting his brow. He’s doing that annoying mind-reading thing again, and as soon as he actually sees your eyes, he’s figured you out.

“Do you want to go outside for a minute? Get some air?”

After examining his face for any clues that he’d rather stay in here, (not that you’d really know what to look for), you nod hesitantly. Spencer mirrors your nod and stands, holding out his hand for you to take as you follow suit after setting your drink on a side table (without spilling.)

JJ is now wrapped up in conversation with another agent and the two of you manage to abscond without attracting unwanted attention, which makes you feel slightly better as Spencer leads you deftly through rooms with high-vaulted ceilings and big windows and heavy, expensive looking oak furniture. It seems like you’ve been wandering through a maze when you arrive to a quieter part of the house and he opens a french door for you—which leads out onto an empty patio.

A cool breeze immediately sinks into your skin, and your nervous system is so hyper-alert that it gives you chills. Spencer notices the way you shiver and steps closer after closing the door behind him, his hand finding the small of your back immediately.

“You okay?” he asks, intentionally avoiding impeding your view of the sweeping backyard and the trees beyond. Sometimes focusing on something stationary is less overwhelming, but they’re so tall they seem imposing. Threatening, even.

But then again, everything feels threatening right now.

“Yeah. I’m fine.”

Spencer seems unconvinced by your monotone—when you glance over at him he’s still watching you like you’re a puzzle to be solved.

“Are you sure? You can tell me if you’re not.”

“Why are you so convinced something is wrong?” you laugh, but it comes out too manic. You cross your arms. He looks pointedly at the motion.

“For starters, that. Often times crossing your arms is a subconscious way of comforting yourself when you feel defensive or threatened. And you could say it’s because you’re cold, but—” he pauses, reaching out to touch your cheek. “I can feel how hot your face is, and you shivered when we came outside even though it’s 71 degrees because your nervous system is overreacting to external stimuli. The leg-bouncing is also often indicative of an activated parasympathetic nervous system. Is me touching you okay?”

Again, you nod—unsure how to deflect when he calls you out so efficiently.

Spencer’s hand slides down to just beneath your jaw, where he rests two fingers. Each second that passes has him looking progressively more worried. You wish you weren’t quite so catatonic—the fairy lights hanging from the pergola shine through his hair and make him glow so appealingly you want to kiss his cheek.

“Your heart rate is really high, honey.”

That would be due to the sense of impending doom. Thanks for pointing it out.

But you’ve lost your words, and along with them has gone your sense of humor. All you can manage for a 30 second span is a meaningless shake of your head as you avert your eyes, staring at the sprawling carpet of blue-green grass soaked in night as each blade doubles with your tears.

“I think I’m dying,” you finally croak.

“Technically, we all are. Very slowly.”

Ah. There’s that social tact he’s so well known for.

“Spencer.”

“Right,” he kisses your cheek as you stare up at him, affronted, and pulls you into his chest. “Sorry. I was actually trying to be helpful. Changes in brain chemistry and hormonal activity associated with panic attacks change your perception of time and make things feel really fast which can contribute to feelings of anxiety. But in reality time is moving just the same as it always is. One second is always one second. Sometimes remembering that helps me to slow down. Not literally, of course. My gravitational pull isn’t great enough to have any discernible effect on the passage of time.”

You sniff, pressing your cheek to his tie. His words make your head spin, seeing as you hadn't been prepared for a lecture in psychophysics—but it spins in the opposite direction than it had been going previously. It's nice.

“Change your perception of time?”

“Weber’s law of perception. Stimulus sensitivity will increase proportionally with increased stimulus intensity. You’re only perceiving time to be going faster because your cortisol and adrenaline levels are making you hyper-vigilant and sensitive to all the markers of time passing.”

“Like what?”

Spencer hums, the bass of it a comforting resonance against your ear, and strokes your hair unhurriedly.

“Like… your internal clock. Your body measures time with your heartbeat, so when your heart rate increases, time seems to go faster. Also environmental cues, which lead you to understand that the world is not stagnant and thus is not frozen in time. Like the sound of the wind chimes…” he pauses, long enough for you to realize that indeed, you can hear the gentle, sonorous ringing and tinkling of steel chimes bouncing against each other. “And the wind itself, which is coming all the way from the Gulf of Mexico. Some studies actually suggest that wind direction can affect your energy levels and mood.”

It’s a gentle breeze more than it is full-blown wind. It feels cool against your hot skin.

Spencer’s hand on the back of your head, still rhythmically smoothing your hair, seems to slow down the passage of time as well. You focus on that, and the sound of the wind chimes and the breeze on your skin for a few minutes, until your breathing and your heart rate slow and soon you regain your footing in the temporal dimension, exactly sure of where you stand on Rossi’s patio and in your boyfriend’s arms.

“You tricked me into doing a grounding exercise,” you mumble into Spencer’s jacket.

“I did not trick you,” he defends, voice quiet to match yours. “I just wanted to make you feel better. Did it work?”

You pull away from him and he lets you, watching on as you sniffle and wipe your tears on your sleeves.

“Yeah, it did. Thank you.”

For a moment, neither of you speak as you gather yourself. He leads you by the hand to a cushioned hanging bench at the end of the patio, taking a seat next to you and gently rocking the swing.

“Do you know what triggered that?” Spencer asks, over the gentle creaking sound. You shrug, observing the dance of the fireflies in the grass.

“Nothing. Sometimes I just feel like everything’s wrong and scary but I didn’t want to tell you and ruin your night.”

“Hey,” Spencer murmurs, pulling you into him with an arm around your shoulder. “You are not ruining my night. I don’t want you to worry about that.”

“But all your friends and coworkers are inside, and you’re out here with me.”

He angles his head down toward you and you look up to meet his eyes, even warmer than the sticky summer night.

“I am. Do you know why?”

“Because I suck,” you sniffle, more hot tears rolling down your cheeks as you attempt to look away. But Spencer’s not having it. He encourages you to sit up again so you can look at him properly, before wiping tears away gently with his thumb. When he speaks, it’s in soft, soothing tones.

“No. I’m out here because if all my friends were inside having fun, and you were outside having a panic attack, I would choose you every time.”

You manage a laugh through the crying.

“I don’t know if that’s healthy.”

“Whether or not it’s healthy is an entirely different discussion,” Spencer smiles wryly, before it melts into something softer and more sincere. “All that matters is that it’s true.”

For a while after that, you simply lay your head on his shoulder. Spencer controls the speed of the swing with his much-longer legs, kissing your head and rubbing your arm as you admire the expanse of Rossi’s lush yard bathed in moonlight and the black silhouette of the forest beyond.

Eventually, Spencer speaks again, likely to make sure you’re not spiraling alone in your head.

“Can I tell you an extremely classified secret that I've been trying really hard to keep to myself for three days?” he asks, and the mischievous edge to his voice catches your attention. You hum in assent, already wondering what kind of information Spencer would have a hard time keeping to himself. It could be anything.

“Anderson is sleeping with Childers from Operational Tech.”

“What?”

Despite not working for the FBI yourself, Spencer and Penelope have you so filled in on the drama that you know exactly why that’s shocking.

You pick your head up to look at him like do not fuck with me right now.

His eyes sparkle as he nods.

“Yep.”

“Didn’t you tell me Childers was dating that girl in sex crimes?”

Spencer raises his eyebrows. The corner of his mouth twitches. You gasp.

“No! What? Does Anderson know?”

“I don’t know. I certainly didn’t want to be the one to tell him.”

“Wait—Anderson told you this?”

“Yeah!” He laughs incredulously at your complete disbelief. “People tell me things! I’m an excellent confidant!”

“If you’re relaying all of this information to me then you’re a terrible confidant,” you chuckle, still watery—but feeling light years better.

Spencer brushes your hair away from your face fondly, leaning a fraction of an inch closer.

“You don’t count. Telling you secrets is basically the same as keeping them to myself.”

“Basically,” you tease, angling your head up by a few degrees in invitation. Spencer says nothing, does nothing for a long moment—just studies you with soft eyes, continues stroking your cheek. When he takes too long to kiss you, you get impatient. “I’m still kinda anxious, you know.”

He smiles knowingly.

“Yeah?”

“Mhm,” you nod, looking pointedly at his lips. “You should kiss me better.”

“I think that would take more than just one kiss,” he murmurs through a smile, leaning ever closer until your noses are bumping. “I think I would have to devote several hours to that. Maybe even a whole day.”

“How does tomorrow look for you?”

He’s laughing as he finally presses his lips to yours. The kiss is sweet and lingering.

“For you? It’s wide open.”

#spencer reid #spencer reid fanfic #spencer reid fic #spencer reid x reader #spencer reid x fem!reader #spencer reid x self insert #spencer reid imagine #criminal minds #dr spencer reid #spencer reid fanfiction #criminal minds x reader #criminal minds fic #criminal minds fanfic #criminal minds imagine

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randombush3 · 8 days ago

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recuérdame

alexia putellas x reader

summary: you wake up but you're not sure where

words: 1185 (treat this like a prologue ok x)

notes: i hope this actually takes off as a new series so i'm posting it now while i think about what comes next xx

There’s something groggy about the darkness in your mind. It’s not an eyes-closed kind of black; not a piece of white paper doused in ink.

It’s thick like smog. Grainy.

And all of a sudden, you are awake.

There’s an incessant pounding in your mind that is sharp and rhythmic. The lights are too harsh, too much. The bed is hard under your heavy bones.

You blink and even that small movement is strange, harder than it should be.

The ceiling is peppered with small, grey dots. It’s terribly ugly, but your eyes cling to it as you try to shake off the haze.

Slowly, the rest of the room comes into focus: sterile whites, beeping machines, tubes splaying out across what must be your body but feels like deadweight. The steady noise draws your attention after a moment, the sound seeming to echo inside your head. You turn, neck stiff and crunching, to catch a glimpse of a monitor, green lines spiking across its screen.

The tubes aren’t just on top of you. They must be inside you.

Something twists in your stomach.

“You’re… awake.”

…

No one really knows what to say to Alexia when she receives the call.

Training is running over, the sun is beginning to set, and the girls are getting restless. The drill is nothing special, and the boredom it brings infects their captain, too, despite her valiant attempts at maturity.

Alexia wants to get home, tonight of all nights.

Five days ago, a work trip left her alone with a daughter that isn’t quite hers. There has been an other-mother shaped hole in the family ever since. Madrid continues to be evil. Her Catalan pride is vindicated once more.

So when Pere blows his whistle, she all but sprints into the changing room (much to her coach’s dismay, since training ended because he assumed no one could run at that speed anymore), image of picture-perfect leadership be damned.

Her shower is fast, clothes are shoved on even faster, and she is just about to walk through the automatic exit doors when her phone rings.

A location update, she assumes. Or a complaint from an impatient tweenager (god, they seem to be fountains of those).

It’s to her horror that she is incorrect.

The nurse on the other line is eerily calm, but does not waste time beating around the bush. Her instructions are clear: come to the hospital now.

“I think my fiancée has just died,” Alexia tells no one in particular.

The team isn't sure whether or not she is joking.

That was a week ago, and now she is here, in the hospital. Her bum is accustomed to the hard plastic chairs, her schedule skewed until the doctors finally wake you up from a medically induced coma. Amaia, her stepdaughter, is at her friend’s house, the boy’s mother insisting she care for her while Alexia makes a rather practical visit to the hospital.

Alexia’s hands shake as she brings them to her face, rubbing her temples. The past week has been wrapped around her like a noose, suffocating and taut. She’s holding herself together but she is doing an uncharacteristically catastrophic job at it. Her mind is still tangled up in the phone call she’d received – and the many others she’d had to make after the nurse had hung up. Although there has been a swarm of activity (flights landing, taxis to the hospital, meals arriving at her front door with well-meaning notes attached), life has felt still. Stagnant.

She is stuck in something she doesn’t know how to deal with.

She closes her eyes for a second and inhales with as much steadiness as she can muster, letting the beeping of your monitor anchor her back to the present. It’s a strange sound to feel grateful for, each pulse a reminder that you are still here. With her.

They have been gradually reducing the sedatives administered to you, making the answer to her question always ‘she will wake up when she wakes up’. The twitches in your finger have grown old now, and she is becoming very impatient.

“If you wanted a holiday, we could’ve taken time off,” she tells you with a forced chuckle. “You didn’t need to get yourself into a…”

You shift slightly in the bed. Alexia’s eyes snap open, her body surging upwards in hope.

“Come on…” she whispers, her voice barely audible. “Please…”

Your eyelids flutter, hesitant, like they’re testing the weight of the world behind them. She hopes: at least it’s something.

And it could be more, surely? It should be any minute now, according to the doctors. The wait will be over and she can get you back.

It’s been fifteen days since Alexia saw the eyes she fell in love with.

Words fall out of her mouth but she barely registers them, staring at you listlessly, unprepared for this moment. She had thought about it, of course, imagining how to go about updating you on what you’ve missed: how Amaia’s match yesterday ended in a draw; how her own was a sizable but unsatisfying win.

She wants to say things she should say more. Reminders, confessions. She wants to let out the anger that you did this to her; that you left, that you didn’t come back. And how she wants to hold you, kiss you, love you even more.

But the first thing Alexia notices behind bleary eyes is terror. Confusion. And, what she had told herself would not happen: a lack of recognition.

I’m in a hospital, you think, but I don’t know who is here with me.

The moment stretches on, thin and frail, and Alexia feels the tautness in her stomach like a rope holding dead weight over a cliff. Her heart – bruised, aching, impatient – is pierced by the way you look at her with poorly-masked indifference.

“Hi,” she tries, waiting for you to come back fully, wanting to skip the part where it hurts so much. Her hand reaches out, hovering above your own, fingers aching to touch you, but she holds back. “Do you know where we are?”

She should really call the nurse in, but she can’t quite bring herself to disrupt this.

Your eyes flicker, glancing at the tubes and machines. The mattress hasn’t gotten any softer, nor your body any lighter. “Hospital,” you whisper, throat scratchy and hoarse. The word appears in your mind as almost foreign, coming from somewhere deeper than the blankness of the surface. Then your gaze drifts back to her, the hopeful woman at your bedside, brows furrowing as you struggle to place her into a life you can’t quite recall. Not that you’ve tried; you’ve got a screaming headache.

The question on your lips twists Alexia’s insides. She anticipates it, with an instinctiveness that almost frustrates you. “I’m Alexia,” she says. She doesn’t sound sure.

You stare through her and the distance clutches at her neck. Her nightmare lands, cold and final.

“I’m… sorry. I don’t,” and like how she knows the question, she is well aware of the end of that sentence.

#alexia putellas x reader #alexia putellas imagine #alexia putellas #woso x reader #randombush3 #woso #RM universe

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thewriteadviceforwriters · 3 months ago

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The Telling Truth: When 'Show, Don't Tell' Doesn't Apply (You Don't Always Have To Show, Don't Tell.)

Hey there, fellow writers and beloved members of the writeblr community! 📝✨

Today, I want to talk about something that's been on my mind lately, and I have a feeling it might resonate with many of you too. It's about that age-old writing advice we've all heard a million times: "Show, don't tell." Now, don't get me wrong – it's great advice, and it has its place in our writing toolbox. But here's the thing: it's not the be-all and end-all of good writing. In fact, I'd argue that sometimes, it's perfectly okay – even necessary – to tell rather than show.

First things first, let's address the elephant in the room. The "show, don't tell" rule has been drilled into our heads since we first picked up a pen (or opened a Word document) with the intention of writing creatively. It's been repeated in writing workshops, creative writing classes, and countless craft books. And for good reason! Showing can create vivid, immersive experiences for readers, allowing them to feel like they're right there in the story.

But here's where things get a bit tricky: like any rule in writing (or in life, for that matter), it's not absolute. There are times when telling is not just acceptable, but actually preferable. And that's what you all will explore today in this hopefully understandable blog post.

Let's start by breaking down why "show, don't tell" is so popular. When we show instead of tell, we're engaging the reader's senses and emotions. We're painting a picture with words, allowing the reader to draw their own conclusions based on the details we provide. It's a powerful technique that can make our writing more engaging and memorable.

For example, instead of saying "Sarah was angry," we might write, "Sarah's fists clenched at her sides, her jaw tight as she glared at the broken vase." This gives the reader a clearer image and allows them to infer Sarah's emotional state.

But here's the thing: sometimes, we don't need or want that level of detail. Sometimes, efficiency in storytelling is more important than painting an elaborate picture. And that's where telling comes in handy.

Imagine if every single emotion, action, or piece of information in your story was shown rather than told. Your novel would probably be thousands of pages long, and your readers might get lost in the sea of details, losing sight of the main plot or character arcs.

So, when might telling be more appropriate? Let's explore some scenarios:

Summarizing less important events: If you're writing a story that spans a long period, you don't need to show every single day or event. Telling can help you summarize periods of time or less crucial events quickly, allowing you to focus on the more important parts of your story.

For instance: "The next few weeks passed in a blur of exams and late-night study sessions." This sentence tells us what happened without going into unnecessary detail about each day.

Providing necessary background information: Sometimes, you need to give your readers some context or backstory. While you can certainly weave this information into scenes, there are times when a straightforward telling of facts is more efficient.

Example: "The war had been raging for three years before Sarah's village was attacked." This quickly gives us important context without needing to show the entire history of the war.

Establishing pace and rhythm: Alternating between showing and telling can help you control the pace of your story. Showing tends to slow things down, allowing readers to immerse themselves in a moment. Telling can speed things up, moving the story along more quickly when needed.

Clarifying complex ideas or emotions: Some concepts or feelings are abstract or complex enough that showing alone might not suffice. In these cases, a bit of telling can help ensure your readers understand what's happening.

For example: "The quantum entanglement theory had always fascinated John, but explaining it to others often left him feeling frustrated and misunderstood." Here, we're telling the reader about John's relationship with this complex scientific concept, which might be difficult to show effectively.

Maintaining your narrative voice: Sometimes, telling is simply more in line with your narrative voice or the tone of your story. This is especially true if you're writing in a more direct or conversational style.

Now, I can almost hear some of you saying, "But wait! I've always been told that showing is always better!" And I completely get it. I'm a writer myself and prioritize "Show, Don't tell." in my writing all the time. We've been conditioned to believe that showing is superior in all cases. But we can take a moment to challenge that notion.

Think about some of your favorite books. Chances are, they use a mix of showing and telling. Even the most critically acclaimed authors don't adhere strictly to "show, don't tell" all the time. They understand that good writing is about balance and knowing when to use each technique effectively.

Take, for instance, the opening line of George Orwell's "1984": "It was a bright cold day in April, and the clocks were striking thirteen." This is a perfect blend of showing and telling. Orwell shows us it's a bright, cold day (we can imagine the crisp air and clear sky), but he tells us about the clocks striking thirteen. This immediate telling gives us crucial information about the world we're entering – it's not quite like our own.

Or consider this passage from Jane Austen's "Pride and Prejudice": "Mr. Bennet was so odd a mixture of quick parts, sarcastic humour, reserve, and caprice, that the experience of three-and-twenty years had been insufficient to make his wife understand his character." Here, Austen is clearly telling us about Mr. Bennet's character rather than showing it through his actions. And yet, it works beautifully, giving us a quick, clear insight into both Mr. Bennet and his wife.

The key is to use both techniques strategically. So, how can you decide when to show and when to tell? Here are some tips:

Consider the importance of the information: Is this a crucial moment in your story, a pivotal emotion, or a key piece of character development? If so, it might be worth showing. If it's more of a transitional moment or background information, telling might be more appropriate.

Think about pacing: If you want to slow down and really immerse your reader in a moment, show it. If you need to move things along more quickly, tell it.

Evaluate the complexity: If you're dealing with a complex emotion or concept, consider whether showing alone will be enough to convey it clearly. Sometimes, a combination of showing and telling works best for complex ideas.

Consider your word count: If you're working with strict word count limitations (like in short stories or flash fiction), telling can help you convey necessary information more concisely.

Trust your instincts (Important): As you write more, you'll develop a feel for when showing or telling works better. Trust your gut, and don't be afraid to experiment.

Now, let's talk about how to tell effectively when you do choose to use it. Because here's the thing: telling doesn't have to be boring or flat. It can be just as engaging and stylish as showing when done well. Here are some tips for effective telling:

Use strong, specific language: Instead of using vague or generic words, opt for more specific, evocative language. For example, instead of "She was sad," you might write, "A profound melancholy settled over her."

Incorporate sensory details: Even when telling, you can include sensory information to make it more vivid. "The room was cold" becomes more engaging as "A bone-chilling cold permeated the room."

Use metaphors and similes: These can help make your telling more colorful and memorable. "His anger was like a volcano ready to erupt" paints a vivid picture without showing the anger in action.

Keep it concise: One of the advantages of telling is its efficiency. Don't negate that by being overly wordy. Get to the point, but do it with style.

Vary your sentence structure: Mix short, punchy sentences with longer, more flowing ones to create rhythm and maintain interest.

Remember, the goal is to create a seamless narrative that engages your reader. Sometimes that means showing, sometimes it means telling, and often it means a artful blend of both.

It's also worth noting that different genres and styles of writing may lean more heavily on one technique or the other. Literary fiction often employs more showing, delving deep into characters' psyches and painting elaborate scenes. Genre fiction, on the other hand, might use more telling to keep the plot moving at a brisker pace. Neither approach is inherently better – it all depends on what works best for your story and your style.

Now, I want to address something that I think many of us struggle with: the guilt or anxiety we might feel when we catch ourselves telling instead of showing. It's easy to fall into the trap of second-guessing every sentence, wondering if we should be showing more. But here's the truth: that kind of constant self-doubt can be paralyzing and ultimately detrimental to your writing process.

So, I want you to understand and think: It's okay to tell sometimes. You're not a bad writer for using telling in your work. In fact, knowing when and how to use telling effectively is a sign of a skilled writer.

Here's some practical ways to incorporate this mindset into your writing process:

First Draft Freedom: When you're writing your first draft, give yourself permission to write however it comes out. If that means more telling than showing, that's absolutely fine. The important thing is to get the story down. You can always revise and add more "showing" elements later if needed.

Revision with Purpose: When you're revising, don't automatically change every instance of telling to showing. Instead, ask yourself: Does this serve the story better as telling or showing? Consider the pacing, the importance of the information, and how it fits into the overall narrative.

Beta Readers and Feedback: When you're getting feedback on your work, pay attention to how readers respond to different sections. If they're engaged and understanding the story, then your balance of showing and telling is probably working well, regardless of which technique you're using more.

Study Your Favorite Authors: Take some time to analyze how your favorite writers use showing and telling. You might be surprised to find more instances of effective telling than you expected.

Practice Both Techniques (Important): Set aside some time to practice both showing and telling. Write the same scene twice, once focusing on showing and once on telling. This can help you develop a feel for when each technique is most effective.

Now, let's address another important point: the evolution of writing styles and reader preferences. The "show, don't tell" rule gained popularity in the early 20th century with the rise of modernist literature. But writing styles and reader tastes have continued to evolve since then.

In our current fast-paced world, where people are often reading on devices and in shorter bursts, there's sometimes a preference for more direct, efficient storytelling. This doesn't mean that showing is out of style, but it does mean that there's often room for more telling than strict adherence to "show, don't tell" would allow.

Moreover, diverse voices in literature are challenging traditional Western writing norms, including the emphasis on showing over telling. Some cultures have strong storytelling traditions that lean more heavily on telling, and as the literary world becomes more inclusive, we're seeing a beautiful variety of styles that blend showing and telling in new and exciting ways.

This brings me to an important point: your voice matters. Your unique way of telling stories is valuable. Don't let rigid adherence to any writing rule, including "show, don't tell," stifle your natural voice or the story you want to tell.

Remember, rules in writing are more like guidelines. They're tools to help us improve our craft, not unbreakable laws. The most important rule is to engage your reader and tell your story effectively. If that means more telling than the conventional wisdom suggests, then so be it.

As I wrap up this discussion, I want to leave you with a challenge: In your next writing session, consciously use both showing and telling. Pay attention to how each technique feels, how it serves your story, and how it affects the rhythm of your writing. You might discover new ways to blend these techniques that work perfectly for your unique style.

Writing is an art, not a science. There's no perfect formula, no one-size-fits-all approach. It's about finding what works for you, your story, and your readers. So embrace both showing and telling. Use them as the powerful tools they are, and don't be afraid to break the "rules" when your instincts tell you to.

Remember, every great writer started where you are now, learning the rules and then figuring out when and how to break them effectively. You're part of a long, proud tradition of storytellers, each finding their own path through the winding forest of words.

Keep writing, keep growing, and keep believing in yourself. You've got this!

Happy writing! 💖✍️ - Rin T.

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors.

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gojipink · 8 months ago

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privilege

ஐ ft. diluc

ஐ summary. giving diluc a blowjob so good, he revokes your bj card :(

ஐ warnings. N*SFW, mdni, fem!reader, deep throating, fem. pet names. 1.4k words

ஐ notes. part of my bj mini series! check out more parts here ✧˖°.

“waitwaitwaitwait,” diluc catching your arm, stopping your trail of kisses down his stomach as you peer up at him through your eyelashes.

he swallows thickly, mind reeling from your ministrations, a little embarrassed at how he’s found himself to be on the receiving end of your love. undressed to only his boxer briefs, laying flat on his back as you slide down his body, worshiping every inch of skin in your path downwards.

“what’s wrong, ‘luc?” you ask as you plant an innocent kiss at the start of his v-line.

to be honest, you knew exactly what you were doing. diluc has been so busy, so stressed out recently that you wanted to take a night to focus on him. to let him receive even half as much love and pleasure that you receive from him on an almost nightly basis. you knew exactly what you were doing when you straddled him on the bed, giving his lips a searing kiss as you slowly pushed him back to lay his head down on the plush pillows. making him so distracted by your onslaught of hot, wet kisses down his jaw and neck that he wouldn't notice what you were trying to accomplish.

“my love,” he calls out breathlessly, “what are you doing all the way down there? come lay down, i should be the one taking care of you, don't you think, darling?”

you breath out a laugh as you nip at his hip bone making him draw in a sharp breath as his hardening dick flinches in its confines.

“i want to be down here, diluc. actually i'm not even exactly where i wanna be yet,” you tease.

“love-” he tries to argue before you interrupt him,

“please, ‘luc,” you pout up at him, “lemme take care of you this time. wanna make you feel good, i’ve missed the way you feel in my mouth,” you plead.

diluc has only let you suck him off a small handful of times throughout your entire relationship. it's not that he doesn't like it, quite the opposite actually. it’s just when it comes to sex, he gets off on getting you off. your pleasure is genuinely his pleasure, he’s almost sure he could cum at the sight of you coming undone alone. but when you look up at him almost pleadingly with your lips so so close to his straining cock, he lets his resolve melt a little and lets you take whatever you want from him.

he sighs, his big hand coming up to cup your face, thumb caressing the apple of your cheeks. “if…if that’s what you really want then… but go slow, love. don't hurt yourself, okay?”

you inwardly melt at his concern as you flash him a smile, “thank you, ‘luc. i’ll be careful, i promise.”

he huffs out a sigh while his hands brush your hair out of your face, “yeah, that’s what you said last time before you choked on it.”

you giggle at his words before playfully nipping at his skin right above the waistband of his underwear. “and who came almost immediately feeling my throat tighten on his cock?” you tease.

“darli-mmph-” he tries to argue before you cut him off with a warm wet lick along the heavy shaft of his cock through the fabric of his underwear.

his breathing instantly becomes heavier as you press teasing opened mouth kisses to his twitching length while your fingers hook over the waistband to slowly drag the last article of clothing off his hips.

diluc raises himself on an elbow to watch you through hazy vision as he uses his other hand to help you pull the fabric off.

as you discard them onto the floor by the bed, diluc’s wraps a hand around his throbbing cock squeezing at the base a little, giving himself a couple of short pumps.

“my love, you don't have to do this,” he tries to convince you one last time as you make yourself comfortable between his thighs, “come lay down, hm? let me make you feel good, bet she’s just aching for it, isn't she, angel?”

you pout at him knowing that he’s trying to rile you up on purpose, hoping that if he gets you needy enough you’ll let him take over. you would be lying to yourself if you said his plan wasn’t effective, not with the way his filthy words strike straight to your cunt making your little hole clench around nothing.

“it’ll be my turn later, wanna taste you first,” you insist, your hands dragging up his thighs, nails lightly raking over the cords of thick muscle.

diluc’s jaw tightens when your smaller hands replace his on his swollen cock. using both of hands to twist around the entirety of his length, making him draw in a sharp inhale.

his piercing gaze follows your every movement as you open your mouth slightly, letting a pool of saliva fall past your lips and drop onto his flushed tip. diluc’s lip part in a silent moan as he watches the filthy sight, mind filling with fog as your hands drag across his length smearing your saliva over him.

his resolve to switch positions finally dying down as he gently tangles his fingers in your hair, subconsciously pushing down the slightest bit trying to encourage your soft lips to meet his drooling cock.

your lips finally meet his aching tip as you press a sweet kiss to his oozing slit before you take his length into the warmth of your mouth.

diluc hisses at the feeling of your tongue repeatedly circling around his tip then massaging at the pulsing thick vein on the underside of his cock.

“mmmh, love, s-slow, go slow,” he pants while his fingers tighten themselves in your hair, trying to grasp for control over the situation he’s found himself in. “doing so good, darling, mmph-! d-dont go any deeper, just-ngh keep it...keep it there.”

you hum while bobbing your head up and down, the vibrations going right to his tightening balls as he tilts his head up to the ceiling a guttural groan ripping through the room. all senses filled with him, you desperately want to disobey his orders and just want to feel him further. want to feel his tip poke at the back of your throat as you swallow around him, want to know what he sounds like when his hips involuntarily stutter, thrusting his dick down further.

knowing he’s slowly losing himself in bliss, you test the waters by slowly inching your mouth lower and lower until you feel his coarse red hair tickling your nose. you close your eyes and take a breath before surging forward practically devouring him whole.

the constricting feeling of your throat wrapping around his sensitive tip forces his hips to jerk in surprise, his mind short circuiting at the addicting sensation.

“ah-! l-love, oooh f-fuck! wait-!” he chokes out, his hands fisting tightly in your hair desperately trying to keep your head still, torn between wanting to push you down just a little bit further or pull you off him to scold you for deliberately ignoring his warnings to be careful.

thick, milky ropes of his cum hit the back of your tongue as he pulls his leaking tip away to keep you from bullying his twitchy cock further into your throat.

you swallow every spurt of cum, not letting a single drop leak through the corners of your lips. soothingly licking his shaft, softly bringing him down from his high, his chest harshly rising and falling, his eyebrows knitted together as he gazes at you with glossed over eyes.

you lick one last stripe up his length, making his dick twitch in overstimulation, before sitting on your knees in between his legs, hands massaging his flexed thighs.

he huffs out a breath as he gives you a pointed look, “alright, your privileges have been permanently revoked.”

your mouth falls open in shock, “what! you liked it, though!”

he shakes his head as he reaches to grab your elbows to drag you off of your knees. he rolls the both of you over, you now laying underneath him, face caged in by his strong arms.

he tenderly lays a soft kiss on your lips, cock stirring when he vaguely tastes himself on you. he pulls back just slightly to chastise you, “i distinctly remember telling you to be care-”

“and i distinctly remember you, once again, cumming as soon as your cock hit my thro-mmph!” you try to interrupt him only for him to cut you off by capturing your lips in a heavy, greedy kiss.

“what am i going to do with you,” he sighs into your mouth as you giggle and wrap your legs around his waist.

#alhaitham's next!#goji's.thots˚｡⋆୨୧˚#diluc x reader #diluc ragnivindr x reader #genshin x reader #genshin impact x reader #diluc smut

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roosterforme · 7 months ago

Text

Yours Truly, Bradley Bradshaw Part 2 | Rooster x Reader

Summary: The collection of letters that Bradley received from the fourth grade class provides him with entertainment while deployed. He takes the time to answer their questions and send a package back to the United States via air mail. But he has your email address. He also has a bit of a crush and some questions himself.

Warnings: Fluff, language

Length: 4100 words

Pairing: Bradley "Rooster" Bradshaw x Female teacher!Reader

Check out my masterlist for more! Yours Truly, Bradley Bradshaw masterlist

A few days later, when Bradley was done with his training protocols for the day, he returned to his bunk with a different mission in mind. While he unzipped his flight suit, he eyed the box which was taking up most of his nightstand, and a smile found its way to his lips. He managed to find a notebook that nobody wanted along with a thick, padded envelope, and he was going to take the time to respond to the fourth graders who wrote to him.

He'd spent hours poring over the letters, laughing at some of the questions from the kids and frequently picking up that one photo. He couldn't stop going back for more. For another look at you. Just one more look. Okay, this really was the last one. He had to toss it across the small room toward his duffel so he could focus on something other than your smile and the fact that he might have a tiny crush on a fourth grade teacher who knew absolutely nothing about him. Yet.

The note from Jayden was on the top, and Bradley opened it up and started to jot down a response.

Jayden,

It was so nice to hear from you and the rest of your class. To answer your pertinent questions, I am currently stationed on the USS Theodore Roosevelt. The most disgusting food in the mess hall is easily the cabbage rolls (which taste nothing like cabbage... or rolls). The best food in the mess hall is surprisingly the meatloaf. And yes, I would love to see a photo of your Cocker Spaniel. Please send one next time. I hope you're studying and doing your best in school.

Lt Bradley Bradshaw

The next note he decided to tackle was the one from Violet who had the tiniest handwriting he'd ever seen. The page had at least fifteen questions written out, but he decided to answer just a few for her. He had to squint as he skimmed through them again.

Violet,

You seem very inquisitive. That's a great quality to have, especially if you want to be a pilot someday. No, I did not attend the Naval Academy. I went to the University of Virginia. Yes, the Navy is way better than the Air Force. Yes, I can hold my breath underwater for three minutes. Yes, they actually made me do it. No, I don't think I could make it as a Navy SEAL. Yes, I have been staying hydrated and getting enough sun, thanks so much for asking. Keep studying hard, because you have a lot of school ahead of you before officer training.

Lt Bradley Bradshaw

Okay, so this was actually a lot of fun. Up next was a response to the note from Oliver, which made Bradley laugh every time he looked at it.

Oliver,

Thank you so much for drawing the different Naval aircrafts for me. I hate to break it to you, but I actually do not fly the F-35 Lightning II. Yes, I know they look 'sickeningly cool'. Yes, I know it would be like 'slam dunking off the back of a dragon'. I guess I never knew I was jealous of those pilots until right now.... But I fly the equally cool if not quite as sickening looking F/A-18 Super Hornet. And yes, I would be more than happy to draw my own version of one for you. See below.

Lt. Bradley Bradshaw

The ten minutes he spent replicating his own aircraft to the best of his ability for Oliver churned out a pretty damn good result. He fished his phone out of the nightstand and took a picture to email to Nat when he had time, because she would find this whole thing amusing. Then he reached for the letters from Harrison, Nia and Jackie. He wrote his responses, and after a bit, he had a decent sized stack of letters all ready to go back to the fourth graders.

After a few more days, he worked his way through the entire class, and each kid would soon have a handwritten response on the way. He just needed to figure out what he wanted to say to you. The pretty teacher from the class photo that he now kept tucked in with his personal items. He worked on that one last, writing your full name at the top of the page and wishing you didn't go by the very non-specific Ms. which gave him zero clue as to whether or not you were married.

The package you sent was the nicest piece of deployment mail I have ever received. Thank you. I'm lucky it ended up in my hands. I'm impressed by how much all of your students have learned about aviation this year. I just hope I did them justice in regards to the questions they had for me.

I also hope you don't mind that I replied to each kid individually. They had some very amusing stories and questions, and I wanted to acknowledge all of them. But there was one question in particular that I was asked so many times, I thought I'd answer it here instead. My call sign is kind of a silly one, so it's okay if you all laugh. I go by Bradley "Rooster" Bradshaw, and my helmet is mostly red, yellow and black.

Your kids seem like a fun bunch, but I bet they keep you on your toes. Feel free to let them know they can write back to me again, but please include my name on the package this time. I don't know that I'd be lucky enough to have it fall into my hands again by chance. I'll just be here somewhere in the middle of the Pacific Ocean for a few more months, ready to answer any questions you throw at me. Hope to hear back from you soon.

Yours Truly,

Lt Bradley Bradshaw

The following day, he packed everything up and dropped it off with the rest of the ship's outgoing mail. There was a rumor that a helicopter would be coming to pick it up in the next day or two, and he wanted to make sure it got back to California and those fourth graders as soon as possible. On his way back to his bunk, Bradley stopped by the lounge to see if there was an iPad free, hoping to send a quick email or two. He was in luck. He also happened to have your email address memorized.

--------------------------

You yawned at your desk and checked the time on your computer. Within the next ten minutes, your classroom would go from silent solitude to mass chaos, so you took a minute to clear out your email inbox. You had a few messages from some parents and a reminder about Spirit Week from the superintendent. And a random piece of junk mail that must have slipped through the spam filters. You didn't know anyone with a US Navy email address, and you didn't know anyone named Bradley Bradshaw.

As you closed your laptop, you gasped and tried to pry it back open again as quickly as you could. The Navy! The package you sent a few weeks ago! Maybe it was someone writing back to your class! Of course it could just be someone saying they were sorry that they didn't have time to engage with your students, but you figured even that was better than nothing.

"Come on," you whispered, entering your credentials again before your inbox reappeared on your screen. The email was just a few lines long, but it was addressed to you by name. You were smiling immediately as you read it.

I just wanted to let you know that I got the mail you sent to a deployed Naval Aviator. There's a package on its way to your school for your class. It should arrive in about a week or two. Your fourth graders provided me with several hours of entertainment, and I hope they find my answers to their many (and amusing) questions useful. Thanks for the laughs, and thanks for the photos, too. Can't tell you how much I've been enjoying them. Hope to hear from all of you again.

Yours Truly,

Lt Bradley Bradshaw

You squealed and pumped your fists in the air. Someone actually got the box! And he actually responded! The other, older teachers thought you were just wasting your time when you deviated from the lesson plans a bit. Literally all of them said there was no way anyone would write back, even though you took the time to go through the proper channels at Top Gun on North Island. But now you could rub it in their faces, all thanks to Bradley Bradshaw who sounded like he'd had as much fun with this whole thing as your class had.

Then your day really started as Violet and Oliver burst into your classroom, calling out your name with excitement in their voices. The rest of your kids followed behind them, already asking about the plans for the day and what kind of adventure you'd be taking them on in each subject.

When you clapped your hands twice and said, "Good morning," they all clapped and replied with their own greeting, and then they sat quietly with their gazes fixed on you. "Guess who I just got an email from!"

"The president!"

"My grandma!"

"My Cocker Spaniel!"

"Oliver's grandma!"

You just shook your head and tried not to laugh as you said, "None of the above. But do you remember when we wrote and packed up those letters for a real aviator in the military to read?" Most of the kids nodded, so you added, "Well, he emailed us! And he sent us some mail that should arrive in about a week!"

And telling them that was a mistake. Because you didn't know a moment of peace after that. Every morning, you had kids rushing into the room to see if the promised piece of mail arrived yet. Every day you had to disappoint them, but you were finding yourself a little disappointed, too. You wanted to know what this Bradley Bradshaw guy sent back.

You'd responded to his initial email letting him know you and the kids in your class were delighted to hear from him and that you would let him know when the mail he sent arrived at your school. He didn't respond, but you figured he was busy. Too busy to constantly muck about with your class while he was thousands of miles away on a deployment.

And that was what left you standing at your desk with your mouth hanging open in awe when the padded envelope did finally arrive one morning. Because when you carefully cut it open, you found not just one letter to the class but individual handwritten notes, one for each child.

"Wow," you whispered, pulling the note with your name written on the top out of the stack. This man seemed humble and sweet, and his letter made you laugh in more than one spot as you read through it. Then you read it again. He sounded apologetic about responding to each individual kid, but you felt like your insides were melting. Who would do that? Who would take the time to give individual attention to a bunch of nine and ten year olds besides you? And you were technically getting paid to do it.

Bradley Bradshaw seemed willing to continue to engage with your kids, and you weren't going to stop him. Because starting that morning, he became something of a legend to your class. A celebrity. A real lieutenant in the Navy replied to all of their silly questions, and their love of aviation just grew from there. You figured you were going to have to keep your lesson plans going a bit longer while their faces lit up as you walked around the room and handed them each their notes. You had taken the time to skim them beforehand, often laughing at his sense of humor which seemed to jump off the pages.

"Can we write back to him?" Jayden asked as everyone read their notes from Lieutenant Bradshaw. "I have more questions."

You smiled and nodded. "Yes, you may write back to him." Then you postponed your geology lesson until the next day and let them spend the next forty minutes writing some followup letters. You took some pictures of them diligently toiling away at their desks, excitement on their faces. Then you bit your lip and sat down at your own desk.

As you started to construct an email letting him know the envelope had arrived, your thoughts drifted to what he might be like. Humble and sweet, for sure. But he also made it a point to tell you that the box from your class was the best piece of mail he'd ever received while deployed. Maybe he was a little bit lonely. Maybe he was single. Maybe he was stationed on the west coast. Your thoughts started to get ahead of you, and it was hard to reel them in when you imagined him excited to see another email from you. Smiling when he was handed another box from your class during mail call.

Dear Lt Bradley Bradshaw,

We got the envelope from you today, and my kids are absolutely thrilled! I'm not sure if you know how hard it can be to wrangle eighteen fourth graders all at one time, but they are currently sitting quietly and working on new letters for you to read. Once again, please don't feel obligated to continue correspondence if you're too busy. I'm sure you have other people you could be writing to who want your attention as well. I just wanted you to know they are overjoyed that a Naval officer took the time to answer their questions about aviation.

I have attached some photos as proof that they are sitting still. Thanks again for making their day.

You signed your name at the bottom the way you always would from your work email account, and then you attached the photos. After a brief debate about adding the selfie you took with Violet where most of your face was visible, you decided to just go for it. Adding it to the mix wouldn't hurt anything. It wasn't like this semi mystery man would be up all night thinking about you.

But you found that you were still thinking about him when you went home to your silent house and made dinner that evening. Maybe he was a little bit lonely, but maybe you were, too.

-------------------------

It was amazing how infrequently Bradley found himself thinking about Vanessa. He was busier now with his duties picking up a bit more as his deployment wore on, but even when he was tired and in his bunk at night, his thoughts seldom settled on her like he was afraid they might. He didn't miss her or her half-hearted emails, and he wasn't craving the connection of reunion sex with her.

Instead, he was thinking about what a group of fourth graders were learning about this week and what their cute teacher was up to. It had been a few days since you emailed him, letting him know that his package was delivered to your school. You made it sound like the kids were excited that he sent it in the first place, and when he really thought about it, he supposed some officers would have just eaten the snacks and tossed the notes in the trash.

He didn't reply to the email yet, still thrown off a bit by the pictures you attached. Your classroom was vibrant, and the kids were absorbed as they worked on more notes for him to read whenever they happened to be delivered to the carrier. But the photo with you in it held his attention longer than it should have. The fact that you were working at a school that was just a handful of miles from his damn house made him feel warm.

But what would he do about it? What could he do about it? Nothing. He didn't want you to think he was creepy. He still knew essentially nothing else about you. The only thing he could do was keep it friendly if not professional. Unless of course you did something to push the boundaries of conversation into a more personal realm. God, if you did....he didn't think he would be able to handle it.

The next day, when he was heading out on deck to talk to the mechanics who were doing regular maintenance on the aircrafts, he took his phone. "Hey, you mind if I take a few photos of some of the engine parts? I want to send them to a class of fourth graders who will think it's cool."

"Go ahead, Lieutenant," the head mechanic replied. Then he smiled and asked, "You dating a teacher?"

Well. Wouldn't that be something? Bradley would never run out of curious pen pals. He would always have some fourth graders to take interesting photos for and to send notes to. He'd always have a classroom to visit as soon as he got home from a deployment.

He couldn't help but picture you as the teacher.

"Nothing like that," he replied, his voice a little gravelly. "Just writing to some kids who are learning about aviation."

After dinner, when he had a chance to use an iPad in the lounge, he did his best to put together a response to your email that would at least hint at the curiosity he felt.

If all it takes is mail from three thousand miles away to get your class to sit quietly, then I should probably be writing to you every day. But I'm sure you're a great teacher. That's a given considering how much your students learned and shared with me. And I can assure you that I'm more than happy to take the time to write to your class. And you. Please don't think I feel obligated, because I do not. I want to.

I have attached a few pictures of some F/A-18 engine components as well as some of my cockpit controls. Each photo is labeled, but please let me know if you have any questions.

It was nice hearing from you.

Yours Truly,

Lt Bradley Bradshaw

As soon as he hit send, he wanted to kick himself. Should he have included a photo of his face like you had twice now? Or did he already sound too desperate to hear from you and your class again?

"Shit," he muttered, looking around the lounge as if there was going to be someone here proficient in the art of getting to know a fourth grade teacher without sounding stupid. But it was too late now. All he could do was wait for the next mail call or hope you decided to write back to his ramblings by the next time he checked his email.

-----------------------------

You were going to have to scrape your jaw off the floor. You had no idea what this man's face even looked like, but his hands were... something else. And his thighs... well, they were pretty great, too. It must have been too long since you got laid, because you were sitting at your desk in your classroom staring at the set of photos in your inbox, currently unable to look away from his right hand. It was wrapped around the throttle of his aircraft. It was elegant with attractive veins and rough calluses. You were sure that you were supposed to be focusing on the cockpit controls, but all you could see was that hand and his thick, muscular thighs below.

The next photo was no better for you. He was holding up his helmet with his call sign Rooster emblazoned across the front, and you were able to see his left ring finger. There was no wedding band. There was no evidence of an outline where a wedding band would belong. There was just his big, strong hand.

You whimpered softly while your students worked on their math tests. You couldn't help it as you took one last look before logging out of your email account. And now you needed to know if his face matched the very attractive image you had in your mind.

When Jayden called your name, you rocketed to your feet like you'd been caught red handed. "Yes?" you squeaked, your voice sounding higher pitched than usual.

"I'm done with my test. May I have the hall pass and use the restroom?"

You handed it to him as the rest of your class finished working through the math problems. A few minutes later, when you collected the papers from them, Violet asked, "When is Lieutenant Bradshaw going to write back to us?"

It had only been a few days since you mailed him the second box of notes and some more snacks, but it made you happy that they were all so invested in learning more from him.

"It will probably be a few weeks before we get anything in the mail. However... he did email me some pictures of engine and cockpit parts from the aircraft carrier for me to share with you guys." When you looked around the room, the kids were on the edges of their seats, excited expressions on their faces. With a laugh you added, "I was going to wait until tomorrow and use the projector to show them all to you, but if you're very well behaved for the rest of the afternoon, maybe I could pull them up on my computer for you to see them today."

Not two hours later, you were just as excited as the kids were to look at the photos... again. As they crowded around your desk, you opened up the first one of the cockpit to a barrage of questions.

"Is that really his jet?"

"Is that the throttle?"

"What do all the buttons do?"

"Was this right before he flew it?"

Once again you were distracted, but you managed to click over to the next photo, and the kids gasped in delight.

"His helmet is so cool!"

"It says Rooster!"

"That's his call sign!"

"Red is my favorite color!"

You just smiled softly and laughed. "Should we go ahead and start working on another list of questions for him?" you asked as you slowly scrolled through the rest of the pictures. "He said we can write back to him as much as we want to." When everyone cheered, you handed Oliver a marker and pointed to the board at the front of the classroom. "Let's start making a list."

You listened to all of your students call out questions for Bradley while Oliver wrote them down. Then Violet asked, "Can he send us a picture of his whole jet? From the outside of it?"

You cleared your throat and added, "Maybe he could get someone else to take the picture so he could stand in front of it. For size comparison."

Violet nodded, but you knew you were a fraud. Sure, it would be great for the kids to understand just how massive the F/A-18s were compared to an actual person, but you were the one who wanted to see all of Bradley. You were itching for it now.

Later that night, you drank most of a bottle of wine and did something you promised yourself you'd never do. You logged into your work email account after nine o'clock. You skipped over the handful of unread emails from parents and clicked on the icon to compose a new message. With your liquid courage goading you on, you typed up a response to Lieutenant Bradley Bradshaw and hit send before you could think twice.

Thank you for the photos. They were very enlightening. We especially liked the ones where you were showing off your cockpit. Or I did, anyway. The kids liked all of them and started on another list of questions for you. Good luck getting rid of us now.

We were wondering if you could have someone take a picture of you standing in front of your jet. For size comparison purposes. And also because my students would like to know what you look like. Hearing from you makes our day even better.

You couldn't believe how forward you were being with this man who you'd never even met in person, but you fell asleep thinking about his hands and what they might be capable of.

-------------------------

This Bradley makes me swoon. I've never wanted to be a fourth grade teacher so badly in my life. There is something that's starting to blossom between them even though they haven't even met in person. Thanks @mak-32 and @beyondthesefourwalls

PART 3

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1K notes · View notes

qqueenofhades · 1 year ago

Note

i registered to vote for the first time ( i feel old) now that im an adult but my state has closed primary elections which i was wondering if you have an opinion about. my initial thought was that its bad because i had to register democrat (rather than my states green party which represents my beliefs more) just so i could vote between democrat candidates, which feels like being pressured into supporting the weird pseudo two party system we have. but then i looked it up and apparently a reason for this is so that people from opposing parties wont purposefully mess up the votes just so that their preferred candidates have an easier time winning, and i think that makes sense too. but is that actually the reason theyve closed it or is it just to force us dem/republican?? cause it feels strange

Okay, look. I respect the fact that you're a young person, and I appreciate that you have not only registered to vote, but plan to vote in the primaries, so I don't want to lecture you too much. That said: I am taking you out for coffee, I am sitting you down, I am looking into your eyes, and I am urgently telling you the following:

The Green Party is a scam. It is a scam. It has existed for decades in American politics as an empty shell corporation weaponizing the good intentions of young people like yourself, because all it theoretically stands for "it's good to save the planet maybe." Which is not something that any non-insane person seriously disagrees with, but there is no world in which that cause is actually furthered by registering/voting Green (you mentioned that you did vote for Democrats, which -- good, but listen to me here, youngun, okay?) It ran Jill Stein in 2016 to siphon more votes from HRC, and this election it plans to run Cornel West, a pro-Russian tankie who positively equated Bernie and Trump, as another spoiler candidate. It does not stand for "protecting the planet" or America in any real way. It has never elected a single senator or congressman, let alone a president. It stands for empty performance/grievance political theater by those people who feel too morally superior to vote for/affiliate with Democrats, often because the internet has told them that it's not Cool or Hip or Progressive enough.

If your main priority is climate/the environment, you're doing the right thing by registering as a Democrat and voting for Democrats. (Also: the adjectival form is Democratic. It is the Democratic party and Democratic candidates, otherwise you sound like the Fox News host who wrote a book literally entitled "The Democrat Party Hates America.") They are the only major party who has in fact passed major climate legislation and have made environmental justice a central tenet of their platform. As opposed to the Republicans, whose Project 2025, along with the rest of its nightmare fascist prescriptions, openly pledges to completely wreck existing climate protections and forbid any new ones, just because we weren't all dying fast enough under their death-cult rule already. That's the main logical fallacy I don't get among both the Online Leftists and the American electorate in general: "the Democrats aren't doing quite enough as I'd like, so I'll enable the active wrecking ball insane lunatics to get in power and ruin even the progress we HAVE managed to make!" Like. How does that even make sense?

On a federal level, the Greens have contributed nothing whatsoever of tangible value to American or international climate policy/legislation, environmental justice, or anything else, because as noted, they don't have any elected candidates and mostly focus on drawing voters away from Democrats. There might be plenty of good candidates on the local or city level, which -- great! Vote away for Greens if they're available, or the only other option is a Republican! But on the federal/primary level, please understand: once again, they are a scam. There is no point in affiliating yourself with them. You're welcome to register Green and vote Democratic, if that makes you feel better or if you prefer having another label next to your name, but once again, I'm telling you in my position as a salty Tumblr elder that they have done nothing but harm to the causes they claim to care about, because "environment" is such a nebulous priority and has demonstrably been hijacked to stop the American government entity, i.e. the Democrats, that is actually working to improve on it.

As for your question: nobody is "forcing" or "pressuring" you to vote in primaries. By your own admission, you made a conscious choice to register as a Democrat in order to vote for Democratic candidates. If you were just a regular registered voter of whatever party affiliation, you would vote in the general election for whatever candidate the primary process produced. But if you are sufficiently vested and committed to that process that you would like to have a say in who is running under that party label, it is not unreasonable that you would register as a member of that party. Nobody has twisted your arm behind your back and made you do so; you are taking a considerable level of initiative on your own. Likewise, open primaries can be both a good and bad thing. This falls under the "the political system we have is flawed, but we can't magically pretend it doesn't exist and act according to our own fantasyland versions of reality" thing that I keep saying over and over. So yes, if you want a role in shaping the Democratic candidates who emerge from a Democratic primary process, you will usually register as a Democrat, and nobody has forced you to do that. It's that simple.

Likewise as a general programming note: I'm trying to cut back on politics a bit right now, because I don't have the spoons/bandwidth/mental health to deal with it. I apologize. So if you've sent me a politics-related ask recently and haven't received a response, I'm not deliberately or maliciously ignoring you; I just am not able to handle it as much as usual and will have to put it on pause. However, I feel as if this is important enough to be worth saying, so, yeah.

#anonymous #ask #politics for ts

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notherpuppet · 4 months ago

Note

What is your opinion of AI? Personally, I think that like any technology, it depends on the user and their intentions, but that is just me.

What about you?

1. Theft

The most central issues with AI as it is now is that the programs were trained/are trained with STOLEN art. Stolen visual art, music, writing, etc.

The vast majority of what it has been fed is stolen. As in, the artists behind the work were not ever given the chance to consent nor be compensated for their works being used to feed the machine.

This reason alone is straight up copyright infringement and the optimist in me does believe the long arm of the law is gonna shut these programs down for that. But the long arm of the law is looooooong, and the technology is disrupting people’s livelihoods now. Unlike robots or machinery that was invented and built to expedite assembly line/factory work, this technology is only functional by using other people’s labor. If we didn’t live in a society where you have to “earn” your right to live in it, then this would still be wrong, but it probably wouldn’t be such an existential problem.

There are active class action lawsuits for infringement of copyright. And the private sector has begun filing suits and I’m quite certain they’ll win because again—it’s simply theft. These companies did not make licensing contracts, they’re not paying royalties to the artists they stole from.

So if you consider using ai that generates “art” (whether it is visual, music, writing, etc.) please consider stopping immediately, as you would actively be benefiting from theft (which is wrong imo!!!!)

2. AI in its present form dishonors the human spirit

In my personal relationship with AI technology, I do not use it to generate ideas or ‘art’. I detest the notion to use technology in that way tbh. AI is a form of technology, so it’s difficult to break it down into every specific use it actually has. But here’s an attempt; no to generative AI, okay to certain AI.

There are kinds of AI programming in the programs I use (such as features that help you color in a shape quickly or make a perfect circle). This is useful tech (that requires zero IP theft) and I like it because it helps me by taking care of tedious tasks so that I have more time to spend in the creative and drawing processes. But I still choose the colors, I still draw the images, I still write the stories.

I think the way AI is used right now with a focus on “creative thinking” (where it’s not actually creating anything it’s just churning out other people’s *stolen* ideas and practice) is a total waste. AI being used as an assistant to help humans find information easily can be/has been swell. And requires no theft :D

But for whatever reason (greed, capitalism are my guesses), tech companies are leaning into a direction to replace creativity with AI?? I imagine the people behind this view the practice of art as tedious work because it is challenging??

But the beauty of art and the practice of it is that it allows humans to experience and overcome challenges with little to no stakes.

When society determines that is not a valuable use of human time, then I think we’ll all be significantly more miserable. If we allow a machine to be “creative” and leave us to only experience challenges with stakes—like survival (rent, putting food on the table).

So here are some examples of how I feel about AI uses;

AI to translate languages, find resources, discern malicious malware/spam from harmless messages > 👍🏽

AI to generate ideas/art for you > 🤢 Why??????? Why would you want that…that’s the most exceptional part of the human experience and you relinquish it to a bot trained on stolen ideas? 😭

#didn’t think my opinion on ai would ever be relevant on this blog #but since people have taken my shit and put it in ai #and I’ve seen more ai images of HAZBIN characters #I guess it has become relevant #this blog is anti-ai ‘art’#so if you’re into ai ‘art’#PLEASE GTFO

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etherfabric · 5 months ago

Text

Why things will be easy now

Choose a pile by which picture you resonate with the most.

If your mind is too busy to clearly decide, take a few deep breaths, and use the finger of your non-dominant hand to hover over the images. One will give off the most subtle yet prominent signals, like tingles, a magnetic pull, or temperature. This is your pile. Multiples are also possible.

more PACs

Pile 1

Queen of Swords, The Emperor

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Things will be easy now because you learned what works for you, and are confident to ditch the rest. Your intuition is razor sharp and wielding it is second nature to you now. Other's opinions don't sway you anymore. You know everyone has their own path, and them doing thing A has no influence on your thing B. You are a master now with drawing boundaries with others as well within your own thoughts - you know which ones are from your true, authentic, eternal, beautiful self, and which one are just silly downward spiraling habits you can opt out anytime. Those doubts are like fluffy clouds on a breezy summer day - superficial, fleeting, never able to stop the sun from reaching you. You know where to put your energy and your focus, and feel the results instantly. How come mood is now so easy? And the best part - it doesn't actually feel new. You remember how this was always at your disposal. How you just forgot about it. But it was always there. Memories of past successes are cut and dry proof of all the blessings to come. It feels powerful, it feels true, it feels good - it feels you. Like actually you.

Pile 2

The World, Page of Pentacles

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Things will be easy now because the minute somethings stops feeling satisfying, another perfect thing will pop up. Talking about divine orchestration, and this is your symphony. You enjoy every step of the journey - the idea, the initiation, the progress, the habit, the finish. You marvel at the infinite combinations of those currents through your perception, and the world is your oyster now. So many prospects that hold reliable promises! It's all up to you. Things that used to be dull and monotonous suddenly bring a sparkle to your eye again. Food tastes rich, water refreshes you with every sip, your body is a miracle you have access to every living second. The physical plane got its magic back. With the eyes of the eternal child, you feel abundant beyond limits. I get the feeling specifically of having beautiful interactions with nature, with an emphasis on animals. Spotting a rare bird, petting a cat, a butterfly landing right next to you. Serendipitous timing with weather - sun right when you want it, rain right when it adds to the athmosphere, a breeze caressing your back as encouragement on a stroll towards something exciting. Beautiful sunsets, stargazing, moonlight moments. You have everything you could ever want, and then some. This is what life is about, and it's so easy. And you know how to stay in it.

Pile 3

3 of Cups, 2 of Wands

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Things will be easy now because it finally clicked: You remembered how freaking likeable you are. Social interactions that used to confuse you now suddenly make sense - people are intimidated and nervous around you! They really want you to like them, and they can't fathom how you don't see that. Well, those times are over now. A calm and confident warmth emenates from within you now, and what used to be a source of anxiety and stress is now a constant uplift in your life - the people you meet, how they look at you, the words they say, just their body language from across the street are all surefire signs you can read like a children's book. They reflect what has finally once againrevealed itself to you: You are beautiful, impressive, radiant, capable, deserving, magical. This makes time by yourself like a serene island of recuperation and contemplation. Your dreams and plans with people are just as easily achievable as opening the door to your room. Mundane, easy, self explanatory, a given. Not ever a focus of your worries. Why worry about the doorknob? Why worry about things that are certain? Why worry about just the right people entering your life at just the right moment, with just the right circumstances, right words, right gifts, right intentions? That's right. As easy as the inhale and exhale. As sure as the next breath. Welcome to the truth.

Pile 4

5 of Cups, The Hierophant

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Things will be easy now because you know you don't have to fake anything to get what you want. Feel sad? Cry. You are still God's favorite and your blessings are on their way. The more authentic you are, the faster they will come. You have found comfort in what others would falsely read as "bad signs". There are no bad signs when you are set on the right path. There are only different stations all with their own rhythm, themes and energies. All parts of you are necessary and welcome. Your joy, your fear, your sadness, your frustrations - they are no longer being pushed away, but embraced. That's how they power your manifestations. The more you, the merrier. You can suddenly feel the beautiful relief and cleanse your tears bring, the empowering holy fire within your rage as it propels you forward towards what you deserve, the soothing hum of your tiredness replenishing every cell. No more thwarted sense of self that breaks you - you are perfect and sacred as you are. The less pressure, the more rewards are coming your way. Life flows through you, you are an expression of the divine, and carry yourself accordingly through all phases of life. You will suddenly see texts and teachings reflecting exactly that. You will feel validated in a way you never felt before, but it will feel just like home. Your true home of eternal love and possibilities.

#tarot reading #pick a card #tarot #pac #pick a card reading

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