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tomatograter · 3 years ago

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Do you think Dirk saying that he doesn't like to label himself as gay means he has internalized homophobia? Or does he really just don't like to put labels on himself? I've seen ppl saying it's homophobia but there's ppl in real life that don't feel comfortable with labels so I'm a bit confused honestly, cus we are talking about Dirk and he's... Dirk after all

Easy answer: Dirk is Gay.

Prolonged answer: I think it's kinda weird how some fandom discussion around "Dirk dodging the label in One pesterlog" has largely spiraled way outside of its original context to be talked about in a vacuum, especially when that context is crucial to understanding what is actually being said, AKA — it belongs to a deeply awkward conversation between Dirk and Roxy. One of Many they are implied to have had about the subject of Roxy's sustained, unwelcome, and oft drunken advances towards Dirk (& his splinters).

I'm going to reproduce it plus another bit of text down below, for the sake of comparison.

(To prevent the trickster text from looking like absolute shit, I have altered the background. Read the original here, if you're nasty: https://www.homestuck.com/story/5754 )

Now that we've been reacquainted with how and where that sentiment is expressed, let's try to break down what Dirk is doing here.

He is not receptive to Roxy's early advances, and spends most of the 'intro' for this conversation (not pictured) ignoring when Roxy flirts with him, until she gets upset at how 'boring' he is being right now.

Dirk is the one compelled to apologize.

He proceeds to shut the scenario down as an unwanted probability, eliciting further guilt-babbling from Roxy over how Dirk never wants to play along with the perfect traditional family fantasy, until she finally blows up and says it's because he's gay.

"I mean, yeah, that's what I thought."

Dirk, rather than saying I Am Not Gay, since he looooooves changing a conversational subject, claims that "Gay" is not entirely historically appropriate for this situation, given the non-negligible passage of time and the wildly dystopic circumstances* they find themselves in.

Dirk reassures Roxy he does still care about her.

Dirk is absolutely terrified of a similarly inclined (and intoxicated) Roxy up close. This is the most exclamations he's ever used.

Now, *These circumstances? The loss of 99% of the human race, including their society, customs, culture, and prejudices. (ALLEGEDLY.) It's important to remember that from Dirk and Roxy's side of the timetable, troll culture has been pushed as "the norm" for actual fucking centuries. HIC tried to recreate the caste system by artificially coloring human blood, leading to the death of billions. Faygo came out of the water tap, not water. Troll slang was incorporated into the English language. Humans ceased to organically reproduce. They were actively Discouraged from reproducing, since that's not something HIC could have total genetic control over; rendering traditional marriage and the concept of the nuclear family pointless.

You could also argue that same-gender relationships are not uncommon in Alternia, making "gay" altogether unnecessary by proxy, and that's true! But my point is this one: any union (or at least our society's holy concept of it) between straightie humans would be by definition undesirable under HIC's rule, too. She is the church, the president and the governing body. The population is only as good as they are assets for her to do whatever she wants with, including mass murder.

But wait! While that tracks… Roxy clearly still holds onto very 'conservative' definitions of romance for most of Homestuck. We see this multiple times. Dirk, as proved in conversations with Jake, uses 'gay' as an ironic pejorative. Suddenly it's not Historically Inaccurate anymore, Jake's interests are just gay.

Does this mean the context above is basically worthless, since they don't seem to have internalized it? No.

What must be kept in mind is this: Dirk and Roxy's only "active" link to de facto humanity is our society as it was in the early 2010's. Those glimpses they get by talking with jane and jake. They have all that dystopic context, yes, but the reality that seems the most "unfucked" to them for a grand majority of their lives are the halcyon years before the Condesce's rise to power: back when weed was illegal, BlogSpot was popular, movies sucked, MTV was still a hip channel, and gay generally meant something real bad. The wave of homophobia as a punchline or fear mongering tactic was at THE HEIGHTS. Marriage equality was a hot debate topic. Those were the dayz.

Dirk is keenly aware of the taboo implication the word "Gay" as a self-denomination carries. He's no dummy. But he's rarely direct with his intentions either. He's slippery as a bar of soap. (He's never "straight about his feelings", if you prefer.) And for a guy that cares so much about his reputation and maintaining a curated sense of utter coolness, he wants to avoid outing himself as any sort of weirdo no matter the cost.

But that's not all. I think the gravity of just how much Dirk believes he *owes* Roxy simply for existing as the last human in the same timeframe as her is a severely underplayed aspect of Dirk's core character, together with how much he tries to avoid her sexual advances only to end up feeling like absolute shit over it, because — if they truly are the last people on god's blighted earth, isn't he being "selfish" and "irrational" about not feeling shit for Roxy, in the grand scale of things? Is Roxy not his only friend in tangible reality, even if he avoids the mere suggestion of visiting her? Even if she gets black-out drunk and tries to push him into indulging her, regardless of how many times he's already said no?

(Spend enough time here and you realize how it directly mirrors the jane/jake experience.)

Dirk cares a lot about each and every one of his friends.

He pointedly adapts his speech based on whichever one of them he's talking to in an effort to express that investment. May it be reassuring Jane, fooling around with Jake, or trying to prevent Roxy from falling into a total catatonic doom-spiral; he avoids telling them anything that would be too crushing to hear. That's not what he's trying to do here. Not to say that he isn't bitchy sometimes, but that’s far from the central thing he does. The Epilogues have retroactively led people to believe that Dirk abhors and despises every single person he's ever been close to before (god forbid) LIKING them, and I think buying too much into that assumption ignores the foundations of his canon text, as well as the central motivation behind 99% of his actions in the story. This is the guy that grew up on Friendship Is Magic, has a picture of rainbow dash shamefully glued to one wall and a rainbow poster of Jake's symbol stapled to another, and everything he does is a little cringe attempt to demonstrate his worth by showing how much he cares about people, even when he's punching his actual feelings down instead of up and saying them.

Which brings us back to the load-bearing part of this question: Admitting to Roxy that there is absolutely no fucking way he will ever agree to having her babbys because he is gay is precisely the opposite of what Dirk wants to say, if his intention isn't pulverizing her. So he doesn't. And his worry on this regard is such that it prevents Dirk from even telling Roxy that he does love her, in the platonic sense, as a friend and hell-earth survivor, because he knows that specificity is what that would disappoint her greatly. (He only ever confesses this to Jane, on the death slabs.)

But also I think this is a really funny visual of Dirk's relationship with the word gay, to put statements into perspective:

#homestuck #meta #dirk strider #roxy lalonde #dirkroxy #long post #janejake

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thundergirl007 · 2 years ago

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feeling nostalgic for TAG

going through and reading those thunderbirds fanfictions i saved because i started getting nostalgic whilst saving them and decided to actually read some of them tonight and yeah i’m kinda teary and nostalgic

so here’s the thing. Thunderbirds was my first internet experience, really. I found Thunderbirds fanfiction on ff.net totally by accident sometime in 2013 and was enamoured and inspired to write my own fanfiction. I was a teenager, my fics were cringy, i deleted 3 of them out of embarrassment years ago. However I have kept a few on my fanfiction profile if people are interested. I was very into Tracy sister stories so. Whoops.

Then around the time of TAG 2015 getting announced I joined tumblr. I remember creating my account AROUND Thunderbirds. I think there was lenleg and danielstss (??) and laylaanne and artisticrainey and politelyscribblingaway (now reallyhardy!) and ladygrimblossom.

Looking in my archive i feel quite embarassed that some of my interactions were quite reactionary. Not in a hostile way as such, but as an example, i wondered why it took Scott 10 seconds to notice a suit missing in one episode and when discussion offered some reasons i was pretty rude in me “calling bullshit”. I was a very emotionally charged 16 year old when i joined and fam i am sorry for some of the tones in which i wrote posts. It was the first time i experienced blogging like this. Sorry that you all had to deal with that 🥺

It makes me really sad to go through my archive to my earliest posts (oh god i was an eager beaver back then but cringe culture is dead i am glad i was so into it) and notice how many of those blogs are deactivated. Like, i know some of them simply changed blog names (i know that lenleg and reallyhardydraws are two people still around) but the others i mentioned had a profound impact on my fandom experience and i’m sad that I can’t find them on here to tell them that.

SO i just wanted to give a very late, nostalgic shoutout to some of my favourite early TAG community peeps here on tumblr all the way back in 2015 (it’s an AGE ago my goodness). I do hope the people that i can’t tag eventually see this post because I really hope you’re all well and happy, and at the very least if you are still on here (i haven’t changed my username lmao XD) i’d love to know who you are now so i can update my memory a little XD.

- @reallyhardy. i know you’re still around, not exactly TAG, but i still love seeing your work. Especially when I compare it to your work back then! It reminds me of such a simple time in my life and I thank you for it. Your art is still one of my favourite chill and cool depictions of the Boys TM ever!

- @lenle-g. same here, I know you’re still here. Loved your art AND your writing (the goose fic. legendary). You were so nice to see on my dashboard and even though i don’t think i considered anyone a real “fandom friend” bc i was young and naive but i think it was so nice to chat headcanons and stuff back in the day!

- @artisticrainey. Tumblr says you’re not here, but I was rereading your Butterflies series tonight and it was the thing that compelled me to make this post because i remember so much of YOU back then. You were such a staple - your writing AND art were incredible, I still recognise your style when I go through my archive. I do hope you see this because you did a few of my prompts (the boys learning to drive!! was definitely one of them!! i was on holiday when you tagged me in it and i REMEMBER)

- Balek (on ff.net - not sure if they’re on here?). You wrote some of the funniest banter between the bros on ff.net that i’ve ever read and i love rereading them. They always do make me smile :D

- @ladygrimblossom. A peep that i remember being involved in all the discussions. My archive is full of reblog chains featuring BOTH of us. I remember one of my most validating (feeling) moments was when i wondered why Scott, described as a “level headed” brother, stopped what he was doing in a high rise rescue to call Alan during Space Race. And you agreed with me. Taking my point further bc i was like 16 and articulating myself badly XD

- @laylaanne. I know you’re still around too, but same again. I just remember you being a big contributor to fandom discussion and in jokes and it makes me happy.

- @doyouheartheangrymen. here’s the thing, i typed that out and i’m JUST now, after 7 years, realising that it is supposed to be read as “do you hear the angry men” when i have been reading it as “do you heart the angry men” (adding an extra t for some reason lmao.

- @duchessnibenhu-ofpyromania. A fandom peep that again i remember interacting a lot with in discussions. I remember we shared an ikea dresser (i have replaced mine now 😥) and we’ve visited each other’s animal crossing islands!

- @daniellestitt. Someone else that was absolutely here posting meme-y content like this and you know what, i agree. In trash we trust, may he rule over us all.

- @thunderbirdgordon. I remember really liking your art style!! I thought you drew the boys really well and i really loved seeing you on my dash :D

ok so i think that’s everyone. Well that’s not true, i’ve probably forgotten someone. But all the same - to anyone that was around on tumblr in the TAG fandom from 2015-2017 during my formative years...

thank you for such a good time. Thunderbirds is my comfort fandom and whilst i don’t interact much nowadays, i would like to change that. I truly loved all my time in the fandom and I hope that everyone is happy and well. Feel free to shoot me a message if you see this post, i’d love to chat with more people!

#thunderbirds are go #tag team #thunderbirds #tag 2015

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adelle-ein · 2 years ago

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hi! i cant believe i saw ur post about my tags! (no worries about @ing or not @ing me.) and ur SO RIGHT about the quality being too high for 2013… (id also love an aesthetic writeup)

it really was just a surprise because the number of gif creators has been drastically reduced since this post type has been dying out on all other platforms. for me it gave me the similar vibe of recent dvd movies being redesigned for vhs covers (tho not quite that old). it was super charming!

and i hope i didnt imply that your gif work was bad or outdated! i think the colors are quite fitting and the quality speaks for itself.

im quite new to the fe3h and ferdibert scene, so im having a great time trawling tumblr for all the great posts ive missed since 2019. i was quite happy to see this particular gif post because it felt like such a classic tumblr staple, like all ships need (at least) one dedicated set of gifs/edits, and this was the one i needed 🥰

thanks again, for both your original post AND reply!

Hi! I'm glad there's no worries there, I went back and forth for a bit and I didn't want it to feel like a callout post because. it was very much not! I just wanted to talk about gif stuff a little bit

and I definitely don't feel bad about your comments or anything! At first I was surprised but when I went and looked at the gifset I definitely agreed with you (despite nitpicks about the time period heh.) It did make me think about how, in general, I don't think tumblr gif-making trends have continued changing as much since the mid-2010s, and if they have I stopped really keeping up with them. I think some of that is probably just me, esp due to my never buying Photoshop CC (i remember looking at others' methods in maybe 2016ish and seeing that I just didn't have the tools others did anymore. my old CS6 is still chugging along…) but also due to the site becoming less popular over time and there being less interest and fewer people getting into gif-making. Like you said it's a bit of a dying medium, and it's never really been a popular post type on other platforms, so if not for tumblr who would people be making gifsets for?

Lol I definitely feel you about that style of post being an older ship staple though! It used to be such a common thing that every fandom had (albiet less for video games bc that's often harder - I do not honestly remember really making that series of 3h ship gifs but that was definitely dedication to the cause at the time, there was so little media to work with). Now a bit of a dying art alas (including from me since I don't really make many gifs at all anymore….learning to draw instead for a number of reasons)

Anyway yes that was a fun rabbit hole to go down! Genuinely I would love to read a Tumblr gif/graphic aesthetic writeup - putting framerates aside I don't think people really use textures that much anymore for example unless they need a background, and sharpening has definitely been toned down. And fewer song quotes. And filters still lean more pastel than the really saturated stuff in the early 2010s. But I don't really have the time atm to do some kind of deep dive myself…it would be really neat though!

(Also just in general as someone who never left, seeing the site come back to life a little bit as the twitter BS kicked off has been fun…idk if it will last but i'm enjoying it while it does!)

#itsquip #ask #txt

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dukeofonions · 4 years ago

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The Problem With Asides

Before I get into anything I want to clarify that this is not going to be a criticism of the two Asides episodes we’ve gotten so far. This is a critique of the concept of Sanders Asides as a separate series from the original Sanders Sides. A second note I want to make is that this is, just as all my other posts are, a personal opinion. This is not meant to be an attack on anyone, just a general criticism from a confused writer and viewer of the show.

And final disclaimer: A lot of what I’m going to say is based on information that I no longer have available. It’ll mostly be me recalling things I heard and if I at any point get something wrong please feel free to let me know.

That being said, let’s get into this, shall we?

(Fair warning this post is very long hence why I’ve divided it into parts so feel free to read then come back as you wish)

Part One: The Concept of Asides

Some time ago last year, I believe shortly after Dealing With Intrusive Thoughts came out, was when the idea for Sanders Asides was first announced. The basic concept of it being shorter, more lighthearted videos focusing on the Sides outside of the main storyline. This format would allow them to give us more Sides content in between the long waits for the main series since those episodes were beginning to take more time to produce.

Of course, everyone was eager for more Sides, so the majority of people were excited. Not only that but due to the main series tackling heavier themes, the episodes were becoming more angsty with less time for the characters to just relax and goof off with each other. The idea of having episodes reminiscent of the low stakes, sillier, happier content of season one was a welcome break from the more complex episodes and would be a nice return to form for the series.

We were also informed that these episodes would be much simpler than their main series counterparts and wouldn’t disrupt the work being done on Sanders Sides, which meant we didn’t have to worry about long gaps between the main story episodes, right?

(Another disclaimer: I am perfectly aware of the main reason why we were not given as much content last year and am not blaming Thomas or the team for doing what was necessary to keep themselves safe and hope they continue to do so as this continues into the new year)

Jump to November 22, 2019, where we got our first official episode of Sanders Asides, roughly five months after DWIT came out. Which, for this fandom, was record time to get more content and I was pleasantly surprised by how quickly they were able to get this out. Though at the same time, I wondered why it took five months to make what was meant to be a short, simple episode.

So imagine my surprise when I went to watch the episode and saw it was nearly 20 minutes long. Which, okay, isn’t that bad when you compare it to the lengths of the more recent Sanders Sides episodes. But at the time, I was under the impression that the Asides would be, well, much shorter. The longest I expected would be maybe 15 minutes, but you know what? It’s the first episode and it has been a while since we’ve had Sides content, so maybe they wanted to give us a little extra due to the long wait.

I started the episode and at first, I was overjoyed when I saw the first shot of all the Sides sitting in the living room in their onesies about to have a movie night. This was exactly what I’d been hoping to see from this series! It’s pretty much a staple thing in the fandom for the Sides to have movie nights together, and now it was happening in canon!

At the moment, I had high hopes for this series and was filled with joy.

Then that hope and joy were immediately crushed when I realized this was yet just another Virgil-centric angst episode. In fact, this entire episode was, well, exactly like a regular Sanders Sides episode. Sure, there were some jokes here and there, but the tone of the episode was no lighter than the last Sanders Sides episode. If anything DWIT felt lighter in comparison to this one.

Which leads me to ask, what the heck happened?

Part Two: Literally the Same Show

At this point in time, we’ve only had two episodes of Asides. Usually, I try to hold off my judgment of a series until I’ve had at least one other episode to see if my original criticisms still stand.

To be fair, I did think Flirting With Social Anxiety was a step in the right direction. More comedy, a lighter tone, yes. Perfect. But again, just like with Are There Healthy Distractions? This episode quickly dove right back into the angst pool, and just like ATHD it was a pretty long episode, clocking in at almost 25 minutes.

Not only that but again, both FWSA and ATHD don’t feel any different from the episodes we’ve been getting in Sanders Sides.

1. They’re just as angsty.

2. Roughly the same length as Sanders Sides episodes.

3. Take about just as long to produce.

4. Contain a lesson to be learned.

Which, okay, you can have lessons in lighter shows too, but we’re already getting that in Sanders Sides and Sanders Asides was described as, well, being less plot heavy. Yet so far both episodes are still tied in with the main plot.

ATHD deals with the aftermath of DWIT, not directly but it’s pretty obvious that the whole thing with Virgil’s reveal at the end of that episode is being addressed in the background. Which, kind of takes away the impact of that ending, but I’ll get to that later.

Then FWSA takes place after Putting Others First and again, is dealing with things from that episode in the background. Again though, this isn’t necessarily a bad thing. It makes sense to see the characters dealing with things from past events.

So why is it a problem here? Because, again, Sanders Asides is meant to be a separate series, and all the subtext brought on from the episodes in Sanders Sides makes the plots in these two episodes confusing.

For example, I was perplexed during my first watch of FWSA because I couldn’t understand why the focus of the conflict was lying. I didn’t understand why Virgil and Roman came to the conclusion that Thomas’ reason for being unable to approach Nico was because he was lying to himself, when both the title of the episode and what we were shown points more to, well, social anxiety being the problem.

(Quick note: One could argue that this was done purposefully to have Virgil putting the blame on Janus since he doesn’t like him and wouldn’t want to admit that he was the one responsible, but this series has had a bad habit of favoring Virgil in the past so until we get more answers I’m gonna leave this on the backburner)

It didn’t help that I had no idea when this episode was meant to take place in the timeline, and I originally thought it could take place a bit after season two since Roman and Virgil seemed to be doing better, but more on them later.

All of this bugged me until I found out that FWSA takes place after POF, and after watching the live stream that followed and getting some more context, the lying thing made a bit more sense, but the fact that I was as confused as I was just caused more frustration to build up. And I wasn’t the only one who got thrown off by the “Lying is wrong” message of FWSA so I had to ask again, why was this episode a Sanders Asides when apparently, you need information from the last Sanders Sides episode in order to understand it?

So you’re telling me, that the second episode in what is supposed to be a separate series that isn’t meant to be a part of the main plot, is now integral to the plot of the main story you’re telling in what is, as you have said, a separate show? How does that make any sense?

Okay, one could argue that Thomas getting a love interest doesn’t really fit with the current storyline that’s going on in Sanders Sides, and that is a fair point. The problem with that is, FWSA takes place right after Putting Others First.

You all remember what happened at the end of that episode, right?

Part Three: Intrusive Plots

At this point we’ve all become rather accustomed to the long waits in between videos, it’s nothing new to us, and for the most part they haven’t done anything to harm the current plot of Sanders Sides. Sure, the length of time between videos can cause people to lose interest, but for the most part the tone of the last three episodes of Sanders Sides hasn’t differed much and the story flow is still going along smoothly.

Let’s start with Selfishness vs Selflessness, which is the episode that sets up the big climax for season two. It’s still got its jokes and funny moments, but the overall tone is far more serious than previous episodes have been. This carries on into DWIT where Thomas has been so stressed out lately that he’s begun to have trouble with his intrusive thoughts.

Virgil even gives a pretty good summary of Thomas’ current mental state: “He recently realized he’s a bigger liar than he thought he was, he doesn’t understand himself, he’s committed to skipping a big callback, and he’s sleep-deprived. So yeah, he feels like a piece of dirt who has no control over his life.”

And all that was a direct result of the ending of SVS, despite DWIT not being the direct follow up to that episode the two are still intertwined. Remember that for later.

DWIT ends with the long awaited reveal of Virgil having been a “Dark Side.” Even though the majority of the fandom had figured it out by as early as Can Lying Be Good? That didn’t take away from the emotional gut punch that this scene was and it’s one of my favorite moments from the series. I may have to make a whole post breaking that scene down but what matters is that this scene was a turning point for Virgil’s character.

We’ve seen him trying to hide the truth from Thomas ever since Janus and Remus started popping up, and there were close calls with both of them nearly revealing it themselves and continuously dropping hints to Thomas. Only for Virgil to admit it to Thomas himself, and leave before Thomas can even say a word.

We don’t know for sure how Thomas is feeling in this moment, but it’s clear he’s been shaken by this. He doesn’t really have a lot of time to process it before he remembers to acknowledge the audience and close out the video.

This comes up again once we finally get to the monster of an episode that is POF, the follow up to SVS that everyone had been waiting over a year for. Right away we see that Patton and Roman will be at the forefront of this discussion with Logan popping up every now and then, but who doesn’t show up in this episode despite having played a role in SVS?

Virgil.

He’s nowhere to be seen and his absence is definitely felt. Why wouldn’t he be part of this discussion? He was there in SVS and had a lot to say on the matter, he was even part of the decision to choose the wedding over the callback! So why wasn’t he there?

Well, just look at the ending of DWIT and there’s your answer. Of course he isn’t about to show his face after that. Not when Thomas is already under so much stress already and he isn’t sure how Thomas will react to seeing him-

*insert random voice whispering off to the side*

Wait, Virgil has seen Thomas since DWIT? When?

*whispers continue*

Oh, right, they interacted in Sanders Asides. How did that go again?

*whispers explain*

Huh? Thomas said he’s cool with Virgil despite revealing that he’s been hiding something from him this whole time? That “something” being the fact that Virgil was once considered part of the others that were currently making Thomas’ life miserable?

*whispers confirm*

Really? They’re both okay with each other now? Well, good for them.

So wait, then why didn’t Virgil show up in POF? He was there during the first discussion and honestly he’d have more of a reason to show up than Logan who wasn’t really present at all in SVS.

*whispers explain*

He just wasn’t need there? Hm, alright. Guess that makes sense…

Well okay, Virgil and Thomas are on good terms once POF rolls around, Virgil isn’t present during the conversation because he isn’t needed and I suppose his presence would make things worse. Especially once Janus revealed himself, he wouldn’t allow him to get a word in. Even though Janus could probably silence him but I digress.

Fast forward towards the ending of POF, remember when I said to remember how SVS and DWIT were connected? Well DWIT is just as important to POF, acting as a bit of bridge between to the two episodes.

Janus brings up Remus (both directly and indirectly) twice in this episode.

First here:

Notice how Roman’s breakdown is already being foreshadowed here, the camera focusing on him while “Logan” says this isn’t an accident.

The second time Remus is brought up is at the very end after Janus has revealed his name:

“Oh, Roman thank God you don’t have a mustache. Otherwise between you and Remus, I wouldn’t know who the evil twin is.”

(No I am not posting screenshots of this scene I already got emotional over the last one)

As we saw at the end of DWIT, Roman does not have a good relationship with is brother. So much so that when Thomas refers to Remus as such, Roman creates a different analogy that compares Remus to a mirror, reflecting everything Roman doesn’t want to be.

Roman desperately wants to distance himself from Remus, not wanting anything to do with him. We’ve only gotten a glimpse of just how far this loathing goes, and part of that comes from Roman finally breaking down after being told by Janus that if it wasn’t for a mustache there’d be no difference between him and Remus.

This shook Roman more than anything else in the show has so far, moreso than him being the one to decide that Thomas should give up the callback. He was the one that pushed Thomas to make that decision, believing it was the noble thing to do, only for it to only make Thomas feel worse and then be told by Janus that his “noble sacrifice” was all for nothing.

Janus, the one who had been supporting Roman throughout SVS, buttering him up and encouraging him to go after his dream, told him that his sacrifice was worthless. Then to top it all off Janus admits what he did and brushes it off as a joke. He doesn’t apologize to Roman, leaving him in the dust, then when Roman responds by laughing at his name he’s shot down even lower.

And when he looks to Thomas and Patton for help, for answers, anything.

They stay silent.

Patton tries to reassure him, telling Roman that they love him, but he doesn’t believe it. He sinks out, and that’s the last we see of him.

Selfishness vs Selflessness, Dealing With Intrusive Thoughts, and Putting Others First are three of the biggest (and dare I say most important) episodes in the series. The three almost act like a trilogy, with POF leading to something bigger, the season finale. Which will be culmination of all three of these episodes.

We’ll be seeing Virgil’s reaction to Janus having been accepted by Patton and facing his own past as a “Dark Side.” Then we’ll find out what has become of Roman after he disappeared at the end of POF, and how it now affects his relationship with Thomas.

*whispers return and begin to whisper*

I’m sorry what?

*whispers repeat*

Virgil already knows about Janus getting somewhat accepted? Well okay I guess he would, wish we could have seen his reaction to that but oh well, no big deal. At least we got the Roman and Thomas confrontation to look forward to.

*whispers whisper*

Roman has already interacted with Thomas since POF? When?!

*whisper*

In FWSA? Oh yeah, how did that go again? It was super awkward right? Since Roman doesn’t really trust that Thomas loves or values him?

*whisperly whisper*

They get along just fine as if nothing happened?

*whispersty*

It looks like he might still be upset with him since he’s being a bit passive aggressive?

*whisper*

Can’t really tell because the three are too busy trying to talk to a cute guy at the mall?

Okay, I guess that all makes sense…

Looks like Roman and Virgil still aren’t on the best terms with Thomas but are able to push that aside to help him talk to this handsome stranger, and hey, it worked! Thomas now has a boyfriend! Just look at Roman and Virgil at the end, they’re both so happy with Thomas!

Looks like now they can focus on this new chapter in their life and leave the events of POF behind them. I mean, now that Roman and Virgil seem pretty cool with Thomas it would just feel weird to suddenly have them angry with him again, wouldn’t it?

Part Four: The Problem

Sanders Asides was originally described as being a series separate from the main storyline of Sanders Sides. Promising us shorter, less complicated episodes to give us a little something in between the longer, heavier episodes in Sanders Sides. This was a great idea that ended up falling apart the moment it began.

When I was going through SVS, DWIT, and POF I mentioned that the three of them felt like a trilogy. All three of them link together to tell one bigger story, and on their own they get the job done. They set up the season finale perfectly to the point where you have an idea of what to expect and what to look forward to.

The main things being the aftermath of Virgil’s reveal and Roman’s breakdown, which would most likely cultivate in them teaming up against Janus. This would also involve Virgil coming to terms with his past and Roman having to face Remus.

Of course, none of this has been officially confirmed, but given everything we’ve seen up to this point it just makes sense.

The story for season two is nearly complete, all we’re missing is the conclusion.

Then Sanders Asides showed up and threw everything off course. What was supposed to be its own thing crept into a story that was already (for all we knew) set up and being put into place.

We were told that the Asides wouldn’t do anything to disrupt the flow of Sanders Sides, yet it’s been confirmed that there will be one or two more episodes of Asides before we get the season finale.

Why? Why are these episodes necessary when everything was set to move forward after POF? If these episodes are that important that they absolutely have to be made before the finale then why are they simply not part of the main series?

You could say “Well they’re not directly tied to the main plot, that’s why.” But need I remind you that Asides as a concept was just intriduced after DWIT came out? These episodes were written specifcally for Asides, which unless I’m wrong means that they were just added into the main story with no planning whatsoever.

FWSA honestly feels like it should have been the start of season three, something that should have waited to be introduced after season two wrapped up because it’s just too much.

We already have so much to unpack from SVS, DWIT, and POF now we also have a new love interest on top of that?

Virgil and Thomas’ resolution doesn’t even feel all that special because it wasn’t talked about directly between them. Thomas was indirectly letting Virgil know they were still okay, so what does that leave for us? All that build up about Virgil being a “Dark Side” only for it to be brushed over like it was nothing, and this happened in an Asides episode, not even in the main series.

It also makes Virgil’s absence in POF confusing when they had already set up the perfect reason for him to be absent in DWIT, but according to the first episode of ATHD Virgil and Thomas are okay with each other. Sure, Virgil being there might have made things worse but at that point everyone was making things worse.

We no longer have a confrontation between Thomas and Roman to look forward to because in FWSA we see them interacting as normal. Even the passive agressiveness isn’t anything new to Roman and really, it all just sounds super petty which he had been known to behave like that even when nothing is seriously wrong. Not only that Roman is overjoyed at the end, having finally gotten something he desperately wanted, the happy ending he deserved.

All that’s left for him is to fave his feelings towards Remus, but what would even happen there?

The problem with Asides isn’t the quality of the episodes, FWSA is actually one of my favorite episodes. The problem with Asides is that the team is taking what should have been something small and turning it into a far too elaborate for what its original purpose was: To give us more lighthearted content to enjoy in between the waits for the heavier episodes.

Instead it just feels like they’re adding onto something that really didn’t need adding on to, creating more work for themselves when it just isn’t necessary, and that worries me.

Final Thoughts

Honestly, it’s hard for me to make all these judgments when no one has any idea what the finale is going to be like. And usually, the team is able to excede my expectations and create something amazing.

But with all these new Asides episodes that feel like they’re just being crammed in at the last second, it makes me wonder how the rest of the series will go if they continue down this road.

Season two started September 1st, 2017, it is now January 3rd, 2021. Throughout season two the production of episodes became more elaborate, and there have been complications that arose from trying to make these videos as a result that sent production screeching to a halt. And on top of that, these Sanders Asides have been added to create even more work for Thomas and the team.

I don’t understand why they’d do this to themselves when it’s already become more difficult than ever to make videos in general, not just Sanders Sides.

We were offered something simple that would have satisfied everyone during the difficult times, only to be given something that honestly, wasn’t even needed. I do appreciate Thomas trying to get us more content, but I don’t think he or the team realizes just how content we’d all be with just a five minute video of the characters we love just doing something as simple as hanging out and having fun, especially with how dark things have become all around us.

We don’t always have to be watching these characters struggle, sometimes we just need to see them be genuinely happy.

(Thanks to everyone who took time to read this monster of a post, I did not mean for it to get this long but it’s been dwelling on my mind for a while and I wanted to make sure I got out everything I wanted to say. Again, this is all just a personal opinions and you are not obligated to agree with me. If you have an objecting opinion I would not mind hearing it but please keep any discussions civil.)

#dukeofcritical #sanders sides #ts criticism #sanders sides criticism #patton sanders #roman sanders #virgil sanders #janus sanders #remus sanders #logan sanders #long post

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skaylanphear · 3 years ago

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Hi there! Do you have any advice on improving traction towards a fanwork/fic? I love writing—and it's not for notoriety by any means—but having validation and feedback also feels nice (I hope that's not conceited). What would you recommend to someone without a large audience/follower base? I do "advertise" on tumblr when my work is written/updated on AO3. How did your journey start? Thank you!

This is an interesting question and I doubt most people are going to like the answers, but here we go:

So, first and foremost, you need to be realistic about why you're creating in the first place. If you're doing work in a fandom that is older, where content has stopped coming out, or that is simply smaller, you're not going to get much engagement, period. There will, of course, be activity in these fandoms, but it will be far less and the people involved—while they may view your work—will be less likely to comment/spread it around simply because there's not much going on. So if you're creating in that sort of environment (which can be a really good environment if you're looking for something chill with no pressure), then you have to be prepared for low engagement, even if the people you do meet and who are willing to talk about your work are more regularly in your sphere. You can probably make better/closer friends in these sorts of fandoms, if you're willing to try.

But, on the other end of this, if you're coming into a huge fandom late, it's also going to be harder to wade through the massive following to get your stuff out there. For example, in both the Miraculous and Sk8 fandom, I started work pretty early on, when the shows were still gaining traction, and so my "name" as a creator gained traction parallel to that growth, as opposed to when I started writing in the Voltron fandom. With Voltron, I came in super late and so what few fics I had that did gain traction took a lot longer to get there because people already had their fav content creators in the fandom, etc. It's not impossible to get popular in this situation—far from it—but it does take longer.

You'll also benefit from having finished works early on in a fandom's lifespan, at least with writing. This is because there's less competition for views and so more people will be filtered to your work, initially. This means that you have a better chance of getting those comments and kudos. Having a finished work increases this engagement because people look for finished works before works in progress. Generally, the length of a fic doesn't matter much for popularity, so long as it's DONE. When I was writing in the ML fandom, quite a few of my earlier fics were shorter, and they compete in popularity with my longer fics, because people care more about having a finished story, not a long story. That's why when it came to Only Practice Makes Perfect in the Sk8 fandom, I worked hard to get that shit done, because it was the most popular story I had in the fandom and I decided—like an idiot—to make it a long fic. Which, yeah, means people probably love it/remember it more in the long run, but if I hadn't finished it in 2 to 3 months, I'd have lost considerable traction as far as making a name within the fandom.

This leads into one of the most important points, if not THE MOST IMPORTANT point in gaining an audience—consistency. If you do want to be a successful creator, you Have To Be Consistent. This is the most difficult hurdle for all creators, and it is oftentimes impossible to make happen. If you want to aim for professionalism, which a lot of fandom creators don't care about (which is fine), then consistency is how you get there. Nobody wants to read a fic or follow an artist who doesn't stick to creating what they start (RIP all my unfinished works and the people who left me as a result, LOL). Using my most recent works as an example, I very, very, very consistently updated Only Practice Makes Perfect multiple times a week. To the point where people got comfortable expecting it, which is the key variable here. When people become comfortable that you will regularly create content, they not only stick around, but will be more interactive with you and your work. Nobody likes the disappointment of getting involved with a work only for that work to rarely get updates. Most people don't have the attention span to care. I'll admit, if I read a fic that's not finished and the writer takes one week to update, then one week, then THREE weeks, I probably will, like, forget about it. That's just life.

The best thing you can do is schedule. And again, this is the HARDEST thing to do, because it holds the creator to a deadline. Most people who create in fandoms don't want that kind of pressure—and that's fine. I go back and forth on when I have scheduled releases and when I don't, depending on what I'm aiming to do. But if you to retain your audience, telling them that you will update a work regularly on such and such a day and such and such a time, it creates something for them to remember. If they're invested in your work, they will think, "oh, it's Friday, that means such and such is coming out with something new." But, with that in mind, you also have to commit to a schedule that people will remain invested in. Which basically means you can't put things out more than a week away from each other, unless you're really, really famous, lol. If I told people I was going to go on a two week update schedule, I would lose most of my audience. But a week is long enough for people to both still remember and anticipate. That's just how the scheduling of the world works. And if you're an artist that's working on a big project, then you have to share progress, or pieces of what you're doing on a regular basis. That's what generates "buzz" and keeps you relevant. And, yeah, that's a really hard schedule to commit to, because it's a lot of work. BUT this consistency is where you see people being successful. Popular youtubers may not have gained their popularity by being consistent, but most sure do retain it that way. And again, there are outlying exceptions, but they generally ARE exceptions.

Speaking of hard work, here's probably the second hardest thing to accomplish—you have to be prolific. Especially as a writer. You have to write A LOT if you want to gain an audience. And yeah, that means you have to work, a lot. I love my work, so I enjoy that "grind," and I also have developed a lot of strategies to work around writer's block and every other obstacle that tends to catch people up. I work in a very professional manner—I do outlines, and drafts, and plan. I do a lot of stuff that people who do this kind of thing for fun can't be bothered with (and that's fine), but that's because I find it to be what works best in creating an efficient environment. I'm also very, very NOT lazy, lol. I was raised in an environment where you have to work for everything that you want. My parents didn't buy me my first computer, or snowboard, or what have you. We were tight on money and if I wanted something, they couldn't help me—I had to get that shit on my own. And I also grew up on a farm, where hard work was a staple of how you did things. You did things the right way, even if it was the hard way. You can't cut corners and it's the same with this. If you want it, you have to actually do the work, that's it. Some people get lucky with popularity, most don't. Most famous actors didn't become well-known off their first efforts, they had to keep trying and keep working and then they have to continue to do that to stay relevant. So if that doesn't sound great to you, then you might want to not focus on your audience and just create because you enjoy it, lol. Sometimes that's what I do too, when I don't wanna deal with the pressure.

Moving on, here's another point that nobody is going to like. Simply put, you also have to be good at what you do. I think some people don't realize that I've been writing fic for over fifteen years. I currently have nearly 2 millions words worth of fics on AO3 and that doesn't include a majority of the stuff I've ever written. I practice A LOT. I write every day. And I'll tell ya, when I started out in middle school, my stuff was not good. But I worked hard, I ignored the hate, and I kept going. That is the only way you will ever get better at anything. There's no quick way to become a better writer, or artist. And a vast majority of people are only going to pay attention to your stuff if it's quality work. Getting to that point is a process, on top of then creating stuff that fits into popular molds. Not only am I good at what I do (and I don't care how arrogant that sounds—I've worked my ass off), but when it comes to fandoms, I rarely write "rare pairs" and "crack ships." Generally, if it's popular, that's where I am. That makes a big difference and I honestly don't have sympathy for people who write rare pairs and such and then complain about lack of engagement. You knew what you were getting into (it's mostly the Miraculous fandom that gave me this bitterness). If you're not writing what people WANT to read, then your audience is simply going to be smaller. And that audience doesn't owe you their attention, no matter how frustrating it is or how good your work is. I could be the best writer in the world, but if I'm writing RekixCherry fic, I have nobody to blame but myself when nobody reads it. BUT if that's your passion, and writing a certain unpopular thing makes you happy, then, again, you need to not be concerned with traction and your audience.

The last point I'll make is that it matters HOW you present yourself online. A good chunk of the well-known creators in any fandom are, simply put, older people. And those that aren't, and are able to connect with those older creators, have generally created a bubble around themselves of maturity and, like, of being nice, lol. A lot of creators are skittish these days, and if you're an asshole (anti) or fight a lot over stupid shit, you may get a bigger audience, but you will isolate yourself from other creators. And this is important because oftentimes it is your exposure to other creators that will get your work circulating. The reason I got popular in the ML fandom? I wrote a short angst fic and a really popular artist shared it/talked about it and the rest was history. But if I'd had a habit of being an asshole, probably wouldn't have happened. And, granted, I'm not saying don't voice your opinions, but if you're loud all the time, it does turn people off. Especially creators because they are oftentimes the ones being attacked. They don't want to pull more of that negative bullshit into their lives. I'll admit, when I was in the ML fandom, I was down for a fight, but then that's what people came to expect, and it probably did turn others off, and then when I didn't fight, or didn't think the way my audience thought I should, it, again, turned people off. It's really not worth it unless being that type of person IS your platform.

So, that's all the advice I can give, I suppose. And even if you do all this stuff, that still doesn't mean you're going to be popular. At the end of the day, the thing that I stick to is this—I do what I want, I love what I do, and I work hard. If I'm in a position to worry about all that other stuff, then sure, I do, but otherwise… There's no easy way to become popular and, quite frankly, it's better to just "live" working hard and being a decent person than it is to focus on all this bullshit. I've created a working environment where I function within these "points" quite naturally, so it's not something I think about (except for schedules, lol). Sometimes I get popular in fandoms, sometimes I don't. At the end of the day, it comes down to how much work you're willing to do, because you will always be giving more than you are getting back, so you have to at least enjoy what you're doing.

Seriously, just do it because you love it. And if the pressure of everything above is something you don't love (I like a good, high pressure situation, lol), then don't do it that way—it's not worth the grief.

#skaylanphear replies #anonymous

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silentfcknhill · 4 years ago

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FAVORITE SHOWS IN POSTERS

Well, we’re back for another installment of this tagged meme, this time for TV shows! I also stole this from/was indirectly tagged by @jcmorrigan. My taste in shows also differs a bit from my taste in movies, as I tend to like a lot of comedy shows with not as many horror ones. I’m not into shows as much as movies overall, but there are some that I am very passionate about so I picked twenty again. So, here we go for part 2, in order:

1. Avatar: The Last Airbender/The Legend Of Korra (2005-2014)

I'm including these as one show since they take place in the same universe and tell a continuation of the same overall plot. Altogether this is probably the best piece of media to ever exist, including movies. It has so many great characters and villains especially and some of the most epic sequences, charming humor and heartwarming moments ever. I've never met a person who didn't like these shows, even people who normally don't like cartoons. My dad, who is biased against animation? He loved it. My mother? She loved it, watched it with her multiple times. My grandmother? Loved it. My ex-boyfriend? Loved it. My best friend? Loved it. I dare anyone not to, and I'm so glad it's making a resurgence since it's on Netflix for a new generation to enjoy.

2. Black Butler (2008-2014)

I never was big into anime growing up and only really started watching anime when I was like 16 and above, but this is one of the exceptions because holy shit is it ever dark and epic. I'm not sure I'd really recommend it for kids, it's more of a teens and young adults kind of anime and that's probably why it's so good, because it isn't afraid to explore dark and mature topics and do it with all of the intensity and gravitas required to do said topics justice. It has lots of great characters, and the story of demons who make deals with children who have a dark side is fun to watch play out.

3. Seinfeld (1989-1998)

My dad was a huge fan of this show so I watched it growing up since I was a toddler and it became a classic for me. I've watched thw hole show through at least 8 times, and I'll never stop because it never gets old or boring. It's also my only comfort show when I'm having a panic attack because of one time a few years ago when I was having a drug-induced psychosis episode and watching it calmed me down, so now it's like the opposite of a trigger and whenever I'm having an episode or something I watch it to bring me back to reality. For that reason it's more than a show to me, it's a medical treatment and I'm forever grateful to it.

4. The Good Place (2016-2020)

The big four shows made my Michael Schur all made it on this post (The Good Place, Brooklyn Nine-Nine, The Office and Parks And Recreation), either in the main list of the honorable mentions, but this is my personal favorite of the four. It's so funny, quirky, relatable and basically tailor-made to suit my interests. Not only is it an entertaining and wholesome show, but I think watching it helped me come to terms with a lot of things like mortality, ethics, philosophy, religion and my relationships with other people. It gets alot of different viewpoints across and if you're a very analytical and philosophical person like me you'll probably enjoy seeing it all play out. Not to mention, every single character is 'favorite character' material. It's rare you find a show with no filler characters in the main cast, but I genuinely can't choose who is best.

5. Brooklyn Nine-Nine (2013-?)

Another of Michael Schur's shows, this one is just barely under The Good Place and to be honest it was tough to pick my favorite between the two because they're both equally funny. I know it's kind of controversial right now because of the whole law enforcement thing, but I actually think they do a good job of handling social issues in the show and remaining respectful of real-life systemic problems. As for the characters, this is another one of those shows where every single character is gold and I think that tends to be a trend among Schur's shows in general. He produces damn good comedy, and damn good characters. I can't wait to see what they bring next.

6. Rick And Morty (2013-?)

This is unfortunately one of those cases of 'great show, horrible fandom' and for that reason I don't get involved in the fandom even though I love the show. It's a shame because it really is a great show, so funny and, again, such good characters. I think it's a lot more accessible than the fandom likes to claim, so I'm hoping more people will give it a chance and not get put off by the intellectual elitism of the fandom because it does have some of the most entertaining and batshit crazy episodes ever, poking fun of some of the staples of science fiction in media while also poking fun of itself the whole time. Unlike the fandom, the show doesn't take itself seriously and that's enjoyable nowadays.

7. Orange Is The New Black (2013-2019)

While this show is a comedy, it is also a lot of other things and it's probably made me ugly-cry just as many times as it's made me laugh. Well, maybe not as often, but those few scenes (if you've watched the show then you know the ones I'm talking about) made me hysterically sob hard enough to be worth like fifty minor sads. But I didn't even mind because the show is just that good, and it makes you /feel/ something in a real way. Probably because of just how real it gets in terms of telling stories that happen all the time in the real world, sometimes with inevitably tragic endings. But these things do happen every day, and it's important to shine a light on that. It's not just representation for LGBTQ+ but also for POC, the neurodiverse, the poor, and many more. Give it a watch to broaden your perspective!

8. Big Mouth (2017-?)

This is probably the grossest show I've ever seen but by god is it ever funny. Maybe it's because I have an immature sense of humor or something, but I love this show. It definitely won't be everyone's cup of tea and I don't recommend you watch this show with anyone else around because it will get awkward. I think part of its appeal to me is that everyone I talk to who likes it considers it so relatable to their lives growing up but for someone like me who grew up on the autism and asexual spectrum and who was physically an early-bloomer by years, nothing about this show is relatable to me in any way so it makes it all the more crazy and bizarre watching how the people around me must have experienced things. Did y'all really have these experiences with puberty in middle school???

9. Dexter (2006-2013)

I recently heard that this show is coming back for a reboot soon and I'm so excited because this is my absolute favorite drama/thriller show, as evidenced by the fact that it's the highest one on the list so far that isn't a comedy. I love the idea of having a protagonist who is sort of a villain (or at least morally dubious), and the idea of a serial killer who only kills bad people is particularly satisfying for some reason. Maybe because he's the vigilante we all deserve and want in this unjust and evil world of modern times? Idk but the very premise of this show set it up for big things and aside from the ending I think it delivered consistently.

10. Once Upon A Time (2011-2018)

This show took us on some journeys, and you can't deny that. Sure, maybe it didn't always finish what it started and didn't always end in the most satisfying way, but part of its charm is that you didn't care because the experience was just so much fun. They took characters and stories that have been told to death and somehow managed to put a unique and unexpected twist on them, and that alone is admirable. Good twists, good villains, and pretty much every cliffhanger known to man will keep you hooked on binge-watching every episode.

11. RuPaul's Drag Race (2009-?)

A bit different than the other entries on my list in that it's not fiction but a reality competition show, but I couldn't leave Drag Race out because it's just so fucking iconic and perfect. Even when you disagree with the judges or can't stand a certain contestant you'll still be having a good time. It's got the personalities you love to love, the ones you love to hate, and the comedy that's completely meme-able. I mean just how much has this show contributed to pop culture and the internet? More than most of us, henny. I've watched every single season, even the international ones and all of the spinoffs. This show will probably be on for another thirty years when Ru is throwing shade from a hospital bed and I'll still be watching.

12. House (2004-2012)

Some people hate on this show, and I don't get it. I love House. Yes, he's an ass. That's the point. He's supposed to be unlikeable, and that's why I like him. Maybe because I always love the rude, sarcastic, misanthropic jerkass-genius characters for some reason. And I also love procedural shows, so it's a win-win. I also work in the healthcare field so it appeals to me for that reason too, because obviously the whole premise is outlandish which is what makes it funny. Of course it's not realistic for a hospital, so just enjoy the absurdity and don't get too hung up on the details of medical accuracy and professional ethics and you'll be fine.

13. The Office (2005-2013)

The third of Michael Schur's show and the last one that made the main list (sorry Parks And Rec, I love you too but there was just so many good shows to choose from and I saw you last so the nostalgia isn't as strong!) I don't think I need to hype this show up any, it's already a classic and you can't even turn around online without getting hit in the face by a dozen Office memes. You'll have to pry this show and it's relatable characters (especially Michael Scott) from my cold, dead hands.

14. All Hail King Julien/The Penguins Of Madagascar (2008-2017)

Like Avatar/Korra, I also consider this as one show for the sake of this list because it also takes place in the same universe (Madagascar, specifically) and I just couldn't choose one over the other because they're both so perfect. They're funny and I love all the characters (it cut out the weaker links of the Madagascar film series and just focuses on expanding the standout side-characters like King Julien and the penguins). It also delved into some lore, particularly the first show, and even though I didn't also agree with the directions it took (you may have seen me get salty about the ending because I cared too much), I can't deny how much I love it.

15. Bones (2005-2017)

One of the other scarce non-comedy shows on this list, it still has it's funny moments. It's also, like House, another procedural show that involves some medical stuff, but this time on a more scientific and forensic level which is even more interesting. It's nice to see a lead female with Asperger's, too. There's a lot of cop/law enforcement shows where they try to solve crimes, but this one is the best, and I'm saying that as a fan of CSI as well. Don't fight me on this, I'm right. Oh yes, it's corny, it's campy, it's cheesy, but I love every minute of it. Don't watch if you have a weak stomach though.

16. The Simpsons (1989-?)

We all grew up with this show, don't lie. It's been around longer than most people on tumblr have even been alive. Should it have ended seasons ago? Hell yes. But that doesn't take away what the first like 20 or so seasons gave us (there's a lot of argument about when the show jumped the shark, for me it wasn't until much later than the popular consensus). The characters are amazing, but the secret to the show's longevity is that they always return to status quo and there's comfort and nostalgia in that. Bart will still be in 4th grade when you're out there pushing 90. This show is persistent. This show is eternal. This show will outlive us all.

17. Ash Vs. Evil Dead (2015-2018)

Sorely underrated. This show is hilarious, gruesome and campy as hell and I love it. I don't think you necessarily have to watch the Evil Dead movies beforehand in order to get the plot of the show, although it would probably help. In my opinion this show ended way too soon and I'm hoping someday we'll get a comeback because Ash is the reluctant, self-absorbed hero we all need and it's 2020 so at this point there really might actually be a demon-zombie apocalypse and who's gonna save us then if not for the impulsive womanizer with a chainsaw for a hand?

18. Malcolm In The Middle (2000-2006)

Another show I grew up with, I don't think it gets as much credit as it deserves. It has some damn funny episodes and great characters, and it did a lot of the popular sitcom tropes before they were 'cool'. Some other great sitcoms, The Middle in particular, took a lot of influence from this show and it helped pave the way for the future of sitcoms at a time when they were about to make a comeback. If you want a good show about the real experiences of growing up, this is a much more accurate representation of the highs and lows of being an awkward tween from a dysfunctional home.

19. A Series Of Unfortunate Events (2017-2019)

Unlike most people I actually liked the movie version from the early 2000's, and I read the books growing up so I was excited when I saw there was a live action television adaptation of it on Netflix because I felt like they cancelled the movie franchise too soon. I was interested to see how new actors would handle the roles, and I was not disappointed. I wouldn't say I liked either portrayal of the characters better or worse, they both added their own twist to it and this show is a great and loyal adaptation to the books, probably because the author was so heavily involved. He knew just when to stick to the books and when to improve upon what he had done with the benefit of hindsight. This show is basically the books, but remastered.

20. Winx Club (2004-?)

Sort of an odd one out on this list, but I really love this show even as an adult and it may surprise you to learn it is still going on and the most recent season came out last year. They take big breaks sometimes in between seasons, but it's still going strong and in multiple countries. The only thing I don't like about watching this show is all the different and inconsistent dubs since the original show is Italian and each dub only goes for a couple seasons so by the time you get used to one set of voices/names for the characters oyu have to abruptly switch to another, but it's still worth it for the beautiful animation and cool characters (especially the villains!)

Honorable Mentions:

13 Reasons Why, America's Next Top Model, American Horror Story, Arrested Development, Bates Motel, Battlestar Galactica, Black Mirror, Care Bears, Chernobyl, Courage The Cowardly Dog, Criminal, CSI, Duck Dodgers, Goosebumps, Kenny Vs. Spenny, Kim Possible, Kingdom Hospital, Lazytown, Lost, Making A Murderer, Mayday, Mindhunter, Modern Family, Monster High, Obsession: Dark Desires, Parks And Recreation, Prison Break, Project Runway, Queer As Folk, Queer Eye, Salem, Schitt's Creek, SCTV, Spongebob Squarepants, The Emperor's New School, The Good Doctor, The Haunting Of Hill House/Bly Manor, The Middle, The Pretender, The Walking Dead, The X-Files, Through The Wormhole, Unbreakable Kimmy Schmidt, Unsolved Mysteries, Yugioh

Tagging: @bullet-farmer and anyone else who wants to!

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lilydalexf · 4 years ago

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with tatooedlaura (Laura Sprys)

Laura has 28 fics at Gossamer, but the big treasure trove of her stories is at AO3, where she has 193 fics. Thank goodness for the richness of the X-Files and for talented, creative people like Laura who can find so many interesting ways to tell tales in the show’s universe. Big thanks to Laura for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

Maybe reading mine but reading older fic in general is something I still do and something I still find entertaining. I do wish i could get into my old fics and post a warning that some of those were written before the author: ever had a drink, ever had sex, ever had a boyfriend, ever lived on her own, ever had a real job, or ever experienced much of anything in the real world.

Then again, fanfic is a perfect time capsule for the age and it’s always fun to see where the originals started and how they’ve grown.

What do you think of when you think about your X-Files fandom experience? What did you take away from it?

Back in the day and up and through today, it has always been a fun experience. From it, I’ve learned to love writing. I’ve learned that fans are crazy, weird, wonderful, generous, talented, committed, passionate, and imaginative. In a fandom, you can think whatever you wish and write about anything you like and because I’ve been around so long, I’ve gotten to watch the storylines shift and the relationships change ...

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

Originally, I never had much interaction with people other than ones who sent emails commenting on my fanfic … the internet at my parents house was dial-up and I had to access through the AOL free disks that arrived in the mail so, for the most part, I didn’t have the bandwidth or the connection speed to do more than upload stories and download episode guides.

Good lord, I remember submitting a story and having to wait upwards of two days to two weeks before the new batch of stories was posted ... then ephemeral came around and you could actually have your story up in under a day ... all ya'll who started on tumblr and ao3, you have it great, let me tell you :)

One thing that stands out in my mind still (and I’m still friends with her on Facebook) was a woman from western Canada who I stumbled across somewhere while looking for the blooper reels. She offered to send me her copies on VHS for my collection. I don’t think she asked for payment and one day, a package arrived from a lovely woman near Lethbridge, bloopers playable, tapes labeled in clear printing. I still appreciate that 20 some odd years later :)

What did you take away from your experience with X-Files fic or with the fandom in general?

Fandoms are crazy places. Tread lightly at first but enjoy what you want, ignore what you don’t, rewrite what you hate, and write what you love. Don’t be an asshole when you don’t agree with someone … when you do, tell them …

What was it that got you hooked on the X-Files as a show?

I was on board from the first episode. It was a show about two people who you felt were destined to be together but weren’t, and wouldn’t be for years. It was a cop show about aliens and a monster show with cops. I was in the right place at the right time in the right frame of mind and there was just something that clicked and I never looked back. Friends were not allowed to call me on Friday night and once it switched to Sunday, I made sure that my parents got us on early evening bowling league so we’d be home in time to watch. Even my boyfriend (eventual husband) knew to shut the hell up from 9-10pm, even if he was sitting next to me on the couch (with my parents in their chairs watching as well)

Also, my 56-year-old dad had a crush on Scully from the start so that was entertaining as hell as well

What got you involved with X-Files fanfic?

I have been writing stories in my head for literally as long as I can remember. Watching some episode, I honestly don’t remember which one, I suddenly had an idea for a story about Mulder and Scully. I had never written a story with pre-existing characters before and it was totally foreign to me. How do you write a character with a current storyline. It was weird, it was difficult, it was some of the most fun I’d had writing up to that point.

Suddenly, I didn’t have to explain or describe the characters, think of jobs and mundane things … they already had those … and it was great.

Honest-to-God, my first fic was written, in pencil, on a yellow legal pad by flashlight while lying with my head at the foot of my bed so I could see my parents coming down the hall if they happened to wake up at midnight to go to the bathroom. Later fics were written by the light of an 10” TV/VCR combo with me still lying with my head at the foot of the bed. I still have those old legal pads somewhere and I remember having to type them in secret, having to wait until the house was empty for 20 minutes to an hour at a time. Uploading them was always unnerving because of the slow dial-up and the fact that I didn’t have my own email address, but had to use my dad’s. I’d have to make sure to check it whenever I could, intercept the feedback I’d get off gossamer.

I was such a damn rebel.

What is your relationship like now to X-Files fandom?

Well, I now know how to interact with people given tumblr and AO3 but it hasn’t changed much. I contribute a little more now that I understand posting on social media but mostly, I still just write like a fiend and post, read voraciously and give kudos and likes often, comment some and reblog.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I dabbled and have a favorite ‘Fringe’ fic … I tried to read a Harry Potter fic once … I type ‘West Wing’ occasionally in ao3 and tumblr ...

And nothing, absolutely nothing, has ever caught me like the X-Files did in regards to the fandom experience.

I have shows I watch and re-watch and re-watch but no two characters have ever had me writing and thinking and planning like Mulder and Scully. No other combo has ever made me write upwards of 300,000 or more total and still have plenty of stories to tell.

I’m okay with this.

Who are some of your favorite fictional characters? Why?

Aside from Mulder and Scully and the gentlemen three of Frohike, Langley, and Byers … I love all Scully’s nieces and nephews in my ‘Life’ series … I also love Corduroy (picture books), Harold (purple crayon fame), Neville Longbottom, the characters from my own novels, Katniss (book not movie), Anne Shirley, Elnora (from the Limberlost), Will Stanton/Merriman/Barney/Jane from ‘Dark is Rising’ and 10,459 others …

I’m a children’s librarian so most of my favorite books are those written for the younger and YA crowd. I like my job :)

Do you ever still watch The X-Files or think about Mulder and Scully?

I watch this show all the damn time. I will think about Mulder and Scully when I have nothing else to think about, normally writing and editing whatever story I may have in the hopper at the time about them.

My husband laughs when I have the show on. He knows all the episodes with me and it’s one of my comfort shows that I don’t have to pay attention to when it’s on. During it, I have edited books, decorated cookies, been sick, been recovering, simply wasted a perfectly good day because I could.

My 17-year-old daughter keeps it on while she does homework and works out.

It’s a staple at our house and no one is allowed to make fun of it, even though we all know that parts are completely ‘make fun-able’

Do you ever still read X-Files fic? Fic in another fandom?

I read fic all the time … I have worked my way through AO3 starting from the beginning and if it was more easily readable on a phone, I’d work my way, once again, through gossamer.

Restated from above: I dabbled and have a favorite ‘Fringe’ fic … I tried to read a Harry Potter fic once … I type ‘West Wing’ occasionally in ao3 and tumblr ...

Do you have any favorite X-Files fanfic stories or authors?

I have all kinds of favorites on tumblr but right now, I honestly don’t remember most of the names … I pretty much read everything that comes through my dashboard and every few days, i read through the newest posts on AO3 … I love you all!!

What is your favorite of your own fics, X-Files and/or otherwise?

Of X-Files fics, I love my newer stuff … I read “Life” and its sequels every few months … ‘Your Place or Mine’ is another one I will read … actually, I’ll just say it .... I read all my own fic over and over again …

With fic, you get to write the characters as you want to see them and write situations that you want to see … I write for myself most of all and I love to read what I wrote :)

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I write them all the damn time. I have tons of snippets and half-finished that I occasionally glean things from but while sometimes, old stuff morphs into new, sometimes, it just needs to gather that dust and live a quiet little forgotten life in some backhand folder on my dropbox account ...

Do you still write fic now? Or other creative work?

First question is answered above.

As for other creative work, I have published two YA novels, have the third in that series in editing … I have five other novels in the hopper in various stages of ‘good lord this needs an edit or twelve’ …

I am writing things constantly in my head or on my laptop … most is crap … stome sticks … some turns into fic and some turns into books …

But the point is, I am writing, in some form, at all time :)

Where do you get ideas for stories?

Some two sentence conversation will spark an idea … the line of a song will inspire an idea … a word will start a sentence which will turn into a paragraph which will tumble straight into a story … and sometimes, stuff just pops in my head for no damn reason at all ...

What's the story behind your pen name?

On gossamer, I am L. Sprys because that was my name at the time :)

On tumblr and AO3, I’m tatooedlaura because my name is Laura and I have, now, six tattoos (yes, I spelled it wrong in my handle but that’s life) … when I decided on the name, I think I only had two

Do your friends and family know about your fic and, if so, what have been their reactions?

They do now … it took me years to crack and tell them … my husband has never read them, nor have any of the people I have told (as far as I know)

Now, I don’t really care who knows … I’ll tell them I write smutty X-Files fanfiction and family-friendly X-Files fanfiction …

I am too old at this point to be embarrassed by what I like to do. If they laugh at me, I tell them they only get to laugh when they’ve published a book and I pull up my books on Amazon … I’ve only had to do that once and it shut them right the hell up …

Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?

Gossamer: L. Sprys

Tumblr and AO3: tatooedlaura

Is there anything else you'd like to share with fans of X-Files fic?

I love you! I see you! I appreciate you! I hope you enjoy! Don’t judge me for my grammar issues! I will never be able to spell the word ‘excersize’!

(Posted by Lilydale on April 27, 2021)

#old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #tatooedlaura #laura sprys

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riacte · 4 years ago

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Unnecessary Hermit MCC Team Speculation

So according to Scott, teams are in the works, applications likely closed a few days ago, MCC 14 date is known to participants, MCC Twitter says they’re gonna steal CPK’s spotlight after wishing him a happy birthday. So we’re getting MCC 14 relatively soon. Hence I’m making my 284927391 hermit MCC team speculation.

Hermit duos:

Actually I think we’ll be seeing more duos in MCC S2.

1) Hermits and Scott have probably realized hermit duos perform way better than trios/ quartet (the only hermit duo team that didn’t get to DB is the first time False and Ren played)

2) They wanna meet new people, but they also want to play with friends. So 2+2 will be a good combo. You can meet new people while having a buddy you a stick to.

False + Cub

I don’t think any of the hermits are confirmed to join (Doc has shown interest) but I feel these two would most likely be in MCC 14?

1) False has been in every MCC since debut

2) Cub plays every other MCC, and he skipped MCC 13

3) Most important of all, they’ve both been polishing their skills through parkour and speedrunning etc. I think they’re currently the most competitive of the hermits, so I won’t be surprised at all if they pair up for a competitive team.

False + Grian

A surprisingly popular duo in post-MCC 13 team predictions. I like them as a duo, and I used to think we’ll have a bigger chance of getting False + Cub/Ren, but now I think about, the team predictions may be right.

1) False has been with Ren and Cub for their first victory, so according to ✨meta✨ she’ll be with Grian for his first victory and her third. The Hermit Winner enabler.

2) Grian is the only hermit regular who hasn’t won yet, and really really wants to win (he said he was gonna cry himself to sleep after he lost MCC 13 lol)

3) False is seen as the most competitive

So if Grian wants to win and go full competitive, and I feel Scott will likely pair him with False. Also Reddit loves this duo apparently. Another incentive.

False + Ren

Ah yes, the hermit team staple. Ex base-buddies my beloved. The duo that’s always been together. I miss them lmfao

I feel they’re gonna continue pairing up because False said she’s gonna collect all ranks with Ren? Also I feel Ren likely asks for False every time (Scott said someone asked for False back in MCC 9, we thought it was H, but apparently neither H or Fruit specified a person, so I guess it’s Ren. Makes sense because Ren’s with False literally every single time).

There’s not much to say except if they team up again, everyone saw it coming.

But also exactly because they’ve teamed up for so many times that they may decided to split for a MCC or two? That doesn’t seem to be what they’re doing though.

Ren + Cub

Honestly every time I think of this potential duo, I just see False sandwiched between them lmao. Because this a hermit trio. These two are probably False’s most frequent collaborators?? (Although there’s not much False and Ren collab this season)

Basically I somehow can’t see this happening without False. I’m sorry lmao

Grian + Cub

To a lot of people’s surprise, they haven’t teamed before. They’re probably the duo that collabs the least often on Hermitcraft so I kinda get why. Still wanna see this duo.

Grian + Ren

They’re close enough that they apparently visit each other irl. Which is very sweet. I can honestly see them as a duo, just chilling and having fun.

Hermit trios:

False + Ren + Grian/Cub. With the FRG trio happening more often in recent MCCs, FRC trio happening more often in the early, chill days. Hermit trio + S tier (aka. Lime Liches) is the most powerful version of hermit trios, and may even rival the strength of hermit duo + S tier teams.

FRG:

Honestly this seems like a feasible trio, especially when Cub skips a MCC/ plays with non hermits (MCC 7, 11, 12). There’s also the Lime Liches bias with this trio, so Scott might be more inclined to put them together?

Also if Cub skips, it means Scott will either have to make a hermit duo + solo hermit OR make a hermit trio. And Scott will probably put the solo hermit with hermit adjacent (eg. Grian with Pearl). Also pretty sure for this case, it’s gonna be False + Ren duo, Grian with hermit adjacent people just like MCC 9. That being said, MCC 9 was special because I think False and Ren specifically said they were gonna go competitive, while Grian not, so it makes sense for the split. For the current meta of competitive hermits, it might be easier for Scott to stuff the hermits together in a trio (eg. Lime Liches)??

FRC:

The last time this trio appeared was MCC 8. From that moment onwards, Cub has been in competitive teams either in a duo or solo, and had gotten to Dodgebolt in all his post-MCC 8 tourneys. So I honestly don’t know if we’ll see them together again. Maybe we’ll get something like Lime Liches.

New hermits:

I can see False-Ren-Doc as a trio for Doc’s first MCC.

1) This team appeared in CotC

2) To use Ren and Doc’s words: #ShipRendoc

3) Putting False here because I feel non hermits will be very ?!!???? at the Rendoc flirting

I can also see Iskall in a hermit trio. In particular Iskall-Grian-Ren

1) We got Team FRIC in MCC 5, so maybe something new?

2) Renskall. That’s it.

3) Everyone wants Grian-Iskall interaction, especially because they don’t collab that much this season compared to the last

But really I can see Iskall with every hermit regular. The reason I feel newcomers will be in trios not duos is that having two veterans to coach the newbie(s) is better than having one.

Hermit quartet

Genuinely don’t think this will happen if the hermits go competitive. Maybe we’ll get this for a chill MCC. Maybe not.

The hermit quartet in MCC 5 did pretty good though, but team standards have changed a lot since then. I kinda wanna see Iskall in another hermit quartet.

Others:

The famous Grian-False-Techno-Wilbur team, if you ignore the swearing thing and opposite Dodgebolt strategies. This team will have a fuckton of clout, probably comparable to MCC 13 Pink.

I actually feel this might happen because it’s highly popular and highly requested

But also 1) the swearing thing 2) Scott tends to put people who have similar attitudes (eg. hermits play with people who advocate arrow splitting) 3) they’re a powerful team. So maybe not.

Lime Liches. I seriously believe this might happen because of the very high demand and the Blue Bats bias. They got screwed over bc of parkour, many people think they deserve a redemption. They’re not too strong as a team either. It’ll be like MCC 8/9 Green.

Also the Fruit+Grian duo. I’m pretty sure this duo will happen at least once in S2. Grian famously commented he wants to team with Fruit, Fruit replied, even had an alt Twitch called “grianstanaccount”. Won’t be surprised at ALL if they ask for each other. Maybe this will happen along with LL redemption.

Hermits and H? This is to pacify the Blue Bats fandom. Also if we have hermit trio + Fruit, why not H lmao. But H said he wants to play with new people, and I think he said he wants to team with Puffy, sooo.... imagine we get sth like False Cub H Puffy. Lmao.

Hermits and Dream? I said I can’t see this happening, esp with Ren, but maybe Scott will do it for the Dreamslayer memes

Hermits and Quig? After Pete and Fruit, Quig is probably the most hermit friendly S tier. I think people said he would vibe well with the hermits. Quig is also involved in the X Life circle, which overlaps with the hermits’ circle.

Anyways. I’ve liked all Hermit teams so far, I’m sure Scott will make them fantastic as always. If you’ve reached this point, thank you for reading my pointless speculation. See you when MCC 14 teams are revealed :)

#grian #falsesymmetry #rendog #cubfan135 #ria.txt #mcc

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the11tailed · 3 years ago

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Fandom: The Magnus Archives, Star Wars The Clone Wars (2008), vague Dead by Daylight

Tags: @crc-general-orin, @crc-commodore-sana9

Reblogs are love ^-^

[Recorder click]

Statement of Tup Fett regarding an incident that occurred in a Junkyard when he was a child.

Audio recording by Tech Fett, Head Archivist of the Magnus Institution, London.

Statement begins

I never blamed my brothers for what happened, it was my fault in a way. I never should have gone to that junkyard. It was a dare. Just a dare. It was harmless.

I was 7 at the time. My brother’s Fives and Echo had dared me to go into the weird junkyard out by our old house. It's not a bad junkyard. It's just a dump a few meters back of the houses. Someone started a rumor that dead bodies were found there, but many members of my family is in law enforcement and they stated that no bodies were ever found, so I never believed those tales. Fives and Echo had been charged with taking care of myself and my twin, Dogma as all other members of my family were busy. Fives and Echo are good brothers, don't misread this, but they were not babysitters.

It was obvious early on they did not know what they were doing. They took us to the Junkyard, as they went there for fun a lot. It was a short walk, and sooner than I'd like, we were at the entrance. I was a bit scared, but Dogma was petrified. He clung to Echo and refused to go in. He said the "shadow people" didn't like this place. The shadow people were Dogma's imaginary friends (yet on some days I wondered if they were really imaginary) and he had them since, well, he was four after our uncle...did some disgusting things to him. I won't go into detail, but you can guess what our uncle did. He started seeing these "shadow people" everywhere. Anyway, I'm getting off track.

Fives only laughed when Dogma mentioned the shadow people. He dared us to go in

"It'll be fun!" he had said this with such glee.

I wanted to prove to my big brother that I was brave. So I went in. It was like any junkyard I've ever seen. It was just stuff piled high with no real order to it. I wandered for a bit, not long. It was when I turned a corner did I see the gate. At first, I couldn't figure out why it put me on edge. It was pitch black, with vines from some plant coiling around it so tight it warped the metal. I could see strange flowers bloomed on various and random places on the gate. I was curious so I got closer. I wish I hadn't. I wished I had turned and walked back to Fives and Echo and didn't go through the gate. But I did.

I stepped through the gate and the world around me warped. I don't really know how to describe it. The world almost folded around me and I felt really hot and really cold at the same time. Then it unfolded and refolding again and again. When it stopped I was standing in a junkyard but it was different from the one I had been in. This one had broken down cars everywhere. The next thing I realized was that the sky had taken a red tint, casting the whole area in a red glow that sent shivers down my spine. I turned, wanting to go back, only to find the gate slammed shut. I ran to it, but it had no handle. I saw a lever, but when I pulled it, nothing happened. I was scared and so utterly alone. I reached into my pocket for my phone, I need to call for help, but found my pocket empty of any phone, lost I looked around. I spotted the generator. It was an old thing, just sitting there. It wasn't on and I got the odd feeling that I needed to fix it. I walked over to it. I didn't know what I hoped to do, I was 7 and sure as hell didn't know how to fix a generator, and yet I did. I worked on it for 2 and a half minutes and fixed it. I still have no idea how. When it clicked on I got this odd sense of dread. I got up and walked to one of the red lockers that was sitting near the generator as the sense of dread grew into terror. I opened it and climbed in, closing the door. The terror I felt made my heart hammer in my chest. And then I heard it. The thump thump of something heavy walking near. The smell of rotting flesh was so strong I nearly gagged. I knew the smell of rotting flesh anywhere. My Grandpappy Jaster owned a farm, and one time I had found a dead cow that had been missing for days. She had wandered up into a wooded area and died. I found her and vaguely remember losing my lunch and crying into my older brother, Fox's, shoulder. Grandpappy did feel real bad about that, even though it was not his fault.

I heard a snarl of rage before the heavy footfalls got quieter and quieter. The sense of fear and dread went with it. Once I could no longer feel the dread, I climbed out of the locker and hurried off in the opposite direction of the footfalls.

I have no idea how long I ran. It was a while before I ran into anyone. I mean literally, I ran right into someone. A man in his 20's wearing a suit, now torn, ripped, muddy, and bloody. He had black hair and green eyes and I would later learn his name was Anthony. Anthony looked horrified to see me. I was confused back then, but I know why now. He was scared because I was a seven-year-old kid put in a demented game with a ruthless killer, but I'm getting ahead of my self. Anthony helped me up and hurried me along. I was went with him, too scared not to. He led me to another generator.

"I'm guessing you got the 3rd generator," he said and I just nodded.

"We just need two more and then we are free," he said that with such a hopeful tone.

There was another person with us, a young woman named Sarah. She was a young woman, maybe 19 or 20 with short, dyed pink hair and a few piercings. Her clothes were tattered and bloody and I noted she had a bandaged wrapped around her shoulder, yet I could see no wound. She was already working on the gen. Myself and Anthony knelt and helped her. Soon, with a rumbling click, the gen turned on. Then the dread crept in. I looked around desperately for a locker, but found none. Anthony grabbed me and dragged me behind a stone wall. There was a tree near us and I had to hold in a gag at the scent of rotten meat wafted from the crow slung up on the bark of the tree, stomach open. Anthony put his finger to his lips and we sat there crouched. The dread turned into terror and I heard the footsteps. thump thump. Loud and commanding. I was scared, far more scared than I had ever been in my life. I was shaking and Anthony knew that. He placed a hand on my shoulder, trying to console me. Then I saw Sarah run and I got the first look at the monster. It was humanoid, an arm covered in strange, boil like spots. I think the most horrifying part was it's face. It's flesh there was pulled, I have no idea how else to explain it. There were staples on various parts of it's body. It was terrifying. It held a chainsaw in one hand and a hammer in the other and it ran after Sarah. It activated it's chainsaw and I heard it whir and then the squelch of it hitting flesh. I heard Sarah scream, a sound so raw and so painful I wanted to cry. I think I was. I watched as it threw Sarah over it's shoulder. It carried her to a hook standing in the field. It was nothing special, but I found it odd that the hook was just there, swaying ever so slightly in the wind. Then, it threw Sarah onto the hook and she screamed again. He watched her gag for a second before limping off and vanishing into the tall grass. I tugged at Anthony's sleeve

"Shouldn't we help her?" I had asked through tears but Anthony shook his head

"Death hook" was all he said

Sure enough, long spider like limps emerged from the hook and impaled her. I watched in horror as they lifted Sarah's body up as more spider-like limbs descended down and grabbed her body and lifted her up into the void above. Once her body was gone, the limbs emerging from the hook, knocked the hook off and onto the ground. I let out a chocked sob as the realization hit me. I had just watched a person die.

"C'mon kid," Anthony had said and ushered me along.

I followed numbly, I was in shock, but the gravity of our situation shook me out of it quick. We found the last gen quick. We worked on it fast, but slow enough as to not make mistakes.

"I have a kid around your age," said Anthony, smiling at me, "Once I get out of here I plan to hug them and remind them how much I love them. You got any family,"

I nodded,

"Lot's of big brothers, a dad," I sniffled, "How does time pass?"

"I've been here a few minutes, what's the date,"

"the first of august, 2009," I responded and he looked pale

"No, it's-it's the second of January," I shook my head at that and we lapsed into silence. The dread came just as the gen clicked on. We both shot up, but by that time the dread was terror. It was here. Anthony ran at it and tried to draw it away from me, but it didn't work. I ran as it chased me, fear surging through my limbs, but I was seven, I wasn't fast enough. Do you know what it feels like to be slammed in the back with a chainsaw? I can't even begin to describe the pain. It hurt worse than any injury I had ever gotten and I screamed. Next thing I knew, I was being carried over it's shoulder. It was taking me to an open field. There were two hooks. Both faced each other. He threw me on one. The pain from that was worse than the chainsaw as the metal hook ripped through soft flesh and muscles and threw bone and I screamed a blood curdling scream. I was only there for a moment when I heard a strange noise. The gate had been opened. A sense of panic hit me. Had Anthony left me to die. But then I heard the whir of a chainsaw and a cry. It hooked Anthony right in front of me. He gave me a small smile as the creature ambled off.

"Listen," he had said, "Gates open, straight ahead, hurl yourself off the hook and run, don't stop, don't try to get me, I'm on death hook, Just run,"

"How?" I cried in desperation.

"Throw yourself off the hook," he said before the limbs stabbed him and dragged him away.

I wanted to cry, but it would have to wait. I took a deep breath and threw myself forward and off the hook. There was an explosion of pain, but I didn't register it. I ran. Ran as fast as I could. I saw the gate, wide open and tore forward. The whir of the chainsaw came from behind me and I got the idea to bob and weave. I did and it worked. I knocked over a pallet with strength I didn't even know I had and tore to the gate. I ran threw the gate out without stopping. Like before, the world folded in on me and repeated until, it stopped. I was back in the junkyard, no broken cars in sight and a soft blue of the sky almost made me sob. Warm blood trickled down and, to my horror, I realized I was still hurt. I reached into my pocket and was greeted with my phone. I called the first number I could think of. 911. I just said I was hurt in the Junkyard, fell and hurt my shoulder and that I need help and fast. The operator was a nice lady, helped keep me calm. The fire and rescue arrived fast and I felt happiness when the words 212 came into view along with squad car 1010. I wanted to cry as I ran towards them. I watched Helix run and catch me and I collapsed into my cousin's arms.

"Tup?" he had sounded so horrified and I guess he had the right to.

Fox rushed over and froze when he saw me. Helix was treating me as fast as he could as Fox knelt beside me and cupped by face with his hand. He told me it was all okay now, and that I was safe. I knew I was.

I woke up in the hospital three days later. I learned that I had been missing for almost an entire month. Fives and Echo felt so guilty, blamed themselves, but I could never blame them. Never.

Statement ends.

Another victim of the Entity's twisted games, and my own cousin. I remember the scramble for search parties when Tup went missing, but I still lived with my abusive mom, so my brother's and I were unable to search for Tup, who had been a close friend in high school for me. After this, Tup went through a lot of therapy, but he still struggles. He informed me one day, years ago, that he too now sees the shadow people. I've seen the shadow people too. All my brother's have. They are always there, just watching us.

As for follow up, there is not much we can do. The entity exists in a realm outside of ours and we have no way of stopping it or telling who it's next victim will be.

So another dead end, but not matter. Unfortunately, most of the files in the archives have statements made by members of my family. A lot mention a horrible tragedy and the sudden appearance of these shadow people. I wish to look into them, but my own shadow people have grow restless, usually that means-

[Static on recorder]

Yes, I know

[Static]

Yes

[Static]

Fine

End recording

[Recorder click]

#star wars #star wars the clone wars #modern au #the magnus archives #tma au #clone wars #tech bad batch #clone trooper tup #tw gore #tw dead animal #tw death #dead by daylight

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tyrantisterror · 3 years ago

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I did a four part series of trivia posts when ATOM Volume 1: Tyrantis Walks Among Us! came out, and that was pretty fun! You can see that set of trivia posts here if you’d like. I thought it’d be fun to do another now that ATOM Volume 2: Tyrantis Roams the Earth! is out - just one this time, because a lot of the trivia I talked about with Volume 1 still applies.

I’m gonna divide this into two sections: non-spoiler trivia, for things that really don’t give a lot of plot points away, and spoiler trivia, for things that DO give away major plot points. I recommend not reading the spoiler trivia until after you’ve read Tyrantis Roams the Earth!, for obvious reasons, and will put the spoiler trivia under a cut.

Ok, let’s go!

- So if you read ATOM Volume 1, you probably noticed that the book is split not only into chapters, but “episodes,” which consist of four chapters a piece. It’s kind of a nod to how the series owes a great deal of its DNA to various monster of the week shows, with Godzilla: the Series and The Godzilla Power Hour being obvious influences. It also allowed me to pepper in some illustrations and cheesy b-movie style titles into each volume.

- The first “episode” of Volume 2, Tyrantis in Tokyo, pays explicit homage to the giant monster movies of Japan, perhaps even moreso than the chapters that came before it. Given how much Japanese media influenced ATOM - from tokusatsu like the Godzilla, Gamera, and Ultraman franchises to anime like Digimon and Evangelion (hell, the title of this episode itself is a tip of the hat to Tenchi Muyo by way of one of its spinoffs) - it kind of felt obligatory that Tyrantis visit Japan and pay his respects.

- Tyrantis in Tokyo also fits in a tribute to another staple of Atomic Age pop culture: Rock and Roll.

- Kutulusca, the giant cephalopod that appears in Tyrantis in Tokyo, is one of the oldest kaiju in this series, dating back to the first iteration of Tyrantis’s story that I put to paper back in 2001 or so. It’s changed a lot since then, but its fight with Tyrantis goes more or less the way it originally did.

- Old Meg, the giant placoderm/shark, and Nastadyne, the bipedal beetle, both owe their existence directly to Deviantart’s Godzilla fandom. Old Meg originated as a dunkleosteus monster I submitted to a “create a Godzilla kaiju” contest held by Matt Frank, while Nastadyne is based on a Megalon redesign I made during the “redesign all the Godzilla kaiju” phase of DA’s kaiju fandom.

- The second episode, Tyrantis vs. the Red Menace, gets dark as we visit the USSR, which had enough REAL horror with atomic power in its history to make creature features seem a bit defanged by comparison. It’s probably the episode with the strongest horror elements - ATOM’s always been influenced by Resident Evil, and this is probably where that influence shows the most strongly.

- It also features the first fully robotic mecha in the series, the mighty Herakoschei! Its name is a combination of “Heracles” and “Koschei the Deathless,” with the former part being added by its Russian creators to make it seem a bit more international as they offer it to the U.N. in hopes of gaining aid for a very extreme kaiju problem they’ve developed.

- Most of Tyrantis vs. the Red Menace takes place in the Siberian Monster Zone. Its name is a reference to the Lawless Monster Zone in Ultraman, which is such a cool fucking name I wish that I wish I could go back in time and steal it.

- The next episode, Tyrantis’s Revenge, is... full of spoilers, so we’ll move on for now.

- The penultimate episode, Tyrantis vs. the Martian Monsters, is a love letter to MANY different sci-fi stories that involve life on Mars, though the most prominent of them is of course The War of The Worlds (one of my top 3 favorite books) and its various adaptations. From its tentacles sapient martians, the tripodal leader of the titular monsters whose name includes the word “ulla” which is uttered by said sapient martians, the plant monster made of red vines, the cylinder-shaped spacecraft the Martian monsters are sent to earth on, the copper-skinned stingray-esque flying martian who shoots lasers from its tail, and the fact that every chapter title in this episode is a quote from the book, the H.G. Wells influence is STRONG.

- The final episode, Invasion from Beyond!, is shamelessly inspired by Destroy All Monsters, although there’s a dash of “To Serve Men,” Godzilla vs. Monster Zero, and The Day the Earth Stood Still mixed in as well. It’s also sort of a tribute to my first “published” bit of a kaiju fiction - a rewrite of Destroy All Monsters that included EVERY Godzilla monster that had appeared at the time, which my middle school self wrote back in 2002 or so for Kaiju Headquarters, a kaiju fansite I’m not sure exists anymore. Invasion from Beyond! is just as ambitious (but hopefully better executed) as my DAM Remake, with dozens upon dozens of different kaiju duking it out, earthlings vs. aliens.

- There were three different documents I made to outline the final battle of Invasion from Beyond! It’s the largest episode of the series so far and more than half of it is that fucking fight. My inner child is pleased, though, so hopefully you will be too.

Ok, that’s all I can share without spoilers. READER BEWARE WHAT FOLLOWS BELOW THE CUT!

JUST MAKING SURE you know that SPOILERS will follow from here on out. Read at your own peril! YOU WERE WARNED!

(I’m gonna start with lighter ones just in case you scrolled too far and want to turn back)

- There’s a number of explicit Spielberg homages in ATOM Volume 2, from a “we need a bigger boat” joke during a chase with a giant shark to the fact that Invasion from Beyond! opens with a group of people flying to an island of monsters to review whether or not it should get more funding.

- When Tyrantis appears in the first chapter, I snuck in modified lyrics of The Godzilla Power Hour’s theme song. “Up from the depths”... “several stories high”... “breathing fire”... “its head in the sky”... Tyrantis! Tyrantis! Tyrantis!

- The two rock bands in Tyrantis in Tokyo have real life inspirations ala Gwen Valentine, albeit a bit more muddled than hers. The Cashews are inspired by The Peanuts (see what I did there), while The Thunder Lizards are a mix of The Rolling Stones, the Beatles, Buddy Holly, and the Big Bopper. I wanted The Thunder Lizards to be more akin to the myth of a famous rock and roll band than the reality - less the real Beatles and more the Yellow Submarine cartoon version of them.

- The song The Thunder Lizards write for Tyrantis was written to fit the tune of “The Godzilla March” from Godzilla vs. Gigan, though ideally if someone made an actual song of it it would be its own song. I got the idea from Over the Garden Wall, which used the Christmas song “O Holy Night” as a a starting point for “Come Wayward Souls.”

- Perry Martin, UNNO reporter and peer of Henry Robertson, is a nod to Raymond Burr, with his name being a combination of two of Burr’s most famous roles: Perry Mason, and Steve Martin from Godzilla King of the Monsters (1956).

- Dr. Rinko Tsuburaya is a few homages in one. Her name comes from Rinko Kikuchi (who played Mako Mori in Pacific Rim), while her last name is obviously in homage of Eiji Tsuburaya. Her being the daughter of an esteemed scientist is inspired by Emiko Yamane from the original Gojira.

- Nastadyne’s Burning Justice mode is named after a similar super mode from various Transformers cartoons, though it’s more directly inspired by the Shining/Burning Finger super move from G Gundam.

- Martians sending kaiju to different planets via shooting them out of cannons (with or without cylinder spaceships around them) is another War of the Worlds shoutout. So is martians living on Venus after their homeworld was made uninhabitable, actually.

- Kurokame’s vocalizations are described as wails in explicit homage to Gamera. His name can be translated as either “black tortoise” (a reference to the mythical guardian beast Genbu, which can also be construed as a Gamera reference thanks to Gamera: Advent of Irys implying Gamera and Genbu are one and the same) or a portmanteau of the Japanese words for crocodile and turtle - “crocturtle.”

- Burodon’s name is just a mangling of “burrow down.” It also sounds vaguely like Baragon, who Burodon is loosely inspired by. AND, since Burodon is sort of a knockoff/modified Baragon, that kinda makes him a reference to various monsters in Ultraman!

- The final battle of Tyrantis in Tokyo is sort of a hybrid of the finales of Ghidorah the 3 Headed Monster and Destroy All Monsters.

- The Japanese kaiju teaching Tyrantis the art of throwing rocks at your enemies is both a joke on the prominence of rock throwing in Japanese kaiju fights AND the tired trope of an American hero learning secret martial arts from a Japanese mentor ala Batman, Iron Fist, etc. In this case, the secret martial art is throwing rocks at people.

- When introduced to Herakoschei and its pilot, we are told that the strain of piloting this early mecha is so intense that many pilots have died in the process, with the current one passing out on more than few occasions. This is of course a Pacific Rim homage - sadly, no one invents drifting.

- Herakoschei’s design is a loose homage to Robby the Robot and Cherno Alpha, because big boxy robots are cool.

- The Writhing Flesh and ESPECIALLY Pathogen are both hugely influenced by Resident Evil and The Thing. Giant body horror piles of raw flesh, tendrils, mismatched mouths and limbs may be a bit outside the main era of monster design ATOM homages, but they fit the themes and bring a nice contrast.

- I came up with Pathogen long before Corona but MAN it definitely feels different in 2021 to have a giant monster whose name is a synonym for disease driving other creatures crazy in a quarantine zone than it did when I plotted out the story in 2016.

- The chapter title “Hello, Old Foes” is a riff on “Goodbye, Old Friend”

- Minerva, the kaiju-fied clone of Dr. Lerna, is meant to be an homage to Attack of the 50 Foot Woman, which is a genuinely good giant monster flick. I am sure many of you will also believe I included her because I’m a pervert whose into tall women, but you’d be wrong! I included the seven foot tall Russian mecha pilot Ludmilla Portnova because I’m a pervert whose into tall women. Minerva’s inclusion was just coincidental, I swear!

- Since Promythigor is a play on the archetypal ape kaiju to contrast Tyrantis as a play on the archetypal fire-breathing reptile kaiju, their fight has a lot of nods to King Kong movies. Promythigor attempts the famous jaw-snap maneuver of Kong (with less success), J.C. Clark paraphrases the “brute force vs. a thinking animal” line from the King Kong vs. Godzilla American cut, and Tyrantis slides down a mountain to knock Promythigor off his feet in a reversal of Kong doing the same in King Kong vs. Godzilla.

- Tyrantis sliding down a mountain on his tail doubles as a Godzilla vs. Megalon homage.

- Though Promythigor is the archetypal Ape and Tyrantis the archetypal Fire-Breathing Reptile, I think it’s fun to note that in some ways, Promythigor is the Godzilla equivalent in their matchup, and Tyrantis the Kong. Promythigor has a slight size advantage, was scarred by humans performing unethical weapons technology, and is associated with violent explosions. Tyrantis is a good-at-heart prehistoric beast who humanized in part by his unlikely friendship with a human woman.

- Of course, in the context of the famous quote from the American cut of King Kong vs. Godzilla, they remain in their archetypal lanes. Promythigor is the more intelligent of the two (though not necessarily wiser), and Tyrantis is in many ways a brute reptile. Their battle is a rebuttal of sorts to the assertion that Kong is the “better” animal because he is closer to human. Promythigor’s near human creativity and emotions don’t make him the kinder/more benevolent monster, but instead fuel a very self-centered and destructive attitude that makes him the far more dangerous threat. On the other hand, Tyrantis, who is less intelligent, limited in communication with others by his reptilian mindset and instincts, and simple in his thoughts and desires, is nonetheless a sweet creature that is easily dealt with when others consider his animal needs and mindset. There’s a quote from Hellboy I love that probably sums up all of my writing thus far: “To be other than human does not mean the same as being less,” and that’s what the matchup between these two in particular tries to illustrate: the “less” human Tyrantis is nonetheless more benign than the “more” human Promythigor.

- Kraydi the psychic lizard began life as a soft sculpture I made of the Canyon Krayt Dragon from The Wildlife of Star Wars. The sculpture didn’t look much like the illustration, but I liked how it came out, and so I made it an original monster named Kraydi (see what I did there). Figuring out an explanation for that name in ATOM’s world was possibly the most difficult kaiju naming task in the series, but it worked out in the end.

- Kraydi and Promythigor having psychic powers is a result of my time on Godzilla fan forums in my middle school years. Most of the forums had OC kaiju battle tournaments, and SO many of those kaiju had a wide array of beam weapons and psychic powers just to win the tournaments by beam-spamming and mind controlling their foes into oblivion. There’s a special kind of rage you get when your original creation is beaten by “Fire Godzilla” because he has a genius level intellect and the power of unstoppable telekinesis. Kraydi began as (and still is I suppose) my attempt to do a psychic kaiju well, while Promythigor’s villainy being tied to psychic powers being forced on him is sort of my passive aggressive commentary on people foisting powers on a monster without any real thematic reason for them.

- Henry Robertson and Dr. Praetorius chewing out the laziness of people giving kaiju completely unaltered names of mythic beasts will probably be seen as a jab at the Monsterverse and/or the numerous writers in the kaiju OC scene who do the same, but it’s ACTUALLY a jab at my past self, who had DOZENS of kaiju whose names were just Greek mythological figures verbatim. There are dozens of kaiju named Hydra, Scylla, Charybdis, Chimera, etc., past me, try to make the names stand out! Oh wait you did. I mean, don’t pat yourself on the back too much, you still went with “Mothmanud” as a canon name and never came up with something better, but, like, good on ya for trying I guess.

- Dr. Praetorius takes his name from the evil mad scientis in Bride of Frankenstein, who basically has all the wicked traits that Universal’s Frankenstein downplayed in their take on Dr. Frankenstein. Ironically, ATOM’s Dr. Praetorius is a bit less evil than his fellow mad scientists in ATOM. I really like how his character turned out, he surprised me.

- Isaac Rossum, the pilot of the USA mecha Atomoton, is named for Isaac Aasimov, whose robot stories are to robot fiction what Lord of the Rings is to high fantasy. His last name is a reference to Rossum’s Universal Robots, which is where the word “robot” came from.

- The unfortunate pilots of MechaTyrantis in ATOM Volumes 1 and 2 are all nods to Jurassic Park. John Ludlow = John Hammond and Peter Ludlow, Ian Grant = Ian Malcolm and Alan Grant, Dennis Dodgson = Dennis Nedry and Lewis Dodgson.

- A good way to pitch Invasion from Beyond! would be “what if the staff and monsters were able to fight back when the Kilaaks tried to take over Monsterland?”

- Ok, here’s a fun joke that no one will get but me because it requires a very specific chain of logic based on some obscure and loosely connected nerd bullshit. There’s a rocker in ATOM’s universe named Sebastian Haff, right? One of his songs, “Darling Let’s Shimmy,” is referenced right before a mothmanud larva emerges from the ground in both ATOM Vol. 1 and 2. Ok, so, in the Bubba Hotep, an aging Elvis impersonator named Sebastian Haff claims he is actually the real Elvis Presley, having changed places with the real Sebastian Haff as a sort of Prince and the Pauper deal that went wrong. Got that? Ok, so, in UFO folklore, a common joke is the theory that Elvis didn’t die, but was rather abducted by aliens (or he actually WAS an alien the whole time - the whole “Elvis didn’t die, he just went home” joke in Men in Black is a good example of this). Ok? Ok. So, in ATOM’s universe, we can surmise that their equivalent of Elvis, whose name is Sebastian Haff, WAS abducted by aliens, and that his song “Darling Let’s Shimmy” is subconsciously influenced by his repressed memories from his time aboard the Beyonder spaceships, which is why it accidentally awoke a Mothmanud larva in Volume 1. There’s a lot of bullshit jokes I put into ATOM, but this is perhaps the bullshittiest of them all.

- One of the most common bits of feedback on ATOM Volume 1 I got was “I kept waiting for something to eat Brick Rockwell, he’s such an asshole.” And I had to smile and go, “Oh, yeah, guess he never got his, huh?” the whole time without letting on that he was going to die here all along!

- Dr. Lerna and Brick Rockwell’s nature as foils to each other is probably most apparent in Invasion from Beyond!, where both are given fairly similar situations - a nonhuman approaches them with a solution to a global crisis - and react to it very differently. I worry that some people may think they both made the same choice and got different results, and that that’s hypocrisy on my part, but I hope I wrote it so you can see how their choices and situations actually differ in key ways, and why their decisions, while similar on the surface, are ultimately very different, and thus result in almost opposite outcomes.

- So, when I planned out this book in 2016, I swear I didn’t know about the Orca from 2019′s Godzilla King of the Monsters. Having the plot hang around Dr. Lerna deciding whether or not to use a sonic device to rouse all the kaiju to save the earth was not INTENDED to be a Monsterverse reference - it came about from me looking at Pathfinder’s take on kaiju, who are all explicitly influenceable by music, and thinking, “Oh, wow, music and songs DO have a major connection with kaiju in a lot of media, I should do something with that.” Whem KOTM came out a few days after Volume 1 came out I realized I was kinda fucked here, because the comparison was definitely going to be made, but I’d also set this all up already and you can’t just change suddenly to avoid looking like a copy cat and make a good story, so... I dunno, I leaned into it a bit, but it is what it is.

- While most people will probably think they’re a reference to the Reptoids of UFO folklore, the Reptodites are more inspired by the Dinosapien of speculative evolution fame and, even morso, by the Reptites from Chrono Trigger. Me wanting to avoid the “lizard people control the government” conspiracy theory trope is one of the main reasons why Reptodites have this non-interference clause with humanity.

- Lieutenant Gray is a bunch of different humanoid aliens rolled into one - a little Hopskinville goblin, a little classic gray, a little this one weird alien with five-fingered zygodactyl hands, etc.

- There’s some Beyonder Mecha in this volume that are basically kaiju-fied versions of the Flatwoods Monster. The species that built them ALSO engineered the Mothmanuds, because connecting Mothman and the Flatwoods Monster is fun!

- Pleprah is, obviously, a one-eyed one-horned flying purple people eater.

- Tyrantis’s brush with death, in addition to being so very anime, was inspired by my dad outlining how mythic heroes often have to travel to the underworld/land of the dead before they can finish their journey. It’s one of the plot points that I’ve had planned for this series since middle school.

- I’m sure some will view it as hackneyed and corny, but as a person who’s battled with depression for decades, having Tyrantis’s choice to live be the big heroic turn of the finale was very important to me. Tyrantis incorporates elements of a lot of imaginary friends I made as a kid, and in many ways he’s kind of the face of my more positive side in my head. He’s been telling me to choose to live for a while, and while maybe to an outsider it may seem hackneyed, it’s just... very Tyrantis. He chooses life and kindness in the face of pain and struggle. That’s Tyrantis.

- Tyrantis’s powered up form is called “Hyper Mode,” which is another Gundam reference. Originally it was a lot gaudier and involved him turning gold like a fuckin’ Super Saiyan. I opted for something a little more toned down here.

- Also, speaking of KOTM references, I decided to make Hyper Mode Tyrantis’s final duel with Pathogen be a sort of foil to Burning Godzilla’s final bout with Ghidorah in KOTM. Instead of ravaging the city, Hyper Tyrantis’s pulse of energy rejuvenates his fallen allies, and as a result he is “crowned” not out of fear for his supremacy in the wake of killing a powerful enemy, but in gratitude for his kindness. See? Leaning into it!

- And now I can finally reveal that Yamaneon is ATOM’s equivalent of The Monolith Monsters - that is, a kaiju that is also a mineral. I took the “strange continuously growing rock” thing in a very different direction, though, as unlike The Monolith Monsters, Yamaneon is actually alive.

- At various points in the pre-writing process, either Promythigor, MechaTyrantis, or both were going to die fighting Pathogen. I ultimately decided to let them both live, with MechaTyrantis even getting his flesh and blood body back, because I think it’s more interesting and thematically consistent that way. They get a chance to heal their wounds by changing their ways.

- The Great Beyonder and Dorazor both almost didn’t make the cut, as I felt they didn’t have the same pull as villains that Pathogen, Promythigor, and MechaTyrantis did. But then I thought that could actually be the gag - build them up as the final boss, only to have Pathogen take their crown. I want to explore post-face turn Dorazor a bit more, though. We’ll have to see about that in a later volume.

- Volumes 1 and 2 make up what I call “The Ballad of Tyrantis Arc” for ATOM. I call it that because Tyrantis’s storyline in these two volumes was patterend after Chivalric ballads like Yvain the Knight of the Lion. Tyrantis, a heroic warrior who is kind but dumb of ass, learns of strange goings on outside his home and investigates. During his journey into the unknown he falls in love with a powerful woman, whose favor he tries to win. Through happenstance he is separated from his love and, distraught, wanders around fighting various foes to prove his worth, before finally returning to his love a better hero. Invasion from Beyond! could even be seen as a sort of Morte d’Artur, with Tyrantis and a bunch of other kaiju heroes (including Nastadyne and Kemlasulla, who are built up as Hero Kaiju of Another Story) take part in a huge battle that threatens their idealic kingdom (of monsters).

- Volume 2 isn’t the end of ATOM, but it’s designed to work as an ending if you want to tap out here. As a reader I feel a definitive ending is important, but as a writer I’m always tempted to revisit my beloved characters, so I feel giving closure while leaving a few doors open for possible future adventures is a good compromise between these positions. There will be more ATOM stories, some (but not all!) following Tyrantis and Dr. Lerna, but if you want to know that Tyrantis and Dr. Lerna get an ending and the resolution to their arcs such a thing promises, here you go. An ending, if not THE END.

#The Atomic Time of Monsters #A.T.O.M. Trivia

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makeste · 4 years ago

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I was originally going to send this message declaring my undying love for your metas and chapter reviews aND THEN - AND THEN MAKESTE - I READ THE ANSWER WHERE YOU SAID YOU WERE ARO AND THAT MAKES ME SOOOOO HAPPY. I'm aroace and it is SO FRUSTRATING to want to consume platonic or familial interaction between people and CONSTANTLY only get romantic or sexual. THANK YOU SO MUCH FOR EVERYTHING YOU CONTRIBUTE

woooo up top! solidarity lol.

for me it’s like... I don’t know if “frustrating” is the word I would use, but I do wish there was more gen out there. and that’s also something I’ve felt awkward about wanting in the past, because my early fandom years took place in a time where slash was much less of an everyday commonplace thing than it is now, and liking it was still a fairly controversial thing. the internet was a much more openly homophobic place than it is now. like, picture the purity police of modern day tumblr, but if they attacked any kind of non-heterosexual relationship as being sick and perverted and wrong. that was pretty much the general vibe. this was before AO3, and people who wrote slash often didn’t post it on ff.net and only posted it to their own private blogs and/or locked and moderated communities instead just so they wouldn’t be harassed. and there was absolutely no canon representation out there at all, or next to none. it was very much a “[rolls eyes] oh the yaoi fangirls are at it again” sort of thing where non-cishet relationships in fiction and fanfiction were at best not taken seriously at all, and at worst were treated with outright scorn and disgust.

and so like, with this being a common attitude at the time, I felt guilty for not always wanting to read slash myself. like, I don’t mind reading about romantic relationships at all, but for me there also has to be some other kind of element in play as well, or else it’s just not going to click for me. if a fic is just romance, just a lot of pining and slow burn stuff without anything else really going on in the plot, I just get bored and disinterested. I almost want to use the word tired, even though I’m not sure that makes much sense. I just can’t connect to the emotions, and so I disengage pretty quickly. and so I tend to steer clear of time-honored fandom staples like coffee shop AUs or And They Were Roommates, just because for me there’s rarely anything there for me to latch onto. I like angst, but I can’t relate to “so and so doesn’t feel the same way about me”, or “I want to be with them so bad but I don’t know how to confess”, or “they’re with someone else and it hurts like crazy every time I see them and know we can’t be together”, because none of those are emotions that I have ever personally felt, and I just can’t make myself feel them. what I can relate to are things like “this person makes me feel safe”, or “I feel a strong connection to this person”, or “I trust this person more than anyone else” because those feelings aren’t exclusively romantic in nature. I can relate to closeness and caring and love and affection and trust, but what I can’t relate to is the feeling of having a single person occupy all of your thoughts all the time, and very badly wanting to be the most important thing in their life as well, and feeling incomplete otherwise.

but anyway I spiraled away from the point I was trying to get to, which is that for a long time I actually felt guilty about feeling this way. because even though it’s rare to find fanworks where gen/platonic relationships are at the center, actual canon is chock full of said relationships. and so it’s like, what right do I even have to complain when I get to read all the time about so and so being friends, but the people who actually want them to be in a relationship in the actual canon so rarely get to see that actually happen. because that much has not changed in the past 20 years, even though society has become far more accepting of LGBTQ+ relationships. most canons are still far more likely to tease a non-hetero ship -- on purpose, even, hence why queerbaiting is a thing -- than actually commit to it. and so I often feel like I have no right to voice my desire for more genfic, because genfic has never faced the same kind of scrutiny as slashfic. gen has always been acceptable, and there is plenty of canon representation of platonic and non-romantic relationships, and so it’s not something I have any business whining about.

and even now I feel fairly uncomfortable voicing this lol. I write almost exclusively genfic myself, and up until very recently, I’ve always defined gen in my head as being just a lack of romantic or sexual content, rather than being its own distinct category. I think that’s one of the reasons it took me so long to realize I was aro (that, and I’d honestly never even come across the term until just a few years ago). for me, my lack of interest in romantic affection always felt more like a lack of identity rather than an identity in and of itself. I always felt like I was missing something. and for a very long time it never occurred to me that this might be a permanent thing; I just figured, okay, I just haven’t had this feeling yet. it just hasn’t happened for me yet. but eventually it would, and I just hadn’t met the right person, or whatever. but it was never anything I particularly wanted, and I never felt like I was missing out on anything by not having it. I never felt any kind of longing for it or felt incomplete without it. I was actually perfectly content!

but because society treats romantic orientation as the norm and places such a huge emphasis on it, I still had the uncomfortable feeling in the back of my head that if I never fell in love with someone and never wound up having a relationship with someone, my life would somehow be less meaningful and whole. like, we’re raised to think that romantic love is basically the pinnacle of the human experience, the purest and truest emotion that anyone can feel. and at the same time, there’s this idea that a life without that kind of love is just sad and unfulfilling and tragic. and so for a very long time my experience with my own aromanticism was characterized by me thinking of it as a lack of something that everyone else said was very important. and it took a long time to realize that that wasn’t the case, and that it was a valid orientation all its own and not just a matter of me being deficient in some way. and that was actually such a relief to finally come to terms with. I can be whole and complete on my own and still have a rich and fulfilling human experience even if I never experience romantic love, and that’s fine. I’m not missing anything. I’m not wrong for feeling like I’m not missing anything. it’s fine to be content with just me as I am. like, holy shit. and that was such a weight off my shoulders to finally get that.

I once wrote a fic which I was and still am very proud of. it was a genfic, and it had a really intricate plot with a big twist at the very end. and there was a ton of emotion in it, and it got very intense at times, because these were two characters who cared a lot about each other and would literally die for each other if they had to, and I’d put them in a situation where that possibility was very much looming over their heads at every turn. and I really put everything I had into trying to convey that kind of bond as strongly as possible. like I poured a ton of my heart and soul into that fic. and the responses were almost universally positive and kind and made me really happy.

there was one response though, that still sticks with me to this day. it was by and large very positive, just like the others. but it ended with a single sentence that, at the time, kind of just lowkey gutted me. Not gonna lie though, would have loved some slash in there.

like, that just cut me. way more than this person actually intended, I think. I’m pretty sure they just meant it as an offhanded comment, not even a concrit or anything. just “haha would have loved it if they’d kissed though lol.” but it stung. because this was something I’d put every ounce of emotion that I could conjure up into. and even though it wasn’t mean to be hurtful in any way, to me that comment read as “this is still missing something.” because there was no romance, the fic was incomplete. the characters’ feelings were incomplete. even though I’d struggled so much to convey all of these complex emotions which to me were so real and powerful, and even though the comment even acknowledged that I had by and large done so effectively, to me the single takeaway that stuck was that the feelings were less meaningful because there was no romance.

and that felt like a failing on my part. I even apologized for it. and here we are, ten years later, and that comment still pops up in my head any time I feel the urge to talk about a popular ship which I support but which I also enjoy as just a friendship. “just” a friendship. I still feel guilt over that. I still feel this urge to overexplain that I’m not trying to invalidate the actual romantic ship. I worry that I’d be perceived as ungrateful and/or a bad ally if I ever just came out and said “I wish there was more gen” like you were able to say so freely, anon. I worry about people getting offended if I were to say “I headcanon so and so as being aroace” because it might be viewed as an attack on their ships, or as latent homophobia, or something. like I have this paranoid fear that people might take it as me being puritanical and all “oh no, icky sex” or whatever, and so I end up just never bringing it up at all.

and that’s the thing about aromanticism, though; it’s so easy to just never talk about it at all, because for so many people it is just defined as a lack of something, rather than a something all on its own. it’s so easy for it to be something you just never bring up, and which just kind of quietly exists as the boring, bland, inoffensive yet uninteresting lack of a relationship; the default blank slate that most everyone is dying to fill in as soon as possible, except for you. and I’ve gone on thinking about it that way myself for so long that I’m still struggling now to sort out how to embrace it as an actual identity. it’s something I still have a lot of work to do on I guess.

anyway! so that all got very long and rambling and personal, far more so than I intended; clearly I have a lot of pent up thoughts and feelings about this lol. I guess I probably could stand to talk about it more, since the evidence would indicate that I clearly want to. but eh, baby steps. but anyways you are super valid anon and thank you so much for the love and comments. <3

#aromanticism #meta #aromanticism in fandom #personal #long post #ask #anon ask #hey um just an addendum this is a pro aroace post NOT an anti-shipping post #just to make that clear #like you can be for one thing without bashing the other #so if you want to reblog this that is awesome and I'm grateful #but please don't use it as a launching pad for any weird toxic 'shipping is bad' takes please and thanks

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maxbegone · 4 years ago

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IT’S FINALLY HERE!

In an effort to spread some love to the fanfic authors in the Schitt’s Creek community, this post is a compiling of some of our favorite fics! Thank you to every single person who decided to participate in this dedication of love! And to the fanfic authors out there - thank you for being so wonderful and sharing your stories with us! Here’s to many more countless hours of reading - day or night!

There are repeats! I understand that may seem a little redundant, but I wanted everyone who participated to share their favorite fics regardless of repetition, author, pairing, AU, size, etcetera.

A very special thanks to everyone who participated!

@bestwisheswarmestregards // @brighter-than-sunshine // @danieljradcliffe @darnitdraco // @imargaery // @justwaiting23 // @leopxld-fitz // @lickrustdavid // @loveburnsbrighter // @oceanavinfinity @poorguysheadcanon // @ratchet // @roguebabyinyourstore @stuck-on-your-heart // @thisbuildinghasfeelings // @vulcantastic @wlwbaudelaire

I’m going to go ahead and put everything under the cut, because this should be quite a long post!

**If there are authors on tumblr whose handles were not properly added, please send me a message!

@bestwisheswarmestregards

Fic 1: Ace Of Hearts by loveisallyouneed21

Why I like it: It is just really sweet and made me really happy. Plus I like seeing Patrick as an asexual being one myself. I don’t see a lot of ace characters in the media so seeing someone portray Patrick, a character I love, as one makes me really happy.

Fic 2: An Unexpected Arrival by @justwaiting23

Why I like it: It was one of the first fics I read in this fandom and I fell in love with it. Plus the Brewers are in it and I love anything with the Brewers.

Fic 3: Hammock by @maxbegone

Why I like it: This fic makes me so fluffy inside. Early morning and snuggles are one of the best combinations.

@brighter-than-sunshine

Fic 1: Your Wings Prepare To Fly by @icmezzo

Why I like it: I’m not the biggest fans of AUs/ Fantasy takes on fics, but the characterization of David and Patrick is so good here. It’s such a beautifully written fic, and I just couldn’t get enough of it when I first read it! A definite reread.

Fic 2: Today and All the Days that Follow by @unfolded73

Why I like it: This one is one of my all-time favorites, because it explores so many of the relationships between all the characters… I especially love the bits including Stevie and Alexis.

Fic 3: Little Reminders of our Love by @justwaiting23

Why I like it: The whole idea of David and Patrick leaving each other notes was too adorable not to recommend this fic!

@danieljradcliffe

Fic 1: Watching Through Windows by @helvetica-upstart

Why I like it: Some fandoms have those fics that just inevitably change the game and define what fanfiction can be and for me, this is that fic for Schitt's Creek. It is a staple that everyone's read and continues to talk about and recommend a year after it was published; I'm sure we will continue to talk about it for years to come and to recommend it as new folks come into the fandom.

Fic 2: Until Now Gives Way to Then by swat117

Why I like it: I just read this one-shot recently thanks to your (feel free to edit this how you need for your post) recommendation of their other fic, 'Exposed Brick.' This is a fic that (for me) completely captures why David and Patrick fit and work so well together and how their pasts have made it possible for them to be who they are as a couple in SC. I haven't read another fic that resonated with my own interpretation and appreciation of their relationship as much as this one. This author truly and completely sees them for all that they are.

Fic 3: Red White and Blue Jays by @grapehyasynth

Why I like it: I saw this fic published earlier this year and wanted to read it so badly but figured I should read the source material (Red, White, & Royal Blue) first so I did and absolutely fell in love with that book (who wouldn't?). I attribute this fic for inspiring me to read Casey McQuiston's book and so when I went to finally read it, I had extremely high expectations and even still, this fic exceeded them. The author does an amazing job of incorporating aspects of the original book (RWRB) while keeping the story true to the characters and relationships we know and love in Schitt's Creek. I read the entire fic in one sitting and then instantly, read it again. It is laugh out loud funny while being romantic as hell and keeps David and Patrick incredibly in-character throughout.

@darnitdraco

Fic 1: Red White And Blue Jays by @grapehyasynth

Why I like it: this fic is the reason I bought Red White and Royal Blue. Going into the fic, I didn’t know what the book was about so it was all new to me but it was great nevertheless. Now that im almost finished with the book, I love this fic even more. I know its an AU but I think the characters are written well and I pretty much love any fic when Rachel isn’t made out to be the bad guy. Its 13 chapters and I will 100% be rereading it after I finish the book.

Fic 2: Nothing Burns Like The Cold by @wildxwired

Why I like it: This is a one shot and definitely Patrick Centric. I thrive on Angst and Hurt/Comfort. I personally feel like it is Patrick coming to terms with a things he didn’t have control over and him getting closure on things of the past. I don’t want to give away too much of the plot but please read this guys!!

Fic 3: sometimes good things fall apart by @blueink3

Why I like it: I have reread this multiple times and it gets better each time. Its only 4 chapters but it isn’t rushed. As I said above, I THRIVE on angst and hurt/comfort. This has both, AND protective Patrick. It is a spin on what could’ve happened after the barbecue and it has a happy ending so don’t worry.

@imargaery

Fic 1: Dodgeball is f*cking stupid by alldaydream

Why I like it: This is a one-chapter piece that comes in just under 6k and yet the author manages to build a super rich AU experience and tell a complete story that is at once heart-wrenching, sweet, sexy, and thematic. If you want angst that doesn’t last too long, that leaves you feeling warm and fuzzy, this is the one-shot for you. I go back to it as much as I go back to some of my favorite D&P scenes from the show.

Fic 2: if not for you by goingmywaydoll

Why I like it: When it comes to fanfiction about our boys, there’s almost nothing I love more than a high school AU. This is that. But it’s also a ROAD TRIP. What better scenario is there for a slow burn, mutual pining, dialogue heavy love story with plenty of bed sharing and nobody bothering them?

Fic 3: Beneath the Winter Snow by Distractivate

Why I like it: Can you tell I love a good AU? This one’s about the Olympics and it imagines a world in which Patrick and David have already fallen in love, had a relationship, and have broken up. This is a story about them finding their way back to each other--which isn’t hard because they have to be around each other all the time and work through their issues. It’s written with grace and thoughtfulness, and walking with Patrick and David as they learn to communicate with one another and work on healing makes the reunion that much more satisfying.

@justwaiting23

Fic 1: hit me with your best shot by @ignisgayentia

Why I like it: This is a bit of a random one but it has stuck with me ever since I read it. It’s a short little AU about David and Patrick meeting at a baseball game where Patrick is one of the players. It’s really sweet and does such a great job of keeping the voices in character, especially with the flirty teasing and awkwardness and is one of those fics I go back to over and over again.

Fic 2: Spills & Thrills by storieswelove

Why I like it: This is one in a series of ‘Meet-Uglies’ that the author has written which I adore but it’s my favourite one out of them. It has the perfect mix of awkward interactions which make you cringe and also really sweet and fond moments between the two of them.

Fic 3: You Can Plan on Me by odofidi

Why I like it: This is a sweet little piece of marital fluff about the first Christmas after the wedding. It fits exactly with my idea about what married life would be like for them and is really sweet, plus I always love it when the Brewers are able to see Patrick so genuinely in love with someone like that so it’s definitely one of my very favourites.

@leopxld-fitz

Fic 1: best wishes, warmest regards (sent with confetti effect) by reymonova (costiellie)

Why I like it: This fic is just pure fun. The character voices are always perfect, and it’s such a nice addition to the series. This story is full of incredible one-liners and I think about “th*nk y*u” at least once a week. A must-read for anyone who loves a good Stevie-David friendship moment.

Fic 2: Going Down by @concannonfodder

Why I like it: This is a perfect AU. Rich David? Check. New York? Check. Patrick’s gay awakening? Check, check, check. This fic feels as real and in-character as any canon events of the show, and the author does an incredible job at lining up a love story for the ages all over again under completely different pretenses. Plus, who doesn’t love a “stuck in an elevator” trope? I would watch 10 movies based off of this.

Fic 3: I’ve Never Liked A Smile As Much As I Like Yours by hagface

Why you like it: I live for college AU’s, and this one doesn’t disappoint. I love how the author repositioned characters and events for a new setting, and David as a picky art major is all I ever could have hoped for. Character interactions are pitch perfect and there’s a true “paint me like one of your french girls” pining moment that was truly glorious. A great read!!

@lickrustdavid

Fic 1: Tonight I’ll Drift in A Dream With You by torakowalski

Why I like it: It’s rare to find such a well-written fic with a great family dynamic that makes you feel like you’re almost just reading a script for the actual show instead of an idea. There’s something soft and comforting about reading cohabitation with Alexis and David and Patrick doing there own things on separate sides of the motel room.

Fic 2: A Week with the Brewers by @justwaiting23

Why I like it: The dynamic with David and the Brewer’s is genuinely authentic and it’s made me flash back to some of my own experiences with partners parents. The fact that Patrick’s totally willing to have sex while his parents are there while David is mortified at the idea is also great and realistic. I feel like this fic also shows how partners grow and learn to communicate with one another and trust them.

Fic 3: Welcome to Cabaret by @vivianblakesunrisebay

Why you like it: The concept of David being more included in the whole Cabaret experience was something I definitely appreciated, since during the show I was kind of bummed with the lack of him. Stevie is wonderfully written in my opinion, and I really liked Patrick going on dates with the choreographer and watching David figure out how to cope.

@loveburnsbrighter

Fic 1: Small Projects by GCLane

Why I like it: My ultimate comfort fic. Soft relationship feels and loving, passionate discussion of fiber arts, plus nuanced discussion of coming out and fitting in and what it means to be queer. Also David trying new things and doing his best, which is also fun (he learns to knit!)

Fic 2: You and Me and This Temptation by @leupagus

Why I like it: Another comfort fic! Musician Patrick/manager David. It's funny asf and super sweet at the same time. Plus it does justice by Rachel, and made me totally love her. Also, I was never sold on AUs of any kind and this is the fic that converted me. I re-read it when I need cheering up and it never fails.

Fic 3: The Moment I Touched Down by rockinhamburger

Why you like it: Patrick learning about David's past and being the sweetest most sympathetic bean :(. This one is full of tragic backstory and good emotional hurt/comfort. Super cathartic to read, and it makes me want to wrap David and Patrick both in big hugs and protect them from the world.

@maxbegone

Fic 1: my heart was broke, my head was sore by @blueink3

Why I like it: This was the first fic I read since coming into the fandom. It’s canon-divergent, which, as it turns out, I kind of love. It’s so beautifully-written; a story about David meeting the Brewers much sooner than he anticipated, under unforeseen circumstances that take Patrick back to his hometown - and David is right along with him. And just like in every universe, Marcy Brewer is an angel.

Fic 2: Cleanser by @cypress-tree

Why I like it: Hello and welcome to my comfort fic! This is just the most soothing story. It’s my wind-down fic, and every single time I read it, it makes me want to do my own in-depth skincare routine (that I already do morning and night). But it’s not just about that - it’s about Patrick taking a look at his identity as well. It’s all so tender and sweet, and so intimate in its own lovely way. David pampers Patrick a little bit and shows him that “femininity” and “masculinity” do not have rigid divides. And the first time I read this, I was wearing a mask from LUSH.

Fic 3: keep my spirit strong, you do by fishypots

Why you like it: Content warning; eating disorders, food issues. This hit me square in the chest. It resonated with me in a way I knew it would but struck so much more within me. By the end of it, I was smiling because of how represented I felt. I know this is a difficult topic for some, but I needed to share this fic. As someone with dysmorphia and struggles with disordered eating, it was such a comfort to read about David, who is a character so vulnerable and his partner who doesn’t pester him with questions. Instead he listens, he does a little research (it’s Patrick, of course he does), and remains by him. It’s all written so realistically and tenderly, and without any jabs or awkward nods toward body image. This will forever be at the top of my list.

@oceanavinfinity

Fic 1: I Carry These Heart-Shapes Only to You by ladyflowdi, ships_to_sail

Why I like it: It is a work-in-progress au set in Paris during WWII. Patrick is a soldier on leave, and David is a gallerist who sailed to France to help Alexis (as usual). The characters are so, so true to canon, and the world building of Paris in that era will whisk you away from your current place. I love it.

@poorguysheadcanon

Fic 1: bright lights by falconeggs (series)

Why I like it: my favorite schitts creek fic is definitely the series “bright lights” on ao3!

@ratchet

Fic 1: In the Temple of Artemis by MoreHuman

Why I like it: This story has Stevie exploring (with some help) the identifier of Aromantic after navigating what she thought were her romantic feelings for David. Really sensitively written, with a scene that almost perfectly puts into words my feelings about David & Stevie’s soulmate-esque relationship.

Fic 2: David Rose, Your Husband Is At Guest Services by @patricksdavid

Why I like it: Husbands! At Costco! Giant muffins and comically large bags of doritos! 2071 words of pure domestic fluff! What more could you ask for?!

Fic 3: Fifteen Hundred Miles by MoreHuman

Why I like it: Okay so. This is very new as part of the Reel Fic Fest, but I needed to include it. I love Wild, both the book & movie, and I am very much a “deal with my problems by hiking/biking in the forest” so this spoke to me immediately. Patrick and David meet as strangers hiking 1500 miles of the Pacific Crest Trail. There’s nature, pining in nature, tent shenanigans, tent emergencies! Stevie being an excellent friend from afar, a cribbage board, journaling, secret trail register entries, David in flannel, and an ever-present toque. It’s just a really satisfying and calming 30k words with literally 2 characters. I read it twice in 12 hours.

@roguebabyinyourstore

Fic 1: Fifteen Hundred Miles by MoreHuman

Why I like it: I like a good AU as much as the next person, but this one is just STUNNING. The descriptions of the pain and struggle endured by both men, both physical and emotional, was vibrantly visceral. David and Patrick’s relationship bloomed organically and you are hooked on their journey through the wilderness as they grow closer and eventually fall in love. Plus it’s Patrick’s POV. What’s not to love?

Fic 2: Getting Over Getting Older All The Time by Distractivate

Why I like it: You’ve heard of slow burn? Well meet glacial burn. This masterpiece takes us through 10 years of friendship, of missed opportunities, of pining and heartbreak. But most importantly it shows what we all knew - David and Patrick will find their way to each other regardless of time and distance. Also Patrick’s POV, I sort of love Patrick Brewer.

Fic 3: You Could Be The One by bigficenergy

Why I like it: I have a soft spot for early relationship David and Patrick. But almost no fic does it quite like this. This fic highlights points from our boys’ developing relationship scored by the incomparable Carly Rae Jepsen. This fic is so true to the characters, their voices and their story, that it’s all one giant headcanon for me. This fic is part 1 of a larger series and I highly recommend all of them.

@stuck-on-your-heart

Fic 1: a kiss from a rose by mihaly ( @davidroseshusband )

Why I like it: This was the first multi-chapter fic I read when I joined the sc fandom, and I hadn’t read fic of any kind in over a year. It’s a brilliant story where Alexis stars in a reality-dating show. All the characters are portrayed so perfectly in this fic, and you can hear their voices in every piece of dialogue. It’s sweet, it’s hot, it’s everything you could want in an AU. This story helped me fall in love with fic again so it has a very special place in my heart.

Fic 2: Rose’s Eleven by leupagus

Why I love it: This story honestly feels like a movie. I know the concept is based on a film franchise, but the writing in this fic is truly exquisite. It’s so complex and gripping, and there’s a heist which is always a good time. Despite the very different world these characters are in, they are still true to themselves, so it’s very exciting to see how they interact with one another in this universe. This is such a fun read from start to finish and just thinking about it makes me want to go back and read it again.

Fic 3: Simply the Vest by orphan_account

Why I love it: If you couldn’t tell, I’m obsessed with AUs. This fic is such a satisfying AU because it incorporates several tropes that we all know and love. In this story, Patrick is an FBI agent, and he has to go undercover as David’s boyfriend. So right off the bat there’s fake dating! And then it has pining because our boys are dumb! AND THEN it has a little smut if that’s your cup of tea. And while all this is happening, Patrick is being capable and looks very dashing in his FBI vest.

@thisbuildinghasfeelings

Fic 1: Happy to help by @vivianblakesunrisebay

Why I like it: This was the first Schitt’s Creek fic I fell in love with when I started exploring what was out there after bingeing the show for the first time. It’s basically a deep dive into Patrick’s POV from Motel Review through Grad Night. It really helped me appreciate Patrick as a character when I was fairly new to the show. I think I formed a lot of head canon regarding Patrick’s life and backstory based on the things I enjoyed in this fic. And it’s just incredibly well written.

Fic 2: turn down the lights, turn down the bed by @hudders-and-hiddles ( @wild-aloof-rebel )

Why I like it: I love this take on David and Patrick remaining just business partners until Rock On. I can be a bit of a canon purist, so I’m really picky when it comes to AU fic. However, there are actually quite a few I enjoy in this fandom. My favorite thing about this one is that it has the exact right amount of angst, to the point where it’s almost physically painful, but in the best possible way. Especially because you know how it’s going to end. This is angst with a happy ending executed perfectly. And it’s so good that it holds up to multiple rereads.

Fic 3: my heart was broke, my head was sore by blueink3

Why I like it: Another canon divergent AU that I love. This one diverges from canon after Grad Night, at which point Patrick has to go home for a family emergency and David goes with him. What I really love about it is how it puts Patrick in a position to be truly vulnerable and gives David the opportunity to kind of be the strong one and really take care of Patrick. This is something we don’t get to see to this extent in canon until maybe Meet the Parents, so it’s nice seeing it here so early in their relationship. Also, it’s just so beautifully written.

@vulcantastic

Fic 1: no other version of me i would rather be tonight by wardo_wedidit

Why I like it: I’ve always enjoyed the concept of love languages, and it was so sweet watching David do so much for Patrick to show he loves him. Of course, it stems from fear and anxiety that David isn’t doing enough for Patrick (especially with Alexis egging him on), which reads very realistically to me. I think we as the audience tend to forget that David has never had anything like this before, has never experienced the love of someone like Patrick. He’s still learning how to accept that love and return it, in his own unique ways. This fic does a great job of examining that.

Fic 2: Exposed Brick by swat117

Why I like it: To me this is the perfect “Patrick and David visit New York” fic. Patrick is characterized so beautifully here; we not only see how he aims to please throughout his relationship with David but in his interactions with Rachel and his family as well. I imagine there was a lot left unsaid on the show regarding Patrick’s uneasiness about moving to New York and David’s ultimate decision to stay with him in Schitt’s Creek--this is explored wonderfully here. Plus, as a new New Yorker, it was really nice to read about all the iconic places in and around Manhattan.

Fic 3: we’ll take the world together by sonlali

Why I like it: I am a sucker for stories that examine David and Alexis’ relationship before the start of the show. This fic in particular is heart-wrenching, touching on the trauma both siblings likely experienced before we as viewers knew them. I love the idea of David as protector of his younger sister, and to see that sentiment returned by Alexis now that they have grown (physically and emotionally) while living in Schitt’s Creek is beautiful to read.

@wlwbaudelaire

Fic 1: you’re my peace and my quiet by chocobos

Why I like it: This fic is just so soft and sweet and always puts me in a good mood whenever I reread it. It’s wonderfully written and I can truly see this as an actual scene in the show.

Fic 2: Terrified But The Truth is This by ryry_peaches ( @loveburnsbrighter )

Why I like it: As someone who’s had a headcanon that David is autistic since I started watching the show, this was the first fic I saw pertaining to it. I was happy to see how well it was portrayed, especially giving how poorly I’ve seen fics portray autism in other fandoms, and it even made me see the episode “Girls' Night” in a completely different light.

Fic 3: Putting Down Roots by @this-is-not-nothing

Why I like it: Absolute domestic fluff is my jam and this fic delivers it and then some. It gives me everything I could want in a post-canon fic where David and Patrick are happily married and living in their cottage.

Again, thank you to everyone who made this post possible! I am so happy we were able to spread some love and cheer to the fic writers of this community! Sending so much love to each and every one of you, and I’m hoping this provides some new material for the community to discover as well!

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maddiicake · 4 years ago

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Why Both FMAB and FMA03 are good and should be treated as Independent Stories:

I will go on the record of saying that Appreciate and Love FMA as a whole and love both series for what they are. And while it may sound like a broken record saying things like this... there’s still hateful words against those who like one over the other. So, I’m here to make this post addressing that both FMA2003/03 and Brotherhood are great in their own way and should be respected as their own individual stories.

Also warning there will be obvious spoilers.

What I liked about the Original (FMA03/2003) Series:

I watched 03 before delving into Brotherhood, and even before reading the manga. Now, I know Brotherhood and Manga fans are the small minority of the fandom, while 03/2003 fans make up the majority. That being said, many of these people simply can't get used to 03 after watching Brotherhood.

However, for me, I was happy because: A) I got more FMA to watch, and B) The differences in 03/2003 simply made it even more fun to watch, so for it was no trouble getting used to this anime.

But if I were to be specific of what I liked, I’d say I liked the following about FMA03/2003:

Characterization of the Protagonists and all the 'good' guys: The show heavily focuses on the relationship and tragedy of Elric Brothers, and 03/2003 portrays it much better with such a deeper level. The relationship between both brothers is intimate, and it feels like a genuine sibling bond. I also enjoy the fact that the anime shows that even if Ed follows his ideals, he, like any human, can break away from them under severe pressure, which was beautifully shown in the 5th laboratory arc. As for other characters: Scar in this version is a total opposite of his Brotherhood counterpart. He is written realistically in the 2003/03 anime. His absolute hatred for the military is more legit, and he feels morally grey in this anime. Izumi Curtis for me was also portrayed better in this version. Meanwhile, other Characters like Roy, Winry and Alex felt the same to me throughout both versions--so, not much change there.

Worldbuilding: The 2003/03 anime does a fantastic job at portraying the widespread effects of war and politics, Alchemy, etc. and how it has affected the people of the FMA World. For example, in Episode 16, “That Which is Lost”, Ed meet, a guy who had lost his limb while working as a soldier and was reluctant to use an automail prostetic because he wanted to “retain his wound”. Now, this episode itself was more so filler and didn’t really matter to the main plot of the story in itself; however, I feel that it was added to series to portray the depth of the FMA World, and how everyone has different reactions to the events that happened in the 2003/03 anime. Also, many of the events and how they unfold in this anime seem to parallel the middle east, which just makes all this feel realistic and provides some occasional social commentary which is quite nice. I also like how the first few episodes take their time to slowly and, with great subtlety, develop their world.

Thematic Depth: FMA2003/03 is dark, grim and kind of realistic--more so compared to Brotherhood. While, both versions of the anime deal with some important and mature themes, FMA2003/03 takes it to the next level. The 2003/03 series focuses on the Law of Equivalent Exchange, and shows how putting blind trust in it is a terrible thing to do. The show also focuses on how obsession, a denial of reality, and the inability to move on can be a bad thing. Moreover, sometimes life just simply isn't fair, and we should accept it; however, always try to improve what we have. All in all, we have to understand the consequences of our actions. That life is uncertain, and sometimes we don't get everything, and even we pay a price for it. All of these themes mixed in with the meaningful dialogues and the dark tone, made me appreciate this anime. For example, in episode 48, when Roy and Ed talk for the last time, that’s the pivotal point that brings all these themes together.

A Good Start: The Show had a better start than Brotherhood, simply because 1). We have more time with Maes Hughes and Shou Tucker, and 2). The Liore arc. Despite BONES studio and it’s tendency to create anime too early *when the mangaka is barely halfway through their series), they made it work, and, with the material they had, the 2003/03 series was given enough time to bloom. The 2003/03 series was simply immersive and very emotional, especially during The Curtis Arc, as an example.

Soundtrack and The Art Direction: I feel like both are equally good. However, I will go on the record of saying that I don’t think “art style” is what makes a series, nor is it an important factor. It’s nothing more than glorified “eye candy” However, for the sake of argument (especially since the “art style” is the first thing that “03 Stans” mention) I’ll be adding it in here. Both the 2003/03 and Brotherhood series have some amazing and beautiful orchestral OSTs in their respective soundtracks; thus, it added to the immersion of their respective series. In FMA2003/03, the color palette is very unique, sometimes it feels dull but it just suits the dark tone of the series.

All in all, I am impressed by a lot of aspects of the 2003/03 anime series, but as much I love and respect it, there are lot of things this anime messed up and I will note that as well.

The antagonists were... Meh: While I really love and enjoy the direction and depth BONES Studio added to the Homunculi... some of the other antagonists could have been better (or just not added at all imo). For example, Frank Archer... he has no reason being there except for convenient plot device to the point it feels forced. Though, him becoming that weird cyborg always makes me laugh just because of how dumb of a character he became because of it. Speaking of which, him becoming a cyborg was just... weird. It was like the Studio staff were trying to make him “cool” by making him into some crossover of The Terminator and Two-Face from Batman, but it just failed. As for Zolf Kimblee... He is still sadistic and likes making things explode, much like his Brotherhood Counterpart. But... that was it. Other than that, he was just boring. Him and Archer were both just the staple 90s Kids Cartoon Villains; not much to them except “Muahahaha I’m evil”. Now Dante... I’d say that she’s a good villain to an extent. Her as a villain is very subjective within the fandom, depending on who you ask. While I believe that she could have been just as great a villain as Father, her character was rushed and her goals were a bit vague and unexplored. I like how, like with Father, she had ties Hohenheim; however, that backstory and those connections were introduced a little late. So, in the end, she just came across as more of the generic Vindictive Ex-Wife, and just a generic female villain. As for the Homunculi... I’ve said it before and I’ll say it again: I LOVED their portrayal in 2003/03. They were the “saving grace” of the entire team of the villains within the 2003/03 series. My favorite of the bunch were Lust and Greed--namely Lust, because of her ties with Scar. Envy came at a close second, but only seemed so because of a way to back up Dante as a villain, and the other Homunculi seemed a bit more underdeveloped as characters.

The Plot's quality drops after episode 35- Okay don't get me wrong. The first 35 episodes for me were 100/100. After that? a 60/100. Why? Because everything after that point feels contrived and feels forced. It's as tho, they are trying to do everything they can, even if it doesn't weave in, to make the brother's life miserable. Archer doesn't die and pops up, with his automail? Alphonse is there to be turned into a bomb, and become a philosophers stone. Okay, but why does this feel so forced? Also, can we talk about Nazi Shit? Now, I feel the brothers being separated is the perfect ending to this anime thematically and I have nothing against it, but A Nazi gate? Why? It was so sudden and pointless. It was never foreshadowed. They just showed it to make it as tragic as possible, because they didn't know of any other way to twist the plot, without convenient and totally forced plot devices. Also, How can Dante make Gluttony Mindless? Why is Juliet Douglass's Secret so obvious, when it can be fatal if leaked? Plot- Holes, Also, why are the Homunculli named the way they are? It just doesn't make sense. Also, FMA's Plot has an air of mystery to it, but it doesn't execute properly. I don't hate the end, I just felt disappointed, because the buildup towards it was terrible.

Now, I give a bit of grace concerning how the plot sort of dropped off and felt rushed halfway through, as well as the characters being underdeveloped and rushed. After all, Studio Bones was making up the majority of the material and took it in their own direction. Some factors to all of these cons in FMA2003/03 could be because of the Studio’s lack of a budget to flesh the characters and plot out more. Or, they had created so much additional material for this series that it became overwhelming.

As a writer, I can attest to the fact that “Character Overload” or “Element Overload” can either make or break a series, depending on how you handle it. That being said, there need to be a balance when it comes to these factors.

However, FMA2003/03 ended around 2004-05, So what we got is what we have.

Now, with that out of the way, let’s get on to the analysis of FMA: Brotherhood:

Characters: There isn’t a single character in this version of the series that I can choose as a “favorite”. Because, honestly? I lile them all. They’re all well developed and lovable in their own way, and have their own demension of depth to them. No, they’re not as deep as they aare in FMA2003/03, but from a writer’s perspective, that helps keep a balance with the overall plot of the stories. Now, some minor characters were just outrageous, but not to the level of boring (like 03!Kimblee and Archer), for example... Darius and Heinkel. There isn’t a vast difference in Brotherhood’s and 2003/03's cast of characters. However, if I had to note a difference, FMA2003/03′s characters were are more on the edge of realistic and Brotherhood’s were just... Loveable. However, that doesn’t mean that one counterpart of a character is better/worse than another. Both are quite memorable in their own way. Of course, in my opinion Brotherhood's villains are just better than 03's villains. Sure, the Homunculi aren’t given as much depth, but, they have redeeming qualities near the end of their time (i.e. Envy, and GreedLing). When Father was first introduced... his character made me think of how Dante started out, and I was worried that his character would end up just as rushed and he would just be the generic cliche Shounen villain. By the Promised Day Arc, however, I was surprised. Yeah, Father was still very shounen-y villain, but still a pretty darn good villain. I feel his backstory, and how he discarded all his human qualities which led to the creation of Homunculi was well put together, and I felt the concept how he created Alchemy in Amestris, while Hohenhime helped build Alkahestry in the east was well put together, and helped build the world of FMA (literally). To put it simply, his character was much more interesting than Dante, because it was fleshed out more. The Homunculi were awesome as well, Lust did her job, Pride and Wrath were simply awesome, GreeLing's development from an anti-villain to anti-hero was exceptionally well written and not the cliche anti-hero, which I can appreciate. Envy is the character you love to hate. And Gluttony and Sloth did their Part as Well. While I enjoyed 03′s portrayal of the homunculi, I felt like they only fleshed out some for that series (i.e. Lust) while others were just left to fall flat. With Brotherhood, all the Homunculi were evenly balanced out in their characters, not too much depth and not too little. Solf Kimblee was still the sadistic baster, but at least his entire personality was more explored this time, and I liked how they portrayed his psyche as an added affect to why he has his views.

Plot: Bortherhood’s plot was more fluid and weaved in seamlessly. As a lover of all things continuity... Brotherhood did it right, and every time I find an analysis of a teeny tiny subtle continuity detail (i.e. Ed’s gash on his forehead that lasts a few episodes), I get a writer-gasm! Sure, there were few plot devices and filler here and there. But the plot in gneeral wasn’t rushed or choppy, nor did it leave any holes in it. The way Brotherhood portrays it’s plot is to keep you as engaged as possible, adding some silly comic relief here and there to balance out the dramatic intensity every so often. Unlike 2003/03 where is was just one depressing and dark element after another, Brotherhood added in the comic relief points not and again to give it’s audience a break. And, that’s what I really appreciate, and think is a great story writing technique. All in all the Brotherhood series is literal binge-watch material

A Great Shounen: Many Shounen anime have their Arcs for the purpose of portraying the progress of a character, and keep introducing new villains; however, depsite this, there is rarely a sense of mystery, intrigue or a moving plot in a Battle Shounen Anime. What Brotherhood did was just that, except make it more digestible (and not super long like Naruto or One Piece), and added a great thematic exploration. For a shounen it was quite deep, the plot structure was more like seinen, and characters were awesome. In a way, we got everything we could in a Shounen anime that only lasted a little over 50 episodes: Depth, plot, characters in a shounen.

Thematic Exploration: Both FMA 2003/03′s and Brotherhood’s themes are the same, but Brotherhood makes it a bit more lighter. All the while, it also manages to raise questions on additional themes: revenge, truth, knowledge, sacrifice, worth of a human life, and many other things.

Soundtrack and Animation: Same as the analysis in the part of FMA 2003/03, and, once again... I will restate that I personally don’t believe that art style is what’s important to a series. It’s nothing more than glorified “eye candy”. However, for the sake of this analysis, I will be adding it in here. While Brotherhood’s art style and animation is more simplistic, it’s much easier to create those dynamic poses and expressions on an animation level. While FMA2003/03 did have it’s dynamic moments, it was mostly only during battle scenes or the really heavy moments in the series. Brotherhood maintains it’s art style through the series and keeps it a balance, so that some scenes aren’t too much animation but also not too little. And, both FMA2003/03′s and Brotherhood’s OST Soundtracks are beautiful orchestral pieces that really add additional effect to a scene that the respective series are trying to portray.

A sense of conclusion: A lot of Shounen Anime get prematurely cancelled, most Seinen end in a bittersweet manner. That’s why FMA2003/03′s ending with the fate of the Elric Bros was a bit more preferable for those who like a more realistic ending. But, I enjoy a story with a more conclusive ending that wraps all the plot points up together without leaving too many holes. Yeah, the “happy ending” of Brotherhood is cliche, but “happy endings” wouldn’t be “happy endings” if they weren’t. Not to mention, those types of endings are rare, because people really don’t want to write them, and, when they do, they’re rarely done well. Ed’s entire charcter arc wrapping up to where he swallows his pride as an Alchemist and gives up his Alchemy to bring his brother back is both wholesome and satisfying, because, through the show, it shows his progression and growth from beginning to end. And, having an arrogant character obsessed with Alchemy give it up and learn to humble himself because of it.. it’s really uplifting.

Now let's talk about the Cons within the Brotherhood series, they aren't a lot, but still, they did affect my experience quite a lot.

Overuse of Comic Relief: While the use is a nice balance to the already dark and dismal atmosphere of the series, it felt a bit overused. So much so that some emotional moments were inconvenienced by the use of that kind of humor. It was a bit much and created dissonance with the tone the scene was trying to portray. Now, it worked more in the Manga, because of the more visual gag of it, but, sometimes the visuals within the manga don’t translate as well to an animated one.

A Rushed First Half: While FMA 2003/03 began “In Media Res” with it’s first episode and then started a “flashback episodic arc” with the next handful of episodes.. Brotherhood just jumped right into it. While, yes, it was a better balance to not have the characters’ depth right at the beginning (slowly revealing it as the show goes on), the first half of Brotherhood was 0-100 through just the first few episodes. To the point it feels like the audience has to catch it’s bearings. But, once you get on the same page, it’s enjoyable from there.

So what’s the Point of this Ted Talk-esq FMA Post?

I’m sick and tired of seeing 03 Stans and MangaHood Stans fighting each other over just the smallest detail, especially when 03 Stans decided to bring leftist politics into it for no reason.

Personally, I just appreciate the fact that both series exist, ever since I've got in the franchise, it has become a part of my life, and still to this day is part of my life. Sure, I’m forever going to be part of this fandom.. but, I still see the beauty that peeks through the ruins and ashes of destruction now and then. I appreciate both series. Sure, I do prefer Brotherhood more, and get called a “Nazi” just because of it (ironic considering FMA: CoS was the movie sequel to 03... -__- ) , but 03 was excellent as well in it’s own way. It was very involving while FMAB was engaging. Both shows are something which you can learn something from and get attached to.

All in all, comparing both shows is okay, that's what I did here, but having a debate over which one is better isn’t just inherently bad... it’s TOXIC. Both series have their pros and cons, and they’re starkly different from each other. They’re two sides of the same coin. But, most importantly they are extremely important and impactful, so Pls don't have death battles over which one is better, don't say bad things about any fanbase, be respectful, and most importantly watch both and try to appreciate them. Because trust me liking both is a pretty darn good feeling.

#fullmetal alchemist #fmab #fma 03 #fma 2003 #full metal alchemist brotherhood #madiis musings

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forestwater87 · 4 years ago

Link

Listen, just because this fandom is temporarily dead doesn’t mean my love for Gwenvid is.

Mega thanks to @gwenvidweek for making this happen! We love you, mods!

Gwenvid Week, Day 1: Before Camp/After Camp

David’s always had a soft spot for rituals. They remind him of his mom, of camp -- of all the things that feel like home. They center him, clear his mind, get him ready for the challenges ahead.

He carefully dots the exclamation mark in the sand and takes a step back, tossing his writing stick to the side and putting his hands on his hips. The words written on the shore are a little crooked, the D a little crooked from when a sudden bird call startled him, but as he kicks off his boots (carefully rolling up his socks and smushing them into the toes to keep them from getting sandy) his chest is warm and light.

And lucky for him, because the lake is so cold he nearly jumps out of his skin. Clenching his jaw to keep his teeth from chattering, he forces himself to wade out to his waist, and turns back to survey his handiwork. With the frigid water of Lake Lilac leaving his legs numb, the cool breeze making the trees rustle and the air smell like pine needles, and the sun already scorching everything it touches as it climbs into the sky, he reads back the words in the sand, letting his gaze move slow and deliberately over each swoop and wobbly line and tracing their mirror in the calm surface of the lake like sacred runes.

Campe diem. The words that make the summer begin.

Or . . . not quite.

“David!”

The voice makes him jump, but a second later he smiles. “Good morning, Gwen!” he calls, splashing back to shore and subtly kicking away the letters. “It’s nice to see you up so early on such an important day!”

His co-counselor doesn’t look like it’s nice to be up, but aside from a baleful glare she shoots at the sunrise she doesn’t respond. She’s still groggy, dressed in her pajamas with her hair a messy tangle of knots that blend the two tones into a single warm burgundy. The sun makes her glow where it hits her face, warm and lit from the inside like a jack-o-lantern . . . only that sounds a lot less pretty than he intended, so he’s relieved that’s one of the thoughts he didn’t share out loud.

David wonders if people enjoy looking at their best friends this much, or if it means something potentially dangerous. The way he always does when this question occurs, he quickly banishes it from his mind. “How are you settling in?” he asks, fully aware of the answer. They share a cabin, after all, and Gwen’s spent enough years at Camp Campbell to have the routine down to a science; within minutes of hopping off the bus QM rented for the summer, she’s mostly unpacked, changed into her counselors’ uniform, and begun a critical sweep of the camp’s supplies and paperwork.

She makes a noncommittal noise, rubbing the sleep from one eye with the heel of her hand and trying to shield herself from the sun with the other. “Are you ready? The stores are gonna be full of families getting shit for the summer -- it’ll be like Black Friday, so we’ve gotta be in and out as soon as the Tradin’ Post opens unless you’re prepared to deck some soccer moms.”

He resists the urge to smile; she might not believe in the power of the beginning-of-summer rituals, but this optimistic plan for their camping supply trip is as much a staple of every summer as David’s sand writing. “Sounds like a swell plan, Gwen.”

“Yeah, whatever,” she mutters, but he catches a half-smile before she turns her back on the lake. “Come on, get dressed and meet me in the Mess Hall. I’ll start inventory.” As he falls into step beside her, she glances over at him, raising her eyebrows. “Morning swim?”

He shrugs, turning to survey the empty campground. “Basically!”

“Sure. Seems like something you’d do.” She dismisses him with a wave of her hand, already fixated on the task at hand. “Just hurry up so we can get out of here. If you think you’re gonna make me do all the hard jobs by myself, I’ve got a guitar with your face written all over it.”

David laughs before he can stop himself. “There it is,” he murmurs, causing her to glance over curiously.

“Huh?”

“Nothing! I’ll meet you in the kitchen. Might as well start by seeing what food we have, right?” As he ducks into the counselor’s cabin, he catches a glimpse of her hair, glinting like copper in the early-morning light, and his heart lifts.

There it is.

Writing the camp’s motto in the sand and water is important to him, a silly little consecration ritual that marks the line between his life outside of Camp Campbell and the endless, magical months of summer. He’s done it ever since he was a junior counselor; it feels like staking a claim on the only perfect place that’s ever existed, like writing his name on the heart of the earth. Even if he technically owns the camp now -- something that felt too bizarre and wonderful to make sense last summer and if anything is only more strange after an entire year -- no amount of signatures or invoices capture the simple power of the words “campe diem” on Lake Lilac.

But for David, the summer doesn’t really begin until Gwen tells him she needs him. Never in those exact words, of course . . . but he’s gotten pretty good at reading between her lines, and she’s never exactly been subtle.

He tightens his bandanna around his neck, smiling at his reflection. Get out there and help your CBFL, David. Campe diem.

The wheels that help spring become summer begin turning.

---

“Okay.” Gwen groans, rolling her shoulders; there are some ominous pops and cracks, but she doesn’t look like she’s dislocated anything so David assumes everything’s fine. “I’ll “Okay. This is okay.” Gwen runs a hand through her hair, grimacing as her fingers get caught in tangles. She’s still in her pajamas, a smear of dirt along her thigh from crawling around the supply shed, but she’s so single-minded David isn’t sure she’s even aware of what she’s wearing. (He makes a quick mental note to remind her to change before they leave, because when she gets hyperfocused like this, it’s easy to see her blasting down the shelves of the Sleepy Peak Tradin’ Post in bare feet and oversized paisley boxer shorts.) “We can’t afford literally anything we need. Just like every summer. This is gonna be a disaster, but that’s okay.”

He puts his hand on her shoulder, figuring now isn’t a good time for a hug. “It’ll be fine,” he tries. He scans over their shopping list and tries to imagine a way they can stretch their budget to cover it all; then he remembers that he doesn’t know what their budget is, because Gwen takes care of that, and feels a faint spike of panic jam itself between his ribs. “Let’s ask Mr. Campbell if --”

“Don’t even think about it, kiddo. The government already cleaned me out.” Mr. Campbell slouches into the room, tugging at the trapdoor in the Mess Hall ceiling that leads to the attic. “Those brothers found every last hiding place I had. Apparently it’s being used to repay my ‘debts to society,’ if you can believe it.”

“I can,” Gwen mutters, gaze darting around the Mess Hall as though hoping a sign saying “Free Money Here” will appear out of the blue. She hurries into the back room, where they’ve managed to convert a closet into something resembling an office.

David’s distracted by something else, though. “Brothers?” he repeats, hurrying to help Mr. Campbell lower the spring-down ladder from the ceiling.

“Yeah, those suits from Washington. You’ve met them a hundred times -- sunglasses, terrible fashion sense. The secret agent guys.”

“Um, sir --” he’s not supposed to call Mr. Campbell “sir” anymore, since he’s technically the boss now, but it’s a surprisingly tough habit to kick, “-- if you mean Agent and Agent Miller . . . they’re not brothers.”

He frowns down at David, frozen halfway up to the attic like he’s scaling a mountain. “Of course they are! Or are you going to tell me it’s a coincidence that they have the same last name?”

David shrugs awkwardly, kind of wishing he hadn’t said anything. “They’re married, sir.”

“Really?” His brows furrow. “And that’s legal here now?” David nods. “Go figure. Well, good for them.”

Gwen bursts back into the Mess Hall with a scrap of paper, snatching her phone off one of the tables. “Agent Miller?” she says after a moment, and her tone abruptly melts into honey. “It’s Gwen Santos! You know, from Camp Campbell? Yeah, it’s great to hear from you, too! How’s the weather over there?”

The rattling sound of the ladder being drawn back up into the attic startles David, making him jump and glance away from the conversation. He frowns up at the closed trapdoor -- he’s pretty sure Mr. Campbell is telling the truth about his stashes of money, but it’d be nice if he at least tried to help -- then crosses over to the safe in the corner. (It’s empty, of course, but he wants to feel like he’s doing something useful.)

Meanwhile, Gwen’s voice still sounds like it’s made of spun sugar: “Things are wonderful over here! We’re taking good care of everything. Actually, that’s part of why I was calling . . . I noticed Ered’s coming back this summer?” A moment of silence, then a bubbly laugh. “Well, we’re certainly excited to have her here! The thing is . . .”

A few minutes later she ends the call, immediately jumping into the air and spiking her phone into the couch. “That’s how it’s done!” she crows, dancing in a circle. “I -- am -- the -- best!” Each word is punctuated by punching the air, and then she twirls around again.

Her eyes land on David as she finishes spinning. It’s like a bucket of water was dumped on her head -- her shoulders slump, her arms fall to her sides, and it even seems like the brilliant violet of her eyes turns duller.

“Oh. Hey, David.”

He forces a smile, rising to his feet and wincing as his knees crack. “That sounds like good news!” he says, wondering if there’s a way to tell her he doesn’t mind seeing her happy without it making everything awkward and weird.

She brightens a bit, rescuing her phone from where it lodged itself between the couch cushions. “Yeah. Turns out the Millers are really happy with you for taking care of Campbell all year. They’re Venmo-ing the camp some cash. Probably not enough for most of the stuff we need, but we can cut it down to the essentials.”

“That’s amazing!” He doesn’t entirely know what she accomplished, but it sounds encouraging. “Gwen, you’re incredible!”

She shrugs, her cheeks flushing pink. “Whatever,” she mumbles, then raises her voice almost to a shout. “It’s crazy what great things can happen when you’re not breaking the law all the time!”

Mr. Campbell’s voice is muffled by the closed door: “Give it a rest, Gina!”

Gwen rolls her eyes, but her attempt to look annoyed is dampened slightly by the smile that keeps tugging at the corner of her mouth. “What a dick. Come on, David, let’s get out of here.”

When she emerges from the cabin, dressed like a Camp Campbell counselor for the first time this summer, he looks up from his phone with a smile. “Campe diem, Gwen!” he says, giving her the Camp Campbell salute. Her response is just to shake her head, which is about all he expected. “You look great!”

She gives him a strange look as she slides into the driver’s side of the campmobile. “I look like this all the time, David.”

And she looks great all the time, but he knows better than to say that out loud. “Camp Campbell has a Venmo?” he asks instead (he looked it up while she was getting changed).

“Yes, Brother David. It’s one of those boring grown-up things I did while you were playing in the dirt last summer. No need to thank me.”

Well, she said he doesn’t need to thank her, so he chooses not to. That’s just the kind of thing Gwen does, after all, and once again he wonders how they’d get by if she was able to find a better job.

We’d figure it out, he tells himself, looking out the window as the camp falls behind them. But not this summer.

He has one more year of grace, anyway.

She’s here, and he might as well enjoy it while it lasts.

---

Even though Gwen says she doesn’t have any rituals, there are a few things that they have to do every summer, the day before all the campers arrive. Inventory coupled with a panicked last-minute shopping trip is one of them. Listening to strange music at earth-shaking volumes on the drive to and from town is another.

“Yeah, girl, it's true, I'm into you, but these benzos, they got me feeling loose --”

David’s tempted to cover his ears -- it cannot be good for his eardrums; he didn’t even know the volume knob went this high! -- but if he does that, he might block out Gwen’s voice. There are very few situations where she’s willing to sing with an audience, and the car ride into town is one of those rare occasions.

He sits back, watching her shimmy her shoulders in time to the music, painting the air with the hand not on the steering wheel in strange gestures that are half conducting and half gang signs --

“Why don't you come through, before I Goku -- fuck this white pill and go super xan!”

-- and decides, like he does every year, that this is worth the risk of moderate hearing loss.

As they pull up in front of the store (despite Gwen’s dire warnings, the street is as empty always), she switches the music off. David tries to convince himself the ringing in his ears is all in his head, and that he isn’t going to suddenly wake up deaf. He mostly succeeds.

“Okay, David.” Gwen stops directly in front of him, putting her hands on his shoulders. It suddenly feels like there’s a snake constricting around his chest, and his next breath stutters and doesn’t seem to pull in enough air. She doesn’t notice, narrowing her eyes at him as though he was one of their poorly-behaved campers. “We have a list.” She waves it between their faces for emphasis.

He swallows, nodding. “We do.”

“We’re sticking to the list.”

David nods, resisting the urge to laugh. “Of course we are,” he says; he hadn’t intended for his remark to sound sarcastic but can’t be entirely disappointed that it does.

“We’re not buying anything unless it’s on this list, got it?”

“Got it, Gwen!”

“Good.” She takes a step back and punches his arm lightly. “Let’s go, CBFL.”

As he follows her into the store, he couldn’t keep from smiling if he tried.

---

“Wasn’t that fun?”

Gwen groans, shoving the last of the bags into the car (David reminds himself yet again to put his reusable shopping bags in the campmobile so they don’t spend another summer gathering dust under his bed) and slamming the door shut. “Swear to god I’m gonna get a leash for you,” she grumbles, putting her forehead on the steering wheel for a moment before starting the car. “I’ll order one from a kink website or something and you’ll only have yourself to blame.”

He doesn’t roll his eyes, but it’s a close thing. “I don’t think that’s necessary . . .”

“Oh, yeah?” She lifts her head to give him a sideways glare. “How many knives did we buy?”

“Two.”

“And how many knives were on the list?”

Okay, she’s made her point. “But Gwen, one of them is specially engineered for whittling!” He digs through the bags until he recovers it, holding it up to her. “I’ve always wanted to try whittling!”

“‘Specially engineered’ is a bullshit term used to sell stuff to idiots, David. And the other one . . .”

“Is . . . well . . .” Okay, so he doesn’t have an exact use for it yet. But he likes being prepared, and it’s important to have tools on-hand. “The box says you could shave with it! Isn’t that cool?”

She taps on the steering wheel impatiently. “Are you planning on shaving with it?” she asks, deadpan.

“No.” But he could.

Gwen snorts, starting the car. “Well, you’re gonna have to explain to the campers why we’re using the same old watered-down paint as last year.” She pulls an imitation of him that’s disturbingly accurate. “‘Golly gee, sorry about that, kids! But look at this cool knife I got instead!’”

That hardly seems fair, but he doesn’t have a good comeback. Knives aren’t cheap, it’s true, and he hates the thought that the camp will suffer because of him. “I mean, when you put it like that . . .” he mutters, looking out the window to avoid her accusing gaze.

There’s a moment of silence. Then her arm lands heavily around his shoulders, pulling him into a sudden half-hug. By the time he’s registered what’s happening, she’s taken her arm back and gently shoved him back to his side of the car. “It’s fine, David,” she says with a sigh, her face slightly pink. “I didn’t have to buy Nights with the Wolf Queen, either.”

He doesn’t point out that a grocery-store paperback is hardly as much of an expense as two wilderness knives, mostly because he doesn’t want her to realize it herself. So he takes the olive branch and smiles at her before reaching to the dashboard and turning the music back on.

Noise explodes through the car, making both of them jump even though they knew it was going to happen. Gwen’s surprise immediately dissolves into delight, and even though she doesn’t thank him outright, she bobs her head and drums on the steering wheel to the beat, and that feels like thanks enough.

“Robbing banks, knock it off! Not saying thanks, knock it off!”

David perks up, tilting his head to hear better (not that he needs to, since the music is currently drilling its way into his skull). “Hey, I like this one!” he says. Why didn’t they start with this song?

Gwen glances at him for a second before returning her eyes to the road, clearly trying not to smile. “Would it even matter if I tell you this is sarcastic?”

It wouldn’t, and they both know it.

---

David takes a step back, holding up his phone and fiddling with the zoom. This is another important part of beginning the season; the supply room will never be this full or tidy for the rest of the summer, and their hard work deserves to be documented before it all gets undone. “Looks perfect!”

So perfect, in fact, that it needs to be uploaded to Instagram. Right now!

“Yeah?” Gwen huffs, slumping against a pile of unmade tents nearly as tall as they are. She must’ve dragged it out of the shed while he was sharing his photo. “I’m so glad you’re doing the important stuff while I slack off.”

If that’s sarcasm, he chooses to ignore it. “Don’t say that! You’ve done a great job today!” She groans loudly -- so it was sarcasm, good to know -- but takes the other end of the tarp holding all the tents and helps him drag it out to the field. The sun hovers just above the trees, golden-yellow and almost thick enough to touch, and his stomach grumbles as they survey the campgrounds. “Do you want to have dinner first, or . . .”

“Fuck that.” She grabs a tent and slings it over her shoulder. Her face and neck glisten with sweat, and she impatiently brushes the strands of hair that’ve escaped her ponytail out of her face. She looks unkempt and beautiful, like a lumberjack, or a viking. “If I sit down, I won’t be able to get back up. Let’s just finish this shit.”

Her language leaves a little to be desired, but her logic is sound. The tents are meant to be put up by and for children, so they aren’t too difficult to set up, but most of them have taken damage between the last summer and storage, so the process keeps stalling to fix broken rods and quick-sew patches over holes in the fabric (David’s job, mostly; Gwen isn’t much of a seamstress). The air is a gloomy indigo by the time they finish, cooling down just enough to make their sweat-damp clothes miserable. “Why don’t you take the first shower?” he offers as they walk back. “I’ll start dinner.”

“My hero,” she quips, veering off toward the counselors’ cabin. David shrugs off his discomfort and exhaustion, forcing a skip into his step as he heads into the Mess Hall.

This is their final ritual before the campers arrive tomorrow, and he wants everything to be perfect.

---

“Hmm?” He cups his free hand around his ear, gently twirling his stick over the fire. As much as he wants to look over at Gwen, he has to keep his attention on roasting his hot dog. The last thing he wants is to deal with another exploded dinner. “I’m sorry, what was that?”

She snorts and throws a marshmallow at his head. “Oh, fuck off.”

“No, I’m just not sure I heard you correctly! Because it sounded like maybe you were saying you were wrong about something --”

“Very cute,” she mutters, rolling her eyes.

“-- and that, consequently, I was right!” He grins at her, removing his (cooked to perfection) hot dog from the fire and transferring it to a bun.

“Sounds like you’re saying you wanna be hit in the face with a flaming hot dog, Greenwood.”

He leans forward and gently takes the stick from her hand, saving her food from its fiery doom. “I just think it’s swell that you’re willing to admit when you’re wrong, Gwen.”

“Give that back! It’s not done cooking.”

“It’s overcooking!”

“And that’s how I like it!” She snatches back her stick and holds it to the center of the flames, shooting him a defiant glare. A moment later there’s a loud pop; they throw themselves to the ground to avoid the burning shrapnel of the exploded hot dog, which light up the air like fireworks before sizzling harmlessly out in the dirt.

They both sit up, brushing themselves off, and take their seats around the campfire again. David waits a minute before saying, “This might be another good opportunity to practice owning up to your mistakes.”

She shoves his shoulder, laughing. “Let’s see you do it better.”

He does, knowing and not caring that she’s gotten him to do all the work for her. The fire is a lovely contrast to the chilly night, and he feels warm and glowing all over.

After dinner they crowd themselves into one of the campers’ tents, rolling out sleeping bags on the floor next to the child-sized cots. Gwen sprawls out across hers, stretching like a cat. “Hell of a last supper.”

He knows what she means, but he isn’t comfortable sharing her dread over three months of meals cooked by the Quartermaster. At least, not out loud. Instead he crawls back outside, recovering the two steaming mugs he pilfered from the Mess Hall and bringing them into the tent. “Here you go!”

She sits up and takes the hot chocolate, curling both hands around it despite the heat. “Well, since I’m apparently on a roll here,” she says, taking a sip and sighing happily, “I guess I have to admit that this is a really good way to start the summer.”

David quickly takes a drink as well, hiding his smile behind the mug. “So I was right about that as well?”

“Okay, don’t milk it,” she snaps, but there’s no real malice in her voice. She leans back against one of the cots, wincing at the screech of metal shifting, and tilts her head up to the ceiling, as though she can see through the fabric to the stars beyond. “I had a lot of fun today,” she says after a moment. Setting her drink to the side, she tugs the elastic out of her ponytail; in the white light of their lantern, with her hair falling in loose, fluffy waves down to her shoulders, she looks soft and almost ethereal, like a princess in a fairy tale. “Thanks, David.”

She meets his eyes, the light turning them a silvery lavender, and looking at her is suddenly too much so he turns his attention to his drink. “No problem, CBFL,” he says, taking a deep breath and wishing his heart wasn’t beating so fast. He opens his mouth to say something else but it turns out there’s nothing else he has to say so he shuts it again, feeling stupid.

For a few minutes they’re quiet, drinking their hot chocolate in companionable silence. At least, David hopes it’s companionable -- he’s not exactly sure how to measure companionableness, but it seems friendly enough so he’s going to do his best not to overthink it. That’s what Gwen would tell him, he knows, and she has a degree in psychology so she definitely knows what she’s talking about more than he does.

Thank goodness he’s not talking out loud; it’s embarrassing enough that he’s babbling in his own mind . . . oh no, what if he has been talking out loud this entire time? What has he said?!

“David?” His gaze snaps up to her, but she doesn’t look annoyed or creeped out so he probably hasn’t been saying anything too weird, at least, and probably hasn’t been talking out loud at all so that’s good but her expression is alarmingly serious and she hasn’t said anything else and it’s been at least ten seconds that they’ve just been looking at each other but he’s not sure what she wants so -- “Let me know if I’m reading this wrong.”

“Reading?” he manages weakly. He feels strangely disconnected from his body as he watches her set her mug aside and cross the small space to kneel in front of him. Her hand alights on his shoulder, fluttery and weightless as a hummingbird, and she seems a little close and a lot beautiful and if he’s not extremely careful she’s going to figure out all the things he’s put so much work into not letting her figure out -- try not to feel at all, but it’s hard to keep his composure and not look at her mouth when it’s so close and there’s no camp activities or pre-camp activities or post-camp activities to distract them both with, just quiet and breathing and soft white lantern light and her hand on his shoulder, and he’s always considered himself able to multitask pretty well but this feels like too much so he squeezes his eyes shut . . .

The kiss takes him entirely by surprise. One moment he’s bracing himself for a confrontation, questions he doesn’t know how to answer, and the next moment is filled with Gwen -- her lips soft and slightly chapped against his and her fingers tightening on his shoulder and the coconutty smell of her shampoo all around him and he’s a little worried that he’s having a heart attack but gosh, jeez, fuck it, he kisses her back.

And she doesn’t shove him away or demand to know what in the name of fun he thinks he’s doing; she lets out a weak little huff of air that lands somewhere between a laugh and a sigh, her mouth opens just slightly, and she shifts forward, her arms twining over his shoulders. One hand slides into his hair, the gentle scrape of her fingernails shivering from his scalp down his spine, and it occurs to him that he can touch her as well, that he’s not only apparently allowed but actually probably should. Slowly, both so she has plenty of him to stop him and in a futile attempt to stop his fingers from shaking, he lifts his hand to her neck, gingerly cupping around the base of her head and running his thumb along the space behind her ear. She gasps against his lips, but she doesn’t pull away so he assumes it’s a good gasp and repeats the motion, and when her tongue flicks against his bottom lip like a question he opens his mouth, because he’s never been very good at saying no to her for anything and he sure as sugar has no intention of starting now.

David’s not sure how much time passes before she pulls back, but even though he feels cold and bereft everywhere they’re no longer touching it’s probably for the best, because he doesn’t realize how lightheaded he is until he opens his eyes and has to wait for the world to shudder into place. She sits on her heels, biting her lower lip; he lets his hand fall away from her, and in a second they’re disconnected, apart.

“Well.” She chuckles weakly, tucking her hair behind her ears. “That was . . .”

A mistake, his brain finishes, and his stomach drops in miserable anticipation.

In fact, he’s so prepared for those devastating words that he almost misses what she actually says: “unexpected, huh?”

It takes him a moment to register that, to recalibrate, so his response is a bit too late, just a little bit awkward: “I -- definitely didn’t see it coming.”

“That’s because your eyes were closed,” she says with a grimace, like she regrets the lame joke even before she’s finished saying it; but it melts so seamlessly into a smile, small and self-conscious and unexpected and perfect, that he forgets what words are, let alone that he’s supposed to say some to continue the conversation.

With a nervous glance at him, Gwen scuttles back to her side of the tent, picking up her mug of hot chocolate.

“Sorry, was that totally inappropriate?” she asks, responding before he can. “I mean, of course it was, you’re technically my boss, I don’t know what -- I just thought I was -- there were some signals -- weren’t there? Was that . . . okay?”

The enormous stupidity of the question finally surprises him into speaking. “Okay? That was . . .” the best thing that’s ever happened in my life. “Very. Okay -- it was completely okay. Better than okay, it was . . . you know, good. Nice. I’m going to stop talking now.”

Her smile widens, visible even as she covers her mouth with one hand. “Really?” she says, suddenly like she’s blurting it out. “Are you sure?”

“Yeah.” He’s so sure that he shuffles forward on his knees, most likely looking like a total idiot, until he’s in front of her again. He doesn’t have the courage to kiss her so he takes one of her hands, turning it over and examining how beautiful it is, how lovely it looks contrasted with his pale fingers. He strokes the backs of her knuckles, marveling at how soft her skin is even after a day of hard work, and tries to remember how to breathe.

Gwen puts her other hand under his chin, forcing him to look up, and kisses him again.

It’s a bit less gentle than the first time, both her mouth and her fingers hot and insistent as they press against him, and he loses his balance, falling onto his back with a small yelp of surprise. She follows him down without breaking the kiss, lowering herself to her elbows and covering his body with hers. He’s distantly aware of a dull ceramic clunk, but he doesn’t really take notice of what it means until a few moments later, when something lukewarm and wet seeps into the hem of his pajama pants.

“Shit!” She rolls off of him, righting the mug of no-longer-hot chocolate and scrambling for the napkins left over from dinner. “Fuck, it’s everywhere.”

He tugs her sleeping bag away from the spill, but it’s already soaked. “I’m sorry, I didn’t mean to knock it over!”

She shakes her head, sitting back and surveying the damage. “No, I think I did it. It’s fine, the dirt’ll soak it up. But it’s gonna bring ants, so we’re going to have to give this tent to the campers we hate the most. I vote Max.”

“Gwen!” He can’t quite make that sound as disapproving as he should. He scoops up the wet napkins and drags her wet sleeping bag outside. “I’ll go put this in the wash right now.”

She glances at her watch, then back up at him. “It’s almost midnight, David. I’m not staying up until that’s clean, it’ll take all night.”

He knows she’s right -- the machine they rely on for the camp’s laundry is the same one they’ve had since he was a junior counselor, and runs extremely slowly -- and disappointment makes his shoulders slump. “We can sleep in the cabin, then. That’s no problem.”

When he returns from the laundry, yawning, Gwen isn’t in the counselors’ cabin like he expected. She’s not by the dying embers of the campfire, or in the tent. The sleeping bag, it turns out, isn’t in there either, nor are the lantern and the mugs of hot chocolate. He opens his mouth to whisper-call her name (it’s spooky with the fire out) --

“David!”

He jumps, covering his mouth to muffle a noise that was definitely not a scream, and turns to see Gwen leaning out of one of the other campers’ tents, half-hidden by shadows. She gestures him over and disappears back into the tent.

Shaking off his alarm, he ducks inside to see Gwen bundled up in the sleeping bag on the ground, with the other supplies well out of reach. “Oh,” he says, not sure exactly what he’s looking at. “Um, should I . . . sleep on one of the cots?” It’d be uncomfortable, but he’d rather shiver through a night curled up on a too-small bed than go back to the cabin alone.

She rolls her eyes at him and wriggles to the side, unzipping the bag halfway. “Get in before you let all the warm out.”

Oh. His face flushes hot and he has to look down at his feet for a moment to compose himself.

Well, he’s hardly going to refuse, is he?

It’s a bit of a close fit, but he manages to slide in alongside her. She turns onto her side, slinging one arm over his waist and resting her cheek on his shoulder. “Is this okay?” she mumbles, already sounding like she’s halfway to falling asleep.

He has to swallow twice before he can answer. “Y-yes. This is fine.” He can already tell that it’ll get unbearably warm soon -- Gwen’s pressed against his side and radiating heat like a furnace -- but her weight on his chest is solid and comforting and he knows he won’t be moving an inch until the sun rises, not unless she tells him to.

She’s quiet for long enough that he thinks she’s fallen asleep.

“Sorry.”

It’s so soft he freezes in the darkness, trying to figure out if that was his imagination or not. When she lifts her head, nothing more than a black vaguely-Gwen-shaped blob, he recovers and says, “Why?”

“I know this whole pre-summer hot chocolate thing is really important to you. It kinda sucks that I ruined it.”

“You didn’t ruin anything!” He sits up on his elbows, tentatively reaching out to stroke her hair. His fingertips brush against her forehead and she ducks slightly, letting him pet her hair without poking an eye out. “I know it hasn’t exactly started yet,” he says, flopping back down so she can rest her head on his shoulder again, “but I think this might be the best summer ever.”

“You say that every summer.”

He smiles up at nothing. “And I mean it every summer.”

There’s silence for a moment, then he feels her press a light kiss against his neck. “Call me optimistic, but you might be onto something this year, anyway.”

“Wow,” he says, blowing out a huff of air. “Admitting I’m right three times in one day. I hope it doesn’t keep up like this or I’ll get a swelled head!”

He doesn’t have to see her face to know she’s glaring at him, and that small knowledge makes him indescribably happy. “No danger of that happening.”

“I know.” It’s one of his favorite things about her.

Her breathing evens out as she falls asleep, soft and slightly nasal. It’s another sound he associates with his time spent at Camp Campbell, although never so close, never with her hair tickling his cheek and her hand splayed over his heart like she’s protecting it. He’s used to letting her breathing lull him to sleep from across the room -- but he thinks he could get used to this, if he has the chance.

(He’d like the chance to get used to this.)

David closes his eyes and enjoys the last moments of peace they have, before the kids arrive and the camp explodes into a delightful frenzy of sound and chaos.

Let the summer begin.

#campcamp #camp camp roosterteeth #gwenvid #cc david #cc gwen #gwenvidweek #gwenvidweek2020 #forestwriting

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