#i use ibis paint to draw by finger so ye-

[chips-likes-revolution101]

Flowerfell made by @underfart-snas

[hansooyung]

hansooyung's coloring tutorial & ctiys: alma time! 🍒

hello everyone! though i've been meaning to for a while, i've finally gotten around to making my first manga coloring tutorial! i'll be going over cleaning panels and screentones, choosing base colors, and finally shading and lighting.

this will also be a color this in your style challenge, so if you're willing, feel free to post your colored panel and tag me in it!! i'd love to see all the results :)

find details under the cut! 🦋

DISCLAIMERS:

this is just how i personally color! i know for a fact that some of my other friends follow other methods and have such beautiful colorings <33

for colors specifically, i play around a LOT. if you don't like your color scheme for the time being, mess around with it! i don't use psds since i like to mess around by hand with color palettes, but maybe i'll look into it for the future.

i explain a lot just bear with me gang 🙏

TECHNICAL STUFF:

software: ibis paint x (on iphone). i use ibis since it is FREE for all phones and it worked on my chromebook as well.

while this tutorial is made for ibis paint x, everything works on other softwares except the brushes, which i've provided alternatives for below.

brushes: i will be using dip pen (hard) which is automatically included with ibis, and two other brushes i made myself which you can find here and here. for more brushes, @/bkdkdh was incredibly helpful and posted her awesome set here!

for other softwares, you can use similar brushes. dip pen (hard) can just be the default brush, while wet edges is just the default brush on lowered opacity (and more of a rectangle/marker shape?). watercolor pencil is a watercolor brush in the rectangle/marker shape as well. if you can't get the shape, you can always smudge your lines into shape as well, so don't fret too much! a bunch of people only use one brush for coloring everything (which is insane to me, personally, they are so talented!)

fun fact: the first brush listed that i made was originally called "aki tao watercolor smooth" 👍

ok here we go guys!!

STEP ONE: CLEANING THE PANEL

i think of this part as setting up the panel for coloring! usually it's pretty exhausting cuz it's all b&w but it's all worth it i swear. the panel i'll be coloring is this beautiful one of alma from chapter 2:

imgur link here (x)

a lot of people redraw their lines to avoid screentones, which is extremely helpful. however, i work on a phone and my fingers are not steady even with the stabilizer turned all the way up T~T. i do it this way, but a different (possibly easier) way may work for you!!!

your first step will be to remove all the white, giving us a transparent background to work with. THIS IS THE NUMBER ONE REASON WHY I USE IBIS PAINT X.

when you upload the image to ibis, a popup comes asking if you would like to "extract line drawing". this creates a lineart of your image. click yes, and your work is like 90% done.

if you're not on ibis, you can redraw your panel, put lineart layer on screen, etc. or you can just extract line drawing from ibis and upload to software of your choice

for those of you not on ibis, i've included the line drawing here (x) if it looks black, don't worry and set your background to white.

omg i was not kidding when i said i explained a lot. ok now onto the three main steps of cleaning the panel:

cleaning background

removing screentones

repainting black lines

for cleaning the background, we're going to clear off all the extraneous stuff. this includes the text in the speech bubble, the gradient screentones behind alma, and the panel line on the left side. just use your eraser tool and go crazy! (i forgot to save the panel at this point of the coloring OTL)

for removing screentones, we're going to remove all those "dots" that mangakas use for shading. these are used to show value for b&w art, but since we're coloring we don't need them—a lot of people have really cool ways of incorporating screentones in their colorings though, and it looks amazing! i used it on nana's hand in my bnha coloring.

remove the screentones from alma's hair and jacket with your eraser tool. this will take time, but it's worth it in the end!

for portions with a bunch of lines, you can create A NEW LAYER and redraw some of the lines. that way, you can erase indiscriminately from the original layer but the lines you drew are still there. again, like i said, my hand is really shaky so i don't do it a lot, but it's extremely helpful for smaller parts where i have control! i used this on alma's jacket, and here's a screenshot of the process:

(i made his jacket purple so i could distinguish between layers easily).

it should look like this when you're done:

for the final step of cleaning, i like to erase all the things colored black (the collar and strings of the jacket, along with the back part of his hair). that way, i can color them in with dark colors and it adds to the whole look of the coloring.

i've circled the parts i'm going to erase below:

and it should look like this when you're done!

ok everyone cheer we're ready to color now!!!!

STEP TWO: BASE COLORS

CROWD CHEERS ok lets go!

this part is the most important to me, because it sets the tone for the whole coloring. i like to use three-four main colors in my colorings, and it's usually background, skintone, hair, and the secret fourth color. the secret fourth color is usually whatever color fits the character's vibe, or if the character's color is the bg, it'll be an accent color.

for example, with my nagi coloring, i used white for the hair, i had my skintone, i had blue as the main coloring vibe (as nagi's color), and black as the accent color.

for alma, i chose his main color to be red! it's the color of his hair and his jacket, so i wanted it to be vibrant and stand out. since blue contrasts red, i went for a greyish-blue shade for the background. (i went for grey rather than solely blue because then it would clash rather than complement).

disclaimer please please please take your device off night mode warm mode f.lux whatever you have. this has screwed me over more times than you may think :(

i like to make my vibrant colors closer to the right end of the color square. for alma's hair, i chose this color:

i dragged it down from the corner a bit but kept the saturation since his hair is kind of dark. we can use vibrant colors to shade it though, so don't worry!

here's his hair and the background together:

now from here, play around with skintones until you find one that matches the hair!

i usually drag around the wheel to the orange-red intersection, and have it on the lighter, more saturated side. here's the color i chose for alma's skintone.

i thought his original skintone looked a bit too orange, so i pulled the saturation back a little bit (moved closer to the left side of the square).

after that, color in his jacket with a bit darker red than hair, choose a gold color for the accents on his jacket, and color in the black parts with a grey-ish color (we will change that later).

here's the base colors!

if it looks a bit bright, don't worry! we can change that with shading. or you might just have to. accept the light.

STEP THREE: SHADING AND LIGHTING

wooo we made it!!!!!!! ok now i lied, we have a bit more of base colors to go. on a layer above the skin, color in your teeth and tongue. for pieces that have a more red feel (like this one), i like to make the teeth and the shading a more vibrant blue color. (for blue pieces, i make it a purple!).

IMPORTANT NOTE: ALL SHADING AND ALL COLORS SHOULD BE DONE ON NEW, CLIPPED LAYER.

i'll then go in and do some light shading with my wet edges brush. i'll use a darker color for hard shadows and then a lighter, more vibrant color to accentuate it.

next up we have blush! a lot of people do this in very different ways but i like to do it directly under the eyes, in a vibrant red shade. make a new layer above the skin and clip it on. color pick alma's hair and drag it to the most saturated shade (red corner). then using the watercolor pencil brush, lower the opacity of the brush and drag a line under the eyes on both sides.

make sure to erase the portion of blush that goes above the eyeline. i also added some lips for alma as you can see, and then added a red line under the eyes! this was back to the regular dip pen (hard) brush on 100% opacity. it may take a few tries to get your blush to the way you want it, so don't worry too much.

now we can start our actual shading!

i break this part up into three steps: skin shading, blue shading, and light shading (highlights?)

for all of them, think about where the light is falling and how it will look on alma.

quick interlude about brushes: i use the watercolor pencil brush for softer, bouncy looks (like blush and noses) and i use the wet edges brush for more hard lines in shading.

again, make a new layer above the skin and clip it on. (i like to have it below the blush, so it doesn't cover it). for skin shading, i take the vibrant red and lower the opacity of the wet edges brush by a significant amount (specifics don't really matter, as long as you're happy with it). i'll trace his neck, from the shadow of his face, shadows of his hair falling on his face, ears, and nose. (for the nose i used the watercolor pencil brush for a softer look).

this is what i have once i'm done!

next we have skin shading part two, where we basically make a new layer on top of our first shading, lower the opacity further, and trace outside whatever we just did to blend it in more.

i used the watercolor pencil brush since it's more softer shading meant for blending! i also added it around the eyebrows for depth.

next up we have our blue shading! this is a technique that i learned from @/bkdkdh's colorings, but adding blue as a shadow really adds to the whole coloring. using the watercolor pencil brush, select a light-ish blue shade (a bit more saturated than background color) and use it to shadow a few more areas than your skin shading. i always make sure to hit the underside of the nose, cuz i think it adds depth!

finally, to wrap up our skin shading we have our lights. i use an orange-ish yellow color, which i set pretty light to not blend into the skin. using the watercolor pencil brush, i'll basically highlight any areas opposite to where the blue was, and highlight different parts. i always highlight one side of the nose as well.

i erased the line around the nose since we now have shading there, and added a darker shade to the teeth since i felt it wasn't shaded enough.

now onto the hair!!! (guys we're almost done bear with me, skin and hair are the two main things and then you can half-ass the clothes)

color pick alma's hair color, then drag the red a bit further down to get a darker yet still saturated color. here's mine:

then, using the wet edges brush, draw lines of shadow wherever clumps of his hair fall or overlap with each other. you can have the opacity set to whatever level you want, i just went with around 90. just try to follow the natural lines and patterns of the original line drawing, and everything should work out fine.

here's how mine looks! then, just like we did for skin shading, place a layer on top and lower the opacity to around 50%. place some more shading to blend it in. you can also shade more parts with this shade for some softer shading. i actually forgot to take a screenshot of this step but you'll see it in the next one!

for our (almost) last part of hair shading, take a layer and place it below both of your shading layers. this is going to be our highlight layer! you can see it below, labeled 49%.

remember how we set alma's hair a bit darker from the corner color? now select that corner color and draw highlights in the center of each hair clump.

lightly visible but it's there!

now here i skipped around a bit bc i was having fun and forgot i was doing a tutorial, but repeat the shading (not highlighting) steps with darker colors for alma's jacket. you should have your base layer, a dark shading, and a softer shading for blending.

we're almost there guys!!!

for the pretty much final step of shading, select a light blue color and do some blue shading with the watercolor pencil brush opposite to wherever your darker shading falls (just like we did on the face). make sure to do it to both your hair and your jacket! here's mine:

now for the black portions, we're going to color the whole thing in a dark blue color. just alpha lock your layer and make a big stroke of dark blue, almost black. for our black shading, we're actually going to go lighter.

select a lighter (but still dark) color and place highlights on the base layer, then take an even more vibrant, lighter blue and place it on the very outside for highlights. a better example of this would be nagi's legs in his blue lock uniform here. then, choose a shade to apply shading to the gold accents on alma's jacket and we're done!

CROWD CHEERS!!!!!

STEP FOUR: FINISHING TOUCHES

we made it guys!!!! for finishing touches, i'll usually do background effects or text or that kind of stuff.

step one is coloring your lines. you can add a new layer and clip it to your lineart, or simply alpha lock your lineart and color directly on top. for hair i like to add vibrant blue/purple lines, along with a few red ones. for skin lines i try to do dark brownish purples, but leaving some black is good too bc it adds flavor!

i colored in the text boxes and added shadows using the wet edge feature, then added some text. for the glitch effect, i duplicated the lineart, dragged the layer below all of my colors (including speech bubbles) and then used the glitch effect with height full from ibis. if you don't have ibis, you can look into features on your software, or you can also just drag your lineart layer a bit to either side and color it in. i also applied just the tiniest bit of noise on top of everything

and there we go!!!!! we made it to the end :)

if you've read all the way til here, thank you so much! if you decide to color this panel of alma (or any other panels!) don't be afraid to post them and tag me for a color this in your style type of thing! (you can also put it in my tracked tag, #user.roy) i'd love to see everyone's works :)

here's the full timelapse: (it stalls for a bit at some times but hey we can't have everything)

[gemapples]

im so sorry it took me so long to answer these oml but YES i'd be happy to show how i draw and color :)

— SKETCHING

please note that i almost always sketch traditionally first lol it's just a lot easier for me to determine how the drawing is placed that way, but i always go over and re-sketch it digitally

for magolor i always start with a basic egg shape (lmao) and then i add his ears. then I draw the scarf; it's easy to determine the shape and dynamicism based on where the bottoms of the ears are located

then i usually add the cape and hood together. where and how these are placed and what these look like in general are very important because they're the main area that perspective is directed to (the ears and everything else is important too ofc!! but the hood and cape usually help demonstrate where he is looking and how he is moving the most). then i add everything else, usually his hands last!

— LINEART

ohhhhhh god my worst enemy. Hope youre sitting down because this will be embarrassing LMAO

lineart is easily what i struggle with most and is more often than not the most time consuming and grating step for me. If i had a choice i would drop it in a heartbeat, but my style is so dependent on thick lines and shapes that it's difficult to 😭 a hole i dug myself into unfortunately ITS FINE THOUGH. ANYWAYS I'm getting sidetracked

i use my finger to draw all my digital art, which means i usually have to use a Heavy stabilizer to avoid shakiness and staggered lines. Unfortunately ibis paint's stabilizer is actually dog water and doesn't even stabilize more than half the time (in which case i have to repeat lines over. And over. And over again until i get it right) but when it does like me and works properly it's very helpful!

i always use the soft school pen bleed brush as my main tool for lineart. This brush has been my best friend for everything, i even use it for sketching idk it just really like the way it looks lol. sometimes i change the aspect if i want the lines to look more ,, chalky?? or smoother depending on the work

i don't really use this tool much but for this specific piece, force fade was my partner in crime

also i think i need to mention that i use so many layers for this. So many layers lol like to the point it's embarrassing. and at the end i merge most of them (except for the gear patterns, rings on his ear, and eyes + hands, which usually need to be by themselves as they're colored separately) Thank you for layers

and i end up with this!

— COLORING && SHADING

yippee yahoo the fun part !!! the part that i love the most

at this point, if i havent already, i always create a folder for convenience in organization because this is the part that i stress the most about what details are on which layers lmao

then i add ANOTHER layer below that for the color, then i put every single color used on their own separate layer!

now, for shading, if im working on larger pieces with more complex shading, i'll usually plan it all out. normally when just drawing magolor, i don't really need to do this anymore because i'm so used to it lol, but for funsies i did it here anyways

then i use the bucket tool to fill them all in

i usually have a set color palette for all the characters i draw (though the way i shade white differs. A lot between my work as you can probably tell fhdfgf). For every color, i have two specific tones that are associated with the shading. for example, indigo + violet are shaded with my blue, pink + light orange (or lighter pink depending on my mood lol) are shaded with yellow, etc.

so, i shade the other areas with the 2nd shading color

a big tip i can give for coloring is to look at a color wheel when you draw. i know that sounds like. Such basic advice LMAO but that seriously was a huge help for me when developing my shading and something i learned while studying — if you notice, in all of the shading in my work, all of the colors used are analogous on the color wheel. note that not ALL combinations will work together like others obv !! but it's a huge step in knowing where to go with it

then i add other extra details like extra lighting, halftones (if i feel like it // if it fits the work), glow to his eyes, and color the lines and ta-da!

another tool i use a lot especially with my more recent art are blending modes, especially multiply. i use a clipping layer to add a dark color (usually a dark blue or purple) and set it to multiply, then erase the areas that emit light

and this is the end result! this is a very very basic demonstration of it fhdjg i was a pretty messy with the lighting and erasing in this example but you get the general idea right

and that's how i draw :) i hope this was helpful, and thanks for asking and being so patient with the response!

[kaledya]

Short message !

For the Hürrem drawing 🌸🌸

First and foremost! I was writing another message when the art pop up and I was like ?! "This is my baby !!"

And the fact that is on your phone with your finger is amazing like what ? What do you mean its that cool with a finger !

Honestly I love her she really is giving parrot colors (she is a sun conure) I love it ! Like RIO the dreamworks movie ! Now that I see her from another point of view, I think Gluttony Ring could be her favorite ! Because her in yellow/orange scenery is slay ! Or maybe Sloth!

And the unhinge "you know bastard or not m i can use magic!" *pull a gun* 🤣 Is excellent ! Now I think about it, she is suppose to have a scary big monstruous form like Stolas in episode 6 of Helluva boss right ?

And the bunny moustache/weaskers it is really a detail that she is not full Goetia. Thank you !

And OF COURSE the adorable doodle of Giovanni on the back ! Is like "whatever fluffy feathers, as you say. Hum hum."

(Ps : she is suppose to have pink eyes like her dad Vassago BUT I DONT CARE RED cause this doodle is fire !)

Thank you again !! 🌸🌸 I'm still flabbergasted about the fact that this is drawn on phone!🌸🌸🌸

Yes lmao yes, your reaction at the end of the last message was very cute"OMG MY BABY!!"

I was used to draw a lot with my phone before, so I got used to it, I'm sure you can draw very well with practice!!

Yes, it really gives the color of a parrot. It's nice to have such a colorful color in a place like hell!!

I really love Hürrem being a parrot.It suits her personality and looks very beautiful and colorful.🌈🌈🌈

RIO!! I really love it, it's one of my favorite animations both musically and in terms of story and character design!!!

Yes, it really makes sense that it is Gluttony's favorite.The circle with the least chaos, and both in terms of color

Yes, Sloth can also have it, the color palette is very nice.A relaxing atmosphere,remembered hospitals a little bit.

---

LMAO definitely, after all, doing the unexpected always surprises the enemy.

--

Yes, I guess, she is a Goetia (mostly) after all. I think it makes sense for her to have such a form. But was there someone who taught her how to use this form?

But just imagine, something happens.

G:fluffy feathers, I think it's time to use your noble powers. A had would be vert helpfull rn!! *Screams while dodging bullets during combat

H: I'M TRYING OKAY!! IT'S HARDER TO DO THAN SAY!!

**Tries to transform*

G:Okay, honey, you should concentrate, I'll dodge a few bullets here, after all, I have a second life, don't worry, relax.I'll be just fineeee

H: YOU'RE not helping! Wait! Is happening!!!

G: Wait really??

*Hürrem starts to transform in a really cool way, but not a demonic form, but a colorful rabbit that is small enough for Giovanni to hold in his hand*

Giovanni: ಠಿ⁠ヮ⁠ಠ

Hürrem: ಠ⁠,⁠_⁠｣⁠ಠ

Lmao

---

Always!! I love Hürrem's rabbit whiskers!!

---

I'm so glad you liked the doodle!! And thank you for telling me that her eyes are pink, they be pink in my future drawings!!And pink definitely suits her better!!!

--

Hahaha Thank YOU🫂 But as I said, you can do it too with practice. If you are going to use ibis paint, you can ask me questions. I don't know much, but I will try to help!!

Have a great say!🫂❤️❤️❤️

[gentlelass]

Updates~

Hey there!~ Yes, this is the second time I post in… 40 seconds. If you haven’t seen the other post I just made yet, go through my blog to see it. It’s a redraw of an old drawing of Marjorie. And it’s cute. Because she’s cute. Like always.

Yes, this is an order, you peasants. Go.

But by the way, I’m making another post for two main reasons—

First, the poll I made a day ago!

(Translation: final result from 15 votes)

With a 46.7% of majority of votes, in the name of democracy, convention won over dubious originality probably stemming by multiple head traumas suffered as an infant by the undersigned creator GentleLass aka Isabel, and #morderie is the official name we will use to address this equally dubious and unlikely pair living rent-free in my head for the last three months at least!

But I said the reasons I was making this post were two, right?

Well, I recently have been repeatedly mentioning a ‘bigger project’ I’ve been working on, and since I am far too sensitive for my own good and feel cruel for ‘teasing’ you all like that for an extended period of time, I want to give you a couple sneak-peaks on the mess I’ve been (horrifically slowly) working on for the last few weeks:

Yes, as I have not even bothered concealing, it is Marjorie’s character sheet and the artwork to pair with it.

I actually have her description ready already (hey, it rhymed!), but the aforementioned artwork and the editing of her name with that strange but beautiful font of Tracy’s which is NOT downloadable are… slowing me down. Terribly so.

Yes, the program is Ibis Paint X, and yes, I literally draw with my bare finger, which is one of the many reasons I’m slow as heck.

Margo may or may not be on a boat.

It may or may not have been inspired by the Savoys’ character sheets… for undefined reasons I ain’t disclosing just yet.

I take back what I said, maybe I do am a tiny bit cruel, after all.

-GentleLass.

[valors-art-corner]

☆ || UPDATED INTRO !!

☆ || HELLO HAIII, For those who are new to my silly page here, I usually go by Kay or Valor/Valorist, im genderfluid who goes by any pronouns and im a insomniac who has the tism.

Im a artist :> i basically use ibis paint and thats it ( yes i draw with the power of my finger ☝ ) i like to draw my silly ocs though, im also a writer who has been working on their storyline for about 8-9 years now.

---🖤---

☆ || My current hyperfixations:

Alton towers ( as well as rollercoasters and theme parks in general ), MCR, BMTH, The Prodigy, Horror + Uncanny Valley stuff, Alan wake, ect

I LOVE MY TWO BEST FRIENDS RAHH/P

NEMY AND KYU, YOU TWO ARE AWESOME SO IF YOU SEE THIS YOU TWO ARE SO AMAZING

☆ || The characters/s im hyperfixating over:

. ALAN WAKE !!

---🖤---

☆ || DNI list:

. THE BASIC STUFF Y'KNOW, THIS IS A SAFE SPACE PEOPLE.

. hazbin fans, massive ick, get away from my page please

. People who post + like NSFW stuff....im a minor so no. Get that away from me

. Frerard shippers. THIS GOES TO THE MCR PEOPLE- NO FRERARD PLEASE...

And you pretty much know the rest, just dont be an asshole basically.

☆ || My socials:

Currently i only have two other things you can find me on

Tiktok : Valorist

Spotify : ☆ || VALORIST

---🖤---

Alright thats the intro done, ty for checking out my silly tumblr page thing

[v1rg1nwh0r3]

Young clef. I assume this is how he probably would have looked in his first year or so working for the foundation, still mentally ill but not so old and greasy yet. And yes I know I forgot to add eyebrows but I’ve been working on this all day and don’t feel like it. Maybe I’ll add eyebrows later.

[please note I am very new to digital art and haven’t quite figured it out, and I’m just drawing shit with my finger on my phone and using ibis paint X so until I save up to get a drawing tablet and apple pen or something it’s pretty much gonna look like shit]

[baldwin-10-12-d]

Sup made Sir Handel well tried to

Drawing eyes and a nose is hard for me we do not talk about the imperfections.

Here's the original traditional sketch of Sir Handel. It looks very different from the actual art piece, yes I did do the outline in Ibis paint x. Yes the art was done using my finger I do not have a stylus compatible with my phone.

Yes you can see choppy lines so what I can't draw digitally. Why yes you can see the layers for proof

I hope my art isn't doing a disservice to Sir Handel 😭😭😭

[delta-gambit-au]

Just asking a question

Because I can't make proper 2D art on my computer, but certain vermin friend shown me the way to use Ibis Paint on my phone... Painting with the finger is something I never did before (heck, I only use my phone to chat and make calls) and attempting to do any details is very frustrating without zooming enough so that I can see where the line beneath the finger is. The art is horrid and subpar but it's something I can do in some minutes before going to bed.

I wanted to ask if you would like to see those arts, even if they look like horrible oekaki pics. They'll be related to my AU mostly, at least until I can fund me the new tablet (you can help me with that by donating here if you feel generous). Is to don't leave this blog silent for too long. I want to practice to draw Spam and the other Addisons a lil more and maybe sketching them on my phone will help me out to resume the concept arting that was pending since the end of June. What ye think?

[partypoopur]

hallo !! u can call me queef, party and or matt (yes queef is silly theres a story behind it)

i use he/him pronouns, im 15 years old (18+ do not try to become close friends with me! there are plently people your own age, i am okay with being acquaintances)

plss checkout my strawpage and perhaps send me things

im a multifandom artist i will post what i want i draw on ibis paint with my finger on my phone using the lasso (and the special tool) or digital pen..almost everything is drawn on paper first..i only do digital art to share it with others since it does better

PLEZZ SEND ME ASKS PLEASE PLEASE PLEASEE I THINK THEYRE SO FUN!!! AND IF U WANT TO FEEL FREE TO STALK MY ACCOUNT I WILL NOT BLOCK YOU FOR LIKING A BUNCH OF POSTS!

reblogs r so appreciated <3 <3

[marshallfan99]

I tried digitizing my drawing of Mighty Marshall

I used ibis Paint X for this, since it has a scan feature for traditional art, which makes it easier for me to digitize it. Unfortunately when it comes to coloring, I have never known how to shade (in both traditional and digital art)...so that's why it looks so flat. I'm also brand new to digital art, so it's even harder for me than traditional art, and I don't have a stylus for my tablet so I have to do all of this with my finger...which makes it even harder to do it right. I did try making it look like his paws are glowing by tracing over them with white, similar to the way my Mighty Pups t-shirts do it. I think it came out okay...not as good as I would've liked, but decent enough. And yes, I know my handwriting is terrible, please don't mention that, it's bad even when I'm writing with a pencil on paper, it's always been that way. 😅

It's been a while since I've posted anything art related, but I hope to start that up again soon, I've just had art block for a while and couldn't bring myself to draw anything without feeling like it looked terrible. Hopefully though, this doesn't last much longer so I can get back to posting art soon.

Okay, that's all for now, so till next time, Marshall out! ✌️

[kanzuus]

em, which app do you use to make your drawings? (by the way, all your drawings are very beautiful)

Thank you! You're so sweet :]

And I use Ibis Paint X to drawing (Yes, I draw with my finger)

[nsbfenro]

How I drew Super Dimentio, a process.

Started by drawing the head and hand. I to figure out good places to put these two main body parts. I'm not too good with perspective, so I did it as simple as I could. And yes, I drew this in my sketch book

I drew the shape of his frill things in a position where his body is somewhat leaning forward, so we fot the general are of the body

I drew the foot and the long stringy extensions. I was trying to figure out where to put his right hand and ended up just putting it far back to create a sense of him crawling.

As for his connectors, I drew them as if I was drawing a snake, I made sure the ones farther back were smaller than the ones more infront.

I sharpened his right fingers and changed his foot position to make it seem like he's actually crawling. Then, I added the patterns on his limbs. I also changed a few things to his body to make it seem like the limbs actually affect it.

I inked it using a black pen. I took a pic and imported it to ibis paint, coloured it and boom the finished product . I'm so proud of it, this is probably the best fan art piece I have ever fone

[zoekrystall]

On a different note I made a retrospring bc only tumblr got asks and drew an icon for it at the end of last month. I really need to draw more I barely do it nowadays while child me went wild. Prob bc doodling in school just felt different jsk.

Ig meet the oc, prior insert, that I got since forever where my username everywhere comes from. Zoe's design never changed really and no thoughts behind it tbh. Ibis paint x says it took ~4 ½ hours and yes I drew it w my finger bc I don't got a drawing tablet (had one that I never used ages ago and now can't find parts of it rip). I'm really glad I finally found outhow the fuck I wanna draw eyes. I saw such shapes a lot lately and oughh I love em.

Originally a sonic oc (right one from a drawfee santa exchange ages ago, sadly the links don't work anymore idk if the artist is still called eirress who made it bc mine dipped). Love her and reg in that universe do I put the most thought in reg backstory and whatnot. As human pretty much just a representative of my accounts. She had so many fucking redesign in this universe. V much evil adjacent. Wolf even tho looks more like a fox but I didn't want to draw the snout like the official ones and puffy tail superiority so here we are. Still obsessed w how huge the tail is on the right like yes.

Literally the only thing that changed reg the human design is the hair palette and me not being sure if I really want those pink lines so that was always a yes/no thing. Plus eyes more now like by sonic w being more magenta than purple (drawing from ages ago when I doodled a lot in school). Tbh hair is still kinda "whatever I dig rn" esp when I recreate her in picrews.

Made one for iz once ages ago too

Came a long way for sure look at these old ass drawings. The amy hung in our school class (like what first or second grade) which was v sweet from our teacher 🥺. Istfg I got accused of tracing as a child a fuck ton when I didn't even knew how to do that on paper and by some like here am I just like you can't be serious sjksk. Most I did is have a pic next to me and trying to recreate it like those two (a lot w fanart which I will never share bc duh) which I can imagine a lot did.

[tenspontaneite]

Pigment

Callum discovers the wonders of elven pigments.

(The first of two pieces written for @falling-for-you-a-rayllum-zine, which is now having leftover sales!) ('Future' chapter; takes place post-s3, naturally not canon to TTM. Oneshot. 4k. Ao3 link)

---

The first time Callum was introduced to the concept of elvish pigment was, ostensibly, by Rayla’s skin. He’d noted the marks under her eyes in the same hurried, panicked glance that picked out the horns, the ears, the alarming points of the weapons in her hands…

He wondered about them, of course, but in the first frantic two weeks of their acquaintance, there really wasn’t a lot of time to ask about it. Not until the Storm Spire, when he sat mulling over the flight-runes on Ibis’ wings, and how they might have come to be there.

“…So, I’ve been wondering,” he said to Rayla, apropos of nothing, while she was tending to her equipment. She looked up as he began to speak, the armour momentarily forgotten. “Those…markings you have, the ones on your face—and the ones a lot of other elves seem to have—what are they?”

She blinked, and for a moment, her fingers rose to her face, as though only just remembering the marks were there. “They’re pigment?” She offered, squinting at him a little. “…Is that a trick question, or…?”

“No, really, I have no idea what they are.” He assured her. “I was never sure if they were tattoos, or…weird elf birthmarks, or something. But—pigment? Does that mean it’s like…ink? How do you get them on?” Tattoos, as he understood them, involved needles. He hoped elven pigment didn’t involve needles.

For a moment, Rayla stared at him, looking decidedly nonplussed. “You…paint them on?” She offered, still thrown. “With a brush? And then they stay there for a while. Half a year, maybe. Depends on how good your pigment is.”

“Huh.” Callum mused. For a moment, he was tempted to press further, to ask about the intricacies of various pigments and the application thereof…but he’d been asking for a reason, after all, and his attention remained there.

If they were painted on...then that boded well. That meant that it was something that he could do, if only for the presence of the pigment and a brush.

It wasn’t much later that, after a guilty rummage through Ibis’ things, Callum stood at the pinnacle of the Storm Spire and painted flight-runes onto his skin. That was his first true introduction to the pigments of elves. As an artist, he couldn’t help but marvel at it. The pigment was white, yet it entirely obscured the darker colour of his skin with only a single, easy stroke. Only one layer, and it was solidly opaque. It glowed a little—then settled utterly dry, clean, and steadfast upon his arms.

For a moment, he spared a thought to wish that his paints could be like that. He’d dabbled in every form of art medium he could get his hands on over the years, and he’d never worked with any pigment like this one. It would be gorgeous to paint with.

But then he was too distracted trying to fly to think about art any longer, and that was the last mind he paid to pigment for a while.

*

After the battle of the Storm Spire, he prevailed upon the use of a finer, neater brush, and filled in the edges of his flight-runes until the shape of each was perfect and immaculate. Ibis watched him with a critical eye, and nodded.

“The spell will come easier if the runes are tidy.” He said, approvingly. “You’ll need to re-apply the pigment every three months. Any longer than that and it will begin to fade—which isn’t so great an issue when the marks are merely aesthetic, but with runes…”

“I can see how you wouldn’t want these fading, no.” Callum said ruefully, and accepted the little bottle of white pigment with a murmur of gratitude. He tucked it into his things for the next time he and Rayla went travelling, and she smiled at him.

“Packing your pigment for the journey, Callum?” She remarked, a little teasing. “Think we’ll be gone that long, do you?”

He laughed, and shrugged, glancing down at one of his arms. “I guess it’s just in case, really. I shouldn’t need to touch them up again for months, but…you never know. Wouldn’t want to end up flightless for some reason.”

“I suppose you are a tad obsessed with flying, now.” She agreed, as if she wasn’t always finding excuses for him to sweep her up into the sky for another flight. She reached out, absentminded, and trailed a fingertip around the curve of one rune with the trace of a smile on her lips. “Still, if it came down to it, you could always borrow mine.”

He glanced up at her, startled. “Your pigment?” He checked, eyes settling on the marks beneath her eyes. “I didn’t know you had any with you.”

“I don’t. Need to pick some up from Ethari, when we visit.” She said, succinctly, and he supposed that was another reason for their stopping at Silvergrove on the way to Katolis. How long had it been, since she last refreshed her pigment? Did she need to do it again soon, or was she just planning for the future?

He stared at her for a moment, contemplating her, feeling his heart flutter with a familiar warmth. If her markings had faded at all since he met her, it wasn’t immediately obvious to him. They looked as clear and lovely as ever; a natural part of her face. It was strange to think of what she might look like without them.

Rayla eyed him, when he’d stared a little too long and smiled a little too softly, and huffed at him. Her cheeks pinked a little, the colour darkening her markings. “What are you looking at?” She muttered to him, a touch self-conscious. Rather than look away, he smiled at her all the wider, and captured the hand she had on his arm to plant a kiss on its fingers.

“You.” He said, very contentedly, and watched with pleasure as her face coloured and her fingers twitched beneath his touch.

“Dumb prince.” She sighed, a smile spreading unbidden and affectionate across her lips. It was beautiful, so of course he kissed that too. He felt the widening of that smile against his mouth, and lingered there for as long as she’d let him before she prodded him away to finish packing.

She gave his arms a strange look, though, when he next bared them. Appraising, almost, with a narrow-eyed sort of consideration. “…What?” He asked, when she’d been staring long enough to warrant the question.

“Your runes are…neat.” She said, tone as considering as her eyes. “Tidy.” She shook her head then. “I guess I shouldn’t be surprised, with all the art you do. Of course you’d be good at painting skin-pigment.” He eyed her, because there was clearly more to this observation than just surprise that he’d managed some tidy brushwork, but all she said when he asked was “It’s nothing. Don’t worry about it.”

He didn’t believe her, obviously. Not with the way she kept shooting half-considering looks at him when she thought he wasn’t looking. But he didn’t press her, and she didn’t mention whatever was on her mind. In time, he forgot about it.

Until they were back in the Silvergrove.

*

Rayla asked Ethari, and within the minute he was pressing a small dark bottle and a fine brush into her hands. “I did wonder if you needed any.” He said, as she turned the glass over and the indigo liquid swirled around within. “It’s been a while, hasn’t it?”

“Yeah,” She agreed, pocketing the vial and the brush both. “It’ll start fading soon. So…thanks.”

He nodded at her, all warmth and familial affection. “Not a problem. Did you want me to help with that while you’re here?”

She hesitated, then, and for a moment…for a moment, her eyes slid to Callum, who’d been watching them idly over the top of his sketchbook. “…I’m good.” She settled on, eventually, and if there was anything particularly knowing about Ethari’s smile then, Callum didn’t notice it.

He kept drawing, content in that she was content, and happy to be in her home under happier circumstances than the first.

But then, later: “I wanted to ask you something.” Rayla said, abruptly, when it was just the two of them in what was ostensibly her childhood room. It had been adapted over the years for a growing teenager, but still maintained hints of the past lingering within its walls. He spotted a child’s doodle of a shadowpaw etched into the grain of the dresser, and suppressed a smile.

He turned to her, eyes crinkling a little at the thought of a tiny rambunctious Rayla who scrawled over the walls and furniture. “Yeah?” He responded, a little distracted, as he wondered if there were perhaps any baby or childhood portraits in residence somewhere. He should ask Ethari. If there were any to be found, surely he’d know.

That distraction fled the instant she spoke. “Will you paint my pigment for me?” She asked, directly, and his eyes shot to her at once. At his expression, she added, “You don’t have to. But it needs doing soon, or it’ll start fading faster.” She paused, looking a little more tentative as she said, “If you don’t want to, Ethari can—”

“No,” he blurted, clumsy, then scrambled to say “I mean, yes, I mean—I mean I’d like that. To help. To, er. Paint your pigment on.” He felt his face heat, in part from how he’d stumbled over the words, and in part because…well. He might not know a lot about elven pigment and elven markings, but he was fairly sure that they were…personal. That painting someone’s markings for them was personal.

His reply settled her, and she huffed, lips twitching with familiar fondness. “…Good.” She said, in the end, and surprised him by leaving the room without further word. He blinked after her, uncertain whether he was supposed to follow, but then she returned a bare few moments later with a towel and a wet cloth that she was already wiping her face with.

“Er,” he offered, perplexed, as she dried her face off and set the towel and cloth both down. He didn’t understand until she plucked the bottle of pigment from her dresser and pressed it into his fingers. “Now?” His voice was something of a squeak, and she rolled her eyes.

“When else?” She asked, procuring a brush and giving him that too. “We’re setting off tomorrow. Now’s best.” She paused. “…That okay?”

Her voice had gone tentative again, and his chin jerked up, fingers tightening around brush and bottle as if worried she’d take them away. “No, yeah, it’s okay,” he assured her, and then laughed, a little nervously. “I just…wasn’t expecting it.” He cleared his throat, and took a closer look at the brush. It was like the one he’d filled his own runes in with, fine and delicate and short enough that it didn’t seem liable to flick off in weird directions. “…So I just…paint this onto your face?” He asked, after a moment, feeling his cheeks heat for reasons he couldn’t quite put to words. It felt special, in a way that was hard to describe.

“That is how it works.” Rayla answered, dryly, and then tugged him by the rune-adorned arm until they were both sitting on the floor, towel and cloth at close remove. He supposed those were there in case of spillages, though considering how quickly elvish pigment took hold, he wasn’t sure how much good a towel would do. He wondered if there was some sort of solvent, magical or otherwise, that was up to the task of dissolving pigment like this.

“What happens if I make a mistake when I’m putting your pigment on?” He wondered aloud, only half directing it at her. “Do you just have to walk around with it on your face for months?”

She snorted, and shook her head. “Nah. There’s pigment-remover for that.”

A little tension eased from his shoulders. “Oh, good,” he sighed, relieved. “That’s much less pressure, then.”

She rolled her eyes again. “Just paint my face, Callum.”

He chuckled at her, a little nervously, and uncapped the bottle. The liquid inside was so much darker than the pigment he used, and bizarrely true in its colour. Usually, inks tended to look much darker than their actual colour when they were in the bottle. It was only when you painted them onto a page that you could see how light and bright they were. This, though…it was just solid, liquid indigo, as if someone had distilled the concept of the colour of Rayla’s markings and spilled it into a bottle. “This would be amazing to paint with.” He murmured, somewhat distractedly, watching the pigment shimmer in the low light.

Rayla didn’t answer that, which was unusual enough that his eyes darted to hers, and found her looking strangely thoughtful. She shook her head, though, as if to dispel some thought, and started giving the pigment bottle and the brush some very meaningful looks. He laughed, softly, and obeyed the unspoken command; he dipped the brush in, drained off the excess, and then lifted it. It was dyed the same solid, true indigo—a colour that he was about to put onto her skin.

It hit him then, or at least started to; he looked between the brush and her face and felt his breath catch at—at something. It felt a little like panic, a little like wonder, a little like the breathless infatuation she always managed to inspire in him. For a moment, he didn’t know what to do with it, and just…stared at her, heart beating wildly at—at the trust, and the honour, that he couldn’t help but feel she’d given him.

She was looking impatient by the time he finally moved, and likely would have spoken if not for how he shuffled closer, until their knees were touching. Her mouth closed, watching him, eyes settling on his own as he reached towards her. His fingers brushed the edge of her jaw, feather-light, as tentative as he always was when he remembered that someone as amazing as her had deigned to be with someone like him. His breath caught in his throat as he lifted his hand, thumb tracing tenderly along a cheek that warmed beneath his touch.

He cupped her face in his hand, then, unable to resist the impulse, and she leaned into it without even thinking. Her eyes fell half-lidded for a moment, the smallest smile twitching at the edges of her lips, and he wanted to kiss her. That wasn’t what he was supposed to be doing, but—but he wanted to, and she was smiling at him, and her eyes were soft and warm in the quiet and low light of the room—

So, he kissed her, and she huffed an amused breath against his lips, lifting a hand to trail affectionate fingers along the side of his neck. “This doesn’t feel like face-painting to me.” She murmured to him, fond and teasing at once, and he wouldn’t have been surprised for a moment if his heart stopped beating for the strength of how much he loved her. “Weren’t you supposed to be doing something?”

He laughed, a little breathless, and the warmth of it spilled between them. “Yeah.” He agreed, helplessly, drawing back with her fingers still warm on his neck and his hand still cupped to her cheek, and paused for a moment to treasure the sight of her looking at him like that. He couldn’t believe how lucky he was that she loved him. He didn’t think he’d ever believe it. “I’ll just…get on that.”

She withdrew her hand, and watched him. Waiting.

His fingers shifted on Rayla’s face, moving to press his thumb gently to the side of the marking under her left eye. Pulling at the skin, ever-so-slightly, to allow for painting it more evenly. Another urge struck him, but this time he suppressed it. He could kiss her cheek-markings later. For now, he was supposed to be painting them. And so…

With an almost reverent care, he lifted the tip of the brush to her face, hovering just above her skin with a heady mixture of breathless wonder and breathless trepidation. He exhaled, softly, and felt her eyes upon him. Watching, warm and fond and expectant.

Finally, with the utmost care, he touched the brush to her skin.

She flinched a little at the touch so close beneath her eye, but he’d expected that. He held the brush steady and traced a slow, perfect line down her cheek, along the edge of the extant marking, like a dark border to the fading colour. And it was fading; he could see that now. It wasn’t noticeable on its own, but with the contrast of the fresh pigment beside it, it was fully obvious that the old colour had begun waning.

With the brush to her skin, Callum’s hushed awe fell in step with the breadth of his skill and practice. He’d never put brush to someone else’s skin before, but that did nothing to diminish his skill. He knew brushwork, and he knew the delicacy needed for fine detail, and…and, in the end, this was easy. Just tracing around an existing marking, and filling it in. There could be nothing easier.

He drew the pigment across her skin in smooth, effortless lines. He traced the borders of her marking and then filled it in, up until when the brush began to run empty, and he had to go for the bottle again. The colour settled fast, immediate, and perfect upon her face, with that gorgeous fidelity he’d never seen in any other pigment or paint or ink in all his life. It was a pleasure to use it, and all the more that he was using it for this.

Callum fell half into an artist’s trance for the remaining minutes it took to finish. He filled the left marking in, stark and perfect, then shifted his fingers tenderly to her other cheek, and repeated the process. When he was done, there was nothing but perfect lines and perfect colour upon a face that he loved.

He smiled, small and satisfied, and set the brush aside. “Done.” He murmured, and leaned forward to press his forehead to hers, cradling her face in both hands. It felt strange, to risk touching her skin when he’d only just painted it. But that was the wonder of elvish pigment; it dried the moment it was applied, and permitted no possibility of smearing whatsoever. He stroked his thumbs beneath her eyes and felt more happy, more tender, more loving than he’d ever known. “Perfect.” He murmured, reverential, the words meant for more than the pigment.

Her eyes blinked across from his own, and he loved them. Loved her. She brought her arms up and drew him closer, one hand splayed on the back of his neck. “Maybe I’ll have you do me some new markings, someday.” She murmured to him, in the end, a small and secret smile at the edges of her lips. He stared at her, spellbound, for the three beats of his heart that lingered between her smile and her movement. She leaned in and closed the meagre distance between them, the kiss soft and sweet and all the more perfect for how dearly he adored her.

He imagined, for a second, drawing that ink-brush again along her skin. Imagined it between her fingers, along her arms, casting indigo whorls about her shoulders. He thought of new pigment, new markings, and the sheer delight of being the one who got to put them there. His heart fluttered. “I’d like that.” He said, against her lips, and she kissed him again.

“Good.” When she drew back, the markings were still stark and beautiful beneath her eyes, where he’d painted them. The sight of them left him a little breathless, even now, unable to shake the sense that he’d been afforded an enormous privilege, a gift of worth beyond measure.

Someday, he hoped, she’d afford him that gift again.

*

Callum saw the fruits of Rayla’s thoughtful consideration and furtive glances a while later, when July came around and he was startled from thinking about her birthday by the arrival of his own. She cornered him with palpable satisfaction, and gave him a parcel that she very clearly expected him to be delighted with.

She wasn’t wrong.

He unveiled an array of small bottles; thirty-six hues of true and perfect elvish pigment, distilled for the purpose of painting. He beheld them all with a nearly breathless joy, finding the little parcel of pigment-brushes, the bottle of solvent, the masking-fluid….

“You like it?” Rayla asked, with a broad and decidedly smug smile on her face. She clearly already knew the answer.

“I love it.” He pronounced, and set at once to trying them out.

The very first thing he painted was her. She watched him, and huffed as she saw the familiar lines of her own face taking form on the page, pleased and exasperated all at once. She never did seem to understand why he drew her so often, but that was okay. And, with these pigments…

The colours were spectacular, brighter and more intensely pigmented than anything he’d ever seen. He found himself utterly swept away in the delight of using them, and hours later, emerged from his artist’s trance to the completed work: Rayla in the early evening of the Silvergrove, her hair and eyes gleaming softly with the gentle illumination of the lights and moon-moths around her. It was one of the finest works he’d ever produced, and at the sight of it, he concluded the process of falling helplessly in love with Elvish pigment.

Rayla, for all her embarrassment at being painted, seemed to approve of it too. “You picked that up quickly.” She noted, handling the edges of the thick paper with the delicate care it deserved.

“These pigments are my new favourite thing.” He declared, arranging the bottles a little more tidily beside him. His eyes rested, a little consideringly, over another wide sheet of paper. He stared at it for a long while, growing quiet and solemn, and eventually reached out to take it.

He had his birthday traditions to observe, after all.

The second thing he painted with the elven pigments was his family portrait, atrophied and truncated by tragedy. There was no Sarai there, and hadn’t been for years. No Harrow, and that was a new pain. He felt the ghosts of their absence in the lines he didn’t draw, in the colours that never fell upon the page, in the voids of grief that they left in his life.

But there were new faces now, too.

With quiet, exquisite care, he drew himself. He drew Ezran, older now, wearing a mantle that had come for him too soon. He drew Bait in his brother’s arms. He drew Aunt Amaya. And, tenderly: he drew Azymondias and Rayla. The outlines took form, and as the hours passed, elvish pigment filled them in.

In the end, he had his family portrait again. Changed, and echoing with its empty spaces, but…

Quiet, from her place beside him, Rayla slipped her hand into his own.

“Come on,” She said, with the small but tender smile that he loved. “Zym has a present for you too. He’ll be disappointed if he can’t give it to you today.”

Callum exhaled, and let her fingers tighten around his, pulling him up to his feet beside her. His own smile slipped onto his lips. “Then we’d better go find him.” He said, casting a last glance at the portrait on the table. He didn’t resist it when she tugged on his fingers, pulling him away.

With a strange, quiet serenity, he followed her out into the light.

---

end.

This is word-for-word what was published in the Rayllum zine 'Falling For You'; I have made no changes. It’s the shorter and less impressive of my two pieces, but I hope you liked it anyway.

I’ll potentially be making some minor edits to the second piece before posting, given I intend to continue it - in fact, I’ve already got like three extra chapters of it written, though small ones. I’m considerably more excited about that one, so stay tuned!

[ask-darling-xoxo]

have you found your ipad? :( and do you use apple pencil to draw?

I did find it! And thanks for asking :)

Turns out it was in my art drawer 😭 I just didn’t think to look there bc my art drawer is only for my special notebooks/ painting supplies. I must’ve thrown it in there in a rush and forgotten it was even there.

And yes I use Apple Pencil! I LOVE using the Apple Pencil/ stylus to draw! Before I had my iPad, I used to draw on ibis paint with just my finger on mobile and that was terrible so now I take advantage using Apple Pencil and the pfp proves it!