#i want it to be substantial! but i also don't want to set myself up for failure

[thehardkandy]

i think i am just getting the impulse for a big life change but i dont actually know what it would be or what it would look like

[lttawnymadison]

TGCF Revised Version Afterword by MXTX

Since I kept seeing snippets of this, I wanted to read the whole thing for myself. I'd already bought the book on JJWXC and did an MTL for this. It's so wonderful that she's back and sharing new things and that the revised is finally done! - Tawny --------------------------------------------- The author has something to say:

Seeing the small red clay stove again.

———— Afterword of "Heaven Official's Blessing" 2022

■ Finally done!

Long time no see! It's another afterword starting with "finally." Without further ado, seasoned readers would know that I make substantial revisions. For instance, scenes like the Bai Feng Mountain Hunt and the ending recognition of Sizhui in the serial version of "Mo Dao Zu Shi" were not originally there.

The revisions in "Heaven Official's Blessing" are the most extensive of all my works. It was a huge project, as it is also the longest in terms of length, serialized over eight months. Due to poor health and other reasons, the revision process was interrupted for a long time before I picked it up again, and it sporadically took about five to six months over several years.

In the era of web novels, there are endless new entertainments, and honestly, not many people re-read a story. Plus, some problems in the serialized version are structural and can't be changed, but I still tried my best to address my regrets. After all, when I was serializing it, I was almost always in a feverish and sick state, barely pushing through. Additionally, I often enjoy comparing different versions of my favorite authors' works back and forth, finding pleasure in the process. So, for readers, discovering "Wow, this part has changed!" is like starting a new journey with Easter eggs in a second round.

■ The new revised version includes about 100,000 words of new content!

These 100k words are mainly concentrated in the latter half of Volume 1 and Volume 3, but there are plenty scattered throughout the text. For example, I fulfilled a promise to A-Hua, giving him several new outfits. Seeing A-Hua dressed beautifully in a new hairstyle to meet his gege made me happy.

In terms of the intensity of revisions, personally, I feel it goes like this:

Volume 1 and Volume 2 > Volume 3 > Volume 5 > Volume 4.

Additionally, the new version cuts some redundant words and plots that weren't very meaningful. However, I tried to keep all the original interactions between Hua Lian as complete as possible. If some minor interactions are missing, they weren't deleted but moved around.

■ One day, I suddenly dug out something.

An antique from 2017, a folder called "Heaven Official's Blessing Setting Collection."

Curiously, I opened it and read with interest.

● Comparing the original setting outline and the main text, the highest fidelity is in the main storyline between Hua Cheng and Xie Lian.

A-Hua, restored at a ratio of 1:100.

Hua's character setting is the most detailed, and virtually every point made it into the main text, including details like "ghosts don't like the sun, so Hua Cheng sometimes drapes a red cloth over his head"...

Points not used, listed a few:

As a child:

· After being saved from falling off a city wall, he foolishly followed a parade over and over again, grabbing people to ask, "Who is that? Who is that person?" People told him, "That's the royal son, the future Celestial God, the most outstanding Crown Prince of Xianle Nation ever!"

(This point couldn't be used because in the text A-Hua was held in the Crown Prince's arms after being saved)

· At home, he was often punished to stand or kneel, not given food, and wore old clothes, accused of stealing money. Whenever he argued with his family, he would stubbornly sleep in the Prince's temple overnight.

· Went to Mount Tai Cang to volunteer sweeping red leaves at Huangji Observatory, just to sneak peeks at his future wife happily swinging.

After becoming the ghost king:

· One of his hobbies is buying and building houses everywhere.

· Very protective of his leather boots, would (badly) polish them until they shone.

· To other devout followers of Xie Lian, he said: "You have good taste."

· Secretly prepared many betrothal gifts for his beloved god, wanting to marry him!

The character setting of Xie Lian as a teacher in the serialized version compared to the initial draft, the serialized text subtly differs. The initial draft was more... exquisite and elegant, very serious. The serialized text is more... humorous. I think perhaps because some plot points were tragic, Xie Lian thought he should be happier to make the readers more relaxed, so he drove me to adjust his mental state! But due to the spiritual oppression at that time, the character's depth was not enough, while in the new revised version, I hope he can show a more self-content state on the same core basis.

Excerpts from the unused original setting:

· Super easy-going. Easy-going means: if given fifty bucks, he would happily dress in drag and dance. Accepts haggling. Thirty bucks works. Twenty bucks too!

· The observatory is small, the house is broken, wants to grow flowers. Leaks during rain, so he uses a bucket to catch rainwater.

· Because he can't afford a caretaker, he cleans himself, and also feeds chickens. Chickens eat flowers. Keeps a cat.

· Completely engrossed in discussing serious matters, he unknowingly finished all the broken sweet dumplings!

● Water, Earth, Wind original setting:

The highest fidelity is the main line between Hua Cheng and Xie Lian, followed by the Water, Earth, Wind subplot.

The main conflict hasn't changed. Just... how could the original setting of Water, Earth, Wind be so dark and terrifying!

The character morals in the main text improved a lot, otherwise, the original Black Water would be sheer scheming + murderous! The ending for the Wind Master would have been more tragic.

The Venerable of Empty Words suddenly became an improvised character. It seemed like an ancient fable-like monster, making the main text more interesting than the original setting.

Overall, the formal version is a bit better written than the original draft.

● The unfortunate life of Lang Ying:

Lang Ying? Is there such a character? I don't remember!

Ah? It seems there was such a person, but I don't remember any of his plotlines.

This is most people's feeling towards the character of Lang Ying. It's not a delusion because he barely had any significant plot. In fact, any valuable scenes could have been replaced equivalently, so in the new revised version, I deleted this character.

But, in the 2017 setting collection, I suddenly found that I had actually opened a separate document for Lang Ying, and his role was defined as a "growing-type BOSS!"

I was silent.

And immediately opened the document, curious about my initial setting. A "growing-type BOSS," how did he become someone whose deletion went unnoticed...? (I even don't know how to address him!)

Who knows, perhaps out of excitement, I accidentally pressed the wrong shortcut, and somehow it became irreversible, leaving only an empty document for me to stare in disbelief. The once "growing-type BOSS" has now forever become a mystery!

This is the unfortunate life of the deleted Lang Ying.

· There was another document in the setting collection called "Swordsmith." I opened the document and read it with interest.

I was shocked. Because I completely forgot I had conceived this story. Why didn't I write it?!

Darn.

I know why I didn't write it. This story... it had no ending!

——————— Thus, the magical glimpse into the "Heaven Official's Blessing Setting Collection" concludes!

■ I like men with stories!

Maybe because I watched an outstanding work as a child. It was a memoir, the protagonist in the biography was gentle and affable, and the protagonist in the memories was cold and ruthless. The story was scattered with the poignant fragrance of white plum blossoms amidst bloody and stormy circumstances.

This almost perfect work deeply influenced my aesthetics, leading me to be most interested in the memory parts of characters in various works. Although many viewers prefer the present scenes, often asking when the memories will end, I actually find these intense and painful memories to be the most fascinating!

A story is the history of a character, as well as the key to their personality. A person with a story stands before me like a puzzle. The way to solve this puzzle is to understand their story. Because the biography makes one curious to know more about a character they like, loving them more now because of their past. When serializing "Heaven Official," my greatest pain initially was telling myself, "This time I don't want to write a memory slaughter," deliberately trying to avoid a structure similar to previous works, yet I still hadn't found a better way to express it, resulting in my deep dissatisfaction with the later part of Volume 1. I was also hesitant to fully commit to the memory scenes in Volume 2, and with the heavy mental burden, this part was very painful to write. When revising, looking at Volume 2 was almost unbearable, because I'm the type of person who, as a child, would immediately switch channels when a TV show's protagonist was about to be wrongfully accused or embarrassed. I couldn't help but knock on a friend's door and ask:

Me: Was the author suffering some kind of mental trauma at the time? This negative energy is too horrifying, the protagonist is so pitiful, I really admire anyone who could read through Volume 2 completely.

Friend: Do you even have the right to say that?

But the memory slaughter in Volume 4 was much freer, written in one breath, so the revisions for this volume were also the least.

So, will you still write large segments of memory slaughter?

Um, well, we'll see, haha, hehe...

■ Closing Remarks:

Lastly, I'll address the question some asked me, "Will the new revised 'Heaven Official's Blessing' be more torturous?"

Me: You're talking nonsense. 'Heaven Official's Blessing' is a sweet pampering story, thank you!

Acknowledgments:

Shi Nai'an wrote in the preface to "Water Margin": "On snowy nights, about five or six people listen to my storytelling; on rainy days, about seven or eight; on bright and sunny days, about ten. I read, everyone listens, and we are all happy, with no other thoughts." When I read this as a young person, I was delighted. What divine days! Writing first to entertain oneself, then to entertain others. Self-expression and self-acceptance are certainly primary, but the affection of others is also a significant positive feedback. Thus, first, I thank the steadfast readers who have accompanied me all this time. I've thought about just walking away amidst the noisy disputes; abandoning the account amidst the tumultuous world! It seems not bad. But looking back, I can't bear to leave some truly sincere readers.

I've had authors I liked disappear from the internet, and I always feel like a part of my youth has vanished, a feeling quite distressing, reminiscent of overly grand and harsh things like the tears of the era or the torrent of history. So, I want to accompany my readers as long as possible, hoping that the day of parting comes later. Perhaps I'm not good enough now, but I will strive to be better in the future. Or perhaps you've never truly understood what kind of person I am, or even completely misunderstood me, but as long as you genuinely like my stories, we can sit down and chat.

And, I must mention my friends, who can be described as having the courage of a hero. Long time no see, Teacher Changyang's illustrations are still as beautiful as those of a celestial being, I hope Teacher CAS can go to bed earlier and worry less, and Teacher Kuohao, who despite a heavy workload, still fully honored our agreement. The "Heaven Official's Blessing" radio drama is really fantastic! It reminded me of the original intention of writing this story, and I was very moved. If it weren't for the silent companionship and efforts of these old friends, Mo Xiang Tong Xiu might have stopped writing back in 2016, disappearing from the world of martial arts, and thus, "Heaven Official's Blessing" would not have been born. I look forward to retracing the paths we once walked together when gathering ideas. And many friends who reached out to help and encourage me, thank you for accompanying me through the snowy nights.

[zerosconsort]

Zero's Fic Binding - Thrust Issues

Thrust Issues by @sineala

Fandom: Marvel (Comics)

Ship: Steve Rogers/Tony Stark

Start Date: 3/31/24

End Date: 4/11/24

Pages: 314

Oh sweet Thrust Issues. Look at this cover. This was another one that I knew INSTANTLY what I wanted to do. Only had a few sections of the vinyl fight with me here, and I learned how adding to much glue when I'm making the casing can bleed through the book cloth and stain it. Ugh.

Name of the game for this bind was: Simply bold. Clean lines, consistent headers, nothing TO much. It was a challenge to see how quickly I could get the book set and bound. The answer is a week and a half.

Ugh the spine - she's also beautiful. This was also the first time i uses substantial davy board for the cover - so this is my first book with that lovely groove on the cover.

The inside pages are also simple - heavy on the lines lines lines, and one of my favorite actual lines from the fic. My end paper that you can just see here is VERY boring - what I had in my craft stock. Reminder to myself: Next version? Make your own end papers.

Typeset! Also simple. The headers build out a heart, with each chapter stacking more and more lines. Kept the stutter text like on the cover for the chapter names, pulled out the numbers and made the drop caps OVERSIZED. Simple, clean, statements that don't distract from this fucking masterwork of idiots-to-lovers fic.

Last shot I have is of the butt. This is the last time I used pre-made headbands. Also shows how loose the casing was - that gap between the spines? HUGE. A CAVERN. AND I didn't trim the pages. I was to afraid after I had FUCKED up All thats said's pages.

All in all, this I think that this bind was a tipping point. Having property sized cover boards really did it, and seeing how quick I could bind a fic was also helpful.

Thrust Issues is a peace of angsty art - and, In my opinion, a necessary Stony read. Sineala is a huge inspiration - one of my gateway Stony authors, and happened to be the one to point me toward better resources to bind books. Her kindness, creativity, and patience knows no bounds - and I'm happy that she was so open and kind with allowing me to transform her work. Go follow her and follow her and read her stuff.

Pssssst, also - if you wanted one of my binds for yourself, I'm participating in MTH this year and would be happy to make one for you!

[terukotime]

thinking about Ace and Eden again and how i really don't want either of them to be the culprit lol. i just feel like either one being the blackened would be a waste of their potential. i know in Danganronpa that's bound to happen with some characters, but Ace and Eden both have traits and arcs that could run through the whole series, or at the very least, to the next chapter. while a big part of any killing game story is losing characters quickly and having their arcs and growth cut short (we've already seen as much with Arei, rest in peace queen), Eden and Ace have a lot of prominence in the Trust vs. Distrust theme of drdt, on either side respectively. and they both have a lot of potential for their views to change. i can totally see Eden's optimism finally starting to crack, and she begins to lose hope in trusting others and thinking they're good-intentioned, especially since she was put in virtually the same place that Teruko was in in the last trial, with everyone distrusting her and thinking she's the culprit. though Ace hasn't had much of a catalyst to alter his beliefs yet, there's still hope for his views to change. he's a lot like how Teruko began to behave after the first trial, thinking he can't trust or rely on anybody and pushing everyone away as much as possible.

[giant-ass analysis under the cut. i didn't expect myself to go on such a huge rant, but i realized i have quite a lot of thoughts on the matter lmao. there are probably a lot of hot takes in here and i know there will be people who won't agree with me, so take this all with a grain of salt, pls & thx]

while Ace's role in the trials is mostly confined to causing conflict and being a comedic relief, he's expressed being committed to investigating the scene of Arei's death. while sure, if Ace is the culprit, his desire to investigate could very well be a ruse. but for the sake of his potential, it'd be far more interesting if him being innocent results in him going on to investigate more thoroughly and contribute substantially to the trials. Arei did have potential for a full redemption arc, but her death doesn't feel narratively unfulfilled. its tragedy not only allows the audience to further sympathize with Arei and see just how nuanced she was, but it's also meaningful to the members of the cast, and will serve as a point of motivation for them, whether that be to maintain hope in escaping or giving into despair.

at least, that's how it's set up to be. i feel that if either Eden or Ace are the culprit, Arei's death loses a good deal of its weight and meaning. especially if the culprit is Eden; even if she had "well-intentioned" motivations for killing her (as well-intentioned as murder motivations can be, anyway), Arei's breakdown, desire to change, and tragically short path to redemption is rendered pointless. her want to be a good person will have affected virtually no one. her death will have only held significance to David, as most of the cast didn't care for Arei or hated her, much like Ace.

while Culprit Ace won't render Arei's death *as* meaningless as Culprit Eden, it sure would make Ace's own death feel pretty meaningless. he'd be dying in a trial where he fully believes everyone is cruel, everyone hates him, and no one cares about him at all. his shift in his belief can't really be considered much of an arc or even a regression; he just descends further into his hatred and paranoia until he dies doing exactly what the killing game expects of him. Ace, a character who has prioritized his self-preservation all throughout the series, will have thrown that away for...what? revenge against Nico? would he really place his hatred for them over his fear and will to live? Ace is impulsive and narrow-minded, but he's not without *some* sense. if Ace were to be the culprit of this chapter, what would he have contributed to the story? what would his existence have meant? what would he have provided that the story can't progress without? he'd have zero growth, zero stakes, and zero relevance to the ongoing plot, aside from unrevealed backstory (most of which will likely go unsaid in the main story if he were to die now). do i think Ace is going to play a significant role in the overarching story? no. not as much as characters like Xander and David, anyway. but he still has so much to offer as either a survivor or later victim/culprit, as we'll have spent more time with him, gotten a better understanding of him, and possibly be able to sympathize with him, like we do with Arei.

and here's another thing i've been thinking about, too: all the deceased so far have a point of significance to the story. Xander has a connection to the larger-scale mystery surrounding the killing game and a complex relationship with David. he continues to be relevant in the story even after his death and will likely always be.

Min is not only a cautionary tale to the rest of the cast, but her story follows a very cohesive path:

she's a girl committed to her academics and has been led to believe it's the only thing about her that matters ->

while not a social butterfly, she still enjoys spending time with others and making the most of the situation she's in ->

she forms a bond with Teruko, someone who has shown to value both her intelligence and her personality ->

she finds Teruko being murdered by Xander, and instead of being a bystander, she takes action to save her friend ->

she realizes that what she did has jeopardized her own life, a life that she does not center around herself. her family depends on her having a successful future, a future she has been groomed to achieve since she was little and has made several sacrifices for ->

though Teruko is her friend, Min prioritizes her self-preservation. there are too many things that are objectively more important to her than the life of a girl she's known for a couple days ->

still, she cannot shake her guilt and chooses to remain at Teruko's side throughout the investigation ->

she's desperate to maintain her lie, even if it means framing the friend she tried to save and getting everyone else killed. she fights and fights until she can no longer ->

she loses everything. her life, her future, the trust of her friends, the trust and bond she had with Teruko. Min always had good intentions. but even good-intentioned people can do terrible things.

Min's story throughout Chapter 1 alone is very digestible and easy to follow. even without knowing the greater contexts of her life, like her family's financial situation or her groomed future of being a Hope's Peak student, her motives and actions make complete sense. you don't come away from it feeling like she acted out of character or that her death was hasty or sloppily written. her death has a lot of meaning and impact on the other characters.

and that alone makes Culprit Eden or Culprit Ace unsatisfying. Culprit Eden would not only undermine Arei's death and potentially lead her into character derailment, it'd also just be Min's story regurgitated in a much less compelling manner. Teruko has already had her trust broken, and while it seems like she's slowly starting to see the value in relying on others again in the Chapter 2 trial, what good would Eden's death do for her? even if it causes Teruko to regress, what will change? wouldn't Teruko go back to being the way she was acting at the start of the chapter, undoing whatever growth was already beginning to happen? will she be unaffected by Eden's death, or at least act like it? will it somehow strengthen her desire to trust and rely on others again? (it won't.) Eden's role as the chapter 2 culprit really won't do much good for the story, regardless of what her reasons are. everything we've learned about Eden and Arei, both together and individually, will be irrelevant. the significance of Arei wanting to be Eden's friend unconditionally, something that we learn is so significant for her because of her secret, will turn out to actually be pointless because Eden will have killed the one person who expressed they'd be her friend her regardless of who she is.

Ace simply hasn't done enough in the story to establish his deeper character. with Xander, Min, and Arei, we already got glimpses into their core beliefs, their true selves, their moral standings. if those aspects of a character are only revealed after they're confirmed to be the culprit, then honestly...that's just bad writing. i don't like saying that, but i firmly believe it. not only do we hardly know anything about Ace's backstory, we just don't know a whole lot about him other than surface-level things the show outright tells us: he's fearful and paranoid, he doesn't like being a jockey, he's hotheaded and unsociable, he developed an eating disorder due to the strict requirements of his talent, he's hardly ever had any friends, he doesn't think anyone cares about him. and while a lot of inferences can be made from that information, it's still very speculative, and even a bonus episode after his execution wouldn't be able to cover enough of his backstory and personal life for it to feel justified narratively. you simply can't kill him off without letting us see another side of his character and have it better the story.

if either of them do, unfortunately, turn out to be the true culprit of the case...i will be very disappointed. i won't drop drdt or criticize drdtdev for their decisions, but i will still personally believe it to be a bad choice. nevertheless, it's not my story, and i will continue to support and enjoy the show regardless. i have a lot of faith in drdtdev's skills as a storyteller, but no story can be completely perfect. Ace or Eden being the true culprit won't destroy the show as a whole, and i'm not trying to imply that it's a fundamentally bad choice, i just think it'd be very difficult to pull off and have it feel natural, organic, and satisfying for the ongoing story. i will neither be optimistic nor pessimistic about what happens in the next coming episodes, i will simply wait and see. i just wanted to get all my thoughts out here, and hopefully i didn’t come across as aggressive or snobbish or anything. this is a free to watch series, after all, and i enjoy and appreciate all the hard work that has gone into it and made it possible.

[kaizokuou-ni-naru]

Hello. I’m an English reader of One Piece, and confidently know *nothing* about the Japanese language (atleast how to read it). I own all 4 box sets that are currently officially available in English. I was wondering, considering your expertise, is the VIZ translation good (in terms of how reliable it is in accuracy)? Does it convey what it needs to? If not, do you think any scans you’ve read are better compared to the official? Curious what you think as a translator. Thanks!

i think that these days the viz translation is basically fine. it conveys what it needs to. often there's little quibbles i have with it, like little differences in how i might personally have phrased things, but i certainly don't think i could do better at translating whole chapters of manga on a week-to-week basis.

my new chapter reading process now that i'm properly caught up again starts with reading the raws in japanese, and then i skim both the unofficial scans from tcb and the official release from viz when they each come out to see what choices they made. doing this, i do see more mistakes in the unofficial scans than in the official viz translation. and that makes sense! the people who do the official viz translation are professionals who are being paid for their work and they have more time to do it.

like, just for one low-stakes recent example i noticed, in chapter 1112, the unofficial scans (left) messed up this panel by attributing both of the lines on the left to vegapunk, when in fact the second one should be spoken by pythagoras (something made clear in japanese by his distinctively polite speech pattern), a mistake which was corrected in the official (right).

and i'm not saying this to insult the scanlators, by any means! it's something i've wanted to get into myself, and they provide a really cool and valuable service largely for free as volunteers. i love scanlators. but if you are wanting the most accurate experience of the current manga as an english-speaker, the official is probably still your best bet.

however, from what i've seen (bearing in mind that my actual experience with the official translation is pretty limited, i mostly only look at it when people ask me questions or i have a specific curiosity) i do think the official translation has a lot more problems in the older arcs, roughly from east blue through, like, skypiea?

i've seen or been asked about a pretty substantial number of mistranslated lines and questionable choices from that stretch of the manga. for just one example, there's this one from drum i posted about a couple months ago, where a line that's quite thematically important to the series as a whole got cut up because of the translation's former unwillingness to use the word 'god' (also very visible and annoying in skypiea).

the anime for those arcs does use, from what i've seen, a better translation than the official manga. however, i personally don't know of any better manga retranslations of the early arcs (it's something i've actually considered trying to attempt myself, if i ever have the time for a project of that scale). if any of you have any to recommend, please let me know!

[canonkiller]

Hi, I'm trying to do art commissions, but no one has commissioned me yet. Do you have any advice for attracting customers?

I wrote a lot of words for you in hopes that at least some of it will be helpful, so I'm putting the bulk of this answer below a read more to save people the scrolling. The quick and easy two tips that I find people forget to do the most are:

Is your art easy to find? Having a pinned post with a tag for your art, a link in your bio, or an art-focused / reblog-light blog (like this one!) make it so that people know you draw, and knowing you've been posting art for a while makes you less likely to be a scammer.

Is your commission info easy to find? People can't buy things that they don't know you're selling; clear and accessible links to your prices and terms are important.

Now for the real bulky meat of advice giving, where I say a lot of words that may or may not be relevant:

I have a lot of advice, but I do want to say before getting into it:

A lot of selling art (especially in a non-industry setting, like with social media commissions) is luck.

There is no one size fits all method for selling art, and it's best to go with what feels right to you (I'll go more into this later)

Tips for selling are not necessarily tips for creating, and there will be advice in here that I don't apply to myself. Determining what you do and do not implement is something you should decide for yourself and your work flow.

Your art not selling doesn't mean nobody cares about it.

Personally I think the idea of intentionally curating a single subject demographic of Customer and Consumer for your work is limiting and doomed to burnout in a non-industry space. I will also touch more on this later.

Now for the rest of it in varying orders:

✨ Attracting Customers

This one is going first because you mentioned it specifically. It is kind of vague though, by nature of the term, so what I advise doing is specifying.

When you are thinking of a customer, are you trying to appeal to:

People who will buy pre-made art products? (Pins, stickers, prints, etc)

People who will buy custom work? (Commissions for specific subject matter)

People who will buy art resources you've created? (Fonts, bases, texture packs, 3d models etc)

There's also frequency: a repeat customer of custom art will usually be appealed to more by a wide range of options (like illustrations), while you might get more single-purchase customers if you only offer a limited range of options (like only icons).

Demographics also, of course, play a substantial role in just custom art commissions; furries get lauded as high spenders, but they're also a huge community that is focused around OCs, so by statistics alone they will have more people with spending money and will be frequent customers of people drawing OCs. A narrower audience means fewer people, but often the spread of the people within that audience is the same - and at the end of the day, selling an art piece only requires one other person, it's just a matter of happening to find them.

The follow up question is of course the finding: the average artist in fandom spaces selling commissions does not have the platform or budget for an ad campaign. This, however, is also its own category:

✨ Posting Online

Right out the gate: anyone who has told you that just drawing x thing is the way to get easy money is wrong.

"If you draw more fan art, you'll -" wrong.

"Nobody cares about that, you should be drawing this instead -" wrong.

"if you need to sell fast, just sell porn -" wrong. And also re-evaluate your perceived lack of quality or value about the subject.

The things you will be able to create easily and consistently will be the things YOU, SPECIFICALLY, like to create. It is also entirely impossible that you are the only person on earth to have ever liked those things, which means that if you create them, there are people out there who will enjoy them.

It feels itchy to be like "and those people are Potential Customers", but it is true; your work will resonate with people. They will want you to create it. It is vitally important to your own well being that the things you create, that you want others to enjoy, are things you enjoy as well.

(This is also why the "just draw porn" joking advice that gets tossed around is particularly fucked up. You as the artist should not feel forced into drawing things you aren't comfortable with, and the vast majority of customers for explicit content also don't want the people making it to feel forced into doing so. It's basic consent. I have strong feelings about this.)

If you are creating things and putting them out into the world, they will find an audience. That audience may be one singular person! The number does not matter, because that's still a person who - again, sucks to frame ig this way - has the potential to buy things from you.

If you're constantly chasing a bigger follower count, more interactions, etc etc for the future, it can genuinely be pretty taxing on the people who want to support you in the present. When you enjoy someone's work, and want to support them, being told constantly that that support is not good enough is frustrating. Trying to follow your work should not lead to seeing more "likes are WORTHLESS and NOBODY reblogs my things" posts than it does art. You are a person making things to share with other people, and you have to remember it or you will burn yourself out into a desiccated husk.

TL:DR consistency is key and the easiest way to be consistent is to just draw whatever the fuck you live drawing in whatever ways you want to draw it, and then slap it on the internet somewhere and Keep Doing That

✨ The Actual Commission Information

this one is just factual really. A lot of artists have really shitty commission sheet layouts, because advertising graphic design and illustrative art are different skill sets. That's fine. You don't have to remake the wheel. A good commission sheet should include:

More images than text (if you can't see what the examples are when zoomed out, you have to rearrange or cut down on words)

Examples organized by price / type, and clearly labeled

Your personal favourites for examples - one really strong example piece is better than twenty tiny images of work you think is just "okay"

Contact information - having a method that works WITHOUT a social media account (email.) Is important and way easier to keep organized, imo

A SIMPLE list of strengths (the things you draw the best) and things you won't draw (common example: mechs). You do not need to list every fandom or subject matter. Limit yourself to a top five.

A clear and easy to type link for your terms of service. Carrd, and sites like it, is good for this. This will go into details about your process, what you will and won't do, permissions granted to the commissioner (like "no, you can't make an NFT with this"), your privacy policy (saying you won't sell commissioner details to third parties), and other stuff. You do not want to have all of this on your original post, because it should be thorough and you want your main post to be showcasing your work and not your legalese. Here's mine as a reference; if you have trouble writing your own, feel free to copy from it and make the necessary alterations for your work.

✨ There Was More I Was Going To Write But I Forgot

I have a different document of commission related talk here, which is also incomplete but in a different way. It's in my nature. Hopefully some combination of this and that can be useful to you. Sorry if they're not. I love you have a nice day

[iniziare]

ignoring aventurine's blatant gay coding is really something

Other things have had me a little salty this morning, so in case that influences my perception of how you intended this, my sincere apologies. Either way, forgive me for being serious for a moment, but I want to use this as a PSA to make a point going forward on this blog.

I have nothing against opposing views, and I have nothing against people disagreeing with me, but what I have something against on principle, are potentially snarky messages like this one that seem to have only one aim, which is to try and taint my character by making insinuations that are wholly unfounded (that you think me to be anti-LGBT?) and based on something that you genuinely cannot draw any such thing from. Now whether Aventurine is 'gay-coded' as you so put it, or a bisexual man (on which note: it's real saddening to see that in 2024, in-house fighting against bisexuality's mere existence still reigns supreme, good job, you're really making admirable strides) doesn't matter for what I'm going to touch on. Although out of respect for the character himself and the person who wrote him, I can't move on without noting that you may want to reread some character stories, some dialogues (particularly things said by the Harmony to him, for instance), to see whether that seals your faith in your claim, or diminishes it. Either way, I want to remind you: being bisexual doesn't reduce the significance of being drawn to the same sex.

Alright, continuing what I was saying: messages like these don't accomplish anything, outside of making you feel like you're on a pedestal; is it cold up there? I don't envy you. In all seriousness however, in all my years on any of my blogs, I have always aimed to be canon-strict with my portrayals, with which I set myself up for something that I deem imperative for myself in RP: to be criticized by the masses. I have always tried to engage with my follower base, I have always encouraged them to come to me if I'm wrong on something, I value people trying to poke holes in my logic. And if you succeed in proving that I overlooked something, I will happily admit it, and stand corrected. In that, I aim to say that I thoroughly enjoy debate and discussion (based in rationale, and not feelings), which I think are fundamental to our society even outside of Tumblr. If someone disagrees with me, my notes are open, if you want to question something that I think or have posted, my askbox (as you've learned and have made use of) is open. But all I ask is that you open a line of healthy debate with me, and not send something that is entirely baseless if you don't even substantiate your claim in your same message. But also, what I don't understand is that my post doesn't even directly diminish the popular Aventurine/Ratio ship in the fandom, it instead simply expresses frustration that not more people see the depth of the Aventurine/Topaz dynamic, and recognize it as a good ship as well, because there is a lot within the game that aims at a definite potential there. Granted, yes, that comes with having to acknowledge that Aventurine may just be a bisexual man who is also into women, but if that's something that doesn't sit quite right with you, then maybe the issue that you're pointing at me, should be returned to you, the one who initially pointed the accusatory finger here.

Again, if you want to have a conversation about this and tell me why you think that I'm wrong by substantiating your own claim, you're very welcome to, and I'd be happy to engage with you. But until then, this is all that I have for you. And before I might get a 'why do I need to substantiate my thing, Sae', it's nothing against you personally, and instead it's the simple 101 of debate. You disagree with a point that I make? Then it is up to you to tell me why you disagree, so that I can give you a fruitful counter that you can then do something with.

Regardless of the intention of your message, anon, I wish you a good day, and I hope that it's raining less over there, wherever you may be, than it is over here. I'm not motivated to go get my groceries!

[sigmaleph]

today my currently-ongoing writing project reached 25 000 words. a milestone as arbitrary as any other, but I am focusing on it because my previous longest writing project ended up around 20k and this is the next roundish number after that.

also half a nanonwrimo, for another comparison. i definitely can't do a nanowrimo right now, getting this much done took me substantially longer than half a month.

i set myself a goal of writing around 400 words per day every day and I have basically kept it for multiple months. given my previous pattern of writing tiny amounts of a story and then giving up immediately, it is encouraging. it would be personally very meaningful to me if I could complete a long-form writing project ever and this looks certainly more plausible than every previous attempt.

if this ever turns into a complete story, well. it will be my 'best work' in some sense out of lack of competition but there are many ways in which it is not, I think, my best work. the setting, while i am fond of it, has a substantial amount of thrown-together-at-the-last-minute-ness to it, because it was. I would like, some day, to do better than that. I don't think this is the time for it, though. this is the time to just build the habit of putting words in front of each other every day without quitting.

one day i would like to show this to other people, because i have spent months on this and some people have said nice things about my writing before and they might like this one. but i am in some ways worried about it. in the obvious way of 'maybe it sucks' ofc but also like what if i want to do this over but better. am i burning something by exposing it to the light? who would read the better version if the bad one exists to make it look unoriginal and derivative. i already worry about all the ways this is derivative of my last project

ah well. i still think it's worth it. one day i will write something Good but i have a bunch of becoming a better writer to do on the way and this is the most successful attempt at that so far

[theokusgallery]

What do you think about middle aged sunflower ????

Okay I'm going to pretend I'm normal and didn't just have a conversation about it yesterday within which I had to restrict myself because of Discord's stupid character limit

Anyway. Gonna talk about fanfics briefly, because fics tend to get more complex with characterization.

A while ago, I got really into Marvel, and for two months I did nearly nothing except read spideypool fanfic all day and night. If you know anything about these two (that isn't from the MCU) (I hate the MCU, I hate it so so much, this is not who Spidey fundamentally is, he is supposed to be a friendly neighborhood loner loser and you Cannot just give him an Iron Man suit and a mentorship with Stark and intergalactic missions at 16 or however old he is in those movies when the essence of the character is that he is an average struggling teenager who just happens to get superpowers and fucks up a lot at the beginning of his journey and mostly works alone and quit the fucking Avengers himself) (wow I started rambling sorry. Ignore that), you'll know that they are both around... 25-30ish, currently. Something like that. The only other fandom that I read as many fanfics of was Ace Attorney, where depending on the timeline, they can be from 23 to like, 35 with a kid. So I'd say me being so invested in a ship with 16 year-olds is... kind of an anomaly.

I don't usually like the coming-of-age, teenage love stuff, and I honestly have never found a single sunflower schoolfic I liked (except Spiral of course but even then they're in college) because all of them tend to... infantilize both Sunny and Basil at great length. And also tear down anything that makes them interesting characters. I think a lot of OMORI artists (that includes writers) are very afraid of doing anything substantial with teenagers, despite, you know, the actual plot of the game, and as a result, a lot of the time most fics where the characters aren't aged up tend to be... incredibly boring. Of course there are some that are good — exceptional even — but in the end all I can think of is the huge gap in... quality? that sounds wrong to say about a creative thing... interesting-ness, let's say (a very personal and subjective concept), when I stopped reading Marvel and went back to OMORI. I stopped reading fanfics altogether because I just couldn't find one I liked as much as the average Marvel fic that I hadn't already read.

Maybe it's a result of the writers themselves being young? I know OMORI's fanbase is generally a lot younger than Marvel's, so that could affect it. I mentioned schoolfics because there's a lot of them and because they were mentioned in my rant yesterday, but it's not really about the fact that they're schoolfics, it's about the fact that more often than not, the setting is the plot, and since it's just your average highschooler writing their favorite blorbos into their own environment and projecting (which is very cool btw, 99% of my own writing is projecting), the plot is... basically nonexistant. It's boring. It's boring and the characterization is usually dull. But even outside of schoolfics, I think I stopped trying to read fics that start with Sunny getting out of the hospital after the True Ending for the same reason : it's often plain and plotless and boring. And, fuck, my favorite books and mangas and such are slice of life, I'm all for mundane plots! But there's a difference between a mundane plot/realism and just no plot at all.

(This is not, like, an attack of OMORI writers who make schoolfics or fics that start with the above mentioned premise, btw, I want to make that very clear. It's very much a personal preference. I think it's boring because all of the fics I read in Marvel had a very unique plot/premise is my point. And also because the characters were a lot more mature and complex. Different strokes for different folks)

I think that's what I'm kind of sad about. OMORI characters tend to be complex and morally grey in their own way, and people tend to forget about that because they're teenagers and obviously no one can do no wrong before the ripe age of 18. Children are all innocent and therefore cannot be more morally complex than cinnamon roll soft boys/girls (looking pointedly at Sunny, Aubrey and Basil. But mostly Basil). Also, I think people tend to straight-up forget that 16 year-olds aren't, like, 10? Of course they're not going to be as mature as grown adults, especially Sunny OMORI, Dissociative Amnesia World Champion, but like... When I was 16 reading OMORI fanfics, half the time I was like "a 16 year-old would not fucking say that". But also generally more mature characters are inevitably more interesting to explore to me because I prefer more mature themes — I'm simply extremely upset at the fact that people don't explore the complexity that's already there when they're 16, including the very mature themes that are already there.

TL;DR: I love middle aged sunflower, I love middle aged ships in general ! In fact, I will tend to prefer sunflower when it's aged up.

(... I probably should've led with that.)

[remyfire]

I don't know if I'll keep this post up because this is not what any of y'all are here for, but I have to get it out somewhere. This is just a lot of gritted-teeth venting, so if that's not your style, scroll on, I love you, I hope you see a cat photo soon.

Truly every day of my life I find myself gritting my teeth when I see another joke or article or post or anything at all about booktok romance novels, that specific style of book cover, the disdain about promotional graphics like trope maps, that whole kerfluffle because I just! Wanna be like. Hey guess what! None of us wanted things to go that way either!

Like it really is remarkable sometimes to remember how readers don't necessarily get to see us smaller romance authors gritting our teeth and bitching in our spaces because we hate the trends that are being pushed forward, but also we have to compete somehow, right? We have to be sell books. We have to find a way to be picked up and read in this oversaturated sea. We have to try and gain traction against those people who hire 50 ghostwriters at a time for pathetic rates to churn out romance novels so they can release one literally every month. We have to fight against the 99-cent expectations even though we're lucky to make 35 cents per book sold if we offer it at that rate.

I think one of the most insulting things that publishers did was decide that it was the author's responsibility to go viral on booktok. That way, the publishers got to save a hell of a lot of money on marketing budgets, right? No, we won't be arranging tours unless you're lucky, we won't be pushing your book as hard as we usually should. It is your job to have a social media following that is broad enough that you make your books go viral, not us giving it a boost as your publisher. If you don't go viral on booktok, we will probably not be signing you for another book, sorry, bud.

Cannot express to you either how many of us erotic romance authors especially were gritting our teeth when the cover trend started leaning toward basic primary colors and splotchy abstract shapes. I completely understand that not everybody wants a shirtless man with a 12-pack just slapped on the front cover of the book they're reading—I actually thought it was brilliant when I saw several self-pub authors offering both the traditional steamier cover but also an option of paperbacks with a more tame, understated cover that just makes it look more like a literary novel. But god, it felt so lazy, these aforementioned abstractly illustrated covers. They told me nothing about the book. There was barely a sense of themes or important objects and these shapes had no defining characteristics that set any of the characters apart and they just looked like YA novels, which is fine for YA novels, but how do you market your extremely high-heat romance novel in that cover trend? If you throw together those blotchy illustrated shapes, people are going to think it's sweet or closed-door, and then they get in there and there's 12 graphic sex scenes on the page, and they're furious about it. I loved seeing illustrated covers that were more detailed start to make a move forward, especially because it meant starting to separate the American cultural assumption that illustrated = childish. Letting them be sexy, letting the author be able to represent any kind of protagonist they wanted without being restricted to the tiny selection of mostly skinny white able-bodied cis models on stock photo sites? Incredible. Love that. Want more of it. Wish it was easier to get publishers to really buy in on that.

The fact that readers will complain about promotional things like trope maps when the publishers require the use of them. The publisher makes them, they hand them over, and now you are the one who will be using it because that is contractual and because even if it wasn't, you want your goddamn book in front of people's eyes. And if you are self-pub or indie, if you don't have a substantial marketing budget to spent thousands of dollars on ads, promotions, and whatever the hell else, you are all but required to follow the trend because that's the only way you're gonna get people to share your shit.

And god, the way that it's all reduced to just 'booktok romance novel.' I get what that's referring to, that exact grouping of authors and why they're frustrating, but holy shit, I wanna know how many of those readers have picked up a self-pub or indie romance by a marginalized author. I'll see people complain about the quality of romance novels as compared to the quality of romantic fanfiction and I wanna shake them by the shoulders and say, "It's there! It's out there! It's self-pub and indie romance authors out here doing the goddamn work and you! Aren't! Looking! For it! Because it's easier to mock the genre instead!" Especially self-pub/indie queer romance authors who are marginalized, they are out here revolutionizing the genre and not getting anywhere near the accolades they deserve.

It's just irritating and exhausting. It's frustrating enough to have your genre used as the constant butt of jokes, treated like it's a substandard genre, like all it is is trash, using 'bodice ripper' as a disparaging term for modern romance novels when that is a relic of a very distant past and a historical pinpoint about which we can have an in-depth discussion about the decades-long process of making it socially acceptable for a woman to talk about her sexual desires rather than the 'bodice ripper' days when a woman had to have them forced on her instead before she could ever dream of admitting that she might know her own body and its cravings.

It's frankly embarrassing to see my genre so poorly understood. That's all. The one genre that is devoted to making sure that every marginalized person can have a happy ending of their choosing—marriage, pregnancy, queerplatonic, no sex necessary, no marriage or kids necessary, whatever feels right—rather than just the skinny white able-bodied cis people, that's the one that is always getting the potshots taken at it, and it's really a goddamn shame.

[breakerwhiskey]

163 - ONE HUNDRED SIXTY THREE

Please visit breakerwhiskey.com for more information or to send a message to Whiskey's radio. Breaker Whiskey is an Atypical Artists production created by Lauren Shippen. If you'd like to support the show, please visit patreon.com/breakerwhiskey.

Transcript under the cut. For more episodes, click here.

[click, static]

Except, if I were dead, how does that explain Harry? I obviously have some…guilt over what I did that I think would factor into my brain making up a weird purgatory of no people and mysterious, possibly all-knowing beeps on the radio that feel like they’re taunting me more than they’re helping me. But, even if I didn’t spend my life thinking there was an afterlife, I could see my subconscious deciding that the best way to process what was happening was to justify my death somehow through creating a punishment.

Because, let’s be honest, if I’m dead, I know how. I know why. What I did—what I was trying to do in this case, in this case—that failed and I didn’t make it out and deep down I decide that “hey, this is probably for the best, because here’s what would happen if you did succeed, do you really want to live like that? But even if all of that was true…I don't know that my brain could resist giving me something I did want. Someone I want.

Harry seems real to me. Annoyingly so. Real and exactly who she’s always been to me. No substantial change, despite everything we’ve been through. And I’m not sure I’d punish myself that much. Maybe I just don’t want to believe I would.

So if not dead…then what? We’re back to square one, which is me as the stone, setting a ripple around the world that destroyed nearly everything.

[click, static]

I’m not sure I should be so cavalier about this stuff. Talking about my own death, my own final gasping breaths of life. But ever since finding Leann, there’s a sense of unreality that I can’t get over. I’m sure there’s a real name for it, something a psychiatrist would immediately be able to identify, but I never did see a shrink back in the world. Because I mostly didn’t have to deal with shit like this.

But I’m outside my body. Outside everything. And I want to figure out what this all means, find the truth, the answers that I’ve been wanting for so long and also….it feels almost inconsequential now. Like nothing I uncover or grow to understand will actually change anything.

I’ll still be alone in the world. I’ll still have done what I did. Harry will still have betrayed me. And I’ll still be in—

[click, static]

It’s not like learning certain things changed anything. Knowledge can’t kill love.

[click, static]

[familyabolisher]

Would you be willing to share anything about your writing process for the essays you write? I really enjoy your work so I was just wondering!

Hope ur having a good one :)

i don't know that i can be all that helpful here because my writing process is very much just like, "just write it innit" lol! i usually start with a broad sense of what i want to write about and narrow it down until i can get from a constellate set of concepts to a coherent argument that i can outline in my introduction and then explain and supplement throughout the piece. so for example, i'm writing on tennessee williams at the minute (and i'm v much still in the planning stage)---i went in knowing that i wanted to write on williams and that the parts of his work which interest me often have to do with how he writes about sex, sexuality, desire, and death. from doing a bit of reading i then narrowed that down into the outline of an argument about his use of contained spaces as mediators of contained (and therefore controllable) desire in streetcar, cat on a hot tin roof, the glass menagerie, and suddenly last summer. (this is all v provisional, i started planning this thing two days ago, i suspect it will look v different by the end.) so i now have a thesis statement and a handful of key points where i can substantiate and explore my claim better.

planning for me generally just consists of establishing the arguments i want to make and the best order in which to make them---salolita turned into a 25k four-essay monster but it was planned out as just one piece of writing, and the order i chose to make my arguments in (relationship the texts' discourse holds to hegemony -> containment and entrapment within the terms set by hegemony -> how that containment and entrapment creates the aesthetic subject -> how the aesthetic subject is contravened and why) was supposed to be the most coherent formulation, allowing me to segue into a new argument after having laid the groundwork in the preceding section. (i suck at this btw, i constantly find myself having to go 'i will return to X in greater detail later,' but it's a good habit to try and be better at than i am.) so i usually just bullet point out each section of the essay and sub-bullet point my arguments + the specific points in the text(s) that i'll want to reference.

honestly after that i kind of just write it lol! if there's reading that needs to be done then i do the reading and adjust my plan accordingly, but i personally find that my arguments only really start to come together and make sense once i write them out in full. i almost never write in order---i pick the part i want to write in the moment and i write it, and i leave linking everything up and stitching it together and whatnot for the proofread/edit stage. if i can't think how to finish a sentence or a paragraph then i mark it with a '[]' and come back to it later. the parts which are harder to tease out will feel a lot easier once you've written out the parts that you know really really well.

i think the most important thing for me is the thing that you will hear literally all the time forever but is unfortunately very true, ie. that you should try and write a little every day. i hate this so much but regrettably it is literally the only thing that actually lets me get stuff done. also get comfortable with writing on your phone and write wherever, like on the bus and shit. i write on my phone at work lol.

i hope this is helpful!

[jonathan-samuel-smith]

@jaybirbie sent me a request in the replies to write Jon getting mind controlled and Damian breaking him out of it, but I was having trouble not only avoiding writing what other people have written but what I myself have written!

In my fic Dos Oruguitas Jon returns to the present after realizing that saturn girl is mind controlling him to stay with her. It's the start of my little au where freshly aged up Jon and regular Damian spend a lot of time together and are dating. i love this au. I thought about having Irma come back to mind control them again but I didn't want to turn her into a cartoon villain. I just think she's a kid and she doesn't realize how awful she is being, but if he expressly states to her that he hates her mind control and she keeps doing it anyway I feel like that becomes character bashing and i don't want to do the "evil straight woman tries to break up gay couple by seducing bisexual man" trope.

a remedy for all things by WizardEffect has Jon mind controlled by manchester black and Damian snaps him out of it.

Here's my notes anyway, I couldn't really lengthen them out to anything more substantial.

-damian gets captured while jon is being held in a different place with red kryptonite chains, but jon is able to laser off the wall its attached to and drag it with him as he looks for revenge. Damian breaks out and finds jon fighting the batfamily who are trying to stop him from beserker rage killing the people who captured them. Damian flips, jumps, somersaults midair and says “Jon, catch me.” jon goes “Dami!! I missed you so much, i was so worried!” and he holds him bridal style and starts kissing his face and nuzzling him and holding him tight. “Let me cut these off for you, habibi.” Damian says, so Jon sets him on the ground and damian pulls out a dremel and cuts through the kryptonite. “Fly us out–” jon picks him up and soars into the sky “Of here. Heh, wanted me alone that much?” jon kisses him on the mouth. He pulls back ��I’m so embarrassed. I just outed our relationship in front of your whole family. And also almost killed some people.” Damian caresses his face. “But you didn’t. And they were going to find out sooner or later.” jon buries his face at the juncture of Damian’s neck and shoulder “But not like this” he whines, “My dad is gonna be so pissed I didn’t tell him.”

I couldn't actually find any other mind control fics without smut so that does show a need for more fics but I just don't feel like i can make this long enough to be worth posting on ao3. I was gonna draw a comic of it but i hate drawing comics actually, they take so much time. and it would have been 3 pages and still not as clear as my text.

[canmom]

mmo rp is kind of fundamentally not so different from RPing in any messaging program, something we've been doing since the days of IRC. the story you co-create is primarily driven by what's written in the text box. no matter how well made the emote animations are, they are not communicative enough to really tell a complex story, so you always fall back to prose. your character's voice will be limited to a handful of nonverbal expressions - a laugh, mm-hm, uh-huh. you are constantly having to reinterpret bits of game jank as you construct your mental version of the 'real story'. and yet

these visual aids do make a really substantial difference in how you experience it i think. to honestly a kind of surprising degree. of course having a character design on screen helps avoid writing tons of descriptive prose - but there's also a lot that can be done with simple movement through space, like a character positioning themselves besides another, retreating to sulk, getting up to dance.

like in visual novels and manga, you have essentially a set of codified, symbolic expressions - but in FFXIV, every race has its own set of very charming and polished animations for nearly every emote, which adds a huge amount of info in how you interpret that character (and slot them into the otaku database). a roegadyn will by default be loud and brash, a viera refined and dreamy, a lala mischievous and childlike. a mi'qote is a cat. since all of these are chosen by the player, they act as a strong signal of what your character's deal is - their body language comes across even if it's not like the actual scene fully acted out.

and what's fascinating to me is that even when i know what the player looks like irl, i still find myself responding to their game embodiment in how i think about them, i don't picture them irl... but also, having the embodiment helps me get into character. I have two alts, and with each one i feel drawn to a different style of roleplay. just like a list of prompts in a ttrpg sourcebook, the embodiment you've chosen gives you something to bounce off when you're improvising.

roleplaying is very similar to improv comedy, and many of the same analysis concepts - 'offers', 'yes, and' - apply. we're essentially improvising a digital puppet show. building up an RP venue and customising our model is a way of laying out props to help that process roll smoothly.

i often dream about an mmo animation system that would be less janky - more control over camera placement, better handling of interactions between player characters and characters with their environment, more ability to plan out timing and blocking and so on - essentially trending towards multiplayer source filmmaker.

the problem is that such a system would probably have way too much cognitive overhead to be usable in real time improv. i think what something like ffxiv shows is that even very simple elements - besides the emotes, your character looks towards your target and moves their lips when you talk, you can adjust their expression and there's animation hooks all over the place line chairs you can sit on - can actually be a very expressive palette and people are pretty good at filtering out the jank when they want to create a story together.

indeed, it becomes a skill - knowing what animations you have, how to reinterpret them, how to line yourself up with other players. and in the end you don't remember the time spent shuffling forwards and typing /hug again and again, or standing up and sitting down repeatedly until it lines up right. you remember the cute sight of your character sitting beside your friend, looking fondly at each other.

there's also another angle which is like... i find real life 'going out' very difficult - usually hitting a point of information overload very quickly in a pub environment, and while music is easier to manage than a wall of conversation, i never really learned how to interact with strangers at a club, concert, convention. I'm not good with alcohol. when i try to a pub, i usually end up retreating into myself and ducking out. in mmos, though... i find prose much more easy to be expressive in, and the limits of the animation system kind of level the playing field a bit in terms of The Autism when it comes to body language and the like.

still, sometimes it feels like a very sad existence - i rely on this simulacrum, pretending i am being intimate and social with people i can't touch through a computer program that draws triangles. everything in an mmo is muted, blunted by the medium - which makes it 'safe', but also tinges it with a loneliness that can't really be broken. but for now, i guess the simulacrum is all I've got, you know? and i can appreciate how it's put together, all the effort that has gone in from devs and players alike to realise this alternative channel for connection.

but yeah. i guess it comes back to this again... there's a reason my online 'face' is a low poly approximation of an animal!

[castlebyersafterdark]

when are you gonna post your big write up on the gnc topic? not rushing you! just wondering if you still are or if you decided to ditch it. I'm really eager to read whenever it gets posted

Haha I don't know if I would call it my big write up, I don't want to seem like I'm some guru professor on the topic - I'm not! Still learning. I don't want to say the wrong thing? Because its a topic that I've taken an interest in and a character trait I really found I've enjoyed for Will, and many anons have sent me insightful things - but I'm setting it aside until I have more mental space to do it as chill and thoughtfully as possible since I don't consider myself a resource for the topic and don't want me making these long, dramatic posts about it to look like I'm trying to be an authority figure on the topic? Coming at it as fan analysis of a fictional character, rather than real world insights if that makes sense? It's on the plate. I do promise I'll post something eventually. I know it's just a fan blog I have here and personally I'm not under any deadlines or obligations, but I feel bad if I promise something and don't follow through (which is also why I've said most of my other fic ideas I've shared will EVENTUALLY post but I can't promise anything substantial with the Boarding School AU even though I adore it. Don't want any hopes up in case I can't deliver on the idea).

I've also had a hard time focusing on any one thing when I go online lately, full disclosure there. I'm still bopping around but between really getting into writing fic and answering all the wonderful asks people send, I keep jumping back and forth and drafting more asks than posting. Since my brain is leaning heavy into trying to write fic when I use the free time I dedicate to fandom stuff. Which is I think needed! I want to post more stories! I find thats my favorite part of fandom now is presenting a polished fic. So, keep sending stuff but if it's an ask that isn't something I can answer off the cuff when I'm slacking at work during the week 🤭 I'm probably giving it a longer answer or drabble in the further future. Thanks all for sticking around, love yall ❤️

[findroleplay]

You rp finder groups need to stop promoting posts from people who dont properly rp. I've liked dozens of posts looking for rpers but when those rpers reach out they don't have a rp blog set up, they don't have a muses or rules page and they don't even have threads on their blog. No one have pinned posts of a self promo with the information about their blog. You're not promoting rper's you're just giving people who just want to write smut a platform. Which makes it harder for ACTUAL rpers like myself who are looking for people to write with.

I think you may have a substantial misunderstanding of how people use these blogs tbh.

Most of the blogs that use this page don't write on Tumblr anyway, so you wouldn't find any thread on their blogs. It's also not surprising that they don't have RP info ready because these aren't RP blogs, they're personals. They just wanna connect with other muns and move to Discord. What you're looking for is joining the Tumblr rpc but they hardly use these blogs to find partners. You gotta start searching the tags, making promos hoping they'll get reblogged, and following people if you're looking for that kind of interaction because they just don't hang out around here (not against the rules but I guess most tumblr rpers like to handpick their partners rather than betting on strangers liking their ads).

Also: 1) You can absolutely ask them for info when they contact you. Most of these people are serious about writing, they just focus on Discord. 2) Even if some people just want to rp smut, it's not a bad thing. 3) That last line is so ridiculously stereotypically gatekeeping that I honestly think you're taking the piss so I feel kinda dumb for taking this seriously.