#i want to dig back in

[grinchwrapsupreme]

discovering that my favourite part of writing a novel is editing it like what the hell is my problem

[treeprince]

never let it be said that shen yuan doesnt fight for his man with bloody teeth

he started off already risking being sent back to his dead body to protect baby binghe the best he could on his first meeting and then continued to do so once the ooc shackles came off, made sure he felt loved and safe and at home on cqm, gave him every advantage he could think of (and then wondered why binghe got out of the abyss 2 yrs early, honey...), but bc those scum villain blinders were on so tight, he doesnt accept that he (the man shen yuan inside the character shen qingqiu) can change his own path enough to not be killed, and plans his own death accordingly bc he wont ever fight against binghe again if he can help it, i just...

this man loves binghe so much that he couldnt even conceive of a world in which binghe loves him back - and thats not just the comphet olympics in his brain talking, sy genuinely believes he's unlovable and only maybe sort of likeable by his fellow peak lords, and part of that comes from being forced into a scum villains role and not knowing the bigger picture behind sqq's actions (not even touching on how sy barely saw the entire cast of pidw as people until binghe actually looked hurt to him), but the rest was already preprogrammed before he transmigrated, and i want to know who hurt him so bad - bc all sy could imagine is that the whole world should love binghe, bc thats howmuch sy loves him the story is supposed to go, but all he could imagine for himself was gratitude at best and his demise at worst, until the very moment that it becomes clear that lbh has done everything, fucking EVERYTHING, to get sqq to love him back and i just SCREAMS

i cant imagine that sy would just let binghe go if he should ever decide to love someone else, the possession goes both ways with these two, and sy would fight tooth and nail to keep binghe for himself

[maomango-doodle]

"And I hope you die, I hope we both die."

(Lyrics : No children by The Mountain Goats)

[jeeaark]

You ever look back and go. oh. Somebody accidentally got twice-engaged without realizing it....Good job Greyg!

Astarion dodged a bullet in this thing called Greygold's love life when he broke up with the half-orc.

[s0fter-sin]

ghost stares at the ceiling, chest heaving in a harsh pant; sweat ice on his clammy flesh and soaked into the sheet he restlessly kicks away.

ears still ringing, his fingertips blindly drift down to trail along his vivisection scar. he half-expects blood to smear in their wake. his own line of solomon, who ordered him split in twain; half of him given to a grieving mother and half left with the grieving to be.

just for both his broken halves to be rejected.

what did it make him that his mother grieved him more than she loved him? that she begged to be relieved of him more adamantly than she begged to receive him? why did his worth spill out with his drawn blood? why was his pain lesser than hers?

his hand flexes, digging into the raised scar like it’ll part beneath his fingertips to plunge into his mangled insides. no one knows the cruelty of reforming the halved; his name, his being, not nearly as important as his body when he was stripped from himself. no one knows the pain of healing and understanding losing pieces of yourself means losing your value along with them.

how many more pieces did he have to lose before he was halved once more? before his very presence incurred grief so strong it was better to be rid of him than cradle his bloodied remains?

did the infant fight himself? did he age always at odds with himself; his halves never truly whole? he hopes he wasn’t, that he was spared the loss of self; the fear that one may be welcomed over the other.

who will he lose when the inevitable comes? when he’s ripped apart again? simon? or ghost? is it better to be cursed with choice just like his mother or live with an aftermath chosen for him? does it matter if in the end, he convinces himself there was nothing of him left to lose?

his head lolls to the side and the wild buck of his chest slows. he watches johnny beside him, his face lax with the rare peace of sleep; his cheek squished against the pillow, his lips pursed as long breaths escape him.

johnny. soap. never torn asunder but two all the same.

he carefully reaches out and ghosts his fingers along the jagged scar on his chin. even in sleep, he presses into his bloodied touch. he’s never fled his half-flesh, never shies away from his gore as it spills unbidden from his cleaved torso. he holds on where his mother let him go; cups his stomach to hold his insides in place and never minds the blood that drips through his fingers.

simon will never let him become his own solomon and cannibalise himself. he will never let him question which half of him has more value; which pieces he can afford to lose before he’s cast aside.

ghost’s soap. simon’s johnny. his.

whole, in any incarnation.

[fandomfluffandfuck]

Thinking about Steve Rogers finally getting the chance to go to college post-ice and being the most fucking annoying student in a philosophy professors class

[jorgyjuice]

i think it's really funny that regulus is the one writing back to them

[ID: digital fanart for reverse 1999. regulus is writing in a journal about her bad experience in apieron, looking angry. in a panel below, sotheby is reading the journal with an uneasy expression. druvis is passing by in the background, unaware and holding a tea cup. the artist's signature, @/jorgyjuice, is written below each panel. /end ID]

[lorephobic]

literally nobody asked for it, but here's my list of saltburn essays that i've slowly been drafting over the course of the last week which WILL be required reading for anybody trying to engage with me about this movie. my very personal saltburn 101 syllabus just dropped

A Wolf in Deer's Clothing: Saltburn's Attempt at Innocence

an examination of party costumes and our character's last attempts to masquerade as something they're not: felix—an angel, all-forgiving and all-knowing, something to be worshiped; and oliver—a prey animal, prey to class-divide, prey to saltburn, prey to felix.

thoughts about oliver specifically are loosely organized in my #bambi tag

A Midsummer Night's Mare: Farleigh Start as the Ultimate Victim of Saltburn

a farleigh character study, about the ways he was mistreated and manipulated at saltburn, about fighting to stay alive and the scars left behind by knowing when to give in

alternatively titled "QuickStart", may be adapted into a conclusive essay specifically focusing on oliver and farleigh's relationship

The Eye of the Beholder: On Saltburn's Voyeurism & Violence [working title]

how wealth and class pushes the catton's toward the volatile reality of being able to look, but not touch. on desire and the lack thereof, and portraying yourself as an object to be desired

may end up as two separate essays on wealth and aestheticism but i'm pushing toward a conclusive essay about the intersection of the two, which i feel is at the heart of saltburn

alternatively titled "Poor Man's Pudding: A Melvillian Approach to Saltburn's Class", again, may be adapted into it's own essay

Gender-Fluid: A Study in Sexuality and Saltburn's Desire to be Dry

a deep dive into the bodily fluids of saltburn and how oliver upsets the standard of men who are just so lovely and dry. on the creative choice to lean into the messy wetness of sex and desire and the audience's instinct toward repulsion

a celebration of the grotesque and an examination of why we would label it as such

least developed of the four, heavily inspired by @charnelpit's lovely post about the fluids in saltburn

if anybody is actually interested in any of these, i can work toward something closer to a finished piece instead of just bullet points and quotes in a google doc, but mostly this is so i can share my very brief takes on a multitude of themes in saltburn that have been haunting me

edit for people seeing this in the future: all posts about my essays are being organized into my #saltburn 101 tag if you’re interested in following these through to development!

[somnimagus]

you are worth all the struggle and bloody mess

[id in alt text]

[general-cyno]

today in more zolu thoughts: yet another thing I find fascinating about zoro and luffy's relationship, which I believe the LA managed to capture pretty well despite the differences between it and the og source material, is that while zoro's capacity for loyalty and devotion where luffy's concerned are insane (the all-encompassing, heartfelt, lay down my life and dreams for you, follow you until death or the very end of everything kind of crazy), they're not entirely unconditional per se. the condition here being that he has to measure up to zoro's standards - that luffy has to prove himself a man worthy of following.

there are plenty examples of this in the manga, but I'll stick to where it and opla intersect. so manga!zoro pretty much stands firm with this condition when he agrees to follow luffy, warning him about not getting in the way of zoro's dream right away. opla zoro is a lot more reluctant to join in comparison, and he just seemingly goes along with the whole thing in a more "might as well" manner; even so, there's these few subtle moments where you can see him being struck awe by luffy's faith in himself/his dream (the dinner at kaya's) and showing exactly why he's a "different" kind of pirate (ie freeing the folks from orange town).

still, the most pivotal moment is zoro's fight with mihawk in both cases. this is where luffy has to really prove himself to zoro, for the first time. because talk of dreams and promises and not hindering them is nice and all, but can luffy really stand by what he says when push comes to shove? when the life of someone he cares about is on the line? and man. the answer is yes.

in the manga, by stopping johnny and yosaku from intervening and refusing to do so himself as well, even though he was deeply upset by zoro getting hurt, luffy proved he wouldn't go back on his word nor betray zoro's trust and the faith he had placed in him. in a similar fashion, opla luffy letting zoro go ahead with the duel despite his own apprehension/doubts and nami questioning both of their choices, is what finally led to zoro recognizing him as his captain out loud and accepting his role as a first mate.

I just think it's interesting that these two kind of make each other walk on a tightrope. only the world's greatest swordsman can stand by the pirate king's side. the pirate king can have the world's greatest swordsman by his side, if he proves himself worthy of it. but the best part? for me, it's that zoro and luffy are able to challenge one another this way (or set the bar that high) because they absolutely believe the other can rise up to it and beyond.

[gxtzeizm]

the fact that me, as a fan of both lando and oscar without any bias (maybe a bit on lando but not that much), is going to witness both "oscar fans, lando antis" and "lando fans, oscar antis" posts all in my one dash 🥲🥲

also the fact that atp i couldn't even bother enough with this same situation on both lewis and george. now it happens on lando and oscar as well which got me like....

[misstrashchan]

In RWBY weapons are a part of a person, an extension of yourself, as Ruby puts it in V1. So, a weapon can say a lot about a person in how it appears and what it's used for.

Looking at Crescent Rose compared to our other main characters' weapons and it's immediately one that stands out from the size alone, it immediately draws our attention, it usually takes up the screen.

Like Ruby, it's striking, awe inspiring and larger than life. It's beautiful, resilient and strong, but evolves to be more adaptable during the Atlas Arc, when Ruby herself has to be more flexible and think outside the box, and her worldview is consistently challenged. It's also very easily the most intricate and complicated design, by her own admission:

"I guess I did go a little overboard in designing it..."

Which, while on the surface means it looks cool and flashy, it's also incredibly complex, just like Ruby.

And as we know from V9, a weapon like that would also be a heavy one to carry at all times too, and it weighs on her. Just like being "Ruby Rose" means to shoulder all the responsibilities and entanglements that come with being who she is, a huntress, a leader, a hero, a spark of hope and light who inspires others. In the end her resolve as a huntress and in who she is, and her purpose, is renewed and stronger than ever before, and wields her weapon once more with confidence.

That doesn't mean her burdens have gotten any lighter though, in fact upon returning to Vacuo, because of her message, all of humanity is now looking to her. No matter how strong, confident and resolved she is, that's a heavy weight for one person to carry alone.

Which brings me to Oscar's weapon, the Long Memory. Which is a cane, smaller, simple and straightforward, but has it's own hidden light stored inside. A cane is meant to take someone's weight by design, that's it's purpose. To be something that's leant on as a crutch when you're hurting to alleviate the pain by taking the pressure off yourself, so moving forward is made easier. Because everyone needs that support sometimes and it's okay to be weak, it doesn't make you lesser, it just makes you human. And it is incredibly human for us to care for and lean on one another for support. That vulnerability leads to our greatest strength as humans.

The one who carries the heaviest weapon vs The one who has a weapon that can be leant on to take pressure off yourself. Ruby who carries a heavy burden and Oscar being someone that can be leant on for support. ooooooohhhh the cymbal ism of it all.

[zeb-z]

Foolish going in with two totems as a part-totem who never, never uses totems. His screams for Leo as the ceiling caves in, trying desperately to throw her a totem through the barrier. Digging, trying to glitch, trying to problem solve in a situation so chaotic and so impossible, there’s just nothing he can do. Not leaving until his totem pops - until he can’t see Leo anymore. Repeating to himself that she was right there, just right there, he couldn’t even get her a totem, he couldn’t do anything.

Foolish staying behind to make sure Tina and Mouse get out, to make sure he sticks with Cellbit, telling himself he can feel it later, as long as they survive, he can feel it later - and running out of time. If he hadn’t stayed behind digging for Leo, he would have made it. If he hadn’t given all but one of his enderpearls to the others, he would have made it. If he wasn’t looking over his shoulder for Cellbit, he would have made it.

[tj-crochets]

Hey y'all! Do you have any patterns/resources/advice on sewing corsets/bodices/stays/stuff like that? I have once again reached the "wow I hate bras and bra shopping" point of the "having to replace clothes as they wear out" cycle

[cemetrio]

The Doomed Timeline.

Warnings: scopophobia (lots of eyes), lots of blood, (almost looks like) extreme violence pertaining to eyes.

cw again: looks like extreme eye violence

[butch-chastity]

i dislike that now that jason has been firmly established as "the robin who likes school" within the fandom some people now assume that other robins must have HATED school, as if dick doesn't do math for fun